WEBVTT - #88 - Chris Stapleton

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<v Speaker 1>I welcome to episode eight eight of the Bobby Cast

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<v Speaker 1>and with Chris Stapleton. Good to see you, budd. You know,

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<v Speaker 1>I didn't know. I was like, I wonder if Chris

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<v Speaker 1>is gonna show up with all these people, because when

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<v Speaker 1>you come in to the radio, like everybody, all the

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<v Speaker 1>labels gotta come all check all the managements. Guy, I

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<v Speaker 1>gotta come. And you just came to the house by yourself. Yeah,

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<v Speaker 1>pretty much pretty much you got. Did you have guards

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<v Speaker 1>us at the door waiting? There's six security guards down serious?

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<v Speaker 1>Doesn't mind? Those are mine though, ye, no, just me man,

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<v Speaker 1>just me home. I was. You know, I have from

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<v Speaker 1>a Room volume one obviously, and some of up two

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<v Speaker 1>have downloaded and streams of them. What was interesting to

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<v Speaker 1>me though, was that you had recorded all this before Traveler,

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<v Speaker 1>like I had all these songs, all the songs. Oh yeah,

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<v Speaker 1>all these songs pre date that or they're in the

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<v Speaker 1>same time frame, So there's nothing. There's nothing new, I

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<v Speaker 1>guess technically as as far as songwriting goes, does it

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<v Speaker 1>feel like they're not news they or do they feel

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<v Speaker 1>news since you just recorded that? No, they're new to

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<v Speaker 1>me in a lot of ways because a lot of

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<v Speaker 1>them I have never played live. I've never you know,

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<v Speaker 1>attempted in bands or anything. You know, they're just their

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<v Speaker 1>songs that I love and I've had a round and

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<v Speaker 1>so yeah, they're new in that sense, and they're always

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<v Speaker 1>new to people that haven't heard them before. So it

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<v Speaker 1>doesn't matter if they're seventy five years old. Nobody's ever

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<v Speaker 1>heard of them. You know, it's it's it's all relative.

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<v Speaker 1>Would you do this again and do the two records

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<v Speaker 1>somewhat close together? Maybe maybe not? You know, I sure

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<v Speaker 1>do like it um because it gives you know, it

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<v Speaker 1>gives it's my version of content. My labels always looking

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<v Speaker 1>for content. I was like, well, how am I just

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<v Speaker 1>more music instead of a cute video piece. I'll just

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<v Speaker 1>put out another record. Yeah, that's that's kind of my

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<v Speaker 1>version of content. That's funny, it's more music. So and

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<v Speaker 1>we'll come back and back around to the record. I think,

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<v Speaker 1>do you realize how kind of mysterious you are too? People? No,

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<v Speaker 1>you don't because you are No I am I Yeah, no,

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<v Speaker 1>you are, Like I'm telling you, like, either there's this

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<v Speaker 1>this this mysterious think of me because you know, get

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<v Speaker 1>to know you over the past, you know, a couple

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<v Speaker 1>few years. You're not a guy that likes to be

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<v Speaker 1>out talking on every microphone, and I think that makes

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<v Speaker 1>people crave. Oh, like what's he That's not anything that's deliberate,

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<v Speaker 1>that's just that's just how I am, you know what

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<v Speaker 1>I'm saying. That's not I mean, interrupt your problem. No, no, no,

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<v Speaker 1>you know some people might think that's some kind of

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<v Speaker 1>plan or employe or something. But I you know, I

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<v Speaker 1>like to talk to people that I enjoy talking to

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<v Speaker 1>you and and and I'm okay with that. And I

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<v Speaker 1>realized that that, you know, I have, you know, an

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<v Speaker 1>obligation to myself to go talk a little bit, even

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<v Speaker 1>though that's not the most comfortable space for me. I'd

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<v Speaker 1>rather be on stage, you know, playing, But that's you know,

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<v Speaker 1>sometimes talking about myself is hard. You know, that's a

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<v Speaker 1>hard thing to do. Like it's a hard thing to

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<v Speaker 1>get used to, like, well, tell me about yourself, you know,

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<v Speaker 1>like everybody, you know, if you've never done that before,

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<v Speaker 1>do you remember the first time somebody ever told you

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<v Speaker 1>to tell tell them about yourself? Like I think I

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<v Speaker 1>had to force my Like seriously, I come from a

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<v Speaker 1>place where nobody wanted to know about me. You know.

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<v Speaker 1>So I think I always had to make people go, hey, don't, don't,

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<v Speaker 1>don't forget about me. So it was it was different

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<v Speaker 1>from me, like I felt like I had to make

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<v Speaker 1>people to notice me. Okay, maybe I don't know, I don't.

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<v Speaker 1>Everybody's experience is different. But I was just never comfortable,

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<v Speaker 1>like I kind of like to do my thing and

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<v Speaker 1>just hang out, you know. I'm okay, it's weird you

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<v Speaker 1>bring that up. I wasn't. I wasn't therapy today. I

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<v Speaker 1>don't know if you've ever done it therapy. I wasn't

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<v Speaker 1>therapy today. I was talking to my my therapist. And

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<v Speaker 1>it was until I grew up, and I didn't have

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<v Speaker 1>a dad growing up. He'd left. My mom died of

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<v Speaker 1>a drug overdose in the forties, and so um, she

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<v Speaker 1>was an attic and she was an alcoholic, and so

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<v Speaker 1>I never really had a relationship with either one of them.

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<v Speaker 1>Like I literally never had a conversation with a parent

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<v Speaker 1>my entire life, like not a single conversation. So it was,

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<v Speaker 1>and I was talking today about it, and that's weird.

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<v Speaker 1>When you start to kind of dive into these things

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<v Speaker 1>and you go you try to climb back through these memories,

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<v Speaker 1>and it was that I always had to fight for

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<v Speaker 1>attention because I didn't get it because I didn't have

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<v Speaker 1>It's funny you asked that question. I just went to

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<v Speaker 1>this today and that was my thing. I had to

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<v Speaker 1>like crave, fight for attention wherever a school because I

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<v Speaker 1>didn't get it at home. So when you say that,

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<v Speaker 1>I just it's oddly. I just had this conversation. I

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<v Speaker 1>paid a hundred forty bucks to have this. I got

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<v Speaker 1>saved a bunch of money, did this. So you're growing

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<v Speaker 1>up living in Kentucky. But what was it like? What

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<v Speaker 1>was it? What was it like around the house. Well,

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<v Speaker 1>it's very different. You know what I had. I had

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<v Speaker 1>both my parents and both of my parents were very

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<v Speaker 1>uh you know, kind of straight U folks. And I

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<v Speaker 1>had great I had a great home life really growing up.

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<v Speaker 1>And um, so I was real fortunate in that. And

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<v Speaker 1>so I didn't but you know, I'm so sorry. No, No,

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<v Speaker 1>I was the hand that I'm just an open book. Yeah,

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<v Speaker 1>and I realized that. And I'm realizing I made a

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<v Speaker 1>comment about drinking earlier, and i'd probably and that's the

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<v Speaker 1>thing for me too. I have to fake drinking so

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<v Speaker 1>people don't go Hey, I don't want to because for me,

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<v Speaker 1>I've never had a drinking alcohol. But it's not because

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<v Speaker 1>I I want to drink like crazy, like I would

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<v Speaker 1>love But I know, Chris, I would drink at all. Yeah,

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<v Speaker 1>well and that you know at this point, I don't

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<v Speaker 1>know how old you're on, but yeah, probably I would

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<v Speaker 1>drink everything. I would just not want to drink. I

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<v Speaker 1>would have all the drinks. Yeah, and so you know,

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<v Speaker 1>all or nothing guy, because I go to it. Yeah,

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<v Speaker 1>I'm an addict for anything. Yes, phones, uh, you know,

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<v Speaker 1>walking down the street. It doesn't exercise. It's the subway sandwich.

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<v Speaker 1>I must have the same sandwich every day for three months,

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<v Speaker 1>right if you like it. If I like it, and

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<v Speaker 1>it's the same thing every day, Okay, So yeah, so

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<v Speaker 1>that's why I don't. That's why I don't, you know,

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<v Speaker 1>touch it. It's it's smart. Let me ask you a question,

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<v Speaker 1>all right, honestly, you're gonna be honest. Thing. So, I

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<v Speaker 1>I guess I've never had drink alcohol, and I've never

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<v Speaker 1>tried an illegal drug and I have I've never smoked weed.

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<v Speaker 1>But like I have my stress, My it's it's so

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<v Speaker 1>hardcore my anxiety, Like like I've been thinking about it.

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<v Speaker 1>It's it's not legal here, but like these edibles, yeah,

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<v Speaker 1>I mean they have things in Colorado and plushes like

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<v Speaker 1>that where uh it's not even like to get you high.

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<v Speaker 1>It's just like but what now if we not want

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<v Speaker 1>to get high though, Like if I were going to

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<v Speaker 1>probably but you know, if you know, if you're gonna

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<v Speaker 1>have fun, but something but it not tastes good, well,

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<v Speaker 1>you know, it's just you know, some of it just

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<v Speaker 1>makes you want to go to sleep and eat a

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<v Speaker 1>big mac, you know, or not necessarily in that order

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<v Speaker 1>or sometimes in that order. You know, it's just you know,

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<v Speaker 1>but I think it definitely would have you know, if

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<v Speaker 1>you if you need something to mellow you out, that's

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<v Speaker 1>what I need something to mellow me out. I think

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<v Speaker 1>that that way more than alcohol is. And I'm probably

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<v Speaker 1>you know, getting controversial or something out of here, but

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<v Speaker 1>you know, I've I've met a lot more people who

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<v Speaker 1>are a lot more even on that than than people

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<v Speaker 1>who are you know, Ebjecquelin Hide on alcohol. I think, um,

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<v Speaker 1>you know, personally, I think it's a lot safer than alcohol.

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<v Speaker 1>I'm not a doctor in here in any way endorsing

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<v Speaker 1>any medical things about it, but I think that, you know,

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<v Speaker 1>I think there's enough research around that that it could

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<v Speaker 1>help somebody. You know, there's a there's real medicinal purposes

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<v Speaker 1>for even in athletics. These football players are like, hey, listen,

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<v Speaker 1>you're putting us on all these prescriptions, but this, you know,

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<v Speaker 1>medicinal marijuana, like you were talking about cutting the pain

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<v Speaker 1>out and it'd be a natural. Listen. And I've never

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<v Speaker 1>tried it, but I'm taking the advocate of it. It's odd.

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<v Speaker 1>I've never I've never once touched it, but I'm such

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<v Speaker 1>an advocate. But listen, if it was if it was

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<v Speaker 1>completely legal and then had no or your rule follower,

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<v Speaker 1>I'm a bit of rule followers on some levels. But um,

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<v Speaker 1>if it was legal, like all of a sudden it

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<v Speaker 1>was federally legal and all of a sudden you could

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<v Speaker 1>go down to wherever and get it in a non

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<v Speaker 1>mind offering way to help anxiety, would you take it? Then? Oh? Yeah, yeah,

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<v Speaker 1>because it'd be if the doctor was like, yeah, sure,

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<v Speaker 1>I had trouble because I got addicted to sleeping pills

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<v Speaker 1>because I don't I don't sleep well anxiety and I

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<v Speaker 1>gotta addicted to sleep pills, and I had to go,

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<v Speaker 1>and for lack of a better term, I had to

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<v Speaker 1>like clean clean up and just go through with all

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<v Speaker 1>the with draws and got really sick and so horrible. Man,

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<v Speaker 1>I had bad insomni when I was a kid, and

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<v Speaker 1>I had to take sleeping pills, right, didn't have to.

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<v Speaker 1>I try to take a sleeping pills. They mess you up.

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<v Speaker 1>It was the worst thing ever. I hated it. Did

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<v Speaker 1>you ever wake up and not remember? Like as I

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<v Speaker 1>would wake up and look at my computer and I

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<v Speaker 1>had like FaceTime like five people. And I never drunk

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<v Speaker 1>dial with anybody, but I sleeping pill dial people. Well

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<v Speaker 1>back then they didn't have like Amy. It was yeah

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<v Speaker 1>it's Laura, which is kind of like ambient. I don't

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<v Speaker 1>know enough sleeping pills, but whatever they had me on,

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<v Speaker 1>I would sleep like a rock for like twelve hours

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<v Speaker 1>and then the other twelve hours I was like a zombie.

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<v Speaker 1>That's what That's what sleeping pills did me. And I

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<v Speaker 1>don't like sleeping bills. I don't like pills in general,

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<v Speaker 1>you know, but you know they're necessary things sometimes. But

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<v Speaker 1>I was reading this book about sleep. You feel like

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<v Speaker 1>you sleep? Okay, no, no, you don't know. I'm I'm I'm,

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<v Speaker 1>I'm I'm not a good sleeper. Most of the time.

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<v Speaker 1>I was reading this book about sleep and they talk

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<v Speaker 1>about how it's um like oxygen, Like you can't really

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<v Speaker 1>catch up on oxygen and sleep if you don't get

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<v Speaker 1>your sleep, you just miss out on it. Like that's

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<v Speaker 1>the new thing. You can't you know, not sleep for

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<v Speaker 1>a few days and then catch up on on a Saturday. Right,

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<v Speaker 1>you just didn't get enough sleep, and so your brain

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<v Speaker 1>didn't get enough sleep, so it's not going to function

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<v Speaker 1>as well, and long term it could hurt you. And

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<v Speaker 1>so I was just fascinated. And that gives you anxiety

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<v Speaker 1>because you think, yeah, I think not sleeping. I get

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<v Speaker 1>anxiety thinking about the anxiety that I might get. Yeah,

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<v Speaker 1>I understand, you get me. I appreciate that. Yeah. No, man,

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<v Speaker 1>it's a it's a it's a chicken and egg situation

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<v Speaker 1>where you just can't you know, you're getting that cycle.

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<v Speaker 1>It's it's a bad thing. Do you probably exercise and

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<v Speaker 1>BOS try to try to do everything that I can

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<v Speaker 1>do to surround the fact that I don't sleep well.

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<v Speaker 1>I exercise a lot, I eat pretty much a plus. Yeah,

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<v Speaker 1>you know, it's the same with prayers even vitamin told Coogan,

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<v Speaker 1>all that stuff, all that, all that bottom No, no,

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<v Speaker 1>that's what you hate it, say second prayers And so

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<v Speaker 1>I do all that and you know, but yeah, to sleep,

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<v Speaker 1>I can all sleep. I can't take sleeping pills. But

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<v Speaker 1>all that is that. Anyway, I was running about try

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<v Speaker 1>like natural, like melatonin, all that doesn't work for me.

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<v Speaker 1>Like I cover my body and essential oils like all that.

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<v Speaker 1>I've tried melatonin, I tried snort and lavender. Well try

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<v Speaker 1>try to, but I'd take it, take it right in

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<v Speaker 1>the bloodstream, take it right. No. So you that's the

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<v Speaker 1>weirdest sentence I've ever heard. You grew up your pants

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<v Speaker 1>musical My mom uh is a really um kind of

0:11:20.600 --> 0:11:23.800
<v Speaker 1>pretty kind of Julie Andrews sounded singer, and she was saying,

0:11:23.840 --> 0:11:27.920
<v Speaker 1>you know, cleaning the house. But um, but not neither

0:11:27.960 --> 0:11:29.480
<v Speaker 1>of them in my deck and hold tune. But he

0:11:29.520 --> 0:11:32.080
<v Speaker 1>was more of a radio player, but he liked to

0:11:32.080 --> 0:11:34.160
<v Speaker 1>play a loud So but did they have music to

0:11:34.200 --> 0:11:39.320
<v Speaker 1>teach you? I mean, in the skill of it. Oh no, no, no, no, no, no,

0:11:39.360 --> 0:11:41.560
<v Speaker 1>nothing nothing to training. My mom could play the piano

0:11:41.559 --> 0:11:46.120
<v Speaker 1>a little bit, and but it was never um had

0:11:46.120 --> 0:11:49.160
<v Speaker 1>a knockle play guitar, and he was showing things when

0:11:49.200 --> 0:11:51.880
<v Speaker 1>I would see him. And you know the cool thing

0:11:51.920 --> 0:11:55.080
<v Speaker 1>about if you're a kid with a guitar. Any musicians

0:11:55.160 --> 0:11:57.920
<v Speaker 1>always willing to show a kid something, you know, if

0:11:57.920 --> 0:12:00.600
<v Speaker 1>they see a kid getting into it, because remember being

0:12:00.640 --> 0:12:04.319
<v Speaker 1>a kid and some some guy who knew something showing

0:12:04.360 --> 0:12:08.520
<v Speaker 1>him something. And so anytime you see kids that are musicians, um,

0:12:08.600 --> 0:12:10.760
<v Speaker 1>I think every musician is always willing to help them out.

0:12:10.840 --> 0:12:14.439
<v Speaker 1>So that's that's that's the majority of my education came

0:12:14.480 --> 0:12:17.440
<v Speaker 1>from that musically. Did that fascinate you when you were

0:12:17.440 --> 0:12:21.599
<v Speaker 1>a kid seeing the guitar and music? Yeah, you know,

0:12:21.679 --> 0:12:24.280
<v Speaker 1>I don't remember being fascinated by but my my mother

0:12:24.280 --> 0:12:27.520
<v Speaker 1>would say that I spent you know, like twelve hours

0:12:27.520 --> 0:12:29.559
<v Speaker 1>a day play playing guitar at one point, and I

0:12:29.600 --> 0:12:32.319
<v Speaker 1>don't remember doing that. I just you know, it was

0:12:32.400 --> 0:12:34.280
<v Speaker 1>time flies when you're having fun. But you were a

0:12:34.320 --> 0:12:38.120
<v Speaker 1>really good student. I was. I was better than average students. No,

0:12:38.240 --> 0:12:42.480
<v Speaker 1>not better than average. That you're a valedictorian that farts true,

0:12:43.040 --> 0:12:49.560
<v Speaker 1>look at this now, sleeping pills and all valedictorian, I'm blent.

0:12:49.640 --> 0:12:52.959
<v Speaker 1>Sleeping pills. You can you can downplay it all you want,

0:12:53.880 --> 0:12:57.280
<v Speaker 1>but you're a valid So were you the smart kid?

0:12:57.920 --> 0:13:01.240
<v Speaker 1>The kid? I mean, I guess I'm smart enough to

0:13:01.480 --> 0:13:03.440
<v Speaker 1>you know, get good grades and stuff. I can always

0:13:03.440 --> 0:13:04.839
<v Speaker 1>tell when you turned into the humble Chris, because you

0:13:04.840 --> 0:13:06.360
<v Speaker 1>don't look me in the eyes whenever you start to

0:13:06.400 --> 0:13:09.000
<v Speaker 1>feel unomfortable. This is the history about it. Like, Chris,

0:13:09.160 --> 0:13:10.760
<v Speaker 1>I love this song. You know we're talking about songs.

0:13:10.760 --> 0:13:13.920
<v Speaker 1>You always you don't like it. I don't like praise either.

0:13:14.000 --> 0:13:16.080
<v Speaker 1>I don't. I feel very uncomfortable and have it again.

0:13:16.559 --> 0:13:21.520
<v Speaker 1>You don't like praise. You know everybody likes praise to

0:13:21.600 --> 0:13:23.920
<v Speaker 1>some degree. You feel uncomfortable, like when I say, hey,

0:13:23.920 --> 0:13:25.400
<v Speaker 1>you were validic to when you were very smart. That

0:13:25.480 --> 0:13:27.319
<v Speaker 1>made But you just got dontent on me that millions

0:13:27.320 --> 0:13:29.320
<v Speaker 1>of people listen to this too. I'm just like, this

0:13:29.400 --> 0:13:32.160
<v Speaker 1>is amazing that people listening to you. That's some millions

0:13:32.160 --> 0:13:35.920
<v Speaker 1>of records. Well, I don't know, but I don't you're

0:13:35.960 --> 0:13:38.040
<v Speaker 1>validic toin and I don't think people would know that

0:13:38.080 --> 0:13:41.319
<v Speaker 1>about you. Well they do now, So did you give

0:13:41.360 --> 0:13:42.719
<v Speaker 1>up and give a speech? You do the whole thing

0:13:42.720 --> 0:13:45.800
<v Speaker 1>where you're like, I'm Christie. Oddly enough, I didn't want to.

0:13:46.280 --> 0:13:48.360
<v Speaker 1>I am terrified of public speaking. I don't like I

0:13:48.360 --> 0:13:50.720
<v Speaker 1>don't like colors. You didn't speak at your high school.

0:13:50.800 --> 0:13:52.200
<v Speaker 1>I didn't. Let me tell you what I did. I

0:13:52.240 --> 0:13:54.559
<v Speaker 1>wrote a song and play the song. That's such a

0:13:54.600 --> 0:13:56.839
<v Speaker 1>Stableton thing to do. Yeah, straight up, play a song.

0:13:57.440 --> 0:13:59.880
<v Speaker 1>That song. I don't remember, but but I wrote a song.

0:14:00.200 --> 0:14:04.600
<v Speaker 1>You know, some farewell graduation song. Play the song that

0:14:04.679 --> 0:14:08.240
<v Speaker 1>was it's probably called outlaw validatorian. That was exactly what

0:14:08.240 --> 0:14:10.640
<v Speaker 1>it was called. So that's what you did. You play?

0:14:10.679 --> 0:14:12.600
<v Speaker 1>How many people in your graduating class in high school?

0:14:13.080 --> 0:14:16.160
<v Speaker 1>Like two fifty? Okay, that's so pretty. It was. Okay,

0:14:16.240 --> 0:14:19.520
<v Speaker 1>you know, look at this, a validatory in a two

0:14:19.960 --> 0:14:22.000
<v Speaker 1>fifty kids. What do you want to be when you

0:14:22.040 --> 0:14:24.520
<v Speaker 1>were tenth grade? When I was in tenth grade, yeah,

0:14:24.560 --> 0:14:26.800
<v Speaker 1>like when you're just starting. I wanted to play football,

0:14:26.800 --> 0:14:29.440
<v Speaker 1>that's all I wanted to do. And you're a pretty athlete. Well,

0:14:29.480 --> 0:14:33.840
<v Speaker 1>I was okay, yeah, here we go. I was, okay,

0:14:34.680 --> 0:14:40.640
<v Speaker 1>what position do you play? Um? Linebacker and fullback? Do

0:14:40.720 --> 0:14:43.160
<v Speaker 1>you like to hit mhm? See? I played wide receiver

0:14:43.240 --> 0:14:44.880
<v Speaker 1>and then defensive back because I didn't like to hit

0:14:46.120 --> 0:14:50.920
<v Speaker 1>m I and you never blessed one time playing defensive back.

0:14:50.960 --> 0:14:52.600
<v Speaker 1>He never snuck up. Now listen, I'm gonna tell you

0:14:52.600 --> 0:14:54.280
<v Speaker 1>when I have to I play wiesn't even have to

0:14:54.280 --> 0:14:57.080
<v Speaker 1>crack back on a linebacker. I just go. I would

0:14:57.160 --> 0:14:58.920
<v Speaker 1>drop down and go straight to the hicks. I'm not

0:14:58.960 --> 0:15:01.560
<v Speaker 1>trying to hit any of I was tiny, Like I

0:15:02.440 --> 0:15:05.680
<v Speaker 1>was five. I'm six foot six ft one but one

0:15:05.720 --> 0:15:08.680
<v Speaker 1>seventy Now, back then, I was like five nine but forty.

0:15:08.880 --> 0:15:11.920
<v Speaker 1>What were you in high school? Black plan weight, tenth

0:15:11.920 --> 0:15:16.080
<v Speaker 1>grade dead loves great? Yeah, oh I probably you know.

0:15:16.120 --> 0:15:18.680
<v Speaker 1>I was the same high I am now, but six

0:15:18.720 --> 0:15:22.800
<v Speaker 1>ft um, you know, two hundred pounds to ten. You're good.

0:15:23.160 --> 0:15:24.800
<v Speaker 1>I was okay. You like me in the eyes when

0:15:24.840 --> 0:15:31.280
<v Speaker 1>you said he really to see and I love football still. Well,

0:15:31.400 --> 0:15:33.520
<v Speaker 1>you know, there was a period in my life where

0:15:33.560 --> 0:15:36.160
<v Speaker 1>I couldn't. I didn't want to watch football because I

0:15:36.200 --> 0:15:38.640
<v Speaker 1>wanted to play so bad, you know, so, but I

0:15:38.640 --> 0:15:41.000
<v Speaker 1>I just you know, I wasn't. I was okay. I

0:15:41.080 --> 0:15:45.200
<v Speaker 1>just you know, you get to a certain level, uh

0:15:45.240 --> 0:15:48.520
<v Speaker 1>in football, and you realized that some of us are

0:15:48.560 --> 0:15:51.280
<v Speaker 1>not like the other people. You know, like you walk

0:15:51.360 --> 0:15:54.400
<v Speaker 1>in the weight room and everybody six seven to seventy

0:15:54.480 --> 0:15:56.720
<v Speaker 1>run into four six forty and you're just like, oh,

0:15:56.760 --> 0:15:58.880
<v Speaker 1>that's not me. Did you feel like you want to

0:15:58.880 --> 0:16:02.280
<v Speaker 1>play college ball? Oh yeah, no, yeah that was and

0:16:02.320 --> 0:16:03.920
<v Speaker 1>I thought, and you know, when you're eighteen, you think

0:16:03.960 --> 0:16:10.560
<v Speaker 1>you can, you know, and did you try? I went, uh, yeah,

0:16:10.600 --> 0:16:13.080
<v Speaker 1>I went on some visits and and I wound up

0:16:14.400 --> 0:16:19.520
<v Speaker 1>uh trying to walk on play playing someplace, and and

0:16:19.560 --> 0:16:22.360
<v Speaker 1>it didn't really work out. But it's all right. It's better.

0:16:22.480 --> 0:16:25.120
<v Speaker 1>You know, all my buddies that played college ball where

0:16:25.120 --> 0:16:27.080
<v Speaker 1>they played one, double A anything, they all have like

0:16:27.160 --> 0:16:30.360
<v Speaker 1>these weird pains now from where they played college ball.

0:16:30.400 --> 0:16:32.520
<v Speaker 1>And I'm so glad that I didn't play. And I'm

0:16:32.560 --> 0:16:35.440
<v Speaker 1>so glad, you know with all the because talking about

0:16:35.480 --> 0:16:37.880
<v Speaker 1>anxiety things, I think I have that thing that all

0:16:37.880 --> 0:16:40.760
<v Speaker 1>the NFL guys get sometimes, the hard horse of the

0:16:40.760 --> 0:16:43.120
<v Speaker 1>c Yeah, like oh if I feel like the press

0:16:43.240 --> 0:16:45.880
<v Speaker 1>or something like that, it's definitely I had concussions. You know,

0:16:46.360 --> 0:16:48.880
<v Speaker 1>I'm almost certain I had concussions when I played football.

0:16:48.920 --> 0:16:50.760
<v Speaker 1>But you know, back then, it was like rub some

0:16:50.840 --> 0:16:53.120
<v Speaker 1>dirt on and get back out there. We didn't get water.

0:16:54.800 --> 0:16:57.480
<v Speaker 1>It was a prize to get during two days, but

0:16:57.520 --> 0:16:59.920
<v Speaker 1>it was the prize to get water. If they had,

0:17:00.040 --> 0:17:02.800
<v Speaker 1>and now CPS would come and just take all the kids.

0:17:02.920 --> 0:17:04.639
<v Speaker 1>They're not even their kids. All the coaches have just

0:17:04.640 --> 0:17:07.400
<v Speaker 1>put it all in jail. It's a different time. It's

0:17:07.400 --> 0:17:09.760
<v Speaker 1>a different time, and you know, if someone would just

0:17:09.760 --> 0:17:12.320
<v Speaker 1>said no, And you know, I'm all for you know,

0:17:12.720 --> 0:17:16.359
<v Speaker 1>stucking it up and playing, but I worry, Um, I

0:17:16.440 --> 0:17:18.240
<v Speaker 1>worry a lot about that sport in general. You know,

0:17:18.440 --> 0:17:21.000
<v Speaker 1>I don't think football as is now because I did

0:17:21.040 --> 0:17:22.760
<v Speaker 1>a national sports show for a long time, so I'm

0:17:22.760 --> 0:17:27.000
<v Speaker 1>a huge sports and sports geek. Football doesn't last another

0:17:27.160 --> 0:17:29.560
<v Speaker 1>ten years as it is right now. You can't have

0:17:29.600 --> 0:17:33.000
<v Speaker 1>as many people that violent hitting heads over and over again.

0:17:33.000 --> 0:17:35.080
<v Speaker 1>And we're just not saying we're finally seeing our guys

0:17:36.000 --> 0:17:39.919
<v Speaker 1>be sick. We're finally seeing the Jim McMahon's, even the

0:17:39.960 --> 0:17:43.320
<v Speaker 1>Brett Farves like the people that we grew up watching

0:17:43.960 --> 0:17:47.560
<v Speaker 1>start to be and so we're going, Wow, now it's

0:17:47.560 --> 0:17:50.720
<v Speaker 1>a real thing because it's on TV and social media

0:17:51.200 --> 0:17:52.840
<v Speaker 1>and so yeah, I'm glad I didn't make it to

0:17:52.840 --> 0:17:56.119
<v Speaker 1>the NFL either, you know what I mean, right, But

0:17:56.200 --> 0:17:58.080
<v Speaker 1>I would have if I could have, you know, because

0:17:58.119 --> 0:18:00.800
<v Speaker 1>I love that sport that much and as violent as

0:18:00.800 --> 0:18:02.600
<v Speaker 1>it is, you know, maybe not knowing what I know now,

0:18:02.760 --> 0:18:09.119
<v Speaker 1>but um, there's something poetic about it. You know, there's uh,

0:18:09.240 --> 0:18:12.679
<v Speaker 1>there's poetry and football, but it's not I don't know,

0:18:12.800 --> 0:18:15.560
<v Speaker 1>I like it. So you play ball and that was

0:18:15.640 --> 0:18:19.080
<v Speaker 1>kind of were you writing music? And why as you

0:18:19.080 --> 0:18:21.120
<v Speaker 1>were playing football? Were you like that not as much?

0:18:21.200 --> 0:18:22.479
<v Speaker 1>You know? I got more into that when I got

0:18:22.520 --> 0:18:25.320
<v Speaker 1>into college and didn't enjoy college as much. So, I

0:18:25.320 --> 0:18:27.360
<v Speaker 1>mean I always played a little bit here and there,

0:18:27.359 --> 0:18:30.760
<v Speaker 1>and you know, the different things. But but school. Didn't

0:18:30.760 --> 0:18:34.720
<v Speaker 1>you move to town into Nashville to go to school

0:18:34.720 --> 0:18:38.959
<v Speaker 1>here then leave and go back home. So isn't it

0:18:39.000 --> 0:18:41.040
<v Speaker 1>this weird thing that you were such a good student

0:18:41.040 --> 0:18:42.480
<v Speaker 1>in high school and you get to college and it's

0:18:42.480 --> 0:18:47.800
<v Speaker 1>not for you. Well, you know, college is a different deal,

0:18:47.880 --> 0:18:50.400
<v Speaker 1>you know. You and you pick a major or something,

0:18:50.440 --> 0:18:55.600
<v Speaker 1>and you know I chose uh uh and engineering, um

0:18:55.880 --> 0:18:58.439
<v Speaker 1>major and just because my dad was an engine here

0:18:58.640 --> 0:19:00.960
<v Speaker 1>and you know, you don't know what you want to

0:19:01.000 --> 0:19:03.080
<v Speaker 1>be when you're eighteen. I think I think it's really important.

0:19:03.119 --> 0:19:05.679
<v Speaker 1>I think it's hard for people to figure out. Uh.

0:19:06.520 --> 0:19:08.240
<v Speaker 1>Some people are fortunate to know what they want to

0:19:08.280 --> 0:19:10.960
<v Speaker 1>be when they're twelve. But I wasn't onet of those people,

0:19:11.080 --> 0:19:16.120
<v Speaker 1>you know. And but I was fortunate enough to pick

0:19:16.520 --> 0:19:21.680
<v Speaker 1>things that I'm just through sheer not wanting to do them.

0:19:21.720 --> 0:19:23.240
<v Speaker 1>I figured out I didn't want to do and so

0:19:23.840 --> 0:19:27.320
<v Speaker 1>I took a lot of me trying some different things on.

0:19:27.720 --> 0:19:29.840
<v Speaker 1>You know, how does this fit? Is this gonna be

0:19:29.880 --> 0:19:32.639
<v Speaker 1>my life? Now? All right, let's trust something else. And

0:19:32.680 --> 0:19:35.960
<v Speaker 1>I think sometimes it's a scary thing to do for

0:19:36.000 --> 0:19:37.760
<v Speaker 1>a lot of people, but I think it's important to

0:19:37.760 --> 0:19:40.240
<v Speaker 1>do in order to find what you're really supposed to

0:19:40.240 --> 0:19:42.840
<v Speaker 1>be doing. So you go up. How how hard was

0:19:42.840 --> 0:19:44.520
<v Speaker 1>that to go all right, this is not for me,

0:19:44.560 --> 0:19:50.639
<v Speaker 1>I'm going back home. Was that tough? Um? Yes? And no,

0:19:50.880 --> 0:19:53.760
<v Speaker 1>not really. It was so like obvious that what I

0:19:53.840 --> 0:19:57.439
<v Speaker 1>was trying to do everything all the you know, the

0:19:57.560 --> 0:20:00.359
<v Speaker 1>unise very pay attention to the universal lot, and the

0:20:00.440 --> 0:20:02.320
<v Speaker 1>universe was like, no, this is not your thing. Man,

0:20:02.400 --> 0:20:05.200
<v Speaker 1>you didn't fill doing it, not at all. See you

0:20:05.240 --> 0:20:08.920
<v Speaker 1>moved back home. Then what do you do? Uh? Well,

0:20:08.960 --> 0:20:12.639
<v Speaker 1>I went to college in Kentucky for a couple of years,

0:20:13.920 --> 0:20:16.399
<v Speaker 1>and then I didn't really love that either. And you

0:20:16.400 --> 0:20:18.919
<v Speaker 1>study what you didn't study the same thing. Obviously, I

0:20:19.000 --> 0:20:21.159
<v Speaker 1>was in business school for a couple of years. So

0:20:21.200 --> 0:20:24.440
<v Speaker 1>you're gonna be well, we're gonna be what Chris Stapleton,

0:20:24.640 --> 0:20:27.440
<v Speaker 1>I don't know. I was just doing that. You know. Well,

0:20:27.800 --> 0:20:30.120
<v Speaker 1>I didn't hate it accounting, but I like the economics.

0:20:30.280 --> 0:20:33.840
<v Speaker 1>You know. Um no, you see, but one for me.

0:20:33.880 --> 0:20:35.080
<v Speaker 1>So I didn't take I was just like, you know,

0:20:35.119 --> 0:20:38.159
<v Speaker 1>this is okay. I just I don't want to I

0:20:38.200 --> 0:20:40.040
<v Speaker 1>don't want to sit in a room and do this

0:20:40.200 --> 0:20:41.680
<v Speaker 1>for the rest of my life. I couldn't do it

0:20:43.000 --> 0:20:45.800
<v Speaker 1>like a Sleep Number thing. Yeah, yeah, I'm talking about

0:20:45.800 --> 0:20:48.000
<v Speaker 1>Sleep Number one. Second, so we do the show, and

0:20:48.880 --> 0:20:52.840
<v Speaker 1>it's in the room upstairs in my house, and upstairs

0:20:52.840 --> 0:20:55.800
<v Speaker 1>in my house also in my bedroom, and so in

0:20:55.840 --> 0:20:58.760
<v Speaker 1>my bedroom. I want to tell you there's a Sleep

0:20:58.920 --> 0:21:01.119
<v Speaker 1>Number bed. Now is a great time to visit a

0:21:01.160 --> 0:21:04.840
<v Speaker 1>Sleep Number store where even this week you can say

0:21:05.240 --> 0:21:08.119
<v Speaker 1>on the Ultimate Limited Edition bed with sleep i Q

0:21:08.320 --> 0:21:12.400
<v Speaker 1>Technology and Queen Mattresses star at only six. I wish

0:21:12.400 --> 0:21:14.160
<v Speaker 1>you could all just kind of take a little lay

0:21:14.200 --> 0:21:16.879
<v Speaker 1>over in the bed over there. Some of you, uh,

0:21:17.000 --> 0:21:19.600
<v Speaker 1>nine out of ten couples disagree on mattress firmness. I'm

0:21:19.640 --> 0:21:22.240
<v Speaker 1>not part of that because as you hear this just

0:21:22.320 --> 0:21:24.680
<v Speaker 1>me and the dog, and he's good. The Sleep Number

0:21:24.720 --> 0:21:26.600
<v Speaker 1>bed let you choose your idea, comfort and support on

0:21:26.640 --> 0:21:28.800
<v Speaker 1>each side, so it's just right for the both of you,

0:21:29.280 --> 0:21:31.560
<v Speaker 1>and there's even adjustment for snoring. I do love Sleep

0:21:31.640 --> 0:21:34.040
<v Speaker 1>Number bed. I haven't had two of them three though,

0:21:34.080 --> 0:21:35.920
<v Speaker 1>I don't remember bad, but I love him so much.

0:21:36.280 --> 0:21:39.080
<v Speaker 1>My sleep I score last night was in the I

0:21:39.080 --> 0:21:42.080
<v Speaker 1>don't know what it was. My setting is thirty. Sleep

0:21:42.200 --> 0:21:44.639
<v Speaker 1>Number beds cost about the same as the traditional mattresses

0:21:44.920 --> 0:21:48.520
<v Speaker 1>the last twice as long and cent of owners recommend them.

0:21:48.520 --> 0:21:51.440
<v Speaker 1>And right now go in Monday, say on the ultimate

0:21:51.520 --> 0:21:54.679
<v Speaker 1>limit edition BEDI stores Nation Ony, I call eight hundred

0:21:54.760 --> 0:21:57.199
<v Speaker 1>next bed and tell him that I set you all right.

0:21:57.280 --> 0:22:01.640
<v Speaker 1>So you're in Kentucky. You decided again that's not for you, say,

0:22:01.680 --> 0:22:06.359
<v Speaker 1>time to move back to Nashville. Well it's not that, uh,

0:22:06.400 --> 0:22:09.680
<v Speaker 1>you know, short that there was some you know, I've

0:22:10.000 --> 0:22:12.959
<v Speaker 1>moved into a house some friends and just worked different jobs.

0:22:13.040 --> 0:22:16.040
<v Speaker 1>You know here are there in Kentucky but not in

0:22:16.280 --> 0:22:18.680
<v Speaker 1>my hometown, in a different town. What you do? What

0:22:18.760 --> 0:22:21.680
<v Speaker 1>kind of jobs you do? Oh? I drove you ever see? Uh?

0:22:21.960 --> 0:22:24.400
<v Speaker 1>At the gas stations like the home city ice where

0:22:24.400 --> 0:22:26.240
<v Speaker 1>you get the ice out of the cooler outside. We

0:22:26.359 --> 0:22:28.600
<v Speaker 1>drove to the home city ice truck. We delivered ice

0:22:28.680 --> 0:22:34.439
<v Speaker 1>to bice to bad guys. It's miserable to have to ba.

0:22:34.560 --> 0:22:36.440
<v Speaker 1>I just delivered it, all right, You were one of

0:22:36.480 --> 0:22:39.840
<v Speaker 1>the higher uppers. Yeah, there are two times did you

0:22:40.160 --> 0:22:42.480
<v Speaker 1>homes the eyes no buys, the bad guys and we

0:22:42.680 --> 0:22:45.040
<v Speaker 1>in different ice companies. We get ice from us, and

0:22:45.040 --> 0:22:47.080
<v Speaker 1>so I back us all day, bad guys all day,

0:22:47.200 --> 0:22:49.680
<v Speaker 1>and we would be like, oh, there's the fancy delivery guy.

0:22:50.480 --> 0:22:53.640
<v Speaker 1>It's like when I did at the time you would

0:22:53.640 --> 0:22:55.399
<v Speaker 1>have been, I'd have been like, oh there's the stable

0:22:55.440 --> 0:22:57.080
<v Speaker 1>and fell and who thinks he's better than us? That?

0:22:57.800 --> 0:23:01.080
<v Speaker 1>And I want to And I was a weeding or

0:23:01.080 --> 0:23:03.040
<v Speaker 1>a golf course maintenance and we all I'd always look

0:23:03.080 --> 0:23:05.160
<v Speaker 1>at the cart guys and be like, they think they're

0:23:05.200 --> 0:23:08.280
<v Speaker 1>better than us because of the car guys. Yeah, so

0:23:08.600 --> 0:23:12.240
<v Speaker 1>you delivered ice delibered ice. You know ever you ever

0:23:12.400 --> 0:23:14.159
<v Speaker 1>been in a parking lot and you've got like a

0:23:14.240 --> 0:23:17.560
<v Speaker 1>coupon for a pizza on your car? Oh yeah, you

0:23:17.760 --> 0:23:20.200
<v Speaker 1>put those. I was the dude to put them under

0:23:20.200 --> 0:23:22.840
<v Speaker 1>the winch. Wif no listen, that can't pay a whole lot.

0:23:23.119 --> 0:23:25.199
<v Speaker 1>It was an hourly rate. Yeah, and I just did

0:23:25.240 --> 0:23:27.640
<v Speaker 1>it when I didn't have any gigs. And so you're

0:23:27.640 --> 0:23:29.880
<v Speaker 1>playing at this time, you're playing music there, Yeah, i'd play.

0:23:29.960 --> 0:23:32.399
<v Speaker 1>You know, you go play bars, you top forty gigs,

0:23:32.400 --> 0:23:35.439
<v Speaker 1>you know, the four hour shift, but sometimes you need

0:23:35.640 --> 0:23:36.879
<v Speaker 1>your money. I happen to live with a guy who

0:23:36.960 --> 0:23:40.160
<v Speaker 1>managed Papa John's at the time. Like, man, Papa John's

0:23:40.200 --> 0:23:41.880
<v Speaker 1>not the band, He's not managing the band Papa Johns

0:23:42.400 --> 0:23:44.520
<v Speaker 1>band called Papa Johns. No, but it sounds like in

0:23:44.560 --> 0:23:47.480
<v Speaker 1>this town, you know, somebody's always managing somebody. But no,

0:23:47.600 --> 0:23:50.600
<v Speaker 1>he was managing Papa John's band or Papa John the

0:23:50.640 --> 0:23:54.320
<v Speaker 1>guy he was managing a Papa John's restaurant. Yes, And

0:23:54.440 --> 0:23:56.200
<v Speaker 1>he'd be like, hey, just go coup on some cars

0:23:56.200 --> 0:23:59.200
<v Speaker 1>for me, So I'd go work for two or three hours.

0:23:59.280 --> 0:24:00.760
<v Speaker 1>Done that would you would take him and just like

0:24:00.760 --> 0:24:02.479
<v Speaker 1>throwing like you got a whole stack up him here,

0:24:02.520 --> 0:24:04.600
<v Speaker 1>and you're like, come on and just like dump them

0:24:04.600 --> 0:24:07.480
<v Speaker 1>off that a little bit. No, no, no, no, that's

0:24:07.480 --> 0:24:10.160
<v Speaker 1>not me. I couldn't do that. That would that would

0:24:10.200 --> 0:24:14.960
<v Speaker 1>I would feel so guilty about that? It your buddy too, Yeah, no, no,

0:24:15.040 --> 0:24:16.800
<v Speaker 1>I wouldn't do that to him. What does that pay for?

0:24:16.920 --> 0:24:18.760
<v Speaker 1>Hour to go ahead? And I don't know. It was

0:24:18.800 --> 0:24:21.960
<v Speaker 1>medium wage, you know whatever, like six bucks maybe less

0:24:21.960 --> 0:24:25.280
<v Speaker 1>than that. So you're playing it? Are you doing that?

0:24:25.359 --> 0:24:29.000
<v Speaker 1>All the cover the cover songs at the bar? Are you?

0:24:29.000 --> 0:24:32.639
<v Speaker 1>Are you playing originals? Manly dis cover stuff? You know,

0:24:33.240 --> 0:24:35.359
<v Speaker 1>whatever gig comes up, you know, we go play the

0:24:36.240 --> 0:24:38.080
<v Speaker 1>you know, the Army r TWOC is having a ball.

0:24:38.160 --> 0:24:42.439
<v Speaker 1>We'll go play the four hour Army RRTC gig. Whoever

0:24:42.560 --> 0:24:43.880
<v Speaker 1>we can find to be the band at the time,

0:24:44.960 --> 0:24:46.400
<v Speaker 1>you know, I had a couple of group of group

0:24:46.400 --> 0:24:48.760
<v Speaker 1>of buddies and j T who's my bass player, was

0:24:48.800 --> 0:24:54.080
<v Speaker 1>in that group, you know of guys um where you know, somebody, Hey, man,

0:24:54.080 --> 0:24:56.120
<v Speaker 1>I got this gig. You know, alright, cool, what is it?

0:24:56.960 --> 0:25:00.280
<v Speaker 1>What we gotta play? All right, let's go. And back

0:25:00.280 --> 0:25:04.240
<v Speaker 1>then we were so miserably bad at business. We would

0:25:04.400 --> 0:25:06.720
<v Speaker 1>change our band name every time we had a different gig,

0:25:06.760 --> 0:25:08.640
<v Speaker 1>you know, just just to be funny, because we thought

0:25:08.680 --> 0:25:11.520
<v Speaker 1>it was funny, you know, And and and the hindsight,

0:25:11.640 --> 0:25:14.560
<v Speaker 1>that's there's a absolute worst way to build a following

0:25:14.640 --> 0:25:18.119
<v Speaker 1>is to change your band name every time but you know,

0:25:18.720 --> 0:25:20.480
<v Speaker 1>yeah we did lost. You know, it could be a

0:25:21.280 --> 0:25:23.240
<v Speaker 1>some kind of a folk old time gig, or it

0:25:23.280 --> 0:25:26.440
<v Speaker 1>could be a Top forty, you know, playing roller Coaster

0:25:26.520 --> 0:25:29.439
<v Speaker 1>for four hours? Well, dudes, did cach stands? You know,

0:25:29.480 --> 0:25:32.480
<v Speaker 1>it's just whatever whatever was playing when you're playing those

0:25:32.480 --> 0:25:35.640
<v Speaker 1>shows back then, because you're known now for how strong

0:25:35.680 --> 0:25:38.920
<v Speaker 1>your voice, that powerful your voice is um by the

0:25:38.960 --> 0:25:41.359
<v Speaker 1>two people that don't know your songwriting, like the people

0:25:41.400 --> 0:25:43.040
<v Speaker 1>that have in the last couple of years, say I

0:25:43.119 --> 0:25:46.160
<v Speaker 1>really enjoyed this, Chris Stapleton. You're known for your distinct voice,

0:25:46.200 --> 0:25:49.399
<v Speaker 1>powerful voice even then when you're playing in the VFW

0:25:49.560 --> 0:25:52.720
<v Speaker 1>or wherever you're playing, where people are like, holy crap,

0:25:53.320 --> 0:25:55.199
<v Speaker 1>or did that take time to develop for you? Uh?

0:25:55.680 --> 0:25:58.679
<v Speaker 1>You know, I don't know. I mean a lot of

0:25:59.119 --> 0:26:01.840
<v Speaker 1>things that you play when you're in those modes, uh,

0:26:01.880 --> 0:26:04.280
<v Speaker 1>you know, the bar band just kind of becomes background noise.

0:26:04.320 --> 0:26:07.720
<v Speaker 1>You know, nobody's in there really trying to dig into

0:26:07.800 --> 0:26:10.160
<v Speaker 1>what the bar bands singing about. Particularly you're saying cover

0:26:10.200 --> 0:26:12.560
<v Speaker 1>teams are just like, oh, he's all right, you know,

0:26:12.600 --> 0:26:15.840
<v Speaker 1>he didn't sound like whoever, whoever did you're covering because

0:26:15.840 --> 0:26:17.440
<v Speaker 1>you're not going to you know, you're just gonna be

0:26:18.240 --> 0:26:20.639
<v Speaker 1>a bar band version of that. But if you played

0:26:20.640 --> 0:26:23.359
<v Speaker 1>a bar right now and there are people everywhere, people

0:26:23.359 --> 0:26:26.360
<v Speaker 1>will stop and go, what is that if you put

0:26:26.400 --> 0:26:30.960
<v Speaker 1>on like a like one of those prosthetic faces and

0:26:31.000 --> 0:26:35.840
<v Speaker 1>you wouldn't sing people, that wouldn't be background noise. I

0:26:35.880 --> 0:26:37.480
<v Speaker 1>don't know, you know, it would be a good experiment.

0:26:37.600 --> 0:26:39.320
<v Speaker 1>We could, you know, we could, we could make that happen.

0:26:39.359 --> 0:26:45.679
<v Speaker 1>I'm sure be like, what's that movie with Travolta? Did

0:26:45.680 --> 0:26:48.800
<v Speaker 1>you watch that movie? Yeah? Absolutely, Okay, you know what,

0:26:48.840 --> 0:26:50.320
<v Speaker 1>if that movie is on, I have to watch it.

0:26:50.800 --> 0:26:52.560
<v Speaker 1>I'm not saying it was a bad movie, but it

0:26:52.600 --> 0:26:54.240
<v Speaker 1>was a terrible premise. I don't know how movie you

0:26:54.280 --> 0:26:57.680
<v Speaker 1>got greenlit. Well I don't either, But we're gonna cut

0:26:57.680 --> 0:27:00.480
<v Speaker 1>each other's faces off and beat each other and then

0:27:00.560 --> 0:27:02.800
<v Speaker 1>fight each other. At the time with those two guys

0:27:02.800 --> 0:27:05.399
<v Speaker 1>in and it was nobody was gonna lose. Everybody was

0:27:05.440 --> 0:27:07.760
<v Speaker 1>gonna go watch it face off. Haven't thought about that

0:27:07.800 --> 0:27:11.480
<v Speaker 1>movie since I watched it the first time. What a

0:27:11.600 --> 0:27:13.760
<v Speaker 1>terrible concept. It wasn't a bad movie. No, it wasn't bad.

0:27:13.800 --> 0:27:15.479
<v Speaker 1>I think it was. I was on the bus other day,

0:27:15.520 --> 0:27:18.639
<v Speaker 1>that's watch on my mind. I actually didn't watch it.

0:27:19.040 --> 0:27:20.639
<v Speaker 1>I did, I did. I passed over it. There was

0:27:20.680 --> 0:27:22.359
<v Speaker 1>something else I like better on. I don't know. On

0:27:22.480 --> 0:27:25.960
<v Speaker 1>your bus you have direct TV in the bush? Yeah, okay,

0:27:26.240 --> 0:27:29.680
<v Speaker 1>commuted to I have direct TV and maybe I don't

0:27:29.720 --> 0:27:32.480
<v Speaker 1>know if if the buzzard just suck, but whenever the

0:27:32.520 --> 0:27:34.840
<v Speaker 1>buzs is moving, I can't keep that thing on solid.

0:27:34.920 --> 0:27:39.120
<v Speaker 1>It's not even the Chris table does. We can't get

0:27:39.119 --> 0:27:41.800
<v Speaker 1>direct TV to stay on as the bus is moving. Listen, man,

0:27:42.480 --> 0:27:45.240
<v Speaker 1>when when a door opens on my bus, my TV

0:27:45.359 --> 0:27:49.640
<v Speaker 1>shuts off. So don't If you can get to get

0:27:49.680 --> 0:27:51.520
<v Speaker 1>just the TV to stay on when your doors open

0:27:51.520 --> 0:27:54.320
<v Speaker 1>and close, you're doing better than me. What do you do? Okay,

0:27:54.480 --> 0:27:56.520
<v Speaker 1>I'll be out it because you know, I have eight jobs,

0:27:56.600 --> 0:27:59.840
<v Speaker 1>right like I'm writting books and I'm just trying to survive. Right.

0:28:01.200 --> 0:28:02.600
<v Speaker 1>But when I'm out on the road, like I was

0:28:02.600 --> 0:28:04.840
<v Speaker 1>out where all this weekend, I got so bored. I

0:28:04.880 --> 0:28:08.640
<v Speaker 1>get bored because you just got to find phil space

0:28:08.760 --> 0:28:11.240
<v Speaker 1>up because in the daytime you get us sound check.

0:28:12.040 --> 0:28:15.560
<v Speaker 1>You got like four hours. But again you have you

0:28:15.600 --> 0:28:19.800
<v Speaker 1>know what what what naptime? I tried taking nap and

0:28:19.840 --> 0:28:22.280
<v Speaker 1>I do take a nap sometimes and I even got

0:28:22.359 --> 0:28:24.919
<v Speaker 1>a but I even have my dog is six, so

0:28:24.960 --> 0:28:26.199
<v Speaker 1>I think my dog got on the road with me,

0:28:26.200 --> 0:28:28.800
<v Speaker 1>and so I put a I have the starbus knocked

0:28:28.800 --> 0:28:31.720
<v Speaker 1>on a diva right now. Not usually usually with swall

0:28:31.720 --> 0:28:34.359
<v Speaker 1>bunks were all the same. But now it's a starbus.

0:28:34.480 --> 0:28:36.920
<v Speaker 1>I need my dog on the dog on the road

0:28:37.119 --> 0:28:39.080
<v Speaker 1>next thing, you know. Yeah, I'm just saying I'm Beyonce,

0:28:39.280 --> 0:28:42.360
<v Speaker 1>right yeah, yeah, So I tried that. I tried the

0:28:42.440 --> 0:28:44.640
<v Speaker 1>nap thing bed. I can hurt him my back. I'm

0:28:44.720 --> 0:28:46.760
<v Speaker 1>very sensitive. I'm like that lily. I'm like a little lily.

0:28:47.040 --> 0:28:50.920
<v Speaker 1>The beds aren't great on buses. The box are better.

0:28:51.200 --> 0:28:53.920
<v Speaker 1>I prefer you know, you're sleeping a buck. I know

0:28:54.320 --> 0:28:56.040
<v Speaker 1>obvious sleep in a bed because me and my wife

0:28:56.040 --> 0:28:58.680
<v Speaker 1>haven't have a bed. But you know, there's no version

0:28:58.680 --> 0:29:00.320
<v Speaker 1>of a bed on a bus that's a to lead

0:29:00.320 --> 0:29:02.520
<v Speaker 1>big enough for two people to sleep in. But we

0:29:02.640 --> 0:29:07.320
<v Speaker 1>do it, I think at a principle. But uh, it's uh,

0:29:08.720 --> 0:29:11.920
<v Speaker 1>it's interesting, you know. And and the roads on in

0:29:11.960 --> 0:29:14.000
<v Speaker 1>the United States are really bad right now. They all

0:29:14.000 --> 0:29:16.160
<v Speaker 1>need work. I don't know how where you've been going

0:29:16.200 --> 0:29:18.880
<v Speaker 1>through lately, but everywhere that needs work. Yeah, I've been

0:29:18.880 --> 0:29:23.280
<v Speaker 1>to all those places you're mentioning right now. You from Arkansas. Yeah, yeah,

0:29:23.400 --> 0:29:25.320
<v Speaker 1>Arkansas is one the worst man one of the world.

0:29:25.400 --> 0:29:29.040
<v Speaker 1>And you can tell the difference across Tennessee, Tennessee and Arkansas,

0:29:29.400 --> 0:29:32.320
<v Speaker 1>like immediately when you crossed, it's like, yeah, we were there.

0:29:32.840 --> 0:29:35.720
<v Speaker 1>This is the past. I think this past weekend. Yeah,

0:29:35.760 --> 0:29:38.440
<v Speaker 1>so it was, it's fresh on my mind. Is the

0:29:38.440 --> 0:29:40.600
<v Speaker 1>one that has potholes. New York City is pretty bad

0:29:40.640 --> 0:29:43.120
<v Speaker 1>when you roll up in through their New York in general,

0:29:43.200 --> 0:29:45.000
<v Speaker 1>because I love you. Remember my state is the bad

0:29:45.120 --> 0:29:48.320
<v Speaker 1>road state. Like I got an there, I got cousins there.

0:29:48.360 --> 0:29:51.480
<v Speaker 1>It's all good. I'm not picking on just your state.

0:29:52.320 --> 0:29:56.080
<v Speaker 1>Apology people, Listen, you're from Kentucky. Listen. We should start

0:29:56.080 --> 0:29:58.840
<v Speaker 1>a go fund Me page for the Arkansas Highways. I

0:29:58.880 --> 0:30:04.400
<v Speaker 1>think we've tried. I don't think. I don't think that works. So, yeah,

0:30:04.760 --> 0:30:06.880
<v Speaker 1>they would like to look at the pictures of the shows.

0:30:07.200 --> 0:30:09.880
<v Speaker 1>It's been so crazy to watch the growth it's been.

0:30:10.800 --> 0:30:14.840
<v Speaker 1>There's been two artists that I've seen grow, like like

0:30:15.600 --> 0:30:18.480
<v Speaker 1>I've watched this grow, this part of you, this this

0:30:18.800 --> 0:30:24.680
<v Speaker 1>uh chapter of Chris Stapleton, You and Sam and you're

0:30:24.720 --> 0:30:30.240
<v Speaker 1>not the same. But it's like nobody kind of came

0:30:30.240 --> 0:30:37.800
<v Speaker 1>out of nowhere, completely organic, and it's been boom songwriting first,

0:30:37.880 --> 0:30:41.760
<v Speaker 1>like paying dudes writing songs for for people, Like that's why, Like,

0:30:41.800 --> 0:30:43.480
<v Speaker 1>is that why you moved? You moved down to write songs?

0:30:43.840 --> 0:30:46.280
<v Speaker 1>Sound a songwriter? I thought that was that sounded like

0:30:46.320 --> 0:30:48.360
<v Speaker 1>the greatest job I've ever heard of, the intent I

0:30:48.400 --> 0:30:50.560
<v Speaker 1>heard of even though singing like you did, you want

0:30:50.560 --> 0:30:52.400
<v Speaker 1>to like, I can go be an artist that Let's

0:30:52.440 --> 0:30:54.360
<v Speaker 1>be honest. You know, sitting in the room playing a

0:30:54.400 --> 0:30:57.320
<v Speaker 1>guitar for maybe three hours a day and getting paid

0:30:57.360 --> 0:30:59.600
<v Speaker 1>to do that is probably still the greatest job in

0:30:59.680 --> 0:31:02.960
<v Speaker 1>the world. Would you rather sit in the room and

0:31:03.040 --> 0:31:05.720
<v Speaker 1>write a great song with one of your song everybodies

0:31:05.800 --> 0:31:09.200
<v Speaker 1>or play on stage for fifteen thousand people. I like

0:31:09.320 --> 0:31:11.680
<v Speaker 1>to play, so that that's hard to say. But I

0:31:12.000 --> 0:31:15.480
<v Speaker 1>like to write a good song too. But you know,

0:31:15.720 --> 0:31:17.600
<v Speaker 1>at this point, I probably have to pick playing because

0:31:17.600 --> 0:31:20.000
<v Speaker 1>I like playing. I like playing a whole lot. Do

0:31:20.080 --> 0:31:21.440
<v Speaker 1>you ever get to where I'm getting kind of tired

0:31:21.440 --> 0:31:22.760
<v Speaker 1>of playing? I just kind of want to write songs

0:31:22.760 --> 0:31:26.360
<v Speaker 1>for a few months? No, No, I mean, certainly, if

0:31:26.400 --> 0:31:29.120
<v Speaker 1>you're if you're not feeling if you're sick. You know,

0:31:29.480 --> 0:31:32.800
<v Speaker 1>there's times I'm sure you get out there, not sleeping

0:31:32.840 --> 0:31:36.440
<v Speaker 1>and working nine days a week where you're just like him.

0:31:36.480 --> 0:31:39.320
<v Speaker 1>You know. I wish I could just you know, chill

0:31:39.320 --> 0:31:42.240
<v Speaker 1>out just a minit, But the fear will keep you going.

0:31:43.280 --> 0:31:47.480
<v Speaker 1>The fear that's why I fear. I'm terrified that I

0:31:47.520 --> 0:31:49.640
<v Speaker 1>feel like and I don't know if you feel this way,

0:31:49.640 --> 0:31:53.200
<v Speaker 1>because I'm obviously nuts, but I feel like I've been

0:31:53.200 --> 0:31:55.240
<v Speaker 1>committing crimes for a long time and eventually the cops

0:31:55.280 --> 0:31:59.000
<v Speaker 1>are gonna catch me, and when they do, my career

0:31:59.040 --> 0:32:00.959
<v Speaker 1>is over because they're gonna they they've got me, or

0:32:01.200 --> 0:32:04.160
<v Speaker 1>everyone's gonna figure out that I'm not even some imposter syndrome.

0:32:04.280 --> 0:32:06.760
<v Speaker 1>You feel like, absolutely, I think I think a lot

0:32:06.760 --> 0:32:08.320
<v Speaker 1>of people feel that. Not only a lot of people

0:32:08.320 --> 0:32:11.120
<v Speaker 1>will verbalize it, you know, but I had somebody that

0:32:11.440 --> 0:32:14.440
<v Speaker 1>uh and I won't say his name, but uh, you

0:32:14.480 --> 0:32:16.640
<v Speaker 1>know it was a hero of mine. You have that

0:32:16.760 --> 0:32:18.440
<v Speaker 1>very thing. He's like, I'm just waiting for everybody to

0:32:18.480 --> 0:32:21.920
<v Speaker 1>figure you know, figured out, And I'm just like, I

0:32:22.000 --> 0:32:24.040
<v Speaker 1>was just like, even you feel that way, I was like, okay,

0:32:24.160 --> 0:32:27.000
<v Speaker 1>all right, do you feel that way, Oh sure everybody,

0:32:27.040 --> 0:32:29.160
<v Speaker 1>you know, it was some degree nobody you know. But

0:32:29.200 --> 0:32:30.600
<v Speaker 1>then you know the flip side, like when I used

0:32:30.640 --> 0:32:34.280
<v Speaker 1>to say to people when even walking to meet somebody,

0:32:34.640 --> 0:32:35.840
<v Speaker 1>how you do it man, and be like, oh, I'm

0:32:35.880 --> 0:32:37.440
<v Speaker 1>far better than I deserved. I used to say that

0:32:38.480 --> 0:32:43.280
<v Speaker 1>the people. And then I had I met somebody and

0:32:43.320 --> 0:32:45.040
<v Speaker 1>then they were walking up on the bus and there

0:32:45.080 --> 0:32:47.480
<v Speaker 1>was another artist and he said, uh, he said, well

0:32:47.520 --> 0:32:49.920
<v Speaker 1>me too. But you know, maybe we all deserved great things.

0:32:50.880 --> 0:32:53.040
<v Speaker 1>And it really made me. It took me back for

0:32:53.080 --> 0:32:55.960
<v Speaker 1>a minute, and I was just like, wow, that's uh okay,

0:32:56.160 --> 0:32:58.520
<v Speaker 1>maybe we do. And maybe that makes it okay, you know,

0:32:58.640 --> 0:33:01.000
<v Speaker 1>like maybe they can make the fear go away a

0:33:01.040 --> 0:33:03.840
<v Speaker 1>little bit if you if you just think that we

0:33:03.880 --> 0:33:06.600
<v Speaker 1>all probably deserve great things. You know, not all of

0:33:06.680 --> 0:33:10.680
<v Speaker 1>us get it, but I think everybody certainly deserves it.

0:33:10.880 --> 0:33:12.200
<v Speaker 1>Do you get in your own head a lot? Do

0:33:12.280 --> 0:33:17.040
<v Speaker 1>you feel like, um, I can in a moment, and yeah,

0:33:17.360 --> 0:33:20.120
<v Speaker 1>I get in my own head quite a bit. It's

0:33:20.120 --> 0:33:24.280
<v Speaker 1>probably why I don't talk that much. What's your fear

0:33:24.360 --> 0:33:28.000
<v Speaker 1>of getting in your own head of talking? Uh? Like,

0:33:28.040 --> 0:33:29.920
<v Speaker 1>what what? What's the worst that can happen in your mind,

0:33:30.000 --> 0:33:32.560
<v Speaker 1>what do you say? You know, I don't want to

0:33:33.160 --> 0:33:34.760
<v Speaker 1>get in my own head, so that's why I don't.

0:33:35.200 --> 0:33:37.360
<v Speaker 1>I might get in my own head on on stage

0:33:37.400 --> 0:33:39.280
<v Speaker 1>sometimes that's the worst place for it to happen to me,

0:33:39.440 --> 0:33:43.560
<v Speaker 1>you know, like, um, maybe I don't like out something

0:33:43.560 --> 0:33:46.760
<v Speaker 1>sound in, or uh, I don't like the way guitar

0:33:46.840 --> 0:33:49.800
<v Speaker 1>fields at the moment, you know, or it's you know,

0:33:49.880 --> 0:33:53.560
<v Speaker 1>any little thing that can happen, you know, is the

0:33:53.640 --> 0:33:56.920
<v Speaker 1>danger for me to go completely off the edge and

0:33:57.040 --> 0:33:59.480
<v Speaker 1>just like not be able to dig myself out of

0:33:59.520 --> 0:34:03.560
<v Speaker 1>that moment. It's bad when I go down, but I

0:34:03.840 --> 0:34:05.760
<v Speaker 1>try to avoid it. Will you go down like that?

0:34:05.800 --> 0:34:08.759
<v Speaker 1>Because I'll go down like that, absolutely, and they can

0:34:08.840 --> 0:34:12.239
<v Speaker 1>ruin my whole day and everybody else's whole day. So

0:34:12.360 --> 0:34:14.360
<v Speaker 1>I try to be conscious of it and not do

0:34:14.480 --> 0:34:18.200
<v Speaker 1>it for me. My co host Amy can you can

0:34:18.239 --> 0:34:20.320
<v Speaker 1>notice that, and she's the one that goes boom and

0:34:20.360 --> 0:34:22.200
<v Speaker 1>she'll try to pull me out of it. Is that

0:34:22.239 --> 0:34:25.480
<v Speaker 1>what Morgan does for you? Absolutely? Absolutely, because she can

0:34:25.520 --> 0:34:27.759
<v Speaker 1>see it sometimes or she can see it happening when

0:34:27.800 --> 0:34:32.480
<v Speaker 1>maybe you can't, or you're just starting. Absolutely, Yeah, the

0:34:32.560 --> 0:34:35.960
<v Speaker 1>same thing, just loo very slow because part of the

0:34:36.000 --> 0:34:39.080
<v Speaker 1>creative part of you needs to be in that space. Well, yeah,

0:34:39.080 --> 0:34:40.719
<v Speaker 1>you gotta be on the edge, you just can't fall

0:34:40.760 --> 0:34:42.839
<v Speaker 1>off of it. Do you feel like sometimes you don't

0:34:42.840 --> 0:34:44.840
<v Speaker 1>want to fix yourself because you'll lose your edge. Do

0:34:44.880 --> 0:34:49.759
<v Speaker 1>you ever have that thought? Um, I'm not till now.

0:34:53.280 --> 0:34:56.480
<v Speaker 1>Never mind scotch that because that's something I would be.

0:34:56.480 --> 0:34:57.719
<v Speaker 1>I like, I don't know if I should get better,

0:34:57.800 --> 0:35:00.759
<v Speaker 1>can I lose it? No? You know I used to

0:35:00.800 --> 0:35:05.320
<v Speaker 1>think those kind of things. Um, but I always feel

0:35:05.360 --> 0:35:09.080
<v Speaker 1>like there's room for improvement and if something's making your

0:35:10.239 --> 0:35:13.839
<v Speaker 1>your overall health or life better, it's not necessarily that's

0:35:13.880 --> 0:35:19.520
<v Speaker 1>not losing your edge, you know. I feel like those things. Um,

0:35:19.520 --> 0:35:23.000
<v Speaker 1>it's not losing edge. It's just it's making making you sharper.

0:35:24.560 --> 0:35:27.200
<v Speaker 1>You finish the show, you come off stage, what's the

0:35:27.400 --> 0:35:31.120
<v Speaker 1>what's the first thing you do? Finish the show? I

0:35:31.160 --> 0:35:34.239
<v Speaker 1>thank all the local crew guys for the work, and

0:35:36.280 --> 0:35:38.520
<v Speaker 1>a lot of times my wife is retired for the

0:35:38.520 --> 0:35:42.160
<v Speaker 1>evening before the arcle is over, so I'll go find

0:35:42.200 --> 0:35:44.359
<v Speaker 1>out where she is if she needs anything, and then

0:35:45.200 --> 0:35:48.520
<v Speaker 1>I'll probably why not hang with the band guys for

0:35:48.600 --> 0:35:51.279
<v Speaker 1>a few minutes in the dressing room. And then hit

0:35:51.320 --> 0:35:53.160
<v Speaker 1>the bus and I'll be up till two or three

0:35:53.160 --> 0:35:58.399
<v Speaker 1>in the morning watching Face Off for the eight time

0:35:58.520 --> 0:36:01.000
<v Speaker 1>for the eightieth time. Do you go back and listen

0:36:01.040 --> 0:36:03.680
<v Speaker 1>to shows like your live shows and then criticized or

0:36:03.920 --> 0:36:07.279
<v Speaker 1>or love on yourself? No? Not, No, I try not to.

0:36:07.440 --> 0:36:09.360
<v Speaker 1>I mean, we do record now, and we have a

0:36:09.360 --> 0:36:14.480
<v Speaker 1>pretty elaborate recording rig. We basically, uh, you know, I'm

0:36:14.520 --> 0:36:15.880
<v Speaker 1>gonna have as much of that kind of stuff as

0:36:15.880 --> 0:36:18.000
<v Speaker 1>we can have out there for cataloging, and we're trying

0:36:18.000 --> 0:36:23.640
<v Speaker 1>to put together some live things. But it's a real uh, well,

0:36:23.640 --> 0:36:27.400
<v Speaker 1>that microscope is tough, you know, on live shows, you know,

0:36:28.280 --> 0:36:31.799
<v Speaker 1>because there's so much other external things going on. You

0:36:31.840 --> 0:36:35.000
<v Speaker 1>know that sometimes you can be too hard on yourself.

0:36:35.400 --> 0:36:37.239
<v Speaker 1>So you have to really listen to it in the

0:36:38.400 --> 0:36:40.120
<v Speaker 1>with a different set of ears, and maybe you would

0:36:40.239 --> 0:36:43.360
<v Speaker 1>listen to something you're really picking up on the studio.

0:36:44.360 --> 0:36:46.799
<v Speaker 1>Will you look at a crowd, and when you look

0:36:46.840 --> 0:36:48.879
<v Speaker 1>at the crowd, will you focus on the people are

0:36:48.880 --> 0:36:50.720
<v Speaker 1>having a great time or you see the one that's

0:36:50.840 --> 0:36:55.239
<v Speaker 1>Like anybody that spending my show knows that I don't

0:36:55.239 --> 0:36:58.520
<v Speaker 1>look at the crowd a whole lot, because that a

0:36:58.560 --> 0:37:01.399
<v Speaker 1>little bit can break focus for me, Like I'll look

0:37:01.400 --> 0:37:04.200
<v Speaker 1>at the crowd when I'm not playing and I'll try

0:37:04.239 --> 0:37:10.319
<v Speaker 1>to interact with them in that way. But if I

0:37:10.360 --> 0:37:12.160
<v Speaker 1>do look out there and I see somebody not having

0:37:12.200 --> 0:37:15.399
<v Speaker 1>a good time, it can do that thing. And we're

0:37:15.440 --> 0:37:19.000
<v Speaker 1>talking about or if I see somebody having too good

0:37:19.000 --> 0:37:20.920
<v Speaker 1>at a time, it will make me smile. It'll may

0:37:20.960 --> 0:37:23.520
<v Speaker 1>be too happy and I forget what I'm doing. So

0:37:23.840 --> 0:37:25.799
<v Speaker 1>I'm I'm very a d D that way. So I

0:37:25.800 --> 0:37:29.719
<v Speaker 1>have to be real careful about, you know, eye contact.

0:37:29.719 --> 0:37:32.560
<v Speaker 1>I do a very controlled version of it for myself,

0:37:32.640 --> 0:37:34.920
<v Speaker 1>just to try to make sure I don't lose focus

0:37:34.920 --> 0:37:37.680
<v Speaker 1>of what I'm doing in the circle of everybody in

0:37:37.719 --> 0:37:39.479
<v Speaker 1>the band. You know. Yeah, I didn't know that because

0:37:39.520 --> 0:37:41.560
<v Speaker 1>I do. I don't seen you play a bunch and

0:37:41.600 --> 0:37:43.960
<v Speaker 1>you do kind of keep down a bet when you play. Yeah,

0:37:44.000 --> 0:37:48.560
<v Speaker 1>I'm I'm I'm here, like somebody can see me over

0:37:48.560 --> 0:37:51.279
<v Speaker 1>the radio or whatever. This isn't but I'm I'm very

0:37:51.360 --> 0:37:54.239
<v Speaker 1>much in the guitar and I'm in I'm singing, and

0:37:54.280 --> 0:37:56.839
<v Speaker 1>I'm in with the rest of the band. That's where

0:37:57.000 --> 0:38:00.719
<v Speaker 1>that's where the stuff's happening. And when it's not going on,

0:38:01.239 --> 0:38:03.840
<v Speaker 1>then the interaction happens a little bit more in the crowd.

0:38:05.280 --> 0:38:07.160
<v Speaker 1>Maybe if I take a solo, I'll step out front

0:38:07.400 --> 0:38:10.680
<v Speaker 1>just for a minute and we can give a little

0:38:10.680 --> 0:38:13.120
<v Speaker 1>plant here in there. But for the most part, I

0:38:13.200 --> 0:38:16.520
<v Speaker 1>try to keep there's just like a little circle happening

0:38:16.560 --> 0:38:19.359
<v Speaker 1>on stage no matter where we're playing that I'm trying

0:38:19.360 --> 0:38:22.480
<v Speaker 1>to stay in that circle. That circle. Who is important

0:38:22.480 --> 0:38:26.719
<v Speaker 1>to you? People in that circle? Absolutely, they're the same

0:38:26.760 --> 0:38:30.120
<v Speaker 1>people on the record. Absolutely, Why are they so important

0:38:30.120 --> 0:38:33.760
<v Speaker 1>to you? None of we wouldn't be sitting here talking

0:38:33.960 --> 0:38:35.880
<v Speaker 1>if it wasn't for the people in that circle. You know,

0:38:36.080 --> 0:38:39.279
<v Speaker 1>none of none of this would be what it is,

0:38:39.400 --> 0:38:43.879
<v Speaker 1>and none of it would be happening at all if

0:38:43.880 --> 0:38:49.560
<v Speaker 1>it weren't for the people in the sort you really

0:38:49.600 --> 0:38:57.279
<v Speaker 1>care about him? Absolutely, man, Just looking at your as

0:38:57.280 --> 0:39:02.120
<v Speaker 1>I can tell you, I feel like with me, I'm

0:39:02.160 --> 0:39:04.560
<v Speaker 1>as good as the people around me are. Like I try,

0:39:04.719 --> 0:39:06.880
<v Speaker 1>I surround us the field make me better, right, And

0:39:06.880 --> 0:39:09.759
<v Speaker 1>that's that's one of the best things you can do

0:39:09.840 --> 0:39:12.799
<v Speaker 1>if you want to be better, surround yourself with the

0:39:12.800 --> 0:39:16.280
<v Speaker 1>best people you can find and whatever. And that extends

0:39:16.280 --> 0:39:18.080
<v Speaker 1>into you know, when we're on a room with a

0:39:18.160 --> 0:39:21.600
<v Speaker 1>pretty what I would consider a good sized crew and

0:39:21.880 --> 0:39:25.400
<v Speaker 1>everybody in that crew is that for us. And I

0:39:25.440 --> 0:39:30.120
<v Speaker 1>think that's the key to putting on a successful tour

0:39:30.239 --> 0:39:32.799
<v Speaker 1>is is you get the absolute best people to work

0:39:32.800 --> 0:39:35.960
<v Speaker 1>with you can find at all times. And uh, that's

0:39:36.000 --> 0:39:38.600
<v Speaker 1>four on stage. But the four on stage, Yeah, that's

0:39:38.680 --> 0:39:41.600
<v Speaker 1>you mean, that's that's that's the fist for you. That's

0:39:41.640 --> 0:39:45.120
<v Speaker 1>your fist. Yeah, it's the type like right there, those four.

0:39:45.880 --> 0:39:50.239
<v Speaker 1>I mean, it sounds like ten, but it's it's you four. Yeah, No,

0:39:50.440 --> 0:39:53.359
<v Speaker 1>that's that's the you know. And then you know, Dave

0:39:53.400 --> 0:39:54.960
<v Speaker 1>Cobs in there and when he wants to be in there,

0:39:55.120 --> 0:39:57.839
<v Speaker 1>and uh, you know, make your fails in there when

0:39:57.840 --> 0:39:59.799
<v Speaker 1>he has meant to be in there, and they've got

0:40:00.000 --> 0:40:01.640
<v Speaker 1>wherever he wants to be whenever he wants to be

0:40:01.719 --> 0:40:03.839
<v Speaker 1>like that dude. But typically the day watched the show

0:40:04.000 --> 0:40:07.280
<v Speaker 1>for things that are really easy travel or very high profile,

0:40:07.320 --> 0:40:09.320
<v Speaker 1>those are those are days too. He'll he'll tell you

0:40:09.360 --> 0:40:11.080
<v Speaker 1>as much he likes, you know, those the best days

0:40:11.120 --> 0:40:12.799
<v Speaker 1>to go to. You know, this is the easiest things

0:40:12.800 --> 0:40:15.759
<v Speaker 1>to go to. So, uh, let me talk about Blue

0:40:15.760 --> 0:40:18.040
<v Speaker 1>Apron for just second. I think if you're listening to this,

0:40:18.880 --> 0:40:21.160
<v Speaker 1>you like convenience. It's like you know with the Bobby

0:40:21.200 --> 0:40:23.279
<v Speaker 1>Cash you can hit the button and start and stop

0:40:23.280 --> 0:40:28.040
<v Speaker 1>whenever you want. But talking about food convenience is Blue Apron.

0:40:28.760 --> 0:40:31.160
<v Speaker 1>And if you go to Blue Apron dot com slash

0:40:31.239 --> 0:40:35.319
<v Speaker 1>Bobby Cast you're listening to this, you'll get your first

0:40:35.360 --> 0:40:38.040
<v Speaker 1>dinner thirty dollar value. If you visit again, blue Apron

0:40:38.120 --> 0:40:41.640
<v Speaker 1>dot com slash Bobby Cast comes to your door. Center

0:40:41.680 --> 0:40:44.600
<v Speaker 1>box has all the preportioned ingredients. You have to eat

0:40:44.600 --> 0:40:45.960
<v Speaker 1>it right then because you're gonna make it later home

0:40:45.960 --> 0:40:49.520
<v Speaker 1>cook you make it later. All the ingredients are preportioned,

0:40:50.160 --> 0:40:52.799
<v Speaker 1>and not only that, it's got a car tells you

0:40:52.840 --> 0:40:56.120
<v Speaker 1>how to make it exactly. They're delicious and some of

0:40:56.160 --> 0:40:59.960
<v Speaker 1>the mills like seared steaks and garlic butter with oven

0:41:00.080 --> 0:41:02.480
<v Speaker 1>fries and rommate salad, like, let's be honest, you'd never

0:41:02.520 --> 0:41:04.239
<v Speaker 1>be able to make that. But I put that down

0:41:04.239 --> 0:41:06.799
<v Speaker 1>with one of the ones that I've made because I look,

0:41:06.920 --> 0:41:09.319
<v Speaker 1>that's pretty good. I finished. I was like, dangn pretty good.

0:41:09.480 --> 0:41:12.600
<v Speaker 1>But really it's about Blue Apron said, you're gonna love it.

0:41:13.120 --> 0:41:15.000
<v Speaker 1>You know, you're gonna be like a chef to whomever

0:41:15.040 --> 0:41:16.759
<v Speaker 1>you're cooking it. For don't even tell him using blue

0:41:16.760 --> 0:41:18.560
<v Speaker 1>apron like to them be like, oh, it's been all days.

0:41:18.560 --> 0:41:21.279
<v Speaker 1>So they even over this dove blue apron dot com

0:41:21.600 --> 0:41:25.279
<v Speaker 1>slash Bobby cast. There you go, blue apron a better

0:41:25.280 --> 0:41:27.759
<v Speaker 1>way to cook? All right? So all right, let's let's

0:41:27.760 --> 0:41:31.360
<v Speaker 1>switch it up a bit. Uh you you play it

0:41:31.400 --> 0:41:33.200
<v Speaker 1>for Tom Petty, You got to play it regally with

0:41:33.239 --> 0:41:40.400
<v Speaker 1>Tom Petty. I don't know anyone who loves music, you know,

0:41:40.719 --> 0:41:44.160
<v Speaker 1>just genre lest music that didn't love Tom Petty. If

0:41:44.160 --> 0:41:46.000
<v Speaker 1>you don't love Tom Petty, I don't know what's the

0:41:46.200 --> 0:41:50.080
<v Speaker 1>matter with you? Like to go seek some kind of help.

0:41:50.800 --> 0:41:55.719
<v Speaker 1>It's you know, if you can't find something in some

0:41:55.840 --> 0:41:59.000
<v Speaker 1>of Tom Petty's music that you like, I'm worried about

0:41:59.000 --> 0:42:02.760
<v Speaker 1>you a little bit. When you're you're playing before Tom

0:42:02.760 --> 0:42:05.319
<v Speaker 1>with Tom, did you take a second and like take

0:42:05.360 --> 0:42:08.719
<v Speaker 1>it in when you want on stage? Absolutely? Well, First

0:42:08.719 --> 0:42:11.000
<v Speaker 1>of all, we're wrigley Field. The first first show we

0:42:11.000 --> 0:42:14.000
<v Speaker 1>played with him was at wrigley Field, and so that

0:42:14.040 --> 0:42:16.600
<v Speaker 1>alone would be enough to be like, hey, we're playing

0:42:16.600 --> 0:42:20.080
<v Speaker 1>at wrigley Field. But then you add to the fact

0:42:20.120 --> 0:42:22.360
<v Speaker 1>that we're there with Tom Petty and the heart Wreckers,

0:42:22.520 --> 0:42:27.880
<v Speaker 1>it's you know. That's you know, if you told seventeen

0:42:27.960 --> 0:42:31.879
<v Speaker 1>year old me that that was going down, my head

0:42:31.880 --> 0:42:35.680
<v Speaker 1>would blow up. And and it still felt that way

0:42:35.719 --> 0:42:39.160
<v Speaker 1>a whole lot. You know, seventeen year old me showed

0:42:39.239 --> 0:42:42.680
<v Speaker 1>up that day, it was like yeah, I was just like, yeah,

0:42:42.880 --> 0:42:47.800
<v Speaker 1>Wrigley Field with Tom Patty sounds great. You still get excited?

0:42:49.840 --> 0:42:54.200
<v Speaker 1>Oh yeah, yeah. Every night it's a new thing, you know,

0:42:55.520 --> 0:42:57.360
<v Speaker 1>because you know, we don't run tracks, we don't do

0:42:57.360 --> 0:42:59.759
<v Speaker 1>any that kind of stuff. So every night anything can happen,

0:43:00.000 --> 0:43:01.799
<v Speaker 1>which is crazy because again it's for the most part,

0:43:01.840 --> 0:43:05.760
<v Speaker 1>it's four people on stage, yes, and you don't want tracks,

0:43:05.800 --> 0:43:09.040
<v Speaker 1>That's what I'm saying. It sounds like ten people out there. Well,

0:43:09.080 --> 0:43:12.160
<v Speaker 1>we're just playing and you and you're playing the lead

0:43:13.600 --> 0:43:20.840
<v Speaker 1>and you're singing. I watch it and I'm just like, okay,

0:43:20.840 --> 0:43:23.480
<v Speaker 1>are you are you harsh on? Let's say you're doing

0:43:23.480 --> 0:43:26.319
<v Speaker 1>a solo, will you pick apart? We're like, oh man,

0:43:26.360 --> 0:43:28.919
<v Speaker 1>I really I really screwed that up. Well, I'm gonna

0:43:28.960 --> 0:43:30.839
<v Speaker 1>screw this is this is one thing out of the way.

0:43:30.880 --> 0:43:33.200
<v Speaker 1>I'm gonna screw up a solo at some point in

0:43:33.280 --> 0:43:35.600
<v Speaker 1>a show, and probably two or three solos in the show,

0:43:36.239 --> 0:43:40.600
<v Speaker 1>but hey, it's that way, you know, it's live, and

0:43:40.960 --> 0:43:45.000
<v Speaker 1>I've I've learned to just laughing off a little bit,

0:43:45.719 --> 0:43:47.799
<v Speaker 1>you know, and then and then see if I can

0:43:47.840 --> 0:43:53.239
<v Speaker 1>find my way back home, you know. So it's um.

0:43:53.239 --> 0:43:56.240
<v Speaker 1>Soloing is a very new thing to me. Really. Um.

0:43:56.280 --> 0:44:00.759
<v Speaker 1>It's really only something I've started doing, um pretty much

0:44:01.000 --> 0:44:03.120
<v Speaker 1>before the Travel record, because I had two guys in

0:44:03.120 --> 0:44:05.719
<v Speaker 1>the band quit and it got down to me and

0:44:05.800 --> 0:44:08.879
<v Speaker 1>j T and Derek and we had, uh, we had

0:44:08.880 --> 0:44:10.279
<v Speaker 1>three gigs that weekend. I was like, hey, do you

0:44:10.280 --> 0:44:12.319
<v Speaker 1>think we can cover this? And they're like, I don't

0:44:12.320 --> 0:44:14.160
<v Speaker 1>know that you have bass playing a drummer, you really

0:44:14.160 --> 0:44:18.160
<v Speaker 1>don't have many options except to had. It was out

0:44:18.200 --> 0:44:21.799
<v Speaker 1>of necessity that that I started doing, and I was like, well,

0:44:21.880 --> 0:44:24.759
<v Speaker 1>maybe I uncover it, maybe I'll figure something out, and

0:44:24.800 --> 0:44:28.080
<v Speaker 1>then you know, from there, I've I've learned to forgive

0:44:28.120 --> 0:44:31.120
<v Speaker 1>myself my shortcomings as a guitar player and and just

0:44:32.040 --> 0:44:34.480
<v Speaker 1>you know, enjoy it because I do enjoy playing guitar.

0:44:34.600 --> 0:44:37.040
<v Speaker 1>I really do, as probably as much as I enjoy

0:44:37.040 --> 0:44:43.000
<v Speaker 1>was saying I enjoy it, so um, you know, maybe

0:44:43.000 --> 0:44:46.200
<v Speaker 1>someday I'll wake up and be a real boy. You know,

0:44:46.280 --> 0:44:50.160
<v Speaker 1>like be a real guitar player. You know, whenever you

0:44:50.239 --> 0:44:51.879
<v Speaker 1>hurt yourself, you just didn't want to sing. You don't

0:44:51.920 --> 0:44:53.880
<v Speaker 1>anybody to come in. Was that a like when you

0:44:53.960 --> 0:44:57.200
<v Speaker 1>hurt your hand, you didn't want to not be able

0:44:57.239 --> 0:44:59.920
<v Speaker 1>to do both. Well, So much of our show is

0:45:00.080 --> 0:45:03.440
<v Speaker 1>is like I said, we don't run tracks. There's not

0:45:03.480 --> 0:45:06.160
<v Speaker 1>a road map necessarily for what we do. A lot

0:45:06.200 --> 0:45:11.000
<v Speaker 1>of it is very much something we've developed over time

0:45:12.040 --> 0:45:14.520
<v Speaker 1>of I'm gonna do this here, and you know, like

0:45:14.960 --> 0:45:17.560
<v Speaker 1>Derek Field, things coming when I'm playing that he can catch.

0:45:17.560 --> 0:45:19.960
<v Speaker 1>And so much of our show is that if I

0:45:20.000 --> 0:45:23.800
<v Speaker 1>can't play, we can't do the show because nobody coming

0:45:23.840 --> 0:45:28.920
<v Speaker 1>in is gonna have that um you know understanding of

0:45:29.000 --> 0:45:32.920
<v Speaker 1>the musicianship within the circle of its just not gonna work.

0:45:34.440 --> 0:45:37.080
<v Speaker 1>There's gonna be something different. And I feel like that's

0:45:37.239 --> 0:45:40.920
<v Speaker 1>selling a little short. I don't like that when you

0:45:40.960 --> 0:45:42.680
<v Speaker 1>had to cancel the shows, that suck for you that

0:45:42.920 --> 0:45:45.920
<v Speaker 1>that yeah, well it sucked worse for the people that

0:45:46.040 --> 0:45:48.279
<v Speaker 1>had tickets and plans that did. For me, you know,

0:45:48.600 --> 0:45:51.640
<v Speaker 1>I had to deal with you know, it's still a

0:45:51.640 --> 0:45:56.000
<v Speaker 1>little aggravating to deal with, but you know, I felt

0:45:56.040 --> 0:46:00.040
<v Speaker 1>worse about the people that I was in conveniencing the

0:46:00.040 --> 0:46:03.239
<v Speaker 1>than Yeah, anything I was having to go through, So

0:46:03.840 --> 0:46:05.920
<v Speaker 1>it'd be fine, what's up with these You're gonna play

0:46:05.960 --> 0:46:09.280
<v Speaker 1>the Eagles. That's that's pretty freaking cool. That is cool.

0:46:09.880 --> 0:46:14.239
<v Speaker 1>I'll say that, be proud of Its pretty freaking cool. Yeah. Man,

0:46:14.280 --> 0:46:19.759
<v Speaker 1>it's what's the Eagles with Vince Gill. So it's just like, yeah,

0:46:20.000 --> 0:46:23.879
<v Speaker 1>you know, I I was trying to talk to somebody

0:46:24.360 --> 0:46:28.719
<v Speaker 1>the other day. You know, I paid, I saved up

0:46:28.719 --> 0:46:31.319
<v Speaker 1>my money and when the healths Over tour was out,

0:46:31.440 --> 0:46:34.600
<v Speaker 1>and I bought me a ticket, my brother a ticket,

0:46:35.280 --> 0:46:38.279
<v Speaker 1>and we were fourth throw up in Charleston, West Virginia,

0:46:38.840 --> 0:46:41.920
<v Speaker 1>and they played for four hours, and to this day

0:46:41.920 --> 0:46:43.920
<v Speaker 1>it's one of the greatest shows I've been to pay

0:46:44.000 --> 0:46:46.080
<v Speaker 1>for four hours. They played for four hours, They played

0:46:46.120 --> 0:46:48.920
<v Speaker 1>us the Eagles for like two hours, and then the

0:46:48.920 --> 0:46:51.319
<v Speaker 1>Eagles became the house band, so to speak, and they

0:46:51.360 --> 0:46:56.960
<v Speaker 1>played everybody's solo stuff anything you can think of. Yeah,

0:46:57.080 --> 0:46:59.440
<v Speaker 1>that was solo stuff, so that you got the Eagles

0:46:59.480 --> 0:47:01.719
<v Speaker 1>and allers all this stuff. Did you watch the documentary

0:47:01.719 --> 0:47:04.920
<v Speaker 1>on CNN that like the Eagles multi part document you

0:47:04.960 --> 0:47:06.840
<v Speaker 1>ever see? That's the first of all, it's like a

0:47:06.880 --> 0:47:09.840
<v Speaker 1>hundred hours and way better than Face Off. So it

0:47:10.239 --> 0:47:12.640
<v Speaker 1>covers like is it on direct TV on the bus

0:47:12.920 --> 0:47:15.919
<v Speaker 1>and it's probably not on direct TV? Okay, well that's

0:47:15.920 --> 0:47:17.719
<v Speaker 1>on my only entertainment. I don't have TV at home.

0:47:19.400 --> 0:47:21.440
<v Speaker 1>What are you? What are you watching? What are you

0:47:21.480 --> 0:47:24.879
<v Speaker 1>more than watch anything fun? But I'm a huge Game

0:47:24.880 --> 0:47:27.440
<v Speaker 1>of Thrones fan. I love Game of Thrones. If I

0:47:27.480 --> 0:47:31.560
<v Speaker 1>have a show, it's that and Walking Down up to

0:47:31.560 --> 0:47:33.520
<v Speaker 1>the point I'm not caught off from Walking Dead yet,

0:47:33.560 --> 0:47:35.759
<v Speaker 1>but those are those are the two shows that I

0:47:35.800 --> 0:47:38.400
<v Speaker 1>have that are TV shows with I watched Game with Hero.

0:47:38.440 --> 0:47:41.239
<v Speaker 1>I watched both of those shows religiously with the Game

0:47:41.280 --> 0:47:43.960
<v Speaker 1>of Thrones, like can they let me ask you too,

0:47:44.040 --> 0:47:45.920
<v Speaker 1>QUI are you caught up? I'm caught off on Game

0:47:45.920 --> 0:47:47.880
<v Speaker 1>of Thrones so we can talk about whatever. So I

0:47:47.920 --> 0:47:50.359
<v Speaker 1>want if you're not caught up, if you're not turning

0:47:50.480 --> 0:47:54.360
<v Speaker 1>turn this off for it just for a second. They're related, right,

0:47:55.280 --> 0:47:58.920
<v Speaker 1>I think? So? No? There were? Yeah? Yeah, it's like

0:47:58.960 --> 0:48:02.440
<v Speaker 1>Aunt Knuckle, there's and nephews. How do you feel about that?

0:48:02.480 --> 0:48:04.279
<v Speaker 1>Like do you hope they get to stay together even

0:48:04.320 --> 0:48:08.800
<v Speaker 1>though there's like this, How do you feel about that?

0:48:08.840 --> 0:48:10.719
<v Speaker 1>How do I feel about Yeah? Do you? Because I

0:48:10.719 --> 0:48:11.879
<v Speaker 1>felt like I want them to get to I don't

0:48:11.880 --> 0:48:16.319
<v Speaker 1>care if they're related like that. Well, but I don't

0:48:16.360 --> 0:48:19.399
<v Speaker 1>care like a day you know, they're the same back

0:48:19.440 --> 0:48:25.760
<v Speaker 1>then Jerry Lewis will do it? Holy go it would

0:48:25.920 --> 0:48:30.640
<v Speaker 1>Uh what are we even talking about? Um? Yeah, well,

0:48:30.680 --> 0:48:33.440
<v Speaker 1>you know that's a complicated question because they've set up

0:48:33.440 --> 0:48:36.279
<v Speaker 1>a lot of this show not telling you that, and

0:48:36.320 --> 0:48:37.680
<v Speaker 1>you want them to get together. They want you to

0:48:37.719 --> 0:48:39.040
<v Speaker 1>want to get them together, and then they want you

0:48:39.120 --> 0:48:42.239
<v Speaker 1>to feel weird about it because then they give you

0:48:42.280 --> 0:48:45.280
<v Speaker 1>more information and so that's but that's kind of that show.

0:48:45.320 --> 0:48:49.399
<v Speaker 1>I mean there, but they would kill somebody? Yeah, oh man,

0:48:49.680 --> 0:48:53.600
<v Speaker 1>like the Red Wedding. Do you even in the first season?

0:48:54.040 --> 0:48:56.000
<v Speaker 1>Oh yeah, they killed I was like, has it? I

0:48:56.040 --> 0:48:58.399
<v Speaker 1>thought the show was about him? I thought me too.

0:48:58.400 --> 0:49:01.040
<v Speaker 1>I'm still pissed. Yeah. And it wasn't even the it

0:49:01.080 --> 0:49:03.879
<v Speaker 1>wasn't even the finale of the first season, right, And

0:49:03.920 --> 0:49:06.120
<v Speaker 1>I was like, what just happened? I kept waiting for

0:49:06.160 --> 0:49:08.960
<v Speaker 1>someone to come in and say these heads on the

0:49:09.000 --> 0:49:12.359
<v Speaker 1>chopping block and yeah, when his head was chopped off,

0:49:12.719 --> 0:49:16.480
<v Speaker 1>I think, like my TV, my my, my charity is

0:49:16.600 --> 0:49:19.279
<v Speaker 1>kind of popped up, like I don't trust TV anymore? Right,

0:49:19.400 --> 0:49:21.319
<v Speaker 1>that was it? The trust was gone at that point.

0:49:21.320 --> 0:49:24.600
<v Speaker 1>Would you like, what is this show actually about? And

0:49:24.640 --> 0:49:26.839
<v Speaker 1>I still kind of don't know. I don't wonder if

0:49:26.840 --> 0:49:28.920
<v Speaker 1>the if the frozen Dragon, you know, and you know,

0:49:29.080 --> 0:49:30.879
<v Speaker 1>there's a whole thing with the frozen dragons and fight

0:49:30.920 --> 0:49:33.239
<v Speaker 1>the the other lesson I'm again with on the nerd.

0:49:33.320 --> 0:49:35.560
<v Speaker 1>We could do a whole hour on on Game of Thrones.

0:49:36.520 --> 0:49:38.239
<v Speaker 1>Now we're not going to there, but we could have.

0:49:38.840 --> 0:49:40.400
<v Speaker 1>I could go down the whole rabbit hole with you.

0:49:40.480 --> 0:49:44.520
<v Speaker 1>Where are you walking dead? Walking dead? Oh? I don't

0:49:44.560 --> 0:49:49.520
<v Speaker 1>really know. I'm a couple of three episodes into the

0:49:49.560 --> 0:49:52.560
<v Speaker 1>current Okay, so you're pretty close. Then, yeah, I know

0:49:52.600 --> 0:49:55.239
<v Speaker 1>they killed Glenn and then and then maybe may have

0:49:55.280 --> 0:49:57.120
<v Speaker 1>lost me just just this much, you know, just a

0:49:57.200 --> 0:50:00.760
<v Speaker 1>little bit when when Glenn got this, don't you feel

0:50:00.760 --> 0:50:03.120
<v Speaker 1>like they have to Sometimes they'll kill the people that

0:50:03.239 --> 0:50:05.440
<v Speaker 1>you really like and don't expect what keeps you on

0:50:05.480 --> 0:50:08.319
<v Speaker 1>your toes. But not I know, Glum's awesome because from

0:50:08.320 --> 0:50:11.520
<v Speaker 1>the beginning, Glen say Rick from inside the freaking tank,

0:50:11.920 --> 0:50:14.960
<v Speaker 1>you know, in Atlanta, back right back in the day. Yeah,

0:50:15.000 --> 0:50:18.800
<v Speaker 1>there's like there's apocalypse type shows like I'm fascinated. Do

0:50:18.800 --> 0:50:22.960
<v Speaker 1>you think you would survive? Probably not, uh, you know,

0:50:25.960 --> 0:50:30.480
<v Speaker 1>just because I don't do enough cardio, so you think

0:50:30.520 --> 0:50:33.880
<v Speaker 1>your physical limitations would If you know, if I had

0:50:33.920 --> 0:50:36.200
<v Speaker 1>to run from zombies, you know, because zombie don't get tired.

0:50:37.000 --> 0:50:39.640
<v Speaker 1>I just need to do more cardio, I would love it,

0:50:39.760 --> 0:50:41.480
<v Speaker 1>Like I would love during my life for the world

0:50:41.480 --> 0:50:43.600
<v Speaker 1>to end like that, Like that would be cool for me?

0:50:43.680 --> 0:50:45.920
<v Speaker 1>Are you serious? Well? Just think this world has been

0:50:45.920 --> 0:50:49.000
<v Speaker 1>around for millions of years, right, and if in our

0:50:49.360 --> 0:50:53.040
<v Speaker 1>blink of the time that we're here, we experience the

0:50:53.760 --> 0:50:56.880
<v Speaker 1>end of the zombie apocalypse, whatever it is. If we

0:50:56.920 --> 0:50:59.120
<v Speaker 1>get to experience that, you're not cool, that would be no.

0:50:59.239 --> 0:51:01.080
<v Speaker 1>Because I got kid is man? That that's not that

0:51:02.160 --> 0:51:05.040
<v Speaker 1>I don't. You have kids, you would be You would

0:51:05.080 --> 0:51:07.760
<v Speaker 1>never ever say the words you're saying right now, probably

0:51:07.800 --> 0:51:10.960
<v Speaker 1>a fair statement because I don't have kids, but you

0:51:11.040 --> 0:51:13.840
<v Speaker 1>got to. You got twents comment, right, you do. I

0:51:13.840 --> 0:51:15.640
<v Speaker 1>don't even know. I don't even know what that is.

0:51:16.000 --> 0:51:18.200
<v Speaker 1>I don't either, So we'll find out. I'll let you know.

0:51:19.320 --> 0:51:26.600
<v Speaker 1>How's Morgan. She's pregnant? She good? Is she able to

0:51:26.640 --> 0:51:30.440
<v Speaker 1>sing the same Oh yeah, no, yeah, she's great and

0:51:30.520 --> 0:51:32.919
<v Speaker 1>you know she gets tired just but that's that's part

0:51:32.920 --> 0:51:35.759
<v Speaker 1>of it. She's got twenty fingers and twenty toes in

0:51:35.800 --> 0:51:40.240
<v Speaker 1>they're moving around, that's right. Yeah. I don't even especially

0:51:40.239 --> 0:51:41.840
<v Speaker 1>when you put it numerically like that, it's like just

0:51:41.960 --> 0:51:45.000
<v Speaker 1>twenty fingers and twenty toes. I don't even know. Let

0:51:45.080 --> 0:51:47.600
<v Speaker 1>me play some music here, how about it. I guess

0:51:47.640 --> 0:51:52.919
<v Speaker 1>some of this not made trying to tangle my mind.

0:51:54.080 --> 0:51:59.719
<v Speaker 1>Come about this song we want to know about? I

0:51:59.719 --> 0:52:01.960
<v Speaker 1>guess I kind of want to know, like because I

0:52:02.000 --> 0:52:05.080
<v Speaker 1>hear your songs and I insert my thoughts into your music,

0:52:05.120 --> 0:52:07.520
<v Speaker 1>which I think is what music is about. Like absolutely,

0:52:07.560 --> 0:52:10.439
<v Speaker 1>I was talking about that a different interview. How that's

0:52:10.600 --> 0:52:12.920
<v Speaker 1>I think that's a purpose of songs. Well, then for

0:52:12.960 --> 0:52:15.560
<v Speaker 1>you to excuse for you, the listener, to insert yourself

0:52:15.560 --> 0:52:17.279
<v Speaker 1>into it. Did someone say that to you? Or did

0:52:17.280 --> 0:52:19.080
<v Speaker 1>you say that to them? Because I said that to them?

0:52:19.280 --> 0:52:20.960
<v Speaker 1>Because then I don't feel stupid because if I'm if

0:52:20.960 --> 0:52:22.799
<v Speaker 1>I'm saying something someone else said, I'm just no no

0:52:22.800 --> 0:52:27.080
<v Speaker 1>no no no, So we're saying cool. So that's why

0:52:27.080 --> 0:52:29.279
<v Speaker 1>I felt like I feel like songs. We all have

0:52:29.320 --> 0:52:31.759
<v Speaker 1>our own identity with these songs. Absolutely they exist. You

0:52:31.760 --> 0:52:33.399
<v Speaker 1>write it for your reason, but I'm able to sign

0:52:33.400 --> 0:52:37.799
<v Speaker 1>my identity to whatever you wrote. So I've always think

0:52:37.880 --> 0:52:39.840
<v Speaker 1>just to know what your identity is when you're writing

0:52:39.840 --> 0:52:44.000
<v Speaker 1>this song. I don't know that I have an identity

0:52:44.040 --> 0:52:46.040
<v Speaker 1>when I'm writing a song other than I'm trying to

0:52:46.080 --> 0:52:48.319
<v Speaker 1>write a song. But I think it's good and then

0:52:48.360 --> 0:52:54.160
<v Speaker 1>the the identity part of it preachs into it on

0:52:54.320 --> 0:52:58.439
<v Speaker 1>ex you know what I'm saying. Does that make sense?

0:52:58.560 --> 0:53:01.160
<v Speaker 1>And I'm making just an all like yeah, Like I

0:53:01.200 --> 0:53:05.399
<v Speaker 1>don't consciously give a song and identity, but because I'm

0:53:05.400 --> 0:53:08.200
<v Speaker 1>writing the song, whatever part of me is in that

0:53:08.239 --> 0:53:11.919
<v Speaker 1>song is gonna be there because I wrote the song.

0:53:14.680 --> 0:53:19.799
<v Speaker 1>Is that am I talking? In certain your identity comes

0:53:19.840 --> 0:53:23.879
<v Speaker 1>out and as it's completed, there you are, but you're

0:53:23.880 --> 0:53:26.680
<v Speaker 1>not actually building it in any certain ways. Right. I

0:53:26.680 --> 0:53:29.719
<v Speaker 1>don't sit down and go I'm gonna put myself into

0:53:29.800 --> 0:53:35.080
<v Speaker 1>this song necessarily, you know, but but it's there whether

0:53:35.120 --> 0:53:36.880
<v Speaker 1>you like it or not. That's the other part. But

0:53:37.480 --> 0:53:40.479
<v Speaker 1>it took me a long time to realize is when

0:53:40.520 --> 0:53:45.840
<v Speaker 1>you write songs, um, you can think you're writing the

0:53:45.920 --> 0:53:49.200
<v Speaker 1>most fake song ever. But some part of you is

0:53:49.200 --> 0:53:53.320
<v Speaker 1>gonna slip in there that somebody's gonna go, that was

0:53:53.400 --> 0:53:55.239
<v Speaker 1>you right there. I had I heard that. That was

0:53:55.280 --> 0:53:57.560
<v Speaker 1>when such and such was going on, you were writing.

0:53:57.920 --> 0:54:00.000
<v Speaker 1>I know why you wrote that song. You know, even

0:54:00.000 --> 0:54:02.520
<v Speaker 1>if you don't know why you wrote that song. So

0:54:03.400 --> 0:54:05.600
<v Speaker 1>I'll plead ignorance on a lot of it. You know

0:54:05.880 --> 0:54:08.000
<v Speaker 1>my my favor I told you my favorite. I have

0:54:08.000 --> 0:54:09.920
<v Speaker 1>to a record, Like if I really love a record,

0:54:10.000 --> 0:54:12.719
<v Speaker 1>I'll give it a hundred listens a record, and I

0:54:12.719 --> 0:54:15.399
<v Speaker 1>listened to Volume one a hundred times because it keeps

0:54:15.400 --> 0:54:18.360
<v Speaker 1>a counting. This song here, I'll tell you this is

0:54:18.400 --> 0:54:21.319
<v Speaker 1>my This is my favorite song I think that you've

0:54:21.360 --> 0:54:25.120
<v Speaker 1>ever put out. This is my favorite song that record.

0:54:25.400 --> 0:54:28.920
<v Speaker 1>I will listen to this song over and over again,

0:54:30.200 --> 0:54:31.840
<v Speaker 1>like you just I'm gonna tell you what how it

0:54:31.840 --> 0:54:33.160
<v Speaker 1>makes me feel. Then you tell me how it makes

0:54:33.200 --> 0:54:34.960
<v Speaker 1>you feel, because I don't want to. I don't want

0:54:34.960 --> 0:54:36.239
<v Speaker 1>to hear what you say. And then did change with me.

0:54:36.360 --> 0:54:38.439
<v Speaker 1>Let me tell you, like when I hear this song,

0:54:38.960 --> 0:54:42.759
<v Speaker 1>it sounds like like I hear like Zeppelin, like I

0:54:42.880 --> 0:54:49.160
<v Speaker 1>hear like the The like old that background. That's what

0:54:49.280 --> 0:54:53.080
<v Speaker 1>I hear here like old Zeppelin types of the guitar volume.

0:54:54.400 --> 0:54:56.640
<v Speaker 1>It's up, it's higher than your voice at a time,

0:54:57.160 --> 0:55:00.200
<v Speaker 1>and I love how loud the guitar is to the

0:55:00.280 --> 0:55:02.760
<v Speaker 1>juxtaposition to your voice. And I think that was on purpose.

0:55:02.840 --> 0:55:04.600
<v Speaker 1>I don't know the boys on purpose and I but

0:55:04.640 --> 0:55:06.520
<v Speaker 1>I think you're sending a message with the with the

0:55:06.520 --> 0:55:09.120
<v Speaker 1>guitar of the tone and how loud the guitar is.

0:55:10.040 --> 0:55:13.480
<v Speaker 1>And I hear death throw, I can't look up and

0:55:13.719 --> 0:55:17.400
<v Speaker 1>up and he's like a place in life when you're like,

0:55:17.680 --> 0:55:18.920
<v Speaker 1>it's not really done. I don't want to hear death

0:55:18.960 --> 0:55:23.840
<v Speaker 1>throw their actual prison. Now it's literal to me, but

0:55:23.880 --> 0:55:26.160
<v Speaker 1>it's like, what's my death throw? Like where am I

0:55:26.239 --> 0:55:28.520
<v Speaker 1>in my life? Like where I'm in my death throw?

0:55:30.480 --> 0:55:33.160
<v Speaker 1>I don't want to minimize anybody's experience on death row

0:55:33.239 --> 0:55:37.680
<v Speaker 1>by standing it's any of us have anything experience like that,

0:55:37.760 --> 0:55:41.960
<v Speaker 1>but um, but yeah, certainly we were trying to you know.

0:55:42.800 --> 0:55:45.160
<v Speaker 1>I wrote this song with Mike Kenderson, who I wrote

0:55:45.200 --> 0:55:48.360
<v Speaker 1>a lot of songs with and he's a great blues

0:55:48.360 --> 0:55:52.080
<v Speaker 1>player and this was originally written and more of a

0:55:52.120 --> 0:55:57.239
<v Speaker 1>blues kind of Robert Johnson style, and that he does

0:55:57.280 --> 0:56:00.120
<v Speaker 1>he does a lot of great fingerstop blue stuff. I

0:56:00.120 --> 0:56:03.799
<v Speaker 1>can't really do all that stuff. But we were having

0:56:03.840 --> 0:56:07.200
<v Speaker 1>a day in the studio with this particular song where

0:56:07.200 --> 0:56:12.480
<v Speaker 1>we had gotten nothing all day long. We try things, nothing,

0:56:13.080 --> 0:56:19.520
<v Speaker 1>we try something else that's not it track, something that didn't.

0:56:19.760 --> 0:56:22.720
<v Speaker 1>We didn't get it, and so it's this is fairly

0:56:22.800 --> 0:56:26.200
<v Speaker 1>late in the evening and we were all just kind

0:56:26.200 --> 0:56:32.680
<v Speaker 1>of whipped and Dave started playing what is the kind

0:56:32.719 --> 0:56:37.680
<v Speaker 1>of opening acoustic look? And it became what all this

0:56:37.760 --> 0:56:41.040
<v Speaker 1>kind of built around? And I took that song that

0:56:41.040 --> 0:56:43.840
<v Speaker 1>I've written with Henderson and sang on top of this,

0:56:44.080 --> 0:56:46.799
<v Speaker 1>and we were very much trying to live in the

0:56:46.960 --> 0:56:51.480
<v Speaker 1>Led Zeppelin kind of area, you know, because we all

0:56:51.520 --> 0:56:56.319
<v Speaker 1>love that stuff. And I just like it because to me,

0:56:56.480 --> 0:57:02.040
<v Speaker 1>when I hear things like this, it makes me feel, um,

0:57:02.120 --> 0:57:04.759
<v Speaker 1>hopefully it feels badass, you know, like I'm looking for

0:57:04.840 --> 0:57:06.840
<v Speaker 1>something to feel badass. I like songs that make me

0:57:06.840 --> 0:57:11.200
<v Speaker 1>feel that way. Um. I'm not saying this in particularly,

0:57:11.200 --> 0:57:14.359
<v Speaker 1>I'm just saying songs like you here, back in Black,

0:57:14.800 --> 0:57:17.720
<v Speaker 1>that Back in Black will make you feel a certain

0:57:17.720 --> 0:57:20.840
<v Speaker 1>way every time. Oh No, it makes me want to

0:57:20.880 --> 0:57:22.160
<v Speaker 1>fight and I get right and I'll get and I

0:57:22.160 --> 0:57:23.840
<v Speaker 1>don't know yet, and I still want to fight every time,

0:57:23.840 --> 0:57:25.160
<v Speaker 1>and I'll get me up every time. That's that's the

0:57:25.160 --> 0:57:27.840
<v Speaker 1>way it makes me feel. But not in a way

0:57:27.880 --> 0:57:29.480
<v Speaker 1>that you're gonna actually walk on the door and getting five,

0:57:29.520 --> 0:57:32.880
<v Speaker 1>but you're like, all right, I'm ready, and things that

0:57:32.960 --> 0:57:35.840
<v Speaker 1>can get some kind of emotional response out of you

0:57:35.920 --> 0:57:40.400
<v Speaker 1>like that. Musically, man, that's that's what it's for. That's

0:57:40.400 --> 0:57:46.120
<v Speaker 1>my favorite song. Yeah, thank you. I hear that, and

0:57:46.160 --> 0:57:50.200
<v Speaker 1>I go, what's my death throw? Where I'm out in

0:57:50.200 --> 0:57:52.320
<v Speaker 1>my life and I gotta get off the death row?

0:57:53.120 --> 0:57:54.840
<v Speaker 1>Any what you're writing about? That's what I feel that

0:57:55.000 --> 0:57:57.919
<v Speaker 1>that's my interpretation. Start telling people that telling me wrote

0:57:57.920 --> 0:57:59.280
<v Speaker 1>that about me and my death. I wrote that song

0:57:59.320 --> 0:58:03.400
<v Speaker 1>about Bobby, but go on the record, I wrote that

0:58:03.440 --> 0:58:06.800
<v Speaker 1>song about Bobby Bones and his personal, definite personal death brow.

0:58:07.440 --> 0:58:11.640
<v Speaker 1>So if you stopped writing music right now, could you

0:58:11.680 --> 0:58:13.440
<v Speaker 1>too pop this thing and you just have music come

0:58:13.480 --> 0:58:17.120
<v Speaker 1>out for the next ten years? Yeah, like, because music

0:58:17.200 --> 0:58:19.680
<v Speaker 1>still coming out if you if you stop, I don't

0:58:19.720 --> 0:58:21.800
<v Speaker 1>have things recorded. But no no, But if you stop

0:58:21.880 --> 0:58:25.440
<v Speaker 1>writing right now, I can stop, right Would you feel

0:58:25.440 --> 0:58:27.480
<v Speaker 1>comfortable that you have enough quality material that for the

0:58:27.520 --> 0:58:30.200
<v Speaker 1>next five years you can put out records. That's probably

0:58:30.240 --> 0:58:34.120
<v Speaker 1>only two records. So yeah, okay, what if you did

0:58:34.120 --> 0:58:35.720
<v Speaker 1>two records of a year like you did this year?

0:58:36.600 --> 0:58:39.600
<v Speaker 1>Maybe do you have a song you're sitting on right

0:58:39.640 --> 0:58:41.320
<v Speaker 1>now that you're just like, man, I can't wait to

0:58:41.320 --> 0:58:45.120
<v Speaker 1>cut this one next time? Yoh yeah, there's there's several

0:58:45.160 --> 0:58:47.600
<v Speaker 1>like that. Yeah, did you have to decide when you

0:58:47.640 --> 0:58:49.880
<v Speaker 1>cut these two? Was it tough to not put songs

0:58:49.920 --> 0:58:52.360
<v Speaker 1>on because you love them so much? No, it's never tough,

0:58:52.480 --> 0:58:55.560
<v Speaker 1>because it's all you always, whatever moment you're in, it's

0:58:56.760 --> 0:58:58.440
<v Speaker 1>you're like, this is the time to do this right now,

0:58:58.480 --> 0:59:01.920
<v Speaker 1>I feel like doing this one. You know. It's never

0:59:01.960 --> 0:59:04.880
<v Speaker 1>tough to me in the moment. You know, if I

0:59:04.880 --> 0:59:06.040
<v Speaker 1>have to sit down and make a list and do

0:59:06.080 --> 0:59:07.280
<v Speaker 1>all that kind of stuff, I can't do that. My

0:59:07.280 --> 0:59:10.320
<v Speaker 1>wife is great at that. But in a moment in

0:59:10.360 --> 0:59:12.320
<v Speaker 1>a day, like what do I feel like playing right now?

0:59:12.840 --> 0:59:16.200
<v Speaker 1>That's never hard, you know. For me, it's just like, oh, yeah,

0:59:16.240 --> 0:59:19.400
<v Speaker 1>I'm feeling like this, let's just let's just play this. Well,

0:59:19.400 --> 0:59:21.960
<v Speaker 1>it's set, let's change now to show it based on

0:59:22.000 --> 0:59:24.760
<v Speaker 1>how you're feeling. Since you're not you's intraction pretty much

0:59:24.800 --> 0:59:27.280
<v Speaker 1>do whatever you want. So you'd be like, you know what,

0:59:27.760 --> 0:59:34.680
<v Speaker 1>LD crazy? Yeah, so will you write up a new

0:59:34.720 --> 0:59:38.520
<v Speaker 1>set list every night? I do write a new setings

0:59:38.520 --> 0:59:41.120
<v Speaker 1>every night, and you know, sometimes they very very little

0:59:41.200 --> 0:59:42.920
<v Speaker 1>if we feel like we're into crew. But sometimes if

0:59:42.920 --> 0:59:45.840
<v Speaker 1>you feel like you're getting stagnant in the show, like

0:59:48.680 --> 0:59:53.600
<v Speaker 1>I don't ever want us to feel too comfortable, to

0:59:53.720 --> 0:59:55.840
<v Speaker 1>comfortable with the point where you're dolfs like you're going

0:59:55.880 --> 0:59:59.480
<v Speaker 1>through the motions, because that's bad. Yeah, we're just going

0:59:59.480 --> 1:00:05.080
<v Speaker 1>through the motions. We're not really focused, right, So we

1:00:05.160 --> 1:00:07.280
<v Speaker 1>try to try to keep the sets. You know, we'll

1:00:07.280 --> 1:00:09.200
<v Speaker 1>switch them up, replace songs we haven't played in a while,

1:00:09.360 --> 1:00:18.880
<v Speaker 1>just to just switch it up. So I listen to

1:00:18.960 --> 1:00:25.640
<v Speaker 1>Johnson Brothers. Okay, I'm not gonna lie to you his

1:00:25.840 --> 1:00:28.000
<v Speaker 1>rock and roll. This is rock and roll right here. Yeah,

1:00:28.440 --> 1:00:31.800
<v Speaker 1>we were trying to play rock? Was this a Was

1:00:31.840 --> 1:00:35.440
<v Speaker 1>this a rock and roll band? Here? Oh? Yeah? Absolutely nothing? Roll?

1:00:35.840 --> 1:00:38.160
<v Speaker 1>Like the goal with the Johnson Brothers West to Blank

1:00:38.360 --> 1:00:41.720
<v Speaker 1>you play rock and roll? Was it to be the

1:00:41.720 --> 1:00:45.440
<v Speaker 1>biggest rock and roll band in the planet. No, I

1:00:45.440 --> 1:00:49.000
<v Speaker 1>don't think anybody had delusions of that, but you know

1:00:49.040 --> 1:00:51.920
<v Speaker 1>it was it was girl play rock and roll and

1:00:54.400 --> 1:00:56.480
<v Speaker 1>you know, to me, rock and roll for the sake

1:00:56.520 --> 1:00:59.840
<v Speaker 1>of rock and roll was what rock and roll is,

1:01:01.280 --> 1:01:03.640
<v Speaker 1>you know. But not that I'm any kind of authority

1:01:03.680 --> 1:01:08.440
<v Speaker 1>on I like, uh, I like that, you know, still

1:01:08.520 --> 1:01:17.200
<v Speaker 1>drivers up bluegrass here it is, you know, bluegrass rock.

1:01:17.400 --> 1:01:20.600
<v Speaker 1>It's kind of it's a rock and bluegrass thing. Would

1:01:20.640 --> 1:01:24.919
<v Speaker 1>you were you've you feel like that's fair this, yeah,

1:01:25.560 --> 1:01:29.080
<v Speaker 1>but in general, like still you feel like there were Yeah,

1:01:29.120 --> 1:01:31.720
<v Speaker 1>we lived on the outside edge of what was acceptably

1:01:31.760 --> 1:01:35.640
<v Speaker 1>called bluegrass, you know, sou And I'm definitely not in

1:01:35.680 --> 1:01:38.800
<v Speaker 1>any way a traditional gluegress singer. And I'm not telling

1:01:38.800 --> 1:01:41.120
<v Speaker 1>anybody think they think that they don't already know, but

1:01:42.440 --> 1:01:49.440
<v Speaker 1>uh yeah, we definitely played with the boundaries of what

1:01:49.440 --> 1:01:52.800
<v Speaker 1>what that means in that band, but not only more

1:01:52.800 --> 1:01:55.880
<v Speaker 1>than some other guys did before us, you know, Tim

1:01:55.920 --> 1:02:02.400
<v Speaker 1>O'Brian deel Scott, New Grass Revival, things like that, Tony Rise,

1:02:03.320 --> 1:02:05.680
<v Speaker 1>lot a lot of cool. You don't warm your voice

1:02:05.760 --> 1:02:09.360
<v Speaker 1>up before a show, really, huh, that's so crazy. I

1:02:09.480 --> 1:02:12.280
<v Speaker 1>might sing a little bit, you know, just mess around

1:02:12.280 --> 1:02:14.240
<v Speaker 1>with the band, but but you don't really for a

1:02:14.600 --> 1:02:18.440
<v Speaker 1>for as violent as you sing that would be like, well,

1:02:18.480 --> 1:02:20.480
<v Speaker 1>I I kind of write the set us a warm up,

1:02:20.520 --> 1:02:23.040
<v Speaker 1>you know what I'm saying, Like, Okay, that's fair. I

1:02:23.160 --> 1:02:26.840
<v Speaker 1>put the you know, I don't put the the heavy

1:02:26.920 --> 1:02:30.280
<v Speaker 1>hitter out of the gate. I put something that I

1:02:30.280 --> 1:02:32.919
<v Speaker 1>can kind of get loose on. What's the heavy hitter

1:02:32.920 --> 1:02:34.600
<v Speaker 1>for you to sing? When you when you put a song,

1:02:34.640 --> 1:02:36.960
<v Speaker 1>you're like, I'm about to take this one on the

1:02:37.000 --> 1:02:40.880
<v Speaker 1>heavy hitter. I mean sometimes like Crass always a heavy hit,

1:02:40.960 --> 1:02:43.960
<v Speaker 1>or h boy, do you hit that? When you play

1:02:44.040 --> 1:02:45.520
<v Speaker 1>that song, you feel like you have to do that,

1:02:46.720 --> 1:02:48.880
<v Speaker 1>like you have to do that. Oh yeah, whatever I

1:02:48.920 --> 1:02:51.439
<v Speaker 1>got I mean is gonna get done on that one.

1:02:52.040 --> 1:02:55.000
<v Speaker 1>That's when people come. If people like that song, that's

1:02:55.000 --> 1:02:56.840
<v Speaker 1>what they want to hear. I love that song on

1:02:56.880 --> 1:02:58.840
<v Speaker 1>the record too. When it goes like a studio to

1:02:58.920 --> 1:03:01.040
<v Speaker 1>live you know that part of the uh in that

1:03:01.120 --> 1:03:03.400
<v Speaker 1>part of that track where it goes from studio and

1:03:03.440 --> 1:03:05.440
<v Speaker 1>then at the end of like you know, the clapping, Well,

1:03:05.480 --> 1:03:07.840
<v Speaker 1>that's just the people that were in the room. Are

1:03:07.880 --> 1:03:12.240
<v Speaker 1>you kidding me? Okay, So in my mind, as you

1:03:12.240 --> 1:03:15.160
<v Speaker 1>can tell, I know every freaking track, But did you

1:03:15.200 --> 1:03:17.720
<v Speaker 1>put out that's in people in the room in the

1:03:17.760 --> 1:03:21.440
<v Speaker 1>studio when you recorded that clapping. Yeah, we cut that track.

1:03:21.840 --> 1:03:23.920
<v Speaker 1>We had the record done, we had traveled done, and

1:03:23.960 --> 1:03:26.200
<v Speaker 1>we invited the people to the listening party at our

1:03:26.240 --> 1:03:29.120
<v Speaker 1>cia and they all had headphones and then we pulled

1:03:29.360 --> 1:03:31.200
<v Speaker 1>like this thing. We're like, here's what we're gonna do.

1:03:31.200 --> 1:03:33.240
<v Speaker 1>We're gonna do one more. We're gonna finish the record

1:03:33.320 --> 1:03:36.560
<v Speaker 1>right now, and you're gonna be watching. And so we

1:03:36.680 --> 1:03:38.960
<v Speaker 1>cut that in front of a bunch of press folks

1:03:38.960 --> 1:03:41.440
<v Speaker 1>and everything. I had no idea. And that's them. Some

1:03:41.480 --> 1:03:42.880
<v Speaker 1>of them had headphones on and some of them were

1:03:42.880 --> 1:03:46.200
<v Speaker 1>just in the room, you know. But the clapping is

1:03:46.200 --> 1:03:48.920
<v Speaker 1>is those people in the room. I thought that was

1:03:48.960 --> 1:03:51.000
<v Speaker 1>some kind of weird You did his studio and you

1:03:51.000 --> 1:03:54.600
<v Speaker 1>you like melded it with the end of a live performance. No,

1:03:54.760 --> 1:03:59.240
<v Speaker 1>it's an actual live performance with people in the room. Man,

1:03:59.360 --> 1:04:02.360
<v Speaker 1>did you know that? Look like what you learn when

1:04:02.360 --> 1:04:04.520
<v Speaker 1>you ask questions? Who knew when you ask questions to

1:04:04.600 --> 1:04:10.520
<v Speaker 1>learn things? Do you realize how big Chris Stapleton is.

1:04:12.560 --> 1:04:15.720
<v Speaker 1>I'm go back to sixt right now. No, no, come on,

1:04:16.000 --> 1:04:22.840
<v Speaker 1>come on, do you like you're the You're the thing?

1:04:24.080 --> 1:04:28.479
<v Speaker 1>Because and here's why and it's because you don't try

1:04:28.480 --> 1:04:30.840
<v Speaker 1>to be the thing. It's Isn't it crazy how cool

1:04:30.840 --> 1:04:32.760
<v Speaker 1>people work, How the coolest people are the ones that

1:04:32.800 --> 1:04:36.200
<v Speaker 1>don't try to be cool. Uh well, I don't know

1:04:36.240 --> 1:04:38.600
<v Speaker 1>if I'm one of the coolest people. Okay, you don't

1:04:38.640 --> 1:04:40.520
<v Speaker 1>have to talk about you, but okay, would you say

1:04:40.560 --> 1:04:43.000
<v Speaker 1>to the people that you admire the most in creative

1:04:43.080 --> 1:04:45.640
<v Speaker 1>Land of the people that aren't out there to be

1:04:45.680 --> 1:04:48.760
<v Speaker 1>admired the most in creative Land? Absolutely? You know. I

1:04:48.760 --> 1:04:50.840
<v Speaker 1>will say the people that I've met that I believe

1:04:50.880 --> 1:04:53.680
<v Speaker 1>to be cool definitely are not trying to be cool.

1:04:53.920 --> 1:04:59.040
<v Speaker 1>And that's what people feel about you. You are the

1:04:59.040 --> 1:05:01.560
<v Speaker 1>the biggest thing in our I'm not eve gonna say

1:05:01.640 --> 1:05:03.560
<v Speaker 1>you're not even formatty to me, Like, I'm not a

1:05:03.560 --> 1:05:06.160
<v Speaker 1>format guy. I'm on country radio stations, but I love

1:05:06.200 --> 1:05:08.080
<v Speaker 1>all music and I've done all. I've done rock and

1:05:08.160 --> 1:05:11.400
<v Speaker 1>sports and pop and country and again. I'm a Kiftain

1:05:11.480 --> 1:05:13.880
<v Speaker 1>Arkansas who grew up listening to Kissing ninety States country

1:05:13.960 --> 1:05:17.240
<v Speaker 1>radio but also was an alternative kid and a hip

1:05:17.280 --> 1:05:19.240
<v Speaker 1>hop I sat hip hop record deal you know for

1:05:19.320 --> 1:05:22.120
<v Speaker 1>you know, so I have all of this, So I

1:05:22.120 --> 1:05:25.160
<v Speaker 1>don't even consider you in the this you're just a

1:05:25.200 --> 1:05:27.280
<v Speaker 1>country singer, right. I hope that's okay for me to

1:05:27.280 --> 1:05:30.400
<v Speaker 1>say that, because I don't know. I don't like labels either,

1:05:30.440 --> 1:05:33.400
<v Speaker 1>so you're not bothering me with anything you're saying. But

1:05:33.560 --> 1:05:37.080
<v Speaker 1>like you are the gold standard now to two artists,

1:05:37.720 --> 1:05:40.840
<v Speaker 1>like everyone's the next, you know, next Michael Jordan, It's

1:05:40.880 --> 1:05:43.480
<v Speaker 1>Kobe Bryant, the next Michael Jordan, is Lebron James, the

1:05:43.480 --> 1:05:46.320
<v Speaker 1>next Michael Jordan. But now everyone is, oh this, this

1:05:46.400 --> 1:05:48.840
<v Speaker 1>is the female version of Chris Stable, and it's the

1:05:48.840 --> 1:05:51.160
<v Speaker 1>next Chris Stable. And you gotta hear something that's gotta

1:05:51.160 --> 1:05:53.760
<v Speaker 1>get back to you, right, No, I don't you know.

1:05:54.480 --> 1:05:57.480
<v Speaker 1>I don't come into town that much. I don't. No,

1:05:57.520 --> 1:06:00.760
<v Speaker 1>I don't running around talking to people too much. You know.

1:06:01.200 --> 1:06:06.400
<v Speaker 1>When I'm not on the road, I'm out. We bought

1:06:06.520 --> 1:06:07.880
<v Speaker 1>some land and I'm out in the middle of it.

1:06:07.920 --> 1:06:10.960
<v Speaker 1>And that's why you're cool. You don't even care. It's

1:06:11.000 --> 1:06:12.080
<v Speaker 1>not that I don't care. I don't want you to

1:06:12.120 --> 1:06:13.840
<v Speaker 1>say it's no, I don't care. If you don't care

1:06:13.880 --> 1:06:16.160
<v Speaker 1>what I care very much about. I don't care about people.

1:06:16.320 --> 1:06:18.000
<v Speaker 1>That's that was my point. You don't care what people

1:06:18.000 --> 1:06:20.160
<v Speaker 1>are saying you don't really care about the person you

1:06:20.200 --> 1:06:23.760
<v Speaker 1>care about putting out what you feel. It feels good, right,

1:06:24.400 --> 1:06:26.919
<v Speaker 1>you know, and that's the only thing you should care about. Yeah,

1:06:27.280 --> 1:06:35.000
<v Speaker 1>I need to take some lessons from you. This, obviously,

1:06:35.040 --> 1:06:36.800
<v Speaker 1>in my mind, was about Wizard of Eyes, the movie

1:06:36.800 --> 1:06:38.520
<v Speaker 1>I have to picture and you're watching Wizard of Eyes.

1:06:38.880 --> 1:06:45.200
<v Speaker 1>Really no, no, but see now, I'm people are gonna

1:06:45.200 --> 1:06:47.240
<v Speaker 1>be taking it and like turning the volume off of

1:06:47.320 --> 1:06:53.200
<v Speaker 1>the Wizard Off. So what people don't know is and

1:06:53.200 --> 1:06:54.800
<v Speaker 1>I guess we waited too pretty close to the end

1:06:54.800 --> 1:06:57.560
<v Speaker 1>of it to say this and admit this, but volume

1:06:57.640 --> 1:06:59.520
<v Speaker 1>two you can actually match it up with face off

1:06:59.520 --> 1:07:02.640
<v Speaker 1>and turn faces off on it at the beginning and

1:07:02.760 --> 1:07:07.680
<v Speaker 1>turned full full circle all the way back around. You

1:07:07.720 --> 1:07:10.360
<v Speaker 1>feel good like you, You feel like your life right now?

1:07:10.400 --> 1:07:12.600
<v Speaker 1>You feel good? Oh yeah, what makes you happy? What

1:07:12.680 --> 1:07:16.120
<v Speaker 1>makes me happy? Oh? My kids made me happy, and

1:07:16.160 --> 1:07:23.520
<v Speaker 1>my wife makes me happy. And you know, just getting

1:07:23.520 --> 1:07:26.800
<v Speaker 1>to play music makes me happy. Playing guitar makes me happy.

1:07:27.640 --> 1:07:30.439
<v Speaker 1>All the folks um I get to work with made

1:07:30.480 --> 1:07:36.080
<v Speaker 1>me happy. So I'm pretty happy, dude. All that that's

1:07:36.120 --> 1:07:39.960
<v Speaker 1>pretty much all of my days right there. So you

1:07:40.000 --> 1:07:43.440
<v Speaker 1>feel like people ask a lot more of you now, absolutely,

1:07:43.640 --> 1:07:45.479
<v Speaker 1>But I mean that's part of that's part of the gig.

1:07:46.920 --> 1:07:48.560
<v Speaker 1>You mean, just like, do you get more asked to

1:07:48.640 --> 1:07:51.760
<v Speaker 1>do things or just both? Do you feel like do

1:07:51.800 --> 1:07:56.200
<v Speaker 1>you feel like at times Chris and Chris Stableton or

1:07:56.200 --> 1:08:00.760
<v Speaker 1>two different people? Sure, but you know not and and

1:08:00.800 --> 1:08:05.320
<v Speaker 1>also yes, you know like there's there's a there's a

1:08:05.400 --> 1:08:08.840
<v Speaker 1>dude that everybody. I don't want to talk about myself

1:08:08.840 --> 1:08:10.840
<v Speaker 1>on the third person or anything. I think it's fair

1:08:10.840 --> 1:08:13.080
<v Speaker 1>to in the situation though, because I just asked you

1:08:13.120 --> 1:08:16.360
<v Speaker 1>that Chris and Chris Stapleton, So I think it's fair to. Yeah,

1:08:16.400 --> 1:08:18.400
<v Speaker 1>I mean, on one hand, I'm I'm I'm just a

1:08:18.439 --> 1:08:22.679
<v Speaker 1>guy who you know, was trying to raise his family

1:08:22.720 --> 1:08:26.200
<v Speaker 1>and take care of his family and like anybody any

1:08:26.240 --> 1:08:31.800
<v Speaker 1>other guy would. On the other hand, I'm I'm I'm

1:08:31.880 --> 1:08:35.920
<v Speaker 1>something else or people perceive me to be something else

1:08:36.000 --> 1:08:39.639
<v Speaker 1>when I'm playing music. I guess that, you know, can

1:08:39.720 --> 1:08:43.320
<v Speaker 1>sometimes be strange, but it's also you know, like, Okay,

1:08:43.600 --> 1:08:48.599
<v Speaker 1>um here's what I got, you know, and and if

1:08:48.640 --> 1:08:55.760
<v Speaker 1>that uh makes people feel good or um, let's people

1:08:55.800 --> 1:08:59.080
<v Speaker 1>have a good time, but forget about some other you know,

1:09:00.200 --> 1:09:03.160
<v Speaker 1>terriful thing that got going on for a couple of

1:09:03.160 --> 1:09:06.679
<v Speaker 1>hours at a show, then that's a real hot calling,

1:09:06.920 --> 1:09:10.800
<v Speaker 1>So I'm happy to do it. I got another one.

1:09:11.800 --> 1:09:14.640
<v Speaker 1>I still think there's a is a Christaltic conspiracy to

1:09:14.840 --> 1:09:16.639
<v Speaker 1>one album of the Year two years in a row.

1:09:17.040 --> 1:09:19.840
<v Speaker 1>That's why I think about a m B. That's why

1:09:19.840 --> 1:09:23.480
<v Speaker 1>I think Volume one. But that's why I think congratulations.

1:09:23.479 --> 1:09:24.960
<v Speaker 1>By the way, thank you very much. Do you feel

1:09:25.000 --> 1:09:28.720
<v Speaker 1>like because I mean, that's probably three roads of before

1:09:28.720 --> 1:09:32.080
<v Speaker 1>from you and I was I was watching you. Is

1:09:32.120 --> 1:09:36.200
<v Speaker 1>this propectly not your name? Still? Yeah? I mean, do

1:09:36.240 --> 1:09:38.880
<v Speaker 1>you are you surprised if somebody gives you an award?

1:09:38.920 --> 1:09:42.880
<v Speaker 1>I don't like awards. I'm not comfortable with them. I

1:09:42.920 --> 1:09:46.040
<v Speaker 1>don't Yeah, you don't know what to say. I don't

1:09:46.200 --> 1:09:49.799
<v Speaker 1>like like. The thing is that when you get an award,

1:09:49.880 --> 1:09:53.479
<v Speaker 1>like there's the immediate feeling of, oh, I didn't prepare

1:09:53.479 --> 1:09:57.600
<v Speaker 1>a speech and also I'm gonna say something off the

1:09:57.640 --> 1:10:01.840
<v Speaker 1>cuff that maybe doesn't make any sense, and then you

1:10:01.880 --> 1:10:04.559
<v Speaker 1>walk off like oh I forgot this or you know.

1:10:05.040 --> 1:10:09.719
<v Speaker 1>Um so those things are are funny in those moments,

1:10:09.760 --> 1:10:15.439
<v Speaker 1>you know, But no, I don't ever expect them. I don't,

1:10:15.680 --> 1:10:19.719
<v Speaker 1>you know, And someday my not expecting them will come true.

1:10:19.800 --> 1:10:24.439
<v Speaker 1>So I'll enjoy it while while we have the U

1:10:26.280 --> 1:10:29.880
<v Speaker 1>I have have our moment, and and when we don't,

1:10:29.880 --> 1:10:32.360
<v Speaker 1>we'll look back and go, wow, that was that was cool.

1:10:33.360 --> 1:10:35.880
<v Speaker 1>Two questions and we'll wrap this up. Question one, what's

1:10:35.880 --> 1:10:39.160
<v Speaker 1>your favorite picture you have in your house? My favorite picture? Yeah,

1:10:39.400 --> 1:10:42.400
<v Speaker 1>like you think of your favorite picture? Sure, I have

1:10:42.479 --> 1:10:50.639
<v Speaker 1>in my house. We're still halfway. Don't have too many

1:10:50.640 --> 1:11:02.200
<v Speaker 1>pictures hanging up out Um yeah, yeah, right now it's

1:11:02.320 --> 1:11:06.000
<v Speaker 1>probably uh my wife, are you talking like a photograph

1:11:06.120 --> 1:11:09.519
<v Speaker 1>or just like a photograph memory, like a picture? You're like, man,

1:11:10.400 --> 1:11:13.839
<v Speaker 1>I love it when I see that picture, see that picture.

1:11:14.720 --> 1:11:16.439
<v Speaker 1>We don't have a lot of pictures up in our house.

1:11:16.520 --> 1:11:20.920
<v Speaker 1>It's it's weird. We have more like art and you know,

1:11:21.720 --> 1:11:27.400
<v Speaker 1>weird uh fines. You know. I used to be like

1:11:27.439 --> 1:11:30.400
<v Speaker 1>a flea market guy, you know, like I have all

1:11:30.439 --> 1:11:37.720
<v Speaker 1>these odd things. There's a I guess my favorite one

1:11:37.720 --> 1:11:41.200
<v Speaker 1>is My wife has this little tiny I was probably

1:11:42.080 --> 1:11:47.559
<v Speaker 1>six by four framed picture of a rabbit that was

1:11:47.600 --> 1:11:49.360
<v Speaker 1>given to her and by her I believe, by her

1:11:49.400 --> 1:11:52.120
<v Speaker 1>friend Paul Kennedy, or maybe she got it because Paul Kennedy.

1:11:52.479 --> 1:11:54.479
<v Speaker 1>I guess it's a British thing. The first of every month,

1:11:54.520 --> 1:11:56.600
<v Speaker 1>you're supposed to say rabbits the first thing when you

1:11:56.640 --> 1:11:59.320
<v Speaker 1>wake up, right that stuffing Paul does. I don't know,

1:12:00.400 --> 1:12:04.080
<v Speaker 1>but it reminds her of Paul. And she has this

1:12:04.120 --> 1:12:07.240
<v Speaker 1>little tiny it's supposed to bring you good luck, I guess.

1:12:07.320 --> 1:12:10.040
<v Speaker 1>And so there's this little tiny picture of a rabbit

1:12:10.120 --> 1:12:12.760
<v Speaker 1>hanging in our house. That's beyond that there I have

1:12:12.800 --> 1:12:15.639
<v Speaker 1>a plate that there's also a plate that somebody gave

1:12:15.720 --> 1:12:17.680
<v Speaker 1>us for our wedding that's a kind of a full

1:12:17.760 --> 1:12:21.760
<v Speaker 1>card painting of me and my wife. That's the day

1:12:21.760 --> 1:12:24.800
<v Speaker 1>we were married, and it's traveled with us everywhere. That

1:12:25.120 --> 1:12:27.000
<v Speaker 1>kind of hangs in the kitchen. But those are the

1:12:27.040 --> 1:12:29.920
<v Speaker 1>two that stuck out of my mind. I'm writing m

1:12:30.880 --> 1:12:34.040
<v Speaker 1>my second book, and it's on adversity, and it's on

1:12:34.439 --> 1:12:40.640
<v Speaker 1>it's basically a failure and how that the greatest successes

1:12:41.640 --> 1:12:43.760
<v Speaker 1>are often the people that have failed the most and

1:12:43.840 --> 1:12:47.920
<v Speaker 1>have continued to get back up but told no, get

1:12:47.920 --> 1:12:50.439
<v Speaker 1>out dude again. Learn the told no, get up to

1:12:50.560 --> 1:12:53.360
<v Speaker 1>it again? Learn Was there ever a point and what

1:12:53.400 --> 1:12:54.960
<v Speaker 1>was the point for you where you were like, man,

1:12:55.280 --> 1:12:57.320
<v Speaker 1>this is this is kind of my low. I don't

1:12:57.360 --> 1:12:58.680
<v Speaker 1>know if I'm gonna able to get out of this

1:13:00.800 --> 1:13:04.840
<v Speaker 1>just mentally. Um. It doesn't really have anything to do

1:13:04.880 --> 1:13:10.640
<v Speaker 1>with anything professional, but um, um, you know, the day

1:13:10.680 --> 1:13:13.599
<v Speaker 1>that my my dad passed away, I got a call

1:13:13.880 --> 1:13:17.840
<v Speaker 1>in South Carolina. Was down there, um taking my kids

1:13:17.840 --> 1:13:21.519
<v Speaker 1>down there to the beach with their other grandparents, and

1:13:21.520 --> 1:13:25.760
<v Speaker 1>I got the call my brother Carl. So I took

1:13:25.760 --> 1:13:29.160
<v Speaker 1>a little walk, kind of soaked that in. And you know,

1:13:29.200 --> 1:13:32.040
<v Speaker 1>I was there two days prior when we played a show,

1:13:33.320 --> 1:13:38.800
<v Speaker 1>and uh, you told me goodbye or whatever. I could

1:13:38.840 --> 1:13:40.360
<v Speaker 1>have stayed. I could have stayed two days. So the

1:13:40.400 --> 1:13:43.960
<v Speaker 1>biggest regret in there, and I should have stayed. I

1:13:44.000 --> 1:13:47.400
<v Speaker 1>should have stayed over, but I used some lame excuse

1:13:47.520 --> 1:13:48.880
<v Speaker 1>like you know what, I got got on the bus,

1:13:48.880 --> 1:13:51.000
<v Speaker 1>a bus to leaving. You know, I could have figured

1:13:51.040 --> 1:13:54.519
<v Speaker 1>something out. But so that was a failure in my

1:13:54.560 --> 1:13:59.120
<v Speaker 1>mind as a you know, a failure of things that

1:13:59.160 --> 1:14:01.680
<v Speaker 1>I should have done. I don't have any regrets, but

1:14:01.720 --> 1:14:03.800
<v Speaker 1>I do regret those two days. And for some reason,

1:14:03.800 --> 1:14:09.360
<v Speaker 1>those two days magically mean more than all the other days.

1:14:09.400 --> 1:14:12.240
<v Speaker 1>I could have been there saying hello or doing something,

1:14:12.280 --> 1:14:22.040
<v Speaker 1>but my dad. UM, that's that's probably for me that

1:14:22.200 --> 1:14:27.760
<v Speaker 1>was a failure. UM as a son, I guess, but

1:14:29.960 --> 1:14:33.240
<v Speaker 1>you know, you can't get those things back, but you

1:14:33.320 --> 1:14:37.640
<v Speaker 1>do learn in those moments, you know, in moments to

1:14:37.720 --> 1:14:41.640
<v Speaker 1>try to not to let the professional um kind of

1:14:41.640 --> 1:14:44.800
<v Speaker 1>outweigh the personal or steer it more than it should.

1:14:46.360 --> 1:14:51.360
<v Speaker 1>And for me that that that, for me was the lesson.

1:14:52.160 --> 1:14:55.760
<v Speaker 1>Do you feel like it's given you balance with your

1:14:55.880 --> 1:14:59.360
<v Speaker 1>family now and how you balance that? Well, we do

1:14:59.400 --> 1:15:02.320
<v Speaker 1>our best and we're still very much working on the

1:15:02.320 --> 1:15:08.000
<v Speaker 1>balance because it's a very UM, it's a demanding thing

1:15:09.479 --> 1:15:13.519
<v Speaker 1>on your time to go to our likely tour or ah.

1:15:14.400 --> 1:15:18.880
<v Speaker 1>You know, you know the deal. It's Uh. When you

1:15:18.960 --> 1:15:22.360
<v Speaker 1>have a moment where you you're enjoying some success, you

1:15:22.400 --> 1:15:25.639
<v Speaker 1>get UM. And I am not complaining in any way,

1:15:25.680 --> 1:15:29.439
<v Speaker 1>shape or form, but he gets very hard to say

1:15:29.479 --> 1:15:34.800
<v Speaker 1>no to things because, UM, for so many years you

1:15:34.800 --> 1:15:37.120
<v Speaker 1>didn't have the opportunity to even say yes to anything.

1:15:37.360 --> 1:15:41.479
<v Speaker 1>And then when you get in that moment where there

1:15:41.479 --> 1:15:45.800
<v Speaker 1>are more things too to have to either say yes

1:15:45.880 --> 1:15:49.040
<v Speaker 1>or no to than you have time for, it can

1:15:49.080 --> 1:15:53.320
<v Speaker 1>be an overwhelming thing. But hopefully I'm getting a little

1:15:53.320 --> 1:15:56.960
<v Speaker 1>bit better saying no to things, UM in lieu of

1:15:57.520 --> 1:16:02.080
<v Speaker 1>you know, saying no to things under the guys of

1:16:02.240 --> 1:16:07.679
<v Speaker 1>the preservational sanity and family and UM and just you know, balance,

1:16:08.360 --> 1:16:10.639
<v Speaker 1>which I think is an important thing. That the people

1:16:10.680 --> 1:16:13.200
<v Speaker 1>that I admire the most in this business that have

1:16:14.160 --> 1:16:20.760
<v Speaker 1>long careers I think are balanced people in that they

1:16:20.840 --> 1:16:23.799
<v Speaker 1>can they can turn that professional off for a minute

1:16:25.200 --> 1:16:28.120
<v Speaker 1>and go enjoy themselves do something they enjoy. I had

1:16:28.160 --> 1:16:30.320
<v Speaker 1>the hardest time in the world going and just doing

1:16:30.360 --> 1:16:33.240
<v Speaker 1>something that I enjoy solely for the purpose of me

1:16:33.439 --> 1:16:36.840
<v Speaker 1>enjoying it. One of the hardest things in wonder for

1:16:36.880 --> 1:16:39.559
<v Speaker 1>me to do. My wife literally has made me do things.

1:16:39.880 --> 1:16:41.720
<v Speaker 1>She's like, go do that. You you want to go

1:16:41.800 --> 1:16:44.360
<v Speaker 1>do that, You'll you'll enjoy it, And she's always right.

1:16:45.040 --> 1:16:49.040
<v Speaker 1>But I have very little UM, you know, I have

1:16:49.080 --> 1:16:51.720
<v Speaker 1>a hard time flipping that switch, particularly in the in

1:16:51.800 --> 1:16:53.559
<v Speaker 1>the moment that we're in. You know, I'm like, well,

1:16:53.600 --> 1:16:55.400
<v Speaker 1>there's so much opportunity over here for us to do

1:16:55.479 --> 1:16:59.160
<v Speaker 1>these things that aren't good professionally, but it's not always

1:16:59.200 --> 1:17:04.559
<v Speaker 1>the healthiest thing, um personally, and so trying to find

1:17:04.560 --> 1:17:09.120
<v Speaker 1>that balance and UM, I don't know I've gotten off

1:17:09.160 --> 1:17:11.040
<v Speaker 1>base with the question A little bit probably, but I

1:17:11.040 --> 1:17:13.519
<v Speaker 1>don't think there is off base with the question. Well,

1:17:13.840 --> 1:17:16.559
<v Speaker 1>let me say this all professional things aside. First, just

1:17:17.160 --> 1:17:19.880
<v Speaker 1>you know, from a Room one and two and traveler

1:17:20.000 --> 1:17:25.520
<v Speaker 1>and you know, it's just like you changed the landscape,

1:17:25.520 --> 1:17:29.479
<v Speaker 1>whether you know, I want to admit you have, and

1:17:30.120 --> 1:17:33.280
<v Speaker 1>I think I know. I appreciate that. And I also

1:17:33.360 --> 1:17:35.080
<v Speaker 1>appreciate what kind of you bet to me over the years,

1:17:35.080 --> 1:17:37.800
<v Speaker 1>because you definitely didn't had to have been well and

1:17:37.880 --> 1:17:40.160
<v Speaker 1>that was specification to you. You've always I mean, you've

1:17:40.200 --> 1:17:43.240
<v Speaker 1>been always nice to me solely on the fact you

1:17:43.280 --> 1:17:45.559
<v Speaker 1>know that you like me and my music, not because

1:17:46.160 --> 1:17:48.120
<v Speaker 1>at the time when you were playing things on your

1:17:48.120 --> 1:17:53.200
<v Speaker 1>show that it wasn't the thing to do. So um,

1:17:53.520 --> 1:17:56.560
<v Speaker 1>I certainly appreciate that, and I remember that, and I

1:17:56.800 --> 1:17:58.799
<v Speaker 1>was real the first time we talk, you're in the shower.

1:17:59.560 --> 1:18:01.599
<v Speaker 1>I always you call me at the house at home

1:18:01.680 --> 1:18:04.519
<v Speaker 1>and you're like, hey, man, I'm gonna shower. Can I

1:18:04.560 --> 1:18:09.599
<v Speaker 1>call you right back? I'm like, why not coming right back? Yeah,

1:18:09.600 --> 1:18:11.800
<v Speaker 1>So I appreciate that. I appreciate you. I appreciate you

1:18:11.840 --> 1:18:13.479
<v Speaker 1>and Morgan both. You're always very kind to me. I've

1:18:13.479 --> 1:18:16.400
<v Speaker 1>said before that we'll be at the biggest, craziest event,

1:18:16.400 --> 1:18:20.240
<v Speaker 1>and they're famous people everywhere, and you're always like eyeball

1:18:20.320 --> 1:18:24.559
<v Speaker 1>to eyeball. So well we know each other. So that's different,

1:18:24.600 --> 1:18:27.680
<v Speaker 1>you know, and that's not you know whatever and all

1:18:27.720 --> 1:18:32.759
<v Speaker 1>that stuff. You know, it's just like, man, it's uh,

1:18:32.960 --> 1:18:35.439
<v Speaker 1>you know, people are good. Good people are good people,

1:18:36.160 --> 1:18:38.200
<v Speaker 1>and I would rather hang out with good people than

1:18:39.600 --> 1:18:43.559
<v Speaker 1>you know, a terrible person who's famous. You know, That's

1:18:43.640 --> 1:18:47.280
<v Speaker 1>that's just me. Well, I appreciate you, thanks for listen.

1:18:47.320 --> 1:18:49.919
<v Speaker 1>I know that your favorite thing isn't talking on the microphone.

1:18:49.920 --> 1:18:51.960
<v Speaker 1>We've just been an hour talking on a microphone. That's okay,

1:18:52.240 --> 1:18:53.800
<v Speaker 1>But I wouldn't be here if I didn't want to

1:18:53.840 --> 1:18:56.760
<v Speaker 1>talk on a microphone with you. So did was this? Uh?

1:18:56.920 --> 1:19:00.160
<v Speaker 1>It's okay. That was great, very comfortable, and you the

1:19:00.200 --> 1:19:04.200
<v Speaker 1>recliner is a nice is a nice touch. You know.

1:19:04.280 --> 1:19:06.679
<v Speaker 1>I had, I had an alternate band that I wanted

1:19:06.720 --> 1:19:09.439
<v Speaker 1>to form. Maybe I shouldn't give it away. But if

1:19:09.439 --> 1:19:13.479
<v Speaker 1>this band ever comes out, it's called recliner. Where you

1:19:13.600 --> 1:19:16.160
<v Speaker 1>play in a recliner. Are you're just getting lazy? Now?

1:19:16.200 --> 1:19:19.160
<v Speaker 1>That's a band that's just a lazy band. Yeah, maybe

1:19:19.200 --> 1:19:23.519
<v Speaker 1>it's called lazy. Yeah, that's good to see you, buddy,

1:19:23.520 --> 1:19:26.000
<v Speaker 1>and I hope you, hope you continue doing it your way,

1:19:26.040 --> 1:19:29.479
<v Speaker 1>regardless of what cells and what doesn't. Just keep. I

1:19:29.479 --> 1:19:31.040
<v Speaker 1>hope you just keep. I don't know how to do

1:19:31.040 --> 1:19:37.000
<v Speaker 1>anything else. Chris Stampleton and from a Room, Volume two,

1:19:37.160 --> 1:19:39.160
<v Speaker 1>December one, right, I don't have to know. It's a

1:19:39.240 --> 1:19:41.000
<v Speaker 1>kind of members going by my brain here December one.

1:19:41.080 --> 1:19:42.519
<v Speaker 1>And people are gonna hear this way after that too.

1:19:42.600 --> 1:19:44.800
<v Speaker 1>But I hope you get to learn about Chris and

1:19:45.479 --> 1:19:48.360
<v Speaker 1>go second third layer with that and almost in the NFL.

1:19:48.439 --> 1:19:52.960
<v Speaker 1>That's what I learned, almost not even close. It's good

1:19:53.000 --> 1:19:54.800
<v Speaker 1>to see it. Thank you very much, Chris,