WEBVTT - Sara Bareilles doesn’t care if you think she’s sensitive

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<v Speaker 1>What do you do when life doesn't go according to

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<v Speaker 1>plan that moment you lose a job, or a loved one,

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<v Speaker 1>or even a piece of yourself. I'm Brookshields and this

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<v Speaker 1>is now What, a podcast about pivotal moments as told

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<v Speaker 1>by people who lived them. Each week, I sit down

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<v Speaker 1>with a guest to talk about the times they were

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<v Speaker 1>knocked off course and what they did to move forward.

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<v Speaker 1>Some stories are funny, others are gut wrenching, but all

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<v Speaker 1>are unapologetically human and remind us that every success and

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<v Speaker 1>every setback is accompanied by a choice, and that choice

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<v Speaker 1>answers one question, now what.

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<v Speaker 2>I've played hundreds of shows before I had any kind

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<v Speaker 2>of profession, all your own materials. Yeah, I mean I

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<v Speaker 2>started my very first gig. I played I Will Survive

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<v Speaker 2>with a drum machine on my keyboard, and I don't

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<v Speaker 2>even think I could really even play the chords properly.

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<v Speaker 2>I think I just just banking on the charm of that.

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<v Speaker 2>But you certainly have you learn you learn the way? Yeah,

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<v Speaker 2>but yeah, I think you know. I pursued music not

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<v Speaker 2>really as a choice, but it just always felt like

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<v Speaker 2>my calling.

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<v Speaker 1>My guest today has the voice of an angel, Sarah

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<v Speaker 1>Brellis is a singer, songwriter, actress, and author. She's dazzled

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<v Speaker 1>audiences on Broadway and shows like Waitress and Into the Woods.

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<v Speaker 1>She stars in Peacock's hilarious Girls, five Eva and In

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<v Speaker 1>Case That's Not Enough. She's also sold millions of albums

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<v Speaker 1>and won multiple Grammys. I love learning more about her

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<v Speaker 1>origin story and think it's badass how hard she has

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<v Speaker 1>fought to keep her voice and career authentic to who

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<v Speaker 1>she is. I truly don't know another or more quite

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<v Speaker 1>like her. So here is Sarah Burrells. Sarah Burrellis. Let's

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<v Speaker 1>just jump right in, and I want to say thank

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<v Speaker 1>you so much for coming on the show. I was

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<v Speaker 1>just so honored when I heard that you were open

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<v Speaker 1>to it and wanted to come on. So just thank you.

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<v Speaker 1>I've been a fan for an incredibly long time and

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<v Speaker 1>I appreciate your time.

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<v Speaker 2>Thank you right back, Atcha, I adore you. I'm so

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<v Speaker 2>happy to be talking and sorry for I'm having terrible allergies,

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<v Speaker 2>so I sound like I have a cold, but Galin.

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<v Speaker 1>It's the absolute worst. We were just talking about that. Now.

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<v Speaker 2>You know.

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<v Speaker 1>It's funny because sometimes I almost wish that I didn't

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<v Speaker 1>do any research just because I like to just have

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<v Speaker 1>like a girlfriend conversation. But one of the things that

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<v Speaker 1>is so striking to me is the versatility of your talent,

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<v Speaker 1>versatility of your career, the longevity of it, and how

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<v Speaker 1>how you're still able to maintain this. It's almost like

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<v Speaker 1>an anonymity. And I mean that in the best possible

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<v Speaker 1>I mean it is a huge compliment.

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<v Speaker 2>Yes, no, it's I can actually really live a very

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<v Speaker 2>normal life. I really I would not wish fame, like

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<v Speaker 2>real fame, like the kind of fame you have on

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<v Speaker 2>my worst enemy. And I hope that doesn't count terrible,

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<v Speaker 2>but it does. The same is the worst byproduct of

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<v Speaker 2>getting to be an extraordinary artist, Like I think it's

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<v Speaker 2>the it's so toxic and it's so distorting, and I

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<v Speaker 2>think I'm I'm actually just literally a little too boring.

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<v Speaker 2>I think the press is not that like I'm just

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<v Speaker 2>not doing anything that's that interesting.

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<v Speaker 1>So yeah, oh god, I don't agree, but I will

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<v Speaker 1>say that, especially now, I mean social media, it's like

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<v Speaker 1>that just was one of the worst things that could

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<v Speaker 1>have ever happened to me. Yeah, just because it was

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<v Speaker 1>there was no escape whatsoever. And even in say in

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<v Speaker 1>thinking that I was going to say this to you.

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<v Speaker 1>I thought, God, it's we live in such a different time.

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<v Speaker 2>You know.

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<v Speaker 1>Now if you ask younger people, you know, what do

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<v Speaker 1>you want? They say, I want to be famous.

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<v Speaker 2>You know.

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<v Speaker 1>People don't say I want to do this, or I

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<v Speaker 1>have this vocation or practice that a part of my

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<v Speaker 1>creative my creativity or and it's such a different cultural shift.

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<v Speaker 2>I really feel like my fancy will tell you, like,

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<v Speaker 2>I don't have a poker face, like I don't and

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<v Speaker 2>this is a blessing and a curse, but I really

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<v Speaker 2>don't have another speed like It's just it's what you

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<v Speaker 2>see is what you get. The sort of authentic barebones

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<v Speaker 2>route was sort of the only road for me to walk,

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<v Speaker 2>I think, and survive.

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<v Speaker 1>What were you like as a little girl?

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<v Speaker 2>I was, I think, very awkward and precocious. And I've

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<v Speaker 2>always been someone who is like very honest, not always

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<v Speaker 2>have the most tact like honesty first, even if it's

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<v Speaker 2>I had to learn tact much later in my life.

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<v Speaker 2>But always very tenderhearted, really sensitive, always be very sensitive,

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<v Speaker 2>so get my feelings very easily. And I really love

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<v Speaker 2>people and I love I always refer to it as

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<v Speaker 2>emotional architecture. It's like the way we the way our

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<v Speaker 2>Psyche's workers I find to just be endlessly fascinating.

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<v Speaker 1>Those are qualities, though, that don't make it very easy

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<v Speaker 1>to survive in this industry. You know, I think it's

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<v Speaker 1>painful to feel so much.

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<v Speaker 2>I totally agree, But I do think, at least for me,

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<v Speaker 2>especially in this decade of my life, I have come

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<v Speaker 2>to appreciate that tenderness so much, and the fact that

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<v Speaker 2>I was able to pursue this in some ways in

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<v Speaker 2>spite of that tenderness, because I think we need people

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<v Speaker 2>in positions like ours who are empathic and empathetic and

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<v Speaker 2>compassionate people.

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<v Speaker 1>And you're originally from California.

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<v Speaker 2>Yes, northern California, a little tiny town called Eureka, but yeah,

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<v Speaker 2>it's very rural and big, beautiful redwood for old growth

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<v Speaker 2>redwood forests, and it's right on the ocean. It's an

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<v Speaker 2>absolutely extraordinarily beautiful part of the state. And I loved

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<v Speaker 2>to bring up in California, and my upbringing was wonderful,

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<v Speaker 2>lots of time outside, lots of music. I was the

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<v Speaker 2>youngest of three, so I was outside talking to myself

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<v Speaker 2>a lot, with a big imagination.

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<v Speaker 1>Did you now, your parents got divorced when you were

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<v Speaker 1>quite young.

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<v Speaker 2>Or yeah, like twelve, twelve years old, divorced and remarried.

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<v Speaker 2>Tough time. But I will say they are like best

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<v Speaker 2>friends now both, so it's very It is so normal

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<v Speaker 2>for my mom and dad and their spouses to be

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<v Speaker 2>having dinner together. They do it all the time.

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<v Speaker 1>That's incredibly healthy. And yes, because that must have been

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<v Speaker 1>a difficult time as a twelve year old because your

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<v Speaker 1>siblings were already out of the house by then or

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<v Speaker 1>it just left, so you are sort of like an

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<v Speaker 1>only child going through divorce.

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<v Speaker 2>Yes, when I've talked about it in therapy many times

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<v Speaker 2>over the years, because it sort of feels like that

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<v Speaker 2>thing if you come from a broken home, which seems

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<v Speaker 2>melo dramatic to say it that way, but which so

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<v Speaker 2>many people do you feel like, I don't know, I'm

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<v Speaker 2>forty three now I should be over the fact that

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<v Speaker 2>my parents got divorced. But it really does make an

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<v Speaker 2>impression upon you. It's your whole worldview, and when there's

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<v Speaker 2>a fissure there, it's hard to heal that. I just

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<v Speaker 2>didn't see it coming at all. There was no it

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<v Speaker 2>was not an angry household at all. It was just

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<v Speaker 2>it was just sort of like time to go.

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<v Speaker 1>Who did you turn to with that age? Like who

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<v Speaker 1>are the people in your life that you could rely

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<v Speaker 1>on at that age to process it?

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<v Speaker 2>I think it really was when I started really processing

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<v Speaker 2>through journaling and writing and songs and going inward. I

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<v Speaker 2>wasn't very verbal with my emotions, which I think is

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<v Speaker 2>something that I had to learn the vocabulary about the

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<v Speaker 2>way I was feeling. But I didn't come to that

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<v Speaker 2>till much later in my life, and I would have.

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<v Speaker 2>I think I would have really thrived in a deeper

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<v Speaker 2>way had I had those tools earlier.

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<v Speaker 1>Did you take piano, like piano lessons or singing lessons,

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<v Speaker 1>or have another creative life that you felt was a respite.

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<v Speaker 2>I did play a lot of piano. I took piano

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<v Speaker 2>lessons when I was really young, like nine, and I

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<v Speaker 2>didn't like them very much, and so I stopped. But

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<v Speaker 2>I never fell out of love with the piano. I

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<v Speaker 2>said wanted to play piano all the time. And I

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<v Speaker 2>would come home from school and play for hours and

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<v Speaker 2>write little songs, and I sang in choirs and did

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<v Speaker 2>community theater. I loved being on stage. Theater is really

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<v Speaker 2>the first place where I felt wholly myself. I kind

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<v Speaker 2>of got bullied in school, so school was always a

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<v Speaker 2>little tricky for me, and theater was such a safe space.

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<v Speaker 1>But that's what art really should be, you know, And

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<v Speaker 1>if you can't connect with it, how are you going

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<v Speaker 1>to be able to provide that outlet for someone else?

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<v Speaker 1>And when you went to UCLA, did your world shift

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<v Speaker 1>in a more positive way sort of socially?

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<v Speaker 2>It did, And I mean I loved it. I loved going,

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<v Speaker 2>I loved the independence of college. But it was really

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<v Speaker 2>a culture shock. I never I remember going to LA

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<v Speaker 2>for the first time. I accepted UCLA sight unseen. I

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<v Speaker 2>just I couldn't even believe I got into that school.

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<v Speaker 2>And I wasn't going to go because we didn't We

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<v Speaker 2>didn't have a lot of money and it was expensive.

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<v Speaker 2>And I had an English teacher at the time, Missus Salter,

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<v Speaker 2>who said, you can't get into UCLA and not go

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<v Speaker 2>to UCLA. You have to go, like this is just

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<v Speaker 2>you have to go. And I got little scholarship and

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<v Speaker 2>I got financial aid and I made it to school.

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<v Speaker 2>But I remember going to LA for the first time

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<v Speaker 2>and driving along the beaches and seeing lifeguards in red

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<v Speaker 2>bathing suits like they did on Baywatch, and I thought

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<v Speaker 2>my mind was just blown. It was so much the

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<v Speaker 2>beaches where I grew up are like you put on

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<v Speaker 2>your jeans and your sweatshirts and your boots and it's cold,

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<v Speaker 2>and I just didn't realize how small my world had been.

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<v Speaker 1>How do you have the balls to produce it, to

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<v Speaker 1>self produce your own album? And were you playing gigs

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<v Speaker 1>the whole time?

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<v Speaker 2>Yeah? I you know, I think of that time being

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<v Speaker 2>so sort of blindly courageous. We do things that to

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<v Speaker 2>me now sound insane, but at the time my sort

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<v Speaker 2>of naivete I just didn't know any better, so I

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<v Speaker 2>didn't know enough not to like just go for it.

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<v Speaker 2>And I was in this amazing a cappella group. I

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<v Speaker 2>sang with these but we were a bunch of acapella nerds,

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<v Speaker 2>had the best time. It was like the first time

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<v Speaker 2>I felt like I found my people. And when I

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<v Speaker 2>think about it now, I'm I realize it's so theater adjacent.

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<v Speaker 2>It's like people who just love to collaborate and make

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<v Speaker 2>something together and they love singing together. And it's so

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<v Speaker 2>funny because it's so kind of deeply uncool and it's

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<v Speaker 2>just the coolest.

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<v Speaker 1>At the same time, I think it's the coolest thing

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<v Speaker 1>ever to me too, hearing like singing at an arch

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<v Speaker 1>at Princeton where were the under those arches. It was

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<v Speaker 1>my freshman week. It was the I thought I had

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<v Speaker 1>died and gone to heaven just listening, you know.

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<v Speaker 2>It's just amazing. So I was a part of that group.

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<v Speaker 2>And then I met my friend Gabriel Man, who produced

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<v Speaker 2>that very first record with me. You know, at that times,

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<v Speaker 2>at that time in your life, you're sort of following

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<v Speaker 2>the breadcrumbs. You meet a producer, then you try working

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<v Speaker 2>with them, and then you meet someone through them, and

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<v Speaker 2>you know, someone whose uncle runs a club, and you like,

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<v Speaker 2>can I play at your club? And somebody sees you there.

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<v Speaker 2>You know, just it was very much one foot in

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<v Speaker 2>front of the other.

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<v Speaker 1>Did you have a manager or an ager and anything

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<v Speaker 1>like that or not that early on?

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<v Speaker 2>I played. I played hundreds of shows before I had

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<v Speaker 2>any kind of profession.

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<v Speaker 1>All your own material, Yeah.

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<v Speaker 2>I mean I started my very first gig. I played

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<v Speaker 2>I Will Survive with the drum machine on my keyboard,

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<v Speaker 2>and I don't even think I could really even play

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<v Speaker 2>the chords properly. I think I just was banking on

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<v Speaker 2>the charm of that. But you certainly have you learn,

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<v Speaker 2>you learn the way. Yeah, but yeah, I think you know.

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<v Speaker 2>I pursued music not really as a choice, but it

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<v Speaker 2>just always felt like my calling.

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<v Speaker 1>Did it help like with your confidence in self esteem?

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<v Speaker 2>It was the safest space for me. I mean, it

0:13:15.440 --> 0:13:18.400
<v Speaker 2>was the it was my refuge, it was the place

0:13:18.440 --> 0:13:23.080
<v Speaker 2>I went to feel the most connected spiritually. It's church,

0:13:23.160 --> 0:13:24.280
<v Speaker 2>it's God, it's.

0:13:24.400 --> 0:13:25.800
<v Speaker 1>Is it approval as well?

0:13:26.400 --> 0:13:28.360
<v Speaker 2>I'm sure there's there's some of that.

0:13:28.640 --> 0:13:32.080
<v Speaker 1>I mean self approval, not no, but I from the people.

0:13:32.160 --> 0:13:35.360
<v Speaker 2>But I actually think it's both. It's like when you're

0:13:35.400 --> 0:13:39.200
<v Speaker 2>doing something that actually feels like in your soul, you

0:13:39.600 --> 0:13:43.199
<v Speaker 2>can feel that sense of alignment where it's like it's

0:13:43.240 --> 0:13:45.400
<v Speaker 2>not in question should I be doing this or not.

0:13:45.520 --> 0:13:47.480
<v Speaker 2>It's just like I didn't need to ask someone else

0:13:47.520 --> 0:13:52.040
<v Speaker 2>that I felt so myself playing music. But it is

0:13:52.120 --> 0:13:56.119
<v Speaker 2>also the validation of you know, people on the outside

0:13:56.559 --> 0:13:59.960
<v Speaker 2>acknowledging why you have a real gift, or I heard

0:14:00.080 --> 0:14:02.000
<v Speaker 2>you once, I wanted to come back and see you again.

0:14:02.120 --> 0:14:05.760
<v Speaker 2>And those are another set of breadcrumbs you follow.

0:14:06.400 --> 0:14:10.120
<v Speaker 1>And how does self doubt not creep back in.

0:14:10.880 --> 0:14:13.720
<v Speaker 2>Oh honey, I got it. It's in my back pocket today.

0:14:13.840 --> 0:14:17.880
<v Speaker 2>It's always with I mean, I don't know, I'll mind

0:14:17.960 --> 0:14:22.200
<v Speaker 2>for you. I don't. I have stopped trying to omit

0:14:22.840 --> 0:14:27.760
<v Speaker 2>that sense from myself. I just it's not going to

0:14:27.840 --> 0:14:30.160
<v Speaker 2>go anywhere. I just have to like make peace with it.

0:14:30.440 --> 0:14:32.600
<v Speaker 2>I'm always going to doubt. When I did into the

0:14:32.640 --> 0:14:34.760
<v Speaker 2>Woods most recently, I'm just like, can I do this?

0:14:34.880 --> 0:14:38.320
<v Speaker 2>I put full meltdown just being like, I can't sing this,

0:14:38.480 --> 0:14:40.800
<v Speaker 2>I can't do this, I can't be on. I don't

0:14:40.880 --> 0:14:43.120
<v Speaker 2>know what I'm doing and got thrown in the deep end.

0:14:43.240 --> 0:14:46.080
<v Speaker 2>Everybody else knows what they're doing. That just comes in

0:14:46.160 --> 0:14:49.160
<v Speaker 2>the suitcase of being a human, I think, And you

0:14:49.280 --> 0:14:51.200
<v Speaker 2>have to just do it anyway. You have to be

0:14:51.440 --> 0:14:54.400
<v Speaker 2>feel all that fear, feel all that insecurity, and the

0:14:54.440 --> 0:14:56.440
<v Speaker 2>only mistake is if you let it keep you from

0:14:56.440 --> 0:14:58.000
<v Speaker 2>doing the thing you really want to be doing. And

0:14:58.120 --> 0:14:58.800
<v Speaker 2>I think.

0:15:06.160 --> 0:15:08.840
<v Speaker 1>I'm interested in how you got your start at Epic Records.

0:15:09.320 --> 0:15:13.320
<v Speaker 1>How did that happen? They saw you were approached to.

0:15:14.120 --> 0:15:17.280
<v Speaker 2>Yeah, I had started working with my manager. He has

0:15:17.320 --> 0:15:19.960
<v Speaker 2>since passed away. His name is Jordan Feldstein, but he

0:15:20.000 --> 0:15:22.800
<v Speaker 2>also represented Maroon five at the time, and I went

0:15:22.840 --> 0:15:24.720
<v Speaker 2>to college with a couple of the band members from

0:15:24.760 --> 0:15:27.080
<v Speaker 2>Run five, so they've been my friends since college. And

0:15:27.320 --> 0:15:31.120
<v Speaker 2>they took me on tour and Jordan started representing me,

0:15:31.920 --> 0:15:35.600
<v Speaker 2>and over the next let's say year or so, I

0:15:35.640 --> 0:15:37.800
<v Speaker 2>played a lot of shows in LA and he set

0:15:37.880 --> 0:15:42.520
<v Speaker 2>up showcases for me with major record labels, and everybody passed.

0:15:42.880 --> 0:15:45.160
<v Speaker 2>Nobody wanted to work with me. I don't think anyone

0:15:45.200 --> 0:15:47.800
<v Speaker 2>knew what to do with me. And then there was

0:15:48.520 --> 0:15:51.880
<v Speaker 2>a guy named Daniel Davis who worked at Epic Records

0:15:51.880 --> 0:15:55.000
<v Speaker 2>at the time, who brought out my A and R.

0:15:55.080 --> 0:15:57.240
<v Speaker 2>Guy who came and saw me at a show that

0:15:57.280 --> 0:15:59.360
<v Speaker 2>I didn't know anybody had come to see. So I

0:15:59.360 --> 0:16:03.280
<v Speaker 2>feel like he got to see myself in my at

0:16:03.320 --> 0:16:07.800
<v Speaker 2>my most expanded and my most natural. And so then yeah,

0:16:07.840 --> 0:16:10.000
<v Speaker 2>signed with Epic Records. So I'm still signed with Epic Records.

0:16:10.040 --> 0:16:13.880
<v Speaker 2>They've been an amazing partner. We've had a huge, long history.

0:16:14.760 --> 0:16:18.680
<v Speaker 2>It's like one of the crazy, rare, super positive stories

0:16:18.720 --> 0:16:22.240
<v Speaker 2>of a major label just being kind of an awesome partner.

0:16:22.960 --> 0:16:26.120
<v Speaker 1>And you mentioned early on and some of the articles

0:16:26.120 --> 0:16:30.440
<v Speaker 1>I read that they did at one point try to

0:16:30.760 --> 0:16:33.320
<v Speaker 1>sort of box you in How did you respond to

0:16:33.400 --> 0:16:36.640
<v Speaker 1>that and how did you get them to come along

0:16:36.680 --> 0:16:38.880
<v Speaker 1>with you on the what you wanted to do?

0:16:39.960 --> 0:16:44.360
<v Speaker 2>I think it was a combination of you know, the

0:16:44.440 --> 0:16:49.240
<v Speaker 2>song Love Song was written sort of as a pep

0:16:49.320 --> 0:16:54.120
<v Speaker 2>talk to myself because I could feel myself trying to

0:16:54.640 --> 0:16:57.400
<v Speaker 2>give them what I thought they wanted. What I knew

0:16:58.000 --> 0:17:00.160
<v Speaker 2>the record label was waiting for was a song that

0:17:00.160 --> 0:17:02.640
<v Speaker 2>they could go to radio with. And I felt like,

0:17:02.760 --> 0:17:04.920
<v Speaker 2>I have all these songs, Let me go into the studio,

0:17:05.000 --> 0:17:07.120
<v Speaker 2>let me make my record, And I wasn't really getting

0:17:07.160 --> 0:17:07.760
<v Speaker 2>the green light.

0:17:08.000 --> 0:17:09.400
<v Speaker 1>Does that mean more pop song?

0:17:09.560 --> 0:17:13.360
<v Speaker 2>Is that that pop song something that they could I'm

0:17:13.359 --> 0:17:15.720
<v Speaker 2>trying to remember the kinds of things that were on

0:17:15.760 --> 0:17:18.159
<v Speaker 2>the radio at that time. But I could just feel

0:17:18.200 --> 0:17:21.760
<v Speaker 2>that there was not enough excitement for like the material.

0:17:22.480 --> 0:17:26.000
<v Speaker 2>And I went to my music studio, which was a

0:17:26.160 --> 0:17:28.800
<v Speaker 2>storage unit that I shared with my friends in Raining

0:17:28.880 --> 0:17:30.840
<v Speaker 2>Jane and other band. So we had one of those

0:17:30.960 --> 0:17:36.040
<v Speaker 2>tincam like startine cam roll down garage doors with all

0:17:36.080 --> 0:17:38.000
<v Speaker 2>of our stuff stored in there. And I was there

0:17:38.400 --> 0:17:41.280
<v Speaker 2>and I wrote love song, and I wrote it kind

0:17:41.280 --> 0:17:44.560
<v Speaker 2>of just to myself. I was like, I said a

0:17:44.560 --> 0:17:48.480
<v Speaker 2>prayer I'm like, dear God, just let me remember me

0:17:49.000 --> 0:17:51.480
<v Speaker 2>in all of this. There was just so much noise

0:17:51.640 --> 0:17:56.560
<v Speaker 2>and so much feedback and so many opinions and love

0:17:56.640 --> 0:17:59.359
<v Speaker 2>song sort of poured out of me, and I was

0:18:00.840 --> 0:18:05.439
<v Speaker 2>convinced they would hate it, and they loved it, and

0:18:05.480 --> 0:18:10.080
<v Speaker 2>then to everyone's surprise, including myself, it was like a

0:18:10.119 --> 0:18:10.600
<v Speaker 2>big hit.

0:18:10.960 --> 0:18:14.480
<v Speaker 1>I mean, every single aspect of it just sounds like

0:18:14.480 --> 0:18:17.520
<v Speaker 1>it was meant to be. And thank God that they

0:18:18.400 --> 0:18:20.960
<v Speaker 1>for whatever reason that they liked it. Do you know

0:18:20.960 --> 0:18:21.400
<v Speaker 1>what I mean?

0:18:21.480 --> 0:18:23.520
<v Speaker 2>It, yes, totally in a.

0:18:23.520 --> 0:18:27.280
<v Speaker 1>Way does not matter. But you know, thank God, because

0:18:27.320 --> 0:18:30.160
<v Speaker 1>you don't hear stories like that, and you know, and

0:18:30.760 --> 0:18:35.200
<v Speaker 1>you talk about how sort of obliterating the process can be.

0:18:35.440 --> 0:18:38.040
<v Speaker 2>How much rejection, Oh God, it's terrible.

0:18:38.200 --> 0:18:40.960
<v Speaker 1>And now what you're doing, which I find really fascinating,

0:18:41.160 --> 0:18:44.240
<v Speaker 1>is you have a new show which is an audio

0:18:44.520 --> 0:18:50.440
<v Speaker 1>only singing competition chets, and it's called Breakthrough. Yes, can

0:18:50.480 --> 0:18:52.520
<v Speaker 1>you talk a little bit more about that? Because I

0:18:52.560 --> 0:18:54.399
<v Speaker 1>wish that there was a show like that that you

0:18:54.440 --> 0:18:55.240
<v Speaker 1>could have gone on.

0:18:55.400 --> 0:18:57.560
<v Speaker 2>A thousand percent. I mean, I wish there was a

0:18:57.600 --> 0:19:00.960
<v Speaker 2>show like that I could have listened to. This audible

0:19:01.040 --> 0:19:06.440
<v Speaker 2>came with this idea, myself and Kelly Rowland as mentors.

0:19:06.920 --> 0:19:09.800
<v Speaker 2>We even sort of shy away a little bit from

0:19:09.840 --> 0:19:13.120
<v Speaker 2>the word judge, because it really is like a mentorship

0:19:13.160 --> 0:19:18.840
<v Speaker 2>program for these handful of artists who are singer songwriters,

0:19:19.600 --> 0:19:24.960
<v Speaker 2>and the entire podcast, as podcasts are generally, is done

0:19:25.480 --> 0:19:29.640
<v Speaker 2>with no visuals. So I met these contestants last night

0:19:30.000 --> 0:19:35.200
<v Speaker 2>when we recorded our final episode, so I finally saw

0:19:35.240 --> 0:19:38.080
<v Speaker 2>their faces after spending weeks and weeks and hours and

0:19:38.160 --> 0:19:40.440
<v Speaker 2>hours on the phone with them and talking through their

0:19:40.480 --> 0:19:45.760
<v Speaker 2>material and discussing their work and giving feedback. And I

0:19:45.840 --> 0:19:50.960
<v Speaker 2>love this format because it feels very nostalgic. It's the

0:19:51.000 --> 0:19:53.960
<v Speaker 2>way I used to listen to music with my headphones on.

0:19:54.640 --> 0:19:58.680
<v Speaker 2>Reading the lyrics, I wasn't watching a screen, I wasn't

0:19:58.720 --> 0:20:03.000
<v Speaker 2>taking anything in. It was just about what is the

0:20:03.040 --> 0:20:07.160
<v Speaker 2>story I'm being told? And is emotion being conveyed through

0:20:07.200 --> 0:20:10.480
<v Speaker 2>the vocal performance, through the actual craft of the song.

0:20:11.080 --> 0:20:13.359
<v Speaker 1>Is there a moment that took your breath away?

0:20:14.000 --> 0:20:18.560
<v Speaker 2>Yes, there's a few moments. Actually, one of our artists,

0:20:18.840 --> 0:20:23.760
<v Speaker 2>he's a Southern guy, works mostly in country music, and

0:20:24.400 --> 0:20:28.520
<v Speaker 2>he really kind of hit rock bottom going through this

0:20:28.600 --> 0:20:31.840
<v Speaker 2>process with us, and he talked about starting therapy and

0:20:31.920 --> 0:20:35.640
<v Speaker 2>starting to really do the work that he needed to do.

0:20:35.760 --> 0:20:40.160
<v Speaker 2>And I found that to be so moving because it's

0:20:40.240 --> 0:20:42.879
<v Speaker 2>unusual for a guy in his position to sort of

0:20:43.600 --> 0:20:47.199
<v Speaker 2>admit that vulnerability and then to pour it into his work.

0:20:48.480 --> 0:20:50.760
<v Speaker 2>So I was so moved by that was very emotional. Actually,

0:20:50.960 --> 0:20:54.080
<v Speaker 2>I mean, we're listening to these people who have in

0:20:54.080 --> 0:20:56.840
<v Speaker 2>some cases really given up on the dream that this

0:20:56.960 --> 0:21:01.000
<v Speaker 2>is even possible for them, and then finding another moment

0:21:01.040 --> 0:21:05.160
<v Speaker 2>where they feel like it's within their reach. It's really extraordinary,

0:21:05.200 --> 0:21:08.320
<v Speaker 2>and you really come to love them. They're really lovable people.

0:21:16.240 --> 0:21:21.000
<v Speaker 1>I so appreciate your vulnerability, not just in music, but

0:21:21.119 --> 0:21:24.120
<v Speaker 1>in so many of the things that you do. You've

0:21:24.160 --> 0:21:27.439
<v Speaker 1>spoken about being bullied and feeling not good enough, feeling

0:21:27.440 --> 0:21:30.879
<v Speaker 1>insecure about your body. Yeah, all of these things that

0:21:30.920 --> 0:21:33.280
<v Speaker 1>I think are so much more common than people are

0:21:33.280 --> 0:21:36.600
<v Speaker 1>willing to admit, and I'm interested in how you've managed

0:21:36.680 --> 0:21:39.760
<v Speaker 1>those feelings. Have you come to love yourself more and

0:21:39.920 --> 0:21:40.920
<v Speaker 1>judge yourself less?

0:21:41.520 --> 0:21:47.879
<v Speaker 2>Yes, I have gotten closer to self acceptance. I usually

0:21:48.080 --> 0:21:51.879
<v Speaker 2>just feel, you know, I get into these very tight

0:21:51.960 --> 0:21:56.600
<v Speaker 2>spaces within my own mind, and the answer is never

0:21:57.359 --> 0:22:00.359
<v Speaker 2>to be tougher on yourself or more just a plan

0:22:00.600 --> 0:22:07.199
<v Speaker 2>or harder consequences. It's always compassion and tenderness. It's really

0:22:07.240 --> 0:22:10.520
<v Speaker 2>the thing that moves the needle. Can you just beat

0:22:11.080 --> 0:22:14.679
<v Speaker 2>a little bit more your own friend? Of course we fail,

0:22:14.760 --> 0:22:17.800
<v Speaker 2>and of course we come up short, but no need

0:22:17.840 --> 0:22:20.159
<v Speaker 2>to pour salt in the wound. Let's just say.

0:22:19.800 --> 0:22:23.720
<v Speaker 1>It's funny how I'm so quick to do that for

0:22:23.800 --> 0:22:24.560
<v Speaker 1>other people.

0:22:24.440 --> 0:22:27.119
<v Speaker 2>Too, But always with ourselves. It's so hard, right.

0:22:27.119 --> 0:22:31.160
<v Speaker 1>Never with myself, I know. But music is such a deeply,

0:22:31.600 --> 0:22:38.159
<v Speaker 1>deeply personal it's so personal to you, and it really

0:22:38.280 --> 0:22:43.600
<v Speaker 1>is a safe place for you to speak your truth.

0:22:43.640 --> 0:22:48.440
<v Speaker 1>And I'm curious if there's something that you perhaps haven't

0:22:48.520 --> 0:22:52.439
<v Speaker 1>yet said through your music that you're hoping to.

0:22:52.800 --> 0:22:58.480
<v Speaker 2>Yeah, I think in the sense that you're always making

0:22:58.560 --> 0:23:03.640
<v Speaker 2>new discoveries about yourself and always getting to know yourself

0:23:03.680 --> 0:23:07.240
<v Speaker 2>a little bit better. There's certainly things that I feel

0:23:07.920 --> 0:23:13.320
<v Speaker 2>at forty three that I wasn't quite awake to in

0:23:13.359 --> 0:23:15.400
<v Speaker 2>my thirties or in my twenties.

0:23:15.480 --> 0:23:19.200
<v Speaker 1>Like what like an example of one of those things.

0:23:19.720 --> 0:23:23.560
<v Speaker 2>The Trump presidency was really, uh, just a game changer.

0:23:23.920 --> 0:23:26.359
<v Speaker 2>And in some ways it sounds insane to say, but

0:23:26.400 --> 0:23:29.399
<v Speaker 2>I'm almost grateful for it because I just realized how

0:23:30.280 --> 0:23:34.080
<v Speaker 2>unconscious I was about so many things. So I'm grateful

0:23:34.160 --> 0:23:38.560
<v Speaker 2>to be awake in a way that I wasn't. But

0:23:39.000 --> 0:23:43.560
<v Speaker 2>there's a tremendous amount of grief that comes with the

0:23:43.600 --> 0:23:47.520
<v Speaker 2>realization of what feels like it's been unearthed in this

0:23:47.560 --> 0:23:49.400
<v Speaker 2>new way. I know these things have always been here,

0:23:49.440 --> 0:23:53.720
<v Speaker 2>but you know, the pandemic. Was really disappointed with how

0:23:53.760 --> 0:23:59.119
<v Speaker 2>we showed up as a human race, really bummed, and

0:23:59.160 --> 0:24:03.280
<v Speaker 2>I felt like we missed an opportunity to grow towards

0:24:03.320 --> 0:24:05.600
<v Speaker 2>each other. It was like this brief moment when it

0:24:05.720 --> 0:24:08.960
<v Speaker 2>first happened, like the streets were empty, and I felt

0:24:08.960 --> 0:24:12.320
<v Speaker 2>like the empty streets were evidence of love, were taking

0:24:12.359 --> 0:24:16.160
<v Speaker 2>care of each other, and then you know, shit hits

0:24:16.160 --> 0:24:16.440
<v Speaker 2>the fan.

0:24:16.840 --> 0:24:18.240
<v Speaker 1>Do you think we can get back there?

0:24:18.720 --> 0:24:20.639
<v Speaker 2>I think you have to believe we can. And I

0:24:20.640 --> 0:24:24.439
<v Speaker 2>think always it's like you solve the macro with the micro.

0:24:25.040 --> 0:24:28.040
<v Speaker 2>We might not be able to save this entire world

0:24:28.080 --> 0:24:35.520
<v Speaker 2>with one email or one song, but every action causes

0:24:35.520 --> 0:24:39.919
<v Speaker 2>a ripple, even if it's to my dog, to the

0:24:39.920 --> 0:24:43.320
<v Speaker 2>male person, to the you know, it's how we engage

0:24:43.320 --> 0:24:46.399
<v Speaker 2>with the world. In your little whatever, your little bubble,

0:24:46.480 --> 0:24:48.919
<v Speaker 2>is I think that really matters.

0:24:49.320 --> 0:24:53.240
<v Speaker 1>I think it does really matter. I always love to

0:24:53.280 --> 0:24:57.240
<v Speaker 1>ask my my friends that come on, because now I'm

0:24:57.240 --> 0:25:03.359
<v Speaker 1>going to tell everybody. But we talk about now what moments,

0:25:03.359 --> 0:25:05.320
<v Speaker 1>and I'm just curious if there have been any now

0:25:05.359 --> 0:25:08.919
<v Speaker 1>what moments that resonate with you that you haven't shared

0:25:09.080 --> 0:25:10.040
<v Speaker 1>or cared to share.

0:25:11.080 --> 0:25:14.920
<v Speaker 2>Oh my god, so many many. I moved in with

0:25:14.960 --> 0:25:19.440
<v Speaker 2>my fiance Joe, congratulations and thank you. And we were

0:25:19.480 --> 0:25:22.600
<v Speaker 2>living together before, but I left Manhattan, so now we're

0:25:22.600 --> 0:25:26.119
<v Speaker 2>in Brooklyn. And let me tell you, I have not

0:25:26.320 --> 0:25:29.040
<v Speaker 2>dealt with this very gracefully. I'm not good at moving.

0:25:29.160 --> 0:25:31.760
<v Speaker 2>I hate it. I feel totally disoriented.

0:25:31.840 --> 0:25:34.800
<v Speaker 1>I hate every boxes behind.

0:25:35.160 --> 0:25:38.560
<v Speaker 2>Yeah, we're not even a little bit unpacked. I don't

0:25:38.560 --> 0:25:41.240
<v Speaker 2>know where my underwear is. It's like a whole nightmare.

0:25:41.880 --> 0:25:46.879
<v Speaker 2>But I had this conversation with myself this morning. It's

0:25:46.920 --> 0:25:50.320
<v Speaker 2>a little bit like I am uncomfortable right now. I'm

0:25:50.359 --> 0:25:54.720
<v Speaker 2>really uncomfortable. It's a really busy time and it's all

0:25:54.840 --> 0:25:57.680
<v Speaker 2>champagne problems, but it's like it's a really busy time

0:25:57.800 --> 0:26:01.399
<v Speaker 2>and I'm really uncomfortable in this very fundamental way, and

0:26:01.440 --> 0:26:03.399
<v Speaker 2>I just have to surrender.

0:26:03.800 --> 0:26:09.120
<v Speaker 1>I mean, one of the most traumatic things. Isn't it

0:26:09.160 --> 0:26:09.600
<v Speaker 1>one of them?

0:26:09.640 --> 0:26:10.120
<v Speaker 2>Is I think?

0:26:10.200 --> 0:26:12.680
<v Speaker 1>I mean, isn't that the most like a life stressor

0:26:13.520 --> 0:26:16.280
<v Speaker 1>Growing up my mom never moved into any house that

0:26:16.320 --> 0:26:20.000
<v Speaker 1>we lived in. She never fully moved in, but she

0:26:20.119 --> 0:26:23.640
<v Speaker 1>kept buying houses and we bought houses everywhere with this

0:26:24.240 --> 0:26:28.120
<v Speaker 1>idea that potentially we were gonna have a fire and

0:26:28.320 --> 0:26:32.040
<v Speaker 1>have a meal there, and and so for me, if

0:26:32.119 --> 0:26:36.280
<v Speaker 1>things are not unpacked by panic and it's such a

0:26:36.359 --> 0:26:38.959
<v Speaker 1>source of stress, that makes so much sense.

0:26:39.720 --> 0:26:42.119
<v Speaker 2>I say this to my sister all the time, is that,

0:26:42.240 --> 0:26:47.560
<v Speaker 2>like our life, your life is happening right now. It's

0:26:47.640 --> 0:26:50.600
<v Speaker 2>not out there in the future like we're not. We're

0:26:50.600 --> 0:26:53.359
<v Speaker 2>not like trying to get to our lives somewhere in

0:26:53.359 --> 0:26:56.160
<v Speaker 2>the future. It's like, it's this, it's this room right now,

0:26:56.200 --> 0:26:59.640
<v Speaker 2>it's these boxes. So like, do your best with what's

0:27:00.160 --> 0:27:02.480
<v Speaker 2>right around you. It'll be present to what's really here.

0:27:03.040 --> 0:27:05.399
<v Speaker 1>And that's you know, it's easier said than done, But

0:27:05.440 --> 0:27:09.520
<v Speaker 1>when you do revel in it, it's amazing how long

0:27:09.680 --> 0:27:13.480
<v Speaker 1>those periods of time do feel. You know, they do

0:27:13.520 --> 0:27:16.880
<v Speaker 1>feel expansive. You've mentioned that you've learned a lot about

0:27:16.880 --> 0:27:19.919
<v Speaker 1>yourself just in sort of recent years. Is there a

0:27:20.040 --> 0:27:21.800
<v Speaker 1>takeaway from the last decade.

0:27:22.440 --> 0:27:27.320
<v Speaker 2>I think the most I have learned and the best

0:27:27.520 --> 0:27:31.120
<v Speaker 2>I have ever felt was doing the things that scared

0:27:31.160 --> 0:27:36.440
<v Speaker 2>me the most, Like being comfortable is just not that interesting,

0:27:37.080 --> 0:27:39.320
<v Speaker 2>you know when I think about examples in the theater

0:27:40.040 --> 0:27:43.560
<v Speaker 2>or like I just was on We've just finished filming

0:27:43.600 --> 0:27:45.879
<v Speaker 2>our third season now of a TV show called Girls

0:27:45.920 --> 0:27:49.560
<v Speaker 2>five EV. But I'd never done television before, and I

0:27:49.680 --> 0:27:54.399
<v Speaker 2>was working with really seasoned, incredible actresses, and it was

0:27:54.440 --> 0:27:57.199
<v Speaker 2>a huge responsibility and I didn't want to fail. I

0:27:57.240 --> 0:28:00.000
<v Speaker 2>didn't want to be bad at it. But it takes time.

0:28:00.080 --> 0:28:02.560
<v Speaker 2>I'm you know, I can I can see my growth

0:28:02.640 --> 0:28:04.920
<v Speaker 2>from season one to season two to season three. It's

0:28:04.960 --> 0:28:08.800
<v Speaker 2>like we have to be willing to still learn. Like

0:28:08.880 --> 0:28:11.840
<v Speaker 2>you were saying, there's so much to learn about everything.

0:28:12.240 --> 0:28:16.160
<v Speaker 2>You don't have to be perfect at everything to engage

0:28:16.160 --> 0:28:19.200
<v Speaker 2>with it. It's nice. It shouldn't be enough to keep

0:28:19.240 --> 0:28:21.360
<v Speaker 2>you away from it if it's something you really want

0:28:21.359 --> 0:28:21.560
<v Speaker 2>to do.

0:28:22.400 --> 0:28:26.600
<v Speaker 1>Did saying yes to getting engaged terrify you? Or did

0:28:26.680 --> 0:28:28.159
<v Speaker 1>you was it exciting?

0:28:28.200 --> 0:28:30.440
<v Speaker 2>Well, it took us a long time to get there.

0:28:31.000 --> 0:28:34.720
<v Speaker 2>I actually it didn't terrify me, which was it did

0:28:34.840 --> 0:28:37.760
<v Speaker 2>terrifiz if it's a long It terrified me for a

0:28:37.800 --> 0:28:41.440
<v Speaker 2>long time, and then I started to realize I had

0:28:41.480 --> 0:28:44.280
<v Speaker 2>this image of what it meant to be married. You know,

0:28:44.320 --> 0:28:46.880
<v Speaker 2>I come from a divorced household. I come from obviously

0:28:47.000 --> 0:28:52.560
<v Speaker 2>people were it wasn't they weren't fully themselves, and I

0:28:52.600 --> 0:28:55.080
<v Speaker 2>didn't want to repeat those mistakes. I didn't want to

0:28:55.120 --> 0:28:57.440
<v Speaker 2>feel diminished. I didn't want to feel like I had

0:28:57.480 --> 0:29:01.920
<v Speaker 2>to give up independence. I'm incredible autonomous. I love being

0:29:02.000 --> 0:29:06.400
<v Speaker 2>alone in the world. So building a family together we

0:29:06.440 --> 0:29:08.479
<v Speaker 2>have them looking at my little dog right here at

0:29:08.480 --> 0:29:12.840
<v Speaker 2>my feet, and like, building this little world together in

0:29:12.880 --> 0:29:17.040
<v Speaker 2>some ways felt like I was giving something up, and yes,

0:29:17.120 --> 0:29:20.520
<v Speaker 2>you are, but also you gain an incredible amount.

0:29:24.440 --> 0:29:28.320
<v Speaker 1>That was the soulful Sarah Burrells. Be sure to check

0:29:28.360 --> 0:29:32.080
<v Speaker 1>out her new series Breakthrough, which is available now on Audible.

0:29:32.720 --> 0:29:35.280
<v Speaker 1>That's it for us today, Talk to you next week.

0:29:39.040 --> 0:29:39.240
<v Speaker 2>Now.

0:29:39.240 --> 0:29:42.959
<v Speaker 1>What with Brooke Shields is a production of iHeartRadio. Our

0:29:43.040 --> 0:29:47.200
<v Speaker 1>lead producer and wonderful showrunner is Julia Weaver. Additional research

0:29:47.400 --> 0:29:51.760
<v Speaker 1>and editing by Darby Masters and Abu Zafar. Our executive

0:29:51.800 --> 0:29:56.800
<v Speaker 1>producer is Christina Everett. The show is mixed by Vahid Fraser.