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Speaker 1: So I'm having this conversation and I'm saying like I'm

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Speaker 1: calling him dominic money and dominic money and dominic mine

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Speaker 1: the whole time and just keep using and then like

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Speaker 1: we're saying goodbye, and she's like, by the way, I'm

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Speaker 1: on a feris.

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Speaker 2: I was like, you have to bit that.

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Speaker 1: You kind of do look the same. Hey?

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Speaker 3: What did she apologize?

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Speaker 1: Yeah, she admitted I said she had to, and so

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Speaker 1: she did.

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Speaker 2: Hey.

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Speaker 1: Sorry, I did the Hey, I did a half hay earlier.

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Speaker 1: But that's the real this is the hey, this is

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Speaker 1: the real. Hey, and we'll do it together. Okay, Hey,

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Speaker 1: welcome to Hollywood Handbook. And then Sada's guy, did I

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Speaker 1: didn't like mine?

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Speaker 3: Can I lay Can I do mine?

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Speaker 1: Just yours? And you'll put it on because I didn't.

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Speaker 3: Always hear it? Yes, when you're and then you'll lay

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Speaker 3: mine under your I.

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Speaker 1: Don't want to do it again. I've done two and

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Speaker 1: a half. Yeah, so you do your yours, will weigh

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Speaker 1: it under mine? Yes? Okay, then but I'll go straight

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Speaker 1: into the name please, and and I'm gonna nail this one. Okay.

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Speaker 1: M hm, Hey, sorry, it's funny.

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Speaker 3: No, it's no, I know it's just but I mean,

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Speaker 3: but get it. Monarch butterfly flew into my mouth. Yes,

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Speaker 3: or it might have been a viceroy.

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Speaker 1: It's a monarch. The dust on your mouth is monarch dust. Okay,

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Speaker 1: the get it on this one, because I'm also queueing

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Speaker 1: up my thing, you know, so it's not just you

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Speaker 1: doing it like I'm also having to get ready. Yeah, okay,

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Speaker 1: I just don't you know.

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Speaker 4: Huh.

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Speaker 1: You did like that one that you look very happy.

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Speaker 3: It sounded to me. I'm just making sure. Yes, no,

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Speaker 3: that sounds like yours. I mean, I think that that's

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Speaker 3: gonna map.

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Speaker 1: I thought it was fine. I'm just making sure that

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Speaker 1: you like it. You do like it?

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Speaker 3: You want one more for safety?

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Speaker 1: Sure?

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Speaker 4: Hi?

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Speaker 1: Hi Hi. Welcome to Hollywood Handbooking inside his guide to

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Speaker 1: kicking button dropping names in the red carpet lineback hallways

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Speaker 1: of this industry we call showbiz. I'm Hayes Savenport. I'm

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Speaker 1: here with Sean Clements. What up?

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Speaker 3: What up?

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Speaker 1: Yes? Do you want to do that again?

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Speaker 5: What up?

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Speaker 4: What up?

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Speaker 1: We have a great show today. We wanted to start

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Speaker 1: off with a segment. There was a little bit of

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Speaker 1: back and forth about the segment we wanted to call

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Speaker 1: it midnight snack. This is a segment that I love

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Speaker 1: to that's a popular phrase. Yes, this is a segment

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Speaker 1: about programming that's on at night, comedy talk show, programming

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Speaker 1: that's on at night. Midnight snack. We thought would be

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Speaker 1: a really fun wait to refer to these shows or.

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Speaker 3: Even at midnight snack.

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Speaker 1: Right, But in good conscience, we can't call it that

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Speaker 1: because we aren't going to be talking about at midnight

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Speaker 1: in this segment. Nothing against at midnight, a show that

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Speaker 1: we love.

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Speaker 3: And we would probably do a segment on it later

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Speaker 3: and probably that segment will be worthy of.

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Speaker 1: The name at midnight or points. You're just raising your eyebrows,

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Speaker 1: it would be worthy of points, I would hope. So,

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Speaker 1: so that that's for the future. That's for a future segment.

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Speaker 1: For the secon we want to do now. We want

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Speaker 1: to call it late Night Snack because it's on eleven

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Speaker 1: thirty five, the show that we love, which is Late

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Speaker 1: Night with Jimmy.

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Speaker 3: Fallon and Yes, and not to be confused with a

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Speaker 3: show called late night.

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Speaker 1: Yes, no, no, no, So what it really should be

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Speaker 1: is because it's late Tonight show Yes with Jimmy Fallon, Right,

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Speaker 1: but it's on Late at night.

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Speaker 3: It's on late at night, so it's a late night snack.

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Speaker 3: But please don't think that we mean late night, because

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Speaker 3: that's seth Myers.

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Speaker 1: The segment should be called Tonight Snack.

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Speaker 3: Night Snack, So Tonight night Snack is going to be this,

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Speaker 3: and it's well, it's not on tonight, Tonight's Saturday night

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Speaker 3: right right, eleven thirty five Monday through Friday, eleven thirty

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Speaker 3: five pm snacks, you know, snack.

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Speaker 1: So that really we just want to say how much

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Speaker 1: we appreciate what Jimmy, our friend, is doing for a

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Speaker 1: form that had they needed a boost, you know, cleed

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Speaker 1: to be reinvented.

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Speaker 5: There you know, we're loads at home.

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Speaker 1: Yes, it does start being he brought it back to

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Speaker 1: life and it's even beating faster, like beating to do it. Yes,

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Speaker 1: it's like good a job.

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Speaker 3: No no, no, not not.

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Speaker 1: Because he did that. He brought it back to life.

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Speaker 1: It's even more exciting than it's ever been. And the

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Speaker 1: way he does it was with these Every night you

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Speaker 1: tune into the show and you can expect to be

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Speaker 1: surprised by like an unbelievable guests showing up to do

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Speaker 1: something you would never expect. They would do on television, And.

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Speaker 3: Aren't we sick of seeing people do these canned, pre

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Speaker 3: ordained interview stories where it's like, Oh, I got to

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Speaker 3: stick a gum stuck in my hair on an airplane,

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Speaker 3: you know, And I'm Richard Gear and I'm going to

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Speaker 3: just tell you that story on every friggin' episode of

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Speaker 3: every show. And it's like, well, we know that story, Richard,

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Speaker 3: And actually we were there and it was half a

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Speaker 3: stick and it came out pretty quick.

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Speaker 1: We iced itic it was not chew. It fell off

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Speaker 1: your head.

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Speaker 3: Yeah, and and so and that way, I think that

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Speaker 3: what he's doing is more authentic, and we want to

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Speaker 3: relive some of our favorite selectebrity moments that were kind

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Speaker 3: of outside the box that found's done in the.

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Speaker 1: Padhead go ahead, go ahead, go ahead, go ahead.

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Speaker 3: Well I just can't stop thinking about how hard I

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Speaker 3: laughed at this first, you know, big celeb memory that

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Speaker 3: I have, and this was Blake Shelton from The Voice

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Speaker 3: put on a crocodile head, yes, you know, And isn't

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Speaker 3: that better than interview?

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Speaker 1: And he comes out and they play the Roots, who

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Speaker 1: are amazing, just their.

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Speaker 3: Talent and just a great thing. And then they played

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Speaker 3: Crocodile Rock. Yes, and what and what Blake did that

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Speaker 3: I thought was so clever? Is you know the crocodile

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Speaker 3: Rock starts. I remember when Rock was young? Yes, but

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Speaker 3: he went, he went I remember when Rock was old, Yes,

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Speaker 3: and then he went and then he went like, yeah,

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Speaker 3: I'm almost forty. And I thought, what a great, real,

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Speaker 3: genuine moment.

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Speaker 1: Yes for me, Yes, we don't know. Charlie bit my finger,

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Speaker 1: for him to bring out Charlie Hunt, him to recreate

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Speaker 1: a video that we have to like dress up in

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Speaker 1: baby clothes and have Charlie hun Um like bite his

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Speaker 1: finger and do the voices and stuff. And then for

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Speaker 1: him to do it again with Charlie Day the next night,

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Speaker 1: and then Charlie Birdman Parker to do it on Wednesday. Uh,

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Speaker 1: And then to have.

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Speaker 3: I think it was Axel Rose.

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Speaker 1: Yeah, because once you're expecting another Charlie.

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Speaker 3: The real joke is then to bring out Yes.

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Speaker 1: And then on Friday to bring out Charles Schultz's widow.

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Speaker 1: It's like sort of a tribute to him, represent both

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Speaker 1: Charlie Brown and Charlie Schultz in one thing, and to

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Speaker 1: have them all be biting his finger every night and

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Speaker 1: for us all to relive this wonderful experience we had

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Speaker 1: watching a video online.

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Speaker 3: But instead we're watching a television show that's doing an

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Speaker 3: impression of a video online that you might watch at

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Speaker 3: your desk to kill time before lunch.

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Speaker 1: Yes, but now it's recreating it in an expensive way

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Speaker 1: and bringing in big celebrities to reference something.

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Speaker 3: We're kind of you know, winking at it and in

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Speaker 3: on it in a way where they get to really

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Speaker 3: feel fun. And speaking of fun, wasn't it great when

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Speaker 3: he had Andrew Garfield come out and play a full

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Speaker 3: game of Acxis and Allies the Risk style World War

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Speaker 3: two board game, Yes, which takes about four and a

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Speaker 3: half to six hours to complete, and to see them

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Speaker 3: play that game, which some people find fun to play themselves.

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Speaker 1: Yes, it's a it's sort of recreating it's basically watching

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Speaker 1: them hang out like you hang out with with your friends.

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Speaker 3: And that's so important what you just said, Yes, because

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Speaker 3: it's sort of because it is obviously, I know celebrities

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Speaker 3: are just like me. I am a celebrity, but the

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Speaker 3: idea that a viewer who just turned on their TV

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Speaker 3: could get the feeling that a celebrity is just like

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Speaker 3: them because they are watching you know, fucking goddamn fucking

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Speaker 3: you know, Amanda Seafried do fucking hopscotch or some bullshit.

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Speaker 3: That's fun. It's like they're doing hopscotch.

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Speaker 1: Yes, and like to have Lizzye Kaplan come on the

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Speaker 1: show and like bring her sack lunch and then she's

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Speaker 1: like trading her sack lunch stuff with Jimmy sack lunch

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Speaker 1: and they're saying and quest love and questlove is in

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Speaker 1: there too, and he has funny foods.

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Speaker 3: Yeah, and what's in their lunch isn't maybe what you'd

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Speaker 3: expect to always have for lunch.

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Speaker 1: Yes, And it's like just going back to what's funny

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Speaker 1: about like just being a kid, you know, stuff we

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Speaker 1: all remember from being kids, and like remembering that. Yeah,

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Speaker 1: these guys were all like kids do and it's like

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Speaker 1: funny sometimes to see them act like they're not just

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Speaker 1: like serious rich adults like that they're also capable of

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Speaker 1: having fun. And seeing a celebrity be capable of having

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Speaker 1: a good time I think can be the most enjoyable

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Speaker 1: experience a human person can have. Would you agree with

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Speaker 1: that or would you not agree?

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Speaker 3: I don't agree only because I don't think you stated

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Speaker 3: it strongly enough. Yeah, I think it's the only enjoyable

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Speaker 3: experience for a human person. Yeah, truly enjoyable with no

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Speaker 3: guilt or nothing attached to it. Because it is enjoyable

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Speaker 3: certainly to ejaculate, but there's a lot of baggage that

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Speaker 3: we have that, yeah, that comes with that. Yeah, And

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Speaker 3: it can also be enjoyable to release your bowels. I

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Speaker 3: mean that can be a real freedom. But there's clean

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Speaker 3: up involved, or there's possibly if you're in the middle

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Speaker 3: of a crowded party, there's some It can be embarrassing.

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Speaker 1: And there is also clean up that in that egg

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Speaker 1: smashing game that they do on on Jimmy Fallon though,

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Speaker 1: but even different, it seems fun. It's part of it. Yes, Sam,

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Speaker 1: I want to ask you a question about forty five

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Speaker 1: seconds ago, you made a sound. I want to know

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Speaker 1: if it was a laugh or a yawn. Be very

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Speaker 1: very careful what you say, Okay, think about your answer, Engineer, Sam.

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Speaker 1: I just want to know if that noise you made

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Speaker 1: was a laugh or a yawn.

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Speaker 3: And just because your family doesn't mean that I won't

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Speaker 3: really let you have it.

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Speaker 1: One or the other. It's one or the other. It's

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Speaker 1: one of those two answers, and you can take all

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Speaker 1: the time you need, and you can even ask questions

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Speaker 1: to us about what your answer should be. We won't

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Speaker 1: tell you exactly, but maybe we'll get We encourage you

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Speaker 1: to use the questions, use the questions wisely, and we

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Speaker 1: can maybe like steer you in the right direction. For

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Speaker 1: whether that noise you made people can hear it on

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Speaker 1: the thing you made it like it was a some

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Speaker 1: kind of exhalation.

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Speaker 3: And one question might be what those sounds coming out

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Speaker 3: of a person indicate about how they feel about what's

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Speaker 3: happening in the room.

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Speaker 1: And I wasn't looking at you because I'm trying to

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Speaker 1: do a show, and so I don't know if you

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Speaker 1: were patting your mouth or holding your sides, and so

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Speaker 1: it's I.

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Speaker 3: Was, yes, I also was pointed the other way with

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Speaker 3: my face and my eyes because you were hoping to

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Speaker 3: do I was assuming that in doing the podcast that

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Speaker 3: I would get quiet from the person who really is

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Speaker 3: not supposed to be making anything.

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Speaker 4: Right.

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Speaker 1: That there's the people are who are making noise, and

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Speaker 1: then there's the people who are listening to the noise

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Speaker 1: and making sure that the noise is coming through okay,

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Speaker 1: without any sorts of interruption. Now, Sam, yeah, you you've

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Speaker 1: had some time to think about this now mm hmmm. Uh.

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Speaker 1: Do you have any preliminary questions about your ultimate response

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Speaker 1: to whether that noise he made was a laugh or

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Speaker 1: a yawn? No, I have no questions. That was a yawn.

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Speaker 1: And I apologize he's tired.

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Speaker 3: He's having a sleepy day. That could happen to anyone.

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Speaker 3: Not you're fucking dead meat, mister. And wait till I

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Speaker 3: tell you freaking dad, Oh my god, and just have

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Speaker 3: the opportunity to ask us questions and to blow that.

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Speaker 1: I'm so like to like to turn it into an

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Speaker 1: opportunity to be like, I'll do a funny thing, because

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Speaker 1: it was a laugh. I fucking saw it, like you know,

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Speaker 1: he was, he's enjoying the show.

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Speaker 3: He was fucking he's in the roop.

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Speaker 1: Peat.

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Speaker 3: I didn't take my eyes off for a second. I

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Speaker 3: was watching him like a hawk, but sideways, so he

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Speaker 3: couldn't tell for shit.

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Speaker 1: And to try and lie and act like it was

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Speaker 1: a yawn in order to try and like act big

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Speaker 1: or whatever, to like like whatever, my girls are listening

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Speaker 1: to this, and be like and like you'd be like

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Speaker 1: remember that time that.

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Speaker 3: You like get some and then and and I'm and

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Speaker 3: I'm always watching Him'm always watching everything because my training,

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Speaker 3: you know, like I always am aware, like you have

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Speaker 3: a one hundred percent real vision, oh yes vision, and

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Speaker 3: it's and and because of my training, I'm always totally aware,

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Speaker 3: you know. And so I see him doing the laughs,

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Speaker 3: and I know you're gonna throw to him because I

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Speaker 3: just anticipated sure, And I think I wonder if he's

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Speaker 3: going to try to get girls.

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Speaker 1: By lying that and they are so angry that he

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Speaker 1: would try and and turn that opportunity. And I hate

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Speaker 1: questions and I hate to.

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Speaker 3: Do this, but if there's any girls, and I know

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Speaker 3: there are listening who were maybe or maybe Sam's age, and.

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Speaker 1: We're maybe thinking like you know, looking at Sam and

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Speaker 1: maybe thinking like his body was like on time or whatever.

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Speaker 1: It's like certain things about his physique. Yes, we're you know,

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Speaker 1: intriguing right on time. Yeah, maybe you'd like to see

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Speaker 1: other aspects, which, let me tell you, don't get too excited. Yeah, uh,

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Speaker 1: don't build it up too much in your mind. It's nice,

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Speaker 1: but you don't wanna you don't want to want to

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Speaker 1: set yourself up for we don't want to spoil it

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Speaker 1: for you don't don't get too invested. Yeah, you might

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Speaker 1: want to h way to prepare for right, Sam, you

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Speaker 1: can admit this. Should they get invested?

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Speaker 3: I think so.

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Speaker 1: And see that's the exact same thing. Oh you know,

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Speaker 1: I know.

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Speaker 2: I just we give him this opportunity to to be

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Speaker 2: a part of it, part of engaging and to be

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Speaker 2: you know, not on the same level with us. He

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Speaker 2: always goes their way. Yeah, he says like, no, like,

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Speaker 2: this is the time I'm going to be that's that.

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Speaker 3: Punk rock mentality, and it's the rap rock, it's the

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Speaker 3: biscuit and all of this awful and it's just it's

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Speaker 3: horrible and it's just noise, and it's all a big

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Speaker 3: f you to everyone who's actually deserves some respect because

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Speaker 3: we've actually earned it.

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Speaker 4: What scares me is he's gonna these are the guys

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Speaker 4: that are going to be running the world when we're like.

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Speaker 1: This is who's going to be taking care of us?

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Speaker 1: And imagine, Senator Sam, imagine that.

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Speaker 3: I can't.

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Speaker 1: I mean if we did what if we just learned

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Speaker 1: to use computers and we just did it. You know,

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Speaker 1: it doesn't look hard. You look over at him. He's

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Speaker 1: not doing it's not high level stuff that we just

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Speaker 1: learned how to. Yeah, if he can do it, we

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Speaker 1: should because it's the squares and like there's a big

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Speaker 1: square and there's the little squares. There's yeah, there's little squares,

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Speaker 1: and there's some of the like sort of sideways sort

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Speaker 1: of squares and the one like L shaped one. Yes,

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Speaker 1: there's a big shaped one, which he seems to favor

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Speaker 1: in some ways. We got a great guest today. Matt

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Speaker 1: Gurley is here. He's the host of the Super Ego podcast.

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Speaker 1: He is here. He's also a professor of comedy. He's

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Speaker 1: going to talk about that side of his of his business.

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Speaker 1: Coming right up on Hollywood Handbook.

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Speaker 5: Hollywood Handbook.

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Speaker 2: So I nudge.

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Speaker 3: Tyson Beck for it. Yeah, and I go, oh, she's

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Speaker 3: talking to you.

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Speaker 2: He goes, no, she's talking to you.

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Speaker 3: She said hey, handsome, and I go, no, you're handsome.

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Speaker 3: I'm gorgeous. But she was talking to me after all.

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Speaker 1: She was like nagging you, yes exactly, which it's like, Hey,

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Speaker 1: it worked. Hey. Welcome to Hollywood Handbook and Insiders Guide

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Speaker 1: to kicking button dropping names in the red carpet line

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Speaker 1: back hallways of this industry we call showbiz.

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Speaker 3: What up?

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Speaker 1: What up. We're here with a great guest, and we're

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Speaker 1: really excited about this guest. We really want to sort

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Speaker 1: of dig into the nitty gritty of what we try

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Speaker 1: to do today. Matt Gurley is here.

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Speaker 4: Hi, guys.

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Speaker 1: You know him from a number of podcasts, Yes, the

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Speaker 1: Super Ego podcast, and he has any the podcast.

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Speaker 3: That, and he's doing this podcast.

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Speaker 1: But when you live in Los Angeles, what you know,

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Speaker 1: Matt as is uh, well, you're a professor.

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Speaker 4: I'm an adjunct faculty member. But if we want to, yeah,

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Speaker 4: I'll go with professor today.

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Speaker 3: Yeah. Sure, Well you wear glasses, that's right, Professor.

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Speaker 1: You're right in in Riverside.

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Speaker 4: I teach online at Riverside City College, right on campus

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Speaker 4: at Long Beach City College and College of the Canyons

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Speaker 4: in Valencia.

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Speaker 1: Because that's sort of like the intellectual triumvirate of the

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Speaker 1: city Valencia, Riverside and Long Beach is where sort of,

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Speaker 1: while you know, all the beautiful people are in Los Angeles,

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Speaker 1: the thinkers, the intellects, they go out to those cities

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Speaker 1: and that's where they make like rockets.

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Speaker 4: And right we flank them on all sides in a triangle.

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Speaker 1: Yes, and you teach online which is like a robot.

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Speaker 4: It is more than you know it is.

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Speaker 1: It is.

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Speaker 4: It's amazing how much of it is just automated.

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Speaker 1: Yeah. Yeah.

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Speaker 4: I check it every morning and mostly just answer technical

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Speaker 4: questions about.

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Speaker 5: My final didn't click on.

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Speaker 3: Yeah, and that's is you scared of robots taking over?

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Speaker 4: Oh sure, And that's part of what my classes are about,

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Speaker 4: is just.

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Speaker 1: Preparing for that. I think they have to fight you.

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Speaker 5: Yeah, that's a big element of theater.

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Speaker 1: Yeah.

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Speaker 3: Yeah, being prepared and just can just cansabans and you know,

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Speaker 3: have a big water jug a raft, yeah, raft and.

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Speaker 4: One of those solar blankets. Yeah, which makes you seem

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Speaker 4: like a robot yourself. So it's partially camouflage. It's just

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Speaker 4: you got to learn their tricks, you know.

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Speaker 3: And a big Obama wants to take our guns. Yeah right, Hayes,

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Speaker 3: Well you can ask me, well he's well, well.

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Speaker 1: He's coming for just whisper, and well he's coming for them,

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Speaker 1: you know, and it's I'm not gonna let him take

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Speaker 1: and if you come try and take.

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Speaker 2: My gun, you.

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Speaker 3: Nasty for you, Sean.

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Speaker 2: We said you can talk about this, but you have

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Speaker 2: to make sure you control your volume when you say

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Speaker 2: those kind of things.

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Speaker 1: Okay, a nasty surprise.

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Speaker 5: How many guns do you have?

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Speaker 3: Well, I'm trying to get them, but Obama's it's every turn.

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Speaker 1: It's more, he keeps buying them before Sean can show

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Speaker 1: up and take them all.

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Speaker 3: Every time I go to get a cut. As soon

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Speaker 3: as the waiting payers over, they go okay, and I

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Speaker 3: go and I want the one I picked out, the

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Speaker 3: one with the seashells on it.

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Speaker 1: And then what do I know?

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Speaker 3: They go, Oh, I think a gentleman just purchased that one.

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Speaker 1: I turn around and Obama and he's giggling.

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Speaker 2: Yeah, that's right.

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Speaker 1: You get so excited because I'm with you for that

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Speaker 1: whole waiting period, and you get it all, you paint

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Speaker 1: the room for, you get it all set up.

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Speaker 4: Does he scamper away into a little door in the

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Speaker 4: Wayne's that he just he just lives in there.

400
00:21:02,080 --> 00:21:04,320
Speaker 3: Oh well he may. I mean, I turn away so

401
00:21:04,400 --> 00:21:06,720
Speaker 3: fat when I see him scampering. I just like my

402
00:21:06,880 --> 00:21:09,879
Speaker 3: fist not and I go blind, almost with rage.

403
00:21:09,920 --> 00:21:16,520
Speaker 1: A little network of tunnels between gun stores that gun stores, Ye, yes.

404
00:21:17,520 --> 00:21:19,240
Speaker 4: What I wouldn't give to have that in a little

405
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Speaker 4: glass pane up on my shelf where you could see

406
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Speaker 4: like a little ant trail, you know, taking guns.

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00:21:25,359 --> 00:21:30,240
Speaker 3: Yeah, just yes, just all the little ants carrying guns

408
00:21:30,280 --> 00:21:32,360
Speaker 3: back to their little ant oval office. Yeah.

409
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Speaker 1: Change marriage into something that's fucked up.

410
00:21:34,840 --> 00:21:37,320
Speaker 3: Yes, everything's going to have to marry a horse.

411
00:21:37,840 --> 00:21:41,440
Speaker 1: Everyone's gonna be. You're gonna see all those Dennis Rodman

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00:21:42,160 --> 00:21:46,600
Speaker 1: brides around those like fake man. They're trying to trick

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Speaker 1: you into marrying them, but it doesn't and then I

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00:21:50,359 --> 00:21:52,600
Speaker 1: legally I'm not I'm certainly not going to be fooled

415
00:21:52,640 --> 00:21:53,200
Speaker 1: by that again.

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Speaker 4: No, or those those brides that are half bride half

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Speaker 4: groom when they turn to a different profiles, Yes, marry

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Speaker 4: them sell Yeah.

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00:22:00,680 --> 00:22:05,280
Speaker 3: Well what about these bridezillas. Oh, I mean it's a

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Speaker 3: real problem.

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Speaker 5: That's why you need guns.

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Speaker 1: Right there, Bridias.

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Speaker 3: Yes, I'm so sorry. Yes that was culturally insensitive. But

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Speaker 3: the brideiras bride. You bride now as professor man ahead, Yes.

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Speaker 1: You teach the class that we what everyone knows you

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Speaker 1: from is from your famous comedy one on.

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Speaker 4: One comedy one oh one.

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00:22:27,880 --> 00:22:30,680
Speaker 1: You fly into Los Angeles, Uh huh. You say, you

429
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Speaker 1: get in a funny mustache car and you say, take

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Speaker 1: me to school because I need an education. In comedy

431
00:22:38,920 --> 00:22:40,679
Speaker 1: and take you to see you and you teach them

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Speaker 1: comedy one on one.

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Speaker 5: I'm wearing a tweed tuxedo shirt.

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Speaker 1: It's a it's a t shirt with a tweed TUXI yes.

435
00:22:51,400 --> 00:22:55,879
Speaker 4: Yeah, yeah, And that's that's just deraga for any comedy

436
00:22:55,920 --> 00:22:58,280
Speaker 4: one on one teacher, you gotta start there. That's that's

437
00:22:58,320 --> 00:23:00,159
Speaker 4: just the beginning. You learn that your first or a

438
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Speaker 4: grad school.

439
00:23:01,480 --> 00:23:07,159
Speaker 1: So we thought we would open up your class to

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Speaker 1: all our listeners who live in Nebraska.

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Speaker 4: God bless Okay, yes, one of the most you can't.

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00:23:16,960 --> 00:23:18,320
Speaker 5: Yeah, I gotta, I gotta help.

443
00:23:18,200 --> 00:23:22,480
Speaker 3: These any kind of Ya Dakota, of any kind a

444
00:23:22,640 --> 00:23:24,080
Speaker 3: north one, or the.

445
00:23:24,040 --> 00:23:27,119
Speaker 1: Way you fly flyovers, you are in the plane, you

446
00:23:27,160 --> 00:23:29,359
Speaker 1: look down and they're spelling out help in the corn.

447
00:23:30,200 --> 00:23:33,560
Speaker 1: Get me the fuck out of here, they say in corn.

448
00:23:33,760 --> 00:23:35,480
Speaker 4: That's a funny joke, and they don't even know it's

449
00:23:35,480 --> 00:23:37,359
Speaker 4: a joke. They're not even doing a joke.

450
00:23:37,520 --> 00:23:42,080
Speaker 1: Yes, yeah, they're so desperate then, like they're so sincere.

451
00:23:42,280 --> 00:23:46,400
Speaker 3: But for desperate losers who live in these fucking bullshit

452
00:23:46,560 --> 00:23:49,639
Speaker 3: parts of I mean it's not really our country is

453
00:23:49,720 --> 00:23:56,000
Speaker 3: in you know, but but of a country they don't

454
00:23:56,000 --> 00:23:59,480
Speaker 3: have access necessarily to computers where a robot man can

455
00:23:59,520 --> 00:24:01,440
Speaker 3: teach you comedy profession.

456
00:24:02,720 --> 00:24:04,520
Speaker 1: But for us, we know, like they go to sears,

457
00:24:04,520 --> 00:24:10,280
Speaker 1: they listen to our show in the showroom, and we

458
00:24:10,359 --> 00:24:12,480
Speaker 1: thought as they're listening, they could get some of the

459
00:24:12,600 --> 00:24:14,879
Speaker 1: education that they don't have to come out all the

460
00:24:14,920 --> 00:24:17,600
Speaker 1: way here and pay for it. Yeah, because it's very

461
00:24:17,600 --> 00:24:25,040
Speaker 1: hard on their souls to walk all that way. Why

462
00:24:25,040 --> 00:24:28,800
Speaker 1: don't you start us from the beginning of like the

463
00:24:28,840 --> 00:24:32,480
Speaker 1: first day, when everyone's coming in. You've done the name game, okay,

464
00:24:32,520 --> 00:24:35,600
Speaker 1: so we don't have to do that. But everyone's come

465
00:24:35,640 --> 00:24:40,280
Speaker 1: in and sit down. You're giving them the foundation of

466
00:24:40,359 --> 00:24:44,159
Speaker 1: your comedy philosophy, and you'll sort of give it to

467
00:24:44,280 --> 00:24:46,560
Speaker 1: us and we'll sort of pretend yes, and we know

468
00:24:46,680 --> 00:24:49,000
Speaker 1: this stuff. Yeah, but you know, just talk to us

469
00:24:49,040 --> 00:24:52,520
Speaker 1: about some of the principles as if we didn't even

470
00:24:52,520 --> 00:24:53,760
Speaker 1: though everyone knows that we do.

471
00:24:53,800 --> 00:24:56,679
Speaker 5: Know absolutely all.

472
00:24:56,760 --> 00:24:58,600
Speaker 4: Right, first thing we do we can't really do here,

473
00:24:58,640 --> 00:25:01,480
Speaker 4: but I have everybody lied in a circle with their

474
00:25:01,520 --> 00:25:04,000
Speaker 4: heads on the bellies of the people in front of them,

475
00:25:04,119 --> 00:25:06,520
Speaker 4: and then everybody just laughs. And it's a thrill, right

476
00:25:06,600 --> 00:25:08,680
Speaker 4: because your head bounces up and down like a bunch

477
00:25:08,680 --> 00:25:10,719
Speaker 4: of jelly bellies on a water bed, if you'd imagine

478
00:25:10,720 --> 00:25:14,840
Speaker 4: a water bed full of rigorous physical sexual activity.

479
00:25:15,240 --> 00:25:15,440
Speaker 3: Uh.

480
00:25:15,480 --> 00:25:17,879
Speaker 4: And that's basically how I open up. And that's a

481
00:25:17,880 --> 00:25:21,680
Speaker 4: bit of an icebreaker, and it weeds out the weak those, you.

482
00:25:21,640 --> 00:25:23,760
Speaker 1: Know, and the ones the heads are too heavy.

483
00:25:24,359 --> 00:25:25,480
Speaker 4: Or bellies too soft.

484
00:25:25,920 --> 00:25:29,080
Speaker 5: Yeah, and that happens and uh and that that gets

485
00:25:29,160 --> 00:25:29,359
Speaker 5: rid of.

486
00:25:30,280 --> 00:25:31,800
Speaker 4: I need to know the first week who's not going

487
00:25:31,840 --> 00:25:33,480
Speaker 4: to be able to cut it, you know, And that's

488
00:25:33,520 --> 00:25:34,919
Speaker 4: the best way to do it. Then we go right

489
00:25:34,960 --> 00:25:37,640
Speaker 4: into the mirror exercise. And that's not that's no joke,

490
00:25:37,800 --> 00:25:40,800
Speaker 4: because real comedy is about truth. And if if you

491
00:25:40,880 --> 00:25:43,479
Speaker 4: know how somebody belly moves when they laugh, and if

492
00:25:43,480 --> 00:25:47,119
Speaker 4: you can look into the soul through the mirror of

493
00:25:47,160 --> 00:25:49,000
Speaker 4: their eyes, you know what you're dealing with.

494
00:25:49,040 --> 00:25:51,760
Speaker 1: And explain the exercise. We know what it is, were

495
00:25:53,520 --> 00:25:56,240
Speaker 1: but like maybe if you could explain like we didn't

496
00:25:56,280 --> 00:25:58,280
Speaker 1: know what it was, well's and how we could do

497
00:25:58,320 --> 00:25:58,560
Speaker 1: it all.

498
00:25:58,680 --> 00:26:00,480
Speaker 4: Let's have you two look at each other there right now.

499
00:26:00,480 --> 00:26:03,359
Speaker 4: Then this is great podcast material. And let's say Sean,

500
00:26:03,400 --> 00:26:05,600
Speaker 4: you just start moving your hand right now, Hey, is

501
00:26:05,640 --> 00:26:09,919
Speaker 4: you're gonna You're gonna mimic that, okay, so go ahead.

502
00:26:09,640 --> 00:26:11,520
Speaker 1: Okay, okay, if you actually do it, or just like

503
00:26:11,560 --> 00:26:14,280
Speaker 1: make a sound and pretend like we're doing it because podcast.

504
00:26:13,960 --> 00:26:15,719
Speaker 5: Yeaheah, I'm not even in the same room.

505
00:26:17,119 --> 00:26:18,480
Speaker 3: I'm u my hand.

506
00:26:18,560 --> 00:26:21,360
Speaker 4: Yeah. It's very physical, very strenuous.

507
00:26:22,040 --> 00:26:23,320
Speaker 5: Okay, now keep up there.

508
00:26:23,359 --> 00:26:25,240
Speaker 4: You got to keep up because part of this is

509
00:26:25,359 --> 00:26:28,520
Speaker 4: a two way street. Now I'm gonna have you organically

510
00:26:28,600 --> 00:26:32,159
Speaker 4: switch control as to who's leading whenever you feel like

511
00:26:32,280 --> 00:26:36,199
Speaker 4: go okay, good good, all right. The other thing in

512
00:26:36,200 --> 00:26:38,399
Speaker 4: my classes, I don't let anyone make any decisions. I

513
00:26:38,440 --> 00:26:40,920
Speaker 4: make all their comedic decisions. Any improv that they would

514
00:26:40,920 --> 00:26:45,760
Speaker 4: ever do is me commanding them making decisions, and they're

515
00:26:45,760 --> 00:26:47,040
Speaker 4: mostly no decisions.

516
00:26:47,400 --> 00:26:52,719
Speaker 1: Yes, because comedy is about surprise, is it? And it's

517
00:26:52,800 --> 00:26:53,520
Speaker 1: only surprise.

518
00:26:53,640 --> 00:26:56,320
Speaker 3: Yeah, and you've said that, now please tell us about

519
00:26:56,320 --> 00:26:57,800
Speaker 3: that speak speak on it.

520
00:26:57,960 --> 00:26:59,879
Speaker 4: Well that I mean that you could, if there is

521
00:27:00,040 --> 00:27:01,960
Speaker 4: so interested, they could go to the book section of

522
00:27:02,000 --> 00:27:05,199
Speaker 4: Sears and just pick up my book that comedies is

523
00:27:05,400 --> 00:27:11,679
Speaker 4: about disappointment. So if you're going to surprise them, surprise

524
00:27:11,760 --> 00:27:14,440
Speaker 4: them with what they don't want, and that includes the audience,

525
00:27:14,520 --> 00:27:17,960
Speaker 4: your your scene partner, not your teacher, not your teacher.

526
00:27:18,640 --> 00:27:18,880
Speaker 3: Uh.

527
00:27:19,520 --> 00:27:22,240
Speaker 4: In fact, I the only way to get an A

528
00:27:22,320 --> 00:27:24,520
Speaker 4: in my class is to never show up, all right,

529
00:27:24,600 --> 00:27:27,280
Speaker 4: because that's brilliant. That says to me, you're thinking outside

530
00:27:27,280 --> 00:27:28,040
Speaker 4: of the box.

531
00:27:28,080 --> 00:27:30,800
Speaker 1: You know, because you're expecting them to show up.

532
00:27:31,160 --> 00:27:32,639
Speaker 5: Yeah, and that's not funny.

533
00:27:32,720 --> 00:27:35,159
Speaker 1: Like a banana peel that you step on and it

534
00:27:35,200 --> 00:27:39,560
Speaker 1: doesn't just go squish or like helps you right, like

535
00:27:39,560 --> 00:27:42,720
Speaker 1: like it does your homework or something you know, like

536
00:27:42,840 --> 00:27:43,840
Speaker 1: that you were trying to.

537
00:27:43,760 --> 00:27:47,560
Speaker 4: Get somewhere more quickly. Yeah, and the banana peel got

538
00:27:47,600 --> 00:27:51,240
Speaker 4: you there a little quicker because you didn't slip.

539
00:27:49,520 --> 00:27:55,119
Speaker 1: Just takes you all the way exactly where you need

540
00:27:55,160 --> 00:27:55,920
Speaker 1: to go and nothing funny.

541
00:27:56,240 --> 00:27:58,239
Speaker 4: But it does screw you of your fitbit steps, I'll

542
00:27:58,280 --> 00:27:58,520
Speaker 4: tell you.

543
00:27:59,119 --> 00:27:59,760
Speaker 1: Yes, mm hmm.

544
00:28:00,160 --> 00:28:03,199
Speaker 3: Fitness is very important here in the big in the

545
00:28:03,200 --> 00:28:03,760
Speaker 3: big city.

546
00:28:03,840 --> 00:28:05,720
Speaker 4: Every one of my students has to have a fitbit.

547
00:28:05,800 --> 00:28:07,359
Speaker 4: If you don't know what that is, it's a little

548
00:28:07,880 --> 00:28:10,800
Speaker 4: electronic device you carry in your pocket that monitors your steps.

549
00:28:11,119 --> 00:28:13,080
Speaker 3: Now, can they have a flex or does it have

550
00:28:13,119 --> 00:28:14,040
Speaker 3: to be a fitbit one?

551
00:28:14,400 --> 00:28:14,520
Speaker 1: No?

552
00:28:14,640 --> 00:28:16,720
Speaker 5: In fact, everybody get out your fitbits right now.

553
00:28:17,000 --> 00:28:19,240
Speaker 4: Okay, okay, what have you got let's see yours show

554
00:28:19,440 --> 00:28:21,400
Speaker 4: that looks pretty good.

555
00:28:22,280 --> 00:28:23,480
Speaker 1: Mine goes on my belt.

556
00:28:23,680 --> 00:28:24,400
Speaker 5: What is that one?

557
00:28:24,480 --> 00:28:28,040
Speaker 1: It's called a wivvings. What a wivvings? But you hear

558
00:28:28,080 --> 00:28:30,399
Speaker 1: this aunt like it's German, and you can hear the

559
00:28:30,600 --> 00:28:34,840
Speaker 1: efficiency of it. I tapping its mist to that. You

560
00:28:34,840 --> 00:28:37,520
Speaker 1: hear that, I hear it, and that's me. I'm walking

561
00:28:37,560 --> 00:28:41,120
Speaker 1: around with that on my on my belt all day. Okay.

562
00:28:42,120 --> 00:28:43,360
Speaker 5: So it's not made by Fitbit.

563
00:28:43,640 --> 00:28:44,880
Speaker 1: No, it's not made by fitbit.

564
00:28:45,560 --> 00:28:48,840
Speaker 5: And its German. Yes, typically the unfunniest culture.

565
00:28:50,640 --> 00:28:52,959
Speaker 1: It's fit bita.

566
00:28:53,440 --> 00:29:01,120
Speaker 4: Fit please, yes, okay, but Schuligan, Yeah, what do you

567
00:29:01,480 --> 00:29:03,160
Speaker 4: how many steps you register in right now?

568
00:29:04,120 --> 00:29:06,360
Speaker 5: You got three hundred and eighty four.

569
00:29:06,240 --> 00:29:08,800
Speaker 3: Three hundred and eighty four steps and it's about one pm.

570
00:29:08,920 --> 00:29:12,760
Speaker 3: So I'm on pace to uh, I'm on pace to

571
00:29:12,840 --> 00:29:14,600
Speaker 3: do about seven hundred steps today.

572
00:29:14,760 --> 00:29:16,800
Speaker 1: And you're walking as you're doing this, but you just

573
00:29:16,840 --> 00:29:19,560
Speaker 1: do it so slowly and you are you act like

574
00:29:19,560 --> 00:29:21,400
Speaker 1: you're really tired tiptoes.

575
00:29:21,720 --> 00:29:26,880
Speaker 3: And these are big, long steps, heavy steps, and so

576
00:29:27,560 --> 00:29:30,280
Speaker 3: I feel that each one of them counts for about

577
00:29:30,280 --> 00:29:31,400
Speaker 3: a thousand steps.

578
00:29:31,680 --> 00:29:34,520
Speaker 1: Yeah, and you can do that? What you can do?

579
00:29:34,560 --> 00:29:36,200
Speaker 1: What Matt is doing, and you can just move it

580
00:29:36,280 --> 00:29:38,160
Speaker 1: up and down, and that's really the same as walking,

581
00:29:38,200 --> 00:29:40,800
Speaker 1: and it does and it is exercise. It is for

582
00:29:40,920 --> 00:29:43,120
Speaker 1: your arm, and you can put it on a thirsty

583
00:29:43,160 --> 00:29:47,240
Speaker 1: bird's head and then it's getting exercise.

584
00:29:47,360 --> 00:29:48,880
Speaker 5: So that's put it on my cat's collar.

585
00:29:49,040 --> 00:29:50,600
Speaker 1: That still counts pretty active.

586
00:29:51,520 --> 00:29:54,200
Speaker 4: And that's how I begin the class. And then then

587
00:29:54,240 --> 00:29:55,760
Speaker 4: I get to know the students a little bit to

588
00:29:55,840 --> 00:29:57,280
Speaker 4: have them tell me some interesting.

589
00:29:56,960 --> 00:29:59,360
Speaker 1: Facts about themselves. And that is sort of documented in

590
00:29:59,400 --> 00:30:04,560
Speaker 1: the movie One, which is about your experience. Yes, what

591
00:30:04,640 --> 00:30:06,280
Speaker 1: was it like working with Michael?

592
00:30:07,360 --> 00:30:11,280
Speaker 4: He he's a shallow reflection of me, but he was

593
00:30:11,320 --> 00:30:15,320
Speaker 4: the best we could do. He has a roguish charm.

594
00:30:15,040 --> 00:30:17,520
Speaker 1: And a shallow reflection. As we all know, if you

595
00:30:17,560 --> 00:30:21,600
Speaker 1: read science, it doesn't look as good as one. If

596
00:30:21,640 --> 00:30:25,880
Speaker 1: the water is deeper, that the better the reflection is

597
00:30:25,960 --> 00:30:26,480
Speaker 1: coming out.

598
00:30:26,760 --> 00:30:29,760
Speaker 3: And even glass or a mirror is even better than water.

599
00:30:30,200 --> 00:30:30,840
Speaker 5: That's true.

600
00:30:31,000 --> 00:30:33,960
Speaker 4: A shallow reflection, you're still gonna see some of the

601
00:30:34,080 --> 00:30:37,640
Speaker 4: underlying surface of the lake bed or the reeds. And

602
00:30:37,680 --> 00:30:39,640
Speaker 4: who wants to look at nature when you can look

603
00:30:40,200 --> 00:30:42,640
Speaker 4: into your own chestnut eyes, you know?

604
00:30:42,760 --> 00:30:44,840
Speaker 3: And again not to belabor the point, and not to

605
00:30:44,840 --> 00:30:47,720
Speaker 3: sound like a broken record, but you don't even really

606
00:30:47,800 --> 00:30:51,960
Speaker 3: need water if you have a piece of shiny glass

607
00:30:52,720 --> 00:30:55,720
Speaker 3: or even a shiny rock that's so shiny it shows you.

608
00:30:56,840 --> 00:31:02,480
Speaker 4: Or a TV that's off, yeah, or close circuit camera anyway,

609
00:31:02,680 --> 00:31:06,480
Speaker 4: he did, he did in a pinch. Let's just say yeah.

610
00:31:06,560 --> 00:31:07,480
Speaker 5: But all of that is true.

611
00:31:07,520 --> 00:31:08,560
Speaker 4: The whole story is true.

612
00:31:09,320 --> 00:31:11,800
Speaker 3: And I hate to bring up the whole mirror thing again,

613
00:31:12,000 --> 00:31:16,280
Speaker 3: but I'm just thinking that even a phone with glass

614
00:31:16,320 --> 00:31:19,120
Speaker 3: on the front, or a camera that turns around and

615
00:31:19,160 --> 00:31:21,600
Speaker 3: points at you, a camera could be a good way

616
00:31:21,640 --> 00:31:26,040
Speaker 3: to see yourself. And it's interesting to me because there

617
00:31:26,040 --> 00:31:27,960
Speaker 3: were probably cameras on that movie.

618
00:31:28,640 --> 00:31:33,160
Speaker 4: None you'd think there were. But it's all live and

619
00:31:33,560 --> 00:31:35,800
Speaker 4: so that's why you can't fight it anymore unless we

620
00:31:35,880 --> 00:31:36,400
Speaker 4: remount it.

621
00:31:36,440 --> 00:31:37,760
Speaker 5: They're talking about a revival.

622
00:31:39,080 --> 00:31:43,280
Speaker 4: Also, a self portrait or a portrait artist to reflect

623
00:31:43,520 --> 00:31:47,400
Speaker 4: your image back to yourself is timely but appropriate.

624
00:31:48,440 --> 00:31:51,960
Speaker 1: So these are just ways that we're beating water, you know.

625
00:31:52,040 --> 00:31:53,280
Speaker 1: And people talk about.

626
00:31:53,160 --> 00:31:56,520
Speaker 3: How we're running out of water. It's about yes and

627
00:31:57,200 --> 00:31:59,840
Speaker 3: I and they're scared about that, and I'm saying, well,

628
00:31:59,840 --> 00:32:01,560
Speaker 3: we've already defeated it, you know.

629
00:32:02,080 --> 00:32:04,640
Speaker 4: And I don't. I don't allow water in my classroom,

630
00:32:05,360 --> 00:32:09,040
Speaker 4: just milk. So everybody can have a big old jug

631
00:32:09,040 --> 00:32:09,640
Speaker 4: of milk.

632
00:32:09,440 --> 00:32:12,400
Speaker 1: Because milk isn't trying to rise up and get us

633
00:32:12,440 --> 00:32:13,000
Speaker 1: all wet.

634
00:32:13,320 --> 00:32:19,520
Speaker 4: No, no, and anybody that's trying to make our bones health, no, sir, no.

635
00:32:19,800 --> 00:32:22,280
Speaker 1: How much milk do they have to drink in your

636
00:32:22,320 --> 00:32:24,160
Speaker 1: class and how fast a gallon?

637
00:32:24,760 --> 00:32:27,600
Speaker 5: As fast as they can, and that myth is not true.

638
00:32:27,640 --> 00:32:28,239
Speaker 4: You can do it.

639
00:32:28,360 --> 00:32:29,000
Speaker 5: I've seen it.

640
00:32:29,320 --> 00:32:31,080
Speaker 1: You can do it in thirty seconds and rare.

641
00:32:30,920 --> 00:32:32,320
Speaker 5: Occasions, I've seen it work.

642
00:32:32,560 --> 00:32:36,640
Speaker 1: Yeah, I did it. You know, like someone challenges like, oh,

643
00:32:36,680 --> 00:32:38,840
Speaker 1: you can't drink a bunch of milk and a gallon

644
00:32:38,840 --> 00:32:40,520
Speaker 1: of milk and under an hour. And I did the

645
00:32:40,560 --> 00:32:42,720
Speaker 1: whole thing. And I had already drank a shitload of

646
00:32:42,720 --> 00:32:46,680
Speaker 1: milk before that. Yeah, much more like five times as

647
00:32:46,760 --> 00:32:48,440
Speaker 1: much right before they had me do that.

648
00:32:48,720 --> 00:32:50,960
Speaker 3: Yeah, I did well because I did a gallon of

649
00:32:51,040 --> 00:32:53,200
Speaker 3: hot milk in about twenty five minutes, and then they

650
00:32:53,200 --> 00:32:55,160
Speaker 3: said it was supposed to be cold milk, and I cheated,

651
00:32:55,160 --> 00:32:57,880
Speaker 3: and so then I drank a gallon or two, maybe

652
00:32:57,920 --> 00:33:01,120
Speaker 3: a gallon and a half. I think of cold milk

653
00:33:03,680 --> 00:33:06,560
Speaker 3: and then I turned I made a I did a

654
00:33:06,680 --> 00:33:10,760
Speaker 3: milk was about Joy's joke, and that really was bust

655
00:33:10,800 --> 00:33:13,400
Speaker 3: them up? Uh uh well.

656
00:33:16,760 --> 00:33:21,040
Speaker 4: Yeah, come on man, what was the joke? Does somebody

657
00:33:21,040 --> 00:33:22,880
Speaker 4: need a refresher Corse dish man?

658
00:33:24,480 --> 00:33:29,360
Speaker 3: Well, the joke, of course, as I I was holding

659
00:33:29,400 --> 00:33:30,400
Speaker 3: up a water bottle.

660
00:33:32,960 --> 00:33:36,320
Speaker 4: Let me tell you something, surprise. One time I just

661
00:33:36,440 --> 00:33:41,760
Speaker 4: troughloaded a curdled buttermilk a cubic gallon because it was

662
00:33:41,800 --> 00:33:45,840
Speaker 4: so solid, and I just just feedbacked it into my

663
00:33:46,040 --> 00:33:53,360
Speaker 4: open maw and I said, now, top that last I

664
00:33:53,400 --> 00:33:53,960
Speaker 4: bought one of.

665
00:33:53,880 --> 00:33:56,120
Speaker 3: Those industries so good when it hits your mouth.

666
00:33:56,480 --> 00:34:03,320
Speaker 4: Oh god, thinking about it now, Yeah, I'm glad we're

667
00:34:03,320 --> 00:34:04,440
Speaker 4: not in the same room now.

668
00:34:04,560 --> 00:34:07,760
Speaker 3: So I just wanted to get into because I feel

669
00:34:07,760 --> 00:34:10,760
Speaker 3: like we're sort of organically transitioning into Will Ferrell quotes

670
00:34:10,840 --> 00:34:17,239
Speaker 3: being a big part of your class, huge, huge, And

671
00:34:17,280 --> 00:34:19,120
Speaker 3: I'm wondering if you could speak on that a little bit.

672
00:34:19,200 --> 00:34:21,560
Speaker 3: What the best quotes are to pick from and just

673
00:34:21,560 --> 00:34:24,680
Speaker 3: switch movies to watch or even old sketches.

674
00:34:25,280 --> 00:34:27,160
Speaker 4: Well we start with Stranger than Fiction.

675
00:34:27,520 --> 00:34:31,440
Speaker 3: Let me stop you more, cow Bell, No.

676
00:34:33,440 --> 00:34:36,160
Speaker 4: Friend, that's the advanced class. We don't even get there

677
00:34:36,160 --> 00:34:38,320
Speaker 4: in the first class. I'm telling you they're not ready

678
00:34:38,360 --> 00:34:38,680
Speaker 4: for that.

679
00:34:39,600 --> 00:34:39,920
Speaker 3: Sorry.

680
00:34:40,360 --> 00:34:42,480
Speaker 1: It's interesting that you start with something as challenging as

681
00:34:42,480 --> 00:34:43,320
Speaker 1: Stranger than Fiction.

682
00:34:44,080 --> 00:34:46,279
Speaker 4: Right, it's not quotable, So how do you find your

683
00:34:46,320 --> 00:34:48,279
Speaker 4: way to it? I'm going to do some work, and

684
00:34:48,320 --> 00:34:50,920
Speaker 4: part of that work is watching other Will Ferrell movies

685
00:34:50,920 --> 00:34:53,080
Speaker 4: and coming in through the back door. But a student

686
00:34:53,120 --> 00:34:55,799
Speaker 4: who can walk around quoting Stranger than Fiction and get

687
00:34:55,800 --> 00:34:58,360
Speaker 4: a reaction from the student body on campus because everybody's

688
00:34:58,360 --> 00:35:02,239
Speaker 4: walking around quoting something, right, whether it's Borat or Alexander

689
00:35:02,280 --> 00:35:03,800
Speaker 4: Haigh Comedy's just quote.

690
00:35:04,000 --> 00:35:05,439
Speaker 5: Yeah, yeah, that's it.

691
00:35:05,920 --> 00:35:06,879
Speaker 3: I mean, that's all it is.

692
00:35:06,920 --> 00:35:09,200
Speaker 4: It's new quotes or old quotes. But it's just quotes.

693
00:35:09,239 --> 00:35:11,000
Speaker 4: You're only quoting yourself. If you come up with an

694
00:35:11,000 --> 00:35:15,120
Speaker 4: original joke, you're quoting your brain. And uh so I

695
00:35:15,280 --> 00:35:16,920
Speaker 4: I try to get him to quote that movie, and

696
00:35:16,960 --> 00:35:19,560
Speaker 4: they never have. And so I've never given an a

697
00:35:19,800 --> 00:35:22,080
Speaker 4: except for students that didn't show up because they potentially

698
00:35:22,160 --> 00:35:22,520
Speaker 4: could have.

699
00:35:23,400 --> 00:35:26,960
Speaker 1: I like that that Yard Sale movie he did, there's

700
00:35:27,000 --> 00:35:28,439
Speaker 1: so many funny lines of that one.

701
00:35:28,560 --> 00:35:29,560
Speaker 5: I don't think it's.

702
00:35:29,360 --> 00:35:32,680
Speaker 1: Called let Me Go m H.

703
00:35:32,760 --> 00:35:35,880
Speaker 3: I think it's but it's it's in Spanish, right, I

704
00:35:35,880 --> 00:35:38,360
Speaker 3: think it's called like a poppy k rico or something

705
00:35:38,440 --> 00:35:40,440
Speaker 3: like that, you know, yeah.

706
00:35:40,239 --> 00:35:43,600
Speaker 1: Yeah, yeah, And there's that part where he's like d

707
00:35:43,719 --> 00:35:48,319
Speaker 1: shirts for sale. But in Spanish it's good. It's just

708
00:35:48,400 --> 00:35:52,040
Speaker 1: like it's his it's his face, you know. It's just

709
00:35:52,080 --> 00:35:53,759
Speaker 1: something about his face that's part of it.

710
00:35:53,920 --> 00:35:55,840
Speaker 4: Yeah, I've never seen what he looks like.

711
00:35:56,120 --> 00:35:59,120
Speaker 1: Yeah, that's important for you, wouldn't I think?

712
00:35:59,200 --> 00:36:03,320
Speaker 3: So? You gotta have quotes are not about the face

713
00:36:03,440 --> 00:36:03,960
Speaker 3: that you make?

714
00:36:04,960 --> 00:36:08,280
Speaker 1: Sam? What was that movie called the yard sale movie?

715
00:36:10,120 --> 00:36:13,000
Speaker 1: There's that movie. There's that one movie that Will Ferrell

716
00:36:13,080 --> 00:36:16,080
Speaker 1: did where he's selling. He's just got to sell all

717
00:36:16,080 --> 00:36:17,040
Speaker 1: his stuff.

718
00:36:17,600 --> 00:36:19,120
Speaker 3: And he's had it a little too much to drink.

719
00:36:19,120 --> 00:36:19,399
Speaker 1: I think.

720
00:36:19,440 --> 00:36:22,120
Speaker 3: Don't just look at me, Sam.

721
00:36:21,880 --> 00:36:22,520
Speaker 1: I'm not sure.

722
00:36:23,200 --> 00:36:24,480
Speaker 5: Is it seven years in Tibet?

723
00:36:25,120 --> 00:36:25,439
Speaker 3: Is it?

724
00:36:25,760 --> 00:36:28,800
Speaker 1: Sam? Oh?

725
00:36:29,200 --> 00:36:30,959
Speaker 3: Now you're gonna start looking it up.

726
00:36:31,520 --> 00:36:31,880
Speaker 1: Okay?

727
00:36:31,920 --> 00:36:33,719
Speaker 3: Did you think we wanted to hear that you're not

728
00:36:33,800 --> 00:36:35,840
Speaker 3: sure first before you looked it up.

729
00:36:36,200 --> 00:36:39,879
Speaker 1: As if we would find the answers in your fucking.

730
00:36:39,719 --> 00:36:41,719
Speaker 3: Well, wait, before he looks it up, let's find out

731
00:36:41,719 --> 00:36:44,600
Speaker 3: if he's not sure. You think I'd give a flying

732
00:36:44,640 --> 00:36:46,479
Speaker 3: fuck if you're not yeah, of course you're not sure.

733
00:36:46,520 --> 00:36:49,600
Speaker 3: You don't know dick about anything, but just fucking look

734
00:36:49,640 --> 00:36:50,319
Speaker 3: the ship up.

735
00:36:50,440 --> 00:36:52,919
Speaker 1: But you're supposed to know computer stuff. That's your one

736
00:36:53,360 --> 00:36:54,440
Speaker 1: thing that you bring to this.

737
00:36:54,600 --> 00:36:56,120
Speaker 3: If Matt was in the same room as me, I'd

738
00:36:56,120 --> 00:36:57,040
Speaker 3: be so humiliated.

739
00:36:57,120 --> 00:36:57,560
Speaker 1: Right now?

740
00:36:58,160 --> 00:37:00,920
Speaker 3: Can I say something I wish that you would.

741
00:37:01,239 --> 00:37:03,680
Speaker 4: I can see on the closed circuit television that your

742
00:37:04,440 --> 00:37:07,520
Speaker 4: your Sam is wearing a garment with elbow patches on it.

743
00:37:07,600 --> 00:37:09,880
Speaker 4: Now I want to know if you've earned those, Sam.

744
00:37:09,880 --> 00:37:12,280
Speaker 4: I want to know what your background is, what you're training,

745
00:37:12,360 --> 00:37:14,800
Speaker 4: because where I come from, you got to earn your stripes.

746
00:37:14,840 --> 00:37:17,480
Speaker 4: You know, those are like sergeant chevrons, but they're teachers.

747
00:37:17,560 --> 00:37:21,400
Speaker 4: Elbow patches you yourself? You've got an injured elbow? Am I

748
00:37:21,480 --> 00:37:24,160
Speaker 4: correct about that? Yeah? I got a so you could

749
00:37:24,280 --> 00:37:27,319
Speaker 4: theoretically add are you even using those?

750
00:37:27,320 --> 00:37:28,720
Speaker 5: Are you protecting your elbows?

751
00:37:29,440 --> 00:37:29,640
Speaker 4: Really?

752
00:37:29,800 --> 00:37:29,960
Speaker 1: Oh?

753
00:37:30,000 --> 00:37:35,240
Speaker 4: He's resting his elbows on a soft, padded arm wrest overkill?

754
00:37:35,280 --> 00:37:35,640
Speaker 2: Really?

755
00:37:36,440 --> 00:37:36,800
Speaker 5: Sorry?

756
00:37:36,840 --> 00:37:37,120
Speaker 1: Sam?

757
00:37:37,360 --> 00:37:37,879
Speaker 3: That's you?

758
00:37:38,560 --> 00:37:38,880
Speaker 1: Really?

759
00:37:41,040 --> 00:37:42,080
Speaker 3: No? Really?

760
00:37:42,840 --> 00:37:47,480
Speaker 4: I have tender, little, both little elbows. Put them in

761
00:37:47,520 --> 00:37:50,560
Speaker 4: a little bit of warm water at night, two little

762
00:37:50,560 --> 00:37:52,200
Speaker 4: butter pans full of warm water.

763
00:37:54,880 --> 00:37:55,480
Speaker 2: Is that true?

764
00:37:55,520 --> 00:37:56,680
Speaker 1: Sam?

765
00:37:57,320 --> 00:38:01,359
Speaker 3: You put them in butter pants. No, you say, then,

766
00:38:01,360 --> 00:38:02,560
Speaker 3: why did you just say it?

767
00:38:02,760 --> 00:38:05,440
Speaker 1: That wasn't me saying it, but it sounded just like

768
00:38:05,840 --> 00:38:06,480
Speaker 1: No it did not.

769
00:38:06,760 --> 00:38:08,360
Speaker 5: Is that elbow cream on the table?

770
00:38:08,520 --> 00:38:08,600
Speaker 4: No?

771
00:38:08,880 --> 00:38:09,279
Speaker 1: What is that?

772
00:38:16,320 --> 00:38:16,600
Speaker 3: Sick?

773
00:38:17,200 --> 00:38:19,560
Speaker 1: No? None of this is what's that movie called?

774
00:38:20,000 --> 00:38:22,400
Speaker 4: Now, you guys say it's not called.

775
00:38:22,200 --> 00:38:22,960
Speaker 1: The yard Sale?

776
00:38:23,719 --> 00:38:24,800
Speaker 4: Careful of your elbows.

777
00:38:24,880 --> 00:38:30,839
Speaker 1: Don't just make fake typing noises type something type the question.

778
00:38:30,960 --> 00:38:32,400
Speaker 2: Soaks them in butter pants.

779
00:38:32,880 --> 00:38:38,279
Speaker 3: That seems so strange. Everything must go, everything must go.

780
00:38:43,800 --> 00:38:53,759
Speaker 1: Well, that song the type of the bub gallery, the questions.

781
00:38:54,120 --> 00:38:58,120
Speaker 1: This is a segment where we well, I didn't hear

782
00:38:58,120 --> 00:38:59,840
Speaker 1: the song, so now I'm not really sure what it is.

783
00:39:00,080 --> 00:39:02,319
Speaker 5: M popcorn.

784
00:39:02,719 --> 00:39:04,440
Speaker 3: We kind of need the song to remind us of

785
00:39:04,480 --> 00:39:05,440
Speaker 3: what the segment is.

786
00:39:05,680 --> 00:39:06,279
Speaker 5: Uh.

787
00:39:06,920 --> 00:39:10,040
Speaker 3: I don't want to start it over, it's much too long.

788
00:39:10,080 --> 00:39:12,399
Speaker 3: We just fly by the seat of our pants with

789
00:39:12,440 --> 00:39:15,040
Speaker 3: it and hopefully whatever comes out is a segment.

790
00:39:15,120 --> 00:39:16,920
Speaker 1: Well, let's do this. Let's reach into we have this

791
00:39:17,000 --> 00:39:22,480
Speaker 1: popcorn bag, let's play the other sound clips, and as

792
00:39:22,520 --> 00:39:24,959
Speaker 1: we reach into the actual popcorn bag and we'll pull

793
00:39:25,000 --> 00:39:27,160
Speaker 1: out whatever's inside, and then we'll do that.

794
00:39:44,719 --> 00:39:50,600
Speaker 4: Little popcorn home. I'm Obama, get out of my popcorn home.

795
00:39:52,440 --> 00:39:57,759
Speaker 1: Give me that gun. Oh it's a question, Uh huh,

796
00:39:58,160 --> 00:40:00,680
Speaker 1: And it's from one of our listeners. It's a question

797
00:40:00,719 --> 00:40:04,200
Speaker 1: for Matt Gourley from Michael Bay of Pigs. Matt, what's

798
00:40:04,239 --> 00:40:06,200
Speaker 1: your strangest experience with a woman?

799
00:40:07,200 --> 00:40:12,399
Speaker 4: M good question. And I don't mean like it's hard

800
00:40:12,400 --> 00:40:12,800
Speaker 4: to answer.

801
00:40:12,880 --> 00:40:17,399
Speaker 5: I mean good question. My hat's off.

802
00:40:18,680 --> 00:40:23,400
Speaker 4: Uh boy, it's hard to say when when you start

803
00:40:23,480 --> 00:40:28,279
Speaker 4: off with strange experiences, where does the bar go. I

804
00:40:28,280 --> 00:40:30,600
Speaker 4: don't know that I've ever had a normal. My normal

805
00:40:30,800 --> 00:40:33,640
Speaker 4: is strange. You know, strange is the new normal? Do

806
00:40:33,680 --> 00:40:39,280
Speaker 4: you guys watch that show? Let's say, uh, one time

807
00:40:40,560 --> 00:40:43,400
Speaker 4: I made love to a woman while doing the high jump.

808
00:40:44,800 --> 00:40:45,480
Speaker 5: Just leave it at that.

809
00:40:45,880 --> 00:40:48,480
Speaker 4: She was too just just you would have to get

810
00:40:48,520 --> 00:40:49,279
Speaker 4: the physics of it.

811
00:40:49,400 --> 00:40:54,160
Speaker 3: Yeah, yeah, Felsberry flop, Indeed, you know what I mean.

812
00:40:55,320 --> 00:41:02,320
Speaker 3: It's I'm looking for Yes, Yes, a Niche, Yes, Muppet Babies.

813
00:41:02,400 --> 00:41:05,040
Speaker 3: I just love the old the cartoons from when we

814
00:41:05,080 --> 00:41:05,680
Speaker 3: were kids.

815
00:41:05,760 --> 00:41:10,240
Speaker 1: And Raspberry Fosberry. It's like if Fozzy were Yes.

816
00:41:10,400 --> 00:41:15,319
Speaker 3: Just like up it Baby, like any old theme song

817
00:41:15,840 --> 00:41:17,840
Speaker 3: to an old show that I watched when I was

818
00:41:17,840 --> 00:41:21,080
Speaker 3: a kid, like that. Immediately to me. That's content. Just

819
00:41:21,160 --> 00:41:22,640
Speaker 3: remembering it is content.

820
00:41:23,000 --> 00:41:24,520
Speaker 5: I'm looking for substitute teachers.

821
00:41:24,560 --> 00:41:26,719
Speaker 4: If you're thinking about anything.

822
00:41:26,800 --> 00:41:28,919
Speaker 3: Okay, Well, are you sick?

823
00:41:29,360 --> 00:41:29,840
Speaker 5: Yeah?

824
00:41:30,040 --> 00:41:32,880
Speaker 1: Yeah, I have what kind?

825
00:41:33,520 --> 00:41:36,759
Speaker 4: I have a terminal cold where it's not that the

826
00:41:36,760 --> 00:41:39,680
Speaker 4: cold hands, that it's set it and I eventually, yeah,

827
00:41:39,760 --> 00:41:42,960
Speaker 4: I lose so much, not that it dehydrates my body

828
00:41:42,960 --> 00:41:45,719
Speaker 4: and I turned into just a withered old mummy of it.

829
00:41:45,960 --> 00:41:47,919
Speaker 4: Just you know how mummies a wrapped in toilet paper,

830
00:41:47,960 --> 00:41:49,759
Speaker 4: But it's like if my skin were toilet paper that

831
00:41:49,800 --> 00:41:50,439
Speaker 4: had been used.

832
00:41:50,520 --> 00:41:52,719
Speaker 3: Yeah, I'm very concerned for your health. But this is

833
00:41:52,719 --> 00:41:54,520
Speaker 3: getting a little too scary for this is getting a

834
00:41:54,520 --> 00:41:57,279
Speaker 3: little too scary for me to continue listening to. I'm sorry,

835
00:41:57,280 --> 00:41:58,719
Speaker 3: and I'm so sorry that's happening to you, but it

836
00:41:58,760 --> 00:42:00,400
Speaker 3: is too scary, and I don't want to scare our

837
00:42:00,400 --> 00:42:01,000
Speaker 3: listeners out of this.

838
00:42:01,320 --> 00:42:03,319
Speaker 1: And don't say words like mummy. Don't really say that.

839
00:42:03,400 --> 00:42:06,200
Speaker 1: You say stuff like King Tut's exotic new form or

840
00:42:06,239 --> 00:42:09,719
Speaker 1: something like that. It's like something will be quite so scared.

841
00:42:09,440 --> 00:42:10,320
Speaker 3: A little more palatable.

842
00:42:10,400 --> 00:42:13,320
Speaker 5: Yes, I need to make a euphemism for mummy.

843
00:42:13,360 --> 00:42:14,080
Speaker 4: Is what you're saying.

844
00:42:14,800 --> 00:42:17,200
Speaker 1: Yes, And even in explaining what you.

845
00:42:17,200 --> 00:42:18,240
Speaker 5: Need to say money.

846
00:42:18,320 --> 00:42:19,520
Speaker 3: Maybe Brendan Fraser.

847
00:42:20,400 --> 00:42:23,319
Speaker 1: Saying money and acting like you did by accident, that's

848
00:42:23,360 --> 00:42:25,319
Speaker 1: a that's a perfect way to do it. What's so

849
00:42:25,360 --> 00:42:27,440
Speaker 1: fucked up about six people is they say, like, I

850
00:42:27,480 --> 00:42:29,920
Speaker 1: have a terminal illness or whatever. But like, if you

851
00:42:29,920 --> 00:42:33,440
Speaker 1: actually study your grammar, you don't have a terminal illness.

852
00:42:33,800 --> 00:42:35,520
Speaker 1: You are a terminal.

853
00:42:35,200 --> 00:42:38,520
Speaker 4: Guy, and you don't have a terminal illness until you do.

854
00:42:38,680 --> 00:42:41,560
Speaker 5: Because you're sitting there still talking, we don't know.

855
00:42:41,600 --> 00:42:43,560
Speaker 1: It's like, oh, I'm waiting, Oh you still have it?

856
00:42:43,760 --> 00:42:45,120
Speaker 5: Yeah, potentially out.

857
00:42:45,200 --> 00:42:47,160
Speaker 3: That's one of the most fucked up things about sick

858
00:42:47,160 --> 00:42:47,719
Speaker 3: people to me.

859
00:42:48,360 --> 00:42:50,000
Speaker 5: What are some other fucked up things about.

860
00:42:49,960 --> 00:42:52,799
Speaker 1: The sneezey guys?

861
00:42:52,840 --> 00:42:54,239
Speaker 5: I don't know that I don't have that.

862
00:42:54,800 --> 00:43:00,360
Speaker 3: Oh gosh, wife and the freaking they're all have like

863
00:43:00,600 --> 00:43:03,200
Speaker 3: bags strapped to him.

864
00:43:03,480 --> 00:43:07,560
Speaker 1: Let's reach back into the popcorn bag to see what's

865
00:43:07,680 --> 00:43:23,920
Speaker 1: at the bottom haltole hand. So we have competing sound drops.

866
00:43:23,920 --> 00:43:31,320
Speaker 1: This time we should explain sort of oh, yes, Mark, Mark, Mark,

867
00:43:31,880 --> 00:43:36,320
Speaker 1: you're my friend Mark from high school. High school. I see,

868
00:43:36,640 --> 00:43:41,120
Speaker 1: he's great, awesome. We wouldn't be doing our job if

869
00:43:41,120 --> 00:43:43,879
Speaker 1: we didn't occasionally explore other options. Just to make sure

870
00:43:43,960 --> 00:43:46,400
Speaker 1: the podcast is at the highest level that it can be.

871
00:43:47,440 --> 00:43:49,160
Speaker 1: Let us keep Mark on his toe.

872
00:43:49,200 --> 00:43:51,920
Speaker 3: He has a friend Mark from high school, who I

873
00:43:51,960 --> 00:43:56,000
Speaker 3: guess it's really funny in school and does sound drops.

874
00:43:55,640 --> 00:43:57,440
Speaker 5: And he's blind, so you know he's good.

875
00:43:58,200 --> 00:43:59,680
Speaker 1: He's good. It sounds m hm.

876
00:44:00,040 --> 00:44:02,160
Speaker 3: It makes you better. You're so much better at sound

877
00:44:02,200 --> 00:44:05,560
Speaker 3: drops because you can't draw. And so I think that

878
00:44:05,560 --> 00:44:09,120
Speaker 3: that has informed some of his work and I'm liking it.

879
00:44:09,440 --> 00:44:10,840
Speaker 5: I brought some of his sound effects in.

880
00:44:10,880 --> 00:44:12,560
Speaker 4: If you just want to name something, he's got him

881
00:44:12,560 --> 00:44:13,319
Speaker 4: ready to go here.

882
00:44:13,480 --> 00:44:16,319
Speaker 3: Oh, in addition to the sounddrops we've been hearing, Oh,

883
00:44:16,360 --> 00:44:18,960
Speaker 3: sure you name it? Okay?

884
00:44:19,160 --> 00:44:29,520
Speaker 1: Uh yeah, Well, I guess a vacuum it takes a

885
00:44:29,520 --> 00:44:30,359
Speaker 1: while to queue up.

886
00:44:30,960 --> 00:44:32,040
Speaker 3: Well, no, he doesn't.

887
00:44:36,160 --> 00:44:37,080
Speaker 1: That's really good.

888
00:44:40,680 --> 00:44:42,480
Speaker 3: Taks a lot out of his throat. You could hear

889
00:44:42,520 --> 00:44:45,240
Speaker 3: him kind of struggling his throat afterward.

890
00:44:45,400 --> 00:44:50,520
Speaker 1: He's very good. Yeah, here's a question from Andrew. Mister Grawley,

891
00:44:50,560 --> 00:44:51,720
Speaker 1: you haven't put out a podcast.

892
00:44:51,760 --> 00:44:56,719
Speaker 4: Ry what did he spell me? I don't want to

893
00:44:56,760 --> 00:45:00,880
Speaker 4: answer this question, it says groarly.

894
00:45:01,320 --> 00:45:02,840
Speaker 1: I think it might be just like sort of a

895
00:45:02,880 --> 00:45:05,600
Speaker 1: reference to your person.

896
00:45:05,880 --> 00:45:09,399
Speaker 5: My bear like persona. Yes, all right, I'll take it.

897
00:45:09,680 --> 00:45:10,120
Speaker 4: Proceed.

898
00:45:10,600 --> 00:45:12,600
Speaker 1: You haven't put out a podcast for over a year.

899
00:45:12,719 --> 00:45:14,919
Speaker 1: Is that due to laziness or mirror incompetence.

900
00:45:16,960 --> 00:45:19,919
Speaker 4: I'm glad I did it answer this when I will

901
00:45:20,040 --> 00:45:20,479
Speaker 4: right now.

902
00:45:21,560 --> 00:45:21,920
Speaker 5: Listen.

903
00:45:21,960 --> 00:45:23,960
Speaker 4: You don't know what it takes to podcast I'm sitting

904
00:45:24,000 --> 00:45:26,000
Speaker 4: here in a different room with two gentlemen that do

905
00:45:26,160 --> 00:45:29,200
Speaker 4: understand what it takes to podcasts, one of whom has

906
00:45:29,239 --> 00:45:31,840
Speaker 4: a broken moniscus or whatever he did.

907
00:45:32,000 --> 00:45:37,640
Speaker 1: On his arm. I got Muscle Small sixty one movie,

908
00:45:37,960 --> 00:45:40,319
Speaker 1: and it is well, I just came. I just came

909
00:45:40,320 --> 00:45:42,400
Speaker 1: from the set, which is in Cuba.

910
00:45:42,120 --> 00:45:44,759
Speaker 4: And you don't have to sing an aria about it.

911
00:45:44,840 --> 00:45:48,040
Speaker 1: My muscles are trying to big in themselves again. They're

912
00:45:48,040 --> 00:45:52,000
Speaker 1: rejecting their smallness and they're they.

913
00:45:51,960 --> 00:45:54,439
Speaker 3: Initially they thought they could smallen the muscles he had,

914
00:45:54,480 --> 00:45:56,759
Speaker 3: and it turned out that they couldn't be separated, and

915
00:45:56,800 --> 00:45:59,840
Speaker 3: so they injected smaller muscles into him, which his bodies

916
00:45:59,880 --> 00:46:01,600
Speaker 3: now rejected and spit back out.

917
00:46:01,680 --> 00:46:04,279
Speaker 1: And his new muscles are growing in so rapidly and

918
00:46:04,600 --> 00:46:07,879
Speaker 1: exploding out of my new small skin.

919
00:46:12,880 --> 00:46:15,120
Speaker 4: But the short answer is I do all of my

920
00:46:15,200 --> 00:46:18,319
Speaker 4: podcasts in Cabo Sam Lucas, and so I haven't been

921
00:46:18,320 --> 00:46:20,880
Speaker 4: able to get down there for reasons I can't go into.

922
00:46:20,960 --> 00:46:23,920
Speaker 4: But I like to check in with with Sammy Hagar

923
00:46:24,280 --> 00:46:25,160
Speaker 4: and go to.

924
00:46:25,120 --> 00:46:26,480
Speaker 3: Cabo Sam Lucas.

925
00:46:26,600 --> 00:46:28,759
Speaker 1: Cabo Sam Lucas because.

926
00:46:29,000 --> 00:46:31,640
Speaker 4: I'm serious about you teaching my class and.

927
00:46:31,760 --> 00:46:34,480
Speaker 1: So I just be named after Sam Worthington and Lucas

928
00:46:34,520 --> 00:46:36,200
Speaker 1: has But we're.

929
00:46:36,080 --> 00:46:38,440
Speaker 4: Going down there soon. We're going to have some stuff

930
00:46:38,440 --> 00:46:38,959
Speaker 4: out soon.

931
00:46:39,600 --> 00:46:41,600
Speaker 1: Okay, Well, this is sort of I guess, the last

932
00:46:41,640 --> 00:46:44,759
Speaker 1: chance for our Mark from high school. We have one

933
00:46:44,760 --> 00:46:50,480
Speaker 1: more sound drop for the popcorn simulation, competing against Matt's

934
00:46:50,520 --> 00:46:53,480
Speaker 1: friend Mark from high school for who will be our

935
00:46:53,560 --> 00:46:57,080
Speaker 1: new sound drop artist. So let's reach into the bag

936
00:46:57,719 --> 00:46:58,439
Speaker 1: one one.

937
00:46:59,120 --> 00:47:01,319
Speaker 3: Do you want to which Mark is doing this one?

938
00:47:01,800 --> 00:47:03,880
Speaker 1: They're competing at the same time. They're both doing the

939
00:47:03,960 --> 00:47:07,440
Speaker 1: same time. Okay, great, okay, let's reach into the bag

940
00:47:07,640 --> 00:47:08,480
Speaker 1: right now.

941
00:47:13,760 --> 00:47:17,400
Speaker 6: Well, I'm a popcorn elf and here are my friends.

942
00:47:17,440 --> 00:47:20,040
Speaker 6: Doom Doom Doom do do Le dm Doom dom de

943
00:47:20,600 --> 00:47:24,840
Speaker 6: Loom Doom Doom. Welcome to the factory floor of Popcorn.

944
00:47:24,280 --> 00:47:25,720
Speaker 1: Making Popcorn Giant.

945
00:47:26,239 --> 00:47:27,839
Speaker 5: How did you get in the factory?

946
00:47:27,960 --> 00:47:30,239
Speaker 4: It takes a long hiring process and I don't know

947
00:47:30,320 --> 00:47:30,920
Speaker 4: your face.

948
00:47:31,120 --> 00:47:33,799
Speaker 1: Oh my god, that's how drops are addressing each other

949
00:47:33,880 --> 00:47:37,800
Speaker 1: as the recording. How do I get to the factory?

950
00:47:37,840 --> 00:47:39,520
Speaker 1: I walk through the front door.

951
00:47:39,600 --> 00:47:41,120
Speaker 5: Are you part of the guild?

952
00:47:42,360 --> 00:47:43,240
Speaker 4: That's what I thought.

953
00:47:43,880 --> 00:47:45,120
Speaker 1: We better choose it, guys.

954
00:47:45,320 --> 00:47:51,480
Speaker 6: Trapdoor, bum bum bum bumb.

955
00:47:53,960 --> 00:47:56,440
Speaker 4: Popcorn, it's what's for dinner.

956
00:47:57,520 --> 00:48:02,200
Speaker 1: It sounds like since the giant from Sean's friend Mark

957
00:48:02,200 --> 00:48:05,520
Speaker 1: from high school, the giant that he represented died at

958
00:48:05,560 --> 00:48:06,920
Speaker 1: the end of the segment that I.

959
00:48:06,920 --> 00:48:09,480
Speaker 3: Thought he landed in a nice, soft fluffy.

960
00:48:09,520 --> 00:48:11,160
Speaker 1: I think he was the loser. So I think our

961
00:48:11,160 --> 00:48:14,719
Speaker 1: new sound person is Matt's friend Mark. Luckily, you guys

962
00:48:14,760 --> 00:48:16,800
Speaker 1: went to the same high school and it's the same person,

963
00:48:17,400 --> 00:48:18,040
Speaker 1: the same Mark.

964
00:48:18,120 --> 00:48:19,040
Speaker 3: Yes, oh my.

965
00:48:18,920 --> 00:48:20,720
Speaker 5: God, how did he do that?

966
00:48:20,719 --> 00:48:21,440
Speaker 4: That's amazing.

967
00:48:21,560 --> 00:48:25,319
Speaker 1: There's a question from bozos of basketball, Matt, did the

968
00:48:25,360 --> 00:48:28,279
Speaker 1: jr Kids in grade school call you Matt Gurley? If so,

969
00:48:28,400 --> 00:48:30,360
Speaker 1: which weapon did you use to beat their butts?

970
00:48:30,560 --> 00:48:34,200
Speaker 4: That is absolutely true. And I went to Ireland with

971
00:48:34,239 --> 00:48:36,319
Speaker 4: my father and my grandfather a few years back and

972
00:48:36,360 --> 00:48:38,400
Speaker 4: we visited no joke. This is you know. I know

973
00:48:38,480 --> 00:48:40,920
Speaker 4: we do our things, but this is true. We visited

974
00:48:40,920 --> 00:48:43,200
Speaker 4: the Gorley farm, and I said, Oh, this is so

975
00:48:43,280 --> 00:48:44,040
Speaker 4: great to be here at.

976
00:48:43,960 --> 00:48:44,680
Speaker 5: The Gourley Farm.

977
00:48:44,680 --> 00:48:47,279
Speaker 4: And a guy named Ivorn Mulligan who owns the place,

978
00:48:47,280 --> 00:48:49,319
Speaker 4: and I said, oh, you mean the Gurley Farm and

979
00:48:49,360 --> 00:48:51,319
Speaker 4: I went, no, it's the Gorleys. He goes, no, it's

980
00:48:51,360 --> 00:48:55,120
Speaker 4: the girlies. And he vindicated all those some bitches. And

981
00:48:55,200 --> 00:48:58,880
Speaker 4: so I chose the glave from the movie Kroll to

982
00:48:59,560 --> 00:49:04,239
Speaker 4: just just kill them. But I had to wait, so

983
00:49:04,239 --> 00:49:06,719
Speaker 4: I had to go back as a man to do it.

984
00:49:06,800 --> 00:49:09,840
Speaker 1: Okay, yeah, it sounds like some sort of club a

985
00:49:09,840 --> 00:49:11,719
Speaker 1: smushing weapon. It's not.

986
00:49:11,880 --> 00:49:14,160
Speaker 4: It's like a six I think it's six or five

987
00:49:14,320 --> 00:49:17,759
Speaker 4: pronged boomerang that has little knives that come out each

988
00:49:17,880 --> 00:49:19,480
Speaker 4: one of the prongs and you throw it like a

989
00:49:19,480 --> 00:49:22,640
Speaker 4: boomerang and catch it.

990
00:49:22,920 --> 00:49:29,560
Speaker 7: Did you, like, not know what a glade? Did you

991
00:49:29,640 --> 00:49:31,680
Speaker 7: say it was like a I mean about crazy? Did

992
00:49:31,680 --> 00:49:32,919
Speaker 7: you say it was like a clubbing thing?

993
00:49:34,800 --> 00:49:36,200
Speaker 4: I bet you can't even see.

994
00:49:39,520 --> 00:49:41,600
Speaker 1: What I said. Listen like a boomerang? You think? No,

995
00:49:41,760 --> 00:49:43,680
Speaker 1: I said it was like a smushing weapon. And that

996
00:49:43,880 --> 00:49:46,160
Speaker 1: is what when like when you throw the boomerang?

997
00:49:46,480 --> 00:49:47,880
Speaker 4: Why aren't you googling?

998
00:49:50,480 --> 00:49:51,640
Speaker 1: You didn't hear what I said?

999
00:49:54,280 --> 00:49:56,120
Speaker 4: G l A I V E.

1000
00:49:56,360 --> 00:49:59,440
Speaker 1: This is fucking listen I said, listen to what I said.

1001
00:49:59,800 --> 00:50:01,960
Speaker 1: You sit here and it's like we're talking to each other,

1002
00:50:01,960 --> 00:50:03,000
Speaker 1: but you have grown up.

1003
00:50:06,040 --> 00:50:08,319
Speaker 4: What just happened for you?

1004
00:50:08,600 --> 00:50:10,960
Speaker 1: Thank you Matt for coming on the show. Thank you

1005
00:50:11,000 --> 00:50:16,480
Speaker 1: for having rate us on iTunes. Matt, please and like

1006
00:50:16,560 --> 00:50:18,200
Speaker 1: chat with us on the forums. If you could become

1007
00:50:18,280 --> 00:50:21,319
Speaker 1: like sort of a frequent form, you could become a

1008
00:50:21,360 --> 00:50:23,840
Speaker 1: regular poster and we would really appreciate that.

1009
00:50:23,960 --> 00:50:24,200
Speaker 5: Yeah.

1010
00:50:24,239 --> 00:50:27,239
Speaker 1: Sure, and if you would buy the pro version of

1011
00:50:27,280 --> 00:50:28,800
Speaker 1: our podcast.

1012
00:50:29,760 --> 00:50:30,680
Speaker 5: Already have will?

1013
00:50:30,800 --> 00:50:31,080
Speaker 1: Okay?

1014
00:50:31,120 --> 00:50:33,320
Speaker 3: Well, then you both you bought.

1015
00:50:33,080 --> 00:50:35,680
Speaker 1: The pro version and you take that prize from one

1016
00:50:35,719 --> 00:50:38,680
Speaker 1: of our our for of users.

1017
00:50:38,320 --> 00:50:41,040
Speaker 3: And the prize is gonna be uh they get to

1018
00:50:41,080 --> 00:50:42,160
Speaker 3: take your class.

1019
00:50:43,440 --> 00:50:47,200
Speaker 1: So that so that'll save you. That will save you

1020
00:50:47,239 --> 00:50:47,839
Speaker 1: a little brother.

1021
00:50:47,960 --> 00:50:50,480
Speaker 3: Yeah, I wish I could take that in your bucket.

1022
00:50:50,480 --> 00:50:52,600
Speaker 3: You're taking it, you already take That's my.

1023
00:50:52,600 --> 00:50:56,280
Speaker 4: One regret is I can't take my own class.

1024
00:50:56,280 --> 00:50:58,880
Speaker 1: Well, merors. We talked a lot about merrors in this episode,

1025
00:50:58,920 --> 00:51:01,360
Speaker 1: and that seems like one obvious, obvious way that you

1026
00:51:01,360 --> 00:51:05,600
Speaker 1: could do it. From Area Bye.

1027
00:51:09,680 --> 00:51:12,680
Speaker 8: This has been an Earwolf Media production. Executive producers Jeff

1028
00:51:12,719 --> 00:51:25,280
Speaker 8: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

1029
00:51:20,440 --> 00:51:23,200
Speaker 1: Ear Warf Radio, Boom dot

1030
00:51:23,239 --> 00:51:31,160
Speaker 3: Com, The worlf Dead