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Speaker 1: Welcome to This Is Important, a production of I Heart Radio,

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Speaker 1: this show where we talk about what's obviously most critically

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Speaker 1: crucially important today on This Is Important. If you guys

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Speaker 1: cybered right now, I think that would be kind of harmless,

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Speaker 1: Like if I were to cyber with any of you guys.

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Speaker 1: That kid threw a man down the stairs and killed him.

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Speaker 1: Fuck that kid, Soft Dick b J's with the nuts involved?

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Speaker 1: Is that a thing? And I don't know workaholics? God

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Speaker 1: damn it. Kyle strap In, Oh okay, Wow, you gotta

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Speaker 1: get it all out before the big pop? Is this

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Speaker 1: how we're starting the pot? I got a little something

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Speaker 1: in my throat. You know those weird a SMR people

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Speaker 1: that are gonna like hate our podcast and we're back.

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Speaker 1: It's too much. I feel like we're always gargling on something,

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Speaker 1: always slurping something down, always munchy munch. But see that's

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Speaker 1: the thing that the s m R people love. We're

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Speaker 1: giving them exactly what they are. Like, is there like

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Speaker 1: a gross a MSR where people go just to hear

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Speaker 1: like disgusting noise, like yeah, like slime falling and ship

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Speaker 1: like that, Oh, like human disgusting noises? Yeah. I don't

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Speaker 1: know that there is for sure, but there's everything. So

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Speaker 1: whatever question is there a there's there is that's out there,

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Speaker 1: and the Internet has pulled back the curtain. It exists.

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Speaker 1: Someone's making millions. That's what's so cool about like society

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Speaker 1: today is even like even like ten years ago, it

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Speaker 1: wasn't like this is now you can your weird thing

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Speaker 1: could be like I just love the smell of my

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Speaker 1: of of a person's like inner ear whole. And then

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Speaker 1: there's also like a hundred thousand other weirdos out there

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Speaker 1: that are like, yeah, I also and if you have

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Speaker 1: ad if your video you just video every day of

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Speaker 1: you like going up and asking to sniff people's ear holes,

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Speaker 1: and you videotape it and put it online. Uh, you're

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Speaker 1: you're a hundred millionaire. Yeah, you got a house in Malibu.

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Speaker 1: You're the richest man alive. And there's also a convention

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Speaker 1: for it where you can all gather and see the products.

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Speaker 1: That's the big win ear calm ear hoole con That's

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Speaker 1: when you can actually do the smelling. That's when people

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Speaker 1: are really getting in on that little fetish right where

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Speaker 1: I get your booth, I want to smell, can I

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Speaker 1: say that. That one thing that I hate that in

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Speaker 1: the podcast world is very prevalent is when people say, hey,

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Speaker 1: got some magic for your holes. Yeah, they're getting people

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Speaker 1: say ear holes all the time, like your hole, And

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Speaker 1: I think that's why I had ear hole on the

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Speaker 1: on the brain. There. You've been podcasting out. Yeah, I've

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Speaker 1: been listening to some casts. I just listened to us.

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Speaker 1: That's oh see, you gotta study. You gotta study the greats.

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Speaker 1: That's why listens to us get them, which makes me

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Speaker 1: think we need to come up with I'm kind of

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Speaker 1: murder we can solve or something we have to. Yeah,

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Speaker 1: there's a weird murder mystery on our on our podcast. Yeah, dude,

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Speaker 1: any of you guys know anybody who is murdered that

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Speaker 1: is unsolved. I murdered that case of beer this weekend,

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Speaker 1: you know, Okay, that's right, Happy birthday. It was my

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Speaker 1: birthday this weekend. Oh my god, I posted about it,

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Speaker 1: got no heart, got no comment. Oh I didn't see. Hey, Adam,

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Speaker 1: how old are you telling people in Hollywood? You are?

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Speaker 1: I'm I went up in age. I'm forty seven. Yeah,

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Speaker 1: i went I went older. Yeah. A lot of people

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Speaker 1: say I'm younger I'm younger. I'm younger. I actually just

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Speaker 1: turned thirty seven, but I'm telling people forty seven that way,

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Speaker 1: people are like, damn, he looks really good. That's smart.

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Speaker 1: But if they don't say that, you're fucked. Yeah you are,

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Speaker 1: aren't you? Yeah? That seems right and you'll get your

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Speaker 1: cool King of Queens Joe. That is going to be

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Speaker 1: so good. Adam is gonna have the best sitcom TV. Dad.

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Speaker 1: I actually am like kind of excited for like ten

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Speaker 1: years from now, if there are sitcoms in ten years

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Speaker 1: from now to like go and do do like a

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Speaker 1: classic sitcom where I just basically do an impression of

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Speaker 1: my dad where I'm just like, yeah, yeah, yeah, yeah,

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Speaker 1: where's the rump rost nice? I was about to cook?

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Speaker 1: Who's hungry? That's your catchphrase? Who's hungry? Who's hungry? Yeah?

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Speaker 1: Baby like that. That's there's ten seasons there. I'm tuning in.

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Speaker 1: This could be my new Wait, what's the Tim Ellen show?

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Speaker 1: Last Man Standing? R I P. That's what I was thinking.

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Speaker 1: You're the earle, You're the weird neighbor that shows up

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Speaker 1: and goes, did I do We'd out? I just want

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Speaker 1: to direct the pilot bro that Yeah, Hey, you're in

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Speaker 1: and I'm sucking out though I'm doing the pilot that

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Speaker 1: I'm out. Well, you guys are my only friends, so

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Speaker 1: do you guys will this is the whole cast right here.

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Speaker 1: How about Kyle, I'll do the pilot to get all

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Speaker 1: the money's and I'm leaving you. Yeah, yeah, that's that's

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Speaker 1: this new thing. He thinks. It's like this new new idea. Yeah,

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Speaker 1: that's the goal for everything, Kyle, you do want? And

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Speaker 1: then yeah, no, I was saying that to be mean

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Speaker 1: to Adam, but I would like for us all to

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Speaker 1: just work together and have a great working relationship together

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Speaker 1: and have a spin off other TV show that basically Workaholics,

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Speaker 1: but uh, you know isn't and we're old. Let me

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Speaker 1: be the tall Brad Garrett guy. Okay, you'll be the

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Speaker 1: next door neighbor best friend who my my wife wants

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Speaker 1: me to be the best friend with. And then Blake

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Speaker 1: is my old school best friend that my wife doesn't

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Speaker 1: want around and takes it's a bad influence. And then

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Speaker 1: you guys are both always vine for to see who's

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Speaker 1: you know, gonna barbecue with me? And ship it and

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Speaker 1: it rolls off the tongue and you really buy the

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Speaker 1: pitch in the room. It's gold. I can already see

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Speaker 1: the blocking. It's it's fantastic. You and the either side

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Speaker 1: to you. You know what, It's going to be good baby.

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Speaker 1: I mean, if we had our own barbecue sauce, we

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Speaker 1: could sell Like I mean, I'm back in. I'll do

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Speaker 1: a couple more apps multi platinum. No, no, fuck, you

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Speaker 1: were filming the pilot and you were out. Yeah, but

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Speaker 1: that's because I got to come in and be the

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Speaker 1: other actor right at him. And then you want to

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Speaker 1: come up and just do a little recipe notes, Well,

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Speaker 1: you're you just play Carl the drug dealer. You're the

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Speaker 1: exact same character from Alcoholics. It's in Rancho Cucamonga, it's

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Speaker 1: in universe, but we play different characters. But Carl, that's awesome.

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Speaker 1: That's not fucking Uh what's his name, Josh Brolin. Ship's

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Speaker 1: circle back to that. How weird would it be if

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Speaker 1: we did Workaholics? But fifteen years later and uh, it's

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Speaker 1: now a true sitcom, um and we play the same characters.

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Speaker 1: I tune in, I'm in. Have they ever done that?

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Speaker 1: I think it would be great? Have they ever done that? People? Hollywood?

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Speaker 1: Didn't they just do that with like Fuller House. Yeah,

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Speaker 1: Fuller House, Fuller House in the corners. Yeah, but that's

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Speaker 1: the exact same. It's kind of in fashion. No, no,

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Speaker 1: we're saying from Kyle, you dumb fuck. I'm say totally.

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Speaker 1: We're not in the same house. They're going back to

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Speaker 1: the same locales. We don't live there no more. I

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Speaker 1: don't know. We have different we have different lives. I

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Speaker 1: got a wife, I got to one cute. We didn't

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Speaker 1: even write that part yet. How how was I got

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Speaker 1: a wife? I got to one kid's really cute? Oh?

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Speaker 1: Want I want just a fucking dumb, ugly brick of

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Speaker 1: a kid? Do you play that kid too? Like Martin style?

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Speaker 1: We little man in my face. I'll do one of them.

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Speaker 1: He's like, I love you. So are we going from

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Speaker 1: single cam to multi cam as well? And you're not

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Speaker 1: playing the same characters? No, Kyle, keep up, buddy, we're

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Speaker 1: playing the same characters. It's just a different format from format. Kyle,

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Speaker 1: keep If you're going to direct the pilot, you gotta

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Speaker 1: be engaged. Oh no, wait, well this is why I'm

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Speaker 1: directing it, because we're talking about a couple of different things.

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Speaker 1: Here are you talking about playing Blake, Adam and drs.

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Speaker 1: Or are you talking about playing Adam the married guy?

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Speaker 1: Well we are. I guess what. Adam to Map got married.

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Speaker 1: I tricked one. I tricked one into marrying Adam demand Okay,

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Speaker 1: so it's Adam to Map, same character he got Demerica,

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Speaker 1: got de married and is the next door neighbor. But

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Speaker 1: it's stirs. You're off the project, off the project off. No, no, no,

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Speaker 1: it's claymation. Now we're avoiding you at all costs. If

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Speaker 1: I'm going to be involved, it has to be solid,

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Speaker 1: so we have to have these discussions. You're not. It's

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Speaker 1: not it's not solid and off the projects. Oh, it's

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Speaker 1: gonna be soft, Okay, Yeah, it's gonna be liquid e

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Speaker 1: and slippery. Decided this is a liquid poo of an idea. Okay,

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Speaker 1: it's gonna slip right through our fingers. Okay, much like poodos.

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Speaker 1: Adam stop anymore, but you know what I mean. The

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Speaker 1: poos lift much like Pooh does. But I do think

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Speaker 1: it would be very cool to come back and revisit

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Speaker 1: that idea. That's a cool outside perspective I appreciate. Please

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Speaker 1: wait outside, did you guys ever have any experience doing

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Speaker 1: a onset multicam. Quit acting like you don't know, dude,

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Speaker 1: We're the only guys each other talks to. We know

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Speaker 1: that that you're the big star of Multicam. We get it.

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Speaker 1: What did you do? I'm just saying, it's a it's

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Speaker 1: a mind funk. I did that pilot. What was it called.

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Speaker 1: It's called like like FAM or FAM or some ship.

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Speaker 1: It was hard to wrap my head around what the

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Speaker 1: funk was happening. Oh yeah, acting, Yeah, acting was happening.

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Speaker 1: So it's hard for you get them. No, it's hella

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Speaker 1: weird and action. I wish I had the soundboard so

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Speaker 1: I could give myself a yeah, baby, damn, where the

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Speaker 1: ship's unplugged? Right now? Um soundboard list? Are you out

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Speaker 1: of your mind? You have one job. We're fucking soundboardless.

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Speaker 1: They have to give me the go ahead before I

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Speaker 1: can soundboard this ship. We started recording a little bit

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Speaker 1: too early today. You guys are also excited to get

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Speaker 1: started in chit chat or Blake wasn't ready. I wasn't ready.

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Speaker 1: We have a certain time that we start every always ready, baby,

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Speaker 1: come on, all right, we'll tell us about FAM and well,

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Speaker 1: it was just it's a totally different process because you

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Speaker 1: treat it like a like a live a live show,

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Speaker 1: but you're still retaking takes and ship. It's just such

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Speaker 1: a weird way to do television, and so it's like

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Speaker 1: doing stand up. But then the after they already know

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Speaker 1: the joke, so you've already done the jokes back. You

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Speaker 1: have to run it back and the audience has to

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Speaker 1: be like, not as funny, we just heard that. Ship.

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Speaker 1: But that's where you get the audience to engage in

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Speaker 1: their theatrics. Like when we would do House Party, you

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Speaker 1: ask them, that's when the audience leans into it. You

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Speaker 1: gotta do the thing where you talk to them. You say,

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Speaker 1: all right, guys, pretend like this is the first time

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Speaker 1: you've heard this joke and you think it's the funniest

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Speaker 1: thing ever. And then you get a better reaction on camera. Yeah.

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Speaker 1: I would come out for the House Party show that

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Speaker 1: Kyl and I did. I would come out when we

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Speaker 1: needed to redo takes and IM and I would just

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Speaker 1: like scream at the audience like I need to matter. Yeah,

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Speaker 1: And it turns out they are excited. They're excited to

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Speaker 1: be on camera, you know, they're excited to It just

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Speaker 1: becomes the funniest thing they've ever heard. Yeah, a fucks.

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Speaker 1: But now one more time, Blake, Yeah that I fuck?

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Speaker 1: Sorry man, I well this was a bad soundboard. Que

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Speaker 1: Okay I was That was the inner monologue of the

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Speaker 1: audience after speaking a joke seven times and pretending to laugh. Okay,

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Speaker 1: god yeah, but no, they love it because they're all

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Speaker 1: sucking in it, dude. They're acting at that point. They're like,

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Speaker 1: I'm a part of the show. They're trying to be heard.

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Speaker 1: It's like when you're in Universe of Studios and you

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Speaker 1: get pulled out to be in part of the stage.

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Speaker 1: It's like you're there. No, it's different. It's it is different, Kyle,

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Speaker 1: because in a comedy show, you're flipping on the audience

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Speaker 1: and you're showing reaction. When you're doing these multicams, you

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Speaker 1: those are ghost people. You never see who. That would

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Speaker 1: be so sick if a fucking multi camp showed the

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Speaker 1: audience laughing, dude, like just exploding with laughter at the

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Speaker 1: fucking Rosangel, it would best. Hey, I noticed we're filming

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Speaker 1: a lot of the audience and not so much at

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Speaker 1: the show. An this is what you do when you

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Speaker 1: hire me, all right, this is what we're doing for

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Speaker 1: the pilot. Man, this would be so badass the fuck.

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Speaker 1: So explain, explain to the audience who maybe isn't hip

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Speaker 1: to this Hollywood lingo blake about single cams and multi caams.

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Speaker 1: No way, make Kyle the director do it. Come on, Kyle, Okay,

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Speaker 1: you're a big Hollywood director. Kyle. That's right, thank you,

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Speaker 1: Adam Thanking. What explain what a difference between multi cam

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Speaker 1: and single cam? Well, multi cam is the sitcoms that

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Speaker 1: we grew up on our generation, like Rosanne, where you

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Speaker 1: hear a live studio audience laughing in the background, normally

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Speaker 1: a few shout out to John Goodman. Yeah, now we

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Speaker 1: do something called single cam. Normally what you see out

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Speaker 1: on location like Arrested Development was single camera and I

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Speaker 1: don't know Workaholics, God damn it, Kyle. In Workaholics we

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Speaker 1: would shoot with two or three cameras. So the it's

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Speaker 1: more about the setting than it is the actual cameras.

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Speaker 1: You fucking idiot, But your lit for one side, as

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Speaker 1: if you're using one camera, whereas multi came your lit

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Speaker 1: for all the cameras. That is so not true. But

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Speaker 1: it's cool that you think that. Oh, good for you. Well,

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Speaker 1: now you shoot single cameras and you can do something

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Speaker 1: called cross shooting, which you're aware of for improving. Oh

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Speaker 1: did you ever do that and Workaholi? So did? I

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Speaker 1: Absolutely I did? When was that? Boys? Did you say

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Speaker 1: a very rarely very rare? It's really about the audience

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Speaker 1: or not and about the simplicity of the blocking or

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Speaker 1: what you're doing with the cameras. But that's not correct either,

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Speaker 1: because I shot a pilot called How I Met your

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Speaker 1: Father or I think it's called How I Met your Dad,

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Speaker 1: and it never it never happened, and it was a multicam.

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Speaker 1: Oh yeah, we were all stoked for you for that

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Speaker 1: because it was like, How I Met your Mother is

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Speaker 1: such a huge show, and then they're gonna make How

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Speaker 1: I Met your Dad and we're like, that's gonna go

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Speaker 1: a million seasons and there's is going to be our

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Speaker 1: richest friend. We were hoping you were going to get

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Speaker 1: cash money. Yeah, bro, I thought you were going to

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Speaker 1: have like a fucking hot air balloon that you take

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Speaker 1: us rout on on the weekends and ship Yeah. Turned Sorry, dude,

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Speaker 1: this is a rough one for us. Man. Yeah, that

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Speaker 1: was a ship show. They like they recast somebody whow

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Speaker 1: we were filming it like midweek. Um, they up changing

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Speaker 1: sets based on this one character's job. It was like

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Speaker 1: a fucking hospital one day, and then it was like

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Speaker 1: a lawyer's office the next day. And we're like, oh,

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Speaker 1: sick Santine, that's where I really met, Uh Andrew Santino,

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Speaker 1: who I just want to notate the homie, Just want

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Speaker 1: to notate. I believe on the charts today we're at

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Speaker 1: one fifty's at one two, so he is two levels

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Speaker 1: beneath these laws. We are. It's important obviously a more successful,

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Speaker 1: much more successful podcast. We are. We are a successful podcast, guys.

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Speaker 1: I'm proud of us. We got it. We got a

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Speaker 1: little hit, we got a hit. I still think we

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Speaker 1: need to solve a murder to really get up our numbers.

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Speaker 1: But I agree to figure out who's been murdered. I'm

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Speaker 1: getting a lot more d ms. More people were sliding

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Speaker 1: in the d m s and from the podcast that

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Speaker 1: have come out so far, No chicks. I was thinking,

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Speaker 1: oh I might I might see booby photos again like

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Speaker 1: I did the first few seasons of Workaholics. It doesn't

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Speaker 1: doesn't happen any any longer. Now, are you get really

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Speaker 1: horny gay dudes. Really, do you guys get horny gay dudes?

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Speaker 1: Or I got one I get every day. I get

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Speaker 1: it a handful, just like a handful of horny gay

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Speaker 1: dudes that are like I would swallow your dick hole,

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Speaker 1: dick and balls, your swallow your dick hole or your

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Speaker 1: dick hole, my dick and balls whole entirely. Put your

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Speaker 1: dick hole in my ear hole. That's cool. Can anyone

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Speaker 1: do that where they get the whole dick and the ball, Yeah,

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Speaker 1: for sure, can anyone do that? We already told you

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Speaker 1: if you can think it can be. I'm not saying

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Speaker 1: that's not somebody who's into trying it. I'm saying, is

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Speaker 1: it humanly possible? Of course, if you think about it.

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Speaker 1: It just depends on the size of the you know, oh,

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Speaker 1: I guess yeah, if you have a super tiny dick,

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Speaker 1: because if you had a tiny also, if it's hard

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Speaker 1: or not, like it does We're not specifying if it's

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Speaker 1: got to be hard or soft. If it's soft, I'm

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Speaker 1: sure you can fit most dicks and balls in your mouth.

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Speaker 1: Still going to send it? Is that gonna be my

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Speaker 1: new thing? Just watching soft dick b J's with the

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Speaker 1: nuts involved. Is that a thing? Like you tell us?

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Speaker 1: Is that your thing? If you can dream it, it's

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Speaker 1: on the net. Baby. When I was in high school,

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Speaker 1: I was maybe not even in high school. It might

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Speaker 1: have been eighth grade, I think, and a girl that

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Speaker 1: went to another school. We started instant messagering each other

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Speaker 1: a well style, and she really wanted to see and

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Speaker 1: it was her, uh, And it might have been her

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Speaker 1: and like ten of her friends, but she really wanted

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Speaker 1: to see my limp dick go from a limp dick

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Speaker 1: to a hard dick. And by the way, yeah, no

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Speaker 1: one has ever even seen my dick by eighth grade,

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Speaker 1: Like my dick was just it was just me and

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Speaker 1: my own and she wanted to see the newcomer. Yeah.

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Speaker 1: And then I saw her at like a soccer game

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Speaker 1: or like some football game or some ship and it

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Speaker 1: was so awkward because she like came and sat by

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Speaker 1: me and she's like so and I'm like thinking, like,

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Speaker 1: am I gonna have to show this girl my dick,

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Speaker 1: like go behind a dumpster and show my limp penis right,

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Speaker 1: there's no dumpsters here. Sorry, sorry, And I was so

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Speaker 1: glad that she didn't approach the subject, uh, because that

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Speaker 1: would have been it because because she didn't know what

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Speaker 1: you were talking about, because you hadn't been talking to

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Speaker 1: her right and you've been talking to her a big

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Speaker 1: brother who was exploring No. Well, because we didn't know

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Speaker 1: each other beyond just instant messaging like all we need.

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Speaker 1: That's when you had to think about it. That's when

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Speaker 1: you had one family computer and if like you had

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Speaker 1: to sleep over something, there was you plus a gang

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Speaker 1: of your home. He's talking to whoever you were talking to.

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Speaker 1: A same thing was happening on the other side of

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Speaker 1: that instant message. Oh, cyber sex was the ship? Do you?

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Speaker 1: Cyber needs to be the fucking merch. I want a

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Speaker 1: cyber so bad again. It was so fun to cyber

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Speaker 1: all cyber with you. That would be tight. I can,

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Speaker 1: I can be anybody. I would. My whole thing was

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Speaker 1: is I would. I would go into a chat room

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Speaker 1: and then like ler like dudes and pretend I was

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Speaker 1: a chicken. Then when it got to like the point

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Speaker 1: of where it was was getting hot, you'd be like,

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Speaker 1: oh man, my dick is so hard. And then they'd

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Speaker 1: be like, wait, you're a dude, and you're like, yeah, wait,

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Speaker 1: what did I missed? Were you by yourself or with

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Speaker 1: your friends. It varied. This is something I can so,

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Speaker 1: this is not I don't remember this. I've known bloke forever.

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Speaker 1: I pretty Kyle quit covering your tracks. You and Kyle

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Speaker 1: wearing his base alone. Just this is important. It was

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Speaker 1: just luring guys funny, So I imagine we would do it.

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Speaker 1: But the old bait and switch come on, because I

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Speaker 1: get it. But if you're doing a bait and switch

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Speaker 1: on your own and like fist bumping yourself, it's called

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Speaker 1: trolling man and some of us, it feels very good

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Speaker 1: and it's all we have. Yeah, yeah, yeah, cer a

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Speaker 1: s l If you guys cybered right now, I think

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Speaker 1: that would be kind of harmless. Like if I were

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Speaker 1: to cyber with any of you guys, it would be

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Speaker 1: just like, you know, helping each other out. I wonder

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Speaker 1: if we have the most homo erotic podcast in the

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Speaker 1: top two podcasts. I wonder if we are the most

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Speaker 1: homo erotic. Yeah, what's that category? Where do we rank

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Speaker 1: in the homo Yeah, we're up there. I'd say we're

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Speaker 1: up there. After listening to uh to the Mary Kill

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Speaker 1: episode where uh you guys just went in depth on

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Speaker 1: why you would want to suck me and and uh

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Speaker 1: and Blake. I'm going on depth alright. Going in depth

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Speaker 1: was part of the game. Yeah, I was thinking about

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Speaker 1: that recently. It's a good it's a good game. It's

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Speaker 1: a good game once you get spinning on it. I'm

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Speaker 1: hitting that b spot. I got a I got an

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Speaker 1: old photo here that I found recently. DERs and I

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Speaker 1: at a Margaritaville in Vegas. Let me see if I

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Speaker 1: can Guys missed that shirt. Just dug up this bad boy.

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Speaker 1: I remember they we were on We were doing a

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Speaker 1: thing for my Space TV, if that if anyone remembers that,

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Speaker 1: which they shouldn't because it's a billion years ago, and

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Speaker 1: but they paid us to do their first ever hidden

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Speaker 1: camera show. So we did a hidden camera show called

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Speaker 1: Special Delivery, which I was just talking about the other

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Speaker 1: day randomly. And we lived in Vegas for like three weeks,

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Speaker 1: and I remember hitting up this Margharitaville a handful of times.

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Speaker 1: And that was right when Red Bull Vodkas became a

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00:21:42,280 --> 00:21:46,640
Speaker 1: thing hidden and me and DR's were full steam ahead

382
00:21:46,840 --> 00:21:52,480
Speaker 1: on that train. Pture is doing a classic like dad dance,

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00:21:52,560 --> 00:21:55,359
Speaker 1: like walk like an Egyptian. It looks like he's having

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Speaker 1: king tut no bullshit. I was doing that exact dance

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00:22:00,400 --> 00:22:04,880
Speaker 1: twenty minutes before we were ruling today. Hey, it's a classic.

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00:22:04,920 --> 00:22:08,720
Speaker 1: It's my go to the walk like an Egyptian dance,

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00:22:08,960 --> 00:22:11,080
Speaker 1: that maneuver. Yeah, some guys are just built to be

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00:22:11,240 --> 00:22:13,320
Speaker 1: dad's you know, and you're one of them. Where did

389
00:22:13,320 --> 00:22:15,520
Speaker 1: I get that shirt? I think it's like a banana

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00:22:15,560 --> 00:22:18,640
Speaker 1: Republic and I had it in two different colors. Yeah.

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Speaker 1: Look how soft our skin looks. Our skin looks so supple. Man. Yeah,

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00:22:23,920 --> 00:22:26,800
Speaker 1: you guys look like you have cream cheese skin. Yeah.

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Speaker 1: My eyes kind of look like that famous National enquir

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Speaker 1: bat boy photo. Yeah. I believe they made a musical

395
00:22:36,520 --> 00:22:40,119
Speaker 1: about that boy. There's Batman. How about that guy? Hi?

396
00:22:40,240 --> 00:22:42,679
Speaker 1: There you go? Uh? And I was doing a dance

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Speaker 1: move that I still will do when I reach a

398
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Speaker 1: peak level. Bro down drunk, when you're like you're not

399
00:22:50,000 --> 00:22:53,399
Speaker 1: trying to, you know, impress anyone. You're just with your

400
00:22:53,480 --> 00:22:56,479
Speaker 1: dudes and you're acting straight silly, which is I do

401
00:22:56,560 --> 00:23:00,359
Speaker 1: a move where I aggressively stir my drink. I have

402
00:23:00,480 --> 00:23:03,440
Speaker 1: seen that if. Yeah, that's that's my go to dance move.

403
00:23:03,560 --> 00:23:05,920
Speaker 1: That's a good one, and then where, And then let's

404
00:23:05,960 --> 00:23:08,200
Speaker 1: talk about when you're trying to impress people, the b

405
00:23:08,359 --> 00:23:11,359
Speaker 1: side of when you're not. What's the move? What's the

406
00:23:11,440 --> 00:23:14,040
Speaker 1: dance move when you're when you're That's a great question.

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Speaker 1: And then I go into then I'm like, I revert

408
00:23:16,560 --> 00:23:19,880
Speaker 1: to like I'm a fourth grader and I'm at my

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Speaker 1: aunt's wedding and I'm convinced that someone, did you guys

410
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Speaker 1: ever do this? Or is this just me and my

411
00:23:26,560 --> 00:23:30,680
Speaker 1: fucking psychotic head? Where I would I would imagine cybersex people,

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Speaker 1: that there's a professional dance scout in the audience at

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Speaker 1: my aunt's wedding in Waterloo. True psychopathy. But a second,

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Speaker 1: who's that kid? And I was like, hold the book.

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Speaker 1: I would dance so hard until like every inch of

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Speaker 1: me was sweating because I just danced for like six

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Speaker 1: hours straight, just doing cartwheels, splits, thinking like they're about

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Speaker 1: to approach any moment I gotta It's the same sort

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00:24:02,960 --> 00:24:05,840
Speaker 1: of mindset as when you're practicing hoops as a kid

420
00:24:06,320 --> 00:24:10,639
Speaker 1: and you're in your driveway and it's always the three

421
00:24:10,800 --> 00:24:13,600
Speaker 1: to one and you shoot and you miss, but you

422
00:24:13,640 --> 00:24:15,680
Speaker 1: get the rebound, and they're like, there's show a second left,

423
00:24:15,840 --> 00:24:17,680
Speaker 1: and then you like put it up. Then you miss again,

424
00:24:17,880 --> 00:24:20,240
Speaker 1: and then there's like, oh this is a very last second,

425
00:24:20,480 --> 00:24:23,120
Speaker 1: and then you make it. I like that analogy. I

426
00:24:23,240 --> 00:24:25,800
Speaker 1: do not see how the dancing thing is the same,

427
00:24:25,840 --> 00:24:28,880
Speaker 1: but I'm I'm trying to follow. I'm trying to win

428
00:24:28,960 --> 00:24:32,680
Speaker 1: the game, dude. I do like how everything in Adam's

429
00:24:32,760 --> 00:24:36,800
Speaker 1: mind was for an audience. Yeah, I was just suiting hoops,

430
00:24:37,359 --> 00:24:40,359
Speaker 1: you get the funk out of here. You're hit the

431
00:24:40,359 --> 00:24:42,960
Speaker 1: game winning shot on You were never trying to win

432
00:24:43,000 --> 00:24:45,440
Speaker 1: the game winning shot or it was three to one,

433
00:24:45,800 --> 00:24:48,879
Speaker 1: and I would I will say this, I would know

434
00:24:49,000 --> 00:24:52,760
Speaker 1: I wasn't. I was never trying to impress people I

435
00:24:52,960 --> 00:24:56,239
Speaker 1: thought would roll up or think would see me. I

436
00:24:56,320 --> 00:24:58,919
Speaker 1: was trying to impress people that were like there. I

437
00:24:58,960 --> 00:25:02,080
Speaker 1: didn't have like an imagine nary, like an imagination. Okay,

438
00:25:02,280 --> 00:25:05,960
Speaker 1: Bill Cartwright himself is gonna pull off. You imagine this

439
00:25:06,000 --> 00:25:08,360
Speaker 1: whole scenario that allows you to get ready for when

440
00:25:08,359 --> 00:25:10,280
Speaker 1: the dance is real. You know what I mean, Like

441
00:25:10,520 --> 00:25:13,359
Speaker 1: you have to put yourself in that. That's just a

442
00:25:13,400 --> 00:25:17,240
Speaker 1: form of preparation. I think like mental preparation. I like that, Kyle,

443
00:25:17,320 --> 00:25:19,400
Speaker 1: I like I'm not talking. That's there's two different things

444
00:25:19,400 --> 00:25:22,200
Speaker 1: we're talking about here. There's visualization about a race or

445
00:25:22,560 --> 00:25:26,639
Speaker 1: a game, and then there's I wonder if someone's going

446
00:25:26,720 --> 00:25:29,879
Speaker 1: to discover me shooting hoops? Well, what's the difference between

447
00:25:29,880 --> 00:25:32,240
Speaker 1: the two? Honestly, when you one is about like you,

448
00:25:32,320 --> 00:25:34,720
Speaker 1: and the others about the game and the fucking process.

449
00:25:35,400 --> 00:25:37,520
Speaker 1: They're both about you. What it's about how you perform

450
00:25:37,600 --> 00:25:40,760
Speaker 1: in the game and during and under the line, when

451
00:25:40,760 --> 00:25:42,600
Speaker 1: you're in when the moment counts. And the other one

452
00:25:42,680 --> 00:25:45,560
Speaker 1: is when you're performing and there happens to be a

453
00:25:45,600 --> 00:25:47,600
Speaker 1: scout out there that can give you the ticket and

454
00:25:47,720 --> 00:25:50,000
Speaker 1: the keys to Hollywood. What I guess, I guess I

455
00:25:50,000 --> 00:25:54,240
Speaker 1: would say I have a I differentiate those two from

456
00:25:54,640 --> 00:25:59,879
Speaker 1: the execution of something and you but the execution of

457
00:25:59,880 --> 00:26:02,639
Speaker 1: a dance move is just like the execution of a

458
00:26:02,680 --> 00:26:05,679
Speaker 1: three pointer and a rebound. I know, but I'm this

459
00:26:05,760 --> 00:26:11,439
Speaker 1: is exactly where I didn't want to But I'm super

460
00:26:11,520 --> 00:26:14,439
Speaker 1: curious because it's like, to me, it feels like exactly

461
00:26:14,480 --> 00:26:17,719
Speaker 1: the same thing. I know, But my point is is

462
00:26:18,720 --> 00:26:21,399
Speaker 1: are you doing Are you trying to nail the dance

463
00:26:21,440 --> 00:26:24,399
Speaker 1: move to nail it, or you're trying to dail the

464
00:26:24,480 --> 00:26:26,240
Speaker 1: nail the dance move. So if someone comes up to

465
00:26:26,240 --> 00:26:29,480
Speaker 1: you and goes, hey, man, you nailed that dance, can

466
00:26:29,520 --> 00:26:32,000
Speaker 1: I just say that I know that I wasn't. I'm

467
00:26:32,040 --> 00:26:35,280
Speaker 1: not a true psychle hang on, hang on, I'm not

468
00:26:35,359 --> 00:26:39,719
Speaker 1: a true psychopath. And I truly believe in Waterloo, Iowa

469
00:26:39,760 --> 00:26:43,600
Speaker 1: there's a professional dance scout who's gonna find me. It's

470
00:26:43,640 --> 00:26:45,960
Speaker 1: just a fun imaginary thing that I like to make

471
00:26:46,040 --> 00:26:51,120
Speaker 1: up that helps me dance harder at Cindy's wedding, right

472
00:26:51,200 --> 00:26:54,560
Speaker 1: because you because you think you will be discovered. That's

473
00:26:54,600 --> 00:26:57,400
Speaker 1: just a fun thing I'm doing in my imagination. Much

474
00:26:57,400 --> 00:27:00,119
Speaker 1: like when I'm practicing shooting hoops. It's a fun thing

475
00:27:00,160 --> 00:27:03,359
Speaker 1: to imagine that I'm hitting a game winning shot and

476
00:27:03,480 --> 00:27:08,119
Speaker 1: I'm Michael Jordan's and it's, you know, the finals. But

477
00:27:08,320 --> 00:27:11,560
Speaker 1: in Adam's case, specifically in Adam's case, he came here

478
00:27:11,600 --> 00:27:15,040
Speaker 1: and became a performer. That he's not a professional performer,

479
00:27:15,280 --> 00:27:18,240
Speaker 1: he's not a dancer, but he is performing with eyes

480
00:27:18,400 --> 00:27:22,119
Speaker 1: on him. That's his job. I have I danced in movies. Blake,

481
00:27:22,240 --> 00:27:27,000
Speaker 1: you have believe, didn't you? This is where I'm at

482
00:27:27,000 --> 00:27:30,840
Speaker 1: the Emmys. I did a whole weird, very weird dance number.

483
00:27:30,840 --> 00:27:34,320
Speaker 1: Adam is a song and dance man. He is, Yeah, Yeah,

484
00:27:34,600 --> 00:27:36,800
Speaker 1: you're a song and dance man. And it started there

485
00:27:37,200 --> 00:27:40,520
Speaker 1: with the visualization at your aunt's wedding that some talent

486
00:27:40,600 --> 00:27:43,119
Speaker 1: scout might be watching you. So kids, don't be afraid,

487
00:27:43,240 --> 00:27:47,320
Speaker 1: don't listen to negative dirs over there. Who there actually

488
00:27:47,359 --> 00:27:50,320
Speaker 1: has to be a talent scout there in order to

489
00:27:50,720 --> 00:27:54,200
Speaker 1: imagine it, you can just pretend and have a fun imagination.

490
00:27:54,359 --> 00:27:57,640
Speaker 1: You're missing the point. Hold on what point are we missing? Look,

491
00:27:58,000 --> 00:28:01,920
Speaker 1: you're imagining the payoff for something as opposed to just

492
00:28:02,359 --> 00:28:05,680
Speaker 1: getting it right. No, he's not dancing to win. He's

493
00:28:05,800 --> 00:28:10,520
Speaker 1: dancing for a purpose, for attention. But there was not

494
00:28:10,680 --> 00:28:16,760
Speaker 1: one particular move. There was a lot of moves strung together. Wait,

495
00:28:16,800 --> 00:28:19,560
Speaker 1: what is the differential? I don't understand where you were

496
00:28:19,720 --> 00:28:24,320
Speaker 1: differentiating between sports and like entertainment, Like, what are you what?

497
00:28:24,560 --> 00:28:27,439
Speaker 1: I didn't bring up dancing? You did? I did? But

498
00:28:27,520 --> 00:28:30,800
Speaker 1: what is the difference between winning a game and winning

499
00:28:30,960 --> 00:28:33,199
Speaker 1: step up to the streets the TV show? Yeah, and

500
00:28:33,200 --> 00:28:36,159
Speaker 1: winning in entertainment? Whatever those bars are. There's not an

501
00:28:36,200 --> 00:28:39,160
Speaker 1: actual ribbon, there's not an actual judge. But what is

502
00:28:39,200 --> 00:28:43,480
Speaker 1: the difference there. The difference is he's doing it to

503
00:28:43,600 --> 00:28:46,640
Speaker 1: be the guy who shoots the game winning shot, as

504
00:28:46,640 --> 00:28:50,400
Speaker 1: opposed to just working on the shot and getting good

505
00:28:50,400 --> 00:28:53,520
Speaker 1: at the shot and then going to be the guy

506
00:28:53,640 --> 00:28:57,200
Speaker 1: who wins the game with the shot. He's sitting around

507
00:28:57,280 --> 00:28:59,960
Speaker 1: not being good at it, going I'm the guy who

508
00:29:00,160 --> 00:29:02,680
Speaker 1: the shot. I hope somebody drives by and sees me.

509
00:29:02,760 --> 00:29:05,440
Speaker 1: But I was practicing, I was getting better. I mean,

510
00:29:05,480 --> 00:29:07,840
Speaker 1: I just wasn't very naturally getted at basketball. I kind

511
00:29:07,840 --> 00:29:11,000
Speaker 1: of all we sucked but that dancing. But like you know, well, no,

512
00:29:11,160 --> 00:29:13,520
Speaker 1: I take that back. I'm not a bad dancer. I

513
00:29:13,560 --> 00:29:17,440
Speaker 1: can d okay. I just I'm curious, Adam, I think

514
00:29:17,440 --> 00:29:20,800
Speaker 1: you're a pretty good basketball player. Just decide, Thanks Blake,

515
00:29:21,040 --> 00:29:26,920
Speaker 1: Yeah yeah, well yeah yeah, I'm definitely one of those

516
00:29:27,000 --> 00:29:29,640
Speaker 1: worst players for sure. Man, I'm so glad we went

517
00:29:29,640 --> 00:29:34,800
Speaker 1: down that. I'm still still I'm I'm glad that that

518
00:29:35,600 --> 00:29:38,640
Speaker 1: Blake brought up the Emmy's dance because that was one

519
00:29:38,640 --> 00:29:41,480
Speaker 1: of the weirdest days of my life. Where like three

520
00:29:41,560 --> 00:29:45,560
Speaker 1: days maybe a week before, they were like, hey, I

521
00:29:45,600 --> 00:29:48,120
Speaker 1: think someone must have fell out, and like they needed

522
00:29:48,120 --> 00:29:51,480
Speaker 1: to fill a segment and Josh Josh gad for sure

523
00:29:51,640 --> 00:29:54,800
Speaker 1: dropped out. The Emmy's asked me to do like a

524
00:29:54,880 --> 00:30:01,160
Speaker 1: song and dance number to um present the I don't

525
00:30:01,160 --> 00:30:03,240
Speaker 1: I don't even know. I can't remember what it was

526
00:30:03,240 --> 00:30:06,680
Speaker 1: for in a movie. No, it was best. It was Emmy's,

527
00:30:06,800 --> 00:30:10,880
Speaker 1: so it was musical or comedy exactly. And so I

528
00:30:10,920 --> 00:30:13,880
Speaker 1: had I did a huge song and dance number, and

529
00:30:14,120 --> 00:30:17,760
Speaker 1: I had like two days to learn it. And it's insane,

530
00:30:17,800 --> 00:30:19,960
Speaker 1: by the way, It's like the craziest thing, Like fifty

531
00:30:20,040 --> 00:30:23,800
Speaker 1: dancers come out, there's the giant mass singer. I have

532
00:30:23,920 --> 00:30:27,920
Speaker 1: to like do a flip over someone. Samantha Be's there.

533
00:30:28,040 --> 00:30:30,640
Speaker 1: It's so weird. But then the weirdest part is like

534
00:30:30,760 --> 00:30:34,720
Speaker 1: looking is right before I'm about to start, I look

535
00:30:34,720 --> 00:30:37,160
Speaker 1: out and just see Michael Douglas just staring at me,

536
00:30:38,400 --> 00:30:41,360
Speaker 1: just like just like the sea of famous people looking

537
00:30:41,400 --> 00:30:43,960
Speaker 1: back at you, going what the funk is this? As

538
00:30:43,960 --> 00:30:48,440
Speaker 1: I'm like singing and dancing and doing a thing, and

539
00:30:48,520 --> 00:30:52,360
Speaker 1: then looking out and just just seeing the every famous

540
00:30:52,400 --> 00:30:55,120
Speaker 1: person you've ever seen in your life was Michael Douglas

541
00:30:55,160 --> 00:30:59,800
Speaker 1: giving you like a courtesy smile. No, guess what all

542
00:30:59,840 --> 00:31:03,200
Speaker 1: the as people are in the audience, their potential scout there.

543
00:31:03,200 --> 00:31:05,560
Speaker 1: They were all scouting. That's what I was thinking. I

544
00:31:05,560 --> 00:31:08,840
Speaker 1: was like, they're gonna fucking find me. There are scouting you,

545
00:31:08,920 --> 00:31:11,440
Speaker 1: they're judging you there. They all feel like if I

546
00:31:11,440 --> 00:31:13,880
Speaker 1: could have if I could have a little audience participation

547
00:31:14,040 --> 00:31:18,560
Speaker 1: countdown three to one and then you shoot a fireball, Yeah,

548
00:31:18,680 --> 00:31:21,400
Speaker 1: I gotta hit in the final closing number. Uh No.

549
00:31:21,520 --> 00:31:25,880
Speaker 1: I remember Michael Douglas being not into my song and dance. Immittedly,

550
00:31:26,680 --> 00:31:30,160
Speaker 1: admittedly it was so weird, like because I watched the

551
00:31:30,200 --> 00:31:32,920
Speaker 1: show up until they're like okay, and it's fifteen minutes

552
00:31:33,000 --> 00:31:35,440
Speaker 1: or ten minutes or whatever until you and then they

553
00:31:35,440 --> 00:31:39,160
Speaker 1: took me backstage and like it's the most Hollywood thing

554
00:31:39,160 --> 00:31:42,600
Speaker 1: you can do because there's like chorus girls and there's

555
00:31:42,640 --> 00:31:47,560
Speaker 1: like professional dancers and singers like that are accompanying me.

556
00:31:47,800 --> 00:31:49,960
Speaker 1: And then it's just like you go on stage and

557
00:31:50,000 --> 00:31:53,280
Speaker 1: it's spotlight is on you and you look out and

558
00:31:53,280 --> 00:31:56,720
Speaker 1: there's like every famous person you've ever you could even imagine,

559
00:31:56,760 --> 00:31:59,440
Speaker 1: it's just in the audience. Uh And it was the

560
00:31:59,560 --> 00:32:04,360
Speaker 1: fucking weirdest things. I wish every person I imagine, if

561
00:32:04,400 --> 00:32:07,040
Speaker 1: you can imagine it on the internet. Yeah, because and

562
00:32:07,040 --> 00:32:09,240
Speaker 1: then I watched before and it was like nothing was

563
00:32:09,320 --> 00:32:11,440
Speaker 1: like that. There was not It's not like a big

564
00:32:11,480 --> 00:32:13,600
Speaker 1: song and dance Emmy's where you're like, yeah, we're used

565
00:32:13,640 --> 00:32:15,920
Speaker 1: to seeing like it's spectacle. It's like very much down

566
00:32:16,000 --> 00:32:18,760
Speaker 1: the middle. And then I come out and I'm the

567
00:32:18,840 --> 00:32:21,880
Speaker 1: song and dance. Man. Meanwhile, I'm up for nothing. It's

568
00:32:21,920 --> 00:32:24,680
Speaker 1: not like I'm also up for an Emmy, so you

569
00:32:24,680 --> 00:32:27,800
Speaker 1: would suspect that I'm a reason that I'm there. And

570
00:32:27,840 --> 00:32:31,120
Speaker 1: then I just did this fucking bizarro song and dance.

571
00:32:31,400 --> 00:32:34,560
Speaker 1: That's wild. Yeah, man, legendary, that was dope. I thought

572
00:32:34,560 --> 00:32:37,000
Speaker 1: that was dope. You did you got an Emmy from me.

573
00:32:37,320 --> 00:32:39,920
Speaker 1: And I'm just saying I wouldn't have been there if

574
00:32:40,000 --> 00:32:43,560
Speaker 1: I didn't imagine that the dance Scouts were there at

575
00:32:43,640 --> 00:32:50,120
Speaker 1: Aunt Cindy's wedding in Some people understand visualization, some people

576
00:32:50,160 --> 00:32:53,440
Speaker 1: don't weird that you guys think that those are correlated.

577
00:32:53,480 --> 00:32:55,880
Speaker 1: I'm not saying that it can't get you there. I'm

578
00:32:55,880 --> 00:32:59,520
Speaker 1: saying doing it for it, you're doing it for you.

579
00:33:00,840 --> 00:33:03,360
Speaker 1: What do you mean that's still a physical at doing

580
00:33:03,360 --> 00:33:05,760
Speaker 1: it for the attention of the thing's still a physical

581
00:33:05,800 --> 00:33:07,960
Speaker 1: act that you have to perform and be precise, just

582
00:33:08,080 --> 00:33:10,760
Speaker 1: like a sport. That is correct, But you're doing it

583
00:33:10,920 --> 00:33:14,560
Speaker 1: for the people as opposed to yourself. Well, why don't

584
00:33:14,560 --> 00:33:16,680
Speaker 1: you cry about it that when you're in a sport

585
00:33:16,800 --> 00:33:18,880
Speaker 1: like some people do. But he does it for his

586
00:33:18,920 --> 00:33:22,640
Speaker 1: own I'm not enjoyment as well as for the people. Like,

587
00:33:22,760 --> 00:33:25,440
Speaker 1: it's both. It's the same fucking thing. It's so bizarre

588
00:33:25,480 --> 00:33:27,959
Speaker 1: to me that you don't see this. Okay, ready, how

589
00:33:27,960 --> 00:33:30,880
Speaker 1: about this the dude who was surfing the Mavericks for

590
00:33:30,960 --> 00:33:33,720
Speaker 1: like ten years before everybody, when he just would go

591
00:33:33,760 --> 00:33:36,160
Speaker 1: out there and do it. Let's let's get him on

592
00:33:36,160 --> 00:33:38,640
Speaker 1: the horn right right now and find out if he

593
00:33:38,720 --> 00:33:43,479
Speaker 1: was I just always imagined everyone watching me, or if

594
00:33:43,480 --> 00:33:45,960
Speaker 1: he was out there just fucking surfing. Now he might

595
00:33:46,040 --> 00:33:50,720
Speaker 1: he might be going, oh, there's a big one, right.

596
00:33:50,880 --> 00:33:53,840
Speaker 1: You have to get into that performer's head. You know,

597
00:33:53,960 --> 00:33:56,520
Speaker 1: you don't understand what it is, Yeah, you do. Big

598
00:33:56,560 --> 00:33:59,520
Speaker 1: wave surfing wasn't a thing until that documentary came out.

599
00:33:59,600 --> 00:34:02,880
Speaker 1: That doctor you Mentory made big wave surfing a thing

600
00:34:03,240 --> 00:34:06,080
Speaker 1: in the sports. You know what I mean? Mom, Dad,

601
00:34:06,120 --> 00:34:08,799
Speaker 1: I hate it when we fight, I know, and I'm

602
00:34:08,840 --> 00:34:11,640
Speaker 1: wondering if he was like, I'm doing this so that

603
00:34:11,760 --> 00:34:13,680
Speaker 1: someday it becomes a thing, or if he was like,

604
00:34:14,000 --> 00:34:17,000
Speaker 1: I'm doing this because I love this, of course, is

605
00:34:17,040 --> 00:34:19,000
Speaker 1: what I think. I feel like this is a This

606
00:34:19,080 --> 00:34:21,600
Speaker 1: is a battle that would only be solved at the

607
00:34:21,640 --> 00:34:25,239
Speaker 1: point of where you two would fight to death with,

608
00:34:25,440 --> 00:34:29,120
Speaker 1: which would bring me to a new subject that uh

609
00:34:29,320 --> 00:34:33,879
Speaker 1: we slightly discussed over text. But if we were all

610
00:34:33,920 --> 00:34:36,600
Speaker 1: four of us to be a fight to the death

611
00:34:36,719 --> 00:34:40,600
Speaker 1: cage match where you get to choose a weapon, what

612
00:34:40,800 --> 00:34:45,279
Speaker 1: weapon are you bringing to the table, what weapon can

613
00:34:45,320 --> 00:34:48,480
Speaker 1: you wield? Master of fully? Hang? Is this fight in

614
00:34:48,480 --> 00:34:52,799
Speaker 1: front of a bunch of people? Okay, thank god? So

615
00:34:53,040 --> 00:34:56,880
Speaker 1: I'll do well. I'm just bringing their positive vibes. I like,

616
00:34:57,000 --> 00:35:00,520
Speaker 1: that doesn't matter what I'll do. That doesn't know. What

617
00:35:00,560 --> 00:35:03,319
Speaker 1: I'll do is I'll imagine that there's a scout out there,

618
00:35:03,360 --> 00:35:08,400
Speaker 1: a fighting scout, and yes, don King, it's Nitro from

619
00:35:08,440 --> 00:35:12,440
Speaker 1: American Gladiators. That Nitro's out there, He's judging the whole situation.

620
00:35:12,800 --> 00:35:17,759
Speaker 1: I'm imagining Nitros out there and I have to win

621
00:35:17,840 --> 00:35:22,080
Speaker 1: this fight for Nitro, and that'll give me the motivation

622
00:35:22,120 --> 00:35:26,560
Speaker 1: I need to succeed. And my answer is, uh, those

623
00:35:26,560 --> 00:35:32,520
Speaker 1: little knife things that Raphael had cool but rude. SI,

624
00:35:34,000 --> 00:35:37,640
Speaker 1: I like your size. Those are tight. Also, what Donna

625
00:35:37,680 --> 00:35:40,279
Speaker 1: Tello had? Just a big gas stick that works because

626
00:35:40,280 --> 00:35:44,239
Speaker 1: you could pope people, you can hit from staff. Did

627
00:35:44,239 --> 00:35:46,400
Speaker 1: you watch Ninja Turtles? Yeah, don't know. I didn't know

628
00:35:46,440 --> 00:35:49,719
Speaker 1: any of their weapons I own. I know nunchuck. See.

629
00:35:49,719 --> 00:35:51,799
Speaker 1: That's the only way I can answer this question is

630
00:35:51,840 --> 00:35:54,600
Speaker 1: imagine myself as an action figure and what comes in

631
00:35:54,640 --> 00:35:57,799
Speaker 1: the package with me? Yeah, I would rock Leonardo's sharp

632
00:35:57,880 --> 00:36:05,480
Speaker 1: long medals, sharp blong metals. When I imagine myself as

633
00:36:05,480 --> 00:36:08,440
Speaker 1: an action figure and what comes with me, I think

634
00:36:08,560 --> 00:36:13,239
Speaker 1: I'm going like fucking raw with with like a baseball

635
00:36:13,280 --> 00:36:16,880
Speaker 1: bat with some fucking sharp metals in the end of

636
00:36:16,920 --> 00:36:19,440
Speaker 1: it so I can swing the funk out of You're

637
00:36:19,440 --> 00:36:23,600
Speaker 1: a Casey Jones, Casey Jones with like with blades at

638
00:36:23,600 --> 00:36:25,560
Speaker 1: the end of the bat. Is that a howse I

639
00:36:25,640 --> 00:36:29,839
Speaker 1: can cycle bat? Tell me you paid money for this? Uh, well,

640
00:36:29,880 --> 00:36:34,040
Speaker 1: here's the issue with just having a baseball bat with

641
00:36:34,440 --> 00:36:37,839
Speaker 1: blades of sorts? Is what I'm gonna do. Definitely fabricating

642
00:36:37,880 --> 00:36:40,000
Speaker 1: my own thing. I know that there's a lower to

643
00:36:40,080 --> 00:36:42,839
Speaker 1: my weapon and that's fine. Will allow him to tear

644
00:36:42,880 --> 00:36:45,080
Speaker 1: your Laura apart real quickly, and that's fine. Is what

645
00:36:45,160 --> 00:36:47,560
Speaker 1: I would do. As you would swing, You'd swing at

646
00:36:47,600 --> 00:36:51,920
Speaker 1: me right and then I'd slide using my fourth grade

647
00:36:52,200 --> 00:36:56,160
Speaker 1: honed dance maneuvers that I've honed through the years at

648
00:36:56,640 --> 00:37:01,759
Speaker 1: random weddings looking for scouts, and I would slide on

649
00:37:01,760 --> 00:37:04,359
Speaker 1: my knees right after you swung the bat. I just

650
00:37:04,560 --> 00:37:07,479
Speaker 1: stay out of that reach. Then I'd slide in with

651
00:37:07,520 --> 00:37:12,440
Speaker 1: my sighs and cut at them thighs, sides to the thighs,

652
00:37:12,600 --> 00:37:15,160
Speaker 1: size to the thighs, just two on each thigh. Just

653
00:37:15,280 --> 00:37:18,080
Speaker 1: think that not and then not even worry about the dick.

654
00:37:18,120 --> 00:37:19,880
Speaker 1: I'm not worried about the dick. I'm like, if you

655
00:37:19,960 --> 00:37:23,480
Speaker 1: cut the inner thighs and then you shred, you shred down.

656
00:37:24,320 --> 00:37:26,960
Speaker 1: Thank you, though, by the way, thank you for you

657
00:37:27,040 --> 00:37:29,120
Speaker 1: know I'm saying. I'm saying, if I know Kyle and

658
00:37:29,200 --> 00:37:32,400
Speaker 1: I do, I might hit the tip. Thank you. I

659
00:37:32,520 --> 00:37:34,919
Speaker 1: might hit the tip. But this guy's a droopy dog.

660
00:37:35,040 --> 00:37:38,200
Speaker 1: He's got a droopy sad It's not necessarily long. It's

661
00:37:38,239 --> 00:37:41,799
Speaker 1: like a sad sack. It's like, Okay, I still say

662
00:37:41,800 --> 00:37:43,759
Speaker 1: thank you. You're gonna pin the sack to the thigh.

663
00:37:44,080 --> 00:37:48,600
Speaker 1: I'm gonna pin the side to the thigh. I'm wearing boots,

664
00:37:48,800 --> 00:37:51,480
Speaker 1: thigh high boots. I'm wearing boots. I'm wearing like like

665
00:37:51,520 --> 00:37:54,840
Speaker 1: steel toe boots, steel toe boots, but thi high boots?

666
00:37:55,200 --> 00:37:57,640
Speaker 1: Is it protecting them? A stomp your fucking office, stomp

667
00:37:57,640 --> 00:38:01,440
Speaker 1: your head and player. But if someone had a mallet

668
00:38:01,480 --> 00:38:04,400
Speaker 1: and they just hit your fucking steel toe, it chops

669
00:38:04,400 --> 00:38:08,319
Speaker 1: the toes off. That's good. So what's yours? Okay? What

670
00:38:08,400 --> 00:38:13,000
Speaker 1: other weapons? We got? One weapon? Machine guns? No, no, no, no,

671
00:38:13,080 --> 00:38:16,160
Speaker 1: it has to be you're talking hand to hand. Yeah,

672
00:38:16,200 --> 00:38:18,720
Speaker 1: it has to be. That's smart. That was really smart.

673
00:38:19,040 --> 00:38:24,799
Speaker 1: Thank you? Yeah atomic mom? Remember that kid, I would

674
00:38:24,840 --> 00:38:26,359
Speaker 1: have a five the topic poss and blew you up.

675
00:38:26,400 --> 00:38:28,440
Speaker 1: You can't stop because I have an infinity gr name

676
00:38:29,680 --> 00:38:33,960
Speaker 1: a force field. Um what what I have? Um? Damn?

677
00:38:34,480 --> 00:38:38,960
Speaker 1: Just one night stick like the big boss man, like

678
00:38:39,360 --> 00:38:43,520
Speaker 1: like the um what are the Guardian Angels or whatever?

679
00:38:44,000 --> 00:38:47,000
Speaker 1: Oh yeah, that's a good look. What about what about this?

680
00:38:47,040 --> 00:38:50,000
Speaker 1: What about a fire hose? You just have a fucking

681
00:38:50,360 --> 00:38:52,240
Speaker 1: but then you gotta come with some sort of fucking

682
00:38:52,320 --> 00:38:54,960
Speaker 1: water tank too. That comes. I would have a blade

683
00:38:55,040 --> 00:38:57,640
Speaker 1: of some sort for sure. Yeah, because remember this is

684
00:38:57,640 --> 00:39:00,279
Speaker 1: the fight to the death. But to kill somebody, you're

685
00:39:00,320 --> 00:39:02,560
Speaker 1: gonna have to really hit him a lot with water.

686
00:39:02,800 --> 00:39:05,160
Speaker 1: With the water you're gonna have to drown. Could a

687
00:39:05,239 --> 00:39:09,120
Speaker 1: vehicle be your weapon, Kyle? Yeah, I would have a

688
00:39:09,200 --> 00:39:12,279
Speaker 1: jumbo jet and I would just fly into you, right,

689
00:39:12,360 --> 00:39:15,680
Speaker 1: I mean that's what That's what I'm wondering. Where's that's

690
00:39:15,680 --> 00:39:18,480
Speaker 1: the bonus set when you get my vehicle, which is

691
00:39:18,480 --> 00:39:20,920
Speaker 1: obviously a tesla. I suppose it has to be like

692
00:39:21,520 --> 00:39:26,240
Speaker 1: medieval weapondry of swords. I would have one like katan

693
00:39:26,480 --> 00:39:31,200
Speaker 1: sized sword that's like light that I can fucking work with. Uh.

694
00:39:31,280 --> 00:39:33,000
Speaker 1: And then in the other hand, I would have a

695
00:39:33,120 --> 00:39:35,640
Speaker 1: short dagger type blade that I could kind of jab

696
00:39:35,680 --> 00:39:39,400
Speaker 1: with slit throats. That's a good combo. Like a carbon

697
00:39:39,480 --> 00:39:42,600
Speaker 1: fiber carbon fiber carpon, well, that would know would be

698
00:39:42,680 --> 00:39:46,160
Speaker 1: carpet would be carpet lagger. I feel if we did

699
00:39:46,200 --> 00:39:48,799
Speaker 1: have a fight to the death, Uh, I would get

700
00:39:48,880 --> 00:39:50,880
Speaker 1: murdered pretty quickly. I think you guys are murder me

701
00:39:50,960 --> 00:39:54,720
Speaker 1: pretty quickly. I think I think I think there's and

702
00:39:55,239 --> 00:39:59,480
Speaker 1: Kyle would and we like and I would die fairly quickly.

703
00:39:59,800 --> 00:40:02,399
Speaker 1: Now you would die, you might die before me. I'm

704
00:40:02,400 --> 00:40:05,600
Speaker 1: not dying. I think Blake's going to come out. No,

705
00:40:06,000 --> 00:40:08,920
Speaker 1: trolled before trolling was a thing. Myfucker's got the brain

706
00:40:08,960 --> 00:40:12,840
Speaker 1: power to handle this. I've got psychological war fane. He's sneaky.

707
00:40:12,960 --> 00:40:15,360
Speaker 1: But I also need to know what, like are we

708
00:40:15,440 --> 00:40:20,480
Speaker 1: allowed to have armor shields? Like? Can we wear well,

709
00:40:20,520 --> 00:40:23,240
Speaker 1: this is the wardrobe though, what's your weapon? We're fighting

710
00:40:23,600 --> 00:40:26,799
Speaker 1: nude Greco Roman, nud what's your weapon before we get

711
00:40:26,800 --> 00:40:28,840
Speaker 1: into armor? What's your Well that don't know. I have

712
00:40:28,960 --> 00:40:31,200
Speaker 1: to know because if you guys are in full plate,

713
00:40:31,400 --> 00:40:34,359
Speaker 1: that is going to change what weapon I grab off

714
00:40:34,360 --> 00:40:36,799
Speaker 1: the rack. You're not. You're in a speed Yeah, I've

715
00:40:36,800 --> 00:40:39,600
Speaker 1: had boots on. Then I think I would go, can

716
00:40:39,680 --> 00:40:42,760
Speaker 1: I have a shield? Sure? If it's a speedo shaped

717
00:40:42,760 --> 00:40:45,160
Speaker 1: shield of lycra Well you could have a shield, of

718
00:40:45,160 --> 00:40:47,560
Speaker 1: course you could, because I would probably go with a small,

719
00:40:47,840 --> 00:40:50,879
Speaker 1: small shield you know that I could wield with one

720
00:40:51,000 --> 00:40:53,479
Speaker 1: arm and then like yeah, like a machette. You guys,

721
00:40:53,680 --> 00:40:55,879
Speaker 1: Now we're getting into two weapons though. By the way,

722
00:40:56,040 --> 00:40:58,719
Speaker 1: is this okay? Oh? Is it a one weapon thing?

723
00:40:58,840 --> 00:41:01,319
Speaker 1: I thought it was I said one baseball bat. I

724
00:41:01,360 --> 00:41:04,400
Speaker 1: didn't know then you had had size, and that's there's two.

725
00:41:04,560 --> 00:41:07,480
Speaker 1: There's two size. You said steel toe boots. Oh so

726
00:41:07,600 --> 00:41:10,280
Speaker 1: mine is baseball bats and steel toe boots with spikes

727
00:41:10,320 --> 00:41:16,480
Speaker 1: on it. Then, yeah, six spikes boots. Those are so

728
00:41:18,360 --> 00:41:21,160
Speaker 1: pre climber boots. You know where you grip in and

729
00:41:21,200 --> 00:41:23,319
Speaker 1: so it's like spikes on top. So when I kick

730
00:41:23,400 --> 00:41:25,600
Speaker 1: with the toe, you're fucking if I step on you,

731
00:41:25,600 --> 00:41:28,520
Speaker 1: you are fucking cheese graded player. Yeah, but you can't

732
00:41:28,560 --> 00:41:31,000
Speaker 1: pull your fucking fatass foot out of the ground. You're

733
00:41:31,000 --> 00:41:33,600
Speaker 1: gonna be walking hell is slow and clumpy. I don't

734
00:41:33,640 --> 00:41:35,879
Speaker 1: need I'll stand my ground. I'm not afraid of Yeah,

735
00:41:35,920 --> 00:41:38,239
Speaker 1: but then you're what those boots are for nothing. You're

736
00:41:38,239 --> 00:41:41,279
Speaker 1: gonna stand the ground. If you can't high fly karate kick,

737
00:41:41,400 --> 00:41:43,400
Speaker 1: you're not doing ship and I've seen you. I'm not

738
00:41:43,480 --> 00:41:46,440
Speaker 1: a fucking high flyer anyways, my whole then, why do

739
00:41:46,520 --> 00:41:49,959
Speaker 1: you pick boots, your dumbbo so I can stand there

740
00:41:50,080 --> 00:41:52,640
Speaker 1: and fucking crush people. Dude, I'll hit him with the

741
00:41:52,640 --> 00:41:54,960
Speaker 1: baseball bat and finish them with the boots. What is

742
00:41:55,000 --> 00:41:58,760
Speaker 1: the problem. It's the problem with my method, same stupid

743
00:41:58,840 --> 00:42:01,600
Speaker 1: that's what seen stupid. You seem stupid. We can only

744
00:42:01,640 --> 00:42:03,880
Speaker 1: pick one weapon. I'm gonna go with a with a

745
00:42:03,960 --> 00:42:06,920
Speaker 1: war hammer, I believe, is what I'll go with, the

746
00:42:07,000 --> 00:42:11,200
Speaker 1: classic warhammer, which is exactly what um it's like. Uh,

747
00:42:11,920 --> 00:42:14,279
Speaker 1: it's a medieval It's kind of like an axe, but

748
00:42:14,440 --> 00:42:16,640
Speaker 1: it has a has a hammer on one end and

749
00:42:16,680 --> 00:42:18,920
Speaker 1: then maybe a little spike on the battle. You're not

750
00:42:18,920 --> 00:42:21,960
Speaker 1: gonna want to You're not gonna want you want You're

751
00:42:22,000 --> 00:42:25,360
Speaker 1: gonna want to blade because if someone gets in close combat,

752
00:42:25,719 --> 00:42:28,479
Speaker 1: they just grab the handle. If you're swinging it down,

753
00:42:28,800 --> 00:42:31,120
Speaker 1: they grab the handle close to you and stop it,

754
00:42:31,320 --> 00:42:34,000
Speaker 1: and then they go with that short blade and then

755
00:42:34,040 --> 00:42:37,479
Speaker 1: they take their sigh to the thigh. Yeah that's true. Yeah,

756
00:42:37,640 --> 00:42:40,400
Speaker 1: tell you Cross what what kind of experience do you

757
00:42:40,400 --> 00:42:42,799
Speaker 1: have with a sigh? Though? Do you have any experience

758
00:42:43,520 --> 00:42:46,319
Speaker 1: wielding a sigh? Hey? Do you how much experience do

759
00:42:46,360 --> 00:42:50,800
Speaker 1: you have with a warhammer? Motherfucker. I'm going to machete.

760
00:42:50,800 --> 00:42:53,600
Speaker 1: I'm going back to machete. Machete is a fantastic answer,

761
00:42:53,640 --> 00:42:58,600
Speaker 1: And I think that will be my third weapon. I'm

762
00:42:58,600 --> 00:43:03,040
Speaker 1: gonna have that that dick knife from seven Okay, Yeah,

763
00:43:03,040 --> 00:43:05,279
Speaker 1: and I'm just gonna shake you boys around. I'm going

764
00:43:05,320 --> 00:43:07,919
Speaker 1: to have the glade from a crawl that cause shoe

765
00:43:08,000 --> 00:43:11,920
Speaker 1: lasers and fly at you and then come back to me. Yeah.

766
00:43:12,719 --> 00:43:14,440
Speaker 1: Is I know this is like Danny Glover on a

767
00:43:14,520 --> 00:43:17,040
Speaker 1: g This is a bad weapon. But is there like

768
00:43:17,120 --> 00:43:20,440
Speaker 1: a brass knuckles that are also like a blade? You

769
00:43:20,440 --> 00:43:22,279
Speaker 1: know what I mean? That you can like, Yeah, yeah,

770
00:43:22,280 --> 00:43:26,520
Speaker 1: there's a knife that has brass knuckles handles. Dude, I

771
00:43:26,560 --> 00:43:30,040
Speaker 1: think that I'm changing my machete for that. Actually, no,

772
00:43:30,320 --> 00:43:32,160
Speaker 1: that's a bad idea, because I got a sword. I

773
00:43:32,200 --> 00:43:42,560
Speaker 1: got a baseball back that I'm swinging. Have you guys

774
00:43:42,640 --> 00:43:47,200
Speaker 1: ever gotten in a fight with anything besides fists like

775
00:43:47,280 --> 00:43:51,080
Speaker 1: beer bottle breaking? Yeah, or anything besides like you know,

776
00:43:51,120 --> 00:43:53,120
Speaker 1: because I got in a bunch of fights, but it

777
00:43:53,200 --> 00:43:55,520
Speaker 1: was all like I was a kid, like a true

778
00:43:55,600 --> 00:44:00,600
Speaker 1: like fourth fifth, sixth grader, So I never really and

779
00:44:00,680 --> 00:44:04,120
Speaker 1: we were just you know, fistfighting or like maybe I

780
00:44:04,200 --> 00:44:05,880
Speaker 1: hit a kid with a book or something, but it

781
00:44:05,960 --> 00:44:08,839
Speaker 1: was never you ever pulled out Yeah, yeah, you threw

782
00:44:08,880 --> 00:44:11,000
Speaker 1: a kid down the stairs with a book, right or something? Yeah,

783
00:44:11,000 --> 00:44:13,600
Speaker 1: I hit a kid. Oh. We might have told this

784
00:44:13,640 --> 00:44:18,399
Speaker 1: story on the podcast. Allegedly my my aunt a few

785
00:44:18,440 --> 00:44:21,600
Speaker 1: thanksgivings to go came out to me and was like, hey, uh,

786
00:44:21,760 --> 00:44:26,680
Speaker 1: do you know Brian allegedly uh that was his last name,

787
00:44:26,840 --> 00:44:29,960
Speaker 1: And I was like, yeah, he was my bullying high

788
00:44:29,960 --> 00:44:33,319
Speaker 1: school and she goes he told me he works I

789
00:44:33,320 --> 00:44:36,840
Speaker 1: work with him, yeah, and he you were his bully

790
00:44:37,120 --> 00:44:39,920
Speaker 1: and I evidently bullied him, which I thought he was

791
00:44:39,920 --> 00:44:42,160
Speaker 1: my bully. So we both were just bullying each other.

792
00:44:42,680 --> 00:44:45,600
Speaker 1: I know I've told this story before, but but but

793
00:44:46,280 --> 00:44:49,000
Speaker 1: so everyone's heard this part. But what I don't think

794
00:44:49,000 --> 00:44:52,239
Speaker 1: you told what you did to him? Yeah, so, uh,

795
00:44:52,400 --> 00:44:55,799
Speaker 1: he like was bullying me, and my dad told me that,

796
00:44:55,840 --> 00:44:58,920
Speaker 1: like I have to hit him first. My mom was like,

797
00:44:58,960 --> 00:45:01,799
Speaker 1: only hit him it he hits you first. My Dad's like,

798
00:45:01,960 --> 00:45:06,440
Speaker 1: you're much smaller than him. Definitely hit him first, scare

799
00:45:06,480 --> 00:45:08,920
Speaker 1: the ship out of him, like beat the ship out

800
00:45:08,920 --> 00:45:11,840
Speaker 1: of him, and then he won't hurt you anymore. And

801
00:45:11,920 --> 00:45:14,320
Speaker 1: I'm like, got it. So then the next day at school,

802
00:45:14,360 --> 00:45:17,520
Speaker 1: I took my book out and from my backpack and

803
00:45:17,640 --> 00:45:19,560
Speaker 1: went up to him as he was sitting down in

804
00:45:19,600 --> 00:45:21,440
Speaker 1: a desk and just clubbed him in the side of

805
00:45:21,440 --> 00:45:24,239
Speaker 1: the head with it, like almost knocking him out and

806
00:45:24,280 --> 00:45:27,080
Speaker 1: then and then like a week later, I see him

807
00:45:27,120 --> 00:45:29,680
Speaker 1: at the top of a staircase and I fucking three

808
00:45:29,920 --> 00:45:32,560
Speaker 1: D style kicked him down this staircase and he like

809
00:45:32,640 --> 00:45:35,440
Speaker 1: dislocated his shoulder. So yeah, and how does it feel?

810
00:45:35,560 --> 00:45:38,760
Speaker 1: How does it feel? Yeah? So I was for sure

811
00:45:39,200 --> 00:45:41,880
Speaker 1: his bully. In hindsight, I realized that, but at the

812
00:45:41,920 --> 00:45:44,520
Speaker 1: time I was like he was bullying he was No,

813
00:45:44,680 --> 00:45:46,920
Speaker 1: he was bullying me. Kyle. He didn't hit you with

814
00:45:46,960 --> 00:45:49,520
Speaker 1: a book or kick you downstairs player, No, he hit

815
00:45:49,560 --> 00:45:53,080
Speaker 1: me with his fist. He hit me. Who's the Bullies

816
00:45:53,840 --> 00:45:56,640
Speaker 1: podcast right here? He hit me with his fist first,

817
00:45:57,200 --> 00:46:00,600
Speaker 1: So so yeah, did I deserve that? Don't know? It

818
00:46:00,640 --> 00:46:04,880
Speaker 1: sounds like a movie reveal, like the likes of Fight Club,

819
00:46:04,880 --> 00:46:07,480
Speaker 1: where like all of a sudden, your faces on his body,

820
00:46:07,560 --> 00:46:09,040
Speaker 1: like you thought you were at the bottom of the

821
00:46:09,040 --> 00:46:11,680
Speaker 1: stairs and he was looking down on you. What's cool

822
00:46:11,840 --> 00:46:13,960
Speaker 1: is Adam was just bringing up kind of like an

823
00:46:13,960 --> 00:46:15,880
Speaker 1: eye for an eye, but he just hit him, and

824
00:46:15,960 --> 00:46:20,120
Speaker 1: Adam then through upstairs. It's kind of like an eye

825
00:46:20,200 --> 00:46:23,759
Speaker 1: for a shoulder job. Dennis also, yeah, my dad just

826
00:46:23,800 --> 00:46:27,319
Speaker 1: gave me real piss poor advice. Well, I do say

827
00:46:27,400 --> 00:46:31,200
Speaker 1: that's like my dream role is like like the movie Fear,

828
00:46:31,320 --> 00:46:33,480
Speaker 1: Like I feel like I do well with something like that,

829
00:46:33,520 --> 00:46:37,040
Speaker 1: where where remember that movie Fear with Mark Wohlberg where

830
00:46:37,080 --> 00:46:39,200
Speaker 1: he's just like everybody kind of likes him and he's

831
00:46:39,239 --> 00:46:41,640
Speaker 1: like a new boyfriend and he's cute and everyone's like, hey,

832
00:46:41,640 --> 00:46:43,920
Speaker 1: it's a nice guy. I think I do well with, like,

833
00:46:43,960 --> 00:46:45,759
Speaker 1: oh no, we like him. You look at him a

834
00:46:45,800 --> 00:46:48,200
Speaker 1: little little cute, he's he's good for you. And then

835
00:46:48,200 --> 00:46:52,080
Speaker 1: I'm a fucking lunatic. Then you start carving ship into

836
00:46:52,120 --> 00:46:54,520
Speaker 1: your chest. And then I imagine there's all kinds of

837
00:46:54,560 --> 00:46:58,320
Speaker 1: like serial killer scouts out there looking for me, and

838
00:46:58,480 --> 00:47:02,120
Speaker 1: I'm gonna be like the number one to be the best.

839
00:47:03,560 --> 00:47:08,359
Speaker 1: Mark Wahlberg was was just dripping with sexual energy. So

840
00:47:08,400 --> 00:47:10,880
Speaker 1: what am I not? Mothercker? And has he stopped? I

841
00:47:10,920 --> 00:47:13,520
Speaker 1: don't think you're dripping with it. I think there's an energy.

842
00:47:13,760 --> 00:47:16,400
Speaker 1: I think there's some sexual nous. There is sexual I

843
00:47:16,400 --> 00:47:23,960
Speaker 1: mean your d ms, your d m s are dripping. Man.

844
00:47:24,000 --> 00:47:26,040
Speaker 1: It wasn't That was the whole thing was the dad

845
00:47:26,120 --> 00:47:30,200
Speaker 1: was like this kid can fuck yeah. It was really

846
00:47:30,239 --> 00:47:32,440
Speaker 1: a dad getting over the fact that his daughter is

847
00:47:32,480 --> 00:47:35,319
Speaker 1: getting completely railed by Mary and I don't know if

848
00:47:35,320 --> 00:47:37,279
Speaker 1: that's cool anymore. I think you gotta let her just

849
00:47:37,360 --> 00:47:39,600
Speaker 1: kind of do her thing. Yeah, that's the new movies.

850
00:47:39,640 --> 00:47:42,640
Speaker 1: The dad sees just like a honkey beat kak that

851
00:47:42,719 --> 00:47:44,640
Speaker 1: you could just tell, just lays it down. And the

852
00:47:44,680 --> 00:47:47,600
Speaker 1: dad's like, I applaud you son, have at it, have

853
00:47:47,680 --> 00:47:54,120
Speaker 1: had it. I don't care, not him, the daughter's choice,

854
00:47:54,200 --> 00:47:56,640
Speaker 1: not the dad. You can have her. I bless this.

855
00:47:56,840 --> 00:47:59,360
Speaker 1: I'm saying that he goes, hey, a daughter, it's up

856
00:47:59,400 --> 00:48:01,200
Speaker 1: to you. Just wrap it up. It's up to you,

857
00:48:01,320 --> 00:48:04,440
Speaker 1: and he should have had it. If you are okay

858
00:48:04,440 --> 00:48:07,600
Speaker 1: with that, is that what you're saying, or that's a

859
00:48:07,600 --> 00:48:10,160
Speaker 1: good movie. The dad gets on I A O L.

860
00:48:10,239 --> 00:48:13,400
Speaker 1: It's a messenger. It starts like getting after it and

861
00:48:13,440 --> 00:48:17,600
Speaker 1: then he's like age sex location and he's like seventeen

862
00:48:17,680 --> 00:48:22,680
Speaker 1: your daughter's bedroom. Yeah. So the dad to get the

863
00:48:22,800 --> 00:48:26,680
Speaker 1: dude that he's not into dating his daughter, he tripped

864
00:48:26,800 --> 00:48:29,799
Speaker 1: the the boyfriend to meeting him in the parking lot

865
00:48:29,840 --> 00:48:33,760
Speaker 1: as a seduces him cyber seduce because you've been cyber.

866
00:48:33,880 --> 00:48:37,759
Speaker 1: But then he shows up with fucking spiky boots. Yeah

867
00:48:37,880 --> 00:48:41,279
Speaker 1: we're talking. His full circle kicks him right in the

868
00:48:41,320 --> 00:48:44,320
Speaker 1: fucking cards. Yeah, if if it's a goes the series,

869
00:48:44,400 --> 00:48:47,879
Speaker 1: Kyle will do the pilot and it come out. Give

870
00:48:47,920 --> 00:48:51,880
Speaker 1: me the mailbox money, buddy, hit me with that EP credit.

871
00:48:52,040 --> 00:48:55,480
Speaker 1: Now we've already we've already moved on. You're off the panjacked.

872
00:48:56,400 --> 00:48:59,000
Speaker 1: Oh right, Yeah that's right. I didn't even get the opportunity,

873
00:48:59,080 --> 00:49:02,279
Speaker 1: but I will. I will claim I'm the guy who

874
00:49:02,400 --> 00:49:05,040
Speaker 1: will cut to the audience during a sitcom. I would

875
00:49:05,120 --> 00:49:07,080
Speaker 1: love to do that. I'd like that. I'd like that.

876
00:49:07,400 --> 00:49:10,400
Speaker 1: I feel like that was done. No didn't. Who was

877
00:49:10,400 --> 00:49:13,279
Speaker 1: a Chelsea Peretti or I guess that was a comedy special. Yeah,

878
00:49:13,400 --> 00:49:15,560
Speaker 1: I mean you've done good cutaways. But if you're like

879
00:49:15,600 --> 00:49:17,680
Speaker 1: in a scene in Dan and Rosanne's kitchen and all

880
00:49:17,719 --> 00:49:20,160
Speaker 1: of a sudden you cut to some randoms laughing after

881
00:49:20,200 --> 00:49:23,120
Speaker 1: a good joke in the audience, like that's fucking sharing

882
00:49:23,160 --> 00:49:25,600
Speaker 1: snacks they snuck in. Yeah, that is a groundbreaking ship

883
00:49:26,239 --> 00:49:29,839
Speaker 1: that I'll be in that sitcom for sure. You see

884
00:49:29,840 --> 00:49:32,120
Speaker 1: the hype man, the like audience warm up guy, just

885
00:49:32,160 --> 00:49:34,879
Speaker 1: like waiting for his queue, just not laughing too hard,

886
00:49:34,960 --> 00:49:37,799
Speaker 1: just like funk Wi show was up there. Remember that

887
00:49:37,920 --> 00:49:40,839
Speaker 1: was like that was one of our initial very first

888
00:49:40,840 --> 00:49:42,880
Speaker 1: ideas when we were trying to think of show ideas

889
00:49:42,880 --> 00:49:44,440
Speaker 1: way way back in the day, where it was it

890
00:49:44,480 --> 00:49:46,600
Speaker 1: was like, l a sketch group and we were a

891
00:49:46,600 --> 00:49:50,360
Speaker 1: sketch comedy group who the whole show is us trying

892
00:49:50,400 --> 00:49:53,239
Speaker 1: to put on a show, and then like the like

893
00:49:53,760 --> 00:49:56,640
Speaker 1: you would see some sketches or like half of a sketch,

894
00:49:56,800 --> 00:49:59,440
Speaker 1: but then mostly it's like what's happening backstage and us

895
00:49:59,520 --> 00:50:03,520
Speaker 1: changing in costumes and deally with like getting people into

896
00:50:03,560 --> 00:50:07,799
Speaker 1: the show, and like, I feel like that's it's not

897
00:50:07,840 --> 00:50:09,880
Speaker 1: a bad idea. I love meta ship like that. And

898
00:50:09,920 --> 00:50:12,359
Speaker 1: for those listeners at home trying to steal this, we

899
00:50:12,480 --> 00:50:17,120
Speaker 1: registered this with the Writer's Guild of America West. Sorry,

900
00:50:17,320 --> 00:50:24,000
Speaker 1: it's all We're on the project. We're on the project.

901
00:50:24,000 --> 00:50:26,520
Speaker 1: We've got to register this before someone steals this idea.

902
00:50:27,560 --> 00:50:30,560
Speaker 1: This has to be registered. I mean, I hope this

903
00:50:30,600 --> 00:50:34,200
Speaker 1: whole podcast, all the gold we turnout is registered. Like

904
00:50:34,280 --> 00:50:40,720
Speaker 1: our cyber Dad movie, our cyber Dad movie fucking rocks Dude.

905
00:50:42,200 --> 00:50:44,560
Speaker 1: As long as we get Mark Wahlberg as the dad

906
00:50:44,640 --> 00:50:48,440
Speaker 1: this time, oh should be cool. That's a great little

907
00:50:48,480 --> 00:50:51,240
Speaker 1: send up inside Baseball, send up up that guy doesn't

908
00:50:51,320 --> 00:50:54,840
Speaker 1: stop working, so he's he's a veil. What was his

909
00:50:55,000 --> 00:50:58,200
Speaker 1: last gig? What's his last thing he did? It's been

910
00:50:58,239 --> 00:51:01,080
Speaker 1: a minute since I've clocked in with with whole Marquis Mark,

911
00:51:01,200 --> 00:51:04,080
Speaker 1: didn't you do a big gas Netflix movie? He's always

912
00:51:04,120 --> 00:51:07,000
Speaker 1: doing ship. He's he's NonStop, baby, he's got to be

913
00:51:07,080 --> 00:51:10,080
Speaker 1: up to something, and the stall tactics have kicked in.

914
00:51:10,200 --> 00:51:15,320
Speaker 1: What's he doing? He is constantly working Obviously the last

915
00:51:15,400 --> 00:51:20,239
Speaker 1: thing he was working on. I don't know he's been

916
00:51:20,280 --> 00:51:21,920
Speaker 1: up to either. No, he was in like was that

917
00:51:22,040 --> 00:51:25,840
Speaker 1: like Instant Family or he was in that big The

918
00:51:26,120 --> 00:51:29,000
Speaker 1: fun is that? Quimby. Honestly, I think he's been working

919
00:51:29,040 --> 00:51:31,640
Speaker 1: on his Instagram a lot, and then he's been working

920
00:51:31,640 --> 00:51:34,880
Speaker 1: on his body a lot. He was in Spencer Confidential.

921
00:51:35,080 --> 00:51:37,120
Speaker 1: I feel like that did well. That was the big

922
00:51:37,160 --> 00:51:40,760
Speaker 1: Netflix thing Spencer. Yeah, and then he was in Instant Family,

923
00:51:41,000 --> 00:51:44,320
Speaker 1: then Mile twenty two, then All the Money in the World.

924
00:51:45,080 --> 00:51:51,640
Speaker 1: Then uh, Daddy's Home to Transformers and that's all Transformers

925
00:51:51,680 --> 00:51:53,919
Speaker 1: and that's all within the last three years. The guy

926
00:51:54,360 --> 00:51:59,640
Speaker 1: is churning movies out. Yeah, but yeah, Transformers was no good. Huh.

927
00:52:00,080 --> 00:52:03,400
Speaker 1: His home was cool? I like that. Wait, which you

928
00:52:03,440 --> 00:52:06,160
Speaker 1: saw the Latest Transformers. Yeah, I watched it. No ship,

929
00:52:06,280 --> 00:52:08,200
Speaker 1: Yeah you're still on that train or like you just

930
00:52:08,239 --> 00:52:10,680
Speaker 1: watched it because it was on I was getting I

931
00:52:10,800 --> 00:52:13,279
Speaker 1: was I was having meetings to do those movies, you

932
00:52:13,320 --> 00:52:15,239
Speaker 1: know what I mean, And it was like, I gotta

933
00:52:15,280 --> 00:52:17,719
Speaker 1: go watch him. And when I watched him, I was like,

934
00:52:17,920 --> 00:52:21,879
Speaker 1: let me guess I'll do I'll do the first ten

935
00:52:21,960 --> 00:52:26,280
Speaker 1: minutes and then um, somebody else take off the project.

936
00:52:26,440 --> 00:52:28,919
Speaker 1: You know. That was I really liked the Bumblebee one,

937
00:52:29,040 --> 00:52:31,360
Speaker 1: like the one that they went back in time and

938
00:52:31,400 --> 00:52:33,560
Speaker 1: did the Origin. I thought that was a really good one.

939
00:52:33,719 --> 00:52:37,600
Speaker 1: And I was excited to possibly do the Optimist Optimist Prime.

940
00:52:38,280 --> 00:52:42,960
Speaker 1: I thought I thought it was Optimist Truck one, the

941
00:52:43,040 --> 00:52:48,600
Speaker 1: Optimist Trime Optimist that one. That one. This is how

942
00:52:48,680 --> 00:52:52,160
Speaker 1: Kyle prepares for for big meetings. He's like, uh yeah,

943
00:52:52,239 --> 00:52:56,759
Speaker 1: I know all about the comics. Uh yeah. And he

944
00:52:56,800 --> 00:52:59,400
Speaker 1: made a poster that said go ahead and try him

945
00:52:59,680 --> 00:53:04,279
Speaker 1: me and they're like, you got I think your franchise

946
00:53:04,400 --> 00:53:07,200
Speaker 1: is in trouble, but you've got the right guy. Okay.

947
00:53:07,480 --> 00:53:10,759
Speaker 1: The Mark Wallber one sucked, but I'm here to do

948
00:53:12,120 --> 00:53:14,680
Speaker 1: I like the bumble Bee, the yellow one, and then

949
00:53:15,000 --> 00:53:17,200
Speaker 1: what I'd really like to do is the Optimist truck

950
00:53:18,680 --> 00:53:22,000
Speaker 1: to a car that cars a robot. If that's possible,

951
00:53:22,000 --> 00:53:24,239
Speaker 1: I'd love to do the Optimist Tribe truck one the

952
00:53:24,360 --> 00:53:28,760
Speaker 1: motorcycles a robot that that airplane over there's a robot.

953
00:53:29,040 --> 00:53:32,279
Speaker 1: Walbert's incredible. How did he get I mean, I get

954
00:53:32,360 --> 00:53:35,759
Speaker 1: that he's like a hunky dude, but he uhmistry. He

955
00:53:35,840 --> 00:53:39,160
Speaker 1: always sounds like he's whispering and he's out of breath.

956
00:53:39,760 --> 00:53:45,279
Speaker 1: His voice is out of control, oculist trying. I'm doing

957
00:53:45,320 --> 00:53:49,520
Speaker 1: the oculist tribe. The thing about Mark Walber when when

958
00:53:49,520 --> 00:53:52,279
Speaker 1: he was Marky Mark he was doing wasn't he doing

959
00:53:52,400 --> 00:53:56,000
Speaker 1: underwear modeling? He was Calvin Klein, Oh, don't act like

960
00:53:56,040 --> 00:53:59,960
Speaker 1: you don't know. Wasn't he wasn't wasn't he? That's that's

961
00:54:00,000 --> 00:54:02,759
Speaker 1: how are you were luring guys into those chat rooms

962
00:54:02,800 --> 00:54:11,680
Speaker 1: back in the Mark I swear to god, it's me yo.

963
00:54:11,920 --> 00:54:15,480
Speaker 1: He did the fucking he performed at the MTV Rock

964
00:54:15,560 --> 00:54:18,799
Speaker 1: and Jock Beeball Jam and basically like ran around with

965
00:54:18,840 --> 00:54:21,279
Speaker 1: his pants at his ankles in those underwear and I

966
00:54:21,360 --> 00:54:28,520
Speaker 1: was like, right, this dude is winding. Yeah, man. Twenty

967
00:54:28,760 --> 00:54:31,560
Speaker 1: two twenty. What the funk? Ever? I don't know his

968
00:54:31,640 --> 00:54:36,600
Speaker 1: body was grown. And we wonder why we have like

969
00:54:36,680 --> 00:54:40,839
Speaker 1: dudes crawling in our d ms. This is the most

970
00:54:41,280 --> 00:54:45,040
Speaker 1: ironic podcast, or it's just me the ring on the dude,

971
00:54:45,360 --> 00:54:47,000
Speaker 1: I don't know. I like to believe that it's also

972
00:54:47,040 --> 00:54:48,400
Speaker 1: happening to you guys. And you guys just aren't a

973
00:54:48,440 --> 00:54:50,560
Speaker 1: mini now. You know. That's for me to know. I

974
00:54:50,560 --> 00:54:53,000
Speaker 1: don't have as many followers as you guys I got.

975
00:54:53,040 --> 00:54:57,200
Speaker 1: I got nobody engaging in my social media. Hey, guys

976
00:54:57,239 --> 00:55:00,799
Speaker 1: out there, if you think Kyle's hottie the body, go

977
00:55:00,800 --> 00:55:02,359
Speaker 1: ahead and side in his d m s and we'll

978
00:55:02,360 --> 00:55:05,279
Speaker 1: talk about you on the pod. Maybe. Yeah, we want to.

979
00:55:05,600 --> 00:55:09,440
Speaker 1: We want all the gay dudes that are um offering.

980
00:55:09,960 --> 00:55:12,959
Speaker 1: I was gonna say threatening, but no they're offering. They're

981
00:55:13,000 --> 00:55:15,919
Speaker 1: offering to swallow my dick and ball's hole and to

982
00:55:15,920 --> 00:55:19,320
Speaker 1: tongue my buttle while my dead came balls are in

983
00:55:19,360 --> 00:55:22,919
Speaker 1: their mouth. Uh slide, come up, fly on over to

984
00:55:22,960 --> 00:55:26,759
Speaker 1: to calls Instagram and offer him up something. Yeah, what's

985
00:55:26,760 --> 00:55:30,359
Speaker 1: your at? What's your at? Kyle? Kyle newitchek just my name?

986
00:55:30,360 --> 00:55:32,080
Speaker 1: Why don't you go on? Go on over to at

987
00:55:32,160 --> 00:55:34,440
Speaker 1: Kyle Newitcheck's Instagram and tell him what you want to

988
00:55:34,440 --> 00:55:36,400
Speaker 1: do with his veggies that he just pulled out of

989
00:55:36,400 --> 00:55:41,919
Speaker 1: his guarden. Yeah, and next week we'll read the top

990
00:55:41,960 --> 00:55:45,920
Speaker 1: five comments, and uh, I don't want any straight guys

991
00:55:45,920 --> 00:55:49,440
Speaker 1: going in there trying to be funny. We'll know, we will,

992
00:55:49,239 --> 00:55:52,560
Speaker 1: We'll do some deep we want, we want, we want

993
00:55:52,600 --> 00:55:56,920
Speaker 1: you to actually offer up that throat if you'd like,

994
00:55:57,160 --> 00:56:06,600
Speaker 1: only if you'd like allegedly, guys, is there any take back?

995
00:56:07,920 --> 00:56:12,719
Speaker 1: Take back? Or what's the third one? We say? Right? Yeah,

996
00:56:15,719 --> 00:56:18,560
Speaker 1: I would like to take that apologize, but I said

997
00:56:18,600 --> 00:56:21,520
Speaker 1: off rereading that throat that was a little aggressive. I'd

998
00:56:21,560 --> 00:56:23,600
Speaker 1: like to immediately take that back. But I would like

999
00:56:23,680 --> 00:56:26,719
Speaker 1: to compliment Kyle for standing enough for me as a

1000
00:56:26,840 --> 00:56:30,279
Speaker 1: fourth grade boy, or maybe even second grade boy, with

1001
00:56:30,520 --> 00:56:33,960
Speaker 1: dancing at my aunt's wedding, imagining that there's a fun

1002
00:56:34,080 --> 00:56:36,279
Speaker 1: dance scout out there because I'm just a little boy

1003
00:56:36,360 --> 00:56:38,880
Speaker 1: with a big imagination. And Kyle, I would like to

1004
00:56:39,960 --> 00:56:42,920
Speaker 1: thank you for that. No problem, big big compliment to you,

1005
00:56:43,280 --> 00:56:46,680
Speaker 1: No problem, I will. I appreciate that I always got

1006
00:56:46,760 --> 00:56:48,640
Speaker 1: your back. You know, I know the hard work you

1007
00:56:48,719 --> 00:56:51,400
Speaker 1: put it into the dance industry and into your craft,

1008
00:56:51,600 --> 00:56:53,680
Speaker 1: and I know it started way back then, and as

1009
00:56:53,719 --> 00:56:57,839
Speaker 1: your director and coach, I respect in a major way.

1010
00:56:58,440 --> 00:57:03,000
Speaker 1: For the record, I've never punched you at mum. I

1011
00:57:03,160 --> 00:57:05,560
Speaker 1: was wasted. I don't drink anymore at him and that

1012
00:57:05,760 --> 00:57:08,600
Speaker 1: was that. You know, that's fine, that's where that was

1013
00:57:08,640 --> 00:57:10,720
Speaker 1: many years ago, and you didn't land the punch because

1014
00:57:10,719 --> 00:57:14,479
Speaker 1: you're an actually very bad fighter. I saw that punch

1015
00:57:14,560 --> 00:57:19,760
Speaker 1: coming from twelve miles, very drunk size to the bat size.

1016
00:57:21,360 --> 00:57:24,360
Speaker 1: I had my baseball bat and sucking Pikey boots. So

1017
00:57:24,440 --> 00:57:26,439
Speaker 1: what it got you, Well, you know what I'm gonna

1018
00:57:26,480 --> 00:57:28,360
Speaker 1: I'm gonna go to the other end of the argument,

1019
00:57:28,400 --> 00:57:31,480
Speaker 1: and I'm gonna compliment Honders for standing his ground and

1020
00:57:31,600 --> 00:57:34,440
Speaker 1: what he was saying. You know, it's it's it was.

1021
00:57:34,640 --> 00:57:36,840
Speaker 1: It was strange to see you guys go at each

1022
00:57:36,840 --> 00:57:39,720
Speaker 1: other and not bend, but it was kind of hot.

1023
00:57:40,040 --> 00:57:43,720
Speaker 1: So I feel like Kyle just wanted to go at it.

1024
00:57:43,840 --> 00:57:45,960
Speaker 1: I feel like he's a little bored, needed some action,

1025
00:57:46,080 --> 00:57:49,400
Speaker 1: and I will compliment him on knowing that I'm always

1026
00:57:49,440 --> 00:57:53,960
Speaker 1: down for action. Baby, let's go. I want to compliment

1027
00:57:54,120 --> 00:57:57,240
Speaker 1: you as well for going and sparring with me on

1028
00:57:57,400 --> 00:58:01,520
Speaker 1: that because it was fun and I think, um, I

1029
00:58:01,720 --> 00:58:06,480
Speaker 1: see what you're saying a little bit now, so I'm

1030
00:58:06,520 --> 00:58:08,520
Speaker 1: starting to bet. And I want to compliment everyone at

1031
00:58:08,560 --> 00:58:12,800
Speaker 1: home for listening going through that bearing with us. Yeah,

1032
00:58:13,320 --> 00:58:15,480
Speaker 1: but hey, this is uh, these are real friendships. You know.

1033
00:58:15,560 --> 00:58:21,880
Speaker 1: You don't always um have smart friends. You know, in

1034
00:58:22,000 --> 00:58:24,320
Speaker 1: all honesty, you don't always see eye to eye. And

1035
00:58:24,520 --> 00:58:27,920
Speaker 1: some people like to spar and uh in conversation, and

1036
00:58:28,120 --> 00:58:29,920
Speaker 1: that is where it should be left at the end

1037
00:58:29,920 --> 00:58:32,880
Speaker 1: of the day. If I wasn't virtually away from the wonders,

1038
00:58:32,880 --> 00:58:35,480
Speaker 1: I would force you to hug me. Uh, And I

1039
00:58:35,520 --> 00:58:39,760
Speaker 1: would love hugging you in that sick since you'lla snap

1040
00:58:39,880 --> 00:58:42,600
Speaker 1: t fleece you got on their pale. It's so cozy.

1041
00:58:42,640 --> 00:58:46,200
Speaker 1: I'd like to compliment DERs on just really like shifting

1042
00:58:46,280 --> 00:58:49,240
Speaker 1: on a little third fourth grade year old fourth grade

1043
00:58:49,280 --> 00:58:52,760
Speaker 1: boy and just his dream of of dancing and uh,

1044
00:58:53,040 --> 00:58:58,800
Speaker 1: you know, really taking that little kid to task that

1045
00:58:59,000 --> 00:59:01,680
Speaker 1: kid through a man down the door and kills them

1046
00:59:03,440 --> 00:59:08,400
Speaker 1: and sort of you know, taking every little kid that's

1047
00:59:08,400 --> 00:59:10,160
Speaker 1: out there with a dream, taking him down a peg

1048
00:59:10,320 --> 00:59:14,280
Speaker 1: or two, because that's important. Look, I'll say this and

1049
00:59:15,000 --> 00:59:20,840
Speaker 1: I say this constantly around my household. Dream dreams here

1050
00:59:21,720 --> 00:59:25,040
Speaker 1: just reality. You got a dream, how about you turn

1051
00:59:25,120 --> 00:59:27,240
Speaker 1: that into a reality. You know what, I think. You're

1052
00:59:27,280 --> 00:59:29,760
Speaker 1: the dad in the New Fear movie. You got the part,

1053
00:59:29,880 --> 00:59:40,280
Speaker 1: you got the part. Sorry, there's this guy. Whoa that was?

1054
00:59:40,520 --> 00:59:44,040
Speaker 1: That was another great episode of this