WEBVTT - #18 Sven

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<v Speaker 1>Hello Bie. You know it's something that we don't do

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<v Speaker 1>very often. I'm realizing on.

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<v Speaker 2>Because ye.

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<v Speaker 1>I'm asking if I can use the personal pronoun with her,

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<v Speaker 1>if that would be okay. I don't want to be presumptuous.

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<v Speaker 1>You're like in grade four again, So your French never evolved.

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<v Speaker 1>If I ever had a girl, you know what I

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<v Speaker 1>would name her?

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<v Speaker 2>What?

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<v Speaker 1>Pooh bell? That's that's French for garbage.

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<v Speaker 2>Oh god.

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<v Speaker 1>If there was a boy twin, you know what i'd

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<v Speaker 1>call him? What would you call him? Moutard? That's French

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<v Speaker 1>for mustard. Moutard and pooh bell.

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<v Speaker 2>Garbage and mustard.

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<v Speaker 1>We kind of go together, like garbage and mustard. Yep,

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<v Speaker 1>I'm the garbage from Gimblet Media. I'm Jonathan Goldstein and

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<v Speaker 1>this is Heavyweight Today's episode Sven. In two thousand and eight,

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<v Speaker 1>Sven received a letter for jury duty.

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<v Speaker 2>You know, lots of.

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<v Speaker 3>People would say, oh, this is such a boring thing.

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<v Speaker 3>Oh no, I hope I don't get jury duty. But

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<v Speaker 3>I was more curious and interested in like the process,

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<v Speaker 3>and you know, I liked watching stuff like Law and

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<v Speaker 3>Order and other things like that.

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<v Speaker 1>SVU Criminal Intent, svenn liked them all. He was a

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<v Speaker 1>software developer, newly married, and he and his wife had

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<v Speaker 1>just bought a new house, his first. The house had

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<v Speaker 1>a flagpole in the front and a hammock out back.

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<v Speaker 1>After work, he'd come home, relax on the couch and

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<v Speaker 1>watches legal dramas. Jury Duty was going to offer an

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<v Speaker 1>inside view of the TV shows he loved.

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<v Speaker 3>I he wasn't fooled into thinking it was some weird,

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<v Speaker 3>glamorous thing like that. But uh, I thought jury's were interesting,

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<v Speaker 3>the idea of, you know, judging your peers right or wrong.

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<v Speaker 3>I've all sort of had a sense of civic responsibility.

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<v Speaker 1>In my book, the only thing that makes responsibility less

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<v Speaker 1>appealing is adding the word civic to it. Paying your taxes,

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<v Speaker 1>appearing before his zoning board not for me. Like most,

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<v Speaker 1>when I appeared for Jury duty, I prayed for dismissal,

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<v Speaker 1>not spend. Though during the selection process he engaged with

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<v Speaker 1>the questions the lawyers posed as best he could, and

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<v Speaker 1>when he was asked how he felt about capital punishment,

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<v Speaker 1>he answered candidly.

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<v Speaker 3>I believe bad people should be punished in that way

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<v Speaker 3>or could be punished in that way, and so I

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<v Speaker 3>wouldn't say I was strongly for it, but I wasn't

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<v Speaker 3>against it, and consequently I got on the jury.

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<v Speaker 1>The case was the State of Texas versus Paul David's Story.

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<v Speaker 1>Story was a twenty two year old accused of the

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<v Speaker 1>murder of Jonas Cherry, the manager of a mini golf

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<v Speaker 1>course in Hearst, Texas. Story and an accomplice forced Cherry

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<v Speaker 1>into the back office, made him unlock the safe and

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<v Speaker 1>put the money a few hundred dollars in a bag,

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<v Speaker 1>and then they shot him multiple times. Story's trial lasted

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<v Speaker 1>two weeks and would have felt familiar to anyone who

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<v Speaker 1>watches TV courtroom dramas. There were lawyers with thick minders

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<v Speaker 1>full of bilistics reports and medical examinations. Character witnesses were called,

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<v Speaker 1>and disturbing photographs of the victim's body were shown. The

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<v Speaker 1>only thing missing was any suspense about the verdict.

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<v Speaker 3>There was no doubt that he was guilty of murder

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<v Speaker 3>and robbery, and so really, as a jury, all we

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<v Speaker 3>had to worry about was sentencing.

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<v Speaker 1>The jury had to decide between life imprisonment or the

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<v Speaker 1>death penalty. It seemed the victim's family knew what they

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<v Speaker 1>wanted it should go without saying the prosecutor announced his

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<v Speaker 1>Fen and the other jurors that all of Jonas's family

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<v Speaker 1>and everyone who loved him believed the death penalty is appropriate.

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<v Speaker 1>The prosecutor asked the jurors to sentence Paul's story to death.

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<v Speaker 1>The instruction stated that for the death penalty to be imposed,

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<v Speaker 1>the jurors must judge three things to be true. That

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<v Speaker 1>Paul's story was guilty, That there were no mitigating circumstances

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<v Speaker 1>like say, mental illness or provocation. And lastly, that story

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<v Speaker 1>posed a future threat to his community.

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<v Speaker 2>That was the one I had issue with.

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<v Speaker 3>I seriously doubted that he would be a continuing threat

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<v Speaker 3>to the prison community.

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<v Speaker 1>And what was it about Paul's story that made you

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<v Speaker 1>feel like you just didn't see him as a continued threat?

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<v Speaker 2>A couple of things.

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<v Speaker 1>His testimony, the young man's Fen saw in the courtroom

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<v Speaker 1>appeared confused, in over his head, and remorseful. This was

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<v Speaker 1>his first offense, and some of the evidence suggested that

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<v Speaker 1>it was Story's accomplice who'd been the mastermind behind the

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<v Speaker 1>horrible crime, as well as the one who'd fired Savin

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<v Speaker 1>was certain that Paul's story should be punished, but he

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<v Speaker 1>didn't think he should be put to death.

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<v Speaker 3>But in the chambers there was a very different feel.

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<v Speaker 3>Everyone else was in favor of the death penalty, and

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<v Speaker 3>so faced with you know, almost a dozen other people

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<v Speaker 3>who already felt strongly, I didn't think I could convince

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<v Speaker 3>anyone that of what I was thinking. I'll be honest,

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<v Speaker 3>I was scared.

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<v Speaker 1>At twenty seven, Savan was the youngest juror by about

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<v Speaker 1>ten years, and he was the kind of guy who

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<v Speaker 1>avoided speaking up at all costs. At home, if his

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<v Speaker 1>neighbor parked in his space, he let it go. At

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<v Speaker 1>the office, if his boss told him to do something,

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<v Speaker 1>even if he disagreed, he did it without question. In

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<v Speaker 1>other words, even though he'd been looking forward to being

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<v Speaker 1>a juror, when he found himself in the jury, Sven

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<v Speaker 1>wasn't exactly Henry Fonda and twelve angry men. The way

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<v Speaker 1>he understood it, the jurors had to reach unanimous decision,

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<v Speaker 1>and the idea of swaying eleven strangers over to his

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<v Speaker 1>way of thinking seemed impossible. He was also afraid that

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<v Speaker 1>if he opposed the group, he would result in a

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<v Speaker 1>hung jury. In a mistrial, they'd have to start the

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<v Speaker 1>whole process over again with a new jury everyone would

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<v Speaker 1>be mad at him, so Sven said nothing. An hour

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<v Speaker 1>and a half later, Paul's story was sentenced to death

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<v Speaker 1>by lethal injection.

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<v Speaker 3>It was hard to look at him during the sentence.

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<v Speaker 3>We sat waiting for the judge to ask us, you know,

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<v Speaker 3>what's the sentencing, and everyone was really tense. And the

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<v Speaker 3>woman next to me, another juror, began crying. She's trying

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<v Speaker 3>to hide it, you know. And I gave him my

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<v Speaker 3>handkerchief and she just wept. Then the foreman announced the verdict,

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<v Speaker 3>and I think his mother cried out. They had an

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<v Speaker 3>exit for us to go through after we collected our things,

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<v Speaker 3>and we were out of that courtroom fast.

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<v Speaker 2>It felt like a mistake right away.

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<v Speaker 1>Svan went over to his parents' house, where he had

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<v Speaker 1>dinner and drank scotch with his dad. He told his

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<v Speaker 1>family about the trial, and then he went home, where

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<v Speaker 1>he had more to drink before bed.

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<v Speaker 2>And then that was that. Then it was over.

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<v Speaker 3>And I went on with my life, or at least

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<v Speaker 3>he tried to.

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<v Speaker 2>But what do you do with these feelings? I was

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<v Speaker 2>just stuck.

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<v Speaker 3>I felt massive amounts of regret. I felt, you know,

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<v Speaker 3>I felt guilty, you know, sending someone to death row.

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<v Speaker 1>When you think about the people a capital murder trial effects,

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<v Speaker 1>you think of the victims, their loved ones, the accused

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<v Speaker 1>and their families and what they're going through. You don't

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<v Speaker 1>usually think about what it does to the jurors. But

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<v Speaker 1>for Spen, the trial wasn't something he could put behind

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<v Speaker 1>him at the crack of a gavel. In the days

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<v Speaker 1>and weeks after the verdict, he read every article about

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<v Speaker 1>the case he could find, but the more he read,

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<v Speaker 1>the more shame he felt. So eventually he just stopped.

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<v Speaker 2>I realized it wasn't really healthy.

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<v Speaker 1>At the time. Spenn was a regular drinker, and.

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<v Speaker 2>It only got worse after the trial. But got a

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<v Speaker 2>lot worse after the trial.

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<v Speaker 1>He was drinking more beginning as soon as he got

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<v Speaker 1>home from work and spending more days hung over. His

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<v Speaker 1>wife didn't understand what was going on.

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<v Speaker 3>It may have contributed to my divorce, which was the

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<v Speaker 3>following year.

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<v Speaker 1>A year after the trial and Sveen's life had changed.

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<v Speaker 1>The new house with the hammock and the flagpole was

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<v Speaker 1>sold and Spen moved out of Texas. Sven settled in Olympia,

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<v Speaker 1>Washington to start his life over. He found an apartment

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<v Speaker 1>for himself and his cat Niku, but he couldn't shake

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<v Speaker 1>his memories of the trial. When a friend bought a

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<v Speaker 1>second hand silver Nissan, Sven couldn't stop thinking about how

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<v Speaker 1>that was the same car as the victim, Jonas Cherry

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<v Speaker 1>had driven. When addressing coworkers, the name Jonas would accidentally

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<v Speaker 1>slip from Spen's lips, and Paul's Story, who still was

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<v Speaker 1>on death row, was never far from Sveen's mind. He

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<v Speaker 1>tried to escape through alcohol, but it didn't free him

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<v Speaker 1>from his shame. Sometimes after a night out drinking, he'd

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<v Speaker 1>return to a Facebook page Paul Story's mother had made

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<v Speaker 1>for Paul. One mother had already lost her son, and

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<v Speaker 1>now because Fenn had been too afraid to speak up,

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<v Speaker 1>another mother was going to as well.

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<v Speaker 3>I'm not trying to excuse his crime. It was terrible,

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<v Speaker 3>but to Sunday guide it doath for anyon?

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<v Speaker 2>Is it all that?

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<v Speaker 3>Just the presence in your mind, the sort of recurring

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<v Speaker 3>thoughts about it?

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<v Speaker 2>Can that go away?

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<v Speaker 1>For all the bad rapid gets Shame offers a certain safety.

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<v Speaker 1>It provides a comfortable hole to hide in away from

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<v Speaker 1>the judgment of others, but it can also lead to

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<v Speaker 1>isolation and inertia, and for eight years, eight years in

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<v Speaker 1>which Paul's Story sat on death row awaiting an execution date,

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<v Speaker 1>Sven barely talked about the trial with anybody. But then,

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<v Speaker 1>in twenty sixteen, the year after Paul Story's federal appeal

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<v Speaker 1>had been denied, a reporter writing a series of articles

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<v Speaker 1>about the judicial system approached Ven about his experience as

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<v Speaker 1>a juror. Sven was tired of being all alone with

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<v Speaker 1>his regrets, and so for the first time, he opened

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<v Speaker 1>up about his feelings. I felt guilty, he told the reporter,

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<v Speaker 1>and sad and a little helpless. I don't think I

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<v Speaker 1>made the right call. Sven had hoped that talking about

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<v Speaker 1>the trial might help, and it did up until the

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<v Speaker 1>article was published. That was when Spen received an uncomfortable

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<v Speaker 1>phone call from a lawyer who'd read the article. Sveen

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<v Speaker 1>was at work, fearing his coworkers might overhear, he took

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<v Speaker 1>the call outside behind his office building. It was there

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<v Speaker 1>that he learned that eight years earlier, he'd misunderstood a

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<v Speaker 1>key part of the jury instructions.

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<v Speaker 2>I thought incorrectly.

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<v Speaker 3>Essentially, I believed I would have to convince everyone to

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<v Speaker 3>choose life imprisonment. When In fact, all I had to

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<v Speaker 3>do was declined the death penalty, and that's all it

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<v Speaker 3>would have taken.

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<v Speaker 1>Preventing the death sentence only required one dissenting vote, a

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<v Speaker 1>vote Spen could have cast, so there would have been

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<v Speaker 1>no mistrial, no hungury, and instead of the death penalty,

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<v Speaker 1>Paul's story would have gotten life in prison without parole.

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<v Speaker 3>And that would that would have been nice to know

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<v Speaker 3>I could have changed Oh, I could have let him live.

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<v Speaker 1>After the article was published, something else happened, something Spenn

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<v Speaker 1>never expected or wanted. Paul Story's mother, Marilyn, got in touch.

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<v Speaker 3>She reached out with an email filled with sentiments of forgiveness.

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<v Speaker 3>She had forgiven me and if I wanted to, I

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<v Speaker 3>could reach out and talk with her. And knowing that

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<v Speaker 3>there was that forgiveness, it felt so weird like it.

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<v Speaker 3>It wasn't something I could completely understand.

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<v Speaker 1>Forri Sven, it didn't make sense. Why would Marilyn want

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<v Speaker 1>to speak with him? How could she, of all people,

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<v Speaker 1>forgive him for something he couldn't forgive himself.

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<v Speaker 3>I didn't know how to deal with I still kind

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<v Speaker 3>of don't know how to deal with that.

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<v Speaker 2>And I couldn't. I couldn't. I couldn't match her message.

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<v Speaker 2>How do you mean? Well?

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<v Speaker 3>I wasn't sure how to reply with something as powerful

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<v Speaker 3>as that.

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<v Speaker 2>It just floored me. I didn't know what to say.

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<v Speaker 1>Sven was never able to write Maryland back.

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<v Speaker 2>I did began a reply, but I didn't.

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<v Speaker 3>I didn't have the courage to finish or send it.

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<v Speaker 3>It's just, you know, there's so much pain in there,

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<v Speaker 3>and I feel like I really wrecked things up.

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<v Speaker 1>A few months after Spenn received Maryland's email, an execution

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<v Speaker 1>date was set. The state would put Paul's Story to

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<v Speaker 1>death on April twelfth of twenty seventeen. But then something

0:14:00.960 --> 0:14:05.240
<v Speaker 1>unexpected happened. Glenn and Judith Cherry, the parents of the victim,

0:14:05.360 --> 0:14:09.160
<v Speaker 1>came forward. It seems that at the trial the prosecution

0:14:09.320 --> 0:14:13.000
<v Speaker 1>had lied. The Cherries, in spite of their son's murder,

0:14:13.160 --> 0:14:17.439
<v Speaker 1>are and always have been, against capital punishment. In a

0:14:17.520 --> 0:14:21.880
<v Speaker 1>video they released publicly, Judith Cherry presents a statement which reads,

0:14:22.080 --> 0:14:25.800
<v Speaker 1>in part, we do not want Paul Story's family, especially

0:14:25.800 --> 0:14:29.040
<v Speaker 1>a mother, to witness the purposeful execution of their son.

0:14:29.920 --> 0:14:34.120
<v Speaker 1>They are innocent of his deeds. Based on this testimony,

0:14:34.480 --> 0:14:38.760
<v Speaker 1>with only five days to spare, Paul Story's execution was postponed.

0:14:40.200 --> 0:14:43.000
<v Speaker 1>When news of the stay of execution reached Fenn, it

0:14:43.080 --> 0:14:46.680
<v Speaker 1>felt like a second chance, an opening to finally respond

0:14:46.680 --> 0:14:50.480
<v Speaker 1>to Marilyn's email. But he didn't. It's now been over

0:14:50.520 --> 0:14:54.400
<v Speaker 1>two years, he's remarried, doesn't drink anymore, but he still

0:14:54.400 --> 0:14:58.640
<v Speaker 1>hasn't contacted Marilyn. And so at this point, what do

0:14:58.680 --> 0:14:59.240
<v Speaker 1>you want?

0:15:02.000 --> 0:15:04.480
<v Speaker 2>I need to apologize for not.

0:15:06.680 --> 0:15:08.480
<v Speaker 3>For not doing what I should have done to begin with,

0:15:08.600 --> 0:15:11.360
<v Speaker 3>for not following my gut, for not trying.

0:15:17.320 --> 0:15:20.560
<v Speaker 1>Shame leads to inertia, And as even the most casual

0:15:20.600 --> 0:15:23.400
<v Speaker 1>reader of the fundamentals of physics will tell you, an

0:15:23.400 --> 0:15:26.680
<v Speaker 1>inert object will remain inert until it is acted upon

0:15:26.840 --> 0:15:30.440
<v Speaker 1>by an external force. In other words, it takes a

0:15:30.440 --> 0:15:34.240
<v Speaker 1>little nudge. And who better to supply a little nudge

0:15:34.600 --> 0:15:38.440
<v Speaker 1>than a little nudge. And so I write Marilyn a letter.

0:15:39.280 --> 0:15:41.960
<v Speaker 1>I know this is a really sensitive and deeply personal issue.

0:15:42.000 --> 0:15:44.480
<v Speaker 1>It reads, and I hope I'm not being too forward.

0:15:45.200 --> 0:15:47.280
<v Speaker 1>I ask Marilyn if she remembers a juror by the

0:15:47.320 --> 0:15:50.720
<v Speaker 1>name of spen Burger. About a week later, I receive

0:15:50.760 --> 0:15:53.600
<v Speaker 1>a note back via email. Thank you so much for

0:15:53.640 --> 0:15:56.680
<v Speaker 1>your letter, Marilyn, writes, I have no ill will toward

0:15:56.760 --> 0:15:59.680
<v Speaker 1>mister Berger. I have offered on my email address as

0:15:59.680 --> 0:16:03.120
<v Speaker 1>well as my phone number with no reply. She also

0:16:03.200 --> 0:16:05.960
<v Speaker 1>forwards me her original email to Fenn, the one she

0:16:06.040 --> 0:16:08.760
<v Speaker 1>sent two years ago, the one he can't stop thinking

0:16:08.760 --> 0:16:12.680
<v Speaker 1>about when I read it. I'm expecting a grand gesture

0:16:12.680 --> 0:16:17.200
<v Speaker 1>of forgiveness, but Marilyn never mentions forgiveness, never even uses

0:16:17.240 --> 0:16:21.200
<v Speaker 1>the word. Instead, it's just six short sentences in which

0:16:21.200 --> 0:16:23.840
<v Speaker 1>Marilyn thanks Vin for the article and says she shared

0:16:23.880 --> 0:16:27.400
<v Speaker 1>it with her son. Her tone's breezy. She ends with,

0:16:27.720 --> 0:16:32.600
<v Speaker 1>have a great day exclamation mark. I understand That'svenn, consumed

0:16:32.600 --> 0:16:35.880
<v Speaker 1>by guilt, would read so much into so little. What

0:16:35.920 --> 0:16:38.760
<v Speaker 1>I don't understand is why Marilyn sent him the email

0:16:38.840 --> 0:16:39.720
<v Speaker 1>in the first place.

0:17:03.440 --> 0:17:07.240
<v Speaker 2>I know you're jokingly mentioned breakfast. Oh, I was joking.

0:17:07.720 --> 0:17:08.720
<v Speaker 2>I have, like I.

0:17:08.640 --> 0:17:11.560
<v Speaker 1>Have a couple of little things if you get packish

0:17:11.600 --> 0:17:15.840
<v Speaker 1>at all, some croissant, some of this stuff I don't know,

0:17:15.920 --> 0:17:20.440
<v Speaker 1>some cookies, yeah, okay. Marylyn lives in Fort Worth, Texas.

0:17:20.760 --> 0:17:23.000
<v Speaker 1>The two of us meet in a hotel suite downtown,

0:17:23.400 --> 0:17:25.760
<v Speaker 1>where I can't stop offering her food, but she can't

0:17:25.800 --> 0:17:26.560
<v Speaker 1>stop refusing.

0:17:27.119 --> 0:17:29.000
<v Speaker 2>Do you want to have a coffee or cheek?

0:17:29.359 --> 0:17:29.600
<v Speaker 4>No.

0:17:30.240 --> 0:17:34.720
<v Speaker 1>Marilyn is tall and stately, with smiling eyes. She's in slacks, boots,

0:17:34.720 --> 0:17:37.639
<v Speaker 1>and a crop blazer, all in black. She sits on

0:17:37.680 --> 0:17:39.960
<v Speaker 1>the end of the couch next to an empty armchair

0:17:40.280 --> 0:17:41.760
<v Speaker 1>and tries to give me a sense of what her

0:17:41.760 --> 0:17:43.199
<v Speaker 1>life was like before the trial.

0:17:43.800 --> 0:17:45.719
<v Speaker 5>I was always the life of the party. I mean,

0:17:45.760 --> 0:17:48.840
<v Speaker 5>I was a joster. Oh make sure you have Marylynd there,

0:17:48.880 --> 0:17:51.800
<v Speaker 5>because she's gonna keep the party going. I was always

0:17:51.840 --> 0:17:54.040
<v Speaker 5>kind of the one that everybody went to. People know,

0:17:54.119 --> 0:17:55.680
<v Speaker 5>you can call me in the middle of the night.

0:17:56.400 --> 0:17:58.639
<v Speaker 5>You know, if you need somebody to come pick you up,

0:17:58.720 --> 0:18:00.720
<v Speaker 5>you call Maryland. She'd get up, She'll go do it.

0:18:01.400 --> 0:18:04.479
<v Speaker 1>Since the trial, Maryland doesn't feel like the same person.

0:18:05.200 --> 0:18:07.639
<v Speaker 1>But after ten years, her friends and family want her

0:18:07.680 --> 0:18:09.520
<v Speaker 1>to go back to being the same old Maryland she

0:18:09.600 --> 0:18:10.240
<v Speaker 1>always was.

0:18:10.800 --> 0:18:13.919
<v Speaker 5>So it went through a transition of my family not

0:18:14.080 --> 0:18:17.000
<v Speaker 5>understanding because it's like, Okay, you know, well, why aren't

0:18:17.000 --> 0:18:20.560
<v Speaker 5>you cheery and happy like you used to? And you

0:18:20.640 --> 0:18:21.879
<v Speaker 5>got to go on with your life.

0:18:22.200 --> 0:18:25.320
<v Speaker 1>But this is Maryland's life. Every day she's reckoning with

0:18:25.359 --> 0:18:28.640
<v Speaker 1>the horror of her son's crime and worrying endlessly about

0:18:28.640 --> 0:18:32.199
<v Speaker 1>his safety in prison. The thing that's hardest, though, is

0:18:32.200 --> 0:18:34.560
<v Speaker 1>the way the people closest to her now look upon

0:18:34.560 --> 0:18:37.879
<v Speaker 1>her son. She says that everyone's past judgment on Paul

0:18:38.080 --> 0:18:41.320
<v Speaker 1>written him off as worthless and unredeemable, and they blame

0:18:41.440 --> 0:18:42.240
<v Speaker 1>him for her pain.

0:18:42.720 --> 0:18:45.639
<v Speaker 5>And I even had a family remember where Paul is

0:18:45.720 --> 0:18:48.920
<v Speaker 5>the cause of all of this, and that was.

0:18:50.520 --> 0:18:51.359
<v Speaker 2>Very hurtful.

0:18:52.119 --> 0:18:56.120
<v Speaker 5>It's like they wanted everything to be okay. But that's

0:18:56.160 --> 0:18:59.159
<v Speaker 5>my child, and I love him and I'm not going

0:18:59.240 --> 0:19:01.199
<v Speaker 5>to ever stop fighting for him.

0:19:02.040 --> 0:19:04.520
<v Speaker 1>Fighting for him meant working with her son's lawyers to

0:19:04.600 --> 0:19:06.280
<v Speaker 1>change his sentence to life in prison.

0:19:06.640 --> 0:19:09.120
<v Speaker 5>Paul's appeals more exhausting.

0:19:09.960 --> 0:19:12.120
<v Speaker 1>It took up all of her time and energy, which

0:19:12.119 --> 0:19:15.400
<v Speaker 1>affected the hospitality job she worked at for over thirty years.

0:19:15.800 --> 0:19:20.080
<v Speaker 5>It became extremely hard for me to concentrate at work,

0:19:20.320 --> 0:19:22.600
<v Speaker 5>and I feel like it cost me my job.

0:19:23.560 --> 0:19:26.879
<v Speaker 1>After losing her job, Marilyn then lost her house. She

0:19:26.960 --> 0:19:28.720
<v Speaker 1>was forced to move in with her younger son.

0:19:29.040 --> 0:19:30.879
<v Speaker 5>So it's kind of like, you know, at my age,

0:19:30.920 --> 0:19:33.679
<v Speaker 5>where I felt that i'd be getting ready to retire,

0:19:33.920 --> 0:19:38.920
<v Speaker 5>I'm storing over. So that's a hard thing.

0:19:46.240 --> 0:19:49.520
<v Speaker 1>Ten years after the trial, and everyone, her friends, her

0:19:49.520 --> 0:19:53.639
<v Speaker 1>family have all moved on. So when Marilyn reads friend's article,

0:19:54.080 --> 0:19:57.000
<v Speaker 1>she saw in him someone like her, someone who never

0:19:57.040 --> 0:20:00.400
<v Speaker 1>gotten past that final day of the trial, and they.

0:20:00.359 --> 0:20:06.119
<v Speaker 5>Actually gave the sentence, the death penalty. I thought I

0:20:06.160 --> 0:20:10.600
<v Speaker 5>had died. I thought I had literally died. It didn't

0:20:10.640 --> 0:20:16.320
<v Speaker 5>even register because I'm just like, what just happened? What

0:20:16.440 --> 0:20:20.280
<v Speaker 5>have they done? You know? My whole time there, I

0:20:20.359 --> 0:20:23.280
<v Speaker 5>was just look at the jurors to try to read, Okay,

0:20:23.560 --> 0:20:24.520
<v Speaker 5>what are they thinking?

0:20:24.640 --> 0:20:25.520
<v Speaker 2>What are they doing?

0:20:27.520 --> 0:20:30.359
<v Speaker 5>I wanted them to know if I could only tell

0:20:30.359 --> 0:20:33.160
<v Speaker 5>them what kind of person he is, And I want

0:20:33.200 --> 0:20:36.120
<v Speaker 5>people to know, you know, everybody's they're assumed that if

0:20:36.119 --> 0:20:38.480
<v Speaker 5>you're involved in a hang his crime like that.

0:20:38.480 --> 0:20:39.320
<v Speaker 2>That you're a monster.

0:20:39.640 --> 0:20:40.720
<v Speaker 5>But he wasn't a monster.

0:20:46.600 --> 0:20:47.960
<v Speaker 2>Okay, so he's going to come up.

0:20:48.440 --> 0:20:50.440
<v Speaker 1>Marilyn and I have been talking for about an hour

0:20:50.480 --> 0:20:52.480
<v Speaker 1>and a half. When the front desk funds.

0:20:57.040 --> 0:21:03.520
<v Speaker 5>As the n spin Yes, I'll hope I get that

0:21:03.640 --> 0:21:05.000
<v Speaker 5>before he gets it.

0:21:05.920 --> 0:21:08.199
<v Speaker 1>But before we get a chance to practice our fans.

0:21:08.680 --> 0:21:14.359
<v Speaker 1>Sven is at the door, Jonathan, it's very nice to

0:21:15.280 --> 0:21:21.879
<v Speaker 1>Marilyn is here Spin Sven lingers in the door of

0:21:21.920 --> 0:21:25.400
<v Speaker 1>the hotel room. Here, sit down, have a seat over there.

0:21:25.960 --> 0:21:29.240
<v Speaker 1>He's bespectacled, neatly dressed in a collared shirt and sweater.

0:21:29.720 --> 0:21:31.359
<v Speaker 1>He looks around and clears his throat.

0:21:31.760 --> 0:21:33.440
<v Speaker 6>I'm a little nervous.

0:21:34.359 --> 0:21:34.479
<v Speaker 2>So.

0:21:35.680 --> 0:21:37.560
<v Speaker 1>The last time Marilyn and s Fan had been in

0:21:37.600 --> 0:21:40.359
<v Speaker 1>the same room was ten years ago. At the trial,

0:21:41.160 --> 0:21:43.680
<v Speaker 1>Marilyn was seated behind the bar span sat in the

0:21:43.760 --> 0:21:47.359
<v Speaker 1>jury box, But today he sits down in the empty

0:21:47.400 --> 0:21:50.320
<v Speaker 1>armchair beside her. He can't quite bring himself to look

0:21:50.359 --> 0:21:52.679
<v Speaker 1>at her. As he tells Marilyn what it was like

0:21:52.720 --> 0:21:55.440
<v Speaker 1>to receive her email, he gazes down at his lap.

0:21:57.440 --> 0:22:02.359
<v Speaker 3>It was it was very surprising, and I read it

0:22:02.400 --> 0:22:04.840
<v Speaker 3>and I reread it, and I even.

0:22:05.040 --> 0:22:08.080
<v Speaker 2>Began several letters that never went anywhere. I didn't know

0:22:08.080 --> 0:22:09.560
<v Speaker 2>what to say. What do you say about that?

0:22:10.560 --> 0:22:12.840
<v Speaker 3>I don't want to write a letter that's trying to

0:22:12.840 --> 0:22:15.240
<v Speaker 3>make me feel better, do you know what I mean?

0:22:17.680 --> 0:22:20.760
<v Speaker 3>From the moment the vote was cast, I had regret.

0:22:20.920 --> 0:22:26.119
<v Speaker 3>I thought I am doing the wrong thing. And although

0:22:26.480 --> 0:22:29.679
<v Speaker 3>it was great hearing that you know you forgave me,

0:22:30.240 --> 0:22:33.080
<v Speaker 3>I couldn't forgive myself exactly.

0:22:33.720 --> 0:22:35.879
<v Speaker 2>And I can't even imagine how you must feel.

0:22:37.720 --> 0:22:40.320
<v Speaker 5>Okay, first of all, I want to say, I don't

0:22:40.320 --> 0:22:42.760
<v Speaker 5>want you to feel shamed, because you know my son

0:22:42.920 --> 0:22:48.440
<v Speaker 5>was involved in a crime. He made a wrong choice.

0:22:49.280 --> 0:22:52.040
<v Speaker 5>And I don't ever want you to feel that you

0:22:52.080 --> 0:22:56.080
<v Speaker 5>did anything wrong. You did what you felt you had

0:22:56.119 --> 0:23:01.080
<v Speaker 5>to do at the time, but you came back and

0:23:01.119 --> 0:23:05.040
<v Speaker 5>for you to come out and for you to say, hey,

0:23:06.119 --> 0:23:09.359
<v Speaker 5>I made a mistake, you write your wrong.

0:23:11.680 --> 0:23:14.080
<v Speaker 1>I can tell by Sven's face that he isn't convinced,

0:23:14.640 --> 0:23:17.960
<v Speaker 1>he doesn't feel like he's righted anything. This is because

0:23:18.000 --> 0:23:21.119
<v Speaker 1>for years Spen has been avoiding all traces of the case.

0:23:21.680 --> 0:23:25.440
<v Speaker 1>No googling, no newspapers. He never even read the article

0:23:25.480 --> 0:23:28.920
<v Speaker 1>he'd been interviewed for. So he doesn't know what Marilynd knows,

0:23:29.600 --> 0:23:32.280
<v Speaker 1>which is the chain of events that his articles set

0:23:32.320 --> 0:23:40.720
<v Speaker 1>in motion. The jury instructions for Paul Story's case were

0:23:40.720 --> 0:23:43.680
<v Speaker 1>written in dense legal ees, and nowhere in their nine

0:23:43.720 --> 0:23:46.520
<v Speaker 1>pages did they state that a single dissenting vote can

0:23:46.520 --> 0:23:50.199
<v Speaker 1>prevent the death penalty. In fact, courts in Texas are

0:23:50.200 --> 0:23:54.240
<v Speaker 1>prohibited from telling jurors that. In theory, that's to encourage

0:23:54.280 --> 0:23:57.280
<v Speaker 1>them to arrive at a consensus. Well, What it means

0:23:57.359 --> 0:24:02.080
<v Speaker 1>is Spen's confusion wasn't his fault. For years, legal advocates

0:24:02.080 --> 0:24:04.639
<v Speaker 1>had wanted to bring a bill before the legislature. They

0:24:04.640 --> 0:24:08.359
<v Speaker 1>would clarify the instructions, but they needed someone who could say,

0:24:08.640 --> 0:24:11.480
<v Speaker 1>I would have done things differently if I had understood.

0:24:12.119 --> 0:24:15.080
<v Speaker 1>Marilyn explains to FN that with him and the things

0:24:15.080 --> 0:24:17.800
<v Speaker 1>he'd said in the article, they'd finally found that person.

0:24:18.520 --> 0:24:20.720
<v Speaker 5>There are senitors in the state of Texas who have

0:24:20.960 --> 0:24:25.000
<v Speaker 5>introduced the bill based on you, to change the way

0:24:25.080 --> 0:24:27.520
<v Speaker 5>destructions are given to a death ponem.

0:24:27.280 --> 0:24:31.400
<v Speaker 1>To Jerid, Sven, slumped in his chair, straightens up.

0:24:31.840 --> 0:24:37.080
<v Speaker 5>Really, you have no idea what sort of impact you had.

0:24:37.480 --> 0:24:40.640
<v Speaker 3>I don't know anything about that.

0:24:40.680 --> 0:24:42.040
<v Speaker 5>You were very instrumental.

0:24:43.800 --> 0:24:45.840
<v Speaker 6>This is I'm shocked.

0:24:47.160 --> 0:24:49.200
<v Speaker 1>While his eyes have tended to dart around the room,

0:24:49.600 --> 0:24:52.439
<v Speaker 1>looking at me or down at his hands, right now,

0:24:52.600 --> 0:24:56.000
<v Speaker 1>Sven is looking directly at Marylyn. She tells him that

0:24:56.000 --> 0:24:58.479
<v Speaker 1>had he in fact voted against the death penalty at

0:24:58.480 --> 0:25:02.200
<v Speaker 1>her son's trial, these attempts at reform might never have happened.

0:25:02.800 --> 0:25:05.240
<v Speaker 5>I'm a firm believer of the things happened for a reason,

0:25:05.720 --> 0:25:09.119
<v Speaker 5>because this is not just about my son. It's about

0:25:09.480 --> 0:25:12.240
<v Speaker 5>other mothers sons that are on death row as well.

0:25:12.600 --> 0:25:15.879
<v Speaker 5>So if this can help any other case, you know,

0:25:16.040 --> 0:25:22.040
<v Speaker 5>outside of polls, then we've served that purpose. You came forward,

0:25:22.600 --> 0:25:24.520
<v Speaker 5>so I look at you as my hero.

0:25:26.160 --> 0:25:30.120
<v Speaker 1>Then physically shrinks from the word hero. It's as though

0:25:30.160 --> 0:25:32.680
<v Speaker 1>she's placed a large, awkward crown atop his head.

0:25:33.280 --> 0:25:39.000
<v Speaker 3>Wow, that's not the way i'd considered myself for my

0:25:39.080 --> 0:25:40.199
<v Speaker 3>actions in any way.

0:25:40.800 --> 0:25:41.679
<v Speaker 2>I don't feel.

0:25:41.480 --> 0:25:46.760
<v Speaker 5>That's to me. You are so you know it means

0:25:46.800 --> 0:25:47.120
<v Speaker 5>a lot.

0:25:49.440 --> 0:25:52.879
<v Speaker 6>That's a lot to process. I I had no idea

0:25:53.320 --> 0:25:55.040
<v Speaker 6>you didn't know any of this. No.

0:25:55.240 --> 0:25:56.240
<v Speaker 2>Oh, the articles.

0:25:57.400 --> 0:26:02.040
<v Speaker 5>There's a really good one in the Texas Tribute. It's

0:26:02.119 --> 0:26:07.200
<v Speaker 5>one of the ones. I actually printed it out for you,

0:26:07.240 --> 0:26:10.560
<v Speaker 5>but I waste Coca Cola on it, so I didn't

0:26:10.560 --> 0:26:13.159
<v Speaker 5>want to give you an article that was uh, but

0:26:13.240 --> 0:26:14.120
<v Speaker 5>you should look it up.

0:26:15.440 --> 0:26:16.800
<v Speaker 2>Oh, this blows my mind.

0:26:17.280 --> 0:26:20.200
<v Speaker 5>I need to send you some articles here because it's

0:26:20.200 --> 0:26:21.120
<v Speaker 5>definitely movement.

0:26:21.160 --> 0:26:22.240
<v Speaker 2>It's definitely movement.

0:26:23.240 --> 0:26:33.360
<v Speaker 3>Well, I'm sorry, I'm a little at loss for words. Yeah,

0:26:33.440 --> 0:26:35.159
<v Speaker 3>but walking in here, I didn't I didn't know what

0:26:35.200 --> 0:26:41.320
<v Speaker 3>to expect, and I was a little nervous. I do

0:26:41.359 --> 0:26:45.240
<v Speaker 3>feel even just now a little bit of weight taking

0:26:45.280 --> 0:26:46.200
<v Speaker 3>off my shoulders.

0:26:49.880 --> 0:26:54.000
<v Speaker 2>This helps, This helps so much, Oh, this helps so much.

0:27:00.560 --> 0:27:03.560
<v Speaker 1>After all these years, Sven is finally able to accept

0:27:03.560 --> 0:27:07.560
<v Speaker 1>Marylyn's forgiveness, even if he still isn't ready to forgive himself.

0:27:09.760 --> 0:27:12.840
<v Speaker 3>It choos me up today that I didn't express a

0:27:12.880 --> 0:27:18.000
<v Speaker 3>dissenting opinion. I should have spoken up at least. I mean,

0:27:18.119 --> 0:27:19.960
<v Speaker 3>I didn't think he would be a danger too with

0:27:20.040 --> 0:27:21.000
<v Speaker 3>the prison community.

0:27:22.280 --> 0:27:24.200
<v Speaker 2>I didn't see a hardened criminal there.

0:27:24.760 --> 0:27:28.480
<v Speaker 3>I got the impression of sort of a kid who

0:27:28.560 --> 0:27:31.560
<v Speaker 3>was in a situation he didn't know how to handle.

0:27:32.280 --> 0:27:36.159
<v Speaker 3>I saw someone who made a terrible mistake and someone

0:27:36.200 --> 0:27:37.879
<v Speaker 3>I did not believe would do it again.

0:27:38.880 --> 0:27:42.600
<v Speaker 1>As Benn speaks, Marylynd's eyes well up now.

0:27:42.720 --> 0:27:45.399
<v Speaker 5>I kept looking at the jurors and I was like,

0:27:45.440 --> 0:27:48.320
<v Speaker 5>you know, it has to be somebody owned there that

0:27:48.520 --> 0:27:51.240
<v Speaker 5>feels and dick and see through all of this, that

0:27:51.359 --> 0:27:54.199
<v Speaker 5>the prosecutor that's presenting in everything to know that my

0:27:54.280 --> 0:27:55.399
<v Speaker 5>son is not a monster.

0:27:55.720 --> 0:27:58.840
<v Speaker 6>No, no, never, I never saw Paul as a monster.

0:28:00.240 --> 0:28:03.080
<v Speaker 1>After the crime. Marilyn's family never saw her son the

0:28:03.080 --> 0:28:06.240
<v Speaker 1>same way again. From that moment on, he was nothing

0:28:06.240 --> 0:28:08.639
<v Speaker 1>more than a murderer, and on the final day of

0:28:08.640 --> 0:28:12.679
<v Speaker 1>the trial, twelve jurors confirmed that judgment. Her hope had

0:28:12.680 --> 0:28:15.960
<v Speaker 1>been that maybe someone had seen something else. It wasn't

0:28:15.960 --> 0:28:18.360
<v Speaker 1>a hope for someone to recognize in her son anything

0:28:18.400 --> 0:28:21.760
<v Speaker 1>special or good. She just wanted them to see him

0:28:21.760 --> 0:28:23.159
<v Speaker 1>as something other than a monster.

0:28:24.119 --> 0:28:26.840
<v Speaker 6>I thank you God, I appreciate that s the trial,

0:28:26.880 --> 0:28:27.960
<v Speaker 6>I never saw that once.

0:28:29.240 --> 0:28:31.880
<v Speaker 1>Paul's story is still on death row and Sven still

0:28:31.920 --> 0:28:35.160
<v Speaker 1>can't reverse the sentence. But in speaking aloud the words

0:28:35.160 --> 0:28:38.680
<v Speaker 1>that Marilyn's been repeating to herself for so long, Sven's

0:28:38.680 --> 0:28:40.720
<v Speaker 1>made her feel less alone.

0:28:41.080 --> 0:28:48.520
<v Speaker 5>You have some of the hurt that I have carried

0:28:48.560 --> 0:28:51.240
<v Speaker 5>on my heart for the last twelve years. You just

0:28:51.360 --> 0:28:51.840
<v Speaker 5>lived in it.

0:28:52.920 --> 0:28:55.000
<v Speaker 2>You have no earthly idea what.

0:28:54.840 --> 0:29:01.719
<v Speaker 5>That meant to me. It's meant a lot, and for

0:29:01.800 --> 0:29:08.920
<v Speaker 5>you to say that it is it, it's.

0:29:11.120 --> 0:29:12.480
<v Speaker 2>It really is my heart.

0:29:22.320 --> 0:29:24.720
<v Speaker 1>After years of worry over what to say to Marylyn,

0:29:25.360 --> 0:29:27.000
<v Speaker 1>Sven's finally found the right words.

0:29:27.360 --> 0:29:27.840
<v Speaker 2>I'm sorry.

0:29:27.840 --> 0:29:30.520
<v Speaker 6>I never wrote back, that's okay, I totally understood.

0:29:31.720 --> 0:29:32.280
<v Speaker 2>It's a lot.

0:29:37.880 --> 0:29:40.800
<v Speaker 1>Since then and Maryland's meeting, a judge made an official

0:29:40.840 --> 0:29:45.040
<v Speaker 1>recommendation that, based on Glenn and Judith Cherry's testimony, Paul's

0:29:45.040 --> 0:29:48.080
<v Speaker 1>story sentence be changed to life in prison without parole,

0:29:49.000 --> 0:29:51.160
<v Speaker 1>though the Court of Criminal Appeals still has to make

0:29:51.160 --> 0:29:55.480
<v Speaker 1>a final ruling. Stories lawyers are hopeful, and so is Marilyn.

0:29:56.520 --> 0:30:00.520
<v Speaker 1>As for Sven, After finally responding to Marylyn decided to

0:30:00.520 --> 0:30:04.240
<v Speaker 1>send a letter of apology to Paul's story. I couldn't

0:30:04.240 --> 0:30:06.120
<v Speaker 1>find the strength to speak up in the jury room,

0:30:06.160 --> 0:30:08.959
<v Speaker 1>he wrote, and that is a mistake I will carry forever.

0:30:11.720 --> 0:30:13.360
<v Speaker 1>Sven has yet to hear anything back.

0:30:49.920 --> 0:30:59.440
<v Speaker 4>Now that the Fernitures returning to its goodwill home, now

0:30:59.480 --> 0:31:04.320
<v Speaker 4>that the last month's rand is scheming with the damage

0:31:04.400 --> 0:31:05.920
<v Speaker 4>to take.

0:31:05.800 --> 0:31:11.560
<v Speaker 2>This moment to save if we imagine, if.

0:31:11.440 --> 0:31:16.200
<v Speaker 4>We too felt far.

0:31:19.000 --> 0:31:20.600
<v Speaker 2>From things accident.

0:31:26.000 --> 0:31:29.120
<v Speaker 1>Heavyweight is hosted and produced by me Jonathan Goldstein, along

0:31:29.120 --> 0:31:32.280
<v Speaker 1>with Stevie Lane, Peter Bresnan, and Khalila Holt. The show

0:31:32.320 --> 0:31:35.760
<v Speaker 1>is edited by Jorge Just, with additional editing by Alex Bloomberg.

0:31:36.040 --> 0:31:39.600
<v Speaker 1>Special thanks to Emily Condon, Emmanuel Barry, Caitlin Kenny, John,

0:31:39.640 --> 0:31:43.960
<v Speaker 1>Michael Tuttlegates, Amanda Marzulo, Mike Ware, Emily Follis, Brian Reed,

0:31:44.040 --> 0:31:47.560
<v Speaker 1>Sean Cole, Diane Wu, Christopher Swetala, Ira Glass and the

0:31:47.560 --> 0:31:52.040
<v Speaker 1>rest of our friends at This American Life and Jackie Cohen.

0:31:52.960 --> 0:31:55.320
<v Speaker 1>A very special thanks to Maurice Shamas. If you want

0:31:55.320 --> 0:31:57.760
<v Speaker 1>to read the original article that Maurice reported with Spen,

0:31:58.080 --> 0:32:00.840
<v Speaker 1>we're including a link to it on our website. Bobby

0:32:00.880 --> 0:32:04.000
<v Speaker 1>Lord mixed the episode with music by Christine Fellows, John K. Sampson,

0:32:04.080 --> 0:32:07.680
<v Speaker 1>Michael Hurst, Blue Dot Sessions, and Bobby Lord. Additional music

0:32:07.680 --> 0:32:10.440
<v Speaker 1>credits can be found on our website, Gimbletmedia dot com

0:32:10.480 --> 0:32:13.280
<v Speaker 1>slash Heavyweight. Our theme song is by The Weaker Thans

0:32:13.280 --> 0:32:15.800
<v Speaker 1>courtesy of Epitaph Records, and our ad music is by

0:32:15.800 --> 0:32:19.120
<v Speaker 1>Hailey Shaw. Follow us on Twitter at Heavyweight or email

0:32:19.200 --> 0:32:22.040
<v Speaker 1>us at Heavyweight at gimletmedia dot com. We'll have a

0:32:22.080 --> 0:32:26.320
<v Speaker 1>special episode next week, special because it was recorded in

0:32:26.400 --> 0:32:37.000
<v Speaker 1>front of a live studio audience. We'll see you then,