1 00:00:00,080 --> 00:00:08,800 Speaker 1: I congratulation. It's the Breakfast Club ten year anniversary and 2 00:00:08,920 --> 00:00:12,360 Speaker 1: years years at a breakfast club on your thing, ding 3 00:00:12,760 --> 00:00:15,239 Speaker 1: what you're doing and being honest with you. And they 4 00:00:15,360 --> 00:00:18,320 Speaker 1: had a job for ten years. Everything's gout you over there. Wow, 5 00:00:18,920 --> 00:00:22,639 Speaker 1: ten years, shout out to the best joining man. Hold on, 6 00:00:22,720 --> 00:00:25,000 Speaker 1: hold on, hold on, Damn y'all getting old. Y'all been 7 00:00:25,000 --> 00:00:29,479 Speaker 1: holding it down for ten years. Wow. Gjenf angela ye 8 00:00:29,760 --> 00:00:32,720 Speaker 1: and Charlottagne's a good man. Y'all being together longer than 9 00:00:32,800 --> 00:00:35,199 Speaker 1: some people have been married. I'm proud of y'all the 10 00:00:35,280 --> 00:00:38,080 Speaker 1: voice of the culture. Peace, love and uh let's go 11 00:00:38,240 --> 00:00:48,760 Speaker 1: to twenty congratulation. I'm telling you, hol yo, this is 12 00:00:48,800 --> 00:00:50,760 Speaker 1: your time to get it off your chest, whether you're 13 00:00:50,800 --> 00:00:53,559 Speaker 1: mad or blessed. Eight hundred five eight five one oh 14 00:00:53,640 --> 00:00:55,120 Speaker 1: five one, we want to hear from you on the 15 00:00:55,120 --> 00:00:59,960 Speaker 1: Breakfast Club. Hello. Who's this yo? That's just job from Brooklyn. 16 00:01:00,280 --> 00:01:02,680 Speaker 1: What's up, broke? Get it off your chests? Yeah, I'm 17 00:01:02,760 --> 00:01:05,160 Speaker 1: blessed black and Holly Favor and I'll tell you right 18 00:01:05,200 --> 00:01:08,360 Speaker 1: now for me to get onto this line, it's been 19 00:01:08,400 --> 00:01:10,440 Speaker 1: about a year ready because I called about the same 20 00:01:10,480 --> 00:01:14,120 Speaker 1: thing and I'm about to be twenty seven and malls. Okay, 21 00:01:14,240 --> 00:01:16,600 Speaker 1: what's up, broke, get you off your chests. Yeah, man, 22 00:01:18,120 --> 00:01:23,320 Speaker 1: I'm just saying right now ten years in a radio show. 23 00:01:23,440 --> 00:01:25,000 Speaker 1: I mean the radio show. You know what I mean. 24 00:01:25,080 --> 00:01:28,119 Speaker 1: It's just so it's a blessing, man. And I'll say 25 00:01:28,240 --> 00:01:30,759 Speaker 1: right now, I so luk y'all so much because y'all 26 00:01:30,800 --> 00:01:33,640 Speaker 1: did so much for me t past few months. It 27 00:01:33,720 --> 00:01:37,880 Speaker 1: will be battling mental health and all. And I've just 28 00:01:37,959 --> 00:01:41,160 Speaker 1: been in a deep dog place and just listening to 29 00:01:41,560 --> 00:01:45,520 Speaker 1: y'all envy Ye, Charlomagne, y'all help so much for me. 30 00:01:45,640 --> 00:01:48,520 Speaker 1: And I can't think y'all so much. Man. Well, I mean, 31 00:01:48,520 --> 00:01:53,200 Speaker 1: if you listen to y'all every single day, I want 32 00:01:53,200 --> 00:01:54,760 Speaker 1: you to get out that deep dark place. So I'm 33 00:01:54,800 --> 00:01:56,520 Speaker 1: glad that you're out of it. What helped you get 34 00:01:56,520 --> 00:01:58,840 Speaker 1: out of it? With you? Some therapy? What you do? Yeah, 35 00:01:58,880 --> 00:02:01,960 Speaker 1: I've seen some therapy, know, And you know I also 36 00:02:02,080 --> 00:02:04,840 Speaker 1: meditate as well. Abe what you do or sometimes she's 37 00:02:04,880 --> 00:02:06,960 Speaker 1: like you go to like your your own person tree 38 00:02:06,960 --> 00:02:10,160 Speaker 1: and all right, and you just meditate and you just 39 00:02:10,280 --> 00:02:12,000 Speaker 1: get like a lot of things out of your way 40 00:02:12,000 --> 00:02:14,760 Speaker 1: and just be so like to you like to yourself 41 00:02:14,880 --> 00:02:17,480 Speaker 1: and just get these demons out of you. And I 42 00:02:17,520 --> 00:02:19,360 Speaker 1: woke on a bowl walk because I'm three builders up 43 00:02:19,400 --> 00:02:22,880 Speaker 1: this bowl walk and I just walked. I cleared my mind, 44 00:02:23,280 --> 00:02:27,079 Speaker 1: and I'm just happy that I'm just in the right 45 00:02:27,160 --> 00:02:29,440 Speaker 1: place for being for my sons and for my wife. 46 00:02:29,680 --> 00:02:31,440 Speaker 1: I'm glad to hear that my brother I got the 47 00:02:31,520 --> 00:02:34,600 Speaker 1: right people got there. You're gonna get one more thing 48 00:02:34,680 --> 00:02:37,360 Speaker 1: out the way. Um for like one of your best 49 00:02:37,360 --> 00:02:39,560 Speaker 1: moments of the Breakfast Clubs. I've been listening to listen 50 00:02:39,600 --> 00:02:42,280 Speaker 1: to y'all so long. If I had the two one 51 00:02:42,280 --> 00:02:44,480 Speaker 1: of the best moments, it's hard to say. It's what 52 00:02:44,560 --> 00:02:47,240 Speaker 1: the Floyd. Maybe with the reading when Charlote made we're 53 00:02:47,280 --> 00:02:51,320 Speaker 1: not gonna go to hang up on him, I didn't go. 54 00:02:51,919 --> 00:02:53,760 Speaker 1: That's one of those moments that I look back on 55 00:02:53,880 --> 00:02:56,800 Speaker 1: and I cringe, like I ain't had to do that 56 00:02:56,880 --> 00:02:59,160 Speaker 1: to Floyd Mayweather, you know what I mean, regardless of 57 00:02:59,200 --> 00:03:02,200 Speaker 1: how people feel about Floyd, because you know, after that happened, 58 00:03:02,200 --> 00:03:04,560 Speaker 1: it was a lot of people trying to justify to 59 00:03:04,760 --> 00:03:06,960 Speaker 1: me why it was fine, you know what I mean. 60 00:03:07,000 --> 00:03:10,040 Speaker 1: But no, just because you know you don't like a 61 00:03:10,120 --> 00:03:13,600 Speaker 1: person doesn't mean that it was the correct thing that 62 00:03:13,600 --> 00:03:15,720 Speaker 1: that wasn't right now. I didn't like that. Hello, who's 63 00:03:15,760 --> 00:03:18,760 Speaker 1: this yo? This is shell man. I called it a 64 00:03:18,760 --> 00:03:21,120 Speaker 1: long time ago. I told charlom Man, you don't like 65 00:03:21,160 --> 00:03:23,400 Speaker 1: the Tushi side and all that because the toes and 66 00:03:23,520 --> 00:03:26,760 Speaker 1: all that. But I don't like my villain of Russian 67 00:03:26,840 --> 00:03:30,120 Speaker 1: But y'all from I'm originally from Hollom And I moved 68 00:03:30,120 --> 00:03:32,360 Speaker 1: down to North Carolina like a year and a half ago. 69 00:03:32,560 --> 00:03:34,360 Speaker 1: You know, I got a little store funk with my girl. 70 00:03:34,840 --> 00:03:40,000 Speaker 1: We've selling you furniture and appliances, so like to do that. 71 00:03:40,000 --> 00:03:42,600 Speaker 1: That's from around the way. We him that come help 72 00:03:42,680 --> 00:03:46,280 Speaker 1: us move things like move on beds or washing machines. 73 00:03:46,320 --> 00:03:48,600 Speaker 1: That we called him a camera. He broken top spot, 74 00:03:49,040 --> 00:03:53,240 Speaker 1: broke the glass with a big ass brick. A couple 75 00:03:53,280 --> 00:03:55,840 Speaker 1: of days ago, somebody stole the trailer that we used 76 00:03:55,840 --> 00:03:58,040 Speaker 1: to do deliveries right from in front of the house. 77 00:03:58,320 --> 00:04:02,160 Speaker 1: That sucks, yo, This like this real out here man, 78 00:04:02,200 --> 00:04:04,880 Speaker 1: like in police. We called police. We got everything all 79 00:04:04,960 --> 00:04:08,360 Speaker 1: camera and police ain't doing nothing. Mecklenburg County police is 80 00:04:08,400 --> 00:04:11,720 Speaker 1: not doing anything they ain't to do. They're still walking 81 00:04:11,760 --> 00:04:15,440 Speaker 1: out outside like the police one. They don't care about us. Man, 82 00:04:15,520 --> 00:04:18,320 Speaker 1: we young black. They just trying to clean up, clean 83 00:04:18,400 --> 00:04:24,120 Speaker 1: up the areas. I don't know. I'm sorry, y'all. That's 84 00:04:24,120 --> 00:04:25,680 Speaker 1: what this segment is for. It is called get it 85 00:04:25,680 --> 00:04:27,839 Speaker 1: off your chests. You get the vent? Yeah, yeah, yeah, 86 00:04:27,920 --> 00:04:31,400 Speaker 1: being and God bless y'all. No respect to your anniversary 87 00:04:31,400 --> 00:04:33,800 Speaker 1: and all that, but a man, I'm still working. I'm 88 00:04:33,800 --> 00:04:36,520 Speaker 1: going to work right now, do the supply sprinklers. I 89 00:04:36,680 --> 00:04:38,480 Speaker 1: use my money to go buy things so we can 90 00:04:38,520 --> 00:04:40,320 Speaker 1: sell in the store. I don't even use my money 91 00:04:40,360 --> 00:04:42,800 Speaker 1: for nothing else. Like dude bobbing us like, did you 92 00:04:42,800 --> 00:04:45,640 Speaker 1: get any p PP? No, man, we young, we black, 93 00:04:45,720 --> 00:04:49,080 Speaker 1: we we ain't. Ain't making no money over there. Damn. 94 00:04:49,720 --> 00:04:51,839 Speaker 1: I'm sorry for you. I'm sorry for that, brother, But 95 00:04:51,920 --> 00:04:54,000 Speaker 1: that's the game. No, that's that's the game. You know 96 00:04:54,000 --> 00:04:55,880 Speaker 1: what I'm saying. You're gonna have setbacks. It's gonna be 97 00:04:55,920 --> 00:04:57,760 Speaker 1: your obstacles, it's gonna be hurdles, but you gotta keep 98 00:04:57,800 --> 00:05:00,600 Speaker 1: it moving. Yeah, yes, definitely. Ain't got no choice, man, 99 00:05:00,640 --> 00:05:02,960 Speaker 1: we can. I ain't going back to back to where 100 00:05:02,960 --> 00:05:05,599 Speaker 1: I came from. I know that exactly. And you know 101 00:05:05,760 --> 00:05:07,520 Speaker 1: damn well that back in the day, if you was 102 00:05:07,560 --> 00:05:09,680 Speaker 1: in the streets and you took a loss. Ain't nothing 103 00:05:09,680 --> 00:05:11,480 Speaker 1: you could do but take that out and keep it moving. 104 00:05:11,480 --> 00:05:14,839 Speaker 1: So you gotta treat the corporate world the same way. Absolutely, 105 00:05:14,960 --> 00:05:17,440 Speaker 1: get it off your chest. Eight hundred five eight five, 106 00:05:17,520 --> 00:05:19,120 Speaker 1: one oh five one. If you need to vent, hit 107 00:05:19,200 --> 00:05:22,200 Speaker 1: us up now. It's the breakfast club. Good morning. This 108 00:05:22,360 --> 00:05:23,960 Speaker 1: is your time to get it off your chest. Whether 109 00:05:23,960 --> 00:05:28,280 Speaker 1: you're man from you on the breakfast club. But you 110 00:05:28,400 --> 00:05:34,400 Speaker 1: got something on your mind. Hello, who's this? Nick? What up? Man? 111 00:05:34,400 --> 00:05:37,480 Speaker 1: Getting in your chest? Nick? On it? You like rain 112 00:05:37,560 --> 00:05:41,280 Speaker 1: there in here? Help on the shelf, solo man, car? 113 00:05:41,400 --> 00:05:48,840 Speaker 1: What's up? Man? Okay? What part akin? What's happening? Aging much? Man? 114 00:05:48,880 --> 00:05:52,359 Speaker 1: I'm standing up here in Columbia. I'm sorry, I'm standing 115 00:05:52,400 --> 00:05:55,560 Speaker 1: up here in Les. Take the tucky right nine? Okay, yeah, 116 00:05:55,600 --> 00:05:57,680 Speaker 1: I was. I was trying to get some advice, man, 117 00:05:58,040 --> 00:06:01,760 Speaker 1: because like I'm I've been standing up here since I 118 00:06:01,800 --> 00:06:04,599 Speaker 1: came home from prison. I was locked up for selling drugs. 119 00:06:05,040 --> 00:06:08,799 Speaker 1: But I wanted to change my life around, but I stayed. 120 00:06:09,000 --> 00:06:12,120 Speaker 1: I came up here. The person that I came up 121 00:06:12,120 --> 00:06:14,320 Speaker 1: here with a family, but me and the person I'm 122 00:06:14,320 --> 00:06:16,840 Speaker 1: talking on more so, it's like I want to go 123 00:06:16,960 --> 00:06:21,120 Speaker 1: back home, but at stop, Caline ain't the place to be, like, 124 00:06:21,360 --> 00:06:25,159 Speaker 1: especially trying to get a good job like anyway. But 125 00:06:25,400 --> 00:06:27,560 Speaker 1: it's also hard from me up here because I ain't 126 00:06:27,560 --> 00:06:30,719 Speaker 1: got no financial support or nobody to help me out 127 00:06:30,720 --> 00:06:32,960 Speaker 1: of no kind of for it. Well, it sounds to 128 00:06:33,000 --> 00:06:34,720 Speaker 1: me like you know, you already know you needed a 129 00:06:34,839 --> 00:06:37,120 Speaker 1: change of environment. So if you know, if you know, 130 00:06:37,400 --> 00:06:38,640 Speaker 1: you don't need to be an ach and you can 131 00:06:38,680 --> 00:06:40,440 Speaker 1: scratch that off the list. That's not that's not a 132 00:06:40,560 --> 00:06:43,000 Speaker 1: that's that's not a thing, right, Yeah, sure, so you 133 00:06:43,040 --> 00:06:44,600 Speaker 1: just gotta stay where you had and figure it out, 134 00:06:44,680 --> 00:06:45,919 Speaker 1: make it work. What is it? What is it that 135 00:06:46,000 --> 00:06:50,119 Speaker 1: you want to do? Like I've been, I've been working 136 00:06:50,160 --> 00:06:52,960 Speaker 1: since I've been up here. I'm working for the Shimp 137 00:06:53,000 --> 00:06:56,280 Speaker 1: service right now, but I could get him. I'm gonna 138 00:06:56,279 --> 00:07:01,919 Speaker 1: be hired doing soon. But uh it's hard because like 139 00:07:02,160 --> 00:07:05,000 Speaker 1: I had rot y'all back a little while ago because 140 00:07:05,200 --> 00:07:08,279 Speaker 1: all right, my Winsfield and got broke. Uh it's like 141 00:07:08,360 --> 00:07:10,160 Speaker 1: other things that I've been helping to, you know, with 142 00:07:10,720 --> 00:07:15,000 Speaker 1: doing during this pandemic that's going on. But it's like 143 00:07:15,040 --> 00:07:17,520 Speaker 1: I said, in this hard not having nobody there in 144 00:07:17,520 --> 00:07:20,040 Speaker 1: your formal for you. Well, listen, you're gonna be fine, 145 00:07:20,080 --> 00:07:23,160 Speaker 1: my brother. That just takes patience, all right, Yes, sir, 146 00:07:24,200 --> 00:07:27,400 Speaker 1: pushing brother, keep pushing, all right. Thank y'all, y'all. Good 147 00:07:27,360 --> 00:07:30,360 Speaker 1: day you too. Hello? Who's this? What's help y'all? This 148 00:07:30,480 --> 00:07:33,760 Speaker 1: is James Minnianapolis. What up? James? Get it up your chests? Brothers. 149 00:07:33,880 --> 00:07:35,840 Speaker 1: First of all, I want to congratulate y'all for teen 150 00:07:35,920 --> 00:07:39,040 Speaker 1: years man, a good content man, righteous and ratch. Thank 151 00:07:39,080 --> 00:07:42,200 Speaker 1: you Keny brothers. And I want to share my favorite 152 00:07:42,200 --> 00:07:46,680 Speaker 1: breast club moment. What's that? Other than the birdman situation? 153 00:07:47,240 --> 00:07:50,880 Speaker 1: The Beanie single situation was funny too, man. Why y'all 154 00:07:50,880 --> 00:07:54,680 Speaker 1: like to see people trying to traumatize me? I thought 155 00:07:54,720 --> 00:07:58,080 Speaker 1: that was pretty hilarious myself. It was cool, man, It 156 00:07:58,160 --> 00:08:02,360 Speaker 1: was cool. Charlomad buckle. He didn't buckle. I never buckle. 157 00:08:02,720 --> 00:08:06,040 Speaker 1: He showed didn't. You're right, he didn't. He stood his ground? 158 00:08:06,720 --> 00:08:12,520 Speaker 1: What is buckling? And yeah, thanks guys, man. I appreciate 159 00:08:12,560 --> 00:08:15,560 Speaker 1: y'all and my birthdays this weekend too. Oh man, enjoy 160 00:08:15,600 --> 00:08:17,680 Speaker 1: it man. I mean you can't where you're from. You 161 00:08:17,680 --> 00:08:21,560 Speaker 1: can't go anywhere right? Oh? No, man? Not in Indiana? Yeah, 162 00:08:21,560 --> 00:08:23,560 Speaker 1: I wouldn't want to date you. Your birthday too close 163 00:08:23,600 --> 00:08:26,960 Speaker 1: to Christmas and you got a penis, but you know 164 00:08:26,960 --> 00:08:30,240 Speaker 1: that's the whole day because you're married. No, get that too, Yeah, 165 00:08:30,320 --> 00:08:32,640 Speaker 1: that that too married. You got people you know my type. 166 00:08:32,720 --> 00:08:40,120 Speaker 1: But until earlier more than they said, no, whoa day? Great? God? 167 00:08:40,400 --> 00:08:45,680 Speaker 1: Why do people gotta stress that? Don't right? Hello? Who's that? Hey? 168 00:08:45,800 --> 00:08:49,439 Speaker 1: Institution from Texas? How y'all doing from Texas? We're part 169 00:08:49,480 --> 00:08:53,280 Speaker 1: of Texas, Dallas, Texas. So I have to listen on 170 00:08:53,360 --> 00:08:55,800 Speaker 1: the apps and I don't mind that at all with him. 171 00:08:55,800 --> 00:08:58,160 Speaker 1: Bumb ass cowboys are from I love Dallas. You know 172 00:08:58,160 --> 00:09:02,400 Speaker 1: I love my cowboys. Don't listen to NVA. Okay, So now, 173 00:09:02,600 --> 00:09:06,360 Speaker 1: since congratulations, I'm two years thank you. Now, since you 174 00:09:06,440 --> 00:09:11,160 Speaker 1: are an executive of my heart, I gotta hear you say, Lord, 175 00:09:11,320 --> 00:09:14,280 Speaker 1: have mercy. There's something about the way you say that, 176 00:09:14,440 --> 00:09:17,200 Speaker 1: darlay that drives me and saying I love it, and 177 00:09:17,240 --> 00:09:20,880 Speaker 1: I laugh every time. Boy Lord have mercy. I can't 178 00:09:20,880 --> 00:09:23,040 Speaker 1: believe you'd like to hear me say Lord, look at 179 00:09:23,080 --> 00:09:25,720 Speaker 1: with that man. That man married mamma. No, no, no, 180 00:09:25,840 --> 00:09:28,040 Speaker 1: oh no, I'm not learning with him. And I love 181 00:09:28,080 --> 00:09:33,480 Speaker 1: it when you say, I'm calling HR. I'm calling Hry. 182 00:09:33,880 --> 00:09:36,280 Speaker 1: You guys drives me in faith. And since you guys 183 00:09:36,320 --> 00:09:39,040 Speaker 1: don't be back until twenty twenty one, I needed to 184 00:09:39,120 --> 00:09:42,680 Speaker 1: hear I'm calling hr at Lord him mercy. Well. The 185 00:09:42,720 --> 00:09:44,520 Speaker 1: beauty of it is that we run a lot of 186 00:09:44,640 --> 00:09:47,640 Speaker 1: We run best of shows until January the fifth, so 187 00:09:47,800 --> 00:09:50,320 Speaker 1: you know, it gives people an opportunity to catch up 188 00:09:50,320 --> 00:09:53,280 Speaker 1: on Breakfast Club content they may have missed. Yeah, and 189 00:09:53,640 --> 00:09:56,719 Speaker 1: I love it. I'm still gonna listen. May had more 190 00:09:56,720 --> 00:09:59,880 Speaker 1: time for me, Lord him, Lord have mercy. Why are 191 00:09:59,880 --> 00:10:02,079 Speaker 1: you stressing me out? Early this morning? Got me repeating 192 00:10:02,120 --> 00:10:06,040 Speaker 1: that over and over the yeah for good morning, love 193 00:10:06,120 --> 00:10:10,880 Speaker 1: you too. Breakfast Club is back, back, back back with 194 00:10:11,000 --> 00:10:14,480 Speaker 1: our best stuff interviews this morning. Everybody is DJ Envy 195 00:10:14,640 --> 00:10:17,560 Speaker 1: and Tela Yee, Charlomagne the guy. We are the Breakfast Club. 196 00:10:17,600 --> 00:10:19,520 Speaker 1: We got a special guest on the line right now. 197 00:10:19,559 --> 00:10:22,679 Speaker 1: His album is out right now. Yes, sir t Yo, 198 00:10:23,400 --> 00:10:26,160 Speaker 1: welcome some what's going on through Tip? I think you 199 00:10:26,240 --> 00:10:30,800 Speaker 1: haven't done it again? Man I with the Leeber album 200 00:10:30,920 --> 00:10:33,640 Speaker 1: heavy Man and and right now my favorite record on 201 00:10:33,679 --> 00:10:36,199 Speaker 1: the album's family Connect with with You and the Money. 202 00:10:36,840 --> 00:10:39,640 Speaker 1: I gotta say man, I was shot in surprise, and 203 00:10:39,880 --> 00:10:43,800 Speaker 1: I mean in the most pleasant ways. Man, I think 204 00:10:44,559 --> 00:10:46,439 Speaker 1: that that that's the song that you know what I 205 00:10:46,440 --> 00:10:48,319 Speaker 1: can undert say, that's a song I don't think hip 206 00:10:48,400 --> 00:10:50,840 Speaker 1: hop has ever seen before. I was thinking about that 207 00:10:50,880 --> 00:10:52,360 Speaker 1: when I was listening to it, I was like, has 208 00:10:52,400 --> 00:10:56,000 Speaker 1: there ever been a father's son rap duo? Well that 209 00:10:56,080 --> 00:10:58,520 Speaker 1: both of them actually don't. We'll did it at one time, 210 00:10:58,559 --> 00:11:01,400 Speaker 1: didn't Will and Ja? Yeah, Will did it with Jay. 211 00:11:01,520 --> 00:11:05,160 Speaker 1: But what we also must take into consideration is my 212 00:11:05,640 --> 00:11:12,880 Speaker 1: other son actually produced actor. I didn't know that it 213 00:11:12,920 --> 00:11:15,800 Speaker 1: was a real family and fail that one. Yeah. Yeah, 214 00:11:15,960 --> 00:11:17,360 Speaker 1: did you have to pay them to did you have 215 00:11:17,400 --> 00:11:19,680 Speaker 1: to pay them to your Yeah? I paid them, I paid. 216 00:11:19,880 --> 00:11:23,520 Speaker 1: I paid. I would be mad if you didn't, I know. 217 00:11:23,840 --> 00:11:31,400 Speaker 1: I mean, you know nepotism, you know he did together? 218 00:11:31,480 --> 00:11:34,079 Speaker 1: Or did you send your verse over and then DEMONI 219 00:11:34,120 --> 00:11:36,640 Speaker 1: had to send his verse back? How did that work? No? Man? 220 00:11:36,679 --> 00:11:40,000 Speaker 1: You know the way actually happy broum the money. And 221 00:11:40,040 --> 00:11:42,920 Speaker 1: I was sitting with Messiah is Messiah was like, yo, 222 00:11:43,240 --> 00:11:45,120 Speaker 1: let me let me let y'all hear something. So he 223 00:11:45,280 --> 00:11:47,080 Speaker 1: was just going through beach kind of like you know, 224 00:11:47,200 --> 00:11:49,720 Speaker 1: at the while, it probably was a time where I 225 00:11:49,720 --> 00:11:52,040 Speaker 1: had been been I'd been going away like out of 226 00:11:52,120 --> 00:11:55,200 Speaker 1: town for a second, and I came back and then 227 00:11:55,240 --> 00:11:56,960 Speaker 1: you know what I'm saying, kind of we sat down 228 00:11:57,400 --> 00:12:01,400 Speaker 1: at the studio and Messia you know, wanted basically as 229 00:12:01,800 --> 00:12:03,679 Speaker 1: the money and that kind of like let I hit this, 230 00:12:03,800 --> 00:12:06,680 Speaker 1: check this out for me, and were listening to his beats. 231 00:12:06,720 --> 00:12:09,599 Speaker 1: He kind of like, We're like, yeah, that's dope. That's dope, okay, 232 00:12:09,920 --> 00:12:11,880 Speaker 1: the money of yea, like, man, I won't that one, 233 00:12:12,040 --> 00:12:15,080 Speaker 1: And I said, man, I won't that one and one 234 00:12:15,080 --> 00:12:19,080 Speaker 1: of the records that I chose, And then I coincidentally 235 00:12:19,120 --> 00:12:21,400 Speaker 1: had to dip up out the studio to go do something. 236 00:12:21,440 --> 00:12:23,520 Speaker 1: And when I think by the time I came back, 237 00:12:23,600 --> 00:12:26,440 Speaker 1: the money had and I already recorded the verse. I 238 00:12:26,600 --> 00:12:31,960 Speaker 1: was like trying to take this record from me. And 239 00:12:32,880 --> 00:12:35,720 Speaker 1: when I heard him do his verse when I came back, 240 00:12:35,760 --> 00:12:38,800 Speaker 1: I figured I didn't put my verse on here now, 241 00:12:39,000 --> 00:12:41,480 Speaker 1: so you know, ain't no confusion back who's gonna haead 242 00:12:41,559 --> 00:12:44,680 Speaker 1: his record? And so I got I got on it, 243 00:12:45,000 --> 00:12:47,319 Speaker 1: and it was dope. Y'all had such a dope back 244 00:12:47,320 --> 00:12:49,079 Speaker 1: and forth door and It's like I'm sitting there thinking 245 00:12:49,360 --> 00:12:51,920 Speaker 1: on the song he's rapping about how you know you 246 00:12:52,000 --> 00:12:53,800 Speaker 1: all his daddy, but you don't want to you know, 247 00:12:53,880 --> 00:12:55,960 Speaker 1: you don't want your help. So I'm like, damn, what 248 00:12:56,120 --> 00:12:57,960 Speaker 1: was the process of this record then? Because it sounds 249 00:12:57,960 --> 00:12:59,840 Speaker 1: like y'all was coach you was coaching him on the 250 00:13:00,679 --> 00:13:04,439 Speaker 1: nah Bro like he did he did his verse by himself. 251 00:13:04,480 --> 00:13:06,880 Speaker 1: I did my verse by my every verse like we 252 00:13:06,880 --> 00:13:09,720 Speaker 1: were never in the studio with one another while he 253 00:13:09,840 --> 00:13:12,280 Speaker 1: was recording that verses? Do you ever think you was 254 00:13:12,320 --> 00:13:14,440 Speaker 1: gonna be a professor? I see you're teaching at Clark 255 00:13:14,440 --> 00:13:17,600 Speaker 1: Atlanta University. Did you ever see that as everything that 256 00:13:17,640 --> 00:13:19,319 Speaker 1: you went through, I'm gonna be a professor that I'm 257 00:13:19,320 --> 00:13:23,440 Speaker 1: gonna be a teacher now? But I was a teacher 258 00:13:23,480 --> 00:13:26,520 Speaker 1: person in prison. I taught class and prison. Did you 259 00:13:26,520 --> 00:13:28,600 Speaker 1: you know what I'm saying? Yeah? Class? Did you teach 260 00:13:28,600 --> 00:13:31,720 Speaker 1: a prisoner? What was it thinking that side the box? 261 00:13:31,960 --> 00:13:35,760 Speaker 1: I believe it would call a man? It was about 262 00:13:35,760 --> 00:13:37,719 Speaker 1: how do you I was. I was showing people how 263 00:13:37,720 --> 00:13:42,000 Speaker 1: to use the skills that they've already acquired on the streets, 264 00:13:42,360 --> 00:13:46,040 Speaker 1: how to use those skills and identify those skills and 265 00:13:46,240 --> 00:13:50,040 Speaker 1: purpose them for legitimate means. When they got back out 266 00:13:50,080 --> 00:13:52,559 Speaker 1: on the students and they have the most something about 267 00:13:52,679 --> 00:13:55,120 Speaker 1: about the whole correctional system. Right, they don't take these 268 00:13:55,160 --> 00:13:58,559 Speaker 1: skills set that these brothers clearly have and help to 269 00:13:58,679 --> 00:14:00,480 Speaker 1: you to help to help them to direct think energy. 270 00:14:00,480 --> 00:14:02,960 Speaker 1: It's something positive right. Well, first of all, I mean 271 00:14:03,040 --> 00:14:05,320 Speaker 1: I think because that's the system is set up a 272 00:14:05,360 --> 00:14:08,920 Speaker 1: free label. It ain't really about rehabilitation. Now what are 273 00:14:08,920 --> 00:14:11,079 Speaker 1: you teaching in this class at the Clockland University? Is 274 00:14:11,120 --> 00:14:16,440 Speaker 1: it the music industry is a business? Is an entrepreneurship? Yes, yes, yes, 275 00:14:16,520 --> 00:14:19,080 Speaker 1: all the hood. If they need to know that, we 276 00:14:19,400 --> 00:14:21,400 Speaker 1: could talk about it. But however, I think, nah, man, 277 00:14:21,440 --> 00:14:26,000 Speaker 1: it's the business of trap music. That's the course and 278 00:14:26,000 --> 00:14:29,040 Speaker 1: and basically we go over the business of trap music. 279 00:14:29,080 --> 00:14:32,280 Speaker 1: But the first course was about targeting the need for 280 00:14:32,560 --> 00:14:36,360 Speaker 1: the business of trap music. Any business is supplying demand, 281 00:14:36,520 --> 00:14:41,120 Speaker 1: profit and laws, right, But in order to supply or demand, 282 00:14:41,520 --> 00:14:45,000 Speaker 1: you got to you gotta recognize the need for the 283 00:14:45,000 --> 00:14:48,240 Speaker 1: demand of you know, like, why is this so important 284 00:14:48,280 --> 00:14:51,440 Speaker 1: in the first place? Do you think people forgot how 285 00:14:51,480 --> 00:14:54,520 Speaker 1: influential you were the trap music because you diversified your 286 00:14:54,560 --> 00:14:57,800 Speaker 1: portfolio so much. Yeah? Absolutely, I think the same thing 287 00:14:57,800 --> 00:15:01,280 Speaker 1: for hip hop that won't know do these lists. I 288 00:15:01,320 --> 00:15:04,160 Speaker 1: don't ever put myself on the list because it's so 289 00:15:04,200 --> 00:15:06,600 Speaker 1: many other people who dedicated their lives. The only jests 290 00:15:06,720 --> 00:15:09,680 Speaker 1: rapp to just do rep you know what I mean. 291 00:15:09,800 --> 00:15:12,040 Speaker 1: And I think that's that's kind of why they get 292 00:15:12,600 --> 00:15:15,800 Speaker 1: the consideration first. And I ain't got no problem with that. 293 00:15:16,240 --> 00:15:18,880 Speaker 1: But but just no, any given moment, any given time, 294 00:15:19,520 --> 00:15:22,240 Speaker 1: I'm gonna remind you why, why why I am who 295 00:15:22,320 --> 00:15:25,080 Speaker 1: I am, and remind you that I do what I do. 296 00:15:25,200 --> 00:15:27,160 Speaker 1: All Right, we got more with TA when we come back. 297 00:15:27,160 --> 00:15:32,040 Speaker 1: It's the Breakfast Club. Come on now, we're kicking in 298 00:15:32,120 --> 00:15:34,600 Speaker 1: with Ti Charlomagne. Well, I saw you and I saw 299 00:15:34,640 --> 00:15:37,840 Speaker 1: you and Gez talking on the Expeditiously podcast and you 300 00:15:37,880 --> 00:15:40,080 Speaker 1: know you this is you both mentioned that Well, you 301 00:15:40,120 --> 00:15:42,640 Speaker 1: mentioned that you would love to sit down and have 302 00:15:42,680 --> 00:15:45,160 Speaker 1: a conversation with Gucci. Did anything come from and say, 303 00:15:45,200 --> 00:15:47,320 Speaker 1: I would love to, but I love to see the 304 00:15:47,520 --> 00:15:52,400 Speaker 1: people people assolated. You know, trap music would benefit greatly friendly, 305 00:15:52,720 --> 00:15:54,280 Speaker 1: you know what I'm saying. And once you and I 306 00:15:54,560 --> 00:15:59,640 Speaker 1: just as a marketing executive, I would say, once you 307 00:15:59,720 --> 00:16:02,280 Speaker 1: so as many tickets as you can to the fight. 308 00:16:03,240 --> 00:16:06,200 Speaker 1: The only thing left to sell is tickets to the reunion, 309 00:16:07,040 --> 00:16:14,520 Speaker 1: you know, So did anything from that now? I mean 310 00:16:14,640 --> 00:16:17,120 Speaker 1: like it it was just conversation though it was never 311 00:16:17,200 --> 00:16:20,080 Speaker 1: like a plan, just conversation because I know that's what 312 00:16:20,200 --> 00:16:22,400 Speaker 1: people a lot of people who follow the trap music 313 00:16:22,440 --> 00:16:25,360 Speaker 1: and who are inspired by the culture, who followed the culture, 314 00:16:25,840 --> 00:16:29,720 Speaker 1: you know what I mean, they recognize us as the architecture. 315 00:16:31,120 --> 00:16:33,160 Speaker 1: You tapped in with all the younging for this project too. 316 00:16:33,160 --> 00:16:35,440 Speaker 1: You got a Little Baby and Thug and forty two Doug. 317 00:16:35,520 --> 00:16:37,680 Speaker 1: You got wrapped to the on the interlude Tokyo Jet. 318 00:16:38,000 --> 00:16:40,960 Speaker 1: Was that intentional? A little Baby record hard too? Yeah? 319 00:16:41,000 --> 00:16:44,680 Speaker 1: I appreciate that, man. Yeah, I mean some of it 320 00:16:44,840 --> 00:16:46,400 Speaker 1: was and some of it wasn't. So the part were 321 00:16:46,440 --> 00:16:49,840 Speaker 1: you talking about like, you know, thugod and a Little 322 00:16:49,880 --> 00:16:54,440 Speaker 1: Baby and forty two Dug, you know, and minds. Yes, 323 00:16:54,680 --> 00:17:00,440 Speaker 1: that was intentional rhapsody. We just stumbled on that. I 324 00:17:00,560 --> 00:17:04,640 Speaker 1: reached out to him, just gave a cold call one day, like, hey, 325 00:17:04,920 --> 00:17:07,280 Speaker 1: people to do spoken words about me? What would it 326 00:17:07,320 --> 00:17:10,120 Speaker 1: sound like? What would you say? So then she asked 327 00:17:10,119 --> 00:17:12,000 Speaker 1: me a few questions about the title of the album, 328 00:17:12,040 --> 00:17:13,800 Speaker 1: and she asked me, you know, to his souls I 329 00:17:13,840 --> 00:17:17,200 Speaker 1: sell a couple of sauls and overnight she did what 330 00:17:17,400 --> 00:17:21,200 Speaker 1: she heard. Wow, you know, and then as I heard her, 331 00:17:21,560 --> 00:17:24,560 Speaker 1: that's when I was like, you know what, I'm gonna 332 00:17:24,560 --> 00:17:27,640 Speaker 1: get old women to do this. You know what I mean. 333 00:17:27,680 --> 00:17:31,119 Speaker 1: You got on there too doing a conclusion. That was 334 00:17:31,160 --> 00:17:33,600 Speaker 1: the huge, That was the biggest, That was the biggest 335 00:17:33,600 --> 00:17:37,200 Speaker 1: shop in surprise of my life. I never expected Asia 336 00:17:37,280 --> 00:17:40,840 Speaker 1: to do this, really and I was blown away. That 337 00:17:41,240 --> 00:17:46,320 Speaker 1: gotta be a proud papping moment. Just I mean, for real, bro, 338 00:17:46,520 --> 00:17:53,639 Speaker 1: Like for one, okay, Sodjia and I have you know, uh, 339 00:17:53,800 --> 00:17:57,320 Speaker 1: for most of her life. I cannot say this, and 340 00:17:57,320 --> 00:18:01,320 Speaker 1: I'm very careful with my words, especially when speak about Daja. Okay, 341 00:18:01,359 --> 00:18:06,360 Speaker 1: so yeah, when she came into that point in her 342 00:18:06,400 --> 00:18:12,479 Speaker 1: life where, you know, kind of the transition favors in 343 00:18:12,520 --> 00:18:15,880 Speaker 1: your life, when that thing that girls do every month happens, 344 00:18:16,480 --> 00:18:19,280 Speaker 1: when we get our pre I ain't see. I wasn't 345 00:18:19,280 --> 00:18:21,280 Speaker 1: gonna say that you did what I'm saying. I wasn't 346 00:18:21,280 --> 00:18:23,680 Speaker 1: gonna say that. But when you like, so when Dasia 347 00:18:23,760 --> 00:18:26,200 Speaker 1: made it to that point, I like, from that point forward, 348 00:18:26,760 --> 00:18:29,680 Speaker 1: we kind of hand spoken as much I ain't had 349 00:18:29,800 --> 00:18:33,159 Speaker 1: we didn't have as much of inability to, you know, 350 00:18:33,160 --> 00:18:37,280 Speaker 1: to speak freely to one another for whatever reason. And 351 00:18:37,520 --> 00:18:41,480 Speaker 1: you know, over the past year we gained we gotten close, 352 00:18:41,920 --> 00:18:46,359 Speaker 1: and this is kind of like a testament of that, 353 00:18:46,960 --> 00:18:49,040 Speaker 1: you know what I'm saying, And especially with all of 354 00:18:49,600 --> 00:18:52,920 Speaker 1: the stuff that we go through over the past year. Um, 355 00:18:53,280 --> 00:18:59,560 Speaker 1: you know, with hyming gates, and every relationship would be tested. 356 00:19:00,720 --> 00:19:03,199 Speaker 1: I don't care who was with your relationship with your mom, 357 00:19:03,320 --> 00:19:05,640 Speaker 1: relationship with your girl, with your wife, with you whoever, 358 00:19:05,680 --> 00:19:10,439 Speaker 1: every relationship, it would be tested. And and that test 359 00:19:10,560 --> 00:19:13,040 Speaker 1: is going to strengthen it or weaken it. And I 360 00:19:13,080 --> 00:19:15,200 Speaker 1: think the thing that that she and I went through 361 00:19:15,320 --> 00:19:18,720 Speaker 1: last year, that was our test you did, and we 362 00:19:18,800 --> 00:19:22,000 Speaker 1: took this serious steals, you know, and we got through it. 363 00:19:22,480 --> 00:19:24,639 Speaker 1: She and now all we remained connected, you know what 364 00:19:24,680 --> 00:19:26,879 Speaker 1: I mean. She and now always had to understand it. 365 00:19:27,400 --> 00:19:30,000 Speaker 1: You know, we were speaking, We would you know, share 366 00:19:30,920 --> 00:19:33,120 Speaker 1: share our opinions with each other about what was going 367 00:19:33,200 --> 00:19:36,200 Speaker 1: on like in the media as it pertained that uh 368 00:19:36,240 --> 00:19:38,199 Speaker 1: and you know, She I were telling the man it 369 00:19:38,200 --> 00:19:41,040 Speaker 1: ain't it ain't not our job and really talk to 370 00:19:41,160 --> 00:19:44,800 Speaker 1: nobody and tell them what we feel about anything that 371 00:19:44,840 --> 00:19:47,040 Speaker 1: ain't not a job that when they think that, they'll 372 00:19:47,080 --> 00:19:50,480 Speaker 1: think it. So what you know? I was like, yeah, 373 00:19:50,840 --> 00:19:53,439 Speaker 1: all right, man, cool and to y'all, we appreciate you 374 00:19:53,480 --> 00:19:56,240 Speaker 1: for checking in the albums out right. Now it's the 375 00:19:56,320 --> 00:20:06,560 Speaker 1: Breakfast sir, it's topic time. The phone called eight hundred 376 00:20:06,600 --> 00:20:08,240 Speaker 1: five eight five one oh five. Want to join it 377 00:20:08,280 --> 00:20:11,760 Speaker 1: to the discussion with the Breakfast Club. Talk about it morning. 378 00:20:11,760 --> 00:20:15,840 Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We 379 00:20:15,880 --> 00:20:18,119 Speaker 1: are the Breakfast Club. Now if you just joined us, 380 00:20:18,520 --> 00:20:21,800 Speaker 1: we are talking about Eva. She was on Wendy Williams 381 00:20:21,800 --> 00:20:24,879 Speaker 1: shown she talked about her child and changing her child's 382 00:20:24,920 --> 00:20:28,320 Speaker 1: last name. Let's hear it. Sling changed her name this 383 00:20:28,520 --> 00:20:31,159 Speaker 1: past year. It was we went through a lot to 384 00:20:31,160 --> 00:20:34,720 Speaker 1: do it, but how much more before the actual process 385 00:20:34,880 --> 00:20:38,199 Speaker 1: is done? Well, the name change is illegal, so now 386 00:20:38,240 --> 00:20:40,240 Speaker 1: we have to go through the adoption process. And I 387 00:20:40,280 --> 00:20:42,919 Speaker 1: mean he's making a little bit easier for us acting 388 00:20:43,000 --> 00:20:45,640 Speaker 1: crazy in the public. Well, I guess Life Jennings seen 389 00:20:45,720 --> 00:20:47,480 Speaker 1: that and he didn't like that too much? Are you? 390 00:20:47,560 --> 00:20:49,320 Speaker 1: He said, I think this is so wack changing your 391 00:20:49,359 --> 00:20:51,879 Speaker 1: daughter's last name from her father's to somebody else's, especially 392 00:20:51,920 --> 00:20:54,000 Speaker 1: when the father tries to see her. The daughter don't 393 00:20:54,040 --> 00:20:55,720 Speaker 1: have anything to do with their beef, and what kind 394 00:20:55,720 --> 00:20:58,640 Speaker 1: of man allows that ish piss meet off? So we're 395 00:20:58,680 --> 00:21:01,240 Speaker 1: asking eight hundred five five one oh five one is 396 00:21:01,240 --> 00:21:03,520 Speaker 1: it acceptable to change your child's last name? What do 397 00:21:03,520 --> 00:21:05,439 Speaker 1: you think, charl I mean, I got to know the 398 00:21:05,480 --> 00:21:07,520 Speaker 1: context of the situation. You know what I'm saying. If 399 00:21:07,520 --> 00:21:09,800 Speaker 1: you're doing it just out of spite, just because you 400 00:21:09,840 --> 00:21:11,879 Speaker 1: don't like your baby daddy because he don't want to 401 00:21:11,880 --> 00:21:13,440 Speaker 1: be with you and you got a new man, now 402 00:21:13,520 --> 00:21:15,960 Speaker 1: that's whack. But I mean about if you got a 403 00:21:16,000 --> 00:21:18,640 Speaker 1: deadbeat daddy. What about it's a deadbeat daddy, the dad 404 00:21:18,680 --> 00:21:20,879 Speaker 1: is not around, the dad is not taking care of 405 00:21:20,920 --> 00:21:24,560 Speaker 1: the child. I have no problem with that whatsoever. By 406 00:21:24,560 --> 00:21:26,960 Speaker 1: the way, then the son of the daughter shouldn't want 407 00:21:26,960 --> 00:21:29,360 Speaker 1: to wear the name of a deadbeat. Yeah, I don't. 408 00:21:29,359 --> 00:21:31,760 Speaker 1: I don't know either situation. But you know, with with 409 00:21:31,760 --> 00:21:33,960 Speaker 1: with Kevin McCall, I mean, we all know Kevin McCall 410 00:21:34,000 --> 00:21:37,119 Speaker 1: has problems mentally, but it does seem like he is 411 00:21:37,160 --> 00:21:38,919 Speaker 1: trying to take care of his daughter. Seemed like he 412 00:21:38,920 --> 00:21:40,280 Speaker 1: goes to call I just don't know, Like I don't 413 00:21:40,280 --> 00:21:41,920 Speaker 1: know if he's abusive. I don't know, you know what 414 00:21:41,920 --> 00:21:44,119 Speaker 1: I mean. But in a situation if there is a 415 00:21:44,160 --> 00:21:46,320 Speaker 1: deadbeat dad, and I'm taking it away from that situation, 416 00:21:46,600 --> 00:21:48,320 Speaker 1: if the dad is not in the child's life and 417 00:21:48,640 --> 00:21:51,880 Speaker 1: he's not even helping no way whatsoever, no, I say, 418 00:21:51,960 --> 00:21:54,040 Speaker 1: changed that name immediately. What do you think? Well? And 419 00:21:54,080 --> 00:21:55,719 Speaker 1: I just want to point out that we did have 420 00:21:55,800 --> 00:22:00,480 Speaker 1: this couple on from family or fiance and Jane Leshonda 421 00:22:00,480 --> 00:22:02,960 Speaker 1: and they had a similar situation. Listen to this now. 422 00:22:02,960 --> 00:22:06,600 Speaker 1: Another big issue is your children. So Leshanda, you have kids, Dre, 423 00:22:06,720 --> 00:22:08,520 Speaker 1: you don't have kids, but those are your daughters now. 424 00:22:08,880 --> 00:22:12,240 Speaker 1: And you guys are talking adoption, right, but without the 425 00:22:12,240 --> 00:22:16,080 Speaker 1: biological father's consent. From what I gathered from watching the episode, 426 00:22:16,240 --> 00:22:18,040 Speaker 1: the showmates to look like it's a concern to do 427 00:22:18,080 --> 00:22:20,480 Speaker 1: it without consent. My kid's father haven't been around in 428 00:22:20,480 --> 00:22:23,639 Speaker 1: four years. He was gone before Dre got here. So 429 00:22:23,680 --> 00:22:25,679 Speaker 1: that's where the adoption thing comes in. It's not like 430 00:22:25,720 --> 00:22:28,639 Speaker 1: we're trying to replace somebody. He's not an active father. Financially, 431 00:22:28,920 --> 00:22:32,000 Speaker 1: his presence isn't there. So she's changing her daughter's last 432 00:22:32,080 --> 00:22:34,480 Speaker 1: names too because the father is not in the children's life. 433 00:22:34,480 --> 00:22:36,720 Speaker 1: And the daughters actually want to change their last name 434 00:22:37,080 --> 00:22:39,800 Speaker 1: to her husband's name. He's the one that's taking care 435 00:22:39,800 --> 00:22:42,440 Speaker 1: of them and doing everything. And legally, if a woman 436 00:22:42,480 --> 00:22:45,800 Speaker 1: wants to change her children's last names, she either had 437 00:22:45,840 --> 00:22:48,920 Speaker 1: to get consent from the biological father, and he who 438 00:22:48,920 --> 00:22:51,240 Speaker 1: doesn't give consent, he can object to it, and then 439 00:22:51,280 --> 00:22:53,160 Speaker 1: she has to get a petition and then go to court, 440 00:22:53,480 --> 00:22:54,960 Speaker 1: and he can show up to court and say he 441 00:22:54,960 --> 00:22:56,719 Speaker 1: doesn't want that to happen, and then the judge has 442 00:22:56,760 --> 00:22:59,199 Speaker 1: to decide. So that's how it goes down legally. But 443 00:22:59,320 --> 00:23:02,639 Speaker 1: I do feel like, whoever is the father, If the 444 00:23:02,760 --> 00:23:04,879 Speaker 1: mother chooses to do that, and the father is causing 445 00:23:04,920 --> 00:23:07,000 Speaker 1: issues or he's not in the child's life or not 446 00:23:07,280 --> 00:23:10,360 Speaker 1: holding up his responsibilities, and he's not really your dad, 447 00:23:10,520 --> 00:23:12,720 Speaker 1: and the last name is Immiman, you definitely want to 448 00:23:12,800 --> 00:23:14,560 Speaker 1: change that. You don't want to walk around with dad 449 00:23:14,600 --> 00:23:18,080 Speaker 1: last name getting this gracious Hello, who's this? Hey? This 450 00:23:18,280 --> 00:23:21,120 Speaker 1: is Karina from Jersey City. Hey, Karna from Jersey City. 451 00:23:21,160 --> 00:23:23,760 Speaker 1: Is it acceptable to change your child's last name? I 452 00:23:23,800 --> 00:23:26,560 Speaker 1: don't think it is, because at the end of the day, 453 00:23:26,760 --> 00:23:29,520 Speaker 1: that's that father's child. You get what I'm saying, Like, 454 00:23:30,040 --> 00:23:32,119 Speaker 1: a sepfather could come in and raise the kid, and 455 00:23:32,200 --> 00:23:35,520 Speaker 1: that's a fine, but it doesn't take away the fact 456 00:23:35,560 --> 00:23:37,960 Speaker 1: that that's the father's child. You got what I'm saying. 457 00:23:37,960 --> 00:23:39,600 Speaker 1: It's a legacy that kind of goes on. It's a 458 00:23:39,680 --> 00:23:42,480 Speaker 1: blood line. You know, you can always acknowledge a stepfather 459 00:23:42,560 --> 00:23:45,520 Speaker 1: for always doing the good and you know, give them 460 00:23:45,560 --> 00:23:48,159 Speaker 1: praise with the kid, but you can't take away the 461 00:23:48,359 --> 00:23:54,359 Speaker 1: main dad's last name. Okay, Hello, who's this Sheila from Jersey? Hey, mama, 462 00:23:54,440 --> 00:23:56,119 Speaker 1: Jersey's on a check in heavy. So what do you 463 00:23:56,119 --> 00:23:59,240 Speaker 1: think is it acceptable to change your child's last name? No? 464 00:23:59,400 --> 00:24:02,920 Speaker 1: I don't know with that. Okay, go ahead. I don't 465 00:24:02,960 --> 00:24:05,560 Speaker 1: agree with that because no matter how much you don't 466 00:24:05,560 --> 00:24:07,600 Speaker 1: like your kid's dad, or no matter how crazy he 467 00:24:07,680 --> 00:24:09,920 Speaker 1: might ask, or no matter what he does, changes my 468 00:24:10,000 --> 00:24:12,040 Speaker 1: last name, it's not going to change the DNA. It's 469 00:24:12,080 --> 00:24:14,040 Speaker 1: not going to change who the father is. So you 470 00:24:14,160 --> 00:24:15,919 Speaker 1: have to get over that. And on top of that, 471 00:24:16,000 --> 00:24:19,560 Speaker 1: like you're you're salsifying an image of somebody that's not true, 472 00:24:19,640 --> 00:24:22,080 Speaker 1: Like that's not her dad. And if one day it 473 00:24:22,080 --> 00:24:25,520 Speaker 1: doesn't work out between you two, now he legally is 474 00:24:25,560 --> 00:24:27,800 Speaker 1: her dad and that's not really her dad, you know 475 00:24:27,840 --> 00:24:31,000 Speaker 1: what I mean, Like, it's just well, it's petty. It 476 00:24:31,040 --> 00:24:32,879 Speaker 1: doesn't make another other person your dad. They would have 477 00:24:32,920 --> 00:24:35,520 Speaker 1: to actually adopt the children, so that the kids aren't 478 00:24:35,520 --> 00:24:37,880 Speaker 1: adopted even if you're married, right then that's what I'm 479 00:24:37,920 --> 00:24:42,240 Speaker 1: talking about, Like the image that you're portraying to your children. Now, 480 00:24:42,240 --> 00:24:43,639 Speaker 1: what if your kids are like, I want to have 481 00:24:43,760 --> 00:24:46,240 Speaker 1: the same last name as you and my dad, you know, 482 00:24:46,280 --> 00:24:49,080 Speaker 1: the stepfather. Well, I mean that's a choice that they 483 00:24:49,160 --> 00:24:50,919 Speaker 1: have to make, and the two parents should come to 484 00:24:51,040 --> 00:24:53,800 Speaker 1: a you know, to a middle ground with that would 485 00:24:53,840 --> 00:24:56,439 Speaker 1: be their choice. But if they're not old enough to 486 00:24:56,440 --> 00:24:59,439 Speaker 1: make those type of decisions, just saying that, because whatever 487 00:24:59,440 --> 00:25:01,760 Speaker 1: the situation is, you know, like some kids they grow 488 00:25:01,840 --> 00:25:03,280 Speaker 1: up and they're told this is their death, this is 489 00:25:03,320 --> 00:25:06,359 Speaker 1: their dad, and that's what they think, you know, Like, 490 00:25:07,520 --> 00:25:10,520 Speaker 1: so what if the biological father is absent from the 491 00:25:10,640 --> 00:25:16,000 Speaker 1: children's life. Um, I mean me personally, I don't agree 492 00:25:16,000 --> 00:25:17,960 Speaker 1: in that. My father was not was not in my 493 00:25:18,040 --> 00:25:21,880 Speaker 1: life either, and my mother still maintained our last name 494 00:25:22,000 --> 00:25:24,800 Speaker 1: as his. I mean, I guess I would be up 495 00:25:24,800 --> 00:25:27,080 Speaker 1: to the child when they grow up to decide if 496 00:25:27,160 --> 00:25:30,800 Speaker 1: they want to do that or not. I just wouldn't 497 00:25:30,840 --> 00:25:35,640 Speaker 1: do that. Hello, who's this just to spoom from Dayton, Ohio? Hey, 498 00:25:35,880 --> 00:25:38,800 Speaker 1: is it acceptable to change your child's last name? Um? 499 00:25:39,160 --> 00:25:45,000 Speaker 1: I think it just really depends on the circumstances. Okay. 500 00:25:45,000 --> 00:25:47,040 Speaker 1: And the reason why I say that is, you know, 501 00:25:47,200 --> 00:25:50,440 Speaker 1: my daughter, her father is not in her life. It's 502 00:25:50,520 --> 00:25:54,119 Speaker 1: never been in her life, which is fine, but she 503 00:25:54,280 --> 00:25:58,960 Speaker 1: still has his last name. And UM, I don't call 504 00:25:59,080 --> 00:26:01,720 Speaker 1: her like that about her dad. You know, she can 505 00:26:01,760 --> 00:26:04,000 Speaker 1: find out on her own, just like my mom told 506 00:26:04,040 --> 00:26:08,360 Speaker 1: me about my dad. But I don't think a name 507 00:26:08,520 --> 00:26:12,520 Speaker 1: defines a person. Now, if you have, you know, someone 508 00:26:12,680 --> 00:26:15,160 Speaker 1: new in your life and they you want to spend 509 00:26:15,160 --> 00:26:17,520 Speaker 1: the rest of their life with you, and you know, 510 00:26:17,880 --> 00:26:19,920 Speaker 1: you know, you and your kids are a packaged deal. 511 00:26:20,440 --> 00:26:23,040 Speaker 1: And if that dad is not, you know, in that 512 00:26:23,200 --> 00:26:25,840 Speaker 1: child's life, I don't see a problem with it being. 513 00:26:26,040 --> 00:26:28,840 Speaker 1: But you know, then you got these little baby moms, 514 00:26:29,640 --> 00:26:32,159 Speaker 1: you know, you got these you know, baby moms that 515 00:26:32,400 --> 00:26:35,480 Speaker 1: you know couldn't change the man's life with a child, 516 00:26:36,320 --> 00:26:43,200 Speaker 1: and um, you know, being used as a tactic to attack, right, 517 00:26:43,320 --> 00:26:46,639 Speaker 1: you know. So, Um, you know, a baby is not 518 00:26:46,760 --> 00:26:51,080 Speaker 1: a pond, you know, So whatever that child's name is 519 00:26:51,560 --> 00:26:54,800 Speaker 1: leave that baby alone. So you know, that's how I 520 00:26:54,840 --> 00:26:56,720 Speaker 1: think it is. Also like, as we always talk about 521 00:26:56,760 --> 00:26:59,639 Speaker 1: women taking the husband's name after marriage, I think for kids, 522 00:27:00,040 --> 00:27:02,159 Speaker 1: if you live in a house with the mom and 523 00:27:02,200 --> 00:27:04,440 Speaker 1: the stepfather and that's who you know is your dad 524 00:27:04,440 --> 00:27:06,040 Speaker 1: and you call him dad, you might want to have 525 00:27:06,080 --> 00:27:08,479 Speaker 1: the same last name. Hello, who's this? I didn't want 526 00:27:08,560 --> 00:27:14,119 Speaker 1: to make ane of the Lando, Florida good b. Is 527 00:27:14,119 --> 00:27:17,520 Speaker 1: it acceptable to change your child's last name? Brother? No? No, brother, 528 00:27:17,560 --> 00:27:19,679 Speaker 1: I don't think it is. Man. I wanted to share exchange. 529 00:27:19,680 --> 00:27:21,560 Speaker 1: I'm glad you got picked up. I actually had an 530 00:27:21,560 --> 00:27:23,520 Speaker 1: actual wife who tried to do that for me, and 531 00:27:23,560 --> 00:27:25,280 Speaker 1: I would like to use your good man If that's 532 00:27:25,280 --> 00:27:30,119 Speaker 1: okay with you all, that's the first name please, Okay, Okay, 533 00:27:30,600 --> 00:27:34,240 Speaker 1: I don't South Carolina. I already know you got you 534 00:27:34,280 --> 00:27:37,359 Speaker 1: a nice country as Yeah. Yeah, try to do that 535 00:27:37,400 --> 00:27:39,600 Speaker 1: to your boy. And I think that's painful and disrespectful 536 00:27:39,600 --> 00:27:42,359 Speaker 1: to a man. I don't think another might show anything 537 00:27:42,359 --> 00:27:44,040 Speaker 1: like that. Are you in your child's life? Are you 538 00:27:44,040 --> 00:27:46,399 Speaker 1: in your child's life? All right, my child life. I 539 00:27:46,440 --> 00:27:48,280 Speaker 1: love my kids very much. I'm a virgo and v or. 540 00:27:48,359 --> 00:27:50,840 Speaker 1: You know how we do love our kids, okay, to 541 00:27:50,920 --> 00:27:53,000 Speaker 1: take care of home. So what happened is she trying 542 00:27:53,000 --> 00:27:56,639 Speaker 1: to do it legally and then you blocked it. She 543 00:27:57,160 --> 00:27:58,920 Speaker 1: talked about trying to do it, and then she got 544 00:27:58,920 --> 00:28:00,479 Speaker 1: a lawyer to trying to do it, and you know, 545 00:28:00,680 --> 00:28:02,560 Speaker 1: kind of paid at their money out there. You know, 546 00:28:02,680 --> 00:28:05,040 Speaker 1: they dropped the whole thaing, Okay, all right, well, thank 547 00:28:05,040 --> 00:28:07,040 Speaker 1: you brother. So what's the more of the story, guys? 548 00:28:08,000 --> 00:28:10,240 Speaker 1: The morrow of the story is that every case is different, though, 549 00:28:10,280 --> 00:28:12,520 Speaker 1: and there's no one size fits all when it comes 550 00:28:12,520 --> 00:28:15,639 Speaker 1: to family. So I think whatever decision you make, it 551 00:28:15,640 --> 00:28:17,520 Speaker 1: always has to be in the best interests of your 552 00:28:17,600 --> 00:28:20,399 Speaker 1: children and not in your own selfish best interests. The 553 00:28:20,480 --> 00:28:23,120 Speaker 1: more of the story is, y'all better stop picking who 554 00:28:23,200 --> 00:28:25,440 Speaker 1: y'all mate with, like y'all rolling dice in the back 555 00:28:25,480 --> 00:28:27,760 Speaker 1: of a moving God damn pick up Trump. Okay, that's 556 00:28:27,880 --> 00:28:30,080 Speaker 1: y'all better stop doing all right, take care of your 557 00:28:30,160 --> 00:28:32,159 Speaker 1: kids exactly when you lay down with these When you 558 00:28:32,200 --> 00:28:34,560 Speaker 1: lay down with people, man, do you know think about 559 00:28:34,560 --> 00:28:36,320 Speaker 1: spending the rest of your life with this president because 560 00:28:36,320 --> 00:28:37,840 Speaker 1: you never know, this person might give you a disease 561 00:28:37,880 --> 00:28:39,640 Speaker 1: you can't get rid of. This person might give you 562 00:28:39,720 --> 00:28:41,680 Speaker 1: a baby, or better yet, you might grow to love 563 00:28:41,720 --> 00:28:43,360 Speaker 1: this person and be married to him the rest of 564 00:28:43,400 --> 00:28:46,120 Speaker 1: your life. Either way, that's all forever. Just pick the 565 00:28:46,200 --> 00:28:49,480 Speaker 1: right father when you're dealing with these people. Okay, with 566 00:28:49,600 --> 00:28:54,560 Speaker 1: our best stuff in more than everybody is DJ Envy, 567 00:28:54,680 --> 00:28:57,920 Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club now, 568 00:28:57,960 --> 00:29:00,320 Speaker 1: you guys all, No, Monique stopped by the Breakfast Club 569 00:29:00,400 --> 00:29:03,400 Speaker 1: yesterday and we're getting it on today. So we're gonna 570 00:29:03,440 --> 00:29:06,080 Speaker 1: play that for you special guests to build it. Miss Monique. 571 00:29:06,280 --> 00:29:13,040 Speaker 1: Good morning, good morning morning, good morning morning. When Monique 572 00:29:13,040 --> 00:29:14,960 Speaker 1: walked in, I gave a hug. I wanted her to 573 00:29:14,960 --> 00:29:17,280 Speaker 1: know it's all love. Yes, he did my life. We 574 00:29:17,360 --> 00:29:19,800 Speaker 1: just here to have a conversation. That's all we're doing. Now, 575 00:29:20,080 --> 00:29:22,520 Speaker 1: what's going on today, Miss Mornique. A while ago, I 576 00:29:22,520 --> 00:29:24,479 Speaker 1: had to come out and I spoke in reference to 577 00:29:24,520 --> 00:29:26,840 Speaker 1: Netflix that we had to boy you know, I was 578 00:29:26,880 --> 00:29:29,600 Speaker 1: asking folks to stand with us as we boycott Netflix 579 00:29:29,960 --> 00:29:32,600 Speaker 1: for gender bias and color buy it correct, and we 580 00:29:32,600 --> 00:29:36,240 Speaker 1: were fighting for equality. And then I found out that 581 00:29:36,280 --> 00:29:39,800 Speaker 1: I had become Donkey of the day yes by Leonard, 582 00:29:39,880 --> 00:29:44,440 Speaker 1: and I gotta call you by your name, baby. Okay, okay, baby, 583 00:29:44,440 --> 00:29:48,840 Speaker 1: he's getting real special lenar, but we're gonna ok And 584 00:29:48,880 --> 00:29:51,680 Speaker 1: then I was called donkey of the day. And it 585 00:29:51,720 --> 00:29:54,920 Speaker 1: really caught me off guard because when I met this 586 00:29:55,040 --> 00:29:58,000 Speaker 1: brother some years ago, and I met a young man 587 00:29:58,080 --> 00:30:01,920 Speaker 1: that was full of humility and respect. And when I 588 00:30:01,960 --> 00:30:04,600 Speaker 1: got on an elevator, he actually held the door. I 589 00:30:04,720 --> 00:30:08,040 Speaker 1: remember like it was yesterday, and I said, oh, baby, 590 00:30:08,120 --> 00:30:10,800 Speaker 1: thank you, and he was just like that, yes, ma'am, 591 00:30:10,800 --> 00:30:12,840 Speaker 1: and Miss Monique, is a pleasure to meet you. And 592 00:30:12,920 --> 00:30:16,560 Speaker 1: we had a very beautiful exchange. And I said to 593 00:30:16,600 --> 00:30:20,400 Speaker 1: that brother, tell your mama that she raised you right, 594 00:30:21,080 --> 00:30:24,040 Speaker 1: and I said it was my mama and my grandma, yes, ma'am. 595 00:30:24,760 --> 00:30:27,320 Speaker 1: So I felt like this was as still as a 596 00:30:27,400 --> 00:30:30,400 Speaker 1: beautiful young brother making this way, but full of humility 597 00:30:30,400 --> 00:30:34,880 Speaker 1: and respect. Two we fast forward and I become dunkey 598 00:30:34,960 --> 00:30:37,640 Speaker 1: of the day. So I didn't want to have to 599 00:30:37,680 --> 00:30:41,160 Speaker 1: be here say. I didn't want to have anybody exchange 600 00:30:41,200 --> 00:30:43,160 Speaker 1: words that I may have said to him. So my 601 00:30:43,240 --> 00:30:45,480 Speaker 1: husband and I wanted to come on so we could 602 00:30:45,560 --> 00:30:49,320 Speaker 1: understand how I got titled donkey of the day. Why 603 00:30:49,400 --> 00:30:51,360 Speaker 1: did you give a donkey to day? Well, I think 604 00:30:51,360 --> 00:30:53,560 Speaker 1: it was due to the whole Netflix situation. You know, 605 00:30:53,600 --> 00:30:55,920 Speaker 1: when I heard you say that you know you wanted 606 00:30:55,960 --> 00:30:58,800 Speaker 1: us to boycott because of racial and gender bias, but 607 00:30:58,840 --> 00:31:02,120 Speaker 1: then you went on to mentioned two brothers and a woman, 608 00:31:02,640 --> 00:31:04,680 Speaker 1: So I said, maybe she should be more specific and 609 00:31:04,720 --> 00:31:07,479 Speaker 1: say black woman gender biased. But then, also just from 610 00:31:07,520 --> 00:31:10,200 Speaker 1: a business aspect, I wanted to know why did you 611 00:31:10,240 --> 00:31:13,000 Speaker 1: feel like, you know, you should have gotten whatever Chris 612 00:31:13,080 --> 00:31:15,880 Speaker 1: Rock got, whatever Day Chappelle got, or whatever Amy Schulman got, 613 00:31:15,960 --> 00:31:17,320 Speaker 1: because I feel like this is a what are you 614 00:31:17,360 --> 00:31:19,600 Speaker 1: doing for me right now? Type of a She didn 615 00:31:19,680 --> 00:31:21,640 Speaker 1: say what they got, she said she should have got 616 00:31:21,680 --> 00:31:23,960 Speaker 1: more than she was offered. And then Charlomagne you brought 617 00:31:24,040 --> 00:31:26,840 Speaker 1: up an old Netflix special as well, but that was 618 00:31:27,240 --> 00:31:29,960 Speaker 1: later on. But my point was like, this is a 619 00:31:30,040 --> 00:31:32,640 Speaker 1: what are you doing for me right now? Kind of interscure. 620 00:31:32,680 --> 00:31:34,360 Speaker 1: We all know Monique as a legend, but we also 621 00:31:34,400 --> 00:31:36,320 Speaker 1: know that those things, those deals that Netflix had given 622 00:31:36,360 --> 00:31:39,800 Speaker 1: out are based off recent stand up shows, recent shows, 623 00:31:39,840 --> 00:31:42,000 Speaker 1: recent concert recent arena's, recent tours like that. But I 624 00:31:42,040 --> 00:31:43,840 Speaker 1: just wanted to know why you felt like you deserved 625 00:31:44,280 --> 00:31:46,920 Speaker 1: that much. Daddy, would you like to start or would 626 00:31:46,960 --> 00:31:49,600 Speaker 1: you like for me, it didn't start with the offer 627 00:31:49,880 --> 00:31:53,920 Speaker 1: where the color bias and the disrespect transpired. It started 628 00:31:54,040 --> 00:31:58,480 Speaker 1: from when we had our initial conversation after Monique got 629 00:31:58,520 --> 00:32:02,720 Speaker 1: her reviews from the nights in which Benjamin and Caitlin, 630 00:32:02,800 --> 00:32:06,440 Speaker 1: who are representatives for Netflix, came out to see Monique 631 00:32:06,680 --> 00:32:09,960 Speaker 1: and which on two different nights they saw her get 632 00:32:09,960 --> 00:32:13,920 Speaker 1: a standing ovation, which subsequently gave them reviews of amazing 633 00:32:14,280 --> 00:32:17,960 Speaker 1: and great show. So when we're in the midst of 634 00:32:18,000 --> 00:32:23,000 Speaker 1: having the conversation prior to them giving the offer, we're 635 00:32:23,040 --> 00:32:24,840 Speaker 1: in the midst and he says, well, I want to 636 00:32:24,880 --> 00:32:27,800 Speaker 1: make it very clear that, you know, people speak about 637 00:32:27,880 --> 00:32:31,240 Speaker 1: Dave Chappelle, Amy Schumann, what they got. I want to 638 00:32:31,280 --> 00:32:33,440 Speaker 1: just make it clear, you know, so we can manage 639 00:32:33,840 --> 00:32:37,600 Speaker 1: expectations that everybody doesn't get those type of deal. Well, 640 00:32:37,640 --> 00:32:40,720 Speaker 1: when we're in the midst of that conversation, the phone disconnects. 641 00:32:41,200 --> 00:32:44,440 Speaker 1: We never reconvened, he never gets us back on, and 642 00:32:44,520 --> 00:32:47,240 Speaker 1: our attorney looks, calls me up and we speak and 643 00:32:47,280 --> 00:32:49,360 Speaker 1: we're like, well, that was strange. Are we're going to 644 00:32:49,400 --> 00:32:52,240 Speaker 1: get back on the phone or not. Because anybody who 645 00:32:52,280 --> 00:32:54,800 Speaker 1: does business knows that this is a key time in 646 00:32:54,840 --> 00:32:58,520 Speaker 1: whish to build the value of your client. Then we 647 00:32:58,680 --> 00:33:02,200 Speaker 1: came back with an offer that they allegedly had sent 648 00:33:02,320 --> 00:33:05,960 Speaker 1: over that our attorney and I had never received, and 649 00:33:06,000 --> 00:33:09,080 Speaker 1: then on that it was a certain time limit in 650 00:33:09,080 --> 00:33:12,080 Speaker 1: which we were supposed to respond what we had passed 651 00:33:12,080 --> 00:33:14,880 Speaker 1: the time limit because we never received it. When our 652 00:33:14,920 --> 00:33:18,600 Speaker 1: attorney had asked them to please resend the offer that 653 00:33:18,640 --> 00:33:21,320 Speaker 1: they had allegedly sent, it was clear that it had 654 00:33:21,400 --> 00:33:23,880 Speaker 1: never been sent in the first place. That's the second 655 00:33:23,880 --> 00:33:26,760 Speaker 1: red flag. When we get on the phone to discuss 656 00:33:26,840 --> 00:33:30,120 Speaker 1: the offer that they had then finally sent over. Initially 657 00:33:30,120 --> 00:33:33,240 Speaker 1: they didn't want to have the conversation until I expressed 658 00:33:33,240 --> 00:33:36,400 Speaker 1: to them it is very ironic that the call we 659 00:33:36,480 --> 00:33:41,640 Speaker 1: had was disconnected. We never reconvened. You became evasive, You 660 00:33:41,680 --> 00:33:44,040 Speaker 1: can't get on the phone. Now I have to express 661 00:33:44,320 --> 00:33:47,840 Speaker 1: what it's feeling like, which is gender biased, color biased. 662 00:33:48,000 --> 00:33:51,080 Speaker 1: And there's also an age issue that we didn't discuss 663 00:33:51,160 --> 00:33:53,920 Speaker 1: that's in there as well. So those three things are 664 00:33:53,920 --> 00:33:56,440 Speaker 1: what led to it. In conjunction with the fact that 665 00:33:56,480 --> 00:33:59,800 Speaker 1: the very items that he said did not translate for Monique, 666 00:33:59,800 --> 00:34:04,600 Speaker 1: which were her resume what she's done in terms of movies. 667 00:34:04,880 --> 00:34:07,920 Speaker 1: It didn't translate, but he said those were the things 668 00:34:07,960 --> 00:34:11,600 Speaker 1: that translated for Amy Schumer. So why is Amy resume 669 00:34:11,719 --> 00:34:14,640 Speaker 1: work and Monique does not? And they could not explain it. Well, 670 00:34:14,640 --> 00:34:17,640 Speaker 1: if he's just joining us, that's Sydney, that's Monique's managing husband, 671 00:34:17,680 --> 00:34:19,839 Speaker 1: if he just joining us, so you know the voices. Well, 672 00:34:19,840 --> 00:34:22,120 Speaker 1: for I don't think Amy Schuman is funny. That's number one. 673 00:34:22,160 --> 00:34:24,800 Speaker 1: But she did sell out fifty arenas around the world 674 00:34:24,880 --> 00:34:27,520 Speaker 1: and including MSG and HBO wanted her as well, so 675 00:34:27,560 --> 00:34:30,279 Speaker 1: she created a bidding war based on those stats. So 676 00:34:30,320 --> 00:34:33,759 Speaker 1: I assume that's the reason her number was at that place. Well, 677 00:34:33,840 --> 00:34:36,120 Speaker 1: I want to address something because you said I assume, 678 00:34:36,920 --> 00:34:40,120 Speaker 1: and then you also said Monique is a legend. That's 679 00:34:40,120 --> 00:34:44,319 Speaker 1: what you said, absolutely, right, And then when Robbie Prole 680 00:34:44,400 --> 00:34:48,799 Speaker 1: and Netflix also says Monique is a legend, correct, absolutely. 681 00:34:49,000 --> 00:34:51,560 Speaker 1: And you believe that Chris Rock is a legend as 682 00:34:51,600 --> 00:34:54,040 Speaker 1: I do as well, Yes, and you would say Dave 683 00:34:54,120 --> 00:34:56,560 Speaker 1: Chappelle is a legend, right, absolutely. What makes me a 684 00:34:56,600 --> 00:35:00,560 Speaker 1: different legend from Dave Chappelle and Chris Rock, Well, when 685 00:35:00,560 --> 00:35:02,759 Speaker 1: it comes to those that Netflix, specially, the fact that 686 00:35:02,960 --> 00:35:05,480 Speaker 1: Dave Feld did fifteen hundred Shoals. Prior to signing his 687 00:35:05,560 --> 00:35:07,920 Speaker 1: Netflix deal, Chris Rock was on tour with the Total 688 00:35:07,920 --> 00:35:11,080 Speaker 1: Blackout Tour, selling our shows arenas around the world before 689 00:35:11,080 --> 00:35:13,280 Speaker 1: they did it, and they learned him away from HBO. 690 00:35:14,239 --> 00:35:16,640 Speaker 1: I understand what y'all are coming to the table with. 691 00:35:17,200 --> 00:35:19,800 Speaker 1: When I came to the table and I said, guys, 692 00:35:20,280 --> 00:35:23,520 Speaker 1: and I said it humbly, I'm gonnat decorate a comedian 693 00:35:23,560 --> 00:35:27,200 Speaker 1: a line. And I said that humbly. And then people, 694 00:35:27,400 --> 00:35:31,080 Speaker 1: some people said, oh, Monique is crazy till it was proven, 695 00:35:31,080 --> 00:35:33,880 Speaker 1: till everybody actually saw the numbers and said, well, I 696 00:35:33,920 --> 00:35:37,239 Speaker 1: guess she's right about that. And when you say this 697 00:35:37,360 --> 00:35:39,560 Speaker 1: is they what have you done for me lately? The 698 00:35:39,680 --> 00:35:41,960 Speaker 1: question is how much more do I have to do? Brother? 699 00:35:42,520 --> 00:35:46,759 Speaker 1: Because when you do a film called Almost Christmas, and 700 00:35:46,840 --> 00:35:51,000 Speaker 1: that film has a seventeen million dollar budget, but it 701 00:35:51,040 --> 00:35:54,520 Speaker 1: makes forty five million dollars. And then my sister Amy 702 00:35:54,520 --> 00:35:57,760 Speaker 1: Schuman does a film called Snatched, and that film makes 703 00:35:58,040 --> 00:36:00,920 Speaker 1: forty five million dollars, but it has a budget of 704 00:36:01,000 --> 00:36:04,160 Speaker 1: forty two million dollars. Now what's the profit on that? 705 00:36:05,640 --> 00:36:08,160 Speaker 1: I'm asking the question. You have made a lot more 706 00:36:08,200 --> 00:36:11,400 Speaker 1: profit than Amy. It was actually twenty five million dollar profit. 707 00:36:11,760 --> 00:36:15,319 Speaker 1: But that movie Amy did her Netflix deal before Snatched, No, 708 00:36:15,880 --> 00:36:20,240 Speaker 1: he said. Robbie Paul said that was what made him 709 00:36:20,280 --> 00:36:22,680 Speaker 1: also give it a deal because of the big movie 710 00:36:22,719 --> 00:36:25,279 Speaker 1: that she had coming out, right, and that's where we 711 00:36:25,360 --> 00:36:28,000 Speaker 1: had to check, well, yeah, coming out that was so. 712 00:36:28,080 --> 00:36:31,319 Speaker 1: But she did the Netflix deal before that movie came out. Well, 713 00:36:31,320 --> 00:36:34,560 Speaker 1: we actually talked to the vice president of Netflix, Leonard Leonard, 714 00:36:34,960 --> 00:36:37,040 Speaker 1: and what happens is when you're basing off of what 715 00:36:37,080 --> 00:36:39,680 Speaker 1: you're assuming and then you give me a title of 716 00:36:39,719 --> 00:36:42,920 Speaker 1: Donkey of the Day. Is your mother still alive? Yes? Man? 717 00:36:43,239 --> 00:36:46,600 Speaker 1: And you're from what city in South Carolina? South Carolina? 718 00:36:46,640 --> 00:36:48,960 Speaker 1: Monks Corner? And if I was to call your mother 719 00:36:49,040 --> 00:36:51,440 Speaker 1: or your grandmother, could they tell me stories of inequality 720 00:36:51,640 --> 00:36:53,960 Speaker 1: that they had to deal with? Absolutely? So, would your 721 00:36:53,960 --> 00:36:57,960 Speaker 1: mother be a donkey? No? Would your grandmother be a donkey? No? 722 00:36:58,080 --> 00:37:00,920 Speaker 1: I need you to explain how you gave me the title, 723 00:37:00,960 --> 00:37:03,520 Speaker 1: because you're not explaining it. You're going off of what 724 00:37:03,600 --> 00:37:07,080 Speaker 1: I assume. But because you're on that microphone, and when 725 00:37:07,080 --> 00:37:10,640 Speaker 1: we open up these microphones, we know just how powerful 726 00:37:11,120 --> 00:37:13,440 Speaker 1: our voices can be, don't we, Angela, Yes, we do, 727 00:37:13,719 --> 00:37:15,879 Speaker 1: and we know that what we say can become law, 728 00:37:16,320 --> 00:37:20,000 Speaker 1: correct Lanard, absolutely, So when we do that, we must 729 00:37:20,040 --> 00:37:23,360 Speaker 1: then explain it to our community because we know how 730 00:37:23,400 --> 00:37:26,600 Speaker 1: poisonous it can be when we put things out, but 731 00:37:26,640 --> 00:37:29,080 Speaker 1: we can't back it up. We just say it. We 732 00:37:29,120 --> 00:37:31,080 Speaker 1: have more with Monique when we come back, we got 733 00:37:31,080 --> 00:37:34,759 Speaker 1: to talk more Netflix or negotiations, and it gets more 734 00:37:34,800 --> 00:37:36,560 Speaker 1: awkward with her and Charlomagne. So keep a lot. This 735 00:37:36,600 --> 00:37:39,400 Speaker 1: the breakfast club of Morning Mording. Everybody is dj N 736 00:37:39,480 --> 00:37:43,080 Speaker 1: v Angela Yee, Charlomagne, the guy we are the breakfast club. 737 00:37:43,160 --> 00:37:46,520 Speaker 1: Monique is here, Charlomagne. I think everything you're saying about 738 00:37:46,600 --> 00:37:49,600 Speaker 1: racial biases absolutely correct. Gender bias is absolutely correct. We 739 00:37:49,640 --> 00:37:52,160 Speaker 1: know that the black woman is unappreciated and undervalued and 740 00:37:52,600 --> 00:37:54,440 Speaker 1: a lot of different industries. But I think that when 741 00:37:54,440 --> 00:37:57,400 Speaker 1: it comes to this Netflix situation, it's very specific. I 742 00:37:57,400 --> 00:37:59,520 Speaker 1: think it's more of an individual thing than it is 743 00:37:59,719 --> 00:38:02,759 Speaker 1: a collective problem. Like can you can you can you can? 744 00:38:02,800 --> 00:38:07,160 Speaker 1: You honestly ask you is this? Can you say? If 745 00:38:07,160 --> 00:38:10,799 Speaker 1: it's an individual problem, how come that there are no 746 00:38:11,040 --> 00:38:15,520 Speaker 1: individuals of color who happen to be female comedians that 747 00:38:15,640 --> 00:38:19,040 Speaker 1: have had the multiple million dollar pay days with Netflix? 748 00:38:19,160 --> 00:38:22,840 Speaker 1: Because what happens with the black community, it's what have 749 00:38:22,960 --> 00:38:25,920 Speaker 1: you done lately? But when you are a white person 750 00:38:25,960 --> 00:38:28,640 Speaker 1: in this industry, it's you're only as good as your 751 00:38:28,719 --> 00:38:33,080 Speaker 1: last project. I thought it was drawing the amount of 752 00:38:33,080 --> 00:38:35,680 Speaker 1: people that will watch special. Do you think it's specific 753 00:38:35,719 --> 00:38:38,840 Speaker 1: to comedians, because I do know they've given out multimillion 754 00:38:38,840 --> 00:38:41,920 Speaker 1: dollar deals to Eva, Dubna, Shanda Rhymes. So you think 755 00:38:41,960 --> 00:38:45,200 Speaker 1: it's specific to the comedy industry, Well, I'll let you 756 00:38:45,280 --> 00:38:49,360 Speaker 1: answer it. What black female comedians got the multi million 757 00:38:49,400 --> 00:38:51,600 Speaker 1: dollars deal? But don't you think it's coming. I'm sure, 758 00:38:51,600 --> 00:38:53,799 Speaker 1: I'm sure. I'm sure Tiffany Hattris will be presented with 759 00:38:53,840 --> 00:38:55,799 Speaker 1: something if she hasn't already. Well, but we got to 760 00:38:55,840 --> 00:38:59,160 Speaker 1: speak about the sisters. That's done it. See when Wanda 761 00:38:59,280 --> 00:39:04,040 Speaker 1: Sykes is umber one hundred on Comedy Central's Top Comedians Ever, 762 00:39:04,680 --> 00:39:07,719 Speaker 1: number seventy, I'm sorry, daddy, number seventy on the top 763 00:39:07,760 --> 00:39:11,719 Speaker 1: one hundred ever. But they offered her two fifty. So 764 00:39:11,760 --> 00:39:13,520 Speaker 1: what do you say to that? Oh, you know, I 765 00:39:13,560 --> 00:39:15,920 Speaker 1: actually asked about that. I spoke to somebody on Netflix 766 00:39:15,960 --> 00:39:18,560 Speaker 1: and they offered that deal to want the Sykes before 767 00:39:18,640 --> 00:39:21,239 Speaker 1: this guy that does these stand up deals even got 768 00:39:21,239 --> 00:39:23,040 Speaker 1: in the position they offered this deal to her some 769 00:39:23,120 --> 00:39:25,840 Speaker 1: years ago. Does it seem strange that you always have 770 00:39:25,960 --> 00:39:28,879 Speaker 1: an answer when I'll finish, line keeps getting moved when 771 00:39:28,920 --> 00:39:31,759 Speaker 1: I say, name me one black female comedian that's got 772 00:39:31,800 --> 00:39:35,080 Speaker 1: the million dollar payday, I'm waiting to hear the answer, right, 773 00:39:35,120 --> 00:39:37,600 Speaker 1: So you think it's specific to comedians because I don't. 774 00:39:37,600 --> 00:39:40,279 Speaker 1: I don't know on Netflix any whatever that. But I 775 00:39:40,320 --> 00:39:43,439 Speaker 1: can't say and history name her? Well, I would ask 776 00:39:43,440 --> 00:39:46,520 Speaker 1: what what what black female comedian has sold out fifty 777 00:39:46,560 --> 00:39:52,040 Speaker 1: arenas around the world? Stairs four beautiful black female comedians 778 00:39:52,200 --> 00:39:55,080 Speaker 1: that we just got a Legends award. Her name is Samore, 779 00:39:55,400 --> 00:39:58,279 Speaker 1: her name is, her name is miss Lore, her name 780 00:39:58,320 --> 00:40:01,160 Speaker 1: is Monique. And when the Queens of he was on tour, see, 781 00:40:01,200 --> 00:40:03,279 Speaker 1: we made history. And I don't know if you've done 782 00:40:03,320 --> 00:40:06,520 Speaker 1: your homework, because we were the only female group, black 783 00:40:06,560 --> 00:40:11,480 Speaker 1: white Latin Asian to sell out consecutively around this country. 784 00:40:11,560 --> 00:40:14,600 Speaker 1: But you'll disregard that because you'll say, well, what did 785 00:40:14,640 --> 00:40:17,319 Speaker 1: you do yesterday? So you can't take it away. But 786 00:40:17,400 --> 00:40:19,920 Speaker 1: if I'm doing business and I'm basing it off doing 787 00:40:19,960 --> 00:40:21,799 Speaker 1: a deal with somebody who did this last year, as 788 00:40:21,800 --> 00:40:24,000 Speaker 1: opposed to doing it fifteen years ago, at twenty years ago, 789 00:40:24,040 --> 00:40:25,440 Speaker 1: whenever it was, wouldn't it make more sense to do 790 00:40:25,520 --> 00:40:26,960 Speaker 1: with the person who did it just a couple of 791 00:40:27,040 --> 00:40:29,920 Speaker 1: years ago. If you're doing business and you say, what's 792 00:40:30,000 --> 00:40:34,560 Speaker 1: Monique's resume? Now you're the businessman and you're looking at 793 00:40:34,600 --> 00:40:38,439 Speaker 1: that resume and everything on that resume says number one. 794 00:40:39,400 --> 00:40:42,440 Speaker 1: Everything one that resume says sell out. Now all of 795 00:40:42,480 --> 00:40:45,239 Speaker 1: a sudden, is it going to change? Businessman? Yeah, I 796 00:40:45,800 --> 00:40:48,080 Speaker 1: would say if I had to sign Kobe Bryant today, 797 00:40:48,120 --> 00:40:50,800 Speaker 1: I'm not gonna give Kobe Bryan one hundred million dollars Country. Well, 798 00:40:51,280 --> 00:40:54,400 Speaker 1: you're right, but his resume is amazing. The difference between 799 00:40:54,480 --> 00:40:59,080 Speaker 1: Kobe Bryant today and Monique today is when you're thirty 800 00:40:59,120 --> 00:41:02,120 Speaker 1: six in the game basketball, you don't lost your step. 801 00:41:02,680 --> 00:41:05,680 Speaker 1: When you are fifty years old in the game of comedy, 802 00:41:05,840 --> 00:41:09,000 Speaker 1: your season and if she had to come, if they 803 00:41:09,040 --> 00:41:11,360 Speaker 1: had to come to Netflix to your point, because you 804 00:41:11,440 --> 00:41:14,920 Speaker 1: make a very good point, and Monique had a stumble 805 00:41:15,120 --> 00:41:18,000 Speaker 1: like a forty year old or a thirty eight year 806 00:41:18,040 --> 00:41:21,200 Speaker 1: old Kobe Bryant who's got a rupture to chilles heel 807 00:41:21,320 --> 00:41:23,600 Speaker 1: that you got to bounce back from then it would 808 00:41:23,640 --> 00:41:26,640 Speaker 1: make sense, but it's you dropped fifty and still was 809 00:41:26,719 --> 00:41:30,359 Speaker 1: dropping buckets. What would you say because they watched two 810 00:41:30,440 --> 00:41:34,400 Speaker 1: standing ovations and two sold out clubs? You're absolutely right, 811 00:41:34,440 --> 00:41:36,000 Speaker 1: Brothers City. Let me ask you this, why not put 812 00:41:36,040 --> 00:41:39,760 Speaker 1: together a theater, our arena tour and sell that out 813 00:41:39,800 --> 00:41:41,920 Speaker 1: and then come back to the table a table But 814 00:41:42,120 --> 00:41:43,600 Speaker 1: it doesn't have to go to see My whole thing 815 00:41:43,680 --> 00:41:45,719 Speaker 1: is is that's something else we were talking about the 816 00:41:45,760 --> 00:41:48,880 Speaker 1: money offered, and my whole thing is as a businessman, 817 00:41:49,920 --> 00:41:53,399 Speaker 1: being a legend and all that doesn't necessarily matter. It's 818 00:41:53,560 --> 00:41:55,719 Speaker 1: what's what's who do people? I want to see? You 819 00:41:55,719 --> 00:41:58,960 Speaker 1: could be a legend and people love you, but if 820 00:41:59,000 --> 00:42:00,680 Speaker 1: you can't attract the people but to come to the 821 00:42:01,120 --> 00:42:02,840 Speaker 1: place to see you, or to come to Netflix to 822 00:42:02,920 --> 00:42:10,240 Speaker 1: watch you, it doesn't. It would be the question almost Christmas, 823 00:42:10,280 --> 00:42:12,560 Speaker 1: would you say that was a hit movie? Definitely a hint. 824 00:42:12,600 --> 00:42:15,319 Speaker 1: Would you say Bessie was a hit? Yes? Would you 825 00:42:15,360 --> 00:42:19,799 Speaker 1: say Prescious was a hit? Absolutely? So the question is, 826 00:42:19,960 --> 00:42:22,400 Speaker 1: so Monique, you didn't do nothing in twenty seventeen that 827 00:42:22,480 --> 00:42:24,879 Speaker 1: was on TV that we could see, So that means 828 00:42:24,880 --> 00:42:28,600 Speaker 1: you're irrelevant. I don't think anything. What happens is when 829 00:42:28,600 --> 00:42:32,759 Speaker 1: someone said to me, Monique, does it become disheartening when 830 00:42:32,760 --> 00:42:37,680 Speaker 1: it's your folks, it's understandable. I don't take offense. It's 831 00:42:37,760 --> 00:42:40,399 Speaker 1: understandable and not explain why when I have to sit 832 00:42:40,480 --> 00:42:44,200 Speaker 1: here and not defend, but explain to people that look 833 00:42:44,280 --> 00:42:47,440 Speaker 1: like me, Well, when did I become irrelevant? If that 834 00:42:47,640 --> 00:42:51,160 Speaker 1: was a movie I'll call almost Christmas? What in twenty sixteen. 835 00:42:51,400 --> 00:42:54,719 Speaker 1: It's just twenty eighteen, So now all of a sudden, Oh, 836 00:42:54,800 --> 00:42:56,400 Speaker 1: we don't know if people are gonna show up and 837 00:42:56,440 --> 00:42:58,880 Speaker 1: show out. Now. When I did a show called the 838 00:42:58,920 --> 00:43:01,320 Speaker 1: Bernie and Sid Show, I'll show you know those brothers, 839 00:43:01,320 --> 00:43:04,480 Speaker 1: two white brothers. And when I walked in there, Lenard, 840 00:43:04,680 --> 00:43:07,360 Speaker 1: I walked in with a preconceiving notion that I was 841 00:43:07,400 --> 00:43:10,400 Speaker 1: gonna have to defend myself because one is a strong 842 00:43:10,520 --> 00:43:13,759 Speaker 1: Trump supporter and the other is a Democrat. But I'm 843 00:43:13,800 --> 00:43:15,840 Speaker 1: thinking I'm gonna have to walk in and defend myself 844 00:43:15,840 --> 00:43:19,600 Speaker 1: with these white brothers. After five minutes of us talking, 845 00:43:19,640 --> 00:43:22,959 Speaker 1: they shut their showdown and they said, Monique, we're gonna 846 00:43:23,000 --> 00:43:25,759 Speaker 1: call this what this is. This is nothing but racism, 847 00:43:25,920 --> 00:43:28,320 Speaker 1: and we can't sit back and allow it and watch 848 00:43:28,320 --> 00:43:31,600 Speaker 1: it happen. So no, we're gonna tell our listeners two 849 00:43:31,600 --> 00:43:34,600 Speaker 1: boycott Netflix until they get it right, because you are 850 00:43:34,640 --> 00:43:37,080 Speaker 1: a legend and we have to honor and respect you. 851 00:43:37,360 --> 00:43:39,520 Speaker 1: And now those are my white brothers. Then I come 852 00:43:39,560 --> 00:43:42,719 Speaker 1: to my folks and I have to be donkey of 853 00:43:42,800 --> 00:43:45,799 Speaker 1: the day, which you still haven't explained, Leonard, and you're 854 00:43:45,800 --> 00:43:48,200 Speaker 1: gonna have to because when you make those type of 855 00:43:48,239 --> 00:43:53,000 Speaker 1: statements about your sister to our community, what you're saying 856 00:43:53,000 --> 00:43:56,640 Speaker 1: to the community is as black women, you're devalued. And 857 00:43:56,680 --> 00:43:59,319 Speaker 1: if you stand up and you make a stand and 858 00:43:59,400 --> 00:44:02,919 Speaker 1: you say we need equality and we have to say 859 00:44:02,960 --> 00:44:05,440 Speaker 1: what's right and what's fair. And then a brother that 860 00:44:05,520 --> 00:44:09,120 Speaker 1: looks like me from South Kolana says, you're the donkey 861 00:44:09,160 --> 00:44:12,440 Speaker 1: of the day. You have to explain that to our community. 862 00:44:12,680 --> 00:44:14,279 Speaker 1: I've explained it. I said that I think that you're 863 00:44:14,400 --> 00:44:18,200 Speaker 1: using racial and gender bias with your actual real issues. 864 00:44:18,280 --> 00:44:20,000 Speaker 1: The scruggle that the black women's going through in many 865 00:44:20,000 --> 00:44:22,279 Speaker 1: industries is a real issue, but you're using it to 866 00:44:22,360 --> 00:44:26,080 Speaker 1: focus on something that you're dealing with individually. Did you 867 00:44:26,120 --> 00:44:29,360 Speaker 1: just see Viola Davis come out and say pay her equally. 868 00:44:29,400 --> 00:44:32,239 Speaker 1: Did you just hear that? Absolutely? So when you have 869 00:44:32,560 --> 00:44:36,440 Speaker 1: us saying the same thing, we're saying, pay us equally, 870 00:44:36,640 --> 00:44:39,799 Speaker 1: you're saying, oh, Monique, this is an isolated situation. Well, 871 00:44:39,800 --> 00:44:41,480 Speaker 1: then what that says is you don't know the history 872 00:44:41,480 --> 00:44:44,320 Speaker 1: of this business that you're in, and you sit behind 873 00:44:44,320 --> 00:44:46,880 Speaker 1: this microphone and you try to be the guru of 874 00:44:46,920 --> 00:44:49,560 Speaker 1: black culture. I'm gonna need you to know the history 875 00:44:49,600 --> 00:44:52,839 Speaker 1: of us before you begin to label us. And once 876 00:44:52,840 --> 00:44:56,040 Speaker 1: you know the history, you know I'm not saying anything unique. Brother, 877 00:44:56,360 --> 00:44:59,040 Speaker 1: I just don understanderstand how you can justify making thirty 878 00:44:59,040 --> 00:45:01,439 Speaker 1: million dollars twenty team for a stand us. Second, when 879 00:45:01,440 --> 00:45:04,560 Speaker 1: you say justify thirteen millions, did you get a chance 880 00:45:04,640 --> 00:45:08,080 Speaker 1: to read what the offer was. I did read some 881 00:45:08,160 --> 00:45:11,359 Speaker 1: of it, Yes, well all of it. The key is 882 00:45:11,719 --> 00:45:13,719 Speaker 1: we got to read all of it because what Chris 883 00:45:13,800 --> 00:45:15,759 Speaker 1: Rock said a long time ago, if you want to 884 00:45:15,800 --> 00:45:18,120 Speaker 1: hire something from a black person, put it in a book. 885 00:45:18,760 --> 00:45:22,719 Speaker 1: This is not about comparing the definitive numbers as to 886 00:45:22,800 --> 00:45:27,359 Speaker 1: what Amy got and what David them got, because it's 887 00:45:27,440 --> 00:45:30,840 Speaker 1: married to what you just communicated. But when you ask 888 00:45:30,960 --> 00:45:37,239 Speaker 1: a comedian to take a half million dollars for two years. 889 00:45:37,320 --> 00:45:40,840 Speaker 1: You can't say any jokes. They don't want you to 890 00:45:40,880 --> 00:45:45,520 Speaker 1: do stand up for two years, and essentially they want 891 00:45:45,560 --> 00:45:49,240 Speaker 1: you to take a half a million dollars and lose 892 00:45:49,320 --> 00:45:52,200 Speaker 1: out on two million dollars of work that you would 893 00:45:52,200 --> 00:45:55,839 Speaker 1: have made on the road. Anyway, that right there, it 894 00:45:55,880 --> 00:45:58,480 Speaker 1: doesn't make sense how we have more with Monique when 895 00:45:58,520 --> 00:46:02,680 Speaker 1: we come back. Don't move just local morning morning. Everybody 896 00:46:02,800 --> 00:46:06,239 Speaker 1: is dj mv Angela, Ye, Charlomagne, the guy we are 897 00:46:06,280 --> 00:46:12,120 Speaker 1: the breakfast club. Monique is in the building, Charlomagne. He 898 00:46:12,239 --> 00:46:14,879 Speaker 1: just asked, did we make a counter offer? And that's 899 00:46:14,880 --> 00:46:18,080 Speaker 1: a very important question. I did see that they responded 900 00:46:18,120 --> 00:46:20,480 Speaker 1: to the counter offer and said they won't They regretfully 901 00:46:20,480 --> 00:46:22,239 Speaker 1: won't be able to do this deal. Hopefully you guys 902 00:46:22,280 --> 00:46:25,200 Speaker 1: can work together in the future. And that's the point 903 00:46:25,640 --> 00:46:28,480 Speaker 1: that we have to make to you, Lenard. But in 904 00:46:28,560 --> 00:46:31,520 Speaker 1: addition to that, my love, and this is in conjunction 905 00:46:31,640 --> 00:46:35,640 Speaker 1: with Roland Martin and John Mary putting out a rumor 906 00:46:35,920 --> 00:46:39,440 Speaker 1: that Monique was offered three million dollars and then didn't 907 00:46:39,480 --> 00:46:43,280 Speaker 1: have the decency as journalists to come back and say 908 00:46:43,480 --> 00:46:47,759 Speaker 1: we apologize for the misinformation. Because if you notice Monique's 909 00:46:47,840 --> 00:46:52,400 Speaker 1: keep Monique keeps producing receipts, and as crazy as this sounds, 910 00:46:52,440 --> 00:46:55,880 Speaker 1: this is a bigger picture than just Netflix because what 911 00:46:56,040 --> 00:46:59,520 Speaker 1: has happened was you've heard about Lee Daniels coming out 912 00:46:59,600 --> 00:47:02,480 Speaker 1: speaking in reference to how difficult Monique was and the 913 00:47:02,520 --> 00:47:05,719 Speaker 1: whole nine. We live in a culture in which the 914 00:47:05,880 --> 00:47:08,400 Speaker 1: ladies who are going up in the room saying hashtag 915 00:47:08,480 --> 00:47:11,440 Speaker 1: me too, and people are saying, well, you know, if 916 00:47:11,440 --> 00:47:13,759 Speaker 1: you're going up in the room at two o'clock in 917 00:47:13,800 --> 00:47:17,000 Speaker 1: the morning, you know you're about to get screwed, So 918 00:47:17,120 --> 00:47:19,319 Speaker 1: why did you go up there and do it? Or 919 00:47:19,320 --> 00:47:22,080 Speaker 1: what happens is they'll say to Monique, why didn't you 920 00:47:22,120 --> 00:47:25,480 Speaker 1: go promote a movie for lions Gate for free? Because 921 00:47:25,520 --> 00:47:27,960 Speaker 1: you know what they'll do to you. So now you're 922 00:47:28,000 --> 00:47:30,920 Speaker 1: in the damned if you do, damned if you don't situation. 923 00:47:31,120 --> 00:47:33,080 Speaker 1: Because the women who go up in the room, the 924 00:47:33,120 --> 00:47:35,160 Speaker 1: reason why they go up in the room, they know 925 00:47:35,200 --> 00:47:36,799 Speaker 1: they're going to get screwed when they go up in 926 00:47:36,840 --> 00:47:39,080 Speaker 1: the room. They just don't know how bad they're going 927 00:47:39,120 --> 00:47:41,399 Speaker 1: to get screwed. If they don't go up in the room. 928 00:47:41,800 --> 00:47:47,880 Speaker 1: What happens This is why, again, Lenard, you've got to 929 00:47:47,920 --> 00:47:51,080 Speaker 1: be careful with your words because you called your sister 930 00:47:51,200 --> 00:47:53,960 Speaker 1: donkey of the day, but you didn't do your research, 931 00:47:54,480 --> 00:47:57,600 Speaker 1: and you pulled that poison out into our community. Was 932 00:47:57,719 --> 00:48:01,799 Speaker 1: out fully doing your research. And now as we sit here, 933 00:48:02,000 --> 00:48:05,719 Speaker 1: you have to almost backtrack your words. Well, when you 934 00:48:05,760 --> 00:48:08,960 Speaker 1: ask a question, did you counter offer? We put all 935 00:48:08,960 --> 00:48:11,120 Speaker 1: of it out there. We put the information out there. 936 00:48:11,640 --> 00:48:14,600 Speaker 1: So you were so ready to do good readio that 937 00:48:14,719 --> 00:48:18,279 Speaker 1: you didn't do your homework. And when you have a conversation, 938 00:48:18,560 --> 00:48:21,080 Speaker 1: you know a brother named Geral Kelly, absolutely, would you 939 00:48:21,120 --> 00:48:23,560 Speaker 1: consider him your friend? Absolutely? See I was on the 940 00:48:23,640 --> 00:48:25,960 Speaker 1: road with Jerel Kelly two weeks ago. Yeah, he called 941 00:48:26,000 --> 00:48:30,680 Speaker 1: me and he said, Monique I talked to uh Charlemagne 942 00:48:31,640 --> 00:48:34,879 Speaker 1: and he said, Man, you know I love Monique. I 943 00:48:34,920 --> 00:48:39,240 Speaker 1: wasn't doing nothing but making readio. I didn't see that 944 00:48:40,960 --> 00:48:44,080 Speaker 1: with Gerald Kelly, because what again, when you say, did 945 00:48:44,120 --> 00:48:46,960 Speaker 1: you counter offer? See, we did, and they said there 946 00:48:47,040 --> 00:48:50,000 Speaker 1: was no negotiations, you take it or leave it. But 947 00:48:50,080 --> 00:48:52,919 Speaker 1: had you done we didn't actually counter offer what they 948 00:48:52,960 --> 00:48:55,719 Speaker 1: said in the midst of our conversation. You've given us 949 00:48:55,800 --> 00:48:58,520 Speaker 1: something to you on. We're gonna come back and reflect 950 00:48:58,560 --> 00:49:01,400 Speaker 1: on it and we said, and I said to them, 951 00:49:01,440 --> 00:49:05,240 Speaker 1: trying to give them, how are you sure, because here's 952 00:49:05,280 --> 00:49:08,719 Speaker 1: the thing. We don't want to waste your time if 953 00:49:09,200 --> 00:49:12,600 Speaker 1: if it's not real. However, if it's real and we 954 00:49:12,640 --> 00:49:14,960 Speaker 1: can get something done, of course we would love to 955 00:49:15,000 --> 00:49:17,120 Speaker 1: do business with you. So y'all really didn't make a 956 00:49:17,239 --> 00:49:19,880 Speaker 1: counter offers. No, so what we're saying, They said it 957 00:49:19,960 --> 00:49:23,520 Speaker 1: was no negotiable as they were going to go back 958 00:49:23,520 --> 00:49:27,000 Speaker 1: to reflect on what we had discussed, and when they 959 00:49:27,040 --> 00:49:31,000 Speaker 1: came back, they said that we are based upon our discussion, 960 00:49:31,719 --> 00:49:35,000 Speaker 1: we decided not to make a counter offer in reference 961 00:49:35,040 --> 00:49:37,640 Speaker 1: to what it is that you're speaking in reference to 962 00:49:38,400 --> 00:49:41,280 Speaker 1: hopefully we can do business in the future and so forth. 963 00:49:41,360 --> 00:49:44,719 Speaker 1: Because what they were trying to emphasize to us that 964 00:49:44,840 --> 00:49:48,400 Speaker 1: a half a million dollars was a strong enough number 965 00:49:48,640 --> 00:49:52,480 Speaker 1: and other people that they considered equal to Monique, which 966 00:49:52,480 --> 00:49:56,360 Speaker 1: they did not name. They said, they've taken that number. 967 00:49:56,840 --> 00:50:01,680 Speaker 1: If you notice you're having a conversation with Nique, why 968 00:50:01,840 --> 00:50:05,040 Speaker 1: is it that Netflix won't have a conversation with people 969 00:50:05,600 --> 00:50:09,719 Speaker 1: because they can bank on people like Charlemagne. They can 970 00:50:09,800 --> 00:50:13,200 Speaker 1: bank on our brothers and sisters like Charlemagne that will 971 00:50:13,239 --> 00:50:16,520 Speaker 1: say we'll fight them. We'll fight them for you for 972 00:50:16,680 --> 00:50:18,200 Speaker 1: you don't have to fight is I'm still trying to 973 00:50:18,200 --> 00:50:20,319 Speaker 1: get you and brother Sydney to justify why you think 974 00:50:20,360 --> 00:50:22,319 Speaker 1: you deserved thirteen million dollars? Was there a bidding war 975 00:50:22,440 --> 00:50:27,920 Speaker 1: between platforms when you say, when you say justify, I'm 976 00:50:27,960 --> 00:50:30,719 Speaker 1: gonna put my resume on the table. That's all I'm 977 00:50:30,719 --> 00:50:32,680 Speaker 1: gonna have to do. Do you do the numbers and 978 00:50:32,760 --> 00:50:35,160 Speaker 1: ticket sales that Chris Rock does, that Dave Chappelle does 979 00:50:35,160 --> 00:50:38,200 Speaker 1: that day? If given the opportunities, why don't you answer 980 00:50:38,200 --> 00:50:41,120 Speaker 1: the question. See if given those opportunities, you're answering the 981 00:50:41,200 --> 00:50:44,200 Speaker 1: questions for yourself. We're not given the same opportunities. Brother, 982 00:50:44,400 --> 00:50:47,080 Speaker 1: But if you do your why can't you in Sydney 983 00:50:47,080 --> 00:50:49,719 Speaker 1: Garden book arena tours? Do they go I'm booked their tours? 984 00:50:49,760 --> 00:50:51,880 Speaker 1: Or do promoters book then? See what we're gonna do 985 00:50:51,960 --> 00:50:53,600 Speaker 1: right now is and what I'm not gonna do with 986 00:50:53,680 --> 00:50:55,479 Speaker 1: you now you want to play a tip for tech 987 00:50:55,640 --> 00:50:58,560 Speaker 1: And what you're saying is a black women's resume don't matter. 988 00:50:58,800 --> 00:51:01,839 Speaker 1: I'm not saying that to be trying to weaponize things 989 00:51:02,000 --> 00:51:06,759 Speaker 1: like the SUS two hundred and fifty thousand dollars and 990 00:51:06,800 --> 00:51:09,120 Speaker 1: she's considered one of the best. Or that was years 991 00:51:09,120 --> 00:51:10,960 Speaker 1: ago and they said that was they would never do 992 00:51:11,000 --> 00:51:13,480 Speaker 1: that now. And I literally heard just like a few 993 00:51:13,480 --> 00:51:18,160 Speaker 1: weeks ago. So you did talk about the situation with 994 00:51:18,280 --> 00:51:22,040 Speaker 1: Lee Daniels, and you talked about people saying that. Now 995 00:51:22,080 --> 00:51:25,080 Speaker 1: we've read some things also because you're here and our cousin, 996 00:51:25,160 --> 00:51:27,080 Speaker 1: so we left for you to speak on this. So 997 00:51:27,160 --> 00:51:29,719 Speaker 1: there are people that say that you didn't treat people well, yes, 998 00:51:29,800 --> 00:51:31,560 Speaker 1: and that they've had issues working with you and that 999 00:51:31,640 --> 00:51:34,120 Speaker 1: you're difficult. Yes. So let's address some of that because 1000 00:51:34,200 --> 00:51:37,480 Speaker 1: Roland Martin brought it up when you guys spoke on Twitter. Yes, 1001 00:51:37,600 --> 00:51:40,040 Speaker 1: and he talked about the Ebony magazine cover shoot that 1002 00:51:40,040 --> 00:51:42,480 Speaker 1: you did with Chris Rock and Steve Harvey. Yes, and 1003 00:51:42,840 --> 00:51:44,840 Speaker 1: he said that it was a nightmare because of you. 1004 00:51:44,960 --> 00:51:47,600 Speaker 1: What happened at that shoot, Well, what happened if that 1005 00:51:47,719 --> 00:51:51,279 Speaker 1: shoot was a check was thrown at one of our assistants, 1006 00:51:51,840 --> 00:51:54,400 Speaker 1: and you don't throw anything at anyone and I had 1007 00:51:54,400 --> 00:51:56,680 Speaker 1: a problem with that. See, they won't fill you in 1008 00:51:56,719 --> 00:51:58,880 Speaker 1: on all that happened. So you had to let that 1009 00:51:58,920 --> 00:52:02,160 Speaker 1: person know that's not how you do business. And that's unacceptable. 1010 00:52:02,400 --> 00:52:04,799 Speaker 1: So I have no problem speaking on it. When they 1011 00:52:04,800 --> 00:52:07,560 Speaker 1: said I mistreated people on almost Christmas, well we have 1012 00:52:07,680 --> 00:52:11,720 Speaker 1: twenty interviews because we knew that they would say something 1013 00:52:11,760 --> 00:52:15,000 Speaker 1: like that with the people that worked in the background professionals, 1014 00:52:15,200 --> 00:52:18,000 Speaker 1: the lighting guys, the camera guys, when they all said 1015 00:52:18,000 --> 00:52:21,759 Speaker 1: our experience with Monique was stella. What happens is you 1016 00:52:21,840 --> 00:52:24,600 Speaker 1: hear the bullies speak out, but then the bullies run. 1017 00:52:25,120 --> 00:52:27,719 Speaker 1: Because when those videos did come out, did rolland Martin 1018 00:52:27,800 --> 00:52:30,319 Speaker 1: come back when the videos did come out? Just with 1019 00:52:30,440 --> 00:52:33,799 Speaker 1: the three little videos, you heard nothing else? Did you? 1020 00:52:34,360 --> 00:52:38,560 Speaker 1: Let's backtrack a little bit because with Will Packer, yes, okay, 1021 00:52:38,600 --> 00:52:43,040 Speaker 1: so Will Packer and rolland Martin and you know a 1022 00:52:43,080 --> 00:52:44,880 Speaker 1: lot of people have spoken out that have dealt with 1023 00:52:44,920 --> 00:52:47,839 Speaker 1: you personally and said these things. But I haven't really 1024 00:52:47,840 --> 00:52:51,640 Speaker 1: heard anybody say anything negative about Will Packer, about working 1025 00:52:51,640 --> 00:52:55,240 Speaker 1: with Lee Daniels, and I haven't heard them say anything 1026 00:52:55,239 --> 00:52:57,000 Speaker 1: negative about some of the people that they've worked it. 1027 00:52:57,120 --> 00:52:59,080 Speaker 1: So why is it? Let me I can answer that. 1028 00:52:59,160 --> 00:53:01,800 Speaker 1: That's a great question. And you know the guy Harvey Weinstein, 1029 00:53:03,040 --> 00:53:06,600 Speaker 1: and he was able to do that for how many years? Decades? 1030 00:53:06,840 --> 00:53:09,640 Speaker 1: And why do you think that was well. They were 1031 00:53:09,800 --> 00:53:11,520 Speaker 1: working with a lot of people who felt like their 1032 00:53:11,560 --> 00:53:14,319 Speaker 1: career would be in jeopardy if they spoke out. Do 1033 00:53:14,400 --> 00:53:16,480 Speaker 1: you think this is a unique situation. Do you think 1034 00:53:16,480 --> 00:53:19,239 Speaker 1: that people are fearful to speak out when they're mistreated? 1035 00:53:19,640 --> 00:53:22,800 Speaker 1: Is it mistreatment of sexual assault? Money? We can't we 1036 00:53:22,800 --> 00:53:27,440 Speaker 1: can't put out false equivalences about people. I understand what 1037 00:53:27,520 --> 00:53:30,839 Speaker 1: is it between mistreatment and sexual Let me say its 1038 00:53:30,920 --> 00:53:35,560 Speaker 1: levels to mistreatment. You're you're absolutely right, but mistreatment is mistreatment, 1039 00:53:35,600 --> 00:53:39,279 Speaker 1: and you can't paint willing the same. This is the 1040 00:53:39,320 --> 00:53:44,680 Speaker 1: same because based upon the information that you have, you 1041 00:53:44,719 --> 00:53:47,480 Speaker 1: feel comfortable with it, because this is the world we 1042 00:53:47,600 --> 00:53:50,080 Speaker 1: live in. If you keep hearing it, it seems as 1043 00:53:50,120 --> 00:53:54,239 Speaker 1: if it's true. And the reason she had some difficulty 1044 00:53:54,320 --> 00:53:57,880 Speaker 1: with one of the individuals who were the first ape 1045 00:53:58,040 --> 00:54:02,239 Speaker 1: or something like them, she had walked into Monique's trailer 1046 00:54:02,920 --> 00:54:06,799 Speaker 1: while she was undressed without knocking. And I don't know 1047 00:54:06,840 --> 00:54:09,360 Speaker 1: if you know, but there was a letter that Steve 1048 00:54:09,440 --> 00:54:12,520 Speaker 1: Harvey had written a while ago in reference to how 1049 00:54:12,600 --> 00:54:16,920 Speaker 1: people just walk into his room. What happens is she's 1050 00:54:16,960 --> 00:54:20,880 Speaker 1: the type of person that doesn't allow people to get disrespected, 1051 00:54:21,000 --> 00:54:24,000 Speaker 1: and she's not going to have an issue with the 1052 00:54:24,080 --> 00:54:28,480 Speaker 1: people that are the hourly wage folks. It's typically the 1053 00:54:28,640 --> 00:54:33,040 Speaker 1: people who are the powerful one. She's not having no 1054 00:54:33,160 --> 00:54:36,160 Speaker 1: beef with nobody. There were people that were getting their 1055 00:54:36,160 --> 00:54:38,440 Speaker 1: fingers pointed in their face that happened to be black 1056 00:54:38,480 --> 00:54:41,719 Speaker 1: women by white men on the set of Precious and 1057 00:54:41,800 --> 00:54:44,920 Speaker 1: she said, I can't allow that to happen. Guy. So 1058 00:54:44,960 --> 00:54:48,560 Speaker 1: what happens is you are forgetting that this is a 1059 00:54:48,640 --> 00:54:53,280 Speaker 1: country that had slavery for hundreds of years. And when 1060 00:54:53,360 --> 00:54:57,360 Speaker 1: do we start realizing that we are so conditioned to 1061 00:54:57,520 --> 00:55:02,720 Speaker 1: normalize bad treatment when white men are able to say, hey, guys, 1062 00:55:03,600 --> 00:55:07,319 Speaker 1: she's right, how does the black community not see it? 1063 00:55:07,600 --> 00:55:09,839 Speaker 1: We have more with Monique when we come back. Don't move. 1064 00:55:09,880 --> 00:55:13,760 Speaker 1: It's the breakfast club. Good morning morning. Everybody is DJ 1065 00:55:14,160 --> 00:55:17,920 Speaker 1: Envy Angela yee. Charlomagne, the guy. We are the breakfast club. 1066 00:55:17,960 --> 00:55:21,000 Speaker 1: We have Monique in the building still, Charlomagne. I want 1067 00:55:21,040 --> 00:55:23,400 Speaker 1: to know about this though. Have you received other offers 1068 00:55:23,400 --> 00:55:25,719 Speaker 1: from other screaming services? Let me say this because other 1069 00:55:25,719 --> 00:55:27,600 Speaker 1: than that help with negotiations when you get come of 1070 00:55:27,680 --> 00:55:30,960 Speaker 1: that black ball being put over my head. The offers 1071 00:55:31,040 --> 00:55:33,480 Speaker 1: that come in from Netflix, they can come in low 1072 00:55:33,560 --> 00:55:37,160 Speaker 1: like that because they know you've been blackball you know 1073 00:55:37,200 --> 00:55:40,440 Speaker 1: what the word is about you. So we assume that 1074 00:55:40,480 --> 00:55:43,480 Speaker 1: you're suffering and we can offer you whatever we want 1075 00:55:43,480 --> 00:55:46,520 Speaker 1: to offer you. So the offers have come in even 1076 00:55:46,600 --> 00:55:49,680 Speaker 1: lower than that. You got a Netflix special beforehand, though, right, well, 1077 00:55:49,719 --> 00:55:52,360 Speaker 1: I didn't have a Netflix special. What happened was the 1078 00:55:52,880 --> 00:55:55,040 Speaker 1: one and put it on there exactly. I didn't make 1079 00:55:55,080 --> 00:55:57,880 Speaker 1: any deal with Netflix. So those shows just happened to 1080 00:55:57,880 --> 00:56:00,040 Speaker 1: be on it. And they've been on there for a 1081 00:56:00,040 --> 00:56:03,239 Speaker 1: long time. So someone would say, if this woman is 1082 00:56:03,239 --> 00:56:05,200 Speaker 1: not bringing in any views, why, but we hold onto 1083 00:56:05,280 --> 00:56:08,040 Speaker 1: the content. They've been on there for a minute, so 1084 00:56:08,080 --> 00:56:12,200 Speaker 1: as well, I'm assuming so we don't get a report 1085 00:56:12,239 --> 00:56:15,160 Speaker 1: on that. But as I sit here again and I 1086 00:56:15,239 --> 00:56:20,399 Speaker 1: sit between my sister, Hi, I know you deal with inequality, Angela. 1087 00:56:20,719 --> 00:56:23,759 Speaker 1: You're in the same business I'm in. But you'll look 1088 00:56:23,800 --> 00:56:25,640 Speaker 1: at me and you'll say, well, I need you to 1089 00:56:25,719 --> 00:56:27,919 Speaker 1: explain to me. They said you was a problem here 1090 00:56:28,080 --> 00:56:30,359 Speaker 1: and a problem there. We all know when you don't 1091 00:56:30,360 --> 00:56:32,760 Speaker 1: allow bullies to take place, and when you don't allow 1092 00:56:32,800 --> 00:56:36,680 Speaker 1: yourself to get bullied, don't you get labeled? Yes? But 1093 00:56:36,800 --> 00:56:40,320 Speaker 1: can I just for full disclosure. Please. There are definitely 1094 00:56:40,400 --> 00:56:42,520 Speaker 1: people that I know that I've worked with you on 1095 00:56:42,600 --> 00:56:45,880 Speaker 1: the Ebony shoot. Yes, and I've heard things. Well, they've 1096 00:56:45,920 --> 00:56:47,839 Speaker 1: told me personally, people that were in the room, say 1097 00:56:47,840 --> 00:56:50,359 Speaker 1: their names and if not, like I told Lenar before, 1098 00:56:50,600 --> 00:56:52,759 Speaker 1: keep it on the playground. Well okay, So I saw 1099 00:56:54,200 --> 00:56:58,279 Speaker 1: Alfred Edmond Jr. Who's the editor chief of Black Enterprise Magazine. Yes, 1100 00:56:58,440 --> 00:57:01,040 Speaker 1: I saw that Amy Dubarbe, who was the editor in 1101 00:57:01,080 --> 00:57:02,960 Speaker 1: chief of Ebony at the time of that shoot, who 1102 00:57:03,040 --> 00:57:04,600 Speaker 1: was very excited to have you on the shoot. She 1103 00:57:04,680 --> 00:57:07,440 Speaker 1: left a comment because he posted something about you and 1104 00:57:07,800 --> 00:57:10,960 Speaker 1: the numbers and about your worth and how you are 1105 00:57:11,000 --> 00:57:14,160 Speaker 1: the most decorated comedian, and she commented it was a 1106 00:57:14,280 --> 00:57:17,280 Speaker 1: nightmare working with her and I would never want to 1107 00:57:17,320 --> 00:57:19,320 Speaker 1: go through something like that again. I saw that comment 1108 00:57:19,400 --> 00:57:21,440 Speaker 1: is still on his page. Now. I would love to 1109 00:57:21,440 --> 00:57:23,959 Speaker 1: sit down and talk with that sister face to face 1110 00:57:24,000 --> 00:57:26,480 Speaker 1: so she can tell me about the nightmare. Because what 1111 00:57:26,520 --> 00:57:28,800 Speaker 1: they won't do is they won't fill it in. See, 1112 00:57:28,840 --> 00:57:31,800 Speaker 1: they won't fill in. We were being arrogant and we 1113 00:57:31,840 --> 00:57:33,640 Speaker 1: wanted to treat that woman as if we were doing 1114 00:57:33,640 --> 00:57:36,439 Speaker 1: her a favor by putting her on the cover. As 1115 00:57:36,480 --> 00:57:40,120 Speaker 1: my husband told me years ago, we don't disrespect anyone, 1116 00:57:40,600 --> 00:57:43,240 Speaker 1: but we overrespect no one. And I want you to 1117 00:57:43,280 --> 00:57:46,360 Speaker 1: look at me. I'm a big fat black woman. You're 1118 00:57:46,400 --> 00:57:51,040 Speaker 1: not stop real talk. What big fat black woman has 1119 00:57:51,080 --> 00:57:54,200 Speaker 1: to stands up and says this is not fair because 1120 00:57:54,200 --> 00:57:57,880 Speaker 1: what the feeling is with some of our sisters and brothers. Monique, 1121 00:57:57,920 --> 00:57:59,760 Speaker 1: you should be grateful you just got invited to the 1122 00:57:59,760 --> 00:58:02,960 Speaker 1: part party because of the way you look. So for 1123 00:58:03,000 --> 00:58:05,480 Speaker 1: anyone that says they ever had a problem with me, 1124 00:58:05,800 --> 00:58:08,400 Speaker 1: bring them to the table, bring them to the table 1125 00:58:08,440 --> 00:58:11,160 Speaker 1: and let's have a conversation. But what you'll find is 1126 00:58:11,840 --> 00:58:14,920 Speaker 1: we'll speak about this woman when she can't see us. 1127 00:58:15,320 --> 00:58:18,240 Speaker 1: We'll make comments. But we're the type of people that say, 1128 00:58:18,480 --> 00:58:21,160 Speaker 1: let's have a conversation. And when you find out that 1129 00:58:21,200 --> 00:58:24,600 Speaker 1: they're wrong, will you then speak up loudly for me 1130 00:58:24,840 --> 00:58:27,240 Speaker 1: as you speak up for them. I absolutely, Let's says 1131 00:58:27,240 --> 00:58:28,960 Speaker 1: the Mornique and brothers. And you don't ask you a question. 1132 00:58:29,120 --> 00:58:32,240 Speaker 1: Let's just talk numbers. If you put your numbers up 1133 00:58:32,280 --> 00:58:34,960 Speaker 1: against the Amy Schumers, the Chris Rocks to Dave Chappeld 1134 00:58:35,000 --> 00:58:38,360 Speaker 1: and I'm talking about selling out arenas all over the world. 1135 00:58:38,400 --> 00:58:41,000 Speaker 1: How can you justify getting a huge payday like them 1136 00:58:41,320 --> 00:58:44,240 Speaker 1: when you're saying that you're going to offer her one 1137 00:58:44,440 --> 00:58:47,200 Speaker 1: twenty six of what Amy Schumer got, and you're referring 1138 00:58:47,240 --> 00:58:51,160 Speaker 1: to Monique as a legend, and you're seeing her performance 1139 00:58:51,280 --> 00:58:55,840 Speaker 1: and you see the people standing up for at the 1140 00:58:55,920 --> 00:58:58,680 Speaker 1: end of the show. Have you read the reviews to 1141 00:58:59,000 --> 00:59:02,200 Speaker 1: the net flick special for Amy Schumer? I don't think 1142 00:59:02,240 --> 00:59:04,200 Speaker 1: Amy's funny. You don't got it. You don't got Amy 1143 00:59:04,200 --> 00:59:09,560 Speaker 1: got me blocked that this is the part, Daddy, and 1144 00:59:09,560 --> 00:59:11,800 Speaker 1: we gotta wrap up the show. But when we did 1145 00:59:11,880 --> 00:59:14,880 Speaker 1: sell out this fifty arenas around the world and MSG 1146 00:59:15,040 --> 00:59:17,760 Speaker 1: a few times an HBO's pressure, that did great. And 1147 00:59:17,760 --> 00:59:20,960 Speaker 1: this was all in twenty SI. Here's what brother leonarda saying, 1148 00:59:21,400 --> 00:59:24,840 Speaker 1: Like this year, another show comes and they become number 1149 00:59:24,840 --> 00:59:27,360 Speaker 1: one and not the breakfast Club. And then let a 1150 00:59:27,400 --> 00:59:29,880 Speaker 1: host come in here that's been doing it for maybe 1151 00:59:30,120 --> 00:59:32,720 Speaker 1: five years less than you, and then they get paid 1152 00:59:32,960 --> 00:59:35,600 Speaker 1: twenty six times more than you. Then you come back 1153 00:59:35,600 --> 00:59:39,200 Speaker 1: and have a conversation with us, because right, that's all 1154 00:59:39,240 --> 00:59:41,720 Speaker 1: because what happens is when you sit here and you say, 1155 00:59:41,800 --> 00:59:44,600 Speaker 1: make it make sense, Well, we don't have to because 1156 00:59:44,600 --> 00:59:47,360 Speaker 1: again and if you do have to make it make sense, 1157 00:59:47,440 --> 00:59:50,200 Speaker 1: especially if you're calling on people to boy, we made 1158 00:59:50,240 --> 00:59:53,000 Speaker 1: things like we made it make bias because we're saying, 1159 00:59:53,400 --> 00:59:57,000 Speaker 1: here's the resumes, guys at conjunction with that, the only 1160 00:59:57,040 --> 01:00:02,480 Speaker 1: thing we're saying is if, hypothetically speaking, it in thirteen million, Charlemagne, 1161 01:00:02,680 --> 01:00:05,760 Speaker 1: we're saying, is how come there's not. They're saying to 1162 01:00:05,800 --> 01:00:10,280 Speaker 1: the community that it's not one black woman that is 1163 01:00:10,320 --> 01:00:13,480 Speaker 1: a veteran comedian out there to day that is worth 1164 01:00:13,600 --> 01:00:15,880 Speaker 1: a seven figure number. So what would have been a 1165 01:00:15,880 --> 01:00:23,600 Speaker 1: respectable number from this Monique answering? Let me, let me 1166 01:00:23,640 --> 01:00:28,800 Speaker 1: give you a respectable number for Monique, something that would 1167 01:00:28,880 --> 01:00:34,000 Speaker 1: supersede what she would have made in two years, and 1168 01:00:34,120 --> 01:00:36,280 Speaker 1: at the very least, which she would have made two 1169 01:00:36,400 --> 01:00:40,040 Speaker 1: years to be able to take to two years off 1170 01:00:40,080 --> 01:00:43,000 Speaker 1: that they're contractually asking her to do, to not be 1171 01:00:43,080 --> 01:00:46,640 Speaker 1: able to tell jokes, You would not take a deal 1172 01:00:46,800 --> 01:00:49,600 Speaker 1: because they're gonna give you a lump summer cash that's 1173 01:00:49,640 --> 01:00:53,680 Speaker 1: going to castrate you out of three fourths of your income. 1174 01:00:54,080 --> 01:00:56,080 Speaker 1: Do you understand what I'm saying? So the deal didn't 1175 01:00:56,120 --> 01:00:58,960 Speaker 1: include the two years and didn't have that you couldn't 1176 01:00:58,960 --> 01:01:01,040 Speaker 1: tell jokes. If I would have taken a deal for 1177 01:01:01,080 --> 01:01:04,200 Speaker 1: five hundred thousand dollars Angela, what position with that I 1178 01:01:04,280 --> 01:01:06,080 Speaker 1: put the babies that's coming after you. No, the deal 1179 01:01:06,160 --> 01:01:08,400 Speaker 1: is foul. The deal is absolutely positively foul. Nobody says 1180 01:01:08,400 --> 01:01:12,320 Speaker 1: the deal is right. But you know, they know Monique's reputation. 1181 01:01:12,440 --> 01:01:15,840 Speaker 1: As far as what people are rumored to say, it 1182 01:01:15,840 --> 01:01:19,960 Speaker 1: does matter. They know that the networks are not necessarily 1183 01:01:20,000 --> 01:01:22,280 Speaker 1: giving her the money and giving her less. They know 1184 01:01:22,320 --> 01:01:24,480 Speaker 1: what it is. So why would I give as a 1185 01:01:24,560 --> 01:01:28,040 Speaker 1: business person obscene number when I know she can't get 1186 01:01:28,080 --> 01:01:31,080 Speaker 1: it anywhere else. It's foul, but it's business. But if 1187 01:01:31,120 --> 01:01:33,960 Speaker 1: you saying, Monique, it is foul, and you all right? 1188 01:01:34,440 --> 01:01:37,680 Speaker 1: So if we know it's right and we know it's foul, 1189 01:01:37,880 --> 01:01:39,840 Speaker 1: then what do we do? We do it on our own. 1190 01:01:39,960 --> 01:01:42,640 Speaker 1: That's just like talking to Steve Harvey and brother Steve 1191 01:01:42,720 --> 01:01:46,000 Speaker 1: Harvey says, MO, I know you're right, and I know 1192 01:01:46,080 --> 01:01:48,959 Speaker 1: you're not lying, but could you have done it another way? 1193 01:01:49,440 --> 01:01:52,440 Speaker 1: You know, what's the suggestion? What's the other thing? I 1194 01:01:52,440 --> 01:01:55,080 Speaker 1: don't want you to do? Do it? We do do 1195 01:01:55,160 --> 01:01:57,160 Speaker 1: it on our own, but we still got to speak up. 1196 01:01:57,280 --> 01:01:59,400 Speaker 1: I think the problem started with you coming out and 1197 01:01:59,400 --> 01:02:02,040 Speaker 1: comparing yourself of the Chris Rock Dan Chappelle and why. 1198 01:02:02,680 --> 01:02:06,000 Speaker 1: And I think because because because there's no way that 1199 01:02:06,040 --> 01:02:08,600 Speaker 1: you can justify getting that amount of money that they've got. 1200 01:02:08,600 --> 01:02:10,440 Speaker 1: Not to you, I've gotten more than five hundred thousand. Yes, 1201 01:02:10,480 --> 01:02:13,760 Speaker 1: and I've said that one. Well, here's what I'll say. No, 1202 01:02:13,880 --> 01:02:15,560 Speaker 1: that's not what y'all know. What y'all were saying was 1203 01:02:15,640 --> 01:02:18,560 Speaker 1: y'all should have got the same amount Rock chapellin let me, 1204 01:02:18,960 --> 01:02:22,000 Speaker 1: let me, let me get that. Let me answer that, Daddy. 1205 01:02:22,120 --> 01:02:25,520 Speaker 1: What I said was, if I'm considered a legend like 1206 01:02:25,560 --> 01:02:28,040 Speaker 1: my brothers, then why would I get what legends get? 1207 01:02:28,080 --> 01:02:32,240 Speaker 1: Because that is exactly what I said. Because their resume recently, 1208 01:02:32,920 --> 01:02:35,720 Speaker 1: you can just move it on paper. We're gonna listen, Lenard, 1209 01:02:35,840 --> 01:02:38,680 Speaker 1: We're gonna let you hold on to that. But what 1210 01:02:38,720 --> 01:02:40,480 Speaker 1: I will say to you is, and to all the 1211 01:02:40,560 --> 01:02:43,600 Speaker 1: black women and women of color that is listening, when 1212 01:02:43,600 --> 01:02:46,040 Speaker 1: you hear this brother's voice come over the air, and 1213 01:02:46,080 --> 01:02:48,440 Speaker 1: I'm gonna apologize like about what I'm getting ready to say. 1214 01:02:48,560 --> 01:02:51,720 Speaker 1: He does not have a value on black women and 1215 01:02:51,800 --> 01:02:54,120 Speaker 1: women of color. How can you say I'm gonna say that, 1216 01:02:54,120 --> 01:02:57,920 Speaker 1: but years ago, I'm gonna held the donna tell you 1217 01:02:57,920 --> 01:02:59,920 Speaker 1: what I think that's contradictory. I'm gonna tell you why 1218 01:03:00,040 --> 01:03:02,439 Speaker 1: I said it. Because what happens is when you leave 1219 01:03:02,480 --> 01:03:06,840 Speaker 1: a place called Monk Monk's Corner, South Carolina, and you 1220 01:03:06,920 --> 01:03:09,240 Speaker 1: come to a big city named New York, and then 1221 01:03:09,280 --> 01:03:13,600 Speaker 1: you change your name to Shalomann. Well, when you were there, 1222 01:03:13,680 --> 01:03:16,160 Speaker 1: you become Shaloman the God. Now, I don't know if 1223 01:03:16,160 --> 01:03:18,400 Speaker 1: you took the same principles that your mama and your 1224 01:03:18,400 --> 01:03:21,560 Speaker 1: grandmamma gave you in Monk's Corner and you bought it 1225 01:03:21,640 --> 01:03:24,640 Speaker 1: to Manhattan, New York. Because the brother I did meet 1226 01:03:24,680 --> 01:03:26,760 Speaker 1: on that elevator, I meant a brother that was full 1227 01:03:26,800 --> 01:03:29,240 Speaker 1: of principle, and I meant a brother who would not 1228 01:03:29,320 --> 01:03:34,000 Speaker 1: call a sister a donkey of a day unless he 1229 01:03:34,080 --> 01:03:37,600 Speaker 1: knew all the information and he could back up his statements. 1230 01:03:37,760 --> 01:03:39,640 Speaker 1: But as we sit here and we did this interview, 1231 01:03:39,880 --> 01:03:42,200 Speaker 1: you begin to ask questions that you should have asked 1232 01:03:42,360 --> 01:03:45,439 Speaker 1: before you make the statement. So what questions? But y'all 1233 01:03:45,440 --> 01:03:48,320 Speaker 1: really don't have any answer. I have not justified why 1234 01:03:48,360 --> 01:03:51,520 Speaker 1: you feel like you should have gotten that money, should 1235 01:03:51,520 --> 01:03:57,560 Speaker 1: have got that we're not back. And here's the thing, 1236 01:03:57,560 --> 01:04:00,480 Speaker 1: brothers and sisters that get it the way that they 1237 01:04:00,480 --> 01:04:01,720 Speaker 1: get it, and we get it the way that we 1238 01:04:01,760 --> 01:04:04,920 Speaker 1: get it. And it's not an argument. I respect your decision. 1239 01:04:04,960 --> 01:04:09,120 Speaker 1: I respect your no no, because you're entitled to it. Okay, well, 1240 01:04:09,160 --> 01:04:13,840 Speaker 1: thank you for joining us, miss Monique. When we come back, 1241 01:04:13,840 --> 01:04:16,280 Speaker 1: we have donkey of the day, So don't go anywhere. 1242 01:04:16,320 --> 01:04:26,240 Speaker 1: It's the breakfast club. Good morning, you get day you are, 1243 01:04:29,920 --> 01:04:32,480 Speaker 1: I'm gonna fatten all that around your They want this 1244 01:04:32,560 --> 01:04:36,760 Speaker 1: man to Doden Blowers man. They waited for Charlemagne. They 1245 01:04:36,840 --> 01:04:38,720 Speaker 1: had to make a judgment who was gonna be on 1246 01:04:38,760 --> 01:04:41,520 Speaker 1: the donkey of the day. They chose you because the 1247 01:04:41,560 --> 01:04:44,200 Speaker 1: breakfast club bitch, who's donkey of the day to day? 1248 01:04:44,880 --> 01:04:46,880 Speaker 1: Yeah talk here to day goes to a young man 1249 01:04:47,000 --> 01:04:51,080 Speaker 1: named Fine Trelle Antonio o'bates. Okay, he's thirty one years 1250 01:04:51,120 --> 01:04:53,840 Speaker 1: old and resides in Los Angeles via Memphis, and he's 1251 01:04:53,840 --> 01:04:56,400 Speaker 1: a rapper, a rapper that I never heard of until 1252 01:04:56,440 --> 01:04:58,280 Speaker 1: this weekend. And if the first time you are hearing 1253 01:04:58,320 --> 01:05:01,000 Speaker 1: about a person is because they're RECEI even dunk here today, 1254 01:05:01,240 --> 01:05:03,600 Speaker 1: just know that probably is never a good thing. Now. 1255 01:05:03,640 --> 01:05:07,280 Speaker 1: His rap name is nuke Bizzle. Bring any bells for you, envy? 1256 01:05:07,480 --> 01:05:10,560 Speaker 1: No anybody out there bumping that new nuke Bizzle drum 1257 01:05:10,680 --> 01:05:14,600 Speaker 1: that's hot in your parts? Okay, Okay, well nuke Bizzle, 1258 01:05:14,680 --> 01:05:16,680 Speaker 1: ladies and gentlemen. It is just the latest in a 1259 01:05:16,720 --> 01:05:18,600 Speaker 1: long line of people who are going to jail for 1260 01:05:18,680 --> 01:05:20,840 Speaker 1: unemployment fraud this year. And now, I know we've been 1261 01:05:20,920 --> 01:05:24,000 Speaker 1: keeping track of all the COVID nineteen cases in America 1262 01:05:24,040 --> 01:05:26,080 Speaker 1: this year, but we also need to be keeping track 1263 01:05:26,080 --> 01:05:29,080 Speaker 1: of all the unemployment for aud cases that have been happening. Okay, See, 1264 01:05:29,120 --> 01:05:30,720 Speaker 1: this is what I don't understand about the folks that 1265 01:05:30,720 --> 01:05:34,560 Speaker 1: are defraud people under the carezact. Y'all do realize what 1266 01:05:34,640 --> 01:05:37,640 Speaker 1: y'all doing is a crime? Right? This is not the 1267 01:05:37,680 --> 01:05:40,640 Speaker 1: blessing you've been praying for. All right? You know how 1268 01:05:40,640 --> 01:05:43,200 Speaker 1: we say everything happens for a reason, very true, But 1269 01:05:43,360 --> 01:05:46,640 Speaker 1: sometimes that reason is simply because you made a poor choice. 1270 01:05:46,840 --> 01:05:51,360 Speaker 1: And nuke Bizzle absolutely made a poor choice, a couple 1271 01:05:51,480 --> 01:05:56,040 Speaker 1: poor choices. See. Nuke Bizzle was arrested after applying for 1272 01:05:56,080 --> 01:05:59,800 Speaker 1: more than one point two million in jobless benefits and 1273 01:06:00,240 --> 01:06:04,040 Speaker 1: using stolen identities in the scheme to fraudulently obtain unemployment 1274 01:06:04,040 --> 01:06:07,080 Speaker 1: insurance beneficial. Now, I'm gonna be honest with you. I 1275 01:06:07,200 --> 01:06:09,000 Speaker 1: have to applaud this man for aiming high. Give them 1276 01:06:09,040 --> 01:06:10,880 Speaker 1: a little round of applause, just a little bit. That's it. 1277 01:06:10,960 --> 01:06:14,000 Speaker 1: Stop stop, stop, Okay. See here's the thing. All of 1278 01:06:14,000 --> 01:06:17,960 Speaker 1: you who have participated in unemployment fraud. You're going to jail. Okay, 1279 01:06:18,080 --> 01:06:20,720 Speaker 1: doesn't matter if you got one million to ten thousand, 1280 01:06:20,800 --> 01:06:23,200 Speaker 1: they're coming for you. I'm telling you, doesn't matter if 1281 01:06:23,200 --> 01:06:25,479 Speaker 1: you got that money and bought a Bentley or got 1282 01:06:25,520 --> 01:06:28,080 Speaker 1: that money and bought a single wide trailer. You're going 1283 01:06:28,160 --> 01:06:30,600 Speaker 1: to jail. They coming to lock your ass up at 1284 01:06:30,640 --> 01:06:33,320 Speaker 1: some point. So if you're going to take a penitentiary chance, 1285 01:06:33,480 --> 01:06:36,000 Speaker 1: your might as well shoot for the moon. And that's 1286 01:06:36,000 --> 01:06:38,400 Speaker 1: what nuke Bissel did with this one point two million 1287 01:06:38,400 --> 01:06:40,880 Speaker 1: dollars that he applied for. Now, Nuke Bisile couldn't just 1288 01:06:40,920 --> 01:06:44,880 Speaker 1: be content with getting this money. No, oh, not in 1289 01:06:45,000 --> 01:06:47,880 Speaker 1: this era. Okay, in this era, to crime is an 1290 01:06:47,880 --> 01:06:51,320 Speaker 1: official until you get on social media and alert to 1291 01:06:51,440 --> 01:06:55,440 Speaker 1: fatis about it. Okay. FBI stands for Facebook, Instagram and 1292 01:06:55,520 --> 01:06:59,360 Speaker 1: because of you fools, y'all, y'all need for digital validation 1293 01:06:59,680 --> 01:07:03,600 Speaker 1: because are you fools? Incessant desire for lights and retweets? 1294 01:07:03,840 --> 01:07:08,960 Speaker 1: Y'all make defends jobs so easy. Okay, But it wasn't 1295 01:07:09,000 --> 01:07:11,160 Speaker 1: just social media in the Internet that got Nu Bizzle 1296 01:07:11,240 --> 01:07:15,560 Speaker 1: jammed up. See Nu Bizzle, as I told y'all is 1297 01:07:15,600 --> 01:07:20,800 Speaker 1: a rapper. I repeat, nw Bizzle is a rapper. Let's 1298 01:07:20,800 --> 01:07:23,200 Speaker 1: go to CBSLA for the report. Police. The Department of 1299 01:07:23,280 --> 01:07:26,080 Speaker 1: Justice says a rapper who bragged in a music video 1300 01:07:26,120 --> 01:07:29,360 Speaker 1: about getting rich from an unemployment scam is now facing 1301 01:07:29,400 --> 01:07:33,000 Speaker 1: federal charges. According to a criminal complaint, thirty one year 1302 01:07:33,040 --> 01:07:37,880 Speaker 1: old Fontrelle Antonio Baines exploited the Pandemic Unemployment Assistance provision 1303 01:07:37,960 --> 01:07:41,160 Speaker 1: of the Federal Coronavirus Act. He applied for more than 1304 01:07:41,240 --> 01:07:45,560 Speaker 1: one point two million dollars and jobless benefits, Federal officials 1305 01:07:45,560 --> 01:07:48,280 Speaker 1: say right now. He lives in Hollywood Hills, and in 1306 01:07:48,320 --> 01:07:51,160 Speaker 1: a video he bragged He's going to get stacks of 1307 01:07:51,320 --> 01:07:55,080 Speaker 1: these while holding up envelopes from edd. A second man 1308 01:07:55,120 --> 01:07:58,000 Speaker 1: in the video raps quote, you got to sell cocaine. 1309 01:07:58,120 --> 01:08:01,520 Speaker 1: I just file a claim. If convicted, Dane's faces up 1310 01:08:01,560 --> 01:08:07,320 Speaker 1: to twenty two years in Federal present. Those are some bars. Yes, 1311 01:08:07,720 --> 01:08:12,040 Speaker 1: what God and Aaron McGruder have the same sense of humor. 1312 01:08:12,640 --> 01:08:14,400 Speaker 1: This is why we need the Boondocks back. But I 1313 01:08:14,480 --> 01:08:17,560 Speaker 1: often wonder if the Bondocks uh well, when the Boondocks 1314 01:08:17,600 --> 01:08:19,960 Speaker 1: comes back, how would they compete when the most absurd 1315 01:08:20,080 --> 01:08:24,080 Speaker 1: things that usually are reserved for storylines on the Bondocks 1316 01:08:24,120 --> 01:08:27,519 Speaker 1: are actually happening in real life. Okay, this guy Nuke 1317 01:08:27,600 --> 01:08:32,280 Speaker 1: Bizzle applied for one point two million and unemployment benefits, 1318 01:08:33,000 --> 01:08:36,240 Speaker 1: blatant unemployment fraud, and then turned around and made a 1319 01:08:36,280 --> 01:08:39,160 Speaker 1: song about it. Yeah, it's a song called e ed 1320 01:08:39,439 --> 01:08:44,640 Speaker 1: d nw Bizzle feature. In fact, whither would you like 1321 01:08:44,760 --> 01:08:57,800 Speaker 1: to hear it? Hear how they got rich Oba to 1322 01:09:00,080 --> 01:09:03,519 Speaker 1: end up building a CPA. You got a Sycalcaine. I 1323 01:09:03,600 --> 01:09:06,040 Speaker 1: can defoul the claim rest comment straight to the flame 1324 01:09:06,200 --> 01:09:08,519 Speaker 1: I'm doing. He said, you bugging no swater than you 1325 01:09:08,600 --> 01:09:10,599 Speaker 1: ain't eaty of these scales, And then that you heard 1326 01:09:10,640 --> 01:09:13,479 Speaker 1: about i'd be so heavy to certify. Get on the 1327 01:09:14,200 --> 01:09:16,559 Speaker 1: working out twenty fat clais it for a while while 1328 01:09:16,560 --> 01:09:19,120 Speaker 1: I trying my life, and I gotta admit it, I 1329 01:09:19,120 --> 01:09:21,240 Speaker 1: saw out a head in a minute. Really to tell 1330 01:09:21,280 --> 01:09:24,599 Speaker 1: me I can wait on it el for twenty Damn, 1331 01:09:24,680 --> 01:09:28,080 Speaker 1: did you hurt better than did it turn into a scale? 1332 01:09:28,400 --> 01:09:30,760 Speaker 1: I was just tucking the sale now that way, don't 1333 01:09:30,880 --> 01:09:33,439 Speaker 1: urge you. Now, I kind of like this on like 1334 01:09:33,479 --> 01:09:36,000 Speaker 1: that too, I told I s I like that, So yeah, 1335 01:09:36,160 --> 01:09:39,200 Speaker 1: I kind of like this. Yeah, that's the problem, grown 1336 01:09:39,720 --> 01:09:43,360 Speaker 1: grown up, grown as adults who know better saying it 1337 01:09:43,720 --> 01:09:48,040 Speaker 1: like songs like this, girdri at work hand, what you say, 1338 01:09:48,160 --> 01:09:52,080 Speaker 1: Uncle Ruggets and our dre at work one more time, 1339 01:09:52,160 --> 01:09:54,479 Speaker 1: Uncle Ruggets for the people in the back, and our 1340 01:09:55,080 --> 01:09:58,280 Speaker 1: gdre at work hand. Kids. I'm so sorry. I am 1341 01:09:58,320 --> 01:10:00,880 Speaker 1: so sorry, kids. I'm so sorry that we made y'all 1342 01:10:00,920 --> 01:10:02,960 Speaker 1: believe you really had to be living the things you 1343 01:10:03,080 --> 01:10:06,160 Speaker 1: rapped about. I wish more rappers told y'all that they 1344 01:10:06,200 --> 01:10:08,519 Speaker 1: were just performing and they was just trying to make 1345 01:10:08,560 --> 01:10:10,720 Speaker 1: some money. All right. There was a period in my 1346 01:10:10,760 --> 01:10:13,439 Speaker 1: life where I really wanted and loved when my rappers 1347 01:10:13,479 --> 01:10:15,760 Speaker 1: were doing the things they were talking about. But that 1348 01:10:15,800 --> 01:10:18,840 Speaker 1: was ignorant of me. Okay, if rappers actually did just 1349 01:10:19,000 --> 01:10:22,280 Speaker 1: thirty percent, just thirty percent of what they rapped about doing, 1350 01:10:22,560 --> 01:10:25,280 Speaker 1: they would all be in prison a debt. Okay, this 1351 01:10:25,360 --> 01:10:28,000 Speaker 1: new generation didn't get the memo that majority of these 1352 01:10:28,080 --> 01:10:31,760 Speaker 1: rappers was all cat. Now they're busy trying to lead 1353 01:10:31,760 --> 01:10:34,080 Speaker 1: two lives, trying to serve two masters. They want to 1354 01:10:34,160 --> 01:10:36,640 Speaker 1: rap and live a life of crime, and when you 1355 01:10:36,720 --> 01:10:41,280 Speaker 1: try to do both, you end up like Nuke Bizzle okay, 1356 01:10:41,439 --> 01:10:45,439 Speaker 1: facing three federal charges and if convicted of all these charges, 1357 01:10:46,320 --> 01:10:50,200 Speaker 1: Baines Nuke Bizzle will face the statutory maximum sentence of 1358 01:10:50,320 --> 01:10:55,599 Speaker 1: twenty two years in federal prison. Y'all still like the song, 1359 01:10:56,120 --> 01:10:59,880 Speaker 1: so I don't happen to do it. This song is good, 1360 01:11:00,080 --> 01:11:02,120 Speaker 1: that New Bizzle. We're not gonna play guests? What race 1361 01:11:02,200 --> 01:11:05,160 Speaker 1: this is? Please? Let me mind giving New Pizzle the 1362 01:11:05,200 --> 01:11:09,840 Speaker 1: biggest here he ha, he ha, You stupid mother? Are 1363 01:11:09,880 --> 01:11:13,400 Speaker 1: you dumb? Are they white? I have one question? Where 1364 01:11:13,479 --> 01:11:16,960 Speaker 1: is Fat Whizzle? If Fat Whizzle was featured on this song? 1365 01:11:17,520 --> 01:11:20,519 Speaker 1: Did Fat Whizz? Are you trying to get someone else arrested? 1366 01:11:20,640 --> 01:11:22,920 Speaker 1: Inquiring minds? Well, oh, I'm trying to get them arrested. 1367 01:11:22,920 --> 01:11:24,920 Speaker 1: For Get the song that's got over a million views 1368 01:11:24,960 --> 01:11:27,960 Speaker 1: on YouTube, and forget that one point two million dollars 1369 01:11:28,040 --> 01:11:30,840 Speaker 1: and uh and and unemployment fraud that they tried to get. 1370 01:11:31,040 --> 01:11:36,800 Speaker 1: I'm trying to get them arrested. The rich off d 1371 01:11:37,080 --> 01:11:46,280 Speaker 1: D all right now and our fre at work. All right, well, 1372 01:11:46,320 --> 01:11:49,200 Speaker 1: thank you for that donkey of the day. How'd you 1373 01:11:49,200 --> 01:11:52,000 Speaker 1: get the song Fat Wizard? I don't know if fat 1374 01:11:52,000 --> 01:11:55,640 Speaker 1: wizard he's getting low right back? You got anything you 1375 01:11:55,640 --> 01:11:59,320 Speaker 1: want to say? Oh my goodness? All right, thank you 1376 01:11:59,360 --> 01:12:02,120 Speaker 1: for that stain it. Don't pop up now talking about 1377 01:12:02,160 --> 01:12:04,120 Speaker 1: they were talking about you on the Breakfast Club. Now 1378 01:12:04,120 --> 01:12:06,519 Speaker 1: you get low, stay low to lead all your social 1379 01:12:06,560 --> 01:12:09,200 Speaker 1: media pages and everything. That's right, all right, We got 1380 01:12:09,240 --> 01:12:15,679 Speaker 1: more coming up next. We're a breakfast club the relationship advice, 1381 01:12:16,200 --> 01:12:19,639 Speaker 1: need personal advice, just need real advice. Call up man 1382 01:12:19,760 --> 01:12:26,200 Speaker 1: for asking morning. Everybody's DJ Envy Angela, Yee, Charlomagne the guy. 1383 01:12:26,240 --> 01:12:29,200 Speaker 1: We are the breakfast Club. It's time for asking ye Hello, 1384 01:12:29,200 --> 01:12:35,840 Speaker 1: who's this? Yo? This cookie? Cookie cookie from out of Florida, 1385 01:12:36,439 --> 01:12:39,439 Speaker 1: Brown County. I know you're talking about as Charlomagne. I 1386 01:12:39,479 --> 01:12:41,639 Speaker 1: don't know what you're talking about. What's up? All right? Cookie? 1387 01:12:41,640 --> 01:12:45,280 Speaker 1: What's good? What's your question for? Easy? Okay? My question 1388 01:12:45,560 --> 01:12:48,360 Speaker 1: is um, me and my husband we wrapped like we 1389 01:12:48,439 --> 01:12:51,320 Speaker 1: spit bars like we really got bars man, But we 1390 01:12:51,320 --> 01:12:53,439 Speaker 1: were up there in age. We've been spitting for a 1391 01:12:53,479 --> 01:12:56,040 Speaker 1: long time. We're thirty two and we're just wondering if 1392 01:12:56,040 --> 01:12:59,479 Speaker 1: we should keep trying. Are you any good? You want 1393 01:12:59,479 --> 01:13:02,320 Speaker 1: to hear me? Go yeah, go ahead, Let's let's hear something. Cookie, 1394 01:13:03,080 --> 01:13:05,559 Speaker 1: all right, you can't speak up with low key now. 1395 01:13:05,680 --> 01:13:07,640 Speaker 1: You don't know me. Yeah, you may see me, but 1396 01:13:07,720 --> 01:13:09,680 Speaker 1: you can never beat me, and you can never beat me. 1397 01:13:09,760 --> 01:13:11,960 Speaker 1: In the hip pop paddle tune this you'll see me 1398 01:13:12,040 --> 01:13:14,160 Speaker 1: full better scadd or so if I have at the paddle, 1399 01:13:14,160 --> 01:13:16,320 Speaker 1: I swim through the river, meaning I could make it 1400 01:13:16,320 --> 01:13:19,880 Speaker 1: through whatever like them quivered any time I sit, Ryan said, 1401 01:13:19,920 --> 01:13:28,320 Speaker 1: your man, I know my highs. Cookie black time a man. 1402 01:13:29,080 --> 01:13:31,320 Speaker 1: I love the comedy rap y'all. You really made me 1403 01:13:31,439 --> 01:13:33,920 Speaker 1: laugh the comedy rappers dope, this is ask he ain't 1404 01:13:34,000 --> 01:13:35,840 Speaker 1: ain't What do you think? Tell Cookie? A couple of 1405 01:13:35,880 --> 01:13:38,479 Speaker 1: things here? Have you made any type of progress with 1406 01:13:38,600 --> 01:13:41,200 Speaker 1: your career as a rapper? Um? I performed a couple 1407 01:13:41,200 --> 01:13:44,599 Speaker 1: of places. I mean I UM performed at a hard 1408 01:13:44,720 --> 01:13:47,680 Speaker 1: rock a while ago. Um it was big well at 1409 01:13:47,720 --> 01:13:49,920 Speaker 1: the time I was working there. But we feel like 1410 01:13:49,960 --> 01:13:52,880 Speaker 1: an employee time show and I won both times. I 1411 01:13:53,040 --> 01:13:56,559 Speaker 1: won both times though, Yeah, I performed at a few places, 1412 01:13:56,760 --> 01:13:59,400 Speaker 1: you know, locally and stuff like that. So it's like 1413 01:13:59,760 --> 01:14:01,880 Speaker 1: that He've been real cookie. Have you been going really 1414 01:14:01,960 --> 01:14:05,680 Speaker 1: really hard to pursue your dream? Been trying? Yes? Um, 1415 01:14:06,040 --> 01:14:07,880 Speaker 1: you know, get knocked down the cup times. You know. 1416 01:14:08,120 --> 01:14:12,639 Speaker 1: We went to an event in Orlando and it was like, oh, 1417 01:14:12,840 --> 01:14:15,680 Speaker 1: you know, people not really check for older rappers right now. 1418 01:14:15,720 --> 01:14:17,320 Speaker 1: I'm like, yo, but I've been doing this for so 1419 01:14:17,840 --> 01:14:20,760 Speaker 1: long and it just so happened as some opportunities are 1420 01:14:20,800 --> 01:14:24,720 Speaker 1: coming out right now. You know where you can you know, 1421 01:14:24,840 --> 01:14:29,560 Speaker 1: this artist showcase and this artist showcase. And have you 1422 01:14:29,680 --> 01:14:33,080 Speaker 1: been recording music in the studio anywhere? Though? Yes, you 1423 01:14:33,160 --> 01:14:36,400 Speaker 1: can go on the Instagram. Grew in the payment LLC 1424 01:14:36,720 --> 01:14:39,000 Speaker 1: man just tell her she sucks and to get a job. 1425 01:14:39,000 --> 01:14:40,680 Speaker 1: I just want to say, I don't I don't think 1426 01:14:40,760 --> 01:14:42,640 Speaker 1: that being in your thirties is a reason to not 1427 01:14:42,760 --> 01:14:46,200 Speaker 1: pursue your career as far as being an artist, if 1428 01:14:46,280 --> 01:14:48,240 Speaker 1: you're really great at it and if you go really 1429 01:14:48,360 --> 01:14:50,320 Speaker 1: hard at it, you know what I'm saying. I think 1430 01:14:50,400 --> 01:14:52,840 Speaker 1: sometimes people want things to happen and they do a 1431 01:14:52,880 --> 01:14:55,720 Speaker 1: showcase here and there, but they're not going super hard 1432 01:14:55,760 --> 01:14:58,400 Speaker 1: because people who really want to be in this industry, 1433 01:14:58,520 --> 01:15:01,519 Speaker 1: have to really live, breathe sleep it like, do everything 1434 01:15:01,600 --> 01:15:04,000 Speaker 1: they can to make it happen. So that's why I 1435 01:15:04,160 --> 01:15:05,960 Speaker 1: was asking you, are you doing everything that you can? 1436 01:15:06,080 --> 01:15:08,240 Speaker 1: Have you been going really hard or is it something 1437 01:15:08,320 --> 01:15:10,680 Speaker 1: that you've been doing kind of you know, here and there, 1438 01:15:10,760 --> 01:15:13,840 Speaker 1: but not really pursuing. Yeah, I've been trying to go hard. 1439 01:15:13,880 --> 01:15:17,200 Speaker 1: I've really been trying to abhorse. You know what. My age, Um, 1440 01:15:17,520 --> 01:15:20,360 Speaker 1: you know, I eventually had children and stuff like that, 1441 01:15:20,560 --> 01:15:24,160 Speaker 1: but um, I still I think I'm still got bars. 1442 01:15:24,200 --> 01:15:26,320 Speaker 1: I'm still ready to put in the workout tell me 1443 01:15:26,400 --> 01:15:28,600 Speaker 1: and saying I fuck no, I don't suck man. You 1444 01:15:28,720 --> 01:15:30,680 Speaker 1: do learn a trade, you know what I'm saying. Do 1445 01:15:30,680 --> 01:15:34,160 Speaker 1: you have a job there, you go get another one. 1446 01:15:34,920 --> 01:15:37,080 Speaker 1: I just don't want you to use agent as an excuse. 1447 01:15:37,200 --> 01:15:39,000 Speaker 1: We know a artist right now that's putting out his 1448 01:15:39,120 --> 01:15:42,040 Speaker 1: first ever album. He's in his forties, you know what 1449 01:15:42,120 --> 01:15:45,320 Speaker 1: I'm saying. So I don't think that's ever good exactly. 1450 01:15:45,720 --> 01:15:47,519 Speaker 1: Even the white man in the room say, but he's 1451 01:15:47,560 --> 01:15:50,640 Speaker 1: good because you're talking about jail. Yeah good. So what 1452 01:15:50,760 --> 01:15:55,240 Speaker 1: I'm saying is you're saying I'm not good. Seven minutes 1453 01:15:55,760 --> 01:15:58,759 Speaker 1: out of this conversation. All right, well, listen, give everybody 1454 01:15:58,800 --> 01:16:01,360 Speaker 1: in your Instagram. Everybody, everybody is gonna weigh in and 1455 01:16:01,439 --> 01:16:03,360 Speaker 1: go and look at your music that you have posted 1456 01:16:03,640 --> 01:16:05,000 Speaker 1: and let you know what they think. This is a 1457 01:16:05,040 --> 01:16:07,360 Speaker 1: great opportunity for you to get some feedback. That's right, 1458 01:16:07,400 --> 01:16:09,080 Speaker 1: Give them your Instagram because so people can go tell 1459 01:16:09,080 --> 01:16:13,960 Speaker 1: you the truth. Is it Crow Entertainment, g R either 1460 01:16:14,120 --> 01:16:17,400 Speaker 1: W entertainment, l L speed Man. I love you though, 1461 01:16:18,040 --> 01:16:20,040 Speaker 1: I love y'all. I listened to it every morning. I'm 1462 01:16:20,120 --> 01:16:22,320 Speaker 1: hurt right now though, Charlomagne. But it's so well I 1463 01:16:22,320 --> 01:16:24,000 Speaker 1: don't think you can judge it just based off of 1464 01:16:24,040 --> 01:16:27,320 Speaker 1: that no music, So you know he hasn't heard no music, 1465 01:16:27,400 --> 01:16:29,040 Speaker 1: he just heard. What do you think of that freestyle 1466 01:16:29,040 --> 01:16:30,920 Speaker 1: you just heard from her view? What do you think 1467 01:16:30,960 --> 01:16:32,479 Speaker 1: of it? What you just heard from her? I was 1468 01:16:32,560 --> 01:16:43,200 Speaker 1: listening listening, y'allo. Foolish, Wasn't it? What you wonna waste 1469 01:16:43,200 --> 01:16:45,320 Speaker 1: her time for the next three or four years trying 1470 01:16:45,320 --> 01:16:48,200 Speaker 1: to bed I just had a day off day, okay, sure, 1471 01:16:48,439 --> 01:16:52,920 Speaker 1: Cookie the black Widow, all right, okay, okay, let's keep 1472 01:16:52,920 --> 01:16:55,439 Speaker 1: it going, ask ye eight hundred five eighty five one 1473 01:16:55,479 --> 01:16:57,200 Speaker 1: on five one. If you need relationship if ice hit 1474 01:16:57,240 --> 01:17:05,519 Speaker 1: this up now, it's the breakfast Smokeal Morning had some 1475 01:17:05,600 --> 01:17:09,519 Speaker 1: real advice with Angela Ye. It's ask Ye holding. Everybody 1476 01:17:09,680 --> 01:17:13,400 Speaker 1: is DJ Envy, Angela Yee, Charlomagne the God. We are 1477 01:17:13,520 --> 01:17:17,280 Speaker 1: the breakfast club. We're in the middle of ask ye Hello, 1478 01:17:17,400 --> 01:17:24,400 Speaker 1: who's this misty? Yes? Hey, what's your question for you? Okay? 1479 01:17:24,680 --> 01:17:27,200 Speaker 1: So my question was like, what am I supposed to do? 1480 01:17:27,560 --> 01:17:30,519 Speaker 1: It's like my boyfriend, she's sneaking to watch porn. I 1481 01:17:30,600 --> 01:17:32,720 Speaker 1: don't have a problem with him watching it. It's just 1482 01:17:33,520 --> 01:17:36,960 Speaker 1: getting weird that he's sneaking to watch it because he 1483 01:17:37,040 --> 01:17:38,760 Speaker 1: doesn't know whether or not you have a problem with it. 1484 01:17:38,840 --> 01:17:40,439 Speaker 1: Did you tell him, like, I know you're watching porn? 1485 01:17:40,520 --> 01:17:43,640 Speaker 1: It's fine. I mean we've had the discussion about it, 1486 01:17:43,840 --> 01:17:46,000 Speaker 1: like I have him like we have a problem with 1487 01:17:46,160 --> 01:17:49,120 Speaker 1: sex or something, but he's like, no, we don't have 1488 01:17:49,240 --> 01:17:51,400 Speaker 1: a problem with sex or anything. And it's like I'm 1489 01:17:51,880 --> 01:17:55,280 Speaker 1: being open minded about stuff, but I don't know. He 1490 01:17:55,400 --> 01:17:57,439 Speaker 1: keeps asking for like three sing stuff like that or 1491 01:17:57,479 --> 01:18:01,240 Speaker 1: whatever too. Well, yeah, and you don't want to do it? 1492 01:18:01,400 --> 01:18:03,160 Speaker 1: Three cent? Where you do? Are you open to it? 1493 01:18:03,600 --> 01:18:07,000 Speaker 1: I'm okay? With it. I guess I've never done it. 1494 01:18:07,200 --> 01:18:10,800 Speaker 1: So well, obviously that's not gonna happen anytime soon because 1495 01:18:10,840 --> 01:18:14,479 Speaker 1: we are all quarantined and you know, so that's a 1496 01:18:14,560 --> 01:18:17,200 Speaker 1: whole other story. But first of all, maybe part of 1497 01:18:17,240 --> 01:18:19,200 Speaker 1: the fund for him watching porn is him sneaking to 1498 01:18:19,280 --> 01:18:22,000 Speaker 1: do it. That's what is that not strange or like, 1499 01:18:22,280 --> 01:18:24,599 Speaker 1: is that normal? How'd you catch him? I'm just curious, 1500 01:18:24,600 --> 01:18:26,760 Speaker 1: how'd you catch him? Okay, we're supposed to have sex 1501 01:18:26,920 --> 01:18:29,120 Speaker 1: or whatever, but then I felt sweet. But then when 1502 01:18:29,160 --> 01:18:31,280 Speaker 1: I woke up, I'm like, okay, maybe I should go 1503 01:18:31,320 --> 01:18:35,080 Speaker 1: back to sweet because you are most finished. So oh 1504 01:18:35,200 --> 01:18:36,640 Speaker 1: when you when you woke up and you seen him 1505 01:18:36,640 --> 01:18:38,680 Speaker 1: on a computer, he was sitting there watching porn. He 1506 01:18:38,800 --> 01:18:41,200 Speaker 1: was on his phone and it was on you. That's 1507 01:18:41,240 --> 01:18:43,960 Speaker 1: the weirdest thing to me, Like like he was repose. 1508 01:18:44,040 --> 01:18:45,960 Speaker 1: He didn't want to wake you up. I'm okay with 1509 01:18:46,080 --> 01:18:48,720 Speaker 1: him waking me up, though, but he didn't know that. 1510 01:18:48,920 --> 01:18:50,639 Speaker 1: Did you tell him next time waking me up? I'm 1511 01:18:50,840 --> 01:18:53,760 Speaker 1: you know, I'm fine, but I don't know. I just 1512 01:18:54,000 --> 01:18:55,920 Speaker 1: kind of like got up and went to the bathroom 1513 01:18:55,920 --> 01:18:57,880 Speaker 1: because I'm like, this is weird. This's the second time 1514 01:18:57,920 --> 01:19:00,320 Speaker 1: I call him doing this, and I don't you know 1515 01:19:00,360 --> 01:19:02,479 Speaker 1: what it sounds like, y'all just need to have a 1516 01:19:02,520 --> 01:19:05,439 Speaker 1: conversation because you're not saying anything to him, and then 1517 01:19:05,520 --> 01:19:07,800 Speaker 1: he's not saying anything to you about it, and then 1518 01:19:08,280 --> 01:19:10,280 Speaker 1: now you do think it's weird, so he probably can 1519 01:19:10,439 --> 01:19:12,680 Speaker 1: sense that you think it's weird. So it's kind of 1520 01:19:12,760 --> 01:19:15,080 Speaker 1: like a lack of communication. That's what's causing you, guys 1521 01:19:15,760 --> 01:19:17,479 Speaker 1: to not come together on this when you could just 1522 01:19:17,560 --> 01:19:20,160 Speaker 1: simply wake up and be like, oh, you're watching porn. 1523 01:19:20,240 --> 01:19:25,240 Speaker 1: What you're watching? Let me see? Okay, I guess, And 1524 01:19:25,360 --> 01:19:27,120 Speaker 1: you know what can be fun sometimes if you don't 1525 01:19:27,160 --> 01:19:30,200 Speaker 1: mind doing this is watching porn together. I mean, like, 1526 01:19:30,479 --> 01:19:33,240 Speaker 1: I'm not as experienced as he is sexually, and like 1527 01:19:33,400 --> 01:19:35,760 Speaker 1: recently he got me like this Tory thing and I'm 1528 01:19:35,800 --> 01:19:38,400 Speaker 1: just like, I'm not okay with these like traffic down 1529 01:19:38,479 --> 01:19:41,640 Speaker 1: there because like robot or whatever. So I was like, 1530 01:19:42,280 --> 01:19:44,559 Speaker 1: I don't know, Well, maybe he is nervous to bring 1531 01:19:44,640 --> 01:19:46,240 Speaker 1: things up to you because he doesn't want you to 1532 01:19:46,320 --> 01:19:50,960 Speaker 1: think that he's weird. Okay, I'll try to have that conversation. 1533 01:19:51,080 --> 01:19:54,960 Speaker 1: I guess. I don't know, And I see it feels 1534 01:19:55,000 --> 01:19:57,479 Speaker 1: like you want to be more open minded about things 1535 01:19:57,520 --> 01:20:00,519 Speaker 1: and that, but you're right now, you're not in that place. 1536 01:20:01,080 --> 01:20:03,240 Speaker 1: Like you're uncertain about a lot of things. Like you said, 1537 01:20:03,280 --> 01:20:05,760 Speaker 1: you're not as experienced as he is, so you take 1538 01:20:05,800 --> 01:20:08,120 Speaker 1: it slow. And I always tell people, don't do anything 1539 01:20:08,200 --> 01:20:10,840 Speaker 1: that you're not comfortable with. So if you truly are 1540 01:20:10,920 --> 01:20:13,680 Speaker 1: not comfortable with something, don't do it and let him 1541 01:20:13,720 --> 01:20:16,240 Speaker 1: know that you're not comfortable. And if there are things 1542 01:20:16,280 --> 01:20:18,200 Speaker 1: that you want to try, don't be ashamed to try them. 1543 01:20:18,280 --> 01:20:19,840 Speaker 1: So those are the two things that I would say 1544 01:20:19,880 --> 01:20:23,640 Speaker 1: when it comes to experimenting in the bedroom, Okay, because like, 1545 01:20:23,760 --> 01:20:26,080 Speaker 1: I really like them. I've tried to have a part 1546 01:20:26,120 --> 01:20:29,600 Speaker 1: of this conversation before and then it went into this 1547 01:20:29,720 --> 01:20:33,920 Speaker 1: whole spiral conversation about like insecurity and all this extra 1548 01:20:34,040 --> 01:20:37,439 Speaker 1: drunk and I'm just like, what the is going on? Yeah, 1549 01:20:37,600 --> 01:20:39,960 Speaker 1: you never do something just to please the other person 1550 01:20:40,160 --> 01:20:42,599 Speaker 1: if you're not comfortable with it, because that does cause 1551 01:20:43,040 --> 01:20:46,040 Speaker 1: resentment sometimes and then that does tend to spiral out 1552 01:20:46,080 --> 01:20:49,080 Speaker 1: of control. But if in your mind you're like I 1553 01:20:49,200 --> 01:20:51,800 Speaker 1: would like to try this, then you should try it. 1554 01:20:52,000 --> 01:20:55,240 Speaker 1: It's just and remember it's completely up to you. It's 1555 01:20:55,280 --> 01:20:57,080 Speaker 1: fine for you to not want to do a threesome. 1556 01:20:57,360 --> 01:20:59,080 Speaker 1: It's fine for you to not want to use that 1557 01:20:59,160 --> 01:21:01,040 Speaker 1: toy if you don't feel like it. But it's also 1558 01:21:01,120 --> 01:21:03,280 Speaker 1: fine for you to say, Okay, I'm down to experiment. 1559 01:21:03,320 --> 01:21:05,840 Speaker 1: Don't worry about other people's judgments of you. It is 1560 01:21:05,960 --> 01:21:08,519 Speaker 1: your body, your choice to do whatever you want. And 1561 01:21:08,680 --> 01:21:11,040 Speaker 1: even with those things like whenever I gave him the 1562 01:21:11,080 --> 01:21:13,160 Speaker 1: stuff I wanted to try, he just kept calling me 1563 01:21:13,240 --> 01:21:15,240 Speaker 1: like a freakrow or whatever. And then I'm like, Okay, 1564 01:21:15,320 --> 01:21:17,280 Speaker 1: maybe I shouldn't tell him the stuff that I'm into 1565 01:21:17,720 --> 01:21:20,519 Speaker 1: if he thinks he's too outrageous. But then you, what 1566 01:21:20,600 --> 01:21:22,519 Speaker 1: do you what are you into? Yeah? Any wants to 1567 01:21:22,600 --> 01:21:26,200 Speaker 1: know what are you into? Curiousy? Oh gosh, Okay, So 1568 01:21:26,840 --> 01:21:28,960 Speaker 1: I kind of like the whole domps and this one 1569 01:21:29,080 --> 01:21:31,920 Speaker 1: thing like if we can switch rolls and stuff, and 1570 01:21:32,920 --> 01:21:34,560 Speaker 1: he's not okay with a lot of them, and I 1571 01:21:34,680 --> 01:21:36,759 Speaker 1: guess I grew up on the pill side of life, 1572 01:21:37,439 --> 01:21:40,720 Speaker 1: but I was kind of trying to see if he 1573 01:21:40,760 --> 01:21:46,920 Speaker 1: will be okay with like, you know, pegging terribly. Oh yeah, okay, 1574 01:21:47,000 --> 01:21:49,479 Speaker 1: Now pegging is yeah, pegging might be a little serious. 1575 01:21:49,600 --> 01:21:51,280 Speaker 1: That's not light. You want to put him on a 1576 01:21:51,360 --> 01:21:54,040 Speaker 1: least to that covert. I mean, he put me on 1577 01:21:54,120 --> 01:22:02,200 Speaker 1: the weeks before. Okay, I'm gonna pass. I'll take the leash. 1578 01:22:02,760 --> 01:22:07,840 Speaker 1: I'll take the leash for okay. What I would recommend, Missy, though, 1579 01:22:08,040 --> 01:22:09,960 Speaker 1: is before you go straight to the peggang you have 1580 01:22:10,040 --> 01:22:12,599 Speaker 1: you ever put a finger there? Yes, that's the thing, 1581 01:22:12,880 --> 01:22:16,719 Speaker 1: got it got you? Okay, So so maybe that's something 1582 01:22:16,760 --> 01:22:19,960 Speaker 1: you guys will graduate to eventually. Yeah, but that's my 1583 01:22:20,120 --> 01:22:24,560 Speaker 1: thing though. If he brings up the butt play but 1584 01:22:24,800 --> 01:22:29,200 Speaker 1: think it's weird, will be talking about it. I'm just like, 1585 01:22:30,439 --> 01:22:33,040 Speaker 1: what's going on? You know what. I'm a and missy, 1586 01:22:33,160 --> 01:22:34,760 Speaker 1: and I'm gonna be honest with you. A lot of 1587 01:22:34,800 --> 01:22:36,600 Speaker 1: times guys like to do things, but they don't like 1588 01:22:36,680 --> 01:22:38,400 Speaker 1: to discuss the things they like to do because they 1589 01:22:38,439 --> 01:22:40,680 Speaker 1: feel like it's weird. So you have to kind of 1590 01:22:40,760 --> 01:22:43,800 Speaker 1: just do it without dressing. Don't rate that man, but 1591 01:22:44,240 --> 01:22:46,840 Speaker 1: I don't know that. But like, you can feel it 1592 01:22:46,920 --> 01:22:48,760 Speaker 1: out and start doing something and he might like it, 1593 01:22:49,280 --> 01:22:51,519 Speaker 1: but he doesn't want to discuss that he liked it. 1594 01:22:51,640 --> 01:22:53,360 Speaker 1: So obviously, if he doesn't want to do it, he'll 1595 01:22:53,439 --> 01:22:54,600 Speaker 1: let you know he doesn't want to do it. But 1596 01:22:54,640 --> 01:22:57,960 Speaker 1: if you just approach it and bring it and they like, hey, 1597 01:22:58,040 --> 01:22:59,880 Speaker 1: let's go in the heat of the moment, and he 1598 01:23:00,200 --> 01:23:02,439 Speaker 1: with it, then there you go. But sometimes having that 1599 01:23:02,520 --> 01:23:06,920 Speaker 1: discussion makes people feel a little weird. Okay, I'm gonna 1600 01:23:06,920 --> 01:23:11,160 Speaker 1: have the hell um like golf conversation. I don't want 1601 01:23:11,200 --> 01:23:13,320 Speaker 1: to have you like first time at breakfast or whatever, 1602 01:23:13,760 --> 01:23:15,439 Speaker 1: but I'm trying to see how I can bring it 1603 01:23:15,520 --> 01:23:17,639 Speaker 1: up during the day or whatever, because I'm just like, yo, 1604 01:23:18,400 --> 01:23:20,639 Speaker 1: I'm okay with you waking me up for sex. You've 1605 01:23:20,680 --> 01:23:23,320 Speaker 1: done it before, like well he didn't know camp for sex, 1606 01:23:23,479 --> 01:23:26,960 Speaker 1: but like or whatever. So it's just like, yo, I 1607 01:23:27,040 --> 01:23:29,439 Speaker 1: feel like you gotta be fine. This is a great 1608 01:23:29,479 --> 01:23:31,599 Speaker 1: time to have these discussions while y'all learning the house 1609 01:23:31,600 --> 01:23:33,280 Speaker 1: to get it. Ain't got nowhere else to go. We 1610 01:23:33,360 --> 01:23:35,960 Speaker 1: gotta get this quarantine over because y'all boards hell. Tell him, 1611 01:23:36,040 --> 01:23:38,000 Speaker 1: tell him he shook and ain't no such thing as 1612 01:23:38,040 --> 01:23:40,200 Speaker 1: half ass crooks, and by that, tell them stop letting, 1613 01:23:40,520 --> 01:23:42,680 Speaker 1: letting you put half your fingers ass and tell them 1614 01:23:42,680 --> 01:23:46,840 Speaker 1: you want all in nothing, all right, tell them grow up, definitely, 1615 01:23:47,040 --> 01:23:50,920 Speaker 1: Thank you guys. All right, missy, good luck. It's funny 1616 01:23:52,880 --> 01:23:54,880 Speaker 1: if you do stuff like that. You can't even Please 1617 01:23:54,880 --> 01:23:56,840 Speaker 1: don't give the young man no nicknames either, though you'll 1618 01:23:56,880 --> 01:23:59,599 Speaker 1: be hitting him in about your peg. The Stallion can't 1619 01:23:59,640 --> 01:24:02,880 Speaker 1: call a wrong man peg the Stallion, what all right? 1620 01:24:03,040 --> 01:24:05,639 Speaker 1: Ask ye eight hundred five A five one oh five 1621 01:24:05,720 --> 01:24:07,639 Speaker 1: one to keep a lot? This to Breakfast Club, Good morning, 1622 01:24:08,600 --> 01:24:11,800 Speaker 1: whatever y'all is, dj MB Hey, I'm a gobody name 1623 01:24:11,840 --> 01:24:13,439 Speaker 1: of Charlomagne the Guy, and we just want to say 1624 01:24:13,479 --> 01:24:16,120 Speaker 1: happy holidays from all three of us, all three of 1625 01:24:16,200 --> 01:24:26,640 Speaker 1: y'all the Breakfast Club. Baby, ask Charlomagne a d J 1626 01:24:26,880 --> 01:24:29,320 Speaker 1: n V any pick it up, pick it up, it up. 1627 01:24:30,240 --> 01:24:34,200 Speaker 1: It's time to ask C and E morning. Everybody is 1628 01:24:34,280 --> 01:24:37,960 Speaker 1: cj envy Angela yee, Charlomagne the Guy. We are the 1629 01:24:38,040 --> 01:24:41,040 Speaker 1: Breakfast Club. Good morning. It's time for ask C and E. 1630 01:24:41,360 --> 01:24:44,560 Speaker 1: Now Angela Ye is on vacation, so I asked C 1631 01:24:44,720 --> 01:24:47,439 Speaker 1: an E. All right, if you got relationship advice questions, 1632 01:24:47,560 --> 01:24:49,479 Speaker 1: or you just have questions about life in general, we 1633 01:24:49,560 --> 01:24:53,520 Speaker 1: can help you. Hello, who's this? All right? This is anonymous? 1634 01:24:54,760 --> 01:24:57,080 Speaker 1: Anonymous from the d all right brother, what's what's your 1635 01:24:57,160 --> 01:24:59,560 Speaker 1: question for C and E? Okay, I've been dating the 1636 01:25:00,280 --> 01:25:03,160 Speaker 1: a Spanish woman I'm actually African American and she's been 1637 01:25:03,240 --> 01:25:05,960 Speaker 1: working with me. But she switched shifts after we dated 1638 01:25:06,040 --> 01:25:07,680 Speaker 1: for two years and knew each other for three and 1639 01:25:07,760 --> 01:25:10,960 Speaker 1: went to morning shift. I'm on night shift now. She 1640 01:25:11,160 --> 01:25:14,240 Speaker 1: found the friend that's actually her race, probably like three 1641 01:25:14,320 --> 01:25:16,719 Speaker 1: months ago. They went out of town, spent the weekend, 1642 01:25:16,840 --> 01:25:19,280 Speaker 1: had a great time. We still talk every day. She 1643 01:25:19,439 --> 01:25:22,479 Speaker 1: initiate the text. She texted me to call me one 1644 01:25:22,560 --> 01:25:25,600 Speaker 1: night crying. Her stomach was hurting. She still relies on me, 1645 01:25:25,720 --> 01:25:27,920 Speaker 1: but she don't want to see me outside of work. 1646 01:25:28,720 --> 01:25:31,000 Speaker 1: So is there any test I couldn't get her back. Well, 1647 01:25:31,000 --> 01:25:33,360 Speaker 1: I'm just waiting for him to mess up further on. 1648 01:25:33,760 --> 01:25:37,160 Speaker 1: You said that she's of another race, So I'm you're black, right, 1649 01:25:37,840 --> 01:25:40,880 Speaker 1: I'm black. I'm the second guy she ever been with 1650 01:25:41,120 --> 01:25:43,360 Speaker 1: and the first black guy she ever been with besides 1651 01:25:43,479 --> 01:25:49,280 Speaker 1: her husband. Okay, yeah, she said I wasted her time 1652 01:25:49,360 --> 01:25:51,360 Speaker 1: because of her culture. They date for three or four 1653 01:25:51,400 --> 01:25:53,280 Speaker 1: months and they get married. We dated for two years 1654 01:25:53,320 --> 01:25:56,760 Speaker 1: and nothing happened. Okay, Well, you know I'm all full 1655 01:25:56,840 --> 01:25:59,400 Speaker 1: black and brown relations. But my advice to you is 1656 01:25:59,479 --> 01:26:00,920 Speaker 1: get you a black back woman. You know what I'm saying, 1657 01:26:00,960 --> 01:26:02,760 Speaker 1: Get you a queen. You know, you know you did 1658 01:26:02,840 --> 01:26:05,640 Speaker 1: the Spanish thing. It didn't work out clearly, you know 1659 01:26:05,800 --> 01:26:08,000 Speaker 1: she's moved on. Um, I think it's time for you 1660 01:26:08,040 --> 01:26:10,280 Speaker 1: to move on. To get your assistance now, I would say, 1661 01:26:10,320 --> 01:26:12,800 Speaker 1: I would say, fine, somebody that you love, obviously you 1662 01:26:12,880 --> 01:26:14,960 Speaker 1: have feelings for her, and you know why didn't you 1663 01:26:15,000 --> 01:26:16,720 Speaker 1: marry her? Why? Why didn't you just say you know what? 1664 01:26:16,800 --> 01:26:21,040 Speaker 1: This is something I want to do well at black 1665 01:26:21,080 --> 01:26:23,599 Speaker 1: women far as like marriage, but I do have black 1666 01:26:23,840 --> 01:26:27,120 Speaker 1: women trained. Bye bye, bye, hang up. I want to talk. 1667 01:26:27,120 --> 01:26:28,080 Speaker 1: I don't want to talk to to the more. I 1668 01:26:28,080 --> 01:26:29,479 Speaker 1: don't talk to you. I don't want to talk to you. 1669 01:26:29,560 --> 01:26:31,120 Speaker 1: I don't want to talk to you. I don't want 1670 01:26:31,120 --> 01:26:33,240 Speaker 1: to talk to you anymore because you tell me you're 1671 01:26:33,240 --> 01:26:36,840 Speaker 1: not attracted to black women. You know what I'm saying, 1672 01:26:36,880 --> 01:26:38,720 Speaker 1: like black women are not good enough to marry? What 1673 01:26:39,200 --> 01:26:41,400 Speaker 1: color is your mama? You know what I'm saying, Like 1674 01:26:41,479 --> 01:26:43,360 Speaker 1: what kind of household do you come from? I guess 1675 01:26:43,400 --> 01:26:44,840 Speaker 1: I could asking those questions, but I don't care. I 1676 01:26:44,880 --> 01:26:46,479 Speaker 1: don't care to have to come. I wanted I wanted 1677 01:26:46,520 --> 01:26:48,240 Speaker 1: to know. I wanted to know why, why would like why? 1678 01:26:48,280 --> 01:26:50,439 Speaker 1: Why was it deeply roooted it like his mother's black. Like, 1679 01:26:50,560 --> 01:26:52,800 Speaker 1: what's the problem that he doesn't have sisters? Grandma's answer, 1680 01:26:52,800 --> 01:26:55,360 Speaker 1: none of that. I don't I don't care for these selves. 1681 01:26:55,400 --> 01:26:58,960 Speaker 1: Hating the gross black women. I don't care. I don't 1682 01:26:58,960 --> 01:27:02,280 Speaker 1: care for black women to marry them. Get thee beat 1683 01:27:02,320 --> 01:27:06,719 Speaker 1: it by Hello, who's this? Yeah? Whatever? See what's happening 1684 01:27:06,720 --> 01:27:09,760 Speaker 1: the man? What's up? Brother? What's your question for? Cne? Man? 1685 01:27:09,840 --> 01:27:12,400 Speaker 1: So check us? All right? So, um me and my 1686 01:27:12,479 --> 01:27:14,040 Speaker 1: baby mama. You know what I'm saying, the mother of 1687 01:27:14,080 --> 01:27:17,080 Speaker 1: my child, beautiful woman. As a man, you know what 1688 01:27:17,080 --> 01:27:20,720 Speaker 1: I'm saying. We all make mistakes, um boy, you know 1689 01:27:20,800 --> 01:27:23,600 Speaker 1: back of twenty back in twenty seventeen, you know, I 1690 01:27:23,720 --> 01:27:26,880 Speaker 1: made a mistake that you know cost me. You know 1691 01:27:27,240 --> 01:27:29,320 Speaker 1: a lot of the mistrust that she's happened over the 1692 01:27:29,400 --> 01:27:32,000 Speaker 1: past few years. Um. But you know, as a man, 1693 01:27:32,120 --> 01:27:33,720 Speaker 1: you know, when you lost somebody, you're gonna do you 1694 01:27:33,840 --> 01:27:36,960 Speaker 1: got to do to make things work out right? Well, Uh, 1695 01:27:37,320 --> 01:27:39,439 Speaker 1: you know I've been doing that, you know, just kind 1696 01:27:39,479 --> 01:27:41,439 Speaker 1: of you know, doing the you know, the romantic things 1697 01:27:41,479 --> 01:27:44,000 Speaker 1: that a man should be, you know, buy her nice purses, 1698 01:27:44,160 --> 01:27:46,040 Speaker 1: take her out the nice dinners, do things like that, 1699 01:27:46,520 --> 01:27:50,439 Speaker 1: but Michael Cole, I no, no, Mike, No, Michael Cole 1700 01:27:50,560 --> 01:27:53,519 Speaker 1: is my brother. It's more like more like, okay, okay, 1701 01:27:54,720 --> 01:27:55,840 Speaker 1: you know what I'm saying, so so you know what 1702 01:27:55,880 --> 01:27:57,400 Speaker 1: I'm saying, so you don't hand them up inness. You 1703 01:27:57,439 --> 01:27:58,960 Speaker 1: know what I'm saying. But you know, something kind of 1704 01:27:59,120 --> 01:28:03,040 Speaker 1: something kind of happened, you know. I guess like for everybody, 1705 01:28:03,640 --> 01:28:05,320 Speaker 1: you know, kind of things kind of like just turn 1706 01:28:05,400 --> 01:28:07,760 Speaker 1: for the worst, you know. Uh, you know, I came 1707 01:28:07,880 --> 01:28:10,719 Speaker 1: home along one day from work and the doorlocks was changed, 1708 01:28:11,200 --> 01:28:13,439 Speaker 1: and uh, I thought that was my weird and I 1709 01:28:13,600 --> 01:28:15,600 Speaker 1: was like, yo, you know the doorlock has changed like 1710 01:28:15,720 --> 01:28:18,160 Speaker 1: this something more like you need to talk about something, 1711 01:28:18,600 --> 01:28:21,640 Speaker 1: and she basically was like acting like real like nahant, 1712 01:28:21,680 --> 01:28:24,000 Speaker 1: like she don't know what I'm talking about? Yo, King, 1713 01:28:24,160 --> 01:28:30,280 Speaker 1: Get to the point, King, call is that is that 1714 01:28:30,400 --> 01:28:33,120 Speaker 1: I'm still paying for her rank while we're not together 1715 01:28:33,200 --> 01:28:35,600 Speaker 1: no more right, And it's to the point where I 1716 01:28:35,680 --> 01:28:38,320 Speaker 1: feel like it's it's it's in my best interest to 1717 01:28:38,360 --> 01:28:40,160 Speaker 1: move on. But I really love her. I bought a ring. 1718 01:28:40,600 --> 01:28:43,519 Speaker 1: I wanted to propose to her. We have two kids together. 1719 01:28:44,040 --> 01:28:46,040 Speaker 1: You're trying to make it work, but it seems like 1720 01:28:46,120 --> 01:28:48,400 Speaker 1: everything that I do. When it comes to paying her bills, 1721 01:28:48,479 --> 01:28:50,960 Speaker 1: doing all of these nice things, it ain't really adding up. 1722 01:28:51,600 --> 01:28:52,840 Speaker 1: Let me let me tell you first of all, that's 1723 01:28:52,920 --> 01:28:55,360 Speaker 1: that's your first mistake. You can't buy somebody's love. You 1724 01:28:55,400 --> 01:28:57,519 Speaker 1: can't buy somebody's trusting. That's what you seem like you're 1725 01:28:57,560 --> 01:28:59,760 Speaker 1: trying to do. You're throwing money in there. You're buying bags, 1726 01:29:00,000 --> 01:29:02,400 Speaker 1: buying shoes. You probably said this in an argument while 1727 01:29:02,400 --> 01:29:04,960 Speaker 1: I'm buying you everything you want. That doesn't work. To 1728 01:29:05,160 --> 01:29:07,600 Speaker 1: really get back into into her good graces, you have 1729 01:29:07,720 --> 01:29:10,160 Speaker 1: to prove that you're not that person anymore. It's not 1730 01:29:10,200 --> 01:29:12,759 Speaker 1: a man about buying anything. It's not about buying shoes 1731 01:29:12,840 --> 01:29:16,200 Speaker 1: or buying bags or taking out to dinner. It's redating 1732 01:29:16,200 --> 01:29:19,320 Speaker 1: and re establishing that trust, like the little things like 1733 01:29:19,720 --> 01:29:22,599 Speaker 1: you know, have conversations. Open up your phone to her 1734 01:29:22,640 --> 01:29:24,240 Speaker 1: to say, hey, look this is my phone code. I 1735 01:29:24,280 --> 01:29:26,839 Speaker 1: would you know, I would never jeopardize my relationship anymore. 1736 01:29:27,160 --> 01:29:29,240 Speaker 1: Let her start having that trust in you. Does she 1737 01:29:29,320 --> 01:29:32,280 Speaker 1: have your code for your phone? Yeah? Absolutely? All right, 1738 01:29:32,320 --> 01:29:33,519 Speaker 1: Well those are the things that you need to do. 1739 01:29:33,640 --> 01:29:35,640 Speaker 1: Make sure she has the code to your Instagram. Let 1740 01:29:35,720 --> 01:29:37,680 Speaker 1: her know, let her be comfortable with you going out 1741 01:29:37,720 --> 01:29:39,760 Speaker 1: and feeling like I would never do this if you 1742 01:29:39,840 --> 01:29:41,320 Speaker 1: go out with your boys. Hey, baby, you want to 1743 01:29:41,320 --> 01:29:43,639 Speaker 1: come with me like make her feel comfortable. Let look, 1744 01:29:43,680 --> 01:29:46,600 Speaker 1: I'm not that person anymore. I made a mistake. I apologize, 1745 01:29:46,600 --> 01:29:48,760 Speaker 1: I'm sorry. I'll do anything that I have to do 1746 01:29:48,840 --> 01:29:51,679 Speaker 1: to make sure that that you can start trusting me again. 1747 01:29:51,960 --> 01:29:53,680 Speaker 1: But it's not gonna start what you trying to buy 1748 01:29:53,760 --> 01:29:55,640 Speaker 1: love because when you try to buy love, exactly what 1749 01:29:55,760 --> 01:29:58,400 Speaker 1: happens is she realizes that you're doing it. She keeps 1750 01:29:58,439 --> 01:30:01,000 Speaker 1: accepting it and just using you for that, and you 1751 01:30:01,080 --> 01:30:03,360 Speaker 1: know she's still not whatever's to the point whatever, It's 1752 01:30:03,360 --> 01:30:06,360 Speaker 1: to the point where you're doing all of that, but um, 1753 01:30:07,000 --> 01:30:09,320 Speaker 1: it's to the point where it's like, you know, there's 1754 01:30:09,360 --> 01:30:14,000 Speaker 1: really no romantis, you know, romantis saism in the whole situation. Man, 1755 01:30:14,120 --> 01:30:16,560 Speaker 1: she don't trust you because you're a Cheatah, bro, she 1756 01:30:16,640 --> 01:30:19,080 Speaker 1: don't trust you because you're a cheating You put yourself 1757 01:30:19,160 --> 01:30:22,919 Speaker 1: in that position. Okay, So the best apology is change behavior, 1758 01:30:23,080 --> 01:30:25,640 Speaker 1: so she'll grow trust for you when you show her 1759 01:30:25,840 --> 01:30:28,960 Speaker 1: that you ain't cheating no more. And I understand what 1760 01:30:29,040 --> 01:30:31,880 Speaker 1: it's talking about, but f all that buy her everything too, 1761 01:30:32,200 --> 01:30:35,000 Speaker 1: So change your behavior and ball out, all right, you 1762 01:30:35,080 --> 01:30:37,679 Speaker 1: gotta do both. It's crazy. It's crazy though that happened 1763 01:30:37,720 --> 01:30:40,519 Speaker 1: in twenty seventeen. It's twenty twenty, right, And that's the 1764 01:30:40,640 --> 01:30:42,880 Speaker 1: problem too. What you gotta wreck because you're still cheating. 1765 01:30:43,200 --> 01:30:46,360 Speaker 1: You can't tell somebody how to how to feel. Like 1766 01:30:46,640 --> 01:30:48,559 Speaker 1: a lot of guys they said, like, I ain't cheating 1767 01:30:48,600 --> 01:30:50,400 Speaker 1: the year. That doesn't mean she don't steal that. Bro, 1768 01:30:50,560 --> 01:30:54,280 Speaker 1: he's still cheating. You're still cheating. Tell the truth. Let'ten 1769 01:30:54,360 --> 01:30:56,800 Speaker 1: tell the truth between us. Tell the truth, my brother. 1770 01:30:57,040 --> 01:30:59,400 Speaker 1: Tell the truth. I bought a ring. I bought a 1771 01:30:59,479 --> 01:31:01,519 Speaker 1: ring my brother, So you know that something. So I 1772 01:31:01,560 --> 01:31:04,760 Speaker 1: don't ask you that have you cheated since she cheated? Absolutely, 1773 01:31:05,800 --> 01:31:09,400 Speaker 1: promise to God? Not promise to God? All right, good 1774 01:31:09,439 --> 01:31:11,280 Speaker 1: because God know if you lying, and if you lying, 1775 01:31:11,320 --> 01:31:13,400 Speaker 1: He's not gonna bless you what you want. That's the problem. 1776 01:31:13,479 --> 01:31:15,040 Speaker 1: That's the problem that I'm handing right now is that 1777 01:31:15,120 --> 01:31:17,040 Speaker 1: it's the fact that I'm working my ass off for it. 1778 01:31:17,120 --> 01:31:18,960 Speaker 1: I ain't you know, I give her an answer. She 1779 01:31:19,080 --> 01:31:22,400 Speaker 1: trying to take a mile, Well that's give her that mile, yes, 1780 01:31:22,439 --> 01:31:24,559 Speaker 1: because any way, the same way you took that poem 1781 01:31:24,600 --> 01:31:26,880 Speaker 1: poem from another woman. Your man should be able to 1782 01:31:26,920 --> 01:31:29,040 Speaker 1: take that mile, So give her that mile and be 1783 01:31:29,160 --> 01:31:32,120 Speaker 1: willing to go the extra mile for Okay, change your 1784 01:31:32,200 --> 01:31:35,720 Speaker 1: behavior and ball out. But before you ball out, you 1785 01:31:35,840 --> 01:31:38,000 Speaker 1: have to get to the side where you understand what 1786 01:31:38,080 --> 01:31:40,360 Speaker 1: you did wrong and apologize. You just can't bawl out 1787 01:31:40,360 --> 01:31:42,240 Speaker 1: because it'll be for nothing. Then when you get to 1788 01:31:42,320 --> 01:31:45,320 Speaker 1: that point, then you boil out. Where enough? Where's the 1789 01:31:45,360 --> 01:31:47,560 Speaker 1: point where enoughers enough? If I'm doing all of that 1790 01:31:47,640 --> 01:31:50,439 Speaker 1: and I get we needed bro, you cheated, You ain't 1791 01:31:50,479 --> 01:31:53,960 Speaker 1: no problem you did. Yeah, there's no time no time 1792 01:31:54,040 --> 01:31:57,000 Speaker 1: limit when she can get over it. You did what's wrong? 1793 01:31:57,240 --> 01:31:59,760 Speaker 1: You can't say okay, well I be still briething. Yes, 1794 01:32:00,439 --> 01:32:02,160 Speaker 1: you think you just can't have unprotected sex with a 1795 01:32:02,200 --> 01:32:04,280 Speaker 1: girl three years ago and they come back to her 1796 01:32:04,720 --> 01:32:08,920 Speaker 1: and think she don't trust you. It's your fault. Okay. 1797 01:32:10,120 --> 01:32:14,559 Speaker 1: Like Belie Yoga said, step up, have a blest day, 1798 01:32:14,840 --> 01:32:19,240 Speaker 1: Have a blessed day, brother, good luck as cne eight 1799 01:32:19,360 --> 01:32:22,080 Speaker 1: hundred five eight five one O five one. So don't move. 1800 01:32:22,120 --> 01:32:25,679 Speaker 1: It's to breakfast slogan Morning morning. Everybody is DJ Envy 1801 01:32:25,840 --> 01:32:28,760 Speaker 1: Angela Yee Charlemagne the God. We are the Breakfast Club. 1802 01:32:28,840 --> 01:32:30,880 Speaker 1: Now leave us on a positive note. Hey, listen man. 1803 01:32:31,000 --> 01:32:34,679 Speaker 1: My positive notice simply this, people demand freedom of speech 1804 01:32:35,000 --> 01:32:37,519 Speaker 1: as a compensation for the freedom of thought, which they 1805 01:32:37,640 --> 01:32:40,639 Speaker 1: seldom use. The Breakfast Club