WEBVTT - Patti Smith and Peter Frampton - Summer Staff Picks

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<v Speaker 1>I'm Alec Baldwin and you're listening to Here's the Thing

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<v Speaker 1>from My Heart Radio. And I'm Kathleen Russo and I'm

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<v Speaker 1>finally hosting Here's the Thing. Oh my goodness, Kathy, how

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<v Speaker 1>long have you and I worked on this podcast. It's

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<v Speaker 1>only been ten years, Alec, ten years. Well, of course

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<v Speaker 1>you should have a turn hosting one of our staff

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<v Speaker 1>pick shows from the archives this summer, but justice once, okay, Alec. Thanks.

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<v Speaker 1>One of the perks of this job as the executive

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<v Speaker 1>producer of Here's the Thing is you get to meet

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<v Speaker 1>so many people you admire in respect, including people whose

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<v Speaker 1>posters hung on your bedroom wall in Upstate New York

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<v Speaker 1>during the nineties seventies, and people whose LPs you listen

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<v Speaker 1>to on your turntable over and over so often the

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<v Speaker 1>vinyl warped or war thinned. My archival picks today are

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<v Speaker 1>two of these grades. Poet, writer, musician and the ultimate

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<v Speaker 1>punk rocker Patty Smith and one of the best guitarists

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<v Speaker 1>and vocalists in the world, rock legend Peter Frampton. Get

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<v Speaker 1>these phone calls in quick succession. You'll number one and

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<v Speaker 1>the charts. You know it's the biggest selling record of

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<v Speaker 1>all time. You've just outsold Carol King's tapestry. We'll hear

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<v Speaker 1>alex conversation with Peter Frampton in a bit, but first

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<v Speaker 1>let's hear from music icon Patti Smith. Alex Conversation with

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<v Speaker 1>Patti Smith was recorded live in two thousand sixteen at

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<v Speaker 1>the Mayo Performing Arts Center in Morristown, New Jersey. When

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<v Speaker 1>I called Patty's manager to book her on the show,

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<v Speaker 1>I was surprised and frankly thrilled when Patty called me

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<v Speaker 1>back herself to tell me she was a huge fan

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<v Speaker 1>of Alex and of course she would be a guest.

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<v Speaker 1>I love when we record live shows for the podcast

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<v Speaker 1>because it brings a whole new energy and feel. As

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<v Speaker 1>you'll hear, this was a love fest with the audience,

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<v Speaker 1>and Patty, no stranger to live shows, was the perfect guest.

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<v Speaker 1>Alex started by asking if she'd have the same career

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<v Speaker 1>if she started out today. Actually, I have no idea

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<v Speaker 1>because I didn't really come into the music business. I was.

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<v Speaker 1>I came. I wound up in music by mistake. I'm

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<v Speaker 1>not really a musician. I didn't really want to be

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<v Speaker 1>a musician or a singer. I just wanted to I

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<v Speaker 1>wanted to be a poet and a writer, and it

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<v Speaker 1>was accidental. So would it accidentally happen now? I don't

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<v Speaker 1>think so. I think I would have to be more

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<v Speaker 1>focused on what I wanted. But also because I'm so

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<v Speaker 1>on technological and things, I mean, I'm just not really

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<v Speaker 1>suited for right now, So probably I would have to

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<v Speaker 1>be like a physicist the band in the game. You

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<v Speaker 1>don't even drive. No, I don't know how to drive,

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<v Speaker 1>so I couldn't do that. That's true. She doesn't have

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<v Speaker 1>a license. I said, you ever a live in l A.

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<v Speaker 1>She said no, I don't swim and I don't drive.

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<v Speaker 1>That's true. But if you came in now, you'd be

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<v Speaker 1>a scientist. Who said, well, I I don't know what

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<v Speaker 1>I would be, but I don't think I would have

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<v Speaker 1>a problem no matter where I came in. You know,

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<v Speaker 1>I would figure out something. I'm pretty scrappy now. But

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<v Speaker 1>when you say that you weren't a musician, how did

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<v Speaker 1>that begin for you? Well, I mean I came to

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<v Speaker 1>New York in nineteen seven wanted to be an artist,

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<v Speaker 1>and I also wrote poetry. And after I I just

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<v Speaker 1>started writing more poetry. And then uh was shepherded by

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<v Speaker 1>people like Alan Ginsburg and and William Burrows and Gregory Corso,

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<v Speaker 1>and they all read their poetry. So I wanted to

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<v Speaker 1>read poetry, but I didn't want to be boring because

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<v Speaker 1>I went to a lot of poetry readings and they

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<v Speaker 1>were snoresville, you know, they were like, sorry, but really boring.

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<v Speaker 1>So I just started like, at least have good wine. Wine.

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<v Speaker 1>I didn't even drink, and I don't anything interesting really,

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<v Speaker 1>but I mean, I'll have a shot at to kill everybody. No,

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<v Speaker 1>I mean no, I never had a drug problem. M

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<v Speaker 1>minutes on that I have a drug problem now. Actually,

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<v Speaker 1>I was such a sickly kid um that and my

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<v Speaker 1>parents worked so hard to keep me alive that you know,

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<v Speaker 1>when I when I came out into the world, the

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<v Speaker 1>last thing I was going to do is fuck that up.

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<v Speaker 1>You know, I just I'm not. I don't have a

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<v Speaker 1>self destructive event. But also when I was a kid,

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<v Speaker 1>my mother was a chain smoker, and she I mean

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<v Speaker 1>real true chain smoker, and when she ran out of

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<v Speaker 1>cigarettes and she didn't have money, she would pace all

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<v Speaker 1>night long. I get up at midnight and see my

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<v Speaker 1>poor mom pacing because she didn't have a cigarette. And

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<v Speaker 1>I thought then I'm never gonna be dependent on anything,

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<v Speaker 1>because I thought, what would happen if you got stranded

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<v Speaker 1>on a desert island you didn't have cigarettes, You'd like

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<v Speaker 1>fall apart. So it was like an early lesson in uh,

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<v Speaker 1>what I didn't want facing on a desert cigarettes have

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<v Speaker 1>to grow to back and then But I feel like

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<v Speaker 1>somehow I didn't answer one of some questions. Oh, I know,

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<v Speaker 1>because you're yeah, it doesn't matter. You do whatever you

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<v Speaker 1>want to do. How I wound up singing, I just

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<v Speaker 1>wound up singing, like to make up little singing, little

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<v Speaker 1>songs acapella between poems to make it a little more interesting,

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<v Speaker 1>and then sort of wrapping poems. And it was just

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<v Speaker 1>organic from somebody just did it on your own. You

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<v Speaker 1>didn't see anybody else doing that, No, I mean I

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<v Speaker 1>saw like beat poets or I mean just I think

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<v Speaker 1>of everybody that I was influenced by at that time

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<v Speaker 1>of my life, Johnny Carson was the one. I just thought, like,

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<v Speaker 1>you didn't have drug problem either. Yeah, I'm not surprised,

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<v Speaker 1>but I mean, but just the fact that Johnny Carson,

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<v Speaker 1>his his his ability to improvise or to get himself

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<v Speaker 1>out of any situation. That was always what I was

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<v Speaker 1>looking for. If I was on stage, gotten a bad situation,

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<v Speaker 1>find my way out of it. You grew up in

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<v Speaker 1>South Jersey, and you're kind of tough. The way you

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<v Speaker 1>grew up. Your dad. What did your dad do for

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<v Speaker 1>a living? He was worked in a factory. She's waitress.

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<v Speaker 1>And how many kids in your family? Three girls, one boy?

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<v Speaker 1>And I was the oldest, oldest, And it was tough.

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<v Speaker 1>Well yeah, I mean it was financially tough. We had.

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<v Speaker 1>It was in those ways very tough. But in another

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<v Speaker 1>way we had it was very magical because I had

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<v Speaker 1>really great siblings. I had a great imagination, read hundreds

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<v Speaker 1>of books. My parents. We knew that they had a

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<v Speaker 1>lot of strife and stress, but you know, it was

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<v Speaker 1>just the world seems so magical. It wasn't so bad

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<v Speaker 1>for us. Books were my salvation, and so I I

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<v Speaker 1>didn't think of things. The only bad thing was when

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<v Speaker 1>I'd be hungry. I mean, truthfully, I like to eat.

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<v Speaker 1>I was really skinny and a real I was always hungry,

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<v Speaker 1>and that was my big Yeah, really skinny. And then

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<v Speaker 1>when you left home, where'd you go? New York? I

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<v Speaker 1>left when I was twenty and Basically I left to

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<v Speaker 1>get a job because in uh South Jersey and Philadelphia,

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<v Speaker 1>the New York shipyard closed down and there were like

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<v Speaker 1>thirty thousand jobs overnight were lost and there wasn't any work,

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<v Speaker 1>no matter how low a factory job, nothing, And there

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<v Speaker 1>was no more work, and I needed a job. So

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<v Speaker 1>I went to New York City to get a job.

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<v Speaker 1>And where'd you get a job? Um? In a bookstore.

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<v Speaker 1>I got a series of bookstores until I really landed

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<v Speaker 1>a great bookstore job in Scribner's Bookstore, and I worked

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<v Speaker 1>there for about five years. Doesn't it really tells a

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<v Speaker 1>lot about you? That really pretty much sums it up?

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<v Speaker 1>Your home in Jersey, you can't get a job, you're starving.

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<v Speaker 1>You going to New York to get a job. I

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<v Speaker 1>thought you were gonna say in a restaurant, Well, no idea,

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<v Speaker 1>it soon as you go to a bookstore a different

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<v Speaker 1>kind of food. But no, you know what happened. My

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<v Speaker 1>mother was a waitress and she tried to give me

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<v Speaker 1>a job at her counter, but I was so clumsy

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<v Speaker 1>and such a day dreamer, and she fired me. And

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<v Speaker 1>so then she was upset that I was leaving home,

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<v Speaker 1>but she got she let me take my white uniform

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<v Speaker 1>and my wedgies. So the first day I got I'm

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<v Speaker 1>one Time Square and of course Time Square was all

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<v Speaker 1>different than you know. And uh, I got a little

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<v Speaker 1>a job immediately because they needed a waitress at a place,

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<v Speaker 1>a little Italian place called Joe's Um on Times Square.

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<v Speaker 1>And within like two hours I dumped one of the

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<v Speaker 1>I had a giant tray as tripped and the whole

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<v Speaker 1>tray of veal parmisanas went on this woman's tweed suit.

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<v Speaker 1>Not only was I fired, but my three hours pay

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<v Speaker 1>went to her cleaning bill. So I went back to

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<v Speaker 1>port authority, left the waitress uniform and the wedgies in

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<v Speaker 1>the girl's bathroom and thought maybe somebody can use them

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<v Speaker 1>and h Then I looked around for a better job.

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<v Speaker 1>How does art, poetry, music come into your life when

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<v Speaker 1>you're in New York when you're twenty years old. Well,

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<v Speaker 1>first it was just getting a job. I didn't get

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<v Speaker 1>a job the first or second day. I mean I

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<v Speaker 1>was sleeping in the subway, sleeping in uh Central Park,

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<v Speaker 1>sleeping at the cemetery and Flushing or Greenwood or wherever

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<v Speaker 1>it was, and near where Herman Melville was buried, and uh,

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<v Speaker 1>it took a little while, and truthfully, it wasn't really

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<v Speaker 1>until I met I met Robert Maplethorpe, and uh we

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<v Speaker 1>met a couple of times. But I was in a

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<v Speaker 1>bit of a jam because a grown up asked me

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<v Speaker 1>to go out to eat. He was probably forty, but

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<v Speaker 1>I was like twenty. To me, seemed like, you know,

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<v Speaker 1>he was a grown up, you know, And uh, I

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<v Speaker 1>was really afraid that my mother used to say, don't

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<v Speaker 1>go out with a stranger because you know, they just

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<v Speaker 1>want one thing. And I thought, I was so hungry,

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<v Speaker 1>and he said he would take me to dinner. And

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<v Speaker 1>he took me to the Empire State Building diner, and

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<v Speaker 1>I remembered to this day he ordered, uh we ordered.

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<v Speaker 1>He ordered me swordfish and it was five dollars, and

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<v Speaker 1>I thought he's going to want everything for five dollars.

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<v Speaker 1>And I was petrified, and so I I ate that

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<v Speaker 1>I couldn't even eat it. And I'm so angry, I'm

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<v Speaker 1>gonna eat. Maybe I should leave now, Yeah, exactly, not

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<v Speaker 1>that door. But these potatoes are so good of just

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<v Speaker 1>a couple of more potatoes that I'm going to write

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<v Speaker 1>out that door. He'll never know. No, I didn't know

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<v Speaker 1>what to do. Then when we walked, no, we didn't.

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<v Speaker 1>We didn't have any dessert. We walked all the way

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<v Speaker 1>down to uh Tompkins Square Park and we were sitting

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<v Speaker 1>there and then all of a sudden, he said, I

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<v Speaker 1>have an apartment right around here. Would and he asked

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<v Speaker 1>me if I wanted to. It was really creepy. He

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<v Speaker 1>actually had like it's like like a turtleneck, a white turtleneck,

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<v Speaker 1>I remember, and a medallion. I mean, it was really powers.

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<v Speaker 1>That's so funny. Now he was supposed to be a

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<v Speaker 1>science fiction writer, but I was. And when he said that,

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<v Speaker 1>I thought, oh my god, this is the moment, you know,

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<v Speaker 1>and everything my mother ever told me for like ten

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<v Speaker 1>years of my life. And I was sitting there paralyzed,

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<v Speaker 1>figuring out what to do. And I looked and I

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<v Speaker 1>see Robert Maplethorpe coming, you know, up through it just coming.

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<v Speaker 1>It's almost like a cloud parted and here he comes

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<v Speaker 1>with like long curly hair and a sheepskin vest and

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<v Speaker 1>you know, and his dungarees. And I had only met

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<v Speaker 1>him once or twice, and I didn't even know his name,

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<v Speaker 1>and I just met him sort of, And so I

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<v Speaker 1>ran up to him, and I said, uh, do you

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<v Speaker 1>remember me? And he goes yeah, And I said, will

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<v Speaker 1>you pretend you're my boyfriend? And he says okay. So

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<v Speaker 1>I bring him to the science fiction guy and I said,

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<v Speaker 1>this is my boyfriend. He's really mad. I gotta go goodbye.

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<v Speaker 1>And then I said to Robert, this is so stupid,

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<v Speaker 1>but I didn't. I said run, and Robert and I ran.

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<v Speaker 1>We ran, we ran, we ran away. And uh and

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<v Speaker 1>now the guy on the turtleneck with the medallion on

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<v Speaker 1>is the president elect of the United States. Boy, did

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<v Speaker 1>you play your cards wrong? You know? And then my

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<v Speaker 1>life began. Life began that night because Robert and I

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<v Speaker 1>just roamed around. We roamed around the East Village and

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<v Speaker 1>everywhere all night long till two in the morning, just

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<v Speaker 1>talking away. And finally, almost simultaneously, we both said, do

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<v Speaker 1>you have a place to stay? Neither one of us

0:13:34.520 --> 0:13:37.920
<v Speaker 1>had anywhere to live, We didn't have any money, but

0:13:38.400 --> 0:13:41.719
<v Speaker 1>the differences. Robert had knew some kids of Pratt and

0:13:41.760 --> 0:13:43.760
<v Speaker 1>he knew he knew how to get the key to

0:13:43.840 --> 0:13:47.240
<v Speaker 1>this one guy's apartment where his art was stored. So

0:13:47.280 --> 0:13:50.120
<v Speaker 1>we went there and we went to his place and

0:13:50.160 --> 0:13:53.160
<v Speaker 1>he showed me all his drawings and what he was doing,

0:13:53.920 --> 0:13:58.520
<v Speaker 1>and after that night we became inseparable, and that set us,

0:13:58.880 --> 0:14:02.640
<v Speaker 1>at least me on a path, you know where of

0:14:02.800 --> 0:14:10.440
<v Speaker 1>drawling and painting and evolving and writing poetry. And yeah,

0:14:10.480 --> 0:14:17.200
<v Speaker 1>we've we've yes through through many things. Yeah, well I

0:14:17.240 --> 0:14:20.040
<v Speaker 1>was going to get into that. But you're with him

0:14:20.080 --> 0:14:22.320
<v Speaker 1>for a long long time, and then things change for

0:14:22.360 --> 0:14:24.880
<v Speaker 1>you as well in terms of your career. Well, I

0:14:24.880 --> 0:14:27.080
<v Speaker 1>mean at first. I mean, the thing is is that

0:14:27.760 --> 0:14:30.680
<v Speaker 1>I never cared about a career. I have to say,

0:14:31.080 --> 0:14:38.120
<v Speaker 1>none of those things, um being in a business, music, business, career, money.

0:14:38.440 --> 0:14:41.840
<v Speaker 1>What what I always wanted, no matter how conceded it sounds,

0:14:41.960 --> 0:14:44.800
<v Speaker 1>is I wanted to do something great. I wanted to

0:14:44.800 --> 0:14:49.680
<v Speaker 1>write something as great as Pinocchio or The Scarlet Letter,

0:14:49.840 --> 0:14:53.760
<v Speaker 1>or you know, just do something wonderful, write a wonderful book.

0:14:54.160 --> 0:14:57.000
<v Speaker 1>I didn't really care about and still don't. I don't

0:14:57.000 --> 0:14:59.400
<v Speaker 1>care about having a career or any of that stuff.

0:14:59.640 --> 0:15:02.680
<v Speaker 1>I do my work and in the process I've had

0:15:02.760 --> 0:15:06.360
<v Speaker 1>some great successes. I've had things that have had me

0:15:06.520 --> 0:15:09.680
<v Speaker 1>banned from the world. I've had you know, I've I've

0:15:09.960 --> 0:15:12.960
<v Speaker 1>been in trouble, I've done you know, I've left it

0:15:13.000 --> 0:15:16.280
<v Speaker 1>all behind. It's not important to me. It's always important

0:15:16.320 --> 0:15:20.280
<v Speaker 1>to me. Is really just to do something good, to

0:15:20.560 --> 0:15:27.480
<v Speaker 1>do something that's uh duran Patti Smith talking about her

0:15:27.480 --> 0:15:32.160
<v Speaker 1>relationship with the artist Robert Maplethorpe. If you're enjoying this

0:15:32.240 --> 0:15:35.360
<v Speaker 1>show from our archives, did you know we have over

0:15:35.400 --> 0:15:39.000
<v Speaker 1>two and fifty more available for your listening pleasure. Be

0:15:39.120 --> 0:15:41.840
<v Speaker 1>sure to check them out and Here's the Thing dot Org.

0:15:42.840 --> 0:15:45.840
<v Speaker 1>After the break, Alec and Patti Smith talked about her

0:15:45.840 --> 0:16:02.840
<v Speaker 1>marriage to mc fives bred Sonic Smith, and motherhood. I'm

0:16:02.920 --> 0:16:06.200
<v Speaker 1>Kathleen Rousseau and you're listening to Here's the Thing. Let's

0:16:06.240 --> 0:16:09.480
<v Speaker 1>get back to Alex's conversation with Patti Smith and what

0:16:09.720 --> 0:16:13.960
<v Speaker 1>her career really means to her. So when you started

0:16:13.960 --> 0:16:17.120
<v Speaker 1>to have success, was that something that was because it

0:16:17.160 --> 0:16:20.400
<v Speaker 1>was so unfamiliar to you? There are those people who

0:16:21.880 --> 0:16:23.840
<v Speaker 1>I'm not going to say the word failure. They're more

0:16:23.880 --> 0:16:26.800
<v Speaker 1>comfortable and anonymity than they are being successful and famous

0:16:26.800 --> 0:16:28.880
<v Speaker 1>because it's familiar. Did you find that when you were

0:16:29.240 --> 0:16:32.600
<v Speaker 1>becoming famous as a musician, because primarily you became famous

0:16:32.640 --> 0:16:35.320
<v Speaker 1>as a musician as well. At first in the beginning,

0:16:36.920 --> 0:16:39.680
<v Speaker 1>I had my first big success with this song I

0:16:39.720 --> 0:16:44.200
<v Speaker 1>wrote with Bruce Springsteen because the night I thought it

0:16:44.280 --> 0:16:48.480
<v Speaker 1>was thank you, I thought it was I thought it

0:16:48.520 --> 0:16:50.680
<v Speaker 1>was exciting to have a song on the radio. I

0:16:50.720 --> 0:16:53.560
<v Speaker 1>didn't think of it in terms of success or failure.

0:16:53.960 --> 0:16:55.920
<v Speaker 1>It was just really cool to be on the radio.

0:16:55.960 --> 0:16:59.280
<v Speaker 1>And back then, you know, having a single and meant,

0:16:59.320 --> 0:17:02.320
<v Speaker 1>you know, your kurds were in the window and and

0:17:02.440 --> 0:17:05.640
<v Speaker 1>you could, you know, you played bigger places and met

0:17:05.640 --> 0:17:12.000
<v Speaker 1>more people. But by nine seventy nine, truthfully, I could

0:17:12.080 --> 0:17:18.080
<v Speaker 1>see that success was to keep going. You I was

0:17:18.160 --> 0:17:23.159
<v Speaker 1>doing less work, less meaningful work, evolving less as a

0:17:23.240 --> 0:17:27.440
<v Speaker 1>person and an artist, and just get more successful. And

0:17:27.480 --> 0:17:30.080
<v Speaker 1>I thought, that's that's not why I was put on

0:17:30.119 --> 0:17:33.240
<v Speaker 1>the planet. I wasn't put on the planet to you know,

0:17:33.320 --> 0:17:36.480
<v Speaker 1>climb the ladder of success. I was here to do

0:17:37.200 --> 0:17:41.159
<v Speaker 1>certain kind of work. And so um I left. I

0:17:41.280 --> 0:17:44.680
<v Speaker 1>left the music business in seventy nine. You separated from

0:17:44.960 --> 0:17:49.399
<v Speaker 1>Maple Well. Robert and I separated as a couple in

0:17:49.520 --> 0:17:54.280
<v Speaker 1>like seventy two, but never as we were just the same,

0:17:54.359 --> 0:17:58.800
<v Speaker 1>only we weren't, you know, doing it anymore, you know,

0:17:59.400 --> 0:18:01.840
<v Speaker 1>But we didn't change how we were. We were always

0:18:02.000 --> 0:18:04.560
<v Speaker 1>just the same. We were just you know, had different

0:18:05.080 --> 0:18:10.360
<v Speaker 1>physical partners. So we never quite really separated and were

0:18:10.400 --> 0:18:12.919
<v Speaker 1>with him and still connected him even when he was

0:18:13.000 --> 0:18:16.440
<v Speaker 1>very second, when he was and when he died. Oh yeah,

0:18:16.520 --> 0:18:19.440
<v Speaker 1>I mean we you know, I'm still connected with him.

0:18:19.480 --> 0:18:23.280
<v Speaker 1>I still think about him every day, and the things

0:18:23.320 --> 0:18:25.680
<v Speaker 1>that I learned from him or that we we did

0:18:25.720 --> 0:18:30.640
<v Speaker 1>together inform the work that I do. I mean, we

0:18:30.640 --> 0:18:35.200
<v Speaker 1>we bonded so young through art. I mean, of course,

0:18:35.320 --> 0:18:38.000
<v Speaker 1>you know, we were boyfriend and girlfriend. We did all

0:18:38.040 --> 0:18:42.960
<v Speaker 1>the things young people do. But I think that is

0:18:43.000 --> 0:18:46.080
<v Speaker 1>as he felt freer and freer as an artist in

0:18:46.119 --> 0:18:49.840
<v Speaker 1>a human being his nature. First he had to come

0:18:49.840 --> 0:18:54.240
<v Speaker 1>out as an artist. Then the next thing that happened

0:18:54.320 --> 0:18:59.920
<v Speaker 1>is he blossomed and felt his sexual nature. We had

0:19:00.040 --> 0:19:04.040
<v Speaker 1>to weather that. We had to, you know, try to

0:19:04.119 --> 0:19:07.280
<v Speaker 1>navigate what this meant, what it meant to our relationship,

0:19:07.440 --> 0:19:10.919
<v Speaker 1>what it meant and and it was difficult, and it

0:19:11.000 --> 0:19:14.119
<v Speaker 1>took a few years because neither one of us wanted

0:19:14.160 --> 0:19:20.040
<v Speaker 1>to part, But eventually we had to part as boyfriend

0:19:20.040 --> 0:19:24.159
<v Speaker 1>and girlfriend because he had to be who he needed

0:19:24.200 --> 0:19:27.000
<v Speaker 1>to be. When did you meet your husband, you eventually

0:19:27.040 --> 0:19:30.720
<v Speaker 1>got married. I met my husband in nineteen seventy six

0:19:31.680 --> 0:19:35.280
<v Speaker 1>in Detroit, and I was on the road and I

0:19:35.359 --> 0:19:39.000
<v Speaker 1>met him in Detroit and I saw him. It was

0:19:39.160 --> 0:19:43.440
<v Speaker 1>it's like a it's really like a song. I saw

0:19:43.520 --> 0:19:46.480
<v Speaker 1>him across a crowded room. He was just standing there

0:19:46.480 --> 0:19:49.800
<v Speaker 1>and it blew overcoat. I didn't know who he was,

0:19:49.960 --> 0:19:53.800
<v Speaker 1>and I thought, that's the boy I'm going to marry.

0:19:54.040 --> 0:19:56.199
<v Speaker 1>I swear to you that's true. How old were you

0:19:56.240 --> 0:20:00.480
<v Speaker 1>at the time. I was about seventy six. I was

0:20:00.520 --> 0:20:05.600
<v Speaker 1>about twenty eight. I don't know. Did you walk up

0:20:05.600 --> 0:20:10.520
<v Speaker 1>and tell him that right? No, no, not at all.

0:20:10.600 --> 0:20:16.800
<v Speaker 1>But Lenny Kay actually introduced us and he said, Fred Smith,

0:20:17.160 --> 0:20:21.879
<v Speaker 1>Patti Smith. We just looked at each other and I

0:20:21.920 --> 0:20:26.640
<v Speaker 1>don't know, and we finally, Um, we had a long

0:20:26.720 --> 0:20:31.199
<v Speaker 1>distance relationship, in fact, because the night we had a

0:20:31.240 --> 0:20:33.600
<v Speaker 1>long distant relationship and neither one of us had a

0:20:33.600 --> 0:20:37.360
<v Speaker 1>whole lot of money, and to make phone calls was expensive,

0:20:37.480 --> 0:20:40.800
<v Speaker 1>long distance calls. I always to this day I hear

0:20:40.840 --> 0:20:43.760
<v Speaker 1>people my boyfriend only called me three times today, and

0:20:43.800 --> 0:20:47.639
<v Speaker 1>I think, Jesus, you know, it's like I'd have to

0:20:47.680 --> 0:20:51.280
<v Speaker 1>wait all week to get one phone call from from

0:20:51.280 --> 0:20:56.800
<v Speaker 1>Fred And um, actually, am I going off the course too,

0:20:57.320 --> 0:20:59.520
<v Speaker 1>there is no core, is no course. Yeah, you're my

0:20:59.680 --> 0:21:04.080
<v Speaker 1>kind of guy. I'm your kind of passage. I'm your

0:21:04.160 --> 0:21:08.280
<v Speaker 1>kind of passenger too, because the autopilot about thirty minutes ago. Now,

0:21:08.280 --> 0:21:11.879
<v Speaker 1>I mean, I'm we're not going anywhere in particular because

0:21:11.960 --> 0:21:13.439
<v Speaker 1>I don't know how to drive and I have no

0:21:13.520 --> 0:21:16.439
<v Speaker 1>sense of direction. I'm a really good passenger because I

0:21:16.440 --> 0:21:20.480
<v Speaker 1>can never tell if anybody's lost, you know, And I

0:21:20.520 --> 0:21:24.120
<v Speaker 1>apply that to all every part of life. But when

0:21:24.119 --> 0:21:25.760
<v Speaker 1>you met your husband, and what did he do? Was

0:21:25.760 --> 0:21:28.159
<v Speaker 1>he a musician? He's a He was a musician, He

0:21:28.840 --> 0:21:32.240
<v Speaker 1>played with the MC five. He was a master guitarist.

0:21:33.640 --> 0:21:36.399
<v Speaker 1>He was really one of our great guitarist and h

0:21:37.080 --> 0:21:40.240
<v Speaker 1>and he's just such a beautiful man. You know. We

0:21:40.400 --> 0:21:44.080
<v Speaker 1>just decided, you know, we we wanted to evolve as

0:21:44.200 --> 0:21:48.840
<v Speaker 1>human beings, and he wanted children, and we just we

0:21:48.960 --> 0:21:53.040
<v Speaker 1>just decided to withdraw from public life and really know

0:21:53.160 --> 0:21:55.840
<v Speaker 1>each other and when when we had children, they would

0:21:55.840 --> 0:21:59.880
<v Speaker 1>really know who we were. And and so we did.

0:22:00.280 --> 0:22:05.640
<v Speaker 1>How long until his he passed away in the end

0:22:05.680 --> 0:22:08.840
<v Speaker 1>of ninety four, so sixteen years, sixteen years? What was

0:22:08.880 --> 0:22:13.720
<v Speaker 1>it like did you paint? I know, I didn't paint

0:22:13.800 --> 0:22:18.040
<v Speaker 1>because um it was just the way our living quarters were.

0:22:18.160 --> 0:22:20.760
<v Speaker 1>I didn't really have the space to do something like that,

0:22:20.800 --> 0:22:24.280
<v Speaker 1>but I wrote every day. I could have never written

0:22:24.320 --> 0:22:27.440
<v Speaker 1>just kids or the books that I'm writing now, had

0:22:27.480 --> 0:22:31.840
<v Speaker 1>I not had sixteen years of enforced discipline, because I've

0:22:31.880 --> 0:22:35.639
<v Speaker 1>always been very undisciplined. And then unless I had a

0:22:35.760 --> 0:22:41.680
<v Speaker 1>job or something. But then having a children, um I had.

0:22:41.720 --> 0:22:43.639
<v Speaker 1>I had to learn to wake up at five in

0:22:43.680 --> 0:22:46.720
<v Speaker 1>the morning and from five to eight was my writing time.

0:22:47.320 --> 0:22:50.280
<v Speaker 1>Everybody was asleep, it was my time. And it was

0:22:50.400 --> 0:22:53.399
<v Speaker 1>really hard at first, but then after a while I

0:22:53.520 --> 0:22:57.199
<v Speaker 1>got in a groove and I still right early in

0:22:57.240 --> 0:23:01.600
<v Speaker 1>the morning, and I really learned how to develop my craft.

0:23:02.440 --> 0:23:05.960
<v Speaker 1>And uh, it was hard because there's no cafes around,

0:23:06.440 --> 0:23:09.960
<v Speaker 1>there was no bookstores, a lot of things. The biggest,

0:23:10.680 --> 0:23:14.000
<v Speaker 1>the most hardest thing is in New York, you can

0:23:14.040 --> 0:23:16.360
<v Speaker 1>walk out the door and get a cup of coffee

0:23:16.359 --> 0:23:20.560
<v Speaker 1>in about two minutes practically anywhere, but where I was,

0:23:21.680 --> 0:23:25.000
<v Speaker 1>the closest thing was seven eleven, which was about, you know,

0:23:25.320 --> 0:23:28.119
<v Speaker 1>half a mile away, so I'd have to every Saturday,

0:23:28.200 --> 0:23:32.479
<v Speaker 1>I'd walked to seven eleven, my cafe, get a glazed donut,

0:23:32.520 --> 0:23:35.159
<v Speaker 1>and the coffee, and I was I was in town,

0:23:35.359 --> 0:23:40.159
<v Speaker 1>you know. But but I love my life. It wasn't

0:23:40.200 --> 0:23:43.600
<v Speaker 1>easy because you know, I had to do all the

0:23:44.000 --> 0:23:47.280
<v Speaker 1>we we did everything. We didn't have nannie's or housekeepers

0:23:47.440 --> 0:23:51.280
<v Speaker 1>or even babysitters. We did everything. And I'm not the

0:23:51.359 --> 0:23:54.679
<v Speaker 1>most adept at stuff. You know, some of my poor kids,

0:23:54.760 --> 0:23:59.240
<v Speaker 1>you know, their school uniforms and stuff. My daughter's little pleaded,

0:23:59.640 --> 0:24:03.000
<v Speaker 1>you know, jumper was like always a little jagged e

0:24:03.160 --> 0:24:07.200
<v Speaker 1>and their blouses in their shirts were a little dingier

0:24:07.200 --> 0:24:10.399
<v Speaker 1>than the other because I didn't like using bleach and

0:24:10.560 --> 0:24:14.560
<v Speaker 1>things like that. But but I I love my kids,

0:24:14.600 --> 0:24:17.600
<v Speaker 1>I love my husband, you know. And it was a

0:24:17.680 --> 0:24:22.000
<v Speaker 1>lot of certain amount of sacrifice and and uh, you know,

0:24:22.760 --> 0:24:27.120
<v Speaker 1>but I was talking about you because I just find

0:24:27.119 --> 0:24:29.760
<v Speaker 1>this so interesting that was there much talk about you,

0:24:30.040 --> 0:24:32.280
<v Speaker 1>like getting back, getting back in there and getting back

0:24:32.320 --> 0:24:35.639
<v Speaker 1>into your life to make money as a breadwinner for

0:24:35.680 --> 0:24:40.119
<v Speaker 1>everybody's been well, when we really really need I always

0:24:40.160 --> 0:24:42.280
<v Speaker 1>always feel like I got to work all the time. Well,

0:24:42.280 --> 0:24:45.399
<v Speaker 1>when we really needed money, we lived so simply. I

0:24:45.400 --> 0:24:51.359
<v Speaker 1>mean when we really needed money. In eighty six, we

0:24:51.400 --> 0:24:55.480
<v Speaker 1>did one record together and that kept us going. And

0:24:56.720 --> 0:25:04.399
<v Speaker 1>but it's just you know, I um, I I liked

0:25:04.440 --> 0:25:08.639
<v Speaker 1>my life. I never I didn't expect to be on

0:25:08.720 --> 0:25:12.000
<v Speaker 1>the great Stages of Europe, you know. To me, it

0:25:12.080 --> 0:25:15.560
<v Speaker 1>was really fantastic that I got the opportunity. I never

0:25:15.640 --> 0:25:18.679
<v Speaker 1>thought I would do a record, but in doing so,

0:25:18.760 --> 0:25:21.800
<v Speaker 1>I got to travel, which in I never thought I

0:25:21.800 --> 0:25:24.720
<v Speaker 1>would ever have the money to travel and go to Finland,

0:25:25.440 --> 0:25:27.920
<v Speaker 1>you know. But uh, but I mean all the places.

0:25:27.960 --> 0:25:30.440
<v Speaker 1>I'm just joking, but I did get to go to Finland,

0:25:30.840 --> 0:25:33.640
<v Speaker 1>even though I had never dreamed of going to Finland.

0:25:33.920 --> 0:25:36.159
<v Speaker 1>But I mean I got to all the places. I

0:25:36.160 --> 0:25:41.000
<v Speaker 1>saw Paris and Rome and Vienna and all these places

0:25:41.960 --> 0:25:46.160
<v Speaker 1>because I had a band and sang and did records.

0:25:46.840 --> 0:25:50.399
<v Speaker 1>But it wasn't it wasn't my focus in life. It

0:25:50.480 --> 0:25:53.800
<v Speaker 1>wasn't my great great vision. And so when I didn't

0:25:53.880 --> 0:25:56.960
<v Speaker 1>do it, I was grateful that I got the opportunity.

0:25:57.359 --> 0:26:00.840
<v Speaker 1>But I wasn't mourning the situation that I wasn't doing it.

0:26:01.119 --> 0:26:03.840
<v Speaker 1>You know, I wasn't missing the applause. It wasn't like

0:26:03.880 --> 0:26:07.119
<v Speaker 1>a Judy Garland movie or something. I just you know,

0:26:07.200 --> 0:26:13.080
<v Speaker 1>I felt you know, really happy righting, you know, watching

0:26:13.119 --> 0:26:15.680
<v Speaker 1>my kids grow. I did what I needed to do.

0:26:16.359 --> 0:26:18.240
<v Speaker 1>I was happy. But you have the experience to be

0:26:18.280 --> 0:26:21.120
<v Speaker 1>a mother. Oh yeah, I love My kids are awesome.

0:26:21.400 --> 0:26:24.280
<v Speaker 1>And the funny thing is, I mean, I'm not embarrassed

0:26:24.280 --> 0:26:27.399
<v Speaker 1>to say this because my kids know. I never wanted kids.

0:26:27.800 --> 0:26:30.040
<v Speaker 1>I just wanted to be an artist. I didn't want

0:26:30.040 --> 0:26:33.240
<v Speaker 1>to have kids. And I came from a big family

0:26:33.280 --> 0:26:35.800
<v Speaker 1>and I helped raise my siblings, and I just wanted

0:26:35.840 --> 0:26:38.960
<v Speaker 1>to be free. And it was Fred who wanted children,

0:26:39.600 --> 0:26:41.840
<v Speaker 1>and I loved him so much, and I thought, well,

0:26:42.280 --> 0:26:45.040
<v Speaker 1>I can do that, you know I But I never

0:26:45.119 --> 0:26:49.840
<v Speaker 1>expected to just love my kids so much and just

0:26:49.960 --> 0:26:53.439
<v Speaker 1>love being a mother. And since Fred died when he

0:26:53.480 --> 0:26:58.480
<v Speaker 1>was forty five, you know, I have them. I have them.

0:26:58.680 --> 0:27:02.840
<v Speaker 1>I see so much of him in them, not just

0:27:02.960 --> 0:27:06.920
<v Speaker 1>in the way they look or certain gestures, but even

0:27:06.960 --> 0:27:10.720
<v Speaker 1>in their music. The tones of my son's guitar. He'll

0:27:10.800 --> 0:27:13.840
<v Speaker 1>be playing a guitar solo. He never heard his father

0:27:14.240 --> 0:27:18.760
<v Speaker 1>play guitar because they were quite young. It's Fred's tones.

0:27:19.359 --> 0:27:23.479
<v Speaker 1>Jesse at the piano, she is just his feel. Was

0:27:23.520 --> 0:27:26.720
<v Speaker 1>writing songs difficult and kind of laborious? Did they come

0:27:26.760 --> 0:27:30.560
<v Speaker 1>to you? Were both? Well? I I mean, writing songs

0:27:30.760 --> 0:27:33.840
<v Speaker 1>isn't my first vocation, and I I it's I'm not

0:27:33.920 --> 0:27:37.560
<v Speaker 1>as fastile at writing songs as other things. Also since

0:27:37.600 --> 0:27:40.159
<v Speaker 1>I don't really only I play a few chords on

0:27:40.200 --> 0:27:43.679
<v Speaker 1>the guitar, so I can figure out some things. But

0:27:43.840 --> 0:27:47.359
<v Speaker 1>sometimes songs come. Songs are so strange. Sometimes they just

0:27:47.440 --> 0:27:50.879
<v Speaker 1>come as a gift. I've woke up in the morning

0:27:50.920 --> 0:27:52.960
<v Speaker 1>and there's a song there and I quick write it down.

0:27:53.000 --> 0:27:56.440
<v Speaker 1>It just comes full with the music and the words.

0:27:57.119 --> 0:28:01.080
<v Speaker 1>And then there's other songs that have taken three years too,

0:28:01.960 --> 0:28:05.880
<v Speaker 1>you know, have a piece of music and write words,

0:28:06.400 --> 0:28:10.560
<v Speaker 1>but it's it's labor songwriting, and there's a lot of responsibility,

0:28:11.200 --> 0:28:17.080
<v Speaker 1>um responsibility to the composer because most of my songs,

0:28:17.119 --> 0:28:20.200
<v Speaker 1>the music was written by a band member or Fred

0:28:20.840 --> 0:28:26.359
<v Speaker 1>and uh and and so you want to please them.

0:28:26.400 --> 0:28:29.240
<v Speaker 1>But it also has to be something that I can sing.

0:28:30.160 --> 0:28:33.679
<v Speaker 1>But the easiest, one of the easiest things was to

0:28:33.720 --> 0:28:38.920
<v Speaker 1>write UM too because the night because Bruce, I had

0:28:39.440 --> 0:28:44.600
<v Speaker 1>a cassette with a it was a demo, and I

0:28:45.160 --> 0:28:47.720
<v Speaker 1>really didn't want to listen to it. You know. It

0:28:47.800 --> 0:28:50.240
<v Speaker 1>was given to me by my producer, Jimmy Ivan, and

0:28:50.320 --> 0:28:54.080
<v Speaker 1>he coax Bruce into let me finish it. Bruce couldn't

0:28:54.120 --> 0:28:57.440
<v Speaker 1>figure out he was having trouble writing verses to the song.

0:28:57.760 --> 0:29:00.920
<v Speaker 1>He had the chorus, and Jimmy gave it to me,

0:29:00.960 --> 0:29:04.640
<v Speaker 1>and I didn't want to listen to it because I thought, um,

0:29:04.680 --> 0:29:07.520
<v Speaker 1>I wanted to write. I wanted my band to write

0:29:07.520 --> 0:29:11.080
<v Speaker 1>their own songs. And uh. And Bruce is from like

0:29:11.120 --> 0:29:14.280
<v Speaker 1>a different part of New Jersey than me, and he's

0:29:14.280 --> 0:29:16.560
<v Speaker 1>sort of in the middle, and I'm from South Jersey

0:29:16.680 --> 0:29:20.560
<v Speaker 1>and it's like, I really, I just didn't want, you know,

0:29:21.280 --> 0:29:25.720
<v Speaker 1>and sort of a middle pollute your song in which

0:29:25.760 --> 0:29:33.240
<v Speaker 1>SAPs don't bring that middle Jersey. I know, I'm from

0:29:33.240 --> 0:29:35.640
<v Speaker 1>New Jersey, it's just I'm from like the cooler part

0:29:35.720 --> 0:29:41.040
<v Speaker 1>of Jersey. But I was That's what I was saying before.

0:29:41.080 --> 0:29:43.400
<v Speaker 1>But one night I was waiting. Jimmy had given me

0:29:43.440 --> 0:29:46.040
<v Speaker 1>this tape when we were doing this album Easter, and

0:29:46.200 --> 0:29:48.560
<v Speaker 1>every night Jimmy would say, hey, listen to the tape,

0:29:48.640 --> 0:29:50.760
<v Speaker 1>to listen to the tape, to listen to the tape,

0:29:51.080 --> 0:29:53.480
<v Speaker 1>and I said, uh, not yet, and he called me

0:29:53.560 --> 0:29:55.600
<v Speaker 1>up to listen to the tape, to listen to the tape.

0:29:56.120 --> 0:29:59.360
<v Speaker 1>Uh not yet. So you know, it was just sitting

0:29:59.400 --> 0:30:05.320
<v Speaker 1>there in my little apartment on McDougall Street. And uh so, anyway,

0:30:05.360 --> 0:30:07.360
<v Speaker 1>Fred was supposed to call me, and it was like

0:30:07.440 --> 0:30:10.840
<v Speaker 1>seven and I got already. I look cool, and I'm

0:30:10.880 --> 0:30:13.080
<v Speaker 1>sitting there and the phone sitting there, and I'm waiting

0:30:13.080 --> 0:30:18.400
<v Speaker 1>for Fred to call. And seven goes by seven thirty.

0:30:18.600 --> 0:30:21.880
<v Speaker 1>No Fred, you know, say eight o'clock. I'm pacing around,

0:30:22.000 --> 0:30:25.360
<v Speaker 1>and you know, I was like obsessive, you know, I wanted,

0:30:25.560 --> 0:30:27.880
<v Speaker 1>you know, the phone call, and I couldn't. I was

0:30:28.000 --> 0:30:30.360
<v Speaker 1>just pasting and pacing, couldn't figure out what to do

0:30:30.400 --> 0:30:33.320
<v Speaker 1>with myself. And I noticed this the darn tape, and

0:30:33.360 --> 0:30:36.680
<v Speaker 1>I thought, listen to that darn tape. So I put

0:30:36.720 --> 0:30:40.040
<v Speaker 1>it on my cassette machine and put it on and

0:30:40.080 --> 0:30:43.120
<v Speaker 1>I listened to it, and it's in my key, perfectly

0:30:43.280 --> 0:30:47.440
<v Speaker 1>arranged anthemic has a really great chorus, and I thought

0:30:47.960 --> 0:30:51.880
<v Speaker 1>it's one of those darn hits. It's just you know, yeah.

0:30:52.200 --> 0:30:55.360
<v Speaker 1>So I listened to it and it was, you know,

0:30:55.400 --> 0:30:58.120
<v Speaker 1>it was captivating, and I'm waiting for Fred and waiting

0:30:58.160 --> 0:31:01.440
<v Speaker 1>for Fred. Finally he calls me up like eleven o'clock

0:31:01.480 --> 0:31:05.480
<v Speaker 1>at night. But when he called me, because it took

0:31:05.520 --> 0:31:09.520
<v Speaker 1>so long, um, I had finished all the lyrics to

0:31:09.600 --> 0:31:13.160
<v Speaker 1>the song and uh. That's why in the second verse

0:31:13.200 --> 0:31:18.840
<v Speaker 1>that says, Lisie have idell when I'm alone, love is

0:31:18.880 --> 0:31:23.360
<v Speaker 1>a ring the telephone. I was waiting for Fred to

0:31:23.400 --> 0:31:29.520
<v Speaker 1>call so and uh, so I wrote the words and

0:31:29.720 --> 0:31:33.880
<v Speaker 1>uh and and thanks to Bruce, I had my my

0:31:33.920 --> 0:31:40.040
<v Speaker 1>first hit. Alex spoke with Patti Smith before a live

0:31:40.080 --> 0:31:44.120
<v Speaker 1>audience in two thousand sixteen. Now to one of my

0:31:44.200 --> 0:31:49.719
<v Speaker 1>most heartfelt teenage crushes, Peter Frampton. He arrived early at

0:31:49.720 --> 0:31:51.920
<v Speaker 1>the studio in two thousand twelve and I had the

0:31:51.960 --> 0:31:54.840
<v Speaker 1>privilege to sit down and talk with him before his

0:31:54.920 --> 0:31:58.880
<v Speaker 1>conversation with Alec. He was so down to earth and friendly,

0:31:59.040 --> 0:32:02.360
<v Speaker 1>and mostly we talked about his children. Both Alec and

0:32:02.400 --> 0:32:04.880
<v Speaker 1>I are huge fans, so we were so looking forward

0:32:04.920 --> 0:32:08.240
<v Speaker 1>to this interview, which began with Peter's obsession with sound.

0:32:09.560 --> 0:32:14.680
<v Speaker 1>Sound is very inspirational to me. I remember the reason

0:32:14.760 --> 0:32:18.800
<v Speaker 1>that I wanted to learn guitar was because I heard

0:32:18.880 --> 0:32:22.280
<v Speaker 1>the sounds of all these people on TV and on

0:32:22.320 --> 0:32:27.840
<v Speaker 1>the radio electric guitar very young and something. I have

0:32:27.920 --> 0:32:31.360
<v Speaker 1>a very acute sense of sound, and I've always had

0:32:31.400 --> 0:32:34.120
<v Speaker 1>that if I don't have a good sound, I can't

0:32:34.120 --> 0:32:38.880
<v Speaker 1>play very well, so I've always worked out what makes

0:32:38.880 --> 0:32:41.920
<v Speaker 1>a good sound? How do you get a good sound technically?

0:32:42.080 --> 0:32:45.040
<v Speaker 1>And then one of the first sessions I ever did,

0:32:45.760 --> 0:32:49.280
<v Speaker 1>Bill Wyman of The Stones produced it when I was fourteen,

0:32:49.880 --> 0:32:53.360
<v Speaker 1>and the first engineer I worked with was Glynn Jones,

0:32:53.880 --> 0:32:56.440
<v Speaker 1>who is if people don't know, he's one of the

0:32:56.480 --> 0:33:00.080
<v Speaker 1>most famous engineers of all Stones engineer, Yeah, Zapp and

0:33:00.280 --> 0:33:05.480
<v Speaker 1>Eagles that the band everybody yea humble by and then

0:33:05.800 --> 0:33:08.920
<v Speaker 1>being a gadget freak early on, I just was over

0:33:09.120 --> 0:33:10.960
<v Speaker 1>like a little birdie on their shoulder and I was,

0:33:11.200 --> 0:33:14.240
<v Speaker 1>what's that? What are you doing there? I just learned

0:33:14.320 --> 0:33:18.280
<v Speaker 1>how to engineer, So I really enjoy that part of

0:33:18.320 --> 0:33:23.280
<v Speaker 1>it as well, immensely. How do you end up as

0:33:23.280 --> 0:33:27.600
<v Speaker 1>a fourteen year old and Wyman wants to produce your

0:33:28.760 --> 0:33:32.000
<v Speaker 1>I started playing guitar just before I was eight years old,

0:33:32.200 --> 0:33:37.200
<v Speaker 1>and we're either your parents musical yes, um in England, Yes,

0:33:38.000 --> 0:33:41.920
<v Speaker 1>about twelve miles south of London and Bromley, Kent, and

0:33:44.240 --> 0:33:47.600
<v Speaker 1>my mother was definitely would have been an entertainer. She was,

0:33:48.040 --> 0:33:51.760
<v Speaker 1>but my grandparents wouldn't allow her to become an actress.

0:33:51.800 --> 0:33:55.440
<v Speaker 1>She wanted to be an actress. Her father was a singer. Yes,

0:33:55.520 --> 0:33:59.160
<v Speaker 1>we have a lot of musical jeans. And dad, my

0:33:59.280 --> 0:34:03.720
<v Speaker 1>dad played his teacher artist. He played guitar in a

0:34:03.800 --> 0:34:08.920
<v Speaker 1>college dance band before the war, before he was more

0:34:08.960 --> 0:34:11.919
<v Speaker 1>into his art, but he did. He was the one

0:34:11.960 --> 0:34:15.280
<v Speaker 1>that taught me how to sing Michael Rowe the boat,

0:34:15.760 --> 0:34:19.080
<v Speaker 1>you know, with two chords basically and then hang down

0:34:19.120 --> 0:34:21.880
<v Speaker 1>your head. Tom Dooley was another big effort. Then it

0:34:21.920 --> 0:34:25.880
<v Speaker 1>was Eddie Cochrane, Buddy Holly and our English the Shadows,

0:34:25.920 --> 0:34:29.279
<v Speaker 1>Cliff Richard and the Shadows. So that's how I started

0:34:30.000 --> 0:34:33.719
<v Speaker 1>playing guitar because of American music. Obviously, that's what we

0:34:33.760 --> 0:34:36.520
<v Speaker 1>all did, and we were all clamoring for American music

0:34:36.600 --> 0:34:40.160
<v Speaker 1>before the Beatles and then so I was known in

0:34:40.600 --> 0:34:44.839
<v Speaker 1>locally as this young, little upstart, good guitar player, very young.

0:34:45.480 --> 0:34:48.680
<v Speaker 1>Ended up in a semipro band still at school that

0:34:48.800 --> 0:34:50.880
<v Speaker 1>had the drummer that was the original drummer of the

0:34:50.960 --> 0:34:53.960
<v Speaker 1>Rolling Stones called Tony Chapman, who introduced Bill to the

0:34:54.000 --> 0:34:56.760
<v Speaker 1>Stones that he didn't end up staying in the Stones,

0:34:56.840 --> 0:35:00.080
<v Speaker 1>and Bill felt he owed him a a favor. I

0:35:00.120 --> 0:35:02.879
<v Speaker 1>would say said, look, put a band together and I'll

0:35:02.880 --> 0:35:05.879
<v Speaker 1>produce it. And he comes into the music shop. I'm

0:35:05.920 --> 0:35:10.640
<v Speaker 1>working on the saturdays when I'm about fourteen and restringing

0:35:10.640 --> 0:35:13.880
<v Speaker 1>guitars for the guy there. He said, I want you

0:35:13.920 --> 0:35:16.560
<v Speaker 1>to be in my band, you know. I said, well,

0:35:16.640 --> 0:35:18.680
<v Speaker 1>I have to speak to dad, you know sort of thing.

0:35:19.640 --> 0:35:21.800
<v Speaker 1>The first thing I know, we're in a van. We

0:35:21.920 --> 0:35:26.479
<v Speaker 1>pick up Bill Wyman and Penge who sits in the front.

0:35:26.520 --> 0:35:28.960
<v Speaker 1>The van goes very quiet. We've got a rolling stone

0:35:28.960 --> 0:35:31.080
<v Speaker 1>in the front seat. We go up to London and

0:35:31.200 --> 0:35:37.000
<v Speaker 1>I meet Glenn John's and we make a record like

0:35:37.080 --> 0:35:39.440
<v Speaker 1>everyone is talking about soul, did or you know what

0:35:39.480 --> 0:35:43.080
<v Speaker 1>I mean? Record? It was called A Hole in My

0:35:43.160 --> 0:35:45.919
<v Speaker 1>Soul and it was a cover of an American song

0:35:46.239 --> 0:35:49.759
<v Speaker 1>and what was the name of the band, The Preachers.

0:35:49.800 --> 0:35:53.040
<v Speaker 1>So that was it, and so music was your entire life. Yes,

0:35:53.200 --> 0:35:56.400
<v Speaker 1>you're in the guitar shop and Kent, Yeah, fixing strings

0:35:56.400 --> 0:35:59.040
<v Speaker 1>on guitars from people shining guitars, And the next thing

0:35:59.040 --> 0:36:00.960
<v Speaker 1>you know, build my mean's in the car and you're

0:36:00.960 --> 0:36:03.399
<v Speaker 1>off to go and do hold my soul at the Preachers. Yes,

0:36:04.640 --> 0:36:07.480
<v Speaker 1>I mean like you woked around us so much. Fiddle,

0:36:09.320 --> 0:36:12.799
<v Speaker 1>what year is this? This is sixty four? So the

0:36:12.800 --> 0:36:15.200
<v Speaker 1>stones were and the Beatles were in full swing by then. Yes,

0:36:16.080 --> 0:36:19.840
<v Speaker 1>we did. That year the Stones were given Ready Steady Go.

0:36:20.000 --> 0:36:22.839
<v Speaker 1>They took over the show Ready Steady Go for one week,

0:36:23.120 --> 0:36:25.279
<v Speaker 1>and each one of the Stones had their choice of

0:36:25.840 --> 0:36:29.239
<v Speaker 1>act to be on, you know, and of course Bill

0:36:29.320 --> 0:36:32.920
<v Speaker 1>chose us. So I'm on TV when I'm just before

0:36:33.000 --> 0:36:37.759
<v Speaker 1>I'm i turned fifteen? Is there If anybody's got it,

0:36:37.800 --> 0:36:40.319
<v Speaker 1>Bill's got it because he's he's the historian, you know.

0:36:40.440 --> 0:36:44.920
<v Speaker 1>But that was pretty amazing. Do you miss living in England?

0:36:45.080 --> 0:36:47.040
<v Speaker 1>You're such an American in so many ways. You lived

0:36:47.040 --> 0:36:50.600
<v Speaker 1>here for years. Han two years seventy seventy five, I

0:36:51.040 --> 0:36:55.000
<v Speaker 1>came to New York. Actually I missed my family, my

0:36:55.080 --> 0:36:58.200
<v Speaker 1>brother and his family. I miss friends and stuff, but

0:36:58.680 --> 0:37:02.680
<v Speaker 1>my children are here. When I first came to America

0:37:02.760 --> 0:37:06.640
<v Speaker 1>with Humble Pie and I turned on the radio, I said,

0:37:06.880 --> 0:37:09.799
<v Speaker 1>I'm moving here, it just seemed like this was the place.

0:37:09.840 --> 0:37:11.480
<v Speaker 1>It was all happening with the old and this is

0:37:11.480 --> 0:37:14.520
<v Speaker 1>the yeah. And I'd lived through the swinging sixties of London,

0:37:14.640 --> 0:37:18.160
<v Speaker 1>you know, and that was exciting too. And I love England,

0:37:18.160 --> 0:37:20.520
<v Speaker 1>don't get me wrong, I just don't think I would

0:37:20.640 --> 0:37:22.839
<v Speaker 1>ever live there again. I was just i'd be too

0:37:22.840 --> 0:37:26.920
<v Speaker 1>far from my kids. Yeah, so when you finish the

0:37:26.920 --> 0:37:30.840
<v Speaker 1>Hole in my soul on the show with Bill Wyman,

0:37:30.920 --> 0:37:36.439
<v Speaker 1>he's your selection there on the show. What happens then? Then, Um,

0:37:36.480 --> 0:37:42.399
<v Speaker 1>I'm sixteen. It's school holidays in the summer of big

0:37:42.480 --> 0:37:47.040
<v Speaker 1>local band The Herd come to me and say, we

0:37:47.080 --> 0:37:50.400
<v Speaker 1>saw you in the breaches and we're having a change around.

0:37:50.400 --> 0:37:53.200
<v Speaker 1>Would you come and and help us out for the summer?

0:37:54.480 --> 0:37:56.880
<v Speaker 1>So I said, okay. So it gets close to September

0:37:56.880 --> 0:37:58.960
<v Speaker 1>when I'm going to go back to school, and they said,

0:37:59.760 --> 0:38:03.279
<v Speaker 1>here's an offer. We want you to be the lead

0:38:03.320 --> 0:38:06.320
<v Speaker 1>guitarist and the lead guitarist going to play bass, and

0:38:06.600 --> 0:38:08.640
<v Speaker 1>we want to be a four piece out of five piece,

0:38:08.680 --> 0:38:11.440
<v Speaker 1>and would you join the Herd? I said, oh, I

0:38:11.480 --> 0:38:13.800
<v Speaker 1>had to hear. I've got to go back to school,

0:38:13.840 --> 0:38:16.239
<v Speaker 1>do my sixth form, get my A levels and go

0:38:16.280 --> 0:38:18.680
<v Speaker 1>to Guildhall School and the music That was my plan

0:38:18.760 --> 0:38:22.040
<v Speaker 1>to go to music college, you know Beard right at

0:38:22.120 --> 0:38:27.719
<v Speaker 1>least Yeah, I haven't even had a shandy yet, you know.

0:38:29.880 --> 0:38:32.120
<v Speaker 1>So I went to Dad and Mom and I said, look,

0:38:32.160 --> 0:38:34.400
<v Speaker 1>I really want to do. This is a professional band.

0:38:34.440 --> 0:38:38.640
<v Speaker 1>You know, they're great, They're a big band, and my

0:38:38.719 --> 0:38:41.640
<v Speaker 1>dad said, well, and they knew that this was on

0:38:41.680 --> 0:38:44.520
<v Speaker 1>the cards, you know, this was coming up that they

0:38:44.560 --> 0:38:46.560
<v Speaker 1>knew by this time I was going to be a musician.

0:38:46.640 --> 0:38:50.000
<v Speaker 1>And so he said, well, look, if you left here

0:38:50.040 --> 0:38:52.200
<v Speaker 1>and you've got a job at the post office, you

0:38:52.360 --> 0:38:56.279
<v Speaker 1>get fifteen pounds a week. I want to get an

0:38:56.280 --> 0:38:59.440
<v Speaker 1>assurance from this band that you're going to get fifteen

0:38:59.440 --> 0:39:01.640
<v Speaker 1>pounds of week. I said, well, if he can do

0:39:01.719 --> 0:39:03.520
<v Speaker 1>that deal, that that'll be great. I don't think they

0:39:03.520 --> 0:39:06.120
<v Speaker 1>earn enough to pay themselves sifting both. He said, well

0:39:06.120 --> 0:39:09.000
<v Speaker 1>that's what you I'm going minimum wage for you. So

0:39:09.080 --> 0:39:11.080
<v Speaker 1>that was the last deal my dad did for me,

0:39:12.280 --> 0:39:15.399
<v Speaker 1>because we started to become a little better and earn

0:39:15.480 --> 0:39:18.640
<v Speaker 1>more money. Beginning, they couldn't pay themselves fifty. Eventually it

0:39:18.680 --> 0:39:21.359
<v Speaker 1>was a bargain, yeah, because they paid me fifteen. They

0:39:21.400 --> 0:39:24.880
<v Speaker 1>got upstein. So that was the end of him as

0:39:24.880 --> 0:39:37.000
<v Speaker 1>a manager. Everything changed and the Herd became had like

0:39:37.120 --> 0:39:42.080
<v Speaker 1>three big top ten hits and and I became very

0:39:42.120 --> 0:39:46.759
<v Speaker 1>well known in Europe as a guitar player singer. Now

0:39:46.920 --> 0:39:49.080
<v Speaker 1>by the time you leave the Herd, you leave them

0:39:49.080 --> 0:39:53.319
<v Speaker 1>in what year the herd after the the these three

0:39:53.719 --> 0:39:56.799
<v Speaker 1>big hits and an album. We realized that we were

0:39:56.840 --> 0:40:00.960
<v Speaker 1>losing money still and there was no reason because we

0:40:01.000 --> 0:40:03.680
<v Speaker 1>saw the figures what was coming in and what we

0:40:03.680 --> 0:40:06.600
<v Speaker 1>were getting paid and all that. So we reached out

0:40:06.680 --> 0:40:10.399
<v Speaker 1>and Steve Merritt and Ronnie Lane of the Small Faces said, look,

0:40:10.400 --> 0:40:13.120
<v Speaker 1>we've been through this. We've been screwed, you know, by

0:40:13.200 --> 0:40:16.640
<v Speaker 1>management or business manager or whatever. They clued us in,

0:40:16.719 --> 0:40:18.879
<v Speaker 1>which was very nice to them, and said they help

0:40:18.960 --> 0:40:21.640
<v Speaker 1>us produce a track or two on on the next

0:40:21.680 --> 0:40:24.160
<v Speaker 1>album we were going to do, which they did. Meanwhile,

0:40:24.239 --> 0:40:27.480
<v Speaker 1>I'm sitting in with the Small Faces now at various

0:40:27.800 --> 0:40:31.920
<v Speaker 1>functions and and wanted to join the Small Faces. That

0:40:32.080 --> 0:40:35.360
<v Speaker 1>wasn't to be. Steve wanted me to join the Small Faces,

0:40:35.400 --> 0:40:38.719
<v Speaker 1>but they weren't so thrilled with that. So in the

0:40:38.880 --> 0:40:41.600
<v Speaker 1>end Steve called me up and said, look, I've left

0:40:41.600 --> 0:40:43.959
<v Speaker 1>the Small Faces, let's form a band. And that's how

0:40:44.440 --> 0:40:49.880
<v Speaker 1>Humble Pie basically formed in right at the end of in.

0:40:51.360 --> 0:40:54.000
<v Speaker 1>So you with Humble Pie and you're in England, yes,

0:40:54.239 --> 0:40:59.560
<v Speaker 1>and you perform with them for how many years? Four years?

0:40:59.560 --> 0:41:01.719
<v Speaker 1>So how would you characterize that period for stuff? Did

0:41:01.760 --> 0:41:05.920
<v Speaker 1>you enjoy it? Unbelievable? They were very popular. Yes in

0:41:05.920 --> 0:41:10.040
<v Speaker 1>the States as well. Yes, that band brought me to America.

0:41:11.000 --> 0:41:13.280
<v Speaker 1>That's where we started when I met I mean probably

0:41:13.280 --> 0:41:16.239
<v Speaker 1>one of the first gigs I met Bill Graham. You know,

0:41:17.640 --> 0:41:20.239
<v Speaker 1>you realized now when I look back, it was the

0:41:20.280 --> 0:41:25.440
<v Speaker 1>beginnings of the creation of rock and roll shows. Truly.

0:41:25.920 --> 0:41:28.800
<v Speaker 1>Bill Graham was the guy on how to do it live?

0:41:29.239 --> 0:41:32.360
<v Speaker 1>And why did Humble Pie? And a couple of reasons.

0:41:33.880 --> 0:41:37.560
<v Speaker 1>I was feeling claustrophobic in the band because we started

0:41:37.560 --> 0:41:41.360
<v Speaker 1>off very democratic and doing it all different types of music,

0:41:41.800 --> 0:41:46.040
<v Speaker 1>and now our our stage act was narrowing, and we

0:41:46.040 --> 0:41:49.640
<v Speaker 1>were just doing more more of that heavy rock and roll,

0:41:49.640 --> 0:41:56.080
<v Speaker 1>which I love, Don't get me wrong. That's my riff,

0:41:56.200 --> 0:41:59.759
<v Speaker 1>I Don't need no Doctor. That's me jamming the sound

0:41:59.840 --> 0:42:04.080
<v Speaker 1>check in Madison Square Garden, and Steve just jumped up

0:42:04.080 --> 0:42:05.960
<v Speaker 1>on the stage and started singing, I Don't need no

0:42:06.040 --> 0:42:21.439
<v Speaker 1>Doctor over that riff. He and I were very much singing. Yeah. Yeah.

0:42:21.680 --> 0:42:23.879
<v Speaker 1>He's the one that says it's been a gas. Yeah,

0:42:24.200 --> 0:42:28.600
<v Speaker 1>we go home on Mond on Monday. But what I'm

0:42:28.640 --> 0:42:36.160
<v Speaker 1>tell's the oh, he was probably a couple of years old,

0:42:36.200 --> 0:42:41.240
<v Speaker 1>and you feel claustrophobic, white because we want. I wasn't

0:42:42.640 --> 0:42:45.120
<v Speaker 1>being able to do the music, all of this music

0:42:45.160 --> 0:42:47.960
<v Speaker 1>that I wanted to do. Humble Pie started off really

0:42:48.040 --> 0:42:51.920
<v Speaker 1>split between acoustic and electric. And also I was coming

0:42:51.920 --> 0:42:56.319
<v Speaker 1>into my own and Steve and I fought like brothers. Yes,

0:42:56.440 --> 0:42:59.600
<v Speaker 1>that's which, which is why humble Pie was so fiery.

0:42:59.640 --> 0:43:04.080
<v Speaker 1>I think because musically it was phenomenal. You know, sometimes

0:43:04.120 --> 0:43:08.200
<v Speaker 1>we degree and sometimes we just wouldn't agree. It was

0:43:08.280 --> 0:43:11.080
<v Speaker 1>very sad for me because I knew it would upset them,

0:43:11.080 --> 0:43:13.400
<v Speaker 1>but I just felt that I had to. It was

0:43:13.480 --> 0:43:15.440
<v Speaker 1>time to go on. And did you know where you

0:43:15.480 --> 0:43:18.799
<v Speaker 1>wanted to go? No idea. I knew that I was.

0:43:19.840 --> 0:43:22.040
<v Speaker 1>I didn't want to form another band. I wanted to

0:43:22.040 --> 0:43:25.839
<v Speaker 1>become a solo artist. Why because I wanted to make

0:43:25.880 --> 0:43:30.239
<v Speaker 1>all the decisions because I'm a complete control freak. Did

0:43:30.239 --> 0:43:33.759
<v Speaker 1>you feel you wanted Yeah, you wanted wanted to try

0:43:33.880 --> 0:43:37.800
<v Speaker 1>things that Yeah, I wanted to try things that maybe

0:43:37.800 --> 0:43:39.800
<v Speaker 1>other people wouldn't want to try. You know, I wanted

0:43:39.840 --> 0:43:42.400
<v Speaker 1>to do it. And I have to say that it

0:43:42.440 --> 0:43:45.239
<v Speaker 1>wouldn't have been I wouldn't have had a solo career

0:43:45.320 --> 0:43:48.120
<v Speaker 1>had it not been for Humble Pie. I learned so

0:43:48.239 --> 0:43:51.560
<v Speaker 1>much from working with Steve Marriott. I have to hand

0:43:51.640 --> 0:43:55.120
<v Speaker 1>him a lot of the credit for the sort of

0:43:55.160 --> 0:43:57.919
<v Speaker 1>things that he introduced me to listen to as well,

0:43:58.040 --> 0:44:01.879
<v Speaker 1>music blues and Build Black Bow and stuff like that.

0:44:01.880 --> 0:44:05.239
<v Speaker 1>That was really influential to me. So that's why it

0:44:05.320 --> 0:44:08.799
<v Speaker 1>was a bitter sweet thing leaving. I wanted to leave,

0:44:08.840 --> 0:44:10.680
<v Speaker 1>but I didn't want to leave. And then, of course,

0:44:10.719 --> 0:44:13.680
<v Speaker 1>as soon as I left the live album that I

0:44:13.719 --> 0:44:16.400
<v Speaker 1>had a big hand in mixing, because I'm the gadget

0:44:16.400 --> 0:44:19.960
<v Speaker 1>freak in the engineer with Eddie Kramer rock in the

0:44:20.000 --> 0:44:24.000
<v Speaker 1>film or Comes Out, I've left right at that point

0:44:24.560 --> 0:44:27.399
<v Speaker 1>and it zooms up the charts. It's Humble Pie's first

0:44:27.400 --> 0:44:33.839
<v Speaker 1>gold record, and I'm going, holy crap, that's it. It's

0:44:33.920 --> 0:44:36.920
<v Speaker 1>the first big blooper of my career. You know, I

0:44:37.320 --> 0:44:39.360
<v Speaker 1>made a big mistake. It was like Dad's back on

0:44:39.440 --> 0:44:45.279
<v Speaker 1>the job in the office game. I frammed them this time, Yes,

0:44:45.400 --> 0:44:49.160
<v Speaker 1>absolutely so. Then it was four studio albums before we

0:44:49.239 --> 0:44:52.160
<v Speaker 1>did Comes Alive, you know, and a lot of a

0:44:52.280 --> 0:44:54.799
<v Speaker 1>lot of touring and where are you living then? You

0:44:54.880 --> 0:44:59.120
<v Speaker 1>still I was still living in England until seventy five,

0:45:00.000 --> 0:45:04.600
<v Speaker 1>and I finished the fourth solo record in England and

0:45:04.640 --> 0:45:08.640
<v Speaker 1>then moved over. I actually moved to New York and

0:45:08.760 --> 0:45:16.160
<v Speaker 1>stayed at the Mount Kisco Holiday Inn on New Year's Eve. Yes,

0:45:16.200 --> 0:45:19.959
<v Speaker 1>So basically the first day of seventy five was I

0:45:20.000 --> 0:45:24.440
<v Speaker 1>was now living in America. When you do comes Alive,

0:45:25.280 --> 0:45:27.920
<v Speaker 1>how much of the music on that is new music

0:45:27.960 --> 0:45:29.480
<v Speaker 1>on an album? How much of it was stuff you

0:45:29.520 --> 0:45:33.160
<v Speaker 1>mind from the previous four solo albums. It was basically

0:45:33.360 --> 0:45:39.520
<v Speaker 1>all stuff that came from the four studio albums. And

0:45:40.440 --> 0:45:43.960
<v Speaker 1>rock On from shine On was a humble Pie track

0:45:44.040 --> 0:45:46.920
<v Speaker 1>that I had written. It was actually from five albums,

0:45:46.960 --> 0:45:51.480
<v Speaker 1>So it's like six years worth of work mining that

0:45:51.520 --> 0:45:54.359
<v Speaker 1>went into that one live record. And for people who

0:45:54.440 --> 0:45:58.360
<v Speaker 1>don't know that live performance was recorded in multiple locations,

0:45:58.360 --> 0:46:01.399
<v Speaker 1>are in one. Most of it was one location, which

0:46:01.520 --> 0:46:06.440
<v Speaker 1>was winter Land in Sanrancisco, Bill Graham gig where The

0:46:06.520 --> 0:46:11.719
<v Speaker 1>Last Wars was filmed. Two nights before, we'd played the

0:46:11.760 --> 0:46:14.759
<v Speaker 1>Marine Civic Center, and we've done two shows there, so

0:46:14.800 --> 0:46:17.879
<v Speaker 1>we recorded that. I think a couple of numbers came

0:46:17.920 --> 0:46:20.760
<v Speaker 1>from there, do WI I think comes from there, maybe

0:46:20.760 --> 0:46:24.319
<v Speaker 1>one of the acoustic songs. But winter Land was the

0:46:24.400 --> 0:46:29.240
<v Speaker 1>first big headline show we'd ever done, I'd ever done

0:46:29.680 --> 0:46:32.120
<v Speaker 1>with my name on the ticket people were coming to

0:46:32.160 --> 0:46:37.840
<v Speaker 1>see me for because the album right prior to Comes

0:46:37.840 --> 0:46:41.600
<v Speaker 1>a Live Just Trampton was the biggest one so far,

0:46:41.680 --> 0:46:44.840
<v Speaker 1>biggest seller they had done, sold like three hundred thousand copies,

0:46:44.880 --> 0:46:47.440
<v Speaker 1>which was mega for me. That was better than all

0:46:47.440 --> 0:46:49.960
<v Speaker 1>the other things in that four album run. Prior to

0:46:50.000 --> 0:46:53.000
<v Speaker 1>the live album in winter Land, things were getting better

0:46:53.120 --> 0:46:58.280
<v Speaker 1>than that, they were, but that one was definitely setting

0:46:58.320 --> 0:47:02.320
<v Speaker 1>me up. It was setting me up for something. Peter

0:47:02.440 --> 0:47:06.520
<v Speaker 1>Frampton Alec Baldwin has interviewed a lot of rock legends

0:47:06.640 --> 0:47:09.359
<v Speaker 1>over the years on Here's the Thing, and you can

0:47:09.400 --> 0:47:11.520
<v Speaker 1>listen to all of them on the I Heart Radio app,

0:47:11.920 --> 0:47:15.839
<v Speaker 1>Spotify or wherever you get your podcast. After the break,

0:47:15.880 --> 0:47:18.800
<v Speaker 1>Peter Frampton talks to Alec about the making of Frampton

0:47:18.880 --> 0:47:23.000
<v Speaker 1>Comes Alive, one of the best selling live albums in history.

0:47:30.840 --> 0:47:34.240
<v Speaker 1>I'm Kathleen Russo and this is Here's the Thing. Frampton

0:47:34.320 --> 0:47:38.399
<v Speaker 1>Comes Alive has sold over eleven million copies worldwide. It's

0:47:38.400 --> 0:47:42.480
<v Speaker 1>a double album pulled from three venues, including winter Land

0:47:42.560 --> 0:47:48.960
<v Speaker 1>in San Francisco. Okay, so let's cut the bullshit. Let's

0:47:49.000 --> 0:47:53.080
<v Speaker 1>cut the bullshit. You're in winter Land and would you

0:47:53.120 --> 0:47:54.800
<v Speaker 1>say and the show goes on what time eight o'clock,

0:47:54.880 --> 0:48:00.759
<v Speaker 1>nine o'clock, nine o'clock, probably somewhere between. You pull up

0:48:00.760 --> 0:48:02.480
<v Speaker 1>to Winterland and you go out of quarter to nine.

0:48:02.719 --> 0:48:04.440
<v Speaker 1>The devil came in your room and made a deal

0:48:04.480 --> 0:48:06.680
<v Speaker 1>with you. Correct, you signed a deal with absolutely. The

0:48:06.719 --> 0:48:11.160
<v Speaker 1>devil showed up, poured himself a drink, sat down, said Peter. Peter, Peter, Peter.

0:48:11.320 --> 0:48:13.520
<v Speaker 1>Let's cut. Let's cut. It was Peter Cook. Actually it

0:48:13.600 --> 0:48:20.279
<v Speaker 1>was Peter Cook and he and the devil makes this

0:48:20.400 --> 0:48:24.560
<v Speaker 1>deal with you. Because what happened. First of all, there's

0:48:24.560 --> 0:48:29.160
<v Speaker 1>probably if I'm not mistaken, if there wasn't sent people

0:48:29.160 --> 0:48:31.800
<v Speaker 1>out there, then I thought there were set But it's

0:48:31.840 --> 0:48:35.120
<v Speaker 1>it definitely sounds like it. It's a big room. They

0:48:35.160 --> 0:48:38.240
<v Speaker 1>go nuts when we walk out, and it just takes

0:48:38.280 --> 0:48:40.319
<v Speaker 1>you to a different level. You know. It felt good.

0:48:41.120 --> 0:48:43.680
<v Speaker 1>It was one of those shows when you come off

0:48:43.680 --> 0:48:45.239
<v Speaker 1>and you look at the band and you just go,

0:48:45.640 --> 0:48:48.839
<v Speaker 1>I wish we'd recorded that. That was like so good man.

0:48:49.239 --> 0:48:52.279
<v Speaker 1>And then we went, oh, we did you know we

0:48:52.320 --> 0:48:55.239
<v Speaker 1>did recall that? We forgot we were do you see?

0:48:55.239 --> 0:48:59.120
<v Speaker 1>The event was so much more important than the recording.

0:48:59.520 --> 0:49:19.759
<v Speaker 1>I don't even remember the truck being there. The recording

0:49:19.880 --> 0:49:25.200
<v Speaker 1>is June of five minutes, released when we're still mixing,

0:49:26.440 --> 0:49:30.120
<v Speaker 1>right up before Christmas, and then it comes out, I believe,

0:49:30.280 --> 0:49:34.720
<v Speaker 1>on like January seventeenth or something like that, seventh, January

0:49:34.840 --> 0:49:39.880
<v Speaker 1>nine or what happens. Well, I knew we were going

0:49:39.920 --> 0:49:43.400
<v Speaker 1>to tour the whole year, so right after Christmas, I

0:49:43.440 --> 0:49:47.680
<v Speaker 1>went down to the Bahamas for ten days and relaxed.

0:49:47.960 --> 0:49:52.279
<v Speaker 1>Before I left, we had put one show on at

0:49:52.600 --> 0:49:57.960
<v Speaker 1>Cobo Hall in Detroit, which is a big rum and

0:49:58.120 --> 0:50:00.440
<v Speaker 1>that's all I knew. And so I go away and

0:50:00.480 --> 0:50:03.040
<v Speaker 1>I don't call anybody. I'm just on the beach and

0:50:03.200 --> 0:50:06.799
<v Speaker 1>snorkeling or whatever. I come back. We've sold four shows out,

0:50:07.080 --> 0:50:11.080
<v Speaker 1>and I said, what happened, you know? And the album

0:50:11.080 --> 0:50:13.480
<v Speaker 1>has just started to be on the radio, you know,

0:50:14.160 --> 0:50:18.680
<v Speaker 1>And that's when everything just went went through the roof,

0:50:18.880 --> 0:50:23.080
<v Speaker 1>you know, after all this time. People think it is overnight,

0:50:23.840 --> 0:50:27.239
<v Speaker 1>but it's not overnight in the scheme of things. But

0:50:27.239 --> 0:50:31.080
<v Speaker 1>but yes, but it's not overnight success, but it is.

0:50:31.680 --> 0:50:35.160
<v Speaker 1>It's a heady experience. Is just still the highest selling

0:50:35.200 --> 0:50:39.520
<v Speaker 1>live album of all time. It's in dispute, yeah, but

0:50:39.760 --> 0:50:43.080
<v Speaker 1>up there, yeah, because my record is only counted as

0:50:43.239 --> 0:50:47.960
<v Speaker 1>one one album. Certain other artists had it made so

0:50:48.040 --> 0:50:52.040
<v Speaker 1>that you could count, um, if you released six CD

0:50:53.000 --> 0:50:55.560
<v Speaker 1>live set, you can count it six times. Well, they

0:50:55.600 --> 0:50:58.759
<v Speaker 1>didn't do that retroactively, so in my mind it's still

0:50:58.760 --> 0:51:03.200
<v Speaker 1>the biggest selling. It was almost unbelievable the amount of success.

0:51:04.080 --> 0:51:07.800
<v Speaker 1>You get these phone calls in quick succession. Your number

0:51:07.840 --> 0:51:10.839
<v Speaker 1>one in in the charts, you know, and I'm going,

0:51:10.960 --> 0:51:13.960
<v Speaker 1>wait a second, say that one more time, and who

0:51:14.000 --> 0:51:19.320
<v Speaker 1>are you? And then within three or four weeks of that,

0:51:20.520 --> 0:51:23.400
<v Speaker 1>I get the call saying it's the biggest selling record

0:51:23.480 --> 0:51:27.799
<v Speaker 1>of all time. You've just outsold Carol King's Tapestry and

0:51:28.840 --> 0:51:30.840
<v Speaker 1>it's um. Was that the time you thought of you

0:51:30.880 --> 0:51:33.680
<v Speaker 1>had to start them in yourself? Yeah, it was crazy

0:51:33.920 --> 0:51:37.399
<v Speaker 1>because people just wanted to No, it was very don't

0:51:37.400 --> 0:51:39.960
<v Speaker 1>know how to deal with how people treat you differently exactly,

0:51:40.120 --> 0:51:45.400
<v Speaker 1>and being always being respectful, and and never really thinking

0:51:45.400 --> 0:51:48.640
<v Speaker 1>of myself as anything special because I've never been a

0:51:49.880 --> 0:51:53.840
<v Speaker 1>that's just not my character. I felt embarrassed that I

0:51:54.000 --> 0:51:57.960
<v Speaker 1>was that this entity became it was me over here,

0:51:58.040 --> 0:52:00.680
<v Speaker 1>you know. Yes, it was very hard to deal with.

0:52:01.280 --> 0:52:03.920
<v Speaker 1>But were you proud of the record? Oh my god, Yeah,

0:52:03.920 --> 0:52:08.520
<v Speaker 1>when something really big hits in the entertainment business, it's

0:52:08.560 --> 0:52:14.280
<v Speaker 1>like feast or famine. It's either it's not a hit, movie, record, whatever,

0:52:15.040 --> 0:52:19.239
<v Speaker 1>and nothing comes in, or it's like a blockbuster and

0:52:19.440 --> 0:52:22.320
<v Speaker 1>all this money comes in and it all comes into

0:52:22.440 --> 0:52:25.560
<v Speaker 1>one place. And when you see a pile of money

0:52:25.600 --> 0:52:29.240
<v Speaker 1>like this, it brings out thoughts that people didn't normally

0:52:29.280 --> 0:52:33.360
<v Speaker 1>have before. You know what I mean, it's the the

0:52:33.400 --> 0:52:37.759
<v Speaker 1>availability of all that cash all at once. You know that. Well,

0:52:37.840 --> 0:52:40.360
<v Speaker 1>especially in the music business, because nothing like the music

0:52:40.360 --> 0:52:43.320
<v Speaker 1>business for making money except for the fact that music

0:52:43.400 --> 0:52:46.160
<v Speaker 1>is free. Now well it's it is different now, yeah.

0:52:46.160 --> 0:52:50.560
<v Speaker 1>I mean you used to tour to promote the record.

0:52:51.680 --> 0:52:56.520
<v Speaker 1>Now you make the record to promote the tour. The

0:52:56.560 --> 0:52:59.120
<v Speaker 1>record is a giveaway, the c D is a giveaway.

0:52:59.480 --> 0:53:01.920
<v Speaker 1>The dollar you're on the live performing, Yes, that's how

0:53:01.920 --> 0:53:04.839
<v Speaker 1>it is for you. Well, yeah, that's all that's artists. Yeah,

0:53:04.880 --> 0:53:07.920
<v Speaker 1>and luckily my reputation is as a live performer. So

0:53:08.120 --> 0:53:11.600
<v Speaker 1>it's been phenomenal for me. But it's hard work touring,

0:53:11.680 --> 0:53:14.000
<v Speaker 1>but I love it, so that's not hard work for me.

0:53:14.280 --> 0:53:16.960
<v Speaker 1>You came into New York recently and you did that

0:53:17.000 --> 0:53:19.040
<v Speaker 1>at the Beacon here, in New York? Yes, how many

0:53:19.040 --> 0:53:22.640
<v Speaker 1>shows did you do? For most of thirteen months, we

0:53:22.640 --> 0:53:26.520
<v Speaker 1>were doing five shows a week and it's a three

0:53:26.560 --> 0:53:29.479
<v Speaker 1>hour show. So we were doing Comes Alive first, which

0:53:29.520 --> 0:53:32.280
<v Speaker 1>is an hour and forty, and then we were doing

0:53:33.160 --> 0:53:35.680
<v Speaker 1>excerpts from everything else in my career as well for

0:53:35.719 --> 0:53:39.000
<v Speaker 1>another hour and fifteen or twenty, you know, So it

0:53:39.120 --> 0:53:43.560
<v Speaker 1>was we were killing ourselves. How did it feel? Well?

0:53:43.560 --> 0:53:47.200
<v Speaker 1>It felt great. The place one nuts you know, they

0:53:47.280 --> 0:53:49.280
<v Speaker 1>just went't berserved. You know you're gonna do it again.

0:53:50.560 --> 0:53:53.400
<v Speaker 1>I don't know whether I'll do the entire thing again,

0:53:53.960 --> 0:53:59.360
<v Speaker 1>Comes Alive again? Not for a while anyway, damn it. No, No,

0:53:59.520 --> 0:54:03.040
<v Speaker 1>you've we filmed it and filmed it, yeah, at the

0:54:03.040 --> 0:54:05.200
<v Speaker 1>Beacon and in what are you do with that? Where

0:54:05.280 --> 0:54:07.399
<v Speaker 1>is that? Guy? It's gonna be a DVD. In fact,

0:54:07.600 --> 0:54:10.759
<v Speaker 1>that's where I'm going on Sunday to go back home

0:54:10.800 --> 0:54:12.759
<v Speaker 1>to my studio to mix the audio. What are you

0:54:12.760 --> 0:54:14.120
<v Speaker 1>gonna do when you're gonna release it as a dis

0:54:14.320 --> 0:54:19.680
<v Speaker 1>is a DVD? Now? Probably just be a DVD. And

0:54:20.040 --> 0:54:22.319
<v Speaker 1>I don't want to do this on TV. Oh i'd

0:54:22.320 --> 0:54:24.879
<v Speaker 1>love to. Yeah, have you got an in there? Maybe? Oh?

0:54:24.920 --> 0:54:26.719
<v Speaker 1>I can't believe if it's a doctor. Are there any

0:54:26.760 --> 0:54:30.600
<v Speaker 1>backstage footage? I've got the story and it's filmed of

0:54:30.680 --> 0:54:34.080
<v Speaker 1>when my guitar was returned. What happened to that guitar?

0:54:34.239 --> 0:54:38.600
<v Speaker 1>What's the story? Well, um, first of all, we're talking

0:54:38.600 --> 0:54:41.800
<v Speaker 1>about the guitar that's on the front cover of Comes Alive,

0:54:41.840 --> 0:54:44.200
<v Speaker 1>which I got given to me by Mark Mariana in

0:54:44.800 --> 0:54:47.640
<v Speaker 1>seventy when I was playing the film or West with

0:54:47.760 --> 0:54:51.560
<v Speaker 1>Humble Pie, and I was having a terrible time with

0:54:51.560 --> 0:54:54.719
<v Speaker 1>the guitar that I had at that that night, and

0:54:54.760 --> 0:54:57.239
<v Speaker 1>Mark said to me, you know, I could see you

0:54:57.320 --> 0:54:59.640
<v Speaker 1>having problems with that. You want to try my Les

0:54:59.680 --> 0:55:01.360
<v Speaker 1>Paul Tomorrow. I said, well, I'm not really big on

0:55:01.440 --> 0:55:03.759
<v Speaker 1>let's pause, but okay, all right, anything is better than this.

0:55:03.840 --> 0:55:05.920
<v Speaker 1>So he brought it to me. I played it. I

0:55:05.960 --> 0:55:08.000
<v Speaker 1>don't think my feet touched the ground the entire That's

0:55:08.040 --> 0:55:13.320
<v Speaker 1>the best guitar I've ever played. So then I played

0:55:13.360 --> 0:55:18.279
<v Speaker 1>that guitar on Rock On and also a Humble Pie

0:55:18.360 --> 0:55:20.360
<v Speaker 1>and also Rock in the film on. That's the guitar

0:55:20.400 --> 0:55:24.839
<v Speaker 1>I use on there. Basically I used that exclusively. It's

0:55:24.880 --> 0:55:28.600
<v Speaker 1>the only guitar I play all the way through all

0:55:28.600 --> 0:55:32.520
<v Speaker 1>my solo records and including Frampton Comes Alive and you

0:55:32.560 --> 0:55:34.680
<v Speaker 1>were never attempted to put that down, and that was it.

0:55:34.880 --> 0:55:38.920
<v Speaker 1>That was, yes, yes, it was just this one. I

0:55:39.000 --> 0:55:41.440
<v Speaker 1>had a fifty five strap that I would always use

0:55:41.520 --> 0:55:44.040
<v Speaker 1>for Show Me the Way because I needed a cleaner sound,

0:55:44.120 --> 0:55:46.160
<v Speaker 1>you know. So that was that was on Show Me

0:55:46.200 --> 0:55:50.960
<v Speaker 1>the Way. So then we get to touring South America.

0:55:52.480 --> 0:55:56.360
<v Speaker 1>We just finished playing Caracas, Venezuela and we had a

0:55:56.440 --> 0:56:01.880
<v Speaker 1>day off, and so we flew commercially to Panama waiting

0:56:02.239 --> 0:56:05.399
<v Speaker 1>for the gear to arrive on a cargo plane. While

0:56:05.400 --> 0:56:08.720
<v Speaker 1>it never got off the runway in Caracas, it crashed

0:56:08.719 --> 0:56:11.799
<v Speaker 1>on take off. My road manager came to me, I'm

0:56:11.800 --> 0:56:14.920
<v Speaker 1>having this huge meal on my day off with my

0:56:14.960 --> 0:56:17.239
<v Speaker 1>wife at the time, and he said, I got some

0:56:17.280 --> 0:56:20.120
<v Speaker 1>bad news and he says, the plane crashed on takeoff.

0:56:20.160 --> 0:56:26.520
<v Speaker 1>I said, my guitar, he said, and like six people

0:56:27.080 --> 0:56:29.880
<v Speaker 1>loading people, the pilot, co pilot, loading, inspector, all that.

0:56:30.400 --> 0:56:34.000
<v Speaker 1>So I mean, yeah, people died. So that took precedent

0:56:34.160 --> 0:56:36.480
<v Speaker 1>over everything. Then it put it in perspective, you know,

0:56:36.840 --> 0:56:39.960
<v Speaker 1>and there's the pilot's wife sitting at the bar who

0:56:40.040 --> 0:56:44.280
<v Speaker 1>doesn't know yet. It was horrendous. So anyway, we limped

0:56:44.520 --> 0:56:48.040
<v Speaker 1>through the end of that tour basically with borrowed equipment.

0:56:48.840 --> 0:56:51.440
<v Speaker 1>Sent someone down my guitar tech at the time a

0:56:51.480 --> 0:56:55.840
<v Speaker 1>week later to see what was left. Nothing was left, supposedly,

0:56:56.560 --> 0:56:59.480
<v Speaker 1>and what had happened. The tail had broken off. Guitars

0:56:59.560 --> 0:57:05.439
<v Speaker 1>were actually in a trunks in cases. And the way

0:57:05.480 --> 0:57:08.359
<v Speaker 1>the story goes is they had a god to guard

0:57:08.400 --> 0:57:11.000
<v Speaker 1>the crash side, the debris side. Util the insurance people

0:57:11.040 --> 0:57:13.920
<v Speaker 1>came down and he decided that the guitars would be

0:57:14.040 --> 0:57:18.560
<v Speaker 1>much safer at his house. Yes, and then Caracas. Yes.

0:57:18.960 --> 0:57:26.000
<v Speaker 1>In Caracas two years ago, which is thirty years thirty

0:57:26.120 --> 0:57:31.840
<v Speaker 1>years later, I opened my info at Frampton dot com

0:57:31.960 --> 0:57:34.800
<v Speaker 1>email because anybody can email me and I see them all.

0:57:35.320 --> 0:57:38.480
<v Speaker 1>I opened up this one and there's a picture of

0:57:38.600 --> 0:57:44.360
<v Speaker 1>photograph of my guitar slightly singed but but it's my

0:57:44.520 --> 0:57:49.160
<v Speaker 1>lastly right at the top, you know, slightly singed, but

0:57:49.520 --> 0:57:51.760
<v Speaker 1>but there it is. There's a picture, and I thought,

0:57:52.520 --> 0:57:56.400
<v Speaker 1>could this picture where in an email to me from

0:57:56.520 --> 0:58:01.080
<v Speaker 1>someone who would got ahold of the guitar. As it

0:58:01.200 --> 0:58:04.160
<v Speaker 1>happens in Kurasau, which is a little island off the

0:58:04.200 --> 0:58:10.120
<v Speaker 1>coast of Caracas, someone had sold it to this gentleman,

0:58:11.800 --> 0:58:14.640
<v Speaker 1>and he took it to someone who fixed guitars and

0:58:14.680 --> 0:58:17.800
<v Speaker 1>they knew what it was. And it took two years

0:58:17.840 --> 0:58:21.160
<v Speaker 1>of a very gray area and was he saying like,

0:58:21.200 --> 0:58:22.480
<v Speaker 1>I don't want to get proceed. I want to get

0:58:22.480 --> 0:58:24.240
<v Speaker 1>this guitariti, but I want to go to jail. That

0:58:24.320 --> 0:58:27.040
<v Speaker 1>was the thing. No one wanted to actually come money.

0:58:27.080 --> 0:58:30.160
<v Speaker 1>It wasn't about he wanted to There was money involved,

0:58:30.240 --> 0:58:32.600
<v Speaker 1>but he would have appreciated a gratuity. There was a

0:58:32.760 --> 0:58:35.720
<v Speaker 1>reward talked about, but every time it would get close

0:58:35.800 --> 0:58:39.160
<v Speaker 1>to someone coming in, they'd find something reason why they

0:58:39.160 --> 0:58:40.959
<v Speaker 1>couldn't come in. So that's why it took two years.

0:58:41.160 --> 0:58:44.120
<v Speaker 1>And then in the end the guy actually checked to

0:58:44.120 --> 0:58:46.360
<v Speaker 1>see if we had booked him a hotel because he

0:58:46.440 --> 0:58:49.800
<v Speaker 1>just saw himself in handcuffs at Miami Airport. You know,

0:58:50.520 --> 0:58:52.960
<v Speaker 1>he knew who had it, and the person who had

0:58:53.000 --> 0:58:55.240
<v Speaker 1>it needed some money, and so he went to the

0:58:55.280 --> 0:59:00.040
<v Speaker 1>tourist Bureau of Kurasau and said, look, if you and

0:59:00.200 --> 0:59:01.800
<v Speaker 1>me the money or give me the money to go

0:59:01.920 --> 0:59:03.840
<v Speaker 1>by this, I can find this. This is really great

0:59:04.280 --> 0:59:09.240
<v Speaker 1>tourism story for Curasao. And and they did, and they

0:59:09.320 --> 0:59:12.800
<v Speaker 1>came and the two of them, the tourism president of

0:59:12.840 --> 0:59:16.360
<v Speaker 1>the tourism board from the government, and the gentleman who

0:59:16.480 --> 0:59:19.880
<v Speaker 1>found the guitar, knew where it was, brought it to Nashville.

0:59:20.240 --> 0:59:23.600
<v Speaker 1>We had three cameras as soon as he waited in waiting,

0:59:24.000 --> 0:59:28.240
<v Speaker 1>and what happens while the two gentlemen walk in and

0:59:28.600 --> 0:59:32.240
<v Speaker 1>he's got it in this probably one of the worst

0:59:32.240 --> 0:59:35.320
<v Speaker 1>looking gigbags I've ever seen in my life, cheap, old

0:59:35.320 --> 0:59:38.600
<v Speaker 1>plastic thing. He puts it beside him, you know, and

0:59:38.640 --> 0:59:41.720
<v Speaker 1>he tells the story in broken English of how this

0:59:41.760 --> 0:59:44.120
<v Speaker 1>person had it and the whole thing. He hands it

0:59:44.200 --> 0:59:46.960
<v Speaker 1>to me and he goes Philip to Peter Philip so

0:59:47.120 --> 0:59:50.040
<v Speaker 1>and I know that he knows because it was the

0:59:50.160 --> 0:59:53.560
<v Speaker 1>lightest les Paul I'd ever played. So I just felt

0:59:53.600 --> 0:59:55.680
<v Speaker 1>it in the case and who this could be it?

0:59:55.920 --> 0:59:58.760
<v Speaker 1>You know, opened it up. I just looked at it

0:59:59.160 --> 1:00:01.160
<v Speaker 1>and I just feel it like that, and I go,

1:00:01.280 --> 1:00:04.080
<v Speaker 1>it's my guitar. How bad they was? It singed where

1:00:04.560 --> 1:00:08.440
<v Speaker 1>just round the very top it lost the binding around

1:00:08.520 --> 1:00:12.000
<v Speaker 1>the headstock. Did you get that replaced? No? I didn't.

1:00:12.400 --> 1:00:15.200
<v Speaker 1>I left it. I've left it with its battle scars.

1:00:16.080 --> 1:00:20.200
<v Speaker 1>Gibson made it playable so we re friended the Caracas

1:00:20.320 --> 1:00:23.760
<v Speaker 1>kiss and there is this sound the same. Does it

1:00:23.800 --> 1:00:31.360
<v Speaker 1>feel the same. Yeah, And when I first played it

1:00:31.400 --> 1:00:36.800
<v Speaker 1>at rehearsals with the band, everybody had this like cheshire

1:00:36.920 --> 1:00:40.280
<v Speaker 1>cat grin on their face because it has the sound

1:00:40.920 --> 1:00:45.720
<v Speaker 1>and it sounds like Frampton comes alive. You know, you

1:00:45.760 --> 1:00:47.640
<v Speaker 1>don't have to try too hard. And you got that

1:00:47.680 --> 1:00:52.120
<v Speaker 1>back when I got it back just before we started

1:00:52.160 --> 1:00:56.000
<v Speaker 1>touring in February and March for the last American leg,

1:00:56.280 --> 1:00:58.880
<v Speaker 1>I used it a little bit at rehearsals, and then

1:00:58.920 --> 1:01:00.800
<v Speaker 1>I brought it out for the first night at the Beacon.

1:01:01.480 --> 1:01:03.480
<v Speaker 1>I think the guitar is more famous than I am

1:01:03.520 --> 1:01:11.400
<v Speaker 1>now rock legend Peter Frampton. I'm Kathleen Russo. Thanks for

1:01:11.480 --> 1:01:14.040
<v Speaker 1>listening to my first attempt at hosting Here's the Thing.

1:01:14.800 --> 1:01:17.080
<v Speaker 1>Here's the Thing is brought to you by our Heart Radio.

1:01:17.480 --> 1:01:21.080
<v Speaker 1>We're produced by Carrie Donohue, Zach McNeice and yours truly

1:01:21.520 --> 1:01:25.480
<v Speaker 1>our engineers. Frank Imperial. Alec is back next week talking

1:01:25.480 --> 1:01:31.040
<v Speaker 1>with an amazing politician, California Democratic Assemblywoman Lorraina Gonzalez