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Speaker 1: It's nine O gene one legen with Jenny Garth and

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Speaker 1: Tory spelling.

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Speaker 2: Okay, so Jen, you're gonna be shot?

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Speaker 1: What?

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Speaker 2: First of all, welcome you guys.

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Speaker 3: It's not welcome.

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Speaker 2: Welcome riveting episode of nine O two one. OMG, I

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Speaker 2: loved this episode.

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Speaker 3: I see the light. Oh my goodness, I'm happy. I'm happy.

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Speaker 3: I can't read that you liked it.

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Speaker 1: Finally, I can't read from Jenny's face how she's got

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Speaker 1: a I can read this right now, I can't.

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Speaker 3: I liked it. Yeah, I thought it was decent enough.

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Speaker 2: I liked it because I feel like, oh, this is

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Speaker 2: going to be the wrong reason to like it, so

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Speaker 2: I apologize in advance. But it started. This is like

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Speaker 2: the episode where it starts to turn a little soapy,

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Speaker 2: do you know what I mean?

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Speaker 3: Like, I feel like this is the episode.

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Speaker 2: You're like, now, I don't oh now this one. I

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Speaker 2: just feel like it's like rare cat fights and stuff

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Speaker 2: felt very Yeah, Dynasty.

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Speaker 1: We had scene of Kelly versus Brenda wowsa.

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Speaker 3: Yeah she wait, let's just talk about it. Let's talk

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Speaker 3: about it. Welcome about Episode twenty eight acting Out aired

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Speaker 3: April twenty seventh, nineteen ninety.

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Speaker 2: Four synopsis, Brandon gets bamboozled and Bruce, thanks to Claire Donna,

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Speaker 2: reveals her true feelings about Andrea. Kelly isn't ready for

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Speaker 2: her close up after all, and Brenda tries to save

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Speaker 2: a bad audition with a good dress.

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Speaker 3: Directed by Jeffrey Mellman. Written by Chip Johansson.

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Speaker 1: April twenty seventh. To me, seems like the start of

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Speaker 1: May sweeps. So they're bringing out the big guns. We've

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Speaker 1: got how many left in this season? Four? Four?

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Speaker 3: That's it?

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Speaker 1: Three? Three? Maybe three? Oh?

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Speaker 2: The last one's a two hour? Is that when they

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Speaker 2: started these missed Yeah.

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Speaker 1: It's mister Walsh goes to Washington. Oh wow, So okay.

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Speaker 3: Well this is exciting. I mean it starts out beautiful,

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Speaker 3: all the all the shots of the ocean, and you know,

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Speaker 3: I felt for Brenda. I felt like, sometimes you gotta

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Speaker 3: just go and stare at the ocean to figure out

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Speaker 3: how are you feeling? So she took some time before

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Speaker 3: she showed up on Kelly's door step. I wonder what

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Speaker 3: it would have been like if she hadn't taken those

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Speaker 3: moments before to gather herself. Would have been worse.

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Speaker 1: Yes, that was like a very I don't know what

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Speaker 1: the word is. I want to say snatchy, but that's

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Speaker 1: like a bad word.

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Speaker 2: Right, means something else very snarky, isn't snatch Like women's like,

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Speaker 2: oh you look snatched, Like if you're wearing your spanks,

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Speaker 2: you look snatched.

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Speaker 1: Yeah, that's a snack caustic. It was so.

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Speaker 3: You know, that's the that that scene you're talking about

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Speaker 3: was like literally two hot cats on a tin roof, right.

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Speaker 3: I think they were like.

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Speaker 2: Oh yeah, it were so good.

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Speaker 3: I wasn't sure. I mean, I can remember how the show,

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Speaker 3: like how doing these kinds of scenes would sort of

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Speaker 3: pin Shannon and I against one another, not just our

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Speaker 3: characters but our people kind of. And I could tell

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Speaker 3: in this scene that there was a lot of Jenny

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Speaker 3: and a lot of Shannon coming across in that argument.

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Speaker 3: It just felt like there was a lot of stuff

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Speaker 3: going back and forth.

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Speaker 1: I think you might be.

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Speaker 2: Because you've talked about before, like both strong women, both

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Speaker 2: aries like sometimes the line its blurred, right, yeah, yeah,

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Speaker 2: two young girls.

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Speaker 3: I remember there was just like a tension on the

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Speaker 3: set too, whenever we would shoot these kinds of scenes,

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Speaker 3: like everybody, what can happen?

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Speaker 1: Really?

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Speaker 3: Uh huh?

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Speaker 1: Can I say something weird? Maybe because you're saying it

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Speaker 1: it felt like a scene from the Housewives or the

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Speaker 1: back of Two Girls. I'm so sorry. It seemed real.

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Speaker 3: It was, Yeah, it seemed real.

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Speaker 2: Sure, you guys were both real brilliant in it.

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Speaker 3: I liked it that David bought Kelly a book about

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Speaker 3: Strasburg though he goes Strasburg. I know it sounds like

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Speaker 3: some sort of birth control, but supposed to be good stuff.

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Speaker 1: Wait, are you guys familiar with the least Strasburg method?

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Speaker 2: What is it?

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Speaker 3: Is that?

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Speaker 2: The repeating like the same? Like?

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Speaker 3: Okay, let's try it. You do the repeat. Okay, So

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Speaker 3: I feel hungry, I feel hungry. No you say I

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Speaker 3: think you say you feel hungry.

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Speaker 2: Oh right, Okay.

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Speaker 3: I feel hungry.

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Speaker 2: You feel hungry.

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Speaker 3: I feel hungry.

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Speaker 2: You feel hungry. I feel hungry. You feel hungry.

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Speaker 3: I feel hungry.

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Speaker 2: Are we good?

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Speaker 3: Are we good?

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Speaker 1: But can you explain to me what you think?

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Speaker 2: I'm an audition for Maggie the Cat. Now what is

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Speaker 2: it you were doing there?

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Speaker 1: Because you were changing the way you were saying it, like.

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Speaker 3: You're supposed to be listening to the other person, And

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Speaker 3: even though it's the same line that you're saying over

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Speaker 3: and over, like you're listening and the listening come your

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Speaker 3: reaction comes from the listening.

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Speaker 2: Oh wow right, instead of like thinking of your own

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Speaker 2: next line, you're actually present.

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Speaker 1: I like it.

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Speaker 2: I like it.

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Speaker 1: It was good. I liked okay, even though it was

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Speaker 1: very Kelly versus Brendan versus Laura, that the gang was

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Speaker 1: being so supportive of everybody. The gang was like not

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Speaker 1: going down like Donna was David, Donna, even Brandon Steve

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Speaker 1: obviously sort of siding with Laura, but he's he's trying.

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Speaker 1: It was like the gang was sort of like why

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Speaker 1: are they doing? Why are they acting so crazy?

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Speaker 2: And I think that's what drew me in is I

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Speaker 2: got to watch them have it was essentially like this

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Speaker 2: power thruffle, like who's like going for it, but you

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Speaker 2: didn't feel like you got it, like ignored the other characters.

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Speaker 2: They were just a part of it because they intersected

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Speaker 2: all the storyline with all of us, so they I

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Speaker 2: got weaved together, So I didn't miss them except Andrea.

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Speaker 3: Yeah, line was separate, and you kind of got weaved

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Speaker 3: into hers.

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Speaker 1: Yeah, you got weaved into everybody's I want to talk

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Speaker 1: about Claire too, but as two actors, right, Tory Jenny,

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Speaker 1: So you're being Tori, who did the audition the best?

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Speaker 1: Who was the best? I think I have my opinion,

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Speaker 1: but I want it. I'm not an actor.

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Speaker 3: Do you want to go? Can I say? But what

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Speaker 3: if I don't pick? You're my friend here? If you

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Speaker 3: pick me? What if I don't? Though I'm scared, I'm

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Speaker 3: not picking me. I'm picking.

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Speaker 1: You're honest. You pretend as directors that you both direct to.

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Speaker 1: Who would you or produce? Who would you have cast?

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Speaker 2: Laura?

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Speaker 3: Laura?

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Speaker 1: Yeah? Really I thought she was the worst?

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Speaker 2: Did I thought?

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Speaker 1: I don't know why? And this is not a dig

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Speaker 1: on Tracy Mittendorf. Something about her and I got over

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Speaker 1: it last week, but it's back again this week. Something

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Speaker 1: about her or the way she plays Laura Kingman.

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Speaker 2: You don't like the actory like affected part of her,

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Speaker 2: but that works for auditioning for Maggie the cat cat

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Speaker 2: in a hot tin roof. Right, Maybe you're right out.

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Speaker 1: That I don't like how she's like, oh my ma, honey.

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Speaker 3: Or when I was watching Kelly's audition scene, I was

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Speaker 3: like like this, like, oh my god, I'm like peeking

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Speaker 3: through my I was so scared to watch it, But

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Speaker 3: in watching it, I realized I was like channeling like

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Speaker 3: Maggie if she lived in a trailer park. That was

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Speaker 3: my take on it, Like it was trailer park Maggie.

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Speaker 1: Like how hard is it to be acting within acting

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Speaker 1: because you're acting as Kelly and then you have to

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Speaker 1: beat Kelly acting as Maggie and your little Like.

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Speaker 2: I liked how your voice changed though, Like your voice

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Speaker 2: was higher.

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Speaker 3: It was really cute.

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Speaker 2: And it was so like raw your emotions. I don't know.

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Speaker 2: Maybe it was because last episode you guys mentioned Jessica

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Speaker 2: Lang a little bit, so maybe that like influenced me

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Speaker 2: how I was watching her.

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Speaker 1: I thought Kelly was the best at it, and I

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Speaker 1: know everyone's gonna be like, you hate Brenda. I don't

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Speaker 1: hate Brenda, but I thought Kelly was the best. And

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Speaker 1: I do think even though Roy Randolph is so gross,

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Speaker 1: he actually saw natural talent at her talent. Yeah, so

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Speaker 1: I thought, you know, I still like that you took

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Speaker 1: yourself out of the race.

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Speaker 3: Yeah. I liked it when he put his hand on

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Speaker 3: Kelly's shoulder weirdly after the audition, it was like, I

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Speaker 3: don't know, you guys must not have noticed that, but

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Speaker 3: I don't know because it was creepy.

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Speaker 1: I just noticed at the end when you quit, you're like,

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Speaker 1: this guy's gross.

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Speaker 3: Yeah, she's onto him. By the end of this, she's like, uh, Wow,

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Speaker 3: this guy's a piece of work.

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Speaker 2: I gotta say though, like all three of you great performances.

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Speaker 3: Like I was thinking, Wow, that must have been so

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Speaker 3: nerve wracking and like I.

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Speaker 2: Got so nervous terrifying to do. Right when I saw

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Speaker 2: that John was about to audition, my heart like just that,

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Speaker 2: like nervous, like I wanted to see, like I wanted

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Speaker 2: to be. I should have known it's going to be good,

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Speaker 2: but as a friend, I got nervous.

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Speaker 1: Are you guys an audition for a play like that?

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Speaker 1: How about how brutal is it?

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Speaker 3: I have never done audition for a play. I don't

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Speaker 3: think like that, but I have an audition for like

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Speaker 3: sitcom work. It's always brutal. Any audition is brutal, especially

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Speaker 3: if you have to do an accent. Well I did

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Speaker 3: in high school. Actually does that count? Yeah, that's what

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Speaker 3: they're doing.

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Speaker 1: Have you ever known that you were up for a

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Speaker 1: part that you've been called back for You're getting close

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Speaker 1: and you know that someone you know is up for it.

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Speaker 2: Also all the time that happens.

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Speaker 1: Oh my god.

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Speaker 2: If you go to network and read, you see the

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Speaker 2: same like you know who you're reading against, who you're

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Speaker 2: testing against, and you know them like you know them.

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Speaker 1: Oh my god, do you guys have to audition? You

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Speaker 1: don't have to audition now, do you?

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Speaker 3: Yeah?

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Speaker 2: But like self tapes now m hm, so.

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Speaker 1: You could go into audition. I'm trying to think of

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Speaker 1: somebody that like looks like you guys, So say, Christina Applegate,

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Speaker 1: would you ever go into a room and you know

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Speaker 1: you're up for a part and Christina Applegate is like

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Speaker 1: or Sarah Chuck. I'm just trying to like think of

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Speaker 1: somebody in your era back in the day, like was

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Speaker 1: in the room and you're like kind of friends with

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Speaker 1: them and they're sort of famous too, and like.

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Speaker 3: Hmm, I've been I know, I've been in auditions with

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Speaker 3: Tiffany before going up against Tiffany, which is weird because

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Speaker 3: we didn't look nothing alike. So that just goes to

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Speaker 3: prove that they have no idea what they want. They're

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Speaker 3: just looking at everybody and seeing what what works for them.

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Speaker 2: I remember that, I remember a sitcom audition after nine

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Speaker 2: on two and zero and walked out and Tiffany was there,

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Speaker 2: and then Lindsey was there.

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Speaker 1: Oh my god.

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Speaker 2: No, I was like we were all like, all right.

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Speaker 1: Oh my god. I wouldn't like that at all.

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Speaker 3: No, it's not fun. But I noticed that, like the

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Speaker 3: energy between these girls was so vicious, Like when Bara

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Speaker 3: did hers it was and then she walked off stage

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Speaker 3: off slinkty slink, and then Brenda walks on stage. They

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Speaker 3: just kind of glare at each other. It was palpable,

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Speaker 3: and I felt so sad for them. I was like,

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Speaker 3: ladies support one another, like say good job or some things.

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Speaker 1: Also thought it was very hypocritical in that Brenda was

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Speaker 1: so mad at Kelly, like like more mad than than

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Speaker 1: about Dylan. It was just so mad. But yet then

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Speaker 1: there's Laura canoodling with Roy Randall flirty mcflirty, and she's all, well,

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Speaker 1: that's what she has to do, and I'm just like, what.

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Speaker 2: Like, why are you a personal connection to her? She

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Speaker 2: does to Kelly like it hurts.

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Speaker 1: That she so many levels told you to audition, so

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Speaker 1: my thing is not for that character, but is that

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Speaker 1: how it works? You couldn't just go into an audition

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Speaker 1: and like the like say, you go in and you're

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Speaker 1: reading for the part of an orphan, but they're like

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Speaker 1: that girl sings a mad she's Annie. Does that happen

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Speaker 1: right here? Like when bo.

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Speaker 2: Jesse Christopher told us he went in he was friends

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Speaker 2: with Brian nausin Green and went in for point break

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Speaker 2: because Brian had auditioned, and then he came in afterwards

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Speaker 2: and got the part. Do you remember that you can't

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Speaker 2: be mad?

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Speaker 3: Nope?

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Speaker 2: But maybe because it's college, it's different.

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Speaker 1: I have another weird question. Have you ever come home

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Speaker 1: and not gotten apart and just like cried, Yeah? No,

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Speaker 1: are you like do you have to be tough as nails?

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Speaker 1: Like you have to have such a thick skin.

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Speaker 3: I'm sure I've cried over not kidding something, crying on

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Speaker 3: the inside. I'm crying on the inside right now.

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Speaker 2: Yeah.

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Speaker 3: But it's just weird. How now for Steve was all

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Speaker 3: you know, anti Lara and now he loves Lara?

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Speaker 1: Are they dating?

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Speaker 3: Kissing her weirdly kissing her in the room when, oh goodness,

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Speaker 3: it's just so weird to me. And then he tells her,

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Speaker 3: if this is what you want, you've got to be able,

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Speaker 3: You've got to go all the way. If you want

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Speaker 3: to be an actress, you have to be willing to

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Speaker 3: go all the way. And I don't know what he's

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Speaker 3: referring to, but.

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Speaker 1: I love that Steve Sanders has no qualifications whatsoever for

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Speaker 1: anything ever music managers. He's I am a music and

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Speaker 1: now he is an act Yeah, although he looked way

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Speaker 1: better in the jeans than the jeorts and the baseball

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Speaker 1: shirt rather than like so happy that the.

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Speaker 3: Shorts we weren't appearing this episode. I can't remember who.

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Speaker 3: Kelly says this too, but she says everything. I think

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Speaker 3: it was in the makeup scene with Brenda, I believe.

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Speaker 3: I felt like that scene in particular really stood out

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Speaker 3: to me as well written, which for me is I

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Speaker 3: don't notice that very often, but this really stoock out

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Speaker 3: because this one line specifically, I mean, just like overall,

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Speaker 3: this one line was said, every time something good happens

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Speaker 3: to you, I feel like somehow I'm going to be

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Speaker 3: left behind. And I just felt like, wow, that's such

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Speaker 3: a poignant like admittance, you know, such a vulnerable thing

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Speaker 3: to say, because that like goes right to a person's

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Speaker 3: core of like their deepest insecurities, Like I struggle with that,

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Speaker 3: And when I heard that line in the show last night,

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Speaker 3: it really resonated with me and like my history in

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Speaker 3: relationships and like what is it that when something good's

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Speaker 3: happening to someone that you know or even love, there's

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Speaker 3: that part of you that's like, oh, but what about me?

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Speaker 3: How is this? You know? What does that mean for me?

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Speaker 3: And I thought it was just really interesting that they

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Speaker 3: brought that into play. But that was just the weirdest

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Speaker 3: makeup scene ever.

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Speaker 1: Well so it's quick, always with a bow, but I

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Speaker 1: loved that scene and it felt honest, right, Yeah, they're

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Speaker 1: finally telling each other the truth, which resonated right, like

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Speaker 1: jealousy is normal.

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Speaker 3: I felt like Kelly and being more vulnerable with Brenda.

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Speaker 3: But that was what she came there to do, was

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Speaker 3: to bow out and say that her friendship was more

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Speaker 3: important to her than this thing that she got caught

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Speaker 3: up in which she didn't even care about anyway, right, right,

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Speaker 3: But the fact that she did it in the frumpiest outfit.

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Speaker 2: Oh I've ever seen Kelly there?

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Speaker 3: Who can you with that? What is that sweater? That

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Speaker 3: sweater over the long floral dress looked like she borrowed

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Speaker 3: it from like Andrea's grandma Rose or something. And then

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Speaker 3: it wasn't just in that scene, it was in the

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Speaker 3: scene at Dylan's house too. She had to make out

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Speaker 3: in that sweater.

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Speaker 1: The fashion is changing, which I noticed that.

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Speaker 2: Wait, the tank tank top so the way I feel like, yeah,

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Speaker 2: Kelly had on the pink baby tank over it. I

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Speaker 2: feel like this is the debut of baby takes. We've

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Speaker 2: had baby teas.

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Speaker 1: We literally were at college copying all these outfits.

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Speaker 3: Like, well, not that sweater you weren't probably was.

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Speaker 1: But the pink tank, the tight tank over the white tea.

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Speaker 1: I was like, it jarred me because I'm like, I

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Speaker 1: think I wore that.

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Speaker 2: I feel like Kelly should not have bowed out.

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Speaker 3: What do you mean?

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Speaker 1: Good question?

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Speaker 2: I don't know, Like I know she should have. But

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Speaker 2: there's part of me that knows, like that knows Brenda

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Speaker 2: from watching Brenda for four seasons. That feels like if

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Speaker 2: you go there with her, like she does get very

334
00:18:08,960 --> 00:18:13,840
Speaker 2: Brenda wants what she wants and sometimes gets bratty about it,

335
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Speaker 2: And I feel like for Kelly to go there, it

336
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Speaker 2: sets like a precedence. Now, like I don't know, she

337
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Speaker 2: doesn't own the play, she doesn't own the acting world.

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Speaker 2: It is true, I get the friend. I'm torn, you

339
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Speaker 2: made the right decision or.

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Speaker 1: You're going with that?

341
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Speaker 3: Mean well you. Donna was not torn on the show.

342
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Speaker 3: She was very clearly team Kelly in that scene in

343
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Speaker 3: the kitchen.

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Speaker 2: Donna is the most opinionated. That's the only thing that's

345
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Speaker 2: super different about me and Donna. Or maybe I'm opinionated,

346
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Speaker 2: but I don't voice it like Donna voices it. It's crazy,

347
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Speaker 2: it's fair. My thing is she did give her opinion,

348
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Speaker 2: but she was being fair, which is what you just said.

349
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Speaker 2: Brenda doesn't own all plays, she doesn't own the drama

350
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Speaker 2: department at CU, and she encouraged Kelly to audition, Like

351
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Speaker 2: why are we all forgetting that?

352
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Speaker 1: She basically told her to watch. So Kelly's just like

353
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Speaker 1: at the pool, reading the lines, being a good friend.

354
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Speaker 1: So it's a little irritating to me, even if she's

355
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Speaker 1: inside jealous, she should have checked herself, right, I think so.

356
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Speaker 2: Too, because in the long run, does she want the

357
00:19:19,560 --> 00:19:22,920
Speaker 2: part because by default because you left? Like what if

358
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Speaker 2: that's the case, then is that like she's so passionate

359
00:19:25,880 --> 00:19:28,320
Speaker 2: and driven, but like she was just handed the part. Basically,

360
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Speaker 2: if you're gone maybe I wouldn't want it that way.

361
00:19:31,840 --> 00:19:35,320
Speaker 1: For auditions so bad, although I didn't think she was bad,

362
00:19:35,359 --> 00:19:37,760
Speaker 1: but like, no, that's funny. I didn't even know she

363
00:19:37,800 --> 00:19:39,520
Speaker 1: messed up the lines. I was like, I was in

364
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Speaker 1: it with her. I'm like all right, and then she's

365
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Speaker 1: like I need to start out, and then she runs out.

366
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Speaker 1: I was like, oh god.

367
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Speaker 3: It did bug me though, how Dylan was so I

368
00:19:51,240 --> 00:19:55,400
Speaker 3: can see how Kelly would be upset by Dylan's attitude

369
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Speaker 3: and like him always sort of playing devil's advocate and

370
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Speaker 3: rooting the underdog and not standing next to Kelly and

371
00:20:03,480 --> 00:20:07,800
Speaker 3: really supporting a bit mean and he's a dick. I'm sorry. Yeah,

372
00:20:07,800 --> 00:20:10,880
Speaker 3: but I was watching that scene with her later where

373
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Speaker 3: I was at the beach.

374
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Speaker 1: I think this scene where yeah.

375
00:20:15,720 --> 00:20:17,440
Speaker 3: She makes the effort to come talk to him and

376
00:20:18,040 --> 00:20:21,320
Speaker 3: gets you know, all the families there and chest away

377
00:20:21,359 --> 00:20:24,159
Speaker 3: and then he's such a meany to her, and I

378
00:20:24,200 --> 00:20:26,480
Speaker 3: was like, are you who are you? Who do you

379
00:20:26,600 --> 00:20:29,119
Speaker 3: think you are talking to Kelly Taylor like that. I

380
00:20:29,160 --> 00:20:31,560
Speaker 3: was all mad that Dylan was talking to her like

381
00:20:31,560 --> 00:20:33,399
Speaker 3: that as just as a fan.

382
00:20:33,600 --> 00:20:38,760
Speaker 1: Like where I was like, why is he being so jerky?

383
00:20:39,040 --> 00:20:40,520
Speaker 3: He doesn't like her?

384
00:20:41,760 --> 00:20:44,120
Speaker 1: Where it's like, dude, that's your girlfriend, Like even if

385
00:20:44,119 --> 00:20:47,760
Speaker 1: you're sort of torn, you should be supporting her, because

386
00:20:47,760 --> 00:20:49,680
Speaker 1: he should have said, you have all the right in

387
00:20:49,720 --> 00:20:53,960
Speaker 1: the world to audition and be mad that she's mad. Yeah,

388
00:20:54,520 --> 00:20:57,840
Speaker 1: I thought he was being a little bit d wordy

389
00:20:57,880 --> 00:21:02,399
Speaker 1: with his vile of sludge. What do you know that violenceludg.

390
00:21:05,480 --> 00:21:08,880
Speaker 3: That's the ocean water from in Santa Monica.

391
00:21:09,560 --> 00:21:12,040
Speaker 1: I don't know when he became like an environmental I mean,

392
00:21:12,119 --> 00:21:13,200
Speaker 1: I love everything about theay.

393
00:21:13,280 --> 00:21:16,000
Speaker 2: What was the line about the bay? You support the babe,

394
00:21:16,040 --> 00:21:21,399
Speaker 2: but not w'd you say, ca Dylan oh Man? I

395
00:21:21,480 --> 00:21:22,640
Speaker 2: was a good line I didn't write down.

396
00:21:23,280 --> 00:21:25,199
Speaker 1: I didn't like how he said, You've been having the

397
00:21:25,280 --> 00:21:27,920
Speaker 1: same thing with Brandon for two years and it's.

398
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Speaker 3: Like, bro, kind of because of you, he takes he

399
00:21:32,960 --> 00:21:36,040
Speaker 3: is he takes himself out of the equation every time,

400
00:21:36,080 --> 00:21:37,200
Speaker 3: like he had nothing to do with it.

401
00:21:37,680 --> 00:21:40,480
Speaker 2: And like in the same scene, one of you pronounced

402
00:21:40,480 --> 00:21:45,240
Speaker 2: it interested and one of you pronounced it interested really

403
00:21:45,640 --> 00:21:49,520
Speaker 2: yet but like it was back to back, like line

404
00:21:49,560 --> 00:21:54,439
Speaker 2: the line nobody caught that now. I felt like he

405
00:21:54,640 --> 00:21:57,080
Speaker 2: said it and then you were like being like funny,

406
00:21:57,160 --> 00:22:01,040
Speaker 2: like inside joke like interested making a point like he

407
00:22:01,160 --> 00:22:03,359
Speaker 2: just like he said he basically was like interested. He

408
00:22:03,480 --> 00:22:05,359
Speaker 2: like mushed it all together.

409
00:22:06,040 --> 00:22:10,200
Speaker 3: Yeah, I don't know, I just feel like that. Okay,

410
00:22:10,240 --> 00:22:14,440
Speaker 3: So then Brenda Kelly drops out, So Brenda goes then

411
00:22:14,560 --> 00:22:19,240
Speaker 3: to see the guy at his house induce him. Yeah,

412
00:22:19,320 --> 00:22:24,080
Speaker 3: that was like what wowsa like wearing a trench coat

413
00:22:25,240 --> 00:22:28,000
Speaker 3: that she takes off in the doorway to reveal.

414
00:22:29,200 --> 00:22:32,480
Speaker 2: It was very basic instinct. I was into it, yeah,

415
00:22:32,760 --> 00:22:34,320
Speaker 2: because I thought it was going to be Laura. Is

416
00:22:34,320 --> 00:22:37,399
Speaker 2: that what you guys thought it was supposed to be. No,

417
00:22:37,640 --> 00:22:39,320
Speaker 2: when he saw the back and then they panned up

418
00:22:39,320 --> 00:22:40,120
Speaker 2: and it was the dark hair.

419
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Speaker 3: I don't know what I thought.

420
00:22:42,320 --> 00:22:46,360
Speaker 1: I was like thought, wowsa. The dress reveal just got

421
00:22:46,440 --> 00:22:47,240
Speaker 1: me coming soon.

422
00:22:47,560 --> 00:22:50,359
Speaker 3: Like I just was like, Brenda's taking this a little

423
00:22:50,359 --> 00:22:53,959
Speaker 3: too far. Now it's a high school play. Oh, no

424
00:22:54,080 --> 00:22:56,760
Speaker 3: college play. Sorry, we're not in high school anymore.

425
00:22:59,040 --> 00:23:02,800
Speaker 1: It's just all a lot I'm in. Like I love

426
00:23:02,840 --> 00:23:04,400
Speaker 1: every second of it and I can't wait to talk

427
00:23:04,440 --> 00:23:08,560
Speaker 1: about Claire and Andrea also, but like it's a lot

428
00:23:09,000 --> 00:23:11,000
Speaker 1: like I don't know if I would behave that way,

429
00:23:11,200 --> 00:23:15,000
Speaker 1: especially with a teacher. It's so a little bit weird.

430
00:23:16,400 --> 00:23:20,400
Speaker 3: Let's talk about Donna and how she thinks that she's

431
00:23:20,440 --> 00:23:25,000
Speaker 3: helping Andrea. But I guess it just I was like, Oh,

432
00:23:25,119 --> 00:23:28,640
Speaker 3: maybe it's you know, she's hormonal, like more sensitive. And

433
00:23:28,720 --> 00:23:32,119
Speaker 3: I could justify that because you weren't saying it to

434
00:23:32,200 --> 00:23:34,440
Speaker 3: be mean. No, your character wasn't saying it to be mean.

435
00:23:34,520 --> 00:23:36,280
Speaker 3: It was just an observation.

436
00:23:37,800 --> 00:23:40,880
Speaker 2: Did you think that chosen words you could have chosen,

437
00:23:41,119 --> 00:23:42,399
Speaker 2: I would have been hurt by.

438
00:23:42,560 --> 00:23:44,200
Speaker 1: I sort of thought what you were trying was sort

439
00:23:44,200 --> 00:23:46,280
Speaker 1: of to be like, oh my god, look at what

440
00:23:47,040 --> 00:23:50,800
Speaker 1: however long ago to now, your entire existence has changed.

441
00:23:50,840 --> 00:23:53,639
Speaker 1: And then she was just so d about it in

442
00:23:53,720 --> 00:23:54,560
Speaker 1: the Virgin Club.

443
00:23:54,640 --> 00:23:57,119
Speaker 3: I was like, wait, she I love it though in

444
00:23:57,160 --> 00:23:59,760
Speaker 3: her exce line she goes, it's been real. Yeah.

445
00:24:00,080 --> 00:24:02,560
Speaker 2: I was like, when did anyone?

446
00:24:04,400 --> 00:24:08,320
Speaker 3: But I think it's you know, it's been real. Come

447
00:24:08,359 --> 00:24:08,800
Speaker 3: out of here.

448
00:24:09,680 --> 00:24:13,919
Speaker 1: I love this so much. Yeah, Andrea, I mean that

449
00:24:14,119 --> 00:24:17,240
Speaker 1: was a hole to do. And I guess she was right.

450
00:24:17,359 --> 00:24:19,879
Speaker 1: She's had that premonition something was wrong.

451
00:24:21,000 --> 00:24:23,280
Speaker 3: And then she goes into I guess this is labor

452
00:24:23,320 --> 00:24:25,680
Speaker 3: that she's going into. And I was like, Donna, where

453
00:24:25,680 --> 00:24:28,560
Speaker 3: are you calling? Nine one one what's should try for

454
00:24:28,720 --> 00:24:31,720
Speaker 3: the doctor? Oh no, I said, I've never done this before.

455
00:24:32,840 --> 00:24:34,960
Speaker 1: Was that Braxton Hicks? What does she have going on?

456
00:24:35,400 --> 00:24:36,879
Speaker 2: She must? I think.

457
00:24:38,760 --> 00:24:40,520
Speaker 1: Home. I think it's Braxton Hicks.

458
00:24:40,840 --> 00:24:45,480
Speaker 3: Oh well, thank goodness. It wasn't like a miscarriage or anything.

459
00:24:45,480 --> 00:24:48,679
Speaker 3: And she's home now on bedress. But I was like,

460
00:24:48,760 --> 00:24:53,439
Speaker 3: Donna nine one one, okay, you were like, put your

461
00:24:53,440 --> 00:24:55,520
Speaker 3: coat on. Let's I'm gonna wabble you on out to

462
00:24:55,600 --> 00:24:58,120
Speaker 3: the and take you to there.

463
00:24:58,440 --> 00:25:01,000
Speaker 2: I had already verbally attacked a pregnant woman. I could

464
00:25:01,000 --> 00:25:03,480
Speaker 2: have really done her in. Oh my gosh.

465
00:25:03,560 --> 00:25:06,080
Speaker 1: I thought Donna was cool under the pressure of it,

466
00:25:06,119 --> 00:25:09,080
Speaker 1: though she did not flip out. She's young, did not

467
00:25:09,080 --> 00:25:13,119
Speaker 1: flip calling the doctor, you know, do do dude, Like,

468
00:25:13,400 --> 00:25:16,040
Speaker 1: we've got a situation. We're coming in like, I thought

469
00:25:16,080 --> 00:25:16,960
Speaker 1: you handled.

470
00:25:16,600 --> 00:25:22,240
Speaker 3: It so well, thank you, thank you.

471
00:25:21,440 --> 00:25:25,280
Speaker 2: But Andrea would have said Donna called like even in

472
00:25:25,320 --> 00:25:27,720
Speaker 2: that state, Andrea would have been bossy and been like,

473
00:25:28,000 --> 00:25:28,560
Speaker 2: here's what you do?

474
00:25:28,720 --> 00:25:30,320
Speaker 3: No, yeah, yeah, Well isn't.

475
00:25:30,119 --> 00:25:33,600
Speaker 1: Andrea like sort of a doctor, doesn't.

476
00:25:33,040 --> 00:25:37,560
Speaker 3: She's like, well, she was lab coat.

477
00:25:38,000 --> 00:25:39,800
Speaker 1: Med or something. I think she's pre med.

478
00:25:40,560 --> 00:25:41,360
Speaker 3: She's pre med.

479
00:25:42,359 --> 00:25:43,879
Speaker 2: She should have delivered her own baby.

480
00:25:44,000 --> 00:25:47,359
Speaker 1: She should know what's going down. She doesn't seem the

481
00:25:47,400 --> 00:25:50,800
Speaker 1: anxious type to me, and yet she's very anxious, which

482
00:25:50,840 --> 00:25:54,359
Speaker 1: maybe it's just the pregnancy, but like she's real stressed.

483
00:25:54,960 --> 00:25:55,360
Speaker 3: Mm hmm.

484
00:25:55,960 --> 00:26:02,520
Speaker 2: Is leading up to something the birth may no? I no,

485
00:26:02,680 --> 00:26:05,680
Speaker 2: I mean throughout the episodes, like her being like something's wrong.

486
00:26:05,760 --> 00:26:08,080
Speaker 2: I'm just feeling it, like I think this is this

487
00:26:08,160 --> 00:26:11,080
Speaker 2: leading up to something, or just like no, it'll be fine.

488
00:26:11,400 --> 00:26:12,560
Speaker 1: I don't think I.

489
00:26:12,560 --> 00:26:14,840
Speaker 3: Oh, you're asking the wrong lady.

490
00:26:15,080 --> 00:26:17,800
Speaker 2: Well, they don't usually keep threading a storyline, so I

491
00:26:17,840 --> 00:26:19,800
Speaker 2: was like, Okay, it's two episodes now they've said, like

492
00:26:19,840 --> 00:26:20,600
Speaker 2: she's in stress.

493
00:26:33,760 --> 00:26:39,359
Speaker 3: Let's talk about Brandon. Brandon goes to Claire's prom. I

494
00:26:39,359 --> 00:26:40,760
Speaker 3: guess that's just the prom party.

495
00:26:41,400 --> 00:26:42,320
Speaker 1: Oh I love it.

496
00:26:44,560 --> 00:26:46,919
Speaker 2: Her dress, her outfit, her gloves, oh my gosh.

497
00:26:47,359 --> 00:26:51,760
Speaker 1: Of course, first of all, the father tells Brandon he's

498
00:26:51,760 --> 00:26:55,000
Speaker 1: going to the prom. He didn't even know about it.

499
00:26:56,040 --> 00:26:58,040
Speaker 3: What does she say to him, I hope you're in

500
00:26:58,080 --> 00:27:00,560
Speaker 3: the I hope you're ready for a bride while night

501
00:27:00,720 --> 00:27:03,480
Speaker 3: or something like, oh you're ready for a wild red

502
00:27:04,400 --> 00:27:06,520
Speaker 3: And his face on that freeze frame made me laugh

503
00:27:06,560 --> 00:27:09,960
Speaker 3: so hard it was just so subtle. But I don't know.

504
00:27:10,040 --> 00:27:12,320
Speaker 3: I was watching that party scene with like all those

505
00:27:12,359 --> 00:27:15,800
Speaker 3: other people, and I was thinking, what show is this?

506
00:27:16,760 --> 00:27:18,760
Speaker 3: It felt very were like I was like, oh, this

507
00:27:18,880 --> 00:27:21,640
Speaker 3: is what it's like to not care about characters. Because

508
00:27:22,200 --> 00:27:25,200
Speaker 3: those friends of hers, like you you wanted to I

509
00:27:25,200 --> 00:27:25,760
Speaker 3: don't know.

510
00:27:25,720 --> 00:27:28,280
Speaker 2: Why who are they?

511
00:27:28,840 --> 00:27:32,879
Speaker 1: But can we tell on the back? Why would the

512
00:27:32,920 --> 00:27:36,040
Speaker 1: party come to a screeching hole because somebody knocked on

513
00:27:36,080 --> 00:27:36,520
Speaker 1: the door.

514
00:27:36,840 --> 00:27:40,040
Speaker 3: Okay, that was the most unrealistic fight scene I have

515
00:27:40,160 --> 00:27:43,080
Speaker 3: ever seen, with literally everybody just standing on their marks

516
00:27:43,200 --> 00:27:45,480
Speaker 3: staring at the people in dead silence. And it was

517
00:27:45,480 --> 00:27:47,080
Speaker 3: weird because no one was holding up a cell phone

518
00:27:47,080 --> 00:27:48,840
Speaker 3: but they didn't have those done because now it would

519
00:27:48,840 --> 00:27:51,280
Speaker 3: be everybody'd be filming it. But like, it just felt

520
00:27:51,320 --> 00:27:55,600
Speaker 3: like so unrealistic. And also if Brandon had gotten hit

521
00:27:55,680 --> 00:27:58,439
Speaker 3: by that giant man, his face would have been wrecked.

522
00:27:59,480 --> 00:28:00,960
Speaker 2: I mean, and makeup afterwards.

523
00:28:00,960 --> 00:28:01,280
Speaker 1: It was.

524
00:28:02,160 --> 00:28:04,480
Speaker 2: It was terrible. It was just like a light pink

525
00:28:04,520 --> 00:28:09,000
Speaker 2: and then yellow bright red. It was like literal.

526
00:28:09,720 --> 00:28:13,040
Speaker 3: I thought he had pink eye.

527
00:28:11,920 --> 00:28:16,040
Speaker 1: On what plant for pink eye? What planet? It was

528
00:28:16,160 --> 00:28:20,200
Speaker 1: two guys were versus fifty seven people and the two

529
00:28:20,280 --> 00:28:23,080
Speaker 1: guys were winning, Like, I was like, what is happening?

530
00:28:23,520 --> 00:28:26,280
Speaker 1: What two dudes come up from the street just because

531
00:28:26,280 --> 00:28:29,800
Speaker 1: a girl flashed them and like spilled her drink. Break

532
00:28:29,840 --> 00:28:31,639
Speaker 1: First of all, you can't break down a door in

533
00:28:31,760 --> 00:28:32,520
Speaker 1: a hotel like that.

534
00:28:33,119 --> 00:28:39,360
Speaker 3: No, that was a paper door, it was how about?

535
00:28:39,640 --> 00:28:44,479
Speaker 1: First of all, probably right, the entire party goes dead quiet,

536
00:28:44,480 --> 00:28:46,400
Speaker 1: and then Brandon, who is it?

537
00:28:47,120 --> 00:28:48,880
Speaker 3: I mean, of course Brandon has to take care of

538
00:28:49,120 --> 00:28:51,800
Speaker 3: It's not even his prom or his party. He knows

539
00:28:51,840 --> 00:28:54,120
Speaker 3: no one but Claire, but he's going to be the

540
00:28:54,120 --> 00:28:54,800
Speaker 3: man of the house.

541
00:28:55,520 --> 00:28:58,800
Speaker 1: Then the big dude breaks down the door. Also unrealistic.

542
00:28:59,440 --> 00:29:01,880
Speaker 3: He was mass and then like what.

543
00:29:01,800 --> 00:29:03,880
Speaker 1: Did the big dude even have against these people? Wouldn't

544
00:29:03,920 --> 00:29:05,920
Speaker 1: he have just been like, let's buddy, give me a drink?

545
00:29:06,240 --> 00:29:11,320
Speaker 1: Like then he socks Brandon. Second of all, Brandon no

546
00:29:11,560 --> 00:29:15,640
Speaker 1: diss on Jason Priestley, who's like five eight. Oh sorry,

547
00:29:16,360 --> 00:29:17,520
Speaker 1: nails the guy, Like.

548
00:29:20,480 --> 00:29:21,640
Speaker 2: Why can't that happen?

549
00:29:23,240 --> 00:29:23,880
Speaker 3: Punching up?

550
00:29:24,360 --> 00:29:27,360
Speaker 1: I mean, Brandon was in the fight and doing okay

551
00:29:27,520 --> 00:29:28,920
Speaker 1: against the six eight.

552
00:29:29,400 --> 00:29:31,800
Speaker 2: Football six eight.

553
00:29:34,160 --> 00:29:38,200
Speaker 3: He was like a wall though It's truebody moved literally

554
00:29:38,200 --> 00:29:40,080
Speaker 3: nobody else moved in the background.

555
00:29:40,160 --> 00:29:45,280
Speaker 1: Rosen. Then the incomes the hotel security and then they're

556
00:29:45,280 --> 00:29:48,200
Speaker 1: like the whole thing was so ludicrous.

557
00:29:48,920 --> 00:29:52,120
Speaker 3: It really was. It was really ludicrous. And then Claire

558
00:29:52,160 --> 00:29:56,520
Speaker 3: goes on to have a temper tantrum basically he doesn't

559
00:29:56,680 --> 00:30:00,120
Speaker 3: like me, and I just felt like why she I.

560
00:30:00,120 --> 00:30:02,480
Speaker 3: I was like, oh, she is younger now, I see she.

561
00:30:02,600 --> 00:30:04,600
Speaker 1: Yeah, it was a little weird. She went a little

562
00:30:04,680 --> 00:30:07,640
Speaker 1: too far with the like I want to strangle myself,

563
00:30:07,680 --> 00:30:09,200
Speaker 1: and then he makes a joke about it, and I

564
00:30:09,280 --> 00:30:14,000
Speaker 1: was just like, oh.

565
00:30:12,040 --> 00:30:14,000
Speaker 3: I wouldn't want to go out with her either. She

566
00:30:14,160 --> 00:30:14,960
Speaker 3: kind of liked it.

567
00:30:14,960 --> 00:30:19,080
Speaker 2: It was so like stomping my feet like tween tears,

568
00:30:19,120 --> 00:30:23,040
Speaker 2: like poudy, Like literally she got so like it's the

569
00:30:23,040 --> 00:30:25,040
Speaker 2: way you would react with a parent when they're like

570
00:30:25,080 --> 00:30:29,320
Speaker 2: you're grounded. You're like, you don't like me?

571
00:30:29,600 --> 00:30:32,239
Speaker 1: Yeah, and I got my dad. And then Brandon had

572
00:30:32,240 --> 00:30:33,960
Speaker 1: to pay the three hundred dollars just like what.

573
00:30:34,840 --> 00:30:37,600
Speaker 3: And then Brandon was just really cranky with with her

574
00:30:37,640 --> 00:30:40,080
Speaker 3: in that scene, but I think he was being bothered

575
00:30:40,080 --> 00:30:43,400
Speaker 3: by his pink guy outbreak that he had and.

576
00:30:43,360 --> 00:30:45,000
Speaker 1: They were close to the edge and then when they

577
00:30:45,040 --> 00:30:48,360
Speaker 1: said room three eight, I'm like, that's not room three

578
00:30:48,440 --> 00:30:50,719
Speaker 1: o eight, that's like room seven o nine, because they

579
00:30:50,720 --> 00:30:56,840
Speaker 1: were like, only you would catch that eight saying, because

580
00:30:56,840 --> 00:30:59,200
Speaker 1: I'm like, that door's not going to break hotel security.

581
00:30:59,240 --> 00:31:02,360
Speaker 1: The whole thing was like, what's happening? Who are those people?

582
00:31:02,520 --> 00:31:04,000
Speaker 1: Are those people from the high school?

583
00:31:05,400 --> 00:31:07,920
Speaker 3: No, they were just random dudes walking down the street.

584
00:31:08,600 --> 00:31:13,080
Speaker 1: No, but in that party, who as her graduating class?

585
00:31:13,160 --> 00:31:13,280
Speaker 2: Right?

586
00:31:13,360 --> 00:31:14,720
Speaker 3: Yeah, Claire's cluffmate.

587
00:31:14,800 --> 00:31:15,920
Speaker 1: But why didn't they didn't want to go to the

588
00:31:15,920 --> 00:31:20,920
Speaker 1: prom either? Fifty seven kids didn't go to the prom.

589
00:31:21,200 --> 00:31:21,520
Speaker 1: I don't know.

590
00:31:21,560 --> 00:31:24,360
Speaker 3: I was very like, that was the after party, pre party,

591
00:31:24,520 --> 00:31:27,520
Speaker 3: one of those Yeah, all right, and then let's justify it.

592
00:31:27,680 --> 00:31:33,520
Speaker 1: Always Brandon doesn't dance. Always Brandon does his thing and

593
00:31:33,560 --> 00:31:34,880
Speaker 1: then he just grabs the beer.

594
00:31:35,800 --> 00:31:39,480
Speaker 3: He does square dance, Yeah, yeah, one in Rome square.

595
00:31:40,280 --> 00:31:43,040
Speaker 3: I I don't think I've ever seen Brandon like throw

596
00:31:43,120 --> 00:31:43,640
Speaker 3: back a beer.

597
00:31:43,800 --> 00:31:50,800
Speaker 1: No, are you guys even twenty one? No? That very

598
00:31:51,200 --> 00:31:53,880
Speaker 1: everybody drank champagne at the prom. Oh no, but I've

599
00:31:53,880 --> 00:31:57,280
Speaker 1: never seen him drink a beer. Maybe at the summer

600
00:31:57,760 --> 00:32:01,080
Speaker 1: beach house and you know, not your apartment, but the

601
00:32:01,840 --> 00:32:04,400
Speaker 1: when they were in Malibou at the old.

602
00:32:04,200 --> 00:32:06,040
Speaker 3: House, mabes.

603
00:32:07,000 --> 00:32:08,640
Speaker 1: Oh god, I just oh god. I know I'm going

604
00:32:08,680 --> 00:32:10,920
Speaker 1: back and forth, But I love Andrea doing yoga with

605
00:32:10,960 --> 00:32:16,560
Speaker 1: the big old MELTI bowl of ice cream down dog slurp.

606
00:32:19,080 --> 00:32:19,440
Speaker 1: I love.

607
00:32:19,520 --> 00:32:21,800
Speaker 2: Yeah, Well, what's going to happen you guys?

608
00:32:22,120 --> 00:32:24,800
Speaker 3: Well, I don't know. But Kelly goes over to after

609
00:32:24,840 --> 00:32:29,240
Speaker 3: she apologizes to Brenda for doing nothing wrong. Uh, she

610
00:32:29,440 --> 00:32:34,360
Speaker 3: goes to Dylan to seek some sort of something and

611
00:32:34,400 --> 00:32:38,080
Speaker 3: he doesn't give it to her. Then either, he again

612
00:32:38,240 --> 00:32:42,080
Speaker 3: doesn't listen and takes up for Brenda.

613
00:32:42,520 --> 00:32:43,440
Speaker 2: What's his problem?

614
00:32:43,760 --> 00:32:44,640
Speaker 3: What's his problem?

615
00:32:45,000 --> 00:32:48,000
Speaker 2: I'm no, I'm I'm curious from your standpo, I can't

616
00:32:48,000 --> 00:32:50,360
Speaker 2: figure it out watching as a fan, like, I'm like,

617
00:32:50,520 --> 00:32:51,280
Speaker 2: what is he doing?

618
00:32:52,960 --> 00:32:53,720
Speaker 3: Can't figure it out?

619
00:32:54,360 --> 00:32:58,120
Speaker 2: Very like self sabotage to the core, that's it.

620
00:32:59,680 --> 00:33:01,960
Speaker 3: I go, I guess so and then like that whole

621
00:33:01,960 --> 00:33:06,080
Speaker 3: bad boy like mixed signals, like you know, teaching girls

622
00:33:06,080 --> 00:33:09,680
Speaker 3: that it's okay to take whatever you get from the

623
00:33:09,720 --> 00:33:10,240
Speaker 3: cute guy.

624
00:33:11,360 --> 00:33:14,400
Speaker 1: Yeah, he just he should be dumped.

625
00:33:15,640 --> 00:33:17,720
Speaker 2: It's too much. And I feel like, right even in

626
00:33:17,760 --> 00:33:20,720
Speaker 2: this episode, like Kelly comes back kind of and you're

627
00:33:20,760 --> 00:33:23,160
Speaker 2: semi nice to him, and then it starts in and again,

628
00:33:23,200 --> 00:33:28,760
Speaker 2: like it's just he's not very likable.

629
00:33:29,240 --> 00:33:33,240
Speaker 1: He's also just so like it's so about his sister

630
00:33:33,360 --> 00:33:35,280
Speaker 1: or sister, my sister, and you're not gonna come to

631
00:33:35,280 --> 00:33:39,600
Speaker 1: the bet my sister. He's he's a little bit self absorbed.

632
00:33:39,560 --> 00:33:42,200
Speaker 2: Self absorbed in the anger and everything going on is

633
00:33:42,240 --> 00:33:44,400
Speaker 2: being directed in the wrong direction at the wrong person.

634
00:33:45,560 --> 00:33:48,800
Speaker 3: And he thinks that the girls are being self absorbed.

635
00:33:49,880 --> 00:33:51,680
Speaker 3: And you know about the play.

636
00:33:52,200 --> 00:33:54,880
Speaker 1: Right, I think that's kind of like work.

637
00:33:56,360 --> 00:33:58,000
Speaker 3: It's like, yeah, I don't know.

638
00:33:58,760 --> 00:34:01,000
Speaker 1: I did love you is with the white sort of

639
00:34:01,000 --> 00:34:04,480
Speaker 1: flowy top. I'm not that was good at the beach

640
00:34:04,520 --> 00:34:06,720
Speaker 1: when you came to the beach with the cool sunglasses on.

641
00:34:06,960 --> 00:34:11,600
Speaker 2: And yeah, I mean it's a teenager's job to be

642
00:34:12,040 --> 00:34:17,360
Speaker 2: self absorbed. What's you know, Oh yes, I know.

643
00:34:18,960 --> 00:34:22,239
Speaker 1: Yeah, trying to think of what we forgot. I'm still

644
00:34:22,239 --> 00:34:23,800
Speaker 1: befuddled by Steve and Laura.

645
00:34:24,920 --> 00:34:28,920
Speaker 3: So something's going to happen with so this is I

646
00:34:28,960 --> 00:34:30,719
Speaker 3: started to you're right toward what you said in the

647
00:34:30,760 --> 00:34:33,360
Speaker 3: beginning of the show that this starts to become soapy

648
00:34:33,440 --> 00:34:37,600
Speaker 3: because it becomes more serialized, meaning like every episode you're

649
00:34:37,680 --> 00:34:39,200
Speaker 3: left on the edge of your seat, like what's going

650
00:34:39,239 --> 00:34:41,880
Speaker 3: to happen in the next episode, and I feel that

651
00:34:41,960 --> 00:34:45,200
Speaker 3: more and more and now, and so I'm like, what's

652
00:34:45,239 --> 00:34:48,440
Speaker 3: gonna happen. What's gonna happen with creepy Roy Randolph.

653
00:34:49,200 --> 00:34:52,680
Speaker 2: I'm assuming one of them gets the role, one gets

654
00:34:52,680 --> 00:34:55,440
Speaker 2: to understudy, and it's like all about Eve slash the

655
00:34:55,520 --> 00:34:58,319
Speaker 2: modern day that would be Showgirls. Is that correct? Is

656
00:34:58,320 --> 00:34:59,120
Speaker 2: that what's going to happen?

657
00:35:00,000 --> 00:35:00,080
Speaker 3: Oh?

658
00:35:00,200 --> 00:35:00,560
Speaker 1: Yes?

659
00:35:00,680 --> 00:35:03,400
Speaker 3: Or like or like remember when the ice Skaters that

660
00:35:05,520 --> 00:35:09,560
Speaker 3: Tanya Nancy? Yeah? So yeah, I'm gonna get ugly. I

661
00:35:09,600 --> 00:35:09,920
Speaker 3: bet you.

662
00:35:11,400 --> 00:35:11,600
Speaker 1: Wait.

663
00:35:11,640 --> 00:35:13,360
Speaker 2: So who's gonna get which part? Like who's going to

664
00:35:13,440 --> 00:35:16,560
Speaker 2: be the understudy? Oh, it's gonna be Laura. Brenda's gonna

665
00:35:16,560 --> 00:35:19,080
Speaker 2: get it, and Laura's gonna take her down to get

666
00:35:19,080 --> 00:35:20,319
Speaker 2: the part. Am I right?

667
00:35:20,760 --> 00:35:21,200
Speaker 3: I like that?

668
00:35:21,320 --> 00:35:22,360
Speaker 2: Okay, let's go with it.

669
00:35:22,360 --> 00:35:23,919
Speaker 3: I don't know if you're right, but it sounds good.

670
00:35:24,719 --> 00:35:25,359
Speaker 2: Amy knows.

671
00:35:25,719 --> 00:35:28,480
Speaker 1: I'm not answering. I am not I am not answer.

672
00:35:29,480 --> 00:35:33,839
Speaker 1: What I can say is that I do love the serialization.

673
00:35:34,680 --> 00:35:37,240
Speaker 1: And we've said it a bit before. What do you guys?

674
00:35:37,880 --> 00:35:40,480
Speaker 1: I'm it hooks me me too.

675
00:35:40,680 --> 00:35:42,319
Speaker 2: I was into it and.

676
00:35:42,280 --> 00:35:47,759
Speaker 1: These episodes are moving that they're fast. I'm like because

677
00:35:47,840 --> 00:35:49,719
Speaker 1: last I forgot that we were taping today, so I

678
00:35:49,719 --> 00:35:51,520
Speaker 1: had to watch it last night eleven, and I was

679
00:35:51,520 --> 00:35:54,080
Speaker 1: sort of like, oh no, boom, I was in. I

680
00:35:54,120 --> 00:35:58,719
Speaker 1: was loving it. It's jamming. It's like, I'm in. I

681
00:35:58,760 --> 00:36:01,920
Speaker 1: think this show is right now, like if I'm looking,

682
00:36:02,080 --> 00:36:04,880
Speaker 1: you know, just from a bird's eye view. For me,

683
00:36:05,000 --> 00:36:06,440
Speaker 1: it's the best stuff.

684
00:36:08,280 --> 00:36:11,359
Speaker 3: What do you guys give this episode? On the old

685
00:36:11,440 --> 00:36:18,479
Speaker 3: finger chirt? Okay, ready, yep?

686
00:36:19,280 --> 00:36:26,279
Speaker 1: That go oh yeah? Oh god? Wait. So Jenny gave

687
00:36:26,280 --> 00:36:28,239
Speaker 1: a nine, Tory gave an eight. I gave a nine

688
00:36:28,239 --> 00:36:30,799
Speaker 1: because Divas to me was a ten and this is

689
00:36:30,840 --> 00:36:33,480
Speaker 1: just a little below Divas for me. I don't know why.

690
00:36:33,719 --> 00:36:35,640
Speaker 3: Okay, all right, I.

691
00:36:35,560 --> 00:36:37,960
Speaker 2: Could have gone higher, but with my fingers I can't

692
00:36:38,000 --> 00:36:39,759
Speaker 2: hold Wait, oh I could do that nine.

693
00:36:39,800 --> 00:36:42,040
Speaker 3: Okay, you want to be honestly, I meant to put

694
00:36:42,080 --> 00:36:43,120
Speaker 3: up three on this hand.

695
00:36:43,120 --> 00:36:43,360
Speaker 2: But I.

696
00:36:45,280 --> 00:36:45,640
Speaker 3: Tell me.

697
00:36:47,120 --> 00:36:53,680
Speaker 1: There's a lot of juicy stuff coming because Celeste isn't I'm.

698
00:36:53,520 --> 00:36:55,080
Speaker 2: Trying to coming back.

699
00:36:55,719 --> 00:36:56,600
Speaker 1: She's not gone what.

700
00:36:57,120 --> 00:37:01,400
Speaker 2: I don't know. That's why is a nice gal, but

701
00:37:01,480 --> 00:37:03,120
Speaker 2: I don't know so much.

702
00:37:03,160 --> 00:37:09,319
Speaker 1: Going forward too, we're leveling up. This gets good. I

703
00:37:09,400 --> 00:37:09,640
Speaker 1: like it.

704
00:37:09,680 --> 00:37:10,920
Speaker 3: I like it with the new characters.

705
00:37:10,960 --> 00:37:13,120
Speaker 1: I like it with Yeah, wait, before we go, how

706
00:37:13,160 --> 00:37:14,320
Speaker 1: do you guys feel about Claire.

707
00:37:17,400 --> 00:37:18,640
Speaker 3: I think she's fun to watch.

708
00:37:18,880 --> 00:37:21,479
Speaker 2: I love watching her. I just love her look.

709
00:37:21,520 --> 00:37:23,200
Speaker 3: I love it's different.

710
00:37:23,280 --> 00:37:26,319
Speaker 2: She's a totally different character and she comes in with

711
00:37:26,360 --> 00:37:31,680
Speaker 2: a whole different vision, wardrobe, make a pair, just everything

712
00:37:31,840 --> 00:37:33,040
Speaker 2: than what our girls are.

713
00:37:33,120 --> 00:37:35,200
Speaker 1: So were you friends over at this point or were

714
00:37:35,239 --> 00:37:37,320
Speaker 1: you like developing a friendship in real life?

715
00:37:37,800 --> 00:37:40,399
Speaker 2: Maybe not yet. I feel like she had just come

716
00:37:40,400 --> 00:37:43,399
Speaker 2: on raight, She's only had like three Yeah, I don't

717
00:37:43,400 --> 00:37:46,840
Speaker 2: think we had worked a lot with her, and then.

718
00:37:47,000 --> 00:37:51,759
Speaker 1: Right Jenny did, and then mostly Jason. I don't even

719
00:37:53,000 --> 00:37:53,640
Speaker 1: seen with her.

720
00:37:53,960 --> 00:37:54,600
Speaker 2: I don't think so.

721
00:37:55,760 --> 00:38:00,400
Speaker 3: Nope, not yet. But soon we will all be together.

722
00:38:00,480 --> 00:38:05,120
Speaker 3: I know that happens, all right, everybody, we have we

723
00:38:05,160 --> 00:38:09,080
Speaker 3: have homework to do for next week, and it's continuation

724
00:38:10,200 --> 00:38:14,279
Speaker 3: of the play Saga. The next episode is episode twenty nine,

725
00:38:14,360 --> 00:38:15,800
Speaker 3: Truth and Consequences.

726
00:38:17,160 --> 00:38:19,279
Speaker 2: I thought you were literally saying the name of the

727
00:38:19,280 --> 00:38:24,719
Speaker 2: episode is continuation. I'm like, that's pretty literal of them, Okay, entitle.

728
00:38:26,920 --> 00:38:28,640
Speaker 3: No, Truth and Consequence is.

729
00:38:30,239 --> 00:38:32,520
Speaker 1: Yeah. So it's sort of the third part of this

730
00:38:32,600 --> 00:38:35,399
Speaker 1: sort of three story arc. And then I think we

731
00:38:35,440 --> 00:38:38,200
Speaker 1: go right into someone Keep Me Honest to the sort

732
00:38:38,200 --> 00:38:41,080
Speaker 1: of two part finale, which I think probably aired us

733
00:38:41,239 --> 00:38:41,879
Speaker 1: on one night.

734
00:38:43,920 --> 00:38:44,879
Speaker 2: What's going to happen? Then?

735
00:38:46,840 --> 00:38:50,520
Speaker 3: What are the stakes? Name one the same ones. I

736
00:38:50,560 --> 00:38:53,640
Speaker 3: think Brandon goes to Washington you said earlier.

737
00:38:53,280 --> 00:38:55,759
Speaker 1: And we sort of have the I don't want to

738
00:38:55,800 --> 00:38:57,480
Speaker 1: reveal it. There's some clear stuff.

739
00:38:57,640 --> 00:39:03,200
Speaker 3: Definitely, does Brenda come back for season five or is

740
00:39:03,280 --> 00:39:05,200
Speaker 3: the end of season four the last time we see her,

741
00:39:05,920 --> 00:39:08,040
Speaker 3: last time you see her? That was crary?

742
00:39:08,040 --> 00:39:13,800
Speaker 1: All Yeah, it really is. It really is, because Tiffany

743
00:39:13,880 --> 00:39:15,160
Speaker 1: is season five.

744
00:39:15,000 --> 00:39:17,240
Speaker 2: As the end of an era. Oh my goodness.

745
00:39:18,080 --> 00:39:19,200
Speaker 3: I don't know if I'm ready for it.

746
00:39:19,280 --> 00:39:20,840
Speaker 2: I'm not either, no.

747
00:39:20,880 --> 00:39:23,840
Speaker 1: Because I'm sure you didn't know. I'm thinking you didn't know.

748
00:39:24,000 --> 00:39:25,480
Speaker 1: At this point, I.

749
00:39:25,400 --> 00:39:27,880
Speaker 3: Don't think we don't have to We don't have to

750
00:39:27,960 --> 00:39:31,640
Speaker 3: be ready for it yet. We have another couple episodes. Yeah, yeah,

751
00:39:31,680 --> 00:39:33,719
Speaker 3: all right, you guys have a great week. Thank you

752
00:39:33,760 --> 00:39:37,880
Speaker 3: for listening, Love you guys. Bye,