WEBVTT - Brandon Doesn’t Dance

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<v Speaker 1>It's nine O gene one legen with Jenny Garth and

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<v Speaker 1>Tory spelling.

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<v Speaker 2>Okay, so Jen, you're gonna be shot?

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<v Speaker 1>What?

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<v Speaker 2>First of all, welcome you guys.

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<v Speaker 3>It's not welcome.

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<v Speaker 2>Welcome riveting episode of nine O two one. OMG, I

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<v Speaker 2>loved this episode.

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<v Speaker 3>I see the light. Oh my goodness, I'm happy. I'm happy.

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<v Speaker 3>I can't read that you liked it.

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<v Speaker 1>Finally, I can't read from Jenny's face how she's got

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<v Speaker 1>a I can read this right now, I can't.

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<v Speaker 3>I liked it. Yeah, I thought it was decent enough.

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<v Speaker 2>I liked it because I feel like, oh, this is

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<v Speaker 2>going to be the wrong reason to like it, so

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<v Speaker 2>I apologize in advance. But it started. This is like

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<v Speaker 2>the episode where it starts to turn a little soapy,

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<v Speaker 2>do you know what I mean?

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<v Speaker 3>Like, I feel like this is the episode.

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<v Speaker 2>You're like, now, I don't oh now this one. I

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<v Speaker 2>just feel like it's like rare cat fights and stuff

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<v Speaker 2>felt very Yeah, Dynasty.

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<v Speaker 1>We had scene of Kelly versus Brenda wowsa.

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<v Speaker 3>Yeah she wait, let's just talk about it. Let's talk

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<v Speaker 3>about it. Welcome about Episode twenty eight acting Out aired

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<v Speaker 3>April twenty seventh, nineteen ninety.

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<v Speaker 2>Four synopsis, Brandon gets bamboozled and Bruce, thanks to Claire Donna,

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<v Speaker 2>reveals her true feelings about Andrea. Kelly isn't ready for

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<v Speaker 2>her close up after all, and Brenda tries to save

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<v Speaker 2>a bad audition with a good dress.

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<v Speaker 3>Directed by Jeffrey Mellman. Written by Chip Johansson.

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<v Speaker 1>April twenty seventh. To me, seems like the start of

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<v Speaker 1>May sweeps. So they're bringing out the big guns. We've

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<v Speaker 1>got how many left in this season? Four? Four?

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<v Speaker 3>That's it?

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<v Speaker 1>Three? Three? Maybe three? Oh?

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<v Speaker 2>The last one's a two hour? Is that when they

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<v Speaker 2>started these missed Yeah.

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<v Speaker 1>It's mister Walsh goes to Washington. Oh wow, So okay.

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<v Speaker 3>Well this is exciting. I mean it starts out beautiful,

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<v Speaker 3>all the all the shots of the ocean, and you know,

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<v Speaker 3>I felt for Brenda. I felt like, sometimes you gotta

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<v Speaker 3>just go and stare at the ocean to figure out

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<v Speaker 3>how are you feeling? So she took some time before

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<v Speaker 3>she showed up on Kelly's door step. I wonder what

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<v Speaker 3>it would have been like if she hadn't taken those

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<v Speaker 3>moments before to gather herself. Would have been worse.

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<v Speaker 1>Yes, that was like a very I don't know what

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<v Speaker 1>the word is. I want to say snatchy, but that's

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<v Speaker 1>like a bad word.

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<v Speaker 2>Right, means something else very snarky, isn't snatch Like women's like,

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<v Speaker 2>oh you look snatched, Like if you're wearing your spanks,

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<v Speaker 2>you look snatched.

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<v Speaker 1>Yeah, that's a snack caustic. It was so.

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<v Speaker 3>You know, that's the that that scene you're talking about

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<v Speaker 3>was like literally two hot cats on a tin roof, right.

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<v Speaker 3>I think they were like.

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<v Speaker 2>Oh yeah, it were so good.

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<v Speaker 3>I wasn't sure. I mean, I can remember how the show,

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<v Speaker 3>like how doing these kinds of scenes would sort of

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<v Speaker 3>pin Shannon and I against one another, not just our

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<v Speaker 3>characters but our people kind of. And I could tell

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<v Speaker 3>in this scene that there was a lot of Jenny

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<v Speaker 3>and a lot of Shannon coming across in that argument.

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<v Speaker 3>It just felt like there was a lot of stuff

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<v Speaker 3>going back and forth.

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<v Speaker 1>I think you might be.

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<v Speaker 2>Because you've talked about before, like both strong women, both

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<v Speaker 2>aries like sometimes the line its blurred, right, yeah, yeah,

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<v Speaker 2>two young girls.

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<v Speaker 3>I remember there was just like a tension on the

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<v Speaker 3>set too, whenever we would shoot these kinds of scenes,

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<v Speaker 3>like everybody, what can happen?

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<v Speaker 1>Really?

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<v Speaker 3>Uh huh?

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<v Speaker 1>Can I say something weird? Maybe because you're saying it

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<v Speaker 1>it felt like a scene from the Housewives or the

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<v Speaker 1>back of Two Girls. I'm so sorry. It seemed real.

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<v Speaker 3>It was, Yeah, it seemed real.

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<v Speaker 2>Sure, you guys were both real brilliant in it.

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<v Speaker 3>I liked it that David bought Kelly a book about

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<v Speaker 3>Strasburg though he goes Strasburg. I know it sounds like

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<v Speaker 3>some sort of birth control, but supposed to be good stuff.

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<v Speaker 1>Wait, are you guys familiar with the least Strasburg method?

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<v Speaker 2>What is it?

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<v Speaker 3>Is that?

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<v Speaker 2>The repeating like the same? Like?

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<v Speaker 3>Okay, let's try it. You do the repeat. Okay, So

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<v Speaker 3>I feel hungry, I feel hungry. No you say I

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<v Speaker 3>think you say you feel hungry.

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<v Speaker 2>Oh right, Okay.

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<v Speaker 3>I feel hungry.

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<v Speaker 2>You feel hungry.

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<v Speaker 3>I feel hungry.

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<v Speaker 2>You feel hungry. I feel hungry. You feel hungry.

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<v Speaker 3>I feel hungry.

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<v Speaker 2>Are we good?

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<v Speaker 3>Are we good?

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<v Speaker 1>But can you explain to me what you think?

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<v Speaker 2>I'm an audition for Maggie the Cat. Now what is

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<v Speaker 2>it you were doing there?

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<v Speaker 1>Because you were changing the way you were saying it, like.

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<v Speaker 3>You're supposed to be listening to the other person, And

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<v Speaker 3>even though it's the same line that you're saying over

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<v Speaker 3>and over, like you're listening and the listening come your

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<v Speaker 3>reaction comes from the listening.

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<v Speaker 2>Oh wow right, instead of like thinking of your own

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<v Speaker 2>next line, you're actually present.

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<v Speaker 1>I like it.

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<v Speaker 2>I like it.

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<v Speaker 1>It was good. I liked okay, even though it was

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<v Speaker 1>very Kelly versus Brendan versus Laura, that the gang was

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<v Speaker 1>being so supportive of everybody. The gang was like not

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<v Speaker 1>going down like Donna was David, Donna, even Brandon Steve

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<v Speaker 1>obviously sort of siding with Laura, but he's he's trying.

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<v Speaker 1>It was like the gang was sort of like why

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<v Speaker 1>are they doing? Why are they acting so crazy?

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<v Speaker 2>And I think that's what drew me in is I

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<v Speaker 2>got to watch them have it was essentially like this

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<v Speaker 2>power thruffle, like who's like going for it, but you

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<v Speaker 2>didn't feel like you got it, like ignored the other characters.

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<v Speaker 2>They were just a part of it because they intersected

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<v Speaker 2>all the storyline with all of us, so they I

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<v Speaker 2>got weaved together, So I didn't miss them except Andrea.

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<v Speaker 3>Yeah, line was separate, and you kind of got weaved

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<v Speaker 3>into hers.

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<v Speaker 1>Yeah, you got weaved into everybody's I want to talk

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<v Speaker 1>about Claire too, but as two actors, right, Tory Jenny,

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<v Speaker 1>So you're being Tori, who did the audition the best?

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<v Speaker 1>Who was the best? I think I have my opinion,

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<v Speaker 1>but I want it. I'm not an actor.

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<v Speaker 3>Do you want to go? Can I say? But what

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<v Speaker 3>if I don't pick? You're my friend here? If you

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<v Speaker 3>pick me? What if I don't? Though I'm scared, I'm

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<v Speaker 3>not picking me. I'm picking.

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<v Speaker 1>You're honest. You pretend as directors that you both direct to.

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<v Speaker 1>Who would you or produce? Who would you have cast?

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<v Speaker 2>Laura?

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<v Speaker 3>Laura?

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<v Speaker 1>Yeah? Really I thought she was the worst?

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<v Speaker 2>Did I thought?

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<v Speaker 1>I don't know why? And this is not a dig

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<v Speaker 1>on Tracy Mittendorf. Something about her and I got over

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<v Speaker 1>it last week, but it's back again this week. Something

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<v Speaker 1>about her or the way she plays Laura Kingman.

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<v Speaker 2>You don't like the actory like affected part of her,

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<v Speaker 2>but that works for auditioning for Maggie the cat cat

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<v Speaker 2>in a hot tin roof. Right, Maybe you're right out.

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<v Speaker 1>That I don't like how she's like, oh my ma, honey.

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<v Speaker 3>Or when I was watching Kelly's audition scene, I was

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<v Speaker 3>like like this, like, oh my god, I'm like peeking

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<v Speaker 3>through my I was so scared to watch it, But

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<v Speaker 3>in watching it, I realized I was like channeling like

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<v Speaker 3>Maggie if she lived in a trailer park. That was

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<v Speaker 3>my take on it, Like it was trailer park Maggie.

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<v Speaker 1>Like how hard is it to be acting within acting

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<v Speaker 1>because you're acting as Kelly and then you have to

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<v Speaker 1>beat Kelly acting as Maggie and your little Like.

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<v Speaker 2>I liked how your voice changed though, Like your voice

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<v Speaker 2>was higher.

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<v Speaker 3>It was really cute.

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<v Speaker 2>And it was so like raw your emotions. I don't know.

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<v Speaker 2>Maybe it was because last episode you guys mentioned Jessica

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<v Speaker 2>Lang a little bit, so maybe that like influenced me

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<v Speaker 2>how I was watching her.

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<v Speaker 1>I thought Kelly was the best at it, and I

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<v Speaker 1>know everyone's gonna be like, you hate Brenda. I don't

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<v Speaker 1>hate Brenda, but I thought Kelly was the best. And

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<v Speaker 1>I do think even though Roy Randolph is so gross,

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<v Speaker 1>he actually saw natural talent at her talent. Yeah, so

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<v Speaker 1>I thought, you know, I still like that you took

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<v Speaker 1>yourself out of the race.

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<v Speaker 3>Yeah. I liked it when he put his hand on

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<v Speaker 3>Kelly's shoulder weirdly after the audition, it was like, I

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<v Speaker 3>don't know, you guys must not have noticed that, but

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<v Speaker 3>I don't know because it was creepy.

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<v Speaker 1>I just noticed at the end when you quit, you're like,

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<v Speaker 1>this guy's gross.

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<v Speaker 3>Yeah, she's onto him. By the end of this, she's like, uh, Wow,

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<v Speaker 3>this guy's a piece of work.

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<v Speaker 2>I gotta say though, like all three of you great performances.

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<v Speaker 3>Like I was thinking, Wow, that must have been so

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<v Speaker 3>nerve wracking and like I.

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<v Speaker 2>Got so nervous terrifying to do. Right when I saw

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<v Speaker 2>that John was about to audition, my heart like just that,

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<v Speaker 2>like nervous, like I wanted to see, like I wanted

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<v Speaker 2>to be. I should have known it's going to be good,

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<v Speaker 2>but as a friend, I got nervous.

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<v Speaker 1>Are you guys an audition for a play like that?

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<v Speaker 1>How about how brutal is it?

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<v Speaker 3>I have never done audition for a play. I don't

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<v Speaker 3>think like that, but I have an audition for like

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<v Speaker 3>sitcom work. It's always brutal. Any audition is brutal, especially

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<v Speaker 3>if you have to do an accent. Well I did

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<v Speaker 3>in high school. Actually does that count? Yeah, that's what

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<v Speaker 3>they're doing.

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<v Speaker 1>Have you ever known that you were up for a

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<v Speaker 1>part that you've been called back for You're getting close

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<v Speaker 1>and you know that someone you know is up for it.

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<v Speaker 2>Also all the time that happens.

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<v Speaker 1>Oh my god.

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<v Speaker 2>If you go to network and read, you see the

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<v Speaker 2>same like you know who you're reading against, who you're

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<v Speaker 2>testing against, and you know them like you know them.

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<v Speaker 1>Oh my god, do you guys have to audition? You

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<v Speaker 1>don't have to audition now, do you?

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<v Speaker 3>Yeah?

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<v Speaker 2>But like self tapes now m hm, so.

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<v Speaker 1>You could go into audition. I'm trying to think of

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<v Speaker 1>somebody that like looks like you guys, So say, Christina Applegate,

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<v Speaker 1>would you ever go into a room and you know

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<v Speaker 1>you're up for a part and Christina Applegate is like

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<v Speaker 1>or Sarah Chuck. I'm just trying to like think of

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<v Speaker 1>somebody in your era back in the day, like was

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<v Speaker 1>in the room and you're like kind of friends with

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<v Speaker 1>them and they're sort of famous too, and like.

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<v Speaker 3>Hmm, I've been I know, I've been in auditions with

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<v Speaker 3>Tiffany before going up against Tiffany, which is weird because

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<v Speaker 3>we didn't look nothing alike. So that just goes to

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<v Speaker 3>prove that they have no idea what they want. They're

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<v Speaker 3>just looking at everybody and seeing what what works for them.

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<v Speaker 2>I remember that, I remember a sitcom audition after nine

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<v Speaker 2>on two and zero and walked out and Tiffany was there,

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<v Speaker 2>and then Lindsey was there.

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<v Speaker 1>Oh my god.

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<v Speaker 2>No, I was like we were all like, all right.

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<v Speaker 1>Oh my god. I wouldn't like that at all.

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<v Speaker 3>No, it's not fun. But I noticed that, like the

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<v Speaker 3>energy between these girls was so vicious, Like when Bara

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<v Speaker 3>did hers it was and then she walked off stage

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<v Speaker 3>off slinkty slink, and then Brenda walks on stage. They

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<v Speaker 3>just kind of glare at each other. It was palpable,

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<v Speaker 3>and I felt so sad for them. I was like,

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<v Speaker 3>ladies support one another, like say good job or some things.

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<v Speaker 1>Also thought it was very hypocritical in that Brenda was

0:12:25.000 --> 0:12:28.880
<v Speaker 1>so mad at Kelly, like like more mad than than

0:12:29.000 --> 0:12:32.400
<v Speaker 1>about Dylan. It was just so mad. But yet then

0:12:32.440 --> 0:12:37.640
<v Speaker 1>there's Laura canoodling with Roy Randall flirty mcflirty, and she's all, well,

0:12:37.760 --> 0:12:40.320
<v Speaker 1>that's what she has to do, and I'm just like, what.

0:12:40.960 --> 0:12:43.280
<v Speaker 2>Like, why are you a personal connection to her? She

0:12:43.360 --> 0:12:45.880
<v Speaker 2>does to Kelly like it hurts.

0:12:45.600 --> 0:12:48.800
<v Speaker 1>That she so many levels told you to audition, so

0:12:48.880 --> 0:12:51.720
<v Speaker 1>my thing is not for that character, but is that

0:12:51.760 --> 0:12:53.880
<v Speaker 1>how it works? You couldn't just go into an audition

0:12:54.120 --> 0:12:56.440
<v Speaker 1>and like the like say, you go in and you're

0:12:56.440 --> 0:12:58.959
<v Speaker 1>reading for the part of an orphan, but they're like

0:12:59.080 --> 0:13:02.000
<v Speaker 1>that girl sings a mad she's Annie. Does that happen

0:13:03.400 --> 0:13:05.840
<v Speaker 1>right here? Like when bo.

0:13:05.880 --> 0:13:08.720
<v Speaker 2>Jesse Christopher told us he went in he was friends

0:13:08.720 --> 0:13:11.720
<v Speaker 2>with Brian nausin Green and went in for point break

0:13:11.880 --> 0:13:15.120
<v Speaker 2>because Brian had auditioned, and then he came in afterwards

0:13:15.160 --> 0:13:19.439
<v Speaker 2>and got the part. Do you remember that you can't

0:13:19.480 --> 0:13:20.480
<v Speaker 2>be mad?

0:13:20.800 --> 0:13:21.120
<v Speaker 3>Nope?

0:13:22.080 --> 0:13:24.000
<v Speaker 2>But maybe because it's college, it's different.

0:13:25.600 --> 0:13:27.800
<v Speaker 1>I have another weird question. Have you ever come home

0:13:27.840 --> 0:13:32.040
<v Speaker 1>and not gotten apart and just like cried, Yeah? No,

0:13:33.800 --> 0:13:35.480
<v Speaker 1>are you like do you have to be tough as nails?

0:13:35.480 --> 0:13:36.800
<v Speaker 1>Like you have to have such a thick skin.

0:13:38.280 --> 0:13:42.040
<v Speaker 3>I'm sure I've cried over not kidding something, crying on

0:13:42.080 --> 0:13:47.400
<v Speaker 3>the inside. I'm crying on the inside right now.

0:13:49.000 --> 0:13:49.200
<v Speaker 2>Yeah.

0:13:49.240 --> 0:13:51.960
<v Speaker 3>But it's just weird. How now for Steve was all

0:13:52.400 --> 0:13:55.760
<v Speaker 3>you know, anti Lara and now he loves Lara?

0:13:56.040 --> 0:13:56.800
<v Speaker 1>Are they dating?

0:13:57.080 --> 0:14:02.600
<v Speaker 3>Kissing her weirdly kissing her in the room when, oh goodness,

0:14:03.120 --> 0:14:05.559
<v Speaker 3>it's just so weird to me. And then he tells her,

0:14:08.000 --> 0:14:09.680
<v Speaker 3>if this is what you want, you've got to be able,

0:14:09.760 --> 0:14:12.880
<v Speaker 3>You've got to go all the way. If you want

0:14:12.880 --> 0:14:14.440
<v Speaker 3>to be an actress, you have to be willing to

0:14:14.480 --> 0:14:16.320
<v Speaker 3>go all the way. And I don't know what he's

0:14:16.360 --> 0:14:17.319
<v Speaker 3>referring to, but.

0:14:30.080 --> 0:14:33.680
<v Speaker 1>I love that Steve Sanders has no qualifications whatsoever for

0:14:33.800 --> 0:14:38.240
<v Speaker 1>anything ever music managers. He's I am a music and

0:14:38.320 --> 0:14:42.600
<v Speaker 1>now he is an act Yeah, although he looked way

0:14:42.640 --> 0:14:46.600
<v Speaker 1>better in the jeans than the jeorts and the baseball

0:14:46.720 --> 0:14:49.200
<v Speaker 1>shirt rather than like so happy that the.

0:14:49.160 --> 0:14:54.240
<v Speaker 3>Shorts we weren't appearing this episode. I can't remember who.

0:14:54.400 --> 0:15:01.200
<v Speaker 3>Kelly says this too, but she says everything. I think

0:15:01.200 --> 0:15:04.520
<v Speaker 3>it was in the makeup scene with Brenda, I believe.

0:15:04.840 --> 0:15:07.280
<v Speaker 3>I felt like that scene in particular really stood out

0:15:07.320 --> 0:15:11.480
<v Speaker 3>to me as well written, which for me is I

0:15:11.520 --> 0:15:15.080
<v Speaker 3>don't notice that very often, but this really stoock out

0:15:15.080 --> 0:15:18.760
<v Speaker 3>because this one line specifically, I mean, just like overall,

0:15:18.960 --> 0:15:21.840
<v Speaker 3>this one line was said, every time something good happens

0:15:21.880 --> 0:15:23.840
<v Speaker 3>to you, I feel like somehow I'm going to be

0:15:23.920 --> 0:15:27.240
<v Speaker 3>left behind. And I just felt like, wow, that's such

0:15:27.280 --> 0:15:32.960
<v Speaker 3>a poignant like admittance, you know, such a vulnerable thing

0:15:33.080 --> 0:15:35.600
<v Speaker 3>to say, because that like goes right to a person's

0:15:35.680 --> 0:15:39.880
<v Speaker 3>core of like their deepest insecurities, Like I struggle with that,

0:15:39.920 --> 0:15:42.360
<v Speaker 3>And when I heard that line in the show last night,

0:15:42.520 --> 0:15:46.400
<v Speaker 3>it really resonated with me and like my history in

0:15:46.880 --> 0:15:52.560
<v Speaker 3>relationships and like what is it that when something good's

0:15:52.600 --> 0:15:57.040
<v Speaker 3>happening to someone that you know or even love, there's

0:15:57.080 --> 0:15:59.360
<v Speaker 3>that part of you that's like, oh, but what about me?

0:16:00.480 --> 0:16:02.880
<v Speaker 3>How is this? You know? What does that mean for me?

0:16:03.480 --> 0:16:05.680
<v Speaker 3>And I thought it was just really interesting that they

0:16:05.680 --> 0:16:07.720
<v Speaker 3>brought that into play. But that was just the weirdest

0:16:07.760 --> 0:16:08.720
<v Speaker 3>makeup scene ever.

0:16:09.160 --> 0:16:11.400
<v Speaker 1>Well so it's quick, always with a bow, but I

0:16:12.120 --> 0:16:15.840
<v Speaker 1>loved that scene and it felt honest, right, Yeah, they're

0:16:15.880 --> 0:16:22.760
<v Speaker 1>finally telling each other the truth, which resonated right, like

0:16:26.040 --> 0:16:27.080
<v Speaker 1>jealousy is normal.

0:16:28.000 --> 0:16:32.240
<v Speaker 3>I felt like Kelly and being more vulnerable with Brenda.

0:16:33.680 --> 0:16:37.840
<v Speaker 3>But that was what she came there to do, was

0:16:37.960 --> 0:16:41.920
<v Speaker 3>to bow out and say that her friendship was more

0:16:41.960 --> 0:16:44.840
<v Speaker 3>important to her than this thing that she got caught

0:16:44.920 --> 0:16:48.320
<v Speaker 3>up in which she didn't even care about anyway, right, right,

0:16:49.920 --> 0:16:55.240
<v Speaker 3>But the fact that she did it in the frumpiest outfit.

0:16:55.920 --> 0:16:58.200
<v Speaker 2>Oh I've ever seen Kelly there?

0:16:58.720 --> 0:17:03.440
<v Speaker 3>Who can you with that? What is that sweater? That

0:17:03.720 --> 0:17:07.000
<v Speaker 3>sweater over the long floral dress looked like she borrowed

0:17:07.040 --> 0:17:10.880
<v Speaker 3>it from like Andrea's grandma Rose or something. And then

0:17:11.040 --> 0:17:12.760
<v Speaker 3>it wasn't just in that scene, it was in the

0:17:12.800 --> 0:17:15.240
<v Speaker 3>scene at Dylan's house too. She had to make out

0:17:15.280 --> 0:17:15.840
<v Speaker 3>in that sweater.

0:17:17.160 --> 0:17:20.200
<v Speaker 1>The fashion is changing, which I noticed that.

0:17:20.720 --> 0:17:25.240
<v Speaker 2>Wait, the tank tank top so the way I feel like, yeah,

0:17:25.359 --> 0:17:28.200
<v Speaker 2>Kelly had on the pink baby tank over it. I

0:17:28.200 --> 0:17:31.080
<v Speaker 2>feel like this is the debut of baby takes. We've

0:17:31.080 --> 0:17:32.280
<v Speaker 2>had baby teas.

0:17:32.960 --> 0:17:37.399
<v Speaker 1>We literally were at college copying all these outfits.

0:17:37.280 --> 0:17:40.200
<v Speaker 3>Like, well, not that sweater you weren't probably was.

0:17:40.200 --> 0:17:43.640
<v Speaker 1>But the pink tank, the tight tank over the white tea.

0:17:44.119 --> 0:17:47.920
<v Speaker 1>I was like, it jarred me because I'm like, I

0:17:47.920 --> 0:17:48.879
<v Speaker 1>think I wore that.

0:17:50.920 --> 0:17:54.040
<v Speaker 2>I feel like Kelly should not have bowed out.

0:17:54.400 --> 0:17:54.920
<v Speaker 3>What do you mean?

0:17:55.000 --> 0:17:55.680
<v Speaker 1>Good question?

0:17:55.920 --> 0:17:58.879
<v Speaker 2>I don't know, Like I know she should have. But

0:17:58.920 --> 0:18:02.360
<v Speaker 2>there's part of me that knows, like that knows Brenda

0:18:02.560 --> 0:18:05.920
<v Speaker 2>from watching Brenda for four seasons. That feels like if

0:18:05.960 --> 0:18:08.359
<v Speaker 2>you go there with her, like she does get very

0:18:08.960 --> 0:18:13.840
<v Speaker 2>Brenda wants what she wants and sometimes gets bratty about it,

0:18:13.880 --> 0:18:15.920
<v Speaker 2>And I feel like for Kelly to go there, it

0:18:16.000 --> 0:18:19.119
<v Speaker 2>sets like a precedence. Now, like I don't know, she

0:18:19.160 --> 0:18:21.600
<v Speaker 2>doesn't own the play, she doesn't own the acting world.

0:18:21.640 --> 0:18:25.600
<v Speaker 2>It is true, I get the friend. I'm torn, you

0:18:25.640 --> 0:18:26.879
<v Speaker 2>made the right decision or.

0:18:26.920 --> 0:18:27.679
<v Speaker 1>You're going with that?

0:18:28.359 --> 0:18:32.920
<v Speaker 3>Mean well you. Donna was not torn on the show.

0:18:33.160 --> 0:18:37.639
<v Speaker 3>She was very clearly team Kelly in that scene in

0:18:37.680 --> 0:18:38.159
<v Speaker 3>the kitchen.

0:18:38.840 --> 0:18:41.440
<v Speaker 2>Donna is the most opinionated. That's the only thing that's

0:18:41.440 --> 0:18:44.719
<v Speaker 2>super different about me and Donna. Or maybe I'm opinionated,

0:18:44.760 --> 0:18:47.840
<v Speaker 2>but I don't voice it like Donna voices it. It's crazy,

0:18:47.920 --> 0:18:51.040
<v Speaker 2>it's fair. My thing is she did give her opinion,

0:18:51.040 --> 0:18:53.160
<v Speaker 2>but she was being fair, which is what you just said.

0:18:53.480 --> 0:18:56.840
<v Speaker 2>Brenda doesn't own all plays, she doesn't own the drama

0:18:56.920 --> 0:19:02.199
<v Speaker 2>department at CU, and she encouraged Kelly to audition, Like

0:19:02.320 --> 0:19:03.639
<v Speaker 2>why are we all forgetting that?

0:19:03.720 --> 0:19:07.359
<v Speaker 1>She basically told her to watch. So Kelly's just like

0:19:07.400 --> 0:19:09.720
<v Speaker 1>at the pool, reading the lines, being a good friend.

0:19:09.720 --> 0:19:12.040
<v Speaker 1>So it's a little irritating to me, even if she's

0:19:12.119 --> 0:19:17.080
<v Speaker 1>inside jealous, she should have checked herself, right, I think so.

0:19:16.960 --> 0:19:19.520
<v Speaker 2>Too, because in the long run, does she want the

0:19:19.560 --> 0:19:22.920
<v Speaker 2>part because by default because you left? Like what if

0:19:22.920 --> 0:19:25.800
<v Speaker 2>that's the case, then is that like she's so passionate

0:19:25.880 --> 0:19:28.320
<v Speaker 2>and driven, but like she was just handed the part. Basically,

0:19:28.359 --> 0:19:31.680
<v Speaker 2>if you're gone maybe I wouldn't want it that way.

0:19:31.840 --> 0:19:35.320
<v Speaker 1>For auditions so bad, although I didn't think she was bad,

0:19:35.359 --> 0:19:37.760
<v Speaker 1>but like, no, that's funny. I didn't even know she

0:19:37.800 --> 0:19:39.520
<v Speaker 1>messed up the lines. I was like, I was in

0:19:39.560 --> 0:19:41.240
<v Speaker 1>it with her. I'm like all right, and then she's

0:19:41.280 --> 0:19:43.120
<v Speaker 1>like I need to start out, and then she runs out.

0:19:43.119 --> 0:19:44.119
<v Speaker 1>I was like, oh god.

0:19:44.720 --> 0:19:49.960
<v Speaker 3>It did bug me though, how Dylan was so I

0:19:51.240 --> 0:19:55.400
<v Speaker 3>can see how Kelly would be upset by Dylan's attitude

0:19:55.400 --> 0:19:59.280
<v Speaker 3>and like him always sort of playing devil's advocate and

0:19:59.640 --> 0:20:03.439
<v Speaker 3>rooting the underdog and not standing next to Kelly and

0:20:03.480 --> 0:20:07.800
<v Speaker 3>really supporting a bit mean and he's a dick. I'm sorry. Yeah,

0:20:07.800 --> 0:20:10.880
<v Speaker 3>but I was watching that scene with her later where

0:20:12.160 --> 0:20:13.560
<v Speaker 3>I was at the beach.

0:20:13.600 --> 0:20:16.359
<v Speaker 1>I think this scene where yeah.

0:20:15.720 --> 0:20:17.440
<v Speaker 3>She makes the effort to come talk to him and

0:20:18.040 --> 0:20:21.320
<v Speaker 3>gets you know, all the families there and chest away

0:20:21.359 --> 0:20:24.159
<v Speaker 3>and then he's such a meany to her, and I

0:20:24.200 --> 0:20:26.480
<v Speaker 3>was like, are you who are you? Who do you

0:20:26.600 --> 0:20:29.119
<v Speaker 3>think you are talking to Kelly Taylor like that. I

0:20:29.160 --> 0:20:31.560
<v Speaker 3>was all mad that Dylan was talking to her like

0:20:31.560 --> 0:20:33.399
<v Speaker 3>that as just as a fan.

0:20:33.600 --> 0:20:38.760
<v Speaker 1>Like where I was like, why is he being so jerky?

0:20:39.040 --> 0:20:40.520
<v Speaker 3>He doesn't like her?

0:20:41.760 --> 0:20:44.120
<v Speaker 1>Where it's like, dude, that's your girlfriend, Like even if

0:20:44.119 --> 0:20:47.760
<v Speaker 1>you're sort of torn, you should be supporting her, because

0:20:47.760 --> 0:20:49.680
<v Speaker 1>he should have said, you have all the right in

0:20:49.720 --> 0:20:53.960
<v Speaker 1>the world to audition and be mad that she's mad. Yeah,

0:20:54.520 --> 0:20:57.840
<v Speaker 1>I thought he was being a little bit d wordy

0:20:57.880 --> 0:21:02.399
<v Speaker 1>with his vile of sludge. What do you know that violenceludg.

0:21:05.480 --> 0:21:08.880
<v Speaker 3>That's the ocean water from in Santa Monica.

0:21:09.560 --> 0:21:12.040
<v Speaker 1>I don't know when he became like an environmental I mean,

0:21:12.119 --> 0:21:13.200
<v Speaker 1>I love everything about theay.

0:21:13.280 --> 0:21:16.000
<v Speaker 2>What was the line about the bay? You support the babe,

0:21:16.040 --> 0:21:21.399
<v Speaker 2>but not w'd you say, ca Dylan oh Man? I

0:21:21.480 --> 0:21:22.640
<v Speaker 2>was a good line I didn't write down.

0:21:23.280 --> 0:21:25.199
<v Speaker 1>I didn't like how he said, You've been having the

0:21:25.280 --> 0:21:27.920
<v Speaker 1>same thing with Brandon for two years and it's.

0:21:27.760 --> 0:21:32.800
<v Speaker 3>Like, bro, kind of because of you, he takes he

0:21:32.960 --> 0:21:36.040
<v Speaker 3>is he takes himself out of the equation every time,

0:21:36.080 --> 0:21:37.200
<v Speaker 3>like he had nothing to do with it.

0:21:37.680 --> 0:21:40.480
<v Speaker 2>And like in the same scene, one of you pronounced

0:21:40.480 --> 0:21:45.240
<v Speaker 2>it interested and one of you pronounced it interested really

0:21:45.640 --> 0:21:49.520
<v Speaker 2>yet but like it was back to back, like line

0:21:49.560 --> 0:21:54.439
<v Speaker 2>the line nobody caught that now. I felt like he

0:21:54.640 --> 0:21:57.080
<v Speaker 2>said it and then you were like being like funny,

0:21:57.160 --> 0:22:01.040
<v Speaker 2>like inside joke like interested making a point like he

0:22:01.160 --> 0:22:03.359
<v Speaker 2>just like he said he basically was like interested. He

0:22:03.480 --> 0:22:05.359
<v Speaker 2>like mushed it all together.

0:22:06.040 --> 0:22:10.200
<v Speaker 3>Yeah, I don't know, I just feel like that. Okay,

0:22:10.240 --> 0:22:14.440
<v Speaker 3>So then Brenda Kelly drops out, So Brenda goes then

0:22:14.560 --> 0:22:19.240
<v Speaker 3>to see the guy at his house induce him. Yeah,

0:22:19.320 --> 0:22:24.080
<v Speaker 3>that was like what wowsa like wearing a trench coat

0:22:25.240 --> 0:22:28.000
<v Speaker 3>that she takes off in the doorway to reveal.

0:22:29.200 --> 0:22:32.480
<v Speaker 2>It was very basic instinct. I was into it, yeah,

0:22:32.760 --> 0:22:34.320
<v Speaker 2>because I thought it was going to be Laura. Is

0:22:34.320 --> 0:22:37.399
<v Speaker 2>that what you guys thought it was supposed to be. No,

0:22:37.640 --> 0:22:39.320
<v Speaker 2>when he saw the back and then they panned up

0:22:39.320 --> 0:22:40.120
<v Speaker 2>and it was the dark hair.

0:22:41.119 --> 0:22:42.160
<v Speaker 3>I don't know what I thought.

0:22:42.320 --> 0:22:46.360
<v Speaker 1>I was like thought, wowsa. The dress reveal just got

0:22:46.440 --> 0:22:47.240
<v Speaker 1>me coming soon.

0:22:47.560 --> 0:22:50.359
<v Speaker 3>Like I just was like, Brenda's taking this a little

0:22:50.359 --> 0:22:53.959
<v Speaker 3>too far. Now it's a high school play. Oh, no

0:22:54.080 --> 0:22:56.760
<v Speaker 3>college play. Sorry, we're not in high school anymore.

0:22:59.040 --> 0:23:02.800
<v Speaker 1>It's just all a lot I'm in. Like I love

0:23:02.840 --> 0:23:04.400
<v Speaker 1>every second of it and I can't wait to talk

0:23:04.440 --> 0:23:08.560
<v Speaker 1>about Claire and Andrea also, but like it's a lot

0:23:09.000 --> 0:23:11.000
<v Speaker 1>like I don't know if I would behave that way,

0:23:11.200 --> 0:23:15.000
<v Speaker 1>especially with a teacher. It's so a little bit weird.

0:23:16.400 --> 0:23:20.400
<v Speaker 3>Let's talk about Donna and how she thinks that she's

0:23:20.440 --> 0:23:25.000
<v Speaker 3>helping Andrea. But I guess it just I was like, Oh,

0:23:25.119 --> 0:23:28.640
<v Speaker 3>maybe it's you know, she's hormonal, like more sensitive. And

0:23:28.720 --> 0:23:32.119
<v Speaker 3>I could justify that because you weren't saying it to

0:23:32.200 --> 0:23:34.440
<v Speaker 3>be mean. No, your character wasn't saying it to be mean.

0:23:34.520 --> 0:23:36.280
<v Speaker 3>It was just an observation.

0:23:37.800 --> 0:23:40.880
<v Speaker 2>Did you think that chosen words you could have chosen,

0:23:41.119 --> 0:23:42.399
<v Speaker 2>I would have been hurt by.

0:23:42.560 --> 0:23:44.200
<v Speaker 1>I sort of thought what you were trying was sort

0:23:44.200 --> 0:23:46.280
<v Speaker 1>of to be like, oh my god, look at what

0:23:47.040 --> 0:23:50.800
<v Speaker 1>however long ago to now, your entire existence has changed.

0:23:50.840 --> 0:23:53.639
<v Speaker 1>And then she was just so d about it in

0:23:53.720 --> 0:23:54.560
<v Speaker 1>the Virgin Club.

0:23:54.640 --> 0:23:57.119
<v Speaker 3>I was like, wait, she I love it though in

0:23:57.160 --> 0:23:59.760
<v Speaker 3>her exce line she goes, it's been real. Yeah.

0:24:00.080 --> 0:24:02.560
<v Speaker 2>I was like, when did anyone?

0:24:04.400 --> 0:24:08.320
<v Speaker 3>But I think it's you know, it's been real. Come

0:24:08.359 --> 0:24:08.800
<v Speaker 3>out of here.

0:24:09.680 --> 0:24:13.919
<v Speaker 1>I love this so much. Yeah, Andrea, I mean that

0:24:14.119 --> 0:24:17.240
<v Speaker 1>was a hole to do. And I guess she was right.

0:24:17.359 --> 0:24:19.879
<v Speaker 1>She's had that premonition something was wrong.

0:24:21.000 --> 0:24:23.280
<v Speaker 3>And then she goes into I guess this is labor

0:24:23.320 --> 0:24:25.680
<v Speaker 3>that she's going into. And I was like, Donna, where

0:24:25.680 --> 0:24:28.560
<v Speaker 3>are you calling? Nine one one what's should try for

0:24:28.720 --> 0:24:31.720
<v Speaker 3>the doctor? Oh no, I said, I've never done this before.

0:24:32.840 --> 0:24:34.960
<v Speaker 1>Was that Braxton Hicks? What does she have going on?

0:24:35.400 --> 0:24:36.879
<v Speaker 2>She must? I think.

0:24:38.760 --> 0:24:40.520
<v Speaker 1>Home. I think it's Braxton Hicks.

0:24:40.840 --> 0:24:45.480
<v Speaker 3>Oh well, thank goodness. It wasn't like a miscarriage or anything.

0:24:45.480 --> 0:24:48.679
<v Speaker 3>And she's home now on bedress. But I was like,

0:24:48.760 --> 0:24:53.439
<v Speaker 3>Donna nine one one, okay, you were like, put your

0:24:53.440 --> 0:24:55.520
<v Speaker 3>coat on. Let's I'm gonna wabble you on out to

0:24:55.600 --> 0:24:58.120
<v Speaker 3>the and take you to there.

0:24:58.440 --> 0:25:01.000
<v Speaker 2>I had already verbally attacked a pregnant woman. I could

0:25:01.000 --> 0:25:03.480
<v Speaker 2>have really done her in. Oh my gosh.

0:25:03.560 --> 0:25:06.080
<v Speaker 1>I thought Donna was cool under the pressure of it,

0:25:06.119 --> 0:25:09.080
<v Speaker 1>though she did not flip out. She's young, did not

0:25:09.080 --> 0:25:13.119
<v Speaker 1>flip calling the doctor, you know, do do dude, Like,

0:25:13.400 --> 0:25:16.040
<v Speaker 1>we've got a situation. We're coming in like, I thought

0:25:16.080 --> 0:25:16.960
<v Speaker 1>you handled.

0:25:16.600 --> 0:25:22.240
<v Speaker 3>It so well, thank you, thank you.

0:25:21.440 --> 0:25:25.280
<v Speaker 2>But Andrea would have said Donna called like even in

0:25:25.320 --> 0:25:27.720
<v Speaker 2>that state, Andrea would have been bossy and been like,

0:25:28.000 --> 0:25:28.560
<v Speaker 2>here's what you do?

0:25:28.720 --> 0:25:30.320
<v Speaker 3>No, yeah, yeah, Well isn't.

0:25:30.119 --> 0:25:33.600
<v Speaker 1>Andrea like sort of a doctor, doesn't.

0:25:33.040 --> 0:25:37.560
<v Speaker 3>She's like, well, she was lab coat.

0:25:38.000 --> 0:25:39.800
<v Speaker 1>Med or something. I think she's pre med.

0:25:40.560 --> 0:25:41.360
<v Speaker 3>She's pre med.

0:25:42.359 --> 0:25:43.879
<v Speaker 2>She should have delivered her own baby.

0:25:44.000 --> 0:25:47.359
<v Speaker 1>She should know what's going down. She doesn't seem the

0:25:47.400 --> 0:25:50.800
<v Speaker 1>anxious type to me, and yet she's very anxious, which

0:25:50.840 --> 0:25:54.359
<v Speaker 1>maybe it's just the pregnancy, but like she's real stressed.

0:25:54.960 --> 0:25:55.360
<v Speaker 3>Mm hmm.

0:25:55.960 --> 0:26:02.520
<v Speaker 2>Is leading up to something the birth may no? I no,

0:26:02.680 --> 0:26:05.680
<v Speaker 2>I mean throughout the episodes, like her being like something's wrong.

0:26:05.760 --> 0:26:08.080
<v Speaker 2>I'm just feeling it, like I think this is this

0:26:08.160 --> 0:26:11.080
<v Speaker 2>leading up to something, or just like no, it'll be fine.

0:26:11.400 --> 0:26:12.560
<v Speaker 1>I don't think I.

0:26:12.560 --> 0:26:14.840
<v Speaker 3>Oh, you're asking the wrong lady.

0:26:15.080 --> 0:26:17.800
<v Speaker 2>Well, they don't usually keep threading a storyline, so I

0:26:17.840 --> 0:26:19.800
<v Speaker 2>was like, Okay, it's two episodes now they've said, like

0:26:19.840 --> 0:26:20.600
<v Speaker 2>she's in stress.

0:26:33.760 --> 0:26:39.359
<v Speaker 3>Let's talk about Brandon. Brandon goes to Claire's prom. I

0:26:39.359 --> 0:26:40.760
<v Speaker 3>guess that's just the prom party.

0:26:41.400 --> 0:26:42.320
<v Speaker 1>Oh I love it.

0:26:44.560 --> 0:26:46.919
<v Speaker 2>Her dress, her outfit, her gloves, oh my gosh.

0:26:47.359 --> 0:26:51.760
<v Speaker 1>Of course, first of all, the father tells Brandon he's

0:26:51.760 --> 0:26:55.000
<v Speaker 1>going to the prom. He didn't even know about it.

0:26:56.040 --> 0:26:58.040
<v Speaker 3>What does she say to him, I hope you're in

0:26:58.080 --> 0:27:00.560
<v Speaker 3>the I hope you're ready for a bride while night

0:27:00.720 --> 0:27:03.480
<v Speaker 3>or something like, oh you're ready for a wild red

0:27:04.400 --> 0:27:06.520
<v Speaker 3>And his face on that freeze frame made me laugh

0:27:06.560 --> 0:27:09.960
<v Speaker 3>so hard it was just so subtle. But I don't know.

0:27:10.040 --> 0:27:12.320
<v Speaker 3>I was watching that party scene with like all those

0:27:12.359 --> 0:27:15.800
<v Speaker 3>other people, and I was thinking, what show is this?

0:27:16.760 --> 0:27:18.760
<v Speaker 3>It felt very were like I was like, oh, this

0:27:18.880 --> 0:27:21.640
<v Speaker 3>is what it's like to not care about characters. Because

0:27:22.200 --> 0:27:25.200
<v Speaker 3>those friends of hers, like you you wanted to I

0:27:25.200 --> 0:27:25.760
<v Speaker 3>don't know.

0:27:25.720 --> 0:27:28.280
<v Speaker 2>Why who are they?

0:27:28.840 --> 0:27:32.879
<v Speaker 1>But can we tell on the back? Why would the

0:27:32.920 --> 0:27:36.040
<v Speaker 1>party come to a screeching hole because somebody knocked on

0:27:36.080 --> 0:27:36.520
<v Speaker 1>the door.

0:27:36.840 --> 0:27:40.040
<v Speaker 3>Okay, that was the most unrealistic fight scene I have

0:27:40.160 --> 0:27:43.080
<v Speaker 3>ever seen, with literally everybody just standing on their marks

0:27:43.200 --> 0:27:45.480
<v Speaker 3>staring at the people in dead silence. And it was

0:27:45.480 --> 0:27:47.080
<v Speaker 3>weird because no one was holding up a cell phone

0:27:47.080 --> 0:27:48.840
<v Speaker 3>but they didn't have those done because now it would

0:27:48.840 --> 0:27:51.280
<v Speaker 3>be everybody'd be filming it. But like, it just felt

0:27:51.320 --> 0:27:55.600
<v Speaker 3>like so unrealistic. And also if Brandon had gotten hit

0:27:55.680 --> 0:27:58.439
<v Speaker 3>by that giant man, his face would have been wrecked.

0:27:59.480 --> 0:28:00.960
<v Speaker 2>I mean, and makeup afterwards.

0:28:00.960 --> 0:28:01.280
<v Speaker 1>It was.

0:28:02.160 --> 0:28:04.480
<v Speaker 2>It was terrible. It was just like a light pink

0:28:04.520 --> 0:28:09.000
<v Speaker 2>and then yellow bright red. It was like literal.

0:28:09.720 --> 0:28:13.040
<v Speaker 3>I thought he had pink eye.

0:28:11.920 --> 0:28:16.040
<v Speaker 1>On what plant for pink eye? What planet? It was

0:28:16.160 --> 0:28:20.200
<v Speaker 1>two guys were versus fifty seven people and the two

0:28:20.280 --> 0:28:23.080
<v Speaker 1>guys were winning, Like, I was like, what is happening?

0:28:23.520 --> 0:28:26.280
<v Speaker 1>What two dudes come up from the street just because

0:28:26.280 --> 0:28:29.800
<v Speaker 1>a girl flashed them and like spilled her drink. Break

0:28:29.840 --> 0:28:31.639
<v Speaker 1>First of all, you can't break down a door in

0:28:31.760 --> 0:28:32.520
<v Speaker 1>a hotel like that.

0:28:33.119 --> 0:28:39.360
<v Speaker 3>No, that was a paper door, it was how about?

0:28:39.640 --> 0:28:44.479
<v Speaker 1>First of all, probably right, the entire party goes dead quiet,

0:28:44.480 --> 0:28:46.400
<v Speaker 1>and then Brandon, who is it?

0:28:47.120 --> 0:28:48.880
<v Speaker 3>I mean, of course Brandon has to take care of

0:28:49.120 --> 0:28:51.800
<v Speaker 3>It's not even his prom or his party. He knows

0:28:51.840 --> 0:28:54.120
<v Speaker 3>no one but Claire, but he's going to be the

0:28:54.120 --> 0:28:54.800
<v Speaker 3>man of the house.

0:28:55.520 --> 0:28:58.800
<v Speaker 1>Then the big dude breaks down the door. Also unrealistic.

0:28:59.440 --> 0:29:01.880
<v Speaker 3>He was mass and then like what.

0:29:01.800 --> 0:29:03.880
<v Speaker 1>Did the big dude even have against these people? Wouldn't

0:29:03.920 --> 0:29:05.920
<v Speaker 1>he have just been like, let's buddy, give me a drink?

0:29:06.240 --> 0:29:11.320
<v Speaker 1>Like then he socks Brandon. Second of all, Brandon no

0:29:11.560 --> 0:29:15.640
<v Speaker 1>diss on Jason Priestley, who's like five eight. Oh sorry,

0:29:16.360 --> 0:29:17.520
<v Speaker 1>nails the guy, Like.

0:29:20.480 --> 0:29:21.640
<v Speaker 2>Why can't that happen?

0:29:23.240 --> 0:29:23.880
<v Speaker 3>Punching up?

0:29:24.360 --> 0:29:27.360
<v Speaker 1>I mean, Brandon was in the fight and doing okay

0:29:27.520 --> 0:29:28.920
<v Speaker 1>against the six eight.

0:29:29.400 --> 0:29:31.800
<v Speaker 2>Football six eight.

0:29:34.160 --> 0:29:38.200
<v Speaker 3>He was like a wall though It's truebody moved literally

0:29:38.200 --> 0:29:40.080
<v Speaker 3>nobody else moved in the background.

0:29:40.160 --> 0:29:45.280
<v Speaker 1>Rosen. Then the incomes the hotel security and then they're

0:29:45.280 --> 0:29:48.200
<v Speaker 1>like the whole thing was so ludicrous.

0:29:48.920 --> 0:29:52.120
<v Speaker 3>It really was. It was really ludicrous. And then Claire

0:29:52.160 --> 0:29:56.520
<v Speaker 3>goes on to have a temper tantrum basically he doesn't

0:29:56.680 --> 0:30:00.120
<v Speaker 3>like me, and I just felt like why she I.

0:30:00.120 --> 0:30:02.480
<v Speaker 3>I was like, oh, she is younger now, I see she.

0:30:02.600 --> 0:30:04.600
<v Speaker 1>Yeah, it was a little weird. She went a little

0:30:04.680 --> 0:30:07.640
<v Speaker 1>too far with the like I want to strangle myself,

0:30:07.680 --> 0:30:09.200
<v Speaker 1>and then he makes a joke about it, and I

0:30:09.280 --> 0:30:14.000
<v Speaker 1>was just like, oh.

0:30:12.040 --> 0:30:14.000
<v Speaker 3>I wouldn't want to go out with her either. She

0:30:14.160 --> 0:30:14.960
<v Speaker 3>kind of liked it.

0:30:14.960 --> 0:30:19.080
<v Speaker 2>It was so like stomping my feet like tween tears,

0:30:19.120 --> 0:30:23.040
<v Speaker 2>like poudy, Like literally she got so like it's the

0:30:23.040 --> 0:30:25.040
<v Speaker 2>way you would react with a parent when they're like

0:30:25.080 --> 0:30:29.320
<v Speaker 2>you're grounded. You're like, you don't like me?

0:30:29.600 --> 0:30:32.239
<v Speaker 1>Yeah, and I got my dad. And then Brandon had

0:30:32.240 --> 0:30:33.960
<v Speaker 1>to pay the three hundred dollars just like what.

0:30:34.840 --> 0:30:37.600
<v Speaker 3>And then Brandon was just really cranky with with her

0:30:37.640 --> 0:30:40.080
<v Speaker 3>in that scene, but I think he was being bothered

0:30:40.080 --> 0:30:43.400
<v Speaker 3>by his pink guy outbreak that he had and.

0:30:43.360 --> 0:30:45.000
<v Speaker 1>They were close to the edge and then when they

0:30:45.040 --> 0:30:48.360
<v Speaker 1>said room three eight, I'm like, that's not room three

0:30:48.440 --> 0:30:50.719
<v Speaker 1>o eight, that's like room seven o nine, because they

0:30:50.720 --> 0:30:56.840
<v Speaker 1>were like, only you would catch that eight saying, because

0:30:56.840 --> 0:30:59.200
<v Speaker 1>I'm like, that door's not going to break hotel security.

0:30:59.240 --> 0:31:02.360
<v Speaker 1>The whole thing was like, what's happening? Who are those people?

0:31:02.520 --> 0:31:04.000
<v Speaker 1>Are those people from the high school?

0:31:05.400 --> 0:31:07.920
<v Speaker 3>No, they were just random dudes walking down the street.

0:31:08.600 --> 0:31:13.080
<v Speaker 1>No, but in that party, who as her graduating class?

0:31:13.160 --> 0:31:13.280
<v Speaker 2>Right?

0:31:13.360 --> 0:31:14.720
<v Speaker 3>Yeah, Claire's cluffmate.

0:31:14.800 --> 0:31:15.920
<v Speaker 1>But why didn't they didn't want to go to the

0:31:15.920 --> 0:31:20.920
<v Speaker 1>prom either? Fifty seven kids didn't go to the prom.

0:31:21.200 --> 0:31:21.520
<v Speaker 1>I don't know.

0:31:21.560 --> 0:31:24.360
<v Speaker 3>I was very like, that was the after party, pre party,

0:31:24.520 --> 0:31:27.520
<v Speaker 3>one of those Yeah, all right, and then let's justify it.

0:31:27.680 --> 0:31:33.520
<v Speaker 1>Always Brandon doesn't dance. Always Brandon does his thing and

0:31:33.560 --> 0:31:34.880
<v Speaker 1>then he just grabs the beer.

0:31:35.800 --> 0:31:39.480
<v Speaker 3>He does square dance, Yeah, yeah, one in Rome square.

0:31:40.280 --> 0:31:43.040
<v Speaker 3>I I don't think I've ever seen Brandon like throw

0:31:43.120 --> 0:31:43.640
<v Speaker 3>back a beer.

0:31:43.800 --> 0:31:50.800
<v Speaker 1>No, are you guys even twenty one? No? That very

0:31:51.200 --> 0:31:53.880
<v Speaker 1>everybody drank champagne at the prom. Oh no, but I've

0:31:53.880 --> 0:31:57.280
<v Speaker 1>never seen him drink a beer. Maybe at the summer

0:31:57.760 --> 0:32:01.080
<v Speaker 1>beach house and you know, not your apartment, but the

0:32:01.840 --> 0:32:04.400
<v Speaker 1>when they were in Malibou at the old.

0:32:04.200 --> 0:32:06.040
<v Speaker 3>House, mabes.

0:32:07.000 --> 0:32:08.640
<v Speaker 1>Oh god, I just oh god. I know I'm going

0:32:08.680 --> 0:32:10.920
<v Speaker 1>back and forth, But I love Andrea doing yoga with

0:32:10.960 --> 0:32:16.560
<v Speaker 1>the big old MELTI bowl of ice cream down dog slurp.

0:32:19.080 --> 0:32:19.440
<v Speaker 1>I love.

0:32:19.520 --> 0:32:21.800
<v Speaker 2>Yeah, Well, what's going to happen you guys?

0:32:22.120 --> 0:32:24.800
<v Speaker 3>Well, I don't know. But Kelly goes over to after

0:32:24.840 --> 0:32:29.240
<v Speaker 3>she apologizes to Brenda for doing nothing wrong. Uh, she

0:32:29.440 --> 0:32:34.360
<v Speaker 3>goes to Dylan to seek some sort of something and

0:32:34.400 --> 0:32:38.080
<v Speaker 3>he doesn't give it to her. Then either, he again

0:32:38.240 --> 0:32:42.080
<v Speaker 3>doesn't listen and takes up for Brenda.

0:32:42.520 --> 0:32:43.440
<v Speaker 2>What's his problem?

0:32:43.760 --> 0:32:44.640
<v Speaker 3>What's his problem?

0:32:45.000 --> 0:32:48.000
<v Speaker 2>I'm no, I'm I'm curious from your standpo, I can't

0:32:48.000 --> 0:32:50.360
<v Speaker 2>figure it out watching as a fan, like, I'm like,

0:32:50.520 --> 0:32:51.280
<v Speaker 2>what is he doing?

0:32:52.960 --> 0:32:53.720
<v Speaker 3>Can't figure it out?

0:32:54.360 --> 0:32:58.120
<v Speaker 2>Very like self sabotage to the core, that's it.

0:32:59.680 --> 0:33:01.960
<v Speaker 3>I go, I guess so and then like that whole

0:33:01.960 --> 0:33:06.080
<v Speaker 3>bad boy like mixed signals, like you know, teaching girls

0:33:06.080 --> 0:33:09.680
<v Speaker 3>that it's okay to take whatever you get from the

0:33:09.720 --> 0:33:10.240
<v Speaker 3>cute guy.

0:33:11.360 --> 0:33:14.400
<v Speaker 1>Yeah, he just he should be dumped.

0:33:15.640 --> 0:33:17.720
<v Speaker 2>It's too much. And I feel like, right even in

0:33:17.760 --> 0:33:20.720
<v Speaker 2>this episode, like Kelly comes back kind of and you're

0:33:20.760 --> 0:33:23.160
<v Speaker 2>semi nice to him, and then it starts in and again,

0:33:23.200 --> 0:33:28.760
<v Speaker 2>like it's just he's not very likable.

0:33:29.240 --> 0:33:33.240
<v Speaker 1>He's also just so like it's so about his sister

0:33:33.360 --> 0:33:35.280
<v Speaker 1>or sister, my sister, and you're not gonna come to

0:33:35.280 --> 0:33:39.600
<v Speaker 1>the bet my sister. He's he's a little bit self absorbed.

0:33:39.560 --> 0:33:42.200
<v Speaker 2>Self absorbed in the anger and everything going on is

0:33:42.240 --> 0:33:44.400
<v Speaker 2>being directed in the wrong direction at the wrong person.

0:33:45.560 --> 0:33:48.800
<v Speaker 3>And he thinks that the girls are being self absorbed.

0:33:49.880 --> 0:33:51.680
<v Speaker 3>And you know about the play.

0:33:52.200 --> 0:33:54.880
<v Speaker 1>Right, I think that's kind of like work.

0:33:56.360 --> 0:33:58.000
<v Speaker 3>It's like, yeah, I don't know.

0:33:58.760 --> 0:34:01.000
<v Speaker 1>I did love you is with the white sort of

0:34:01.000 --> 0:34:04.480
<v Speaker 1>flowy top. I'm not that was good at the beach

0:34:04.520 --> 0:34:06.720
<v Speaker 1>when you came to the beach with the cool sunglasses on.

0:34:06.960 --> 0:34:11.600
<v Speaker 2>And yeah, I mean it's a teenager's job to be

0:34:12.040 --> 0:34:17.360
<v Speaker 2>self absorbed. What's you know, Oh yes, I know.

0:34:18.960 --> 0:34:22.239
<v Speaker 1>Yeah, trying to think of what we forgot. I'm still

0:34:22.239 --> 0:34:23.800
<v Speaker 1>befuddled by Steve and Laura.

0:34:24.920 --> 0:34:28.920
<v Speaker 3>So something's going to happen with so this is I

0:34:28.960 --> 0:34:30.719
<v Speaker 3>started to you're right toward what you said in the

0:34:30.760 --> 0:34:33.360
<v Speaker 3>beginning of the show that this starts to become soapy

0:34:33.440 --> 0:34:37.600
<v Speaker 3>because it becomes more serialized, meaning like every episode you're

0:34:37.680 --> 0:34:39.200
<v Speaker 3>left on the edge of your seat, like what's going

0:34:39.239 --> 0:34:41.880
<v Speaker 3>to happen in the next episode, and I feel that

0:34:41.960 --> 0:34:45.200
<v Speaker 3>more and more and now, and so I'm like, what's

0:34:45.239 --> 0:34:48.440
<v Speaker 3>gonna happen. What's gonna happen with creepy Roy Randolph.

0:34:49.200 --> 0:34:52.680
<v Speaker 2>I'm assuming one of them gets the role, one gets

0:34:52.680 --> 0:34:55.440
<v Speaker 2>to understudy, and it's like all about Eve slash the

0:34:55.520 --> 0:34:58.319
<v Speaker 2>modern day that would be Showgirls. Is that correct? Is

0:34:58.320 --> 0:34:59.120
<v Speaker 2>that what's going to happen?

0:35:00.000 --> 0:35:00.080
<v Speaker 3>Oh?

0:35:00.200 --> 0:35:00.560
<v Speaker 1>Yes?

0:35:00.680 --> 0:35:03.400
<v Speaker 3>Or like or like remember when the ice Skaters that

0:35:05.520 --> 0:35:09.560
<v Speaker 3>Tanya Nancy? Yeah? So yeah, I'm gonna get ugly. I

0:35:09.600 --> 0:35:09.920
<v Speaker 3>bet you.

0:35:11.400 --> 0:35:11.600
<v Speaker 1>Wait.

0:35:11.640 --> 0:35:13.360
<v Speaker 2>So who's gonna get which part? Like who's going to

0:35:13.440 --> 0:35:16.560
<v Speaker 2>be the understudy? Oh, it's gonna be Laura. Brenda's gonna

0:35:16.560 --> 0:35:19.080
<v Speaker 2>get it, and Laura's gonna take her down to get

0:35:19.080 --> 0:35:20.319
<v Speaker 2>the part. Am I right?

0:35:20.760 --> 0:35:21.200
<v Speaker 3>I like that?

0:35:21.320 --> 0:35:22.360
<v Speaker 2>Okay, let's go with it.

0:35:22.360 --> 0:35:23.919
<v Speaker 3>I don't know if you're right, but it sounds good.

0:35:24.719 --> 0:35:25.359
<v Speaker 2>Amy knows.

0:35:25.719 --> 0:35:28.480
<v Speaker 1>I'm not answering. I am not I am not answer.

0:35:29.480 --> 0:35:33.839
<v Speaker 1>What I can say is that I do love the serialization.

0:35:34.680 --> 0:35:37.240
<v Speaker 1>And we've said it a bit before. What do you guys?

0:35:37.880 --> 0:35:40.480
<v Speaker 1>I'm it hooks me me too.

0:35:40.680 --> 0:35:42.319
<v Speaker 2>I was into it and.

0:35:42.280 --> 0:35:47.759
<v Speaker 1>These episodes are moving that they're fast. I'm like because

0:35:47.840 --> 0:35:49.719
<v Speaker 1>last I forgot that we were taping today, so I

0:35:49.719 --> 0:35:51.520
<v Speaker 1>had to watch it last night eleven, and I was

0:35:51.520 --> 0:35:54.080
<v Speaker 1>sort of like, oh no, boom, I was in. I

0:35:54.120 --> 0:35:58.719
<v Speaker 1>was loving it. It's jamming. It's like, I'm in. I

0:35:58.760 --> 0:36:01.920
<v Speaker 1>think this show is right now, like if I'm looking,

0:36:02.080 --> 0:36:04.880
<v Speaker 1>you know, just from a bird's eye view. For me,

0:36:05.000 --> 0:36:06.440
<v Speaker 1>it's the best stuff.

0:36:08.280 --> 0:36:11.359
<v Speaker 3>What do you guys give this episode? On the old

0:36:11.440 --> 0:36:18.479
<v Speaker 3>finger chirt? Okay, ready, yep?

0:36:19.280 --> 0:36:26.279
<v Speaker 1>That go oh yeah? Oh god? Wait. So Jenny gave

0:36:26.280 --> 0:36:28.239
<v Speaker 1>a nine, Tory gave an eight. I gave a nine

0:36:28.239 --> 0:36:30.799
<v Speaker 1>because Divas to me was a ten and this is

0:36:30.840 --> 0:36:33.480
<v Speaker 1>just a little below Divas for me. I don't know why.

0:36:33.719 --> 0:36:35.640
<v Speaker 3>Okay, all right, I.

0:36:35.560 --> 0:36:37.960
<v Speaker 2>Could have gone higher, but with my fingers I can't

0:36:38.000 --> 0:36:39.759
<v Speaker 2>hold Wait, oh I could do that nine.

0:36:39.800 --> 0:36:42.040
<v Speaker 3>Okay, you want to be honestly, I meant to put

0:36:42.080 --> 0:36:43.120
<v Speaker 3>up three on this hand.

0:36:43.120 --> 0:36:43.360
<v Speaker 2>But I.

0:36:45.280 --> 0:36:45.640
<v Speaker 3>Tell me.

0:36:47.120 --> 0:36:53.680
<v Speaker 1>There's a lot of juicy stuff coming because Celeste isn't I'm.

0:36:53.520 --> 0:36:55.080
<v Speaker 2>Trying to coming back.

0:36:55.719 --> 0:36:56.600
<v Speaker 1>She's not gone what.

0:36:57.120 --> 0:37:01.400
<v Speaker 2>I don't know. That's why is a nice gal, but

0:37:01.480 --> 0:37:03.120
<v Speaker 2>I don't know so much.

0:37:03.160 --> 0:37:09.319
<v Speaker 1>Going forward too, we're leveling up. This gets good. I

0:37:09.400 --> 0:37:09.640
<v Speaker 1>like it.

0:37:09.680 --> 0:37:10.920
<v Speaker 3>I like it with the new characters.

0:37:10.960 --> 0:37:13.120
<v Speaker 1>I like it with Yeah, wait, before we go, how

0:37:13.160 --> 0:37:14.320
<v Speaker 1>do you guys feel about Claire.

0:37:17.400 --> 0:37:18.640
<v Speaker 3>I think she's fun to watch.

0:37:18.880 --> 0:37:21.479
<v Speaker 2>I love watching her. I just love her look.

0:37:21.520 --> 0:37:23.200
<v Speaker 3>I love it's different.

0:37:23.280 --> 0:37:26.319
<v Speaker 2>She's a totally different character and she comes in with

0:37:26.360 --> 0:37:31.680
<v Speaker 2>a whole different vision, wardrobe, make a pair, just everything

0:37:31.840 --> 0:37:33.040
<v Speaker 2>than what our girls are.

0:37:33.120 --> 0:37:35.200
<v Speaker 1>So were you friends over at this point or were

0:37:35.239 --> 0:37:37.320
<v Speaker 1>you like developing a friendship in real life?

0:37:37.800 --> 0:37:40.399
<v Speaker 2>Maybe not yet. I feel like she had just come

0:37:40.400 --> 0:37:43.399
<v Speaker 2>on raight, She's only had like three Yeah, I don't

0:37:43.400 --> 0:37:46.840
<v Speaker 2>think we had worked a lot with her, and then.

0:37:47.000 --> 0:37:51.759
<v Speaker 1>Right Jenny did, and then mostly Jason. I don't even

0:37:53.000 --> 0:37:53.640
<v Speaker 1>seen with her.

0:37:53.960 --> 0:37:54.600
<v Speaker 2>I don't think so.

0:37:55.760 --> 0:38:00.400
<v Speaker 3>Nope, not yet. But soon we will all be together.

0:38:00.480 --> 0:38:05.120
<v Speaker 3>I know that happens, all right, everybody, we have we

0:38:05.160 --> 0:38:09.080
<v Speaker 3>have homework to do for next week, and it's continuation

0:38:10.200 --> 0:38:14.279
<v Speaker 3>of the play Saga. The next episode is episode twenty nine,

0:38:14.360 --> 0:38:15.800
<v Speaker 3>Truth and Consequences.

0:38:17.160 --> 0:38:19.279
<v Speaker 2>I thought you were literally saying the name of the

0:38:19.280 --> 0:38:24.719
<v Speaker 2>episode is continuation. I'm like, that's pretty literal of them, Okay, entitle.

0:38:26.920 --> 0:38:28.640
<v Speaker 3>No, Truth and Consequence is.

0:38:30.239 --> 0:38:32.520
<v Speaker 1>Yeah. So it's sort of the third part of this

0:38:32.600 --> 0:38:35.399
<v Speaker 1>sort of three story arc. And then I think we

0:38:35.440 --> 0:38:38.200
<v Speaker 1>go right into someone Keep Me Honest to the sort

0:38:38.200 --> 0:38:41.080
<v Speaker 1>of two part finale, which I think probably aired us

0:38:41.239 --> 0:38:41.879
<v Speaker 1>on one night.

0:38:43.920 --> 0:38:44.879
<v Speaker 2>What's going to happen? Then?

0:38:46.840 --> 0:38:50.520
<v Speaker 3>What are the stakes? Name one the same ones. I

0:38:50.560 --> 0:38:53.640
<v Speaker 3>think Brandon goes to Washington you said earlier.

0:38:53.280 --> 0:38:55.759
<v Speaker 1>And we sort of have the I don't want to

0:38:55.800 --> 0:38:57.480
<v Speaker 1>reveal it. There's some clear stuff.

0:38:57.640 --> 0:39:03.200
<v Speaker 3>Definitely, does Brenda come back for season five or is

0:39:03.280 --> 0:39:05.200
<v Speaker 3>the end of season four the last time we see her,

0:39:05.920 --> 0:39:08.040
<v Speaker 3>last time you see her? That was crary?

0:39:08.040 --> 0:39:13.800
<v Speaker 1>All Yeah, it really is. It really is, because Tiffany

0:39:13.880 --> 0:39:15.160
<v Speaker 1>is season five.

0:39:15.000 --> 0:39:17.240
<v Speaker 2>As the end of an era. Oh my goodness.

0:39:18.080 --> 0:39:19.200
<v Speaker 3>I don't know if I'm ready for it.

0:39:19.280 --> 0:39:20.840
<v Speaker 2>I'm not either, no.

0:39:20.880 --> 0:39:23.840
<v Speaker 1>Because I'm sure you didn't know. I'm thinking you didn't know.

0:39:24.000 --> 0:39:25.480
<v Speaker 1>At this point, I.

0:39:25.400 --> 0:39:27.880
<v Speaker 3>Don't think we don't have to We don't have to

0:39:27.960 --> 0:39:31.640
<v Speaker 3>be ready for it yet. We have another couple episodes. Yeah, yeah,

0:39:31.680 --> 0:39:33.719
<v Speaker 3>all right, you guys have a great week. Thank you

0:39:33.760 --> 0:39:37.880
<v Speaker 3>for listening, Love you guys. Bye,