WEBVTT - I Defended Publishing the Sony Hack Emails 10 Years Ago. Now I Regret It. 

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<v Speaker 1>Welcome to another episode of Strictly Business, the podcast in

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<v Speaker 1>which we speak with some of the brightest minds working

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<v Speaker 1>in the media business today. I'm Andrew Wallenstein with Variety.

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<v Speaker 1>Exactly ten years ago today, I published a commentary defending

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<v Speaker 1>the decision to publish the contents of the Sony Hack

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<v Speaker 1>in Variety, the publication where I then served as co

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<v Speaker 1>editor in chief. And so in this episode of the

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<v Speaker 1>Strictly Business podcast, with the distance of a decade's worth

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<v Speaker 1>of perspective, I'm going to revisit a decision that, if

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<v Speaker 1>I'm being candid, leaves me with some regret more in

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<v Speaker 1>just a moment. Do you know seven to ten consumers

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<v Speaker 1>by participating in today's cultural conversations. Welcome back to strictly business.

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<v Speaker 1>I've encountered some sticky wickets over the course of my

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<v Speaker 1>thirty plus year career, but I have to say that

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<v Speaker 1>decision to publish the contents of the Sony hack, well,

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<v Speaker 1>that may have been the stickiest. I'm not going to

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<v Speaker 1>say if I had to do it all over again,

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<v Speaker 1>I would do it differently because I understand why I

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<v Speaker 1>did what I did then. But looking back on the

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<v Speaker 1>hack in hindsight, I wish I'd taken a different tack,

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<v Speaker 1>and today I'll explain why in detail. By now, the

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<v Speaker 1>basics are a well known chapter in relatively recent Hollywood history.

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<v Speaker 1>On November twenty fourth, twenty fourteen, a group of hackers

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<v Speaker 1>based in North Korea, calling themselves Guardians of Peace, began

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<v Speaker 1>what you might call a virtual terror campaign against Sony

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<v Speaker 1>Pictures an objection to the movie The Interview and its

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<v Speaker 1>depiction of their leader, Kim Jong un. Mister rapport, I'm

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<v Speaker 1>an agent Lacy with Central Intelligence.

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<v Speaker 2>You too, are going to be in a room alone

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<v Speaker 2>with Kim.

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<v Speaker 1>We got the interview. The CIA would love it if

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<v Speaker 1>you could take him out, Take him out, like for drinks,

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<v Speaker 1>like to dinner, out of the town.

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<v Speaker 2>No, take him out.

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<v Speaker 1>Do you want us to kill the leader of North Korea?

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<v Speaker 3>Yes.

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<v Speaker 1>As part of that campaign, they stole and leaked mountains

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<v Speaker 1>of private information of all sorts from Sony, including highly

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<v Speaker 1>sensitive emails from its executives concerning their business. Variety was

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<v Speaker 1>one of many press outlets around the world that published

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<v Speaker 1>some of the information that emerged from emails and other

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<v Speaker 1>materials unearthed by the hack.

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<v Speaker 2>Well, I was not.

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<v Speaker 1>Alone in making that decision. It was a controversial one.

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<v Speaker 1>When I think a lot about to this day, I'd

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<v Speaker 1>say it's even fair to say it has haunted me

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<v Speaker 1>these years. I can remember representatives of the studio begging

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<v Speaker 1>us not to publish, citing the damage being done to

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<v Speaker 1>their employees and business associates whose privacy was being invaded.

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<v Speaker 1>I think they felt particularly betrayed that a publication like Variety,

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<v Speaker 1>which has been such an integral institution and the entertainment

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<v Speaker 1>industry for so long, would stoop so low. And though

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<v Speaker 1>I felt I had solid logical ground on which I

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<v Speaker 1>was able to make my decision to publish the Hacks disclosures.

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<v Speaker 1>I admitted in the opening words of my article defending

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<v Speaker 1>that decision that I did not feel good about it. Quote.

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<v Speaker 1>The more sony pictures data keeps leaking, the more my

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<v Speaker 1>moral compass spins like a weather van in a hurricane.

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<v Speaker 1>What just a week ago seemed such a clear cut

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<v Speaker 1>case of doing what my instincts have told me to

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<v Speaker 1>do at every other moment of my career is now

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<v Speaker 1>making me increasingly queasy. End quote. You know, I still

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<v Speaker 1>recall that feeling, that bitterness in my gut that people

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<v Speaker 1>get whenever they have to make any decision that doesn't

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<v Speaker 1>feel right, even though you know it's not wrong. But

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<v Speaker 1>here's the funny thing. When I look back ten years later,

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<v Speaker 1>you know what, I don't remember the stories we stuck

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<v Speaker 1>our neck out to publish that emerged from the hack. Really,

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<v Speaker 1>it occurred to me recently that I couldn't remember a

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<v Speaker 1>single revelation from that time, which struck me as odd,

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<v Speaker 1>because why take a principled stand to publish something that

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<v Speaker 1>wasn't even memorable enough to stick in my brain? Years later,

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<v Speaker 1>A fresh doubt started to gnaught me how principled a decision.

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<v Speaker 1>Could this have been if I couldn't even remember what

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<v Speaker 1>I was taking a stand for. Of course, a little

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<v Speaker 1>googling brought it all flooding back, a random hodgepodge of

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<v Speaker 1>fairly gossipy tidbits, sony executive and a movie producer making crude,

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<v Speaker 1>racist jokes about then President Obama, another one calling Angelina

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<v Speaker 1>Jolie a quote minimally talented, spoiled brat head quote, budget

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<v Speaker 1>and salary figures from the movie the interview Celebrity Hotel aliases, Yeah, no, wonder,

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<v Speaker 1>I couldn't remember this stuff right, But I'll tell you

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<v Speaker 1>what I do remember, quite vividly from that a decade ago,

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<v Speaker 1>the pointed criticism that came for journalist decision makers like

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<v Speaker 1>myself from some pretty prominent celebrities. Not just any celebrities,

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<v Speaker 1>mind you, but a group of actors, writers, and directors

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<v Speaker 1>that if I had made a top ten list of

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<v Speaker 1>the Hollywood luminaries I admired most they'd all be on

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<v Speaker 1>that list. So that felt good. We're talking Brad Pitt,

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<v Speaker 1>Judd Apatow. But let's start with the one that cut

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<v Speaker 1>deeper than them all, because it was the only one

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<v Speaker 1>that was targeted directly at me. The great screenwriter Aaron

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<v Speaker 1>Sorkin not only wrote an op ed excoriating those like

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<v Speaker 1>myself who published the contents of the Sony Hack, but

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<v Speaker 1>in his piece singled me out and even linked to

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<v Speaker 1>my commentary, which I thought was really cool at the time.

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<v Speaker 1>But let's get to the not cool part, which is

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<v Speaker 1>where he mercilessly mocked me, and I quote the co

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<v Speaker 1>editor in chief of Variety tells us he decided that

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<v Speaker 1>the leaks were to use his word newsworthy. I'm dying

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<v Speaker 1>to ask him what part of the studio's post production

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<v Speaker 1>notes on Cameron Crowe's new project is newsworthy? So newsworthy

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<v Speaker 1>that it's worth carrying out the wishes of people who've

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<v Speaker 1>said they're going to murder families and who have so

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<v Speaker 1>far done everything they threatened to do. Newsworthy. As the

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<v Speaker 1>character Innigo Montoya said in The Princess Bride, I do

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<v Speaker 1>not think it means what you think it means. End quote,

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<v Speaker 1>not contend to simply let his feelings be known. In

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<v Speaker 1>a New York Times op ed, Sorkin actually went on

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<v Speaker 1>The Today Show to pound the point home. Here's a clip.

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<v Speaker 4>Oscar winning screenwriter and playwright Aaron Sorkin. He's taking aim

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<v Speaker 4>at the media and a New York Times op ed

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<v Speaker 4>piece for publishing some of the emails and stolen information

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<v Speaker 4>from that massive cyber attack against Sony Pictures. Erind's with

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<v Speaker 4>us this morning.

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<v Speaker 3>Good morning, good morning.

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<v Speaker 4>Quote a little bit from your op ed, you say

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<v Speaker 4>that the media has basically been quote more treason is

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<v Speaker 4>and spectacularly dishonorable in publishing this. You do have a

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<v Speaker 4>way with words, will grant you that? Is it your

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<v Speaker 4>belief that the press should not have published this at all?

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<v Speaker 2>Yes, listen, I think that I talk about this in

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<v Speaker 2>the op ed. There are certainly times when the press

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<v Speaker 2>should has an obligation to publish things that we're stolen.

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<v Speaker 2>I talk about the Pentagon papers, but you don't even

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<v Speaker 2>have to use that as as your standard. Loosen the

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<v Speaker 2>standards a little bit. Is there anything in these emails

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<v Speaker 2>at all that's in the public interest that points to

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<v Speaker 2>wrongdoing at the company that helps anyone in any way?

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<v Speaker 2>There isn't. There's just gossip there. You can loosen the

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<v Speaker 2>standards even more, but ultimately you have to dispense with

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<v Speaker 2>standards entirely in order to be okay with publishing these emails.

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<v Speaker 1>Wow, So this is a good place to begin walking

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<v Speaker 1>through the reasoning behind my decision to publish. What Sorkin

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<v Speaker 1>is essentially saying here is that it's not as if

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<v Speaker 1>the press shouldn't publish stolen in information of any kind

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<v Speaker 1>under any circumstances. But he is setting the bar above

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<v Speaker 1>mere gossip and at what he calls wrongdoing, which we

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<v Speaker 1>can presume means examples of corruption or malfeasance, and not

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<v Speaker 1>just filmmakers making racist jokes about the president. And I

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<v Speaker 1>invoke that infamous example when I draw the distinction to

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<v Speaker 1>make a point, by the way, which is to say,

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<v Speaker 1>where does one draw the line at defining what exactly

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<v Speaker 1>wrongdoing is? But let's not get caught up there. Regardless,

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<v Speaker 1>for Sorkin, wrongdoing sets the bar for what he refers

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<v Speaker 1>to as the public interest. And of course there's the

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<v Speaker 1>other phrase he has fun mocking me with in his

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<v Speaker 1>op ed Newsworthy Look in all candor. These phrases are

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<v Speaker 1>so amorphous as to have become over the years meaningless.

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<v Speaker 1>Any clever editor can bend them to accommodate the raison

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<v Speaker 1>to etra of all but the most vacuous pace of journalism.

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<v Speaker 1>During the Sony hack, I read many a justification from

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<v Speaker 1>others in the press about how publishing the hacked emails

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<v Speaker 1>was okay because it held up a mirror to how

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<v Speaker 1>the business of culture truly operates. I thought it was

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<v Speaker 1>hogwash then, and I think it's hogwash now. Not that

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<v Speaker 1>it doesn't hold up a mirror. It does, but that

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<v Speaker 1>the mirror alone doesn't justify the invasion of privacy. But

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<v Speaker 1>I also didn't believe there has to be something truly

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<v Speaker 1>revelatory on the level of, say, wrongdoing, as Sorkin might argue,

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<v Speaker 1>in order to rise to the level of being worthy

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<v Speaker 1>of publishing. Now, to explain what I mean by that,

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<v Speaker 1>I want to explain what it is exactly I've done

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<v Speaker 1>for a living for the past twenty years, because it's

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<v Speaker 1>at the core of my argument. You know, people who

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<v Speaker 1>aren't in my business ask me from time to time

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<v Speaker 1>where does news come from? And I know there's a

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<v Speaker 1>certain kind of naivete that comes with the question. It

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<v Speaker 1>almost sounds like they're asking if babies are delivered by storks.

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<v Speaker 1>But there is some nuance to the answer. So let

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<v Speaker 1>me lay out the answer for a bit here. I

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<v Speaker 1>like to think of news coming in four different channels. First,

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<v Speaker 1>there's what's on the record, through so called official channels.

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<v Speaker 1>Reporters get press releases, and there are sometimes press conferences,

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<v Speaker 1>press calls, presentations, events, all these dog and pony shows

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<v Speaker 1>where there is a controlled flow of informations from companies

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<v Speaker 1>to the press, where they tell us what they'd like

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<v Speaker 1>us to know about their companies. But what separates the

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<v Speaker 1>best publications from the run of the mill publications is

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<v Speaker 1>the information they get from others, shall we say, unofficial channels.

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<v Speaker 1>For instance, there is a second channel, let's say, the

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<v Speaker 1>information that gets distributed off the record that not everyone gets.

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<v Speaker 1>This is the information that's often marked exclusive, that gives

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<v Speaker 1>you reason to read one publication and not another. Now,

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<v Speaker 1>just to confuse you a little bit, Often times the

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<v Speaker 1>off the record information comes from the same people that

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<v Speaker 1>gives you the on the record information, they just don't

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<v Speaker 1>identify themselves. That's the third channel of news, what i'd

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<v Speaker 1>call a leak. They're deliberately giving you information, but not

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<v Speaker 1>through the official channels they typically give to everyone for

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<v Speaker 1>one strategic reason or another. But lastly, and most importantly,

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<v Speaker 1>there's a fourth channel where news is sourced, where the

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<v Speaker 1>reporter secures information they're not supposed to get. It might

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<v Speaker 1>come from other people within the organization, or it might

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<v Speaker 1>come from the ecosystem of companies that operate around the

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<v Speaker 1>organization that might be divulging the information for all sorts

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<v Speaker 1>of reasons. But the very best reporters are those that

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<v Speaker 1>can traffic in that information. Now, on the entertainment beat,

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<v Speaker 1>these are the people who get the scoop on say,

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<v Speaker 1>the big movie coming together before the studio is ready

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<v Speaker 1>to announce it. Sometimes it gets even more sophisticated than that.

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<v Speaker 1>We could break news of a multi billion dollar m

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<v Speaker 1>and a deal before it's supposed to be announced. They

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<v Speaker 1>even get the details of what the CEOs may have

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<v Speaker 1>said to each other in a private conversation to make

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<v Speaker 1>said deal happen. I myself know of a few stories

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<v Speaker 1>where financial documents were anonymously snail mailed to me, referring

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<v Speaker 1>to all sorts of entertainment industry dealings, in one instance,

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<v Speaker 1>a fairly major deal where I may have no idea

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<v Speaker 1>of how the info was obtained, but once I confirmed it,

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<v Speaker 1>I ran with it. Now, why am I telling you

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<v Speaker 1>all this, because when you think about the information that

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<v Speaker 1>came about and the Sony hack. It's because it really

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<v Speaker 1>wasn't all that different than the Fourth Channel information I

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<v Speaker 1>traffic in almost every day. So when I hear the

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<v Speaker 1>Aaron Sorkins of the world push back against it, what

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<v Speaker 1>I'm hearing, to some extent is them really wishing what

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<v Speaker 1>the Hollywood establishment more or less fought with me about

0:13:59.600 --> 0:14:02.520
<v Speaker 1>every day back when I was co editor in chief,

0:14:03.200 --> 0:14:06.720
<v Speaker 1>controlling the flow of information that gets into the public

0:14:07.200 --> 0:14:11.520
<v Speaker 1>on their terms. Now I know what you're thinking. The

0:14:11.559 --> 0:14:14.280
<v Speaker 1>background explanation I just gave is all well and good,

0:14:14.320 --> 0:14:19.120
<v Speaker 1>but it's irrelevant because the Sony hack isn't your ordinary circumstances.

0:14:19.440 --> 0:14:22.560
<v Speaker 1>This wasn't some I don't know mogul snitching to you

0:14:22.640 --> 0:14:26.360
<v Speaker 1>about a rival's extramarital affair with some startlet he cast

0:14:26.400 --> 0:14:30.600
<v Speaker 1>in his next movie. This information came from a terrorist

0:14:30.720 --> 0:14:34.359
<v Speaker 1>threatening people's lives, and I was aiding and abetting them.

0:14:34.720 --> 0:14:38.160
<v Speaker 1>As Seth Rogan, star of the interview, said at the time,

0:14:38.440 --> 0:14:43.400
<v Speaker 1>quote everyone is doing exactly what these criminals want. It's

0:14:43.440 --> 0:14:49.160
<v Speaker 1>stolen information that media outlets are directly profiting from. End quote.

0:14:49.640 --> 0:14:54.240
<v Speaker 1>Look I get that. I acknowledged then that the hackers

0:14:54.240 --> 0:14:58.840
<v Speaker 1>were essentially playing the press as winning pawns. I likened

0:14:58.880 --> 0:15:02.800
<v Speaker 1>us as zombies, finelessly chasing any available information no matter what.

0:15:03.240 --> 0:15:06.480
<v Speaker 1>But you also have to understand the slippery slope the

0:15:06.560 --> 0:15:11.640
<v Speaker 1>situation had the press sliding down into. As I just explained,

0:15:12.080 --> 0:15:15.720
<v Speaker 1>my job is getting information about the business of entertainment,

0:15:16.000 --> 0:15:20.040
<v Speaker 1>both important and not so important all the time. So

0:15:20.200 --> 0:15:23.400
<v Speaker 1>this time the information came in bulk instead of the

0:15:23.520 --> 0:15:26.720
<v Speaker 1>usual tidbits. Now, is there some kind of tonnage level

0:15:26.760 --> 0:15:30.680
<v Speaker 1>where I should cut off the acceptable amounts of unauthorized

0:15:30.720 --> 0:15:34.360
<v Speaker 1>information I'm allowed to accept? And more to the point,

0:15:35.280 --> 0:15:38.240
<v Speaker 1>as for how savory a character I am allowed to

0:15:38.400 --> 0:15:42.440
<v Speaker 1>accept the information from? Where exactly do I draw the

0:15:42.480 --> 0:15:47.040
<v Speaker 1>line between a North Korean hacker? Hacker? I should say,

0:15:47.320 --> 0:15:52.440
<v Speaker 1>and for example, your typical Hollywood agent isn't. The simplest solution,

0:15:53.160 --> 0:15:57.920
<v Speaker 1>given the impossibility of drawing clear lines, is to not

0:15:58.400 --> 0:16:01.720
<v Speaker 1>draw lines at all. I also think you need to

0:16:01.760 --> 0:16:05.280
<v Speaker 1>take into account the time in which this hack took place.

0:16:06.120 --> 0:16:08.880
<v Speaker 1>Twenty fourteen was just a few years removed from the

0:16:09.000 --> 0:16:14.280
<v Speaker 1>dramas of Edward Snowden and years before that WikiLeaks. The

0:16:14.400 --> 0:16:17.520
<v Speaker 1>lessons many learned from their stories was that the ends

0:16:17.720 --> 0:16:22.040
<v Speaker 1>justified the means when it came to stolen information. Never

0:16:22.040 --> 0:16:24.640
<v Speaker 1>mind that Sony is not a government and there didn't

0:16:24.680 --> 0:16:27.640
<v Speaker 1>seem to be any corporate wrongdoing on that company to

0:16:27.720 --> 0:16:31.400
<v Speaker 1>report on. What's actually striking to me to reflect on

0:16:31.520 --> 0:16:34.000
<v Speaker 1>now is how the optics would have been so much

0:16:34.040 --> 0:16:37.560
<v Speaker 1>different in this situation if the hacked company in question

0:16:38.120 --> 0:16:41.280
<v Speaker 1>was one of the bigger tech companies then, like Meta

0:16:41.400 --> 0:16:46.200
<v Speaker 1>or Amazon or Apple. Something tells me, given the regulatory

0:16:46.240 --> 0:16:49.760
<v Speaker 1>scrutiny they've come under for years, it would have changed

0:16:49.800 --> 0:16:54.720
<v Speaker 1>the equation dramatically. And it's ironic actually to be talking

0:16:54.760 --> 0:16:57.560
<v Speaker 1>about a time when the US government was concerned about

0:16:57.600 --> 0:17:02.320
<v Speaker 1>protecting Sony, considering here we are ten years later, and

0:17:02.360 --> 0:17:05.800
<v Speaker 1>there was actually a brief possibility earlier this year that

0:17:05.880 --> 0:17:08.879
<v Speaker 1>Sony could have joined the private e equity group Apollo

0:17:09.040 --> 0:17:13.359
<v Speaker 1>Global Management and pursuing the acquisition of Paramount Global, a

0:17:13.520 --> 0:17:17.040
<v Speaker 1>move that analysts expected would have drawn regulatory scrutiny of

0:17:17.080 --> 0:17:20.560
<v Speaker 1>Sony because they are a foreign company that already owns

0:17:20.560 --> 0:17:24.240
<v Speaker 1>a film and TV studio. It's funny how the tables

0:17:24.320 --> 0:17:28.359
<v Speaker 1>turned depending on the circumstances, you know. I also want

0:17:28.400 --> 0:17:31.520
<v Speaker 1>to address there was criticism that I and many others

0:17:31.560 --> 0:17:35.520
<v Speaker 1>in the media got back then, was that we published

0:17:35.520 --> 0:17:40.600
<v Speaker 1>the Sony Hack content for clicks in all candor, well,

0:17:40.640 --> 0:17:43.360
<v Speaker 1>I'm not going to deny that the web traffic value

0:17:43.400 --> 0:17:46.879
<v Speaker 1>of gossipy articles never entered my mind at that time.

0:17:47.640 --> 0:17:52.119
<v Speaker 1>Anyone who knows anything of an entertainmenttainment about entertainment news

0:17:52.160 --> 0:17:55.800
<v Speaker 1>can tell you that this kind of business minded editorial

0:17:55.880 --> 0:17:59.840
<v Speaker 1>content from the Sony Hack is nowhere near the most

0:18:00.119 --> 0:18:04.400
<v Speaker 1>call it click rich stories that generate the high six

0:18:04.480 --> 0:18:10.399
<v Speaker 1>figure even seven figure unique visitor tolls that most empty

0:18:10.560 --> 0:18:15.760
<v Speaker 1>calorie famous person obituary stories generate. So really, it's kind

0:18:15.760 --> 0:18:18.639
<v Speaker 1>of an absurd criticism to say we leaned into those

0:18:18.680 --> 0:18:23.280
<v Speaker 1>stories intentionally to drive up those numbers, because they didn't

0:18:23.280 --> 0:18:25.720
<v Speaker 1>make that much of a difference.

0:18:26.200 --> 0:18:28.520
<v Speaker 2>When we return more.

0:18:28.200 --> 0:18:32.359
<v Speaker 1>On my rationale in handling the Sony Hack and some

0:18:32.520 --> 0:18:39.399
<v Speaker 1>of those regrets, do you know seven to ten consumers

0:18:39.480 --> 0:18:43.800
<v Speaker 1>crave more authentic, culturally diverse stories in media. That's just

0:18:43.880 --> 0:18:47.560
<v Speaker 1>one of the insights Amazon Ads uncovered, and it's from

0:18:47.720 --> 0:18:51.919
<v Speaker 1>ads to Zeitgeist research. The study, which surveyed over twenty

0:18:52.000 --> 0:18:57.440
<v Speaker 1>one thousand respondents across twelve countries, identifies three key trends,

0:18:57.480 --> 0:19:01.639
<v Speaker 1>including the shift towards a more globally integrated culture, the

0:19:01.760 --> 0:19:06.440
<v Speaker 1>rise of interactive and collaborative content creation, and consumers desire

0:19:06.520 --> 0:19:11.840
<v Speaker 1>for more distinctive voices and original content. Visit Advertising dot

0:19:11.960 --> 0:19:17.119
<v Speaker 1>Amazon dot com slash culture Trends to view the full

0:19:17.160 --> 0:19:20.600
<v Speaker 1>report and learn how your brands can connect with audiences

0:19:20.920 --> 0:19:29.160
<v Speaker 1>by participating in today's cultural conversations. We are back where

0:19:29.200 --> 0:19:34.240
<v Speaker 1>I am talking about my rationale for handling the publishing

0:19:34.600 --> 0:19:37.440
<v Speaker 1>of the contents of the Sony hack. You know, in

0:19:37.480 --> 0:19:41.159
<v Speaker 1>the years since the Sony hack, it's been interesting to

0:19:41.280 --> 0:19:46.040
<v Speaker 1>see what has changed and what hasn't. For instance, I

0:19:46.080 --> 0:19:48.399
<v Speaker 1>think it would be it would surprise many to learn

0:19:48.600 --> 0:19:51.159
<v Speaker 1>because we haven't seen a fiasco at the level of

0:19:51.160 --> 0:19:54.920
<v Speaker 1>what Sony experienced in twenty fourteen, that hacks are still

0:19:54.960 --> 0:19:58.600
<v Speaker 1>a very big problem for the entertainment industry. Disney and

0:19:58.760 --> 0:20:02.880
<v Speaker 1>Roku were hit by cyber attacks just this year, and

0:20:02.960 --> 0:20:06.200
<v Speaker 1>in August, study by Unit forty two, the research armor

0:20:06.240 --> 0:20:10.040
<v Speaker 1>of cybersecurity company Palo Alto Networks, found that the media

0:20:10.040 --> 0:20:13.119
<v Speaker 1>and entertainment industry is more vulnerable than just about any

0:20:13.200 --> 0:20:17.000
<v Speaker 1>industry out there, as determined by the highest monthly growth

0:20:17.040 --> 0:20:20.080
<v Speaker 1>in what's known as attax surface, the term for the

0:20:20.080 --> 0:20:22.959
<v Speaker 1>total number of points within a software environment that are

0:20:23.040 --> 0:20:26.280
<v Speaker 1>vulnerable to a cyber attack. Who knows, We could see

0:20:26.320 --> 0:20:29.600
<v Speaker 1>another Sony at any time if you think about it.

0:20:30.560 --> 0:20:34.600
<v Speaker 1>But what has changed is how high profile hacks have

0:20:34.840 --> 0:20:39.000
<v Speaker 1>played out in the press. Think about just two years

0:20:39.160 --> 0:20:43.280
<v Speaker 1>after the Sony hack. For instance, Russia hacked the Democratic

0:20:43.359 --> 0:20:48.199
<v Speaker 1>National Campaign sorry Democratic National Committee and turned over Hillary

0:20:48.240 --> 0:20:52.200
<v Speaker 1>Clinton's emails to WikiLeaks, which in turn steadily fed the

0:20:52.240 --> 0:20:56.040
<v Speaker 1>press for months leading up to the presidential election. Many

0:20:56.080 --> 0:20:59.200
<v Speaker 1>experts in retrospect believe that could have been a huge

0:20:59.280 --> 0:21:03.960
<v Speaker 1>reason why she surprisingly lost to Donald Trump eight years later.

0:21:04.119 --> 0:21:08.320
<v Speaker 1>Earlier this year, note that the media behaved quite differently

0:21:08.400 --> 0:21:12.840
<v Speaker 1>when Iran hacked the Trump campaign, and some prominent newsrooms

0:21:12.840 --> 0:21:16.879
<v Speaker 1>were approached with materials from Vice President j d Vance's dossier.

0:21:17.720 --> 0:21:21.320
<v Speaker 1>This time around, the reflexive urge to publish was stifled.

0:21:21.840 --> 0:21:24.560
<v Speaker 1>There was much talk about not doing the bidding of

0:21:24.600 --> 0:21:28.199
<v Speaker 1>overseas entities, not acting in the best entrance of the

0:21:28.320 --> 0:21:31.159
<v Speaker 1>US of A. It was a far cry from the

0:21:31.200 --> 0:21:34.520
<v Speaker 1>sensibility that had been drummed into my journalistic noggin since

0:21:34.560 --> 0:21:37.159
<v Speaker 1>I was in college, which has been that the media

0:21:37.280 --> 0:21:40.640
<v Speaker 1>is its own entity, not American or anything else, a

0:21:40.680 --> 0:21:44.000
<v Speaker 1>third party observer that must be so steadfast in its

0:21:44.080 --> 0:21:47.160
<v Speaker 1>neutrality that it has no allegiance to anything but its

0:21:47.200 --> 0:21:50.560
<v Speaker 1>own aggressive pursuit of truth. To a larger degree than

0:21:50.600 --> 0:21:53.439
<v Speaker 1>you might realize, there's some hair splitting that comes with

0:21:53.480 --> 0:21:56.359
<v Speaker 1>the territory here that makes tearing your hair out about

0:21:56.359 --> 0:21:58.640
<v Speaker 1>the ethics of what to do here a little bit

0:21:58.800 --> 0:22:03.200
<v Speaker 1>too precious. For instance, I don't know if there's that

0:22:03.280 --> 0:22:06.680
<v Speaker 1>material difference between publishing the contents of the email from

0:22:06.720 --> 0:22:11.120
<v Speaker 1>the hack and say, aggregating or describing the reporting elsewhere

0:22:11.160 --> 0:22:15.080
<v Speaker 1>of other publications who do publish those contents. And yet

0:22:15.119 --> 0:22:17.200
<v Speaker 1>no less than the editor of The New York Times

0:22:17.280 --> 0:22:21.200
<v Speaker 1>during that time did draw distinction, saying he would only

0:22:21.240 --> 0:22:25.600
<v Speaker 1>cover newsworthy information surfaced by other outlets and not dig

0:22:25.680 --> 0:22:29.040
<v Speaker 1>through the files itself, which gets nothing but a total

0:22:29.119 --> 0:22:32.040
<v Speaker 1>eye roll for me. And yet I'd say that's at

0:22:32.119 --> 0:22:35.000
<v Speaker 1>least a better solution than not reporting on the contents

0:22:35.000 --> 0:22:37.239
<v Speaker 1>of the email at all, which to me feels like

0:22:37.440 --> 0:22:41.240
<v Speaker 1>doing the worst possible thing a publication can do, which

0:22:41.280 --> 0:22:44.600
<v Speaker 1>is to ignore reality. If something is in the news

0:22:44.600 --> 0:22:47.560
<v Speaker 1>cycle for good or for bad, once it's there. It's

0:22:47.560 --> 0:22:50.440
<v Speaker 1>not like looking away from something makes it go away,

0:22:50.920 --> 0:22:54.680
<v Speaker 1>So those purests, to me are even worse. The hair

0:22:54.720 --> 0:22:57.600
<v Speaker 1>splitting becomes all the more ridiculous when you consider what

0:22:57.760 --> 0:23:01.000
<v Speaker 1>was true then and more so now, which is that

0:23:01.080 --> 0:23:03.800
<v Speaker 1>when you really think about it, the whole notion of

0:23:03.840 --> 0:23:07.680
<v Speaker 1>the press in these hacking situations is really like an

0:23:07.800 --> 0:23:12.280
<v Speaker 1>unnecessary middleman. I mean, it's not like the hackers need

0:23:12.320 --> 0:23:16.199
<v Speaker 1>the media's websites or the printing presses in order to

0:23:16.320 --> 0:23:20.520
<v Speaker 1>display their stolen information to the public. The Internet is,

0:23:20.600 --> 0:23:24.800
<v Speaker 1>after all, one big, open publishing platform, and together with

0:23:24.880 --> 0:23:29.280
<v Speaker 1>social media, there's no intermediary required to direct the world's

0:23:29.280 --> 0:23:32.359
<v Speaker 1>attention to something that will be of interest to them.

0:23:32.680 --> 0:23:36.840
<v Speaker 1>Getting media involvement is like having validation for the materials

0:23:36.840 --> 0:23:41.000
<v Speaker 1>in question, a reputable tastemaker who can co sign for

0:23:41.040 --> 0:23:45.600
<v Speaker 1>its importance, but isn't really essential to the equation, certainly

0:23:45.640 --> 0:23:48.520
<v Speaker 1>not nowadays, when the establishing media almost seems like it

0:23:48.800 --> 0:23:53.280
<v Speaker 1>be a detraction, which speaks to the utter futility of

0:23:53.400 --> 0:23:58.560
<v Speaker 1>choosing not to have published the emails. Back then, principle,

0:23:58.640 --> 0:24:01.679
<v Speaker 1>the stand as some might have seen it, variety would have,

0:24:01.720 --> 0:24:05.080
<v Speaker 1>no doubt been part of a very quiet and small minority.

0:24:05.800 --> 0:24:08.480
<v Speaker 1>Had I any indication that we were influential enough to

0:24:08.520 --> 0:24:11.480
<v Speaker 1>have set a standard, Otherwise, perhaps I would have felt differently.

0:24:12.359 --> 0:24:16.240
<v Speaker 1>If anything, to be completely candid, it would have fueled

0:24:16.240 --> 0:24:19.239
<v Speaker 1>the reputation my publication had earned over the years of

0:24:19.280 --> 0:24:25.639
<v Speaker 1>being an industry lapdog, which I was not about to rekindle. Nevertheless,

0:24:26.240 --> 0:24:29.199
<v Speaker 1>I'll confess to feeling a sense of regret to not

0:24:29.359 --> 0:24:32.480
<v Speaker 1>having just stood out as the lonely minority back then

0:24:32.560 --> 0:24:36.160
<v Speaker 1>and sat out the feeding frenzy over those emails. Do

0:24:36.240 --> 0:24:38.040
<v Speaker 1>I think it would have influenced anyone?

0:24:38.800 --> 0:24:38.879
<v Speaker 3>No?

0:24:39.720 --> 0:24:42.080
<v Speaker 1>Do I think it would have even been noticed to

0:24:42.119 --> 0:24:44.280
<v Speaker 1>the point where it would have engendered some goodwill in

0:24:44.320 --> 0:24:48.760
<v Speaker 1>the industry. Maybe a little, But the skeptic in me

0:24:48.840 --> 0:24:52.120
<v Speaker 1>says we would have been just been carelessly tarred by

0:24:52.119 --> 0:24:54.680
<v Speaker 1>the same brush as the rest of the media, which

0:24:54.720 --> 0:24:58.200
<v Speaker 1>would have made the move feudile. But with a little

0:24:58.240 --> 0:25:01.040
<v Speaker 1>more age and wisdom, I do wish I was a

0:25:01.040 --> 0:25:05.800
<v Speaker 1>little less cynical then and just experimented with well not

0:25:06.119 --> 0:25:10.520
<v Speaker 1>being a cynic. I didn't have that courage then. Maybe

0:25:10.600 --> 0:25:14.920
<v Speaker 1>were I in that position today, I still wouldn't. We'll

0:25:14.960 --> 0:25:18.040
<v Speaker 1>never know, nor would I want to go through something

0:25:18.119 --> 0:25:20.040
<v Speaker 1>like that again and find out.

0:25:23.560 --> 0:25:26.479
<v Speaker 3>Thanks for listening, be sure to leave us a review

0:25:26.640 --> 0:25:30.240
<v Speaker 3>at Apple Podcasts or Amazon Music. We love to hear

0:25:30.280 --> 0:25:33.400
<v Speaker 3>from listeners. Please go to Variety dot com and sign

0:25:33.520 --> 0:25:37.480
<v Speaker 3>up for the free weekly Strictly Business newsletter, and don't

0:25:37.520 --> 0:25:41.040
<v Speaker 3>forget to tune in next week for another episode of

0:25:41.119 --> 0:25:42.480
<v Speaker 3>Strictly Business.

0:25:49.840 --> 0:25:53.480
<v Speaker 1>Do you know seven to ten consumers crave more authentic,

0:25:53.600 --> 0:25:56.959
<v Speaker 1>culturally diverse stories in media. That's just one of the

0:25:57.000 --> 0:26:02.359
<v Speaker 1>insights Amazon Ads uncovered, and it's from Ads to Zeitgeist Research.

0:26:02.800 --> 0:26:06.639
<v Speaker 1>The study, which surveyed over twenty one thousand respondents across

0:26:06.680 --> 0:26:11.840
<v Speaker 1>twelve countries, identifies three key trends, including the shift towards

0:26:11.840 --> 0:26:15.600
<v Speaker 1>a more globally integrated culture, the rise of interactive and

0:26:15.680 --> 0:26:20.680
<v Speaker 1>collaborative content creation, and consumers desire for more distinctive voices

0:26:20.720 --> 0:26:26.760
<v Speaker 1>and original content. Visit Advertising dot Amazon dot com slash

0:26:27.160 --> 0:26:31.240
<v Speaker 1>Culture Trends to view the full report and learn how

0:26:31.280 --> 0:26:35.480
<v Speaker 1>your brands can connect with audiences by participating in today's

0:26:35.560 --> 0:26:37.200
<v Speaker 1>cultural conversations