WEBVTT - Persona w/ Clea DuVall

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<v Speaker 1>Of the law and order franchises, SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies. These episodes are based on. These are our stories, Done.

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<v Speaker 1>Done Happy twenty twenty three. Everybody, It's That's Messed Up

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<v Speaker 1>an SVU podcast And I'm Kara Klank and I'm Liza Traeger.

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<v Speaker 2>Hello. This is a podcast where we talk about SVU,

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<v Speaker 2>the true crimes that are based on We have celebrity

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<v Speaker 2>guests and up top we chit chat a little bit.

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<v Speaker 2>We catch up, even though truly we've been spending eight

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<v Speaker 2>hundred hours together constantly because we're in the time machine.

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<v Speaker 2>I think, well, by the time this episode comes out,

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<v Speaker 2>we will have missed each other because I have been

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<v Speaker 2>out of town for a couple of weeks. You know,

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<v Speaker 2>you're doing stuff, but.

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<v Speaker 1>At this point we're really These are kind of super

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<v Speaker 1>time machine episodes.

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<v Speaker 2>Just because of the holidays.

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<v Speaker 1>You know, we got to let all of our babies

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<v Speaker 1>at exactly right take a little break ski and we

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<v Speaker 1>need a break. So you know, it's before holidays for

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<v Speaker 1>us right now, but it'll be post holidays. It'll be

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<v Speaker 1>the brand new year when this comes out. Actually this

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<v Speaker 1>comes out of my sister's birthday. She does not listen

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<v Speaker 1>to the podcast, but happy birthday, Sis, and I'm sis.

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<v Speaker 2>Yeah, maybe some of you are thinking about your New

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<v Speaker 2>Year's resolutions. Probably not. That's like so well, no, we're

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<v Speaker 2>just trying to survive at this point. I don't know,

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<v Speaker 2>Like what am I going to say? Am I going

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<v Speaker 2>to really say the same thing again over for the

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<v Speaker 2>tenth year in a row, Like it's done. I'm not

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<v Speaker 2>going to clean my room. I like I have been

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<v Speaker 2>nicer to my parents that I remember. That was one

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<v Speaker 2>off for a few years ago. Yeah, that I had

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<v Speaker 2>to stop yelling at my parents all the time. Yeah.

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<v Speaker 2>I don't really have any resolutions.

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<v Speaker 1>I would like to start to try to work out

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<v Speaker 1>a little bit, but I don't know if I have

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<v Speaker 1>it in me.

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<v Speaker 2>Purnologists, rip me a new one. She goes, you better

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<v Speaker 2>be out there, you need to walk, You need to

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<v Speaker 2>get your life together, as she was pissed at me.

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<v Speaker 2>My Undokrenologists rip me a new one? Is that merch?

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<v Speaker 2>It was just like, yeah, I would like to get

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<v Speaker 2>my life sorted. It's just like what am I going

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<v Speaker 2>to chew on a broccoli stock? I don't know. I mean,

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<v Speaker 2>I've done it before, I'll do it again. Who cares?

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<v Speaker 1>Well, one of your resolutions if you're listening, should be

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<v Speaker 1>to see us live. I'm just gonna do my quick

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<v Speaker 1>business update. Here we are it is. It is early January.

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<v Speaker 1>We will be in Indianapolis on January twelfth, and then

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<v Speaker 1>we will be in Philadelphia on the nineteenth. New York

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<v Speaker 1>is sold out on the twentieth, but who knows, maybe

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<v Speaker 1>you can find some tickets somewhere. And then the twenty

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<v Speaker 1>first two shows in Boston. There are still tickets available

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<v Speaker 1>for the four pm show in Boston, and then Hartford,

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<v Speaker 1>my old college stomping grounds.

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<v Speaker 2>I'll be there on the twenty second.

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<v Speaker 1>So that is going to conclude our fall winter tour

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<v Speaker 1>of twenty twenty two to twenty three. So these are

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<v Speaker 1>your last chances to see us until we two we

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<v Speaker 1>go to Vancouver, Vancouver for Just for Labs. If you

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<v Speaker 1>live in Western Canada or anywhere near Vancouver, we will

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<v Speaker 1>be there for a great festival. You should really make

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<v Speaker 1>a weekend of it. Go see some comedy. We'll be

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<v Speaker 1>doing stand up as well at that and get yourself

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<v Speaker 1>some of our merch if you'd like, speaking of is

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<v Speaker 1>that merch? We've got this beanie that is so funny

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<v Speaker 1>because it says is that merch on it? And also

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<v Speaker 1>that's messed up? And then it's a great sweatshirt. Lisa's

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<v Speaker 1>modeling it right now. We will be posting photos of

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<v Speaker 1>ourselves wearing the merch. We just got our own pieces.

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<v Speaker 1>There's also a fanny pack that's super cute.

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<v Speaker 2>Yeah, we haven't gotten that yet. But I'm wearing the

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<v Speaker 2>sweatshirt now two days in a row, and I'm really

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<v Speaker 2>happy to be wearing it.

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<v Speaker 1>It's very soft. It's very soft. It's totally soft.

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<v Speaker 2>Also, I want to do a quick shout out to

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<v Speaker 2>our Sacramento crowd. Thank you for bringing us chocolate covered

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<v Speaker 2>gummy bears. Oh my god, such a lit crowd. That

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<v Speaker 2>meant the world to us. I even ate the cinnamon bears,

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<v Speaker 2>the white chocolate bears. I love it that you guys

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<v Speaker 2>are so thoughtful with your gifts. We you know it,

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<v Speaker 2>really it's nice, you guys. Listen.

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<v Speaker 1>I mean, somebody knitted me a hat that I've been wearing.

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<v Speaker 1>The little hat. Somebody acknowledged us in the in the

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<v Speaker 1>forward of their book. The book is called Drew Leclair

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<v Speaker 1>gets a clue, and I think it's like a it's

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<v Speaker 1>like a mystery book for like, I think it's like

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<v Speaker 1>a teen situation. Like it's like, you know, it's it's

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<v Speaker 1>it's more than two hundred pages. So it's not for

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<v Speaker 1>like a little kid. It's for you know, a kid

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<v Speaker 1>that wants to bust through a mystery.

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<v Speaker 2>Yeah, it's just really it's sometimes it's hard to be

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<v Speaker 2>in the time machine. Even though we all everyone deserves

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<v Speaker 2>a little holiday break and I hope you all get

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<v Speaker 2>one as well. But not only is care of ruining

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<v Speaker 2>my life by not being caught up to White Lotus.

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<v Speaker 2>We now have to wait weeks like you guys won't

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<v Speaker 2>hear us recap White Lotus for like another Oh mon.

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<v Speaker 1>You know we have to talk about we have to

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<v Speaker 1>talk about the final episode of Rawlins. I mean we

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<v Speaker 1>haven't talked about that yet. Oh my god, yeah we okay,

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<v Speaker 1>so sorry, this happened a month ago, but we're in

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<v Speaker 1>the time machine.

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<v Speaker 2>This is my thing. I thought the Little Caper crime

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<v Speaker 2>is so silly. I was just like, they're investigating in

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<v Speaker 2>a town they have no jurisdiction on there, with no backup.

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<v Speaker 1>In their own little crime silly, like a spoiler alerts,

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<v Speaker 1>I guess if you don't want to get spoiled on

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<v Speaker 1>this weird episode. But like Live and Rowin spend hours

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<v Speaker 1>getting a man drunk to bring him back to the

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<v Speaker 1>hotel and then just arrest him, like I don't understand, Like.

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<v Speaker 2>It's like their last hurrah, but Robins hasn't even confessed

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<v Speaker 2>to Benson that she's leaving, and it it is just so.

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<v Speaker 1>But I loved their time together, so it really is,

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<v Speaker 1>But I like it. They were looking for an excuse

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<v Speaker 1>to get those two in a motel together drinking boxed wine.

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<v Speaker 1>Then they did it, but the caper with the hidden

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<v Speaker 1>cameras seemed so far fetched and crazy. I also was

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<v Speaker 1>like not crazy about this Noah's half brother story, but

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<v Speaker 1>you know that I don't care about Noah storylines, Like

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<v Speaker 1>I can't believe this is the first time this is

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<v Speaker 1>like coming up, Like wouldn't there be records that he

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<v Speaker 1>has family nearby like before his adoption. I don't know,

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<v Speaker 1>it's really and the family being so picture perfect was

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<v Speaker 1>like annoying me.

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<v Speaker 2>Well, I was just scared that the brother was gonna

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<v Speaker 2>molest him, Like I'm just glad everything's you know, hunky Dory, Like, yeah,

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<v Speaker 2>I was just on the edge of my steeving, like

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<v Speaker 2>is someone gonna touch Noah, I cannot handle this, and

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<v Speaker 2>so I'm glad he just got like a PlayStation and

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<v Speaker 2>a nice dinner and they're sweet and this might be live.

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<v Speaker 3>You know.

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<v Speaker 2>I liked tear up thinking about it, but I loved

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<v Speaker 2>Rollins getting drunk. Also, could she have not afforded one Hilton?

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<v Speaker 2>There's not one days in she had to be in

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<v Speaker 2>this motel.

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<v Speaker 1>It felt like they were at a very like like

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<v Speaker 1>a psych area, and she wanted to like be closer

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<v Speaker 1>to the where the family was. I don't know that,

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<v Speaker 1>And like we haven't seen like Olivia Benson walking out.

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<v Speaker 2>Of a shower and a towel before.

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<v Speaker 1>Like that was a lot of skin for old Rishka

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<v Speaker 1>And then all they say old, Oh, I don't mean

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<v Speaker 1>old like that.

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<v Speaker 2>I know, I know, I mean, oh Ellie old, our

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<v Speaker 2>old buddy.

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<v Speaker 1>Yeah, but like yeah, I was just surprised, Like even

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<v Speaker 1>young her, we never saw her like getting out and

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<v Speaker 1>like I just kind of loved that. Now she's like

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<v Speaker 1>in her fifties and she's like, fuck it, put me

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<v Speaker 1>in a towel and I'm wet, let's do it like well.

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<v Speaker 2>I also loved that she was down for her nudes

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<v Speaker 2>to be released. She was like, you know what, we

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<v Speaker 2>have victims to reveal a lot, Like I don't care,

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<v Speaker 2>you can send my news. I bet she knew she

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<v Speaker 2>looked good. Yeah, no, I love them getting drunk. I

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<v Speaker 2>you know, I'm glad this all happened because if she

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<v Speaker 2>had stayed in the house with Noah, there couldn't have

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<v Speaker 2>been this drunk thing. But like, I think in reality,

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<v Speaker 2>she would have stayed in the guest room. Like I

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<v Speaker 2>really don't think she would have left.

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<v Speaker 1>She would not have left her kids with a family

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<v Speaker 1>that she just met, Like you don't know what the

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<v Speaker 1>dad's deal is, Like you don't know anything, Like I

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<v Speaker 1>don't think she knowing everything she knows, especially with the

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<v Speaker 1>grand people.

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<v Speaker 2>But yeah, but we all thought Brooke Shields was good.

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<v Speaker 1>Yeah, but that took a long time for her to

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<v Speaker 1>let brook Shields in. I know, it wasn't first night

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<v Speaker 1>go have a fucking sleepover with Grandma Sheila.

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<v Speaker 2>No. So I don't know.

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<v Speaker 1>I think it's because Noah's always just like putting her

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<v Speaker 1>on the spot and is like, I don't know, you know,

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<v Speaker 1>I'm not a fan, but anyway.

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<v Speaker 2>But I just hope it's good. I just hope that

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<v Speaker 2>she's able to like I mean, it's stung when Noah goes,

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<v Speaker 2>this is the closest I have to family, or like

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<v Speaker 2>this is a real this is my real family. She

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<v Speaker 2>said something like that, and it's like, yeah, you self

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<v Speaker 2>centered little bitch, like your mom is your fucking family. No,

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<v Speaker 2>I just want her to have this family and integrate

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<v Speaker 2>it with her work family and meet someone like I want.

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<v Speaker 1>You know what we're talking. This episode was wild too.

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<v Speaker 1>I feel like we hadn't heard so much confess confession

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<v Speaker 1>about how she We've never really heard her say. For

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<v Speaker 1>all you'll say about the long looks off into the

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<v Speaker 1>distance and whatever that we've seen, we've never really heard

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<v Speaker 1>her come out and say that she's interested in him

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<v Speaker 1>that way.

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<v Speaker 2>No, And what I wanted to like, I just the

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<v Speaker 2>postponing joy like tell you know, I'm guilty of it

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<v Speaker 2>where you give people great advice and you never follow it.

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<v Speaker 2>And I just felt in that moment, I just love

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<v Speaker 2>Rollin's being like you do the same girl, Like, yeah,

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<v Speaker 2>stop waiting for something to enjoy your life. Yeah, it's

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<v Speaker 2>like shit, Ter get off the pot.

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<v Speaker 1>Like it's like get together with him or fucking get

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<v Speaker 1>on e harmony or something. But let's do something else,

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<v Speaker 1>you know, I know, Benson on Riya, Benson on Riya.

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<v Speaker 2>Do you think they let an SVU detectives on Riya? Oh?

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<v Speaker 1>My god, A captain. I bet a captain, I bet

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<v Speaker 1>a captain.

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<v Speaker 2>I'm sorry that was insulting. I didn't mean to insult

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<v Speaker 2>our queen. But anyway, Also, I do want to mention

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<v Speaker 2>the wedding. I love that it was pre credits like

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<v Speaker 2>that really made me happy, because we anticipating something you

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<v Speaker 2>know is gonna happen is annoying. So I love that

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<v Speaker 2>it was just like a great surprise right away, you know,

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<v Speaker 2>with the people who really love them and know them

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<v Speaker 2>so deeply.

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<v Speaker 1>And I'm like really not horny for Careesi at all,

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<v Speaker 1>but I did think that was such a we mourning

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<v Speaker 1>with like them in the bed and then like they're

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<v Speaker 1>girls coming in.

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<v Speaker 2>It's like they're a cute family. You know. What's another

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<v Speaker 2>thing I didn't even think of. It's like Rollins does

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<v Speaker 2>have to get off the force. If Rollins dies, what

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<v Speaker 2>happens to her?

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<v Speaker 1>Girls cares better adopt their asses because what happens to them,

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<v Speaker 1>they have different fathers.

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<v Speaker 2>We don't know what their relationships is with their fathers.

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<v Speaker 1>What are they gonna go to her crazy ass mom

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<v Speaker 1>down in Georgia or to Kim Rollins, you know what

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<v Speaker 1>I mean? Like, she's got to figure out a plan

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<v Speaker 1>for those girls.

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<v Speaker 2>Honey, she Yeah, she's gonna have more time. What are

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<v Speaker 2>a professor? What teaches two times a week? Like she'll

0:10:32.840 --> 0:10:36.360
<v Speaker 2>have times if Carisy would have adopted these girls four

0:10:36.440 --> 0:10:39.560
<v Speaker 2>years ago before they were born. Yes, but I'm just saying.

0:10:39.360 --> 0:10:40.920
<v Speaker 1>I see why she doesn't want to put herself in

0:10:40.960 --> 0:10:42.640
<v Speaker 1>harms way all the time. She doesn't exactly have a

0:10:42.640 --> 0:10:45.040
<v Speaker 1>plan set up for these gals if something happens to her.

0:10:45.720 --> 0:10:47.880
<v Speaker 2>Yeah, and she deserves to chill out. I mean, so

0:10:47.960 --> 0:10:50.360
<v Speaker 2>does Benson with all the trauma they have. But I

0:10:50.440 --> 0:10:53.200
<v Speaker 2>loved that and I'm sorry, And this always happens to

0:10:53.200 --> 0:10:57.800
<v Speaker 2>the new people. So it's like, but I'm not these

0:10:58.080 --> 0:11:03.240
<v Speaker 2>You're not feeling muncy. No, it's like cartoonish and not grounded.

0:11:03.400 --> 0:11:06.959
<v Speaker 2>Her performance is not grounded to me, And maybe I'm

0:11:07.000 --> 0:11:09.760
<v Speaker 2>acting like two cocks. Well I got booked in one

0:11:09.800 --> 0:11:12.080
<v Speaker 2>show and now I'm gonna judge. Everyone's acting, but like

0:11:12.880 --> 0:11:16.000
<v Speaker 2>I I don't like her little lie. I just don't.

0:11:16.040 --> 0:11:18.200
<v Speaker 2>I'm not buying it. And it's like, you know, this

0:11:18.280 --> 0:11:20.760
<v Speaker 2>case is important, we have to put Elias in jail,

0:11:21.160 --> 0:11:23.160
<v Speaker 2>and you flip out on the stands.

0:11:23.280 --> 0:11:26.320
<v Speaker 1>We don't need another best stable. If anything, what's the

0:11:26.360 --> 0:11:28.800
<v Speaker 1>coaching for. What's all the coaching for? If you just

0:11:28.920 --> 0:11:32.120
<v Speaker 1>literally it took barely anything to get you, like, she.

0:11:32.120 --> 0:11:34.800
<v Speaker 2>Just doesn't astran And it's like, now we're gonna have

0:11:34.800 --> 0:11:37.679
<v Speaker 2>to watch these two knuckleheads.

0:11:36.920 --> 0:11:40.720
<v Speaker 1>Flirt for I'm sorry, he is cute, but he does

0:11:40.760 --> 0:11:44.679
<v Speaker 1>absolutely nothing for me. This Taviano man, he does nothing

0:11:44.720 --> 0:11:47.760
<v Speaker 1>for me. So if she's not grounded, he's literally like

0:11:47.960 --> 0:11:49.160
<v Speaker 1>dragging his body.

0:11:48.840 --> 0:11:52.320
<v Speaker 2>On the floor. It's like so like so I'm like bored.

0:11:52.760 --> 0:11:55.679
<v Speaker 2>He's always like, uh, what happened? Like I don't know.

0:11:55.800 --> 0:11:59.000
<v Speaker 2>I just like don't. Yeah, he's like a kid in detention. Yeah,

0:11:59.040 --> 0:12:00.840
<v Speaker 2>it's like, not up your an, Sucktavio.

0:12:01.120 --> 0:12:03.679
<v Speaker 1>But we've been begging for more humor and they give

0:12:03.720 --> 0:12:06.120
<v Speaker 1>us Monthsy with her jokes and they're not really doing it.

0:12:06.200 --> 0:12:08.720
<v Speaker 1>They're not It's just those are munch size shoes to fill.

0:12:08.720 --> 0:12:11.240
<v Speaker 1>And I'm not really getting it. So I don't know

0:12:11.280 --> 0:12:11.920
<v Speaker 1>what we gotta do.

0:12:12.559 --> 0:12:14.600
<v Speaker 2>Yeah, we gotta do. There's growth. I'm sure there's a

0:12:14.640 --> 0:12:17.440
<v Speaker 2>learning curve. We'll see what happens. I'm in you know,

0:12:17.520 --> 0:12:21.160
<v Speaker 2>I'm invested. We both are. Will never stop. Yeah, view

0:12:21.320 --> 0:12:22.000
<v Speaker 2>till we die.

0:12:23.280 --> 0:12:26.280
<v Speaker 1>I'll be watching you when I'm sixty five with my grandchildren.

0:12:27.200 --> 0:12:33.040
<v Speaker 1>Noah's the new captain. Let's start, let's start, let's start.

0:12:33.080 --> 0:12:35.760
<v Speaker 1>We have a great episode for you guys today. Don't

0:12:35.800 --> 0:12:40.959
<v Speaker 1>go anywhow.

0:12:40.400 --> 0:12:45.439
<v Speaker 2>All right, We're doing episode Persona, season ten, episode eight,

0:12:46.240 --> 0:12:48.320
<v Speaker 2>and it says it came out November twenty fifth, and

0:12:48.400 --> 0:12:50.680
<v Speaker 2>so this is the day before Thanksgiving. I'm assuming and

0:12:50.720 --> 0:12:53.400
<v Speaker 2>this is a horrific start to the Thanksgiving holiday. I'll

0:12:53.440 --> 0:12:53.720
<v Speaker 2>say that.

0:12:55.320 --> 0:12:59.560
<v Speaker 1>This episode is it's a tough ye, but I would

0:12:59.600 --> 0:13:04.720
<v Speaker 1>say haunting one, most haunting. Yeah, so we opened strong.

0:13:04.920 --> 0:13:07.200
<v Speaker 1>No long walk in the park or a bickering couple.

0:13:07.320 --> 0:13:10.800
<v Speaker 1>It's straight up Clea Duval. She looks stressed. She is

0:13:10.800 --> 0:13:13.480
<v Speaker 1>my queen. I've loved her for decades.

0:13:14.080 --> 0:13:16.600
<v Speaker 2>I feel like she created the asymmetrical Bob before anybody

0:13:16.640 --> 0:13:19.280
<v Speaker 2>else in the game. Posh thinks it's her, but it's not.

0:13:20.240 --> 0:13:23.200
<v Speaker 2>It's clear. Maybe it's clear from the faculty, but I'm

0:13:23.240 --> 0:13:28.040
<v Speaker 2>a cheerleader and you know, uh, we'll vat more currently

0:13:28.120 --> 0:13:31.120
<v Speaker 2>but then Happiest Season the lesbian Christmas movie she wrote

0:13:31.120 --> 0:13:35.200
<v Speaker 2>and directed that so fun, creative, amazing. But here she's

0:13:35.200 --> 0:13:38.640
<v Speaker 2>a conservative, rich looking lady. There's a pussy bow white shirt,

0:13:38.720 --> 0:13:44.920
<v Speaker 2>a sweater you love that I do, and she's asking

0:13:44.920 --> 0:13:47.280
<v Speaker 2>the pharmacist for a morning after pill, which should be

0:13:47.760 --> 0:13:51.120
<v Speaker 2>an easy transaction. It should be like, hello, mister pharmacist,

0:13:51.240 --> 0:13:53.520
<v Speaker 2>can I have this? And then the pharmacist goes, of

0:13:53.600 --> 0:13:56.600
<v Speaker 2>course you can. But this bitch is an anti choice

0:13:56.640 --> 0:14:00.160
<v Speaker 2>Karen and I don't even know how she passed pills school. Okay,

0:14:01.360 --> 0:14:03.000
<v Speaker 2>she doesn't want to give it to her, and Clia

0:14:03.080 --> 0:14:04.800
<v Speaker 2>is like, bitch, I don't need to see a doctor,

0:14:04.880 --> 0:14:06.959
<v Speaker 2>just give it to me. And the nerve of this

0:14:07.000 --> 0:14:10.480
<v Speaker 2>woman suggests an adoption that is outside your scope of

0:14:10.559 --> 0:14:13.520
<v Speaker 2>your job. You feck him, like these people should be fired.

0:14:13.559 --> 0:14:17.880
<v Speaker 2>I don't understand how, like personal biases do not get

0:14:17.880 --> 0:14:21.480
<v Speaker 2>you fired in a medical profession, right, you shouldn't have

0:14:21.520 --> 0:14:24.000
<v Speaker 2>opinions at all, not.

0:14:24.480 --> 0:14:28.960
<v Speaker 1>Bible based opinions, science based, science based opinions, fact based,

0:14:29.320 --> 0:14:29.720
<v Speaker 1>well that's.

0:14:29.640 --> 0:14:31.760
<v Speaker 2>What I mean. If you have any sort of personal

0:14:31.840 --> 0:14:34.160
<v Speaker 2>leanings where you're not doing things that are fully legal

0:14:34.200 --> 0:14:37.360
<v Speaker 2>to do, you should not be a medical professional. You

0:14:37.440 --> 0:14:42.240
<v Speaker 2>just shouldn't. That should be a rule. Motherfuckers. Clea loses

0:14:42.280 --> 0:14:44.800
<v Speaker 2>it though, and she screams at this woman, and you know,

0:14:44.840 --> 0:14:47.280
<v Speaker 2>she seems and then the pharmacist is like shock, she's

0:14:47.320 --> 0:14:49.200
<v Speaker 2>being yelled at, and it's like, well, fuck around and

0:14:49.240 --> 0:14:51.960
<v Speaker 2>find out. Have you never heard of that? So she

0:14:52.040 --> 0:14:54.200
<v Speaker 2>grabs her and pleads like I need it. I can't

0:14:54.200 --> 0:14:56.880
<v Speaker 2>have his baby, and she, oh my god, if you're

0:14:56.920 --> 0:14:59.880
<v Speaker 2>not already so furious, she goes, well you shouldn't have,

0:14:59.920 --> 0:15:02.840
<v Speaker 2>Like I'm getting to your pants, and then a security

0:15:02.880 --> 0:15:05.160
<v Speaker 2>guard who is no less than seventy eight years old

0:15:05.360 --> 0:15:09.080
<v Speaker 2>grabs Clia and throws her into the glasses spinny display.

0:15:09.720 --> 0:15:11.800
<v Speaker 2>I just like, I can't even believe this.

0:15:11.800 --> 0:15:14.400
<v Speaker 1>Which is like where my mom exclusively bought her glasses

0:15:14.440 --> 0:15:18.520
<v Speaker 1>for years, four years on the spinny display at the pharmacy.

0:15:19.480 --> 0:15:22.480
<v Speaker 2>And Clia is like, don't do this, like you don't

0:15:22.560 --> 0:15:26.080
<v Speaker 2>understand I was raped. So then it cuts to Benson

0:15:26.080 --> 0:15:28.680
<v Speaker 2>and Stabler pushing the door into the pharmacy breakroom where

0:15:28.720 --> 0:15:31.200
<v Speaker 2>they're holding Clia's character Mia, so we'll call her Mia

0:15:31.240 --> 0:15:34.400
<v Speaker 2>from now on. And Stabler's pissed. He's like, you cuffed

0:15:34.400 --> 0:15:37.120
<v Speaker 2>a rape victim. And the security guard's like, she caused

0:15:37.120 --> 0:15:40.720
<v Speaker 2>a disturbance. It's policy and obviously a Stabler's like unhooker,

0:15:41.120 --> 0:15:43.360
<v Speaker 2>and then the pharmacist is like, she assaulted me. I

0:15:43.360 --> 0:15:46.160
<v Speaker 2>want to press charges. In your fucking dreams. They don't

0:15:46.160 --> 0:15:48.880
<v Speaker 2>respect her at all, and they run out. They're like, yeah,

0:15:48.920 --> 0:15:52.560
<v Speaker 2>hold your breath, bitch, and then they rush out with

0:15:52.640 --> 0:15:54.920
<v Speaker 2>her to take her to the hospital, and it's the credits,

0:15:55.360 --> 0:16:00.120
<v Speaker 2>so a really action packed in raging cold open and

0:16:00.160 --> 0:16:02.960
<v Speaker 2>we're back and wildly.

0:16:03.360 --> 0:16:07.080
<v Speaker 1>Frenchie from Greece is the nurse. I think she's in

0:16:07.120 --> 0:16:09.040
<v Speaker 1>more than one episode.

0:16:09.400 --> 0:16:11.760
<v Speaker 2>I don't know. I did search. Hold on. Let me

0:16:12.000 --> 0:16:18.520
<v Speaker 2>let me look, cause I remember being like, oh, Deed Cohn, yeah,

0:16:18.680 --> 0:16:19.560
<v Speaker 2>oh three episodes.

0:16:19.600 --> 0:16:21.880
<v Speaker 1>You're right, yeah, Like I've seen her before because I

0:16:21.880 --> 0:16:24.080
<v Speaker 1>remember every time I go, oh my god, it's Frenchie,

0:16:24.280 --> 0:16:24.600
<v Speaker 1>you know.

0:16:25.080 --> 0:16:29.240
<v Speaker 2>Authority per So that's the Robin Williams one and oh

0:16:29.240 --> 0:16:31.480
<v Speaker 2>my god, she's in Great ones. So she's in Robin Williams,

0:16:31.760 --> 0:16:33.800
<v Speaker 2>she's in this one and then she's in Behave with

0:16:33.880 --> 0:16:37.960
<v Speaker 2>Jennifer Love hewittt Wow, three classics. I would say, ah,

0:16:38.400 --> 0:16:42.040
<v Speaker 2>that's yeah, season's nine, ten, and twelve, so that's cool.

0:16:42.080 --> 0:16:45.120
<v Speaker 2>But it's just like shocking that it's her, Like I

0:16:45.120 --> 0:16:47.120
<v Speaker 2>had to take eight double takes. I would say, to

0:16:47.520 --> 0:16:50.920
<v Speaker 2>see a person from Greece thrilling. So she's filling Olivia

0:16:50.960 --> 0:16:53.640
<v Speaker 2>in and shows photos of the victim's body and it's

0:16:53.800 --> 0:16:56.600
<v Speaker 2>horrific bruising. I've never seen bruising like this on this show,

0:16:57.080 --> 0:16:59.920
<v Speaker 2>Like it is deep, intense and all over her body.

0:17:00.040 --> 0:17:03.160
<v Speaker 2>And then they should talk the pharmacist as well, so

0:17:03.200 --> 0:17:05.000
<v Speaker 2>she's like, please find him fast, I don't want to

0:17:05.040 --> 0:17:07.359
<v Speaker 2>see any more of his handiwork, and lets them know

0:17:07.400 --> 0:17:09.199
<v Speaker 2>that Mia is down to talk, so they go to

0:17:09.280 --> 0:17:11.920
<v Speaker 2>chat with Miam. So she says it was getting light,

0:17:12.000 --> 0:17:14.000
<v Speaker 2>so she went out for bagels when a man grabbed

0:17:14.040 --> 0:17:17.359
<v Speaker 2>her from behind and her eyes are closed as she's talking,

0:17:17.400 --> 0:17:19.120
<v Speaker 2>and she says that he had a knife and if

0:17:19.119 --> 0:17:21.359
<v Speaker 2>she screamed, he would slit her throat and then dragged

0:17:21.400 --> 0:17:24.040
<v Speaker 2>her into an alley, knocked her down and like punched

0:17:24.040 --> 0:17:26.680
<v Speaker 2>her and kicked her, and the next thing she knows,

0:17:26.720 --> 0:17:29.320
<v Speaker 2>she like wakes up and he was on top of her.

0:17:30.040 --> 0:17:32.000
<v Speaker 2>She says he was white, tall and big and not

0:17:32.080 --> 0:17:35.919
<v Speaker 2>really detailed account and she says her husband and her

0:17:35.920 --> 0:17:38.399
<v Speaker 2>are trying to get pregnant, so she knows that she's ovulating,

0:17:38.480 --> 0:17:41.080
<v Speaker 2>so she saw the pharmacy and ran in. And it

0:17:41.119 --> 0:17:45.240
<v Speaker 2>should have been like a simple fucking transaction. Like I

0:17:45.280 --> 0:17:47.840
<v Speaker 2>don't understand when people think, Like I just hate when

0:17:47.840 --> 0:17:51.680
<v Speaker 2>people's like it's like the philosophical debates and like your

0:17:51.680 --> 0:17:54.960
<v Speaker 2>beliefs are outside of what is actually really happening, Like, yeah,

0:17:55.080 --> 0:17:58.240
<v Speaker 2>no one cares about what you're pondering or like any debate.

0:17:58.760 --> 0:18:01.399
<v Speaker 2>This woman was just a tack and then you're making

0:18:01.400 --> 0:18:07.040
<v Speaker 2>it more and more worse. It's like it really stickens me. Yeah.

0:18:07.080 --> 0:18:09.200
<v Speaker 2>So we cut to a pretty day in New York

0:18:09.240 --> 0:18:12.560
<v Speaker 2>and o'haloran's meeting Benson and Stabler in the alley. And

0:18:12.840 --> 0:18:15.040
<v Speaker 2>the issue is there's a bunch of motor oil leaked

0:18:15.080 --> 0:18:17.560
<v Speaker 2>all over but so and there's no evidence of an attack,

0:18:17.720 --> 0:18:19.800
<v Speaker 2>and she would have been dirty, she would have had

0:18:19.840 --> 0:18:22.840
<v Speaker 2>oil all over her clothes. So sadly she's been caught

0:18:22.880 --> 0:18:26.159
<v Speaker 2>in this lie, but clearly she's been abused and was raped.

0:18:26.200 --> 0:18:29.320
<v Speaker 2>So it hits them finally that the bruises were all

0:18:29.359 --> 0:18:32.320
<v Speaker 2>hidden by clothing, which means this is a classic DV case.

0:18:32.840 --> 0:18:35.199
<v Speaker 2>Fuck the purpose her husband. So they go to me

0:18:35.280 --> 0:18:37.520
<v Speaker 2>as home. She answers and says it's not a good time,

0:18:38.240 --> 0:18:40.040
<v Speaker 2>but her husband's not home yet, but he's gonna come

0:18:40.040 --> 0:18:42.879
<v Speaker 2>home from Warkstone. They're like, we know you lied, and

0:18:42.920 --> 0:18:44.840
<v Speaker 2>then at that moment, her husband walks out of the

0:18:44.840 --> 0:18:50.720
<v Speaker 2>cab with flowers. Classic abuser what is it not territ behavior?

0:18:50.800 --> 0:18:54.159
<v Speaker 2>Classic abuser behavior. He does not like Stable and Benson

0:18:54.160 --> 0:18:55.760
<v Speaker 2>and is like, hey, honey, you're gonna introduce me to

0:18:55.800 --> 0:18:57.920
<v Speaker 2>your friends, and they handle it. They're like, hey, we're

0:18:58.000 --> 0:19:01.080
<v Speaker 2>just like investigating a string of burglaries the neighborhood, and

0:19:01.119 --> 0:19:02.800
<v Speaker 2>he goes, don't worry, we have tons of guns.

0:19:02.800 --> 0:19:06.440
<v Speaker 1>We're safe. So not good. Oh my god, this man

0:19:06.560 --> 0:19:09.000
<v Speaker 1>is a full nightmare. Oh yeah.

0:19:09.040 --> 0:19:11.639
<v Speaker 2>He kisses her cheek hello and gives her flowers, and

0:19:11.680 --> 0:19:14.320
<v Speaker 2>he asks her for dinner because he's starved, and she's like, well,

0:19:14.359 --> 0:19:18.400
<v Speaker 2>I wasn't expecting you till six, and she is clearly scared.

0:19:18.640 --> 0:19:21.000
<v Speaker 2>Acting is so good, and he is pissed that dinner

0:19:21.080 --> 0:19:23.480
<v Speaker 2>is not ready and it's like, but if you came

0:19:23.480 --> 0:19:25.560
<v Speaker 2>home at six and then the dinner was cold, you'd

0:19:25.560 --> 0:19:27.320
<v Speaker 2>be pissed too, Like, what is happening? I mean, I

0:19:27.720 --> 0:19:29.679
<v Speaker 2>don't think it's about the dinner. This is an abusive

0:19:29.680 --> 0:19:32.840
<v Speaker 2>it's not about the pasta. But yes, yeah, just like

0:19:34.320 --> 0:19:37.360
<v Speaker 2>you're the one who decided to switch up your schedule, sir.

0:19:38.320 --> 0:19:40.199
<v Speaker 2>The detectives leave and are like, we got to do

0:19:40.240 --> 0:19:42.600
<v Speaker 2>something about this. But she's on a tight leash and

0:19:42.720 --> 0:19:46.240
<v Speaker 2>might not like talk and we can't touch him because

0:19:46.640 --> 0:19:50.400
<v Speaker 2>he's never she's not gonna speak at but they have

0:19:50.440 --> 0:19:52.199
<v Speaker 2>to do something because he's going to use her for

0:19:52.320 --> 0:19:55.080
<v Speaker 2>target practice. They say, if we don't help, so maybe

0:19:55.080 --> 0:19:57.560
<v Speaker 2>there's another way. Of course there is. So they head

0:19:57.600 --> 0:19:59.520
<v Speaker 2>down to the basement apartment, where they're greeted by a

0:19:59.520 --> 0:20:02.359
<v Speaker 2>happy grain man who's super pumped to see them, and

0:20:02.359 --> 0:20:04.720
<v Speaker 2>he's like, oh, fuck yeah, I'm a huge crime buff.

0:20:06.560 --> 0:20:08.320
<v Speaker 2>I think we got to post that on the Insta

0:20:08.880 --> 0:20:12.879
<v Speaker 2>and with the caption on because yeah, this man in

0:20:12.920 --> 0:20:17.120
<v Speaker 2>a wheelchair who's like, fuck yeah, give me the deaths. Yeah.

0:20:17.160 --> 0:20:20.560
<v Speaker 2>And then he's like Lenny, you know, and he calls

0:20:20.600 --> 0:20:22.320
<v Speaker 2>for this you know, someone named Lenny. And then he

0:20:22.320 --> 0:20:24.400
<v Speaker 2>says if his apartment wasn't in the basement, he would

0:20:24.440 --> 0:20:27.199
<v Speaker 2>be spying on everybody, like rear window, and it's like,

0:20:28.040 --> 0:20:30.320
<v Speaker 2>do you like crime or are you a freak? Like,

0:20:30.480 --> 0:20:32.159
<v Speaker 2>we don't, I don't know.

0:20:32.200 --> 0:20:35.119
<v Speaker 1>Well, actually, my friend, my friend Rachel, who you know,

0:20:35.600 --> 0:20:38.879
<v Speaker 1>has a cool apartment and it's like across the street

0:20:38.880 --> 0:20:41.879
<v Speaker 1>from an old hospital that is now apartments, and she

0:20:41.920 --> 0:20:44.159
<v Speaker 1>has opera glasses and she just kind of checks out

0:20:44.200 --> 0:20:47.080
<v Speaker 1>what people do. She's not like, she doesn't like, I

0:20:47.080 --> 0:20:49.199
<v Speaker 1>don't think, you know, get too deep into it. But

0:20:49.280 --> 0:20:51.720
<v Speaker 1>she's like, yeah, you see ladies taking off their bras

0:20:51.720 --> 0:20:53.040
<v Speaker 1>at the end of the night, you know, the end

0:20:53.040 --> 0:20:56.600
<v Speaker 1>of the day, like a lot of just New York behavior.

0:20:56.680 --> 0:20:58.520
<v Speaker 1>It is kind of fun to be like a little voyeur.

0:20:58.600 --> 0:21:00.920
<v Speaker 1>I don't think she's doing it in a creepy way,

0:21:00.960 --> 0:21:01.679
<v Speaker 1>but maybe it is.

0:21:01.880 --> 0:21:03.840
<v Speaker 2>Yeah, but I also do think people are taking off

0:21:03.840 --> 0:21:06.440
<v Speaker 2>their bras outside of New York or you mean Rachel's

0:21:06.440 --> 0:21:09.119
<v Speaker 2>behaviors New York people. Yes, yes, thought it was the

0:21:09.160 --> 0:21:11.320
<v Speaker 2>bra taking off And I was like, no, I don't know,

0:21:11.400 --> 0:21:14.440
<v Speaker 2>this might be a bodega incident. Everyone might be so.

0:21:14.520 --> 0:21:16.600
<v Speaker 1>Yeah, Like also, I used to get changed in front

0:21:16.640 --> 0:21:18.720
<v Speaker 1>of my open window all the time because I don't care.

0:21:18.880 --> 0:21:22.160
<v Speaker 2>But like, if you care, you should get blind. Right. Wait,

0:21:22.320 --> 0:21:25.760
<v Speaker 2>have you seen this? It's like a meme text whatever.

0:21:25.880 --> 0:21:29.040
<v Speaker 2>So someone texts this woman is like, hey, it's your neighbor.

0:21:29.160 --> 0:21:30.600
<v Speaker 2>Just want to let you know that me and my

0:21:30.840 --> 0:21:35.280
<v Speaker 2>husband can see you topless smoking a bong. And the

0:21:35.359 --> 0:21:37.919
<v Speaker 2>response from the woman was, do I look cool?

0:21:41.240 --> 0:21:43.719
<v Speaker 1>I haven't seen that, but that's the best. That's the

0:21:43.760 --> 0:21:45.200
<v Speaker 1>best response I've ever heard.

0:21:45.680 --> 0:21:48.000
<v Speaker 2>Yeah, I've it's one of you. Take a picture. I

0:21:48.000 --> 0:21:50.199
<v Speaker 2>would love to see it from your angle. Thank you.

0:21:51.359 --> 0:21:56.760
<v Speaker 2>It's a pet peeve when like women expect other women

0:21:56.840 --> 0:22:00.800
<v Speaker 2>to act differently because their husband's or boyfriend friends are around.

0:22:00.840 --> 0:22:03.399
<v Speaker 2>It's like, that's your problem. I use your fault.

0:22:03.920 --> 0:22:05.960
<v Speaker 1>Yeah, I think I've talked to you about how I

0:22:05.960 --> 0:22:09.159
<v Speaker 1>had an across the alley neighbor in New York who like,

0:22:09.240 --> 0:22:11.280
<v Speaker 1>not the alley because they aren't really alleys, but back

0:22:11.400 --> 0:22:13.879
<v Speaker 1>up building to back of my building who worked for

0:22:13.880 --> 0:22:17.960
<v Speaker 1>the Martha Stewart Show and would leave me letters telling

0:22:18.000 --> 0:22:20.520
<v Speaker 1>me how my TV was huge. And when I tell

0:22:20.520 --> 0:22:23.200
<v Speaker 1>you I had the smallest flat screen of all time, yes.

0:22:23.240 --> 0:22:25.439
<v Speaker 2>The one I have. Yes, it's what I gave Lisa.

0:22:25.680 --> 0:22:27.719
<v Speaker 1>I mean it's not big, you know what I mean, Like,

0:22:28.000 --> 0:22:30.640
<v Speaker 1>and she'd be like, your giant flat screen is glaring

0:22:30.680 --> 0:22:32.560
<v Speaker 1>into my apartment. And I would like write her letters

0:22:32.560 --> 0:22:34.679
<v Speaker 1>back being like get blinds, like I don't know what

0:22:34.760 --> 0:22:35.199
<v Speaker 1>to tell you.

0:22:35.280 --> 0:22:37.960
<v Speaker 2>I'm not gonna not watch TV.

0:22:38.520 --> 0:22:41.639
<v Speaker 1>Like well, but then I realized she was working at

0:22:41.680 --> 0:22:43.639
<v Speaker 1>Martha Stewart and that maybe she was stressed because I've

0:22:43.680 --> 0:22:45.560
<v Speaker 1>heard from a friend that Martha really blamed her for

0:22:45.600 --> 0:22:48.920
<v Speaker 1>a lot of things. Yeah, but I think we started

0:22:48.920 --> 0:22:51.160
<v Speaker 1>this podcast post to my West Hollywood apartment.

0:22:51.480 --> 0:22:56.800
<v Speaker 2>Oh, I had a really wild neighbor who finally was like,

0:22:56.840 --> 0:22:59.080
<v Speaker 2>your TV's so loud and I wasn't even watching TV.

0:22:59.240 --> 0:23:03.600
<v Speaker 2>I was playing I Quiplash on my laptop and so

0:23:03.640 --> 0:23:05.640
<v Speaker 2>I ran out with my laptop and it was all

0:23:05.680 --> 0:23:07.960
<v Speaker 2>caught on this quip Lash show I was doing. But

0:23:08.040 --> 0:23:10.560
<v Speaker 2>I was just like, I'm not allowed to fucking zoom

0:23:10.560 --> 0:23:14.639
<v Speaker 2>with my friends. I mean, it was She's just it

0:23:14.640 --> 0:23:17.200
<v Speaker 2>was great because she would also say like every day,

0:23:17.320 --> 0:23:19.719
<v Speaker 2>like the volume. She's like the volume, and I was like, actually,

0:23:19.720 --> 0:23:22.080
<v Speaker 2>the remote, the batteries have been dead for days and

0:23:22.080 --> 0:23:24.320
<v Speaker 2>I haven't changed them, So the volume hasn't changed at all,

0:23:24.640 --> 0:23:26.960
<v Speaker 2>like you are being caught in lies. You are truly

0:23:27.040 --> 0:23:29.680
<v Speaker 2>just rooting my life. And honestly, I haven't got my revenge.

0:23:29.760 --> 0:23:33.560
<v Speaker 2>And if she still lives there, I'm not opposed to it. Yeah,

0:23:33.720 --> 0:23:37.160
<v Speaker 2>let's go back. Well, my favorite was my two friends

0:23:38.040 --> 0:23:40.400
<v Speaker 2>moved all of my stuff across the country. I paid them,

0:23:40.400 --> 0:23:44.000
<v Speaker 2>of course, but when they unpacked all my stuff, they

0:23:44.000 --> 0:23:46.080
<v Speaker 2>were so tired. I have a photo of them both

0:23:46.080 --> 0:23:49.400
<v Speaker 2>passed down on my couch sleeping watching Seinfeld, and she

0:23:49.560 --> 0:23:51.960
<v Speaker 2>said she called the woman I was subleasing from, saying

0:23:51.960 --> 0:23:54.040
<v Speaker 2>that she had to call the Sheriff's office because I

0:23:54.080 --> 0:23:57.880
<v Speaker 2>was partying so loud, and it was like truly two

0:23:57.920 --> 0:24:01.600
<v Speaker 2>men sleeping on my couch while side club played, and

0:24:01.680 --> 0:24:03.800
<v Speaker 2>I have to some people that's a raging party. I

0:24:03.840 --> 0:24:04.840
<v Speaker 2>guess that's wild.

0:24:04.920 --> 0:24:05.160
<v Speaker 1>Wow.

0:24:05.720 --> 0:24:09.800
<v Speaker 2>Yeah, And then she sicked the other neighbor on my

0:24:09.880 --> 0:24:12.919
<v Speaker 2>floor against me, like she sicks this woman who had

0:24:12.960 --> 0:24:15.880
<v Speaker 2>less going on, and so then it was like, yeah,

0:24:15.880 --> 0:24:16.440
<v Speaker 2>that is it.

0:24:16.480 --> 0:24:19.480
<v Speaker 1>Though they have nothing going on, they're just like I

0:24:19.480 --> 0:24:22.360
<v Speaker 1>gotta complain about something. Like if you sit in silence

0:24:22.400 --> 0:24:25.040
<v Speaker 1>for too long, then you have to focus on like

0:24:25.119 --> 0:24:27.040
<v Speaker 1>what you should be doing, what you need, and she

0:24:27.200 --> 0:24:29.680
<v Speaker 1>was just like every noise was like she had to

0:24:29.760 --> 0:24:30.400
<v Speaker 1>go up like.

0:24:30.800 --> 0:24:33.840
<v Speaker 2>Yeah, I have noises, my guy, Like that's what happens

0:24:33.920 --> 0:24:36.160
<v Speaker 2>in an apartment and if you don't want to hear noises,

0:24:36.720 --> 0:24:39.119
<v Speaker 2>don't live in an apartment building. Yeah, but like yeah,

0:24:39.119 --> 0:24:41.160
<v Speaker 2>and if you can't afford it, it is what it is.

0:24:41.400 --> 0:24:43.840
<v Speaker 1>Yeah, Just like I live in a house and it's

0:24:43.880 --> 0:24:47.560
<v Speaker 1>still like loud motorcycles, dogs barking, people moving their trash

0:24:47.560 --> 0:24:49.359
<v Speaker 1>cab Like there's loud noises. Like if you live in

0:24:49.400 --> 0:24:51.040
<v Speaker 1>a city, even, like you need to move into the

0:24:51.040 --> 0:24:52.439
<v Speaker 1>woods if you want total quiet.

0:24:52.520 --> 0:24:55.320
<v Speaker 2>Sorry, I hear people fucking. I hear my neighbors snoring,

0:24:55.480 --> 0:24:58.439
<v Speaker 2>Like yeah, I don't. I don't understand. That is life. Okay,

0:24:58.520 --> 0:25:01.320
<v Speaker 2>so we're back, We're back to this abuse. Okay. So

0:25:02.320 --> 0:25:05.440
<v Speaker 2>he's so Lenny runs in and he goes and she's

0:25:05.480 --> 0:25:07.760
<v Speaker 2>wearing what my mom would wear, like a colorful apron

0:25:07.800 --> 0:25:10.280
<v Speaker 2>with a little shirt like this is my mother's fashion

0:25:10.840 --> 0:25:15.280
<v Speaker 2>fashion twin they address fully the same. He calls her

0:25:15.320 --> 0:25:18.600
<v Speaker 2>Grace Kelly, and she is not as excited as her

0:25:18.640 --> 0:25:21.000
<v Speaker 2>man about the cops being in her house, and she's like,

0:25:21.119 --> 0:25:23.919
<v Speaker 2>is something wrong? And they they're like, we just have

0:25:24.000 --> 0:25:27.200
<v Speaker 2>some questions about the upstairs neighbor, and Lenny immediately goes

0:25:27.200 --> 0:25:29.760
<v Speaker 2>did something happen to me? And the husband's like, oh,

0:25:29.840 --> 0:25:32.960
<v Speaker 2>that fucking husband and she's like, Jonah, please don't get involved,

0:25:32.960 --> 0:25:36.080
<v Speaker 2>and it's like you just you just actually started the involvement.

0:25:37.440 --> 0:25:39.480
<v Speaker 2>They ask if they've heard anything last night and she

0:25:39.560 --> 0:25:42.240
<v Speaker 2>says no, and he's like, babe, I already have MS,

0:25:42.280 --> 0:25:45.399
<v Speaker 2>like you know, do you have Alzheimer's? Then we're really

0:25:45.400 --> 0:25:48.720
<v Speaker 2>in trouble. And then he says to like to the detectives, yeah,

0:25:48.760 --> 0:25:52.000
<v Speaker 2>there was an unholy ruckus. He keeps spilling the beans

0:25:52.040 --> 0:25:54.200
<v Speaker 2>and she's like, zip it, what if he kicks us out?

0:25:54.240 --> 0:25:57.000
<v Speaker 2>Who's gonna help us? We can't help you, guys, sorry,

0:25:57.520 --> 0:25:59.679
<v Speaker 2>And she's like where else are we going to find

0:25:59.720 --> 0:26:02.120
<v Speaker 2>a rent controlled apartment with wheelchair access? And we would

0:26:02.200 --> 0:26:04.440
<v Speaker 2>have to leave the city and she walks back into

0:26:04.480 --> 0:26:07.200
<v Speaker 2>the kitchen and he apologizes for his woman and says

0:26:07.240 --> 0:26:10.040
<v Speaker 2>she's scared of everything and hasn't left Manhattan in thirty

0:26:10.720 --> 0:26:15.640
<v Speaker 2>years down not even a walk across the bridge. Jeez.

0:26:16.760 --> 0:26:20.280
<v Speaker 2>Benson walks to the back to me the wife while

0:26:20.320 --> 0:26:22.359
<v Speaker 2>the men chat in the front. She's trying to get info.

0:26:22.480 --> 0:26:25.359
<v Speaker 2>I'm pleading on her emotions, like listen, Mia is covered

0:26:25.400 --> 0:26:28.000
<v Speaker 2>in bruises and she's mushing things in a pot and

0:26:28.000 --> 0:26:30.359
<v Speaker 2>the Coli art if the folly artist is really killing

0:26:30.400 --> 0:26:33.800
<v Speaker 2>it right, there's just like meat noises happening. But she

0:26:33.960 --> 0:26:36.440
<v Speaker 2>is just really scared to lose this apartment and doesn't

0:26:36.440 --> 0:26:39.520
<v Speaker 2>want to get involved. And Benson's like there are laws

0:26:39.520 --> 0:26:42.240
<v Speaker 2>to protect tenants, like who will protect Mia? And she

0:26:42.320 --> 0:26:45.120
<v Speaker 2>finally gives in and says Brent is a monster. All

0:26:45.160 --> 0:26:48.600
<v Speaker 2>smiles and good looks, but underneath there's only ice, no heart.

0:26:49.280 --> 0:26:51.679
<v Speaker 2>There's a few seconds where they stand in silence, and

0:26:51.720 --> 0:26:53.480
<v Speaker 2>the next thing we see is Mia coming down to

0:26:53.520 --> 0:26:56.199
<v Speaker 2>the basement apartment like, Lenny, what's up girl, what do

0:26:56.240 --> 0:26:58.320
<v Speaker 2>you need? And she sees Benson and is like no, no, no, no,

0:26:58.520 --> 0:27:00.600
<v Speaker 2>I have to go, and Benson's like please, I want

0:27:00.600 --> 0:27:03.120
<v Speaker 2>to protect you. Please let me help you. She turns

0:27:03.800 --> 0:27:05.760
<v Speaker 2>me out to the mirror and on zips her shirt

0:27:05.760 --> 0:27:07.359
<v Speaker 2>and makes her look at all the bruises in the

0:27:07.359 --> 0:27:11.480
<v Speaker 2>mirror and Lenny's like, oh, poor child, But she's wearing

0:27:11.520 --> 0:27:14.239
<v Speaker 2>like a sexy nighty with all the bruises and it's like,

0:27:14.440 --> 0:27:17.760
<v Speaker 2>so do abusers like like the bruises.

0:27:18.240 --> 0:27:22.920
<v Speaker 1>I know, yeah, probably, I mean they're probably like, this

0:27:23.000 --> 0:27:23.800
<v Speaker 1>is my property.

0:27:24.480 --> 0:27:26.560
<v Speaker 2>I do to it what I do to it. It's

0:27:26.640 --> 0:27:30.280
<v Speaker 2>just confusing to me. But then do they know they're

0:27:30.320 --> 0:27:33.040
<v Speaker 2>doing something wrong when they see the bruises or they're like, hell,

0:27:33.119 --> 0:27:37.000
<v Speaker 2>yeah I did that. Like, I'm it's just I'm curious.

0:27:37.359 --> 0:27:40.280
<v Speaker 1>Sure the psychology of all this, Yeah, I'm sure, it's

0:27:40.280 --> 0:27:42.800
<v Speaker 1>like they disassociate and they think this is this was

0:27:42.840 --> 0:27:45.600
<v Speaker 1>a punishment that was deserved, and so you know, like

0:27:45.720 --> 0:27:48.359
<v Speaker 1>that's this just that's what happens when you get your punishment,

0:27:48.440 --> 0:27:48.600
<v Speaker 1>you know.

0:27:48.720 --> 0:27:49.119
<v Speaker 2>I don't know.

0:27:49.840 --> 0:27:53.439
<v Speaker 1>I'm just I'm just literally just all conjecture coming from me.

0:27:53.560 --> 0:27:58.600
<v Speaker 1>But yeah, it's just it's so fun, really hard to watch.

0:27:58.880 --> 0:28:02.840
<v Speaker 2>Yeah. She starts to cry and Benson tells her he's

0:28:02.880 --> 0:28:06.400
<v Speaker 2>not going to change. You have to. She finally confesses

0:28:06.440 --> 0:28:08.640
<v Speaker 2>what really happened to her. He wanted to have sex

0:28:08.680 --> 0:28:10.520
<v Speaker 2>and said let's make a baby, and knew that she

0:28:10.560 --> 0:28:13.879
<v Speaker 2>was ovulating because he tracks it and takes her temperature

0:28:13.880 --> 0:28:15.960
<v Speaker 2>every day, but she doesn't want to have a child

0:28:16.000 --> 0:28:18.280
<v Speaker 2>with him. She told him she wasn't feeling well and

0:28:18.280 --> 0:28:20.520
<v Speaker 2>called her a selfish bitch and then hit her and

0:28:20.600 --> 0:28:24.080
<v Speaker 2>kicked her and then raped her. She apologizes for lying.

0:28:24.520 --> 0:28:26.960
<v Speaker 2>Lenny hugs her and tells Benson, I'll take care of her.

0:28:26.960 --> 0:28:29.840
<v Speaker 2>You go arrest the bastard. They arrest his purple tie

0:28:29.880 --> 0:28:32.360
<v Speaker 2>ass on the stoop and they say he's arrested for rape,

0:28:32.400 --> 0:28:34.400
<v Speaker 2>and he asks where's my wife? And they're like, well,

0:28:34.400 --> 0:28:36.920
<v Speaker 2>that sounds like a confession to us. He says they're

0:28:36.920 --> 0:28:39.120
<v Speaker 2>making a huge mistake and that Mia wouldn't say shit

0:28:39.200 --> 0:28:42.160
<v Speaker 2>against him, But we are in court rape one assault

0:28:42.240 --> 0:28:47.000
<v Speaker 2>to Gray like versus langon Sexy Verse sex ha Langan

0:28:47.080 --> 0:28:49.640
<v Speaker 2>does the approach of how me as a liar. Bail

0:28:49.760 --> 0:28:51.840
<v Speaker 2>said is at fifty grand though, and he's like, great,

0:28:51.880 --> 0:28:54.880
<v Speaker 2>I'll post a SAP and Kim as quick to be like, okay,

0:28:54.960 --> 0:28:58.480
<v Speaker 2>well we still have to protect our girl. So basically

0:28:58.480 --> 0:29:01.240
<v Speaker 2>we get no contact and nos allowed, and he brings

0:29:01.320 --> 0:29:04.360
<v Speaker 2>up the Second Amendment, but Judge Arthur Cohen is like,

0:29:04.400 --> 0:29:07.920
<v Speaker 2>I'll sleep easier knowing you don't have any guns. So

0:29:07.960 --> 0:29:10.920
<v Speaker 2>we cut straight to Mia stressed with Benson like at

0:29:10.960 --> 0:29:13.000
<v Speaker 2>the Upper East Side house and he's like, fuck, I

0:29:13.040 --> 0:29:15.360
<v Speaker 2>can't believe they let him out and Benson's trying to

0:29:15.360 --> 0:29:18.000
<v Speaker 2>reassure her he's not allowed by the house and she's like, yeah,

0:29:18.000 --> 0:29:20.840
<v Speaker 2>if he was, I'd be fucking dead. And Lenny's there too.

0:29:22.200 --> 0:29:24.120
<v Speaker 2>Mia has no family, her parents are dead and she

0:29:24.240 --> 0:29:26.360
<v Speaker 2>was the only child and they only hang out with

0:29:26.400 --> 0:29:29.840
<v Speaker 2>Brent's friends, so they'll never believe her. And he cut

0:29:29.880 --> 0:29:31.800
<v Speaker 2>all her cards. She tried to go to the grocery store.

0:29:31.920 --> 0:29:35.680
<v Speaker 2>No money, so no debit, no credit cards at all. Yeah.

0:29:35.760 --> 0:29:41.080
<v Speaker 2>I think women should be given basic income by the

0:29:41.080 --> 0:29:46.520
<v Speaker 2>government at all times so people can escape. Yeah. Yeah,

0:29:46.520 --> 0:29:48.880
<v Speaker 2>and I and it increases if you have kids. I

0:29:48.960 --> 0:29:51.640
<v Speaker 2>just feel like that's what I believe.

0:29:52.480 --> 0:29:52.680
<v Speaker 4>Yeah.

0:29:52.720 --> 0:29:55.440
<v Speaker 2>Yeah, if there's so much domestic violence happening, Like, I

0:29:55.560 --> 0:29:58.320
<v Speaker 2>just feel like the government should be just paying women

0:29:58.360 --> 0:29:59.000
<v Speaker 2>into a fund.

0:29:59.280 --> 0:30:02.160
<v Speaker 1>Yeah. Always like make sure you have your own bank account.

0:30:02.200 --> 0:30:04.360
<v Speaker 1>I feel I don't know, I know that that's probably

0:30:04.400 --> 0:30:07.520
<v Speaker 1>impossible in this girl situation, but if you can, I know,

0:30:07.560 --> 0:30:10.000
<v Speaker 1>it seems fun right after you get married, combo everything,

0:30:10.040 --> 0:30:12.120
<v Speaker 1>but it's like have your own resources.

0:30:12.160 --> 0:30:14.480
<v Speaker 2>You never know what's going to happen. No, but this

0:30:14.640 --> 0:30:18.400
<v Speaker 2>is like you know, she goes into it. He's like

0:30:18.560 --> 0:30:21.880
<v Speaker 2>a classic abuser. He knows exactly how to ice sight

0:30:22.120 --> 0:30:25.120
<v Speaker 2>and do all of that. And it starts small, and

0:30:25.160 --> 0:30:26.960
<v Speaker 2>it starts cool where he's like, I don't want you

0:30:27.000 --> 0:30:29.560
<v Speaker 2>to work and she's like, oh cool, hell yeah yeah,

0:30:29.600 --> 0:30:33.440
<v Speaker 2>and then a nightmare ensues. But yeah, so she has

0:30:33.520 --> 0:30:36.280
<v Speaker 2>no money anymore, and Lenny's like, well, maybe you can

0:30:36.320 --> 0:30:38.280
<v Speaker 2>go to a shelter. And then this is my favorite

0:30:38.320 --> 0:30:40.960
<v Speaker 2>line reading of all time. Cleo Duval is just like

0:30:40.960 --> 0:30:44.760
<v Speaker 2>like a homeless person. She's disgusted by this idea. She's like,

0:30:44.800 --> 0:30:46.400
<v Speaker 2>I grew up super poor and now I'm on the

0:30:46.480 --> 0:30:47.880
<v Speaker 2>Upper East Side and I have to go back to

0:30:47.920 --> 0:30:50.760
<v Speaker 2>eating government cheese. And Benson's like, don't worry, you'll get

0:30:50.760 --> 0:30:52.680
<v Speaker 2>a divorce, you'll get money. She goes, no, I signed

0:30:52.680 --> 0:30:55.440
<v Speaker 2>a prenup. She met Brent at eighteen. He made her

0:30:55.520 --> 0:30:58.000
<v Speaker 2>drop out of college and she's fully dependent on him

0:30:58.000 --> 0:31:01.800
<v Speaker 2>and she's never had a job, and Ben's she goes, listen,

0:31:01.840 --> 0:31:03.960
<v Speaker 2>I know this won't be easy, but you'll make a

0:31:04.000 --> 0:31:06.720
<v Speaker 2>new life. Lenny tells a story about a friend of

0:31:06.720 --> 0:31:09.680
<v Speaker 2>hers who escaped a domestic abuse man and now is

0:31:09.680 --> 0:31:12.240
<v Speaker 2>with a man who really really loves her, who'd rather

0:31:12.360 --> 0:31:14.800
<v Speaker 2>die than hurt her, and then she tells me, like,

0:31:14.880 --> 0:31:17.920
<v Speaker 2>you deserve this too, so she packs up, gets her

0:31:17.920 --> 0:31:21.240
<v Speaker 2>ID and papers, and heads off to the shelter. The

0:31:21.280 --> 0:31:23.960
<v Speaker 2>camera pauses on Lenny with the dramatic music for a

0:31:24.000 --> 0:31:27.000
<v Speaker 2>moment as she contemplates. Now we're in a safe house

0:31:27.040 --> 0:31:29.880
<v Speaker 2>in Brooklyn on November fourth, and Benson's listing off all

0:31:29.920 --> 0:31:33.719
<v Speaker 2>the rules and the therapy schedule as Mia wheels her

0:31:33.720 --> 0:31:35.920
<v Speaker 2>stuff in and she is not happy. She's like, I

0:31:36.000 --> 0:31:37.760
<v Speaker 2>like that Brent is free and now I'm in a

0:31:37.760 --> 0:31:40.320
<v Speaker 2>prison and Benson's like, the rules are here to help you,

0:31:40.360 --> 0:31:42.440
<v Speaker 2>and she cuts her off, like I know all about rules, okay,

0:31:42.480 --> 0:31:44.440
<v Speaker 2>Like you don't have to fucking tell me. Brent has

0:31:44.440 --> 0:31:45.960
<v Speaker 2>a ton of them, and before that it was my

0:31:46.040 --> 0:31:49.120
<v Speaker 2>fucking mean dad. She's like, I can't remember a time

0:31:49.160 --> 0:31:51.800
<v Speaker 2>when someone did not tell me what to do. And

0:31:51.840 --> 0:31:53.640
<v Speaker 2>we're at a walk and talk back at the precinct

0:31:53.960 --> 0:31:57.400
<v Speaker 2>with Benson and Stabler chatting about the case. Trevor Langen

0:31:57.440 --> 0:32:00.640
<v Speaker 2>walks right in as Stabler goes Brent's go to prison,

0:32:00.680 --> 0:32:03.640
<v Speaker 2>and he says, I don't think so Mia recanted her

0:32:03.720 --> 0:32:07.560
<v Speaker 2>charges on video, so they're like, well, I bet he

0:32:07.640 --> 0:32:09.800
<v Speaker 2>forced her, and he goes no, she was just guilty.

0:32:09.880 --> 0:32:12.240
<v Speaker 2>She just has a guilty conscience. And I'm just so

0:32:12.360 --> 0:32:15.440
<v Speaker 2>glad that he grew as a character. And because he's

0:32:15.480 --> 0:32:17.440
<v Speaker 2>so hot and you know, with a Marishka, maybe we

0:32:17.520 --> 0:32:19.680
<v Speaker 2>let it slide. But he is a real piece of

0:32:19.720 --> 0:32:21.280
<v Speaker 2>shit for a long time on this show.

0:32:21.600 --> 0:32:26.360
<v Speaker 1>Yeah, he loves calling victims liars, reframing the narrative.

0:32:26.160 --> 0:32:28.959
<v Speaker 2>Like yeah, but I also don't understand how you're so proud,

0:32:29.000 --> 0:32:30.960
<v Speaker 2>like you did see the bruises. I know that's his

0:32:31.080 --> 0:32:34.840
<v Speaker 2>job and he's being I'm assuming paid very well by

0:32:34.840 --> 0:32:38.640
<v Speaker 2>this rich man, but like, you don't think you're wrong,

0:32:38.720 --> 0:32:41.440
<v Speaker 2>Like I just the glee he could have been, Like fuck,

0:32:41.560 --> 0:32:44.440
<v Speaker 2>you know she recanted. This sucks, but like the glee

0:32:44.440 --> 0:32:47.200
<v Speaker 2>that he finds and I hope after you know, he

0:32:47.240 --> 0:32:49.520
<v Speaker 2>lives with guilt for the rest of this character's life,

0:32:49.520 --> 0:32:52.040
<v Speaker 2>this non real person. But I just what a piece

0:32:52.040 --> 0:32:54.560
<v Speaker 2>of shit. Benson starts to rush out like fuck, I

0:32:54.600 --> 0:32:56.719
<v Speaker 2>gotta talk to her, and he's like he's she's at

0:32:56.760 --> 0:33:00.600
<v Speaker 2>home with her husband. Brent opens the door and Hefner's

0:33:00.600 --> 0:33:03.560
<v Speaker 2>style outfit while his wife is making him brunch. She

0:33:03.640 --> 0:33:05.840
<v Speaker 2>wants to check on her as like a wellness check

0:33:06.000 --> 0:33:09.200
<v Speaker 2>and threatens him and like he will be arrested if

0:33:09.200 --> 0:33:11.480
<v Speaker 2>he tries to stop anything, and he is so mad,

0:33:11.520 --> 0:33:14.200
<v Speaker 2>he's seething because he can't hit her, so he has

0:33:14.240 --> 0:33:15.880
<v Speaker 2>to let her in for a wellness check and he

0:33:16.000 --> 0:33:18.560
<v Speaker 2>yells me up, come here, and it's so common, it's

0:33:18.600 --> 0:33:22.000
<v Speaker 2>just like really fucking disgusting, and then he condescendingly and

0:33:22.080 --> 0:33:25.160
<v Speaker 2>quietly to Benson, goes, please. She walks in and says

0:33:25.200 --> 0:33:27.760
<v Speaker 2>everything's fine, and Benson is like, are you sure. Maybe

0:33:27.760 --> 0:33:30.480
<v Speaker 2>a shelter wasn't a good idea, but there's other options,

0:33:30.520 --> 0:33:32.360
<v Speaker 2>and she's like, I want to be home with my husband.

0:33:32.640 --> 0:33:35.680
<v Speaker 2>I made a mistake, Brent forgave me, and now please

0:33:35.720 --> 0:33:38.080
<v Speaker 2>let us get on with our lives. And he says yeah,

0:33:38.080 --> 0:33:41.280
<v Speaker 2>and our breakfast and waves condescendingly. If you can imagine, like,

0:33:41.440 --> 0:33:42.440
<v Speaker 2>I don't know, how do you.

0:33:42.400 --> 0:33:45.560
<v Speaker 1>Describe this wave like a little bait, like the way

0:33:45.560 --> 0:33:46.880
<v Speaker 1>you would wave to a kid.

0:33:46.880 --> 0:33:50.560
<v Speaker 2>Like hi, you know, like bye bye? You know, yeah,

0:33:50.840 --> 0:33:54.440
<v Speaker 2>really not a good wave. And then he goes, oh,

0:33:54.440 --> 0:33:58.440
<v Speaker 2>and tell your partner, like my gun's back. Ugh. Benson

0:33:58.520 --> 0:34:01.120
<v Speaker 2>leaves hesitantly, and you know she's not gonna leave, so

0:34:01.200 --> 0:34:03.000
<v Speaker 2>she goes down to Lenny in the laundry room after

0:34:03.080 --> 0:34:05.760
<v Speaker 2>Jonah let her in. She's like, so much for helping Mia,

0:34:06.240 --> 0:34:08.560
<v Speaker 2>and Benson's like, she wasn't ready and I pushed her.

0:34:08.600 --> 0:34:11.560
<v Speaker 2>And I agree with Lenny here, like spare me your

0:34:11.600 --> 0:34:15.120
<v Speaker 2>self pity. This is one of Benson's flaws. She's always

0:34:15.160 --> 0:34:18.120
<v Speaker 2>making it about her some not always. I'm not gonna

0:34:18.160 --> 0:34:20.640
<v Speaker 2>say that about our queen, but like I hate when

0:34:20.640 --> 0:34:24.560
<v Speaker 2>it's like it's my fault. Oh it's me, And it's like, okay, yeah,

0:34:24.680 --> 0:34:26.200
<v Speaker 2>what do you want from us? It is your fault.

0:34:26.239 --> 0:34:27.839
<v Speaker 2>You did make a mistake. You might have pushed her

0:34:27.840 --> 0:34:31.640
<v Speaker 2>too much, like it was too drastic, Like spare me

0:34:31.680 --> 0:34:33.719
<v Speaker 2>the self pity. I like that. Lenny just does not

0:34:33.880 --> 0:34:35.920
<v Speaker 2>have it. But then I turn on Lenny, don't worry.

0:34:36.280 --> 0:34:39.640
<v Speaker 2>And then Lenny's just like, so you care, but Mia doesn't,

0:34:39.719 --> 0:34:42.319
<v Speaker 2>So what's the fucking use? And Benson sees a door

0:34:42.520 --> 0:34:44.840
<v Speaker 2>a few stares up in the laundry room. She's like,

0:34:44.840 --> 0:34:47.000
<v Speaker 2>where does this lead? And Mia responds it's the old

0:34:47.040 --> 0:34:50.280
<v Speaker 2>servant steps and that they share the laundry, and before

0:34:50.320 --> 0:34:53.600
<v Speaker 2>Benson even says anything, Lenny is like, oh no, you're

0:34:53.640 --> 0:34:56.160
<v Speaker 2>not staying here. And Benson's like, it's the only way

0:34:56.160 --> 0:34:58.520
<v Speaker 2>for me to protect Mia, and Lenny is like, she

0:34:58.600 --> 0:35:01.000
<v Speaker 2>made her bed, now she can lie in, which is

0:35:01.480 --> 0:35:05.720
<v Speaker 2>quite harsh. Lady, Yeah. And also this is so classic SVU,

0:35:05.840 --> 0:35:10.800
<v Speaker 2>like she cannot stop doing the laundry. She cannot and

0:35:10.880 --> 0:35:13.880
<v Speaker 2>she's straight up as like, go home, detective, but she can't,

0:35:13.920 --> 0:35:15.839
<v Speaker 2>and she starts reminding Lenny of the story of her

0:35:15.880 --> 0:35:18.800
<v Speaker 2>old friend she was talking about from earlier, and finally

0:35:18.880 --> 0:35:22.640
<v Speaker 2>she gives in while violently scrubbing out a stain, and

0:35:22.760 --> 0:35:25.120
<v Speaker 2>we cut to Benson in the laundry room reading the paper,

0:35:25.200 --> 0:35:27.920
<v Speaker 2>and right as she puts down the paper and sighs,

0:35:27.920 --> 0:35:30.759
<v Speaker 2>we hear screams from upstairs. He is screaming at Mia

0:35:30.800 --> 0:35:32.560
<v Speaker 2>to get on her knees, and she's like, I'm sorry,

0:35:32.560 --> 0:35:35.080
<v Speaker 2>I'm sorry, and he's like that's not enough. You're Sorry's

0:35:35.120 --> 0:35:37.080
<v Speaker 2>me nothing, And she's like, let go of me, and

0:35:37.120 --> 0:35:39.600
<v Speaker 2>he's like, don't tell me what to do, you stupid.

0:35:39.960 --> 0:35:42.080
<v Speaker 2>And while the yelling is happening, Benson is trying to

0:35:42.160 --> 0:35:45.000
<v Speaker 2>kick down the door and finally it breaks. She runs

0:35:45.080 --> 0:35:47.359
<v Speaker 2>up the stairs and we see her shocked face as

0:35:47.400 --> 0:35:51.279
<v Speaker 2>she says, oh my god, and Mia is straight up

0:35:51.320 --> 0:35:54.040
<v Speaker 2>standing over the kitchen island staring at Benson with a

0:35:54.120 --> 0:35:57.640
<v Speaker 2>knife straight in her heart all the way in. He

0:35:58.000 --> 0:36:02.239
<v Speaker 2>stabbed her so deep. Knife is just like it's bad.

0:36:02.360 --> 0:36:05.960
<v Speaker 2>It's like I don't think it's sternum, but it's just

0:36:06.000 --> 0:36:08.520
<v Speaker 2>the center of the chest. It's long heart. It's like

0:36:08.560 --> 0:36:11.760
<v Speaker 2>there's this is a this is a gruesome attack.

0:36:13.200 --> 0:36:15.319
<v Speaker 1>And it's like because he doesn't have his guns to

0:36:15.400 --> 0:36:17.120
<v Speaker 1>like threaten with, and he's probably not as good with

0:36:17.160 --> 0:36:19.600
<v Speaker 1>a knife or something, because it's like, did you want

0:36:19.600 --> 0:36:21.959
<v Speaker 1>a killer? Like don't you like having this person around

0:36:22.000 --> 0:36:24.080
<v Speaker 1>that you can just like absolutely abuse and have it

0:36:24.120 --> 0:36:27.640
<v Speaker 1>You're buck and call like did you like you know

0:36:27.680 --> 0:36:29.839
<v Speaker 1>what I mean? Like you could have just slashed her,

0:36:29.920 --> 0:36:32.160
<v Speaker 1>like there's other ways to hurt her, but he stabbed

0:36:32.160 --> 0:36:33.399
<v Speaker 1>her right in the fucking heart.

0:36:33.520 --> 0:36:36.879
<v Speaker 2>That's like no accident, you know, no. And I mean

0:36:36.920 --> 0:36:40.520
<v Speaker 2>this is why it's so important to help victims escape

0:36:40.560 --> 0:36:43.799
<v Speaker 2>because this is mostly how women die is at the

0:36:43.840 --> 0:36:46.799
<v Speaker 2>hands of the partner where it's like one throw too

0:36:47.520 --> 0:36:49.600
<v Speaker 2>strong at the wall and that's that or your throat,

0:36:49.640 --> 0:36:52.760
<v Speaker 2>you know what I mean? Right, right, it's quote unquote

0:36:52.760 --> 0:36:55.920
<v Speaker 2>an accident, But you were trying to hurt her.

0:36:55.920 --> 0:36:57.520
<v Speaker 1>You maybe weren't trying to kill her, but you were

0:36:57.520 --> 0:36:58.640
<v Speaker 1>still trying to hurt her, you know.

0:36:59.360 --> 0:37:03.839
<v Speaker 2>Yeah, but and we you know, we know this now,

0:37:03.920 --> 0:37:07.280
<v Speaker 2>but like and once a woman is pregnant, the chances

0:37:07.440 --> 0:37:11.080
<v Speaker 2>of being murdered by your domestic partner raises so much eye.

0:37:11.120 --> 0:37:14.920
<v Speaker 1>Yeah, but we never find out if she was by

0:37:14.960 --> 0:37:17.960
<v Speaker 1>the way, we don't know if she was pregnant. Yeah,

0:37:18.560 --> 0:37:20.719
<v Speaker 1>probably too early to tell anyway, because he kills her

0:37:20.760 --> 0:37:23.760
<v Speaker 1>like right out, like days after this, the marital rape.

0:37:24.360 --> 0:37:27.960
<v Speaker 2>Yeah, it's just like having someone that's just like scared

0:37:28.000 --> 0:37:30.160
<v Speaker 2>of you at all, Like what a horrible life like.

0:37:30.520 --> 0:37:33.520
<v Speaker 2>This episode is one of the more powerful episodes of

0:37:33.560 --> 0:37:36.600
<v Speaker 2>this show. But this guy's a coward and he starts

0:37:36.640 --> 0:37:39.960
<v Speaker 2>screaming she attacked me. Benson throws his ass on the

0:37:40.000 --> 0:37:43.239
<v Speaker 2>ground and cuffs him and then runs to attend to

0:37:43.320 --> 0:37:45.839
<v Speaker 2>me convulsing on the floor and tells Lenny to call

0:37:45.960 --> 0:37:49.400
<v Speaker 2>nine one one. She can't breathe though, and there's blood

0:37:49.440 --> 0:37:52.400
<v Speaker 2>pouring from her mouth, squirting from the knife she's trying

0:37:52.400 --> 0:37:54.640
<v Speaker 2>to contain it, and she just dies on the floor,

0:37:55.120 --> 0:37:58.960
<v Speaker 2>fully covered in blood, and Benson is shocked and Lenny

0:37:59.000 --> 0:38:01.680
<v Speaker 2>can't even dial the phone because she's so horrified by

0:38:01.680 --> 0:38:05.560
<v Speaker 2>what she is just witnessed. And Benson's walking and we

0:38:05.600 --> 0:38:09.239
<v Speaker 2>hear Craigan ask how she's holding up, and Benson is like,

0:38:09.360 --> 0:38:12.280
<v Speaker 2>how do you think? And he's like, you did everything

0:38:12.280 --> 0:38:13.960
<v Speaker 2>you could and she's like, I could have arrested her

0:38:13.960 --> 0:38:16.360
<v Speaker 2>for filing a false rape report, and it's like, Babe,

0:38:16.440 --> 0:38:18.520
<v Speaker 2>you slept in a laundry room. You did the best

0:38:18.560 --> 0:38:21.839
<v Speaker 2>you could. Craigan also says, I've never seen you lock

0:38:21.920 --> 0:38:24.279
<v Speaker 2>up a victim, and she's like, oh god, I should have.

0:38:24.640 --> 0:38:26.560
<v Speaker 2>You know, she would have been alive. And Craigan's like,

0:38:26.600 --> 0:38:28.560
<v Speaker 2>sooner or later, like this would have happened me and

0:38:28.600 --> 0:38:31.360
<v Speaker 2>made her choice. And Benson's like, are you fucking blaming

0:38:31.360 --> 0:38:33.600
<v Speaker 2>the victim? Is it her fault? And he goes no,

0:38:33.760 --> 0:38:37.120
<v Speaker 2>but it's also certainly not your fault. Benson walks out

0:38:37.160 --> 0:38:39.040
<v Speaker 2>of the apartment and we see a blood soaked shirt

0:38:39.040 --> 0:38:43.279
<v Speaker 2>and Lenny is like, oh, are you happy now. It's like, geez, bitch,

0:38:43.480 --> 0:38:47.920
<v Speaker 2>she is cutthroat. So then Lenny goes, was it worth it, Olivia?

0:38:48.239 --> 0:38:50.800
<v Speaker 2>You couldn't leave her alone? You just pushed and pushed

0:38:50.880 --> 0:38:54.040
<v Speaker 2>for what for that? And she runs into her apartment.

0:38:54.440 --> 0:38:56.759
<v Speaker 2>Jonah calls for her and says, don't let him get

0:38:56.760 --> 0:39:00.560
<v Speaker 2>away with it, And in that moment, Benson stares into

0:39:00.600 --> 0:39:02.520
<v Speaker 2>the cop car and stares at Brent, and he's in

0:39:02.560 --> 0:39:05.320
<v Speaker 2>the backseat crying, trying to act like he fucking cares.

0:39:05.880 --> 0:39:07.960
<v Speaker 1>He's crying because his life is over. He doesn't fucking

0:39:08.000 --> 0:39:10.600
<v Speaker 1>care that he killed his wife. Yeah, it's like a

0:39:10.680 --> 0:39:13.440
<v Speaker 1>cop was hidden in your crawl space, dude, Like, you're

0:39:13.440 --> 0:39:14.359
<v Speaker 1>not getting away with this.

0:39:15.320 --> 0:39:18.120
<v Speaker 2>No, And we're in the lab with o'haleran, and he

0:39:18.160 --> 0:39:21.480
<v Speaker 2>also said the evidence is solid like a rock, and

0:39:21.800 --> 0:39:25.000
<v Speaker 2>the suspect kit on him doesn't show a scratch. So

0:39:25.120 --> 0:39:28.440
<v Speaker 2>he's going away for life. There's no self defense, like,

0:39:28.520 --> 0:39:31.240
<v Speaker 2>there's no shot in how he's not going to jail forever.

0:39:31.480 --> 0:39:33.120
<v Speaker 2>And I know it's bad to do this, and we

0:39:33.440 --> 0:39:35.719
<v Speaker 2>get mad at the detectives for doing it, but I

0:39:35.760 --> 0:39:38.200
<v Speaker 2>hope he gets the shit beat out of him every

0:39:38.200 --> 0:39:41.920
<v Speaker 2>single day in prison. Yeah, And he tells her that

0:39:41.960 --> 0:39:45.239
<v Speaker 2>they also solved another murder and she assumes, like, oh,

0:39:45.280 --> 0:39:48.600
<v Speaker 2>he's killed before, but o'haleran's like, no, not unless he

0:39:48.680 --> 0:39:52.600
<v Speaker 2>started young and had a sex change. What is going on? Basically,

0:39:52.719 --> 0:39:55.279
<v Speaker 2>they found fingerprints on the kitchen phone that matched an

0:39:55.320 --> 0:39:58.239
<v Speaker 2>old homicide from nineteen seventy four of a man named

0:39:58.320 --> 0:40:01.640
<v Speaker 2>Vincent Creswell who was shot six times in his sleep

0:40:01.640 --> 0:40:04.520
<v Speaker 2>in his apartment, and then says his wife Caroline was

0:40:04.600 --> 0:40:07.720
<v Speaker 2>arrested at the scene, hands her a photo and says

0:40:07.760 --> 0:40:09.879
<v Speaker 2>and then she escaped and has been a fugitive ever

0:40:09.920 --> 0:40:14.320
<v Speaker 2>since the early seventies. And it's Lenny. It's fucking Lenny

0:40:14.680 --> 0:40:19.600
<v Speaker 2>Casey is shocked. Yeah, this is such a good show.

0:40:20.360 --> 0:40:24.200
<v Speaker 2>And this is Brenda Blethin, by the way, And she's

0:40:24.280 --> 0:40:26.920
<v Speaker 2>a star of stage, TV and film for forty years

0:40:27.280 --> 0:40:30.240
<v Speaker 2>eighty seven credits, and from twenty eleven to twenty twenty

0:40:30.239 --> 0:40:33.560
<v Speaker 2>two she was the star of the show Vira, which

0:40:33.600 --> 0:40:38.440
<v Speaker 2>is a murder mystery series set in Northumberland, Northumberland on

0:40:38.480 --> 0:40:42.040
<v Speaker 2>the England Scotland border. I bet my parents have definitely

0:40:42.080 --> 0:40:43.080
<v Speaker 2>seen that. They love and.

0:40:43.120 --> 0:40:47.200
<v Speaker 1>Definitely your uncle. Yeah, yeah, they love this masterpiece shit.

0:40:47.280 --> 0:40:49.000
<v Speaker 1>But I do too, Like as I'm getting older, I'm

0:40:49.000 --> 0:40:51.440
<v Speaker 1>like I'm becoming them. I love British like crime shows

0:40:51.440 --> 0:40:55.040
<v Speaker 1>so much. I want to watch it, if you know.

0:40:55.320 --> 0:40:58.720
<v Speaker 1>I Yeah, I love that part of the world too. Yeah,

0:40:58.719 --> 0:41:01.399
<v Speaker 1>and I forget where where I know her name from.

0:41:01.480 --> 0:41:04.480
<v Speaker 1>She was nominated for something I feel like in one

0:41:04.560 --> 0:41:09.920
<v Speaker 1>year on the in the I can't remember. Yeah, I

0:41:09.960 --> 0:41:13.280
<v Speaker 1>think for Oscar she was, But like now i'm she's

0:41:13.480 --> 0:41:17.200
<v Speaker 1>a Golden Globe, BAFTA and cons Festival Award and two

0:41:17.239 --> 0:41:19.040
<v Speaker 1>Academy Award nominations.

0:41:19.360 --> 0:41:19.759
<v Speaker 2>What are they?

0:41:19.880 --> 0:41:23.200
<v Speaker 1>So? Let me see what they're for Best Supporting Actress

0:41:23.320 --> 0:41:24.840
<v Speaker 1>and Best Actress.

0:41:25.200 --> 0:41:27.160
<v Speaker 2>Yeah, tell me you found it, because I'm not so.

0:41:27.200 --> 0:41:29.680
<v Speaker 2>She was nominated in nineteen ninety nine for Best Actress

0:41:29.680 --> 0:41:32.840
<v Speaker 2>in a Supporting Role for someone called Little Voice, Okay,

0:41:32.920 --> 0:41:35.600
<v Speaker 2>then in nineteen ninety seven for Best Actress in a

0:41:35.680 --> 0:41:37.799
<v Speaker 2>Leading Role for someone called Secrets in Line.

0:41:37.920 --> 0:41:39.440
<v Speaker 1>Yeah, that's what I was saying before. I was like,

0:41:39.480 --> 0:41:41.279
<v Speaker 1>when I saw Secrets and Lies in her IMDb, I'm like,

0:41:41.280 --> 0:41:42.480
<v Speaker 1>I'm pretty sure that's her big way.

0:41:42.719 --> 0:41:45.160
<v Speaker 2>I never saw it. She was nominated for an Emmy

0:41:45.200 --> 0:41:48.680
<v Speaker 2>for this Oh really, Yeah, it says two thousand and

0:41:48.719 --> 0:41:51.879
<v Speaker 2>nine nominee Outstanding Guest Actress and a Drama Series Law

0:41:51.880 --> 0:41:54.720
<v Speaker 2>and Order SVU for playing Lenny. Yeah.

0:41:55.560 --> 0:41:57.399
<v Speaker 1>But I don't think she didn't win, because I think

0:41:57.400 --> 0:42:01.400
<v Speaker 1>the only people who have ever won are Yeah, I'm like,

0:42:01.440 --> 0:42:08.680
<v Speaker 1>who's won? Cynthia and Courtillard for no, no, the other

0:42:08.719 --> 0:42:10.840
<v Speaker 1>French woman. It's not Mary on Coutiard, but it's I

0:42:10.920 --> 0:42:12.879
<v Speaker 1>know it's French Isabelle u Pear.

0:42:13.239 --> 0:42:17.239
<v Speaker 2>Yeah, yeah who. Neo Baer begged to be in it

0:42:17.280 --> 0:42:20.560
<v Speaker 2>and said, babe, I'll get you an emmy, just do this. Yeah.

0:42:20.600 --> 0:42:23.319
<v Speaker 2>He was right, he delivered, He delivered. I think other

0:42:23.360 --> 0:42:26.680
<v Speaker 2>people have been nominated, but those are the two big winners.

0:42:27.000 --> 0:42:29.960
<v Speaker 2>I wonder if a man has ever But she won

0:42:30.000 --> 0:42:34.200
<v Speaker 2>the BAFTA for Secrets and Lies. And we're back to

0:42:34.280 --> 0:42:37.720
<v Speaker 2>looking at the photo while behind her is present day Lenny,

0:42:37.840 --> 0:42:40.680
<v Speaker 2>and she's explaining that she's been dreading this day for

0:42:40.760 --> 0:42:43.440
<v Speaker 2>thirty four years. Her husband wheels in and he's like,

0:42:43.520 --> 0:42:46.040
<v Speaker 2>what's going on? And she had never told him, and

0:42:46.080 --> 0:42:48.200
<v Speaker 2>he's like, wait, what the fuck? When did this happen?

0:42:48.320 --> 0:42:50.960
<v Speaker 2>And she met her husband three weeks after she escaped

0:42:50.960 --> 0:42:54.360
<v Speaker 2>from jail. She slept in churches and on the subway

0:42:54.440 --> 0:42:56.719
<v Speaker 2>and stole food and wallets, and one night it was

0:42:56.760 --> 0:42:59.279
<v Speaker 2>pouring rain and she went into the diner and bought

0:42:59.280 --> 0:43:01.279
<v Speaker 2>a bowl of soup, and he saw her sitting there,

0:43:01.320 --> 0:43:03.799
<v Speaker 2>wet and cold. She told him that she was there

0:43:03.840 --> 0:43:06.520
<v Speaker 2>on vacation and a con man hustled her at the airport,

0:43:06.600 --> 0:43:09.839
<v Speaker 2>so she lost her suitcase, money, everything, and Jonah took

0:43:09.840 --> 0:43:11.799
<v Speaker 2>her home and saved her life. And then we go

0:43:11.840 --> 0:43:14.439
<v Speaker 2>into a famous SVU cut back and forth from each

0:43:14.440 --> 0:43:17.560
<v Speaker 2>of them talking about each other, and that day she

0:43:17.640 --> 0:43:19.839
<v Speaker 2>says he was an answer to a prayer. She says

0:43:19.880 --> 0:43:22.880
<v Speaker 2>he was a character out of a Dickens novel, like orphanage.

0:43:22.920 --> 0:43:25.799
<v Speaker 2>She had nothing, no parents, no, Then she says her

0:43:25.880 --> 0:43:29.160
<v Speaker 2>parents disowned her after the arrests, and Benson asked if

0:43:29.160 --> 0:43:32.160
<v Speaker 2>she ever wanted children, and he says, we tried for years,

0:43:32.200 --> 0:43:35.200
<v Speaker 2>but she was infertile. And then she tells Benson though,

0:43:35.239 --> 0:43:37.200
<v Speaker 2>the truth, which is that she was on birth control

0:43:37.239 --> 0:43:39.600
<v Speaker 2>all these years because if she had a kid, then

0:43:39.640 --> 0:43:41.600
<v Speaker 2>she would go back to jail and lose her kids.

0:43:41.600 --> 0:43:44.839
<v Speaker 2>So she just couldn't do it. So this is so complicated,

0:43:44.880 --> 0:43:46.879
<v Speaker 2>and I think this episode does a really great job

0:43:46.920 --> 0:43:49.719
<v Speaker 2>of showing how complicated abuse is and being a woman is.

0:43:49.960 --> 0:43:53.880
<v Speaker 2>And I'm just impressed with sview. Over and over again.

0:43:54.520 --> 0:43:56.879
<v Speaker 2>She said she's been living in fear of being recognized

0:43:56.960 --> 0:43:59.799
<v Speaker 2>every day and that's why there's no travel, no work,

0:43:59.840 --> 0:44:02.480
<v Speaker 2>and he's like, is their marriage even legal? Like I

0:44:02.480 --> 0:44:05.640
<v Speaker 2>don't even know her name. Her name was Caroline, but

0:44:05.880 --> 0:44:08.359
<v Speaker 2>that name is dead and she is Lenny now, which

0:44:08.400 --> 0:44:09.960
<v Speaker 2>is a really cute and unique name. I don't know

0:44:09.960 --> 0:44:13.120
<v Speaker 2>how she came up with it. Benson asks what happened?

0:44:13.600 --> 0:44:16.000
<v Speaker 2>So basically they met at seventeen in her and Vincent

0:44:16.080 --> 0:44:18.919
<v Speaker 2>at an anti war protest. Vin since the dead man

0:44:19.200 --> 0:44:21.200
<v Speaker 2>that she shot. Okay, so they met at seventeen at

0:44:21.200 --> 0:44:24.560
<v Speaker 2>an anti war protest. Vinnie was standing on stage doing poetry.

0:44:24.640 --> 0:44:26.920
<v Speaker 2>She said it wasn't good, but he was passionate. And

0:44:26.960 --> 0:44:30.200
<v Speaker 2>this truly does describe how most male comedians get dates,

0:44:30.480 --> 0:44:35.560
<v Speaker 2>like they're so terrible, but I guess you know, it's

0:44:35.600 --> 0:44:40.440
<v Speaker 2>all they care about, so it feels like passion. Yeah,

0:44:40.480 --> 0:44:43.440
<v Speaker 2>they fell in love and with each other and the

0:44:43.480 --> 0:44:46.640
<v Speaker 2>anti war movement. But then the war ended, but he

0:44:46.719 --> 0:44:48.520
<v Speaker 2>just wouldn't move on, and he was still just like

0:44:48.600 --> 0:44:51.000
<v Speaker 2>super angry and a failed poet, and he took his

0:44:51.040 --> 0:44:54.319
<v Speaker 2>anger out on her because his poems really sucked, and

0:44:54.400 --> 0:44:57.440
<v Speaker 2>he blamed her for his bad poems and it's like

0:44:57.600 --> 0:44:59.920
<v Speaker 2>fuck you. But he liked boozs and drugs and he

0:45:00.040 --> 0:45:02.600
<v Speaker 2>would beat her up all the time Bruce's black eyes.

0:45:02.640 --> 0:45:05.440
<v Speaker 2>One time he choked her until she passed out and

0:45:05.520 --> 0:45:08.080
<v Speaker 2>then bought a gun, and when he was drunk he

0:45:08.080 --> 0:45:10.400
<v Speaker 2>would talk about using the gun for suicide. And then

0:45:10.440 --> 0:45:12.279
<v Speaker 2>one time he was like, I'm gonna shoot you and

0:45:12.320 --> 0:45:14.600
<v Speaker 2>then I'm gonna take my own life, and she knew

0:45:14.640 --> 0:45:16.920
<v Speaker 2>he meant it, and so she had to get away.

0:45:17.239 --> 0:45:23.040
<v Speaker 2>And Benson's like, why didn't you leave? Which knows that's

0:45:23.080 --> 0:45:25.840
<v Speaker 2>not a good question, right, I guess we all always

0:45:25.920 --> 0:45:28.400
<v Speaker 2>want to ask it, Like, I don't know, did you

0:45:28.440 --> 0:45:30.960
<v Speaker 2>ever watch the Julia Roberts movie Sleeping with the Enemy?

0:45:31.160 --> 0:45:36.280
<v Speaker 1>Yes, huge scary movie of my child scary?

0:45:36.400 --> 0:45:38.480
<v Speaker 2>Why did you watch it as children? I don't know.

0:45:39.480 --> 0:45:42.160
<v Speaker 1>It was definitely like a we're gonna watch Sleeping with

0:45:42.200 --> 0:45:44.400
<v Speaker 1>the Enemy this weekend like an event, Like it was

0:45:44.520 --> 0:45:47.680
<v Speaker 1>so scary and there's barely any like blood in it.

0:45:47.680 --> 0:45:51.880
<v Speaker 1>It's just like the scariness of that man. And is

0:45:51.920 --> 0:45:53.000
<v Speaker 1>that man in it?

0:45:53.040 --> 0:45:54.480
<v Speaker 2>Is he not? Hold on?

0:45:54.560 --> 0:45:56.920
<v Speaker 1>I know we're doing a lot of fucking imdbing right now.

0:45:56.960 --> 0:46:00.000
<v Speaker 1>Can I just look up one thing? Wait, they should sponsor?

0:46:00.320 --> 0:46:02.960
<v Speaker 1>Why is IMDb not doing ads on our podcast? Like?

0:46:03.040 --> 0:46:06.520
<v Speaker 2>What what are they doing? Patrick Bergen, Oh.

0:46:06.360 --> 0:46:09.120
<v Speaker 1>Patrick Bergen, I was thinking of a different guy, never mind,

0:46:10.239 --> 0:46:10.960
<v Speaker 1>but this guy.

0:46:10.880 --> 0:46:15.680
<v Speaker 2>Is scary, scary. But yeah, I just remember like the cans,

0:46:15.719 --> 0:46:17.960
<v Speaker 2>like she had to keep all of the cans up

0:46:18.040 --> 0:46:22.480
<v Speaker 2>food in one direction. But that's how crazy it is,

0:46:22.480 --> 0:46:25.160
<v Speaker 2>because how did he find her? Because she fakes her

0:46:25.160 --> 0:46:30.120
<v Speaker 2>own death, like fakes the drowning, and then when.

0:46:29.960 --> 0:46:33.160
<v Speaker 1>He finds her, she goes into her pantry, right, and

0:46:33.200 --> 0:46:35.640
<v Speaker 1>all the cans are organized, and that's when she knows

0:46:35.640 --> 0:46:37.319
<v Speaker 1>he's found her. Right.

0:46:38.480 --> 0:46:41.640
<v Speaker 2>Yeah, I'm like getting chills. I'm like scared already.

0:46:41.719 --> 0:46:43.839
<v Speaker 1>Like truly one of the first movies that I think

0:46:43.960 --> 0:46:50.279
<v Speaker 1>really really dramatized like the terror of domestic violence. You know,

0:46:50.760 --> 0:46:53.040
<v Speaker 1>I don't feel like a lot of movies were doing

0:46:53.080 --> 0:46:54.439
<v Speaker 1>that before that one.

0:46:55.120 --> 0:46:56.960
<v Speaker 2>That was a big one. I also just don't know

0:46:56.960 --> 0:46:58.920
<v Speaker 2>how that's I just can't believe. I watched it as

0:46:58.960 --> 0:47:01.040
<v Speaker 2>a child, Like it came out out in nineteen ninety one.

0:47:01.719 --> 0:47:05.439
<v Speaker 2>I was five, like, yeah, so fucked up. That's really young.

0:47:06.160 --> 0:47:09.200
<v Speaker 2>Maybe we saw it later, but I was still really young.

0:47:09.239 --> 0:47:14.000
<v Speaker 2>And she's like I was trying, okay, So she asks

0:47:14.080 --> 0:47:16.880
<v Speaker 2>the dreaded question, why didn't you leave? And she's like,

0:47:16.920 --> 0:47:19.840
<v Speaker 2>I was trying to and she'd been stashing away change

0:47:19.880 --> 0:47:21.719
<v Speaker 2>from the groce trees and she hid it in a

0:47:21.800 --> 0:47:24.480
<v Speaker 2>shoe and she had almost fifty dollars. But then he

0:47:24.600 --> 0:47:27.640
<v Speaker 2>found it and he was his brain went straight to

0:47:27.680 --> 0:47:31.439
<v Speaker 2>you're a hooker, Yeah, to have that much cash, and

0:47:32.120 --> 0:47:33.560
<v Speaker 2>if she wanted to be a whore, he was going

0:47:33.640 --> 0:47:35.759
<v Speaker 2>to treat her like one, and then raped her and

0:47:35.840 --> 0:47:39.160
<v Speaker 2>she was crying and she's nodding as she's explaining all

0:47:39.160 --> 0:47:41.480
<v Speaker 2>of this, And after he went to sleep, she took

0:47:41.480 --> 0:47:44.000
<v Speaker 2>the gun and shot his ass up. I'm sure the

0:47:44.000 --> 0:47:47.040
<v Speaker 2>world did not miss him or his poems. And she

0:47:47.160 --> 0:47:49.239
<v Speaker 2>heard the siren and the neighbors called the cops and

0:47:49.280 --> 0:47:50.680
<v Speaker 2>she had the gun in the hand when they broke

0:47:50.719 --> 0:47:52.319
<v Speaker 2>down the door, and so they took her away, and

0:47:52.400 --> 0:47:54.600
<v Speaker 2>she never told them that she was raped or anyone.

0:47:54.840 --> 0:47:58.279
<v Speaker 2>She's never told anybody until right now. Gray Lick and

0:47:58.320 --> 0:48:01.040
<v Speaker 2>Craigan are watching this whole thing go down, and they're like,

0:48:01.080 --> 0:48:03.719
<v Speaker 2>this sucks, Like marital rape wasn't even a crime back then.

0:48:03.800 --> 0:48:05.800
<v Speaker 2>They would have we would have never charged her today,

0:48:06.160 --> 0:48:08.320
<v Speaker 2>and Gray looks like, yeah, let's just give her probation

0:48:08.640 --> 0:48:11.200
<v Speaker 2>and then out at bat out of hell. I can't

0:48:11.239 --> 0:48:14.520
<v Speaker 2>even believe it. Judith Light appears and she goes, Nope,

0:48:14.800 --> 0:48:17.880
<v Speaker 2>not anymore. I'm going to return to the DA's office

0:48:17.960 --> 0:48:24.480
<v Speaker 2>for some unfinished business. She barges into interrogation and says, Hi, Caroline,

0:48:24.600 --> 0:48:27.160
<v Speaker 2>remember me, And she does remember her she was the

0:48:27.200 --> 0:48:29.959
<v Speaker 2>prosecutor from the case. And she goes and I still

0:48:30.000 --> 0:48:33.239
<v Speaker 2>am arrest her and charge her with escape in the

0:48:33.280 --> 0:48:36.280
<v Speaker 2>first degree. She's as cold as ice. Benson is shocked,

0:48:36.280 --> 0:48:39.520
<v Speaker 2>and Judith is cold as fuck. What I don't know

0:48:39.520 --> 0:48:44.480
<v Speaker 2>what's colder as fuck or as ice? But and she

0:48:44.600 --> 0:48:47.400
<v Speaker 2>demands she be called by her old name, and Benson

0:48:47.440 --> 0:48:50.360
<v Speaker 2>mirandizes her. And now we're in court with her favorite

0:48:50.360 --> 0:48:53.200
<v Speaker 2>bailiff and defense attorney Julia Zimmer, who is from the

0:48:53.200 --> 0:48:56.920
<v Speaker 2>famous episode Zebras where she suffocates in a car. Now

0:48:57.000 --> 0:49:01.400
<v Speaker 2>her husband is watching with Olivia and Jonah. So Judith

0:49:01.400 --> 0:49:03.239
<v Speaker 2>obviously wants to lock her ass up because of the

0:49:03.280 --> 0:49:05.880
<v Speaker 2>prior escape, so that makes sense, But Julia Zimmer's like,

0:49:05.880 --> 0:49:08.440
<v Speaker 2>can we please do home arrass? She needs to take

0:49:08.480 --> 0:49:11.920
<v Speaker 2>care of her husband, and then Judith, at her worst, goes, Hi,

0:49:11.920 --> 0:49:16.120
<v Speaker 2>you're a nurse. At least she won't shoot him, so

0:49:16.120 --> 0:49:20.560
<v Speaker 2>so bitch agro like this is a These are like

0:49:20.680 --> 0:49:24.120
<v Speaker 2>elderly people, like I don't know, and no one, even

0:49:24.120 --> 0:49:29.560
<v Speaker 2>the judge is like okay, relaxed, Yeah, like every yeah,

0:49:29.640 --> 0:49:33.280
<v Speaker 2>everyone is upset. But she is getting remand which sucks.

0:49:33.680 --> 0:49:35.759
<v Speaker 2>Benson runs to Judith, who's like, oh, are you here

0:49:35.760 --> 0:49:39.120
<v Speaker 2>to fucking lecture me? And Benson's like you're being gross,

0:49:39.160 --> 0:49:42.160
<v Speaker 2>like what And Judith is like, Oh, you don't even know,

0:49:42.400 --> 0:49:44.239
<v Speaker 2>do you. You don't know what happened. You didn't ask

0:49:44.239 --> 0:49:47.560
<v Speaker 2>her how she escaped. So now it's storytime from would

0:49:47.600 --> 0:49:52.479
<v Speaker 2>you say? Juds? So yeah, basically Lenny ak Carolyn asked

0:49:52.480 --> 0:49:54.800
<v Speaker 2>for a meeting for a plea bargain and she climbed

0:49:54.840 --> 0:49:56.960
<v Speaker 2>out the bathroom window and it was her fault and

0:49:57.040 --> 0:49:59.840
<v Speaker 2>for years everyone made fun of her, so it's personal.

0:50:00.040 --> 0:50:02.040
<v Speaker 2>So now she's getting back at something from so long

0:50:02.080 --> 0:50:06.279
<v Speaker 2>ago that's so stupid because nobody respected her anymore and

0:50:06.520 --> 0:50:08.280
<v Speaker 2>it took her a long time to get her career

0:50:08.320 --> 0:50:11.319
<v Speaker 2>back in action, and she explains how it sucked for

0:50:11.440 --> 0:50:14.160
<v Speaker 2>women dumb. So the DA at the time didn't want

0:50:14.160 --> 0:50:16.319
<v Speaker 2>a man yelling at Caroline on the stand. It would

0:50:16.360 --> 0:50:19.960
<v Speaker 2>look bad, so she got this case after he had

0:50:20.000 --> 0:50:23.440
<v Speaker 2>to ask for her husband's permission to try this case.

0:50:24.239 --> 0:50:26.439
<v Speaker 2>So now she's going to put her in jail because

0:50:26.480 --> 0:50:30.000
<v Speaker 2>she set back the image of women prosecutors and because

0:50:30.080 --> 0:50:33.440
<v Speaker 2>Judith never got to work in homicide again. And it

0:50:33.520 --> 0:50:36.239
<v Speaker 2>still seems petty. It's been forty years. We know you

0:50:36.280 --> 0:50:39.880
<v Speaker 2>live in a townhouse. We've seen it, you're rich. Everything

0:50:39.960 --> 0:50:43.840
<v Speaker 2>worked out, yeah, yeah, But when confronted, but I wonder

0:50:43.840 --> 0:50:46.319
<v Speaker 2>if her husband died or they got divorced or whatnot,

0:50:46.320 --> 0:50:51.399
<v Speaker 2>because she wants to fuck Stabler or maybe she's just yeah,

0:50:51.440 --> 0:50:54.640
<v Speaker 2>I don't know. I wonder who she's married to, like

0:50:54.680 --> 0:50:58.279
<v Speaker 2>a professor, we have another lawyer. I don't think.

0:50:58.280 --> 0:51:01.200
<v Speaker 1>I don't think we ever find out Judy's or Donnelly's

0:51:01.280 --> 0:51:03.000
<v Speaker 1>backstory or personal life.

0:51:03.040 --> 0:51:06.600
<v Speaker 2>But then Benson confronts her like so for revenge, and

0:51:06.640 --> 0:51:08.719
<v Speaker 2>she goes, no, I got over being bitter a long

0:51:08.760 --> 0:51:11.840
<v Speaker 2>time ago. I'm here for the victim, vincent, and Benson's like,

0:51:11.880 --> 0:51:15.360
<v Speaker 2>she was fucking beaten. There was no shelter, and Judy

0:51:15.440 --> 0:51:16.839
<v Speaker 2>is like, you don't need to remind me how hard

0:51:16.880 --> 0:51:19.880
<v Speaker 2>it was for women Benson, and then she goes, listen,

0:51:19.920 --> 0:51:22.399
<v Speaker 2>she snowed you don't feel bad. She snowed me too,

0:51:22.840 --> 0:51:24.759
<v Speaker 2>and she starts reading a letter that she got from

0:51:24.840 --> 0:51:27.200
<v Speaker 2>Caroline back in the day that says, please help me.

0:51:27.880 --> 0:51:30.200
<v Speaker 2>She wants to plead guilty, but she has a huge

0:51:30.239 --> 0:51:32.960
<v Speaker 2>problem and she needs to meet in private. So Donnelly

0:51:33.040 --> 0:51:35.600
<v Speaker 2>met her and that's where she ran away. And Judith

0:51:35.760 --> 0:51:37.960
<v Speaker 2>never found out like the reason she wanted to talk

0:51:38.080 --> 0:51:40.440
<v Speaker 2>or anything, and believes that this is a ruse. She

0:51:40.520 --> 0:51:43.200
<v Speaker 2>thinks Lenny is a big time player. So now we're

0:51:43.239 --> 0:51:46.080
<v Speaker 2>at Rikers and Benson, and she tells Benson like, leave

0:51:46.120 --> 0:51:49.480
<v Speaker 2>me alone, what do you want? But Benson wants the truth.

0:51:49.760 --> 0:51:52.279
<v Speaker 2>She wasn't planning on escaping, Lenny explains, but there was

0:51:52.320 --> 0:51:54.480
<v Speaker 2>a window open and she ran. She just took it.

0:51:55.600 --> 0:51:57.879
<v Speaker 2>But then Benson brings out the letter and goes, tell

0:51:57.920 --> 0:51:59.840
<v Speaker 2>me about this letter, or you're going to be in

0:52:00.040 --> 0:52:04.919
<v Speaker 2>jail forever. And I actually checked the escape you only

0:52:04.960 --> 0:52:06.720
<v Speaker 2>get a max of up to five years.

0:52:07.080 --> 0:52:10.320
<v Speaker 1>Interesting because in my true story it's different.

0:52:11.400 --> 0:52:16.240
<v Speaker 2>I wonder did she get charged for both? I don't know. Yeah,

0:52:16.280 --> 0:52:20.440
<v Speaker 2>I wonder because I was so curious what it was

0:52:20.680 --> 0:52:23.359
<v Speaker 2>and I looked it up and this was just like

0:52:23.440 --> 0:52:25.560
<v Speaker 2>on the Google main page of Wikipedia. It was just like,

0:52:25.640 --> 0:52:27.520
<v Speaker 2>you could go to prison for up to five years,

0:52:28.600 --> 0:52:31.000
<v Speaker 2>but I don't know if you're serving like a life

0:52:31.000 --> 0:52:33.400
<v Speaker 2>sentence or like a long sentence. I think it's worth

0:52:33.440 --> 0:52:35.640
<v Speaker 2>trying to escape if you only get five more years.

0:52:35.719 --> 0:52:36.480
<v Speaker 2>Who gives a shit.

0:52:37.640 --> 0:52:40.280
<v Speaker 1>If you're listening to this podcast and you're serving life,

0:52:40.440 --> 0:52:41.160
<v Speaker 1>give it a shot.

0:52:41.440 --> 0:52:43.759
<v Speaker 2>Come on, Yeah, I would love if we had a

0:52:43.840 --> 0:52:48.080
<v Speaker 2>jail population of listeners who are into our acab vibes.

0:52:48.680 --> 0:52:51.520
<v Speaker 2>But even the threat of jail forever, Lenny's like, fine,

0:52:51.560 --> 0:52:53.319
<v Speaker 2>I don't care, I deserve it. Leave me alone. And

0:52:53.320 --> 0:52:56.200
<v Speaker 2>Benson's like, just please, like, tell the jury what really happened.

0:52:56.200 --> 0:52:58.480
<v Speaker 2>Why did you run? She says she can't tell her,

0:52:58.560 --> 0:53:01.480
<v Speaker 2>and Benson keeps pushing. If you don't want to help yourself, fine,

0:53:01.520 --> 0:53:04.759
<v Speaker 2>but then do it for Jonah. And she's scared because

0:53:04.800 --> 0:53:08.000
<v Speaker 2>he won't forgive her. Benson is like, you know, Jonah

0:53:08.000 --> 0:53:09.840
<v Speaker 2>deserves to know. You've been lying to him for a

0:53:09.880 --> 0:53:13.279
<v Speaker 2>long ass time. So finally she starts revealing more and

0:53:13.360 --> 0:53:16.080
<v Speaker 2>more layers to her past. So she cried and he

0:53:16.160 --> 0:53:19.440
<v Speaker 2>said shut up. So this is back out for the rape.

0:53:19.520 --> 0:53:22.480
<v Speaker 2>So she's crying and this vincent guy tells her to

0:53:22.520 --> 0:53:24.840
<v Speaker 2>shut up and then puts a gun under his pillow

0:53:24.920 --> 0:53:26.719
<v Speaker 2>and said that that that he was going to give

0:53:26.760 --> 0:53:29.279
<v Speaker 2>her more of that in the morning. And then she

0:53:29.440 --> 0:53:32.640
<v Speaker 2>was really disturbed because he just fell asleep, and it's

0:53:32.680 --> 0:53:35.319
<v Speaker 2>like what he did to her didn't bother her, bother

0:53:35.440 --> 0:53:37.600
<v Speaker 2>him at all, Like it was the only thing that

0:53:37.680 --> 0:53:40.160
<v Speaker 2>relaxed him, Like hurting her was the only thing that

0:53:40.200 --> 0:53:42.960
<v Speaker 2>made him feel good. And so she pulled the trigger.

0:53:43.080 --> 0:53:45.719
<v Speaker 2>There was blood everywhere. As she tells the story, it

0:53:45.800 --> 0:53:49.719
<v Speaker 2>switches in a star swipe jk but from vipers to

0:53:49.800 --> 0:53:53.680
<v Speaker 2>her on the stand and her lawyer rests as Judith

0:53:53.719 --> 0:53:56.399
<v Speaker 2>comes to punch on this old woman. Did you tell

0:53:56.400 --> 0:53:58.880
<v Speaker 2>the cops you got hit? I mean, she is fully

0:53:58.880 --> 0:54:01.760
<v Speaker 2>bullying this woman. She's like, you have no proof about anything,

0:54:02.200 --> 0:54:03.800
<v Speaker 2>and if all of this happened, why wouldn't you just

0:54:03.880 --> 0:54:06.719
<v Speaker 2>tell a jury thirty four years ago? It's like you're

0:54:07.040 --> 0:54:08.960
<v Speaker 2>and then to me, I'm like, you just said how

0:54:09.000 --> 0:54:11.000
<v Speaker 2>much it sucks to be a woman, and especially back

0:54:11.040 --> 0:54:12.799
<v Speaker 2>in the day, and now you're pretending you don't know

0:54:12.840 --> 0:54:14.680
<v Speaker 2>this stuff when you're like, why don't you tell the

0:54:14.680 --> 0:54:17.520
<v Speaker 2>cops all this information? Yeah, tell the jury it's just

0:54:17.560 --> 0:54:20.960
<v Speaker 2>like she's not being consistent, she isn't just like a

0:54:21.000 --> 0:54:23.440
<v Speaker 2>fit of her own self centered rage, and she's really

0:54:23.440 --> 0:54:25.960
<v Speaker 2>not seeing outside of it or acknowledging that this is

0:54:26.040 --> 0:54:29.560
<v Speaker 2>really revenge, Like you know why people don't tell cops anything.

0:54:30.320 --> 0:54:33.440
<v Speaker 2>Jenny looks at Olivia in the stands and it gives

0:54:33.480 --> 0:54:36.759
<v Speaker 2>her power, just the sight, so she starts to talk

0:54:36.800 --> 0:54:40.399
<v Speaker 2>while crying, even though she really doesn't want to, and

0:54:40.600 --> 0:54:42.920
<v Speaker 2>Judith light thinks that she didn't come to court because

0:54:42.920 --> 0:54:45.239
<v Speaker 2>she was guilty and she knew it. And finally she

0:54:45.320 --> 0:54:48.680
<v Speaker 2>cries out, I was pregnant, and they show Jonah, who

0:54:48.719 --> 0:54:50.760
<v Speaker 2>is so mad in her and a lot of emotions

0:54:50.840 --> 0:54:52.879
<v Speaker 2>on his face and his whole life is crumbling down

0:54:52.920 --> 0:54:55.560
<v Speaker 2>around him. Judith won't let up and is like, come on,

0:54:55.719 --> 0:54:58.160
<v Speaker 2>so now you're gonna say that hormones made you do it?

0:54:58.680 --> 0:55:02.560
<v Speaker 2>I mean, it's wild. So then she explains she ran

0:55:02.680 --> 0:55:05.400
<v Speaker 2>so she can get an abortion, and Judas stops in

0:55:05.440 --> 0:55:08.000
<v Speaker 2>her tracks and is shocked and understanding all of a sudden,

0:55:08.080 --> 0:55:10.960
<v Speaker 2>like I think it all fucking hit her in that moment,

0:55:11.400 --> 0:55:13.440
<v Speaker 2>because you can't get an abortion in prison, and she

0:55:13.440 --> 0:55:15.919
<v Speaker 2>didn't want to have that man's baby, like, she didn't

0:55:15.960 --> 0:55:18.399
<v Speaker 2>care about going to prison. She just didn't want this

0:55:18.560 --> 0:55:21.360
<v Speaker 2>child growing inside of her, and that's why she wanted

0:55:21.400 --> 0:55:23.520
<v Speaker 2>to meet Judy to tell her she would plead guilty

0:55:23.560 --> 0:55:25.960
<v Speaker 2>if she could just please get an abortion. But when

0:55:26.000 --> 0:55:29.160
<v Speaker 2>she went to see her, she was so strong and confident,

0:55:29.239 --> 0:55:31.600
<v Speaker 2>and she was ashamed of her weakness, and she just

0:55:31.640 --> 0:55:34.480
<v Speaker 2>couldn't tell her, like, how could a woman like Judith

0:55:34.560 --> 0:55:39.040
<v Speaker 2>Light ever understand a woman like her? And Judy looks

0:55:39.080 --> 0:55:41.720
<v Speaker 2>so shocked, and you know, at least she could admit

0:55:41.760 --> 0:55:44.239
<v Speaker 2>that she's wrong, and she's just like, really, you could

0:55:44.239 --> 0:55:47.640
<v Speaker 2>tell that she is regretting all of these decisions. Benson

0:55:47.640 --> 0:55:51.000
<v Speaker 2>looks really proud. She's found not guilty for murder, but

0:55:51.160 --> 0:55:54.440
<v Speaker 2>is found guilty on escape and they'll meet back at

0:55:54.480 --> 0:55:57.040
<v Speaker 2>sentencing and Judith like is like, oh, and by the way,

0:55:57.200 --> 0:56:01.560
<v Speaker 2>we recommend probation, and the judge goes, I agree, and

0:56:01.640 --> 0:56:05.040
<v Speaker 2>I can't wait to hear your thoughts on this, Judith Light,

0:56:05.120 --> 0:56:08.000
<v Speaker 2>And then gavel gavel. On the way out, Lenny asked

0:56:08.080 --> 0:56:11.359
<v Speaker 2>Judith Light why and she says an important lesson here,

0:56:11.760 --> 0:56:14.319
<v Speaker 2>which I like that this is She goes, I was

0:56:14.360 --> 0:56:16.880
<v Speaker 2>trying so hard to be one of the boys. She

0:56:17.000 --> 0:56:19.360
<v Speaker 2>forgot why she became a lawyer in the first place.

0:56:19.480 --> 0:56:23.319
<v Speaker 2>And this is something to remember. I feel like this

0:56:23.360 --> 0:56:25.560
<v Speaker 2>is true in comedy at times too, where you're just

0:56:25.640 --> 0:56:29.640
<v Speaker 2>like say, whatever, cool guy. Yeah, Like when you start,

0:56:29.640 --> 0:56:32.160
<v Speaker 2>there's just so many dudes everywhere, and then you're like,

0:56:32.239 --> 0:56:38.919
<v Speaker 2>oh god, all these guys are disgusting. Whatever. Yeah, they're

0:56:38.920 --> 0:56:41.960
<v Speaker 2>all just like cheating on their wives with subpar jokes,

0:56:41.960 --> 0:56:44.239
<v Speaker 2>and then you realize how much better your life is

0:56:44.719 --> 0:56:46.399
<v Speaker 2>not trying to be one of the boys. They're an

0:56:46.400 --> 0:56:51.480
<v Speaker 2>inferior group. Yeah, Casey, I'm talking to you. No, So

0:56:51.920 --> 0:56:54.520
<v Speaker 2>that's yeah, So I just I like that she said that.

0:56:54.560 --> 0:56:57.480
<v Speaker 2>So then Lenny thanks for defense attorney, and Benson and

0:56:57.520 --> 0:57:00.200
<v Speaker 2>Lenny go to try to talk to Jonah and he

0:57:00.239 --> 0:57:02.920
<v Speaker 2>says it's over. He says, I'm happy for you, Annie,

0:57:03.560 --> 0:57:05.560
<v Speaker 2>but and she's like, oh no, please, don't say it.

0:57:05.600 --> 0:57:08.440
<v Speaker 2>And he continues and asks when did you get that abortion?

0:57:09.040 --> 0:57:11.520
<v Speaker 2>And she says, when you went to the conference in Seattle.

0:57:11.719 --> 0:57:14.160
<v Speaker 2>And he says, every decision you and I made was

0:57:14.200 --> 0:57:17.240
<v Speaker 2>based on a lie. He's like, remember I always wanted

0:57:17.320 --> 0:57:20.640
<v Speaker 2>children and grandchildren and you stole that from me. And

0:57:20.680 --> 0:57:23.080
<v Speaker 2>she's like, no, I'm the same girl you loved and married.

0:57:23.120 --> 0:57:25.400
<v Speaker 2>But also like, was that love based on anything? Like

0:57:25.400 --> 0:57:27.280
<v Speaker 2>I'm sure that they've been together for so long now,

0:57:27.320 --> 0:57:30.080
<v Speaker 2>I'm sure it's real, but like you also just had nothing,

0:57:31.640 --> 0:57:33.479
<v Speaker 2>like it could have been Jonah or someone else.

0:57:33.600 --> 0:57:36.439
<v Speaker 1>Yeah, but I think that like after but after five

0:57:36.520 --> 0:57:38.480
<v Speaker 1>years after she was like Okay, I don't think I'm

0:57:38.480 --> 0:57:40.640
<v Speaker 1>getting caught, Like maybe she could have moved on if

0:57:40.680 --> 0:57:41.480
<v Speaker 1>she didn't love Jonah.

0:57:41.480 --> 0:57:44.480
<v Speaker 2>I think she loved him, right, I think she did. No,

0:57:44.960 --> 0:57:47.560
<v Speaker 2>they grew into like a beautiful relationship. I'm just saying, like,

0:57:47.600 --> 0:57:49.320
<v Speaker 2>if it was Jonah or someone else, when you have

0:57:49.360 --> 0:57:50.920
<v Speaker 2>no idea and you're on the run, like and a

0:57:50.960 --> 0:57:52.960
<v Speaker 2>guy like yeah, if it was a different guy that

0:57:53.040 --> 0:57:54.760
<v Speaker 2>was like I'll take care of you, I'm sure that

0:57:54.800 --> 0:57:55.479
<v Speaker 2>would have been great.

0:57:56.280 --> 0:57:58.880
<v Speaker 1>Yeah, but I'm sure there was something about him because

0:57:58.920 --> 0:58:00.760
<v Speaker 1>he seemed like such a like like the kind of

0:58:00.800 --> 0:58:02.480
<v Speaker 1>guy that goes up to a girl who's shivering and

0:58:02.480 --> 0:58:04.640
<v Speaker 1>freezing over a bowl of soap and a soup and

0:58:04.680 --> 0:58:05.080
<v Speaker 1>a diner.

0:58:05.440 --> 0:58:07.960
<v Speaker 2>You're either a really nice guy or a really evil guy.

0:58:08.080 --> 0:58:10.720
<v Speaker 2>You know. Yeah, you're the guy from Dexter. Yeah, the

0:58:10.880 --> 0:58:15.200
<v Speaker 2>new blood him too exactly. But yeah, she's just like

0:58:15.200 --> 0:58:17.000
<v Speaker 2>I'm the same girl, and he pulls away from her,

0:58:17.160 --> 0:58:20.040
<v Speaker 2>he cannot forgive her, and he wheels off, and she

0:58:20.160 --> 0:58:24.520
<v Speaker 2>is so sad. And I mean, Benson really uncovered a lot,

0:58:24.800 --> 0:58:27.040
<v Speaker 2>a lot, I don't. I mean, she could have just

0:58:27.120 --> 0:58:30.080
<v Speaker 2>left everyone alone. I don't know, Like this must have

0:58:30.160 --> 0:58:33.280
<v Speaker 2>been like a two bottle of Red Knight for Olivia. Yeah,

0:58:34.040 --> 0:58:36.920
<v Speaker 2>this is a lot. She gets taken away and her

0:58:36.960 --> 0:58:40.480
<v Speaker 2>and Olivia stare at each other, and that's that.

0:58:40.800 --> 0:58:43.200
<v Speaker 1>But can I just say, it's it's horrible that she

0:58:43.880 --> 0:58:47.000
<v Speaker 1>like doesn't have Jonah anymore. That's horrible, and like she

0:58:47.120 --> 0:58:49.040
<v Speaker 1>is gonna have to kind of start over. But in

0:58:49.040 --> 0:58:52.240
<v Speaker 1>a way, she's free now. She can like leave Manhattan,

0:58:52.320 --> 0:58:55.680
<v Speaker 1>she can do like not live with like looking over

0:58:55.720 --> 0:58:58.960
<v Speaker 1>her shoulder the whole time. You know, Like, yeah, I

0:58:59.000 --> 0:59:01.280
<v Speaker 1>do feel like it's it's like a good thing that

0:59:01.360 --> 0:59:04.480
<v Speaker 1>happened to Lenny. But maybe she did lose Jonah and

0:59:04.520 --> 0:59:06.520
<v Speaker 1>like kind of everything she knew of her life for

0:59:06.560 --> 0:59:09.800
<v Speaker 1>the last thirty four years or whatever. But let's take

0:59:09.960 --> 0:59:13.000
<v Speaker 1>a break and we'll be right back with the several

0:59:13.120 --> 0:59:19.880
<v Speaker 1>true moments to discuss.

0:59:28.880 --> 0:59:31.479
<v Speaker 2>Okay, we are back, So all right.

0:59:31.520 --> 0:59:34.920
<v Speaker 1>So I first wanted to just touch on the Donnelly

0:59:35.000 --> 0:59:38.200
<v Speaker 1>piece of this episode, because it seems that her whole

0:59:38.240 --> 0:59:41.360
<v Speaker 1>point of view is based on this New Yorker article

0:59:41.840 --> 0:59:45.720
<v Speaker 1>called The Upstart about a woman named Leslie Crocker Snyder.

0:59:46.080 --> 0:59:47.919
<v Speaker 2>Who this is. So that's the last name.

0:59:48.080 --> 0:59:51.160
<v Speaker 1>Now, that's the last name, Leslie Crocker Snyder. She's a

0:59:51.200 --> 0:59:54.680
<v Speaker 1>former prosecutor and judge who twice ran for Manhattan DA.

0:59:55.080 --> 0:59:57.400
<v Speaker 1>She did not win, but she was an ADA in Manhattan,

0:59:57.800 --> 1:00:00.920
<v Speaker 1>and she was as she was campaign for the first time,

1:00:01.040 --> 1:00:04.520
<v Speaker 1>she would talk a lot about how she became a prosecutor,

1:00:04.800 --> 1:00:06.840
<v Speaker 1>and she said that in nineteen sixty eight, when she

1:00:06.880 --> 1:00:09.840
<v Speaker 1>was twenty five, she joined the staff of the DA

1:00:09.920 --> 1:00:13.480
<v Speaker 1>Frank Hogan, and she kept saying, she said, quote, I

1:00:13.560 --> 1:00:15.840
<v Speaker 1>kept asking mister Hogan to go to the homicide Bureau,

1:00:15.880 --> 1:00:18.360
<v Speaker 1>which was a big bastion of male chauvinism at the time,

1:00:18.560 --> 1:00:20.400
<v Speaker 1>and he kept putting me off, saying I could do

1:00:20.720 --> 1:00:23.520
<v Speaker 1>I should do consumer affairs, which is where the few

1:00:23.520 --> 1:00:25.880
<v Speaker 1>women in the office tended to go. And then finally

1:00:25.920 --> 1:00:28.240
<v Speaker 1>one day I said, you know, come on, it's really time,

1:00:28.280 --> 1:00:30.400
<v Speaker 1>mister Hogan. And he said, well, if you bring me

1:00:30.440 --> 1:00:33.680
<v Speaker 1>a letter of permission from your husband. So that whole

1:00:33.760 --> 1:00:36.360
<v Speaker 1>letter of permission thing comes right from this article. And

1:00:36.400 --> 1:00:39.120
<v Speaker 1>that's what that little tidbit was based on. And I

1:00:39.200 --> 1:00:41.760
<v Speaker 1>just think it's interesting because I feel like Donnelly might

1:00:41.800 --> 1:00:44.800
<v Speaker 1>be fully based on this woman. She was the first

1:00:44.800 --> 1:00:47.520
<v Speaker 1>female to try felony and homicide cases as an ADA

1:00:47.560 --> 1:00:51.080
<v Speaker 1>in the Manhattan District Attorney's Office. She founded and led

1:00:51.120 --> 1:00:54.200
<v Speaker 1>the Sex Crimes Prosecution Bureau, which was the first in

1:00:54.240 --> 1:00:56.840
<v Speaker 1>the nation. And she co authored New York State's rape

1:00:56.840 --> 1:01:00.360
<v Speaker 1>shield law. And she was a legal consult an on

1:01:00.480 --> 1:01:02.600
<v Speaker 1>Law and Order and Law and Order Trial by Jury

1:01:02.920 --> 1:01:05.240
<v Speaker 1>like for Law and Order for sixty plus episodes and

1:01:05.360 --> 1:01:07.320
<v Speaker 1>Trial by Jury for like as many as they lasted.

1:01:07.760 --> 1:01:10.840
<v Speaker 1>And then she actually played a judge in three episodes

1:01:10.880 --> 1:01:15.520
<v Speaker 1>of Law and Order Regular, So an icon an icon.

1:01:16.320 --> 1:01:20.280
<v Speaker 1>But to move on, the Lenny storyline is obviously based

1:01:20.320 --> 1:01:22.800
<v Speaker 1>on many stories of women who are driven to kill

1:01:22.880 --> 1:01:25.880
<v Speaker 1>their abusive husbands. And there's I'm just gonna talk about

1:01:25.880 --> 1:01:28.640
<v Speaker 1>two cases, so and they're very they both have a

1:01:28.680 --> 1:01:31.000
<v Speaker 1>little bit in common with Lenny, but not totally. As

1:01:31.000 --> 1:01:32.760
<v Speaker 1>you know the show, they grab a little bit here

1:01:32.760 --> 1:01:35.600
<v Speaker 1>and there. So the first case is the Marie Dean

1:01:35.800 --> 1:01:41.640
<v Speaker 1>Arrington case, and Marie Errington was convicted in nineteen sixty

1:01:41.640 --> 1:01:45.200
<v Speaker 1>four of the murder of her husband, Lester Jack Arrington.

1:01:45.680 --> 1:01:48.360
<v Speaker 1>Jack was a former cop and a nightclub bouncer in Miami.

1:01:48.640 --> 1:01:53.080
<v Speaker 1>He was killed on July fourth, nineteen sixty four, and

1:01:53.400 --> 1:01:56.120
<v Speaker 1>the next day his wife, Marie, turned herself in and confessed.

1:01:56.360 --> 1:01:58.200
<v Speaker 2>She said it was an accident. Her lawyer said it

1:01:58.280 --> 1:01:58.960
<v Speaker 2>was self defense.

1:01:59.200 --> 1:02:01.680
<v Speaker 1>They were arguing the car, and one witness said he

1:02:01.800 --> 1:02:04.959
<v Speaker 1>saw he had seen Jack choking her in the front seat,

1:02:04.960 --> 1:02:06.320
<v Speaker 1>and he went and broke them up, and then I

1:02:06.320 --> 1:02:08.240
<v Speaker 1>don't know what happened. He walked away and she shot him.

1:02:08.280 --> 1:02:11.480
<v Speaker 1>There's barely any information about this case. It's like very

1:02:11.480 --> 1:02:13.439
<v Speaker 1>hard to find still, like a lot of articles where

1:02:13.440 --> 1:02:14.760
<v Speaker 1>you click on them and the links are dead.

1:02:15.520 --> 1:02:17.320
<v Speaker 2>So the police never.

1:02:17.200 --> 1:02:20.440
<v Speaker 1>Found the weapon, and so she got manslaughter and twenty

1:02:20.520 --> 1:02:24.480
<v Speaker 1>years in jail, and she later admitted in an interview

1:02:24.640 --> 1:02:27.520
<v Speaker 1>that she had buried the gun with her husband. Now,

1:02:28.160 --> 1:02:31.240
<v Speaker 1>Marie was not not that I'm victim blaming, but she

1:02:31.360 --> 1:02:32.000
<v Speaker 1>was not linny.

1:02:32.120 --> 1:02:34.000
<v Speaker 2>She was not like a young girl. You know.

1:02:34.120 --> 1:02:36.919
<v Speaker 1>She had like honestly committed a lot of crimes leading

1:02:37.000 --> 1:02:40.520
<v Speaker 1>up to this, like writing bad checks, assault, forgery, robbery,

1:02:40.880 --> 1:02:44.760
<v Speaker 1>she had a rap sheet, okay, And so a few

1:02:44.840 --> 1:02:47.320
<v Speaker 1>years after this murder of her husband, she had a

1:02:47.360 --> 1:02:50.280
<v Speaker 1>son and a daughter. Her son and a friend robbed

1:02:50.280 --> 1:02:53.280
<v Speaker 1>a gas station. Nobody was hurt in this robbery, and

1:02:53.320 --> 1:02:55.800
<v Speaker 1>only sixty dollars was taken, which I know, in nineteen

1:02:55.800 --> 1:02:57.840
<v Speaker 1>sixty eight it's more sixty dollars is more than sixty

1:02:57.840 --> 1:03:00.760
<v Speaker 1>dollars now, but still not an egregious amount of mine.

1:03:00.880 --> 1:03:03.920
<v Speaker 1>And he was, at eighteen years old, sentenced to life

1:03:03.920 --> 1:03:07.240
<v Speaker 1>in prison and his friend got probation, which honestly sounds

1:03:07.280 --> 1:03:09.439
<v Speaker 1>like a lot of racist bullshit. Like Marie and her family,

1:03:09.680 --> 1:03:12.919
<v Speaker 1>they are black, So like putting an eighteen year old

1:03:12.960 --> 1:03:14.720
<v Speaker 1>in jail for the rest of his life for robbing

1:03:14.760 --> 1:03:17.720
<v Speaker 1>sixty bucks from a gas station feels like, you know.

1:03:17.760 --> 1:03:19.720
<v Speaker 2>Well, especially if the other guy got probation.

1:03:20.480 --> 1:03:21.840
<v Speaker 1>Yeah, And I don't know what the race of the

1:03:21.840 --> 1:03:24.240
<v Speaker 1>other guy was or what the story was. Maybe the

1:03:24.320 --> 1:03:26.400
<v Speaker 1>son is the one that had a weapon, Like who knows,

1:03:26.520 --> 1:03:30.120
<v Speaker 1>you know, there's a lot of you know things there,

1:03:30.120 --> 1:03:33.080
<v Speaker 1>but it's crazy. And the same lawyer, the same defense

1:03:33.120 --> 1:03:35.320
<v Speaker 1>attorney repped her daughter in a fraud case and she

1:03:35.440 --> 1:03:38.000
<v Speaker 1>also got jail time. So Marie was like livid at

1:03:38.000 --> 1:03:40.440
<v Speaker 1>this defense attorney that he didn't get better results for

1:03:40.480 --> 1:03:42.959
<v Speaker 1>her kids. So when she was out on a peel

1:03:43.040 --> 1:03:46.440
<v Speaker 1>bond for her manslaughter charge, she went to his office

1:03:46.480 --> 1:03:50.280
<v Speaker 1>to kill him, and he wasn't there, so she kidnapped

1:03:50.320 --> 1:03:54.720
<v Speaker 1>his secretary, Vivian Ridder, and then she did kill her

1:03:54.880 --> 1:03:57.720
<v Speaker 1>and Ridder, who had three kids. Her body was found

1:03:57.760 --> 1:04:01.120
<v Speaker 1>three days later in the woods near a state road

1:04:01.800 --> 1:04:04.200
<v Speaker 1>a few miles away from Leesburg where this happened, and

1:04:04.240 --> 1:04:06.680
<v Speaker 1>she'd been shot and run over with her own car.

1:04:06.720 --> 1:04:11.520
<v Speaker 1>Repeatedly like horrible, horrible. This is really layered, yeah, very layered.

1:04:11.920 --> 1:04:14.760
<v Speaker 1>Marie also robbed the home of the judge who had

1:04:14.760 --> 1:04:18.160
<v Speaker 1>given her son the life sentence. So I don't know

1:04:18.160 --> 1:04:21.680
<v Speaker 1>what her background is. It's not really documented anywhere. I'm

1:04:21.720 --> 1:04:23.720
<v Speaker 1>sure she lived a life where like crime was her

1:04:23.720 --> 1:04:27.440
<v Speaker 1>only option. She was described by others as quote unquote

1:04:27.480 --> 1:04:30.240
<v Speaker 1>odd and a bad seed. So like, who knows, But

1:04:30.320 --> 1:04:32.480
<v Speaker 1>I don't think that that. I don't know if I

1:04:32.520 --> 1:04:34.320
<v Speaker 1>believe in that. I do kind of feel like that's

1:04:34.640 --> 1:04:36.480
<v Speaker 1>something that happens to you as a results of things

1:04:36.520 --> 1:04:39.160
<v Speaker 1>in your childhood, but not that there can't be you know,

1:04:39.240 --> 1:04:41.800
<v Speaker 1>born psychopaths, as there have been episodes of Law and

1:04:41.920 --> 1:04:48.440
<v Speaker 1>Order chronicling. So on December sixth, it's also like what

1:04:48.560 --> 1:04:49.520
<v Speaker 1>you can get away with?

1:04:49.600 --> 1:04:52.040
<v Speaker 2>You know what I mean? Because I'm sure like rich

1:04:52.440 --> 1:04:56.360
<v Speaker 2>Manhattan kids are doing the same bad stuff as like

1:04:57.240 --> 1:05:00.080
<v Speaker 2>other whatever. Like if you're a rich white team and

1:05:00.160 --> 1:05:02.000
<v Speaker 2>you might be doing the same thing as non white

1:05:02.040 --> 1:05:05.120
<v Speaker 2>rich teens, yes, and getting different punishments that then set

1:05:05.160 --> 1:05:09.880
<v Speaker 2>you up for different shit too, totally exactly, yeah, like

1:05:10.040 --> 1:05:12.680
<v Speaker 2>what is what is robbery? Is it stealing a candy bar?

1:05:12.800 --> 1:05:13.680
<v Speaker 2>And does who get?

1:05:13.720 --> 1:05:16.240
<v Speaker 1>You? Know? So, I don't know what her the depth

1:05:16.280 --> 1:05:20.080
<v Speaker 1>of her charges, but now once you murder this secretary,

1:05:20.120 --> 1:05:22.680
<v Speaker 1>I'm out. I'm not on here, I'm not with you anymore.

1:05:23.120 --> 1:05:26.080
<v Speaker 1>But so on December of nineteen sixty eight, she sentenced

1:05:26.160 --> 1:05:28.560
<v Speaker 1>to death for first degree murder of Vivian and a

1:05:28.640 --> 1:05:31.440
<v Speaker 1>year or so later, March of nineteen sixty nine, she

1:05:31.640 --> 1:05:35.720
<v Speaker 1>escapes from the Florida Correctional Institution in her pajamas by

1:05:35.760 --> 1:05:39.080
<v Speaker 1>cutting a window screen and jumping out, so that there

1:05:39.360 --> 1:05:40.600
<v Speaker 1>could be a movie about her.

1:05:40.880 --> 1:05:42.080
<v Speaker 2>I know it's wild.

1:05:42.240 --> 1:05:45.520
<v Speaker 1>Well get this, this gets her put on FBI's ten

1:05:45.600 --> 1:05:48.160
<v Speaker 1>Most Wanted Lists, making her the second woman ever to

1:05:48.200 --> 1:05:49.920
<v Speaker 1>be on it. And I believe there's only ever been

1:05:49.960 --> 1:05:52.400
<v Speaker 1>ten women on it, so she's one of the ten

1:05:52.440 --> 1:05:55.600
<v Speaker 1>women that have been on it. She was on the

1:05:55.680 --> 1:05:58.120
<v Speaker 1>Lamb for a much shorter time than Lenny, but she

1:05:58.200 --> 1:06:00.920
<v Speaker 1>did make it three years, and in March of nineteen

1:06:00.960 --> 1:06:02.800
<v Speaker 1>seventy two they found her and she was working as

1:06:02.800 --> 1:06:05.320
<v Speaker 1>a waitress to New Orleans and she got ten extra

1:06:05.400 --> 1:06:07.840
<v Speaker 1>years for escaping. So but that was also back in

1:06:07.840 --> 1:06:09.560
<v Speaker 1>the seventies. Maybe they've changed it now, but in the

1:06:09.600 --> 1:06:12.280
<v Speaker 1>seventies she got ten extra years for escaping, and then

1:06:13.040 --> 1:06:15.640
<v Speaker 1>later that year her death sentence was actually commuted to

1:06:15.720 --> 1:06:19.640
<v Speaker 1>life because of like US Supreme Court decisions about death penalty,

1:06:19.960 --> 1:06:22.400
<v Speaker 1>and so she actually died in May of twenty fourteen

1:06:22.480 --> 1:06:25.360
<v Speaker 1>in prison from heart problems at the age of eighty.

1:06:26.120 --> 1:06:29.240
<v Speaker 2>Well this is wrong, but I'm for people escaping. Like,

1:06:29.360 --> 1:06:31.120
<v Speaker 2>if you get to live on the lamb and you

1:06:31.120 --> 1:06:34.120
<v Speaker 2>don't hurt anyone during your escape, I'm all for it. Like,

1:06:34.160 --> 1:06:36.200
<v Speaker 2>good for you, Fuck the government.

1:06:36.400 --> 1:06:39.640
<v Speaker 1>Yeah, but like, can people escape and not hurt people,

1:06:39.720 --> 1:06:42.800
<v Speaker 1>especially when you're desperate, you have no identification you have

1:06:42.880 --> 1:06:45.800
<v Speaker 1>no wallet, you have no like no funds, Like you're desperate,

1:06:45.840 --> 1:06:46.880
<v Speaker 1>You're gonna like hurt people.

1:06:46.920 --> 1:06:51.680
<v Speaker 2>I feel like, yeah, because like even because she hurt Jonah,

1:06:51.760 --> 1:06:53.160
<v Speaker 2>I guess in theory, you know.

1:06:53.440 --> 1:06:57.320
<v Speaker 1>Yeah, but Lenny is a perfect example. Like Lenny went

1:06:57.360 --> 1:07:00.000
<v Speaker 1>on the lamb and like lived a perfectly like model

1:07:00.160 --> 1:07:00.800
<v Speaker 1>citizen life.

1:07:00.840 --> 1:07:01.720
<v Speaker 2>You know, she didn't hurt.

1:07:01.640 --> 1:07:04.520
<v Speaker 1>Anybody, but it does she was robbing people, it said,

1:07:04.960 --> 1:07:07.120
<v Speaker 1>you know, she was robbing people and stealing wallets and

1:07:07.120 --> 1:07:09.840
<v Speaker 1>stealing food. You know, but I don't really care about

1:07:09.840 --> 1:07:12.760
<v Speaker 1>that kind of stuff anyway. That is the case of

1:07:12.800 --> 1:07:16.000
<v Speaker 1>Marie Dean Arrington. One more case I wanted to bring

1:07:16.120 --> 1:07:19.360
<v Speaker 1>up was an interesting case that I had never heard

1:07:19.400 --> 1:07:22.040
<v Speaker 1>of before, even though there is a movie based on it.

1:07:22.400 --> 1:07:25.600
<v Speaker 1>And it is the case of Kiranjit lu Walia.

1:07:26.160 --> 1:07:28.400
<v Speaker 2>And she was in.

1:07:28.320 --> 1:07:31.200
<v Speaker 1>A movie that came out about two years before this

1:07:31.240 --> 1:07:33.920
<v Speaker 1>episode aired, called Provoked, So I wonder if there was

1:07:33.960 --> 1:07:38.520
<v Speaker 1>some borrowing. But Kiranjit Lualia is an Indian woman who

1:07:38.560 --> 1:07:40.720
<v Speaker 1>she left India nineteen seventy seven to go see her

1:07:40.760 --> 1:07:43.720
<v Speaker 1>sister in Canada. In seventy nine, she goes to the UK,

1:07:44.160 --> 1:07:46.600
<v Speaker 1>where she marries her husband, Deepak, who's a man she's

1:07:46.640 --> 1:07:49.240
<v Speaker 1>only met one time before. I read in other places

1:07:49.280 --> 1:07:51.480
<v Speaker 1>that it was arranged. I don't know what you know,

1:07:51.520 --> 1:07:54.640
<v Speaker 1>maybe it was, And she said soon into their marriage,

1:07:54.680 --> 1:07:58.000
<v Speaker 1>he started turning violent against her habitually beat her, raped her,

1:07:58.040 --> 1:08:01.560
<v Speaker 1>and deprived her of food. Of course, her family said

1:08:02.120 --> 1:08:03.920
<v Speaker 1>it was her duty to stay in the marriage. They

1:08:03.960 --> 1:08:05.960
<v Speaker 1>offered her no help when she went to them. She

1:08:06.080 --> 1:08:08.440
<v Speaker 1>tried running away, but they found her and brought her back,

1:08:08.920 --> 1:08:11.880
<v Speaker 1>and she had two sons with Deepoc and so in

1:08:11.960 --> 1:08:16.320
<v Speaker 1>nineteen eighty nine, after a decade of abuse and after that,

1:08:16.439 --> 1:08:18.840
<v Speaker 1>Deepak tried to break her ankles and burn her face

1:08:18.880 --> 1:08:21.760
<v Speaker 1>with a hot iron. When he was asleep, she made

1:08:21.760 --> 1:08:26.560
<v Speaker 1>this flammable mixture out of like gas and like sodium carbonate,

1:08:26.600 --> 1:08:28.479
<v Speaker 1>like I don't know all these things that she knew about.

1:08:28.520 --> 1:08:31.439
<v Speaker 1>Somehow poured it over his bed and set it on fire.

1:08:32.200 --> 1:08:34.920
<v Speaker 1>And she said, quote, I had decided to show him

1:08:34.920 --> 1:08:37.000
<v Speaker 1>how much it hurt. At times, I had tried to

1:08:37.080 --> 1:08:38.560
<v Speaker 1>run away, but he would catch me and beat me

1:08:38.640 --> 1:08:40.880
<v Speaker 1>even harder. I decided to burn his feet so he

1:08:40.880 --> 1:08:43.680
<v Speaker 1>couldn't run after me. That's what she says. But she

1:08:43.720 --> 1:08:46.200
<v Speaker 1>also said in other interviews. I did not mean to

1:08:46.280 --> 1:08:48.960
<v Speaker 1>kill him. I just wanted to stop him from hurting me.

1:08:49.640 --> 1:08:52.400
<v Speaker 1>And so he suffered burns over forty percent of his

1:08:52.400 --> 1:08:54.120
<v Speaker 1>body and then he died ten days later in the

1:08:54.160 --> 1:08:57.000
<v Speaker 1>hospital from complications of the burns and sepsis.

1:08:57.160 --> 1:08:58.559
<v Speaker 2>So goodbye.

1:08:58.600 --> 1:09:02.120
<v Speaker 1>Deepok Kiranjit, who could only speak broken English at the time,

1:09:02.200 --> 1:09:04.120
<v Speaker 1>was arrested in charge with the murder and then she

1:09:04.160 --> 1:09:06.680
<v Speaker 1>was convicted in December of nineteen eighty nine, and the

1:09:06.720 --> 1:09:10.160
<v Speaker 1>prosecution argued that even though he had threatened her with

1:09:10.200 --> 1:09:13.320
<v Speaker 1>a hot iron, she waited until he was asleep so

1:09:13.360 --> 1:09:15.479
<v Speaker 1>that she had quote unquote time to cool off, and

1:09:15.520 --> 1:09:17.960
<v Speaker 1>it was considered like premeditated since she waited for him

1:09:18.000 --> 1:09:20.080
<v Speaker 1>to be asleep, and her lawyer, but it's like.

1:09:20.080 --> 1:09:21.960
<v Speaker 2>Where were you the whole time where she was getting

1:09:22.000 --> 1:09:24.600
<v Speaker 2>beaten for some reason. You can't take him away or

1:09:24.640 --> 1:09:27.439
<v Speaker 2>punish him. But as soon as they're like, we kill

1:09:27.439 --> 1:09:30.840
<v Speaker 2>a despicable person, Okay, well you're going away from murder forever,

1:09:30.960 --> 1:09:35.200
<v Speaker 2>it's like, yeah, so fucked yeah, so fucked up, and like.

1:09:36.840 --> 1:09:39.480
<v Speaker 1>Yeah, but that's like that was part of like Donnelly's

1:09:39.520 --> 1:09:42.080
<v Speaker 1>argument with Lenny. It's like Lenny was arguing I was beaten,

1:09:42.080 --> 1:09:43.320
<v Speaker 1>and they're like, yeah, but you waited for him to

1:09:43.320 --> 1:09:44.920
<v Speaker 1>be asleep and then you shot him six times. That

1:09:45.040 --> 1:09:47.640
<v Speaker 1>like hardly seems like self defense. That's their thing, But

1:09:47.680 --> 1:09:50.280
<v Speaker 1>so it's borrowed in the in the show. But here's

1:09:50.280 --> 1:09:53.679
<v Speaker 1>the thing. Her lawyer never brought up the violence at trial,

1:09:54.200 --> 1:09:56.400
<v Speaker 1>never brought up that she had endured all this abuse,

1:09:56.840 --> 1:09:59.880
<v Speaker 1>and they let the prosecution suggest that this happened because

1:09:59.880 --> 1:10:03.120
<v Speaker 1>she she was jealous over Deepak having all these affairs.

1:10:03.560 --> 1:10:07.040
<v Speaker 1>So of course the way that this is framed for

1:10:07.080 --> 1:10:08.960
<v Speaker 1>the jury is crazy. And this is in the UK

1:10:09.080 --> 1:10:12.160
<v Speaker 1>as well, so I don't know what their trial process

1:10:12.200 --> 1:10:14.280
<v Speaker 1>is compared to ours. But she is found guilty of

1:10:14.320 --> 1:10:17.639
<v Speaker 1>murder and sentenced to life in prison. Thankfully, in nineteen

1:10:17.680 --> 1:10:21.559
<v Speaker 1>ninety two, her conviction is overturned on appeal on grounds

1:10:21.600 --> 1:10:25.519
<v Speaker 1>of insufficient council since she, like since a, her lawyer

1:10:25.560 --> 1:10:28.719
<v Speaker 1>never brought up any of the prior abuse and Karen

1:10:28.760 --> 1:10:30.840
<v Speaker 1>Jet had not been made aware that she could plead

1:10:30.840 --> 1:10:34.479
<v Speaker 1>guilty to manslaughter on the grounds of diminished responsibility, which

1:10:34.520 --> 1:10:37.920
<v Speaker 1>I think is their version of like, you know, I

1:10:37.960 --> 1:10:40.760
<v Speaker 1>guess it's not real. Well, we have diminished capacity so

1:10:40.760 --> 1:10:43.680
<v Speaker 1>I guess it's that. So they also added that she

1:10:43.760 --> 1:10:46.280
<v Speaker 1>was suffering from severe depression when she committed the crime.

1:10:46.320 --> 1:10:49.360
<v Speaker 1>I wonder why, which her new council argued had altered

1:10:49.360 --> 1:10:52.400
<v Speaker 1>her decision making abilities. A retrial was ordered and on

1:10:52.439 --> 1:10:55.960
<v Speaker 1>September twenty fifth of nineteen ninety two, Karanjit was found

1:10:56.000 --> 1:10:59.400
<v Speaker 1>guilty of manslaughter due to diminished responsibility and sentenced to

1:10:59.439 --> 1:11:01.360
<v Speaker 1>three years and four months, which was the time she

1:11:01.360 --> 1:11:05.599
<v Speaker 1>had already served, so she was immediately released. And her

1:11:05.640 --> 1:11:07.679
<v Speaker 1>case has raised a lot of awareness about domestic violence,

1:11:07.680 --> 1:11:11.560
<v Speaker 1>but specifically in families that are non English speaking immigrants

1:11:11.640 --> 1:11:16.000
<v Speaker 1>in Western countries. And it helped change domestic abuse laws

1:11:16.040 --> 1:11:19.800
<v Speaker 1>in the United Kingdom, which is great. And her case

1:11:20.240 --> 1:11:23.679
<v Speaker 1>is known in British legal textbooks as R versus Ala Walia.

1:11:24.200 --> 1:11:26.960
<v Speaker 1>And it changed the definition of the word provocation in

1:11:27.000 --> 1:11:29.920
<v Speaker 1>cases of battered women, so like it instead of it

1:11:29.960 --> 1:11:33.719
<v Speaker 1>reclassifies it as a manslaughter instead of a murder. And yeah,

1:11:33.720 --> 1:11:36.360
<v Speaker 1>in two thousand and one, she got the she was

1:11:36.400 --> 1:11:39.080
<v Speaker 1>at the first Asian Women Awards getting recognized for her

1:11:39.120 --> 1:11:43.519
<v Speaker 1>quote unquote strength, personal achievements, determination and commitment end quote

1:11:43.560 --> 1:11:46.840
<v Speaker 1>in bringing you know domestic violence issues to Light, and

1:11:46.880 --> 1:11:50.040
<v Speaker 1>she wrote an autobiography with an a co author named

1:11:50.080 --> 1:11:52.559
<v Speaker 1>Rahela Gupta called Circle of Light. And then in this

1:11:52.680 --> 1:11:57.200
<v Speaker 1>movie called Provoked, we had Navin Andrew's Svu Alum playing

1:11:57.280 --> 1:12:02.040
<v Speaker 1>Deepak and Ashwari a Rai, who's beautiful Indian actress played

1:12:02.280 --> 1:12:05.280
<v Speaker 1>her role. And apparently during the screening of the movie

1:12:05.280 --> 1:12:08.240
<v Speaker 1>at Kahan, Karanjit set next to the actress and was

1:12:08.320 --> 1:12:10.120
<v Speaker 1>just like holding her hand and crying during like the

1:12:10.160 --> 1:12:13.600
<v Speaker 1>really bad parts. So I think she was involved in

1:12:13.600 --> 1:12:15.400
<v Speaker 1>the process of making the movie at least.

1:12:15.280 --> 1:12:15.720
<v Speaker 2>A little bit.

1:12:16.320 --> 1:12:18.080
<v Speaker 1>So I don't know we got that movie over here

1:12:18.080 --> 1:12:19.920
<v Speaker 1>because it was kind of like a UK movie. But

1:12:20.720 --> 1:12:23.559
<v Speaker 1>so a few pieces I feel like of Marie and

1:12:23.600 --> 1:12:26.960
<v Speaker 1>a few pieces of the other case were folded into

1:12:26.960 --> 1:12:29.200
<v Speaker 1>the Linny case, but nothing was exactly the same. But

1:12:29.280 --> 1:12:32.439
<v Speaker 1>I thought that these were too interesting cases. I had

1:12:32.439 --> 1:12:34.960
<v Speaker 1>never heard of either of them. I don't even know

1:12:35.000 --> 1:12:36.840
<v Speaker 1>what to say. The world makes me so.

1:12:36.920 --> 1:12:39.880
<v Speaker 2>Mad, I know, I know, But the good news is

1:12:40.160 --> 1:12:43.519
<v Speaker 2>they're just so gung ho to charge a woman with

1:12:43.560 --> 1:12:46.640
<v Speaker 2>a murder for killing an abusive man like I like,

1:12:47.120 --> 1:12:49.840
<v Speaker 2>I see all the time stories on our news where

1:12:49.840 --> 1:12:51.880
<v Speaker 2>it's like she got twenty years and all this stuff,

1:12:51.920 --> 1:12:54.400
<v Speaker 2>and it's like, but none of you did anything during

1:12:54.439 --> 1:13:00.679
<v Speaker 2>all the abuse times. Cool. Yeah, yeah, so thank you that.

1:13:00.920 --> 1:13:01.320
<v Speaker 4>Yeah.

1:13:01.360 --> 1:13:03.840
<v Speaker 1>But the good news is we have an amazing guest.

1:13:04.080 --> 1:13:06.960
<v Speaker 1>So that is the flip side, and so don't go anywhere.

1:13:07.080 --> 1:13:16.760
<v Speaker 1>We will be back with that guest. Okay, guys, our

1:13:16.800 --> 1:13:20.000
<v Speaker 1>guest today on a well. I would say if Lisa

1:13:20.000 --> 1:13:21.840
<v Speaker 1>had made a top ten list of her guests that

1:13:21.880 --> 1:13:24.040
<v Speaker 1>she wanted to have on this podcast, this one's on it.

1:13:24.120 --> 1:13:28.640
<v Speaker 1>I also love this person book Lisa loves. And she

1:13:28.840 --> 1:13:31.960
<v Speaker 1>is an iconic actor, a writer, a director. You know,

1:13:32.000 --> 1:13:35.120
<v Speaker 1>we're from nineties classics, like but I'm a cheerleader, the faculty,

1:13:35.160 --> 1:13:39.120
<v Speaker 1>and she's all that. She's worked extensively in television, starring

1:13:39.120 --> 1:13:42.120
<v Speaker 1>in Veep and recently co creating the show Housebroken and

1:13:42.200 --> 1:13:45.200
<v Speaker 1>High School. And she's worked on features. She wrote and

1:13:45.200 --> 1:13:48.080
<v Speaker 1>directed Happiest Season and The Intervention. But you know we're

1:13:48.120 --> 1:13:52.960
<v Speaker 1>today as the tragic character Mia Latimer. Guys, please enjoy

1:13:53.000 --> 1:13:57.719
<v Speaker 1>our chat with Cleia Dubal. This is so, this is thrilling.

1:13:59.200 --> 1:14:01.479
<v Speaker 1>You've been on our list since we started this podcast

1:14:01.560 --> 1:14:02.200
<v Speaker 1>two years ago.

1:14:02.280 --> 1:14:04.360
<v Speaker 2>We are thrilled to have you.

1:14:04.720 --> 1:14:06.400
<v Speaker 3>That's so nice that you thought of me.

1:14:07.520 --> 1:14:12.680
<v Speaker 2>Well, your episode is horrifying. It's really very exciting.

1:14:12.760 --> 1:14:17.000
<v Speaker 1>I very haunting, and yet our us and our sick

1:14:17.040 --> 1:14:20.479
<v Speaker 1>Freak listeners have been requesting it, asking for it.

1:14:20.680 --> 1:14:24.080
<v Speaker 2>So here we are. But we I would love to

1:14:24.120 --> 1:14:26.640
<v Speaker 2>rewind because I've been a fan since like The Faculty

1:14:26.800 --> 1:14:29.519
<v Speaker 2>and but I'm a Cheerleader. Was one of the most

1:14:29.520 --> 1:14:31.559
<v Speaker 2>important movies in my life. I would say, loved it

1:14:31.600 --> 1:14:33.720
<v Speaker 2>so much. And we had Kathy Moriarty on.

1:14:34.400 --> 1:14:35.519
<v Speaker 3>Oh Kathy's amazing.

1:14:35.840 --> 1:14:37.120
<v Speaker 2>Yeah, she was so sad.

1:14:37.840 --> 1:14:39.960
<v Speaker 1>Now we just need to get Natasha and it's like

1:14:40.000 --> 1:14:43.240
<v Speaker 1>the whole Oh yeah, and she was an she's an

1:14:43.320 --> 1:14:44.120
<v Speaker 1>s few alone.

1:14:44.320 --> 1:14:45.080
<v Speaker 3>Oh I know that.

1:14:45.520 --> 1:14:48.519
<v Speaker 2>But what I love is you've stayed good friends with

1:14:48.680 --> 1:14:51.000
<v Speaker 2>like Melanie Linsky and Natasha Leone, and I feel like

1:14:51.040 --> 1:14:52.800
<v Speaker 2>you work with your friends so often, and they were

1:14:52.800 --> 1:14:56.120
<v Speaker 2>in your movie The Intervention, and I just like love

1:14:56.200 --> 1:14:58.280
<v Speaker 2>that you keep tight friends for decades.

1:14:58.760 --> 1:15:01.760
<v Speaker 3>Oh yeah, absolutely, I mean we're family, you know.

1:15:01.920 --> 1:15:03.800
<v Speaker 2>And then you were a judge on RuPaul's Drag Race

1:15:03.840 --> 1:15:06.519
<v Speaker 2>and we're both fans, and that was did you enjoy

1:15:06.520 --> 1:15:07.599
<v Speaker 2>yourself your time there?

1:15:08.080 --> 1:15:08.559
<v Speaker 3>It was?

1:15:09.000 --> 1:15:12.360
<v Speaker 4>It was more exciting than I could have even ever

1:15:12.439 --> 1:15:16.000
<v Speaker 4>hoped for. It was a real dream. It lived, It

1:15:16.160 --> 1:15:18.840
<v Speaker 4>surpassed what my expectation was.

1:15:19.240 --> 1:15:20.800
<v Speaker 2>And do you watch this was incredible?

1:15:21.040 --> 1:15:21.760
<v Speaker 3>Yes, of course.

1:15:21.760 --> 1:15:24.320
<v Speaker 2>I remember when Jeff Goldbloom was like crying, he couldn't

1:15:24.360 --> 1:15:27.599
<v Speaker 2>believe his eyes. What drag was? I really, yes, loved

1:15:27.640 --> 1:15:28.040
<v Speaker 2>that moment.

1:15:28.120 --> 1:15:30.519
<v Speaker 1>I actually wrote on that season, and that was all real.

1:15:30.600 --> 1:15:34.160
<v Speaker 1>Jeff Goldbloom was really really gooped to be there, like

1:15:34.280 --> 1:15:36.880
<v Speaker 1>he could not believe his eyes. And there was a

1:15:36.880 --> 1:15:39.840
<v Speaker 1>longer conversation where he really wanted everyone to explain talking

1:15:39.840 --> 1:15:41.519
<v Speaker 1>to him for a long time and they were like, Jeff,

1:15:41.560 --> 1:15:42.559
<v Speaker 1>we need to wrap this up.

1:15:42.800 --> 1:15:44.400
<v Speaker 3>Yeah, but it's not a good look.

1:15:46.479 --> 1:15:50.840
<v Speaker 1>But let's talk about your SVU journey here. So okay,

1:15:51.120 --> 1:15:54.800
<v Speaker 1>you do this episode like around Oh my god, I'm

1:15:54.800 --> 1:15:57.519
<v Speaker 1>blanking out, like two thousand and nine or something like that,

1:15:57.960 --> 1:16:00.800
<v Speaker 1>or twenty ten, probably yeah, season ten.

1:16:01.840 --> 1:16:05.280
<v Speaker 3>Yes, I wanted to. I actually don't know what season

1:16:05.400 --> 1:16:06.120
<v Speaker 3>or year it was.

1:16:06.200 --> 1:16:11.519
<v Speaker 4>I don't really think very literally linear time.

1:16:12.800 --> 1:16:14.200
<v Speaker 2>We're assuming it was an offer.

1:16:15.320 --> 1:16:20.719
<v Speaker 1>It was, yes, And had you like, had you watched

1:16:20.800 --> 1:16:22.680
<v Speaker 1>us v you were you like, oh, this will be cool,

1:16:22.720 --> 1:16:24.080
<v Speaker 1>or were you like, I just have the week free

1:16:24.160 --> 1:16:25.960
<v Speaker 1>let's just do this or you know, like what was

1:16:25.960 --> 1:16:27.639
<v Speaker 1>your what was the vibe when you got the call?

1:16:28.120 --> 1:16:30.400
<v Speaker 4>I had watched it a little bit, but I wasn't

1:16:30.439 --> 1:16:33.080
<v Speaker 4>like a super fan or anything like that. But it

1:16:33.160 --> 1:16:35.840
<v Speaker 4>was a real I mean, I love Marsha Harge. I thought,

1:16:35.880 --> 1:16:39.599
<v Speaker 4>I think she's so cool, and it was you know.

1:16:39.560 --> 1:16:41.280
<v Speaker 3>It feels like law and order.

1:16:41.800 --> 1:16:43.559
<v Speaker 4>All of the law and orders really feel like a

1:16:43.640 --> 1:16:46.920
<v Speaker 4>rite of passage for actors and like it I felt

1:16:47.000 --> 1:16:49.600
<v Speaker 4>weirdly honored to be like it was like I was

1:16:49.600 --> 1:16:52.880
<v Speaker 4>getting called up or something to get the call.

1:16:53.000 --> 1:16:53.639
<v Speaker 3>So it was.

1:16:53.800 --> 1:16:56.000
<v Speaker 4>And it's also just like it's such a great job.

1:16:56.080 --> 1:17:00.120
<v Speaker 4>They're so they're such a wonderful group of people, and

1:17:00.600 --> 1:17:02.160
<v Speaker 4>you know, you get to go to New York and

1:17:02.760 --> 1:17:04.600
<v Speaker 4>hang out and be on this iconic.

1:17:04.320 --> 1:17:06.800
<v Speaker 3>Show and it just feels like a real like there,

1:17:06.880 --> 1:17:07.839
<v Speaker 3>why would you ever.

1:17:07.720 --> 1:17:10.759
<v Speaker 2>Not do that? Yeah, how did you feel reading the scripts?

1:17:10.760 --> 1:17:13.519
<v Speaker 2>Where you like, what were your initial feelings? Because it's

1:17:13.560 --> 1:17:14.280
<v Speaker 2>so intense.

1:17:14.680 --> 1:17:17.080
<v Speaker 4>It's so intense. I mean that it was intense and

1:17:17.120 --> 1:17:21.080
<v Speaker 4>that it you know, it was such a it was

1:17:21.120 --> 1:17:24.120
<v Speaker 4>such a cool episode and the twist and turns. Really

1:17:25.680 --> 1:17:28.000
<v Speaker 4>it was not the show that I thought it was

1:17:28.080 --> 1:17:32.479
<v Speaker 4>going to be you know, like when when my murder happened,

1:17:32.520 --> 1:17:34.000
<v Speaker 4>I was like, well, what else is going to happen?

1:17:34.080 --> 1:17:35.559
<v Speaker 4>Just reading the script, I was like, well what else

1:17:35.560 --> 1:17:38.120
<v Speaker 4>could possibly where could this go from here?

1:17:38.200 --> 1:17:41.800
<v Speaker 2>And it just kept going. Well, speaking of the murder,

1:17:42.120 --> 1:17:46.400
<v Speaker 2>the can you explain the effects because the blood is

1:17:46.520 --> 1:17:47.439
<v Speaker 2>gushing hard?

1:17:48.080 --> 1:17:51.520
<v Speaker 3>Oh, the blood is gushing hard. It was like they put.

1:17:51.280 --> 1:17:54.200
<v Speaker 4>A rig this rig on me under my clothes that

1:17:54.200 --> 1:17:57.800
<v Speaker 4>it was almost like a harness that had uh it

1:17:57.840 --> 1:18:03.760
<v Speaker 4>had like a little metal late that the knife the

1:18:03.840 --> 1:18:07.800
<v Speaker 4>knife like hooked into it so that so and then

1:18:07.840 --> 1:18:10.120
<v Speaker 4>they like cut a little part out of my clothes

1:18:10.160 --> 1:18:12.280
<v Speaker 4>so it was like sticking out of me. So I

1:18:12.280 --> 1:18:15.559
<v Speaker 4>could walk around, you know, like freely with a knife

1:18:16.080 --> 1:18:20.240
<v Speaker 4>on me. And then they just like pumped blood out.

1:18:20.920 --> 1:18:23.280
<v Speaker 4>I was I have never had that much fake blood

1:18:23.320 --> 1:18:25.640
<v Speaker 4>on me, and it was I ended up having to

1:18:25.680 --> 1:18:28.760
<v Speaker 4>take a shower in the in the brownstone that we

1:18:28.760 --> 1:18:29.519
<v Speaker 4>were shooting in.

1:18:29.560 --> 1:18:31.439
<v Speaker 3>I had to take a shower because I had so.

1:18:31.560 --> 1:18:34.519
<v Speaker 4>I couldn't like they couldn't get the blood off. There

1:18:34.520 --> 1:18:35.960
<v Speaker 4>was no point in trying to get the blood off

1:18:35.960 --> 1:18:37.120
<v Speaker 4>because there was so much blood.

1:18:37.680 --> 1:18:41.880
<v Speaker 2>Oh yeah, yu, Yeah, I was scary. Yeah, no, I

1:18:41.880 --> 1:18:43.200
<v Speaker 2>mean it's physically scary.

1:18:43.240 --> 1:18:45.600
<v Speaker 1>And then also the situation is so scary because like

1:18:45.640 --> 1:18:49.200
<v Speaker 1>I remember, like your character is just so like when

1:18:49.200 --> 1:18:51.479
<v Speaker 1>she's first telling the story, you're like you really believe her,

1:18:51.520 --> 1:18:53.519
<v Speaker 1>and then when you find out that she's being abused,

1:18:53.520 --> 1:18:54.840
<v Speaker 1>and that every time when she goes back to him,

1:18:54.840 --> 1:18:56.680
<v Speaker 1>she's like, yeah, everything's fine. Like, I don't know, you

1:18:56.720 --> 1:19:00.360
<v Speaker 1>did a really good job of I think capturing how

1:19:01.000 --> 1:19:02.800
<v Speaker 1>the hitting complicated that is.

1:19:02.960 --> 1:19:07.400
<v Speaker 2>Yeah, yeah, but in Cool Things you play a rich person.

1:19:07.640 --> 1:19:10.120
<v Speaker 2>Where was the word? Do you remember the wardrobe being

1:19:10.240 --> 1:19:12.559
<v Speaker 2>like extra fancy? It looks pretty fancy.

1:19:13.439 --> 1:19:14.520
<v Speaker 3>I don't remember.

1:19:15.720 --> 1:19:18.320
<v Speaker 4>It's funny because when I think of this episode, I

1:19:18.360 --> 1:19:21.120
<v Speaker 4>think of a wardrobe by warrant and at something else

1:19:21.520 --> 1:19:23.160
<v Speaker 4>like that is the picture that I have in my

1:19:23.200 --> 1:19:24.840
<v Speaker 4>head that I know that that is not right.

1:19:25.720 --> 1:19:28.240
<v Speaker 3>I don't remember. Well, you know, I should have watched it,

1:19:28.320 --> 1:19:30.280
<v Speaker 3>probably to remind myself of all.

1:19:30.360 --> 1:19:31.639
<v Speaker 2>Do you watch yourself often?

1:19:32.400 --> 1:19:35.479
<v Speaker 3>I tried. I don't. I don't really, I don't really.

1:19:36.240 --> 1:19:38.560
<v Speaker 2>Was it hard when you're in stuff that you're directing

1:19:39.040 --> 1:19:41.720
<v Speaker 2>to edit and stuff when you're in it, or not

1:19:41.880 --> 1:19:43.240
<v Speaker 2>horrible horrible?

1:19:43.920 --> 1:19:46.719
<v Speaker 4>Like it was like the first I mean the only

1:19:46.760 --> 1:19:50.559
<v Speaker 4>time that I've ever directed myself, I was sort of fine.

1:19:50.680 --> 1:19:52.559
<v Speaker 4>I was just like, whatever, I'm in the movie. I

1:19:52.600 --> 1:19:56.679
<v Speaker 4>did this to myself and I wouldn't didn't really pay

1:19:56.680 --> 1:19:59.320
<v Speaker 4>that much attention to myself in it. And then when

1:19:59.360 --> 1:20:01.519
<v Speaker 4>we started to test screenings, and like, there were a

1:20:01.520 --> 1:20:03.240
<v Speaker 4>couple of people who were like, oh, I thought that

1:20:03.320 --> 1:20:04.920
<v Speaker 4>maybe you're like a little over at the top of

1:20:04.960 --> 1:20:06.800
<v Speaker 4>that moment, I was like, well, I'm never gonna ask again.

1:20:07.360 --> 1:20:09.320
<v Speaker 4>I shouldn't have done this like it. And then I

1:20:09.400 --> 1:20:11.439
<v Speaker 4>turned on myself and I tried to cut myself out

1:20:11.479 --> 1:20:13.760
<v Speaker 4>of the movie completely, and the editor was like, you

1:20:13.800 --> 1:20:16.720
<v Speaker 4>can't do it. You just can't do it, like you

1:20:16.920 --> 1:20:20.080
<v Speaker 4>just tone down that one moment. It was really excruciating.

1:20:20.200 --> 1:20:20.720
<v Speaker 3>I hated it.

1:20:20.840 --> 1:20:24.559
<v Speaker 2>I'll never do it again, never really image just acting.

1:20:24.720 --> 1:20:25.720
<v Speaker 3>I mean never say never.

1:20:25.800 --> 1:20:28.960
<v Speaker 4>But I I don't understand like that those actors who

1:20:30.040 --> 1:20:33.000
<v Speaker 4>are who cast themselves as the lead in their own movies,

1:20:33.040 --> 1:20:36.120
<v Speaker 4>and just like, how can you like that's I just

1:20:36.120 --> 1:20:37.160
<v Speaker 4>don't think I would ever.

1:20:37.080 --> 1:20:39.760
<v Speaker 3>Have the confidence to do that.

1:20:40.040 --> 1:20:43.759
<v Speaker 2>Seems crazy. Now. Was the movie based on a couple

1:20:43.840 --> 1:20:47.599
<v Speaker 2>in your life that you know and judged? No, it

1:20:47.640 --> 1:20:51.440
<v Speaker 2>was wait, which movie are you talking about? Just The Intervention?

1:20:51.640 --> 1:20:52.360
<v Speaker 2>The Intervention?

1:20:52.640 --> 1:20:57.040
<v Speaker 4>Okay, No, it was really based on me and this

1:20:57.200 --> 1:20:59.920
<v Speaker 4>time in my life where I was like a very

1:21:00.120 --> 1:21:05.360
<v Speaker 4>pretty active alcoholic and was like not doing very well

1:21:05.760 --> 1:21:10.080
<v Speaker 4>in any in any area of life, and yet I

1:21:10.280 --> 1:21:14.120
<v Speaker 4>was I always would thought I knew what was best

1:21:14.160 --> 1:21:16.160
<v Speaker 4>for everyone else because I was just like not paying

1:21:16.200 --> 1:21:19.040
<v Speaker 4>attention to my own life. I was really just like, well,

1:21:19.040 --> 1:21:20.920
<v Speaker 4>why is that person doing this? They should be doing this.

1:21:21.000 --> 1:21:24.000
<v Speaker 4>I was like real like armchair quarterback for everyone else's lives.

1:21:24.040 --> 1:21:26.439
<v Speaker 4>And then I had this like, I mean it was

1:21:26.479 --> 1:21:30.400
<v Speaker 4>really getting sober. I got so like I had already

1:21:30.439 --> 1:21:34.800
<v Speaker 4>written the movie, a draft of the movie, and as

1:21:34.840 --> 1:21:37.000
<v Speaker 4>I was sort of like starting to wrestle with this

1:21:37.080 --> 1:21:39.000
<v Speaker 4>idea of like maybe I shouldn't be drinking anymore.

1:21:39.040 --> 1:21:40.320
<v Speaker 3>And then it really kind of.

1:21:40.240 --> 1:21:44.599
<v Speaker 4>Evolved more once I got sober, and then was like, oh,

1:21:44.680 --> 1:21:48.240
<v Speaker 4>this is like this is this is me thinking that

1:21:48.439 --> 1:21:51.760
<v Speaker 4>like avoiding my own problems and thinking that I know

1:21:51.840 --> 1:21:54.040
<v Speaker 4>what's best for everybody else and focusing on that.

1:21:54.520 --> 1:21:56.519
<v Speaker 2>Yeah, I feel like I've just been read fully, but

1:21:57.280 --> 1:22:03.320
<v Speaker 2>I feel I really to that. Yeah. I actually was

1:22:03.360 --> 1:22:07.479
<v Speaker 2>grabbing this wine glass as you said, and I was like, oh,

1:22:07.479 --> 1:22:11.479
<v Speaker 2>I'll put it right right back. Okay, back to se

1:22:11.560 --> 1:22:14.880
<v Speaker 2>you was your TV husband normal? Like what was his

1:22:14.960 --> 1:22:17.479
<v Speaker 2>vibe of, Oh yeah.

1:22:17.360 --> 1:22:19.200
<v Speaker 3>Totally nice guys so nice?

1:22:19.280 --> 1:22:21.880
<v Speaker 4>Yeah, it's I always feel bad for the guys who

1:22:21.880 --> 1:22:24.680
<v Speaker 4>have to play the really bad guys, because yeah, I

1:22:24.680 --> 1:22:27.040
<v Speaker 4>feel like they have then are like overcomment sating to

1:22:27.120 --> 1:22:28.400
<v Speaker 4>be like, I'm not really like this.

1:22:28.479 --> 1:22:31.120
<v Speaker 3>I'm actually a pretty nice guy. You know, I have

1:22:31.160 --> 1:22:31.519
<v Speaker 3>a dog.

1:22:31.840 --> 1:22:34.280
<v Speaker 1>We talked to so many of them and they're all like, yeah,

1:22:34.320 --> 1:22:36.599
<v Speaker 1>people come up to us on the subway and.

1:22:36.560 --> 1:22:39.040
<v Speaker 2>Are like you can't hit women or whatever, and they're like,

1:22:39.200 --> 1:22:40.840
<v Speaker 2>you don't. We're not, that's not who we are.

1:22:41.960 --> 1:22:45.479
<v Speaker 4>So people, Yeah, the audiences really take it seriously.

1:22:45.640 --> 1:22:47.960
<v Speaker 3>I mean, you can hit women. That's true.

1:22:48.200 --> 1:22:50.439
<v Speaker 2>That's true. That's true, and he should know that.

1:22:51.000 --> 1:22:51.360
<v Speaker 3>Yeah.

1:22:51.400 --> 1:22:54.760
<v Speaker 1>But when you so, speaking of people coming up to you,

1:22:54.760 --> 1:22:56.040
<v Speaker 1>what do you get when people come up to you

1:22:56.120 --> 1:22:58.320
<v Speaker 1>for the most do you find.

1:22:58.760 --> 1:23:03.559
<v Speaker 4>I mean it's it's really like kind of a I

1:23:03.560 --> 1:23:06.200
<v Speaker 4>don't know if there's just one. I feel like it's

1:23:06.240 --> 1:23:09.360
<v Speaker 4>but I'm a cheerleader. The faculty and veep.

1:23:10.200 --> 1:23:12.080
<v Speaker 2>Yeah, people like what they watch.

1:23:12.200 --> 1:23:14.679
<v Speaker 1>Yeah, we're huge beep, like, did you get to work

1:23:14.680 --> 1:23:17.160
<v Speaker 1>with Maloney on Veep? No?

1:23:18.720 --> 1:23:21.360
<v Speaker 3>But his character on VIEP was so funny.

1:23:21.920 --> 1:23:24.720
<v Speaker 1>I'm just wondering because in this SVU you're so you

1:23:24.760 --> 1:23:26.400
<v Speaker 1>do so much one on one with Marishka, But I

1:23:26.439 --> 1:23:28.840
<v Speaker 1>don't think Christopher Maloney is even in it.

1:23:28.920 --> 1:23:32.400
<v Speaker 2>Is he like on a break this episode? Like I yeah,

1:23:32.439 --> 1:23:33.000
<v Speaker 2>and then you?

1:23:33.120 --> 1:23:34.600
<v Speaker 1>And then I was wondering, Oh wow, that would be

1:23:34.600 --> 1:23:36.599
<v Speaker 1>so fun if she actually did get some Maloney FaceTime

1:23:36.640 --> 1:23:37.040
<v Speaker 1>at VIEP.

1:23:37.080 --> 1:23:38.720
<v Speaker 2>But I guess not.

1:23:40.800 --> 1:23:43.320
<v Speaker 1>And your character was so interesting because I had seen

1:23:43.320 --> 1:23:44.639
<v Speaker 1>you in a lot of things, but I had never

1:23:44.680 --> 1:23:48.040
<v Speaker 1>seen you be somebody like so stoic and like so serious.

1:23:49.040 --> 1:23:50.520
<v Speaker 2>This is a cool departure.

1:23:51.040 --> 1:23:53.200
<v Speaker 3>It was a really fun It was a fun character.

1:23:53.320 --> 1:23:57.479
<v Speaker 4>Hard to stay so blank when everyone else is so funny,

1:23:57.520 --> 1:23:59.639
<v Speaker 4>but I figured out how to slip into his own.

1:24:00.280 --> 1:24:02.720
<v Speaker 2>Yeah. It was like a funny joke in itself. Just

1:24:02.760 --> 1:24:06.160
<v Speaker 2>you existing was like such a fuck you to the VEEP.

1:24:08.640 --> 1:24:12.120
<v Speaker 2>Oh this I sometimes I asked way two specific questions

1:24:12.120 --> 1:24:16.439
<v Speaker 2>and then I feel bad, but nurse a moment well,

1:24:16.479 --> 1:24:18.120
<v Speaker 2>because sometimes we'll talk to people and they're like that

1:24:18.160 --> 1:24:20.200
<v Speaker 2>was fifteen years ago. I don't know why you'd think

1:24:20.200 --> 1:24:23.200
<v Speaker 2>I'd remember that audition and I'm like, well, we're worried

1:24:23.200 --> 1:24:25.360
<v Speaker 2>about it. But there was a line read where she

1:24:25.439 --> 1:24:27.519
<v Speaker 2>was explaining what has to happen to you to like

1:24:27.680 --> 1:24:29.880
<v Speaker 2>leave this man, and when they brought up the shelter,

1:24:29.960 --> 1:24:32.920
<v Speaker 2>you were like like a homeless person. And I just

1:24:33.040 --> 1:24:35.599
<v Speaker 2>really liked that line read see you too.

1:24:35.840 --> 1:24:39.519
<v Speaker 3>I know, well I should have watched it. I should

1:24:39.560 --> 1:24:41.439
<v Speaker 3>have watched it. Is it a scene with me and

1:24:41.920 --> 1:24:43.080
<v Speaker 3>with the three ladies?

1:24:43.280 --> 1:24:46.840
<v Speaker 1>I think it's it's you and Marishka, and I think

1:24:46.880 --> 1:24:48.080
<v Speaker 1>maybe the neighbor.

1:24:48.360 --> 1:24:51.320
<v Speaker 2>But well, how was it like working with Brenda Blevin?

1:24:51.720 --> 1:24:53.080
<v Speaker 3>It was great? It was really cool.

1:24:53.200 --> 1:24:56.320
<v Speaker 1>She's like a pretty Yeah, she's like a legendary lady.

1:24:57.160 --> 1:24:59.000
<v Speaker 4>It was because there was a scene with the three

1:24:59.160 --> 1:25:00.800
<v Speaker 4>It's kind of coming back to me now. There was

1:25:00.840 --> 1:25:02.720
<v Speaker 4>a scene with the three of us right where we're

1:25:02.760 --> 1:25:05.360
<v Speaker 4>all talking about what I'm going to do.

1:25:06.000 --> 1:25:08.680
<v Speaker 1>And You're like remember reveal like how you you grew

1:25:08.760 --> 1:25:10.839
<v Speaker 1>up poor and like you know, what are you supposed

1:25:10.840 --> 1:25:11.439
<v Speaker 1>to do now?

1:25:11.560 --> 1:25:15.400
<v Speaker 4>And yeah, I think that I maybe it was having

1:25:15.400 --> 1:25:17.679
<v Speaker 4>a hard time with that scene. I'm having a memory

1:25:17.720 --> 1:25:20.320
<v Speaker 4>where maybe I was struggling a little bit with that scene.

1:25:20.720 --> 1:25:23.200
<v Speaker 4>It's always every job I do, there's always one scene

1:25:23.200 --> 1:25:23.960
<v Speaker 4>that undoes me.

1:25:24.120 --> 1:25:27.000
<v Speaker 3>And I think that was that. I think that's the one.

1:25:28.040 --> 1:25:30.719
<v Speaker 2>I don't know why, like all the scenes.

1:25:30.800 --> 1:25:34.559
<v Speaker 4>No, No, it's like a it's a very weird, random

1:25:34.680 --> 1:25:36.800
<v Speaker 4>thing that happens where it's just like, well I don't

1:25:36.800 --> 1:25:37.160
<v Speaker 4>know how.

1:25:37.040 --> 1:25:39.840
<v Speaker 2>To do the scene, and so what you do? You

1:25:39.920 --> 1:25:40.479
<v Speaker 2>nailed it.

1:25:40.920 --> 1:25:42.559
<v Speaker 3>You just keep going. You just keep going, and then

1:25:42.600 --> 1:25:46.000
<v Speaker 3>you trust the director. You just go. You're like, is

1:25:46.000 --> 1:25:48.120
<v Speaker 3>this what you want? Doing the thing that you want?

1:25:48.800 --> 1:25:53.479
<v Speaker 4>Like, actors have no idea what like, they cannot ever

1:25:53.600 --> 1:25:55.240
<v Speaker 4>know how they're coming across.

1:25:55.320 --> 1:25:58.040
<v Speaker 3>So like that's when you really that's why.

1:25:58.120 --> 1:25:59.760
<v Speaker 4>I mean some actors don't need it, but like some

1:26:00.240 --> 1:26:03.320
<v Speaker 4>really rely on the director to help them know if

1:26:03.360 --> 1:26:04.240
<v Speaker 4>they're on the right track.

1:26:04.240 --> 1:26:05.200
<v Speaker 3>And I am one of those.

1:26:05.080 --> 1:26:07.000
<v Speaker 2>Actors for sure. Yeah, which is why.

1:26:06.960 --> 1:26:09.960
<v Speaker 4>Working with myself as a director was a nightmare. Everything

1:26:10.040 --> 1:26:11.360
<v Speaker 4>I did, I was like, that sucks.

1:26:11.400 --> 1:26:12.439
<v Speaker 3>You shouldn't have done it like that.

1:26:13.120 --> 1:26:13.680
<v Speaker 2>Yeah.

1:26:13.760 --> 1:26:16.559
<v Speaker 1>I've done like small acting parts and like I did

1:26:16.600 --> 1:26:18.040
<v Speaker 1>one where I just kept asking the director.

1:26:18.080 --> 1:26:19.360
<v Speaker 2>I was like, is this it? Is this what you want?

1:26:19.439 --> 1:26:21.120
<v Speaker 1>Speaking of they had me in like full of Lane

1:26:21.160 --> 1:26:23.120
<v Speaker 1>Venis's hair from like because it was a flashback to

1:26:23.120 --> 1:26:26.559
<v Speaker 1>the late ladies and like or early nineties, and I

1:26:26.680 --> 1:26:28.040
<v Speaker 1>was like, is am I doing the right thing? And

1:26:28.080 --> 1:26:30.040
<v Speaker 1>he just kept going yeah, whatever, and I was like, no,

1:26:30.400 --> 1:26:31.439
<v Speaker 1>I need you to tell me.

1:26:32.200 --> 1:26:35.920
<v Speaker 3>Yeah, So I mean, yeah, whatever is not the response.

1:26:36.160 --> 1:26:39.160
<v Speaker 2>Yeah that is like yeah, yeah, you're doing it. And

1:26:39.160 --> 1:26:41.160
<v Speaker 2>I was like, it doesn't really I don't believe you.

1:26:41.760 --> 1:26:45.800
<v Speaker 1>Yeah, maybe that's on me, So we are so obviously

1:26:45.960 --> 1:26:49.240
<v Speaker 1>you're sorry. I was just gonna say, like, obviously, your

1:26:49.800 --> 1:26:53.000
<v Speaker 1>like experience as an actor informs your experience as a director.

1:26:53.000 --> 1:26:54.840
<v Speaker 1>You do, you just like take all that with you.

1:26:54.960 --> 1:26:57.320
<v Speaker 1>So when actors are like leaning on you, you know what

1:26:57.360 --> 1:26:59.680
<v Speaker 1>that's how important that is, And like.

1:27:00.320 --> 1:27:03.639
<v Speaker 3>Yeah, absolutely, you know. It's also that every actor is different.

1:27:03.760 --> 1:27:07.240
<v Speaker 4>You know, there's no sort of like you know, blanket

1:27:07.320 --> 1:27:09.680
<v Speaker 4>direction that you can give to every single person on

1:27:09.720 --> 1:27:12.479
<v Speaker 4>the cast, Like everybody's going to need something different and.

1:27:12.800 --> 1:27:16.719
<v Speaker 2>Right, Yeah, I just worked with one director who's like, what,

1:27:16.720 --> 1:27:19.800
<v Speaker 2>what do you need? And I said positive reinforcement. But

1:27:19.840 --> 1:27:21.840
<v Speaker 2>then it sucks me up because I didn't believe any

1:27:21.880 --> 1:27:24.599
<v Speaker 2>of the compliments because I fully asked for them, and

1:27:24.640 --> 1:27:26.800
<v Speaker 2>so that kind of fucked me up in my head.

1:27:27.200 --> 1:27:28.840
<v Speaker 2>But we also talked to a lot of actors where

1:27:28.880 --> 1:27:30.840
<v Speaker 2>that's for you, and they say sometimes an offer is

1:27:30.840 --> 1:27:33.560
<v Speaker 2>harder than an audition because an audition at least informs

1:27:33.640 --> 1:27:37.040
<v Speaker 2>like someone liked something, and then when they just give

1:27:37.080 --> 1:27:42.240
<v Speaker 2>it to your kind of yeah just yeah five blind.

1:27:42.400 --> 1:27:44.599
<v Speaker 4>You feel like you're auditioning on the spot and they

1:27:44.600 --> 1:27:48.080
<v Speaker 4>can't fire you right where you're just like, well, we're

1:27:48.120 --> 1:27:48.640
<v Speaker 4>stuck with me.

1:27:49.400 --> 1:27:50.120
<v Speaker 2>Yeah, I'm tired.

1:27:50.160 --> 1:27:52.519
<v Speaker 1>Yeah, offers are weird, but like and everybody, I mean,

1:27:52.560 --> 1:27:55.040
<v Speaker 1>what we've heard also is that Marishka is very supportive

1:27:55.080 --> 1:27:56.960
<v Speaker 1>of people. Like when you got do you remember doing

1:27:57.080 --> 1:28:00.200
<v Speaker 1>these scenes with her that were like so like heartbreak

1:28:00.439 --> 1:28:03.720
<v Speaker 1>and like she's like, I mean her character sleeps in

1:28:04.080 --> 1:28:06.439
<v Speaker 1>a in a hallway to protect you.

1:28:06.560 --> 1:28:10.920
<v Speaker 2>She's so invested, Like yeah, she's a great detection.

1:28:12.439 --> 1:28:15.960
<v Speaker 4>Even after we've after we finished, I want to say, like,

1:28:17.160 --> 1:28:19.479
<v Speaker 4>I think that she called me a couple of times

1:28:19.600 --> 1:28:23.800
<v Speaker 4>after I after we finished, I know that she called

1:28:23.800 --> 1:28:27.160
<v Speaker 4>me when that like she saw the episode and she

1:28:27.320 --> 1:28:29.200
<v Speaker 4>said she was like, you did such a good job.

1:28:29.280 --> 1:28:31.840
<v Speaker 4>The episode's great, like right, and then we just like

1:28:31.920 --> 1:28:33.640
<v Speaker 4>chit chatted a little bit, and then I feel like

1:28:33.720 --> 1:28:38.600
<v Speaker 4>she saw me and something else and she called me.

1:28:37.160 --> 1:28:37.960
<v Speaker 2>And she has your number.

1:28:37.960 --> 1:28:41.080
<v Speaker 3>Maybe maybe she only called maybe she only called me once.

1:28:41.800 --> 1:28:42.479
<v Speaker 3>I don't remember.

1:28:43.160 --> 1:28:46.879
<v Speaker 2>It is Christmas time, how do you feel? Happiest season?

1:28:47.560 --> 1:28:50.800
<v Speaker 2>Probably being in people like a holiday movie like where

1:28:50.840 --> 1:28:52.640
<v Speaker 2>I'm doing Christmas? That was on our list of what

1:28:52.680 --> 1:28:54.719
<v Speaker 2>we're definitely watching with the family.

1:28:54.760 --> 1:28:58.200
<v Speaker 1>Stone But was that out last Christmas or two Christmases ago?

1:28:58.800 --> 1:29:02.000
<v Speaker 3>Two Christmases ago? Okay, I was like it was funny, funny,

1:29:02.400 --> 1:29:03.240
<v Speaker 3>It was funny, yeah.

1:29:03.120 --> 1:29:05.960
<v Speaker 1>Because it was like not that I think anybody wanted

1:29:05.960 --> 1:29:07.960
<v Speaker 1>the pandemic to happen, but a great thing for your

1:29:08.000 --> 1:29:11.200
<v Speaker 1>movie because I feel like everybody watched it like it

1:29:11.280 --> 1:29:12.320
<v Speaker 1>was a real home.

1:29:12.120 --> 1:29:15.400
<v Speaker 4>And like, yeah, it was you know that the timing,

1:29:15.600 --> 1:29:19.400
<v Speaker 4>the timing was good for I mean just that, I

1:29:19.439 --> 1:29:22.559
<v Speaker 4>mean not the timing was good. That it's great that

1:29:22.640 --> 1:29:25.240
<v Speaker 4>everybody was stuck inside because of a global pandemic where

1:29:25.280 --> 1:29:28.439
<v Speaker 4>not right people died, but it was you know, I

1:29:28.479 --> 1:29:31.400
<v Speaker 4>think that a good time for that movie to come out,

1:29:31.439 --> 1:29:35.759
<v Speaker 4>for sure, because it was so the holidays were so weird, yeah,

1:29:35.800 --> 1:29:36.639
<v Speaker 4>to say the least.

1:29:36.840 --> 1:29:39.120
<v Speaker 1>And you know, no, it was fun because it was

1:29:39.160 --> 1:29:41.040
<v Speaker 1>like one of those movies that like a bunch of

1:29:41.040 --> 1:29:42.800
<v Speaker 1>my friends, we were all just like everybody was just

1:29:42.840 --> 1:29:44.599
<v Speaker 1>texting being like have you watched that yet?

1:29:44.680 --> 1:29:46.520
<v Speaker 2>You know, like it was like a water.

1:29:46.320 --> 1:29:49.439
<v Speaker 1>Cooler movie where we were in like there was no

1:29:49.520 --> 1:29:52.400
<v Speaker 1>water cooler to be found, you know, because we were

1:29:52.560 --> 1:29:53.200
<v Speaker 1>all trapped.

1:29:53.920 --> 1:29:55.680
<v Speaker 2>It's like a new classic, because I feel like you

1:29:55.760 --> 1:29:58.120
<v Speaker 2>have either like Hallmark where it's like cheesy and white,

1:29:58.240 --> 1:30:03.240
<v Speaker 2>like something specific, and then only like a few really

1:30:03.280 --> 1:30:05.320
<v Speaker 2>good holiday movies, and I feel like it was one

1:30:05.360 --> 1:30:05.679
<v Speaker 2>of them.

1:30:05.800 --> 1:30:06.719
<v Speaker 3>Thank you so much.

1:30:06.880 --> 1:30:11.000
<v Speaker 4>It really, I'm so happy that I got to make

1:30:11.040 --> 1:30:14.280
<v Speaker 4>that movie at all. I really it was really really

1:30:14.320 --> 1:30:17.200
<v Speaker 4>special and so cool that that.

1:30:17.400 --> 1:30:18.840
<v Speaker 3>People are still watching it.

1:30:18.880 --> 1:30:21.160
<v Speaker 4>Like Christmas movies become a part of your life in

1:30:21.160 --> 1:30:23.320
<v Speaker 4>a way that other movies don't, and that was like

1:30:23.680 --> 1:30:27.320
<v Speaker 4>the fact that we were able to make a movie

1:30:27.320 --> 1:30:30.240
<v Speaker 4>that is doing that is just really It's so cool.

1:30:30.600 --> 1:30:33.959
<v Speaker 1>And then you are now writing on stuff you are directing,

1:30:34.040 --> 1:30:37.000
<v Speaker 1>like what's the what are you like leaning towards or

1:30:37.000 --> 1:30:38.360
<v Speaker 1>are you trying to just be a jack of all

1:30:38.400 --> 1:30:40.120
<v Speaker 1>trades or are you just like I'm going to put

1:30:40.120 --> 1:30:41.600
<v Speaker 1>acting a little bit on the back burner. While I

1:30:41.760 --> 1:30:44.879
<v Speaker 1>direct for a while or what's your Yeah.

1:30:44.720 --> 1:30:47.800
<v Speaker 3>I mean, I really love writing and directing.

1:30:47.920 --> 1:30:50.639
<v Speaker 4>I find it to be so fulfilling in a way

1:30:50.680 --> 1:30:54.000
<v Speaker 4>that is just and it's also new, you know, I

1:30:54.000 --> 1:30:56.879
<v Speaker 4>think acting is I've been doing it since I was eighteen,

1:30:57.000 --> 1:30:57.639
<v Speaker 4>and I do.

1:30:57.600 --> 1:30:59.000
<v Speaker 3>Really love it.

1:30:59.120 --> 1:31:02.559
<v Speaker 4>But I think before I wanted to act, I wanted

1:31:02.600 --> 1:31:05.200
<v Speaker 4>to write. I've always loved writing, and so to be

1:31:05.240 --> 1:31:08.160
<v Speaker 4>able to go back to that and be able to

1:31:08.479 --> 1:31:11.120
<v Speaker 4>make things and you know, tell the stories that I

1:31:11.160 --> 1:31:14.080
<v Speaker 4>want to tell and higher actors that I really love

1:31:14.160 --> 1:31:16.639
<v Speaker 4>and work with cruise like in a more intimate way,

1:31:16.760 --> 1:31:21.280
<v Speaker 4>like it's really I don't know, I'm just find I'm

1:31:21.320 --> 1:31:23.600
<v Speaker 4>just very inspired by it right now. So it is

1:31:23.680 --> 1:31:26.280
<v Speaker 4>and it's also so time consuming that you can't really

1:31:26.640 --> 1:31:29.120
<v Speaker 4>do anything else, you know that I have a show

1:31:29.200 --> 1:31:32.840
<v Speaker 4>right now that that just came out, and we're work

1:31:32.920 --> 1:31:34.880
<v Speaker 4>we have we're not picked up for a second season,

1:31:35.000 --> 1:31:37.160
<v Speaker 4>but we have a we're doing a mini room and.

1:31:37.120 --> 1:31:38.080
<v Speaker 3>It's just it's time.

1:31:38.280 --> 1:31:41.680
<v Speaker 4>It takes forever, like I can imagine, you know, I

1:31:41.680 --> 1:31:45.799
<v Speaker 4>can't imagine. I mean I have been writing and acting

1:31:45.880 --> 1:31:47.960
<v Speaker 4>at the same time, and it's just but it's it's

1:31:47.960 --> 1:31:50.720
<v Speaker 4>harder to bounce back and forth, you know, because I

1:31:51.800 --> 1:31:54.879
<v Speaker 4>like getting sort of lost in the process of writing

1:31:54.960 --> 1:31:58.000
<v Speaker 4>and then once once you're in production, forget it, like

1:31:58.080 --> 1:31:58.679
<v Speaker 4>you can't leave.

1:31:59.479 --> 1:32:01.920
<v Speaker 2>Yeah, no, it's wild. I feel like every time I

1:32:01.920 --> 1:32:05.240
<v Speaker 2>want to set, I'm newly surprised, like how long everyone's

1:32:05.240 --> 1:32:07.759
<v Speaker 2>there and how hard people work. I'm always just like, geez,

1:32:08.080 --> 1:32:12.360
<v Speaker 2>you guys are like really putting in all the hours. Yeah,

1:32:12.360 --> 1:32:14.320
<v Speaker 2>and it always surprises me. And I don't know why.

1:32:14.400 --> 1:32:15.880
<v Speaker 2>I just don't know how people have a life. But

1:32:16.800 --> 1:32:19.040
<v Speaker 2>going back to back in the day, you kind of

1:32:19.040 --> 1:32:23.280
<v Speaker 2>had a really iconic hairdo and the faculty but I'm

1:32:23.280 --> 1:32:27.479
<v Speaker 2>a cheerleader. Do you feel like was that you coming

1:32:27.520 --> 1:32:29.240
<v Speaker 2>into it or did they make you cut your hair?

1:32:29.840 --> 1:32:34.840
<v Speaker 2>I feel like you're pre posh spice in terms of

1:32:34.880 --> 1:32:35.639
<v Speaker 2>that fun hairdo.

1:32:35.720 --> 1:32:38.200
<v Speaker 3>Yeah, that no, that was my That was me. That

1:32:38.280 --> 1:32:41.440
<v Speaker 3>was a haircut that I had in my real life. Yeah.

1:32:41.479 --> 1:32:43.240
<v Speaker 4>And the reason and my hair is like a little

1:32:43.240 --> 1:32:45.479
<v Speaker 4>bit curly, So that's why my hair is always so

1:32:45.520 --> 1:32:47.439
<v Speaker 4>greasy because I would I didn't know how to sty

1:32:47.600 --> 1:32:49.320
<v Speaker 4>I didn't know how to make my hair straight, so

1:32:49.400 --> 1:32:51.040
<v Speaker 4>I would just put a bunch of shit in my

1:32:51.080 --> 1:32:53.519
<v Speaker 4>hair to like kill the wave.

1:32:54.200 --> 1:32:58.360
<v Speaker 1>Basically, Oh, it looks very straight and silky in your

1:32:58.439 --> 1:32:59.320
<v Speaker 1>SVU episode.

1:32:59.560 --> 1:33:02.479
<v Speaker 3>Oh yeah, I mean if I have a professional.

1:33:02.040 --> 1:33:04.840
<v Speaker 1>If someone does a professional but I do not have

1:33:04.880 --> 1:33:05.800
<v Speaker 1>those skills.

1:33:06.439 --> 1:33:08.200
<v Speaker 2>Yeah, yeah, but me trying.

1:33:07.960 --> 1:33:11.120
<v Speaker 4>To blow dry my own hair even now is really embarrassing.

1:33:12.439 --> 1:33:14.000
<v Speaker 2>That's embarrassing.

1:33:14.040 --> 1:33:15.640
<v Speaker 4>And it's only like part of my hair will be

1:33:15.640 --> 1:33:17.360
<v Speaker 4>straight in the back of my head will still be

1:33:17.439 --> 1:33:19.040
<v Speaker 4>like really curly, and.

1:33:18.920 --> 1:33:20.280
<v Speaker 3>That's not a good Yeah.

1:33:20.840 --> 1:33:23.520
<v Speaker 1>I have crazy curly hair and it's been a lifelong

1:33:23.680 --> 1:33:26.240
<v Speaker 1>struggle to tame it and deal with it. But well,

1:33:26.240 --> 1:33:28.800
<v Speaker 1>I'm also looking at your IMDb here at this this

1:33:28.920 --> 1:33:31.800
<v Speaker 1>animated show called Housebroken that has like all these fun

1:33:31.840 --> 1:33:34.040
<v Speaker 1>people in it, like Maria Bamford is like a friend

1:33:34.040 --> 1:33:36.000
<v Speaker 1>of mine through stand up and then you've got like

1:33:36.640 --> 1:33:39.920
<v Speaker 1>all these people like Lisa Kudrou and like, what this

1:33:40.000 --> 1:33:43.160
<v Speaker 1>is amazing and this is your your this is a no,

1:33:43.280 --> 1:33:45.040
<v Speaker 1>you're a creator a creator of this too.

1:33:45.800 --> 1:33:46.040
<v Speaker 3>Yeah.

1:33:46.080 --> 1:33:49.880
<v Speaker 4>I created with two of the writers from uh VI,

1:33:50.160 --> 1:33:53.880
<v Speaker 4>Gabby Allen and Jen Crittenden, and they I just loved

1:33:53.920 --> 1:33:57.160
<v Speaker 4>them so much, and we talked about we were just

1:33:57.160 --> 1:33:59.840
<v Speaker 4>talking about working on something else together and I had

1:33:59.840 --> 1:34:02.160
<v Speaker 4>this idea and I told it to them and they

1:34:02.160 --> 1:34:05.840
<v Speaker 4>immediately had an idea that made the idea better, and

1:34:06.720 --> 1:34:09.320
<v Speaker 4>it evolved into and then we all started talking about

1:34:09.320 --> 1:34:11.439
<v Speaker 4>it together and it evolved into the show.

1:34:11.560 --> 1:34:13.480
<v Speaker 3>And it's just it's so much fun.

1:34:13.880 --> 1:34:17.840
<v Speaker 4>And the cast is out of control and.

1:34:17.880 --> 1:34:20.800
<v Speaker 2>Yeah actually who who Yeah, And.

1:34:20.760 --> 1:34:26.000
<v Speaker 4>We have two episode holiday episodes airing this Sunday because

1:34:26.000 --> 1:34:28.200
<v Speaker 4>we've been off the air since last summer, and then

1:34:29.000 --> 1:34:31.240
<v Speaker 4>we have these episodes airing, and then we have a

1:34:31.280 --> 1:34:33.559
<v Speaker 4>full season airing again next summer.

1:34:33.600 --> 1:34:36.679
<v Speaker 3>But it's really a blast. It's such a funny show.

1:34:36.760 --> 1:34:39.680
<v Speaker 4>And I'd always wanted to do animation before I never

1:34:39.720 --> 1:34:41.679
<v Speaker 4>had and so it's been really I've learned a lot

1:34:41.800 --> 1:34:42.640
<v Speaker 4>and really.

1:34:44.120 --> 1:34:46.920
<v Speaker 2>I really love it. Yeah, animation is such a different thing.

1:34:46.960 --> 1:34:49.040
<v Speaker 1>It seems like it seems like for writing, it's so

1:34:50.000 --> 1:34:52.320
<v Speaker 1>fun because you can really write anything to happen.

1:34:52.360 --> 1:34:54.040
<v Speaker 2>You don't have to worry about like budget or whatever.

1:34:54.120 --> 1:34:56.679
<v Speaker 1>But then you know, just like thinking about how visually

1:34:56.800 --> 1:34:57.599
<v Speaker 1>jokes are going to land.

1:34:57.600 --> 1:34:58.920
<v Speaker 2>It's like it's just a totally different thing.

1:34:59.200 --> 1:35:01.639
<v Speaker 4>Yeah, you know is and you all, I think because

1:35:01.640 --> 1:35:04.800
<v Speaker 4>I also like I have such a like practical brain

1:35:04.840 --> 1:35:07.320
<v Speaker 4>when I'm writing live action that it's like, okay, well

1:35:07.320 --> 1:35:08.320
<v Speaker 4>you're not gonna be able to do.

1:35:08.760 --> 1:35:11.559
<v Speaker 3>Have like explode a house like right, But.

1:35:11.800 --> 1:35:14.920
<v Speaker 4>In animation you can literally do anything and create anything.

1:35:15.000 --> 1:35:18.639
<v Speaker 4>And like once I sort of got into that, like

1:35:18.760 --> 1:35:23.280
<v Speaker 4>no sort of no holds barred imagination. It really unlocked

1:35:23.320 --> 1:35:24.920
<v Speaker 4>something and just it's so fun.

1:35:25.080 --> 1:35:27.280
<v Speaker 2>Well it's also cute, like you get to be a

1:35:27.360 --> 1:35:31.280
<v Speaker 2>cute thing, you know, like a car. You get to

1:35:31.280 --> 1:35:32.160
<v Speaker 2>be a little corky.

1:35:32.800 --> 1:35:36.479
<v Speaker 1>Yeah, yeah, and now I.

1:35:36.400 --> 1:35:39.240
<v Speaker 3>Love Corki's an animal that I never thought twice about.

1:35:39.240 --> 1:35:43.519
<v Speaker 2>But really they're so cute. They're so cute that they

1:35:43.560 --> 1:35:44.400
<v Speaker 2>have no one told me.

1:35:44.800 --> 1:35:47.080
<v Speaker 1>They have like butts that look like people butts, Like

1:35:47.160 --> 1:35:50.240
<v Speaker 1>I just see them all barts my kids into baby

1:35:50.280 --> 1:35:53.679
<v Speaker 1>animal Instagram, so I see a lot of corky butts

1:35:53.680 --> 1:35:57.200
<v Speaker 1>floating in water anyway.

1:35:55.960 --> 1:35:59.479
<v Speaker 2>Smiling their load of the ground. But they're fluffy. They're

1:35:59.560 --> 1:36:02.000
<v Speaker 2>just really kind of perfect. Would you get it tattooed

1:36:02.040 --> 1:36:02.559
<v Speaker 2>on yourself?

1:36:02.600 --> 1:36:07.040
<v Speaker 3>You feel uh no, no, no, no, I don't. I'm

1:36:07.040 --> 1:36:08.400
<v Speaker 3>not going to get any more tattoos.

1:36:08.400 --> 1:36:10.080
<v Speaker 2>I don't think that's like my dream to be a

1:36:10.080 --> 1:36:13.439
<v Speaker 2>cartoon character. So then I can get it tattooed and then.

1:36:13.360 --> 1:36:15.759
<v Speaker 3>You could get my character tattoos on you.

1:36:15.800 --> 1:36:18.320
<v Speaker 2>Yeah, that's a great idea. I would get a I

1:36:18.360 --> 1:36:20.720
<v Speaker 2>have a lot of quirgi merch, to be honest, if

1:36:20.720 --> 1:36:22.519
<v Speaker 2>I'm being fully regular to.

1:36:22.800 --> 1:36:25.280
<v Speaker 4>Well, you should watch the watch the watch House Pocus

1:36:25.760 --> 1:36:27.000
<v Speaker 4>see this little corky in action.

1:36:27.520 --> 1:36:30.840
<v Speaker 1>Well, just to like close out the SVU questioning like

1:36:30.880 --> 1:36:32.280
<v Speaker 1>do you have any like do you have any other

1:36:32.360 --> 1:36:34.600
<v Speaker 1>like memories from doing it or like little stories or

1:36:34.640 --> 1:36:37.679
<v Speaker 1>anything you think our listeners would like be excited about.

1:36:38.040 --> 1:36:41.200
<v Speaker 4>I mean it was really just the getting the call

1:36:41.280 --> 1:36:45.479
<v Speaker 4>from Marishka and like working with her and then having

1:36:45.479 --> 1:36:48.000
<v Speaker 4>her really like take an interest and be so genuine

1:36:48.120 --> 1:36:51.559
<v Speaker 4>and it really I don't know. I whenever there's someone

1:36:51.760 --> 1:36:54.200
<v Speaker 4>like that out there and you work with them and

1:36:54.240 --> 1:36:58.960
<v Speaker 4>they they understand what their position can do, and like

1:36:59.040 --> 1:37:02.080
<v Speaker 4>some people use to like scare people or you know,

1:37:02.160 --> 1:37:06.400
<v Speaker 4>make people feel bad, and then other people really use

1:37:06.439 --> 1:37:10.439
<v Speaker 4>it to like elevate the people around them, and she

1:37:10.640 --> 1:37:12.400
<v Speaker 4>is really someone who did that, and it was just

1:37:12.479 --> 1:37:15.559
<v Speaker 4>it really meant so much to me because as an actor,

1:37:15.680 --> 1:37:18.400
<v Speaker 4>you can really especially as a guest star on a

1:37:18.439 --> 1:37:22.439
<v Speaker 4>television show, you can feel so insignificant because in some

1:37:22.479 --> 1:37:25.600
<v Speaker 4>ways you are because you are. You're just like in

1:37:25.720 --> 1:37:28.400
<v Speaker 4>Network TV, if you're a guest star in one episode,

1:37:28.439 --> 1:37:31.000
<v Speaker 4>like they're just going to do it again twenty.

1:37:30.520 --> 1:37:31.719
<v Speaker 3>Twenty one more times.

1:37:31.720 --> 1:37:33.920
<v Speaker 4>So yeah, other people and you're you know, you can

1:37:34.000 --> 1:37:37.519
<v Speaker 4>really just feel disposable and and it just it really

1:37:37.720 --> 1:37:39.880
<v Speaker 4>just felt like her the way she.

1:37:39.880 --> 1:37:42.479
<v Speaker 3>Treated me and everyone that I know who's been on it.

1:37:42.560 --> 1:37:45.040
<v Speaker 4>I don't know, it's really it's really important and really

1:37:45.080 --> 1:37:48.480
<v Speaker 4>like turn something that could that could be very forgettable

1:37:48.560 --> 1:37:51.040
<v Speaker 4>into something really meaningful.

1:37:51.720 --> 1:37:56.000
<v Speaker 1>Yeah, beautiful, and you didn't really get like it was. Yeah,

1:37:56.040 --> 1:37:57.840
<v Speaker 1>you're really great in the episode. Have you died on

1:37:57.920 --> 1:37:59.280
<v Speaker 1>screen before? Oh?

1:37:59.400 --> 1:38:00.960
<v Speaker 3>Yeah, I've done. Oh I've done a lot.

1:38:01.000 --> 1:38:03.320
<v Speaker 2>Oh yeah, Oh okay. Well, not only are you friends

1:38:03.360 --> 1:38:06.800
<v Speaker 2>with like Natasha Leone and Melanielensku you work with a lot,

1:38:06.840 --> 1:38:08.920
<v Speaker 2>but like high school Teagan and Sarah, I feel like

1:38:08.960 --> 1:38:13.320
<v Speaker 2>you've worked with them and the like. On social media,

1:38:13.360 --> 1:38:15.599
<v Speaker 2>I feel like everyone that I followed was talking about

1:38:15.640 --> 1:38:16.080
<v Speaker 2>high school.

1:38:16.360 --> 1:38:18.519
<v Speaker 3>So oh really, yes, that's nice to hear.

1:38:18.920 --> 1:38:21.840
<v Speaker 2>Yeah, well we're really excited. And will you wait? Will

1:38:21.840 --> 1:38:23.519
<v Speaker 2>you tell me what it's on? What is it on?

1:38:23.640 --> 1:38:24.759
<v Speaker 2>Where do I watch High School.

1:38:25.280 --> 1:38:29.559
<v Speaker 4>High School is on It's on Amazon Freebee, which is

1:38:29.800 --> 1:38:32.640
<v Speaker 4>its own app, but then you can also watch it

1:38:32.760 --> 1:38:33.799
<v Speaker 4>on Prime.

1:38:34.280 --> 1:38:36.799
<v Speaker 3>Oh, so Amazon gives you a couple of ways.

1:38:36.560 --> 1:38:38.479
<v Speaker 4>To watch it, and I don't know if that makes

1:38:38.479 --> 1:38:41.360
<v Speaker 4>it more or less confusing, but you can definitely find it.

1:38:42.040 --> 1:38:45.080
<v Speaker 1>Yeah, because Freebie's like their free platforms, so more people

1:38:45.080 --> 1:38:46.120
<v Speaker 1>can probably get to it.

1:38:46.160 --> 1:38:50.799
<v Speaker 4>Yeah, yeah, yeah, and it's yeah, it's based on Teagan

1:38:50.880 --> 1:38:54.120
<v Speaker 4>and Sarah's memoir about their years in high school and

1:38:54.160 --> 1:38:57.439
<v Speaker 4>sort of coming of age and becoming musicians and you know,

1:38:57.520 --> 1:38:59.040
<v Speaker 4>discovering their sexuality.

1:38:59.200 --> 1:39:02.360
<v Speaker 3>And it's really I loved.

1:39:02.080 --> 1:39:03.840
<v Speaker 4>Their books so much, and as soon as I read it,

1:39:03.920 --> 1:39:06.200
<v Speaker 4>I called Teagan and just said, you please let me

1:39:06.240 --> 1:39:09.599
<v Speaker 4>make this into a television show. And it's been really

1:39:11.120 --> 1:39:15.080
<v Speaker 4>I'm I've really loved the experience of making it. And

1:39:16.120 --> 1:39:18.280
<v Speaker 4>but I'm not really on social media very much, so

1:39:18.360 --> 1:39:20.680
<v Speaker 4>I haven't seen any of that, but I'm happy that

1:39:20.680 --> 1:39:21.960
<v Speaker 4>people are talking about it.

1:39:22.280 --> 1:39:26.439
<v Speaker 2>Yeah. Wait, was it fun to cast your friends as

1:39:26.520 --> 1:39:30.000
<v Speaker 2>little kids or like teens? Like, was that the casting fun?

1:39:30.920 --> 1:39:31.320
<v Speaker 3>It was?

1:39:31.560 --> 1:39:33.640
<v Speaker 4>Yeah, it was fun, but it was also just like

1:39:34.080 --> 1:39:37.439
<v Speaker 4>what we were looking for was insane, you know, like

1:39:37.520 --> 1:39:41.439
<v Speaker 4>that we had to find twin girls that were the

1:39:41.520 --> 1:39:46.120
<v Speaker 4>right age, who were queer, just funs like uh, I like,

1:39:46.200 --> 1:39:47.880
<v Speaker 4>we were insane, and I thought we were going to

1:39:47.920 --> 1:39:50.680
<v Speaker 4>have to pull like an orphan black type situation with

1:39:50.920 --> 1:39:56.360
<v Speaker 4>just one actor, but it Teagan was on TikTok and

1:39:56.520 --> 1:39:59.479
<v Speaker 4>saw one of the twins in a video and then

1:39:59.520 --> 1:40:02.920
<v Speaker 4>discover that she had a twin sister and then reached

1:40:02.920 --> 1:40:07.080
<v Speaker 4>out to them and they auditioned, and it was like

1:40:07.120 --> 1:40:09.519
<v Speaker 4>a very scary thing to do to cast them because

1:40:09.560 --> 1:40:12.040
<v Speaker 4>they were just you know, Pete, they were not actors.

1:40:12.080 --> 1:40:15.880
<v Speaker 4>They were working in pizza restaurants in Fresno and just

1:40:16.680 --> 1:40:19.120
<v Speaker 4>got We just picked them up out of their lives

1:40:19.160 --> 1:40:21.080
<v Speaker 4>and brought them and cast them as the leads out

1:40:21.120 --> 1:40:23.280
<v Speaker 4>of television show. Was such an insane thing to do,

1:40:23.400 --> 1:40:26.719
<v Speaker 4>but they worked so hard. Raley in season who played

1:40:26.760 --> 1:40:29.120
<v Speaker 4>Taken in Sarah and did such an incredible job, And

1:40:29.160 --> 1:40:31.879
<v Speaker 4>it was really just it felt like this very.

1:40:33.600 --> 1:40:39.080
<v Speaker 3>Like fate that they appeared. It really fell fell into

1:40:39.120 --> 1:40:39.639
<v Speaker 3>our laps.

1:40:39.720 --> 1:40:43.479
<v Speaker 2>Yeah, yeah, TikTok. I mean you just like changed these

1:40:43.680 --> 1:40:44.800
<v Speaker 2>twins lives.

1:40:45.200 --> 1:40:49.320
<v Speaker 1>Yeah, and TikTok. Give TikTok a little bit of a pass.

1:40:50.200 --> 1:40:52.599
<v Speaker 4>Yeah, I don't think people are talking about TikTok enough.

1:40:53.160 --> 1:40:55.920
<v Speaker 1>Yeah, and they're not giving tik took enough credit, you know,

1:40:56.080 --> 1:40:59.680
<v Speaker 1>like need to be algorithm.

1:41:00.240 --> 1:41:01.880
<v Speaker 3>The algorithm is getting something right.

1:41:02.520 --> 1:41:02.840
<v Speaker 2>Yeah.

1:41:02.880 --> 1:41:05.720
<v Speaker 1>So they were looking for teen twins and a team

1:41:05.800 --> 1:41:08.639
<v Speaker 1>twin was delivered. There they have they have the most

1:41:08.680 --> 1:41:11.479
<v Speaker 1>scary algorithm. But that is really cool. Okay, I'm going

1:41:11.560 --> 1:41:14.760
<v Speaker 1>to check that out high school on free v on

1:41:15.840 --> 1:41:20.240
<v Speaker 1>is it called freev Yeah, Amazon, Amazon freeby and Amazon

1:41:20.360 --> 1:41:23.840
<v Speaker 1>Prime amazing. Yeah, all the Amazon places, all the Amazons.

1:41:23.920 --> 1:41:27.719
<v Speaker 2>Yeah. Perfect, you're really crushing it. You made the pivot

1:41:27.800 --> 1:41:30.519
<v Speaker 2>to writing directing so good.

1:41:31.000 --> 1:41:33.519
<v Speaker 4>I mean, I I was fortunate enough to work with

1:41:33.560 --> 1:41:36.920
<v Speaker 4>so many brilliant writers and directors that I learned so

1:41:37.040 --> 1:41:41.200
<v Speaker 4>much from. And it's you know, it's really just paying

1:41:41.240 --> 1:41:44.920
<v Speaker 4>attention to other people doing it well. And yeah, keeping

1:41:44.920 --> 1:41:46.920
<v Speaker 4>my eyes open and my mouth shut.

1:41:47.240 --> 1:41:48.920
<v Speaker 1>Yeah, because you've been in the business for so long,

1:41:49.000 --> 1:41:52.800
<v Speaker 1>it's like, I'm sure you picked up stuff that you

1:41:52.840 --> 1:41:54.200
<v Speaker 1>should use and stuff.

1:41:53.880 --> 1:41:56.760
<v Speaker 2>That you would not you would never want to use. Absolutely.

1:41:56.840 --> 1:41:59.479
<v Speaker 4>Yeah. Working with the with with directors who were not

1:41:59.720 --> 1:42:02.479
<v Speaker 4>the greatest actually taught me just as much.

1:42:02.840 --> 1:42:03.599
<v Speaker 3>Yeah, don't do that.

1:42:03.680 --> 1:42:05.080
<v Speaker 4>This is this is a great way to get an

1:42:05.120 --> 1:42:07.200
<v Speaker 4>actor to turn on you in a scene.

1:42:08.800 --> 1:42:09.280
<v Speaker 3>Don't do that.

1:42:10.160 --> 1:42:13.519
<v Speaker 1>Yeah, all right, well I'm so excited to hear. I'm

1:42:13.520 --> 1:42:15.200
<v Speaker 1>so excited to keep an eye out for stuff you

1:42:15.240 --> 1:42:15.840
<v Speaker 1>have coming up.

1:42:15.920 --> 1:42:19.560
<v Speaker 2>And yeah, and I'll be watching the Happiest Season this Christmas.

1:42:19.640 --> 1:42:23.200
<v Speaker 1>Yeah, you're going to have like a new Christmas classic

1:42:23.479 --> 1:42:24.320
<v Speaker 1>watch every year.

1:42:24.920 --> 1:42:25.679
<v Speaker 2>That's what we're doing.

1:42:26.200 --> 1:42:28.200
<v Speaker 3>That makes me really happy. Thank you for watching it.

1:42:28.520 --> 1:42:34.960
<v Speaker 2>Yeah. Wow, she is so accomplished.

1:42:34.960 --> 1:42:39.040
<v Speaker 1>God, doing so many things like acting, directing, the writing,

1:42:39.200 --> 1:42:41.439
<v Speaker 1>the animation live action movies.

1:42:42.000 --> 1:42:44.680
<v Speaker 2>I know so much, and also living our dream. I mean,

1:42:44.720 --> 1:42:47.439
<v Speaker 2>you were there, but being a judge on Drag Race,

1:42:47.560 --> 1:42:51.120
<v Speaker 2>being able to be in the vibe with that crew

1:42:51.280 --> 1:42:54.360
<v Speaker 2>is pretty incredible. And you know she put drag queens

1:42:54.400 --> 1:42:57.719
<v Speaker 2>in her The Happiest Season as well, Deayla and Jenks

1:42:57.800 --> 1:42:59.960
<v Speaker 2>and Dela Baby. Well they are the Christmas Queen.

1:43:00.280 --> 1:43:02.040
<v Speaker 1>I mean, you gots to put them in your movie

1:43:02.040 --> 1:43:04.599
<v Speaker 1>if you're doing a Christmas movie. They are Jinxon day

1:43:04.640 --> 1:43:07.000
<v Speaker 1>Law's Christmas. We should go see that live sometime. That'd

1:43:07.040 --> 1:43:07.559
<v Speaker 1>be so fun.

1:43:07.800 --> 1:43:11.240
<v Speaker 2>I of course, no, it was really cool. This podcast

1:43:11.320 --> 1:43:13.680
<v Speaker 2>is so fun to do for many reasons, but it

1:43:13.720 --> 1:43:16.760
<v Speaker 2>is also like sometimes I'm like, are you fucking kidding me?

1:43:16.960 --> 1:43:19.000
<v Speaker 2>Like to me and talk to a person that I've

1:43:19.000 --> 1:43:22.960
<v Speaker 2>been following their work for decades, does it's just like, yeah,

1:43:22.960 --> 1:43:26.600
<v Speaker 2>good to be true. I can't believe it and you

1:43:26.640 --> 1:43:28.600
<v Speaker 2>still haven't seen. But I'm a cheerleader. We got to

1:43:28.640 --> 1:43:30.760
<v Speaker 2>watch that. I know, I gotta watch that. I gotta

1:43:30.800 --> 1:43:34.280
<v Speaker 2>watch it. But cause and you have Melanie Lynsky, you

1:43:34.280 --> 1:43:36.400
<v Speaker 2>have so many stars that you still love today and

1:43:36.439 --> 1:43:39.960
<v Speaker 2>it's actual Leon like you love RuPaul Mari, like we

1:43:40.000 --> 1:43:42.920
<v Speaker 2>love these people. So it seems like it's gonna be

1:43:42.960 --> 1:43:44.559
<v Speaker 2>right up my alley and I'm gonna really love it.

1:43:44.600 --> 1:43:46.920
<v Speaker 2>So I'm excited to watch it. I so loved knowing

1:43:46.920 --> 1:43:49.519
<v Speaker 2>that the blood was really squirting JK. Of course we

1:43:49.560 --> 1:43:52.320
<v Speaker 2>saw it. She I love her being like there was

1:43:52.400 --> 1:43:55.640
<v Speaker 2>so much blood, poor my body man that she was

1:43:55.640 --> 1:43:58.200
<v Speaker 2>like walking around set with a knife. I really love

1:43:58.240 --> 1:44:00.960
<v Speaker 2>seeing photos of people on set and like Victorian outfits

1:44:01.040 --> 1:44:04.120
<v Speaker 2>drinking a diet coke? Have you seen that, like Kristen

1:44:04.200 --> 1:44:05.679
<v Speaker 2>Dunst and Marie and Twinette and stuff.

1:44:05.800 --> 1:44:08.680
<v Speaker 1>Yeah, Like famously, somebody left a Starbucks cup on a

1:44:08.720 --> 1:44:10.760
<v Speaker 1>table in an episode of Game of Thrones. So there's

1:44:10.800 --> 1:44:13.000
<v Speaker 1>like a Starbucks cup in the final cut.

1:44:12.840 --> 1:44:15.519
<v Speaker 2>But well, you know, I had to wear a strap

1:44:15.560 --> 1:44:19.680
<v Speaker 2>on for pause with Samjay and and then that was

1:44:19.720 --> 1:44:21.960
<v Speaker 2>the day that she got everyone in an ice cream

1:44:22.000 --> 1:44:24.280
<v Speaker 2>truck as a thank you, and so we went and

1:44:24.280 --> 1:44:26.240
<v Speaker 2>got our ice creams with our full strap ons on.

1:44:26.360 --> 1:44:28.519
<v Speaker 2>Like there was just like seven women with dicks on

1:44:29.160 --> 1:44:33.240
<v Speaker 2>walking around set. Where did that come from? Walking around

1:44:33.439 --> 1:44:37.000
<v Speaker 2>set with like the item like bring a Maria and

1:44:37.000 --> 1:44:40.960
<v Speaker 2>twinette cigarettes We were talking about like the diet coke

1:44:41.000 --> 1:44:43.040
<v Speaker 2>of it all, but then it's a full strap on.

1:44:43.880 --> 1:44:45.840
<v Speaker 2>Well know, her walking around with a knife and we

1:44:45.880 --> 1:44:46.960
<v Speaker 2>were walking around with dick.

1:44:47.120 --> 1:44:49.320
<v Speaker 1>Yes, well we've also gotten to talk to two people

1:44:49.360 --> 1:44:51.559
<v Speaker 1>that had to wear that knife breastplate thing because we

1:44:51.560 --> 1:44:53.600
<v Speaker 1>talked to Mike Doyle about the same fucking thing. And

1:44:53.640 --> 1:44:58.160
<v Speaker 1>it's wild that oh my god, like that scene. This

1:44:58.320 --> 1:45:01.439
<v Speaker 1>episode is really really like connting and tough because it

1:45:01.960 --> 1:45:04.160
<v Speaker 1>does really show domestic violence. I feel like in a

1:45:04.200 --> 1:45:07.080
<v Speaker 1>way that a lot of people, I mean, I don't

1:45:07.120 --> 1:45:09.400
<v Speaker 1>know that maybe we haven't seen on network television in

1:45:09.400 --> 1:45:10.240
<v Speaker 1>such a violent way.

1:45:10.280 --> 1:45:14.880
<v Speaker 2>And it was it's just like the actual hardships and

1:45:14.920 --> 1:45:20.599
<v Speaker 2>realities of escaping abuse are complicated as fuck, and it's

1:45:20.640 --> 1:45:22.960
<v Speaker 2>a pet peeve of I bet you as what, Like

1:45:23.000 --> 1:45:26.400
<v Speaker 2>when people make it so simple and have no empathy

1:45:26.479 --> 1:45:29.040
<v Speaker 2>or understanding, when people are like why invents? And even

1:45:29.080 --> 1:45:30.720
<v Speaker 2>did this here? Like why didn't you leave? Why didn't

1:45:30.720 --> 1:45:32.240
<v Speaker 2>you do that? What about this? Why do you need

1:45:32.240 --> 1:45:36.519
<v Speaker 2>an abortion? Like people making judgments and questions about people's

1:45:36.560 --> 1:45:39.800
<v Speaker 2>lives that are like so complicated and difficult, yes, and

1:45:39.840 --> 1:45:42.759
<v Speaker 2>being so black and white about stuff that that isn't

1:45:42.840 --> 1:45:47.679
<v Speaker 2>like she has no money, no education, nothing, no family, right.

1:45:47.520 --> 1:45:50.680
<v Speaker 1>And she just an escape if he hadn't killed her,

1:45:50.720 --> 1:45:53.200
<v Speaker 1>he's trying to now saddle her with his children, so

1:45:53.280 --> 1:45:55.280
<v Speaker 1>now she really can't leave, you know what I mean? Like,

1:45:55.320 --> 1:45:57.960
<v Speaker 1>this is why I feel like the Plan B storyline

1:45:58.000 --> 1:46:00.479
<v Speaker 1>up top, we hated that pharmacist, but also like it

1:46:00.600 --> 1:46:04.080
<v Speaker 1>just highlights the importance of reproductive rights for women, because

1:46:04.840 --> 1:46:07.559
<v Speaker 1>pregnancy and children and a lot of for a lot

1:46:07.600 --> 1:46:10.040
<v Speaker 1>of women are like the final nail in the fucking

1:46:10.080 --> 1:46:11.559
<v Speaker 1>coffin when you're with an abusive guy.

1:46:11.680 --> 1:46:15.360
<v Speaker 2>It makes it much harder to leave, you know. Yeah,

1:46:15.400 --> 1:46:19.920
<v Speaker 2>And you know Lenny leaving living with this trauma for

1:46:19.960 --> 1:46:23.080
<v Speaker 2>so long, and how laws we're not protective of women

1:46:23.200 --> 1:46:25.200
<v Speaker 2>at all, and we still have to fight for laws

1:46:25.200 --> 1:46:29.840
<v Speaker 2>to protect women and abuse victims of all genders. And

1:46:29.880 --> 1:46:33.600
<v Speaker 2>it's just I'm grateful for us to st view and

1:46:33.600 --> 1:46:35.000
<v Speaker 2>I feel like a lot of people that should be

1:46:35.040 --> 1:46:38.479
<v Speaker 2>watching it probably aren't. But it's just like it gives

1:46:38.520 --> 1:46:43.599
<v Speaker 2>so much understanding to things that even you know, we

1:46:43.640 --> 1:46:46.439
<v Speaker 2>work so hard to understand everything, and this this episode

1:46:46.520 --> 1:46:49.920
<v Speaker 2>is just so clear in its messaging I feel. And

1:46:50.000 --> 1:46:53.800
<v Speaker 2>we have Judith Light realizing her mistakes and seeing her

1:46:54.040 --> 1:46:56.920
<v Speaker 2>make a mistaken come to terms with it, the judges.

1:46:56.960 --> 1:46:59.760
<v Speaker 2>It's also like a great female actress episode, you.

1:46:59.720 --> 1:47:03.680
<v Speaker 1>Know, totally Yeah, Donnelly Hatter moment, we had Clia, we

1:47:03.720 --> 1:47:07.439
<v Speaker 1>had Brenda Blethin and other you know icons, So this

1:47:07.600 --> 1:47:10.519
<v Speaker 1>was a good one. And yeah, along those same lines there,

1:47:10.520 --> 1:47:12.200
<v Speaker 1>we'll get into our what would Sister Peg Do, which

1:47:12.200 --> 1:47:13.920
<v Speaker 1>is our weekly segment where we try to point you

1:47:13.920 --> 1:47:18.160
<v Speaker 1>guys to an organization, a resource, website, article, book, something

1:47:18.160 --> 1:47:19.599
<v Speaker 1>that will give you more info and what we talked

1:47:19.640 --> 1:47:24.200
<v Speaker 1>about in today's episode, And because domestic violent shelters are

1:47:24.320 --> 1:47:29.920
<v Speaker 1>so uh, you know, geographically linked, I wanted to highlight

1:47:29.960 --> 1:47:33.240
<v Speaker 1>the website Domesticshelters dot org. They're the first and largest

1:47:33.320 --> 1:47:37.360
<v Speaker 1>online and mobile searchable directory of domestic violent shelters, so

1:47:38.160 --> 1:47:40.479
<v Speaker 1>you don't have to look up like you could just

1:47:40.520 --> 1:47:42.680
<v Speaker 1>go to domestic shelters dot org and that will tell

1:47:42.720 --> 1:47:45.920
<v Speaker 1>you what's the closest near you and or near a

1:47:45.920 --> 1:47:48.080
<v Speaker 1>friend or somewhere else, so you can like look it's

1:47:48.080 --> 1:47:52.840
<v Speaker 1>like Google of domestic shelters, and it's the US and Canada,

1:47:52.920 --> 1:47:55.360
<v Speaker 1>and they are really helpful resource for people experiencing and

1:47:55.400 --> 1:47:57.760
<v Speaker 1>working to end domestic violence. If you'd like more info,

1:47:57.960 --> 1:48:02.200
<v Speaker 1>it's domesticshelters dot org and as always will be saved

1:48:02.800 --> 1:48:06.959
<v Speaker 1>as a story in our WWSPD highlight on our Instagram,

1:48:07.000 --> 1:48:08.280
<v Speaker 1>which is that's messed up pod.

1:48:09.280 --> 1:48:13.920
<v Speaker 2>Thank you so much. And if you know, maybe if

1:48:13.960 --> 1:48:17.559
<v Speaker 2>your New year's resolution is to spring clean or whatever. Like,

1:48:17.680 --> 1:48:21.000
<v Speaker 2>shelters are also a great place to drop off clothing,

1:48:21.160 --> 1:48:25.920
<v Speaker 2>beauty supplies, tampons, hair products, things for you know, toys

1:48:25.960 --> 1:48:31.320
<v Speaker 2>for kids, outfits so women can go to job interviews.

1:48:31.360 --> 1:48:35.920
<v Speaker 2>Like shelters are a really great place to send your

1:48:35.960 --> 1:48:40.760
<v Speaker 2>resources to help local people that need help in your neighborhood.

1:48:41.479 --> 1:48:43.920
<v Speaker 2>So on top of just finding shelters like it's just

1:48:44.080 --> 1:48:47.040
<v Speaker 2>a great place to give yestra. Maybe you want a

1:48:47.040 --> 1:48:49.320
<v Speaker 2>lifetime supply of tampons, I got a place for you

1:48:49.400 --> 1:48:52.880
<v Speaker 2>to give them. And then next week we'll be doing

1:48:52.960 --> 1:48:59.640
<v Speaker 2>Home Invasions Season thirteen, episode fourteen. Yeah, it's a good one.

1:48:59.640 --> 1:49:01.639
<v Speaker 2>I don't know to tell you. We got Peacock. Oh

1:49:01.640 --> 1:49:04.920
<v Speaker 2>my god, the person who made Kara hat at mia Hattan,

1:49:04.920 --> 1:49:07.840
<v Speaker 2>Sacramento too and made it peacock colors because people are

1:49:07.840 --> 1:49:13.360
<v Speaker 2>obsessed with to say Peacock and Hulu and all that

1:49:13.400 --> 1:49:16.360
<v Speaker 2>good stuff. And happy fucking New Year, and we'll see

1:49:16.360 --> 1:49:29.679
<v Speaker 2>you next week. That's Messed Up as an exactly right production.

1:49:30.120 --> 1:49:32.200
<v Speaker 1>If you have compliments you'd like to give us or

1:49:32.280 --> 1:49:34.479
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:49:34.560 --> 1:49:37.240
<v Speaker 1>it That's messed uppod at gmail dot com.

1:49:37.560 --> 1:49:40.719
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:49:40.920 --> 1:49:43.800
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

1:49:43.840 --> 1:49:46.879
<v Speaker 2>personally at Kara Klank and at glitter Cheese.

1:49:47.240 --> 1:49:49.920
<v Speaker 1>As always, please see our show notes for sources and

1:49:49.960 --> 1:49:50.639
<v Speaker 1>more information.

1:49:51.240 --> 1:49:54.680
<v Speaker 2>Thank you so much to our producer Kac O'Brien, and to.

1:49:54.680 --> 1:49:57.799
<v Speaker 1>Our mixer John Bradley and our guest booker Patrick Cottner

1:49:58.080 --> 1:50:01.040
<v Speaker 1>and to Henry Kaperski for our themes and Carly Jean

1:50:01.160 --> 1:50:04.640
<v Speaker 1>Andrews for our artwork. Thank you to our executive producers

1:50:04.680 --> 1:50:08.679
<v Speaker 1>Georgia Hardstar, Karen Kilgarriff, Daniel Kramer, and everybody at Exactly

1:50:08.720 --> 1:50:09.200
<v Speaker 1>Right Media

1:50:10.760 --> 1:50:11.439
<v Speaker 2>Dun Dunn