WEBVTT - The Final Destination: Season 1 Finale

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<v Speaker 1>Pushkin m Ran next week for a conversation. This is

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<v Speaker 1>not Lost California, so far out of my feeling. I

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<v Speaker 1>am Brendan. Friends's new in him great, feel great that

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<v Speaker 1>it's not in New York. That's my friend, the audio

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<v Speaker 1>producer John Delor, just like it is an incredible joy

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<v Speaker 1>to just be out of the city. Yes, right, thank you,

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<v Speaker 1>thank you. Every day. Hey, Tony, how's Brooklyn's most popular

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<v Speaker 1>dry cleaner doing the most? You're always doing something, the

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<v Speaker 1>most famous guy in Greenpoint. I'm happy to have a

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<v Speaker 1>presence with you. Listen. I'm glad that I see almost everything.

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<v Speaker 1>You are truly a fixture in this neighborhood. I don't

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<v Speaker 1>know if that's a good thing or a bad thing.

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<v Speaker 1>That's an amazing thing. Come on, you're like the original.

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<v Speaker 1>You're like the original. Don't don't don't. So what are

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<v Speaker 1>you up to? I got looking sharp, you're looking sharper.

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<v Speaker 1>I'm going to the office. But you drop these off,

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<v Speaker 1>all right? You got a couple of shirts, Just gonna

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<v Speaker 1>put them on the rock outside. I'm trying to get

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<v Speaker 1>a lot of money from him. I'm gonna say this,

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<v Speaker 1>this is Brendan shirts. How you know I have a

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<v Speaker 1>feeling we're gonna have ninety degrees, but it's not what

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<v Speaker 1>you want, so dred degrees for like three months? Yeah? Yeah, never, No,

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<v Speaker 1>I not so hot today? What are we doing here? Why?

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<v Speaker 1>Why are we in New York City? Where would you

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<v Speaker 1>rather be? Like I I understand what you try, but

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<v Speaker 1>where would you rather be? Well that's the problem when

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<v Speaker 1>I really think about it, I don't know the answer.

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<v Speaker 1>And it seems like New York is a good place

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<v Speaker 1>to not have the answer. Yeah, but I mean where

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<v Speaker 1>else can you have this? You're you're pointing towards a

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<v Speaker 1>there's a bag of trash out front, and uh, well

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<v Speaker 1>it's part of the scenery. Welcome to New York. Look,

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<v Speaker 1>there's a dog that wants to stop in. Do you

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<v Speaker 1>tell me? Where could you be? And you can have

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<v Speaker 1>this kind of interaction with people nowhere? It's fair. We're

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<v Speaker 1>both social people and this city is a gift that

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<v Speaker 1>keeps giving. Come on, I mean, you walked down a street,

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<v Speaker 1>you say hello to this one, that one, you talk

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<v Speaker 1>to this one. I mean, you're gonna be where. But

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<v Speaker 1>the thing about New York, though, it's like it does

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<v Speaker 1>like beat you down. Man, It's like it's not an

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<v Speaker 1>easy place to live. You got to tell me what's easy.

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<v Speaker 1>I mean, you can live up state and you're gonna

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<v Speaker 1>come out in the morning and complain about what snow

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<v Speaker 1>bears exactly the birds? And you grew up in the city, right, yes, yes,

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<v Speaker 1>I was born lebon On. I didn't Okay, you're born

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<v Speaker 1>in Beirut or I was one outside of me? Is

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<v Speaker 1>that when your parents came here? They came in eighty two,

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<v Speaker 1>right after the embassy Embassy bombing, and I went to

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<v Speaker 1>Canarsi High School and you turned out. Okay, I think, yeah,

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<v Speaker 1>I think you can have a dressed for my girlfriend

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<v Speaker 1>and paint and black dress. Thank you, thank you. So

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<v Speaker 1>you've seen me now for years. We've known each for

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<v Speaker 1>a long time. It's how have I changed it at all?

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<v Speaker 1>In your eyes in the past, like four or five years?

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<v Speaker 1>Grumpy year, that's true. I still love you, but you're

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<v Speaker 1>a different grumpy. You're like a cool grumpy you know. Okay,

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<v Speaker 1>thank you? You have to annoying grumpy like you want

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<v Speaker 1>to like get away from them. No, no, it's the

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<v Speaker 1>cool grumpy all right. So Tony, I have to travel

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<v Speaker 1>one more place. So what what's your show about? Is it.

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<v Speaker 1>I go places with a friend and I try to

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<v Speaker 1>get invited to a dinner party. So I've done it. Montreal,

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<v Speaker 1>Mexico City, Boza Montana, big sir, I've done this, and

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<v Speaker 1>I have one more episode to make. And your kid

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<v Speaker 1>who came up and out it didn't we us? Well?

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<v Speaker 1>I mean I could are you this weeking, aren't you?

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<v Speaker 1>I mean, I gotta make this show, man, I gott

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<v Speaker 1>if this is what I'm spending my afternoon doing, I

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<v Speaker 1>got I'm going to the office after this to kind

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<v Speaker 1>of I mean, what you want to come up like

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<v Speaker 1>Sunday night. That's tempting, but I seriously have to figure

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<v Speaker 1>out this episode first. But speaking of which, I gotta go,

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<v Speaker 1>So Tony, I'll see you later. Man, Thank you well.

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<v Speaker 1>I enjoy your beautiful day. And again you're looking sharp.

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<v Speaker 1>Thank you. Thanks man. I'm glad that you know you

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<v Speaker 1>help me stay this way. Oh look at this another

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<v Speaker 1>beautiful day. Hey Emma, Emma, Hi, what are you doing.

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<v Speaker 1>I'm coming out of the library right. Do you only

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<v Speaker 1>get one book at a time? Yeah, because I never

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<v Speaker 1>want to have a fi ever, that's probably wise. So

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<v Speaker 1>where's your mom? My favorite former college classmate? Oh? She

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<v Speaker 1>left me here. But I guess you're old enough. Now,

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<v Speaker 1>how old are you? I'm twelve. See, I thought I

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<v Speaker 1>was young in New York when I moved here in

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<v Speaker 1>my twenties, But you're like really young in New York.

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<v Speaker 1>Where are you going? I'm actually going to the office.

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<v Speaker 1>It's a Saturday though, I know. But remember I told

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<v Speaker 1>you about that travel podcast I was working on. I

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<v Speaker 1>have to make one more episode, and I have no

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<v Speaker 1>idea where I'm going. All right, where do you think

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<v Speaker 1>I should go? Um? Maybe I saw it in some

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<v Speaker 1>TV show Reno Reno. Yeah, yeah, I did Las Vegas already,

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<v Speaker 1>so I think I'm gonna I'm gonna skip Reno. But um,

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<v Speaker 1>are you walking this way? I'm going up to the

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<v Speaker 1>l Yeah, all right, let's do it. This neighborhood when

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<v Speaker 1>I first moved here was nothing. This was like auto repair.

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<v Speaker 1>Only my mom talks about it being like Williamsburg. Like

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<v Speaker 1>when she was younger, it was like who But now

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<v Speaker 1>Williamsburg is like chic. Yeah, it's like vegan, gluten free,

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<v Speaker 1>food free restaurants. So what do you think about Waysber?

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<v Speaker 1>Do you like living here? Yeah? I want to live

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<v Speaker 1>in New York for my whole life. My mom tells

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<v Speaker 1>me that I'm too young to decide that, But I

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<v Speaker 1>like the fact that being a New Yorker is like

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<v Speaker 1>being in a club. So what are the membership benefits

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<v Speaker 1>of being part of that club. There's a lot of

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<v Speaker 1>like arts and performing arts stuff in New York, I

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<v Speaker 1>mean Broadway, but like it's just all these different things

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<v Speaker 1>that are like New Yorker experiences. And also like pizza

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<v Speaker 1>and bagels. I mean, pizza isn't specific to New York,

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<v Speaker 1>but the best pizza it's in New York. Now you're

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<v Speaker 1>making me hungry. Should we get a Joe's get a

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<v Speaker 1>slice of pizza? Yeah? Okay, let's do it feel so

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<v Speaker 1>far away though, it's let's to get there every single day.

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<v Speaker 1>So day a little hectic up here. It appears to

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<v Speaker 1>be an out door sports bar, so what happens when

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<v Speaker 1>it rains exactly? But it's also a thing wonder of

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<v Speaker 1>having so many So much partying is bad for kids

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<v Speaker 1>like you, No, because to be living in New York

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<v Speaker 1>you have to be good at ignoring things. Because we're

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<v Speaker 1>also tightly packed together, right, you got to just keep

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<v Speaker 1>it cool. Yeah, you just have to kind of not engage.

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<v Speaker 1>We also just point out. Sorry to interrupt, but I'm

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<v Speaker 1>six foot three and I've just been walking like full pace,

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<v Speaker 1>not even calibrating, and you are just right along my side.

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<v Speaker 1>I also walk really fast to get to school, and

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<v Speaker 1>I think that dozes in New York, so that everyone's

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<v Speaker 1>just trucking like we don't have time for that. Also,

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<v Speaker 1>you've gotten taller, which helps with the fast walking. You're

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<v Speaker 1>like shot up like stalks of corn. Yeah, that's the thing.

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<v Speaker 1>A lot of the boys in my class haven't gone

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<v Speaker 1>to that yet. Some I think I'm taller than all

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<v Speaker 1>of them. Yeah, the boys will catch up, but their

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<v Speaker 1>brains won't. They'll always be behind you. They think they're

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<v Speaker 1>so funny too. They think that they just they got

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<v Speaker 1>the whole crowd laughing with their jokes, but they really didn't.

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<v Speaker 1>And like they're not funny. Can't you can't get like

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<v Speaker 1>knock on their heads and nothing in there? No, I

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<v Speaker 1>mean I can't talk. You know, I have this show.

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<v Speaker 1>But I'm just being a boy who thinks he's funny sometimes.

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<v Speaker 1>All right, pizza, wow, pizza plates is packed? Oh my god,

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<v Speaker 1>what's your pizza move? Just plane perni if it's at

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<v Speaker 1>a party, Let's get to plane. All right, thanks, have

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<v Speaker 1>a good It just came out of the oven. It's

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<v Speaker 1>very hot. I'm very passionate about this. Every time we

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<v Speaker 1>get into talking about the correct way to eat pizza,

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<v Speaker 1>which is to fold the pizza, people argue about it,

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<v Speaker 1>and that's not fold your pizza. It is better and

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<v Speaker 1>everyone should do it. Why do you think it's better?

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<v Speaker 1>It's better for walking traveling, and it's also I think

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<v Speaker 1>it's like you get a better mouth feel and you

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<v Speaker 1>get more more per bite. It's like a pizza sandwich.

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<v Speaker 1>We can walk a little bit and then I'll go

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<v Speaker 1>into the subway. Look how crazy Bedford is though, Wasn't

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<v Speaker 1>this busy when you were when you're young? But I

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<v Speaker 1>feel like New York City has so many different people.

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<v Speaker 1>That's one of the things I love most about it.

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<v Speaker 1>What do you mean, like there are such huge communities

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<v Speaker 1>and you can be whoever you want to be in

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<v Speaker 1>New York City and there will be a community of

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<v Speaker 1>people that like relate to you when are the same

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<v Speaker 1>like and feel the same way as you about something.

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<v Speaker 1>And that's like pretty much a guarantee living in New

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<v Speaker 1>York City. Because there's just so many individuals, there's bound

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<v Speaker 1>to be a person who looks the same thing as

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<v Speaker 1>you go. Yeah, I agree with that. It makes me

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<v Speaker 1>feel less alone, even if I don't know all those people.

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<v Speaker 1>You're right, I always feel like I'll figure it out here.

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<v Speaker 1>All right, This is I gotta hop into the l

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<v Speaker 1>It was nice chatting with you. You too, see you later.

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<v Speaker 1>Dance clear of the closing doors, please, it's so time,

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<v Speaker 1>basic gentlemen, gather around. It's about to begin, So time,

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<v Speaker 1>So time, dude. Is this called showtime what you're doing?

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<v Speaker 1>Or is this dance? It's actually we call it hitting.

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<v Speaker 1>It's called hitting. What he want? Is it called hits?

0:11:04.756 --> 0:11:06.756
<v Speaker 1>Anically a street performing what we callte it hitting because

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<v Speaker 1>it's like it's a hit. It's a lot of him

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<v Speaker 1>when we come out here and do this. It's a

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<v Speaker 1>big impact on New York City. It's a hit. How

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<v Speaker 1>did you get into it? It's such a it's such

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<v Speaker 1>intense activity. Yeah. I got into it because but I

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<v Speaker 1>was in high school. I met a friend freshman year

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<v Speaker 1>and he was a dancer because his father did it,

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<v Speaker 1>and he ain't mighty meet downtown because he seen I

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<v Speaker 1>was a good dancer, and I took her from there

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<v Speaker 1>and I was like, what over fifteen years ago, what's

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<v Speaker 1>the craziest thing that's happened to you while you've been

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<v Speaker 1>doing this. The craziest thing that happened to me was

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<v Speaker 1>one guy gave me eight hundred dollars and yeah in

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<v Speaker 1>one setting, just like because he's just so blown away.

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<v Speaker 1>He was blowing away and he split it amongst the teams.

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<v Speaker 1>A lot of people want to train and they get

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<v Speaker 1>annoyed and aggravated in general. So when they come in

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<v Speaker 1>here a lot of music on the train, it's like,

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<v Speaker 1>oh boy, here we go. And I have to admit

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<v Speaker 1>I love it. I've been that guy because like you,

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<v Speaker 1>I'm going to work at a long night, you're getting

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<v Speaker 1>an argument and you're on the train. They turn there

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<v Speaker 1>and you're like, oh no, I'm on the longest link

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<v Speaker 1>of the train. Yeah, And it makes sense. It's such

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<v Speaker 1>a small area and it's it's sometimes you're flipping and

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<v Speaker 1>you're like so close to them, they'll get nervous. I

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<v Speaker 1>don't want to get hit. But what's amazing is that

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<v Speaker 1>most times I've been I've seen short time on the

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<v Speaker 1>train and like a hundred times, no one's ever been here. Yeah, Um,

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<v Speaker 1>my friend had he did a first flip and he

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<v Speaker 1>landed on a ladies lap. Don't lap like she was

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<v Speaker 1>like if she was saying so, and she was like oh,

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<v Speaker 1>but she wasn't upset. She's like, oh, wow, you know

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<v Speaker 1>how many of you? How many people? How many short

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<v Speaker 1>time people do you think there is? It's a lot.

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<v Speaker 1>It's a shoe for a lot of cruise. Chit you

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<v Speaker 1>park Tom Square, thirty fourth Street, Junior Square, all over

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<v Speaker 1>New York. Ask well, thanks so much for talking. Of course,

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<v Speaker 1>man little Bible. You guys are great, Thank you, No

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<v Speaker 1>I would be balking, like, how are you worried on Saturday?

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<v Speaker 1>Thank you? Hey, Amy Top, Hey, my name is Malcolm Gladwell.

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<v Speaker 1>Welcome to my podcast about here recording right now? Yeah, misunderstood.

0:13:22.396 --> 0:13:26.596
<v Speaker 1>Wait did I just hear someone come in here? Brendon's here? Brendan? Yeah?

0:13:26.636 --> 0:13:28.556
<v Speaker 1>What's he doing here on a Saturday? Can we talk

0:13:28.596 --> 0:13:30.996
<v Speaker 1>about his travel show for a second. We're sending him

0:13:30.996 --> 0:13:34.956
<v Speaker 1>all over the country to find himself. It's bananas, Malcolm, Well,

0:13:34.956 --> 0:13:37.276
<v Speaker 1>at least it's not a true crime show. Hey Brendon,

0:13:37.356 --> 0:13:45.036
<v Speaker 1>can hear you? Oh? Hey Malcolm, Hey Bendon, it makes

0:13:45.036 --> 0:13:47.156
<v Speaker 1>you feel any better? I haven't actually listened to your show.

0:13:47.236 --> 0:13:50.956
<v Speaker 1>Yet I think that makes me feel better. I guess

0:13:50.996 --> 0:13:53.036
<v Speaker 1>it's good to see people here on a Saturday. You know,

0:13:53.036 --> 0:13:55.396
<v Speaker 1>when I worked in LA, I would work all these saturdays.

0:13:55.396 --> 0:13:57.796
<v Speaker 1>I never ran into anyone. What does it say about

0:13:57.836 --> 0:13:59.676
<v Speaker 1>New York that I come into the office and there's

0:13:59.676 --> 0:14:02.756
<v Speaker 1>a bunch of you here today. Well this, this actually

0:14:02.796 --> 0:14:05.716
<v Speaker 1>gets into one of my larger theories about New York,

0:14:06.156 --> 0:14:11.996
<v Speaker 1>which is New York life is exterior. LA life is interior. Right,

0:14:12.076 --> 0:14:15.316
<v Speaker 1>So the implicit bargain you make in moving to New

0:14:15.396 --> 0:14:18.836
<v Speaker 1>York is that you're buying the exterior, not the interior.

0:14:19.076 --> 0:14:20.956
<v Speaker 1>So of course New Yorkers are in the office on

0:14:20.956 --> 0:14:24.076
<v Speaker 1>Saturday because the existence of the office is a reason

0:14:24.116 --> 0:14:26.196
<v Speaker 1>to go there. Right, It's a that's good. It's a

0:14:26.196 --> 0:14:28.676
<v Speaker 1>good reason to get out of my tiny apartment, which,

0:14:28.716 --> 0:14:31.996
<v Speaker 1>by the way, is the Great paradox. It's another one

0:14:31.996 --> 0:14:35.436
<v Speaker 1>my theories, this is the Great Paradox. So the New

0:14:35.516 --> 0:14:42.236
<v Speaker 1>York City turnaround in the mid nineties coincides with three

0:14:42.276 --> 0:14:46.236
<v Speaker 1>television sitcoms which celebrate the life of young people living

0:14:46.236 --> 0:14:49.676
<v Speaker 1>in New York. Right, Everyone's Out Seinfeld, Friends, Will and

0:14:49.716 --> 0:14:53.476
<v Speaker 1>Grace Right, Boom boom, Boom and now all of those

0:14:53.476 --> 0:14:56.436
<v Speaker 1>cell a vision of New York that's tremendously appealing to

0:14:56.436 --> 0:14:59.396
<v Speaker 1>people around the country, and they're part of the Revival's

0:14:59.436 --> 0:15:02.876
<v Speaker 1>extraordinary revival that New York comes back from the dead

0:15:02.996 --> 0:15:06.556
<v Speaker 1>in the nineties and propelled I think by the power

0:15:06.596 --> 0:15:11.316
<v Speaker 1>of this fantasy. The fantasy it is completely wrong. Why

0:15:11.396 --> 0:15:14.156
<v Speaker 1>is the fantasy wrong Because the people in those shows

0:15:14.236 --> 0:15:16.396
<v Speaker 1>never leave their apartment. Now, they'll never leave their apartment

0:15:16.756 --> 0:15:20.996
<v Speaker 1>for TV reasons, because that's the set. But like two cameras,

0:15:21.796 --> 0:15:25.076
<v Speaker 1>it's an La vision of a New York life. Right,

0:15:25.476 --> 0:15:28.996
<v Speaker 1>there's those shows are They were all made in La La,

0:15:29.316 --> 0:15:32.156
<v Speaker 1>of course, so they construct these fabulous New York City

0:15:32.156 --> 0:15:36.916
<v Speaker 1>apartments that people never leave, which is one hundred percent wrong. Right.

0:15:37.196 --> 0:15:39.916
<v Speaker 1>It's the great irony of New York's revival is it

0:15:39.996 --> 0:15:44.916
<v Speaker 1>was propelled by a completely false picture of what living

0:15:44.916 --> 0:15:48.116
<v Speaker 1>in New York. Man. Yeah, um, all right, So I

0:15:48.196 --> 0:15:52.396
<v Speaker 1>still have to pick another place in America, North America.

0:15:52.596 --> 0:15:54.356
<v Speaker 1>Do you have any suggestions for me? I should maybe

0:15:54.356 --> 0:15:58.876
<v Speaker 1>think about going to Well, I mean, my favorites are

0:15:58.916 --> 0:16:05.276
<v Speaker 1>all the kind of like you know, Nashville. I do

0:16:05.356 --> 0:16:08.596
<v Speaker 1>love have a I have a great and overpowering love

0:16:08.836 --> 0:16:11.356
<v Speaker 1>of an Atlanta I'm going to this week. I'm just

0:16:11.436 --> 0:16:14.836
<v Speaker 1>full of excited about my trip to Atlanta. Um and

0:16:14.996 --> 0:16:16.916
<v Speaker 1>I just welcome. I need you back in the booth.

0:16:17.236 --> 0:16:19.156
<v Speaker 1>Sounds like you gotta go anyway, all right, Malcolm, thanks

0:16:19.196 --> 0:16:22.796
<v Speaker 1>for the chat. Thank you, See you later, Amy. I

0:16:23.116 --> 0:16:25.756
<v Speaker 1>still have no idea what he shows about. Welcome. Wait

0:16:25.996 --> 0:16:47.956
<v Speaker 1>still here is later, Malcolm. The subway is down there,

0:16:47.956 --> 0:16:50.156
<v Speaker 1>no trains at the station. If you need to get uptown,

0:16:50.156 --> 0:16:53.796
<v Speaker 1>you're gonna take the buses over there. The subway is

0:16:53.796 --> 0:16:57.316
<v Speaker 1>closed again. Yep. Wait those buses over there. Yes, the

0:16:57.436 --> 0:16:59.316
<v Speaker 1>buses right over there. You're going to cross the street

0:16:59.316 --> 0:17:00.676
<v Speaker 1>and take those buses you need to get up like

0:17:00.716 --> 0:17:03.516
<v Speaker 1>tour buses. That's what they are. They are tour buses,

0:17:03.556 --> 0:17:11.876
<v Speaker 1>but they're on a different route. They're gonna take you uptown. Jesus, okay,

0:17:12.036 --> 0:17:18.396
<v Speaker 1>subway's clothes. Sadie, Hey, oh my god, high so good

0:17:18.396 --> 0:17:20.876
<v Speaker 1>to see you. Of course I would find Sadie Stein

0:17:20.956 --> 0:17:23.956
<v Speaker 1>woman about town here in Union Square on a Saturday.

0:17:24.276 --> 0:17:27.596
<v Speaker 1>Use my absorption. You're just deep in your phone. What

0:17:27.636 --> 0:17:30.356
<v Speaker 1>are you doing? Are you? It was as usual, trying

0:17:30.396 --> 0:17:34.716
<v Speaker 1>to figure out the transportation situation in this city. I know.

0:17:34.796 --> 0:17:38.036
<v Speaker 1>Then they're pointing us to take these buses. You think

0:17:38.076 --> 0:17:41.116
<v Speaker 1>this is a better idea at this hour than walking?

0:17:41.116 --> 0:17:44.796
<v Speaker 1>Because this was a calculus. I was actually mid well,

0:17:44.796 --> 0:17:46.476
<v Speaker 1>you know what, it's an opportunity for us to be

0:17:46.556 --> 0:17:48.316
<v Speaker 1>on the top of a tour bus, so maybe we

0:17:48.316 --> 0:17:50.716
<v Speaker 1>should just go for it. All right? What else am

0:17:50.716 --> 0:17:52.436
<v Speaker 1>I dear? Maybe we can Maybe we'll take this up

0:17:52.436 --> 0:17:54.836
<v Speaker 1>the ground Central and sort it out from that. Really

0:17:54.876 --> 0:17:56.316
<v Speaker 1>that's perfect because I have to be on the sixth

0:17:56.316 --> 0:18:02.916
<v Speaker 1>after Okay, great, Well, I'm just speaking to see if

0:18:02.916 --> 0:18:04.596
<v Speaker 1>we can get upstairs if anyone's leaving. But I don't

0:18:04.636 --> 0:18:08.716
<v Speaker 1>think anyone is leaving. Oh let's try it. Let's go

0:18:09.876 --> 0:18:12.916
<v Speaker 1>potagraph these two right here? Oh yeah, let's do those.

0:18:14.356 --> 0:18:16.436
<v Speaker 1>I always thought this is probably the best way to

0:18:16.436 --> 0:18:19.356
<v Speaker 1>see the city. I've done it in London, but never

0:18:19.356 --> 0:18:22.716
<v Speaker 1>done it in New York. What are like three sady

0:18:22.796 --> 0:18:24.756
<v Speaker 1>spots us tell people to check out to get all

0:18:24.876 --> 0:18:28.676
<v Speaker 1>the flavor of your New York. All right, I guess

0:18:28.756 --> 0:18:33.196
<v Speaker 1>I'd say Whispering Gallery at Grand Central. This is where

0:18:33.196 --> 0:18:36.596
<v Speaker 1>people can stand at opposite sides of this arch and

0:18:36.636 --> 0:18:38.756
<v Speaker 1>the person will hear it on the other side, walk

0:18:38.796 --> 0:18:46.916
<v Speaker 1>over the Brooklyn Bridge Classicum, and then maybe the picture

0:18:46.956 --> 0:18:52.756
<v Speaker 1>gallery of the New York Historical Society, the Dancing Bears.

0:18:53.076 --> 0:18:55.556
<v Speaker 1>Where is the New York Historical Society on the West side?

0:18:55.556 --> 0:18:59.316
<v Speaker 1>It's on West End. I mean, how do you feel

0:18:59.316 --> 0:19:01.356
<v Speaker 1>about I've now been here on and off for a

0:19:01.396 --> 0:19:03.996
<v Speaker 1>couple of decades, and I'm finally coming to terms of

0:19:04.076 --> 0:19:07.116
<v Speaker 1>this is my home, and I get grumpy that I

0:19:07.156 --> 0:19:09.556
<v Speaker 1>have to share it all the time. What is your

0:19:09.596 --> 0:19:12.996
<v Speaker 1>take on sharing the town with visitors? That's what I

0:19:13.076 --> 0:19:15.476
<v Speaker 1>like about it, But but you know how perverse I am.

0:19:15.556 --> 0:19:19.676
<v Speaker 1>I like I like Times Square, I love tourists. I

0:19:19.756 --> 0:19:22.476
<v Speaker 1>love talking to them, giving them directions. I'm so proud

0:19:22.516 --> 0:19:25.436
<v Speaker 1>of the city and showing it off, and it interests

0:19:25.476 --> 0:19:28.916
<v Speaker 1>me what is the city they're seeing? It's so different

0:19:28.956 --> 0:19:32.756
<v Speaker 1>from anything we've ever known. I mean, I haven't been

0:19:33.316 --> 0:19:35.396
<v Speaker 1>to the Statue of Liberty since I went on a

0:19:35.476 --> 0:19:38.596
<v Speaker 1>sixth grade school trip. I have never been to the

0:19:38.596 --> 0:19:41.076
<v Speaker 1>top of the Empire State Building because there's never the

0:19:41.156 --> 0:19:44.196
<v Speaker 1>day when you want to stand in line for two hours. Yeah,

0:19:44.236 --> 0:19:47.956
<v Speaker 1>so you can learn from the tourists about your own town. Perversely, absolutely,

0:19:48.076 --> 0:19:51.596
<v Speaker 1>it's the city contains so many cities within it. That's

0:19:52.196 --> 0:19:54.676
<v Speaker 1>that's what I like. I mean, this is why I

0:19:54.716 --> 0:19:58.636
<v Speaker 1>could never imagine doing an episode about New York, because, yeah,

0:19:58.676 --> 0:20:01.356
<v Speaker 1>you could just do the West Village, could be an

0:20:01.396 --> 0:20:04.516
<v Speaker 1>eight part season, that one they rode Alone and you.

0:20:04.556 --> 0:20:06.716
<v Speaker 1>But sort of the whole thing about being here, isn't

0:20:06.716 --> 0:20:10.636
<v Speaker 1>it You have an abundance of everything, and you always

0:20:10.716 --> 0:20:14.116
<v Speaker 1>know what you don't know. I like that. I find

0:20:14.116 --> 0:20:18.876
<v Speaker 1>it comforting. I find that comforting too. All right, So

0:20:18.956 --> 0:20:22.476
<v Speaker 1>we're here by the library. Here, we are by the

0:20:23.036 --> 0:20:27.596
<v Speaker 1>Stephen Schwartzman Main Branch Library. Do you ever work here?

0:20:27.716 --> 0:20:31.436
<v Speaker 1>I actually have in that beautiful, beautiful room up there,

0:20:31.476 --> 0:20:32.756
<v Speaker 1>I forget the name of it right now, in the

0:20:32.876 --> 0:20:35.396
<v Speaker 1>Rose Reading Room. Yeah, the Rose Reading Room. You know,

0:20:35.516 --> 0:20:39.156
<v Speaker 1>for a while, people were coming in so regularly to

0:20:39.236 --> 0:20:41.916
<v Speaker 1>look at the ceiling. I felt like it was inhibiting

0:20:41.956 --> 0:20:44.516
<v Speaker 1>the behavior of some of the cranks there. Tell me

0:20:44.596 --> 0:20:47.116
<v Speaker 1>more real, Like you used to go in there be

0:20:47.796 --> 0:20:51.756
<v Speaker 1>someone clipping their toenails across the table from you. I'm

0:20:51.756 --> 0:20:55.556
<v Speaker 1>working on their life's memoirs simultaneously. You So, when you

0:20:55.596 --> 0:20:58.396
<v Speaker 1>were younger, did you come here? Yeah? Yeah, But it

0:20:58.756 --> 0:21:01.516
<v Speaker 1>also didn't have as the exhibits in the gift shop

0:21:01.516 --> 0:21:03.516
<v Speaker 1>and things like that weren't as curated and you couldn't

0:21:03.516 --> 0:21:05.516
<v Speaker 1>get a bite d So a lot of the changes

0:21:05.556 --> 0:21:11.276
<v Speaker 1>are terrific, but it's certainly more of a tour attraction. Yeah, okay, yeah,

0:21:11.276 --> 0:21:16.476
<v Speaker 1>we're here. We can have out all right when we

0:21:16.636 --> 0:21:27.956
<v Speaker 1>grab some lunch at the Oyster Bart. You know, when

0:21:27.996 --> 0:21:30.236
<v Speaker 1>I first moved back here, i worked nearby. I would

0:21:30.276 --> 0:21:34.196
<v Speaker 1>take the train to Grand Central and still in love

0:21:34.236 --> 0:21:37.236
<v Speaker 1>with it. It's still does all the things for me.

0:21:37.316 --> 0:21:39.756
<v Speaker 1>I feel like, I don't know, there's such a romance

0:21:39.796 --> 0:21:43.316
<v Speaker 1>to it. Let's peak, Can we peak at the ceiling

0:21:43.316 --> 0:21:45.196
<v Speaker 1>and then we can go down to the Shall we

0:21:45.236 --> 0:21:49.676
<v Speaker 1>do the short cut to the Oh but um rush

0:21:49.756 --> 0:21:53.396
<v Speaker 1>hour coming through here? Such great energy. So I just

0:21:53.436 --> 0:21:56.796
<v Speaker 1>read recently that six hundred thousand people is that a

0:21:56.836 --> 0:22:00.956
<v Speaker 1>possible passed through here on a given day, which is

0:22:00.956 --> 0:22:04.756
<v Speaker 1>the population of San Francisco, And rarely does anyone run

0:22:04.796 --> 0:22:08.236
<v Speaker 1>into each other. Everyone can just kind of do this

0:22:08.356 --> 0:22:11.116
<v Speaker 1>the urban ballet. That's true. If you, if you and

0:22:11.276 --> 0:22:14.156
<v Speaker 1>if you want to even meet up with someone, we

0:22:14.196 --> 0:22:18.156
<v Speaker 1>always used to meet by the clock. Yeah for soft phones?

0:22:18.716 --> 0:22:24.476
<v Speaker 1>Can we open? Yeah? Oh, I'm sure there Eureka. So

0:22:24.516 --> 0:22:26.636
<v Speaker 1>we're going in the side door to the Oyster Saloon.

0:22:27.276 --> 0:22:30.076
<v Speaker 1>This place is so great if you want to do

0:22:30.116 --> 0:22:31.676
<v Speaker 1>the bar or the middle here, how will we do

0:22:31.676 --> 0:22:35.116
<v Speaker 1>down here on the right? I love this the crossroms.

0:22:35.116 --> 0:22:37.596
<v Speaker 1>Theres a guy in a suit a dap pursuit having

0:22:37.596 --> 0:22:41.236
<v Speaker 1>a salad and a beers a cavar sand much please

0:22:42.636 --> 0:22:48.356
<v Speaker 1>tell me about that. See it's not only pretty affordable,

0:22:48.876 --> 0:22:55.756
<v Speaker 1>yeah I mean relatively speaking, but um delicious, unique and

0:22:56.196 --> 0:23:00.516
<v Speaker 1>kind of luxurious. And I will get um the crab

0:23:00.596 --> 0:23:05.036
<v Speaker 1>cake sandwich and a nice tea thank you. Oyster Bar

0:23:05.196 --> 0:23:08.556
<v Speaker 1>is one of the spaces in New York which has

0:23:08.596 --> 0:23:13.196
<v Speaker 1>these these vaulted ceilings with gustamino tiling, so the acoustics

0:23:13.236 --> 0:23:16.036
<v Speaker 1>are kind of special. You can also always hear the

0:23:16.076 --> 0:23:20.436
<v Speaker 1>bustle of them making the pan rose and the oyster

0:23:20.556 --> 0:23:24.156
<v Speaker 1>stew and um No, this place I find very comforting.

0:23:24.196 --> 0:23:25.836
<v Speaker 1>It's another one of those places in New York where

0:23:26.236 --> 0:23:27.716
<v Speaker 1>I'm just happy to know it's here. Un If I

0:23:27.716 --> 0:23:29.276
<v Speaker 1>don't go to it for like a couple of months,

0:23:29.756 --> 0:23:31.636
<v Speaker 1>you just know in the back of your mind, the

0:23:31.756 --> 0:23:33.996
<v Speaker 1>lightings here, the vibes here, the guys are here. I

0:23:34.076 --> 0:23:36.516
<v Speaker 1>like the places you can take for granted, that's so

0:23:36.596 --> 0:23:41.396
<v Speaker 1>much what I what I prize your caviar sandwich. I

0:23:41.436 --> 0:23:43.796
<v Speaker 1>thought it was going to have cream inside it, but

0:23:43.876 --> 0:23:47.156
<v Speaker 1>it is just components of things that are good with

0:23:47.236 --> 0:23:49.836
<v Speaker 1>caviarts fantastic. Would you like to try some of my

0:23:49.876 --> 0:23:52.596
<v Speaker 1>crab cake. I'm not gonna you can finish. I don't

0:23:52.596 --> 0:23:54.596
<v Speaker 1>know if I can do both, but I will pack away.

0:23:56.876 --> 0:23:58.836
<v Speaker 1>One of the risks of coming to the Grand Central

0:23:58.836 --> 0:24:01.516
<v Speaker 1>Oyster Virus that my dad is often here. He makes

0:24:01.756 --> 0:24:06.996
<v Speaker 1>all his appointments here, and his order is multiple bowls

0:24:07.236 --> 0:24:13.876
<v Speaker 1>of Manhattan clamchet. Yeah, why do you think? Do you

0:24:13.916 --> 0:24:16.156
<v Speaker 1>think he has a reasons he's here? Is the same

0:24:16.156 --> 0:24:18.476
<v Speaker 1>as you, is a fondness for these classic things. Now,

0:24:18.556 --> 0:24:23.236
<v Speaker 1>he loves Manhattan clam chatter. I've never met anyone who

0:24:23.276 --> 0:24:27.876
<v Speaker 1>has a positive preference for it. The existence of Manhattan

0:24:27.876 --> 0:24:34.876
<v Speaker 1>clam chatter does not offend me. Dad loves it. Any

0:24:34.956 --> 0:24:37.076
<v Speaker 1>wisdom pearls of wisdom from New York? Is there a

0:24:37.116 --> 0:24:40.356
<v Speaker 1>writer you Meyer that really captured what your relationship is

0:24:40.356 --> 0:24:41.916
<v Speaker 1>in New York? And I don't want to misquote it,

0:24:41.956 --> 0:24:46.436
<v Speaker 1>but it's that Dorothy Parker quote. If you make it

0:24:47.036 --> 0:24:50.316
<v Speaker 1>through the night. In New York, you can live through

0:24:50.396 --> 0:24:53.596
<v Speaker 1>anything or something. It's some great quote about depression. I'll

0:24:53.596 --> 0:24:55.796
<v Speaker 1>find you the real one, and the essence of it is,

0:24:56.676 --> 0:25:01.996
<v Speaker 1>um nights can New York can be hard, but if

0:25:02.076 --> 0:25:05.876
<v Speaker 1>you can make it, you feel not light in the

0:25:05.956 --> 0:25:10.316
<v Speaker 1>window of the neighboring building. It can be so lonely.

0:25:10.436 --> 0:25:15.036
<v Speaker 1>Here would you see attraction because you're just surrounded by everyone,

0:25:15.116 --> 0:25:18.836
<v Speaker 1>but there's a wall. They still have all the barriers

0:25:18.916 --> 0:25:21.596
<v Speaker 1>to entry. But it's just like what you be what said?

0:25:21.956 --> 0:25:24.956
<v Speaker 1>Right for those who value such queer PRIs as New

0:25:25.036 --> 0:25:32.516
<v Speaker 1>York offers the gift of privacy, I'm gonna be mindful time. Okay,

0:25:32.596 --> 0:25:34.436
<v Speaker 1>we're done here, I rose, we just paid, so we're good.

0:25:35.476 --> 0:25:45.836
<v Speaker 1>Thank you very much, thank you. Wow. Okay, so we are.

0:25:46.436 --> 0:25:50.796
<v Speaker 1>We're a whispering gallery in front of the Oyster Bar.

0:25:50.956 --> 0:25:53.236
<v Speaker 1>Which is how does this work? Again? I mean I

0:25:53.396 --> 0:25:55.956
<v Speaker 1>don't I can't explain the physics, but where the arch

0:25:56.116 --> 0:25:59.916
<v Speaker 1>forms one of these acoustical odd of these found throughout

0:25:59.956 --> 0:26:03.636
<v Speaker 1>the world, including Saint Paul's most famously, I believe. Yeah,

0:26:04.116 --> 0:26:08.436
<v Speaker 1>And as you see, if we stand in opposite diagonal

0:26:08.516 --> 0:26:12.596
<v Speaker 1>ql far apart, that's like fifty. Yeah, all right, yeah,

0:26:12.676 --> 0:26:17.796
<v Speaker 1>let's try it. See if this works. Can you hear me?

0:26:18.076 --> 0:26:21.956
<v Speaker 1>Oh my god, I can't hear you. Yeah, okay, let

0:26:21.996 --> 0:26:28.956
<v Speaker 1>me think I see okay, I don't have any Yeah,

0:26:28.996 --> 0:26:30.836
<v Speaker 1>I don't have any right now. This is zgol. But

0:26:30.916 --> 0:26:33.396
<v Speaker 1>I can say just thank you for coming to lunch

0:26:33.436 --> 0:26:35.156
<v Speaker 1>with me, and I hope you have a great rest

0:26:35.156 --> 0:26:39.036
<v Speaker 1>of your day anytime. All right, all my I wish

0:26:39.076 --> 0:26:58.276
<v Speaker 1>all my characters ended with me just talking into a corner. Yeah,

0:27:00.236 --> 0:27:06.716
<v Speaker 1>finally some phone reception. Danielle, why is she? He Brannan,

0:27:06.756 --> 0:27:11.916
<v Speaker 1>It's Danielle. M Hi. I am unfortunately having a little

0:27:11.956 --> 0:27:16.596
<v Speaker 1>problem at home. I discovered a mouth in my kitchen.

0:27:17.236 --> 0:27:20.316
<v Speaker 1>So now I'm cleeping outside and I feel like I

0:27:20.356 --> 0:27:24.756
<v Speaker 1>should probably figure out how to sleep inside again, since

0:27:25.516 --> 0:27:28.116
<v Speaker 1>you know that's the thing I'm paying my mortgage on.

0:27:29.476 --> 0:27:32.436
<v Speaker 1>Good luck with everything. Really sorry I couldn't be there.

0:27:33.316 --> 0:27:38.676
<v Speaker 1>I hope you have a great time. No, no, I

0:27:38.876 --> 0:27:43.796
<v Speaker 1>totally forgot. I invited people over for dinner tonight. I

0:27:43.876 --> 0:27:48.556
<v Speaker 1>thought it was next Saturday. The farmer's market was right

0:27:48.676 --> 0:27:54.996
<v Speaker 1>near the office. All right, I gotta find a corner market,

0:27:55.236 --> 0:28:12.796
<v Speaker 1>Godega something. Oh shit, it's Alison Roman. Alison Roman. Yeah,

0:28:13.596 --> 0:28:16.356
<v Speaker 1>this is incredible. I am a fan of your books. Oh,

0:28:16.436 --> 0:28:18.676
<v Speaker 1>thank you. That is always nice to here. I used

0:28:18.716 --> 0:28:20.836
<v Speaker 1>to host this show called The Dinner Party Download. Probably

0:28:20.876 --> 0:28:22.556
<v Speaker 1>haven't heard of it. Oh yeah, I actually do know

0:28:22.596 --> 0:28:25.556
<v Speaker 1>about that though, Oh you do. Yeah, okay, well that

0:28:25.916 --> 0:28:27.916
<v Speaker 1>was my show. It's like, why am I not being

0:28:27.916 --> 0:28:29.876
<v Speaker 1>asked to be on the show? But I didn't take

0:28:29.876 --> 0:28:31.556
<v Speaker 1>it personally. It's fine. I mean we were we thought

0:28:31.556 --> 0:28:33.116
<v Speaker 1>you were a little fancy for us because you wrote

0:28:33.116 --> 0:28:36.596
<v Speaker 1>for Bonabati and besides we were based in La Yeah.

0:28:36.596 --> 0:28:38.836
<v Speaker 1>Because it's like you can only record a podcast in

0:28:38.876 --> 0:28:40.436
<v Speaker 1>the city that you record. I get it. It's like,

0:28:40.596 --> 0:28:42.876
<v Speaker 1>you know, all right, I still can't believe I ran

0:28:42.956 --> 0:28:44.636
<v Speaker 1>into you. I assumed you moved to Berkeley, where all

0:28:44.636 --> 0:28:46.476
<v Speaker 1>the food celebrities go. No, I mean I live in

0:28:46.476 --> 0:28:48.316
<v Speaker 1>New York, baby, greatest city in the world. So what

0:28:48.676 --> 0:28:50.876
<v Speaker 1>are you doing here? It's, you know, close to dinner time.

0:28:50.916 --> 0:28:54.156
<v Speaker 1>I'm doing some last minute pickups for my own little

0:28:54.196 --> 0:28:57.436
<v Speaker 1>dinner situation. Um. I know this is a weird thing,

0:28:57.516 --> 0:28:59.316
<v Speaker 1>but I just I totally spaced it. I was at

0:28:59.316 --> 0:29:02.876
<v Speaker 1>the office today and I now have to cook dinner

0:29:03.156 --> 0:29:06.636
<v Speaker 1>for six people in the next couple hours, had no

0:29:06.756 --> 0:29:10.996
<v Speaker 1>time to prepare. My kitchen is tiny, and so could

0:29:11.036 --> 0:29:14.796
<v Speaker 1>you give me some guidance like tonight, Yeah, okay, well surprise,

0:29:15.396 --> 0:29:19.076
<v Speaker 1>I think that's great. I actually almost exclusively only believe

0:29:19.196 --> 0:29:21.036
<v Speaker 1>in the last minute dinner party. So you're in luck.

0:29:21.356 --> 0:29:24.156
<v Speaker 1>When all is said and done, you could very happily

0:29:24.236 --> 0:29:26.676
<v Speaker 1>live your life off of shopping at about Degga, and

0:29:26.756 --> 0:29:30.196
<v Speaker 1>I do often. My mother now lives in the Burbs.

0:29:30.836 --> 0:29:33.916
<v Speaker 1>Whenever she visits me, her head turns when she passes

0:29:34.356 --> 0:29:37.916
<v Speaker 1>one of these places right here with like apples, mangoes, watermelons.

0:29:37.956 --> 0:29:39.596
<v Speaker 1>She just can't believe that there's fruit and veg on

0:29:39.676 --> 0:29:42.116
<v Speaker 1>the street available twenty four hours a day. The idea

0:29:42.196 --> 0:29:44.636
<v Speaker 1>that you can walk into this place and you can

0:29:44.676 --> 0:29:46.116
<v Speaker 1>go in there and can get a green juice, You

0:29:46.156 --> 0:29:47.996
<v Speaker 1>can get string cheese. If you need a snack, you

0:29:48.036 --> 0:29:49.796
<v Speaker 1>can get a pack of chicken thighs. You can also

0:29:49.836 --> 0:29:53.436
<v Speaker 1>get tofu and kim chee, and like hot sauce and

0:29:53.556 --> 0:29:57.116
<v Speaker 1>noodles and anchovies and pretty much anything that you would

0:29:57.196 --> 0:29:59.716
<v Speaker 1>need to make your life feel complete. All right, So

0:29:59.796 --> 0:30:02.956
<v Speaker 1>you give me confidence, okay, So any dietary restrictions to

0:30:03.036 --> 0:30:06.156
<v Speaker 1>be aware of. I just don't. I think Brussels sprouts

0:30:06.156 --> 0:30:08.716
<v Speaker 1>are overrated. No, not for you specifically, what thank you

0:30:08.756 --> 0:30:11.556
<v Speaker 1>for that opinion. I'm armed at your guests. Oh no,

0:30:11.716 --> 0:30:14.196
<v Speaker 1>not No, people are pretty pretty much open their omnivores.

0:30:14.396 --> 0:30:16.676
<v Speaker 1>My friends are not afraid of carbohydrates, which I'm proud

0:30:16.676 --> 0:30:19.276
<v Speaker 1>of because I'm older, because like at gen X, like

0:30:19.396 --> 0:30:22.156
<v Speaker 1>lay millennials, like we're not as smart about feel like

0:30:22.236 --> 0:30:24.436
<v Speaker 1>all my friends are hot. Yeah, Europeans who love pasta

0:30:24.676 --> 0:30:29.036
<v Speaker 1>like they're all aging, soft round people. Yeah. Okay, So

0:30:29.796 --> 0:30:32.076
<v Speaker 1>if I'm you, I'm going to do like a simple

0:30:32.276 --> 0:30:35.476
<v Speaker 1>sort of lemony, mediterranean vibe pasta. Oh I like that,

0:30:35.636 --> 0:30:38.076
<v Speaker 1>like a few types of vegetables on the side, Well,

0:30:38.156 --> 0:30:40.476
<v Speaker 1>let's let's do it. Can we talk about celery for

0:30:40.516 --> 0:30:43.316
<v Speaker 1>a quick second, because I feel one of my favorite,

0:30:43.316 --> 0:30:45.996
<v Speaker 1>absolute favorite vegetables. In fact, let's make a celery salad

0:30:46.036 --> 0:30:49.036
<v Speaker 1>for you. Okay, well maybe we should because I feel

0:30:49.076 --> 0:30:52.116
<v Speaker 1>like celery, the big Celery, has tricked us into buying

0:30:52.276 --> 0:30:55.316
<v Speaker 1>huge bunches of celery when I need like one stock

0:30:55.396 --> 0:30:57.636
<v Speaker 1>for my tuna fish. Well, if you're putting only one

0:30:57.676 --> 0:31:00.116
<v Speaker 1>stock in your tuna salad, you're doing it wrong because

0:31:00.156 --> 0:31:03.476
<v Speaker 1>you're Juna salad needs at least four stocks in like

0:31:03.556 --> 0:31:05.916
<v Speaker 1>a can. It should be like equal parts tuna, four

0:31:05.996 --> 0:31:09.556
<v Speaker 1>stocks per cam. Yeah, I'm constantly looking for Larry. I'm

0:31:09.596 --> 0:31:11.236
<v Speaker 1>constantly buy it because I go through it too much.

0:31:11.276 --> 0:31:13.556
<v Speaker 1>In fact, I think the bunches simply aren't large enough.

0:31:13.956 --> 0:31:17.036
<v Speaker 1>All right, well, let's go celery salad. Okay, we've got

0:31:17.116 --> 0:31:19.116
<v Speaker 1>candy laning Greens, which is kind of nice and very

0:31:19.196 --> 0:31:23.076
<v Speaker 1>Euro to me. They're very tart. I like that they're bitter,

0:31:23.556 --> 0:31:25.836
<v Speaker 1>but tars probably close to bitter if there was a

0:31:25.956 --> 0:31:29.396
<v Speaker 1>chart of flavor feelings. Let's agree to disagree. Okay, this

0:31:29.516 --> 0:31:32.476
<v Speaker 1>is bitter. To bring it back real quick. New York.

0:31:33.396 --> 0:31:36.076
<v Speaker 1>You think, oh, what a beautiful place. They have everything. Yeah,

0:31:36.236 --> 0:31:38.796
<v Speaker 1>but sometimes because they have everything, you're sort of paralyzed

0:31:38.836 --> 0:31:41.636
<v Speaker 1>by options, right, Like what direction do we go with? Ye?

0:31:41.796 --> 0:31:43.556
<v Speaker 1>Tell me about it. Do we do like a fresh

0:31:43.596 --> 0:31:45.876
<v Speaker 1>tomato e pasta? Do we do like a bitter green

0:31:45.996 --> 0:31:50.036
<v Speaker 1>anchovy pasta? Do we do boiled potatoes with anchovies and

0:31:50.116 --> 0:31:53.356
<v Speaker 1>a soft egg? We do bitter green anchovy pasta? My

0:31:53.476 --> 0:31:57.436
<v Speaker 1>problem here is I have an acidy stomach. Oh and

0:31:57.716 --> 0:32:02.156
<v Speaker 1>tomatoes just kill me. Oh but pasta doesn't, doesn't Okay,

0:32:02.196 --> 0:32:04.956
<v Speaker 1>So yeah, I'm getting you a jar of cost to Okay,

0:32:04.996 --> 0:32:07.276
<v Speaker 1>we're just for snacking. You got them with bits. We

0:32:07.316 --> 0:32:10.556
<v Speaker 1>didn't talk about drinks, Okay, I'm a martini guy. Yeah,

0:32:10.636 --> 0:32:12.796
<v Speaker 1>should I make them? Yeah? I think you should. Unfortunately,

0:32:12.796 --> 0:32:15.396
<v Speaker 1>what I learned over COVID and this could be I

0:32:15.516 --> 0:32:18.676
<v Speaker 1>can't drink tim Martinis anymore. And I used to say,

0:32:18.796 --> 0:32:21.676
<v Speaker 1>like a vodka Martin is an oxymoron. Yeah, I too

0:32:21.796 --> 0:32:23.556
<v Speaker 1>used to turn my nose a bit vodka martinis. But

0:32:23.636 --> 0:32:26.036
<v Speaker 1>in my old age they're just like better for my

0:32:26.196 --> 0:32:29.116
<v Speaker 1>gut and my next day. Yeah, I don't know. All right,

0:32:29.156 --> 0:32:31.236
<v Speaker 1>I'm glad we have this talk. Can I I can't

0:32:31.276 --> 0:32:33.316
<v Speaker 1>use those olives though, can I? Okay? Yeah, I mean

0:32:33.556 --> 0:32:36.116
<v Speaker 1>there'll be a pitt in there. But assuming you don't

0:32:36.116 --> 0:32:38.156
<v Speaker 1>want to buy two types of olives, maybe do you

0:32:38.196 --> 0:32:40.196
<v Speaker 1>know what? Let's just get Okay, Yeah, let's get them.

0:32:40.316 --> 0:32:42.876
<v Speaker 1>Malcolm Gladwell's paying. So what else do we need? Um?

0:32:42.956 --> 0:32:44.356
<v Speaker 1>Did you want to serve a salad on the side?

0:32:44.436 --> 0:32:46.476
<v Speaker 1>Are you gonna convince me on this celery thing? How

0:32:46.476 --> 0:32:48.316
<v Speaker 1>about we do celery and funnel together to cut a

0:32:48.316 --> 0:32:49.876
<v Speaker 1>little bit of the celery that looks like a lot

0:32:49.916 --> 0:32:55.916
<v Speaker 1>of celery, perfect an cellery. Okay, wait, what are they eating?

0:32:56.116 --> 0:32:59.396
<v Speaker 1>She was just talking about impossibleming it. Oh yeah, I can't.

0:32:59.396 --> 0:33:01.836
<v Speaker 1>I can't eat it. The p proteins. Oh wow you

0:33:01.996 --> 0:33:03.796
<v Speaker 1>I was like doing the dietaris Chritians. You're like nope,

0:33:03.916 --> 0:33:06.076
<v Speaker 1>and then turns out over the courts of the last

0:33:06.116 --> 0:33:09.076
<v Speaker 1>ten minutes. You're like, I can't eat any Here's the

0:33:09.196 --> 0:33:11.076
<v Speaker 1>other thing. I'm a total Homas slot Like, I don't

0:33:11.156 --> 0:33:14.196
<v Speaker 1>make it. I eat any hummas. Yeah, like I'll eat

0:33:14.196 --> 0:33:17.796
<v Speaker 1>any of that stuff. One two, three, four, five, six, seven,

0:33:17.916 --> 0:33:21.316
<v Speaker 1>eight types of hummas here. That's incredible. This is why

0:33:21.356 --> 0:33:24.036
<v Speaker 1>I live here. Now I'm reading new Yeah, okay, we're

0:33:24.036 --> 0:33:26.876
<v Speaker 1>looking at some cheese. We're gonna get you parmesan. This

0:33:27.356 --> 0:33:31.636
<v Speaker 1>bedega also has one two three four five types of parmesan,

0:33:31.756 --> 0:33:34.236
<v Speaker 1>not including the graded stuff, which I wouldn't buy. And

0:33:34.356 --> 0:33:37.036
<v Speaker 1>then dessert, what's your dessert move? Sometimes I do get grapes.

0:33:37.236 --> 0:33:39.836
<v Speaker 1>Sometimes I get a chocolate bar, like a tobleran for

0:33:39.916 --> 0:33:42.556
<v Speaker 1>the table is kind of a baller table tobleron. I

0:33:42.676 --> 0:33:52.676
<v Speaker 1>like that. Let's do it. Um, thank you? What a dream?

0:33:53.156 --> 0:33:57.196
<v Speaker 1>Alison Roman just like grocery shopping for me the world.

0:33:58.076 --> 0:33:59.596
<v Speaker 1>So I hope you get home safe. I feel like

0:33:59.676 --> 0:34:02.316
<v Speaker 1>it's about to sky is about to open up. Wait what,

0:34:03.156 --> 0:34:04.916
<v Speaker 1>I didn't even look at my weather up today New

0:34:04.996 --> 0:34:07.676
<v Speaker 1>York summers. The rain comes in hot and fast. All right,

0:34:07.876 --> 0:34:10.556
<v Speaker 1>thank you very much, take care, welcome to see you later.

0:34:20.236 --> 0:34:24.436
<v Speaker 1>You've got to be kidding me, see all right, weather app?

0:34:24.676 --> 0:34:30.396
<v Speaker 1>Weather app? It doesn't even say rain. All right, someone,

0:34:30.436 --> 0:34:35.076
<v Speaker 1>we need to wait it out? What's going on here? Hey?

0:34:35.716 --> 0:34:37.596
<v Speaker 1>Hey there? Can I just wait here while the rain clears.

0:34:40.356 --> 0:34:42.476
<v Speaker 1>I had to go back to California visit my parents

0:34:42.596 --> 0:34:46.396
<v Speaker 1>because my aunt was visiting from Iran. I was like, oh,

0:34:46.476 --> 0:34:49.036
<v Speaker 1>my gosh, she's never been to the US. We absolutely

0:34:49.156 --> 0:34:52.156
<v Speaker 1>have to take her to eat a taco, right, And

0:34:52.556 --> 0:34:55.036
<v Speaker 1>my mom is like, oh, that is a good idea

0:34:55.076 --> 0:34:59.116
<v Speaker 1>about how is taste taco? And I was like, lady,

0:34:59.196 --> 0:35:01.556
<v Speaker 1>what do you mean how is taste taco? You've been

0:35:01.636 --> 0:35:05.636
<v Speaker 1>living here for fucking thirty years. You don't know how

0:35:05.796 --> 0:35:11.716
<v Speaker 1>is taste taco? No? Oh no? And I was so mad.

0:35:11.756 --> 0:35:14.796
<v Speaker 1>I was so mad. I was like, you fucking immigrants

0:35:14.876 --> 0:35:23.116
<v Speaker 1>come to this country. You don't try Mexican food. You're

0:35:23.196 --> 0:35:42.716
<v Speaker 1>just an American that is absolutely TAXI. Hey, you're really

0:35:42.796 --> 0:35:46.116
<v Speaker 1>great up there. Thanks man, Thanks pretty early for a

0:35:46.236 --> 0:35:49.636
<v Speaker 1>comedy show. Huh Yeah, it's weird. They do it at

0:35:49.636 --> 0:35:51.876
<v Speaker 1>all times these days. You're the first person I've seen

0:35:52.076 --> 0:35:54.116
<v Speaker 1>hail a cab here in a couple of years. Frankly,

0:35:54.196 --> 0:35:57.716
<v Speaker 1>most people are on Uber. I like to hail a cab.

0:35:57.916 --> 0:36:00.396
<v Speaker 1>It's one of those things that you can do basically

0:36:00.476 --> 0:36:03.116
<v Speaker 1>only in New York City. So I appreciate that. But

0:36:03.196 --> 0:36:04.916
<v Speaker 1>it's pouring rain. I think it's gonna be a minute

0:36:04.956 --> 0:36:06.516
<v Speaker 1>for you get a cab. Yeah, I'm okay with that.

0:36:06.876 --> 0:36:09.036
<v Speaker 1>So I'm guessing that being a comedian and MC is

0:36:09.236 --> 0:36:12.796
<v Speaker 1>not for the faint of heart. Like I admire you

0:36:12.916 --> 0:36:15.516
<v Speaker 1>for going up there. You must be very brave. It's

0:36:15.556 --> 0:36:19.316
<v Speaker 1>like ultimately very self serving, you know what I mean.

0:36:19.436 --> 0:36:21.476
<v Speaker 1>If there's one thing I learned during the pandemic is

0:36:21.516 --> 0:36:24.796
<v Speaker 1>that comedians are the least essential workers. You know. I

0:36:24.876 --> 0:36:27.876
<v Speaker 1>have a question, so New York audiences versus other audiences.

0:36:28.436 --> 0:36:32.396
<v Speaker 1>Is there distinguishing traits? Are they different? You know? It's

0:36:32.436 --> 0:36:36.716
<v Speaker 1>interesting because I remember Lewis Black said to me once another,

0:36:37.036 --> 0:36:40.396
<v Speaker 1>you know, just amazing comedian. He said to me after

0:36:40.476 --> 0:36:44.436
<v Speaker 1>the show. You know, Nigine, you speak really fast, and

0:36:44.836 --> 0:36:48.076
<v Speaker 1>you can't speak that fast in other parts of the country.

0:36:48.436 --> 0:36:50.636
<v Speaker 1>When he said that to me, I was like, oh, okay,

0:36:50.916 --> 0:36:53.636
<v Speaker 1>Like and I think in some parts of the country,

0:36:53.636 --> 0:36:55.556
<v Speaker 1>I do like slow it down a little bit. I

0:36:55.836 --> 0:36:57.516
<v Speaker 1>slow it down because also in New York City, I

0:36:57.596 --> 0:36:59.476
<v Speaker 1>think everything is just a little bit more fast pace,

0:36:59.516 --> 0:37:02.916
<v Speaker 1>including just the pace of which people like literally speak,

0:37:03.036 --> 0:37:05.996
<v Speaker 1>And that's just a cultural thing over here. And also

0:37:06.116 --> 0:37:09.836
<v Speaker 1>the other thing is notts a megas who cheese you

0:37:09.876 --> 0:37:14.236
<v Speaker 1>get here? But I met my husband here and my

0:37:14.436 --> 0:37:19.356
<v Speaker 1>husband is an actor and he's black, and um I'm

0:37:19.396 --> 0:37:22.876
<v Speaker 1>Iranian and Muslim, and that makes our baby a Blaranian.

0:37:23.596 --> 0:37:27.796
<v Speaker 1>And it's the kind of you know, this is the

0:37:27.916 --> 0:37:30.076
<v Speaker 1>kind of family that could only happen in the United

0:37:30.116 --> 0:37:40.116
<v Speaker 1>States and more specific and it's just like way more

0:37:40.236 --> 0:37:43.036
<v Speaker 1>likely to happen in New York City. And also like

0:37:43.396 --> 0:37:46.076
<v Speaker 1>you know, we have this like this Russian neighbor who

0:37:46.076 --> 0:37:48.556
<v Speaker 1>also speaks Farsi. I mean, what you know, and so

0:37:49.276 --> 0:37:50.796
<v Speaker 1>so like you know, a few times a week, like

0:37:50.916 --> 0:37:53.956
<v Speaker 1>my daughter speaks Farsi with this Russian guy who may

0:37:53.996 --> 0:37:55.556
<v Speaker 1>or may not be an alcoholic. That's a story for

0:37:55.596 --> 0:37:58.716
<v Speaker 1>another time. But like that's the weird kind of thing

0:37:58.836 --> 0:38:00.356
<v Speaker 1>she's just going to be exposed to that. It's like

0:38:00.476 --> 0:38:03.156
<v Speaker 1>it's not weird to her that, like one of our

0:38:03.196 --> 0:38:06.276
<v Speaker 1>neighbors is from Uzbekistan, but then the other one is

0:38:06.356 --> 0:38:09.716
<v Speaker 1>from Turkey, and then another one's from Mexico. Like these

0:38:09.756 --> 0:38:12.116
<v Speaker 1>are just very normal things for you also live in

0:38:12.116 --> 0:38:18.716
<v Speaker 1>the United Nations to care and that is just I

0:38:18.956 --> 0:38:23.996
<v Speaker 1>feel like this little miracle of a family owes a

0:38:24.076 --> 0:38:27.116
<v Speaker 1>debt to New York City. And speaking of miracles in

0:38:27.116 --> 0:38:29.476
<v Speaker 1>New York City, I think this cab open, I think

0:38:29.516 --> 0:38:33.716
<v Speaker 1>that might be yours. Thanks so much for chatting with me. Yeah,

0:38:33.796 --> 0:38:45.636
<v Speaker 1>this was unexpectedly a fun conversation. M Hey, Brendan, Um,

0:38:45.956 --> 0:38:48.596
<v Speaker 1>where are you are You still planning to cook tonight?

0:38:49.236 --> 0:38:52.356
<v Speaker 1>People are starting to show up and I'm just feeding

0:38:52.396 --> 0:38:54.916
<v Speaker 1>them wine and this hummus from the fridge. But let

0:38:54.956 --> 0:39:01.036
<v Speaker 1>me know when you're going to arrive. All right, Well,

0:39:01.236 --> 0:39:04.436
<v Speaker 1>at least the rain's clearing up. What are the odds

0:39:04.476 --> 0:39:09.036
<v Speaker 1>of getting another cab? Right? I think we've been get

0:39:09.236 --> 0:39:13.316
<v Speaker 1>city bike. I hope these groceries can fit on a

0:39:13.356 --> 0:39:19.396
<v Speaker 1>city bike. Okay, one bike left. Oh shit, Hey, hey,

0:39:19.556 --> 0:39:23.116
<v Speaker 1>excuse me. This is the last city bike. That's why

0:39:23.156 --> 0:39:26.036
<v Speaker 1>I'm taking it. Yeah, but I really, Um, I have

0:39:26.116 --> 0:39:28.116
<v Speaker 1>a dinner party I have to be at, and I

0:39:28.316 --> 0:39:30.836
<v Speaker 1>swear I know that the city doesn't cut people breaks. No,

0:39:31.476 --> 0:39:33.596
<v Speaker 1>I gotta it's I'm just going home. I'm no, but

0:39:33.636 --> 0:39:35.916
<v Speaker 1>I'm like a fellow human who's asking you to just

0:39:36.076 --> 0:39:39.356
<v Speaker 1>cut me. Appreciate that fellow human. Good luck walking. Wait

0:39:39.436 --> 0:39:42.996
<v Speaker 1>a second, are you dem Taberski? This are walking and

0:39:43.076 --> 0:39:45.036
<v Speaker 1>I'm not walking to Brooklyn. Well, you can at least

0:39:45.076 --> 0:39:47.756
<v Speaker 1>check out my podcast not Lost. Yeah, great, I'll check

0:39:47.796 --> 0:39:53.196
<v Speaker 1>it out. Got it. Oh, here's a city bike then

0:39:53.396 --> 0:39:56.836
<v Speaker 1>filled with bikes. Hey there, did you see that guy

0:39:56.956 --> 0:40:00.116
<v Speaker 1>take the last bike from me? Yes? I did, such

0:40:00.156 --> 0:40:04.156
<v Speaker 1>a jerk. Are there any bikes nearby? Um? Yeah, we

0:40:04.276 --> 0:40:06.196
<v Speaker 1>have a couple of bikes at the station. We can

0:40:06.316 --> 0:40:08.876
<v Speaker 1>check them out and see if they're ridable. It seems

0:40:08.916 --> 0:40:11.796
<v Speaker 1>like whenever I really need a city bike, there's not

0:40:11.916 --> 0:40:14.756
<v Speaker 1>a bike, Like what? What? What is that just my misperception?

0:40:14.796 --> 0:40:16.396
<v Speaker 1>Do I have the wrong time of day that I'm

0:40:16.396 --> 0:40:19.196
<v Speaker 1>always hitting them? Um? That just means there's a lot

0:40:19.196 --> 0:40:21.716
<v Speaker 1>of people using the bikes. I mean, I guess it's

0:40:21.716 --> 0:40:24.276
<v Speaker 1>like New York in general. Right, Okay, Can I like, hey,

0:40:24.316 --> 0:40:27.036
<v Speaker 1>you to get a bike from the back of your truck? Oh? No,

0:40:27.276 --> 0:40:30.076
<v Speaker 1>absolutely not. I can't. I need to get to Brooklyn.

0:40:30.156 --> 0:40:32.076
<v Speaker 1>Are are you drying? Are you riding there? Can I

0:40:32.116 --> 0:40:34.556
<v Speaker 1>get a ride with you? Sure? Why not? You would

0:40:34.556 --> 0:40:37.676
<v Speaker 1>do that for me? Don't tell anyone, I won't. Your

0:40:37.716 --> 0:40:39.916
<v Speaker 1>boss will never know this happened, believe me. Thank you

0:40:40.196 --> 0:40:44.476
<v Speaker 1>so much. All right, So are your bike mechanics just

0:40:44.596 --> 0:40:48.116
<v Speaker 1>like working full on all the time, depending on the season. Yes,

0:40:48.276 --> 0:40:50.876
<v Speaker 1>right now we have at our depots we have twenty

0:40:50.916 --> 0:40:56.036
<v Speaker 1>four operations. Really Pixen bikesix bikes. That's wild. Same thing

0:40:56.116 --> 0:41:00.036
<v Speaker 1>with moving the bikes were twenty four, twenty four hour operations. Well,

0:41:00.356 --> 0:41:02.156
<v Speaker 1>and now I feel bad because I often, you know,

0:41:02.236 --> 0:41:04.996
<v Speaker 1>I love city bike, I love the exercise. I'm a

0:41:05.036 --> 0:41:08.516
<v Speaker 1>pretty much like a like a eight to seven PM

0:41:08.836 --> 0:41:10.996
<v Speaker 1>can so I need a bike then in the morning

0:41:11.156 --> 0:41:14.156
<v Speaker 1>and then at seven And I feel like often, you know,

0:41:14.196 --> 0:41:16.196
<v Speaker 1>the bikes are gone because so many people use them,

0:41:16.356 --> 0:41:18.476
<v Speaker 1>and I feel like I need to have a different

0:41:18.556 --> 0:41:20.676
<v Speaker 1>life style in order to get more bikes, you know

0:41:20.716 --> 0:41:22.676
<v Speaker 1>what I mean. Well, that's part of what we do,

0:41:22.876 --> 0:41:26.356
<v Speaker 1>you know, balancing the system based off of trends. That

0:41:26.676 --> 0:41:30.636
<v Speaker 1>can be challenging at times, but we definitely work on those.

0:41:31.476 --> 0:41:34.436
<v Speaker 1>How often do you ride? I used to ride a

0:41:34.436 --> 0:41:36.236
<v Speaker 1>lot more, but I work from home now a lot,

0:41:36.316 --> 0:41:38.276
<v Speaker 1>so I ride less. See. Look, there's a city bike

0:41:38.396 --> 0:41:41.156
<v Speaker 1>driver drivers. That's another thing. You gotta always watch out

0:41:41.196 --> 0:41:45.636
<v Speaker 1>for the bicyclists because they're crazy. They're people people just

0:41:45.836 --> 0:41:48.556
<v Speaker 1>popping in and outs or even in between the vehicles.

0:41:48.636 --> 0:41:51.356
<v Speaker 1>So I got to always make sure that you're on

0:41:51.436 --> 0:41:53.796
<v Speaker 1>the alert. They can't kill the golden goose, though, because

0:41:53.836 --> 0:41:57.116
<v Speaker 1>this is the thing delivering the bikes, right absolutely, Maybe

0:41:57.196 --> 0:41:59.436
<v Speaker 1>City Bike could do what you do to make extra money.

0:41:59.916 --> 0:42:02.836
<v Speaker 1>They could make your actual delivery vans like this one,

0:42:03.716 --> 0:42:08.756
<v Speaker 1>you know, ubers or cabs. For something to think about.

0:42:10.396 --> 0:42:12.676
<v Speaker 1>I'm just you know, just try I'm thinking this is

0:42:12.996 --> 0:42:15.676
<v Speaker 1>this could be like the city Bike Deluxe service. There

0:42:15.716 --> 0:42:17.676
<v Speaker 1>could be a special button on your app that you press.

0:42:17.756 --> 0:42:21.316
<v Speaker 1>Have you really need this city Bike your way exactly,

0:42:21.916 --> 0:42:26.116
<v Speaker 1>City Bikes Chauffeur City Bike Gags. I feel thank you

0:42:26.196 --> 0:42:28.876
<v Speaker 1>so much for giving me this ride. Okay, well, we

0:42:28.956 --> 0:42:30.996
<v Speaker 1>got to do a better job at we balancing the system.

0:42:31.116 --> 0:42:33.156
<v Speaker 1>We'll have a bike for you next. All right, thank

0:42:33.196 --> 0:42:46.836
<v Speaker 1>you very much. But now, hey, Brendan, Christy, here, have

0:42:47.036 --> 0:42:50.156
<v Speaker 1>you decided where you're going to record your last episode?

0:42:51.116 --> 0:42:57.836
<v Speaker 1>The clock is ticking. Yeah, I'm aware of that. Oh hey, Christy,

0:42:59.076 --> 0:43:32.196
<v Speaker 1>currently thinking either Reno or Atlanta. We'll confirm tomorrow. Oh hey,

0:43:32.196 --> 0:43:42.836
<v Speaker 1>you guys to show up? Do you believe it? Seems

0:43:42.836 --> 0:43:45.596
<v Speaker 1>like you guys gotta started without me. Oh yeah, you're

0:43:45.636 --> 0:43:48.996
<v Speaker 1>way behind. You better start cooking because I think we're drama.

0:43:53.916 --> 0:43:57.596
<v Speaker 1>I could use a drink. As the lead producer on

0:43:57.836 --> 0:44:01.156
<v Speaker 1>this this season finale of season one of Not Lost

0:44:01.876 --> 0:44:05.036
<v Speaker 1>was Bart Covid Won't Stop Me Warshaw, who also sound

0:44:05.116 --> 0:44:12.916
<v Speaker 1>designed and mixed the episode. Who so happy to be

0:44:12.996 --> 0:44:22.236
<v Speaker 1>sharing with you guys for coming. Sorry was late. The

0:44:22.356 --> 0:44:25.396
<v Speaker 1>show was also produced and written by me Brendan. I

0:44:25.476 --> 0:44:27.676
<v Speaker 1>can't get Covid until I'm done with this show. France

0:44:27.716 --> 0:44:30.676
<v Speaker 1>has Newnham. Where were you? I was at the office,

0:44:31.516 --> 0:44:35.156
<v Speaker 1>So how is your show? I mean, I still haven't

0:44:35.156 --> 0:44:36.796
<v Speaker 1>figured out where my last episode is going to be.

0:44:38.316 --> 0:44:42.436
<v Speaker 1>You should just junior year. That's not bad idea. Our

0:44:42.476 --> 0:44:46.156
<v Speaker 1>associate producer was Amy Gaines with additional production assistance from

0:44:46.236 --> 0:44:51.556
<v Speaker 1>Jacob Smith and aitorial guidance provided by Julia Barton's Mustard Greens.

0:44:51.596 --> 0:44:53.636
<v Speaker 1>I wanted to do like a bitter pasta thing, and

0:44:53.716 --> 0:44:56.276
<v Speaker 1>then there's a fennel and celery salad. I know some

0:44:56.396 --> 0:45:00.476
<v Speaker 1>people don't like celery, but I love really interesting. Yeah,

0:45:00.516 --> 0:45:04.796
<v Speaker 1>I'm a big Celery fan myself. I feel like there's

0:45:04.836 --> 0:45:07.876
<v Speaker 1>not enough Celery in a Celery bunch. Not Lost is

0:45:07.876 --> 0:45:10.436
<v Speaker 1>a co production of Push Can Industries, Topic Studios and

0:45:10.516 --> 0:45:14.836
<v Speaker 1>iHeartMedia just developed a Topic Studios. The show's executive producers

0:45:15.116 --> 0:45:20.156
<v Speaker 1>Army Christy Gressman, Maria Zuckerman, Lisa ling Gang, and lat Lade.

0:45:21.356 --> 0:45:24.916
<v Speaker 1>Our theme song was created by Alexis Georgiopolis aka Art.

0:45:25.076 --> 0:45:27.276
<v Speaker 1>He's done our new album coming out on Mexican Summer

0:45:27.396 --> 0:45:30.396
<v Speaker 1>called New Pleasures. Who doesn't want those? Check it out?

0:45:35.236 --> 0:45:37.636
<v Speaker 1>They give me cole sours and Walna Zach actively made

0:45:37.756 --> 0:45:43.156
<v Speaker 1>my mouth to one to five. I will stab you

0:45:43.276 --> 0:45:49.876
<v Speaker 1>with my party. Our artwork is by Topic Studios and

0:45:50.036 --> 0:45:52.396
<v Speaker 1>thanks to all the New Yorkers who I ran into

0:45:52.796 --> 0:45:57.156
<v Speaker 1>last Saturday, including Tony Haddad from Clean Green Cleaners, Will

0:45:57.356 --> 0:46:03.076
<v Speaker 1>from Freeway Entertainment, Emma Hendrickson, Malcolm Gladwell, Sadie Stein looked

0:46:03.076 --> 0:46:07.316
<v Speaker 1>for her byline Alison Roman, whose video series entitled Home

0:46:07.396 --> 0:46:10.916
<v Speaker 1>Movies is worth your time attention, even if she's a

0:46:10.996 --> 0:46:15.236
<v Speaker 1>show for the Celery industrial Complex. Also thanks to comedian

0:46:15.276 --> 0:46:19.556
<v Speaker 1>Nagheen Frasad and Shimika from City Bike promised not to

0:46:19.596 --> 0:46:22.716
<v Speaker 1>tell your boss about the ride and the special Thank

0:46:22.756 --> 0:46:25.756
<v Speaker 1>you to David Glover at Pushkin and Big Bus Tours,

0:46:26.596 --> 0:46:32.836
<v Speaker 1>and to dinner partiers Madeline Leon Coleman, Bernadette Napoleon, Robin Hendrickson,

0:46:33.276 --> 0:46:38.116
<v Speaker 1>Amy Martin and a little visiting puppy named Sequoia. And

0:46:38.276 --> 0:46:40.556
<v Speaker 1>since this is our final episode of this season, I

0:46:40.756 --> 0:46:43.836
<v Speaker 1>have more people than usual to thank. First, I'd like

0:46:43.916 --> 0:46:47.076
<v Speaker 1>to rethank Latom Malaud, who not only executive produced the

0:46:47.156 --> 0:46:50.516
<v Speaker 1>series but greenlittit a topic. Thank you for having faith

0:46:50.556 --> 0:46:53.756
<v Speaker 1>in this idea and producers. Sound designer Crystal Duke Came

0:46:54.076 --> 0:46:56.916
<v Speaker 1>who helped build the pilot episode, and of course my

0:46:56.996 --> 0:47:00.396
<v Speaker 1>friend Daniel Henderson. Her memoir The Ugly Cry is out

0:47:00.436 --> 0:47:03.796
<v Speaker 1>in paperback now. You should really check it out. Also,

0:47:03.916 --> 0:47:07.236
<v Speaker 1>the producer Tali Abacasis, who sent the humor and calm

0:47:07.876 --> 0:47:11.636
<v Speaker 1>prevailed during some challenging circumstances, and to the great Jackson

0:47:11.716 --> 0:47:14.116
<v Speaker 1>Musker who helped me map out the itinerary for the

0:47:14.156 --> 0:47:17.196
<v Speaker 1>first handful of episodes. He wrote the award winning Audible

0:47:17.236 --> 0:47:21.316
<v Speaker 1>original called The Sea in the Sky contains astronauts, humor

0:47:21.716 --> 0:47:25.196
<v Speaker 1>and pathos. And thank you to Hilu Mergia, whose song

0:47:25.356 --> 0:47:28.956
<v Speaker 1>Wetti harar guzzo pig I'm pronouncing that right has been

0:47:28.996 --> 0:47:32.156
<v Speaker 1>our credit soundtrack. You're hearing it now. I first met

0:47:32.236 --> 0:47:35.156
<v Speaker 1>Hilu at a concert years ago and Marfa, Texas. He

0:47:35.316 --> 0:47:38.156
<v Speaker 1>is such a gentleman and his music is fantastic. You

0:47:38.236 --> 0:47:40.516
<v Speaker 1>can't go wrong. Check him out wherever you listen to music.

0:47:41.196 --> 0:47:45.636
<v Speaker 1>Thanks to Jenny Bedusa, Ethan Light, Michelle Lands, Alex Giga

0:47:45.796 --> 0:47:49.476
<v Speaker 1>from Topic Studios, and a big special thanks to everyone

0:47:49.556 --> 0:47:53.036
<v Speaker 1>at my home Pushkin. So many people champion the show

0:47:53.076 --> 0:47:56.236
<v Speaker 1>and helped it along the way, Mia LaBelle, Heather Faine,

0:47:56.516 --> 0:48:02.156
<v Speaker 1>Carrie Brodie, Carli Migliordi, Edith Russelo, David Glover, Danielle Lakhan,

0:48:02.636 --> 0:48:06.476
<v Speaker 1>Christina Sullivan, Jason Gambrell. Were sang all their names in

0:48:06.556 --> 0:48:09.356
<v Speaker 1>a sing songy way, but each one of them made

0:48:09.356 --> 0:48:13.636
<v Speaker 1>a specific contribution. The great marketing team Eric Sandler, Maggie Taylor,

0:48:13.716 --> 0:48:19.236
<v Speaker 1>Morgan Ratner, Nicole Morano, Isabella Navarrez, Jordan McMillan, Sean Carney,

0:48:19.316 --> 0:48:23.796
<v Speaker 1>and Mary Beth Smith. Royston deserve, Maya Kanig, Justine Lange,

0:48:24.436 --> 0:48:27.156
<v Speaker 1>and a special special thanks to John Snars who helped

0:48:27.156 --> 0:48:30.156
<v Speaker 1>bring the show over to Pushkin, and to our fearless

0:48:30.236 --> 0:48:33.436
<v Speaker 1>leader Jacob Weisberg, who was very supportive of this project.

0:48:34.316 --> 0:48:36.356
<v Speaker 1>How could I have any more people to thank? I

0:48:36.436 --> 0:48:38.156
<v Speaker 1>don't know, but I do. I need to give a

0:48:38.196 --> 0:48:40.756
<v Speaker 1>special thanks to my colleagues at Pushkin Audio Books who

0:48:40.836 --> 0:48:42.636
<v Speaker 1>made the space for me to work on this project.

0:48:43.076 --> 0:48:47.356
<v Speaker 1>Jasmine Faustino, Kerry Colin and Nick White, Thank you. And last,

0:48:47.436 --> 0:48:51.876
<v Speaker 1>but not least, thanks to you for listening. This is

0:48:51.916 --> 0:48:54.356
<v Speaker 1>not your average travel show and I'm thrilled that A

0:48:54.436 --> 0:48:58.116
<v Speaker 1>connected with so many listeners. Please keep spreading the word

0:48:58.876 --> 0:49:01.756
<v Speaker 1>head to Apple Podcasts, rate review it. I appreciate you.

0:49:02.796 --> 0:49:05.316
<v Speaker 1>You can also send your audio postcards to not Lost

0:49:05.396 --> 0:49:08.356
<v Speaker 1>at Pushkin dot fm, who've received a couple already and

0:49:08.356 --> 0:49:10.796
<v Speaker 1>they've been really tough watching. You can learn more about

0:49:10.836 --> 0:49:15.236
<v Speaker 1>Topic Studios at topic studios dot com. To find more

0:49:15.316 --> 0:49:19.756
<v Speaker 1>Pushkin podcast listen on the iHeartRadio app, Apple Podcasts, wherever

0:49:19.836 --> 0:49:23.636
<v Speaker 1>you listen to podcasts. I'm Brendan France has Newnham. I'll

0:49:23.676 --> 0:49:25.356
<v Speaker 1>be back in a few months. I'm actually going to

0:49:25.396 --> 0:49:27.716
<v Speaker 1>go on a real vacation. I'm not even gonna bring

0:49:27.796 --> 0:49:30.476
<v Speaker 1>my recording device. I may or may not crash your

0:49:30.516 --> 0:49:33.076
<v Speaker 1>dinner party. But I'll be back in a few months

0:49:33.196 --> 0:49:35.836
<v Speaker 1>with some chat versions of Not Lost. More about that later.

0:49:36.316 --> 0:49:37.916
<v Speaker 1>Until then, the pleasure has been mine.