1
00:00:00,160 --> 00:00:03,320
Speaker 1: Hello the Internet, and welcome to season twenty one, episode

2
00:00:03,360 --> 00:00:07,120
Speaker 1: three of Dry Daily's eight Guys from March seven, two

3
00:00:07,160 --> 00:00:10,400
Speaker 1: thou ten. My name is Jack O'Brien a k. Jack

4
00:00:10,440 --> 00:00:15,760
Speaker 1: of Alls, Tyrade's that's right, mon fucker's Uh. That ak

5
00:00:16,040 --> 00:00:20,919
Speaker 1: is courtesy of the Ironing is Delicious on Twitter, and

6
00:00:21,079 --> 00:00:23,920
Speaker 1: I am joined as always by my co host, Mr

7
00:00:24,040 --> 00:00:27,200
Speaker 1: Miles Gray. I got a few names for myself today

8
00:00:27,360 --> 00:00:29,960
Speaker 1: because I just think about black Panther a k A. Waconda,

9
00:00:30,040 --> 00:00:34,360
Speaker 1: Sykes aka to Chilla back Young. So those are just

10
00:00:34,479 --> 00:00:38,000
Speaker 1: some homemade ones. And that's that. And we are thrilled

11
00:00:38,159 --> 00:00:42,280
Speaker 1: to be joined in our third seat by the hilarious

12
00:00:42,520 --> 00:00:45,479
Speaker 1: Brendan Small. Hello, thank you for having me, Thank you

13
00:00:45,640 --> 00:00:50,520
Speaker 1: for me a Donald cock Donald. That's true, Yeah, that's true.

14
00:00:50,560 --> 00:00:52,120
Speaker 1: I'm just time. You know, everyone gets an a k

15
00:00:52,200 --> 00:00:54,320
Speaker 1: A out here. Yeah, that would be my Uh. I

16
00:00:54,360 --> 00:00:56,000
Speaker 1: guess I can't really admit it at all, so I

17
00:00:56,000 --> 00:01:00,520
Speaker 1: don't know what you're talking about. Forget it. Um. Yeah, Brendan,

18
00:01:00,960 --> 00:01:03,960
Speaker 1: what is something premier search history that is revealing about

19
00:01:04,000 --> 00:01:06,360
Speaker 1: who you are as a human being? I guess lately

20
00:01:06,560 --> 00:01:07,920
Speaker 1: in the last year, if you're to look at my

21
00:01:08,000 --> 00:01:11,480
Speaker 1: search history Um, I have been searching for ways to

22
00:01:11,560 --> 00:01:15,800
Speaker 1: do practical effects for live action and and so if

23
00:01:15,840 --> 00:01:18,080
Speaker 1: you look at my search history, you'll see that I

24
00:01:19,160 --> 00:01:22,720
Speaker 1: I've learned everything from YouTube. I mean you you can,

25
00:01:22,920 --> 00:01:25,520
Speaker 1: you can really learn anything you want to learn from YouTube.

26
00:01:26,000 --> 00:01:29,080
Speaker 1: Um I could. I've performed surgery on myself. UM, I

27
00:01:29,280 --> 00:01:32,440
Speaker 1: have taken my own teeth out. But um yeah, I

28
00:01:32,560 --> 00:01:37,040
Speaker 1: have youthanized anyway, So UM no, but I have. So

29
00:01:37,280 --> 00:01:41,160
Speaker 1: I just put out this short film called The Galacticon Nightmare,

30
00:01:41,200 --> 00:01:43,560
Speaker 1: which is this whole thing that I wanted to learn

31
00:01:43,640 --> 00:01:45,640
Speaker 1: how to do the Do you remember in Flash Cordon

32
00:01:45,760 --> 00:01:49,240
Speaker 1: the Ink, like the skies in that movie, they're all

33
00:01:49,280 --> 00:01:52,800
Speaker 1: these very colorful skies that anyway, what they do is

34
00:01:52,840 --> 00:01:56,520
Speaker 1: they fill an aquarium full of different viscous liquids and

35
00:01:56,640 --> 00:01:58,920
Speaker 1: they light it in different ways and they film it.

36
00:01:58,920 --> 00:02:01,720
Speaker 1: And I filmed it with animal glenses and I use

37
00:02:01,840 --> 00:02:04,440
Speaker 1: that as skies and backgrounds and what it gets. The

38
00:02:04,480 --> 00:02:06,560
Speaker 1: whole idea is to not use any CG whatsoever. It's

39
00:02:06,600 --> 00:02:09,200
Speaker 1: part of like my Dogma instead of Dogmaty five, it's

40
00:02:09,240 --> 00:02:12,079
Speaker 1: Corman eighty two. Roger Corman. Anything Roger Corman can do,

41
00:02:12,120 --> 00:02:14,120
Speaker 1: I can do. And that's the whole idea of this video.

42
00:02:14,200 --> 00:02:16,960
Speaker 1: So you'll see that we built robots, we built spaceships,

43
00:02:17,000 --> 00:02:19,680
Speaker 1: we shot them on Greece green screens, we compositive everything,

44
00:02:20,400 --> 00:02:24,160
Speaker 1: we um, we use these cool backgrounds. We built a

45
00:02:24,240 --> 00:02:27,440
Speaker 1: cool space whale creature, which is something between like you

46
00:02:27,520 --> 00:02:31,400
Speaker 1: know this crazy silicon Um thing that we shot underwater

47
00:02:31,800 --> 00:02:35,320
Speaker 1: and anyway, so everything that that I wanted to learn

48
00:02:35,400 --> 00:02:38,240
Speaker 1: between my brother Jeff Small, who is a makeup effects

49
00:02:38,280 --> 00:02:40,519
Speaker 1: officionade who's been doing it for fifteen years. So he

50
00:02:40,600 --> 00:02:42,600
Speaker 1: and I partnered to make this whole thing with funnier Die.

51
00:02:42,840 --> 00:02:45,200
Speaker 1: You can go check it out at funnier Die or

52
00:02:45,320 --> 00:02:47,600
Speaker 1: go to galacticon dot com and check it out here.

53
00:02:47,639 --> 00:02:49,639
Speaker 1: And so you had miniatures for your spaceships and all that.

54
00:02:49,760 --> 00:02:52,839
Speaker 1: Like we had a minute. I just noticed that there's something.

55
00:02:52,880 --> 00:02:55,880
Speaker 1: Somebody told me this. I don't remember who to attribute

56
00:02:55,919 --> 00:02:59,359
Speaker 1: this quote too, but basically, c g I looks very real.

57
00:02:59,480 --> 00:03:01,799
Speaker 1: But we know what fake. You know, in every single movie,

58
00:03:01,840 --> 00:03:06,000
Speaker 1: every huge gigantic budget movie. But anytime we see actual

59
00:03:06,080 --> 00:03:08,320
Speaker 1: practical effects, an actual thing that may have been a

60
00:03:08,360 --> 00:03:12,120
Speaker 1: miniature or something, it looks maybe fake, but it feels real.

61
00:03:12,480 --> 00:03:15,959
Speaker 1: It's tactile. It does something to our sub exactly. We

62
00:03:16,040 --> 00:03:19,959
Speaker 1: know there's volume and density, and it refracts light in

63
00:03:20,080 --> 00:03:22,320
Speaker 1: the real way because that's actual light hitting an object.

64
00:03:22,440 --> 00:03:25,160
Speaker 1: So all those things hit our subconscious when we watch something,

65
00:03:25,200 --> 00:03:27,000
Speaker 1: and so I wanted to do it. I wanted to

66
00:03:27,080 --> 00:03:29,320
Speaker 1: experiment with that stuff, and I'm really really happy with

67
00:03:29,360 --> 00:03:30,720
Speaker 1: how it turned out. So when you check it out,

68
00:03:30,760 --> 00:03:34,120
Speaker 1: you'll see that this looks like a huge, gigantic budget thing.

69
00:03:34,160 --> 00:03:35,680
Speaker 1: I don't even want to tell people what I spent,

70
00:03:36,240 --> 00:03:38,240
Speaker 1: because I got the right lenses, I got the right crew,

71
00:03:38,280 --> 00:03:40,680
Speaker 1: I got a great DP this guy Matt Sweeney, I

72
00:03:40,680 --> 00:03:42,920
Speaker 1: got a great compositor, this guy Brian Weeder, and I

73
00:03:42,960 --> 00:03:45,600
Speaker 1: got my brother and a great editing team. And then

74
00:03:45,880 --> 00:03:48,040
Speaker 1: I also scored all this extra stuff and the John

75
00:03:48,080 --> 00:03:52,680
Speaker 1: Carpenter style. So just check it out, because that's like

76
00:03:52,760 --> 00:03:55,160
Speaker 1: what I think with Christopher Nolan too. He has such

77
00:03:55,240 --> 00:03:58,480
Speaker 1: an insistence on doing everything in camera, and that lends

78
00:03:58,520 --> 00:04:00,160
Speaker 1: itself to sort of the magic of a out of

79
00:04:00,240 --> 00:04:02,680
Speaker 1: his films where he's really realized, like everything has to

80
00:04:02,720 --> 00:04:05,240
Speaker 1: be practice. There's something too, when you see Batman sitting

81
00:04:05,280 --> 00:04:08,800
Speaker 1: on a gigantic, huge building and the wind is blowing

82
00:04:08,840 --> 00:04:10,760
Speaker 1: his cape and you know that that's a person and

83
00:04:10,840 --> 00:04:14,280
Speaker 1: it's a huge shot, a helicopter shot sweeping in something

84
00:04:14,360 --> 00:04:17,279
Speaker 1: happens where you think that's Batman. That's the actual Batman

85
00:04:17,440 --> 00:04:20,000
Speaker 1: on a on a building and he's about to fly

86
00:04:20,120 --> 00:04:22,920
Speaker 1: off versus like Jello Spider Man or something. Yeah. Well,

87
00:04:22,920 --> 00:04:25,440
Speaker 1: I mean the stakes are very low. When we like

88
00:04:25,600 --> 00:04:27,240
Speaker 1: through CGN on the stuff. We know that someone's just

89
00:04:27,320 --> 00:04:30,040
Speaker 1: invulnerable and they can slip and dodge and just standing

90
00:04:30,080 --> 00:04:32,920
Speaker 1: on an apple create and like a break green room. Yeah,

91
00:04:32,960 --> 00:04:34,480
Speaker 1: I mean, but there's something to it too when it's

92
00:04:34,480 --> 00:04:36,600
Speaker 1: done well. But but this is a fun experiment in

93
00:04:36,640 --> 00:04:38,719
Speaker 1: that check it out. It's that's part of it. So basically,

94
00:04:38,760 --> 00:04:41,200
Speaker 1: I took my comic book. I have a record called Galacticon.

95
00:04:41,279 --> 00:04:43,280
Speaker 1: I have a comic book called Galacticon, and from the

96
00:04:43,360 --> 00:04:45,160
Speaker 1: comic book, I took that and put it up on

97
00:04:45,240 --> 00:04:48,640
Speaker 1: his feet, so you'll see robots, space whales, spaceships and

98
00:04:48,640 --> 00:04:51,240
Speaker 1: all kinds of crazy stuff. Anyway, That's that's all my

99
00:04:51,360 --> 00:04:54,080
Speaker 1: Google searching has been me being around Moon Take just

100
00:04:54,440 --> 00:04:57,800
Speaker 1: researching this stuff. Amazing. Yeah, you're probably the most like

101
00:04:58,320 --> 00:05:03,080
Speaker 1: prolific guest we've ever head on people who aren't familiar

102
00:05:03,320 --> 00:05:06,640
Speaker 1: with your work, but like you. I mean, you've had

103
00:05:06,839 --> 00:05:10,000
Speaker 1: TV shows. You have some of our favorite characters on

104
00:05:10,080 --> 00:05:13,039
Speaker 1: Comedy Bang Bang, the TV show on Comedy Bang Bang,

105
00:05:13,120 --> 00:05:17,120
Speaker 1: the podcast. Uh yeah, Brennan is all over the place.

106
00:05:17,200 --> 00:05:19,080
Speaker 1: I was saying, I was telling my girlfriend this morning.

107
00:05:19,120 --> 00:05:20,920
Speaker 1: I was like, this is the first time I've been

108
00:05:20,960 --> 00:05:22,720
Speaker 1: a fan of someone that's like coming. I mean, like

109
00:05:24,720 --> 00:05:26,840
Speaker 1: you know, like no, I think because I'm so like

110
00:05:27,160 --> 00:05:30,240
Speaker 1: from It's good and terrible movies and things like that,

111
00:05:30,400 --> 00:05:33,039
Speaker 1: and just like even like when you would be on Aquitine,

112
00:05:33,080 --> 00:05:34,800
Speaker 1: I'm like, yo, I think that's Brendan Small. I just

113
00:05:34,920 --> 00:05:37,520
Speaker 1: have this thing. So it's very good to have you here.

114
00:05:37,800 --> 00:05:48,760
Speaker 1: Thank you. Guys always talks about your Australian accent. My yess,

115
00:05:48,800 --> 00:05:53,320
Speaker 1: I'll stream some how you you. I love Australia, I

116
00:05:53,720 --> 00:05:55,560
Speaker 1: and Australia has been very nice to me over the years.

117
00:05:55,560 --> 00:05:57,680
Speaker 1: But I just it doesn't really even sound like an

118
00:05:57,680 --> 00:06:01,240
Speaker 1: Australian accent. It's somewhere between South with the African New Zealand.

119
00:06:01,279 --> 00:06:04,159
Speaker 1: In some places you're on a ship from South Africa

120
00:06:04,240 --> 00:06:09,720
Speaker 1: toting not even um keep finding my decentation, yea. Luckily

121
00:06:09,760 --> 00:06:11,200
Speaker 1: we do have and we have a good amount of

122
00:06:11,200 --> 00:06:15,919
Speaker 1: people who listened to so we'll hear from them. Australia

123
00:06:16,040 --> 00:06:21,480
Speaker 1: Good today. What is something you think is underrated? Brenain, underrated?

124
00:06:21,720 --> 00:06:24,040
Speaker 1: I love if we're gonna talk about movies and stuff

125
00:06:24,040 --> 00:06:29,359
Speaker 1: like that. I think original scripts are underrated, original new ideas.

126
00:06:29,360 --> 00:06:31,400
Speaker 1: Anytime I see a movie that may not be like

127
00:06:31,480 --> 00:06:34,279
Speaker 1: a top tier movie, I give him so many points

128
00:06:34,360 --> 00:06:37,040
Speaker 1: for being original, for having a new character, for having

129
00:06:37,120 --> 00:06:40,280
Speaker 1: something new to look at, to have a new ideology, philosophy,

130
00:06:40,880 --> 00:06:43,800
Speaker 1: or just a new you know, and you take on

131
00:06:43,880 --> 00:06:46,320
Speaker 1: the human condition. That to me, I think is underrated.

132
00:06:46,800 --> 00:06:51,000
Speaker 1: Um in a world of you know, lots of things

133
00:06:51,080 --> 00:06:53,800
Speaker 1: that are kind of you know, safe bets, high ratings,

134
00:06:53,800 --> 00:06:56,440
Speaker 1: equal and audience. So because we recognize this, we'll go

135
00:06:56,520 --> 00:06:58,080
Speaker 1: see that movie. And it's true, it does make a

136
00:06:58,120 --> 00:07:00,640
Speaker 1: lot of money, but we're I mean, what why do

137
00:07:00,760 --> 00:07:02,720
Speaker 1: we go to the movies in the first place? Um,

138
00:07:03,040 --> 00:07:08,000
Speaker 1: To connect, to feel something, to escape maybe or to confront.

139
00:07:08,400 --> 00:07:10,920
Speaker 1: So you know, that's that's the kind of stuff I

140
00:07:11,040 --> 00:07:13,280
Speaker 1: really applaud when it's original. So I don't know, maybe

141
00:07:13,320 --> 00:07:16,800
Speaker 1: that's underrated originality. Yeah, I personally go to the movies

142
00:07:16,840 --> 00:07:20,800
Speaker 1: to compare and contrast different versions of tomb Raider. Was

143
00:07:21,000 --> 00:07:24,160
Speaker 1: curious about the different visions of that. Uh. Yeah, just

144
00:07:25,000 --> 00:07:28,600
Speaker 1: talking about practical effects. Something that uh I learned from

145
00:07:29,360 --> 00:07:33,200
Speaker 1: an effects house in Los Angeles that we interviewed back

146
00:07:33,240 --> 00:07:37,040
Speaker 1: when I worked at CRACT was that practical affects people.

147
00:07:37,280 --> 00:07:40,800
Speaker 1: You know, everybody thinks CG was like first came on

148
00:07:40,840 --> 00:07:44,280
Speaker 1: the scene with Jurassic Park, and they associate Jurassic Park

149
00:07:44,360 --> 00:07:47,200
Speaker 1: with all c G I, But a lot of that

150
00:07:47,640 --> 00:07:50,760
Speaker 1: is practical effects kind of combined with c G I

151
00:07:51,320 --> 00:07:53,960
Speaker 1: and uh and it's a really great balance because you

152
00:07:54,040 --> 00:07:56,120
Speaker 1: do see a sna name what is it, like a

153
00:07:56,160 --> 00:07:59,600
Speaker 1: stegasaurus or something like the tri seratops, that's what it is,

154
00:07:59,800 --> 00:08:02,440
Speaker 1: and sleeping you can actually see its chast rise and fall.

155
00:08:02,840 --> 00:08:05,960
Speaker 1: And that's a real, actual practical thing and that I think.

156
00:08:06,080 --> 00:08:08,480
Speaker 1: I mean, I mean, I'm interested to see what Spielberg

157
00:08:08,520 --> 00:08:10,760
Speaker 1: does with Ready Player one. By the way, I will

158
00:08:11,280 --> 00:08:14,400
Speaker 1: watch everything over and over again by Spielberg. Yeah, we

159
00:08:14,480 --> 00:08:16,760
Speaker 1: cannot do wrong for sure. I think this ship was

160
00:08:16,880 --> 00:08:19,360
Speaker 1: real too, It's right, I think it was real dinosaurs. Yeah,

161
00:08:19,600 --> 00:08:24,640
Speaker 1: that was Steven spielberg collected collection. Um, that was my

162
00:08:24,680 --> 00:08:28,440
Speaker 1: big question though, because with those dinosaurs they had to

163
00:08:28,520 --> 00:08:30,320
Speaker 1: be eating so much like they're just had to be

164
00:08:30,480 --> 00:08:34,920
Speaker 1: barges of dinosaurs. Ship. It's just like leaving that island daily.

165
00:08:35,120 --> 00:08:38,200
Speaker 1: That's probably what how did that? That's a spinoff film

166
00:08:38,400 --> 00:08:41,480
Speaker 1: that's like a Rosencrans and gilden Strand Dead of the

167
00:08:41,600 --> 00:08:47,600
Speaker 1: Jurassic Park where brand was something that's overrated Facebook, Yeah,

168
00:08:48,000 --> 00:08:50,800
Speaker 1: I have said, I don't know. I mean, I I

169
00:08:50,920 --> 00:08:53,280
Speaker 1: think it's a Really what it does is it makes

170
00:08:53,320 --> 00:08:55,760
Speaker 1: people just feel bad about themselves all the time because

171
00:08:55,880 --> 00:08:58,760
Speaker 1: they're everyone's kind of looking at the grass is greener constantly,

172
00:08:59,400 --> 00:09:03,800
Speaker 1: and I think it's it just makes people feel like

173
00:09:04,160 --> 00:09:06,200
Speaker 1: like hell, I think people come home, my god, they

174
00:09:06,280 --> 00:09:07,920
Speaker 1: have that. How come I don't write that? Why are

175
00:09:07,920 --> 00:09:09,360
Speaker 1: they doing this? And I'm not doing this? And so

176
00:09:09,720 --> 00:09:14,280
Speaker 1: everyone's in a complacent place constantly. And I also think

177
00:09:14,320 --> 00:09:18,120
Speaker 1: it's a it's a surrogate for friendship, and I think

178
00:09:18,160 --> 00:09:20,400
Speaker 1: that's a tricky and dangerous thing too. I think people

179
00:09:20,400 --> 00:09:23,199
Speaker 1: are more isolated than ever right now, and they shouldn't

180
00:09:23,240 --> 00:09:26,439
Speaker 1: be because even though we're all even though we like

181
00:09:26,640 --> 00:09:30,120
Speaker 1: to think that we're we're good by them ourselves, we're

182
00:09:30,160 --> 00:09:32,400
Speaker 1: like I can take I'm batman. I can stand on

183
00:09:32,480 --> 00:09:34,120
Speaker 1: at the top of the thing and be by myself.

184
00:09:34,559 --> 00:09:36,839
Speaker 1: We're a pack animals, and we're at our absolute best

185
00:09:37,200 --> 00:09:40,040
Speaker 1: when we're working together on something. If we're like a

186
00:09:40,160 --> 00:09:42,880
Speaker 1: group of people doing the same thing we're we're like,

187
00:09:43,000 --> 00:09:45,280
Speaker 1: we get high, we get some kind of great feeling

188
00:09:46,000 --> 00:09:48,280
Speaker 1: because we're all working together on something. And when we're

189
00:09:48,360 --> 00:09:51,679
Speaker 1: isolated pretending to have friends kind of checking in here

190
00:09:51,679 --> 00:09:53,839
Speaker 1: and there, we are communicating a little bit. But but

191
00:09:53,880 --> 00:09:55,480
Speaker 1: you're looking at your friend count, you're looking at all

192
00:09:55,520 --> 00:09:57,400
Speaker 1: this different stuff. I think it's a very dangerous thing.

193
00:09:57,440 --> 00:10:00,960
Speaker 1: And I think it's it makes it's the illusion of friendship,

194
00:10:01,000 --> 00:10:03,560
Speaker 1: it's the illusion of contact, but it doesn't really make

195
00:10:03,640 --> 00:10:05,959
Speaker 1: up for it. So so I think that that you

196
00:10:06,040 --> 00:10:08,199
Speaker 1: can you can pinpoint that and just kind of look

197
00:10:08,240 --> 00:10:10,880
Speaker 1: at destructive things that are happening in our society right now.

198
00:10:10,880 --> 00:10:13,640
Speaker 1: And I do think Facebook maybe part of it. Oh absolutely,

199
00:10:13,640 --> 00:10:15,319
Speaker 1: If we didn't have Facebook, we had to just being

200
00:10:15,320 --> 00:10:18,520
Speaker 1: around each other, we would be a different society. Yeah,

201
00:10:18,559 --> 00:10:20,199
Speaker 1: I mean it's annoying to be around people at the

202
00:10:20,200 --> 00:10:22,600
Speaker 1: same time, so that contradicts everything. That's why when people say, like, well,

203
00:10:22,600 --> 00:10:24,679
Speaker 1: I send you a message on Facebook. I'm like, I

204
00:10:24,800 --> 00:10:26,880
Speaker 1: live in the real world. You have my phone number,

205
00:10:27,000 --> 00:10:32,560
Speaker 1: you can call me. That's equally annoying and upace bro.

206
00:10:33,559 --> 00:10:38,280
Speaker 1: I agree. I've actually because I was working and Facebook

207
00:10:38,360 --> 00:10:40,319
Speaker 1: was always a work thing, I never totally got into it.

208
00:10:40,440 --> 00:10:43,280
Speaker 1: But I think I think you're right that there is

209
00:10:43,559 --> 00:10:47,360
Speaker 1: a broader consequence of that. Um. There's a great article

210
00:10:47,440 --> 00:10:51,720
Speaker 1: called The Poison We Pick in New York Magazine this week.

211
00:10:51,840 --> 00:10:55,720
Speaker 1: I think that kind of talks about the opioid crisis

212
00:10:55,840 --> 00:11:00,079
Speaker 1: in relation to this kind of deep loneliness, uh, and

213
00:11:00,760 --> 00:11:04,679
Speaker 1: that our current version of capitalism has engendered. And Um,

214
00:11:04,880 --> 00:11:08,240
Speaker 1: they talked about this study that was done where they

215
00:11:08,440 --> 00:11:12,840
Speaker 1: put rats in a in individual cages and gave them

216
00:11:12,840 --> 00:11:16,160
Speaker 1: access to opioids, and then they put them in a

217
00:11:16,240 --> 00:11:19,480
Speaker 1: place where they could sort of exercise and interact with

218
00:11:19,559 --> 00:11:23,360
Speaker 1: other rats, and they just chose not to do the

219
00:11:23,800 --> 00:11:27,600
Speaker 1: drugs when they had the opportunity to interact with other

220
00:11:27,880 --> 00:11:32,040
Speaker 1: creatures like themselves. Uh, whereas the ones who were in

221
00:11:32,240 --> 00:11:35,000
Speaker 1: the cages just did it until they died. And I

222
00:11:35,080 --> 00:11:38,920
Speaker 1: mean that's basically that's it. I think we have. I mean,

223
00:11:39,640 --> 00:11:43,400
Speaker 1: I think we have an incredibly lonely president. Can you

224
00:11:43,520 --> 00:11:46,559
Speaker 1: can you imagine how how isolated and how lonely his

225
00:11:46,720 --> 00:11:49,600
Speaker 1: life is right now, Like all people who were close

226
00:11:49,679 --> 00:11:51,920
Speaker 1: to him have been filing out and he's sort of

227
00:11:52,040 --> 00:11:53,959
Speaker 1: left these will down to me. He is down to

228
00:11:54,600 --> 00:11:57,760
Speaker 1: zero kids. I mean, imagine just the psychosis involved with

229
00:11:58,040 --> 00:12:00,280
Speaker 1: just having nothing and and the kids which are kind

230
00:12:00,280 --> 00:12:01,880
Speaker 1: of like they're kind of he's in the position of

231
00:12:01,920 --> 00:12:04,360
Speaker 1: where he has to push them out too. So just

232
00:12:04,480 --> 00:12:07,520
Speaker 1: imagine your daily life. You're the most powerful person in

233
00:12:07,559 --> 00:12:09,439
Speaker 1: the world and you have not one person that you

234
00:12:09,480 --> 00:12:13,079
Speaker 1: can trust or talk to, and or those people around

235
00:12:13,120 --> 00:12:15,079
Speaker 1: you were just guessing you to death. And you know,

236
00:12:15,320 --> 00:12:17,480
Speaker 1: you know, when someone's kissing your ass. And I don't

237
00:12:17,480 --> 00:12:20,120
Speaker 1: know if he does, but maybe he doesn't. Maybe he

238
00:12:20,240 --> 00:12:22,360
Speaker 1: could very well not. But I do think that's that

239
00:12:22,600 --> 00:12:25,439
Speaker 1: is this is part of the Facebook, Twitter, all that stuff.

240
00:12:26,440 --> 00:12:29,040
Speaker 1: Um So that's that's what I think is. I think

241
00:12:29,040 --> 00:12:31,400
Speaker 1: it's overrated. And I think if if for every time

242
00:12:31,440 --> 00:12:34,600
Speaker 1: I hear about Facebook fucking up and maybe going away,

243
00:12:34,880 --> 00:12:38,160
Speaker 1: I get kind of excited, right, you know, well it's

244
00:12:38,160 --> 00:12:40,240
Speaker 1: funny because yeah, like in that loneliness, right, the same

245
00:12:40,280 --> 00:12:43,000
Speaker 1: with social media, like you may post something that you

246
00:12:43,080 --> 00:12:45,839
Speaker 1: think will get likes to sort of validates yourself, and

247
00:12:45,920 --> 00:12:47,520
Speaker 1: in the same way like he uses Twitter to just

248
00:12:47,760 --> 00:12:50,439
Speaker 1: cause a huge fucking uproar. It's like his way of

249
00:12:50,480 --> 00:12:52,520
Speaker 1: saying like, oh, there's my feedback or there's my like

250
00:12:52,640 --> 00:12:55,040
Speaker 1: there's me interacting and like, oh, now I can sort

251
00:12:55,080 --> 00:12:56,880
Speaker 1: of kick the can down the road and just stay

252
00:12:56,960 --> 00:12:59,040
Speaker 1: in my room for executive time. And there's behind the

253
00:12:59,080 --> 00:13:02,640
Speaker 1: scenes reports that he gets itchy when he's not in

254
00:13:02,720 --> 00:13:05,440
Speaker 1: the headlines from Yeah, I see that, but it's I mean,

255
00:13:05,520 --> 00:13:08,360
Speaker 1: this is again something that wouldn't have happened ten twenty

256
00:13:08,440 --> 00:13:11,199
Speaker 1: years ago. No one needs to hear from me, That's

257
00:13:11,240 --> 00:13:12,800
Speaker 1: what I'd have to say to know what he needs.

258
00:13:12,800 --> 00:13:15,319
Speaker 1: I mean, I'm out there just I'm basically a salesperson

259
00:13:15,320 --> 00:13:16,840
Speaker 1: who just going, hey, I've got this for sale. I've

260
00:13:16,880 --> 00:13:19,640
Speaker 1: got this for saying, I hope you like it exactly.

261
00:13:19,679 --> 00:13:22,080
Speaker 1: That's all I'm really doing on on Instagram and Twitter,

262
00:13:22,520 --> 00:13:24,160
Speaker 1: and then every once while I'll tweet a joke or

263
00:13:24,200 --> 00:13:26,560
Speaker 1: something like that. But that's very rare. You don't need

264
00:13:26,640 --> 00:13:28,880
Speaker 1: to hear from me, you don't need to get You

265
00:13:28,960 --> 00:13:30,800
Speaker 1: don't just enjoy the stuff I put out. You don't

266
00:13:30,800 --> 00:13:32,719
Speaker 1: even know who I you shouldn't know who I am.

267
00:13:36,360 --> 00:13:38,720
Speaker 1: I don't know if I'm enjoying. Yeah, exactly what I mean.

268
00:13:38,800 --> 00:13:41,079
Speaker 1: You really shouldn't be checking in on people like me

269
00:13:41,200 --> 00:13:45,040
Speaker 1: at all, That's what I said. I don't. Yeah, but

270
00:13:45,080 --> 00:13:47,640
Speaker 1: I don't need to hear like I love Arnold Schwarzenegger.

271
00:13:47,679 --> 00:13:49,719
Speaker 1: I don't need to know what he's saying. Yeah, I

272
00:13:49,760 --> 00:13:51,440
Speaker 1: don't need to look at him every day. I don't.

273
00:13:51,520 --> 00:13:53,599
Speaker 1: I don't need to look at Donald Trump ever. But

274
00:13:53,720 --> 00:13:55,800
Speaker 1: I mean, I really don't need to look at him

275
00:13:56,120 --> 00:13:59,200
Speaker 1: and watch him meltdown constantly. Although every story I hear

276
00:13:59,200 --> 00:14:01,559
Speaker 1: about don't sure senigger just makes me like him more

277
00:14:01,720 --> 00:14:06,880
Speaker 1: like he's just aggressive aggressive, Like yeah, just like a

278
00:14:07,000 --> 00:14:09,280
Speaker 1: gym teacher. I don't know why I picked Arnold Schwarzenegger,

279
00:14:09,280 --> 00:14:13,560
Speaker 1: to be honest, I don't just search Arnold Schwartzenegger Brazil

280
00:14:14,800 --> 00:14:18,959
Speaker 1: and check out that out there. What dude he is

281
00:14:19,040 --> 00:14:22,440
Speaker 1: like in Brazil in the seventies, and I know that, yeah,

282
00:14:22,520 --> 00:14:25,400
Speaker 1: he doesn't understand boundaries, or that he's making this woman

283
00:14:25,640 --> 00:14:29,520
Speaker 1: so uncomfortable interesting, interesting, I think I know that terrifying,

284
00:14:29,520 --> 00:14:31,880
Speaker 1: all right, So I don't I don't advocate that. Alright,

285
00:14:32,240 --> 00:14:34,240
Speaker 1: we're trying to take a sample of what people are

286
00:14:34,400 --> 00:14:37,440
Speaker 1: thinking and talking about right now today, at the moment

287
00:14:37,520 --> 00:14:39,440
Speaker 1: that we record it. Uh. And the way we like

288
00:14:39,520 --> 00:14:41,080
Speaker 1: to open up is by asking our guests, what is

289
00:14:41,120 --> 00:14:44,240
Speaker 1: a myth? What's something that people out there think it's

290
00:14:44,280 --> 00:14:47,120
Speaker 1: true that you know to be false based on your

291
00:14:47,320 --> 00:14:52,120
Speaker 1: personal experience. Oh geez, oh, man, help me out here, guys,

292
00:14:52,240 --> 00:14:55,600
Speaker 1: I don't know anything with guitars. I mean, okay, yeah, yeah,

293
00:14:55,960 --> 00:14:58,480
Speaker 1: oh I know. I mean, look, I'm a guitar guy,

294
00:14:58,600 --> 00:15:00,960
Speaker 1: so I've you know, I've I've got like I'm kind

295
00:15:00,960 --> 00:15:04,360
Speaker 1: of straddling the line between music and comedy entertainment stuff.

296
00:15:04,400 --> 00:15:07,040
Speaker 1: And I definitely want to keep one foot planted forever

297
00:15:07,200 --> 00:15:10,320
Speaker 1: in the guitar and music world. But um, I a

298
00:15:10,400 --> 00:15:12,360
Speaker 1: lot of people are players and people. And it's funny.

299
00:15:12,520 --> 00:15:15,160
Speaker 1: If you're a guitar player, you're a guitar teacher, whether

300
00:15:15,240 --> 00:15:17,280
Speaker 1: or not you want to be. You're you're gonna show

301
00:15:17,320 --> 00:15:19,160
Speaker 1: your friend down the street a cool liqu or riff

302
00:15:19,240 --> 00:15:21,600
Speaker 1: or how to play iron Man or something. Which is

303
00:15:21,640 --> 00:15:23,320
Speaker 1: how I had learned how to play guitar was by

304
00:15:23,520 --> 00:15:25,000
Speaker 1: my friend down the street showing me how to play

305
00:15:25,000 --> 00:15:27,480
Speaker 1: iron Man. But um, but there are a lot of

306
00:15:27,520 --> 00:15:30,840
Speaker 1: different myths. One of the myths about guitars that I learned. So,

307
00:15:30,960 --> 00:15:33,840
Speaker 1: you have a regular show called Baked that super producer

308
00:15:33,920 --> 00:15:37,680
Speaker 1: and Josnier works on with you, uh ste with Steve

309
00:15:37,720 --> 00:15:41,040
Speaker 1: ag and uh you know, I came to that show

310
00:15:41,400 --> 00:15:45,880
Speaker 1: and you and another gentleman whose name I'm drawing a

311
00:15:45,960 --> 00:15:51,360
Speaker 1: blank on who's apparently a guitar guy. You guys are

312
00:15:51,480 --> 00:15:56,880
Speaker 1: both just incredible guitarists, but you don't look like guitarists

313
00:15:57,080 --> 00:16:00,880
Speaker 1: like we look like look like normal people. We uh,

314
00:16:01,080 --> 00:16:03,200
Speaker 1: because well he was in Death Clock with me when

315
00:16:03,240 --> 00:16:05,400
Speaker 1: we were touring, so we would just get mistaken for

316
00:16:05,440 --> 00:16:09,280
Speaker 1: the band accountants because none of us. I mean that

317
00:16:09,400 --> 00:16:11,920
Speaker 1: artist pass bass player and drummer looks like cool, badass

318
00:16:12,360 --> 00:16:14,040
Speaker 1: rock and roll guys. Me and Mike look like the

319
00:16:14,160 --> 00:16:16,080
Speaker 1: kind of guy that uh, we look like. You know,

320
00:16:16,120 --> 00:16:18,800
Speaker 1: we're gonna take your ticket at the booth, you know. So, Um,

321
00:16:19,080 --> 00:16:21,560
Speaker 1: Mike looks like a little like Leonard Maltin. That's I

322
00:16:21,640 --> 00:16:26,200
Speaker 1: think Mike and Neally. If you haven't checked him out,

323
00:16:26,280 --> 00:16:29,920
Speaker 1: check out his stuff. He is a monster in every

324
00:16:30,360 --> 00:16:34,640
Speaker 1: possible way of musicianship. And he's a funny, nice, great guy. Um,

325
00:16:34,720 --> 00:16:37,000
Speaker 1: and so is everybody in the Baked band. But he

326
00:16:37,240 --> 00:16:39,880
Speaker 1: just got off a tour with Joe Satriani where most

327
00:16:39,920 --> 00:16:42,400
Speaker 1: of the Bakes band is now part of Joe Satriani's band.

328
00:16:43,000 --> 00:16:47,160
Speaker 1: So Joe Traverse just toured with with Satriani. Um, Brian

329
00:16:47,240 --> 00:16:49,640
Speaker 1: Beller who plays with Me and Death Clock and Galacticon

330
00:16:50,400 --> 00:16:54,240
Speaker 1: is in the Satriani band and um and uh yeah,

331
00:16:54,360 --> 00:16:56,960
Speaker 1: so it's funny we share a rhythm section. Our comedy

332
00:16:57,040 --> 00:17:00,040
Speaker 1: show shares a rhythm section, which seems like why with

333
00:17:00,160 --> 00:17:03,520
Speaker 1: the geo stature only pick a comedy rhythm section? Because

334
00:17:03,600 --> 00:17:07,360
Speaker 1: they're there. Yeah, I I use a term often. They're

335
00:17:07,359 --> 00:17:09,840
Speaker 1: super musicians. They can do stuff that nobody else can do,

336
00:17:10,160 --> 00:17:11,840
Speaker 1: and they can do it while they're drinking a cup

337
00:17:11,880 --> 00:17:14,520
Speaker 1: of coffee and just do it with one hand. They're insane.

338
00:17:14,760 --> 00:17:17,200
Speaker 1: So also in our band is Walter you know, who's

339
00:17:17,240 --> 00:17:19,119
Speaker 1: kind of like a Mike Kenneely on his own and

340
00:17:19,200 --> 00:17:20,720
Speaker 1: he has done tons of shows with us, and he's

341
00:17:20,720 --> 00:17:23,639
Speaker 1: a monster player, guitarist and keyboard player and singer. He

342
00:17:23,680 --> 00:17:26,760
Speaker 1: can do He's a human jukebox. Yeah, alright, let's get

343
00:17:26,880 --> 00:17:30,040
Speaker 1: into the stories of the day, you guys, because there's

344
00:17:30,080 --> 00:17:33,440
Speaker 1: a lot of stories to catch up on UM, and

345
00:17:33,640 --> 00:17:36,440
Speaker 1: we're just gonna go through them pretty quickly. Up top

346
00:17:36,880 --> 00:17:42,399
Speaker 1: UM Jeff Sessions and sort of the continuing W W

347
00:17:42,720 --> 00:17:49,080
Speaker 1: E f ication of politics. Sessions went to Sacramento and

348
00:17:49,320 --> 00:17:54,320
Speaker 1: said he was going to uh sue California over sanctuary cities,

349
00:17:54,400 --> 00:17:58,520
Speaker 1: and then the governor of California fired back with a tweet.

350
00:17:58,600 --> 00:18:02,920
Speaker 1: And it's just all like I'm coming through, like, yeah,

351
00:18:03,040 --> 00:18:05,800
Speaker 1: you ain't gonna do ship Like it's yeah, it's it's crazy.

352
00:18:05,840 --> 00:18:08,000
Speaker 1: It's a it's a stunt, you know, because there he's

353
00:18:08,000 --> 00:18:10,080
Speaker 1: basically trying to It's it's over these three laws that

354
00:18:10,480 --> 00:18:12,960
Speaker 1: California passing the wake of Trump's selection, basically saying like

355
00:18:13,000 --> 00:18:15,240
Speaker 1: we're not going to tell our police enforced immigration laws

356
00:18:15,280 --> 00:18:18,000
Speaker 1: like their police they're here to force like like actual

357
00:18:18,119 --> 00:18:20,760
Speaker 1: laws and and and you know, keep criminals off the street.

358
00:18:21,160 --> 00:18:23,680
Speaker 1: Uh So again, you know, just it seems like just

359
00:18:23,760 --> 00:18:25,480
Speaker 1: a political stunt. We'll see what happens. I think this

360
00:18:25,840 --> 00:18:27,680
Speaker 1: case is a little bit it might be harder for

361
00:18:27,840 --> 00:18:31,240
Speaker 1: them to win because like you know, typically states will

362
00:18:31,280 --> 00:18:33,879
Speaker 1: sue the d O J over ship. Uh and with

363
00:18:34,040 --> 00:18:36,119
Speaker 1: them trying to like sort of prove that these laws

364
00:18:36,160 --> 00:18:39,399
Speaker 1: are like sort of like, you know, preventing ice from

365
00:18:39,480 --> 00:18:41,760
Speaker 1: doing shit. It might be a little bit harder because

366
00:18:41,800 --> 00:18:44,800
Speaker 1: they're already in California doing raids, so they're gonna be like,

367
00:18:44,920 --> 00:18:46,920
Speaker 1: what's the problem, Like what you're trying to say? It

368
00:18:47,000 --> 00:18:49,879
Speaker 1: just because we're I guess defying you. You know, they

369
00:18:49,960 --> 00:18:51,600
Speaker 1: want to sue and and make it about that. But

370
00:18:52,000 --> 00:18:55,480
Speaker 1: I wish that, uh, Sessions and Trump would commit to

371
00:18:55,800 --> 00:18:58,359
Speaker 1: m to hating each other and doing the opposite of

372
00:18:58,440 --> 00:19:01,160
Speaker 1: one another's gender or something that I just wish. I'm

373
00:19:01,160 --> 00:19:03,560
Speaker 1: confused by there. Maybe it's because I'm a writer. I

374
00:19:03,640 --> 00:19:06,159
Speaker 1: just want one simple story, you know what I mean, Like, oh,

375
00:19:06,240 --> 00:19:07,720
Speaker 1: this is confusing. You don't want any of this, one

376
00:19:07,760 --> 00:19:10,480
Speaker 1: of that? Ohh he's calling him like what what's he

377
00:19:10,480 --> 00:19:12,359
Speaker 1: called him? Captain Crunch or some kind of STU. So

378
00:19:12,480 --> 00:19:17,840
Speaker 1: he means, well, the what did Mr McGoo? Yeah, which

379
00:19:17,920 --> 00:19:22,240
Speaker 1: isn't even very good. I mean, well Mr McGoo did,

380
00:19:22,400 --> 00:19:24,439
Speaker 1: like even though he was bumbling, he did solve all

381
00:19:24,440 --> 00:19:27,840
Speaker 1: the crimes. So um, but he was old and myopic

382
00:19:27,960 --> 00:19:30,040
Speaker 1: and couldn't see it and all that stuff. But um,

383
00:19:30,200 --> 00:19:32,440
Speaker 1: I wish that. And Sessions feels like he's falling in

384
00:19:32,520 --> 00:19:37,560
Speaker 1: line with Trump's ultimate plans. He always wanted to get

385
00:19:37,680 --> 00:19:39,800
Speaker 1: rid of immigrants, so I think this is pretty normal.

386
00:19:40,000 --> 00:19:43,360
Speaker 1: This is his own agenda. Yeah. Um, yeah, that's interesting

387
00:19:43,440 --> 00:19:46,040
Speaker 1: thinking about it from a writer's perspective, because I mean,

388
00:19:46,200 --> 00:19:50,960
Speaker 1: this is a type of propaganda that Putin and the Kremlin,

389
00:19:51,720 --> 00:19:55,760
Speaker 1: the current sort of regime in Russia perfected, where it's

390
00:19:55,840 --> 00:19:59,680
Speaker 1: just like they put there's like shifting realities where you're

391
00:19:59,720 --> 00:20:03,440
Speaker 1: never are like on a firm uh standing, and like

392
00:20:03,640 --> 00:20:06,640
Speaker 1: so they'll they'll be friends, they'll say they're friends, they'll

393
00:20:06,640 --> 00:20:08,800
Speaker 1: say they hate each other, and like you just don't

394
00:20:08,880 --> 00:20:11,800
Speaker 1: know where you stand at any time, and like five

395
00:20:11,880 --> 00:20:14,600
Speaker 1: different things are true at any given moment, and it

396
00:20:14,720 --> 00:20:19,600
Speaker 1: just makes it really difficult to, you know, attack any

397
00:20:19,720 --> 00:20:21,960
Speaker 1: set of ideas. Well, I'll tell you, if I see

398
00:20:21,960 --> 00:20:24,520
Speaker 1: a movie that's this murky and the characters are this

399
00:20:24,640 --> 00:20:26,600
Speaker 1: kind of poorly drawn, I turned it off. But I

400
00:20:26,680 --> 00:20:29,359
Speaker 1: can't turn this, you know, there's no way for me

401
00:20:29,480 --> 00:20:32,040
Speaker 1: to turn this off. It just keeps happening, and it's

402
00:20:32,040 --> 00:20:36,920
Speaker 1: a terrible, stupid, shitty story. Right. Um. So they're the

403
00:20:37,480 --> 00:20:42,280
Speaker 1: first primaries of the election season. Happened yesterday in Texas.

404
00:20:42,800 --> 00:20:45,359
Speaker 1: Uh Miles what do we learned, Well, we learned that

405
00:20:45,560 --> 00:20:48,399
Speaker 1: Texas is poised to send to Latinas to Congress for

406
00:20:48,440 --> 00:20:52,960
Speaker 1: the first time. That's good. Well, come on, that's the

407
00:20:53,040 --> 00:20:57,680
Speaker 1: other podcast you do. So it's and it seems a

408
00:20:57,720 --> 00:20:59,879
Speaker 1: little bit late considering the demographics in Texas. But either way,

409
00:21:00,040 --> 00:21:03,040
Speaker 1: Ronica Escobar and Sylvia Garcia are on their way. And

410
00:21:03,200 --> 00:21:05,480
Speaker 1: the only reason we assume this is a foregone conclusion

411
00:21:05,600 --> 00:21:08,720
Speaker 1: is because how solidly blew their districts are that they're running.

412
00:21:08,760 --> 00:21:11,560
Speaker 1: And so they are and one of the very few. Yeah.

413
00:21:11,720 --> 00:21:14,879
Speaker 1: And also Beto Rourke, uh, you know, he got the

414
00:21:14,960 --> 00:21:18,560
Speaker 1: nomination for the Democrats to run against Ted Cruz. Uh.

415
00:21:18,720 --> 00:21:21,320
Speaker 1: And one of the really interesting things with the turnout

416
00:21:21,400 --> 00:21:25,040
Speaker 1: was like historic uh in Texas for Democrats, Like I

417
00:21:25,080 --> 00:21:28,160
Speaker 1: think in fourteen there's something like six hundred thousand Democrats

418
00:21:28,240 --> 00:21:30,840
Speaker 1: showed up this uh. This go around, it was like

419
00:21:30,920 --> 00:21:35,160
Speaker 1: something just over a million. So that's a huge that. Yeah.

420
00:21:35,320 --> 00:21:37,639
Speaker 1: But however, the Republicans they were like I think one

421
00:21:37,680 --> 00:21:39,320
Speaker 1: and a half million Republicans came out to vote, But

422
00:21:39,400 --> 00:21:41,800
Speaker 1: that's just a function of them. They're being more registered

423
00:21:41,840 --> 00:21:45,119
Speaker 1: Republicans than Democrats in the state. Nonetheless, feels like a

424
00:21:45,160 --> 00:21:48,120
Speaker 1: little bit of the Republicans are emphasizing this. Fox News

425
00:21:48,280 --> 00:21:50,479
Speaker 1: is running with the story more than any other outlet.

426
00:21:50,560 --> 00:21:53,040
Speaker 1: I saw that the Democrats are coming out in full

427
00:21:53,080 --> 00:21:56,720
Speaker 1: force because I think they understand what the mainstream media

428
00:21:56,760 --> 00:21:59,520
Speaker 1: didn't understand ahead of the two thousand sixteen election, that

429
00:22:00,040 --> 00:22:03,840
Speaker 1: the more you cover how strong the other side is coming, uh,

430
00:22:04,119 --> 00:22:07,080
Speaker 1: the more people will be motivated to get out and

431
00:22:07,400 --> 00:22:11,200
Speaker 1: actually vote. Um. So yeah, you're seeing the conservative media

432
00:22:11,280 --> 00:22:13,760
Speaker 1: make a huge deal about the Democrats actually coming out,

433
00:22:13,880 --> 00:22:17,639
Speaker 1: but uh, you know, the Republicans came out in massive

434
00:22:17,720 --> 00:22:20,560
Speaker 1: numbers as well, and it's it's probably not gonna happen

435
00:22:20,640 --> 00:22:23,080
Speaker 1: for the Democrats in Texas. It is just a sign

436
00:22:23,840 --> 00:22:26,840
Speaker 1: that there is a blue wave that they are so

437
00:22:27,040 --> 00:22:30,440
Speaker 1: much something. The numbers were stronger than they have been previously.

438
00:22:30,680 --> 00:22:33,320
Speaker 1: And the one fun thing was, you know, as Ted

439
00:22:33,400 --> 00:22:35,240
Speaker 1: Cruise in betto Rook, you know that now we know

440
00:22:35,320 --> 00:22:39,080
Speaker 1: that's gonna be the Senate showdown. Uh. Ted Cruise releases

441
00:22:39,240 --> 00:22:43,680
Speaker 1: dumbass country song to like Flame betto Rourke. Uh and

442
00:22:44,200 --> 00:22:45,720
Speaker 1: Brennie you'll have to listen to you just have to

443
00:22:45,760 --> 00:22:49,000
Speaker 1: hear this. Just critique this composition from the Ted Cruise campaign.

444
00:22:51,359 --> 00:22:54,119
Speaker 1: If you go to run in Texas, you can't be

445
00:22:54,240 --> 00:22:58,000
Speaker 1: a liberal man because liberal thought is not the spirit

446
00:22:58,400 --> 00:23:04,240
Speaker 1: of the man and man and man Texis and this

447
00:23:04,359 --> 00:23:08,680
Speaker 1: about players. If you're going to run in Texas, can't

448
00:23:08,760 --> 00:23:21,680
Speaker 1: be a liberal man. Not remimberating stories. Liberal Bob wanted

449
00:23:21,720 --> 00:23:25,159
Speaker 1: to fit in liberal what's his name the dato and

450
00:23:25,359 --> 00:23:30,720
Speaker 1: get in with the ground. Wants those silk borders, and

451
00:23:30,880 --> 00:23:33,639
Speaker 1: he wants to take our guns. Not a chance on

452
00:23:33,720 --> 00:23:38,320
Speaker 1: a deal, get a vote from millions of Texans. Texans

453
00:23:38,560 --> 00:23:43,160
Speaker 1: in Texas, you can't be a liberal man. I'm Ted

454
00:23:43,440 --> 00:23:47,760
Speaker 1: sus and I approved that. I'm Ted Cruise Crules. He

455
00:23:48,000 --> 00:23:51,760
Speaker 1: tad Cruise, not CRUI is missing man. He's yeah, he's

456
00:23:51,760 --> 00:23:53,800
Speaker 1: he's trying to flame my beattle rook because his name

457
00:23:53,840 --> 00:23:56,640
Speaker 1: is Robert or he's he's he's Irish, but he's also

458
00:23:56,680 --> 00:23:58,600
Speaker 1: fluent in Spanish. But he's been called betto like his

459
00:23:58,680 --> 00:24:01,080
Speaker 1: whole life, and and Ted Cruizes trying to be like

460
00:24:01,119 --> 00:24:02,800
Speaker 1: he changed his name blow. I don't know what it's

461
00:24:02,800 --> 00:24:05,960
Speaker 1: like appeal to I guess I'm not maybe that's what

462
00:24:06,040 --> 00:24:08,399
Speaker 1: he's trying to say. But also remember Ted Cruise, your

463
00:24:08,480 --> 00:24:12,600
Speaker 1: real name is Raphael Edward Cruise and you're changing you know,

464
00:24:13,480 --> 00:24:15,280
Speaker 1: I don't know, guy, I don't think that's a good song.

465
00:24:17,280 --> 00:24:19,560
Speaker 1: I don't think it is. I don't think it's uh.

466
00:24:19,880 --> 00:24:21,879
Speaker 1: I think those chords have been a little overused. I

467
00:24:21,880 --> 00:24:23,479
Speaker 1: don't think they're going to grab your ear too much.

468
00:24:23,520 --> 00:24:26,040
Speaker 1: And furthermore, I think it's just too many syllables. Perstanza,

469
00:24:26,440 --> 00:24:29,080
Speaker 1: there were you know what I mean, they were really

470
00:24:30,040 --> 00:24:34,160
Speaker 1: name Robert was the only one that can really put

471
00:24:34,200 --> 00:24:36,479
Speaker 1: that many syllables into a song. Is like John Popper

472
00:24:36,600 --> 00:24:42,040
Speaker 1: from Blue, you know, saying that kind of a stuff.

473
00:24:42,119 --> 00:24:44,399
Speaker 1: You know, that's just too much stuff. And liberal is

474
00:24:44,440 --> 00:24:46,399
Speaker 1: just not a good word. They should have changed it

475
00:24:46,480 --> 00:24:49,439
Speaker 1: to libtard. They should have changed until two syllable liberal role.

476
00:24:49,480 --> 00:24:51,800
Speaker 1: And they're trying to make it it's a three syllable word.

477
00:24:51,800 --> 00:24:54,520
Speaker 1: They're trying to make a two syllable yeah liberal and

478
00:24:54,600 --> 00:24:59,560
Speaker 1: it's a liberal. Just the messaging seems like I don't

479
00:24:59,600 --> 00:25:02,040
Speaker 1: know what it's accomplishing, because it's just telling us what

480
00:25:02,240 --> 00:25:05,439
Speaker 1: the conventional wisdom is. It's like, you'll never beat us,

481
00:25:05,680 --> 00:25:08,479
Speaker 1: you're you're a Democrat and they don't win in Texas.

482
00:25:08,560 --> 00:25:10,680
Speaker 1: It's like, yeah, that's the conventional wisdom. Then we're trying

483
00:25:10,720 --> 00:25:12,880
Speaker 1: to upset that. But like, I don't know, it didn't

484
00:25:12,880 --> 00:25:15,960
Speaker 1: seem like an effective way to like frame the race

485
00:25:16,119 --> 00:25:18,240
Speaker 1: from their perspective. You're not going to get a stadium

486
00:25:18,280 --> 00:25:22,600
Speaker 1: of people singing along with this song. It's not gonna work. Yeah,

487
00:25:22,600 --> 00:25:24,800
Speaker 1: you could probably pay about twenty plants at a rally

488
00:25:24,880 --> 00:25:26,880
Speaker 1: to do it and then like people like but still

489
00:25:26,920 --> 00:25:28,320
Speaker 1: they would have to have like notes and they'd be

490
00:25:28,359 --> 00:25:30,600
Speaker 1: looking at their iPhones singing along. They just wouldn't want

491
00:25:30,840 --> 00:25:33,280
Speaker 1: the pitch pipe to make sure you're on. Come on, guys,

492
00:25:33,359 --> 00:25:35,760
Speaker 1: let's try it one more time. It did two takes

493
00:25:35,800 --> 00:25:42,440
Speaker 1: already man part up er um yeah and guitar playing wise,

494
00:25:42,480 --> 00:25:47,040
Speaker 1: it's not bad. All right, we're gonna take a quick break.

495
00:25:47,080 --> 00:25:57,920
Speaker 1: We'll be right back. And we're back. And Brendon, you

496
00:25:57,960 --> 00:26:01,159
Speaker 1: were saying that you you actually have some context to

497
00:26:01,480 --> 00:26:04,040
Speaker 1: to critique a jingle like that, right, Yeah, you know

498
00:26:04,119 --> 00:26:08,800
Speaker 1: it's funny. Um. I when I was in my last

499
00:26:08,880 --> 00:26:11,159
Speaker 1: year of music school, I interned was my first kind

500
00:26:11,160 --> 00:26:14,000
Speaker 1: of professional job, but it was an internship at two

501
00:26:14,080 --> 00:26:16,199
Speaker 1: different jingle houses in New York. So I was going

502
00:26:16,240 --> 00:26:18,280
Speaker 1: to school at Berkeley College of music, and I traveled

503
00:26:18,320 --> 00:26:21,439
Speaker 1: to I lived in Queen's first summer and I went

504
00:26:21,480 --> 00:26:23,439
Speaker 1: to two different places. And one of the houses, uh,

505
00:26:23,680 --> 00:26:26,639
Speaker 1: Michael Lavine Music, who's probably still around. He did the

506
00:26:26,960 --> 00:26:29,480
Speaker 1: give me a Break Kitcat theme. And I would get him,

507
00:26:29,800 --> 00:26:34,760
Speaker 1: I'd get him coffee and i'd wind cables and then

508
00:26:34,880 --> 00:26:37,760
Speaker 1: and he was a great violinist too, and he was

509
00:26:37,840 --> 00:26:40,480
Speaker 1: just really top notch musician. And then there was another

510
00:26:40,560 --> 00:26:43,000
Speaker 1: house I worked at, David Harwitz music associates, who I

511
00:26:43,080 --> 00:26:45,040
Speaker 1: don't know is they must still be around. All these guys.

512
00:26:45,240 --> 00:26:48,639
Speaker 1: It was. It was really a fantastic place to watch.

513
00:26:49,320 --> 00:26:51,520
Speaker 1: This would not have passed muster. I don't think this

514
00:26:51,720 --> 00:26:54,560
Speaker 1: this thing would have there like this is. Yeah, any

515
00:26:54,680 --> 00:26:56,840
Speaker 1: ad agency would have said this is not a clean one.

516
00:26:56,880 --> 00:26:59,439
Speaker 1: That's because you're a New York City my man. That's right.

517
00:26:59,800 --> 00:27:05,760
Speaker 1: We do ship different, that's right. Mediocre jingles R. Is

518
00:27:05,800 --> 00:27:09,560
Speaker 1: there any sort of conventional wisdom or like some smart

519
00:27:09,680 --> 00:27:12,520
Speaker 1: thing that you learned from the kit Kat guy or

520
00:27:12,600 --> 00:27:14,920
Speaker 1: any anyone you worked with. Yeah, I learned, like in

521
00:27:15,000 --> 00:27:17,000
Speaker 1: the first day, I don't want to work in post production,

522
00:27:18,280 --> 00:27:20,200
Speaker 1: even though I thought, you know, I want to. I

523
00:27:20,359 --> 00:27:22,840
Speaker 1: really like that these guys have to write music immediately.

524
00:27:23,240 --> 00:27:26,080
Speaker 1: They get a call they're bidding on something, and they

525
00:27:26,840 --> 00:27:28,960
Speaker 1: go until they can get it. And so I thought

526
00:27:29,000 --> 00:27:30,640
Speaker 1: that was having a bag of tricks to be able

527
00:27:30,680 --> 00:27:33,200
Speaker 1: to write music quickly. I thought it was important. But yeah,

528
00:27:33,200 --> 00:27:34,639
Speaker 1: I also learned that I want to be the director

529
00:27:34,640 --> 00:27:35,680
Speaker 1: and I want to be the writer now, so I

530
00:27:35,680 --> 00:27:37,639
Speaker 1: want to write the music. I mean writing is Some

531
00:27:37,840 --> 00:27:40,200
Speaker 1: prolific people have started off as jingle writers too, like

532
00:27:40,280 --> 00:27:42,440
Speaker 1: doing Berry Man like did a bunch of jingles. I

533
00:27:42,440 --> 00:27:44,200
Speaker 1: don't know that he started as you know, what's funny

534
00:27:44,200 --> 00:27:47,120
Speaker 1: you read started as a jingle writer. Very Mantel didn't

535
00:27:47,160 --> 00:27:50,760
Speaker 1: write the song. I write the songs. Yeah, you know,

536
00:27:50,880 --> 00:27:55,000
Speaker 1: that's an interesting I know. I think like Neil Diamond

537
00:27:55,000 --> 00:27:56,400
Speaker 1: probably did some stuff. I don't know. There's a whole

538
00:27:56,400 --> 00:27:58,720
Speaker 1: bunch of people. But it's a real technique and those

539
00:27:58,760 --> 00:28:01,000
Speaker 1: people really are good at it, you know. So, um,

540
00:28:01,720 --> 00:28:03,320
Speaker 1: it doesn't happen as often. You don't hear like a

541
00:28:03,400 --> 00:28:06,440
Speaker 1: jingle for a song except for Ted Cruison. By the way,

542
00:28:06,960 --> 00:28:09,600
Speaker 1: Texas is the home of Austin with amazing musicians. Why

543
00:28:09,640 --> 00:28:13,919
Speaker 1: don't you get those guys to help you to liberal?

544
00:28:15,240 --> 00:28:18,160
Speaker 1: So we wanted to talk about movie Pass, you guys.

545
00:28:18,560 --> 00:28:22,440
Speaker 1: Movie Pass is the sort of going to the movies

546
00:28:22,600 --> 00:28:26,000
Speaker 1: version of Netflix where you have to put on pants

547
00:28:26,359 --> 00:28:30,919
Speaker 1: to enjoy it. Um, basically, they you pay a fee

548
00:28:31,160 --> 00:28:34,080
Speaker 1: and you get to go to as many movies as

549
00:28:34,400 --> 00:28:40,040
Speaker 1: you want at like basically national chain theaters. Uh. And

550
00:28:40,840 --> 00:28:43,239
Speaker 1: you know, I've heard from a lot of people that they,

551
00:28:43,920 --> 00:28:46,280
Speaker 1: you know, use the ship out of this thing, and

552
00:28:46,560 --> 00:28:50,560
Speaker 1: like can't figure out how movie passes making money because

553
00:28:51,000 --> 00:28:53,320
Speaker 1: it's like what is the cost of it. It's like,

554
00:28:53,640 --> 00:28:55,560
Speaker 1: really it's like a hundred and something bucks for a

555
00:28:55,600 --> 00:28:57,920
Speaker 1: full year. It's like maybe a hundred and fifty bucks

556
00:28:57,960 --> 00:29:01,160
Speaker 1: for like a full year of NonStop movies. So that's

557
00:29:01,560 --> 00:29:05,880
Speaker 1: one movie at the arc Light right. Yeah. Um. By

558
00:29:05,920 --> 00:29:08,640
Speaker 1: the way, I'm a card carrying member of Movies. Yeah.

559
00:29:09,000 --> 00:29:11,240
Speaker 1: It was given to me as a gift by my wife,

560
00:29:11,400 --> 00:29:14,000
Speaker 1: and uh, that's a great gift for me. But I

561
00:29:14,360 --> 00:29:15,800
Speaker 1: the way I look at it right now is it

562
00:29:15,840 --> 00:29:18,280
Speaker 1: feels like Spotify to me, where it's great for the

563
00:29:18,360 --> 00:29:20,840
Speaker 1: audience and not great for the artist. Well, right, because

564
00:29:20,840 --> 00:29:23,240
Speaker 1: everyone's like what's the model, because it's movie Pass that

565
00:29:23,320 --> 00:29:27,800
Speaker 1: reimburses the theater. Correct, Like when you use there, they

566
00:29:28,240 --> 00:29:32,080
Speaker 1: buy the tickets for you, like so so and C

567
00:29:32,160 --> 00:29:34,840
Speaker 1: will be like, hey we Gotvie pass users, you need

568
00:29:34,880 --> 00:29:36,640
Speaker 1: to pay up for these tickets, and then they cut

569
00:29:36,720 --> 00:29:39,800
Speaker 1: the check basically exactly. So, yeah, that seems like a

570
00:29:39,920 --> 00:29:45,000
Speaker 1: not great business model. Yeah, I mean it's a month

571
00:29:45,240 --> 00:29:47,680
Speaker 1: that's less than going to a single movie. So the

572
00:29:47,760 --> 00:29:51,280
Speaker 1: only way it would make sense is if people bought

573
00:29:51,360 --> 00:29:54,120
Speaker 1: the pass and then didn't go to any movies for

574
00:29:54,240 --> 00:29:57,760
Speaker 1: them from a financial perspective or so it would seem.

575
00:29:58,040 --> 00:30:03,200
Speaker 1: But they have recently come out and announced where they're

576
00:30:03,200 --> 00:30:05,640
Speaker 1: actually making their money, and it's where a lot of

577
00:30:05,720 --> 00:30:10,120
Speaker 1: these applications make their money. Basically, Yeah, you know they

578
00:30:10,360 --> 00:30:13,320
Speaker 1: watch where you go there, watching you the whole time

579
00:30:13,440 --> 00:30:17,760
Speaker 1: that you have your application on have their application on

580
00:30:17,840 --> 00:30:21,680
Speaker 1: your phone. Uh so they just taken all this data

581
00:30:21,840 --> 00:30:25,240
Speaker 1: about where they know where you live because because you

582
00:30:25,360 --> 00:30:27,960
Speaker 1: have the card right leave from there to go to

583
00:30:28,040 --> 00:30:31,480
Speaker 1: the movies, they know where you eat before the movies.

584
00:30:31,640 --> 00:30:35,280
Speaker 1: They know everything about what you do surrounding the movies.

585
00:30:35,400 --> 00:30:38,120
Speaker 1: And essentially the idea is that they're going to be

586
00:30:38,200 --> 00:30:42,480
Speaker 1: able to sell your data or you know, package that

587
00:30:42,680 --> 00:30:45,959
Speaker 1: data in order to cut deals with Chipotle like they

588
00:30:46,040 --> 00:30:49,760
Speaker 1: know that for whatever reason, uh, you know, which this

589
00:30:49,920 --> 00:30:52,520
Speaker 1: isn't new. I mean what things Franco movies do well

590
00:30:52,600 --> 00:30:55,800
Speaker 1: with people who go to Chipotle or some ship and yeah,

591
00:30:55,920 --> 00:30:57,880
Speaker 1: this isn't new at all. You're right, yeah, this, I

592
00:30:57,920 --> 00:30:59,760
Speaker 1: mean this is something, this is what? This is what Amazon?

593
00:30:59,840 --> 00:31:02,840
Speaker 1: So I I remember a guitar company that asked me

594
00:31:03,000 --> 00:31:05,560
Speaker 1: to support one of their games or something like that,

595
00:31:05,760 --> 00:31:08,280
Speaker 1: said hey, we want you to indorse this thing. And

596
00:31:08,320 --> 00:31:09,640
Speaker 1: I said, why do you want me to endorse? And

597
00:31:09,640 --> 00:31:11,600
Speaker 1: they said, well, we saw who bought the first version

598
00:31:11,640 --> 00:31:14,120
Speaker 1: of this game, and we got to look at all

599
00:31:14,360 --> 00:31:16,600
Speaker 1: the R and D and all the info from Amazon

600
00:31:16,760 --> 00:31:19,440
Speaker 1: or something like that, and their number one favorite show,

601
00:31:20,840 --> 00:31:23,520
Speaker 1: these people are number one favorite shows Metal Eclipse. So

602
00:31:23,720 --> 00:31:25,840
Speaker 1: if you endorse this. And I was like, what's the thing?

603
00:31:25,920 --> 00:31:27,680
Speaker 1: And I believed And I thought it was a cool

604
00:31:27,760 --> 00:31:29,560
Speaker 1: guitar learning thing and it engages you can get you

605
00:31:29,800 --> 00:31:31,959
Speaker 1: on your feet and playing guitar. So that's how they

606
00:31:31,960 --> 00:31:34,680
Speaker 1: found that out. Wow, yeah, it's true, like backhand and

607
00:31:34,720 --> 00:31:36,920
Speaker 1: research channels and stuff like that. I guess, I mean,

608
00:31:37,080 --> 00:31:39,320
Speaker 1: but it's apparently it's all legal. It's all fine. But

609
00:31:39,800 --> 00:31:41,640
Speaker 1: it's been going on for a long time. And yeah,

610
00:31:41,760 --> 00:31:47,000
Speaker 1: I think movies are a key sort of real like

611
00:31:47,200 --> 00:31:51,000
Speaker 1: meat space, Uh, purchase that a lot of young people making.

612
00:31:51,080 --> 00:31:54,320
Speaker 1: So that's probably why it's so valuable is because you know,

613
00:31:54,400 --> 00:31:57,520
Speaker 1: it's a very typical date thing. So you know, it's

614
00:31:57,520 --> 00:32:00,480
Speaker 1: a thing that Amazon can't quite get its hands on

615
00:32:00,760 --> 00:32:05,200
Speaker 1: because they're you know, not selling movie tickets. Uh. And

616
00:32:05,440 --> 00:32:09,640
Speaker 1: so that's I think why they think this is so valuable. Uh.

617
00:32:09,840 --> 00:32:14,320
Speaker 1: The CEO Mitch Low, who was a co founding executive

618
00:32:14,360 --> 00:32:18,120
Speaker 1: of Netflix, made a presentation called data is the New Oil?

619
00:32:18,280 --> 00:32:22,600
Speaker 1: How will movie Pass monetize it? Uh, and basically explained,

620
00:32:22,720 --> 00:32:25,160
Speaker 1: like all these different ways that he's going to be

621
00:32:25,400 --> 00:32:31,440
Speaker 1: spying on you through his application, just collecting usable marketing data.

622
00:32:31,920 --> 00:32:36,960
Speaker 1: Come on the look, I really want. I love going

623
00:32:37,000 --> 00:32:39,080
Speaker 1: to the mo to me. You know, some people get massages,

624
00:32:39,120 --> 00:32:40,760
Speaker 1: some people go to church. I like to be in

625
00:32:40,840 --> 00:32:45,800
Speaker 1: a movie theater. Some people get massages. Some it's some no,

626
00:32:45,960 --> 00:32:47,600
Speaker 1: but I think it's the same thing. It's like some

627
00:32:47,720 --> 00:32:51,400
Speaker 1: kind of a release system or whatever it is. But

628
00:32:51,880 --> 00:32:53,960
Speaker 1: me being in a dark in a dark theater, it's

629
00:32:54,000 --> 00:32:55,440
Speaker 1: my favorite place in the world to be. I don't

630
00:32:55,440 --> 00:32:57,240
Speaker 1: care what I'm watching. I'm going there to be in

631
00:32:57,320 --> 00:33:00,280
Speaker 1: this dark room to watch a flickering and I will.

632
00:33:00,400 --> 00:33:03,160
Speaker 1: I have no problem. I used to work in it.

633
00:33:03,240 --> 00:33:05,520
Speaker 1: That was my first job back in Boston while I

634
00:33:05,600 --> 00:33:07,320
Speaker 1: was in when I was in music school, as I

635
00:33:07,400 --> 00:33:10,160
Speaker 1: worked at the Sony Copley Lows Theater and I was

636
00:33:10,200 --> 00:33:13,000
Speaker 1: a ticket taker usher and seriously one of my top

637
00:33:13,080 --> 00:33:14,720
Speaker 1: five jobs of all time. And I've gotten to do

638
00:33:14,800 --> 00:33:18,840
Speaker 1: some pretty cool being a movie to me, I loved, loved,

639
00:33:18,920 --> 00:33:21,560
Speaker 1: loved love Carrying Canister is a film up and downstairs.

640
00:33:22,240 --> 00:33:24,200
Speaker 1: I just and that's what made me think I'm a musician.

641
00:33:24,240 --> 00:33:26,200
Speaker 1: What am I doing. I'll do is talk about movies.

642
00:33:26,240 --> 00:33:28,160
Speaker 1: I'll do is hang out in a movie theater and

643
00:33:28,240 --> 00:33:30,120
Speaker 1: hang out with people at a different college they are

644
00:33:30,120 --> 00:33:32,600
Speaker 1: studying movies. I gotta do that. But I think this

645
00:33:32,720 --> 00:33:34,560
Speaker 1: is a tricky thing. I don't know that. I don't

646
00:33:34,600 --> 00:33:36,960
Speaker 1: know how this is gonna work out. Because I hope

647
00:33:37,000 --> 00:33:38,800
Speaker 1: it makes people go to movies, but I don't think

648
00:33:38,840 --> 00:33:42,520
Speaker 1: it's gonna It seems like no one's gonna make money

649
00:33:42,560 --> 00:33:44,400
Speaker 1: off that. And it's the same Spotify think. So I

650
00:33:44,520 --> 00:33:47,480
Speaker 1: know that as Spotify gets more popular, I see record

651
00:33:47,560 --> 00:33:50,080
Speaker 1: sales not do is great for not only myself but

652
00:33:50,240 --> 00:33:53,720
Speaker 1: my favorite band. So if you're not selling records, you're

653
00:33:53,720 --> 00:33:57,480
Speaker 1: getting nickel and you're like getting like haypennies on the dollar,

654
00:33:57,600 --> 00:34:00,680
Speaker 1: you know. And it makes me think, Look, if people

655
00:34:00,680 --> 00:34:03,360
Speaker 1: aren't buying records, why are we going to make them?

656
00:34:03,840 --> 00:34:05,760
Speaker 1: You know? So what's the point? Is it all just

657
00:34:05,840 --> 00:34:08,719
Speaker 1: gonna be TV? Netflix? Uff? I get less excited when

658
00:34:08,719 --> 00:34:10,560
Speaker 1: I see a movie premiere on Netflix than in a

659
00:34:10,680 --> 00:34:13,240
Speaker 1: theater too. Yeah, I wanted to see the Noah Bombox

660
00:34:13,320 --> 00:34:15,680
Speaker 1: movie in a theater, not on Netflix. I liked it,

661
00:34:15,760 --> 00:34:17,560
Speaker 1: but I wanted to see that in a theater, right,

662
00:34:17,719 --> 00:34:19,160
Speaker 1: So I don't know, it's I think it's all kind

663
00:34:19,160 --> 00:34:21,440
Speaker 1: of I mean, maybe it's just changed. Maybe it's the

664
00:34:21,520 --> 00:34:25,160
Speaker 1: natural evolution. I don't like it though, Um yeah, I

665
00:34:25,200 --> 00:34:28,200
Speaker 1: mean the way he's framing it low the CEO. He's saying,

666
00:34:28,320 --> 00:34:32,120
Speaker 1: we're just helping subscribers make a better decision about what

667
00:34:32,320 --> 00:34:35,239
Speaker 1: they do surrounding when they go to movies. Um. But

668
00:34:35,760 --> 00:34:38,560
Speaker 1: sort of a shady thing that came out this past weekend.

669
00:34:38,640 --> 00:34:42,520
Speaker 1: So Jennifer Lawrence uh had a movie come out called

670
00:34:42,600 --> 00:34:45,640
Speaker 1: Red Sparrow where she played like a Russian spy. Her

671
00:34:45,719 --> 00:34:49,520
Speaker 1: first Uh, movie in which there was nudity, which was

672
00:34:49,560 --> 00:34:53,880
Speaker 1: a big selling point, I'm told uh, and uh it

673
00:34:53,960 --> 00:34:57,560
Speaker 1: didn't do very well. And uh, something that came out

674
00:34:57,719 --> 00:35:00,759
Speaker 1: after the fact is that movie Pass actually blocked it

675
00:35:01,200 --> 00:35:05,600
Speaker 1: from a lot of their markets. Yeah, they said that.

676
00:35:06,440 --> 00:35:09,120
Speaker 1: They were like, this movie is blacked out for your

677
00:35:09,400 --> 00:35:13,600
Speaker 1: market essentially, Um, and that's not movie Passes decision. Yeah,

678
00:35:13,640 --> 00:35:17,480
Speaker 1: that's Movie Passes decision. And they basically said, this is

679
00:35:17,560 --> 00:35:19,919
Speaker 1: something we do every once in a while to better

680
00:35:20,120 --> 00:35:24,160
Speaker 1: understand member behavior. But essentially it's like they decided not

681
00:35:24,280 --> 00:35:27,239
Speaker 1: to play ball with us and decided not to like

682
00:35:27,440 --> 00:35:31,880
Speaker 1: spend with Movie Pass and so they don't get like

683
00:35:32,040 --> 00:35:34,480
Speaker 1: people going to their movie. That's the way. It's like, Yeah,

684
00:35:34,520 --> 00:35:37,240
Speaker 1: they're flexing their muscle and kind of making a veiled

685
00:35:37,280 --> 00:35:39,160
Speaker 1: thread of sort of like, hey, guess what, like we

686
00:35:39,160 --> 00:35:41,520
Speaker 1: should engage in some kind of business transactions or you know,

687
00:35:41,600 --> 00:35:44,719
Speaker 1: we could also just fucking tank your movie. Right as

688
00:35:44,840 --> 00:35:46,759
Speaker 1: could have known, this movie is probably not going to

689
00:35:46,880 --> 00:35:48,520
Speaker 1: do that well. So this will be a good thing

690
00:35:48,600 --> 00:35:50,400
Speaker 1: for us to be able to say, hey, we flexed

691
00:35:50,480 --> 00:35:53,160
Speaker 1: on Red Sparrow and you're right, maybe you're right, But

692
00:35:53,200 --> 00:35:55,640
Speaker 1: also I would say there's probably two reasons. Maybe that's one.

693
00:35:55,760 --> 00:35:57,200
Speaker 1: That's half of the reason. The other half is I

694
00:35:57,280 --> 00:35:59,440
Speaker 1: think people are going to learn to lean towards more

695
00:35:59,560 --> 00:36:01,439
Speaker 1: escape as if they're if they're looking at a movie

696
00:36:01,520 --> 00:36:05,640
Speaker 1: that's kind of what mirroring what's happening right now with Russians.

697
00:36:05,719 --> 00:36:08,719
Speaker 1: And maybe he's just like, I can't take anymore of

698
00:36:08,760 --> 00:36:12,799
Speaker 1: this right there too. I think that's that's the way

699
00:36:12,840 --> 00:36:14,279
Speaker 1: that you market is like, hey, this is happening, we

700
00:36:14,320 --> 00:36:16,040
Speaker 1: made a movie about it, where people like, I'm just

701
00:36:16,080 --> 00:36:18,040
Speaker 1: gonna stay away from that. It could be that too.

702
00:36:18,120 --> 00:36:21,279
Speaker 1: But if they are flexing muscle and that's just ridiculous too. Yeah,

703
00:36:21,719 --> 00:36:23,760
Speaker 1: but I mean, who knows for sure, but it's clearly

704
00:36:23,760 --> 00:36:25,520
Speaker 1: that I'm saying, like, well, we definitely control a good

705
00:36:25,520 --> 00:36:28,480
Speaker 1: amount of movie go or behavior. So well, it's the

706
00:36:28,480 --> 00:36:30,799
Speaker 1: same thing with blockbust. Back in the old days, with videos,

707
00:36:30,840 --> 00:36:33,239
Speaker 1: they would they would they were able to censor stuff. Yeah,

708
00:36:33,400 --> 00:36:37,160
Speaker 1: they edited out sex scenes and they edited in uh,

709
00:36:37,560 --> 00:36:42,640
Speaker 1: sex scenes. Um, all right. And then finally we have

710
00:36:42,760 --> 00:36:46,800
Speaker 1: a story about a app that has been developed for

711
00:36:47,360 --> 00:36:52,359
Speaker 1: sexual consent called a Legal Fling, very clearly designed by

712
00:36:52,440 --> 00:36:57,359
Speaker 1: people whose only experience with sex was through a video game. Uh.

713
00:36:57,840 --> 00:37:02,360
Speaker 1: It involves basically you have all these preferences and different

714
00:37:02,440 --> 00:37:05,360
Speaker 1: things that you can mark off with regards to a

715
00:37:05,440 --> 00:37:09,480
Speaker 1: specific sexual encounter. So you consent to Okay, I consent

716
00:37:09,640 --> 00:37:11,840
Speaker 1: to have sex with you, and then I can change

717
00:37:11,920 --> 00:37:16,680
Speaker 1: that later if if things like don't go well. But

718
00:37:16,840 --> 00:37:20,200
Speaker 1: it's very much like just a thing that nobody has

719
00:37:20,320 --> 00:37:24,840
Speaker 1: ever or would ever use. It's the exact same fucking

720
00:37:24,960 --> 00:37:28,360
Speaker 1: thing as as Chappelle's show s Get the Love Contract

721
00:37:29,000 --> 00:37:30,920
Speaker 1: with Rashida Jones when they're in bed and he's like,

722
00:37:31,080 --> 00:37:34,000
Speaker 1: uh and initial here for oral and then and he's like,

723
00:37:34,000 --> 00:37:36,200
Speaker 1: I'll do it too, because in this thing too, you

724
00:37:36,280 --> 00:37:40,560
Speaker 1: can there are certain things like specific certain para parameters

725
00:37:40,640 --> 00:37:44,400
Speaker 1: like condom use, bondage, dirty talk, sexting, so you can

726
00:37:44,520 --> 00:37:46,759
Speaker 1: set your boundaries before it's like, you know, I did

727
00:37:46,800 --> 00:37:49,480
Speaker 1: an episode of Metal Eclipse about that too, where or

728
00:37:49,520 --> 00:37:51,719
Speaker 1: I mean, a's part of the music world is you

729
00:37:51,800 --> 00:37:53,400
Speaker 1: get backstage and you meet with a band, you know.

730
00:37:53,800 --> 00:37:56,319
Speaker 1: So we had a thing called the paternity Waiver where

731
00:37:56,480 --> 00:37:58,600
Speaker 1: if you want to get backstage, in order to get backstage,

732
00:37:58,600 --> 00:38:02,120
Speaker 1: you have to waive all rights, all right. So that

733
00:38:02,280 --> 00:38:04,239
Speaker 1: and then by and there's a death waiver too. If

734
00:38:04,280 --> 00:38:07,879
Speaker 1: you get into by buying a ticket, you automatically will

735
00:38:08,200 --> 00:38:12,480
Speaker 1: release all like legal obligation or whatever, anything anything can happen.

736
00:38:12,600 --> 00:38:15,040
Speaker 1: And then furthermore, there's a paternity waiver. So one of

737
00:38:15,080 --> 00:38:17,400
Speaker 1: the characters has like a hundred kids that look exactly

738
00:38:17,480 --> 00:38:20,400
Speaker 1: like him, different women, all all around the world, and

739
00:38:20,920 --> 00:38:23,920
Speaker 1: it's there's no legal contract. That's no, there's no obligation.

740
00:38:23,960 --> 00:38:27,640
Speaker 1: They've waived all those rights. That's what that feels like. Yeah,

741
00:38:27,680 --> 00:38:29,959
Speaker 1: I didn't see Chappelle's thing, but that's like an exact

742
00:38:30,040 --> 00:38:32,120
Speaker 1: same pretty much exactly. When I was reading this, I

743
00:38:32,200 --> 00:38:34,080
Speaker 1: was like, wait, this is literally it's just the exact

744
00:38:34,120 --> 00:38:36,239
Speaker 1: same thing, except the twenty eighteen version, and it's in

745
00:38:36,320 --> 00:38:39,279
Speaker 1: an app. It just seems like such a misunderstanding of

746
00:38:40,440 --> 00:38:45,239
Speaker 1: I don't know, it's such a gray murky area that

747
00:38:45,600 --> 00:38:47,839
Speaker 1: there's also the potential for people to abuse the app

748
00:38:47,880 --> 00:38:50,600
Speaker 1: to like you coerce someone to be like I want

749
00:38:50,600 --> 00:38:52,879
Speaker 1: you to put this this in this here, and then

750
00:38:53,480 --> 00:38:55,200
Speaker 1: you can use that as sort of some some kind

751
00:38:55,200 --> 00:38:57,120
Speaker 1: of defense of like, well, we had agreed that this

752
00:38:57,280 --> 00:39:00,120
Speaker 1: was it, but who knows the circumstances under which the

753
00:39:00,200 --> 00:39:02,560
Speaker 1: agreement is you know, how you come to the agree

754
00:39:02,800 --> 00:39:05,920
Speaker 1: totally lose the ability to change your mind after what

755
00:39:06,080 --> 00:39:08,720
Speaker 1: you can that's the things like you can live track

756
00:39:09,000 --> 00:39:12,000
Speaker 1: and make edits to the content. It's just so complicated.

757
00:39:12,000 --> 00:39:14,200
Speaker 1: I mean, look, I mean, hats off to people for

758
00:39:14,320 --> 00:39:16,640
Speaker 1: trying to figure out how we can, you know, improve

759
00:39:17,000 --> 00:39:19,680
Speaker 1: our society. But I don't know if this is gonna

760
00:39:19,800 --> 00:39:22,960
Speaker 1: this is the way to do it. Yeah, yeah, I'm confused.

761
00:39:23,920 --> 00:39:25,600
Speaker 1: I'm very confused. I have a lot of things I

762
00:39:25,640 --> 00:39:27,040
Speaker 1: could say that I would think would just put me

763
00:39:27,080 --> 00:39:29,440
Speaker 1: in a fucked up hole where I don't even mean

764
00:39:29,480 --> 00:39:31,919
Speaker 1: any of the things, just trying to rationalize what's what's

765
00:39:32,320 --> 00:39:36,200
Speaker 1: behind it's engaging with the same or opposite sex in

766
00:39:36,280 --> 00:39:40,279
Speaker 1: a sexual way. Is it exposed a part of you

767
00:39:40,400 --> 00:39:41,840
Speaker 1: that you don't You just want to get to the

768
00:39:41,880 --> 00:39:44,560
Speaker 1: act what you The hard part to do is to

769
00:39:44,640 --> 00:39:47,320
Speaker 1: have a conversation about it beforehand. And this is eliminating

770
00:39:47,400 --> 00:39:50,200
Speaker 1: that part, the intimacy, part of even going, hey, what

771
00:39:50,280 --> 00:39:55,280
Speaker 1: are you comfortable with? You know? Okay, yeah, exactly, Okay,

772
00:39:55,360 --> 00:39:58,080
Speaker 1: let's get our phones out and let's okay, let's think. Okay,

773
00:39:58,160 --> 00:40:00,600
Speaker 1: all right, I see it's mediating that, but I mean,

774
00:40:00,840 --> 00:40:02,560
Speaker 1: people should talk to each other. That's what we need,

775
00:40:02,680 --> 00:40:04,800
Speaker 1: is we need to be speaking about these things humans

776
00:40:04,840 --> 00:40:06,840
Speaker 1: like you know, and have a clear intent, like you know,

777
00:40:07,040 --> 00:40:08,719
Speaker 1: just say it and if you're not into it, fine,

778
00:40:09,160 --> 00:40:11,320
Speaker 1: but you know, ask and move on. We need to

779
00:40:11,360 --> 00:40:13,560
Speaker 1: be able to change culture that people can speak openly

780
00:40:13,640 --> 00:40:15,800
Speaker 1: and not have to you know, like, yeah, this is

781
00:40:15,960 --> 00:40:17,640
Speaker 1: this is like more stuff where you hide behind your

782
00:40:17,640 --> 00:40:20,520
Speaker 1: computer instead of engaging, right, you know, and I mean

783
00:40:20,920 --> 00:40:24,800
Speaker 1: verbally or you know, with Facebook. Uh, you know, you

784
00:40:24,960 --> 00:40:29,280
Speaker 1: had a guy who wasn't necessarily great at making friends,

785
00:40:29,640 --> 00:40:33,800
Speaker 1: like creating a way for other people to you know,

786
00:40:34,200 --> 00:40:40,360
Speaker 1: legislate the friending process. Uh. Yeah, this this seems like

787
00:40:40,560 --> 00:40:43,920
Speaker 1: a sort of an almost satirical version of that. Does

788
00:40:44,000 --> 00:40:47,719
Speaker 1: It seems like it seems like a subplot in Silicon Valley,

789
00:40:47,920 --> 00:40:50,520
Speaker 1: right exactly. Yeah, I guess it's like for the person

790
00:40:50,680 --> 00:40:53,320
Speaker 1: developing is like, rather than addressing the problem of mail coersion,

791
00:40:53,480 --> 00:40:56,719
Speaker 1: let's just make an app and let that do the

792
00:40:56,840 --> 00:40:59,520
Speaker 1: hard work, rather than being a little more introspective or

793
00:40:59,560 --> 00:41:02,920
Speaker 1: having to cool conversations about it, right exactly. All right,

794
00:41:03,000 --> 00:41:05,560
Speaker 1: we're gonna take another break and then we'll be right back.

795
00:41:14,360 --> 00:41:18,320
Speaker 1: And we're back, and we are thrilled to be joined

796
00:41:19,239 --> 00:41:24,880
Speaker 1: by super producer Anna Hosnie A. Oh, there's a steel

797
00:41:24,960 --> 00:41:34,560
Speaker 1: door swinging in. Hello, Hey Anna, how are you welcome?

798
00:41:34,920 --> 00:41:39,520
Speaker 1: Welcome to the Daily Zay. Uh. So you came on

799
00:41:40,160 --> 00:41:43,120
Speaker 1: Monday and told us about what was supposed to be

800
00:41:43,160 --> 00:41:46,960
Speaker 1: the Bachelor finale. Uh, that didn't end up being the

801
00:41:47,040 --> 00:41:51,879
Speaker 1: actual finale because that was yesterday. It was yesterday time traveling. Yes,

802
00:41:52,040 --> 00:41:53,840
Speaker 1: excuse him? Oh here we go with that. Well, I

803
00:41:53,960 --> 00:41:57,759
Speaker 1: just had a baby, Okay, yes, as you guys all

804
00:41:58,000 --> 00:42:01,040
Speaker 1: don't know, I produced a podcast about Bachelor and it's

805
00:42:01,080 --> 00:42:05,440
Speaker 1: called will You Accept This? Row Ardon Marine and Aaron Foley,

806
00:42:05,719 --> 00:42:08,680
Speaker 1: and it's on not on this network anyway, but god

807
00:42:08,719 --> 00:42:14,359
Speaker 1: me never to have her. I'm all plugs plugs all

808
00:42:14,400 --> 00:42:18,359
Speaker 1: the time. But so, so what happened so last night

809
00:42:18,520 --> 00:42:20,839
Speaker 1: was the two hour after the final rose because they

810
00:42:21,000 --> 00:42:23,960
Speaker 1: just won't let us go right. He dumped the girl

811
00:42:24,040 --> 00:42:26,640
Speaker 1: he was supposed to be. He dumped a girl Becca

812
00:42:26,880 --> 00:42:30,000
Speaker 1: that he picked he originally proposed to on Monday night

813
00:42:30,080 --> 00:42:33,279
Speaker 1: in the finale. And because that had to take about

814
00:42:33,320 --> 00:42:35,399
Speaker 1: a year to show on television, that was a three

815
00:42:35,480 --> 00:42:38,400
Speaker 1: hour finale, Like I said yesterday, Um, I had to

816
00:42:38,480 --> 00:42:44,520
Speaker 1: be put to bed afterwards is longer than The Godfather exactly. Um,

817
00:42:44,880 --> 00:42:47,080
Speaker 1: so last night was a two hour after the Rose

818
00:42:47,640 --> 00:42:51,880
Speaker 1: where the girls after after the Rose? Right, yeah, Jesus,

819
00:42:52,760 --> 00:42:56,120
Speaker 1: I'm not to have like PTSD flashbacks. Um, can I

820
00:42:56,160 --> 00:42:59,399
Speaker 1: ask you a question? Has he ever offered a stem? Well?

821
00:42:59,440 --> 00:43:04,319
Speaker 1: Actually aliena funnily enough, here we go. He gave her

822
00:43:04,360 --> 00:43:06,520
Speaker 1: the rose and then when she jumped to hug him,

823
00:43:06,640 --> 00:43:09,760
Speaker 1: the top of the rose fell off. The original proposal,

824
00:43:09,840 --> 00:43:12,160
Speaker 1: which is that's how you knew that. I knew immediately.

825
00:43:12,200 --> 00:43:14,800
Speaker 1: I was like, really I was, But that's really funny,

826
00:43:15,400 --> 00:43:19,280
Speaker 1: the metaphor crumbling flowers. She ended up with just a stem,

827
00:43:20,040 --> 00:43:23,040
Speaker 1: and she was the likable one, right and she was

828
00:43:23,120 --> 00:43:27,560
Speaker 1: the one who had a personality, and her be the

829
00:43:27,640 --> 00:43:30,880
Speaker 1: one he dumped her for. It just doesn't have a

830
00:43:30,920 --> 00:43:34,800
Speaker 1: ton of person A lot of what she says is wow,

831
00:43:35,960 --> 00:43:37,920
Speaker 1: m that's the and then he says, I love that,

832
00:43:38,320 --> 00:43:42,439
Speaker 1: And that is all their conversation. I love that, she says.

833
00:43:42,920 --> 00:43:45,279
Speaker 1: He tells her like, look, they want to They went

834
00:43:45,320 --> 00:43:47,560
Speaker 1: on a date in Italy where he's like, look, I've

835
00:43:47,600 --> 00:43:50,840
Speaker 1: seen cheese like that before and she was like wow

836
00:43:51,360 --> 00:43:54,920
Speaker 1: and he was like, yeah, I love that, and then

837
00:43:55,160 --> 00:43:58,960
Speaker 1: they proceeded to be like not just looking at each

838
00:43:58,960 --> 00:44:02,920
Speaker 1: other and and he fell in love so hard. So

839
00:44:03,280 --> 00:44:06,799
Speaker 1: yesterday did he propose to anyone? He proposed to Lauren

840
00:44:06,880 --> 00:44:09,440
Speaker 1: be at the live show at the end after he

841
00:44:09,600 --> 00:44:19,080
Speaker 1: talked to Becca and like a text sales yellow. Yeah.

842
00:44:19,719 --> 00:44:23,520
Speaker 1: She is a small, petite, blond woman who seems to

843
00:44:23,600 --> 00:44:26,279
Speaker 1: come from Trump supporting parents, who does not say much.

844
00:44:27,440 --> 00:44:30,640
Speaker 1: So she gets the proposal, so he the show starts,

845
00:44:31,120 --> 00:44:33,480
Speaker 1: they bring out Becca, who he dumped. She goes through

846
00:44:33,520 --> 00:44:36,680
Speaker 1: all her feelings, was like, oh, this is so terrible.

847
00:44:37,120 --> 00:44:40,200
Speaker 1: Chris Harrison has the nerve to be like everyone's attacking

848
00:44:40,280 --> 00:44:43,319
Speaker 1: me on Twitter, which is like, I go the host

849
00:44:43,400 --> 00:44:47,400
Speaker 1: guy because he's yeah, He's like I'm getting death threats,

850
00:44:47,440 --> 00:44:51,279
Speaker 1: which everyone's like, yeah, you filmed a breakup. It's oh,

851
00:44:51,600 --> 00:44:54,640
Speaker 1: I see, I see. So he filmed the breakup. Everyone's like,

852
00:44:54,719 --> 00:44:56,439
Speaker 1: this is oh, this is like the guy who filmed

853
00:44:56,480 --> 00:45:00,239
Speaker 1: a suicide on YouTube. Right, gay people are just why

854
00:45:00,280 --> 00:45:01,960
Speaker 1: could you? How could you do that? And then he

855
00:45:02,120 --> 00:45:05,120
Speaker 1: makes the bath there the girl that he domped, Becca

856
00:45:05,480 --> 00:45:08,120
Speaker 1: justified that it was okay for them to film her,

857
00:45:08,680 --> 00:45:11,719
Speaker 1: so you could. She was like, yes, I understand that

858
00:45:11,800 --> 00:45:13,680
Speaker 1: I went on this show, so I understand that. Really,

859
00:45:14,239 --> 00:45:16,640
Speaker 1: I just it was you know, I gave up my

860
00:45:16,760 --> 00:45:18,759
Speaker 1: rights so it had to be filmed, and it helped me,

861
00:45:19,280 --> 00:45:21,360
Speaker 1: helped me get past it. You know what you signed

862
00:45:21,400 --> 00:45:24,440
Speaker 1: up for, right, yeah? Right? They her justify so it

863
00:45:24,480 --> 00:45:26,640
Speaker 1: could make Chris Harrison look better. But the whole situation

864
00:45:26,760 --> 00:45:30,040
Speaker 1: was just just came off like a hostage reading video.

865
00:45:30,239 --> 00:45:34,840
Speaker 1: She's like, yes, I feel totally okayis is treating me fine?

866
00:45:36,239 --> 00:45:38,960
Speaker 1: And so I mean that guys, that is the contract

867
00:45:39,000 --> 00:45:41,280
Speaker 1: though you're entering into like you're you're having your personal

868
00:45:41,360 --> 00:45:45,839
Speaker 1: relationship filmed at any given hour, and they have that's

869
00:45:45,920 --> 00:45:49,000
Speaker 1: what the show is That not the show? Yes, I mean,

870
00:45:49,120 --> 00:45:52,640
Speaker 1: and we'll commodify your trauma. Yeah, and you agree. Basically,

871
00:45:53,080 --> 00:45:55,200
Speaker 1: the understanding is if you're in the final three, you

872
00:45:55,239 --> 00:45:59,920
Speaker 1: will have sex with fantasy, so you can turn it down,

873
00:46:00,400 --> 00:46:03,080
Speaker 1: but they usually don't because in America, do you feel

874
00:46:03,120 --> 00:46:05,840
Speaker 1: like that's almost like a currency in a relationship, like

875
00:46:06,040 --> 00:46:08,600
Speaker 1: don't you love me, I will sleep with you, right,

876
00:46:08,880 --> 00:46:11,320
Speaker 1: and then a lot of the time he sleeps with

877
00:46:11,400 --> 00:46:14,000
Speaker 1: them and then is like I'm gonna dump you. Actually

878
00:46:14,040 --> 00:46:16,040
Speaker 1: never mind. One of them does get sent home after

879
00:46:16,160 --> 00:46:19,520
Speaker 1: the so that is that's yeah, they do sign up

880
00:46:19,640 --> 00:46:23,480
Speaker 1: for some humiliation. Something I found very interesting watching Bachelor

881
00:46:23,560 --> 00:46:26,239
Speaker 1: Winner Games where they had international contestants coming from all

882
00:46:26,239 --> 00:46:28,560
Speaker 1: the international shows is a lot of the international people

883
00:46:28,680 --> 00:46:31,239
Speaker 1: did not take the fantasy suite. Like one woman from

884
00:46:31,280 --> 00:46:33,719
Speaker 1: Russia literally said I couldn't look my mother in the

885
00:46:33,760 --> 00:46:35,279
Speaker 1: eye if I went to the fantasy stem with you

886
00:46:35,320 --> 00:46:37,400
Speaker 1: after this wait her mother was inside of the fantasy

887
00:46:39,800 --> 00:46:45,280
Speaker 1: want to come in here? In America, we're all about

888
00:46:45,320 --> 00:46:47,040
Speaker 1: winning at all costs. It's like, look, if you got

889
00:46:47,160 --> 00:46:50,920
Speaker 1: a funk to get to that final. We learned that

890
00:46:51,000 --> 00:46:53,080
Speaker 1: in Japan on The Bachelor, the furthest they go on

891
00:46:53,160 --> 00:46:55,279
Speaker 1: TV as a hug. They don't even care, like the

892
00:46:55,840 --> 00:46:59,279
Speaker 1: final two will maybe kiss, but I still I just

893
00:46:59,320 --> 00:47:06,000
Speaker 1: shake hands with my mother. Yeah okay, I'm Japanese anyway.

894
00:47:06,120 --> 00:47:09,320
Speaker 1: So they bring up are to talk to Becca after

895
00:47:09,680 --> 00:47:13,319
Speaker 1: you know, the breakup and is our bachelor and they

896
00:47:13,400 --> 00:47:16,920
Speaker 1: have a weird, awkward like okay conversation which doesn't really

897
00:47:16,920 --> 00:47:20,040
Speaker 1: go anywhere, and Are just says everything is his fault,

898
00:47:20,080 --> 00:47:22,200
Speaker 1: but then makes a hundred excuses as to why it's

899
00:47:22,239 --> 00:47:25,600
Speaker 1: not his fault, like the pressure which is so it's

900
00:47:25,640 --> 00:47:30,040
Speaker 1: not his fault. Look, was any bachelor that accepts to

901
00:47:30,080 --> 00:47:31,480
Speaker 1: do this in the surrender with the room of what

902
00:47:31,600 --> 00:47:35,680
Speaker 1: like forty gorgeous women, he will, Okay, let's say twenty six.

903
00:47:35,800 --> 00:47:39,080
Speaker 1: That's a good amount of women. Let's say this one

904
00:47:39,160 --> 00:47:41,320
Speaker 1: and and and also like get the bachelor at the

905
00:47:41,360 --> 00:47:43,759
Speaker 1: same thing, they lose their minds. You're no longer in

906
00:47:43,840 --> 00:47:46,840
Speaker 1: your right mind when people attractive people are talking to

907
00:47:46,920 --> 00:47:50,000
Speaker 1: you like you're a god, right, it's just crazy. So whatever,

908
00:47:50,040 --> 00:47:51,080
Speaker 1: he says that that what now? What he is he

909
00:47:51,120 --> 00:47:53,040
Speaker 1: saying At the very end, he says that, well, they

910
00:47:53,080 --> 00:47:55,800
Speaker 1: all said you shouldn't have proposed if you were that unsure,

911
00:47:55,920 --> 00:47:57,960
Speaker 1: and which he goes, I would just felt so pressured,

912
00:47:58,080 --> 00:48:01,400
Speaker 1: like Chris Harrison was looking at me, like people wanted it.

913
00:48:01,520 --> 00:48:04,440
Speaker 1: I had to give them something. The ratings, baby, the ratings,

914
00:48:04,480 --> 00:48:07,640
Speaker 1: because basically what he said. But she was like, cool, well,

915
00:48:07,680 --> 00:48:09,520
Speaker 1: you're an adult man and you can make your own choices.

916
00:48:10,080 --> 00:48:12,239
Speaker 1: And so then so she was still like mad and

917
00:48:12,440 --> 00:48:16,000
Speaker 1: openly criticizing him. During she wasn't criticizing him. She said

918
00:48:16,040 --> 00:48:18,240
Speaker 1: she forgave him. She was very always the whole season,

919
00:48:18,320 --> 00:48:20,279
Speaker 1: was very level headed and that's I think white people

920
00:48:20,360 --> 00:48:22,920
Speaker 1: liked her so much. Also, they started go fund me

921
00:48:23,080 --> 00:48:25,480
Speaker 1: for her, like fans. She made up to like six thousand,

922
00:48:25,480 --> 00:48:27,799
Speaker 1: which she donated to cancer research on the show, which

923
00:48:27,800 --> 00:48:29,600
Speaker 1: I thought was very nice. Wait why I go fund me?

924
00:48:29,760 --> 00:48:31,239
Speaker 1: Because people were like, you know what, We're going to

925
00:48:31,320 --> 00:48:33,399
Speaker 1: send her some money for being dumped on live TV.

926
00:48:33,560 --> 00:48:35,680
Speaker 1: Go have a drink, honey, go to Mexico all the

927
00:48:35,840 --> 00:48:37,560
Speaker 1: time of your life, which she was like, I don't

928
00:48:37,600 --> 00:48:40,440
Speaker 1: need that money. Yeah, Porto Rico still needs electricity, running

929
00:48:40,480 --> 00:48:45,560
Speaker 1: water anyway, let you have just go fund me sound

930
00:48:45,600 --> 00:48:52,560
Speaker 1: like a dismissive kind of like angry thing. Fun fund anything.

931
00:48:53,200 --> 00:48:56,000
Speaker 1: And then they brought on Lauren b and Ari together.

932
00:48:56,160 --> 00:48:59,920
Speaker 1: He proposed to her right then and there. Yeah, that's sill.

933
00:49:00,600 --> 00:49:05,160
Speaker 1: We're having the time of our lot. So yeah. And

934
00:49:05,200 --> 00:49:07,800
Speaker 1: then they left and then they announced the new bachelor.

935
00:49:08,080 --> 00:49:11,799
Speaker 1: It's going to be Becca Girly dumped so and then

936
00:49:11,840 --> 00:49:14,640
Speaker 1: they brought it a few bachelors like contestants to meter

937
00:49:14,760 --> 00:49:18,120
Speaker 1: to start the season. Often well, that was an interesting

938
00:49:18,160 --> 00:49:21,759
Speaker 1: group of guys. One guy played Banjo U and one

939
00:49:21,760 --> 00:49:23,839
Speaker 1: guy brought a horse in which I was like, you've

940
00:49:23,840 --> 00:49:28,200
Speaker 1: gotta stop bringing horses into the studio. They ship everywhere.

941
00:49:28,239 --> 00:49:30,360
Speaker 1: Do they bring horses in a line? It's something that

942
00:49:30,400 --> 00:49:32,200
Speaker 1: people will show up in horses. One girl showed up

943
00:49:32,200 --> 00:49:33,719
Speaker 1: with the camel once. I don't know where she got

944
00:49:34,520 --> 00:49:37,560
Speaker 1: hold on, hold on, yeah, I'm Lebanese. Is the horse

945
00:49:37,600 --> 00:49:41,200
Speaker 1: one of the Bachelor's. Yeah, this whole guy was like, hey,

946
00:49:41,280 --> 00:49:44,399
Speaker 1: I brought this horse because you always gotta get back

947
00:49:44,520 --> 00:49:46,799
Speaker 1: up on the horse, which I was like, take him out.

948
00:49:48,239 --> 00:49:50,239
Speaker 1: He's not even a farmer that he just brought it

949
00:49:50,320 --> 00:49:52,319
Speaker 1: him for the metaphor. I don't know. He was from

950
00:49:52,400 --> 00:49:54,719
Speaker 1: like Wisconsin. Hilarious, like he didn't even know how to

951
00:49:54,760 --> 00:50:02,960
Speaker 1: write it. Oh god, he's scared of and in The Bachelor.

952
00:50:03,080 --> 00:50:06,640
Speaker 1: The Bachelor, I am so bewildered by how uncreative people are, right,

953
00:50:06,880 --> 00:50:09,320
Speaker 1: you know, like that is a funny joke. Well, and

954
00:50:09,360 --> 00:50:10,800
Speaker 1: then they were like get up on the horse, and

955
00:50:10,880 --> 00:50:13,879
Speaker 1: she's like, I'm wearing a dress. Just made her get

956
00:50:13,920 --> 00:50:16,399
Speaker 1: up on the horse. Anyway, don't worry, we'll mosaic it out.

957
00:50:18,480 --> 00:50:21,400
Speaker 1: But only these thousand people will see. Should be an

958
00:50:21,440 --> 00:50:26,640
Speaker 1: interesting season. I really liked her um the most season yet. Yeah,

959
00:50:26,760 --> 00:50:28,720
Speaker 1: what a year. So they didn't know such a boring

960
00:50:28,840 --> 00:50:31,279
Speaker 1: human being could bring such a crazy So the reason

961
00:50:31,360 --> 00:50:34,800
Speaker 1: this was dramatic is he proposed, which is how the

962
00:50:34,880 --> 00:50:38,360
Speaker 1: season usually ends, but they stuck with him through. What

963
00:50:38,640 --> 00:50:42,440
Speaker 1: usually also happens is after they propose and are engaged,

964
00:50:42,719 --> 00:50:47,000
Speaker 1: they oftentimes will break up. They filmed the breakup which

965
00:50:47,120 --> 00:50:50,680
Speaker 1: came after the proposal, and then had another episode where

966
00:50:50,760 --> 00:50:52,920
Speaker 1: he proposed to the other girl. So it's like a

967
00:50:53,000 --> 00:50:56,360
Speaker 1: big twist. Row is why this is different than normal.

968
00:50:56,880 --> 00:51:01,359
Speaker 1: Usually people wait about two years to break up because

969
00:51:01,360 --> 00:51:02,920
Speaker 1: if you wait two years, you get to keep the ring,

970
00:51:02,960 --> 00:51:06,080
Speaker 1: which is usually worth like two dollars. Is that true, Yes,

971
00:51:06,160 --> 00:51:11,359
Speaker 1: if you specifically to the Bachelor, Yeah, Bachelor. Yeah. Neil

972
00:51:11,480 --> 00:51:13,320
Speaker 1: Lane shows up, as we call it, the corpse of

973
00:51:13,360 --> 00:51:15,040
Speaker 1: Neil Lane shows up because he looks like a wax

974
00:51:15,120 --> 00:51:19,279
Speaker 1: figure at this point, and he's the jeweler Neil Lane.

975
00:51:23,280 --> 00:51:27,040
Speaker 1: He's really creepy. He is nothing fam this room. We

976
00:51:27,160 --> 00:51:29,400
Speaker 1: do not know him. It sounds a bit like Smigel.

977
00:51:30,120 --> 00:51:32,120
Speaker 1: The ring comes out. We always joke that he's like

978
00:51:32,200 --> 00:51:35,239
Speaker 1: a bat that like wakes up and like flies, just like,

979
00:51:35,440 --> 00:51:38,520
Speaker 1: let me give you a ring and then but it's

980
00:51:39,239 --> 00:51:41,720
Speaker 1: you can keep it if you last for two years.

981
00:51:42,320 --> 00:51:43,719
Speaker 1: If you don't last not long, you got to give

982
00:51:43,760 --> 00:51:46,279
Speaker 1: the ring back. But if you last anybody ever like

983
00:51:46,800 --> 00:51:49,160
Speaker 1: broken up the day before, Like the guy was just

984
00:51:49,280 --> 00:51:51,160
Speaker 1: like this is not working. I don't think so you

985
00:51:51,200 --> 00:51:53,000
Speaker 1: can last one at least you keep it to yourself

986
00:51:53,719 --> 00:51:55,080
Speaker 1: or you work together, like, look, I'm gonna keep the

987
00:51:55,160 --> 00:51:57,640
Speaker 1: rings with the money. I mean, people will like die

988
00:51:57,800 --> 00:52:02,160
Speaker 1: early for money. Like there's a thing where like at

989
00:52:02,200 --> 00:52:05,600
Speaker 1: a certain point the tax break for like death and

990
00:52:05,719 --> 00:52:09,759
Speaker 1: inheritance was wearing off, and so like all these people

991
00:52:09,880 --> 00:52:13,160
Speaker 1: just died the day before that to I mean, go

992
00:52:13,280 --> 00:52:18,160
Speaker 1: watch Dateline. People murder each other daily for grand Yeah

993
00:52:20,320 --> 00:52:27,479
Speaker 1: we're talking good money, I know, but it's not anyway. Alrighty, yeah,

994
00:52:27,920 --> 00:52:34,880
Speaker 1: I'm unna. Thank you so much for filling us. And

995
00:52:35,040 --> 00:52:36,919
Speaker 1: as you might not know, I do produce a show

996
00:52:36,920 --> 00:52:39,839
Speaker 1: about the Bachelor called will you accept this? Jesus Christ?

997
00:52:39,880 --> 00:52:41,840
Speaker 1: Why don't you? That's going to be sure that you

998
00:52:41,960 --> 00:52:49,520
Speaker 1: do for us for a living ethnically, And so, just

999
00:52:49,640 --> 00:52:53,120
Speaker 1: closing out, we want to talk about two more Trump stories.

1000
00:52:53,520 --> 00:52:58,120
Speaker 1: The big story is that Stormy Daniels is suing the

1001
00:52:58,239 --> 00:53:01,560
Speaker 1: President just to get like not for money, but just

1002
00:53:01,680 --> 00:53:06,040
Speaker 1: to get out of the agreement that his lawyer paid

1003
00:53:06,160 --> 00:53:09,800
Speaker 1: her to sign dred and thirty thousand dollars uh, and

1004
00:53:10,440 --> 00:53:14,279
Speaker 1: apparently he never countersigned, and so she is saying that

1005
00:53:14,440 --> 00:53:17,719
Speaker 1: she shouldn't be bound by that contract anymore, and that's

1006
00:53:17,800 --> 00:53:20,840
Speaker 1: what the suit is. Uh. There's also the fact that

1007
00:53:21,800 --> 00:53:25,080
Speaker 1: because like so his lawyer said that he just did

1008
00:53:25,160 --> 00:53:28,160
Speaker 1: this goodness of his own heart, but now it's becoming

1009
00:53:28,239 --> 00:53:31,720
Speaker 1: clear that that's not the case, and therefore the payment

1010
00:53:31,880 --> 00:53:36,440
Speaker 1: violates campaign finance law. So that there's that tied up

1011
00:53:36,480 --> 00:53:40,080
Speaker 1: in this. So this could being a bigger deal. It's crazy.

1012
00:53:40,120 --> 00:53:43,120
Speaker 1: We're in the world now where like this actress, adult

1013
00:53:43,160 --> 00:53:45,799
Speaker 1: film star is suing the president and we're like, yeah,

1014
00:53:45,880 --> 00:53:49,160
Speaker 1: but sure, throw that on the pile of other things

1015
00:53:49,239 --> 00:53:52,560
Speaker 1: we have to deal with. It's exhausting. And also, like

1016
00:53:52,600 --> 00:53:54,560
Speaker 1: I think John Edwards got in trouble for something similar

1017
00:53:54,600 --> 00:53:57,719
Speaker 1: to but he never did any time. Well, but that

1018
00:53:57,800 --> 00:54:00,600
Speaker 1: those those campaign finance law violations they don't take serious.

1019
00:54:00,640 --> 00:54:02,680
Speaker 1: But you know, as exhausting as this isn't as like

1020
00:54:02,880 --> 00:54:04,960
Speaker 1: maybe some people think it's a pretty rinky dink thing.

1021
00:54:05,080 --> 00:54:09,120
Speaker 1: But he can be bought and sold, you know, if

1022
00:54:09,160 --> 00:54:11,319
Speaker 1: he can be if he can be leaned on by

1023
00:54:11,560 --> 00:54:14,399
Speaker 1: an adult film star, you can be leaned on by

1024
00:54:14,480 --> 00:54:19,080
Speaker 1: an oligarchy or someone with a yeah, and who also

1025
00:54:19,120 --> 00:54:20,680
Speaker 1: said he loves him today. Did you hear that he

1026
00:54:20,719 --> 00:54:22,320
Speaker 1: has some good quotes? He was like, he's like, I

1027
00:54:22,400 --> 00:54:24,680
Speaker 1: think he's great. He actually really impressed me in person,

1028
00:54:25,280 --> 00:54:30,560
Speaker 1: Like I wonder why ye resigned. Yeah, the White House

1029
00:54:30,680 --> 00:54:34,879
Speaker 1: brain drain continues. Yeah, barely any adults in that room now,

1030
00:54:35,400 --> 00:54:37,440
Speaker 1: because he was like the one guy who just kind

1031
00:54:37,440 --> 00:54:40,759
Speaker 1: of was, you know, on the free market end of things, uh,

1032
00:54:40,960 --> 00:54:45,040
Speaker 1: and keeping all the protectionist urges at bay. But now

1033
00:54:45,160 --> 00:54:48,959
Speaker 1: he took off because of the impending tariffs that Trump

1034
00:54:49,080 --> 00:54:53,680
Speaker 1: is about to sign. Supported by anybody on this, even

1035
00:54:53,760 --> 00:54:56,239
Speaker 1: Paul Ryan's going out against it, Yeah, and even in

1036
00:54:56,320 --> 00:54:58,080
Speaker 1: his Paul Ryan way, which is like, I think we

1037
00:54:58,120 --> 00:55:00,600
Speaker 1: should reconsider that we do the surgery glee. So there's

1038
00:55:00,640 --> 00:55:03,520
Speaker 1: no unintended uh, you know, of costs or you know.

1039
00:55:03,760 --> 00:55:06,840
Speaker 1: Doesn't that seem like every single major decision in this

1040
00:55:06,960 --> 00:55:13,080
Speaker 1: administration is made without knowing what happens on the other side. Yeah. Nothing.

1041
00:55:13,320 --> 00:55:15,640
Speaker 1: You don't know what's going to happen on the other side.

1042
00:55:16,160 --> 00:55:18,680
Speaker 1: It's not like plotted out. It's not methodical or anything.

1043
00:55:18,719 --> 00:55:20,360
Speaker 1: It's just you don't know what's going to happen. And

1044
00:55:20,440 --> 00:55:22,560
Speaker 1: some people speculate like it's a move like there's a

1045
00:55:22,600 --> 00:55:24,680
Speaker 1: big special election in Pennsylvania coming up and it's a

1046
00:55:24,680 --> 00:55:27,160
Speaker 1: steel state, so like he's trying to like whip that

1047
00:55:27,280 --> 00:55:30,200
Speaker 1: base up by saying like we're protecting like steel jobs.

1048
00:55:30,560 --> 00:55:33,279
Speaker 1: But history will show you that that isn't necessarily going

1049
00:55:33,320 --> 00:55:37,920
Speaker 1: to bring the jobs back. Um, so we'll see, we

1050
00:55:38,000 --> 00:55:40,080
Speaker 1: shall see, because if not, it's a straight up trade

1051
00:55:40,080 --> 00:55:42,120
Speaker 1: war and the EU is ready to they're like, yeah,

1052
00:55:42,200 --> 00:55:44,800
Speaker 1: fucking fucking try us. And you know a pair of

1053
00:55:44,920 --> 00:55:47,880
Speaker 1: Levi's are gonna be seven thousand dollars for people or like,

1054
00:55:47,880 --> 00:55:51,000
Speaker 1: and then it didn't like Finland already cancel putting a

1055
00:55:51,080 --> 00:55:54,239
Speaker 1: plant in Tennessee or something like this one. I don't

1056
00:55:54,239 --> 00:55:56,239
Speaker 1: know if somebody in somebody in like Scandinavia said we

1057
00:55:56,320 --> 00:55:58,960
Speaker 1: had a two fifty million dollar contract to open up

1058
00:55:59,440 --> 00:56:03,720
Speaker 1: a fact three and you know in the South, this happens,

1059
00:56:03,760 --> 00:56:05,480
Speaker 1: that doesn't. We don't put that there. We don't give

1060
00:56:05,520 --> 00:56:07,239
Speaker 1: you our money, we don't set up job, we don't

1061
00:56:07,280 --> 00:56:11,040
Speaker 1: give you jobs. Hey man, It's it's crazy when you

1062
00:56:11,080 --> 00:56:13,439
Speaker 1: have to someone with no impulse control, just being able

1063
00:56:13,480 --> 00:56:16,280
Speaker 1: to say ship that has like crazy world changing effects.

1064
00:56:16,280 --> 00:56:17,680
Speaker 1: And here's the thing. I mean, I think we knew this.

1065
00:56:18,040 --> 00:56:20,359
Speaker 1: We knew all this was gonna happen. There's nothing new

1066
00:56:20,400 --> 00:56:23,200
Speaker 1: to this. It's exhausting, it's terrible, but this is now

1067
00:56:23,320 --> 00:56:25,920
Speaker 1: part of the course and we knew it from way

1068
00:56:26,000 --> 00:56:29,200
Speaker 1: before he was president. Yeah. Yeah. It seems like a

1069
00:56:29,360 --> 00:56:34,640
Speaker 1: consequence of not trusting experts at all and just trusting

1070
00:56:34,719 --> 00:56:37,360
Speaker 1: your gut, which seems to be how he makes decisions,

1071
00:56:37,560 --> 00:56:41,800
Speaker 1: and therefore he's surprised when you know, the thing that

1072
00:56:41,880 --> 00:56:45,680
Speaker 1: the experts had been predicting all along comes to pass again.

1073
00:56:45,760 --> 00:56:48,800
Speaker 1: Going back to Facebook, he's a lonesome man. He doesn't

1074
00:56:48,840 --> 00:56:51,359
Speaker 1: have love in his life. Yeah, someone just go visit him,

1075
00:56:52,040 --> 00:56:54,920
Speaker 1: be nice, visit me, just play catch with him. Brendan

1076
00:56:55,000 --> 00:56:57,920
Speaker 1: has been a pleasure having you. Thanks for having me.

1077
00:56:58,000 --> 00:57:01,800
Speaker 1: This has been fun. Where can people find you find me?

1078
00:57:02,040 --> 00:57:05,720
Speaker 1: On Facebook? On? Well, there is there's a Facebook page

1079
00:57:05,760 --> 00:57:10,120
Speaker 1: that I do not handle and but I do I do, um,

1080
00:57:10,960 --> 00:57:12,520
Speaker 1: I do support it to a degree, but I do

1081
00:57:12,600 --> 00:57:14,880
Speaker 1: not have to log onto Facebook, which is fantastic, and

1082
00:57:14,920 --> 00:57:17,920
Speaker 1: I don't have a personal account. Um, but um, You

1083
00:57:18,000 --> 00:57:20,680
Speaker 1: can find me on Twitter at Underscore Brendan Small. You

1084
00:57:20,760 --> 00:57:24,680
Speaker 1: can find me on Instagram at Brendan Small b R

1085
00:57:24,760 --> 00:57:27,160
Speaker 1: E N D O N And I'd say go out

1086
00:57:27,200 --> 00:57:30,960
Speaker 1: and check out this video, this short film for Galacticon Nightmare.

1087
00:57:31,000 --> 00:57:32,160
Speaker 1: You can go to Funny or Die. You can go

1088
00:57:32,240 --> 00:57:35,800
Speaker 1: to galacticon dot com to find that and check out

1089
00:57:35,840 --> 00:57:38,440
Speaker 1: the Galacticon comic book. It's really fun. It's it's uh,

1090
00:57:38,560 --> 00:57:41,960
Speaker 1: we're we just released the penultimate issue today, so go

1091
00:57:42,040 --> 00:57:44,360
Speaker 1: to your local comic shop or go to galacticon dot

1092
00:57:44,400 --> 00:57:47,200
Speaker 1: com and check it out there. Thanks awesome, Miles. Where

1093
00:57:47,200 --> 00:57:51,360
Speaker 1: can people find you? Oh? Just on Twitter and Instagram? Okay? Cool?

1094
00:57:52,080 --> 00:57:54,680
Speaker 1: On a Where can people find you? You can find

1095
00:57:54,720 --> 00:57:57,480
Speaker 1: me on Twitter at A host A N N A

1096
00:57:57,760 --> 00:58:00,400
Speaker 1: H L S S N I E H. Do you

1097
00:58:00,480 --> 00:58:04,280
Speaker 1: listen to my podcast ethnically because how stuff works? I

1098
00:58:04,400 --> 00:58:07,200
Speaker 1: just hate spelling my last name, so even I sometimes

1099
00:58:07,280 --> 00:58:11,880
Speaker 1: mess it up. Um yeah, ethnically ambiguous on how stuff works? Um.

1100
00:58:12,280 --> 00:58:14,960
Speaker 1: We released the show every week and listen to Will

1101
00:58:14,960 --> 00:58:17,520
Speaker 1: You Accept This Rose? For all your Bachelor new Can

1102
00:58:17,560 --> 00:58:19,640
Speaker 1: I say that? Anna also produces the Bake Show with

1103
00:58:19,720 --> 00:58:21,600
Speaker 1: myself and Steve ag and all the street musicians we

1104
00:58:21,640 --> 00:58:23,360
Speaker 1: talked about, and also a new show with myself and

1105
00:58:23,400 --> 00:58:26,280
Speaker 1: Brendan Walsh called brend two Dum. Yes, it's we're both

1106
00:58:26,360 --> 00:58:28,680
Speaker 1: named Brennan. We have a show we're basically come and

1107
00:58:28,760 --> 00:58:31,760
Speaker 1: check this out. This is a ridiculous show where we're basically, um,

1108
00:58:32,280 --> 00:58:34,600
Speaker 1: it's kind of like Katie Lean Hoda, but we're both

1109
00:58:34,720 --> 00:58:38,160
Speaker 1: were We do makeovers, we do healthy snack makings, we

1110
00:58:38,280 --> 00:58:40,120
Speaker 1: do we pull people out of the audience and it's

1111
00:58:40,200 --> 00:58:45,680
Speaker 1: really like a style and and food and social It's

1112
00:58:45,680 --> 00:58:48,560
Speaker 1: a lifestyle show and it's out of its fucking mind

1113
00:58:48,760 --> 00:58:50,520
Speaker 1: and come see it at the Lyric theaternet. So we

1114
00:58:50,600 --> 00:58:52,920
Speaker 1: have to clean up a whole lot of cottage cheese

1115
00:58:53,280 --> 00:58:55,280
Speaker 1: after the last show. Yeah, I mean it's a very

1116
00:58:55,320 --> 00:59:00,360
Speaker 1: healthy alternative regular cheese. Um, please come check that, brind

1117
00:59:01,000 --> 00:59:04,760
Speaker 1: It is all forget about it. Then if you think

1118
00:59:04,800 --> 00:59:08,920
Speaker 1: that's disgusting, you're gonna love our show. Come check that

1119
00:59:08,960 --> 00:59:12,040
Speaker 1: out the Lyric Hyperion and yeah, first Tuesday of every

1120
00:59:12,080 --> 00:59:15,439
Speaker 1: month Lost what Now. You can find me at Jack

1121
00:59:15,480 --> 00:59:18,160
Speaker 1: Underscore O'Brien on Twitter. You can follow us at Daily

1122
00:59:18,240 --> 00:59:21,160
Speaker 1: Zeitgeist on Twitter. We're at the Daily Zeitgeist on Instagram.

1123
00:59:21,240 --> 00:59:24,040
Speaker 1: We have a Facebook fan page, you know on Facebook. Work.

1124
00:59:24,680 --> 00:59:28,160
Speaker 1: We have a website daily zeitgeist dot com where we

1125
00:59:28,320 --> 00:59:31,720
Speaker 1: post our episodes and put no po We link off

1126
00:59:31,800 --> 00:59:35,240
Speaker 1: to the sources for the information that we talked about. Uh,

1127
00:59:35,440 --> 00:59:38,920
Speaker 1: that is going to do it for today. Miles. Do

1128
00:59:39,040 --> 00:59:41,320
Speaker 1: you have a song? Yeah, righte us out. Just play

1129
00:59:41,320 --> 00:59:44,640
Speaker 1: a quick song from this vaand Pivot Culture a quick mile.

1130
00:59:45,000 --> 00:59:46,959
Speaker 1: It's just a good viby track. I think they're on Warp,

1131
00:59:47,200 --> 00:59:49,080
Speaker 1: you know, shout out to all the whole Warp family

1132
00:59:49,120 --> 00:59:51,160
Speaker 1: out there. All right, we will write out on that

1133
00:59:51,480 --> 00:59:54,000
Speaker 1: and we will be back tomorrow because it is a

1134
00:59:54,080 --> 01:00:05,280
Speaker 1: daily show. We'll talk to get that. But take the Queen.

1135
01:00:08,800 --> 01:00:41,200
Speaker 1: We see the sly look. That was not my way,

1136
01:01:00,560 --> 01:01:21,720
Speaker 1: clo and she we go lot of ships and down

1137
01:01:22,200 --> 01:01:51,200
Speaker 1: all the streets time. That's quite a h