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Speaker 1: Yeah, welcome to episode one, one four of the Bobby

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Speaker 1: Cast one four Team for me is exciting because I'm

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Speaker 1: a legitimate fan of Lucy Silva's her music first and

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Speaker 1: her as a person's second. And we've been waiting to

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Speaker 1: get her in for a while. And so we we

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Speaker 1: talked about you're gonna hear we talk about she has

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Speaker 1: a new record coming in August. Now you might hear

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Speaker 1: this after August. But this is fun for me. Let

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Speaker 1: me also say that a couple of things. One a

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Speaker 1: couple of podcasts you can check out. Jake Owen has

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Speaker 1: one called Good Company. There's a new one from Velvet's Edge.

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Speaker 1: Kelley Henderson is a stylist. She does hair and makeup

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Speaker 1: and then they call it grooming right yeah, for Dirk's

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Speaker 1: and Al Deane and she stopping styles me for big

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Speaker 1: things I can't afford all the time style. She just

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Speaker 1: head on justin tumber Legs podcast. So yeah, so that's

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Speaker 1: her area. So if you're into fashion and styles and

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Speaker 1: fashion styles, live styles, yeah, check out the Velvet's Edge podcast.

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Speaker 1: Because also the guys from well, there's Christian Bush. We

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Speaker 1: already mentioned that one or now okay, and there's the

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Speaker 1: guys from Whiskey Riff Whiskey Riff Raff. Okay, cool, there's that.

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Speaker 1: I'm on the road. Come and watch me do stand

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Speaker 1: up on my Red Hoodie comedy tour. If you're in

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Speaker 1: which show falls Texas or Charleston, South Carolina or Tampa, Florida,

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Speaker 1: come out Otherwise, Here we go, Episode one fourteen with

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Speaker 1: one of my favorite people. She's nicer than even she

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Speaker 1: seems in this podcast, and she seems super nice in

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Speaker 1: the podcast. Here is Lucy Silva's All right, Welcome to

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Speaker 1: the Bobby Cast with Lucy Silva's I do think you're

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Speaker 1: probably the most talked about guests overall. We've done over

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Speaker 1: a hundred episodes, and forever it was I'm gonna wait

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Speaker 1: and bring Lucy end because we know each other, and

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Speaker 1: it's weird for me to interview and talk to someone

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Speaker 1: that I know because you came toament Us early and

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Speaker 1: we hung out downstairs. I'm always annoyingly early, me too

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Speaker 1: uncomfortably for other people, are uncomfortably for other people, But

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Speaker 1: I hating late. It was drummed into me as a

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Speaker 1: kid to not be late, so I sort of go

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Speaker 1: the other way and compensate too much. And well, what

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Speaker 1: I do a lot of times did I get places

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Speaker 1: and just sit in the parking lot. If there's more

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Speaker 1: people do that, then they would admit I go and

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Speaker 1: just because I don't ever want to miss the opportunity

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Speaker 1: because of the easiest thing, which is being on time right.

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Speaker 1: And there are people that absolutely miss opportunities because they're

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Speaker 1: not on time right. So what I'll do is I

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Speaker 1: will get somewhere obnoxiously early and then just sit in

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Speaker 1: my car, just just sitting there. I mean channels. But

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Speaker 1: when someone sees you doing that, then that's when you've

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Speaker 1: got a problem. They're like looking out there's always a

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Speaker 1: chance of looking out the window watching you just wait. Well,

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Speaker 1: offensive a house, I'll park it like the gas station

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Speaker 1: or a restaurant down and then I'll drive up right

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Speaker 1: on time. That's a good ploy. Um. I actually I

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Speaker 1: don't know the late thing. You know, I've always wondered

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Speaker 1: I had. I used to live with a friend of

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Speaker 1: mine that used to our traits were that we've eventually

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Speaker 1: have one of those days where like, okay, let's have

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Speaker 1: a truth session because we're getting annoyed with each other.

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Speaker 1: Because when you live with someone for a long time,

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Speaker 1: these things start to fester. And I said, why Ay

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Speaker 1: was late for things like is it because you don't

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Speaker 1: have a concept of time as to what ten minutes is?

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Speaker 1: Or is it because you just don't like being told

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Speaker 1: to be to do something? And she was like, it's

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Speaker 1: a bit of both, and she said sometimes it's like

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Speaker 1: it's a control thing. You want to control everything that

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Speaker 1: you're doing. I was like, well, that's great, someone's sitting

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Speaker 1: there waiting for you, and which is so annoying. It

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Speaker 1: always feels like a lack of respect. I think so,

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Speaker 1: and I feel like I'm disrespecting someone too. I'm not

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Speaker 1: like I'm not respecting their time, and so like the

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Speaker 1: whole around you. That's still a control thing, Like I

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Speaker 1: want to control the fact that people feel like I'm dependable.

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Speaker 1: That's true. I just yeah, well, you want to be reliable.

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Speaker 1: You don't want to be like those people that if

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Speaker 1: you're in need suddenly they'll be well, Lucy, we'll be here.

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Speaker 1: Don't worry. In realites, you know, you want to be

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Speaker 1: someone that's going to rush over that. I'm surprised you're

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Speaker 1: not a really late person though, because you're so creative

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Speaker 1: an artis Before we went on Lucy and I were

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Speaker 1: talking about twenty minutes about you know, the cycle of music,

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Speaker 1: just just generally, and I say, my mind, I have

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Speaker 1: very a consumer based mind. You have very artist based mind.

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Speaker 1: I have both. I really think. Well, we were talking

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Speaker 1: like you want to create an album and let people

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Speaker 1: live with it and love it, and and everyone does.

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Speaker 1: But I'm talking about you know the Drake I called

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Speaker 1: the Drake model where he's constantly feeding people songs one

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Speaker 1: at a time, one at a time, one at a time,

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Speaker 1: and then he'll put a record out right. And so

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Speaker 1: we got into a truth session, even truth session, and

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Speaker 1: you have too many of those. And most artists, like

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Speaker 1: super creative artistry people what you are, You're late, You're

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Speaker 1: one with earth. That's the only thing I'm not. I

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Speaker 1: don't take the tree huggy approach to time, like I

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Speaker 1: don't know, it's just it's every it's ways you were

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Speaker 1: brought up. My family are pretty laid back in lots

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Speaker 1: of way is except for that, like if I wasn't,

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Speaker 1: you know, come down for dinner at the right time,

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Speaker 1: or I think my mom was to stress. She had

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Speaker 1: a nine or five job. My dad worked this to

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Speaker 1: get us to school. And I saw hell break loose

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Speaker 1: every morning. It was total chaos. She's trying to get

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Speaker 1: us to school on time. So when you see that

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Speaker 1: amount of anxiety and panic all around you like, Okay,

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Speaker 1: I gotta be on time, I've gotta be downstairs, gonna

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Speaker 1: be ready. And I think it just stayed with me,

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Speaker 1: you know, And and I can't. I guess I don't

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Speaker 1: like I don't. I've gotten sort of more laid back

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Speaker 1: about it, because when you're with huge groups of people

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Speaker 1: all the time, or you're with big families, you know,

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Speaker 1: you just have to sort of just go with the flow.

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Speaker 1: And I've had to really learned to exhale and be like,

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Speaker 1: it's fine, it'll be fine. Well, what's exciting for me

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Speaker 1: is it like I'm a big fan of yours. And

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Speaker 1: so I don't even know how we met. I think

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Speaker 1: we met well after Lindsay, which azing she played. That's

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Speaker 1: exactly what four hours in the street And that's when

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Speaker 1: you had first heard about me, I think, because you

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Speaker 1: and Charlie showed up yes together, Yeah, so I was

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Speaker 1: dating Lindsay. Yeah, I love Charlie Worsham. Yeah, and you

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Speaker 1: were playing I said, wow, who was the girl that

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Speaker 1: played because I was really kind That's what I was thinking,

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Speaker 1: what whomember that was? It was? You said, has really

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Speaker 1: kind of her to come out and play, let me

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Speaker 1: listen to her music. And then I heard your music

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Speaker 1: and I thought, wow, like I love this, thank you.

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Speaker 1: And then yeah, that's where it started. You're right, yeah,

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Speaker 1: and she I mean, I was just do you know what.

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Speaker 1: I actually can't remember how she and I met, but

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Speaker 1: when she asked me to do that, I thought, how

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Speaker 1: just this person is so dedicated to so many things.

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Speaker 1: And Charlie and I I've known. I think Charlie was

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Speaker 1: one of the first people I met in Nashville in

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Speaker 1: two thousand and seven, and so we just thought it

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Speaker 1: was such a lovely thing to do. We were like,

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Speaker 1: we'd love to be part of that. And then and

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Speaker 1: obviously I had known all about you for a long

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Speaker 1: time and never really thought that our pauls would necessarily

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Speaker 1: collide um and I was really the day that I

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Speaker 1: saw you talking about let us to go. So I

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Speaker 1: was totally blown away by and excited by it, just

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Speaker 1: because it wasn't something I was expected. I wasn't expecting

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Speaker 1: that collision of work treat huh, real change from said well, yeah,

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Speaker 1: that was the first song that I heard Letters to go.

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Speaker 1: I loved it, Nus, this is this is fine of

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Speaker 1: my favorite your songs from earlier. And so what was

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Speaker 1: amazing to me is I didn't know villain to by

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Speaker 1: the way saying you Crown. You make music that I like,

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Speaker 1: your style of music of a style that I like,

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Speaker 1: and I didn't know you. And I remember going, hey,

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Speaker 1: we're playing some shows on can Saw Do you want

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Speaker 1: to come out? And it's so funny how your world

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Speaker 1: being interest in my world has created great friends for me,

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Speaker 1: like meeting you has because we go out and I

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Speaker 1: think he did wrote the bust with us, right, yeah,

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Speaker 1: come on, But that was one of the funniest That

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Speaker 1: was so much fun. It was just so and I

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Speaker 1: was nervous because you know, I only just met you

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Speaker 1: previous to that, hadn't met Nikita before. Hann was bringing Brandon,

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Speaker 1: who I really didn't know very well. He was just

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Speaker 1: I was like still at all either, right, and yet

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Speaker 1: it was just so relaxed and so cool. When you're

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Speaker 1: sleeping in close proximity to basically strangers, it's like that

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Speaker 1: opens up a whole can of worms that could be

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Speaker 1: you know a million things, and I just had so

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Speaker 1: much fun. I felt so relaxed. It was brilliant for

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Speaker 1: me because so many things as an artist or not relaxed,

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Speaker 1: and in that kind of environment I didn't expect to

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Speaker 1: be because I didn't know anybody, and you didn't expect

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Speaker 1: for us to be nice or expectually be nice. I

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Speaker 1: didn't expect it to be as chilled as it was

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Speaker 1: because you're just mixing people together that I've never been

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Speaker 1: on a bus with people from radio before anything, you

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Speaker 1: know what I mean. It's just something i'd never experienced,

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Speaker 1: and I hadn't spent much time with you. I knew

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Speaker 1: that you were fun and everything I knew Eddie was fun,

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Speaker 1: but really a group of people on a bus I

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Speaker 1: was like. And also, I can get really socially anxious

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Speaker 1: with different things, even though people don't seem to know

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Speaker 1: that about me. I never seemed to be, but internally

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Speaker 1: I'm going through a whole snakes and ladders of scenarios.

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Speaker 1: Remember the first time you played I watched your live

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Speaker 1: I was like, man, like, you're really good life, like

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Speaker 1: your this doesn't do your live performance justice. And you

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Speaker 1: were playing with Brandon Brandy came and played guitar with you. Yeah,

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Speaker 1: I thought, man, I'm a fan, and so I would

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Speaker 1: just wait for you to put a musicount. I would

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Speaker 1: just wait. And then we became friends because we would

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Speaker 1: we This is one of the relationships that I've kept

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Speaker 1: somewhat like friendship relationships, and we still communicate. And uh,

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Speaker 1: we went to dinner and I didn't know your story

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Speaker 1: because I know how you moved to America. I don't

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Speaker 1: know you were big in the UK. I don't know anything.

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Speaker 1: If you had accent, I don't know what accent was wrong.

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Speaker 1: I don't know anything on the accents. Confused, and then

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Speaker 1: it's so weird to sit with someone and they started

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Speaker 1: asking them really personal questions. So in this environment, I

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Speaker 1: can ask all I want forsake of my people hearing

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Speaker 1: knowing about it. So you moved You moved in Nashville, Win,

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Speaker 1: I moved here. I mean, it is crazy. Do you

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Speaker 1: know everyone feels like they've had about ten lives. I

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Speaker 1: really feel like I've had those, and I've never they've

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Speaker 1: They've kept weirdly separate, so it's it's strange. The first

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Speaker 1: time I came here was in two thousand and seven,

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Speaker 1: and it was with my friend John Green, who was

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Speaker 1: childhood buddies. I grew up with him. He just had

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Speaker 1: been coming to Nashville, and i'd i'd grown up with

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Speaker 1: some country music that you know, nineties country actually wasn't

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Speaker 1: something that was that familiar to me. It was older country,

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Speaker 1: and it was but i'd never I'd heard things about

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Speaker 1: Nashville and in two thousand and seven it is a

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Speaker 1: very different place than it is now. And I came

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Speaker 1: and I ended up staying five weeks the first trip

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Speaker 1: I was here. Um just I don't know. I can't

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Speaker 1: even remember how it happened. As in a restaurant, I

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Speaker 1: met Barry Dean, I met Busby, I'm at Darryl Franklin.

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Speaker 1: I met like just a bunch of people that and

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Speaker 1: Troy Virgins as well, a bunch of people that I

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Speaker 1: would call some of the closest friends to me now.

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Speaker 1: And I just I couldn't believe this place. It was

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Speaker 1: coming off the back of a time when I was

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Speaker 1: coming out of my record deal with Universal. I was

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Speaker 1: just the UK record deal then, or was it a

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Speaker 1: worldwide It was a world wide deal, but we just

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Speaker 1: never got to America. We just never I toured Europe extensively.

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Speaker 1: We honed in there. I never really got a chance

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Speaker 1: to come over here. I don't even think they released

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Speaker 1: music over here. So where were you biggest before? In

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Speaker 1: the UK? It was the UK, but weirdly enough, Spain

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Speaker 1: and Holland and places like that it was. And why

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Speaker 1: I have no idea, Like I I used to ask

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Speaker 1: those questions. I'd be like, is this a language barrier?

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Speaker 1: Or why do they why do they like this music?

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Speaker 1: And I toured a lot over there, and I remember

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Speaker 1: going there and it was even when we went to

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Speaker 1: tener Reef. We decided was like, this is so crazy.

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Speaker 1: They're putting a gig in tenor Reef. So like these

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Speaker 1: just like on the coast of Spain, and so I

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Speaker 1: was like, I was like, cool, you know, rehearse go

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Speaker 1: there and then we d I swear to god, this

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Speaker 1: is a true story. So driving along and there's this

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Speaker 1: road of ten ambulances, police cars, there's barriers, there's a

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Speaker 1: and I looked around, I was like, what's going on here?

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Speaker 1: And then when it's your show and I was like

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Speaker 1: why what? I was like, I didn't understand how it

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Speaker 1: was such a big deal. And I knew that there

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Speaker 1: was going to be it was going to be a

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Speaker 1: relatively big show, but I didn't know it was going

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Speaker 1: to be as big as it was. And it was

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Speaker 1: like six thousand people, which for me was really big

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Speaker 1: at the time. I'dn't even you know, right for an artist,

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Speaker 1: there's my kind of music. And they went back all

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Speaker 1: the way to the ocean, and I just remember thinking,

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Speaker 1: I don't think I really understood what was going on

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Speaker 1: because I just never paid attention to it. I never

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Speaker 1: I don't know, I was like doing headlights that whole time.

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Speaker 1: Never I played first big gig, I played in England

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Speaker 1: with shepherds Bush Empire. And remember even thinking then I

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Speaker 1: didn't really understand the process that I was in, Like

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Speaker 1: how did I get here? Because I was so young,

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Speaker 1: and I also didn't get to grow the way that

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Speaker 1: I've gotten to grow here. How So, I was nineteen

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Speaker 1: when I signed my first record deal with the m

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Speaker 1: I three years nothing ever came out, gone, and then

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Speaker 1: swore off record companies for the rest of my life.

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Speaker 1: And then you know, weird, twisty story, I signed to

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Speaker 1: Universal when I was twenty four and with the idea

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Speaker 1: to what kind of music it's not that different to

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Speaker 1: what I'm doing now, just a younger version. But it

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Speaker 1: was very sick. I'd say it was very safe and

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Speaker 1: very sweet. It was had all my influences of people

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Speaker 1: like Fleetwood Mac and whether they signed you to be

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Speaker 1: signed you to be like because you know in the

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Speaker 1: record deal that it's always okay, we want to sign

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Speaker 1: this person because they can do this. What could you do?

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Speaker 1: This is? This was the funny thing. I don't think

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Speaker 1: that anyone thought it was even going to work because,

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Speaker 1: quite honestly, because I was a girl playing the piano,

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Speaker 1: the only things that were out there there was Delta

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Speaker 1: Good Room. So it was an Australian. She had been

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Speaker 1: on a TV show in Australia, had a huge single

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Speaker 1: and she was sort of huge in Australia already, and

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Speaker 1: but I don't think I also signed to a really

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Speaker 1: small label within Universal it went under and then Steve

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Speaker 1: lilly White, who I was a fan of for all

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Speaker 1: the music he had done, said, you know when you

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Speaker 1: need to come in and see me and see Lucy

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Speaker 1: and Grange and play your music for him. And because

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Speaker 1: there's something special about the songs you write that you

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Speaker 1: shouldn't be on this label. You should be on Mercury

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Speaker 1: and do that. So I did, and I remember even thinking,

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Speaker 1: and I went into Lucian's office and I was so clear,

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Speaker 1: You've got to remember that. It's not like Nashville when

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Speaker 1: I didn't know any other artists. I never met any

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Speaker 1: You have people that you go, Okay, that's what a

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Speaker 1: radio tour look like. That's what being an artist looks like.

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Speaker 1: When you're in your bedroom or you're in your house

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Speaker 1: writing songs and you've been a studio maybe once before,

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Speaker 1: and you've never been on the road. And I was

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Speaker 1: a backing singer for a few years when it was

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Speaker 1: like that was like jazz clubs. That was small clubs

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Speaker 1: over the UK. Suddenly, when I was thrown into the

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Speaker 1: music industry, I had nothing to go on. Suddenly there's

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Speaker 1: a radio team and a marketing team and your photo

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Speaker 1: shoot and you do a video. And it was the

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Speaker 1: craziest thing to me. It was when I see people

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Speaker 1: fall into it so easily. I'm always like, wow, that's

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Speaker 1: amazing that they're so young, and they seemed to just

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Speaker 1: fall in as if it's second nature. I definitely was

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Speaker 1: not like that. So you're in the UK, what was

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Speaker 1: your biggest song. It was a song called what You're

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Speaker 1: Made Of. It was a ballad. Came out in two

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Speaker 1: thousand and four, and this is the crazy thing is

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Speaker 1: that Facebook was starting that year, so before we just

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Speaker 1: had like MySpace and stuff like that, we had such

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Speaker 1: a different way of becoming known, and all I knew was, well,

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Speaker 1: we have to get on the radio. I really don't

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Speaker 1: think anyone thought that it would do what it did.

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Speaker 1: And then even the day that it was I was

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Speaker 1: getting my chart position because in England, you know, you

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Speaker 1: release it in the week, the next week you get

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Speaker 1: your position, and I didn't want to answer the phone

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Speaker 1: to my manager because I'd already been through a lot

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Speaker 1: with record labels. So I was just trying to keep

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Speaker 1: my head out of I'm going to make this museum

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Speaker 1: and to go out there, but I'm not going to

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Speaker 1: pay attention to what it's doing. Obviously, you can't do that.

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Speaker 1: You have to do And they said your number six,

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Speaker 1: and I was like, to me, that was crazy. I

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Speaker 1: just don't think I expected because it was a ballad

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Speaker 1: amidst some really really different music in the charts at

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Speaker 1: the time, It's not something that was going to be

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Speaker 1: played on radio one where fat Boy Slim was being

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Speaker 1: played and all this stuff. I was like a girl

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Speaker 1: at the piano playing a ballad coming out of nowhere,

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Speaker 1: and so where did it peak? Picked? It peaked at six,

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Speaker 1: and then the album went in at eleven. How how

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Speaker 1: unknown does that make you known? In Europe? You know,

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Speaker 1: if you have a typed in song. I think it

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Speaker 1: depends what's going on in that moment. It depends what

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Speaker 1: other artists are out at that time. I feel like

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Speaker 1: it took a minute by the time I released my

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Speaker 1: second single, which was an uptempo song called Breathing that

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Speaker 1: also went to number six, and again I was shocked

347
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Speaker 1: about that as well, just because I was this music

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Speaker 1: was so different than what was going on. I was like,

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Speaker 1: how is this finding its way through? You know? And

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Speaker 1: you shocked at all the success, like all the big thing.

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Speaker 1: I was shocked, not because I don't love it and

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Speaker 1: I don't believe in it. It's just because I think

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Speaker 1: I got such a hard knock when I first I

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Speaker 1: was a clueless girl thinking, you know, skipping along going

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Speaker 1: everything's great. You you make music, then you signed a

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Speaker 1: record deal, then you're famous. You know what I mean?

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Speaker 1: When you don't know anything and then suddenly three years

358
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Speaker 1: being signed to the same people and then being dropped,

359
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Speaker 1: your suddenly get a hard reality check and you're like, oh,

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Speaker 1: this isn't quite as it isn't quite as smooth as

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Speaker 1: I thought it would be. And then it was a

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Speaker 1: good reality check for me. The crazy thing for me

363
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Speaker 1: is that we were talking about your career and you

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Speaker 1: brought up the Metallic a song. Nothing else matters because

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00:18:10,480 --> 00:18:19,919
Speaker 1: you cut this, so but this is but you cut it?

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Speaker 1: So who who played this? Where did it go? This is?

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Speaker 1: This was an amazing thing. I only cut it because

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Speaker 1: my sister Mia wanted me to cut it, and because I,

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Speaker 1: you know, grew up on prominently other types of music.

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Speaker 1: And I love the song and I thought, you know what,

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Speaker 1: I can play this on piano. This is a beautiful song,

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Speaker 1: even though and I didn't expect it to have any

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Speaker 1: focus on it, because I just put it on the

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Speaker 1: album just as something I liked. And then I think

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Speaker 1: the record labels around Europe, we're like, we're going to

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Speaker 1: put this out, we want to do a video. I'd

377
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Speaker 1: recorded Abbey Road with a thirty two piece orchestra. That

378
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Speaker 1: was dream stuff for me. I was in that studio

379
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Speaker 1: watching this orchestra sign them of it, going this is

380
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Speaker 1: what dreams are made of, This is the kind of

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Speaker 1: music I want to make for the rest of my life.

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Speaker 1: And its processed up with a Metallica song. Did you

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Speaker 1: reach out to anybody in that camp or do you

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Speaker 1: just cut it? We We had to reach out to

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Speaker 1: them because I didn't speak to them personally, but you

386
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Speaker 1: had because I had changed it slightly, So I think

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Speaker 1: that's kind of an infringement on their copyright as to

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Speaker 1: how they originally did it. So we had to reach out.

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Speaker 1: But they heard it and they liked it, and I

390
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Speaker 1: was really pumped about that. I was like, even though

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Speaker 1: I probably made a few Metallica fans mad, I think,

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Speaker 1: oh yeah, did you get that? Did you ever? Fans

393
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Speaker 1: are upset? Yeah, very upset, And I was like, obviously

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Speaker 1: didn't understand the weight of it. They there was people

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Speaker 1: even when I went to do a gig in Denmark,

396
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Speaker 1: I went on stage and there was a few a

397
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Speaker 1: few booze out there because they didn't like my cover.

398
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Speaker 1: So it was such it was like a religion to them,

399
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Speaker 1: that music. So this song, what did it do? Did

400
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Speaker 1: it went? It went to number one? It was a

401
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Speaker 1: number one. It was a number one in certain countries,

402
00:19:52,920 --> 00:19:55,159
Speaker 1: but it's not not not in the UK. Didn't come

403
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Speaker 1: out as a single country number one. I think it

404
00:19:59,920 --> 00:20:05,400
Speaker 1: was Spain. Yeah, but it's crazy. It was something, honestly,

405
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Speaker 1: I didn't expect because it was a cover, and you know,

406
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Speaker 1: as a songwriter, you think you don't even think you're

407
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Speaker 1: gonna put covers out. There's a single and um, but

408
00:20:14,760 --> 00:20:16,640
Speaker 1: we did a video. We shot the video in New

409
00:20:16,680 --> 00:20:20,359
Speaker 1: Jersey and that was an amazing experience, like just we

410
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Speaker 1: had a grand piano on top of the railroad tracks

411
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Speaker 1: and it was all very grand. It was just it

412
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Speaker 1: was pretty it was it was pretty amazing. Really, did

413
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Speaker 1: you find that people didn't know the Metallica song and

414
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Speaker 1: just thought it was a song that you had written

415
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Speaker 1: or you had put on a record, And then they're like, oh,

416
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Speaker 1: I didn't even know it was a cover, right, It's

417
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Speaker 1: quite possible a lot of people that weren't necessarily hardcore

418
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Speaker 1: Metallica fans or weren't necessarily aware. I mean, it was

419
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Speaker 1: such a huge song for them, so but there's a

420
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Speaker 1: it was another generation of people that got to hear

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Speaker 1: it in a different way. And there's actually been a

422
00:20:53,720 --> 00:20:55,880
Speaker 1: few covers of this song. I'm not the only cover

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Speaker 1: of it, and um they I mean it just it

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Speaker 1: just opened up. I thought, this is such a beautiful song.

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Speaker 1: It actually fits with my music in the way that

426
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Speaker 1: I write ballads and and I was pleased for that.

427
00:21:08,600 --> 00:21:11,000
Speaker 1: I was pleased in another genre. It had its moment

428
00:21:11,040 --> 00:21:14,080
Speaker 1: and it crazy to me. I love that story. Thank you.

429
00:21:14,240 --> 00:21:17,320
Speaker 1: Let talking about Blue Apron for a second. Paid the

430
00:21:17,359 --> 00:21:21,760
Speaker 1: bills here were six weeks April sixteen through May one.

431
00:21:22,000 --> 00:21:24,080
Speaker 1: Blue Apron is teaming with Airbnb to bring you the

432
00:21:24,080 --> 00:21:26,480
Speaker 1: best home cooking from around the world each week. Our

433
00:21:26,560 --> 00:21:30,760
Speaker 1: manual feature recipe developed in collaboration with an Airbnb experience

434
00:21:31,080 --> 00:21:33,520
Speaker 1: host like CC is chef from Shanghai. Have you ever

435
00:21:33,560 --> 00:21:38,199
Speaker 1: been Shanghai? Where'd you grow? Um? I grew up in

436
00:21:38,200 --> 00:21:40,760
Speaker 1: New Zealand. Okay, let's see if there's one on here. Nope,

437
00:21:40,800 --> 00:21:44,040
Speaker 1: nobody from Paris has the state? Does it steak free

438
00:21:44,080 --> 00:21:46,760
Speaker 1: to steake frights? Do you know steake free? It's free.

439
00:21:47,359 --> 00:21:49,440
Speaker 1: I don't think I've heard the word frights before. State.

440
00:21:50,320 --> 00:21:53,120
Speaker 1: I would just say steak fingers. But yes, steak free

441
00:21:53,160 --> 00:21:55,920
Speaker 1: to the roasted broccoli and lemona only from Paris roast

442
00:21:55,920 --> 00:21:58,480
Speaker 1: pork and salsa verde with salty and vegetables from Florence.

443
00:21:58,480 --> 00:22:01,159
Speaker 1: B Fampanadas with the roasted ste potatoes and creamy zucchini,

444
00:22:01,160 --> 00:22:03,800
Speaker 1: even Buenos Areas or Kunk pound chicken with stir fried

445
00:22:03,800 --> 00:22:06,520
Speaker 1: snow peas and sweet peppers and Shanghai. You can check

446
00:22:06,520 --> 00:22:08,560
Speaker 1: out the men you get your first three meals for free.

447
00:22:08,920 --> 00:22:12,399
Speaker 1: Blue Apron dot com slash Bobby Cast Blue Apron dot

448
00:22:12,440 --> 00:22:14,960
Speaker 1: com slash Bobby Cast. Do you ever do? Blue Apron?

449
00:22:15,440 --> 00:22:18,199
Speaker 1: I don't, but you've told me about this before. Now

450
00:22:18,240 --> 00:22:20,720
Speaker 1: I'm still having no I don't know. I do not

451
00:22:20,880 --> 00:22:22,640
Speaker 1: want a big steak. I thought you know. I'm telling

452
00:22:22,680 --> 00:22:24,440
Speaker 1: the truths told you about it away from a microt

453
00:22:24,480 --> 00:22:26,760
Speaker 1: told me away from a microphone. Now it's a really

454
00:22:26,800 --> 00:22:29,800
Speaker 1: amazing concept, like better way to cook. We don't have

455
00:22:29,800 --> 00:22:31,320
Speaker 1: to get the commercial going, but it's great. So they

456
00:22:31,359 --> 00:22:33,960
Speaker 1: come and they deliver every week or something whatever you want,

457
00:22:34,000 --> 00:22:36,879
Speaker 1: like a box comes to your house. All there to

458
00:22:36,960 --> 00:22:39,400
Speaker 1: think if I can't cook, so I know how to cook.

459
00:22:39,440 --> 00:22:41,520
Speaker 1: When it tells you exactly what to do, everyone could cook.

460
00:22:41,720 --> 00:22:43,439
Speaker 1: I can tell you the easiest things to do and

461
00:22:43,480 --> 00:22:48,720
Speaker 1: you'd be everyone can cook. I love cooking. I'm not amazing.

462
00:22:48,880 --> 00:22:51,840
Speaker 1: I don't do like crazy gourmet meals, but I like,

463
00:22:52,640 --> 00:22:54,560
Speaker 1: you know, a chicken cast role, which I've realized that

464
00:22:54,640 --> 00:22:56,720
Speaker 1: cast role is not the same thing in England as

465
00:22:56,720 --> 00:22:59,640
Speaker 1: it is in America. So whatever it is here, it's

466
00:22:59,640 --> 00:23:03,840
Speaker 1: like soup or stew here. Apparently apparently what I make

467
00:23:04,000 --> 00:23:05,920
Speaker 1: is a soup, but I think it's a casserole. A

468
00:23:06,000 --> 00:23:09,159
Speaker 1: cast role here is not a soup. It's in a

469
00:23:10,080 --> 00:23:14,359
Speaker 1: hash brown castle. Yeah right, I learned that it's a

470
00:23:14,440 --> 00:23:19,720
Speaker 1: Southern thing, a very southern. Okay, Well in England it's

471
00:23:19,760 --> 00:23:22,480
Speaker 1: like that's real pub food, like gastro pub food where

472
00:23:22,520 --> 00:23:25,800
Speaker 1: you get cast role or stew or beef and ale pies.

473
00:23:27,000 --> 00:23:30,280
Speaker 1: Now I'm really starving. So you were born in New

474
00:23:30,359 --> 00:23:32,480
Speaker 1: Zealand and I was born in England. So I was

475
00:23:32,520 --> 00:23:34,960
Speaker 1: born in England. I went to New Zealand when I

476
00:23:34,960 --> 00:23:37,000
Speaker 1: was a little kid, and actually, weirdly enough, my family,

477
00:23:37,080 --> 00:23:39,840
Speaker 1: a lot of my family, my whole immediate family lived

478
00:23:39,880 --> 00:23:42,919
Speaker 1: there now, but my dad spent a portion of his

479
00:23:43,000 --> 00:23:46,120
Speaker 1: childhood in New Zealand as well. So and my family's

480
00:23:46,240 --> 00:23:49,320
Speaker 1: huge two brothers married two sisters, so someone that way

481
00:23:49,400 --> 00:23:52,199
Speaker 1: somewhere that way. My mom too. My mom and her

482
00:23:52,240 --> 00:23:54,320
Speaker 1: sister married two brothers. You're the only person I've ever

483
00:23:54,359 --> 00:23:56,880
Speaker 1: heard of doing that. Wow, that's so. That means all

484
00:23:56,880 --> 00:23:59,640
Speaker 1: your family is the same, like saying you're a double cousin.

485
00:23:59,720 --> 00:24:02,960
Speaker 1: Double cousins, and I mean so many cousins, some of

486
00:24:03,000 --> 00:24:04,840
Speaker 1: which I mean you go to a you know, one

487
00:24:04,840 --> 00:24:06,840
Speaker 1: of those family events. This is your cousin, This is

488
00:24:06,880 --> 00:24:09,720
Speaker 1: your cousin, This is your cousin, which one like fourth, cousin, fifth,

489
00:24:10,320 --> 00:24:13,159
Speaker 1: There's a lot of them. And so you're born in England,

490
00:24:13,160 --> 00:24:15,800
Speaker 1: you move in New Zealand, and then back to England again.

491
00:24:15,840 --> 00:24:19,439
Speaker 1: When I was about so what's the accent? And make

492
00:24:19,440 --> 00:24:23,040
Speaker 1: sure I have no idea? I mean, I'm so confused

493
00:24:23,440 --> 00:24:25,720
Speaker 1: with my accent. I mean, I've been here a while too,

494
00:24:25,720 --> 00:24:28,639
Speaker 1: and when you're around American accents all the time, I

495
00:24:28,680 --> 00:24:31,560
Speaker 1: feel like I actually enforced to shift because people are like,

496
00:24:31,600 --> 00:24:33,960
Speaker 1: what what did you just say? What? What's that? Even

497
00:24:34,000 --> 00:24:36,879
Speaker 1: my dog's name, My dog's names Barly, but I have

498
00:24:36,920 --> 00:24:40,919
Speaker 1: to call her Barley because otherwise everyone's like Barley Bary what?

499
00:24:41,800 --> 00:24:43,960
Speaker 1: And and you know, you change your accents. So then

500
00:24:43,960 --> 00:24:45,360
Speaker 1: when I go back to England. I get a load

501
00:24:45,400 --> 00:24:47,440
Speaker 1: of grief from all my friends in England saying I

502
00:24:47,520 --> 00:24:50,879
Speaker 1: sound American to Americans. I sound Australian to Australians. I

503
00:24:50,960 --> 00:24:55,080
Speaker 1: sound Scottish or English, I don't know. So you know what,

504
00:24:55,680 --> 00:24:58,400
Speaker 1: I like speaking cover as I do enjoy the version

505
00:24:58,400 --> 00:25:04,440
Speaker 1: of perfect that you put out. Think you put this

506
00:25:04,480 --> 00:25:11,680
Speaker 1: out by itself, right, yeah, and you have a lot

507
00:25:11,680 --> 00:25:14,400
Speaker 1: of really good covers that you just created and put out.

508
00:25:14,480 --> 00:25:18,400
Speaker 1: What what about the covers is it for you? It's

509
00:25:18,520 --> 00:25:20,880
Speaker 1: I mean, I've done a few. I mean, some people

510
00:25:20,920 --> 00:25:23,520
Speaker 1: you'll see, they'll put up covers on Spotify. They'll constantly

511
00:25:23,560 --> 00:25:27,920
Speaker 1: be doing versions of songs. It takes a lot for

512
00:25:27,960 --> 00:25:30,080
Speaker 1: me to do that, just because I have to. For

513
00:25:30,119 --> 00:25:32,320
Speaker 1: some reason, I loved that song. I love a lot

514
00:25:33,080 --> 00:25:39,480
Speaker 1: one direction that's really good. I'll be honest. I didn't

515
00:25:39,520 --> 00:25:41,240
Speaker 1: like it until you've covered it, and I loved it

516
00:25:41,280 --> 00:25:45,120
Speaker 1: afterwards because it because I listen to the words when

517
00:25:45,119 --> 00:25:46,880
Speaker 1: you did it. When I hear this now it's looked

518
00:25:46,880 --> 00:25:50,160
Speaker 1: too fast and there's still too tempo, it's like, okay,

519
00:25:50,160 --> 00:25:53,520
Speaker 1: it'sn't it. But when you're saying it, I heard the words.

520
00:25:53,359 --> 00:25:56,680
Speaker 1: It made me listen to the One Direction version. It

521
00:25:56,800 --> 00:25:59,600
Speaker 1: felt there's something longing about it because when I heard

522
00:25:59,600 --> 00:26:01,520
Speaker 1: the words, that's why it connected with me, because I

523
00:26:01,560 --> 00:26:03,679
Speaker 1: was like, there's something a bit dark about this that

524
00:26:03,800 --> 00:26:06,680
Speaker 1: I like, and I wanted to get the gritty side

525
00:26:06,680 --> 00:26:09,399
Speaker 1: of it out, which is you can only really you

526
00:26:09,440 --> 00:26:12,159
Speaker 1: really only find that longing that the words, because I

527
00:26:12,240 --> 00:26:14,120
Speaker 1: love that's one of their songs that I just loved

528
00:26:14,160 --> 00:26:16,399
Speaker 1: the lyrics the most. Because of that, It's just sounds

529
00:26:16,400 --> 00:26:19,560
Speaker 1: a bit well that intrigues me, that subject that they're

530
00:26:19,560 --> 00:26:22,640
Speaker 1: talking about. Did you find the One Direction fans came

531
00:26:22,680 --> 00:26:25,640
Speaker 1: at you the same way the Metallica fans came at you? Actually,

532
00:26:26,119 --> 00:26:28,720
Speaker 1: I feel like they for the most part, it seemed

533
00:26:28,760 --> 00:26:30,720
Speaker 1: to be that they liked it. I think it was

534
00:26:30,760 --> 00:26:33,720
Speaker 1: sort of different because I didn't seem to be. It's

535
00:26:33,720 --> 00:26:36,679
Speaker 1: not like I was a million miles like Metallica fans.

536
00:26:36,800 --> 00:26:40,919
Speaker 1: I don't know, it's just different things it. They seem

537
00:26:41,119 --> 00:26:44,760
Speaker 1: almost like really offended when they did the metall But yeah,

538
00:26:44,800 --> 00:26:47,159
Speaker 1: but the One Direction, not that I'm aware of not

539
00:26:47,320 --> 00:26:49,159
Speaker 1: didn't they seem it bothered by it at all? You

540
00:26:49,240 --> 00:26:52,880
Speaker 1: never get to sing them Metallica? Did you know they've

541
00:26:52,920 --> 00:26:54,920
Speaker 1: already told you about that. If that happened, I mean,

542
00:26:54,960 --> 00:26:57,119
Speaker 1: that would have been legendary. And actually the reason I

543
00:26:57,160 --> 00:26:59,640
Speaker 1: did the Metallica cover how I did it was because

544
00:27:00,440 --> 00:27:04,080
Speaker 1: they did the Michael Came in version with a full orchestra,

545
00:27:04,200 --> 00:27:06,199
Speaker 1: and that's kind of was like, oh man, that is

546
00:27:06,680 --> 00:27:08,320
Speaker 1: I mean, if you ever get to perform, I've done

547
00:27:08,359 --> 00:27:10,000
Speaker 1: a couple of things where I've gotten to perform with

548
00:27:10,040 --> 00:27:12,440
Speaker 1: a full orchestra, and it's just one of the scariest

549
00:27:12,480 --> 00:27:15,480
Speaker 1: but amazing because you're playing the piano, You've got a click,

550
00:27:15,480 --> 00:27:18,320
Speaker 1: and you know you've got the conductor over there, you're singing,

551
00:27:18,480 --> 00:27:21,960
Speaker 1: everything is going on. It's the most crazy multitasking I've

552
00:27:21,960 --> 00:27:24,880
Speaker 1: ever done. And but amazing. Are you wearing inner ears

553
00:27:24,880 --> 00:27:28,080
Speaker 1: when you play the orchestra? I was the second time

554
00:27:28,160 --> 00:27:30,080
Speaker 1: because it was it was a big place that we

555
00:27:30,119 --> 00:27:33,040
Speaker 1: did it in, so I had to have the click

556
00:27:33,040 --> 00:27:35,040
Speaker 1: and because we were too far away from each other.

557
00:27:35,480 --> 00:27:38,240
Speaker 1: But there have been times where maybe I was on

558
00:27:38,320 --> 00:27:41,040
Speaker 1: wedges and it was just going by what the conductor

559
00:27:41,119 --> 00:27:45,679
Speaker 1: was doing, which is just terrifying because I don't you

560
00:27:45,720 --> 00:27:49,280
Speaker 1: know his movements are the orchestra members are used to

561
00:27:49,320 --> 00:27:51,680
Speaker 1: those types of movements, But I'm like, what's the downbeat?

562
00:27:51,840 --> 00:27:54,400
Speaker 1: Was it up or down? Like what's happening? And it's

563
00:27:54,480 --> 00:27:57,479
Speaker 1: really scary, but it is really an amazing feeling. It

564
00:27:57,480 --> 00:28:00,360
Speaker 1: just feels like a lot. It's a lot, and I mean,

565
00:28:00,840 --> 00:28:03,960
Speaker 1: if you're nothing to think about, it's a lot. Yeah.

566
00:28:04,359 --> 00:28:07,000
Speaker 1: I mean, I get watching a show with the orchestra,

567
00:28:07,760 --> 00:28:10,360
Speaker 1: playing a show with the orchestra, plus you know, they

568
00:28:10,400 --> 00:28:13,199
Speaker 1: start playing people that play in orchestras or you know,

569
00:28:13,200 --> 00:28:16,960
Speaker 1: those types of musicians. They play with such emotion and

570
00:28:17,000 --> 00:28:21,280
Speaker 1: I'm practically crying afterwards. I'm devastated by what they've just done.

571
00:28:21,280 --> 00:28:23,360
Speaker 1: And they're like, oh, that's lunch. They put their bow

572
00:28:23,400 --> 00:28:25,960
Speaker 1: down and they just walk out with like seemingly no emotion.

573
00:28:26,040 --> 00:28:28,320
Speaker 1: I'm like, what you're doing is genius to me, but

574
00:28:28,359 --> 00:28:30,480
Speaker 1: you're making no big deal. So I can't read music.

575
00:28:30,560 --> 00:28:33,600
Speaker 1: I'm not I've always played by ear. I can't. I'm

576
00:28:33,600 --> 00:28:36,960
Speaker 1: not academically good at any of that, so it always

577
00:28:37,040 --> 00:28:39,920
Speaker 1: blows me away. Let me play one more of these

578
00:28:40,040 --> 00:28:41,720
Speaker 1: because I pulled a few of the covers that I liked.

579
00:28:42,040 --> 00:28:45,200
Speaker 1: This is my favorite Willie Nelson song is Blue Eyes

580
00:28:45,240 --> 00:28:47,000
Speaker 1: Crying in the Rain. My second is always on my

581
00:28:47,040 --> 00:28:49,200
Speaker 1: mind because I love slow song. I think that's why

582
00:28:49,200 --> 00:28:51,280
Speaker 1: I love your music so much. Like I like real,

583
00:28:51,440 --> 00:28:54,000
Speaker 1: pure slow songs that made me want to get in

584
00:28:54,040 --> 00:28:55,960
Speaker 1: my closet and cover myself and my pretty cloth and

585
00:28:56,000 --> 00:29:03,000
Speaker 1: cry right right like with me. I feel like this

586
00:29:03,080 --> 00:29:05,120
Speaker 1: is the one where I go, don't screw it up

587
00:29:05,280 --> 00:29:07,400
Speaker 1: because and they're all these songs are so precious to

588
00:29:07,440 --> 00:29:09,600
Speaker 1: the people who love them precious. And to this song,

589
00:29:09,640 --> 00:29:14,680
Speaker 1: I go, oh, don't screw it's it's yeah you always

590
00:29:18,800 --> 00:29:25,040
Speaker 1: this is the Live Things a year ago. Um, I

591
00:29:25,080 --> 00:29:28,640
Speaker 1: mean that's the thing you These songs the same as

592
00:29:28,680 --> 00:29:33,360
Speaker 1: the Royal persons like, these are classics, they are staples,

593
00:29:33,480 --> 00:29:35,880
Speaker 1: legendary songs. I think all you can do is be

594
00:29:35,960 --> 00:29:38,600
Speaker 1: the artist that you are. And if it's the reason

595
00:29:38,600 --> 00:29:41,480
Speaker 1: I picked this because it touches me and I can

596
00:29:41,520 --> 00:29:51,480
Speaker 1: only sing how I feel it. You come on, do

597
00:29:51,480 --> 00:29:56,520
Speaker 1: you hear that? Go damn, I'm good. I mean I can't.

598
00:29:56,560 --> 00:29:59,000
Speaker 1: I'm too self critical. I'll be pulling that apart. So

599
00:29:59,640 --> 00:30:01,600
Speaker 1: but oh that I felt it at the time. I

600
00:30:01,680 --> 00:30:04,800
Speaker 1: know one thing I won't criticize about myself is that

601
00:30:04,920 --> 00:30:07,320
Speaker 1: when I'm in that moment, I know I sung my heart.

602
00:30:07,320 --> 00:30:09,320
Speaker 1: I know I couldn't have done it any better. So

603
00:30:11,320 --> 00:30:15,520
Speaker 1: that's good. Go ahead, that's lovely, thank you. How about okay,

604
00:30:15,600 --> 00:30:23,080
Speaker 1: let's do that? Oh what's up? This is like I

605
00:30:23,160 --> 00:30:25,160
Speaker 1: feel like I'm in an episode of This Is Your Life.

606
00:30:25,600 --> 00:30:28,200
Speaker 1: It's like you could start bringing in strangers that I

607
00:30:28,240 --> 00:30:29,959
Speaker 1: really don't want to see ever again. And here's your

608
00:30:30,000 --> 00:30:37,920
Speaker 1: cousin because my cousin Molaska. I mean, this is my voice.

609
00:30:38,560 --> 00:30:42,880
Speaker 1: That's like a different person. Yes, I either smoked forty

610
00:30:42,960 --> 00:30:45,880
Speaker 1: cigarettes or just talked way too much or had too

611
00:30:45,880 --> 00:30:48,800
Speaker 1: many late nights since then. I mean, it's so bizarre

612
00:30:48,800 --> 00:30:52,080
Speaker 1: because obviously I've I'm older since that came out. I

613
00:30:52,120 --> 00:30:55,280
Speaker 1: have lived a whole different life since that came out.

614
00:30:55,320 --> 00:30:58,239
Speaker 1: That sounds so innocent to me, And it was. It was,

615
00:30:58,520 --> 00:31:00,000
Speaker 1: and I loved it. It was like I, as just said,

616
00:31:00,080 --> 00:31:02,240
Speaker 1: was a big Fleetwood Mac fan. That was like my

617
00:31:02,800 --> 00:31:06,240
Speaker 1: tribute somehow. It was like when we were recording that song,

618
00:31:06,960 --> 00:31:10,600
Speaker 1: but I just don't even I recognize where I was.

619
00:31:11,080 --> 00:31:14,960
Speaker 1: But it's such a different person to me. Same it was.

620
00:31:17,360 --> 00:31:22,360
Speaker 1: I love the song. This is for the record side.

621
00:31:22,520 --> 00:31:40,280
Speaker 1: It was not a joke everything, it's just for the record.

622
00:31:40,480 --> 00:31:46,080
Speaker 1: I really love did you write that I did. Rust

623
00:31:46,120 --> 00:31:48,400
Speaker 1: and Kelly and Jared k Who's were all the three

624
00:31:48,400 --> 00:31:52,880
Speaker 1: of us are great friends and in our friendship, we've

625
00:31:52,880 --> 00:31:54,960
Speaker 1: known each other for years. I don't even remember how

626
00:31:55,000 --> 00:32:00,160
Speaker 1: we got so close, but that day was really the

627
00:32:00,600 --> 00:32:03,920
Speaker 1: special to us because we were hanging out anyway, and

628
00:32:04,000 --> 00:32:05,760
Speaker 1: actually I think it was me and Me and Garald

629
00:32:05,760 --> 00:32:07,959
Speaker 1: were writing and Rusty came. We came and met Rusty

630
00:32:08,040 --> 00:32:09,680
Speaker 1: for a drink and then we're like, should we all

631
00:32:09,680 --> 00:32:12,360
Speaker 1: go and write a song today, Let's just go do it.

632
00:32:12,840 --> 00:32:16,760
Speaker 1: And I obviously they're both so talented, and Rustin's voice,

633
00:32:16,800 --> 00:32:19,080
Speaker 1: hees just start singing and you're just like, oh, it's

634
00:32:19,120 --> 00:32:22,120
Speaker 1: just he's one of the most natural artists I've ever met.

635
00:32:22,200 --> 00:32:25,360
Speaker 1: And I remember talking. We were talking about our past experiences,

636
00:32:25,400 --> 00:32:27,720
Speaker 1: which we had a lot of similarities, and I said,

637
00:32:27,760 --> 00:32:29,520
Speaker 1: you know, when you come out, you just come out

638
00:32:29,520 --> 00:32:31,680
Speaker 1: of things looking bad. You're the one that looks bad.

639
00:32:31,880 --> 00:32:35,040
Speaker 1: You're and you want to kind of say to someone, hey,

640
00:32:35,080 --> 00:32:37,760
Speaker 1: just for the record, And we all just stopped in

641
00:32:37,800 --> 00:32:40,320
Speaker 1: our tracks and we're like that we need to write

642
00:32:40,320 --> 00:32:44,040
Speaker 1: that because that is something that it's summed up when

643
00:32:44,080 --> 00:32:45,800
Speaker 1: you when you are able to do that, when you're

644
00:32:45,800 --> 00:32:48,680
Speaker 1: able to sum things up perfectly as how as how

645
00:32:48,720 --> 00:32:51,120
Speaker 1: as to how you all felt, even the bit about

646
00:32:51,160 --> 00:32:52,960
Speaker 1: you laugh with your friends and say that I'm not

647
00:32:53,000 --> 00:32:55,560
Speaker 1: good enough. I mean, these are things that you just

648
00:32:55,800 --> 00:32:58,160
Speaker 1: know coming out of stuff, that you're on the receiving

649
00:32:58,240 --> 00:33:01,200
Speaker 1: end of that. And now such a special day. And

650
00:33:01,280 --> 00:33:05,360
Speaker 1: Rustin has recorded it his for his new record as well. Yeah,

651
00:33:05,400 --> 00:33:07,840
Speaker 1: and it's so I've got a version on my new

652
00:33:07,840 --> 00:33:11,240
Speaker 1: record that's coming out this year, and he his version

653
00:33:11,320 --> 00:33:14,280
Speaker 1: is so beautiful. It's it's like the different the ways

654
00:33:14,320 --> 00:33:18,760
Speaker 1: that men and women feel emotion so differently. His sounds

655
00:33:18,800 --> 00:33:21,880
Speaker 1: even a little darker than mine, a little even more longing.

656
00:33:21,960 --> 00:33:25,040
Speaker 1: It's different minds on piano and sort of slight like

657
00:33:25,120 --> 00:33:30,360
Speaker 1: that double time approach. His sounds probably um, maybe a

658
00:33:30,400 --> 00:33:33,800
Speaker 1: little more country, a little more roots see than mine. Um.

659
00:33:33,840 --> 00:33:37,040
Speaker 1: And his voice is measurmizing. So it's just it's just

660
00:33:37,120 --> 00:33:41,000
Speaker 1: an amazing different way to feel it. I played this earlier,

661
00:33:41,000 --> 00:33:52,479
Speaker 1: this with Dave Barnes's friend that was it must be

662
00:33:52,560 --> 00:33:55,400
Speaker 1: three years ago now, something like that, and I remember

663
00:33:55,480 --> 00:33:58,080
Speaker 1: us in a room as well, and it was again

664
00:33:58,160 --> 00:34:00,280
Speaker 1: that kind of subject matter of looking at the pass

665
00:34:00,360 --> 00:34:03,760
Speaker 1: and looking our situations and Marion started singing that line

666
00:34:03,800 --> 00:34:06,640
Speaker 1: the three to one. I remember like it just hit

667
00:34:06,680 --> 00:34:08,600
Speaker 1: me immediately, and I was like, you know, we had

668
00:34:08,600 --> 00:34:11,520
Speaker 1: the title villain. And I remember saying to them afterwards,

669
00:34:11,520 --> 00:34:13,000
Speaker 1: I said to Marion, you know, do you do you

670
00:34:13,000 --> 00:34:15,640
Speaker 1: want to cut this song? You know? Because and she

671
00:34:15,640 --> 00:34:17,520
Speaker 1: she wasn't sure yet what she was cutting and what

672
00:34:17,560 --> 00:34:20,160
Speaker 1: she was doing, and I said, I feel very connected

673
00:34:20,200 --> 00:34:22,879
Speaker 1: to it, and um, if it's cool with you, I'd

674
00:34:22,880 --> 00:34:25,680
Speaker 1: love to record it. And I did a version of it,

675
00:34:25,719 --> 00:34:28,040
Speaker 1: but by this time I'd already recorded a whole record.

676
00:34:28,080 --> 00:34:30,360
Speaker 1: I literally had no money left, I had no way

677
00:34:30,400 --> 00:34:33,000
Speaker 1: to couldn't get back in the studio again. So I

678
00:34:33,040 --> 00:34:35,160
Speaker 1: was like, I'm gonna go upstairs to my computer. I'm

679
00:34:35,200 --> 00:34:38,200
Speaker 1: just gonna record it upstairs in a room in my house.

680
00:34:38,600 --> 00:34:41,120
Speaker 1: And I'm not very good on logic or pro tools

681
00:34:41,120 --> 00:34:44,120
Speaker 1: around the stuff I get by, I mean, but I

682
00:34:44,160 --> 00:34:46,799
Speaker 1: recorded like that, just did it all myself, and I

683
00:34:46,840 --> 00:34:48,879
Speaker 1: sent it to mar and I was like, Okay, this

684
00:34:48,960 --> 00:34:51,000
Speaker 1: is I don't know if I'm doing the song justice

685
00:34:51,080 --> 00:34:54,520
Speaker 1: because this sounds kind of I don't know, I don't

686
00:34:54,560 --> 00:34:57,480
Speaker 1: know how professional was sound. And she loved it and

687
00:34:57,560 --> 00:35:00,000
Speaker 1: she was so excited. We just we were so excited

688
00:35:00,040 --> 00:35:02,160
Speaker 1: of the song and me and Dave, the three of us.

689
00:35:02,800 --> 00:35:04,319
Speaker 1: It was one of those days again, it was one

690
00:35:04,320 --> 00:35:06,120
Speaker 1: of those special days where you're just hanging out and

691
00:35:06,120 --> 00:35:08,040
Speaker 1: you feel a real connection between the three of you

692
00:35:08,120 --> 00:35:10,680
Speaker 1: and I love Marion, I love Dave. They really do

693
00:35:10,800 --> 00:35:13,239
Speaker 1: feel like family to me. So it's it's even better

694
00:35:13,280 --> 00:35:14,960
Speaker 1: when a song like that that means so much to you,

695
00:35:14,960 --> 00:35:17,839
Speaker 1: who comes out of that. I saw Maren after her

696
00:35:17,880 --> 00:35:20,400
Speaker 1: wedding posted Instagram with you in it. You're sang her

697
00:35:20,440 --> 00:35:23,839
Speaker 1: down the aisle. Yeah, and again that was I mean,

698
00:35:24,040 --> 00:35:27,400
Speaker 1: that's song. You got it? Actually, she she asked, so

699
00:35:27,560 --> 00:35:30,800
Speaker 1: with me, Royal person covered me, Natalie Hemby, Laura Velts

700
00:35:30,840 --> 00:35:34,279
Speaker 1: and Ian fit Chuck all sang it so and it was.

701
00:35:34,440 --> 00:35:37,760
Speaker 1: It was so special because Marion was one of four

702
00:35:38,040 --> 00:35:40,120
Speaker 1: people that were there when John and I got married,

703
00:35:40,239 --> 00:35:42,359
Speaker 1: so there was only we were in my house. We

704
00:35:42,400 --> 00:35:45,760
Speaker 1: didn't have a proper big wedding, so Marion was John's

705
00:35:45,800 --> 00:35:48,960
Speaker 1: best man basically, And when she texted to say, you know,

706
00:35:49,000 --> 00:35:51,080
Speaker 1: I'd really love this, I was so honored because it

707
00:35:51,200 --> 00:35:55,120
Speaker 1: is such a it's such a beautiful, special, intimate day

708
00:35:55,560 --> 00:35:58,520
Speaker 1: and I thought, what better feeling to watch someone walk

709
00:35:58,600 --> 00:36:00,439
Speaker 1: down the end. I was worried about myself off because

710
00:36:00,480 --> 00:36:02,319
Speaker 1: I'd just come home from being with my family in

711
00:36:02,320 --> 00:36:04,799
Speaker 1: New Zealand. I was going to watch her walk down

712
00:36:04,880 --> 00:36:07,640
Speaker 1: the aisle marrying Ryan trying to sing this song, and

713
00:36:07,680 --> 00:36:10,040
Speaker 1: I was like, I need to hold it together. And

714
00:36:10,400 --> 00:36:13,080
Speaker 1: luckily her dog, Pancake, came down the our first, so

715
00:36:13,120 --> 00:36:15,600
Speaker 1: I was laughing at Pancakes. He's so cute. That really

716
00:36:15,600 --> 00:36:20,320
Speaker 1: saved me from bawling my eyes out. Wow. So Marion

717
00:36:20,520 --> 00:36:26,600
Speaker 1: was was John's best women for a while. We have

718
00:36:26,680 --> 00:36:29,080
Speaker 1: I mean, when Mary moved to town, I guess, and

719
00:36:29,120 --> 00:36:31,600
Speaker 1: I'm very bad at timeline, so I can't remember, but

720
00:36:31,840 --> 00:36:34,560
Speaker 1: we met her. I think it was really through Casey

721
00:36:34,680 --> 00:36:39,799
Speaker 1: that we met Marion. And she, you know, she was

722
00:36:39,840 --> 00:36:43,400
Speaker 1: really shy and sort of unassuming, really smart, but just

723
00:36:43,400 --> 00:36:46,319
Speaker 1: sort of like keep to herself. And we went to

724
00:36:46,360 --> 00:36:50,200
Speaker 1: Santa's Pub one night and she just she sang Halo

725
00:36:50,480 --> 00:36:55,160
Speaker 1: my business. She started singing like what's going on before,

726
00:36:55,239 --> 00:36:59,120
Speaker 1: like it's ridiculous, and we had no idea. We were like,

727
00:37:00,040 --> 00:37:03,000
Speaker 1: what just happened? This is a pocket rocket, this tiny

728
00:37:03,160 --> 00:37:06,640
Speaker 1: little thing who's so sweet and sings with this enormous voice,

729
00:37:07,000 --> 00:37:09,239
Speaker 1: and that's just kind of her all over. She just

730
00:37:09,440 --> 00:37:11,080
Speaker 1: she moved to a new town as have got her

731
00:37:11,080 --> 00:37:13,440
Speaker 1: head down and worked hard and and I don't know it,

732
00:37:13,560 --> 00:37:16,520
Speaker 1: just I just guess you gravitate towards certain people, and

733
00:37:17,239 --> 00:37:19,279
Speaker 1: she was one of them. I just found her would

734
00:37:19,320 --> 00:37:23,040
Speaker 1: always be really sweet and kind, and I've been really

735
00:37:23,080 --> 00:37:25,799
Speaker 1: proud and learned a lot watching her do what she does.

736
00:37:26,800 --> 00:37:29,000
Speaker 1: You sold a million records, so we just handed this

737
00:37:29,080 --> 00:37:31,360
Speaker 1: note in Europe. It's all a million records, a million,

738
00:37:31,400 --> 00:37:38,440
Speaker 1: one million. Yeah, it's crazy. I don't understand a million records.

739
00:37:38,200 --> 00:37:40,520
Speaker 1: That's a lot. That's why people come to your shows.

740
00:37:40,680 --> 00:37:42,839
Speaker 1: That's a lot. I mean it. And that's the thing.

741
00:37:42,880 --> 00:37:44,879
Speaker 1: It's so crazy when I say I've lived different lives

742
00:37:44,920 --> 00:37:48,359
Speaker 1: because my career, I mean I moved to Nashville, and

743
00:37:48,400 --> 00:37:50,759
Speaker 1: people in England thought, well, I guess she's going to

744
00:37:50,800 --> 00:37:52,879
Speaker 1: be a songwriter. She's moved somewhere else, she's not coming

745
00:37:52,880 --> 00:37:57,239
Speaker 1: back here. But I've never really been worried about And

746
00:37:57,280 --> 00:37:59,480
Speaker 1: also when I came to Nashville, I never told anyone.

747
00:38:00,160 --> 00:38:03,240
Speaker 1: I never really discussed with anyone like what I've done before.

748
00:38:03,800 --> 00:38:06,080
Speaker 1: It was so blown away by Nashville. I was so

749
00:38:07,400 --> 00:38:12,319
Speaker 1: I was. I was intimidated, and also I didn't think

750
00:38:12,360 --> 00:38:14,280
Speaker 1: it was relevant. I just wanted to learn and wanted

751
00:38:14,320 --> 00:38:17,279
Speaker 1: to meet people because I found the pop I found

752
00:38:17,320 --> 00:38:21,799
Speaker 1: the industry jarring, and when I came to Nashville, there

753
00:38:21,840 --> 00:38:24,240
Speaker 1: was just people getting up and singing and writing songs,

754
00:38:24,280 --> 00:38:27,399
Speaker 1: and it just felt like the connection I'd always been

755
00:38:27,400 --> 00:38:30,240
Speaker 1: looking for. I feel like you're the most positive person

756
00:38:30,840 --> 00:38:35,120
Speaker 1: around other artists that I know. You're still encouraging to everybody.

757
00:38:35,719 --> 00:38:38,440
Speaker 1: I mean, it's genuine, because I don't Why wouldn't I be,

758
00:38:38,520 --> 00:38:40,719
Speaker 1: do you know what I mean? Like, I don't. I'm

759
00:38:40,760 --> 00:38:42,640
Speaker 1: the type of person. I have in securities like the

760
00:38:42,640 --> 00:38:46,359
Speaker 1: next person, like everybody does, but I don't. They don't

761
00:38:46,360 --> 00:38:49,480
Speaker 1: come out towards other people. They come out towards my

762
00:38:49,719 --> 00:38:53,200
Speaker 1: They're self destructive at the worst of times, and when

763
00:38:53,280 --> 00:38:57,200
Speaker 1: it comes to other people, like I just you know,

764
00:38:57,360 --> 00:38:59,480
Speaker 1: And it's not like I love every bit of music

765
00:38:59,520 --> 00:39:01,840
Speaker 1: I hear, but when I do, I just really I

766
00:39:01,920 --> 00:39:04,000
Speaker 1: just love to see people go out there and do

767
00:39:04,040 --> 00:39:06,640
Speaker 1: their thing. I like to see people work hard, and

768
00:39:06,719 --> 00:39:09,000
Speaker 1: I think that belief in themselves and that way that

769
00:39:09,040 --> 00:39:11,200
Speaker 1: they're putting out something I love inspires me to do

770
00:39:11,239 --> 00:39:14,600
Speaker 1: it as well. So it makes me feel yeah, just

771
00:39:14,680 --> 00:39:16,880
Speaker 1: it kind of eggs me on a little bit. But

772
00:39:17,400 --> 00:39:20,880
Speaker 1: also I just I just feel like people need encouragement

773
00:39:21,200 --> 00:39:25,040
Speaker 1: and it's just nice to especially in this community. It's

774
00:39:25,880 --> 00:39:28,920
Speaker 1: people thrive off each other's love and support and the

775
00:39:28,960 --> 00:39:31,759
Speaker 1: community that they've built here. I feel like people do

776
00:39:31,840 --> 00:39:35,920
Speaker 1: better because of it. So your husband is John from

777
00:39:35,920 --> 00:39:38,279
Speaker 1: Brothers Osborne, and that's been quite the rocket ship in

778
00:39:38,320 --> 00:39:40,480
Speaker 1: the past. It's I mean, not a rocket ship for

779
00:39:40,600 --> 00:39:42,600
Speaker 1: you guys, because you've been in him. He's been grinding

780
00:39:42,600 --> 00:39:44,879
Speaker 1: it out for so long. Yeah, but as far as

781
00:39:44,960 --> 00:39:49,080
Speaker 1: the general public to go boom, Here's Brothers Osborne, I mean,

782
00:39:49,120 --> 00:39:51,600
Speaker 1: that's had to be quite the ride in the house, huh.

783
00:39:51,760 --> 00:39:53,600
Speaker 1: It has. But you know, the funny thing is, it's

784
00:39:53,640 --> 00:39:55,440
Speaker 1: like you said, I've been watching it for such a

785
00:39:55,480 --> 00:39:58,000
Speaker 1: long time at John ten years nearly eleven years ago,

786
00:39:58,400 --> 00:40:00,120
Speaker 1: and he was he was in a band called King

787
00:40:00,160 --> 00:40:02,080
Speaker 1: Billy and it was and then his brother and him

788
00:40:02,080 --> 00:40:04,640
Speaker 1: were always playing together. So I've seen this long journey.

789
00:40:04,680 --> 00:40:07,359
Speaker 1: But I guess it's hard for me to see what

790
00:40:07,400 --> 00:40:10,040
Speaker 1: that looks like. I mean, I never see what it

791
00:40:10,080 --> 00:40:12,960
Speaker 1: looks like from an audience perspective. He's John to me.

792
00:40:13,160 --> 00:40:15,240
Speaker 1: I mean, even when he goes on stage and plays guitar,

793
00:40:15,920 --> 00:40:18,680
Speaker 1: I'm like, hang on a minute, how do I connect

794
00:40:18,680 --> 00:40:21,960
Speaker 1: the person that I know and I'm married to to

795
00:40:22,200 --> 00:40:27,960
Speaker 1: that guy who is playing the most insane, incredible, so

796
00:40:28,080 --> 00:40:29,799
Speaker 1: low as I've ever heard in my life. I can't

797
00:40:29,840 --> 00:40:33,000
Speaker 1: even compute the two and and actually it's probably a

798
00:40:33,040 --> 00:40:34,880
Speaker 1: good thing that I can't, because I probably wouldn't be

799
00:40:34,880 --> 00:40:37,600
Speaker 1: able to make eye contact. But he's he's just I

800
00:40:37,640 --> 00:40:40,480
Speaker 1: think he's such a worker. I don't think he doesn't

801
00:40:40,520 --> 00:40:43,880
Speaker 1: take he doesn't put too much stock in the hoopler

802
00:40:43,880 --> 00:40:46,400
Speaker 1: of what's going on because he just wants to play guitar.

803
00:40:46,680 --> 00:40:49,560
Speaker 1: And t J and him are just very I think

804
00:40:49,560 --> 00:40:51,960
Speaker 1: they're quite relaxed and chilled about it because of their

805
00:40:52,040 --> 00:40:55,160
Speaker 1: upbringing and they but it is amazing to watch what's

806
00:40:55,160 --> 00:40:58,239
Speaker 1: happened and the way it's happened, because it hasn't been

807
00:40:58,239 --> 00:41:00,279
Speaker 1: easy for them. It's not like they went hang on

808
00:41:00,320 --> 00:41:02,840
Speaker 1: the scene and Okay, this is easy. You're getting on

809
00:41:02,840 --> 00:41:05,359
Speaker 1: the radio, you're getting awards again. They really had to

810
00:41:05,360 --> 00:41:07,520
Speaker 1: work at it, and I think that they're carving out

811
00:41:07,760 --> 00:41:10,560
Speaker 1: elane that is very unique to them, and that's what

812
00:41:10,600 --> 00:41:13,160
Speaker 1: I'm really proud of. And the biggest thing was the

813
00:41:13,239 --> 00:41:15,080
Speaker 1: last time I thought was in the room when they

814
00:41:15,080 --> 00:41:17,160
Speaker 1: won an award. It could have been the c M

815
00:41:17,239 --> 00:41:21,120
Speaker 1: as it was the way people reacted to them winning

816
00:41:21,120 --> 00:41:23,719
Speaker 1: the award that made me literally want to cry. I was.

817
00:41:23,920 --> 00:41:26,600
Speaker 1: I was very proud to watch the amount of love

818
00:41:26,640 --> 00:41:29,160
Speaker 1: and support for them because I think they've wanted to

819
00:41:29,200 --> 00:41:32,200
Speaker 1: do it the most authentic way. They don't They've wanted

820
00:41:32,239 --> 00:41:33,759
Speaker 1: to do it in the real way. They wanted to

821
00:41:33,800 --> 00:41:36,000
Speaker 1: make music that they love, no matter how difficult it is,

822
00:41:36,080 --> 00:41:38,800
Speaker 1: no matter how they might not fit in with everything.

823
00:41:39,080 --> 00:41:42,160
Speaker 1: So it's been good to watch. I think people root

824
00:41:42,719 --> 00:41:45,320
Speaker 1: for people that work hard, just generally, if you root

825
00:41:45,960 --> 00:41:48,640
Speaker 1: for the person that's putting in the time. And I

826
00:41:48,640 --> 00:41:50,680
Speaker 1: think that's why people are root for John and t

827
00:41:50,840 --> 00:41:53,480
Speaker 1: J one. They are very likable people. If you get

828
00:41:53,520 --> 00:41:55,360
Speaker 1: in sometimes like t J, I want to put me

829
00:41:55,360 --> 00:41:59,440
Speaker 1: in the face. But I don't have to work anymore.

830
00:42:01,000 --> 00:42:07,480
Speaker 1: J Oo, I don't know anymore. I don't know, but yeah, yeah,

831
00:42:07,480 --> 00:42:09,800
Speaker 1: I think people root hard. Never record coming out Friday

832
00:42:10,160 --> 00:42:13,120
Speaker 1: right right? What about you? I mean that record is

833
00:42:13,160 --> 00:42:15,279
Speaker 1: so bad as by the way, it's a classic, it's

834
00:42:15,320 --> 00:42:17,960
Speaker 1: so beautiful and and but like you said, you root

835
00:42:18,000 --> 00:42:19,799
Speaker 1: for people that work hard, and I have friends that

836
00:42:20,000 --> 00:42:22,919
Speaker 1: And it's the delicate thing about this town is that

837
00:42:23,600 --> 00:42:28,040
Speaker 1: there's it's it's been an inspiring thing to make music.

838
00:42:28,080 --> 00:42:29,720
Speaker 1: You get us Bible. What you have to be careful

839
00:42:29,800 --> 00:42:33,160
Speaker 1: of is you want friendships to be real. You want

840
00:42:33,280 --> 00:42:36,720
Speaker 1: those relationships to be based on how you feel around

841
00:42:36,719 --> 00:42:40,120
Speaker 1: each other, not based on what's happening in each other's careers.

842
00:42:40,239 --> 00:42:43,880
Speaker 1: You want that real connection. And I think I think

843
00:42:44,920 --> 00:42:47,520
Speaker 1: the biggest thing for them is that they've had They

844
00:42:47,600 --> 00:42:49,920
Speaker 1: just keep the realness around them, and so do I.

845
00:42:50,120 --> 00:42:52,319
Speaker 1: That's what inspires us to work harder. And like you say,

846
00:42:52,520 --> 00:42:55,480
Speaker 1: I'll root for people that work hard, that that are humble.

847
00:42:55,760 --> 00:42:57,439
Speaker 1: I don't. It doesn't even matter if you like each

848
00:42:57,440 --> 00:42:59,440
Speaker 1: other's music, is just that you respect the way that

849
00:42:59,440 --> 00:43:04,400
Speaker 1: they're doing so positive Another commercial, do you know what

850
00:43:04,520 --> 00:43:08,319
Speaker 1: Zola is? Zola is the wedding company that will do

851
00:43:08,400 --> 00:43:11,400
Speaker 1: anything for love. They are re ebitding, wedding planning and

852
00:43:11,440 --> 00:43:14,040
Speaker 1: registry experience to make the happiest moment of couple's lives

853
00:43:14,080 --> 00:43:18,719
Speaker 1: been happier. Do you know about this? Okay me? From

854
00:43:18,760 --> 00:43:21,120
Speaker 1: engagement to wedding and decorating your first time. Zola is

855
00:43:21,160 --> 00:43:24,720
Speaker 1: they're combining their customer service with modern tools and technology,

856
00:43:25,200 --> 00:43:28,480
Speaker 1: and Zola is free. It's easy to use. Over five

857
00:43:28,560 --> 00:43:31,239
Speaker 1: hundred thousand couples have used Zola. I didn't know that.

858
00:43:31,880 --> 00:43:34,480
Speaker 1: Zola Registry has everything you love about your favorite department store,

859
00:43:34,520 --> 00:43:38,160
Speaker 1: plus things like honeymoon funds, fitness classes, wine subscriptions, and

860
00:43:38,200 --> 00:43:40,879
Speaker 1: so much more. Ever five hundred top brands. It's easy

861
00:43:40,920 --> 00:43:44,239
Speaker 1: to use, and it's even more than registered. I guess

862
00:43:44,280 --> 00:43:47,239
Speaker 1: register for fitness classes. You can go I'm registered. You

863
00:43:47,280 --> 00:43:51,160
Speaker 1: can buy me fitness class or things like the perfect blender,

864
00:43:52,040 --> 00:43:54,920
Speaker 1: or you can just seems like a lot, like a

865
00:43:54,920 --> 00:43:56,480
Speaker 1: lot that you can have. I had friends once they

866
00:43:56,480 --> 00:43:59,400
Speaker 1: got married and they had they had people pay for

867
00:43:59,520 --> 00:44:03,840
Speaker 1: like their car ride. Right Okay, so yeah, they have

868
00:44:03,840 --> 00:44:06,160
Speaker 1: a special thing here. To sign up with Zola and

869
00:44:06,200 --> 00:44:08,640
Speaker 1: receive fifty dollar credit towards your registry, go to Zola

870
00:44:08,760 --> 00:44:12,200
Speaker 1: dot com slack they're doing Nashville Pod. That's what it is.

871
00:44:12,520 --> 00:44:17,480
Speaker 1: Zola dot com, slash Nashville Pod and so um yeah,

872
00:44:17,560 --> 00:44:19,160
Speaker 1: Zola dot com and check it all out there. That's

873
00:44:20,320 --> 00:44:23,200
Speaker 1: it's actually new to me too. You just saw what

874
00:44:23,320 --> 00:44:29,520
Speaker 1: I do raw. We were in it together together Zola

875
00:44:29,640 --> 00:44:33,239
Speaker 1: dot com slash Nashville Pod and go check that out

876
00:44:33,280 --> 00:44:35,279
Speaker 1: there to sign up with Zola all credit go to

877
00:44:35,360 --> 00:44:38,239
Speaker 1: Zola dot Com slash Nashville Pod. There you go. How

878
00:44:38,239 --> 00:44:41,160
Speaker 1: about that? I feel like getting married now. If that

879
00:44:41,239 --> 00:44:43,200
Speaker 1: doesn't inspire you to get married, I don't know what will.

880
00:44:43,360 --> 00:44:45,799
Speaker 1: What's what's the deal with your new music? What's the deal?

881
00:44:45,920 --> 00:44:50,000
Speaker 1: So I have a record coming coming out August. I

882
00:44:50,000 --> 00:44:52,439
Speaker 1: hope it's coming out straight four Ow is it done?

883
00:44:52,760 --> 00:44:56,600
Speaker 1: It's all done? Um It's called E g O, which

884
00:44:56,760 --> 00:45:05,360
Speaker 1: and everybody gets off on I don't That is a

885
00:45:05,400 --> 00:45:11,680
Speaker 1: whole another podcast. But let's delve U e G O.

886
00:45:12,160 --> 00:45:14,839
Speaker 1: So I'm really really excited about this record for so

887
00:45:14,880 --> 00:45:18,839
Speaker 1: many reasons. Firstly, the music. It feels like some sort

888
00:45:18,880 --> 00:45:21,759
Speaker 1: of weird personal awakening to me, and that's a very

889
00:45:21,800 --> 00:45:25,040
Speaker 1: typical thing to say for an artist probably, But the

890
00:45:25,120 --> 00:45:27,600
Speaker 1: reason it is is because I've been in this town,

891
00:45:28,400 --> 00:45:31,600
Speaker 1: maybe on a permanent level, maybe ten years overall, but

892
00:45:32,040 --> 00:45:34,680
Speaker 1: living here for about seven years, and I made letters

893
00:45:34,719 --> 00:45:36,719
Speaker 1: to ghosts and that was an Now I most so

894
00:45:36,800 --> 00:45:39,240
Speaker 1: proud of, but I feel like I've still been finding

895
00:45:39,239 --> 00:45:43,840
Speaker 1: my way as British Lucy, you know, in an industry

896
00:45:43,840 --> 00:45:48,719
Speaker 1: of well, I'm in this genre that's not quite it's

897
00:45:48,719 --> 00:45:51,640
Speaker 1: not pop, it's not country, it's this place. So it's like,

898
00:45:52,200 --> 00:45:54,359
Speaker 1: what is that place that I've had to find? And

899
00:45:54,480 --> 00:45:56,960
Speaker 1: I've never had more fun than I had with this

900
00:45:57,000 --> 00:45:59,319
Speaker 1: album doing that because I really didn't think about any

901
00:45:59,360 --> 00:46:02,000
Speaker 1: of it. I went in with John Green again, who

902
00:46:02,040 --> 00:46:03,520
Speaker 1: was the person that brought me to Nashville in the

903
00:46:03,560 --> 00:46:05,520
Speaker 1: first place. It was sort of a full circle thing.

904
00:46:06,080 --> 00:46:09,640
Speaker 1: We recorded it a Battle Tapes. I was so excited

905
00:46:09,680 --> 00:46:13,200
Speaker 1: to record there because Steel is Um, Andrew Combs, the Brummies,

906
00:46:13,280 --> 00:46:14,920
Speaker 1: they all did their records there and I loved the

907
00:46:14,920 --> 00:46:17,839
Speaker 1: sound of all of them. And Jeremy Ferguson over there

908
00:46:17,920 --> 00:46:21,640
Speaker 1: was just one of the most amazing engineers people I've

909
00:46:21,640 --> 00:46:23,880
Speaker 1: gotten to meet here. And we did it there and

910
00:46:23,920 --> 00:46:25,919
Speaker 1: it just felt like we were in a bubble, which

911
00:46:25,920 --> 00:46:28,560
Speaker 1: is what I needed to be in in this amazing

912
00:46:28,600 --> 00:46:31,279
Speaker 1: town with so many artists around me, my husband, my

913
00:46:31,400 --> 00:46:33,200
Speaker 1: friends doing all their things. I was like, well, what

914
00:46:33,360 --> 00:46:36,400
Speaker 1: is my thing? What is where do I want to

915
00:46:36,400 --> 00:46:40,040
Speaker 1: go next? And I've gotten such amazing support from the

916
00:46:40,080 --> 00:46:43,160
Speaker 1: country community, but really it's important for me to do

917
00:46:43,239 --> 00:46:47,360
Speaker 1: something that feels really authentically myself, which you know, is

918
00:46:48,320 --> 00:46:50,600
Speaker 1: based on a lot of music that comes out of Nashville,

919
00:46:50,840 --> 00:46:54,720
Speaker 1: just not necessarily country. And so we just had a blast.

920
00:46:54,760 --> 00:46:58,920
Speaker 1: I had every close friend involved in this record, and

921
00:46:58,960 --> 00:47:02,680
Speaker 1: that's I really think it's really special. I wrote. Natalie

922
00:47:02,680 --> 00:47:04,760
Speaker 1: Hamby is one of the main features on the record.

923
00:47:04,880 --> 00:47:07,560
Speaker 1: She we wrote five together, and I genuinely don't even

924
00:47:07,600 --> 00:47:10,520
Speaker 1: know how when we wrote them, because it creaked up

925
00:47:10,520 --> 00:47:13,680
Speaker 1: on us how many we've written together. We just and

926
00:47:14,320 --> 00:47:16,360
Speaker 1: it was so special because she's truly one of my

927
00:47:16,400 --> 00:47:20,239
Speaker 1: favorite people and one of my She's someone I love

928
00:47:20,480 --> 00:47:22,560
Speaker 1: so dearly and I think I'll know for the rest

929
00:47:22,560 --> 00:47:24,680
Speaker 1: of my life. And the same as you know, Aaron

930
00:47:24,760 --> 00:47:28,520
Speaker 1: McCauley and John my husband, and we wrote one, Kate

931
00:47:28,600 --> 00:47:31,840
Speaker 1: York and just you know, Jeremy Spillman as well, just

932
00:47:31,920 --> 00:47:34,680
Speaker 1: people that I just there are people I have in

933
00:47:34,719 --> 00:47:36,600
Speaker 1: my life on a daily basis, and when I listened

934
00:47:36,600 --> 00:47:39,200
Speaker 1: to this album, it just feels so unique to me.

935
00:47:40,200 --> 00:47:42,520
Speaker 1: Um that kind of makes it harder when you think

936
00:47:42,520 --> 00:47:44,600
Speaker 1: we'll wear in the scheme of things. There's a sip,

937
00:47:44,640 --> 00:47:45,919
Speaker 1: but I don't care about any of that. I didn't

938
00:47:45,960 --> 00:47:47,920
Speaker 1: think about any of that. I just made an album

939
00:47:47,960 --> 00:47:51,759
Speaker 1: that's so exciting to me lyrically and sound wise and

940
00:47:51,880 --> 00:47:55,160
Speaker 1: reflects where I'm at. You wanted the short answer, didn't

941
00:47:55,160 --> 00:47:57,239
Speaker 1: you know? I'm just I'm listening. You know I could

942
00:47:57,320 --> 00:47:59,520
Speaker 1: keep going. You know, I'm going to have it downloaded,

943
00:47:59,560 --> 00:48:04,239
Speaker 1: and your prepate on vinyl because you're cool. But I've

944
00:48:04,239 --> 00:48:06,239
Speaker 1: never had vinyl before the seven inches that I did,

945
00:48:06,800 --> 00:48:12,279
Speaker 1: so I'll have it on vinyl because vinyl is core.

946
00:48:12,440 --> 00:48:15,359
Speaker 1: Vinyl is so cool and I actually, weirdly enough, when

947
00:48:15,400 --> 00:48:17,640
Speaker 1: I was younger, I used to collect the forty fives.

948
00:48:17,640 --> 00:48:20,239
Speaker 1: I had, like this whole little China juke box, small

949
00:48:20,320 --> 00:48:23,120
Speaker 1: ones had things Sign of the Times on viol and everything.

950
00:48:23,520 --> 00:48:27,479
Speaker 1: But I've never had a full full vinyl before. So

951
00:48:28,440 --> 00:48:31,319
Speaker 1: I'm really excited about that. And it's I'm working with

952
00:48:31,360 --> 00:48:33,920
Speaker 1: thirty Tigers on this record, and just everything is a

953
00:48:34,000 --> 00:48:37,960
Speaker 1: new venture for me on this and it's it's really

954
00:48:37,960 --> 00:48:40,200
Speaker 1: really exciting. I just feel a lot of freedom with it.

955
00:48:40,600 --> 00:48:43,920
Speaker 1: So when will people get to hear it? So the

956
00:48:43,960 --> 00:48:46,080
Speaker 1: first song they're here in June will come out and

957
00:48:46,120 --> 00:48:49,000
Speaker 1: then there'll be three, probably two more after that before

958
00:48:49,040 --> 00:48:52,200
Speaker 1: the record comes out in August. How exciting, It's so exciting,

959
00:48:52,440 --> 00:48:54,880
Speaker 1: and it's really and it's it's just I've gotten to

960
00:48:55,000 --> 00:48:57,719
Speaker 1: do so many great, exciting things over the past year

961
00:48:58,320 --> 00:49:01,280
Speaker 1: that have led me up to at this point, and honestly,

962
00:49:01,840 --> 00:49:05,000
Speaker 1: it's it's right for me to tell people. Obviously, I've

963
00:49:05,040 --> 00:49:07,480
Speaker 1: been an independent artist, as you know, no record deals,

964
00:49:07,520 --> 00:49:11,080
Speaker 1: no teams of people, just me and my manager slogging

965
00:49:11,080 --> 00:49:14,000
Speaker 1: it out, figuring out how to do it. Then started

966
00:49:14,000 --> 00:49:17,719
Speaker 1: working obviously with Jay Williams wm E, but aside from

967
00:49:17,719 --> 00:49:21,240
Speaker 1: that we were really as a team on our own.

968
00:49:21,280 --> 00:49:24,440
Speaker 1: And then I got the call that I was that

969
00:49:24,520 --> 00:49:27,399
Speaker 1: Chris and Morgan wanted me to go on tour with them. Yeah,

970
00:49:27,560 --> 00:49:30,440
Speaker 1: Stapleton's and that was I've done a few shows with

971
00:49:30,480 --> 00:49:33,080
Speaker 1: them before. I've done maybe five or six with them

972
00:49:33,280 --> 00:49:35,880
Speaker 1: the previous year, and I knew the brothers were going

973
00:49:35,920 --> 00:49:37,080
Speaker 1: out with them, and they said, well, they want you

974
00:49:37,080 --> 00:49:41,520
Speaker 1: to go to and I was, I just was. So

975
00:49:41,680 --> 00:49:44,120
Speaker 1: I remember sending Morgan an email just saying, you have

976
00:49:44,120 --> 00:49:47,000
Speaker 1: no idea how much this means to me, because being

977
00:49:47,000 --> 00:49:49,200
Speaker 1: on the road with you guys obviously I love their music,

978
00:49:49,239 --> 00:49:51,239
Speaker 1: I love what they do, I love the story. But

979
00:49:51,280 --> 00:49:52,800
Speaker 1: I get to be on the road with my family

980
00:49:52,960 --> 00:49:56,520
Speaker 1: like it just you can't cross pollinating those worlds. For

981
00:49:56,560 --> 00:49:58,960
Speaker 1: me never got to happen before I moved to Nashville,

982
00:49:59,080 --> 00:50:02,320
Speaker 1: so I on life quite difficult trying to balance the two.

983
00:50:02,800 --> 00:50:04,839
Speaker 1: And if it weren't for christ and Morgan, I don't

984
00:50:04,840 --> 00:50:06,960
Speaker 1: think I would have been able to. I would have

985
00:50:06,960 --> 00:50:09,360
Speaker 1: found a way because I've always found a way financially

986
00:50:09,400 --> 00:50:11,960
Speaker 1: to make music and do everything I've done because it's

987
00:50:12,000 --> 00:50:15,160
Speaker 1: all been self financed. But because of them, I was

988
00:50:15,200 --> 00:50:17,520
Speaker 1: able to go into the studio at that time and

989
00:50:17,560 --> 00:50:22,400
Speaker 1: make this record. Really amazing. Wait until August. August it

990
00:50:22,440 --> 00:50:24,560
Speaker 1: feels like ages away. But time is flying way too

991
00:50:24,640 --> 00:50:28,279
Speaker 1: quick already. It feels because my Boot comes out in June.

992
00:50:28,280 --> 00:50:30,680
Speaker 1: I thought that will never happen. So it's your second book.

993
00:50:31,480 --> 00:50:36,320
Speaker 1: It was like September of last year and I'm going June,

994
00:50:36,640 --> 00:50:38,640
Speaker 1: give me a breath now, and here we are. It's

995
00:50:39,120 --> 00:50:42,480
Speaker 1: recording this. It's almost made right. It's crazy. Same as

996
00:50:42,480 --> 00:50:44,920
Speaker 1: the Brothers. You know, they recorded their album April of

997
00:50:45,000 --> 00:50:47,120
Speaker 1: last year and they've had to wait a year by

998
00:50:47,160 --> 00:50:49,279
Speaker 1: the time mine comes out, I would have waited nearly

999
00:50:49,320 --> 00:50:52,120
Speaker 1: a year, and it's excruciating. You know, you just wanna

1000
00:50:52,680 --> 00:50:55,880
Speaker 1: I'm in that headspace. And also I don't want to

1001
00:50:55,880 --> 00:50:58,760
Speaker 1: listen to the stuff I've done because then I'll rerecord

1002
00:50:58,800 --> 00:51:00,600
Speaker 1: the whole thing because I'll be picking it to pieces.

1003
00:51:01,200 --> 00:51:04,200
Speaker 1: But I'm just excited for the time of my life

1004
00:51:04,200 --> 00:51:06,520
Speaker 1: that I'm in the people. I had like a listening

1005
00:51:06,560 --> 00:51:08,920
Speaker 1: party just for the people that were involved in the record,

1006
00:51:09,000 --> 00:51:11,799
Speaker 1: and and then I had you know, Marion and Ryan came,

1007
00:51:11,840 --> 00:51:14,839
Speaker 1: and Casey cames, Rustin's on the record, but people, some

1008
00:51:14,880 --> 00:51:17,560
Speaker 1: people came just because they were supporting and wanting to

1009
00:51:17,600 --> 00:51:19,960
Speaker 1: hear it. And I looked around the room and it

1010
00:51:20,080 --> 00:51:23,560
Speaker 1: was some of my favorite when I wrote songs with

1011
00:51:23,640 --> 00:51:27,120
Speaker 1: Jade McPherson on there, with Trent Dabs on there, people

1012
00:51:27,160 --> 00:51:30,240
Speaker 1: that I truly admire. Looking around the room and I thought,

1013
00:51:31,160 --> 00:51:33,640
Speaker 1: I don't care even what happens to this. I just

1014
00:51:34,160 --> 00:51:35,839
Speaker 1: I got to make something that I love with my

1015
00:51:35,880 --> 00:51:38,840
Speaker 1: best friend, with my husband, playing with all these people.

1016
00:51:39,000 --> 00:51:41,120
Speaker 1: This is I just don't feel like many people get

1017
00:51:41,160 --> 00:51:46,360
Speaker 1: to do it like that. So positive. I'm negative sometimes

1018
00:51:46,400 --> 00:51:49,759
Speaker 1: I've never seen it. John sees it, but I mean,

1019
00:51:49,880 --> 00:51:52,800
Speaker 1: you're a real treasurer. I do think as a person

1020
00:51:52,920 --> 00:51:57,359
Speaker 1: as an artist. Before I don't know fan of the music.

1021
00:51:57,760 --> 00:51:59,160
Speaker 1: Thank you, And that's how I know I like the

1022
00:51:59,239 --> 00:52:04,200
Speaker 1: music because didn't know you music, But thank you. No,

1023
00:52:04,560 --> 00:52:07,239
Speaker 1: it's it's it's really cool to see. I mean, you're

1024
00:52:07,280 --> 00:52:09,319
Speaker 1: such a music fan and you like so you like

1025
00:52:09,440 --> 00:52:12,520
Speaker 1: such an eclectic range of things. This town has so

1026
00:52:12,600 --> 00:52:15,480
Speaker 1: much of it. And I knew, like when I started

1027
00:52:15,480 --> 00:52:17,520
Speaker 1: to see you post about different kinds of music weren't

1028
00:52:17,560 --> 00:52:20,040
Speaker 1: necessarily played on your show, I was like, I know

1029
00:52:20,120 --> 00:52:22,319
Speaker 1: we're gonna have a lot in common, lots of talking.

1030
00:52:22,440 --> 00:52:24,320
Speaker 1: Then then I started playing all the all the stuff

1031
00:52:24,320 --> 00:52:25,920
Speaker 1: that I like it's not country on my country show,

1032
00:52:25,920 --> 00:52:27,880
Speaker 1: and then everybody again I just don't do it whatever,

1033
00:52:28,200 --> 00:52:31,000
Speaker 1: But people were people were human beings, but you, but

1034
00:52:31,120 --> 00:52:33,400
Speaker 1: you're the personality on that show, and people want to

1035
00:52:33,440 --> 00:52:37,600
Speaker 1: know what you like, and you know it's just because

1036
00:52:37,640 --> 00:52:39,760
Speaker 1: you're you know, it's it's it's all part and parcel

1037
00:52:39,800 --> 00:52:41,239
Speaker 1: of who you are as a person and what you're

1038
00:52:41,239 --> 00:52:43,200
Speaker 1: listening to. I love that. And that's like I said,

1039
00:52:43,200 --> 00:52:45,400
Speaker 1: when I didn't expect you to play Let's to Go,

1040
00:52:45,520 --> 00:52:47,239
Speaker 1: I didn't really think about that and think it was

1041
00:52:47,239 --> 00:52:48,879
Speaker 1: gonna happen. When I heard that you played on the show,

1042
00:52:48,920 --> 00:52:52,120
Speaker 1: I was so excited because it's things that music takes

1043
00:52:52,160 --> 00:52:54,480
Speaker 1: you to places and meet people that you never expected

1044
00:52:54,520 --> 00:52:57,239
Speaker 1: to meet. And my life in Nashville has been just

1045
00:52:57,480 --> 00:53:01,839
Speaker 1: constant surge of that, like Wow, Okay, this is happening. Now,

1046
00:53:01,880 --> 00:53:05,319
Speaker 1: this is happening. And you know, I remember when we

1047
00:53:05,360 --> 00:53:06,799
Speaker 1: went out on the road, you were like, Hey, what's

1048
00:53:06,800 --> 00:53:09,120
Speaker 1: your plan? And I remember going, Mmm, I'm on the

1049
00:53:09,200 --> 00:53:13,719
Speaker 1: non plan plan because I don't I'm not admittedly there's

1050
00:53:13,719 --> 00:53:16,960
Speaker 1: a lot of things that I probably don't plan like

1051
00:53:17,080 --> 00:53:19,160
Speaker 1: I should do. You know why I asked that, though?

1052
00:53:19,680 --> 00:53:21,279
Speaker 1: Do you know why I would ask you what your plan?

1053
00:53:21,680 --> 00:53:24,520
Speaker 1: I assumed it was because you cared, because because I

1054
00:53:24,560 --> 00:53:27,440
Speaker 1: wanted to be a part of helping you in your plan.

1055
00:53:28,239 --> 00:53:30,160
Speaker 1: So that's what it was. Was, I, Hey, what's your plan?

1056
00:53:30,719 --> 00:53:33,680
Speaker 1: Maybe I can expedite the process a bit because I

1057
00:53:33,680 --> 00:53:36,000
Speaker 1: personally enjoy what you do, so let me help you

1058
00:53:36,040 --> 00:53:37,839
Speaker 1: with your plan. It was it, Hey, I'm looking at

1059
00:53:37,920 --> 00:53:41,200
Speaker 1: what you're doing. I knew that. I hope it didn't

1060
00:53:41,200 --> 00:53:43,080
Speaker 1: come across as that, because it was it was, Hey,

1061
00:53:43,080 --> 00:53:44,440
Speaker 1: what's your plan because I want to help you with

1062
00:53:44,480 --> 00:53:46,960
Speaker 1: the plan. I know, I knew that. I knew that,

1063
00:53:47,000 --> 00:53:48,920
Speaker 1: and you did. That's the thing, and I think it

1064
00:53:49,040 --> 00:53:51,279
Speaker 1: was just that at that time, it was one of

1065
00:53:51,320 --> 00:53:53,520
Speaker 1: those things where I think, now I've got so much

1066
00:53:53,560 --> 00:53:56,040
Speaker 1: more of a clearer view of where I am and

1067
00:53:56,080 --> 00:53:58,439
Speaker 1: where I want to go, because at that time I'd

1068
00:53:58,480 --> 00:54:00,600
Speaker 1: made a record because I was in love with Nashville

1069
00:54:01,080 --> 00:54:04,239
Speaker 1: and it was very much like It's not like I

1070
00:54:04,320 --> 00:54:06,560
Speaker 1: didn't but we didn't go to any record labels. We

1071
00:54:06,560 --> 00:54:08,640
Speaker 1: didn't do any of that with it. We just put

1072
00:54:08,680 --> 00:54:15,480
Speaker 1: it out. So now I'm going to um to petition

1073
00:54:15,520 --> 00:54:18,279
Speaker 1: to play Madison Square Garden, to headline to Greek So

1074
00:54:18,320 --> 00:54:20,759
Speaker 1: if you could help me with that, No, I mean,

1075
00:54:20,760 --> 00:54:23,000
Speaker 1: the album's coming out and were we are, like you said,

1076
00:54:23,160 --> 00:54:25,000
Speaker 1: you know you and we have talked about this where

1077
00:54:25,000 --> 00:54:27,480
Speaker 1: I sit in the scheme of music and it's kind

1078
00:54:27,480 --> 00:54:30,239
Speaker 1: of on the outskirts of we're going for that kind

1079
00:54:30,280 --> 00:54:32,960
Speaker 1: of world of you know, Triple A and all that

1080
00:54:33,040 --> 00:54:35,600
Speaker 1: kind of stuff, and I just want to I want

1081
00:54:35,600 --> 00:54:37,040
Speaker 1: to be on the road. I want to build up

1082
00:54:37,040 --> 00:54:39,080
Speaker 1: my own life following because I've gotten to open with

1083
00:54:39,160 --> 00:54:41,759
Speaker 1: some great people. But I really want to get you know,

1084
00:54:41,760 --> 00:54:43,799
Speaker 1: I want to start touring a lot and digging a

1085
00:54:43,840 --> 00:54:45,919
Speaker 1: lot so I can start to build my audience here.

1086
00:54:46,480 --> 00:54:50,520
Speaker 1: And you know, this record is bold lyrically and I

1087
00:54:50,640 --> 00:54:52,799
Speaker 1: just kind of I've got a few things that I

1088
00:54:52,840 --> 00:54:56,280
Speaker 1: want to do along with it and just show people

1089
00:54:56,320 --> 00:54:57,880
Speaker 1: hold a new side to me that they may not

1090
00:54:57,960 --> 00:55:00,759
Speaker 1: have seen before. But I have a good team of

1091
00:55:00,760 --> 00:55:02,920
Speaker 1: people now, and I've never had that before. I've never

1092
00:55:02,960 --> 00:55:05,480
Speaker 1: had people actually working to get my music out to

1093
00:55:05,520 --> 00:55:09,040
Speaker 1: the world. And it feels really really great. Well, when

1094
00:55:09,040 --> 00:55:10,840
Speaker 1: it comes out, I'm there for you. Thank you. I

1095
00:55:10,840 --> 00:55:12,719
Speaker 1: will be there for you. Well, it has been thanks

1096
00:55:12,760 --> 00:55:14,759
Speaker 1: for coming by. I think I said, you've probably been

1097
00:55:14,760 --> 00:55:16,880
Speaker 1: in twenty episodes where you've been a reference of something

1098
00:55:17,400 --> 00:55:20,040
Speaker 1: from a couple. By the way, I don't say anything

1099
00:55:20,080 --> 00:55:23,040
Speaker 1: bad because you're on a podcast. Yeah yeah, don't Yeah,

1100
00:55:23,080 --> 00:55:25,000
Speaker 1: don't don't say anything that you don't want her buy

1101
00:55:25,040 --> 00:55:29,200
Speaker 1: a few people, okay, go So yeah, well, well well

1102
00:55:30,040 --> 00:55:31,920
Speaker 1: you may you may hear this after August. The record

1103
00:55:31,920 --> 00:55:33,839
Speaker 1: maybe out right now, and it's called e g oh

1104
00:55:34,760 --> 00:55:36,360
Speaker 1: why why why would you call it? Everybody gets on.

1105
00:55:38,040 --> 00:55:41,080
Speaker 1: It's actually a good question because where I was at

1106
00:55:41,160 --> 00:55:46,360
Speaker 1: I was like sometimes the fame and the the like.

1107
00:55:46,440 --> 00:55:49,760
Speaker 1: We were talking about attention from people and the fickle

1108
00:55:49,840 --> 00:55:52,240
Speaker 1: audience that will be like, Okay, I love that everyone's

1109
00:55:52,239 --> 00:55:54,600
Speaker 1: clamoring to say how can I stand out? How can

1110
00:55:54,680 --> 00:55:57,640
Speaker 1: I rise above it all? And sometimes that takes you

1111
00:55:57,680 --> 00:55:59,799
Speaker 1: to places that I think people shouldn't have to go.

1112
00:56:00,600 --> 00:56:03,959
Speaker 1: And it's talking about everyone is drinking the cool aid

1113
00:56:04,000 --> 00:56:07,239
Speaker 1: of this fame thing that, and I'm guilty of it too.

1114
00:56:07,280 --> 00:56:11,040
Speaker 1: It was really not poking fun in anyone other than

1115
00:56:11,080 --> 00:56:14,239
Speaker 1: really myself saying sometimes I get caught up in things

1116
00:56:14,239 --> 00:56:16,200
Speaker 1: that I shouldn't get caught up in, and you get

1117
00:56:16,200 --> 00:56:18,759
Speaker 1: caught up for doing something for the wrong reasons, And

1118
00:56:18,800 --> 00:56:20,480
Speaker 1: it really is that. It's a kind of tongue in

1119
00:56:20,520 --> 00:56:22,919
Speaker 1: cheek of being at a party. It says, how how

1120
00:56:22,960 --> 00:56:26,440
Speaker 1: can I help you? How now I've fought me on lyrics,

1121
00:56:26,440 --> 00:56:28,160
Speaker 1: but saying like when you go to a party and

1122
00:56:28,160 --> 00:56:29,839
Speaker 1: someone says, what are you doing? They're trying to find

1123
00:56:29,880 --> 00:56:32,680
Speaker 1: a way that you can help them, or everyone can

1124
00:56:33,440 --> 00:56:37,959
Speaker 1: get connected to for some contrived reason, and it's really

1125
00:56:37,960 --> 00:56:39,919
Speaker 1: talking about that. A lot of the record is talking

1126
00:56:39,960 --> 00:56:42,279
Speaker 1: about finding what's real to you in your life and

1127
00:56:42,320 --> 00:56:44,680
Speaker 1: what you want the fraudulent things you want to get

1128
00:56:44,719 --> 00:56:46,600
Speaker 1: rid of. I'm not looking for you for anything to

1129
00:56:46,640 --> 00:56:50,600
Speaker 1: boost me up. Come on, tell me the real reason.

1130
00:56:51,120 --> 00:56:56,920
Speaker 1: Like so, it's been a real treat, a lot of

1131
00:56:56,920 --> 00:56:59,880
Speaker 1: pre talk he did. It was great, none of your

1132
00:57:00,120 --> 00:57:04,160
Speaker 1: truth session. Okay, I'm moving, but yeah, I'll be moving

1133
00:57:04,160 --> 00:57:06,839
Speaker 1: in here. You can, Yeah, you can have it all right, Well,

1134
00:57:07,040 --> 00:57:09,600
Speaker 1: we'll see you next time. Thanks to our sponsors. Are

1135
00:57:09,600 --> 00:57:12,200
Speaker 1: you coming back next time? He said, all right, thanks

1136
00:57:12,200 --> 00:57:14,680
Speaker 1: our sponsor's Blue Apron and Zola, two things I know

1137
00:57:14,760 --> 00:57:16,200
Speaker 1: you're gonna check out as soon as this is over,

1138
00:57:16,360 --> 00:57:19,600
Speaker 1: I'm going to go eat food and weather. Yeah, I'll

1139
00:57:19,600 --> 00:57:21,040
Speaker 1: see you next time here on the Bobby get yep