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Speaker 1: Hold on, let me pin your little face. I pinned

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Speaker 1: your little face. There we go. Hi friend, Hello friend,

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Speaker 1: How are I today? I'm good. I'm good.

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Speaker 2: I feel like I can't hear myself in my microphone.

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Speaker 2: Oh I can hear you play, I can hear you

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Speaker 2: just fine, Okay, then it's just my Then it's you're like, no,

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Speaker 2: you're allowed to actually back off.

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Speaker 1: It's the story of my life.

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Speaker 2: You know. Maybe you got a clad is probably Yeah,

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Speaker 2: I definitely. I'm like a month away from my next

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Speaker 2: anti visit, so I'm sure I can't hear. Okay, I

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Speaker 2: have to go like every three months. It's really annoying. Yeah,

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Speaker 2: because I literally will lose my When I went to England,

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Speaker 2: I scratched my ear and internally something stuck to my

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Speaker 2: ear drum. I could not hear out of my left

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Speaker 2: ear the whole trip.

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Speaker 1: Oh that's so annoying. That's so annoying.

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Speaker 2: And it happens all the time. It's happened when I've

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Speaker 2: been working and I'm like, oh God, please please let

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Speaker 2: everyone be in blocking beyond my right side.

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Speaker 1: So I can we reblock this scene please. Yeah, I'll

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Speaker 1: be like, oh no, you're on the bad side. Yeah,

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Speaker 1: but what's the treatment for a damaged ear drum.

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Speaker 2: It's not a damaged ear drum. It's just it's like

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Speaker 2: build up in there. So there's just a little tiny

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Speaker 2: ear vacuum and suck it out and it feels like

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Speaker 2: your ear drum's being sucked out of your head. But

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Speaker 2: then you can hear after, so it's a plus.

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Speaker 1: So it's worth it. It's worth it. Is it like

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Speaker 1: when you're on a plane and your ears get your

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Speaker 1: ears get clogged from.

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Speaker 2: The altitude and then it doesn't Yes, but like worse

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Speaker 2: because it just you can feel that there's no air

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Speaker 2: vibration on your ear drum and whatsoever. It's completely blocked off.

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Speaker 2: So you're like, there is there's nothing. I got nothing?

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Speaker 1: Yeah, you got nothing?

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Speaker 2: Wow.

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Speaker 1: But maybe that's why I talks a lot. Yeah, let's

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Speaker 1: I think there's a theory here, that's why you talk.

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Speaker 2: I like hearing loss in my on my right side.

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Speaker 2: I'm going to credit that with my teenage years and

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Speaker 2: twenties of just sticking my head inside gigantic speakers at

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Speaker 2: a concert.

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Speaker 1: But yeah, I feel like I'm developing here los hear loss,

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Speaker 1: ear loss, Yes, Yes, the hear loss. In addition hearing loss.

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Speaker 1: They hear I'm experiencing hear loss. But I don't know

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Speaker 1: if that's just I'm getting older, or maybe I should

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Speaker 1: go see an e N T.

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Speaker 2: I don't know.

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Speaker 1: Ye go see an ant.

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Speaker 2: They stick you in a little booth, a little soundproof box,

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Speaker 2: and they put headphones on you and then you have

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Speaker 2: to like push a button if.

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Speaker 1: You hear the thing.

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Speaker 2: Oh, it's like the eye test, but with you it's

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Speaker 2: like an eye test. But yeah, yeah it's but it's

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Speaker 2: an ear test. Yeah, because it's for your ears, well,

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Speaker 2: for your for your ear loss right or.

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Speaker 1: Your ear loss right.

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Speaker 2: You don't want to you gotta use yeah, monoxidyal for

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Speaker 2: your ear loss. Yeah, anyway, what else is going on

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Speaker 2: with you?

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Speaker 1: I'm sweating. It's just I know, we've always talk about

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Speaker 1: the weather and people.

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Speaker 2: Oh God, we're sweating, But not for the reasons that

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Speaker 2: you think. It has nothing to do with our hormones

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Speaker 2: and has everything to do with the weather.

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Speaker 1: Yeah it is. It is ninety It's been ninety degrees

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Speaker 1: out here where I live, and it's just.

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Speaker 2: Just yeah, no, I don't like it. It does not

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Speaker 2: give me the Christmas spirit. Although maybe if I were

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Speaker 2: from Australia.

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Speaker 1: It would oh yeah, oh that's you know what I

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Speaker 1: mean about Christmas in Australia.

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Speaker 2: H yeah, so that's it's their summer. So I'm trying

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Speaker 2: to just be like, Okay, this is.

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Speaker 1: What it would be like, we're calls playing Australians.

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Speaker 2: Yeah. Yeah, well look I hear New Zealand is probably

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Speaker 2: the only place that's going to survive everything. So so

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Speaker 2: I'm just trying to prepare myself for the Southern Hemisphere.

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Speaker 1: You know, Okay, this is great preparation. This is you know,

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Speaker 1: drive by the fake snow and the degrations.

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Speaker 2: Santa's in board shorts. I mean, that's the thing you

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Speaker 2: hear in LA, Like, I walk into CVS and there's

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Speaker 2: like a just like four or five Santa's and Missus

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Speaker 2: Claus in board shorts and bathing suits with beach chairs,

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Speaker 2: and I'm like, man, that's that's how we do.

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Speaker 1: But also Australia. Yeah, oh right, okay, so I'm reframing

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Speaker 1: my thinking and I'm welcoming the heat because this is

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Speaker 1: prepping us to be Australians. Yeah.

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Speaker 2: I would like to be welcoming the heat if it

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Speaker 2: weren't for the fact that somewhere deep in my gut.

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Speaker 2: I know that this should probably not be happening, and

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Speaker 2: it's rather alarming. This heat, you know what a joint

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Speaker 2: and you're like, yeah, I'm going to lay out.

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Speaker 1: By the pool in the middle of December. That's not good.

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Speaker 1: That's not good. That's not so supposed to happen. My

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Speaker 1: plants are very confused. They're happy, but confused because the trees.

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Speaker 1: The trees are like, am I should I get rid

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Speaker 1: of these? Should I keep them grow fruit? Or should

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Speaker 1: I like throw my leaves off? I don't so well,

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Speaker 1: that's fine, Okay, so that's weather. We were just covered

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Speaker 1: all the old people.

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Speaker 2: Getpointments, uh hormones and uh hear.

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Speaker 1: Loss, you're lost. We were talking about before we started recording.

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Speaker 1: We were saying how people our fan ritos tend to

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Speaker 1: enjoy this pre show chatter for some reason. I am,

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Speaker 1: but we're not. We don't even talk about anything relevant

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Speaker 1: or important. It's not like we're changing lives here what

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Speaker 1: we are answered.

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Speaker 2: I would beg to differ because I think we have

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Speaker 2: offered important information at times in our pre show chatter

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Speaker 2: with either random factoids that I throw out or some

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Speaker 2: sort of you know, uh useful almost said useless medical advice.

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Speaker 2: But that's probably more accurate. Actually, is probably more accurate

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Speaker 2: to use medical advice. Yes, or although random even Manny

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Speaker 2: was saying.

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Speaker 1: He was like, I'm cracking up when I edit you guys.

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Speaker 2: And he's already, he's already, he's already. I already heard

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Speaker 2: at least once. Yeah, no, I don't. I laugh when

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Speaker 2: I listened to the replace too, I'm like, we're insane.

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Speaker 1: We're insane. If nothing else, at least we are educating

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Speaker 1: the masses about menopause, women in middle age and the

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Speaker 1: things we go through. Oh yeah, you know, we're in it.

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Speaker 1: We will talk about it. Are in it.

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Speaker 2: Welcome, We're in it together. You're not a little And

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Speaker 2: I have a question. Did you take your little microphone

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Speaker 2: thing off and put it in front of.

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Speaker 1: The Okay I did, because I have an I don't

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Speaker 1: have the My microphone is on an arm. I wish

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Speaker 1: mine was on an arm. Yeah. This is Michael, Michael,

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Speaker 1: my audio visual guy, right and my boyfriend. You're living

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Speaker 1: an audio visual guy live in Yes, we have a

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Speaker 1: special relationship. I'm not going to go on a tangent

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Speaker 1: just yet. I'll save that for later.

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Speaker 2: Okay, mental sticky note the arm for I guess, so.

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Speaker 1: It's out of the way. Yeah, it's so much better

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Speaker 1: than arm.

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Speaker 2: But it's so much better, but I have to sit

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Speaker 2: so weird in my chair to be at the right height.

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Speaker 1: Yeah, so maybe you need an art Hey, I'll send

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Speaker 1: him over and you can stall over. I got a guy.

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Speaker 1: I don't need him to stay.

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Speaker 2: But but just a couple hours, you know what I mean.

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Speaker 1: It's just a couple of things I got for my

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Speaker 1: little how. How doesn't fit because because of the way

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Speaker 1: the arms, I can't adjust my microphone. It gotch Maybe

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Speaker 1: we shouldn't be adjusting our microphones anyways, because you have

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Speaker 1: the ghost mic, you're always muting yourself.

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Speaker 2: I'm trying not to touch my mic or look at

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Speaker 2: it the wrong way.

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Speaker 1: You just don't touch it. Just don't. And maybe the

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Speaker 1: arm wouldn't be good because I feel like I'm always

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Speaker 1: like moving the arm around.

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Speaker 2: This is fascinating conversation. What was the other thing that

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Speaker 2: I put a mental sticky note on that to come

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Speaker 2: back to that?

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Speaker 1: You were like, oh, wait, we have to come back

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Speaker 1: to that. It's not very exciting.

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Speaker 2: But for the first time, I mean, let's not stop now.

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Speaker 1: So Michael and I have been together eleven years. This mom,

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Speaker 1: Oh my god, is it about eleven years? Eleven years?

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Speaker 1: I know, it's crazy as for the first time in

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Speaker 1: eleven years. We talked about getting married last night, but

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Speaker 1: not like in a serious way. It's because we're talking

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Speaker 1: about health insurance and like how to afford health insurance

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Speaker 1: and benefit to being married.

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Speaker 2: And I got married for health insurance once.

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Speaker 1: I don't recommend it, but not kidding.

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Speaker 2: It was like coming out and it was like, I mean,

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Speaker 2: I guess why not yeah, And it was really to get.

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Speaker 1: Added on insurance, to get added onto the insurance. Okay,

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Speaker 1: so I'm telling you.

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Speaker 2: You wouldn't be the first person and you guys.

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Speaker 1: Have already been together for eleven years.

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Speaker 2: Like I think it's that it's just sort of a yeah,

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Speaker 2: a formality. It would literally be just like but it

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Speaker 2: does help insurance taxes, Yeah, okay, hey a lot less

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Speaker 2: in taxes.

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Speaker 1: I maybe I should. I don't know. It feels it

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Speaker 1: feels so unromantic to say, yeah, let's get married for

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Speaker 1: tax benefits and health insurance benefit.

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Speaker 2: Is it's not Yeah, it's not exactly the like oh

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Speaker 2: this is yeah, I just I don't have a desire

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Speaker 2: to get married, but it's also probably the way more

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Speaker 2: mature way to get married.

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Speaker 1: Probably think of, wait, why should I do this and

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Speaker 1: how does it benefit me? Right?

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Speaker 2: Well, because it's you know, it's about health, legal contract, and.

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Speaker 1: So it's yeah, I don't know, I have I guess

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Speaker 1: I have a very unromantic view of marriage now.

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Speaker 2: And I know, I just think you guys are looking

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Speaker 2: at it from a pract a who point of view.

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Speaker 1: You've lived together forever, you've been together eleven years.

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Speaker 2: The only thing you can't do is like make medical decisions.

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Speaker 1: Right, But I can't. I can't. I have a will

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Speaker 1: and a trust and write he's named in it. So like, maybe, well, ship.

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Speaker 2: You're so yeah, I mean yeah, not going anywhere. You're

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Speaker 2: true already in some sort of.

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Speaker 1: Illegal cous in some sort of legal document. It's just

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Speaker 1: I don't want to go. I just I've never had

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Speaker 1: the desire to get married again since I got divorced.

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Speaker 1: Very different you and I be very different our views

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Speaker 1: on marriage because I was like one and done. I

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Speaker 1: just don't feel the desire to do it again. But

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Speaker 1: and I still don't, except for I'm like, well, how

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Speaker 1: much money could I do have? The desire for cheaper

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Speaker 1: health insurance. Yes, like only reason i'd want to get

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Speaker 1: married again.

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Speaker 2: Look, I am, I'm here to support it. Okay, So

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Speaker 2: if you need members, if you need a witness, just

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Speaker 2: let me know. I'll roll with you.

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Speaker 1: And hey made me down at the courthouse. Yeah, yeah,

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Speaker 1: on it.

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Speaker 2: I just thought he was her audio visual guy. But

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Speaker 2: I mean, if they want to get married, sure, I'll

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Speaker 2: sign off on it.

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Speaker 1: You know, like, wow, what kind of services is he present?

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Speaker 2: I've heard of those movies? Okay, all right, well keep.

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Speaker 1: I'll talk my CPA and see if this is a

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Speaker 1: worthwhile venture. But I mean your dad, No, I.

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Speaker 2: Haven't really, not your CPA. Yeah, he's on my CPA.

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Speaker 2: I got a real CPA and he uh yeah.

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Speaker 1: I'm sure he has opinions on this too. I'm sure

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Speaker 1: he does. My dad would have different opinions, not related

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Speaker 1: at all to health insurance. He'd just be like, I

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Speaker 1: always have opinions on stuff. Now they're they're cute. It's okay.

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Speaker 1: I know my dad's had lots of opinions over the years.

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Speaker 1: Your dad does he share? Does he share his opinions

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Speaker 1: with you like Janice? Or does he keep see?

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Speaker 2: I think part of the reason that Janie shares so

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Speaker 2: many of her opinions with me is because my dad

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Speaker 2: doesn't in my presence, but then when I leave, he's

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Speaker 2: bitching about whatever it was or the thing, or that

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Speaker 2: I need to do the thing, or that I'm not

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Speaker 2: listening about the whatever, and drives my mom bananas. So

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Speaker 2: then then she's coming at me with the force of

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Speaker 2: two people.

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Speaker 1: You know what I mean, He's a really a double Janis, right,

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Speaker 1: It's right, it's double Janis because.

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Speaker 2: It's like, I got this fool say what he's.

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Speaker 1: Thinking, and then you leave, and then he's like, you know,

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Speaker 1: and just has all sorts of opinions. So that's my dad.

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Speaker 2: He pretends in the company of other people that everything's fine,

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Speaker 2: and then.

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Speaker 1: I relate to just about I would do that.

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Speaker 2: I would do the same thing, you know, I would do,

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Speaker 2: although there are time.

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Speaker 1: When I have Yeah, my dad's been like, that's not

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Speaker 1: the way it works.

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Speaker 2: I'm like, Dad, unless you suddenly became an attorney. I'm

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Speaker 2: pretty sure that is what the judge said, So I

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Speaker 2: think that actually is that that goes well.

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Speaker 1: I don't think that can be I'm like, I know, yeah,

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Speaker 1: I want to hear more of Sam's opinions, like I know,

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Speaker 1: don't they'll get us all. Oh, oh okay, those types

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Speaker 1: of opinions.

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Speaker 2: It does not know. He's just an old, ninety one

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Speaker 2: year old man. He says things and you hit are

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Speaker 2: You're just like, oh, you shared that, Although I do

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Speaker 2: that too, so it's fine.

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Speaker 1: Yeah, I mean that's a generational thing. There's saying like, God,

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Speaker 1: you can't say that. I think when you get to

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Speaker 1: ninety one.

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Speaker 2: Hell, I'm at forty three, almost forty four, and I

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Speaker 2: don't care.

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Speaker 1: By ninety one you really don't care. No, I'm being intentional.

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Speaker 1: I can't mind until you're ninety one. I hope we

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Speaker 1: live till ninety one because I imagine like us, imagine

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Speaker 1: us as old women.

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Speaker 2: Listen, I'm gonna be just out of my mind. It's

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Speaker 2: going to be great.

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Speaker 1: Yes, it's going to be so great. Oh man, I

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Speaker 1: hope we're still podcasting then because we will have so

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Speaker 1: many opinions.

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Speaker 2: You know what, if we keep going with this pre

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Speaker 2: show chatter, we might be so what do we get

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Speaker 2: to the show?

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Speaker 1: Excellent segue.

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Speaker 2: Welcome back to how were You Tannerito's I'm Andrea Barber

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Speaker 2: and I'm Jody Sweeten, and today we're discussing the last

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Speaker 2: episode of season five.

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Speaker 1: We finally made it suspended.

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Speaker 2: Season it really most of the year, I feel like

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Speaker 2: about half the year.

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Speaker 1: I means twenty six twenty six weeks plus.

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Speaker 2: Some change probably maybe thirty two or thirty three to

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Speaker 2: get through everything.

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Speaker 1: Have we skipped in it? I don't think we've skipped

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Speaker 1: I think we release a recap every week except maybe

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Speaker 1: Christmas Giving or Thanksgiving. No, we released one on Thanksgiving week.

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Speaker 1: It was on the tour on the Tuesday.

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Speaker 2: Yeah.

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Speaker 1: Yeah, but sometimes we don't release a minisode.

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Speaker 2: But yeah, twenty six weeks.

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Speaker 1: It's a long only fifty two weeks.

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Speaker 2: In a year, so that is a good portion of

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Speaker 2: them over half the year, over half.

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Speaker 1: So today we're discussing season five, episode twenty six. Captain

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Speaker 1: Video Part two. Oh, that's right, left on a cliffhanger.

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Speaker 1: It was just a stunning cliffhanger. It originally aired May twelfth,

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Speaker 1: team ninety two, and it goes little something like this.

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Speaker 1: Jesse faces conflict when a record company asks him to

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Speaker 1: change his image that fish music. It was directed by Joelswick.

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Speaker 1: It was written by Dennis Frintzler and Mark Warren. Oh

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Speaker 1: h which is very appropriate because they take over as

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Speaker 1: showrunners in season six. We say goodbye to Jeff unfortunately.

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Speaker 1: So this is sort of like a transition.

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Speaker 2: Oh yeah, yeah, the transition sort of a yeah, a handoff.

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Speaker 1: We have three guest stars this week.

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Speaker 2: Four.

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Speaker 1: Technically we have Kai Brackett, who plays Richard the Choreographer.

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Speaker 1: He's a dancer and a choreographer in real life. He

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Speaker 1: choreographed and performed in Manilo on Broadway in twenty thirteen. Uh,

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Speaker 1: I've seen Manilo on Broadway. Thank you came out? What

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Speaker 1: are you serious? You've seen it? Not of my own?

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Speaker 2: No, it wasn't what I picked, but it wasn't bad.

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Speaker 1: Who did you go with that made you see man

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Speaker 1: Al on Broadway?

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Speaker 2: Morty, come on, Oh yeah, I mean I should have guessed, yeah,

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Speaker 2: but no, we went.

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Speaker 1: We went and saw it and I was like, Manilo,

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Speaker 1: I don't know, it was good.

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Speaker 2: It was he was amazing that you know, oh man,

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Speaker 2: and he put on a hell of a show.

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Speaker 1: I mean it looks like a wax figure, but he's

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Speaker 1: very very talented, very talented. Well good for him and

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Speaker 1: all of the songs you say. I was like, oh damn,

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Speaker 1: that was Barry Manilo. Yeah, he didn't.

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Speaker 2: Actually, it was one of those things where you're like, huh,

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Speaker 2: I actually liked Barry man alone.

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Speaker 1: I didn't know it. Okay, okay, well that's good to

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Speaker 1: hear anyway, Good for this guy. Pleasantly surprised and I'm

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Speaker 1: sure you were just blown away by Kai Brackett's performance

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Speaker 1: in this stage show. That was why I went. Wait,

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Speaker 1: that's the only reason he went, just to see him.

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Speaker 2: Yeah, Barry Manilo.

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Speaker 1: And then more recently in twenty twenty three, Kai was

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Speaker 1: involved with Barry Manilow's a very Verry Christmas. I love it.

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Speaker 1: You get him with Barry and he takes care of

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Speaker 1: you for him. He's very loyal. So yes, yes, he's

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Speaker 1: very loyal. He's very so bad just stupid. I love it.

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Speaker 1: Bad joke. Okay, love it so much. That's my love language,

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Speaker 1: bad dad jokes. Brian Robbins returns as David JENNILRII we

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Speaker 1: have Martha Quinn on the show, playing herself. Behold my

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Speaker 1: MTV nineties heart, Oh my gosh. Yes. She's best known

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Speaker 1: as one of the original video jockeys on MTV in

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Speaker 1: the early nineties. She also hosted the MTV programs, Martha's

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Speaker 1: Greatest Hits, MTV Prime with Martha Quinn, and rock Line,

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Speaker 1: and critics have dubbed Quinn's departure from MTV as the

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Speaker 1: day music video died. Just true. It's very dramatic, but

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Speaker 1: also true. It's true. I love her so much. This

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Speaker 1: is her first of three full house episodes. I'm very

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Speaker 1: excited she's coming back. Yeah, she's coming back. Times we

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Speaker 1: have Martha Quinn on the show.

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Speaker 2: I don't know why she will read obviously because you

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Speaker 2: just said that, but I wow, Well, I don't know

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Speaker 2: why she was willing or we're trying to get her

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Speaker 2: on the show.

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Speaker 1: I've sent in my recall, are we YEA? So I

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Speaker 1: really really hope she comes home. I shall be too,

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Speaker 1: and she'll be back. For the second I heard her voice,

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Speaker 1: I was like, Oh, Marthy Quinn, EMTV News, what's happening?

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Speaker 1: She was goals, man. I admired her so much. I

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Speaker 1: was just like, wow, Martha Quinn. She returns in season

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Speaker 1: six for six eleven Designing Mothers and six thirteen The

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Speaker 1: Dating Game. Don't know what those are about or why

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Speaker 1: she's involved, but I'm very excited that she's coming back.

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Speaker 1: And then last, but definitely not least, Garry Griffin returns Uncle.

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Speaker 2: Gary Gibler, Uncle Gary Gibler, Uncle Gary Gibler.

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Speaker 1: All right, so we start, Uh, we start with the

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Speaker 1: weird teaser. In the living room, Jesse and Michelle are

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Speaker 1: sitting on the couch and Michelle asks, in a very

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Speaker 1: meta way, guess what happened last week? Usually hate these things.

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Speaker 1: I hate these bites.

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Speaker 2: I hate these so much, hate because then because it

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Speaker 2: takes me out of the Yes, it brokes sort of

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Speaker 2: broke the fourth wall. But it's yeah, I guess, but

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Speaker 2: this was a nineties thing, right, you had the.

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Speaker 1: Very nineties thing, Yes, very nineties thing. It's it's well,

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Speaker 1: I'll share my thoughts after I after I recapped the teaser.

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Speaker 1: So Jesse replies to her, I don't have to guess.

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Speaker 1: We're going to show them, and he gestures towards the camera.

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Speaker 1: Those people that watch us all the time, right, yeah,

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Speaker 1: the people that are in our walls. Well, it's the

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Speaker 1: Trimman Show. So then we get highlights from the last

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Speaker 1: episode showing Jesse's record deal and how they would like

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Speaker 1: to alter his image. We snap back to reality present day,

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Speaker 1: and Jesse asks Michelle what's going to happen next? She shrugs,

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Speaker 1: I can't tell you because I don't know, and Jesse

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Speaker 1: laughs and leans over to tickle her. Okay, well this,

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Speaker 1: even though I hate these, it worked better than the

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Speaker 1: last time Michelle did this because she was alone talking

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Speaker 1: to the camera. Now it's Jesse and Michelle having a conversation.

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Speaker 1: It works better with two people than with a five

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Speaker 1: year old just talking randomly to the camera. It's a

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Speaker 1: little bit better with two people. Even though I still

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Speaker 1: don't live bit, just get the get with the previously on.

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Speaker 1: Now we just we don't have Yeah, that was a

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Speaker 1: nineties thing. We don't have characters doing this anymore. Now

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Speaker 1: it's it's just previously on Full House. So we uh,

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Speaker 1: we continue. We're in the living room. Stephanie walks in,

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Speaker 1: wearing a matching workout set and carrying some snacks. As

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Speaker 1: you do, as you do. She's ready. Becky reminds her

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Speaker 1: that she can't hang out in this room because Jesse

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Speaker 1: is getting his first dance lesson today. Steph plops onto

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Speaker 1: the couch and grints, I know I got a front

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Speaker 1: row seat. She knows this is gonna be good. She's

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Speaker 1: not going to be trying to hide it, like she's

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Speaker 1: just like she's like, look, we all know this is

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Speaker 1: going to be a disaster. I'm just here to watch. Yeah, totally.

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Speaker 1: So the doorbell rings and Becky calls for Jesse to

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Speaker 1: come get it. Becky tells steph that he's been working

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Speaker 1: on his dance moves the past couple of days and

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Speaker 1: he's getting better. On cue, Jesse runs into the living

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Speaker 1: room singing dance in and tries to slide in coolly,

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Speaker 1: but his foot gets caught on the rug and he trips.

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Speaker 2: Which is probably way harder to do than actually, do

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Speaker 2: you know what I mean?

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Speaker 1: Like making something look like an accident is impossible. Oh

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Speaker 1: it's hard. It is very hard. Was that I'm dancing?

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Speaker 1: Was that a throwback to Stephanie's dream sequence?

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Speaker 2: Yeah?

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Speaker 1: Yeah, it's so great. Yeah, she's dances in. So Stephanie,

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Speaker 1: Bob and Dave's turn that into something. He pants me.

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Speaker 1: He can't, he pants me. It's just typical, typical. So

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Speaker 1: Stephanie sarcastically comments, hey, you're right, he's really improved. Jesse

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Speaker 1: answers the door and it's David from Fat Fish Music.

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Speaker 1: David introduces his choreographer Richard Williams, who takes Jesse's hand

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Speaker 1: and does an arm wave. What in the electric boogloo

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Speaker 1: are we doing? I don't know, but I love this

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Speaker 1: guy's beret. Like his whole look is fantastic. So it's

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Speaker 1: eighties dancer. He's got a beret with like pins and

434
00:20:58,440 --> 00:20:59,240
Speaker 1: buttons on us.

435
00:20:59,600 --> 00:21:03,280
Speaker 2: It was it was giving a different world, you know

436
00:21:03,320 --> 00:21:05,680
Speaker 2: what I mean? Yeah, yeah, he looked so good, the

437
00:21:05,760 --> 00:21:09,800
Speaker 2: letterman's jacket with all like pat on it or maybe

438
00:21:09,800 --> 00:21:12,280
Speaker 2: even a little like bel Biv devout boys.

439
00:21:12,720 --> 00:21:14,040
Speaker 1: Yeah, yeah, he was cool.

440
00:21:14,080 --> 00:21:16,040
Speaker 2: It was like you see him in your immediate Like,

441
00:21:16,080 --> 00:21:17,480
Speaker 2: this guy's a professional dancer.

442
00:21:17,560 --> 00:21:21,760
Speaker 1: I like it. So Jesse tries a last ditch effort

443
00:21:21,880 --> 00:21:25,000
Speaker 1: to get them to rethink this whole dance idea. He says,

444
00:21:25,040 --> 00:21:27,960
Speaker 1: you know, Forever isn't really a dance song. It's more

445
00:21:28,000 --> 00:21:32,280
Speaker 1: of a ballad. He's not wrong. David shakes his head

446
00:21:32,280 --> 00:21:35,520
Speaker 1: and holds up a tape. Not anymore. We just re

447
00:21:35,520 --> 00:21:39,920
Speaker 1: recorded it and now it's a rap song. Oh here

448
00:21:40,040 --> 00:21:44,320
Speaker 1: it comes. It's here people, It's here, boy. I can't

449
00:21:44,359 --> 00:21:46,240
Speaker 1: believe we've had to wait all season for this.

450
00:21:46,640 --> 00:21:49,560
Speaker 2: My question is can they do that, like just re

451
00:21:49,560 --> 00:21:51,160
Speaker 2: record like who owns the ip?

452
00:21:51,720 --> 00:21:53,680
Speaker 1: Like, is it the Beach Boys? Is it just the

453
00:21:54,720 --> 00:21:55,359
Speaker 1: said they didn't care.

454
00:21:55,520 --> 00:21:58,800
Speaker 2: They just they're like, we don't need music rights.

455
00:21:59,040 --> 00:22:00,960
Speaker 1: But they have. If they knew it was going to

456
00:22:01,000 --> 00:22:05,159
Speaker 1: be a rap songs, No, they wouldn't have done that.

457
00:22:05,440 --> 00:22:07,200
Speaker 1: They wouldn't have let the.

458
00:22:06,960 --> 00:22:09,919
Speaker 2: Rights go in the first place. True, true, yeah, no,

459
00:22:10,040 --> 00:22:12,480
Speaker 2: And I don't think they. I mean, I guess if

460
00:22:12,520 --> 00:22:16,560
Speaker 2: he's he's the like the head of Fatfish Records, But

461
00:22:16,600 --> 00:22:19,520
Speaker 2: I don't know if he's the producers. Like sometimes a

462
00:22:19,560 --> 00:22:22,040
Speaker 2: producer might have ideas about how they'd want to change

463
00:22:22,040 --> 00:22:25,520
Speaker 2: a song or do something like rearrange it, but I don't,

464
00:22:26,040 --> 00:22:26,640
Speaker 2: I don't know.

465
00:22:26,800 --> 00:22:28,920
Speaker 1: I feel like you just need the music.

466
00:22:28,960 --> 00:22:31,720
Speaker 2: Business is very much like yeah, yeah, yeah, that's great. Okay,

467
00:22:31,760 --> 00:22:34,439
Speaker 2: Now instead of this, you're gonna be completely different, and

468
00:22:34,480 --> 00:22:36,440
Speaker 2: this is what you're gonna do, you know, because it's.

469
00:22:36,440 --> 00:22:40,080
Speaker 1: Very it's very messy. That is very messy, but business

470
00:22:40,119 --> 00:22:45,200
Speaker 1: is a mess makes for great entertainment. Though, Jesse lets

471
00:22:45,200 --> 00:22:48,280
Speaker 1: out a nervous chuckle and reminds him he's not really

472
00:22:48,320 --> 00:22:52,119
Speaker 1: a rapper, but David is unbothered. Vanilla I said the

473
00:22:52,160 --> 00:22:56,240
Speaker 1: same thing. Then he reveals his his hot new concept

474
00:22:56,440 --> 00:23:00,640
Speaker 1: for the Forever video. It's gonna be Arabian themed. Oh boy,

475
00:23:00,760 --> 00:23:03,199
Speaker 1: I'm not going to go poorly. Oh my gosh, this

476
00:23:03,280 --> 00:23:07,040
Speaker 1: is so why Like nothing this, this is nothing to

477
00:23:07,080 --> 00:23:09,800
Speaker 1: do with anything, Like it doesn't have to do with

478
00:23:09,880 --> 00:23:14,399
Speaker 1: the song, the lyrics, Like what is the dance moves

479
00:23:14,400 --> 00:23:17,040
Speaker 1: have to do with the rap? Nothing? Like none of

480
00:23:17,080 --> 00:23:20,720
Speaker 1: it is cohesive. Like it's just a mess. It is

481
00:23:20,840 --> 00:23:22,399
Speaker 1: hot mess. It is a hot mess.

482
00:23:22,560 --> 00:23:25,200
Speaker 2: He should have stuck with one of the other two

483
00:23:25,280 --> 00:23:27,360
Speaker 2: or three record deals that he had, like this one.

484
00:23:27,160 --> 00:23:30,440
Speaker 1: Doesn't seem to be you know right. Oh And as

485
00:23:30,480 --> 00:23:33,320
Speaker 1: I was prepping for the next episode we're taping, which

486
00:23:33,359 --> 00:23:36,760
Speaker 1: is the our season five review with Jeff, I noticed

487
00:23:36,760 --> 00:23:39,200
Speaker 1: how many times, oh Jesse tries to land a record deal.

488
00:23:39,280 --> 00:23:41,840
Speaker 1: Jesse's going to focus on his music this episode, like

489
00:23:42,000 --> 00:23:46,160
Speaker 1: you yes, at least three times this season, maybe four

490
00:23:46,240 --> 00:23:49,560
Speaker 1: or five. It's ridiculous. Oh yeah, So David is revealing

491
00:23:49,640 --> 00:23:52,280
Speaker 1: the new hot concept for the Forever video. It's going

492
00:23:52,359 --> 00:23:55,760
Speaker 1: to be Arabian themed, and apparently it will encourage people

493
00:23:55,800 --> 00:23:58,960
Speaker 1: to do this new dance move called the jess Man,

494
00:24:00,440 --> 00:24:02,240
Speaker 1: which you know, I kind of I gotta give you

495
00:24:02,280 --> 00:24:03,840
Speaker 1: this guy was ahead of his time, Like, I gotta

496
00:24:03,840 --> 00:24:06,359
Speaker 1: give hi kudos for coming up with this idea a

497
00:24:06,480 --> 00:24:10,040
Speaker 1: viral dance before the internet was even invented.

498
00:24:10,119 --> 00:24:11,920
Speaker 2: Like that's pretty, you know, But.

499
00:24:11,840 --> 00:24:14,080
Speaker 1: That was the thing. This was the that was the thing.

500
00:24:14,200 --> 00:24:17,520
Speaker 2: The butterman like you mentioned, no, but there was always

501
00:24:17,640 --> 00:24:19,359
Speaker 2: un man see roll the running Man.

502
00:24:19,560 --> 00:24:24,240
Speaker 1: Yeah, dances were definitely, uh, they were a thing took off.

503
00:24:24,240 --> 00:24:27,879
Speaker 1: But when we had internet, like full long music videos,

504
00:24:27,920 --> 00:24:29,919
Speaker 1: not oh that's right, so you had to watch him

505
00:24:29,960 --> 00:24:32,160
Speaker 1: on TV. You couldn't just look him up on YouTube.

506
00:24:32,200 --> 00:24:34,880
Speaker 1: You had to sit down and watch Martha Quinn introduce

507
00:24:34,960 --> 00:24:38,760
Speaker 1: each video, right, all right, So Jesse points out once

508
00:24:38,800 --> 00:24:42,480
Speaker 1: again he is not a dancer, regardless, David plays the

509
00:24:42,520 --> 00:24:45,920
Speaker 1: cassette and Richard begins the dance lesson. He tells Jesse

510
00:24:46,040 --> 00:24:50,399
Speaker 1: it's easy and encourages him to start small. First, Richard

511
00:24:50,440 --> 00:24:53,160
Speaker 1: has him move his head side to side. Jesse's able

512
00:24:53,160 --> 00:24:55,280
Speaker 1: to do it, so Richard has him add in his

513
00:24:55,400 --> 00:24:58,640
Speaker 1: shoulders next, but as Jesse tries to move his head

514
00:24:58,640 --> 00:25:00,960
Speaker 1: and his shoulders at the same time, he starts to

515
00:25:00,960 --> 00:25:04,480
Speaker 1: go completely out of sync. Nonetheless, Richard tells him to

516
00:25:04,520 --> 00:25:07,359
Speaker 1: sway his hips from side to side next, including the

517
00:25:07,400 --> 00:25:11,520
Speaker 1: shoulder and the head movements. Unsurprisingly, Jesse can't manage it,

518
00:25:11,600 --> 00:25:12,840
Speaker 1: but he thinks he can.

519
00:25:13,320 --> 00:25:17,359
Speaker 2: Well. Yes, the thing though, as a drummer, he should

520
00:25:17,720 --> 00:25:19,520
Speaker 2: that one of the skills you have to have is

521
00:25:19,560 --> 00:25:23,000
Speaker 2: to have four body parts doing different rhythms at the

522
00:25:23,000 --> 00:25:26,840
Speaker 2: same time. That's right, So you would think that being

523
00:25:26,840 --> 00:25:29,639
Speaker 2: able to move his body in different ways that multiple

524
00:25:29,640 --> 00:25:30,760
Speaker 2: times would be a little bit better.

525
00:25:30,800 --> 00:25:31,520
Speaker 1: But that doesn't.

526
00:25:31,760 --> 00:25:34,320
Speaker 2: It doesn't. It doesn't translate necessarily, It doesn't translate.

527
00:25:34,440 --> 00:25:35,320
Speaker 1: That doesn't, you know.

528
00:25:35,600 --> 00:25:38,800
Speaker 2: But I was surprised actually that Jesse had as a

529
00:25:38,800 --> 00:25:40,800
Speaker 2: little rhythm as he does being a drummer.

530
00:25:41,480 --> 00:25:45,440
Speaker 1: But John has rhythm, more rhythm than Jesse, Like does John.

531
00:25:45,760 --> 00:25:48,960
Speaker 2: I mean, I wouldn't call John a dancer, but yeah,

532
00:25:49,600 --> 00:25:50,760
Speaker 2: but nobody has rhythm.

533
00:25:50,960 --> 00:25:54,159
Speaker 1: Rhythm, Okay, okay, yeah, all right, yeah this is but

534
00:25:54,320 --> 00:25:56,439
Speaker 1: the joke's gotta work. The episode has to work. The

535
00:25:56,440 --> 00:26:00,000
Speaker 1: whole episode is predicated on Jesse not being able to dance,

536
00:26:00,359 --> 00:26:06,399
Speaker 1: so he cannot dance. So, yeah, Jesse can't manage this.

537
00:26:06,480 --> 00:26:11,280
Speaker 1: He shouts, I'm dancing, everybody, see, I got it. I'm dancing. Finally,

538
00:26:11,359 --> 00:26:13,600
Speaker 1: Richard snops him and suggests that they just start with

539
00:26:13,640 --> 00:26:17,239
Speaker 1: something a little simpler, like The running Man, even though

540
00:26:17,240 --> 00:26:20,880
Speaker 1: I would argue the running Man is not simpler. Richard

541
00:26:20,880 --> 00:26:23,400
Speaker 1: gives him a demonstration of the move and Jesse tries

542
00:26:23,440 --> 00:26:26,720
Speaker 1: to follow, but he's unsuccessful. He's just moving his body

543
00:26:26,840 --> 00:26:28,240
Speaker 1: erratically and jumping around.

544
00:26:28,320 --> 00:26:31,479
Speaker 2: At this point, then John with the hilarious physical comedy.

545
00:26:31,720 --> 00:26:33,720
Speaker 1: He excels like he shines with.

546
00:26:33,840 --> 00:26:37,560
Speaker 2: It's very Jerry Lewis, it's very Dick van Dyke like that.

547
00:26:37,640 --> 00:26:39,560
Speaker 1: It really is. I know we talk about it a lot,

548
00:26:39,600 --> 00:26:41,520
Speaker 1: but I will continue to talk about it because for

549
00:26:41,600 --> 00:26:44,440
Speaker 1: somebody that could like he's known as a heart throb.

550
00:26:44,480 --> 00:26:47,440
Speaker 1: He's so handsome, you'd think he'd be more image conscious

551
00:26:47,520 --> 00:26:49,080
Speaker 1: of like, oh, I don't want to look like a fool,

552
00:26:49,240 --> 00:26:51,800
Speaker 1: But he leans into this. He leans into looking like

553
00:26:51,840 --> 00:26:54,760
Speaker 1: an idiot, which makes the best comedy. Yeah, and I

554
00:26:54,840 --> 00:26:57,959
Speaker 1: admire him for that. So kudos to John for just

555
00:26:58,080 --> 00:27:02,639
Speaker 1: leaning into all of this awkward dancing. Stephan beck Stephan

556
00:27:02,680 --> 00:27:05,359
Speaker 1: Beck Stephan Becky decide to give him a run for

557
00:27:05,400 --> 00:27:08,600
Speaker 1: his money, taking the spot next to him and executing

558
00:27:08,720 --> 00:27:12,399
Speaker 1: a flawless running man. And I love how Laurie is

559
00:27:12,480 --> 00:27:14,960
Speaker 1: watching you to know how to do the steps, so

560
00:27:15,000 --> 00:27:15,760
Speaker 1: it's so great.

561
00:27:16,320 --> 00:27:18,879
Speaker 2: Also, I think I had to teach Lori Actually I

562
00:27:18,880 --> 00:27:20,080
Speaker 2: think I remember I was.

563
00:27:20,240 --> 00:27:22,479
Speaker 1: She was like, what do I even do? And I

564
00:27:22,480 --> 00:27:23,720
Speaker 1: was like, Okay, here we go. So I had to

565
00:27:23,760 --> 00:27:24,760
Speaker 1: like teach a little things.

566
00:27:25,760 --> 00:27:30,240
Speaker 2: But I have to say, Laurie's hair and outfit, the

567
00:27:30,280 --> 00:27:34,080
Speaker 2: little half up, half down with a big scrunchy so nineties,

568
00:27:34,720 --> 00:27:37,119
Speaker 2: so nicey. Yeah, she looked adorable.

569
00:27:37,240 --> 00:27:39,879
Speaker 1: She looks great. She could really pull that off. But yeah,

570
00:27:40,040 --> 00:27:44,240
Speaker 1: very very nineties. Richard comments, Well, at least somebody in

571
00:27:44,280 --> 00:27:48,000
Speaker 1: the family can dance, and Stephanie beams I can sing too.

572
00:27:48,840 --> 00:27:51,720
Speaker 1: She proceeds to belt out the Whitney Houston song Greatest

573
00:27:51,760 --> 00:27:55,480
Speaker 1: Love of All. Yeah, one of the hits, you know.

574
00:27:55,600 --> 00:27:58,640
Speaker 1: And I feel like, as a kid, were you embarrassed

575
00:27:58,640 --> 00:28:00,280
Speaker 1: to do these songs? Or no? You were love it?

576
00:28:00,720 --> 00:28:03,040
Speaker 1: Oh god, I loved it. This was before I was

577
00:28:03,040 --> 00:28:03,919
Speaker 1: trying to be cool.

578
00:28:04,119 --> 00:28:04,280
Speaker 2: You know.

579
00:28:04,560 --> 00:28:07,199
Speaker 1: This is still the era of like, oh I'll go

580
00:28:07,320 --> 00:28:10,600
Speaker 1: for it, you know. Yeah, yeah, this is free middle school.

581
00:28:10,640 --> 00:28:13,040
Speaker 2: It was right leading up to where you're you start

582
00:28:13,240 --> 00:28:15,320
Speaker 2: just cringing it existence.

583
00:28:15,440 --> 00:28:18,120
Speaker 1: Okay, okay, so at some point you would be embarrassed

584
00:28:18,680 --> 00:28:22,960
Speaker 1: to sing a song on camera, even though you're good.

585
00:28:24,320 --> 00:28:26,560
Speaker 1: Was always I. As I got older, I.

586
00:28:26,520 --> 00:28:28,560
Speaker 2: Got more and more shy to sing in front of people,

587
00:28:28,760 --> 00:28:31,320
Speaker 2: until now I kind of got back over that after

588
00:28:31,400 --> 00:28:33,800
Speaker 2: doing like Fuller and other just saying you know, a

589
00:28:33,800 --> 00:28:37,320
Speaker 2: lot more singing stuff. But yeah, yeah, I think I

590
00:28:37,359 --> 00:28:38,360
Speaker 2: was more nervous about it.

591
00:28:38,400 --> 00:28:40,160
Speaker 1: But as a kid now they were like when you're

592
00:28:40,240 --> 00:28:42,840
Speaker 1: eight old and you're like, go for it. Yes, and

593
00:28:42,920 --> 00:28:47,120
Speaker 1: it was fantastic. Thank you. Jesse nervously laughs, thank you, Stephanie.

594
00:28:47,200 --> 00:28:49,600
Speaker 1: That's enough. But she continues to sing her heart out,

595
00:28:50,160 --> 00:28:54,239
Speaker 1: and he comments, this isn't a telethon, this is it's

596
00:28:54,320 --> 00:28:56,360
Speaker 1: just such a stuff moment, like look at me. I'm

597
00:28:56,400 --> 00:29:00,520
Speaker 1: a theater kid. Yeah, Oh, she's such a theater kid. Yeah.

598
00:29:00,560 --> 00:29:02,720
Speaker 1: Then Jesse turns to Richard and tells him once more

599
00:29:03,000 --> 00:29:06,600
Speaker 1: he can't dance. Richard assures him for the next forty

600
00:29:06,600 --> 00:29:09,040
Speaker 1: eight hours, you are gonna move your body in weighs

601
00:29:09,080 --> 00:29:13,400
Speaker 1: you never thought possible. Jesse winces, will this involve pain?

602
00:29:14,080 --> 00:29:17,480
Speaker 1: And Richard nods before breaking out into some hip hop moves,

603
00:29:17,560 --> 00:29:21,200
Speaker 1: showing Jesse how it's done. He encourages Jesse to let

604
00:29:21,240 --> 00:29:24,680
Speaker 1: the music move him so Jesse tries his best, but

605
00:29:24,760 --> 00:29:27,840
Speaker 1: his dance moves are haphazard, and he eventually lands in

606
00:29:27,880 --> 00:29:31,600
Speaker 1: the splits. For his final move, his voice turns extremely

607
00:29:31,680 --> 00:29:34,680
Speaker 1: high pitched as he begs Becky to grab him some ice.

608
00:29:35,360 --> 00:29:37,640
Speaker 1: Although he did pretty well, he did good. He could

609
00:29:37,640 --> 00:29:39,680
Speaker 1: do the splits better than I could, So he did.

610
00:29:39,960 --> 00:29:46,160
Speaker 1: He did very well. Oh John, he's just he's just hysterical.

611
00:29:53,880 --> 00:29:57,600
Speaker 1: Next in the kitchen, Joey is making lemonade with Michelle.

612
00:29:57,880 --> 00:30:00,880
Speaker 1: They toast their glasses to her first stay in the

613
00:30:00,960 --> 00:30:04,720
Speaker 1: lemonade business. As they both take a sip, their faces

614
00:30:04,840 --> 00:30:09,480
Speaker 1: sour and they agree in unison more sugar. Joey instructs

615
00:30:09,520 --> 00:30:12,240
Speaker 1: her to add one more teaspoon, but instead she pours

616
00:30:12,280 --> 00:30:15,080
Speaker 1: the whole jar of sugar into the picture. Of course

617
00:30:15,120 --> 00:30:18,720
Speaker 1: she does. He jokes, well, that ought'll wake up and

618
00:30:18,800 --> 00:30:21,400
Speaker 1: rot your teeth, and then he mentions it won't be

619
00:30:21,480 --> 00:30:24,520
Speaker 1: long before you earn enough money to buy yourself that

620
00:30:24,680 --> 00:30:25,360
Speaker 1: ant farm.

621
00:30:25,640 --> 00:30:31,560
Speaker 2: No one should never intentionally bring ants into their house.

622
00:30:31,720 --> 00:30:35,000
Speaker 2: That is, I feel like you're you're a little triggered here.

623
00:30:35,000 --> 00:30:37,360
Speaker 1: You have have you had experience with an ant farm?

624
00:30:37,760 --> 00:30:40,240
Speaker 1: Not an ant farm, just ants. They are I hate

625
00:30:40,600 --> 00:30:41,320
Speaker 1: I hate them.

626
00:30:41,920 --> 00:30:43,920
Speaker 2: They like you'll see a couple in the kitchen and

627
00:30:43,960 --> 00:30:45,240
Speaker 2: I get them in my kitchen when it.

628
00:30:45,240 --> 00:30:48,960
Speaker 1: Gets really hot. Yeah, they're the worst.

629
00:30:49,160 --> 00:30:52,680
Speaker 2: I just don't because once they're there, they're not going

630
00:30:52,720 --> 00:30:55,800
Speaker 2: away for a while. And like, I just the thought

631
00:30:55,840 --> 00:30:58,160
Speaker 2: of an ant farm, Like all I can think is like,

632
00:30:58,920 --> 00:31:01,720
Speaker 2: oh my god, what if they get out? Ew we

633
00:31:01,760 --> 00:31:03,800
Speaker 2: get to see them build their tunnels, and like it's

634
00:31:03,840 --> 00:31:05,520
Speaker 2: just like a big social experiment.

635
00:31:05,600 --> 00:31:07,959
Speaker 1: It's for the ants. See, that's good for them.

636
00:31:08,000 --> 00:31:09,880
Speaker 2: They don't need to be watching them, you know, then,

637
00:31:10,000 --> 00:31:13,280
Speaker 2: I'm you don't need to be exhibitionists about their home building.

638
00:31:13,600 --> 00:31:15,800
Speaker 1: How do you feel about like ladybug farm, like bringing

639
00:31:15,880 --> 00:31:18,120
Speaker 1: ladybugs into the house or like a Chris when you

640
00:31:18,160 --> 00:31:21,000
Speaker 1: have butterflies and chris fines and crysalises.

641
00:31:20,440 --> 00:31:25,360
Speaker 2: That's fine crystals, fine caterpillars uh roaming around my kitchen,

642
00:31:25,880 --> 00:31:28,440
Speaker 2: uh covering you know, food.

643
00:31:28,200 --> 00:31:29,120
Speaker 1: That I would like to eat.

644
00:31:29,640 --> 00:31:31,920
Speaker 2: So I have a little less of a problem with

645
00:31:32,000 --> 00:31:33,320
Speaker 2: them than I do the ants.

646
00:31:33,480 --> 00:31:35,560
Speaker 1: Okay, so this is specific to it seems like.

647
00:31:35,520 --> 00:31:39,440
Speaker 2: Something I have to deal with it involuntarily in my house.

648
00:31:39,600 --> 00:31:43,280
Speaker 2: I would never voluntarily choose to bring them inside, right.

649
00:31:43,200 --> 00:31:45,640
Speaker 1: This is Danny Tanner would not approve what I'm saying,

650
00:31:46,040 --> 00:31:47,600
Speaker 1: would be like, absolutely not.

651
00:31:47,800 --> 00:31:50,640
Speaker 2: Michelle ants, you know how hard I work to keep

652
00:31:50,680 --> 00:31:51,320
Speaker 2: them out of here?

653
00:31:53,120 --> 00:31:56,280
Speaker 1: True, all you need is your first aunt infestation living

654
00:31:56,320 --> 00:31:59,040
Speaker 1: on your own independently, and it is like, oh, forget

655
00:31:59,040 --> 00:32:03,200
Speaker 1: about it. Uh So Michelle hopes that this is the

656
00:32:03,240 --> 00:32:06,040
Speaker 1: case that she could afford an ant farm, and she

657
00:32:06,120 --> 00:32:08,960
Speaker 1: grabs her jar of ants that are swarmed around a

658
00:32:08,960 --> 00:32:11,760
Speaker 1: lollipop and admits that they can't live in there forever

659
00:32:12,160 --> 00:32:16,040
Speaker 1: crapes me out. She grabs She examines the jar, going

660
00:32:16,080 --> 00:32:19,000
Speaker 1: cross eyed as she watches the little guys move around.

661
00:32:19,480 --> 00:32:21,920
Speaker 1: And this was cute, was as Ashley. I think how

662
00:32:21,960 --> 00:32:24,240
Speaker 1: she could cross her eyes and look yes at the

663
00:32:25,400 --> 00:32:27,280
Speaker 1: super cute trick. That was a great way to incorporate

664
00:32:27,320 --> 00:32:32,040
Speaker 1: this trick. Then Kimmy indeed walk in. Kimmy compliments her

665
00:32:32,080 --> 00:32:35,080
Speaker 1: on a great lesson, and she grins, I think my

666
00:32:35,160 --> 00:32:38,840
Speaker 1: dad was pretty impressed with my driving. Shortly after, Danny

667
00:32:38,840 --> 00:32:41,920
Speaker 1: walks in, looking horrified. He leans over a chair and

668
00:32:41,960 --> 00:32:45,960
Speaker 1: dramatically says, thank God, I'm alive. Kimmy admits, you know,

669
00:32:46,080 --> 00:32:49,120
Speaker 1: tea man for an uptight guy, you stayed pretty cool.

670
00:32:49,800 --> 00:32:53,920
Speaker 1: Danny casually responds, thanks, Jimmy, no sweat, and he shrugs

671
00:32:53,960 --> 00:32:57,400
Speaker 1: off his jacket to reveal two giant sweat marks below

672
00:32:57,480 --> 00:33:02,880
Speaker 1: each armpit. Just a little bit us so great. I

673
00:33:03,000 --> 00:33:06,640
Speaker 1: remember standing in the off off camera waiting for our

674
00:33:06,800 --> 00:33:10,560
Speaker 1: entrance and wardrobe, just trying to keep it saturating, you know,

675
00:33:10,680 --> 00:33:13,680
Speaker 1: because like Jeff's like more more, you want more sweat.

676
00:33:13,680 --> 00:33:18,560
Speaker 1: It has to read on camera. So meanwhile, Michell Michell,

677
00:33:18,880 --> 00:33:22,600
Speaker 1: Michelle is wearing a lemonade sign to promote her company

678
00:33:22,760 --> 00:33:26,120
Speaker 1: and shouts get your lemonade. Danny feels he could use

679
00:33:26,160 --> 00:33:29,200
Speaker 1: a cup, and Kimmy snarks, you could use some dress shields.

680
00:33:30,000 --> 00:33:32,320
Speaker 1: Danny throws it right back. You could use some exercise,

681
00:33:32,480 --> 00:33:35,360
Speaker 1: take a hike. It's kind of rude like this. I

682
00:33:35,560 --> 00:33:38,360
Speaker 1: was like, damn, you know, he's getting it's getting. It's

683
00:33:38,640 --> 00:33:40,640
Speaker 1: this is when we started getting This is where we

684
00:33:40,680 --> 00:33:44,000
Speaker 1: start getting the meaner. It started crossing the line because

685
00:33:44,000 --> 00:33:47,000
Speaker 1: the jokes aren't funny, they're just mean, and I I

686
00:33:47,000 --> 00:33:49,880
Speaker 1: don't like it. He walks over to Michelle and he

687
00:33:49,920 --> 00:33:52,600
Speaker 1: takes a cup. He soon realizes the lemonade is full

688
00:33:52,640 --> 00:33:55,000
Speaker 1: of sugar and says, oh, A couple more SIPs of

689
00:33:55,040 --> 00:33:58,400
Speaker 1: this and I'll need dentures. He realizes he only has

690
00:33:58,520 --> 00:34:01,560
Speaker 1: one dollar and the lemonade is ten cents. When he

691
00:34:01,640 --> 00:34:04,080
Speaker 1: hands Michelle the bill, she shuts her cash box and

692
00:34:04,080 --> 00:34:07,480
Speaker 1: says thank you. He wonders, aren't you forgetting something, and

693
00:34:07,520 --> 00:34:10,800
Speaker 1: she says, oh, yeah, have a nice day. She turns

694
00:34:10,840 --> 00:34:12,880
Speaker 1: to walk into the living room and we see that

695
00:34:13,040 --> 00:34:17,720
Speaker 1: the back of her sign reads sorry, no change. Come on, Danny,

696
00:34:17,760 --> 00:34:18,520
Speaker 1: just give your kids.

697
00:34:20,640 --> 00:34:24,160
Speaker 2: For ninety cents. He's a tight wad. Well he's got

698
00:34:24,160 --> 00:34:25,759
Speaker 2: a for it. The next got renovation.

699
00:34:26,040 --> 00:34:28,200
Speaker 1: The next person that moves in like you've got to

700
00:34:28,200 --> 00:34:31,520
Speaker 1: save his pennies, I guess so. Over at the table,

701
00:34:31,800 --> 00:34:34,240
Speaker 1: Kimmy is telling DJ that she can't go to Spain

702
00:34:34,719 --> 00:34:38,560
Speaker 1: with her unless she passes her Spanish class. She begs

703
00:34:38,640 --> 00:34:42,080
Speaker 1: DJ for help and DJ instantly agrees, considering she doesn't

704
00:34:42,080 --> 00:34:45,400
Speaker 1: want to be alone in Spain for six weeks. Kimmy complains,

705
00:34:45,640 --> 00:34:47,680
Speaker 1: why do I have to learn the whole language? All

706
00:34:47,719 --> 00:34:50,960
Speaker 1: I need to know are three words, food, boys and bathroom.

707
00:34:51,680 --> 00:34:53,799
Speaker 1: DJ nod's true, but you don't want to get them

708
00:34:53,840 --> 00:34:58,840
Speaker 1: mixed up. A studio moos smouchacha, which translates to let's study, girl,

709
00:34:59,480 --> 00:35:02,640
Speaker 1: But Kimmy misunderstands. No time for dancing. We have to

710
00:35:02,640 --> 00:35:06,680
Speaker 1: go study, and I walk off with my bike shorts,

711
00:35:06,760 --> 00:35:09,320
Speaker 1: my patterned bike shorts, Like this is mye me in

712
00:35:09,400 --> 00:35:11,239
Speaker 1: my bike shorts. Era. Yeah, we were.

713
00:35:11,560 --> 00:35:14,919
Speaker 2: I believe we all started uh getting into our bike

714
00:35:14,960 --> 00:35:15,480
Speaker 2: shorts era.

715
00:35:16,400 --> 00:35:18,279
Speaker 1: But I hate. I hated. I don't know why, but

716
00:35:18,320 --> 00:35:21,960
Speaker 1: I hated wearing my patterned bike the Kimmy Gibbler bike shorts.

717
00:35:21,960 --> 00:35:22,600
Speaker 1: For some reason.

718
00:35:22,600 --> 00:35:25,680
Speaker 2: I think it just accentuated my chicken legs and my

719
00:35:25,800 --> 00:35:28,160
Speaker 2: pale stick legs.

720
00:35:27,800 --> 00:35:29,160
Speaker 1: And your bangs.

721
00:35:29,239 --> 00:35:31,759
Speaker 2: By the way, if I could hold a ruler up

722
00:35:31,800 --> 00:35:34,800
Speaker 2: to them, Oh yeah, it was at least two and

723
00:35:34,840 --> 00:35:35,440
Speaker 2: a half inches.

724
00:35:36,320 --> 00:35:38,160
Speaker 1: Gravity does not apply. It was.

725
00:35:38,440 --> 00:35:41,799
Speaker 2: There was at least from the from the top of

726
00:35:41,840 --> 00:35:45,919
Speaker 2: your of your scalp to where your hair went up

727
00:35:46,360 --> 00:35:49,000
Speaker 2: was was measurable in inches.

728
00:35:49,239 --> 00:35:49,640
Speaker 1: Oh yeah.

729
00:35:49,800 --> 00:35:53,600
Speaker 2: Lots of awquin it, lots of awquin it. The owl

730
00:35:53,640 --> 00:35:55,040
Speaker 2: pellet is gone.

731
00:35:55,080 --> 00:35:59,920
Speaker 1: It's now. It is now just sky high banks. Next,

732
00:36:00,560 --> 00:36:03,480
Speaker 1: we're here, We're in the studio. We are making the

733
00:36:03,520 --> 00:36:09,640
Speaker 1: Forever Wrap video. Oh my god, here I forgot.

734
00:36:09,800 --> 00:36:12,200
Speaker 2: Like when we would cut to that, I was like, oh,

735
00:36:12,239 --> 00:36:13,640
Speaker 2: it's worse than I remember.

736
00:36:13,680 --> 00:36:17,600
Speaker 1: It's word it's worse. It's worse than we remember. Absolutely. Yeah.

737
00:36:18,160 --> 00:36:20,120
Speaker 2: I think the whole reason they made it that theme though,

738
00:36:20,160 --> 00:36:23,120
Speaker 2: because they wanted to put him in empty hammer type pants.

739
00:36:23,400 --> 00:36:26,239
Speaker 1: But is that the reason I was wondering? I don't know.

740
00:36:26,520 --> 00:36:28,319
Speaker 1: I looked up, I'm like, when did Aladdin come out?

741
00:36:28,320 --> 00:36:31,799
Speaker 1: Because like, was this around like the Aladdin Aladdin was late?

742
00:36:31,840 --> 00:36:34,600
Speaker 1: Aladdin was November of nineteen ninety two. This was May

743
00:36:34,760 --> 00:36:38,000
Speaker 1: of nineteen ninety two, so yeah, before Aladdin came out,

744
00:36:38,280 --> 00:36:40,440
Speaker 1: So it wasn't a nod to Aladdin either, even yeah,

745
00:36:40,440 --> 00:36:42,839
Speaker 1: I think it was just it was just.

746
00:36:45,200 --> 00:36:49,160
Speaker 2: A lot of pretty culturally inappropriate. I was just like,

747
00:36:50,600 --> 00:36:54,320
Speaker 2: we don't do that, yeah.

748
00:36:51,719 --> 00:36:54,360
Speaker 1: Right, But yeah, I think it was just the visual

749
00:36:54,400 --> 00:36:58,600
Speaker 1: gag of putting John in the hammer pants. That's yeap

750
00:37:00,280 --> 00:37:02,640
Speaker 1: oh dear. Okay. So they are on take twenty seven

751
00:37:02,680 --> 00:37:06,319
Speaker 1: of this Arabian themed Forever music video. Obviously it's not

752
00:37:06,520 --> 00:37:10,560
Speaker 1: going well. The music plays and Jesse appears out of

753
00:37:10,600 --> 00:37:14,200
Speaker 1: a basket wearing giant pants, a vest with no shirt,

754
00:37:14,719 --> 00:37:18,000
Speaker 1: one hoop earring, and his hair is in a little ponytail.

755
00:37:19,360 --> 00:37:22,520
Speaker 1: He's that little ponytail, a little phonytail. Just snuck in there.

756
00:37:22,600 --> 00:37:26,520
Speaker 1: It's just a great detail. He is dancing off cue,

757
00:37:26,520 --> 00:37:29,040
Speaker 1: missing his steps and not in sync with the rest

758
00:37:29,040 --> 00:37:31,520
Speaker 1: of the dancers, and then, to top it all off,

759
00:37:31,560 --> 00:37:34,319
Speaker 1: he accidentally spins into one of the set designs and

760
00:37:34,400 --> 00:37:38,640
Speaker 1: knocks it down. Richard calls cut and demands everyone takes

761
00:37:38,680 --> 00:37:42,040
Speaker 1: a break. David and Becky are watching the entire thing,

762
00:37:42,120 --> 00:37:45,759
Speaker 1: and David is not pleased. Becky tries to make light

763
00:37:45,800 --> 00:37:48,520
Speaker 1: of things, saying I think it's going very well, don't you.

764
00:37:49,400 --> 00:37:51,719
Speaker 1: He sighs, We've been here for six hours and I

765
00:37:51,760 --> 00:37:55,040
Speaker 1: don't have one frame of usable film. He warned you,

766
00:37:55,400 --> 00:37:58,080
Speaker 1: he warned you, He did like, this is still on you.

767
00:37:58,400 --> 00:38:00,839
Speaker 1: This is totally on him. He did not listen to Jesse.

768
00:38:01,120 --> 00:38:01,200
Speaker 2: No.

769
00:38:01,880 --> 00:38:04,440
Speaker 1: Becky awkwardly holds up her sandwich and says, well, yeah,

770
00:38:04,440 --> 00:38:09,760
Speaker 1: but this tuna great. Yeah, I'm glad she appreciates us.

771
00:38:09,760 --> 00:38:11,200
Speaker 1: Going to say, it's not a tune of melt, but

772
00:38:11,200 --> 00:38:15,240
Speaker 1: it's close. It's a tune of melt, but I'll accept it. Meanwhile,

773
00:38:15,400 --> 00:38:18,120
Speaker 1: Richard helps Jesse up and asks jess Man, do you

774
00:38:18,160 --> 00:38:21,960
Speaker 1: have control of any of your body parts? He defends himself,

775
00:38:21,960 --> 00:38:24,799
Speaker 1: saying it's not his fault. His leg cramped up at

776
00:38:24,800 --> 00:38:27,960
Speaker 1: the beginning, and Becky chimes in, that's true, he has

777
00:38:28,120 --> 00:38:31,840
Speaker 1: very bad circulation. Jesse tells her he shouldn't make excuses,

778
00:38:32,200 --> 00:38:34,080
Speaker 1: but then he turns to Richard and starts to harp

779
00:38:34,120 --> 00:38:38,520
Speaker 1: on his bad circulation. Jesse emphasizes that this isn't the

780
00:38:38,600 --> 00:38:41,759
Speaker 1: forever he wants to do, but David reminds him that

781
00:38:41,840 --> 00:38:45,200
Speaker 1: they know what they're doing. Jesse's had enough. He grabs

782
00:38:45,200 --> 00:38:47,840
Speaker 1: Becky's hand and tells David and Richard that he quits.

783
00:38:48,360 --> 00:38:51,359
Speaker 1: Becky slams the tuna sandwich into David's hand and says here.

784
00:38:52,320 --> 00:38:55,000
Speaker 1: David tries to get Jesse to reconsider this is your

785
00:38:55,000 --> 00:38:58,000
Speaker 1: one shot at making it. You can't walk out. Actually, David,

786
00:38:58,040 --> 00:39:00,239
Speaker 1: it's not his one shot. This is his fourth shot. Okay,

787
00:39:00,239 --> 00:39:02,600
Speaker 1: your fourth in line, sir, don't write David has no

788
00:39:03,840 --> 00:39:08,719
Speaker 1: got no, it's not you've obviously never watched this show. Yeah,

789
00:39:09,200 --> 00:39:12,799
Speaker 1: David did not keep up with the prior. Yeah, you

790
00:39:12,800 --> 00:39:17,200
Speaker 1: didn't get it. So he says, you can't just walk out, babe,

791
00:39:17,320 --> 00:39:20,480
Speaker 1: and Jesse leans in and says, watch me, babe, and

792
00:39:20,520 --> 00:39:23,840
Speaker 1: he hurries out with Becky hand in hand. You know

793
00:39:23,880 --> 00:39:25,759
Speaker 1: I'm proud of Jesse. You know, he's standing up for

794
00:39:25,800 --> 00:39:28,800
Speaker 1: his vision. That's good for him. It's not just about

795
00:39:28,800 --> 00:39:31,200
Speaker 1: the quick making a quick fuck. He's he's standing up

796
00:39:31,200 --> 00:39:31,680
Speaker 1: for himself.

797
00:39:33,040 --> 00:39:36,720
Speaker 2: This is smart of him because this video was terrible,

798
00:39:37,680 --> 00:39:40,160
Speaker 2: so nobody would want to be with this video.

799
00:39:40,200 --> 00:39:43,720
Speaker 1: Fat Fish Music does not have good ideas. I'm sorry,

800
00:39:43,760 --> 00:39:47,640
Speaker 1: they just don't know. Next in the attic, Jesse is

801
00:39:47,680 --> 00:39:50,120
Speaker 1: holding his twins and he looks off in the distance

802
00:39:50,200 --> 00:39:54,080
Speaker 1: with regret. He realizes, oh my god, what have I done.

803
00:39:54,920 --> 00:39:57,000
Speaker 1: He tells Nicky and Alex that he's got to go

804
00:39:57,000 --> 00:39:59,239
Speaker 1: back to fat Fish Music and beg them for a

805
00:39:59,360 --> 00:40:03,960
Speaker 1: second chance. He apologizes to the babies. I'm sorry, guys,

806
00:40:04,320 --> 00:40:07,080
Speaker 1: I was so selfish. I wasn't even thinking of you two.

807
00:40:07,400 --> 00:40:10,680
Speaker 1: I mean, I could have you totally set. One of

808
00:40:10,680 --> 00:40:13,919
Speaker 1: the babies reacts with cooing noises and Jesse nods, yeah,

809
00:40:13,960 --> 00:40:17,799
Speaker 1: that's right. College trust funds. Jupeys if the hair never

810
00:40:17,840 --> 00:40:20,359
Speaker 1: happens for you, and then he gives them a little

811
00:40:20,400 --> 00:40:23,759
Speaker 1: kiss on their bald heads. Babies gnaw on their chew

812
00:40:23,800 --> 00:40:27,279
Speaker 1: toys and Jesse promises he won't let them down. M

813
00:40:28,440 --> 00:40:30,680
Speaker 1: okay for all these babies, with their cooing like I'm

814
00:40:30,680 --> 00:40:33,520
Speaker 1: gonna last episode with the renterrheas, I'm.

815
00:40:33,360 --> 00:40:36,000
Speaker 2: So sid that's right, yeah, because they're gonna be cast

816
00:40:36,120 --> 00:40:39,000
Speaker 2: next year or next season, and they're just so cute.

817
00:40:39,080 --> 00:40:41,440
Speaker 2: They were very cute bald heads, so they were very

818
00:40:41,520 --> 00:40:42,040
Speaker 2: very cute.

819
00:40:42,239 --> 00:40:43,560
Speaker 1: They weren't chewing on like a.

820
00:40:45,440 --> 00:40:46,960
Speaker 2: It looks like one of those things that you used

821
00:40:46,960 --> 00:40:48,560
Speaker 2: to like you'd put keys on and put it around

822
00:40:48,600 --> 00:40:50,879
Speaker 2: your wrist. Now like you can use them for hair

823
00:40:50,960 --> 00:40:54,319
Speaker 2: ties that don't put their hair what they were chewing on.

824
00:40:54,480 --> 00:40:55,440
Speaker 1: Yeah, you did look like that.

825
00:40:55,560 --> 00:40:58,480
Speaker 2: Yeah, and my thought is that adrias keys.

826
00:40:58,680 --> 00:41:00,440
Speaker 1: Yeah, I was.

827
00:41:00,360 --> 00:41:03,040
Speaker 2: Like, did Adrian Hannam here play with this?

828
00:41:03,040 --> 00:41:04,880
Speaker 1: This is a situation where they're like, we lose the

829
00:41:04,920 --> 00:41:07,000
Speaker 1: babies in five minutes. We got to get the shot.

830
00:41:07,080 --> 00:41:10,319
Speaker 1: So Adria's like, here, play with here? Do this right?

831
00:41:12,320 --> 00:41:14,799
Speaker 1: And secondly, this is a very relatable dilemma. Do you

832
00:41:14,840 --> 00:41:17,320
Speaker 1: stick with your vision or do you take the paycheck

833
00:41:17,320 --> 00:41:19,200
Speaker 1: because you got to support your family like it is,

834
00:41:19,400 --> 00:41:21,000
Speaker 1: do you take your dream or do you take the

835
00:41:21,040 --> 00:41:26,160
Speaker 1: reality check? Right, It's very relatable. Next in DJ's room,

836
00:41:26,520 --> 00:41:29,160
Speaker 1: DJ is trying to help Kitty Kimmy. Why can't I

837
00:41:29,200 --> 00:41:32,480
Speaker 1: get anyone's name right today, no one's we got we

838
00:41:32,520 --> 00:41:39,640
Speaker 1: got Kitty, we got the Yeah, stephan Beck. I have

839
00:41:39,719 --> 00:41:43,399
Speaker 1: mispronounced every character's name just in this episode. I'm very awake.

840
00:41:43,440 --> 00:41:44,920
Speaker 1: I had extra coffee and everything.

841
00:41:45,120 --> 00:41:47,839
Speaker 2: It's okay, I'm not I'm sor right, just so well,

842
00:41:47,960 --> 00:41:51,160
Speaker 2: you know, this is just one of those days I've

843
00:41:51,480 --> 00:41:53,000
Speaker 2: been trying to tell you, Okay, you got to quit

844
00:41:53,080 --> 00:41:56,200
Speaker 2: drinking as much as wanting a little less before we record.

845
00:41:56,239 --> 00:41:59,040
Speaker 1: All right, I'll leave the bourbon out of my Okay,

846
00:41:59,520 --> 00:42:00,520
Speaker 1: what you put in I don't know.

847
00:42:00,719 --> 00:42:04,280
Speaker 2: Right, that's yeah, you're going to fill up your coffee.

848
00:42:06,600 --> 00:42:10,120
Speaker 1: So Kimmy is exhausted, and she complains I can't conjugate

849
00:42:10,160 --> 00:42:13,360
Speaker 1: any more Spanish. It's after midnight. Can't we go to sleep?

850
00:42:14,040 --> 00:42:18,520
Speaker 1: DJ responds n Espanol. So Kimmy tries el sleep. Oh,

851
00:42:18,600 --> 00:42:23,040
Speaker 1: bego please. Oh and I'm wearing these hot dog earrings. Oh,

852
00:42:23,160 --> 00:42:25,160
Speaker 1: it's just like the beginning of Kimmy Gibbler and her

853
00:42:25,160 --> 00:42:29,400
Speaker 1: food accessories. It's so great. Then there's a knock on

854
00:42:29,400 --> 00:42:33,240
Speaker 1: the door. DJ panics because it's her dad. Danny assumes

855
00:42:33,239 --> 00:42:35,440
Speaker 1: that she fell asleep with the light on again, but

856
00:42:35,520 --> 00:42:38,399
Speaker 1: he has no clue that Kimmy is still there. DJ

857
00:42:38,520 --> 00:42:41,520
Speaker 1: forces her to hide, so Kimmy scrambles under the bed sheets,

858
00:42:41,520 --> 00:42:44,719
Speaker 1: forcing DJ to pick a different spot. Danny opens the

859
00:42:44,719 --> 00:42:48,520
Speaker 1: door and DJ quickly steps into her closet. Danny turns

860
00:42:48,560 --> 00:42:50,799
Speaker 1: on the light and asks his daughter, have you been

861
00:42:50,880 --> 00:42:53,640
Speaker 1: up studying this whole time? Wait? Didn't he Wasn't the

862
00:42:53,719 --> 00:42:56,520
Speaker 1: light just on? Didn't he say? Did you fall asleep

863
00:42:56,520 --> 00:42:59,879
Speaker 1: with your light on? Oh? Right, so it turns the lights.

864
00:43:00,320 --> 00:43:02,279
Speaker 2: Also, if you thought you fall asleep, why the hell

865
00:43:02,280 --> 00:43:03,160
Speaker 2: are you doing the lights on?

866
00:43:03,560 --> 00:43:03,759
Speaker 1: Yeah?

867
00:43:03,840 --> 00:43:03,960
Speaker 2: Right?

868
00:43:04,000 --> 00:43:06,040
Speaker 1: Why don't you keep her asleep? Yeah? This that doesn't

869
00:43:06,080 --> 00:43:08,759
Speaker 1: make any sense. It doesn't make any sense. That's just

870
00:43:08,880 --> 00:43:13,359
Speaker 1: the sitcom land. So Kimmy answers under the covers see.

871
00:43:14,560 --> 00:43:17,400
Speaker 1: Danny realizes she must be exhausted, and Kimmy answers with

872
00:43:17,440 --> 00:43:21,319
Speaker 1: another see. Then Danny tries to comfort her, saying, you

873
00:43:21,360 --> 00:43:23,520
Speaker 1: know what, let me give you a kiss, and Kimmy

874
00:43:23,600 --> 00:43:28,400
Speaker 1: quickly responds no. That's when Danny notices her feet sticking

875
00:43:28,400 --> 00:43:31,480
Speaker 1: out of the blankets. He spots the orange socks, and

876
00:43:31,719 --> 00:43:35,000
Speaker 1: his face sat worse when he sniffs them. He realizes

877
00:43:35,040 --> 00:43:38,960
Speaker 1: it's Kimmy. It's always a giveaway. Stinky feet, poor feet.

878
00:43:39,520 --> 00:43:41,879
Speaker 1: He decides to trick her, saying, oh, you must be

879
00:43:41,960 --> 00:43:44,799
Speaker 1: really excited about your trip to Spain this summer, and

880
00:43:44,880 --> 00:43:48,880
Speaker 1: Kimmy answers. See, he continues, I hope you take my

881
00:43:48,920 --> 00:43:53,560
Speaker 1: advice about ditching Kimmy, and this time she responds huh.

882
00:43:53,600 --> 00:43:57,200
Speaker 1: He explains it. It's all set up. Pepe the Pinata

883
00:43:57,239 --> 00:43:59,840
Speaker 1: Maker is going to wrap her in paper mache and

884
00:44:00,080 --> 00:44:03,080
Speaker 1: hang her in the village square. All the village children

885
00:44:03,080 --> 00:44:06,560
Speaker 1: are gonna come at her with their flaming sticks. This

886
00:44:06,680 --> 00:44:14,560
Speaker 1: took a turn, right When did you become like Quasi

887
00:44:14,560 --> 00:44:17,319
Speaker 1: Moto and the Hunchback of Notre Dame. You know, like

888
00:44:17,560 --> 00:44:21,560
Speaker 1: this isn't just freeing the pill smorks are coming out.

889
00:44:21,680 --> 00:44:25,359
Speaker 1: You know, it went from DJ ditching Kimmy to like

890
00:44:25,400 --> 00:44:30,120
Speaker 1: a full on, like just a village roast of Jimmy

891
00:44:30,400 --> 00:44:34,839
Speaker 1: being burned at the steak. Right, Danny's got a lot

892
00:44:34,840 --> 00:44:37,000
Speaker 1: of unresolved and like.

893
00:44:37,000 --> 00:44:42,320
Speaker 2: I feel like, uh, Pepe the Pinata Maker. Uh, aside

894
00:44:42,320 --> 00:44:47,440
Speaker 2: from being ridiculous, but also like Pepe the Pinata I

895
00:44:47,440 --> 00:44:48,320
Speaker 2: feel like that's more.

896
00:44:48,160 --> 00:44:51,959
Speaker 1: Mexico not Spain. Mmmm. Good point.

897
00:44:52,239 --> 00:44:54,520
Speaker 2: Well, you know, I mean, look Danny's not being accurate.

898
00:44:54,560 --> 00:44:56,960
Speaker 2: He's talking about, you know, making an effigy of Kimmy

899
00:44:56,960 --> 00:44:57,400
Speaker 2: and having.

900
00:44:57,360 --> 00:44:58,799
Speaker 1: Children flaming sticks feed it.

901
00:44:58,920 --> 00:45:01,880
Speaker 2: So I don't think it really matters the correctness.

902
00:45:01,880 --> 00:45:05,480
Speaker 1: But it's no, it doesn't. Pepe the Pinata Maker is

903
00:45:05,560 --> 00:45:11,040
Speaker 1: lovely alliteration, So let's just runs it. So Kimmy pops

904
00:45:11,160 --> 00:45:15,280
Speaker 1: up from under the covers and says she gasps flaming sticks,

905
00:45:15,880 --> 00:45:18,719
Speaker 1: and Danny laughs, got ya, gibbler, you can come out.

906
00:45:19,840 --> 00:45:22,640
Speaker 1: DJ apologizes to her dad, saying she just wants to

907
00:45:22,640 --> 00:45:25,960
Speaker 1: help Kimmy with her Spanish. Danny reminds Kimmy that if

908
00:45:25,960 --> 00:45:28,480
Speaker 1: she wants to pass the test, she's gonna need her sleep,

909
00:45:28,880 --> 00:45:31,720
Speaker 1: so he tells her to go home. He waves bayinas

910
00:45:31,760 --> 00:45:35,960
Speaker 1: no chase, and Kimmy perks up. Oh, nacho's great. I'm starving.

911
00:45:37,080 --> 00:45:40,359
Speaker 1: Danny's eyes widen as he tells DJ maybe a couple

912
00:45:40,400 --> 00:45:45,120
Speaker 1: more minutes of studying wouldn't hurt Jimmy. Kimmy is like

913
00:45:45,200 --> 00:45:47,480
Speaker 1: that American that you don't want to see abroad. She

914
00:45:49,040 --> 00:45:49,560
Speaker 1: doesn't care.

915
00:45:50,239 --> 00:45:54,440
Speaker 2: Where's the hot dogs kind of American? Yeah, where's the McDonald's.

916
00:45:54,440 --> 00:45:57,560
Speaker 1: Where's the McDonald's American? Yeah, why don't you speak English?

917
00:45:57,640 --> 00:45:59,719
Speaker 2: Like, oh, right, that one you're like, you know, it's

918
00:45:59,719 --> 00:46:03,000
Speaker 2: probably better if you don't go Kimmy, it's from way better.

919
00:46:03,120 --> 00:46:03,799
Speaker 1: She doesn't know.

920
00:46:04,000 --> 00:46:07,640
Speaker 2: I'm gonna say, uh, flaming sticks would make a pinata

921
00:46:07,719 --> 00:46:08,120
Speaker 2: much more.

922
00:46:08,000 --> 00:46:10,279
Speaker 1: Exciting, that's true. Oh yeah, then you have like a

923
00:46:10,320 --> 00:46:11,680
Speaker 1: flaming ball's candy.

924
00:46:11,760 --> 00:46:15,120
Speaker 2: Right, you want that candy, You're gonna have to risk

925
00:46:15,239 --> 00:46:15,960
Speaker 2: some things for it.

926
00:46:16,440 --> 00:46:18,440
Speaker 1: Put some pop rocks in there, and you'll just have

927
00:46:18,480 --> 00:46:30,000
Speaker 1: an exploitive Yeah. Oh great. Next to the living room,

928
00:46:30,400 --> 00:46:33,040
Speaker 1: Joey and Michelle are counting up her change from her

929
00:46:33,120 --> 00:46:37,399
Speaker 1: lemonade stand. She made a total of eight dollars and

930
00:46:37,560 --> 00:46:38,560
Speaker 1: forty cents.

931
00:46:39,560 --> 00:46:44,279
Speaker 2: Which did you do if you don't didn't do the math, Yeah,

932
00:46:44,680 --> 00:46:48,080
Speaker 2: that means she sold eight hundred and flory cup.

933
00:46:50,080 --> 00:46:50,560
Speaker 1: This shot.

934
00:46:51,080 --> 00:46:53,920
Speaker 2: This is this isn't just a little front yard lemonade stand.

935
00:46:53,960 --> 00:46:57,080
Speaker 2: This child has been walking all over San Francisco. Yeah,

936
00:46:57,560 --> 00:47:00,400
Speaker 2: door to door like she is an entrepreneur. Like she's

937
00:47:00,520 --> 00:47:02,600
Speaker 2: done very very well for herself.

938
00:47:03,080 --> 00:47:09,239
Speaker 1: Or she robbed a couple of people. Yeah, I don't know, man,

939
00:47:09,320 --> 00:47:11,239
Speaker 1: Either way, she's going to make it in the business world.

940
00:47:12,120 --> 00:47:17,080
Speaker 2: This was the start of the empire a raging successes.

941
00:47:17,440 --> 00:47:22,359
Speaker 1: Yeah, Joey excitedly tells her that if she sells one

942
00:47:22,440 --> 00:47:26,000
Speaker 1: more cup, she'll have enough money to buy her aunt farm.

943
00:47:26,760 --> 00:47:29,279
Speaker 1: Michelle begs him to buy one more, but he reminds her,

944
00:47:29,480 --> 00:47:32,400
Speaker 1: I've already had fifty cups. I'm sweating lemon juice.

945
00:47:32,719 --> 00:47:35,520
Speaker 2: Okay, Well, so that's what seven and ninety.

946
00:47:35,400 --> 00:47:39,160
Speaker 1: Yeah, yeah, still a lot of a lot of lemonade

947
00:47:39,239 --> 00:47:42,440
Speaker 1: from the city of San Francisco. Well, maybe you know

948
00:47:42,480 --> 00:47:45,319
Speaker 1: there's lots of like horses walking by, and you know

949
00:47:45,400 --> 00:47:48,640
Speaker 1: there's there's there's a lot of horses drink lemonade. No,

950
00:47:48,760 --> 00:47:51,239
Speaker 1: but I'm just saying all the things and animals that

951
00:47:51,280 --> 00:47:54,319
Speaker 1: have stairs. Yeah, I'm assuming they're in the front yard

952
00:47:54,400 --> 00:47:55,920
Speaker 1: or maybe they're in the backyard.

953
00:47:55,440 --> 00:47:57,960
Speaker 2: Who knows, Like where did they sell this lot of

954
00:47:58,000 --> 00:47:59,759
Speaker 2: sandwich board on like a little sign.

955
00:47:59,800 --> 00:48:01,520
Speaker 1: I think she's walk in the streets. So it's a

956
00:48:01,560 --> 00:48:02,840
Speaker 1: traveling lemonade stand.

957
00:48:02,960 --> 00:48:05,719
Speaker 2: The traveling I don't know, probably now that Yeah, that

958
00:48:05,719 --> 00:48:09,839
Speaker 2: wouldn't make sense, a traveling lemonade stand anyway, it's neither

959
00:48:09,880 --> 00:48:12,360
Speaker 2: way in the lemonade business.

960
00:48:12,400 --> 00:48:15,600
Speaker 1: She's killing it, so uh, and she reminds him she

961
00:48:15,640 --> 00:48:18,400
Speaker 1: reminds him that he doesn't actually have to drink the lemonade,

962
00:48:18,440 --> 00:48:21,319
Speaker 1: he just has to buy it. Joey siys, why didn't

963
00:48:21,320 --> 00:48:23,680
Speaker 1: I think of that? Forty nine cups ago, and he

964
00:48:23,719 --> 00:48:27,880
Speaker 1: plops ten more cents into Michelle's cash box. Jesse and

965
00:48:27,920 --> 00:48:30,480
Speaker 1: Becky come downstairs, and she asks if he really wants

966
00:48:30,520 --> 00:48:33,920
Speaker 1: to do the I Dream of Jesse video. Yeah, it

967
00:48:34,000 --> 00:48:35,920
Speaker 1: was kind of giving that, Yeah, it was giving up.

968
00:48:36,280 --> 00:48:40,440
Speaker 1: Yeah that's true. Jesse responds, No, I'd rather do the

969
00:48:40,520 --> 00:48:42,520
Speaker 1: video my way, but I've got to think of you

970
00:48:42,560 --> 00:48:46,560
Speaker 1: and our children and our future. It's very responsible of him.

971
00:48:46,640 --> 00:48:50,759
Speaker 1: This is very unlike Jesse, but very responsible. Well done, Jesse.

972
00:48:52,040 --> 00:48:54,400
Speaker 1: Joey chimes in, admitting it's too bad he can't just

973
00:48:54,440 --> 00:48:58,120
Speaker 1: buy his own record company, and Jesse sarcastically says, yeah,

974
00:48:58,120 --> 00:48:59,360
Speaker 1: I'm just a few books short.

975
00:48:59,440 --> 00:49:03,359
Speaker 2: Huh does he wind up buying just starting his own music?

976
00:49:03,880 --> 00:49:07,280
Speaker 1: I think he was a setup. Their next venture probably

977
00:49:07,320 --> 00:49:10,319
Speaker 1: going to be next season. Danny's gonna fund Danny's gonna

978
00:49:10,320 --> 00:49:14,840
Speaker 1: fund this an He's like the silent investor on a

979
00:49:14,880 --> 00:49:15,480
Speaker 1: lot of things.

980
00:49:15,719 --> 00:49:16,040
Speaker 2: I know.

981
00:49:16,520 --> 00:49:19,080
Speaker 1: So I don't know. Do they do they start their

982
00:49:19,080 --> 00:49:22,520
Speaker 1: own record company? Probably? I don't think. I don't know

983
00:49:22,520 --> 00:49:24,239
Speaker 1: if they did or not. They they know they want

984
00:49:24,239 --> 00:49:29,480
Speaker 1: anything possible. They like a big stand up for Yeah, yeah,

985
00:49:29,640 --> 00:49:32,160
Speaker 1: I thought it was a setup. What are the rush

986
00:49:32,160 --> 00:49:37,000
Speaker 1: Hour renegades? That's radio? Yeah, that's radio. That's not that's

987
00:49:37,000 --> 00:49:39,120
Speaker 1: not a music company, is it. Oh that's right.

988
00:49:39,200 --> 00:49:41,560
Speaker 2: They become they become radio host radio.

989
00:49:43,200 --> 00:49:47,600
Speaker 1: Anyways, Well, I think this is just a setup for

990
00:49:47,640 --> 00:49:52,759
Speaker 1: this with Michelle. So Michelle happily offers, you can have

991
00:49:52,840 --> 00:49:56,200
Speaker 1: my aunt farm money. Jesse crouches down to her level

992
00:49:56,239 --> 00:49:59,400
Speaker 1: and tells her that that is the greatest offer he's ever.

993
00:49:59,320 --> 00:50:02,440
Speaker 2: Received, second only to being able to move into an

994
00:50:02,480 --> 00:50:03,200
Speaker 2: attict for free.

995
00:50:03,760 --> 00:50:06,640
Speaker 1: Yes, and have a whole new recording studio downstairs in

996
00:50:06,640 --> 00:50:09,440
Speaker 1: the basement. Right, those were also pretty cool. He urges

997
00:50:09,480 --> 00:50:12,160
Speaker 1: her to keep the money she worked so hard for,

998
00:50:12,840 --> 00:50:15,759
Speaker 1: but Michelle insists, but I love you, and you're more

999
00:50:15,760 --> 00:50:19,080
Speaker 1: important than my aunts. She glances at her aunt jar

1000
00:50:19,160 --> 00:50:21,840
Speaker 1: and says, sorry, guys, I mean he is an uncle.

1001
00:50:22,520 --> 00:50:28,319
Speaker 2: Yeah, yeah, Jody, I'm just.

1002
00:50:28,239 --> 00:50:30,560
Speaker 1: Full of them today. I can't help it. I'm full

1003
00:50:30,600 --> 00:50:33,360
Speaker 1: of mispronunciations. You're full of dad jokes today.

1004
00:50:33,440 --> 00:50:37,200
Speaker 2: Well, this is what you get on, aren't people glad

1005
00:50:37,239 --> 00:50:41,359
Speaker 2: they too didn't. Okay, they're like, when's the next commercial? Look,

1006
00:50:41,400 --> 00:50:43,439
Speaker 2: if they made it through the pre shiow chatter, then

1007
00:50:43,560 --> 00:50:44,240
Speaker 2: that's true.

1008
00:50:44,520 --> 00:50:47,000
Speaker 1: They get they all get gold stars for randing and

1009
00:50:47,080 --> 00:50:52,080
Speaker 1: there without size. So Jesse reaches over to Michelle. He

1010
00:50:52,120 --> 00:50:54,880
Speaker 1: gives her a big kiss in response, and then the

1011
00:50:54,880 --> 00:50:58,680
Speaker 1: doorbell rings. Jesse wishes there was another way out of this.

1012
00:50:59,520 --> 00:51:02,919
Speaker 1: He opens door and greets David with an apology. I'm

1013
00:51:02,920 --> 00:51:05,800
Speaker 1: sorry I blew up. I'd like you to accept my apology.

1014
00:51:06,400 --> 00:51:10,879
Speaker 1: David smirks. He knew he'd come crawling back. He tells Jesse,

1015
00:51:11,320 --> 00:51:15,359
Speaker 1: let's face it, Without fat fish music, you're nothing. Who

1016
00:51:15,440 --> 00:51:19,360
Speaker 1: else would make you an offer like we did, Jess.

1017
00:51:19,160 --> 00:51:21,440
Speaker 2: A great way to bring someone back, right like this?

1018
00:51:21,640 --> 00:51:25,000
Speaker 1: I do not like this, David jenially, Yeah, music is

1019
00:51:25,360 --> 00:51:31,440
Speaker 1: pretty crappy though. Man, this is rough. Jesse pauses and

1020
00:51:31,440 --> 00:51:34,080
Speaker 1: looks at Michelle, who's sitting on the couch, raising her

1021
00:51:34,160 --> 00:51:37,520
Speaker 1: eyebrows at him. He tells David that he actually did

1022
00:51:37,640 --> 00:51:42,120
Speaker 1: get another offer, and David's shocked from who Jesse walks

1023
00:51:42,120 --> 00:51:45,600
Speaker 1: over to Michelle and picks her up, casually, saying it's

1024
00:51:45,640 --> 00:51:49,440
Speaker 1: a five year old company. Small but very generous, and

1025
00:51:49,480 --> 00:51:53,680
Speaker 1: they really love me. David Scott's yeah, what kind of

1026
00:51:53,680 --> 00:51:57,240
Speaker 1: money are they talking about? Jesse tells him big money.

1027
00:51:57,840 --> 00:52:00,160
Speaker 1: He looks down at Michelle's jar of ads and ads

1028
00:52:00,560 --> 00:52:04,239
Speaker 1: enough to buy a farm now. Joey chimes in, you

1029
00:52:04,239 --> 00:52:06,400
Speaker 1: know what, Dave, you're starting to remind me of the

1030
00:52:06,400 --> 00:52:10,719
Speaker 1: guy who turned down the Beatles. David nervously asks who,

1031
00:52:11,480 --> 00:52:13,920
Speaker 1: and Joey shrugs out it doesn't matter. He's the laughing

1032
00:52:13,960 --> 00:52:16,919
Speaker 1: stock of the music business. He's still kicking himself over

1033
00:52:17,000 --> 00:52:19,840
Speaker 1: that one. He walks over to Becky and kicks himself

1034
00:52:19,880 --> 00:52:24,120
Speaker 1: repeatedly to drive home the point. Becky joins in, Oh,

1035
00:52:24,200 --> 00:52:27,440
Speaker 1: don't worry. I'm sure you'll get another job. Can you say,

1036
00:52:27,600 --> 00:52:28,879
Speaker 1: would you like fries with that?

1037
00:52:28,960 --> 00:52:29,160
Speaker 2: Sir?

1038
00:52:30,440 --> 00:52:33,280
Speaker 1: David anxiously turns to Jesse and asks if he's serious.

1039
00:52:33,920 --> 00:52:36,920
Speaker 1: Jesse firmly states, I gotta go with the company that

1040
00:52:36,960 --> 00:52:40,359
Speaker 1: believes in me. As he begins walking David to the door.

1041
00:52:41,400 --> 00:52:46,479
Speaker 1: David immediately changes his tune, assuring him, we believe, we believe. Look,

1042
00:52:46,520 --> 00:52:49,000
Speaker 1: I know we've had our creative differences, but that's the

1043
00:52:49,000 --> 00:52:51,840
Speaker 1: way the biz is. You work, you fight, you do lunch,

1044
00:52:51,920 --> 00:52:55,680
Speaker 1: you compromise, but Jesse continues to play hardball. We do

1045
00:52:55,760 --> 00:52:59,120
Speaker 1: the song my way or there's no deal. David hesitates,

1046
00:52:59,480 --> 00:53:03,760
Speaker 1: but finely gives in, you got it. See we're compromising,

1047
00:53:04,160 --> 00:53:05,280
Speaker 1: Jess Babe.

1048
00:53:06,080 --> 00:53:10,000
Speaker 2: Jesse gives him a big grin. Dave Babe, hit me, and.

1049
00:53:09,920 --> 00:53:12,640
Speaker 1: They hug it out. David tells him he loves him,

1050
00:53:12,680 --> 00:53:15,040
Speaker 1: and Jesse points at him as he leaves right back

1051
00:53:15,080 --> 00:53:17,920
Speaker 1: at you. As soon as he shuts the door, David

1052
00:53:18,000 --> 00:53:21,520
Speaker 1: calls Jesse calls David a goon, but he excitedly turns

1053
00:53:21,520 --> 00:53:25,719
Speaker 1: to his family and collaps. We did it. Everyone congratulates him,

1054
00:53:25,719 --> 00:53:28,440
Speaker 1: and he gives Michelle a special shout out. I couldn't

1055
00:53:28,440 --> 00:53:32,160
Speaker 1: have done it without you very much rights giving. He's

1056
00:53:32,360 --> 00:53:32,759
Speaker 1: really could.

1057
00:53:34,040 --> 00:53:36,400
Speaker 2: He's like, I could not have done this without my

1058
00:53:36,400 --> 00:53:39,279
Speaker 2: my therapist who's been with me for the past few years. Yeah,

1059
00:53:39,640 --> 00:53:42,880
Speaker 2: really makes me reevaluate my life and my choices.

1060
00:53:43,000 --> 00:53:45,000
Speaker 1: Yeah, I'm so glad he gave her credit for this.

1061
00:53:45,440 --> 00:53:47,759
Speaker 1: She really has worked hard for this, and Michelle has

1062
00:53:47,800 --> 00:53:50,480
Speaker 1: built this man's life. I mean, you know what I mean.

1063
00:53:51,000 --> 00:53:53,319
Speaker 2: She's like, I've decided where you're gonna live.

1064
00:53:53,760 --> 00:53:55,960
Speaker 1: I'm decided what you know what?

1065
00:53:55,960 --> 00:53:58,879
Speaker 2: What job you're gonna have because you're gonna do this. Yeah,

1066
00:53:58,960 --> 00:54:00,800
Speaker 2: she's here much in control.

1067
00:54:01,080 --> 00:54:04,400
Speaker 1: She is, she is just making the demands. She's the

1068
00:54:04,440 --> 00:54:12,800
Speaker 1: Colonel Parker to his Elvis. Oh she is? She Oh, Michelle,

1069
00:54:14,880 --> 00:54:16,919
Speaker 1: And then she confesses I don't know what I did,

1070
00:54:17,080 --> 00:54:19,360
Speaker 1: but I'm glad I did it. Oh, honey, you know

1071
00:54:19,400 --> 00:54:23,200
Speaker 1: what you did? You know what you did. Next, in

1072
00:54:23,239 --> 00:54:27,480
Speaker 1: the living room, Kimmy happily pops in, saying, oh lah tannerritos.

1073
00:54:28,000 --> 00:54:30,600
Speaker 1: Danny is fiddling with the TV and complains, I gotta

1074
00:54:30,719 --> 00:54:31,719
Speaker 1: change the locks again.

1075
00:54:32,480 --> 00:54:35,200
Speaker 2: In Dj'm in the first place, door's always open.

1076
00:54:35,320 --> 00:54:40,319
Speaker 1: It's not gonna be Why start now. Then DJ walks

1077
00:54:40,320 --> 00:54:42,480
Speaker 1: in from the kitchen and asks Kimmy if she got

1078
00:54:42,480 --> 00:54:45,600
Speaker 1: her grades. Kimmy grins, they just came in the mail

1079
00:54:45,680 --> 00:54:50,200
Speaker 1: and I passed Spanish. Isn't that mooy? Awesome? Girls jump

1080
00:54:50,280 --> 00:54:53,120
Speaker 1: up and down, realizing they officially get to go to

1081
00:54:53,280 --> 00:54:56,560
Speaker 1: Spain together. Danny takes a look at her report card

1082
00:54:56,560 --> 00:54:59,200
Speaker 1: and says, WHOA, you got a D minus. Your parents

1083
00:54:59,239 --> 00:55:02,400
Speaker 1: must be very prod out. Jimmy doesn't catch the sarcasm

1084
00:55:02,400 --> 00:55:05,359
Speaker 1: and responds, yeah, my dad says that with grades like this,

1085
00:55:05,719 --> 00:55:09,520
Speaker 1: I'm on the fast tracked air conditioning school where you'll

1086
00:55:09,520 --> 00:55:13,279
Speaker 1: probably make a ton of money. And like as a trade, like,

1087
00:55:14,080 --> 00:55:16,680
Speaker 1: that's a that's a smart that's a smart decision to me.

1088
00:55:16,760 --> 00:55:19,080
Speaker 2: When people are like, oh, you're gonna go via, then

1089
00:55:19,320 --> 00:55:21,600
Speaker 2: like an electrician, you're like, yeah, and I'm gonna go

1090
00:55:21,640 --> 00:55:22,560
Speaker 2: make a ton of money.

1091
00:55:22,840 --> 00:55:26,160
Speaker 1: They're so in demand, they are so in demand right now.

1092
00:55:26,200 --> 00:55:27,920
Speaker 2: Yeah, that is if you want to get into a business,

1093
00:55:28,000 --> 00:55:29,799
Speaker 2: be an electrician, plumber.

1094
00:55:29,840 --> 00:55:35,680
Speaker 1: Yep, HVAC. Yeah, that is that's high end demand. Uh So,

1095
00:55:35,760 --> 00:55:38,480
Speaker 1: then Jesse and Becky make their way downstairs with the twins.

1096
00:55:38,840 --> 00:55:40,960
Speaker 1: Jesse yells out for everybody to come down to the

1097
00:55:40,960 --> 00:55:43,640
Speaker 1: living room because he's gonna be on MTV.

1098
00:55:44,600 --> 00:55:48,400
Speaker 2: Oh man, back now, MTV for those of those youth,

1099
00:55:48,880 --> 00:55:54,200
Speaker 2: it actually used to show music videos, say music television.

1100
00:55:54,640 --> 00:55:58,839
Speaker 1: It wasn't lying now not so much, no, not so much.

1101
00:55:58,880 --> 00:56:02,759
Speaker 1: But it was like music videos countdowns, top ten premiers.

1102
00:56:02,840 --> 00:56:06,840
Speaker 2: Remember video premieres, Yeah, the worldwide premiere and it was

1103
00:56:06,880 --> 00:56:08,120
Speaker 2: like a big old thing and they.

1104
00:56:08,040 --> 00:56:10,279
Speaker 1: Had a big deal. This was like appointment TV. You

1105
00:56:10,280 --> 00:56:12,840
Speaker 1: would sit down and watch the debut of the music video.

1106
00:56:12,920 --> 00:56:16,640
Speaker 1: Just that The Tanners are about to do so, the

1107
00:56:16,760 --> 00:56:19,799
Speaker 1: entire family gathers around the TV to watch Out of

1108
00:56:19,800 --> 00:56:23,480
Speaker 1: the Blue with Martha Quinn. She introduces the show as

1109
00:56:23,640 --> 00:56:26,960
Speaker 1: featuring new artists you've never heard of and may never

1110
00:56:27,000 --> 00:56:30,439
Speaker 1: heard of, may never hear of again hear loss? Member,

1111
00:56:30,520 --> 00:56:34,160
Speaker 1: here is the here loss? Yeah right. She goes on

1112
00:56:34,239 --> 00:56:38,080
Speaker 1: to introduce Jesse, who is visibly nervous. He looks into

1113
00:56:38,080 --> 00:56:40,239
Speaker 1: the wrong camera, thinking they do a close up of

1114
00:56:40,320 --> 00:56:43,480
Speaker 1: him since he's having a good hair day. Then he rambles,

1115
00:56:43,880 --> 00:56:46,440
Speaker 1: I just want to say, there's been some very hard struggles,

1116
00:56:46,480 --> 00:56:50,000
Speaker 1: you know, a lot of sleepless nights, rejection, cold sweats,

1117
00:56:50,120 --> 00:56:53,520
Speaker 1: summit cramps, a bit of gas. Martha stops him and

1118
00:56:53,640 --> 00:56:55,560
Speaker 1: tries to toss it over to his music video, but

1119
00:56:55,600 --> 00:56:59,640
Speaker 1: he interrupts her to say thanks to his family, Danny, Joey, Stephanie,

1120
00:56:59,640 --> 00:57:02,440
Speaker 1: and Deep. Martha tries to cut him off again, but

1121
00:57:02,480 --> 00:57:06,160
Speaker 1: there are more people he needs to think, he continues, Michelle,

1122
00:57:06,280 --> 00:57:09,600
Speaker 1: my favorite little munchkin, my wife, Rebecca, my twins, Nikki

1123
00:57:09,640 --> 00:57:13,279
Speaker 1: and Alex put begging at the bottom. Why didn't she

1124
00:57:13,320 --> 00:57:17,919
Speaker 1: come first? Right, saying Danny, well you know what I mean.

1125
00:57:18,080 --> 00:57:20,120
Speaker 1: I mean, Danny did give you the record studio in

1126
00:57:20,200 --> 00:57:20,880
Speaker 1: a place to live.

1127
00:57:21,240 --> 00:57:24,280
Speaker 2: But I would have been like my wife Rebecca, who

1128
00:57:25,320 --> 00:57:28,240
Speaker 2: was traveling with me pregnant on my last record deal.

1129
00:57:28,720 --> 00:57:31,400
Speaker 1: I know, I know, It's just he's just reciting them

1130
00:57:31,400 --> 00:57:36,440
Speaker 1: in the cast list orders. The writer was like, let

1131
00:57:36,440 --> 00:57:38,160
Speaker 1: me go down the cast list and just list them

1132
00:57:38,160 --> 00:57:42,560
Speaker 1: in order. So at this point, Jesse's showing off photos

1133
00:57:42,600 --> 00:57:45,760
Speaker 1: of them from his wallet. Martha throws her arms up

1134
00:57:45,800 --> 00:57:48,280
Speaker 1: and says, Okay, we're out of time now. She looks

1135
00:57:48,360 --> 00:57:50,760
Speaker 1: off stage and asks them to bring in somebody else.

1136
00:57:51,400 --> 00:57:55,640
Speaker 1: Jesse panics, thankfully, she was just kidding. She teases, You're

1137
00:57:55,640 --> 00:57:58,800
Speaker 1: not going to have a gas attack, now, are you. Finally,

1138
00:57:58,840 --> 00:58:01,880
Speaker 1: she introduces Jesse and the Ripper's new song and points

1139
00:58:01,880 --> 00:58:05,920
Speaker 1: out that Forever is a Beach Boys song. Jesse nods

1140
00:58:05,960 --> 00:58:08,800
Speaker 1: and says that he knows them. He even mentions that

1141
00:58:08,840 --> 00:58:13,000
Speaker 1: they sang on this track. Then the music video starts.

1142
00:58:13,360 --> 00:58:16,080
Speaker 1: Jesse is in a bed, shirtless in the middle of

1143
00:58:16,120 --> 00:58:22,520
Speaker 1: a rustic building. Oh, it's better than the Arabian Nights video,

1144
00:58:22,640 --> 00:58:24,360
Speaker 1: like the I Dream of Fair.

1145
00:58:25,280 --> 00:58:28,720
Speaker 2: There were a lot of music videos like this. I'm

1146
00:58:28,760 --> 00:58:31,720
Speaker 2: instantly I'm thinking of I think there was a he

1147
00:58:31,880 --> 00:58:33,160
Speaker 2: was a Seal music video.

1148
00:58:33,440 --> 00:58:35,840
Speaker 1: I think there was a Janet Jackson music video.

1149
00:58:36,280 --> 00:58:39,600
Speaker 2: I think that where they were like outdoors in like

1150
00:58:39,680 --> 00:58:42,120
Speaker 2: a bed and things were flowing and it looked like

1151
00:58:42,160 --> 00:58:44,800
Speaker 2: they were in some sort of like desert little town.

1152
00:58:45,160 --> 00:58:46,880
Speaker 1: Yeah, it was. That was a big That was a

1153
00:58:46,920 --> 00:58:49,920
Speaker 1: big aesthetic, the biggest that even like the New Kids

1154
00:58:49,960 --> 00:58:52,320
Speaker 1: in their The Right Stuff video, it was like that

1155
00:58:52,440 --> 00:58:54,600
Speaker 1: Cepia tone, the black and white cep A tone, and

1156
00:58:54,600 --> 00:58:56,720
Speaker 1: they're running through like a cemetery. It's like, this makes

1157
00:58:56,760 --> 00:58:59,200
Speaker 1: no sense. Yeah, but that was this video didn't have

1158
00:58:59,280 --> 00:59:00,920
Speaker 1: to make sense. It didn't know.

1159
00:59:02,080 --> 00:59:05,080
Speaker 2: So it doesn't look cool, all right, done, it's nonsense,

1160
00:59:05,160 --> 00:59:06,280
Speaker 2: but you were like, I'm in it.

1161
00:59:06,640 --> 00:59:13,000
Speaker 1: Yeah, so great. This video, though, is so much. It's

1162
00:59:13,120 --> 00:59:14,720
Speaker 1: very extra. It's so extra.

1163
00:59:17,280 --> 00:59:22,640
Speaker 2: I hadn't watched it in its flip full thing ever, probably,

1164
00:59:22,760 --> 00:59:29,200
Speaker 2: but since we take this episode and uh yeah yeah yeah,

1165
00:59:29,440 --> 00:59:32,120
Speaker 2: I also have to say I think at one point

1166
00:59:32,160 --> 00:59:35,200
Speaker 2: he lifts the baby up. I saw there was a

1167
00:59:35,240 --> 00:59:36,920
Speaker 2: little it's a little.

1168
00:59:36,800 --> 00:59:40,000
Speaker 1: Little baby, but a little baby, but little. There was

1169
00:59:40,000 --> 00:59:41,200
Speaker 1: a little more than a baby, but there was a

1170
00:59:41,240 --> 00:59:43,120
Speaker 1: little more. Yeah, there was, there was there was I

1171
00:59:43,200 --> 00:59:48,280
Speaker 1: can't show that. Yeah, I know this little babies, A

1172
00:59:48,280 --> 00:59:51,600
Speaker 1: little baby, a little yeah, a little you know things.

1173
00:59:52,240 --> 00:59:55,400
Speaker 1: I was like, this is it appropriate? His testicles have

1174
00:59:55,480 --> 00:59:57,240
Speaker 1: definitely dropped by now, so that's yes.

1175
00:59:58,880 --> 01:00:02,320
Speaker 2: Oh yeah, yeah, we can all agree that we can

1176
01:00:02,320 --> 01:00:04,439
Speaker 2: all uh you know, have an input on that because

1177
01:00:04,480 --> 01:00:05,000
Speaker 2: we saw.

1178
01:00:05,280 --> 01:00:10,560
Speaker 1: But you know, it was you can't you can't show baby. No,

1179
01:00:11,400 --> 01:00:14,880
Speaker 1: it was a it was just it was just it

1180
01:00:14,920 --> 01:00:16,680
Speaker 1: was a lot. I feel like.

1181
01:00:19,440 --> 01:00:22,960
Speaker 2: Putting infants in your music video is not the way

1182
01:00:23,080 --> 01:00:24,200
Speaker 2: to sell it on MTV.

1183
01:00:25,040 --> 01:00:29,440
Speaker 1: No, it was well right, because Jesse wants to be

1184
01:00:29,480 --> 01:00:33,440
Speaker 1: the big famous rock star. But being married happily with

1185
01:00:33,680 --> 01:00:35,560
Speaker 1: babies in the.

1186
01:00:35,600 --> 01:00:40,800
Speaker 2: Video, yeah, well maybe he's trying to try.

1187
01:00:41,240 --> 01:00:44,480
Speaker 1: Trying to attract chicks like a chick magnet with the babies.

1188
01:00:44,520 --> 01:00:46,280
Speaker 1: Although that does but that's kind of you know what

1189
01:00:46,320 --> 01:00:48,960
Speaker 1: I mean, Like it doesn't. This just doesn't doesn't anyway.

1190
01:00:49,120 --> 01:00:53,280
Speaker 2: This video, for all its weirdness, is just it is

1191
01:00:53,360 --> 01:00:54,080
Speaker 2: peak nineties.

1192
01:00:54,120 --> 01:00:56,880
Speaker 1: You guys peak nineties. It's a peak full hoigh, it's

1193
01:00:56,880 --> 01:01:01,480
Speaker 1: peak Jesse too. It's just so yes, he takes himself

1194
01:01:01,520 --> 01:01:04,760
Speaker 1: so seriously in this. I know this it seems like

1195
01:01:04,760 --> 01:01:07,800
Speaker 1: it should be satire, but it's not. Like it's just

1196
01:01:08,040 --> 01:01:12,160
Speaker 1: Jesse and Jesse just living it up in this music video.

1197
01:01:12,280 --> 01:01:18,280
Speaker 2: Yeah. Oh man, there's billowing drapes and and shirtless vests.

1198
01:01:18,680 --> 01:01:20,600
Speaker 1: There was at one point he's got like a little

1199
01:01:20,680 --> 01:01:23,680
Speaker 1: Davy Crockett uh suede.

1200
01:01:23,280 --> 01:01:26,080
Speaker 2: Fringy number on when he's in the in there and

1201
01:01:26,120 --> 01:01:28,800
Speaker 2: he turns around, oh fringe on the back.

1202
01:01:29,080 --> 01:01:31,840
Speaker 1: Yes. How much did it make to make this? How

1203
01:01:31,880 --> 01:01:33,640
Speaker 1: much did it cost to make this video? That's what

1204
01:01:33,720 --> 01:01:36,800
Speaker 1: I want to know, because like they really they put

1205
01:01:36,840 --> 01:01:37,720
Speaker 1: some money into this.

1206
01:01:38,000 --> 01:01:42,440
Speaker 2: So did it I mean did it ever get released

1207
01:01:42,480 --> 01:01:43,120
Speaker 2: any Like?

1208
01:01:43,160 --> 01:01:45,080
Speaker 1: Did it? Oh? I don't know at the time, you

1209
01:01:45,080 --> 01:01:46,439
Speaker 1: know what I mean, Like, was there a place where

1210
01:01:46,440 --> 01:01:47,360
Speaker 1: you could It's not like.

1211
01:01:47,280 --> 01:01:49,720
Speaker 2: There was the internet, right, So I was like, did

1212
01:01:49,720 --> 01:01:52,320
Speaker 2: they put it online? No, they didn't because there wasn't one.

1213
01:01:53,400 --> 01:01:56,520
Speaker 1: A lot of people have shared that they used Forever

1214
01:01:56,560 --> 01:01:58,800
Speaker 1: as their wedding song, like in real life that they're

1215
01:01:58,840 --> 01:01:59,360
Speaker 1: at their wedding.

1216
01:01:59,480 --> 01:02:01,920
Speaker 2: So yeah, like now it's available, but back then, yeah,

1217
01:02:01,920 --> 01:02:02,200
Speaker 2: I don't.

1218
01:02:02,600 --> 01:02:04,200
Speaker 1: Yeah. I think you just had to watch this episode.

1219
01:02:04,200 --> 01:02:06,200
Speaker 2: The Beach Boys are really kicking themselves for turning those

1220
01:02:06,240 --> 01:02:09,200
Speaker 2: rights over all that all those songs it could have been,

1221
01:02:09,320 --> 01:02:09,960
Speaker 2: you know, in.

1222
01:02:10,040 --> 01:02:14,520
Speaker 1: Royalties darn it. Oh man each boys. Yeah, and they

1223
01:02:14,520 --> 01:02:17,320
Speaker 1: were in the video as well. Oh yeah, yeah, this

1224
01:02:17,480 --> 01:02:20,360
Speaker 1: was if this was real life, this would never this

1225
01:02:20,400 --> 01:02:22,720
Speaker 1: would never happen. They give up the rights, like, yeah, sure,

1226
01:02:22,760 --> 01:02:24,760
Speaker 1: we'll be in your video. We'll do it for free.

1227
01:02:25,000 --> 01:02:27,680
Speaker 2: Like the best friends with them now they've been to

1228
01:02:27,720 --> 01:02:29,320
Speaker 2: his house twice, the ffs.

1229
01:02:29,440 --> 01:02:35,480
Speaker 1: Yeah. So in this video there's shots of Jesse and bed.

1230
01:02:35,520 --> 01:02:38,680
Speaker 1: He holds the twins, he singing to them. Then they

1231
01:02:38,760 --> 01:02:40,440
Speaker 1: they're in the side of the church. Like you mentioned,

1232
01:02:40,440 --> 01:02:44,200
Speaker 1: there's a choir. The candles just like hanndles galore.

1233
01:02:44,560 --> 01:02:46,720
Speaker 2: I was like, someone's gonna get lit on fire. I

1234
01:02:46,760 --> 01:02:48,720
Speaker 2: was waiting for the fringe to go up, you know.

1235
01:02:49,160 --> 01:02:50,640
Speaker 1: I was like, how do they get a fire permit

1236
01:02:50,720 --> 01:02:54,960
Speaker 1: to have this many candles lit on a set? Oh,

1237
01:02:55,400 --> 01:02:56,960
Speaker 1: you could do it. Maybe you just gotta have a

1238
01:02:56,960 --> 01:02:58,600
Speaker 1: fire permit. Back then, I don't know.

1239
01:02:58,600 --> 01:03:00,400
Speaker 2: No, you needed a fire permit and you have to

1240
01:03:00,440 --> 01:03:03,480
Speaker 2: have a fire like a fire marshal on set writing

1241
01:03:03,480 --> 01:03:04,800
Speaker 2: with a little extinguisher ready to go.

1242
01:03:05,080 --> 01:03:08,640
Speaker 1: They needed the whole fire department in this set, in

1243
01:03:08,680 --> 01:03:12,320
Speaker 1: some underground layer, I don't know where they went to.

1244
01:03:12,520 --> 01:03:14,760
Speaker 2: It was great though, whatever was happening and this was

1245
01:03:14,880 --> 01:03:17,640
Speaker 2: just yeah, and the choir. Choirs were also a very

1246
01:03:17,680 --> 01:03:19,800
Speaker 2: big part of nineties music videos.

1247
01:03:20,880 --> 01:03:23,320
Speaker 1: Yeah, yeah, Jesse loves choirs. They were at his wedding,

1248
01:03:23,360 --> 01:03:26,600
Speaker 1: now they're in his music video, Hey Love. Everything sounds

1249
01:03:26,680 --> 01:03:31,320
Speaker 1: better with a good choir. So there's multiple shots of

1250
01:03:31,360 --> 01:03:34,880
Speaker 1: Jesse messing around on his guitar. He's either shirtless or

1251
01:03:35,280 --> 01:03:38,280
Speaker 1: wearing a shirt that covers nothing or a vest or

1252
01:03:38,320 --> 01:03:41,840
Speaker 1: a vest. The video ends with Jesse dramatically blowing out

1253
01:03:41,840 --> 01:03:42,400
Speaker 1: a candle.

1254
01:03:43,680 --> 01:03:51,640
Speaker 2: The drama it was so just like it felt like

1255
01:03:51,680 --> 01:03:54,520
Speaker 2: an snl skit like it was just it really did

1256
01:03:54,640 --> 01:03:57,520
Speaker 2: it was. It was so extra and it was so

1257
01:03:57,680 --> 01:03:59,640
Speaker 2: full house and it was so here for it.

1258
01:03:59,680 --> 01:04:04,640
Speaker 1: Yeah, so here for it. So now we're we returned

1259
01:04:04,680 --> 01:04:08,520
Speaker 1: back to the Tanner's living room. We see everyone cheering

1260
01:04:08,600 --> 01:04:11,600
Speaker 1: for him. Jesse is soaking all of this up and

1261
01:04:11,640 --> 01:04:13,800
Speaker 1: he tells them, thank you very much. That was the

1262
01:04:13,840 --> 01:04:16,520
Speaker 1: greatest two and a half minutes I've ever experienced in

1263
01:04:16,560 --> 01:04:21,680
Speaker 1: my life. And Becky says, hey, and he corrects himself,

1264
01:04:21,720 --> 01:04:28,560
Speaker 1: I mean musically, there's so fortunate. Yeah, give himself little

1265
01:04:28,560 --> 01:04:35,560
Speaker 1: more credit. And we got I had higher expectations for

1266
01:04:35,640 --> 01:04:38,960
Speaker 1: Jesse and Becky. I'm just gonna say, yeah, I'm surprised.

1267
01:04:40,880 --> 01:04:43,080
Speaker 1: So Joey asks, Hey, how does it feel to be

1268
01:04:43,160 --> 01:04:46,360
Speaker 1: a big rock star? Jesse reminds him he's not a

1269
01:04:46,360 --> 01:04:50,439
Speaker 1: big rock star, he just has one single. Danny chimes in, well,

1270
01:04:50,600 --> 01:04:52,600
Speaker 1: I don't want to get you overly excited, but I

1271
01:04:52,600 --> 01:04:54,640
Speaker 1: went to the music store to buy a copy and

1272
01:04:54,680 --> 01:04:59,000
Speaker 1: they were completely sold out. The whole family cheers in excitement.

1273
01:04:59,000 --> 01:05:02,760
Speaker 1: There used to be living that did copies of sounds.

1274
01:05:03,800 --> 01:05:07,920
Speaker 2: That you purchased on little platin plastic containers and brought

1275
01:05:07,960 --> 01:05:10,520
Speaker 2: them home and listened to them from start to finish.

1276
01:05:10,720 --> 01:05:12,680
Speaker 1: It did not live in a phone that you could

1277
01:05:12,680 --> 01:05:16,360
Speaker 1: carry around. You went to Sam Goodie and you were like,

1278
01:05:16,480 --> 01:05:18,760
Speaker 1: where's my blah blah blah blah, and it was popular.

1279
01:05:18,800 --> 01:05:24,920
Speaker 1: You're like, damn, yep, missed out, missed out it. So

1280
01:05:25,040 --> 01:05:28,080
Speaker 1: Jesse walks over to the side of the couch and confesses, well,

1281
01:05:28,200 --> 01:05:30,320
Speaker 1: I may have had a tiny bit to do with that.

1282
01:05:31,080 --> 01:05:33,640
Speaker 1: He picks up a box to reveal I bought every

1283
01:05:33,680 --> 01:05:36,600
Speaker 1: copy they had. He hands out a CD to each

1284
01:05:36,640 --> 01:05:40,040
Speaker 1: family member, including Comet, who holds it in his mouth.

1285
01:05:40,400 --> 01:05:43,520
Speaker 1: The boy Jesse treats Joey the same way, placing a

1286
01:05:43,520 --> 01:05:47,320
Speaker 1: CD in his mouth too, And that is our show

1287
01:05:47,880 --> 01:05:53,800
Speaker 1: showing our season that season five ladies and Joemen Boy.

1288
01:05:53,360 --> 01:05:56,800
Speaker 2: Who were dramatically blowing out the candle on that season.

1289
01:05:57,440 --> 01:05:59,800
Speaker 1: That was. I don't know how I got mixed feelings

1290
01:05:59,800 --> 01:06:02,320
Speaker 1: of about this episode. I think it was as a

1291
01:06:02,360 --> 01:06:05,480
Speaker 1: standalone episode, as a standalone two parter, it was great.

1292
01:06:05,720 --> 01:06:08,400
Speaker 1: Was it worthy of a season finale? It was.

1293
01:06:08,640 --> 01:06:12,640
Speaker 2: I was surprised this season that that was the season finale.

1294
01:06:12,840 --> 01:06:16,400
Speaker 1: Yeah, I was too. There was no like cliffhanger, like,

1295
01:06:16,440 --> 01:06:18,520
Speaker 1: what what are we looking forward to in season? In

1296
01:06:18,600 --> 01:06:19,240
Speaker 1: season six?

1297
01:06:19,760 --> 01:06:21,919
Speaker 2: Well, but yeah, but that wasn't I don't. I feel

1298
01:06:21,920 --> 01:06:22,920
Speaker 2: like sitcoms and.

1299
01:06:22,960 --> 01:06:25,720
Speaker 1: Really do that. No, we're even renewed at that point.

1300
01:06:25,720 --> 01:06:28,520
Speaker 2: Maybe we're probably like ooh, fingers crossed.

1301
01:06:29,080 --> 01:06:29,680
Speaker 1: Yeah, I don't know.

1302
01:06:29,840 --> 01:06:31,640
Speaker 2: I don't know if we were renewed and I don't,

1303
01:06:32,480 --> 01:06:34,560
Speaker 2: but I feel like, yeah, the end of a season.

1304
01:06:35,080 --> 01:06:37,760
Speaker 1: Well, last season Becky was pregnant. Well that's right, there

1305
01:06:37,880 --> 01:06:42,400
Speaker 1: was a pregnancy, right and baby's being born. So maybe

1306
01:06:42,440 --> 01:06:45,160
Speaker 1: I'm just basing it because the last season ended, you know,

1307
01:06:45,360 --> 01:06:48,919
Speaker 1: very cliffhangary with oh my gosh, Yeah, they're starting a family.

1308
01:06:48,680 --> 01:06:52,080
Speaker 2: And I feel like, to you end the season with

1309
01:06:52,360 --> 01:06:54,880
Speaker 2: whatever it is that you're going to have to jump forwards.

1310
01:06:55,080 --> 01:06:58,240
Speaker 2: So maybe it's the it's Joey's comment about, hey, wouldn't

1311
01:06:58,280 --> 01:07:01,000
Speaker 2: it be great if you had your own grecor gum

1312
01:07:01,200 --> 01:07:06,240
Speaker 2: feels right because it is that when like Viper comes

1313
01:07:06,280 --> 01:07:09,240
Speaker 2: in and there's a whole isn't that how to do

1314
01:07:09,320 --> 01:07:11,520
Speaker 2: with it where he's like recording them as a band

1315
01:07:11,600 --> 01:07:12,920
Speaker 2: or something, or maybe you could I don't know.

1316
01:07:12,960 --> 01:07:15,240
Speaker 1: Anyway, I'm getting ahead of myself. I have no idea

1317
01:07:15,240 --> 01:07:18,160
Speaker 1: what happens in season six, like zero idea. So I'm

1318
01:07:18,280 --> 01:07:21,240
Speaker 1: just so this episode did not do a good job

1319
01:07:21,240 --> 01:07:23,480
Speaker 1: of setting up a season six if there were to

1320
01:07:23,520 --> 01:07:25,600
Speaker 1: be a season six, because we have no idea what's

1321
01:07:25,640 --> 01:07:29,040
Speaker 1: going on. No pregnancies, there's no weddings, there's no engagements,

1322
01:07:29,080 --> 01:07:32,160
Speaker 1: there's no but maybe it's a record no company there,

1323
01:07:32,240 --> 01:07:35,200
Speaker 1: I don't know. There's a choir, there's there's a choir.

1324
01:07:35,600 --> 01:07:38,280
Speaker 1: There's naked babies. Yeah, that's all you need to know.

1325
01:07:38,640 --> 01:07:42,360
Speaker 1: They're gonna age up the twin, so that is gonna happen.

1326
01:07:42,400 --> 01:07:45,400
Speaker 1: So we're gonna have toddlers in season six, we're gonna

1327
01:07:45,400 --> 01:07:49,160
Speaker 1: have Scott Wenger. He appears season six, So that's exciting

1328
01:07:49,200 --> 01:07:52,600
Speaker 1: Steve comes back. Besides that, I can't tell you a

1329
01:07:52,720 --> 01:07:56,280
Speaker 1: single thing that happens in season six me either, looking forward.

1330
01:07:56,040 --> 01:07:58,840
Speaker 2: To it, but I can't believe that we're finally we

1331
01:07:59,200 --> 01:08:02,640
Speaker 2: did it. We're done with the longest season of the show. Wait,

1332
01:08:02,760 --> 01:08:05,200
Speaker 2: I know this was the long one.

1333
01:08:05,320 --> 01:08:07,640
Speaker 1: Yeah, this was the long one. In going back to

1334
01:08:07,680 --> 01:08:10,240
Speaker 1: look at these previous episodes, I was like, wow, that

1335
01:08:10,360 --> 01:08:13,600
Speaker 1: was season five. Yeah again months ago.

1336
01:08:13,720 --> 01:08:16,519
Speaker 2: Yeah, it's it's been a minute for a lot.

1337
01:08:16,560 --> 01:08:19,080
Speaker 1: There was a lot in this season. Yeah. Did you

1338
01:08:19,080 --> 01:08:21,800
Speaker 1: have any everywhere he looks in this episode.

1339
01:08:23,040 --> 01:08:26,960
Speaker 2: Other than the thing I shouldn't have seen on the baby? No,

1340
01:08:27,000 --> 01:08:30,400
Speaker 2: not really, Yeah, no I didn't. It wasn't I didn't

1341
01:08:30,439 --> 01:08:34,559
Speaker 2: really notice anything else. The black of a shirt, Yeah,

1342
01:08:36,800 --> 01:08:39,120
Speaker 2: we should not have seen that. No, that's an everywhere

1343
01:08:39,160 --> 01:08:41,920
Speaker 2: you shouldn't look at that, right, right, although I mean, hey,

1344
01:08:42,200 --> 01:08:45,000
Speaker 2: remember the the cover.

1345
01:08:44,800 --> 01:08:46,280
Speaker 1: Of the Nirvana album.

1346
01:08:46,479 --> 01:08:49,720
Speaker 2: Oh yeah, that's right. Maybe that was in that was

1347
01:08:49,800 --> 01:08:55,320
Speaker 2: just the kids sued in the suit. Hey did the

1348
01:08:55,360 --> 01:08:57,519
Speaker 2: rentery has any ideas? So? Right?

1349
01:08:57,720 --> 01:09:01,920
Speaker 1: Never mind? Yeah, sorry, never mind. They're famous drummers. Now,

1350
01:09:02,040 --> 01:09:04,360
Speaker 1: so there's like we're gonna see it, right, they'd.

1351
01:09:04,200 --> 01:09:09,559
Speaker 2: Be like, ah them, yeah, so I have one okay

1352
01:09:09,880 --> 01:09:10,719
Speaker 2: was on.

1353
01:09:10,800 --> 01:09:13,799
Speaker 1: In the Okay, we're in the kitchen on the front

1354
01:09:13,880 --> 01:09:16,840
Speaker 1: of the kitchen island. There's that little wooden sign that

1355
01:09:16,880 --> 01:09:19,559
Speaker 1: says welcome friends, but it's been beat to crap.

1356
01:09:19,680 --> 01:09:24,240
Speaker 2: It's the things. Oh it's missing that it's missing a

1357
01:09:24,360 --> 01:09:29,479
Speaker 2: duck because plants. Yeah, because everyone would hop up on

1358
01:09:29,520 --> 01:09:30,439
Speaker 2: the counter right there.

1359
01:09:30,560 --> 01:09:33,240
Speaker 1: We'd up right there. John would do it a lot.

1360
01:09:33,640 --> 01:09:36,320
Speaker 1: But we always, even just rehearsals or whatever, like we

1361
01:09:36,400 --> 01:09:37,880
Speaker 1: always sat on the kitchen.

1362
01:09:37,600 --> 01:09:40,519
Speaker 2: Counter, and I think it just got like stuff knocked

1363
01:09:40,520 --> 01:09:40,960
Speaker 2: into it.

1364
01:09:41,240 --> 01:09:43,200
Speaker 1: Yeah, it's so you could really see it in the

1365
01:09:43,280 --> 01:09:47,120
Speaker 1: lemonade Yeah, like cramade scene. And I can't believe props

1366
01:09:47,120 --> 01:09:50,920
Speaker 1: didn't like replace it or put something else to department.

1367
01:09:51,360 --> 01:09:53,920
Speaker 1: Why why wouldn't they like put something else there. No,

1368
01:09:54,000 --> 01:09:56,320
Speaker 1: We're just gonna leave the sign there with nothing but

1369
01:09:56,479 --> 01:09:59,320
Speaker 1: the words like there's like half a duck there, there's right.

1370
01:10:00,000 --> 01:10:02,599
Speaker 2: I mean, it was probably the most realistic thing about

1371
01:10:02,600 --> 01:10:06,080
Speaker 2: the episode though, because that's actually what what it would

1372
01:10:06,080 --> 01:10:08,360
Speaker 2: look like in a kitchen with nine people living in

1373
01:10:08,400 --> 01:10:08,719
Speaker 2: a house.

1374
01:10:08,880 --> 01:10:11,439
Speaker 1: Yeah, that's true. That's very realistic. It's just like, yeah,

1375
01:10:11,840 --> 01:10:14,640
Speaker 1: things break and he's right to just release them, right,

1376
01:10:14,720 --> 01:10:17,280
Speaker 1: and you just learn to ignore it and don't even

1377
01:10:17,280 --> 01:10:20,280
Speaker 1: look at it. It's so funny. I'm gonna laugh every

1378
01:10:20,280 --> 01:10:22,120
Speaker 1: time I see that. I hope it's there just looking

1379
01:10:22,120 --> 01:10:24,519
Speaker 1: like crap. Next beginning of season six too, I hope

1380
01:10:24,560 --> 01:10:26,600
Speaker 1: it is. I feel like we had that sign in

1381
01:10:26,680 --> 01:10:29,639
Speaker 1: Fuller too. Didn't we have something similar when we read

1382
01:10:29,640 --> 01:10:31,560
Speaker 1: something on the front. It's something on the front. I

1383
01:10:31,680 --> 01:10:33,479
Speaker 1: have to go back and look now, because I don't

1384
01:10:33,520 --> 01:10:35,960
Speaker 1: remember that. We should have had a sign with with

1385
01:10:36,000 --> 01:10:37,080
Speaker 1: the just.

1386
01:10:37,200 --> 01:10:39,240
Speaker 2: Everything, you can just see the outline of.

1387
01:10:39,200 --> 01:10:44,400
Speaker 1: What used to be there. So funny. Anyways, Yeah, so

1388
01:10:44,439 --> 01:10:46,800
Speaker 1: that was that was a thing that we saw. That's

1389
01:10:46,800 --> 01:10:50,960
Speaker 1: season five. That's what we did. Season I don't know,

1390
01:10:51,040 --> 01:10:52,880
Speaker 1: not my favorite season. I know we're gonna review season

1391
01:10:52,920 --> 01:10:55,720
Speaker 1: five next, but it's it's not. It's there was a

1392
01:10:55,760 --> 01:10:57,519
Speaker 1: lot that happened. Not my favorite season.

1393
01:10:57,920 --> 01:11:03,800
Speaker 2: Yeah, not not my favorite. It started feeling like, you

1394
01:11:03,840 --> 01:11:04,320
Speaker 2: know what I mean.

1395
01:11:04,800 --> 01:11:07,320
Speaker 1: It's like, Okay, yes, we've done five years of the

1396
01:11:07,320 --> 01:11:09,519
Speaker 1: show and we're running out of ideas, right, That's what

1397
01:11:09,560 --> 01:11:10,000
Speaker 1: I felt like.

1398
01:11:10,120 --> 01:11:13,080
Speaker 2: We were starting to jump the choir as.

1399
01:11:12,960 --> 01:11:17,240
Speaker 1: They jumping the choir. We're jumping, We're jumping, yes, yes,

1400
01:11:18,479 --> 01:11:20,719
Speaker 1: But we will talk more about that in our episode

1401
01:11:20,760 --> 01:11:22,639
Speaker 1: with Jeff that airs soon.

1402
01:11:22,920 --> 01:11:25,519
Speaker 2: Yep, and our season five ranking, which is always fun

1403
01:11:25,520 --> 01:11:27,040
Speaker 2: and we're looking forward to it, so make sure you

1404
01:11:27,080 --> 01:11:30,400
Speaker 2: tune in for that one as well. All right, thank

1405
01:11:30,439 --> 01:11:34,160
Speaker 2: you fan Ritos for making it through season five with

1406
01:11:34,240 --> 01:11:37,759
Speaker 2: us and through another episode of our Random Tangents.

1407
01:11:37,800 --> 01:11:38,519
Speaker 1: We love you, guys.

1408
01:11:39,000 --> 01:11:40,720
Speaker 2: Thank you so much for listening though. We really do

1409
01:11:40,800 --> 01:11:42,479
Speaker 2: appreciate it, fan Ritos, And if you want to find

1410
01:11:42,560 --> 01:11:44,720
Speaker 2: us on Instagram, you can check us out at how

1411
01:11:44,880 --> 01:11:47,920
Speaker 2: Rude Podcast, or you can send us an email at

1412
01:11:48,000 --> 01:11:52,439
Speaker 2: how Rude Tanertos at gmail dot com. You can visit

1413
01:11:52,439 --> 01:11:54,320
Speaker 2: our merch store howardmerch dot com.

1414
01:11:54,800 --> 01:11:57,240
Speaker 1: And is there anything else?

1415
01:11:57,560 --> 01:11:57,920
Speaker 2: You got it?

1416
01:11:58,120 --> 01:11:59,200
Speaker 1: That's it? That's it.

1417
01:11:59,400 --> 01:12:00,720
Speaker 2: I don't know why say that every week, but I

1418
01:12:00,760 --> 01:12:01,920
Speaker 2: always feel like I'm missing something.

1419
01:12:02,840 --> 01:12:05,639
Speaker 1: Well, I always feel like I'm forgetting something like that's

1420
01:12:05,640 --> 01:12:07,519
Speaker 1: my that's my normal. Now it's just I'm like, what

1421
01:12:07,560 --> 01:12:08,719
Speaker 1: are you forgetting? It's something?

1422
01:12:09,120 --> 01:12:14,080
Speaker 2: Well, everybody, remember the world is small, but the house

1423
01:12:14,160 --> 01:12:18,960
Speaker 2: is full. I was gonna say something, But then I

1424
01:12:18,960 --> 01:12:20,800
Speaker 2: thought it would I was gonna say it, say it.

1425
01:12:20,880 --> 01:12:22,840
Speaker 2: I would say the world is small, but the house

1426
01:12:22,920 --> 01:12:26,400
Speaker 2: is full of inappropriate baby balls.

1427
01:12:28,080 --> 01:12:30,559
Speaker 1: That was what I was gonna say. See, why wouldn't

1428
01:12:30,560 --> 01:12:33,360
Speaker 1: it Why shouldn't have said that? Now I said it,

1429
01:12:33,360 --> 01:12:34,040
Speaker 1: it's your fault.

1430
01:12:34,120 --> 01:12:35,719
Speaker 2: If I get canceled, it's your fault.

1431
01:12:35,920 --> 01:12:37,760
Speaker 1: I'm putting it back on you. I'm gonna say Andrew

1432
01:12:37,800 --> 01:12:41,920
Speaker 1: wrote the chick I'll I'll take it. Man. That was

1433
01:12:41,960 --> 01:12:45,599
Speaker 1: because it's true. You're not saying anything that's wrong. Yeah,

1434
01:12:45,640 --> 01:12:50,599
Speaker 1: I just know a little too much. You guys. Season five.

1435
01:12:50,760 --> 01:12:53,160
Speaker 1: That's a wrap. We will see you for the next episode.

1436
01:12:53,360 --> 01:13:01,480
Speaker 2: Bye bye, no no,