1 00:00:00,520 --> 00:00:02,720 Speaker 1: Hey guys, thanks for checking out this bonus episode. Before 2 00:00:02,759 --> 00:00:04,120 Speaker 1: we get into it, I wanted to fill you in 3 00:00:04,200 --> 00:00:05,880 Speaker 1: on some of the great content we've got for you 4 00:00:05,920 --> 00:00:08,360 Speaker 1: this week here in the Disgraced Land Feed. We just 5 00:00:08,400 --> 00:00:11,119 Speaker 1: released a brand new episode on Sean Diddy Combs, and 6 00:00:11,119 --> 00:00:14,040 Speaker 1: tomorrow we're releasing a rewind episode from our archive on 7 00:00:14,120 --> 00:00:17,480 Speaker 1: the Temptations. Over in the bad Lands Feed, check out 8 00:00:17,560 --> 00:00:20,840 Speaker 1: a new episode on Benedict Cumberbatch and what happened to 9 00:00:20,920 --> 00:00:23,159 Speaker 1: him when he was kidnapped on the side of the 10 00:00:23,200 --> 00:00:26,759 Speaker 1: road in South Africa. And for all you parents out there, 11 00:00:27,720 --> 00:00:29,880 Speaker 1: for your kids, for the whole family, do yourself a 12 00:00:29,880 --> 00:00:34,280 Speaker 1: favor and go find our brand new show, music Land Stories. 13 00:00:34,640 --> 00:00:38,360 Speaker 1: It's a new collaboration between Double Elvis and Starglow Media. 14 00:00:38,760 --> 00:00:42,640 Speaker 1: We just launched that series this week. It's a kid show. 15 00:00:42,840 --> 00:00:45,159 Speaker 1: It's for kids of all ages, but if you've got 16 00:00:45,159 --> 00:00:48,319 Speaker 1: young kids, you're going to find this particularly entertaining. Got 17 00:00:48,360 --> 00:00:50,960 Speaker 1: two brand new episodes right now. If kids dig music, 18 00:00:51,080 --> 00:00:55,680 Speaker 1: good storytelling, getting lost in a fantastical, unexplored world, then 19 00:00:55,680 --> 00:00:58,040 Speaker 1: you've got to check this out. Music Land Stories. Okay, 20 00:00:58,240 --> 00:01:00,960 Speaker 1: find it, follow it Herepisodes one and two right now. 21 00:01:01,200 --> 00:01:04,880 Speaker 1: New episodes will be coming every Tuesday. All right, let's 22 00:01:04,920 --> 00:01:10,440 Speaker 1: get into it, shall we, Hey, discos need a little 23 00:01:10,440 --> 00:01:13,319 Speaker 1: more Disgraceland in your life, just to touch to get 24 00:01:13,360 --> 00:01:16,920 Speaker 1: you through. Yeah, me too. This is the podcast that 25 00:01:17,000 --> 00:01:33,959 Speaker 1: comes after the podcast. Welcome to Disgraceland, the after party. 26 00:01:35,120 --> 00:01:38,319 Speaker 1: Welcome to the Disgraceland bonus episode, a little thing we 27 00:01:38,440 --> 00:01:41,360 Speaker 1: like to call the after party. This is the show 28 00:01:41,400 --> 00:01:43,280 Speaker 1: after the show, the party after the party of the 29 00:01:43,280 --> 00:01:45,440 Speaker 1: bridge to get you from one full episode of Disgraceland 30 00:01:45,480 --> 00:01:48,559 Speaker 1: to the other, the backyard to dig into the dirt. 31 00:01:48,920 --> 00:01:51,800 Speaker 1: On this episode, we are talking about, among other things, 32 00:01:51,840 --> 00:01:55,400 Speaker 1: our new full episode on Sean Diddy Comb's, this week's 33 00:01:55,440 --> 00:01:58,360 Speaker 1: rewind episode on the Temptations, and of course your voicemails, 34 00:01:58,400 --> 00:02:01,240 Speaker 1: your texts, your dms and more has always a whole 35 00:02:01,680 --> 00:02:05,160 Speaker 1: lot of rosie. Al Right, disco is, let's get into 36 00:02:05,240 --> 00:02:17,720 Speaker 1: it all right. 37 00:02:17,840 --> 00:02:18,640 Speaker 2: This week in. 38 00:02:18,720 --> 00:02:24,480 Speaker 1: Disgraceland, a brand new episode on Sean Ditty Combs seems 39 00:02:24,480 --> 00:02:30,160 Speaker 1: about right right. Hip hop mogul, bad Boys, bad boy, notorious, 40 00:02:30,200 --> 00:02:35,079 Speaker 1: BIG's bff, a guy who just lately can't stay out 41 00:02:35,080 --> 00:02:38,720 Speaker 1: of the fucking news. You've probably read or heard that 42 00:02:38,800 --> 00:02:46,320 Speaker 1: Diddy has been charged with a couple. I don't even 43 00:02:46,360 --> 00:02:49,280 Speaker 1: know how to describe this. We talked about it in 44 00:02:49,320 --> 00:02:52,560 Speaker 1: the episode in the preamble before the episode. There was 45 00:02:52,639 --> 00:02:55,680 Speaker 1: some lawsuits that were filed last month, including one from 46 00:02:55,760 --> 00:02:58,679 Speaker 1: the artist Cassie, who is Ditty's longtime girlfriend, that was 47 00:02:58,720 --> 00:03:02,720 Speaker 1: settled in twenty four hours. Twenty four hours. And then 48 00:03:02,760 --> 00:03:05,600 Speaker 1: there were the accusations about a seventeen year old girl 49 00:03:06,080 --> 00:03:10,120 Speaker 1: being gang raped in a recording studio, accusations that Diddy 50 00:03:10,560 --> 00:03:14,480 Speaker 1: forcefully denied. The followout from all this has been huge. 51 00:03:14,720 --> 00:03:19,360 Speaker 1: Eighteen brands have since ended their partnership with Ditty's Empower 52 00:03:19,480 --> 00:03:25,080 Speaker 1: Global project. That's an e commerce platform designed to uplift 53 00:03:25,120 --> 00:03:27,920 Speaker 1: black owned companies that Diddy is at the forefront of. 54 00:03:29,200 --> 00:03:31,720 Speaker 1: And now I just got to say, if you guys 55 00:03:31,720 --> 00:03:34,280 Speaker 1: haven't heard it yet, our new episode on Ditty does 56 00:03:34,320 --> 00:03:37,400 Speaker 1: not address aside from the very tip top of the show, 57 00:03:37,480 --> 00:03:42,520 Speaker 1: doesn't address these allegations. We produced this episode long before 58 00:03:42,920 --> 00:03:46,360 Speaker 1: and finished it long before these allegations came out, and frankly, 59 00:03:46,480 --> 00:03:50,640 Speaker 1: the allegations are too fresh, they're too raw, there's too 60 00:03:50,720 --> 00:03:53,360 Speaker 1: much unknown for us to really even get into it 61 00:03:53,360 --> 00:03:58,120 Speaker 1: in a responsible way. So doesn't mean there's not plenty 62 00:03:58,240 --> 00:04:00,760 Speaker 1: to get into in this episode, and in a way, 63 00:04:00,920 --> 00:04:04,440 Speaker 1: what we do get into in the episode informs everything 64 00:04:04,440 --> 00:04:07,560 Speaker 1: that you're reading about Diddy right now in the news. 65 00:04:08,240 --> 00:04:10,920 Speaker 1: What I found most interesting. You know, this episode is 66 00:04:10,960 --> 00:04:15,200 Speaker 1: set around the nightclub shooting with Diddy and j Lo 67 00:04:16,200 --> 00:04:20,320 Speaker 1: in nineteen ninety nine, when there was a shooting. Diddy 68 00:04:20,440 --> 00:04:23,960 Speaker 1: was accused of a legal possession of a gun and 69 00:04:24,080 --> 00:04:30,159 Speaker 1: bribery at this nightclub. The shooting happens, Diddy, you know, 70 00:04:30,200 --> 00:04:33,440 Speaker 1: gets out of the club, hops into the Lincoln Navigator 71 00:04:33,480 --> 00:04:37,520 Speaker 1: with his bodyguards and Jennifer Lopez and they screw away 72 00:04:37,520 --> 00:04:40,480 Speaker 1: into the night and run like something like eleven red 73 00:04:40,560 --> 00:04:42,840 Speaker 1: lights or something like that before they stop by the cops. 74 00:04:43,440 --> 00:04:45,279 Speaker 1: Like I said, he was charged with the legal possession 75 00:04:45,320 --> 00:04:46,960 Speaker 1: of a gun. He was charged with robbery. There were 76 00:04:47,000 --> 00:04:50,159 Speaker 1: sixty eye witnesses. The woman who was shot in the 77 00:04:50,200 --> 00:04:54,560 Speaker 1: face claims that Diddy had the gun. Anyways, he was 78 00:04:54,600 --> 00:05:01,000 Speaker 1: acquitted on these charges. Now to how the this violent 79 00:05:01,120 --> 00:05:04,920 Speaker 1: history informs what we're talking about in the latest episode 80 00:05:05,040 --> 00:05:08,760 Speaker 1: of Disgraceland on Diddy, there's this incident in nineteen ninety 81 00:05:08,839 --> 00:05:10,680 Speaker 1: nine where he was acquitted, but then there was a 82 00:05:10,680 --> 00:05:15,000 Speaker 1: civil case that came later and he settled with the victims. 83 00:05:15,640 --> 00:05:18,600 Speaker 1: There was an incident also that year where did he 84 00:05:18,839 --> 00:05:22,279 Speaker 1: got into it with a record executive at I believe 85 00:05:22,320 --> 00:05:26,640 Speaker 1: Interscope and a lot has been alleged there was a 86 00:05:26,680 --> 00:05:30,919 Speaker 1: beating that happened in the record executive's office that was 87 00:05:30,960 --> 00:05:34,360 Speaker 1: settled out of court and rumored to be I've read 88 00:05:34,640 --> 00:05:37,080 Speaker 1: anything from half a million dollars that did he paid 89 00:05:37,120 --> 00:05:46,000 Speaker 1: to over a million. Again, that's unofficial news that's been reported, 90 00:05:46,080 --> 00:05:48,679 Speaker 1: that's out there. I can't say for sure if it's true, 91 00:05:48,680 --> 00:05:52,400 Speaker 1: but it looks like there was a second settlement there. Then, 92 00:05:52,440 --> 00:05:57,719 Speaker 1: way back in nineteen ninety one, Didty was the promoter 93 00:05:58,120 --> 00:06:00,919 Speaker 1: of a charity. I believe it was a chair basketball 94 00:06:01,000 --> 00:06:03,799 Speaker 1: game that had a concert attached to it as well, 95 00:06:04,360 --> 00:06:08,760 Speaker 1: with some at the time hip hop luminaries. And this 96 00:06:08,839 --> 00:06:10,919 Speaker 1: is at City College in Manhattan. There was a stampede. 97 00:06:10,960 --> 00:06:15,040 Speaker 1: Three people died, twenty nine people were injured, and there 98 00:06:15,120 --> 00:06:18,160 Speaker 1: was a settlement there as well. Okay, so you got 99 00:06:18,160 --> 00:06:20,360 Speaker 1: these four settlements, So what does it all say? Where 100 00:06:20,360 --> 00:06:23,839 Speaker 1: are we going with this? Did He strongly denies any 101 00:06:23,920 --> 00:06:28,719 Speaker 1: wrongdoing in the allegations of recent allegations with the seventeen 102 00:06:28,800 --> 00:06:33,919 Speaker 1: year old, but there is a history of misadventure, to 103 00:06:33,960 --> 00:06:36,839 Speaker 1: say the least, to put it, put it mildly here 104 00:06:37,120 --> 00:06:41,440 Speaker 1: with Sean Combs, and I'm really interested to see where 105 00:06:41,480 --> 00:06:43,840 Speaker 1: this is going. I know you are as well, and 106 00:06:43,880 --> 00:06:46,400 Speaker 1: I think that the episode that we just produced on 107 00:06:47,000 --> 00:06:51,200 Speaker 1: Diddy does a lot in sort of giving us context 108 00:06:51,400 --> 00:06:53,880 Speaker 1: to the recent charges. So I hope you check it out. 109 00:06:53,920 --> 00:06:56,160 Speaker 1: I hope you dig it. Six one seven nine oh 110 00:06:56,240 --> 00:06:59,799 Speaker 1: six six six three eight. Call me, leave me a voicemail, 111 00:07:00,080 --> 00:07:02,240 Speaker 1: send me a text, let me know what you think 112 00:07:02,240 --> 00:07:03,880 Speaker 1: of the episode, Let me know what you think of Diddy, 113 00:07:03,960 --> 00:07:06,120 Speaker 1: let me know if you think he's innocent, let me 114 00:07:06,120 --> 00:07:08,880 Speaker 1: know if you think there's anything to these charges. We 115 00:07:08,920 --> 00:07:11,520 Speaker 1: can discuss it, okay. One of the items from this 116 00:07:11,560 --> 00:07:14,400 Speaker 1: episode that we do get into that I find particularly interesting, 117 00:07:14,400 --> 00:07:16,640 Speaker 1: and I think you guys will as well, is the 118 00:07:16,720 --> 00:07:20,400 Speaker 1: issue of Ditty and Sting. And I'm not going to 119 00:07:20,440 --> 00:07:22,000 Speaker 1: burn it here. I want you to go back and 120 00:07:22,040 --> 00:07:25,400 Speaker 1: listen to the episode if you haven't already. It concerns 121 00:07:25,480 --> 00:07:29,240 Speaker 1: the amount of money that Diddy has to pay Sting 122 00:07:29,440 --> 00:07:32,560 Speaker 1: every day in perpetuity for the rest of their lives. 123 00:07:32,560 --> 00:07:35,440 Speaker 1: Apparently or forever. I don't even know, beyond their lives, 124 00:07:35,600 --> 00:07:41,960 Speaker 1: beyond the grave. For Diddy's legal use, excuse me, unsanctioned use, 125 00:07:42,680 --> 00:07:46,040 Speaker 1: unlicensed use of a sting song, a police song, that's 126 00:07:46,040 --> 00:07:50,040 Speaker 1: sting row. It's a staggering amount of money daily. So 127 00:07:50,280 --> 00:07:53,080 Speaker 1: just check that out and hit me back and let 128 00:07:53,080 --> 00:07:55,280 Speaker 1: me know what you think. All right, So that's Diddy. 129 00:07:55,400 --> 00:07:58,000 Speaker 1: That's there now, tomorrow in your feeds or next up 130 00:07:58,000 --> 00:08:00,280 Speaker 1: in your feeds, depending on when you're listening to this 131 00:08:00,440 --> 00:08:04,400 Speaker 1: bonus episode, We're gonna have a rewind release an episode 132 00:08:04,400 --> 00:08:08,040 Speaker 1: from our archive, a previously exclusive episode, an episode that 133 00:08:08,080 --> 00:08:11,720 Speaker 1: most of you have not heard on the great motown 134 00:08:11,760 --> 00:08:15,440 Speaker 1: group The Temptations, UH, one of the greatest groups to 135 00:08:15,480 --> 00:08:18,560 Speaker 1: come out of the motown machine. A lot going on 136 00:08:18,880 --> 00:08:22,559 Speaker 1: in this episode. What really happened to Marvin Gay's great 137 00:08:22,640 --> 00:08:26,920 Speaker 1: duet partner Tammy Terrell, The suspicious death of Paul Williams, 138 00:08:27,000 --> 00:08:30,280 Speaker 1: David Ruffin's twenty year battle of cocaine. Make sure you 139 00:08:30,440 --> 00:08:33,480 Speaker 1: check that out as well, all right? Six one seven 140 00:08:33,559 --> 00:08:35,840 Speaker 1: nine oh six six six three eight. I'm here if 141 00:08:35,880 --> 00:08:38,920 Speaker 1: you want to share with me your favorite motown artists. 142 00:08:39,320 --> 00:08:43,480 Speaker 1: Is it the Jackson five, The Jackson's excuse me, wait, no, yeah, 143 00:08:43,559 --> 00:08:47,000 Speaker 1: Jackson five, and then the Jackson's, Uh no Jackson's were 144 00:08:47,040 --> 00:08:50,000 Speaker 1: ABC Jackson five? Or Motown? Is it Marvin Gay? Is 145 00:08:50,080 --> 00:08:52,920 Speaker 1: the Supremes? This is the Temptations? Is it Smokey? Who 146 00:08:53,000 --> 00:08:56,000 Speaker 1: is it? The list is endless? Six one seven, nine 147 00:08:56,040 --> 00:08:58,560 Speaker 1: oh six six six three eight. To also let me 148 00:08:58,600 --> 00:09:00,840 Speaker 1: know what you think of Sean Diddy Combs and what 149 00:09:00,920 --> 00:09:03,320 Speaker 1: you think of that episode six one seven nine oh 150 00:09:03,320 --> 00:09:05,800 Speaker 1: six six six three eight voicemail Old School and New 151 00:09:05,800 --> 00:09:08,080 Speaker 1: School six one seven, nine oh six, six six three 152 00:09:08,120 --> 00:09:12,839 Speaker 1: eight text at Disgrace lampod On the socials, including Instagram, 153 00:09:13,240 --> 00:09:15,480 Speaker 1: where we got some We got some stuff going on 154 00:09:15,480 --> 00:09:18,960 Speaker 1: on Instagram right now like we haven't in a long time. 155 00:09:19,400 --> 00:09:23,240 Speaker 1: We seem to have made nice with the algorithm, and uh, 156 00:09:23,440 --> 00:09:25,960 Speaker 1: they're promoting the hell out of these new little videos 157 00:09:25,960 --> 00:09:29,520 Speaker 1: that we're doing. Which brings me to the point, what 158 00:09:29,559 --> 00:09:33,800 Speaker 1: do you guys like most about what we are creating 159 00:09:33,880 --> 00:09:37,000 Speaker 1: for you? To me, when I think about the content 160 00:09:37,040 --> 00:09:41,120 Speaker 1: that you guys most share and you get most excited about, it's, uh, 161 00:09:42,000 --> 00:09:45,440 Speaker 1: it's you know, obviously this content about these you know, 162 00:09:45,520 --> 00:09:49,760 Speaker 1: larger than life personalities. But that's too broad. Specifically, what 163 00:09:49,880 --> 00:09:54,280 Speaker 1: I think it is is these holy shit learning moments. Uh, 164 00:09:54,559 --> 00:09:59,920 Speaker 1: Blondie being abducted by Ted Bundy, how Michael Hutchins actually died, 165 00:10:00,840 --> 00:10:04,120 Speaker 1: the Jane's Addictions. I did this little Jan's Addiction video 166 00:10:04,280 --> 00:10:09,079 Speaker 1: on Instagram. It's about Connie Navarro, Dave Navarro's mom, And 167 00:10:09,120 --> 00:10:12,440 Speaker 1: in like a week it's had three hundred thousand views, 168 00:10:12,920 --> 00:10:15,480 Speaker 1: and we're picking up a ton of new followers. And 169 00:10:15,520 --> 00:10:18,400 Speaker 1: if you're new to this show, thank you, thank you 170 00:10:18,440 --> 00:10:21,680 Speaker 1: for being here. But again, this is all telling me 171 00:10:21,880 --> 00:10:24,840 Speaker 1: that what you guys want, you know, what you like 172 00:10:25,000 --> 00:10:28,520 Speaker 1: most about the actual podcast stories, and if I can 173 00:10:28,559 --> 00:10:32,760 Speaker 1: extract from that and extend to you know, Instagram and 174 00:10:33,520 --> 00:10:37,959 Speaker 1: x and YouTube and TikTok, it's these these holy shit 175 00:10:38,160 --> 00:10:40,240 Speaker 1: learning moments. Oh my god, I did not know that. 176 00:10:40,280 --> 00:10:42,320 Speaker 1: I did not know that about Blondie and Ted Bondie. 177 00:10:42,320 --> 00:10:44,800 Speaker 1: I did not know that about how Michael Hutchins actually died. 178 00:10:44,840 --> 00:10:47,800 Speaker 1: I did not know that about Dave Navarro from Jane's Addiction. 179 00:10:47,920 --> 00:10:50,559 Speaker 1: And they're all kind of dark stories. And the other 180 00:10:50,600 --> 00:10:52,720 Speaker 1: thing it appears to me, it seems to me that 181 00:10:52,760 --> 00:10:55,240 Speaker 1: you guys dig on is these this sort of shock 182 00:10:55,880 --> 00:11:01,040 Speaker 1: and horror of some of these stories. Obviously the Big 183 00:11:01,120 --> 00:11:04,040 Speaker 1: Lurch one comes to mind, but even in this Diddy episode, 184 00:11:04,679 --> 00:11:10,240 Speaker 1: just the shock of all these settled suits, the allegations 185 00:11:10,280 --> 00:11:12,000 Speaker 1: that we might not know about. We know about the 186 00:11:12,040 --> 00:11:14,480 Speaker 1: recent ones, but we might not know about his past 187 00:11:14,600 --> 00:11:19,120 Speaker 1: violent history. And then of course there's the tributes, the sendoffs, 188 00:11:19,559 --> 00:11:23,240 Speaker 1: the parts of the episodes where I like to sort 189 00:11:23,240 --> 00:11:26,360 Speaker 1: of lean into the heart side of it and what 190 00:11:26,400 --> 00:11:29,720 Speaker 1: I related to most to these subjects, how I related 191 00:11:29,760 --> 00:11:34,400 Speaker 1: to the most excuse me as artists and what they 192 00:11:34,440 --> 00:11:37,120 Speaker 1: brought into the world, and what has sort of singed 193 00:11:37,240 --> 00:11:41,480 Speaker 1: me and left a mark. Those tributes seem to resonate 194 00:11:41,520 --> 00:11:43,880 Speaker 1: with you guys as well. So my point where I'm 195 00:11:43,880 --> 00:11:46,800 Speaker 1: going with all this is if you're new here, if 196 00:11:46,800 --> 00:11:49,600 Speaker 1: you're old here, if you've been here, if you've been 197 00:11:49,640 --> 00:11:53,040 Speaker 1: with me since the beginning of Disgraceland, or like I said, 198 00:11:53,080 --> 00:11:54,720 Speaker 1: if you just found us a couple of days ago. 199 00:11:55,240 --> 00:11:57,920 Speaker 1: I want to know what you guys want from us, 200 00:11:57,960 --> 00:12:01,160 Speaker 1: what you most respond to six months in nine oh six, six, six, 201 00:12:01,280 --> 00:12:04,000 Speaker 1: three eight, The is it the holy shit learning moments? 202 00:12:04,040 --> 00:12:04,240 Speaker 3: Is it? 203 00:12:04,280 --> 00:12:06,560 Speaker 1: The shock? Is it? The horror? Is it the tributes? 204 00:12:06,600 --> 00:12:09,720 Speaker 1: Is it something else. Let me know at disgracelam pod. 205 00:12:09,800 --> 00:12:13,160 Speaker 1: Hit us up on Instagram, follow us there. We're growing fast. 206 00:12:13,440 --> 00:12:17,319 Speaker 1: I'm doing these daily videos over there. We're also on TikTok. 207 00:12:17,520 --> 00:12:21,680 Speaker 1: We'll be growing over there as well. YouTube x. We 208 00:12:21,760 --> 00:12:24,360 Speaker 1: are everywhere, and of course we are right here. Six 209 00:12:24,440 --> 00:12:27,160 Speaker 1: one seven nine oh six six six three eight voicemail 210 00:12:27,200 --> 00:12:32,280 Speaker 1: and text and email disgrace lampod at gmail dot com. 211 00:12:32,440 --> 00:12:37,800 Speaker 1: Let's do an email right now from Melissa Moon. Subject 212 00:12:37,920 --> 00:12:41,000 Speaker 1: is episode suggestion message. This may not be the appropriate 213 00:12:41,000 --> 00:12:43,000 Speaker 1: avenue or even something you guys do, but I love 214 00:12:43,040 --> 00:12:45,320 Speaker 1: the podcast. I love the way the stories are delivered. 215 00:12:45,679 --> 00:12:49,160 Speaker 1: Jake's voice is custom made for narration. The podcast is 216 00:12:49,200 --> 00:12:51,840 Speaker 1: sleek and sexy. Hey there, and I recommend it to 217 00:12:51,880 --> 00:12:55,239 Speaker 1: basically everyone I meet. You may have received this suggestion 218 00:12:55,440 --> 00:12:58,000 Speaker 1: previously or just vetoted it outright, but I would love 219 00:12:58,040 --> 00:13:01,560 Speaker 1: to see an episode on my favorite band, my Chemical Romance. 220 00:13:01,920 --> 00:13:04,800 Speaker 1: The band has an interesting story, from Gerard being robbed 221 00:13:04,840 --> 00:13:07,800 Speaker 1: at gunpoint while working in a comic bookstore to nine 222 00:13:07,840 --> 00:13:09,960 Speaker 1: to eleven leading to the band's formation. I think you 223 00:13:09,960 --> 00:13:12,680 Speaker 1: guys should do it justice. Thanks for always entertaining the 224 00:13:12,720 --> 00:13:17,600 Speaker 1: way only you can. Melissa that's a great suggestion. I 225 00:13:17,600 --> 00:13:19,880 Speaker 1: didn't know. I don't know much about my chemical romance, 226 00:13:20,800 --> 00:13:23,040 Speaker 1: but hey, I'm here for it, and I dig it 227 00:13:23,080 --> 00:13:24,960 Speaker 1: and we're going to look into it, all right. Thank 228 00:13:25,000 --> 00:13:29,040 Speaker 1: you appreciate the email. Let's do this one here from 229 00:13:29,400 --> 00:13:34,520 Speaker 1: Jason Bain, who writes in subject is the Writer's Almanac Messages, 230 00:13:34,920 --> 00:13:37,520 Speaker 1: Dear mister Jake Burnan, Hello Jake. I'm a huge fan 231 00:13:37,559 --> 00:13:40,240 Speaker 1: of the show since episode one. I decided to write 232 00:13:40,280 --> 00:13:43,199 Speaker 1: you today out of sheer anger and frustration. I'm at 233 00:13:43,200 --> 00:13:45,480 Speaker 1: my construction job on a cold New England day, and 234 00:13:45,520 --> 00:13:47,959 Speaker 1: I forgot my ear pods. How am I supposed to 235 00:13:48,000 --> 00:13:50,760 Speaker 1: drown out the sound of heavy machinery and old man grunts. 236 00:13:51,080 --> 00:13:53,720 Speaker 1: I'm truly missing the sweet sounds of your voice describing 237 00:13:53,720 --> 00:13:56,360 Speaker 1: a person having a much worse day than mine in 238 00:13:56,400 --> 00:13:58,839 Speaker 1: a beautifully eloquent manner. But I digress. My real reason 239 00:13:58,840 --> 00:14:02,240 Speaker 1: for writing is because I need some advice, any possible mentorship. 240 00:14:02,280 --> 00:14:05,000 Speaker 1: I've been working on my own narrated podcast for a 241 00:14:05,040 --> 00:14:06,840 Speaker 1: few years and it's fucking hard. 242 00:14:06,960 --> 00:14:07,200 Speaker 3: Man. 243 00:14:07,559 --> 00:14:10,199 Speaker 1: I'm really struggling. Not with the technology either. I'm a 244 00:14:10,280 --> 00:14:13,320 Speaker 1: music producer, drummer, engineer with my own studio gear and studio. 245 00:14:13,400 --> 00:14:16,200 Speaker 1: I'm very able. I just dislike my own voice and writing. 246 00:14:16,480 --> 00:14:19,320 Speaker 1: It's not terrible, it's just meh. But I've also never 247 00:14:19,360 --> 00:14:21,600 Speaker 1: played it for anyone or mentioned this project to anyone. 248 00:14:21,920 --> 00:14:25,800 Speaker 1: The podcast is called Writer's Almanac. It's a narrated series 249 00:14:25,800 --> 00:14:28,840 Speaker 1: about snowboarding. All right, I'm gonna go on here. He says. 250 00:14:28,840 --> 00:14:33,240 Speaker 1: It's definitely inspired by Disgrace Slam It with a different flavor. 251 00:14:33,720 --> 00:14:36,160 Speaker 1: I've two episodes fleshed out, tons of ideas and future 252 00:14:36,160 --> 00:14:38,160 Speaker 1: episode planning. Sure you're really busy, but this is something 253 00:14:38,200 --> 00:14:40,440 Speaker 1: you could help me with. Any advice or contribution would 254 00:14:40,440 --> 00:14:44,800 Speaker 1: be extremely helpful. Well, here's my advice. Keep making shit, 255 00:14:45,240 --> 00:14:49,000 Speaker 1: don't stop, don't stop and play it for people. Just 256 00:14:49,120 --> 00:14:52,160 Speaker 1: keep going. You can release it into the world or not. 257 00:14:52,840 --> 00:14:55,440 Speaker 1: But my advice would be to make it and put 258 00:14:55,520 --> 00:14:57,200 Speaker 1: it out in the world, or get it to a 259 00:14:57,240 --> 00:14:59,200 Speaker 1: point where you're happy to put it out into the world, 260 00:14:59,240 --> 00:15:01,320 Speaker 1: and up into that point, play for as many people 261 00:15:01,360 --> 00:15:04,640 Speaker 1: that you trust as possible. Could be one, two, three, five, ten, twenty. 262 00:15:04,680 --> 00:15:09,400 Speaker 1: However many get feedback. Trust your gut and keep doing 263 00:15:09,600 --> 00:15:12,280 Speaker 1: the thing. That's the key. And as for the sound 264 00:15:12,320 --> 00:15:14,360 Speaker 1: of your voice. I hate the sound of my voice. 265 00:15:14,400 --> 00:15:17,720 Speaker 1: I always have And if you're doing a narrative podcast 266 00:15:18,080 --> 00:15:21,400 Speaker 1: like mine, you have to find a way to not 267 00:15:21,600 --> 00:15:24,680 Speaker 1: just speak but narrate, and you're not gonna like it. 268 00:15:25,480 --> 00:15:29,200 Speaker 1: I went through many iterations of recording demos and playing 269 00:15:29,240 --> 00:15:31,760 Speaker 1: them for people that I trusted, my wife in particular, 270 00:15:32,480 --> 00:15:34,880 Speaker 1: and being very frustrated, just like it sounds like you 271 00:15:34,920 --> 00:15:37,680 Speaker 1: are with her, just being like, you sound like an asshole. 272 00:15:38,760 --> 00:15:40,360 Speaker 1: And I'm not so sure I still don't sound like 273 00:15:40,400 --> 00:15:43,520 Speaker 1: an asshole. But whatever it works. You're not supposed to 274 00:15:43,600 --> 00:15:47,560 Speaker 1: sound like you. You're supposed to sound like the thing you're creating, 275 00:15:47,720 --> 00:15:49,280 Speaker 1: and you're supposed to put it out into the world 276 00:15:49,440 --> 00:15:53,200 Speaker 1: a version of you. That's all it is. And again, 277 00:15:53,840 --> 00:15:56,360 Speaker 1: to get over the frustration hump, you gotta just keep 278 00:15:56,480 --> 00:15:58,480 Speaker 1: keep doing it. That's all I got for you, man. 279 00:15:58,720 --> 00:16:01,080 Speaker 1: Hopefully it works out. Keep me posted six one seven 280 00:16:01,200 --> 00:16:04,360 Speaker 1: nine oh six six six three eight or disgrace lampod 281 00:16:04,520 --> 00:16:08,160 Speaker 1: at gmail dot com. I see a ton more emails. 282 00:16:08,160 --> 00:16:11,760 Speaker 1: Maybe I'll answer some on on Instagram. Looks like we 283 00:16:11,800 --> 00:16:14,720 Speaker 1: picked up a lot of new followers new listeners over 284 00:16:14,760 --> 00:16:18,440 Speaker 1: the last week. Keep up the communication. If you're new here. 285 00:16:18,560 --> 00:16:20,320 Speaker 1: You know, I try to do my best to engage 286 00:16:20,320 --> 00:16:23,440 Speaker 1: with you guys as much as possible. Uh here in 287 00:16:23,480 --> 00:16:29,320 Speaker 1: the bonus episodes, on Instagram, on Twitter, elsewhere, uh and yeah, 288 00:16:29,520 --> 00:16:32,280 Speaker 1: on phone and on text. So hit me and take 289 00:16:32,320 --> 00:16:34,960 Speaker 1: a quick break back in the flash, some voicemails and 290 00:16:35,000 --> 00:16:58,200 Speaker 1: some text from you guys. All right, we are back. 291 00:16:58,280 --> 00:17:00,320 Speaker 1: Let's do some voicemails. Let's get right into it with 292 00:17:00,360 --> 00:17:01,480 Speaker 1: this one from the three to one oer. 293 00:17:02,640 --> 00:17:05,960 Speaker 3: Hey Jay, this is Eric three one zero. I left 294 00:17:05,960 --> 00:17:08,080 Speaker 3: you a prior message I think it was a couple 295 00:17:08,080 --> 00:17:11,239 Speaker 3: of months ago about meeting Prince. This is about a 296 00:17:11,280 --> 00:17:15,120 Speaker 3: real disgraceful situation. I don't know about the if you're 297 00:17:15,160 --> 00:17:17,760 Speaker 3: familiar with the story of the Coasters, but two of 298 00:17:17,800 --> 00:17:21,800 Speaker 3: the members of the Coasters were assassinated. One was shot 299 00:17:21,800 --> 00:17:24,720 Speaker 3: in the head and the other one was assault with 300 00:17:24,800 --> 00:17:29,320 Speaker 3: a gun. A gay man who was murdered lead singer 301 00:17:29,359 --> 00:17:32,600 Speaker 3: of the Coasters, up of the band in the fifties 302 00:17:32,680 --> 00:17:37,600 Speaker 3: of two victims of violence, separate incidences worth looking at 303 00:17:38,359 --> 00:17:39,080 Speaker 3: this to the tip. 304 00:17:40,080 --> 00:17:42,360 Speaker 1: Hey Eric, thanks for the voicemail. 305 00:17:42,359 --> 00:17:42,520 Speaker 2: Man. 306 00:17:42,560 --> 00:17:45,679 Speaker 1: I did not know this about the Coasters, and it 307 00:17:45,880 --> 00:17:49,840 Speaker 1: sounds like a really messed up situation and got two 308 00:17:49,960 --> 00:17:55,400 Speaker 1: two band members group members shot. That's just fucking crazy. 309 00:17:55,600 --> 00:17:57,920 Speaker 1: So I think we are going to get into that. 310 00:17:58,440 --> 00:18:01,720 Speaker 1: I am deep in at the moment, however, into researching 311 00:18:01,880 --> 00:18:07,600 Speaker 1: Anthony Bourdain. Not a music subject, not a bad Lands subject, 312 00:18:08,200 --> 00:18:12,760 Speaker 1: just a iconic name out in the world, subject whom 313 00:18:12,760 --> 00:18:15,520 Speaker 1: I love that I want to cover in future. So 314 00:18:15,640 --> 00:18:17,680 Speaker 1: I'm doing that. I'm deep into it right now. Eric, 315 00:18:17,720 --> 00:18:19,920 Speaker 1: I hope you dig it, whether you're a Boardain fan 316 00:18:20,080 --> 00:18:22,840 Speaker 1: or not. Maybe we'll get into this coasters thing sooner 317 00:18:22,920 --> 00:18:24,800 Speaker 1: or later. I bet we will. We're always in need 318 00:18:24,840 --> 00:18:29,199 Speaker 1: of material. And yeah, guys, we talked about combining the 319 00:18:29,240 --> 00:18:31,320 Speaker 1: feeds a couple of weeks ago or last episode. I 320 00:18:31,320 --> 00:18:34,440 Speaker 1: guess it's been an ongoing conversation. I haven't I haven't 321 00:18:34,480 --> 00:18:38,040 Speaker 1: made a firm decision yet, but like I said, I'm 322 00:18:38,080 --> 00:18:41,040 Speaker 1: researching this board Ain episode, and I don't think it's 323 00:18:41,040 --> 00:18:42,960 Speaker 1: going to be in bad Lands. I think it's gonna 324 00:18:43,000 --> 00:18:46,480 Speaker 1: be our own thing. And I've got a Hunter S 325 00:18:46,560 --> 00:18:51,080 Speaker 1: Thompson hankering and William S Burrow's hankering as well. And 326 00:18:51,600 --> 00:18:56,600 Speaker 1: it feels like it feels like Disgraceland is going to 327 00:18:56,640 --> 00:19:03,720 Speaker 1: expand slightly beyond just specific music stories into stories that 328 00:19:03,960 --> 00:19:09,200 Speaker 1: are just dark stories about icons really like we've been doing. 329 00:19:09,680 --> 00:19:12,200 Speaker 1: But I think if we do do this, I'm going 330 00:19:12,240 --> 00:19:15,520 Speaker 1: to keep it very musical. Anthony Bourdin, you know, even 331 00:19:15,560 --> 00:19:17,960 Speaker 1: though he was a chef and you know, had a 332 00:19:18,040 --> 00:19:22,120 Speaker 1: travel television show, was a writer, wrote books, very rock 333 00:19:22,160 --> 00:19:24,879 Speaker 1: and roll type of guy. Same with Burrows, same with 334 00:19:24,960 --> 00:19:27,520 Speaker 1: Hunter S. Thompson, you know. And even when I think 335 00:19:27,560 --> 00:19:33,919 Speaker 1: of large, larger than life figures like who are athletes, 336 00:19:34,400 --> 00:19:37,439 Speaker 1: you know, like Michael Jordan, It's very easy for me 337 00:19:37,600 --> 00:19:41,560 Speaker 1: to relate what Michael Jordan does and the quote unquote 338 00:19:41,640 --> 00:19:46,160 Speaker 1: art of what he does to music and to culture. 339 00:19:46,600 --> 00:19:50,080 Speaker 1: And I think, you know, were we or slash, you know, 340 00:19:50,200 --> 00:19:53,440 Speaker 1: are we to go into that? And in that direction, 341 00:19:54,000 --> 00:19:57,320 Speaker 1: that's that's likely the tact we will take with the 342 00:19:57,400 --> 00:20:01,400 Speaker 1: non music stories. We will keep them musical, and I'm 343 00:20:01,440 --> 00:20:05,480 Speaker 1: really just interested in the darkness that drives some of 344 00:20:05,480 --> 00:20:09,560 Speaker 1: these folks from whatever discipline, and everything will stay music focused. 345 00:20:09,600 --> 00:20:12,400 Speaker 1: It will largely be, you know, on average, more music 346 00:20:12,440 --> 00:20:14,560 Speaker 1: stories than not. But that's where we're going. 347 00:20:15,880 --> 00:20:16,080 Speaker 4: You know. 348 00:20:16,080 --> 00:20:17,840 Speaker 1: I don't know how I got from the coasters to 349 00:20:18,119 --> 00:20:21,280 Speaker 1: Anthony Boarding to Michael Jordan. But see, we can do this. 350 00:20:21,400 --> 00:20:24,360 Speaker 1: All right, Let's do another voicemail here, all right, this 351 00:20:24,440 --> 00:20:27,480 Speaker 1: one from the Netherlands. Let's check out this voicemail right here. 352 00:20:28,119 --> 00:20:31,560 Speaker 4: Hey there, greetings from the Netherlands. Big fan of the podcast. 353 00:20:32,280 --> 00:20:37,080 Speaker 4: I was actually curious if you should ever do an 354 00:20:37,119 --> 00:20:41,520 Speaker 4: episode on James Taylor because he had a very interesting career. 355 00:20:41,560 --> 00:20:43,080 Speaker 4: I'm a big fan of his, has been a big 356 00:20:43,080 --> 00:20:46,440 Speaker 4: fan most of my life thanks to my father and 357 00:20:47,160 --> 00:20:50,359 Speaker 4: history of substance use disorder, and has pretty much come 358 00:20:50,400 --> 00:20:53,640 Speaker 4: out on top to be a pre successful chill guy. Anyways, 359 00:20:53,640 --> 00:20:57,160 Speaker 4: that's all, take care and have a great day. 360 00:20:57,880 --> 00:20:59,960 Speaker 1: Yo. Thanks for the call. Appreciate it. Yeah, I was 361 00:21:00,080 --> 00:21:02,240 Speaker 1: actually thinking I was thinking about doing a James Taylor episode. 362 00:21:02,240 --> 00:21:05,440 Speaker 1: The other night I was watching TV. I watched these 363 00:21:05,920 --> 00:21:11,000 Speaker 1: really awful music video channels on the Samsung cable TV 364 00:21:11,119 --> 00:21:15,080 Speaker 1: thing or whatever on demand whatever it's called. And I've 365 00:21:15,080 --> 00:21:18,000 Speaker 1: talked about that before, but James Taylor came on and 366 00:21:18,040 --> 00:21:23,840 Speaker 1: it was a vintage seventies live thing and I was like, God, 367 00:21:23,880 --> 00:21:26,040 Speaker 1: there is a story here. I know there's a story. 368 00:21:26,119 --> 00:21:28,240 Speaker 1: I know there's the whole thing with the heroin abuse 369 00:21:28,800 --> 00:21:31,399 Speaker 1: and he's a fascinating guy and people love him and 370 00:21:31,400 --> 00:21:36,520 Speaker 1: he's a huge name, so yeah, at some point and 371 00:21:36,680 --> 00:21:39,359 Speaker 1: also doing an episode on him will will give me 372 00:21:39,520 --> 00:21:44,320 Speaker 1: the opportunity to tell my James Taylor story. Being from Boston, 373 00:21:44,359 --> 00:21:47,600 Speaker 1: it's hard not to have a James Taylor story. And 374 00:21:47,760 --> 00:21:49,199 Speaker 1: I don't want to burn it here because it's a 375 00:21:49,200 --> 00:21:52,520 Speaker 1: good one. But yeah, Zeth, if you're listening, I think 376 00:21:52,560 --> 00:21:55,919 Speaker 1: we put James Taylor on the schedule for end the 377 00:21:55,920 --> 00:21:59,520 Speaker 1: next year as we're figuring out our programming here, all right, 378 00:21:59,560 --> 00:22:02,240 Speaker 1: seven nine oh six six six three eight, Hit me 379 00:22:02,280 --> 00:22:04,760 Speaker 1: with your voicemails, hit me with your texts. Let's do 380 00:22:04,800 --> 00:22:07,840 Speaker 1: a couple of texts here. Five oh five rights in Hey, 381 00:22:07,960 --> 00:22:10,760 Speaker 1: I drove Parliament Funkadelic around for three days. There were 382 00:22:10,880 --> 00:22:14,399 Speaker 1: fucking nuts. Keith Richards says nothing on them. George Clinton 383 00:22:14,440 --> 00:22:17,000 Speaker 1: had his own limo. Damn it. All right? All right? 384 00:22:17,240 --> 00:22:20,320 Speaker 1: Are you are you saying we should do a Parliament episode? 385 00:22:20,400 --> 00:22:23,040 Speaker 1: I'm here for that for sure. Nine oh one writes 386 00:22:23,080 --> 00:22:26,520 Speaker 1: in Lee from Memphis. Loved the Jan's Addiction episode. First 387 00:22:26,520 --> 00:22:29,280 Speaker 1: song I ever heard of theirs was Jane says, maybe 388 00:22:29,320 --> 00:22:33,520 Speaker 1: the best two chord songs ever. Prove me wrong. That's 389 00:22:33,840 --> 00:22:38,040 Speaker 1: that's interesting. What are the best two chord songs? You 390 00:22:38,080 --> 00:22:41,280 Speaker 1: can't say Louis Louis, that's three chords. You keep two chords, 391 00:22:42,080 --> 00:22:46,399 Speaker 1: and you really really really shortening, shortening the length of 392 00:22:46,400 --> 00:22:48,920 Speaker 1: the pool. As they say, do people say that. I 393 00:22:48,960 --> 00:22:51,440 Speaker 1: don't think they say that nine on one goes. Honestly, 394 00:22:51,560 --> 00:22:55,000 Speaker 1: you mentioned the Cult. I have to respectfully disagree about 395 00:22:55,000 --> 00:22:57,920 Speaker 1: their live performance. Love this band and have seen them 396 00:22:57,960 --> 00:23:01,639 Speaker 1: three times live, and they're still going strong and singing 397 00:23:01,680 --> 00:23:04,640 Speaker 1: in the original key, unlike many older bands playing about 398 00:23:04,640 --> 00:23:06,400 Speaker 1: a half step down. Much love to you, and thanks 399 00:23:06,400 --> 00:23:09,600 Speaker 1: for being so accessible. I'm still campaigning for Shannon who 400 00:23:09,640 --> 00:23:12,600 Speaker 1: episode Tragic Shannon Whoon. We will do Blind Melon at 401 00:23:12,640 --> 00:23:15,760 Speaker 1: some point for sure. Yeah. I don't want to argue 402 00:23:15,760 --> 00:23:17,360 Speaker 1: with you about The Cult live because, like I said, 403 00:23:17,400 --> 00:23:19,680 Speaker 1: I've only seen them once, and of course talk to 404 00:23:19,720 --> 00:23:21,679 Speaker 1: people who have seen them as well. I know they 405 00:23:21,720 --> 00:23:24,199 Speaker 1: played recently. I had some friends who saw them in 406 00:23:24,320 --> 00:23:27,600 Speaker 1: Los Angeles, and I saw some of the Instagram videos 407 00:23:27,640 --> 00:23:31,159 Speaker 1: that were going around, and it looked fucking incredible. What 408 00:23:31,280 --> 00:23:33,240 Speaker 1: I'm talking about, however, is just back in the day, 409 00:23:33,680 --> 00:23:36,960 Speaker 1: and I'm talking about my experience subjectively, so I hope 410 00:23:36,960 --> 00:23:39,399 Speaker 1: you're right. I hope they're great live because they're a 411 00:23:39,400 --> 00:23:42,480 Speaker 1: great fucking band, and I want them to be great, 412 00:23:42,520 --> 00:23:44,320 Speaker 1: and I want them to be out there spreading the love. 413 00:23:45,440 --> 00:23:47,640 Speaker 1: Five three zero Rights and Hey Jake Zach from five 414 00:23:47,640 --> 00:23:50,040 Speaker 1: to three to zero. I loved the Jans addiction episode, 415 00:23:50,080 --> 00:23:52,080 Speaker 1: having been in early teen. In the early nineties, Ben 416 00:23:52,160 --> 00:23:55,199 Speaker 1: Caught Stealing was always on MTV. You couldn't miss it. 417 00:23:55,359 --> 00:23:58,800 Speaker 1: Video is creepy gave me weird vibes a couple ideas 418 00:23:58,800 --> 00:24:02,320 Speaker 1: for a new episode. Right and Shine a menu recipe 419 00:24:02,320 --> 00:24:05,480 Speaker 1: inspired shorts in the morning, afternoons or evenings which focus 420 00:24:05,520 --> 00:24:10,880 Speaker 1: on food. Who doesn't like food example Elvis sandwich, peanut butter, 421 00:24:10,920 --> 00:24:11,680 Speaker 1: bacon and banana. 422 00:24:11,720 --> 00:24:11,960 Speaker 3: I don't. 423 00:24:12,080 --> 00:24:16,160 Speaker 1: I can't do a food podcast. I appreciate the creativity, 424 00:24:18,680 --> 00:24:20,600 Speaker 1: but that ain't me. I did do. I did do. 425 00:24:20,800 --> 00:24:24,720 Speaker 1: I guested on a podcast about Elvis's million dollars sandwich 426 00:24:25,240 --> 00:24:27,680 Speaker 1: with the Midland guys. You can find that The Countryman 427 00:24:27,800 --> 00:24:33,399 Speaker 1: Midlands has a podcast. Some great guests, Matthew McConaughey, Sheryl 428 00:24:33,440 --> 00:24:37,040 Speaker 1: Crow and I jumped on It's all about busting these myths, 429 00:24:37,200 --> 00:24:39,720 Speaker 1: and I talked about Elvis and the I think it's 430 00:24:39,760 --> 00:24:43,240 Speaker 1: called a million dollar sandwich. Six three All rights and 431 00:24:43,280 --> 00:24:46,080 Speaker 1: hey Jake, longtime listener both Disgraceland and bad Lands. My 432 00:24:46,080 --> 00:24:48,320 Speaker 1: favorite so far has been Jerry le Lewis. Just finished 433 00:24:48,320 --> 00:24:51,840 Speaker 1: the Jane's Addiction episode and the Bonus episode. On a 434 00:24:51,880 --> 00:24:54,000 Speaker 1: separate note, I would love it if you consider doing 435 00:24:54,040 --> 00:24:58,280 Speaker 1: a sports true crime podcast. Well, and then he goes 436 00:24:58,320 --> 00:25:03,760 Speaker 1: on to mention Lawrence Taylor, OJ, Michael Irving, Frank Frank 437 00:25:03,800 --> 00:25:05,639 Speaker 1: from the six to three to oh listen, dude, we 438 00:25:05,920 --> 00:25:07,480 Speaker 1: fucked with this a little bit with a thing called 439 00:25:07,480 --> 00:25:10,800 Speaker 1: sports Land, and we had those sports episodes. We have 440 00:25:10,960 --> 00:25:13,120 Speaker 1: them actually in the bad Lands episode in the bad 441 00:25:13,160 --> 00:25:17,800 Speaker 1: Lands Feed excuse me. We have episodes on as you mentioned, 442 00:25:17,920 --> 00:25:20,919 Speaker 1: Lawrence Taylor and OJ Simpson and a bunch of others, 443 00:25:20,960 --> 00:25:25,239 Speaker 1: Pete rose Ty Cobb. We did a whole thing on 444 00:25:25,320 --> 00:25:30,680 Speaker 1: European soccer, a whole season on European soccer, Oscar Pistorius, 445 00:25:30,880 --> 00:25:34,960 Speaker 1: Aaron Hernandez, and like I said earlier, I think we're 446 00:25:34,960 --> 00:25:37,480 Speaker 1: going to start messing around with I'm thinking of doing 447 00:25:37,480 --> 00:25:42,480 Speaker 1: a Kobe Bryant episode. More about the well, I really 448 00:25:42,480 --> 00:25:45,359 Speaker 1: don't know. Actually, I need to do more research on it, 449 00:25:45,400 --> 00:25:47,480 Speaker 1: but I have an idea on an angle. So yeah, 450 00:25:47,600 --> 00:25:51,200 Speaker 1: I think for some of the more iconic sports stars 451 00:25:51,400 --> 00:25:55,119 Speaker 1: who've have dark stories associated with them, we will be 452 00:25:55,160 --> 00:25:57,919 Speaker 1: covering that here in the Disgraceland feed. But in the meantime, 453 00:25:58,000 --> 00:26:00,520 Speaker 1: check out bad Land subscribe there, go back the archive 454 00:26:00,560 --> 00:26:03,840 Speaker 1: and you'll find those episodes you're asking for Lawrence Taylor 455 00:26:03,880 --> 00:26:06,600 Speaker 1: and others. All right, all right, this bonus episode is 456 00:26:06,680 --> 00:26:09,480 Speaker 1: already getting long. I'm going to take a quick break. 457 00:26:09,560 --> 00:26:11,520 Speaker 1: Six one seven nine oh six six six three eight. 458 00:26:11,560 --> 00:26:27,640 Speaker 2: I'll be back in the flash. 459 00:26:27,720 --> 00:26:30,639 Speaker 1: All right, we are back. Thanks for being with us 460 00:26:30,720 --> 00:26:34,680 Speaker 1: here in this bonus episode. Do a little recommendations here. 461 00:26:35,320 --> 00:26:39,160 Speaker 1: I've been doing this, you know, trying to recommend music 462 00:26:39,160 --> 00:26:40,680 Speaker 1: and trying to do it. As you know, I get 463 00:26:40,680 --> 00:26:42,760 Speaker 1: into the booth here, my head just goes all blue 464 00:26:42,840 --> 00:26:44,439 Speaker 1: and I forget what I'm listening to, what I've been 465 00:26:44,480 --> 00:26:46,600 Speaker 1: listening to. So what we've been doing lately is just 466 00:26:46,640 --> 00:26:48,920 Speaker 1: I've been going into my Spotify history for the last 467 00:26:48,960 --> 00:26:52,560 Speaker 1: week and and just regurgitating here what I've been up to, 468 00:26:52,680 --> 00:26:54,240 Speaker 1: what I've been listening to, as a way to kind 469 00:26:54,240 --> 00:26:56,960 Speaker 1: of keep track of this. Vince GERALDI you all know 470 00:26:57,080 --> 00:27:00,399 Speaker 1: him as the musician who did the Charlie Brown Stuff, 471 00:27:00,440 --> 00:27:03,000 Speaker 1: and some of you probably know that he had his 472 00:27:03,040 --> 00:27:06,080 Speaker 1: own trio and he made his own music and it's 473 00:27:06,480 --> 00:27:09,680 Speaker 1: fucking fantastic, and you need to check out the Vince 474 00:27:09,720 --> 00:27:12,679 Speaker 1: Geraldi trio. You will go way beyond the Peanuts and 475 00:27:12,720 --> 00:27:15,720 Speaker 1: the Charlie brown Stuff and it's a good sort of 476 00:27:16,080 --> 00:27:19,879 Speaker 1: non Christmas Christmas vibe. Okay. I've been digging on classic 477 00:27:20,040 --> 00:27:23,800 Speaker 1: Christmas songs so far, all right, the Bing Crosbies of 478 00:27:23,800 --> 00:27:27,000 Speaker 1: the world, the Ella FitzGeralds of the world. As we 479 00:27:27,080 --> 00:27:29,720 Speaker 1: get closer to the big Day, I'm gonna seg into 480 00:27:30,000 --> 00:27:34,760 Speaker 1: sort of the more alternative stuff coming to mind immediately, 481 00:27:35,200 --> 00:27:40,359 Speaker 1: all the sort of great garage Christmas songs, the nineties, 482 00:27:40,480 --> 00:27:43,600 Speaker 1: sort of weirdo shit like Low all that going to 483 00:27:43,640 --> 00:27:46,920 Speaker 1: get into it. I am still digging on the New 484 00:27:47,000 --> 00:27:49,879 Speaker 1: Queens of the Stone Age record in Times New Roman. 485 00:27:50,440 --> 00:27:52,280 Speaker 1: The more I listen to it, the more I love it. 486 00:27:52,320 --> 00:27:54,040 Speaker 1: If you haven't heard this record in your fan of 487 00:27:54,119 --> 00:27:57,359 Speaker 1: rock and roll, check that out. Something happened to me 488 00:27:57,480 --> 00:28:01,719 Speaker 1: last night that musically, I love when this happens. I 489 00:28:01,760 --> 00:28:05,480 Speaker 1: love when I hear a song. I was just on 490 00:28:05,520 --> 00:28:09,800 Speaker 1: Instagram and this guy Johnny Johnny Vinyl who who's a 491 00:28:10,000 --> 00:28:12,040 Speaker 1: fan of the show. Here dis Gray sand who I 492 00:28:12,080 --> 00:28:15,880 Speaker 1: talk with a bit on Instagram. He just posted this 493 00:28:16,080 --> 00:28:21,280 Speaker 1: video of himself, sorry, of his record player playing Dark 494 00:28:21,280 --> 00:28:24,359 Speaker 1: Side of the Moon. And it's just, you know, you know, 495 00:28:24,400 --> 00:28:28,560 Speaker 1: the audio wasn't great, and the video wasn't you know, 496 00:28:28,600 --> 00:28:32,439 Speaker 1: It's just what I said it was. But the music 497 00:28:32,720 --> 00:28:35,200 Speaker 1: is so fucking good and the production is so good. 498 00:28:35,480 --> 00:28:37,600 Speaker 1: I just found it to be arresting. It just it 499 00:28:37,720 --> 00:28:40,360 Speaker 1: just smacked me in the face. And I've heard this 500 00:28:40,600 --> 00:28:43,640 Speaker 1: so many times before, you know, does this happen to 501 00:28:43,680 --> 00:28:45,560 Speaker 1: you guys? It must, it must happen to you where 502 00:28:45,560 --> 00:28:47,560 Speaker 1: you just hear this thing, you've heard a gazillion times. 503 00:28:47,560 --> 00:28:49,440 Speaker 1: You don't even think about it anymore. It's become so 504 00:28:49,760 --> 00:28:52,760 Speaker 1: rote and it just knocks your socks off. And that's 505 00:28:52,800 --> 00:28:56,360 Speaker 1: what Dark Side of the Moon did to me last 506 00:28:56,440 --> 00:29:00,720 Speaker 1: night and will probably continue to do for me throughout 507 00:29:00,800 --> 00:29:01,480 Speaker 1: the rest. 508 00:29:01,240 --> 00:29:01,800 Speaker 3: Of my life. 509 00:29:01,840 --> 00:29:04,960 Speaker 1: It's that good of an album. Johnny had some good 510 00:29:04,960 --> 00:29:06,920 Speaker 1: stats on it, by the way, It's something like nine 511 00:29:07,000 --> 00:29:11,760 Speaker 1: hundred weeks on the Billboard, two hundred. It's the number four, 512 00:29:11,840 --> 00:29:15,000 Speaker 1: I believe, number four top selling album of all time. 513 00:29:15,840 --> 00:29:19,480 Speaker 1: If that's true, that is phenomenal. So needless to say, 514 00:29:19,840 --> 00:29:22,640 Speaker 1: I don't need you, don't need anyone to recommend Pink 515 00:29:22,640 --> 00:29:26,480 Speaker 1: Floyd's Dark Side of the Moon to you. But here 516 00:29:26,520 --> 00:29:30,120 Speaker 1: I am doing it anyways because it's authentic and it happened, 517 00:29:30,200 --> 00:29:35,240 Speaker 1: and there you go. Also, if I can be self promoted, 518 00:29:35,480 --> 00:29:38,760 Speaker 1: I am going to for just one moment here, parents, Okay, parents, 519 00:29:38,800 --> 00:29:40,800 Speaker 1: we have this new show that Double Elvis just produced 520 00:29:40,840 --> 00:29:45,680 Speaker 1: with our partners Stargo Media. It's a kids show. Our 521 00:29:45,760 --> 00:29:48,520 Speaker 1: friend Nikki Lynette, who if you guys are fans of 522 00:29:48,560 --> 00:29:52,000 Speaker 1: the show about a Girl, she hosts this new kids 523 00:29:52,000 --> 00:29:56,120 Speaker 1: show we have called music Land Stories. And this is 524 00:29:56,960 --> 00:30:00,160 Speaker 1: for the parents out there who are music fans who 525 00:30:00,200 --> 00:30:03,760 Speaker 1: are looking for content, podcast content for their kids. Trust me, 526 00:30:04,160 --> 00:30:06,959 Speaker 1: this is for you. Go find it. It's available everywhere. 527 00:30:07,000 --> 00:30:10,560 Speaker 1: We got two episodes up now, got more coming. Search 528 00:30:10,640 --> 00:30:13,720 Speaker 1: that out you will not be disappointed. Six one, seven, 529 00:30:14,120 --> 00:30:16,720 Speaker 1: nine oh six sixty six three eight real Quick. This 530 00:30:16,800 --> 00:30:20,200 Speaker 1: week tomorrow our rewind episode is on the Temptations. This 531 00:30:20,360 --> 00:30:23,120 Speaker 1: was originally released by US on May thirty first, twenty 532 00:30:23,160 --> 00:30:26,280 Speaker 1: twenty two, as part of Season nine. We described it 533 00:30:26,360 --> 00:30:29,200 Speaker 1: then as the following. The Temptations were one of Motown's 534 00:30:29,240 --> 00:30:31,400 Speaker 1: signature vocal groups, and they remain one of the most 535 00:30:31,400 --> 00:30:34,440 Speaker 1: successful R and B acts of all time, but fame 536 00:30:34,520 --> 00:30:37,640 Speaker 1: and drugs corrupted them from the beginning. Lineup changes were 537 00:30:37,640 --> 00:30:40,080 Speaker 1: as frequent as their chart topping hits, and eventually their 538 00:30:40,160 --> 00:30:43,880 Speaker 1: rocky road led to drug addiction, crippling, paranoia or routine backstabbing, 539 00:30:44,040 --> 00:30:46,040 Speaker 1: and one of the most tragic deaths in the history 540 00:30:46,040 --> 00:30:49,640 Speaker 1: of the Motor City. Timeline wise, we're doing this because 541 00:30:49,640 --> 00:30:53,160 Speaker 1: the Temptations member Eddie Kendricks was born on December seventeenth, 542 00:30:53,280 --> 00:30:58,560 Speaker 1: nineteen thirty nine, and we're releasing this episode on December fourteenth, 543 00:30:58,600 --> 00:31:02,840 Speaker 1: so pretty close. Also, you know, if you need another recommendation, 544 00:31:02,960 --> 00:31:06,200 Speaker 1: Eddie Kendrick's nineteen seventy two solo album People Hold On. 545 00:31:06,440 --> 00:31:09,920 Speaker 1: It's fucking awesome, So check that out, all right? Six 546 00:31:09,960 --> 00:31:12,840 Speaker 1: one seven nine oh six six six three eight. Here 547 00:31:12,840 --> 00:31:15,920 Speaker 1: are some questions that I would like some answers from 548 00:31:15,960 --> 00:31:19,160 Speaker 1: you guys on frankly, all right, what is your favorite 549 00:31:19,200 --> 00:31:23,320 Speaker 1: Motown group of all time? Okay, speaking of Motown, speaking 550 00:31:23,360 --> 00:31:27,040 Speaker 1: of great record labels, what's your favorite record label of 551 00:31:27,080 --> 00:31:30,720 Speaker 1: all time? Okay, the label where it didn't matter what 552 00:31:30,760 --> 00:31:32,760 Speaker 1: they put out, you were buying it. When I was 553 00:31:32,800 --> 00:31:36,680 Speaker 1: growing up, that was Revelation Records. Uh, it was Discord Records. 554 00:31:37,400 --> 00:31:39,400 Speaker 1: For a moment, it was Victory Records, a label that 555 00:31:39,440 --> 00:31:41,880 Speaker 1: my band actually ended up on, which was a huge 556 00:31:41,920 --> 00:31:44,280 Speaker 1: thrill for us. But when we were kids, we just 557 00:31:44,320 --> 00:31:46,000 Speaker 1: had these record labels that we would buy and it 558 00:31:46,040 --> 00:31:48,200 Speaker 1: didn't matter. It did not matter what they put out, 559 00:31:48,400 --> 00:31:50,960 Speaker 1: we were going to buy it. Also, do you want 560 00:31:51,080 --> 00:31:53,280 Speaker 1: a Disgrace Line Vinyl? What will we put on the 561 00:31:53,320 --> 00:31:55,640 Speaker 1: Disgrace Line record? What would it be? And would you 562 00:31:55,680 --> 00:31:58,640 Speaker 1: buy it? Would you? I would? I have some ideas. 563 00:31:58,680 --> 00:32:01,160 Speaker 1: Six one seven nine six six six three eight. Let 564 00:32:01,200 --> 00:32:02,840 Speaker 1: me know what you think, Let me know what your 565 00:32:02,840 --> 00:32:04,840 Speaker 1: favorite record labels are. Let me know what your favorite 566 00:32:04,880 --> 00:32:07,120 Speaker 1: motown artist is. Let me know what you would want 567 00:32:07,200 --> 00:32:11,960 Speaker 1: out of Disgraceland Vinyl. And finally, Christmas Rex give me 568 00:32:12,000 --> 00:32:14,920 Speaker 1: the Christmas music that you guys get most pumped on. 569 00:32:15,040 --> 00:32:17,480 Speaker 1: Six one seven, nine oh six sixty six three eight. 570 00:32:17,840 --> 00:32:21,440 Speaker 1: Favorite artists are your old school classic Bing Crosby, Ella Fitzgerald? 571 00:32:21,680 --> 00:32:23,960 Speaker 1: Do you realm into the new school? What are the 572 00:32:24,080 --> 00:32:26,960 Speaker 1: Christmas songs that pull at your heartstring six one seven 573 00:32:27,040 --> 00:32:29,040 Speaker 1: nine oh six six six three eight. Let me know 574 00:32:29,200 --> 00:32:34,400 Speaker 1: at Disgrace lamppod on Instagram, Twitter, excuse me x, and TikTok. 575 00:32:34,480 --> 00:32:36,440 Speaker 1: We also get some stuff on YouTube. You can search 576 00:32:36,520 --> 00:32:38,600 Speaker 1: us out there as well. I'm gonna take a quick 577 00:32:38,600 --> 00:32:55,720 Speaker 1: break back in a flash. All right, welcome back again. 578 00:32:55,800 --> 00:32:57,800 Speaker 1: Six one seven nine oh six six six three eight. 579 00:32:57,880 --> 00:33:00,800 Speaker 1: Hit me up on Instagram at Disgrace lamp pop, Instagram 580 00:33:00,840 --> 00:33:05,280 Speaker 1: at Disgrace lamppod, Instagram at Disgrace lamb pod. All right 581 00:33:05,520 --> 00:33:07,800 Speaker 1: where else We're at Disgrace lampod as well, and send 582 00:33:07,840 --> 00:33:10,840 Speaker 1: me an email Disgrace Lampod at gmail dot com. Let's recap, 583 00:33:10,880 --> 00:33:12,920 Speaker 1: shall we Number one right now in your feed? A 584 00:33:12,920 --> 00:33:16,800 Speaker 1: brand new episode on Sean Diddy Combs number two coming tomorrow. 585 00:33:16,880 --> 00:33:20,640 Speaker 1: A rewind episode on The Temptations. A previously exclusive episode 586 00:33:20,640 --> 00:33:23,160 Speaker 1: that we are finally releasing back into the wild. Number 587 00:33:23,160 --> 00:33:25,080 Speaker 1: three over in the Badlands Feed. We got a new 588 00:33:25,120 --> 00:33:27,720 Speaker 1: episode on Benedict Cumberbatch number four next week into the 589 00:33:27,720 --> 00:33:31,239 Speaker 1: Disgraceland feed. A brand new Christmas episode that's right, you 590 00:33:31,280 --> 00:33:34,640 Speaker 1: heard me. A Christmas episode on Mariah Carey Hold on 591 00:33:34,720 --> 00:33:37,880 Speaker 1: to Your Hats TRL coming live right at you number 592 00:33:37,880 --> 00:33:40,760 Speaker 1: five with our ice cream cart six one seven nine 593 00:33:40,800 --> 00:33:42,800 Speaker 1: oh six six six three eight. Call me on the 594 00:33:42,800 --> 00:33:45,720 Speaker 1: telephone or text me number six. Remember, no one cares 595 00:33:45,760 --> 00:33:47,400 Speaker 1: about the music that you love more than you do. 596 00:33:47,480 --> 00:33:49,440 Speaker 1: And well that's a disgrace. So all right, my moment 597 00:33:49,480 --> 00:33:52,720 Speaker 1: of bliss and honor this week's Disgraceland episode on Sean 598 00:33:52,760 --> 00:33:55,960 Speaker 1: Diddy Combs. This is me reading you the phone book 599 00:33:56,080 --> 00:33:59,280 Speaker 1: from Manhattan in nineteen forty six, some fifty three years 600 00:33:59,320 --> 00:34:01,640 Speaker 1: before the show Eating at a nightclub put Diddy on 601 00:34:01,760 --> 00:34:09,799 Speaker 1: trial for his life. Adams Ruby one three one two 602 00:34:09,840 --> 00:34:17,680 Speaker 1: eight Adama Louise three dash four two seven address Clarence 603 00:34:18,160 --> 00:34:24,000 Speaker 1: three dash one nine six two Adresa Mervin four dash 604 00:34:24,040 --> 00:34:30,440 Speaker 1: six two two five address William five nine dash seven 605 00:34:30,520 --> 00:34:36,800 Speaker 1: two zero three A Dama Ellen two dash two seven 606 00:34:36,920 --> 00:34:42,839 Speaker 1: seven four zero A Dama Eliza three two two zero 607 00:34:43,120 --> 00:34:51,960 Speaker 1: four three Adams Ruby one two Uise three dash for 608 00:34:52,600 --> 00:35:02,040 Speaker 1: two stage two address Clarence three dash one sixt. Quit 609 00:35:02,239 --> 00:35:04,280 Speaker 1: talking and start mixing.