WEBVTT - Conversations About Pressure

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<v Speaker 1>Watch up and welcome back to another episode and no

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<v Speaker 1>Sillers podcast with your host and now funk that with

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<v Speaker 1>your low glasses Malone. I genuinely hope Chris and will

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<v Speaker 1>go in the backyard and and just lock up, you

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<v Speaker 1>know what I mean five minutes. Just get cracking, you

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<v Speaker 1>know what I mean. Win or lose, it don't matter,

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<v Speaker 1>you know, get your respect back, because yeah, but it's

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<v Speaker 1>gonna be a lot of wrestling in their situation. Ain't

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<v Speaker 1>gonna be a lot of fist maybe wrestling. You know,

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<v Speaker 1>somebody got a host of mine the headline for a

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<v Speaker 1>minute and be men, you're trying to do this and

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<v Speaker 1>be talking to That's part of the five minutes. That's

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<v Speaker 1>part of the five minutes. So look though, what was

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<v Speaker 1>I saying? Uh uh Turkey sandwich on marble rye from

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<v Speaker 1>Sprouts like season and Peppercini's is better than pussy to me?

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<v Speaker 1>Pussy at like my idea. When it's like time with

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<v Speaker 1>the woman, it's not pussy like it never it's been

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<v Speaker 1>so long since it's been value with pussy. Once I realized,

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<v Speaker 1>like the four value of the time with the woman.

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<v Speaker 1>I know that's gonna sound crazy, right, but I'm also

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<v Speaker 1>the kind of person that invest in people. That's just

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<v Speaker 1>who I am as a human being. No, no, no, no,

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<v Speaker 1>there's it. Let me regize the verb choice of invest

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<v Speaker 1>hold up, listen, investing energy and time. But let me

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<v Speaker 1>let me make my point. So like after the fourth

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<v Speaker 1>girl I had sex within my life, ven me, I

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<v Speaker 1>realized pussy didn't have no value. M Like, unless I

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<v Speaker 1>was gonna have a child, pussy didn't have no value.

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<v Speaker 1>It became like, Solder, what okay, can you please attempt

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<v Speaker 1>to expand upon why you chose the verb invest over

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<v Speaker 1>the verb spending, because I don't apparently understand that one

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<v Speaker 1>of the two words means or the context has completely

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<v Speaker 1>blown up in my face. Right, Well, so you're not.

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<v Speaker 1>I've always believed right investing in women? Well people? Right,

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<v Speaker 1>I like my greatest investment is human beings. That's investment.

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<v Speaker 1>Well it's different, right, I put in, I pour into people. Pause,

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<v Speaker 1>I pour into people. Right, um, knowledge, wisdom, anybody that's

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<v Speaker 1>around me. It's my natural thing as a human being.

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<v Speaker 1>But why say you're invested? Why aren't you just spending

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<v Speaker 1>or donating? Because I have endless supply, like a wealth

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<v Speaker 1>of it. But but again, you can have an endless

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<v Speaker 1>supply of anything and donating. I don't think it's don't

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<v Speaker 1>nating because it's always paid off. However it paid off,

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<v Speaker 1>it paid off a little health here. I mean, I'm

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<v Speaker 1>with you, so I can't how did it pay off?

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<v Speaker 1>What depends? It depends on the person. It depends on

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<v Speaker 1>the person, anyone. I don't care. Okay, So like let's

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<v Speaker 1>say head right, DJ head Paul, okay, hit it's not

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<v Speaker 1>like men and women. Okay, I got you. Um. I

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<v Speaker 1>used to have an assistant. Her name was Jelsa Scales.

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<v Speaker 1>Jelsa is like a super talented person. Um, her talents

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<v Speaker 1>to me lie in um. Everybody know. Her name is Lisa,

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<v Speaker 1>Lisa Bad. She goes by um the Baddest, and she

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<v Speaker 1>had all kind of crazy monikers. But a lot of

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<v Speaker 1>people felt that she wasn't really a valuable asset because

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<v Speaker 1>they felt like whether her education or some things about

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<v Speaker 1>her wasn't what they particularly need to be successful and whatever.

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<v Speaker 1>The venture was a professional context here, No, I'm giving

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<v Speaker 1>you an example of this one. Then I'll go to

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<v Speaker 1>a personal context. So it's like, um, this person I

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<v Speaker 1>pretty much taught them a little bit more than they

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<v Speaker 1>understood about dealing with people, right and now, when I

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<v Speaker 1>need something specifically, like if I need to get to

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<v Speaker 1>where puff is at or if I need to get

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<v Speaker 1>where to what's puffing them TV show? Um, you know

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<v Speaker 1>the TV show puffing? Um got cut the channel? Revote, Yeah, revote,

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<v Speaker 1>like I have access into it. If I need to

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<v Speaker 1>get to a concert, if I need to go inside

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<v Speaker 1>of a concert, I can call Lisia and it happens

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<v Speaker 1>like that, right, and that's worthy. Right. Personal relationship M

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<v Speaker 1>my home girl Crystal, I mean, Crystal is super dope. Right,

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<v Speaker 1>never did business, but in my highest heyday, Right, she

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<v Speaker 1>would ask me to come to her gatherings. Right, she

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<v Speaker 1>would do gatherings at her house, um, where she would

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<v Speaker 1>have parties. And I'm not a party person. I mean

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<v Speaker 1>I don't hate them, but I'm just not fond of them.

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<v Speaker 1>That's not how I choose to spend my time. So

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<v Speaker 1>I would go because she asked me to come. I

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<v Speaker 1>guess it. It could be like she you know, we

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<v Speaker 1>were super cool and she wanted my company. But more

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<v Speaker 1>than likely it was the fact that that time I

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<v Speaker 1>was super popping. You know, I was really popular. I

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<v Speaker 1>always been somewhat popular, but I was super popular, and

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<v Speaker 1>me being at her function meant something to other people.

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<v Speaker 1>I didn't think it created economics. For her, it meant

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<v Speaker 1>something and on the status level, whatever she felt, she

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<v Speaker 1>would sure, Yeah there you go, uh social currency and

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<v Speaker 1>now right, because I always did that for her. Now

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<v Speaker 1>like when I'm when I'm on my health kicks and

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<v Speaker 1>I'm going tough, right, I'm going tough, like if I

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<v Speaker 1>need somebody to make like if I want to carry

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<v Speaker 1>cake right when I'm eating right, and I had to

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<v Speaker 1>get the whole week right, unrefined wheat, and I have

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<v Speaker 1>to get unrefined sugar, all of these natural products that

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<v Speaker 1>people who cook don't cook with. I could take it

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<v Speaker 1>to her and she'll make the cake for me. No

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<v Speaker 1>problem should do anything for me, I'm saying. So I've

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<v Speaker 1>always invested in the people, even like a like somebody

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<v Speaker 1>might see a bum on the street and and or

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<v Speaker 1>somebody that's doing bad and I might give them ten dollars.

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<v Speaker 1>It's always a long term investment in me in my mind,

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<v Speaker 1>not on purpose, is just how I see it. I

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<v Speaker 1>see value in people, even other people don't see value

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<v Speaker 1>in Okay, so it's just like a gift. It works

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<v Speaker 1>out for me. Gift is also an interesting word choice.

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<v Speaker 1>But sure no, who sailings gl my boy Peter and

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<v Speaker 1>his spin is not resident guests and and and logo

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<v Speaker 1>player that made good Uncle Muke is in and Spen

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<v Speaker 1>is not about the debut that new podcast Muddy Waters

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<v Speaker 1>with Dr Hoodie was heading in. So y'all Uncle Moo,

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<v Speaker 1>y'all make sure y'all follow him because of his podcast

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<v Speaker 1>and some ship. I need to addit. When we did

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<v Speaker 1>with his his his co host, the hung Girl Dr

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<v Speaker 1>Husson was telling me I was kissing up to Peter

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<v Speaker 1>because he was a white man. That was pretty hilarious.

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<v Speaker 1>I was out of everybody, like I really yeah, how

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<v Speaker 1>like super racist? I am as a human being. Yeah,

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<v Speaker 1>she gave you credit for credit. It's like whatever you

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<v Speaker 1>like whatever the white man whatever. Peter said. Me and

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<v Speaker 1>Peter don't agree with ship, but Peter is my man.

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<v Speaker 1>So I took it on the chain because you know

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<v Speaker 1>it is what it is. But their podcast is gonna

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<v Speaker 1>be fired. Yeah, yeah, I peeped my head into a

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<v Speaker 1>few of the life fee is on on the I

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<v Speaker 1>t for that. It's there is some good. I was

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<v Speaker 1>telling U. I was telling the the President of black effects.

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<v Speaker 1>You know the people who Charlotte Man had to deal

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<v Speaker 1>with my heart. It's a young lady, beautiful lady. Uh,

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<v Speaker 1>I'm having a strangle Dolly Dolly Bishop, look up Dolly Dolly,

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<v Speaker 1>so fucking dope. I was telling. I was like, you,

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<v Speaker 1>I got a podcast. It's gonna blow you fucking mind.

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<v Speaker 1>There's two people that got like high degrees and fucking

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<v Speaker 1>psychology and they both black. And this ship is hilarious

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<v Speaker 1>because somehow they still maintain some level of street conversation.

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<v Speaker 1>It's just funny. But look, well again, you gotta check

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<v Speaker 1>that our ship for the drive either this week or

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<v Speaker 1>next week. It's supposed to be tomorrow. We're supposed to

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<v Speaker 1>be the day before y'all hear this podcast. But um,

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<v Speaker 1>I'm sucked up, so I don't know if I'm being

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<v Speaker 1>the editor tonight. I kind of have to edit and

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<v Speaker 1>everything all our ships. So we'll get it done. It'll

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<v Speaker 1>be there for sure, this motherfucker if it ain't now.

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<v Speaker 1>But um, everybody's talking about one thing, funk that, And

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<v Speaker 1>I never like to go with the flow if I can,

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<v Speaker 1>because I usually think the floor is wrong. But we've

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<v Speaker 1>got to talk about Will slapping this ship out of Chris. Yeah,

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<v Speaker 1>I don't want to talk about it from the proper

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<v Speaker 1>that that angle that everybody is speaking of, which is,

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<v Speaker 1>oh is he wronger right? Because I don't really believe

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<v Speaker 1>in wronger right right? I believe in something different? Can

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<v Speaker 1>we all agree? Once he looked at Jada, That's what

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<v Speaker 1>made him slap Chris Rock, he was like, you know

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<v Speaker 1>what this? I definitely agree what you think? Pete? Why

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<v Speaker 1>why I didn't watch? I saw. I just saw the

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<v Speaker 1>instagram means of where he walked up and hit um

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<v Speaker 1>so he So Chris just made a joke, like a

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<v Speaker 1>hair joke and then yeah, like he said, uh something

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<v Speaker 1>to the effect of she was getting ready for g

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<v Speaker 1>I Jane too. And I think it's common knowledge in

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<v Speaker 1>the business. I don't know about the public, but I

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<v Speaker 1>know in the business is common knowledge that she suffers

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<v Speaker 1>from like a severe case of alopecia, so she after

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<v Speaker 1>is that something that you could that could be sexually transmitted?

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<v Speaker 1>Because I heard some things about her marriage last year.

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<v Speaker 1>I don't quite know, just curious. I don't know how

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<v Speaker 1>that works. Little will will slap Yo. You can't talk

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<v Speaker 1>about it, Chris, I hold that, bro, what we're not

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<v Speaker 1>fit to do is get that Chris like that because

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<v Speaker 1>Chris and Chris a class a great comedian, Like I

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<v Speaker 1>think for sure, I think for sure he should eventually

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<v Speaker 1>took that nigga back stage and lined him up. He like, Will,

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<v Speaker 1>for sure, you need to call Will and be like,

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<v Speaker 1>we need to we need to meet in the private

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<v Speaker 1>spot because we need to get this off to make sure.

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<v Speaker 1>You know what I mean, like I feel the way

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<v Speaker 1>I need to feel. Yeah, but um, I was so

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<v Speaker 1>you so you think so for sure? Moved like it was.

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<v Speaker 1>Let me looked at Jay was definitely when I saw it,

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<v Speaker 1>that's thought that first laugh laughing, h I'll take the

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<v Speaker 1>step partly. So in this book, I know he's struggling

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<v Speaker 1>the area of protecting women in his family. That was

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<v Speaker 1>what well he um, he got a partner in his book.

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<v Speaker 1>That's that I could touch on right now. Um, whereas

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<v Speaker 1>mind was getting hit by his pops and he felt

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<v Speaker 1>you know, him and his brother and his sister they

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<v Speaker 1>witnessed it and he was unable to provide protection for

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<v Speaker 1>his mom or whatever. So throughout out in life he's

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<v Speaker 1>been calling himself like a coward. So for me, especially

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<v Speaker 1>when I saw it and he looked at Jada. It

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<v Speaker 1>was like, I can't continue to be it. Yeah, I

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<v Speaker 1>can't continue to be this coward. Yeah that's tough. That's

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<v Speaker 1>that's something I know. Make me that don't even that's

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<v Speaker 1>fucked up, man. And to me, so many things happened

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<v Speaker 1>with us, you know, men, especially brothers, I mean even

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<v Speaker 1>even white people. Don't pe even white man where you'll

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<v Speaker 1>find yourself trying to conquer a lifetime of pain in

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<v Speaker 1>one moment, you know what I mean, where you just

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<v Speaker 1>and and and you hear you hear so much about

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<v Speaker 1>that ship, right, you hear so much shit about um.

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<v Speaker 1>You know, obviously if the public is correct, they have

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<v Speaker 1>some type of open relationship, right, and whatever we all

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<v Speaker 1>is doing, we never hear about it. Like however, we

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<v Speaker 1>all got the girl's going. It's always kept under wraps.

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<v Speaker 1>Whatever Jay to do. Everybody know somehow she is like

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<v Speaker 1>the worst at this ship, you know what I mean,

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<v Speaker 1>in my school, you know who she was knocking down everything,

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<v Speaker 1>and will ship is so kept under wrapped, so much better.

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<v Speaker 1>And that's weird because in the real world it's never

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<v Speaker 1>like that. Usually the women be doing some bullshit that

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<v Speaker 1>don't nobody know what they're doing, and the men always

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<v Speaker 1>get caught. But in this particular situation, you know what

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<v Speaker 1>I mean, it's the exact Yeah, I don't what we're saying.

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<v Speaker 1>I said that might be they play on it. They

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<v Speaker 1>like that, magnify that ship to make. Motherfucker doesn't even

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<v Speaker 1>want to watch her at all because ain't nobody really

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<v Speaker 1>paying it into to it, Because this nigg is making

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<v Speaker 1>ship like King Richard. Yeah, you haves a Kardashian blueprint?

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<v Speaker 1>Is a successful blueprint? Yeah? Bro? What the fuck? Jada

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<v Speaker 1>has talent? She's not a Kardashian. I know, I know,

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<v Speaker 1>I understand that. Do you think Jella wanted ten? Where

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<v Speaker 1>would Jada be as an actress? Boy? Um, I'm not

0:14:41.120 --> 0:14:43.920
<v Speaker 1>disputing she's a bona fide actress. I mean, as she

0:14:44.040 --> 0:14:47.280
<v Speaker 1>a talented actress. Yeah, she's a bona fide a good actress.

0:14:47.280 --> 0:14:51.560
<v Speaker 1>She's she's a good actress. I'm just saying her career

0:14:51.640 --> 0:14:54.640
<v Speaker 1>stand alone the last many years. I let's I'm not

0:14:54.680 --> 0:14:56.560
<v Speaker 1>a movie buff and I could be dead after wrong

0:14:58.440 --> 0:15:00.960
<v Speaker 1>that we're talking about what she's been doing the last

0:15:00.960 --> 0:15:06.120
<v Speaker 1>ten fifteen years. And what's crazy is six out of

0:15:06.160 --> 0:15:13.320
<v Speaker 1>ten I would say six seven something like that she's

0:15:11.280 --> 0:15:17.480
<v Speaker 1>she's as glad as I'm a female, poor version of Denzel.

0:15:18.800 --> 0:15:22.960
<v Speaker 1>This is why they it's like really poor august nuts

0:15:22.960 --> 0:15:26.120
<v Speaker 1>in their mouth. I see they get called I'm just no,

0:15:26.240 --> 0:15:33.000
<v Speaker 1>I'm just playing. I'm saying that's why they magnified. But um,

0:15:33.040 --> 0:15:38.880
<v Speaker 1>six years ago, Chris Rock did the Oscars before, and

0:15:39.760 --> 0:15:42.480
<v Speaker 1>it was at a time when a lot of brothers

0:15:42.520 --> 0:15:45.880
<v Speaker 1>and sisters was boycotting the Oscars because it wasn't no

0:15:45.960 --> 0:15:49.560
<v Speaker 1>black nominees, right, Which that's a whole another thing that

0:15:49.640 --> 0:15:54.240
<v Speaker 1>I have a huge issue with, Like this, this dire

0:15:54.880 --> 0:15:57.600
<v Speaker 1>need to be accepted by Peter in the world is

0:15:57.680 --> 0:16:01.960
<v Speaker 1>just crazy to me. Like, I'm not worried. Yeah, I

0:16:02.000 --> 0:16:04.720
<v Speaker 1>don't think. I'm not worried of Peter thinks I'm intelligent.

0:16:05.360 --> 0:16:08.240
<v Speaker 1>I don't worry if Peter thinks I'm smart. I don't

0:16:08.280 --> 0:16:11.120
<v Speaker 1>worry it what the fun Peter thinks about what I do?

0:16:11.200 --> 0:16:14.120
<v Speaker 1>Because you know, Peter said some kind of standard of

0:16:14.200 --> 0:16:16.720
<v Speaker 1>years and like please, like this is a new world.

0:16:17.080 --> 0:16:20.200
<v Speaker 1>So but I do understand people who are trying to

0:16:20.200 --> 0:16:23.560
<v Speaker 1>break barriers for other people. So again, why personally that's

0:16:23.600 --> 0:16:28.040
<v Speaker 1>not my thing. I understand the journey some some of

0:16:28.080 --> 0:16:30.600
<v Speaker 1>the brothers and sisters on so a lot of people

0:16:30.680 --> 0:16:33.920
<v Speaker 1>was boycotting the Oscars. I think it's fifteen or sixteen,

0:16:34.600 --> 0:16:37.800
<v Speaker 1>maybe even seventeen, fifteen sixty one or the other. And

0:16:39.560 --> 0:16:43.120
<v Speaker 1>he had jokes where he was shooting on Will and

0:16:43.120 --> 0:16:47.600
<v Speaker 1>and and Jada pretty much like a decent part of

0:16:47.640 --> 0:16:52.920
<v Speaker 1>the opening monologue. And he had something like Jada boycotting

0:16:52.960 --> 0:16:57.040
<v Speaker 1>the Oscars is the equivalent of me boycotting Rihanna panties.

0:16:58.120 --> 0:17:00.200
<v Speaker 1>Either one of us is what's gonna getting at or

0:17:00.280 --> 0:17:03.320
<v Speaker 1>get invited into it. And I just thought that was funny.

0:17:03.360 --> 0:17:07.480
<v Speaker 1>But then now the slap starts to make a little

0:17:07.520 --> 0:17:10.560
<v Speaker 1>bit more chan where like, bro, you're gonna get at

0:17:10.560 --> 0:17:14.760
<v Speaker 1>me like that while I'm here, and and I was

0:17:14.800 --> 0:17:17.040
<v Speaker 1>talking to Joey about the Joey west Side right from

0:17:17.040 --> 0:17:19.520
<v Speaker 1>the l A jiants, and he was politicking. He's so

0:17:19.600 --> 0:17:23.520
<v Speaker 1>mad because Joey is a super pro advocate for comedians

0:17:23.560 --> 0:17:27.119
<v Speaker 1>and comedians having the space to to to make jokes

0:17:27.160 --> 0:17:30.760
<v Speaker 1>and nothing be off limits. And I'm saying, well, if

0:17:30.760 --> 0:17:33.280
<v Speaker 1>you do that right, then you have to do that

0:17:33.320 --> 0:17:35.600
<v Speaker 1>for the arts right because we live in a society

0:17:35.640 --> 0:17:39.080
<v Speaker 1>and I don't agree with that. I totally. One seventeen

0:17:39.080 --> 0:17:42.840
<v Speaker 1>percent don't agree with people should be able to say

0:17:42.840 --> 0:17:45.680
<v Speaker 1>what they want to say about everybody and it's cool now.

0:17:45.760 --> 0:17:50.800
<v Speaker 1>I don't think corporations should economically start to you know,

0:17:51.200 --> 0:17:54.040
<v Speaker 1>like everybody don't gotta kick your ass, but if you

0:17:54.119 --> 0:17:57.800
<v Speaker 1>say something specifically about a person, for me, you may

0:17:57.840 --> 0:18:02.520
<v Speaker 1>be held accountable for your words. And you always have been.

0:18:02.560 --> 0:18:05.960
<v Speaker 1>In the comedy though, like it's it's what they saying,

0:18:06.000 --> 0:18:09.480
<v Speaker 1>and they do a great job illustrating this on Seinfeld's

0:18:09.680 --> 0:18:11.920
<v Speaker 1>Comedians and Cars Getting Copy, which Chris has been on.

0:18:12.480 --> 0:18:17.159
<v Speaker 1>He's had Steve Harvey on there a lot of ye

0:18:17.880 --> 0:18:20.800
<v Speaker 1>before A thought that, yeah, the Steve Harvey what I

0:18:20.840 --> 0:18:23.240
<v Speaker 1>thought was great because they were talking about this specifically.

0:18:23.280 --> 0:18:27.399
<v Speaker 1>It's like it's you're always on that line of what's

0:18:27.520 --> 0:18:29.760
<v Speaker 1>funny and what's too far, and you don't know you're

0:18:29.760 --> 0:18:33.520
<v Speaker 1>too far until you've done it, and in the audience

0:18:33.560 --> 0:18:37.679
<v Speaker 1>tells you it's too far, you're gonna It's like an

0:18:37.720 --> 0:18:41.639
<v Speaker 1>immediate dynamic marketplace. It's like it's like the floor of

0:18:41.680 --> 0:18:44.320
<v Speaker 1>the stock exchange. If it's price too high, the price

0:18:44.359 --> 0:18:46.280
<v Speaker 1>is gonna come down because no one's gonna offer you

0:18:46.320 --> 0:18:48.040
<v Speaker 1>that they're gonna offer you a dollar lesson. That's what

0:18:48.160 --> 0:18:53.919
<v Speaker 1>the prices. So it's like it's not like in the

0:18:53.960 --> 0:18:58.000
<v Speaker 1>world of comedy, you're ever gonna skate from you know,

0:18:58.119 --> 0:19:03.320
<v Speaker 1>the results, it doesn't happen. But that's like real hip hoplem.

0:19:03.320 --> 0:19:06.520
<v Speaker 1>It's the same thing when you like real gangster wrap

0:19:07.280 --> 0:19:09.880
<v Speaker 1>and you really start to unearth that culture. I went

0:19:09.880 --> 0:19:12.480
<v Speaker 1>through the same thing with two Pacmas die. You start

0:19:12.520 --> 0:19:16.679
<v Speaker 1>to unearthed that culture, like like that lesson of morality,

0:19:16.920 --> 0:19:19.520
<v Speaker 1>and it cost the life of one of the most,

0:19:19.560 --> 0:19:22.120
<v Speaker 1>if not the most beloved artists in the history of

0:19:22.359 --> 0:19:27.720
<v Speaker 1>rap music. Um, you don't know what's too far and

0:19:27.720 --> 0:19:32.080
<v Speaker 1>and my thing was always yo, if somebody had a problem,

0:19:32.119 --> 0:19:35.399
<v Speaker 1>you know, I was okay with the problem, however you

0:19:35.440 --> 0:19:37.720
<v Speaker 1>want to deal with If his fan, if a fan

0:19:37.800 --> 0:19:39.960
<v Speaker 1>walked up to me and God at me for me,

0:19:40.040 --> 0:19:41.720
<v Speaker 1>however he want to deal with it, we could deal

0:19:41.760 --> 0:19:44.879
<v Speaker 1>with it. If somebody that claimed the gang, they had

0:19:44.880 --> 0:19:46.560
<v Speaker 1>a problem to deal with however you want to deal

0:19:46.600 --> 0:19:48.439
<v Speaker 1>with it. If it's his family. I talked to his

0:19:48.520 --> 0:19:50.720
<v Speaker 1>family and you know, they let me know how they

0:19:50.760 --> 0:19:53.159
<v Speaker 1>felt about it, and you know, however they want to

0:19:53.160 --> 0:19:55.080
<v Speaker 1>deal with it. Mo Prime is his brother, who was

0:19:55.119 --> 0:19:58.040
<v Speaker 1>somebody who looked out for me early on in his business.

0:19:58.080 --> 0:20:00.639
<v Speaker 1>But if he had a problem that our lost, anybody

0:20:00.640 --> 0:20:02.199
<v Speaker 1>who had a problem, we could deal with it, you

0:20:02.200 --> 0:20:03.840
<v Speaker 1>know what I mean. I'm okay with it. But I'm

0:20:03.880 --> 0:20:06.920
<v Speaker 1>also okay, well whatever comes my way for unearthed and

0:20:06.960 --> 0:20:09.960
<v Speaker 1>said culture, and I think the way Chris Rock dealt

0:20:10.000 --> 0:20:15.680
<v Speaker 1>with it was the same way. Now. Obviously, if if

0:20:15.880 --> 0:20:18.000
<v Speaker 1>Edie just walked up and slapped me on stage, don't

0:20:18.000 --> 0:20:21.119
<v Speaker 1>beat the y for it gets some motherfucking hands and feet,

0:20:21.440 --> 0:20:24.119
<v Speaker 1>but we for the dog dass out you forel me.

0:20:24.200 --> 0:20:26.720
<v Speaker 1>But I'm not going to take it too far. I'm

0:20:26.720 --> 0:20:29.560
<v Speaker 1>not going to kill Eadie, you know, over something that

0:20:29.600 --> 0:20:34.320
<v Speaker 1>I understand, what could possibly hurt his feelings, regardless if

0:20:34.359 --> 0:20:36.880
<v Speaker 1>it was intended to or not. I don't like any

0:20:36.880 --> 0:20:39.040
<v Speaker 1>time I listened to that song as a creative, I

0:20:39.119 --> 0:20:41.960
<v Speaker 1>don't really know what people are mad at. I just

0:20:42.080 --> 0:20:45.760
<v Speaker 1>know people would be mad. Well, that's the difference between

0:20:46.040 --> 0:20:48.600
<v Speaker 1>the speaker and the listener, you know. And people get

0:20:48.640 --> 0:20:51.160
<v Speaker 1>mad sometimes with the speaker's word, but they don't get

0:20:51.440 --> 0:20:54.960
<v Speaker 1>they don't consider the speakers intay. And that's particularly true

0:20:55.080 --> 0:20:57.800
<v Speaker 1>comedy because in comedy, either goal is just let's say

0:20:57.880 --> 0:21:11.040
<v Speaker 1>something that makes this audience laugh in hip hop, right

0:21:11.359 --> 0:21:14.440
<v Speaker 1>in the art of it. All right, you really are

0:21:14.680 --> 0:21:21.359
<v Speaker 1>under pressure right to deliver culture that hasn't been revealed.

0:21:22.880 --> 0:21:24.600
<v Speaker 1>You don't, you don't have to, you know, I mean,

0:21:24.640 --> 0:21:29.399
<v Speaker 1>some people just make whatever. But the greatest art or

0:21:29.440 --> 0:21:34.280
<v Speaker 1>the greatest hip hop makes comfortable people uncomfortable, yea, and

0:21:34.560 --> 0:21:39.000
<v Speaker 1>it becomes the voice of the uncomfortable and helping soothe

0:21:39.160 --> 0:21:42.680
<v Speaker 1>whatever it is. Like, it's nothing like when the first

0:21:42.680 --> 0:21:45.200
<v Speaker 1>time somebody heard the police, you know what I mean,

0:21:45.240 --> 0:21:47.560
<v Speaker 1>if you was going through that stuff in our community

0:21:48.080 --> 0:21:51.119
<v Speaker 1>and now you had a voice with somebody was saying

0:21:51.160 --> 0:21:56.200
<v Speaker 1>like man, even though it represents so few, so few

0:21:56.240 --> 0:21:59.000
<v Speaker 1>in America, And it wasn't just the hood. It was certain,

0:21:59.800 --> 0:22:03.320
<v Speaker 1>you know, very conservative people who feel like the government

0:22:03.400 --> 0:22:06.440
<v Speaker 1>was too busy involved in their life. You mean, it's

0:22:06.480 --> 0:22:10.000
<v Speaker 1>it's people. It's a small minute. People of America feel like,

0:22:10.640 --> 0:22:13.400
<v Speaker 1>you know, they don't really care for the police's way

0:22:13.400 --> 0:22:18.719
<v Speaker 1>of doing business. So it's a tough out. And I

0:22:18.760 --> 0:22:21.919
<v Speaker 1>think on both ends, like, I just don't think that

0:22:22.080 --> 0:22:25.760
<v Speaker 1>slap represented just the simplicity of what happened. And I

0:22:25.800 --> 0:22:28.160
<v Speaker 1>think a lot of people are thinking that they think

0:22:28.200 --> 0:22:30.760
<v Speaker 1>that slap is like, oh, he made a joke about

0:22:30.800 --> 0:22:34.399
<v Speaker 1>my wife. My wife has this ailment feel me, and

0:22:34.560 --> 0:22:38.119
<v Speaker 1>I'm gonna slap him. No, this is I believe this

0:22:38.200 --> 0:22:40.720
<v Speaker 1>is a lot going on, Like like Muke just brought

0:22:40.760 --> 0:22:44.040
<v Speaker 1>up about stuff with his personal life and things and

0:22:44.040 --> 0:22:46.600
<v Speaker 1>and even his wife. His wife has been a target

0:22:47.359 --> 0:22:50.480
<v Speaker 1>of people, you know what I mean. And rightfully so

0:22:50.680 --> 0:22:53.679
<v Speaker 1>she's a celebrity. You know, she got her own stuff

0:22:53.680 --> 0:22:57.280
<v Speaker 1>going on and and the material rights itself. But that

0:22:57.320 --> 0:23:01.960
<v Speaker 1>don't mean you can always make the joke in front

0:23:02.000 --> 0:23:06.720
<v Speaker 1>of the husband. Like and and like I said, I

0:23:07.000 --> 0:23:12.360
<v Speaker 1>told joe y'all understood. You know, his his his umbrella.

0:23:12.440 --> 0:23:15.680
<v Speaker 1>He wants for comedians. But I'm like, I don't live

0:23:15.720 --> 0:23:18.400
<v Speaker 1>in that space where every man feels like they can

0:23:18.440 --> 0:23:21.520
<v Speaker 1>say what they want and some other men can't say, hey,

0:23:21.560 --> 0:23:24.240
<v Speaker 1>you need to answer for that. Yeah, I mean, I'm

0:23:24.280 --> 0:23:26.240
<v Speaker 1>not with that world where it's like, well if I

0:23:26.480 --> 0:23:28.200
<v Speaker 1>didn't put my hands on you can't put my hands.

0:23:28.200 --> 0:23:32.399
<v Speaker 1>If you verbally assault somebody, they can respond with a

0:23:32.480 --> 0:23:37.040
<v Speaker 1>physical assault of defense back. Like if that was a case,

0:23:37.119 --> 0:23:40.280
<v Speaker 1>intelligent people would always have the odds because they just

0:23:40.320 --> 0:23:42.840
<v Speaker 1>make all these witty jokes, com Peters of the world

0:23:43.080 --> 0:23:45.760
<v Speaker 1>for me could just tear you down and that's it. No,

0:23:45.960 --> 0:23:50.120
<v Speaker 1>somebody may have stressing my name. No, no, no, this

0:23:50.160 --> 0:23:53.880
<v Speaker 1>particular is Peter right where you're super witty dude. You're

0:23:53.880 --> 0:23:57.600
<v Speaker 1>a comedian, right, you could literally crack jokes right and

0:23:57.640 --> 0:24:01.320
<v Speaker 1>make somebody feel me shrink on into the smallest corner.

0:24:01.920 --> 0:24:07.120
<v Speaker 1>There's some people who have physical physical attributes the way

0:24:07.200 --> 0:24:10.320
<v Speaker 1>you have mental. And I'm saying, obviously you can defend yourself.

0:24:10.320 --> 0:24:12.920
<v Speaker 1>I'm not saying you know, pump. I'm just saying there's

0:24:12.960 --> 0:24:17.880
<v Speaker 1>people who has your wit level cards and different types. Yeah,

0:24:17.960 --> 0:24:20.720
<v Speaker 1>and that's why I feel like you gotta be real

0:24:20.880 --> 0:24:25.879
<v Speaker 1>careful when you start to assault somebody. You start to

0:24:26.480 --> 0:24:30.200
<v Speaker 1>insult somebody, that's the US fault as well. I mean,

0:24:30.440 --> 0:24:35.160
<v Speaker 1>you're verbally assaulting them. My thing is influences. I tell

0:24:35.200 --> 0:24:38.400
<v Speaker 1>you that what you mean, I'm just talking about even

0:24:38.480 --> 0:24:40.560
<v Speaker 1>if you're talking, if you get legally, you know, you

0:24:40.640 --> 0:24:44.239
<v Speaker 1>got sample, let's all you got. Aggravating us all you're

0:24:44.240 --> 0:24:46.679
<v Speaker 1>gonna do different time, That's all I'm telling you. So

0:24:47.480 --> 0:24:50.399
<v Speaker 1>when you make it a choice, but go ahead, Like

0:24:50.600 --> 0:24:53.000
<v Speaker 1>there's a certain irony to go back to the point

0:24:53.040 --> 0:24:56.080
<v Speaker 1>before about how comedians and hip hop er too for

0:24:56.200 --> 0:25:01.679
<v Speaker 1>comedy and hip hoppers two genres that have immediate backlash

0:25:01.720 --> 0:25:06.040
<v Speaker 1>by the audience, and critically, you've heard enough examples in

0:25:06.160 --> 0:25:09.080
<v Speaker 1>hip hop and other types of music or throughout history

0:25:09.359 --> 0:25:14.400
<v Speaker 1>that went too far. We're aghast by that, that joke

0:25:14.520 --> 0:25:17.600
<v Speaker 1>went too far. We don't want to hear that ship.

0:25:18.359 --> 0:25:22.840
<v Speaker 1>It's fascinating it in that room, what the oscars. When

0:25:22.920 --> 0:25:25.080
<v Speaker 1>was the last time you heard somebody go that movie

0:25:25.160 --> 0:25:28.880
<v Speaker 1>went too far. It's never been fucking sent. It's never

0:25:28.880 --> 0:25:31.000
<v Speaker 1>been said. I said that all the time about bro

0:25:31.119 --> 0:25:35.280
<v Speaker 1>Bag Mountain. You say that critically an audience, wise, it

0:25:35.359 --> 0:25:39.200
<v Speaker 1>doesn't happen. I'm a critical mind, you're a you're an

0:25:39.200 --> 0:25:42.199
<v Speaker 1>isolated opinion. There's not there's not a culture. It's not

0:25:42.280 --> 0:25:44.639
<v Speaker 1>it's not a community of people saying that. People have

0:25:44.720 --> 0:25:46.919
<v Speaker 1>their opinion. Usually it's like, oh, that movie was boring,

0:25:46.920 --> 0:25:51.480
<v Speaker 1>that movie was redundant. You don't hold your breath every

0:25:51.480 --> 0:25:54.520
<v Speaker 1>time a movie premieres. Ago is the it's the public

0:25:54.600 --> 0:25:56.520
<v Speaker 1>kind of think they went too far. That's not the

0:25:56.560 --> 0:25:59.879
<v Speaker 1>standard for them for whatever reason. And the people in

0:26:00.000 --> 0:26:03.000
<v Speaker 1>a room, because they're insulated from that they're the most

0:26:03.000 --> 0:26:05.600
<v Speaker 1>self righteous people that you could ever assemble into any

0:26:05.720 --> 0:26:09.240
<v Speaker 1>room on this planet is in that room. Additionally, they

0:26:09.280 --> 0:26:13.919
<v Speaker 1>bring Chris in to be a comedian on their behalf

0:26:13.960 --> 0:26:18.320
<v Speaker 1>for their big, self righteous, grandiose parade of bullshit for

0:26:18.400 --> 0:26:20.800
<v Speaker 1>two hours. And what do they want. They want him

0:26:20.800 --> 0:26:23.240
<v Speaker 1>to roast the people up front a little bit because

0:26:23.280 --> 0:26:25.400
<v Speaker 1>that makes it better for the audience and the whole ship.

0:26:25.800 --> 0:26:27.840
<v Speaker 1>So they hired to come in and crack jokes about

0:26:27.840 --> 0:26:29.840
<v Speaker 1>the people in the front row. That's what the funk

0:26:29.920 --> 0:26:32.520
<v Speaker 1>they bring. You know, it's it's never a drama actor

0:26:32.560 --> 0:26:34.560
<v Speaker 1>who comes into host the oxers, what is it? Every

0:26:34.560 --> 0:26:40.400
<v Speaker 1>single time it's a comedian, which for me, and I'm

0:26:40.400 --> 0:26:42.639
<v Speaker 1>gonna put this onto you, just sew us own wax.

0:26:42.880 --> 0:26:45.080
<v Speaker 1>For me, it makes me feel like it was more

0:26:45.240 --> 0:26:53.679
<v Speaker 1>staged than it was uh actual reality, it was staged.

0:26:53.760 --> 0:26:55.560
<v Speaker 1>Will was the only one night in on the joke,

0:26:57.640 --> 0:27:00.280
<v Speaker 1>was the only one and on the joke he was

0:27:00.320 --> 0:27:04.040
<v Speaker 1>on noting on the joke the slap to me, for me,

0:27:04.119 --> 0:27:06.280
<v Speaker 1>this is just my opinion. And then you know, like

0:27:06.320 --> 0:27:09.399
<v Speaker 1>I said, I told you what I felt it could

0:27:09.400 --> 0:27:13.400
<v Speaker 1>be in his defense, if it's real, like I said,

0:27:13.400 --> 0:27:17.880
<v Speaker 1>he's battling with something that I read in his book. Uh,

0:27:17.880 --> 0:27:27.000
<v Speaker 1>but no, it was literally no move movement from security. Uh,

0:27:27.280 --> 0:27:32.040
<v Speaker 1>Chris Rock standing with his hands behind the back. The

0:27:32.119 --> 0:27:36.719
<v Speaker 1>slap was so perfect. I don't think he thought he

0:27:36.760 --> 0:27:40.040
<v Speaker 1>was going to slap him, all right, Yeah, why would you?

0:27:41.080 --> 0:27:44.080
<v Speaker 1>I would have never thought will Smith Smith walk on it?

0:27:44.280 --> 0:27:46.719
<v Speaker 1>I don't even if I cracked the joke about Jaden,

0:27:47.600 --> 0:27:49.840
<v Speaker 1>I don't think he would have slapped me. I just

0:27:50.440 --> 0:27:52.919
<v Speaker 1>I think that's why I know it was in stage,

0:27:52.960 --> 0:27:56.160
<v Speaker 1>because everything about it was carried out in a way

0:27:56.160 --> 0:27:59.800
<v Speaker 1>where people was like, let's just go with it. That's

0:27:59.840 --> 0:28:04.320
<v Speaker 1>to me where it kind of happened, because like we're

0:28:04.320 --> 0:28:06.360
<v Speaker 1>walking up, I thought he thought he was going to

0:28:06.400 --> 0:28:10.720
<v Speaker 1>say something to him, or he was gonna playfully push him,

0:28:11.040 --> 0:28:13.679
<v Speaker 1>you know, like boy and that ship. Because I can

0:28:13.760 --> 0:28:18.879
<v Speaker 1>tell Chris's expression after like that, this motherfucker just slapped me.

0:28:19.520 --> 0:28:21.480
<v Speaker 1>And then when we went back to a seat and

0:28:21.480 --> 0:28:24.280
<v Speaker 1>he was like, keep my motherfucking white name at your

0:28:24.359 --> 0:28:26.639
<v Speaker 1>out your mom, Like, oh my god, this dude, is

0:28:27.560 --> 0:28:30.200
<v Speaker 1>this is a lot. This ain't just as that wasn't

0:28:30.280 --> 0:28:36.040
<v Speaker 1>that one joke. Oh you know he was you know,

0:28:36.080 --> 0:28:38.280
<v Speaker 1>a couple of people said that, you know, and and

0:28:38.760 --> 0:28:41.120
<v Speaker 1>somebody asked me. They was asking me, like, why do

0:28:41.160 --> 0:28:42.920
<v Speaker 1>you think they didn't escort him mode. I'm like, he's

0:28:42.920 --> 0:28:48.280
<v Speaker 1>winning the biggest award of the night right and you know,

0:28:48.320 --> 0:28:51.280
<v Speaker 1>it wasn't a it wasn't a scuffle. It was really

0:28:51.320 --> 0:28:55.160
<v Speaker 1>something that happened instantly where even with the delay, I'm

0:28:55.160 --> 0:28:59.280
<v Speaker 1>sure the oscars had to say like, huh, what do

0:28:59.360 --> 0:29:02.960
<v Speaker 1>we do because I know that they dropped the audio after.

0:29:05.160 --> 0:29:08.920
<v Speaker 1>So he was so cold that he got slapped, didn't

0:29:08.920 --> 0:29:13.600
<v Speaker 1>even protect his phase, do nothing. He just got slapped.

0:29:13.880 --> 0:29:16.520
<v Speaker 1>I'm not gonna lie. That slap was lightning fast. That

0:29:16.560 --> 0:29:21.640
<v Speaker 1>mother slapped him like Mohammad, he throw right hand. I'm saying, so,

0:29:21.680 --> 0:29:25.560
<v Speaker 1>I think there was a moment after Yeah, that motherfucker's

0:29:25.560 --> 0:29:28.760
<v Speaker 1>like he turned fast, and I think there was a

0:29:28.800 --> 0:29:32.760
<v Speaker 1>moment where Chris thought to himself because like damn, like

0:29:34.200 --> 0:29:38.360
<v Speaker 1>I need to rush this nigga, and he's like the

0:29:38.560 --> 0:29:44.120
<v Speaker 1>biggest state, trust me, Pete, trust me. Something went through

0:29:44.160 --> 0:29:46.640
<v Speaker 1>his mind about I need to rush this nigga right now,

0:29:46.680 --> 0:29:49.520
<v Speaker 1>because that's how we think. He ain't no different. I'm

0:29:49.520 --> 0:29:51.960
<v Speaker 1>gonna suck what Oscar statusy has been in I can

0:29:52.000 --> 0:29:55.600
<v Speaker 1>fuck what nobody say. He's a negro, and something in

0:29:55.760 --> 0:30:00.000
<v Speaker 1>him said this nigga got me fucked up. That something happened,

0:30:00.000 --> 0:30:03.360
<v Speaker 1>and at that moment, so whatever decision was made, it

0:30:03.440 --> 0:30:09.680
<v Speaker 1>was done either in some level of for him. I

0:30:09.720 --> 0:30:12.680
<v Speaker 1>think specifically he just understood the moment he said, Okay,

0:30:12.720 --> 0:30:15.400
<v Speaker 1>you know what, I'm gonna work this down now. I'm

0:30:15.400 --> 0:30:18.600
<v Speaker 1>sure he's somewhere wishing I need to tell this nigger

0:30:18.680 --> 0:30:22.320
<v Speaker 1>head off, but I think at that moment he wasn't

0:30:22.360 --> 0:30:25.680
<v Speaker 1>thinking like that. I think he just kind of I

0:30:26.080 --> 0:30:28.320
<v Speaker 1>didn't expect him. Even when I saw him walking up,

0:30:28.440 --> 0:30:30.280
<v Speaker 1>I thought it was staged before I saw it was

0:30:30.320 --> 0:30:32.160
<v Speaker 1>like a man stage. Ma ain't no way this man

0:30:32.240 --> 0:30:34.480
<v Speaker 1>Jill walk up on stage and slapping. Because I'm sure

0:30:34.520 --> 0:30:36.640
<v Speaker 1>if you're like the security and Will Smith is walking

0:30:36.640 --> 0:30:39.480
<v Speaker 1>on stage, you're not gonna trip you, Will Smith. This

0:30:39.520 --> 0:30:41.920
<v Speaker 1>is part of the gag, you know. And I'm sure

0:30:41.920 --> 0:30:44.080
<v Speaker 1>if you, Chris Rock, you think like, man, man, what

0:30:44.160 --> 0:30:46.480
<v Speaker 1>are you walking up there? Oh? Like he was gonna say,

0:30:46.520 --> 0:30:50.840
<v Speaker 1>like whisper like it was like, and then Will stood

0:30:50.880 --> 0:30:55.320
<v Speaker 1>there for a minute, and then Will stood there for

0:30:55.400 --> 0:30:58.120
<v Speaker 1>a minute, and like, just in case you need you

0:30:58.200 --> 0:31:01.120
<v Speaker 1>needed this, you can get this right now. So I

0:31:01.200 --> 0:31:05.320
<v Speaker 1>just think it was pete. Ye're you're not used to

0:31:05.440 --> 0:31:11.800
<v Speaker 1>nigger moments. I mean that it happened in front of everybody. Yeah,

0:31:12.080 --> 0:31:17.760
<v Speaker 1>But I just unless I have just a complete misconception

0:31:17.840 --> 0:31:23.240
<v Speaker 1>of Chris life, I just don't think that he's got

0:31:23.360 --> 0:31:27.240
<v Speaker 1>any you gotta miss concession Chris, then that's fair. That's

0:31:27.280 --> 0:31:30.440
<v Speaker 1>what I'm facing that I'll be honest. I'll be honest

0:31:30.520 --> 0:31:35.240
<v Speaker 1>right meeting him before and pretty much most comedians I

0:31:35.320 --> 0:31:42.240
<v Speaker 1>know with the bullshit. I don't really know comedians that

0:31:42.360 --> 0:31:46.440
<v Speaker 1>are not with the bullshit. Like like if this was

0:31:46.720 --> 0:31:58.600
<v Speaker 1>fifteen years ago and it's mac Boy, if that's Bertie, yeah,

0:31:58.640 --> 0:32:02.920
<v Speaker 1>that's been different he had. Like I said, I've just said,

0:32:03.360 --> 0:32:08.200
<v Speaker 1>if it's Max, they're closing the Obscars down, the Oscar

0:32:08.240 --> 0:32:13.000
<v Speaker 1>will be remote, hop off the stage, you go. It's

0:32:13.000 --> 0:32:15.680
<v Speaker 1>gonna take a lot to get Bertie mad and Steve

0:32:15.720 --> 0:32:19.640
<v Speaker 1>Hard even DL Hughley like, like, I I agree with

0:32:19.680 --> 0:32:21.600
<v Speaker 1>the whole Kanye stuff. With this d L Hugley, I

0:32:21.680 --> 0:32:25.280
<v Speaker 1>think DL Hughley saying like he's he's uh what he's

0:32:25.280 --> 0:32:28.160
<v Speaker 1>stalking her, that's just not there. She feels no imminent danger.

0:32:28.200 --> 0:32:31.320
<v Speaker 1>That's not true. Now a man trying to get back

0:32:31.360 --> 0:32:33.880
<v Speaker 1>with his wife, feel mean, why they was trying at

0:32:33.920 --> 0:32:35.800
<v Speaker 1>that time. Him putting out all the stops is what

0:32:35.840 --> 0:32:37.600
<v Speaker 1>you're supposed to do if you want your wife and

0:32:37.640 --> 0:32:40.240
<v Speaker 1>your family back. They got four children, and you're supposed

0:32:40.280 --> 0:32:43.480
<v Speaker 1>to want your wife and you just you invested, you

0:32:43.680 --> 0:32:46.920
<v Speaker 1>have invested that much time and energy into this. Later,

0:32:47.560 --> 0:32:49.560
<v Speaker 1>you know, I get it. You're going to put out

0:32:49.600 --> 0:32:53.960
<v Speaker 1>all stops. You're gonna send trucks. That's not harassment, it's

0:32:54.000 --> 0:32:56.800
<v Speaker 1>not and it's not stalking because she never ever has

0:32:56.840 --> 0:33:00.920
<v Speaker 1>been afraid of Kanye. She's not afraid of Kanye. Right.

0:33:01.000 --> 0:33:04.520
<v Speaker 1>So even D L. Hughley, even though I don't agree

0:33:04.560 --> 0:33:07.560
<v Speaker 1>with him with this Kanye ship, I know some niggas

0:33:07.600 --> 0:33:10.080
<v Speaker 1>that funk with deal. Some real ge niggas like my

0:33:10.120 --> 0:33:12.920
<v Speaker 1>old g RMI from families from Inglewood Family Blood Gang,

0:33:13.040 --> 0:33:15.760
<v Speaker 1>like that's that boy and that way all some street

0:33:15.760 --> 0:33:20.360
<v Speaker 1>ships sometimes so comedians and R and B singers are

0:33:20.440 --> 0:33:25.000
<v Speaker 1>most likely with the ship. So I'm sure Chris Rock

0:33:25.040 --> 0:33:28.320
<v Speaker 1>has matured in a lot of ways, know what I'm saying.

0:33:28.320 --> 0:33:32.920
<v Speaker 1>But somewhere in New York, that nigga is walking around

0:33:33.000 --> 0:33:36.560
<v Speaker 1>his apartment thinking, I need to figure out how to

0:33:36.560 --> 0:33:39.320
<v Speaker 1>get a faith with this dude, whether or not he's

0:33:39.360 --> 0:33:45.240
<v Speaker 1>worried about winning or losing slight something, and so they're

0:33:45.280 --> 0:33:48.920
<v Speaker 1>trying to FINM sure Will. Will is such a honorable

0:33:48.920 --> 0:33:51.400
<v Speaker 1>type of guy who focused his life on trying to

0:33:51.440 --> 0:33:55.240
<v Speaker 1>be honorable and find honorable places. They've already talked or

0:33:55.440 --> 0:33:59.160
<v Speaker 1>he's already reached out. Now, Chris strikes me as a

0:33:59.240 --> 0:34:00.960
<v Speaker 1>kind of personal He might not take the call I

0:34:01.000 --> 0:34:03.240
<v Speaker 1>bet you had and then when I see you or

0:34:03.400 --> 0:34:05.880
<v Speaker 1>I don't know, but I think there has been some

0:34:05.960 --> 0:34:10.719
<v Speaker 1>type of contact. At this point, they'll be in a movie.

0:34:12.080 --> 0:34:17.279
<v Speaker 1>I hope, So, I hope, so, I hope, so, I

0:34:17.320 --> 0:34:19.520
<v Speaker 1>hope they do go go in the backyard and lock up.

0:34:20.880 --> 0:34:25.360
<v Speaker 1>I genuinely hope Chris and Will go in the backyard

0:34:25.480 --> 0:34:27.080
<v Speaker 1>and and just lock up. You know what I mean,

0:34:27.160 --> 0:34:28.920
<v Speaker 1>five minutes, just get cracking, you know what I mean,

0:34:28.960 --> 0:34:31.359
<v Speaker 1>Win or lose, it don't matter, you know, get your

0:34:31.400 --> 0:34:35.960
<v Speaker 1>respect back because long, Yeah, but it's gonna be a

0:34:36.000 --> 0:34:38.279
<v Speaker 1>lot of wrestling in the situation. Ain't gonna be a

0:34:38.280 --> 0:34:41.279
<v Speaker 1>lot of may be wrestling. You know, somebody got a

0:34:41.320 --> 0:34:43.319
<v Speaker 1>holst miney the headline for a minute and be me

0:34:43.360 --> 0:34:45.279
<v Speaker 1>and you're trying to do this and you're talking to

0:34:46.400 --> 0:34:48.920
<v Speaker 1>that's part of the five minutes. That's part of the

0:34:49.000 --> 0:34:53.279
<v Speaker 1>five minutes. So I hope they go in the backyard

0:34:53.360 --> 0:34:55.839
<v Speaker 1>and you know, scuff it up and work out their

0:34:55.880 --> 0:34:59.680
<v Speaker 1>little issues and come and you know, have Jad to

0:34:59.719 --> 0:35:01.720
<v Speaker 1>come o over there, cook some cue with something. Y'all

0:35:01.719 --> 0:35:04.200
<v Speaker 1>just sit back and get your ship together. So y'all

0:35:04.200 --> 0:35:05.920
<v Speaker 1>don't even embarrass us in front of your wife, folks,

0:35:05.920 --> 0:35:09.520
<v Speaker 1>no more. But I'm not mad at y'all for embarrassing

0:35:09.600 --> 0:35:11.480
<v Speaker 1>us in front of your wife. Folks. I get it.

0:35:11.520 --> 0:35:14.279
<v Speaker 1>Sometimes it's like what it is. But I hope they

0:35:14.320 --> 0:35:16.279
<v Speaker 1>go back there and work out their issues and not

0:35:16.480 --> 0:35:18.320
<v Speaker 1>just talk about it. You know, get a little physical

0:35:18.400 --> 0:35:21.200
<v Speaker 1>lett physical. It's cool with if somebody, you know, if

0:35:21.239 --> 0:35:29.640
<v Speaker 1>you you know, it's all right, I think we're gonna

0:35:29.640 --> 0:35:32.880
<v Speaker 1>slap your well will came slap. Somebody said that me

0:35:32.920 --> 0:35:35.560
<v Speaker 1>and still was talking about it, right, They still say,

0:35:35.600 --> 0:35:38.120
<v Speaker 1>he said glasses. I said, I would understand if I

0:35:38.239 --> 0:35:40.200
<v Speaker 1>have made a joke about Jada and we would have

0:35:40.200 --> 0:35:42.640
<v Speaker 1>walked up there and slap, he said, Man, be honest, gee,

0:35:42.640 --> 0:35:46.640
<v Speaker 1>we're the fun well up here to jump up. They

0:35:46.640 --> 0:35:50.040
<v Speaker 1>would have been dragging us out that it would have

0:35:50.080 --> 0:35:55.400
<v Speaker 1>stopped with the MTV or works out have been regretting

0:35:55.440 --> 0:35:59.799
<v Speaker 1>stopping him out. Fucking well, wire you you gotta take

0:35:59.840 --> 0:36:01.880
<v Speaker 1>him on the shoulder or spinning in a helicopter like

0:36:01.920 --> 0:36:08.600
<v Speaker 1>the intro. But I love both of them, brother to

0:36:08.760 --> 0:36:15.000
<v Speaker 1>see that he take he lined up. So so my

0:36:15.000 --> 0:36:17.280
<v Speaker 1>my thing is, I think we're looking at a situation

0:36:17.320 --> 0:36:22.560
<v Speaker 1>with multiple people coming into a point and exploding. And

0:36:22.719 --> 0:36:27.239
<v Speaker 1>that was a really small exploded. It wasn't nothing like

0:36:27.280 --> 0:36:30.279
<v Speaker 1>I'm tired of. I think it means something because it

0:36:30.360 --> 0:36:32.600
<v Speaker 1>was in front of him on the oscar like thestar

0:36:33.440 --> 0:36:37.120
<v Speaker 1>Steam versions of assholes who didn't own slaves and the

0:36:37.200 --> 0:36:39.880
<v Speaker 1>States and ship like that, but like there's some civilized

0:36:39.920 --> 0:36:43.640
<v Speaker 1>group and it's like now, like you know, sometimes sh happened.

0:36:43.719 --> 0:36:46.440
<v Speaker 1>I think they dealt with it really well. I think

0:36:46.520 --> 0:36:49.600
<v Speaker 1>Chris Rockdale was it like a professional. I think Will

0:36:49.600 --> 0:36:53.480
<v Speaker 1>Smith really regretted. I trust me. When that adrenaline came

0:36:53.480 --> 0:36:56.680
<v Speaker 1>out of Will Smith and he and you know Jada,

0:36:56.800 --> 0:36:58.880
<v Speaker 1>that that looked went away where she started looking like

0:36:58.960 --> 0:37:01.879
<v Speaker 1>oh my god, you know, because she knows what that

0:37:01.960 --> 0:37:06.160
<v Speaker 1>means she know that what that could do to careers.

0:37:06.200 --> 0:37:08.680
<v Speaker 1>So I think when they're dreaming and fleet and she

0:37:08.920 --> 0:37:11.600
<v Speaker 1>kind of was like oh, and he looked. He was like,

0:37:12.680 --> 0:37:16.919
<v Speaker 1>she gotta get called. How fucking goddamn funny you said,

0:37:16.960 --> 0:37:19.120
<v Speaker 1>know what it does or careers? Would it be if

0:37:19.239 --> 0:37:21.840
<v Speaker 1>Will's next features like a supporting we're all in a

0:37:21.880 --> 0:37:25.920
<v Speaker 1>Steve Harvey movie, Oh my god, that would be awesome.

0:37:26.600 --> 0:37:30.560
<v Speaker 1>I feel like I'm mad. We haven't seen a Will

0:37:30.640 --> 0:37:34.640
<v Speaker 1>and Denzil movie. Like if I ever know, if I

0:37:34.680 --> 0:37:38.319
<v Speaker 1>see them too, nigga, I'm gonna don't we have a movie?

0:37:38.320 --> 0:37:43.400
<v Speaker 1>What you do? Niggas? That's the thing and comedian wise,

0:37:45.360 --> 0:37:48.080
<v Speaker 1>that's why Eddie Murphy is my favorite and will always

0:37:48.120 --> 0:37:50.919
<v Speaker 1>be hard to talk because Eddie went out his way

0:37:50.960 --> 0:37:56.000
<v Speaker 1>to make them. Yeah, how don't we have a Kevin

0:37:56.000 --> 0:37:59.120
<v Speaker 1>Hart Eddie Murphy him, How don't we have a Cat

0:37:59.160 --> 0:38:03.359
<v Speaker 1>Williams having hard film? Like eventually you find bridges and

0:38:03.400 --> 0:38:05.960
<v Speaker 1>you put on for the culture, like Harder Knights is

0:38:05.960 --> 0:38:10.520
<v Speaker 1>one of Eddie Murphy's most underrated and greatest achievements. Yeah,

0:38:10.680 --> 0:38:12.919
<v Speaker 1>it's not. It's not about is it the greatest film?

0:38:12.960 --> 0:38:15.080
<v Speaker 1>Because it's a great film. In my books, my second favorite.

0:38:15.120 --> 0:38:18.040
<v Speaker 1>But it's not about that. It's about you take that

0:38:18.120 --> 0:38:21.360
<v Speaker 1>much generation, you take that many generations and comedian and

0:38:21.400 --> 0:38:24.239
<v Speaker 1>put them together and you put on that's what. And

0:38:24.280 --> 0:38:28.600
<v Speaker 1>there's comedians like Seinfeld. If you watch Seinfeld and really

0:38:28.920 --> 0:38:33.000
<v Speaker 1>like it's all comedians that he brings on for every

0:38:33.040 --> 0:38:36.000
<v Speaker 1>episode and like most of them have their careers blow

0:38:36.080 --> 0:38:38.359
<v Speaker 1>up after that. Like I can't tell you how much

0:38:38.400 --> 0:38:41.720
<v Speaker 1>ship people who started on Seinfelder on and like Adam

0:38:41.800 --> 0:38:44.640
<v Speaker 1>Sander has everybody who's ever been on Saturday Life on

0:38:44.719 --> 0:38:48.439
<v Speaker 1>every fucking moviek he's ever done, he put on. Yeah.

0:38:49.200 --> 0:38:52.799
<v Speaker 1>So I feel like I feel like we don't put

0:38:52.920 --> 0:38:56.279
<v Speaker 1>enough pressure on people like Kevin Hart to put on

0:38:56.719 --> 0:38:59.960
<v Speaker 1>the only he brought on Tiffany, that's it. He retired,

0:39:00.120 --> 0:39:05.320
<v Speaker 1>he brought on Tiffany equipped. No, he did put it on,

0:39:05.400 --> 0:39:08.640
<v Speaker 1>but no. But it's like we have to demand more,

0:39:09.560 --> 0:39:11.719
<v Speaker 1>you know, we have to demand more from And I

0:39:11.760 --> 0:39:15.200
<v Speaker 1>think we're getting into the space where individual success without

0:39:15.360 --> 0:39:19.440
<v Speaker 1>having to you know, do right by by sad community

0:39:19.520 --> 0:39:21.839
<v Speaker 1>or set examples for sad community is starting to fall

0:39:21.840 --> 0:39:25.200
<v Speaker 1>by the wayside, where we're starting to celebrate in our

0:39:25.200 --> 0:39:29.439
<v Speaker 1>community individual wealth too much. But I'll never see y'all

0:39:29.440 --> 0:39:32.960
<v Speaker 1>celebrate some white man getting rich anyway he got rich,

0:39:34.120 --> 0:39:37.640
<v Speaker 1>I don't give a funk. We celebrate individual success, right,

0:39:37.680 --> 0:39:39.759
<v Speaker 1>and we celebrate it because we believe that it's sets

0:39:39.800 --> 0:39:42.960
<v Speaker 1>a standard for the rest of people to believe that

0:39:43.000 --> 0:39:47.040
<v Speaker 1>it could happen to them. But if you don't actually

0:39:47.400 --> 0:39:49.919
<v Speaker 1>do your Eddie Murphy, where you got your Harlem Nights

0:39:49.960 --> 0:39:53.520
<v Speaker 1>like a comedian like Chris Rock Kevin Hard because Chris

0:39:53.600 --> 0:39:57.520
<v Speaker 1>Rock did. Chris Rock has a decent couple of movies

0:39:57.560 --> 0:40:00.400
<v Speaker 1>like that. But I just feel like you don't have

0:40:00.520 --> 0:40:02.400
<v Speaker 1>enough of that, what I'm saying. And I think it

0:40:02.440 --> 0:40:05.240
<v Speaker 1>does come down to us not putting enough pressure on

0:40:05.040 --> 0:40:09.440
<v Speaker 1>on our community to perform. I think there's a lot

0:40:09.440 --> 0:40:13.319
<v Speaker 1>of factors that could complain to that. I mean, I

0:40:13.360 --> 0:40:15.960
<v Speaker 1>think you could look at a lot of movies that

0:40:16.040 --> 0:40:19.960
<v Speaker 1>feature like a singular black actor or a singular black comedian,

0:40:21.000 --> 0:40:25.960
<v Speaker 1>and look who the production houses. You know it, really

0:40:26.120 --> 0:40:28.200
<v Speaker 1>it comes down to it. They might be like, look,

0:40:28.200 --> 0:40:32.480
<v Speaker 1>we're not gonna let you bring an entire black cash

0:40:32.600 --> 0:40:35.760
<v Speaker 1>through the door here of nobody upstarts because we can't

0:40:35.800 --> 0:40:37.880
<v Speaker 1>market it. Now it becomes an urban film and we

0:40:37.960 --> 0:40:40.799
<v Speaker 1>can't pay you thirty million dollars for an urban film

0:40:40.840 --> 0:40:44.320
<v Speaker 1>and get r o Y's probably what the production financial

0:40:44.360 --> 0:40:48.200
<v Speaker 1>apparatus is thinking. We can surround you by mainstream white

0:40:48.320 --> 0:40:50.480
<v Speaker 1>names and throw you out in the middle of it

0:40:50.640 --> 0:40:56.879
<v Speaker 1>and get our money back. That's that's that's hypothetical, but

0:40:58.880 --> 0:41:02.080
<v Speaker 1>one of the real one of the main roadblocks. But

0:41:02.640 --> 0:41:05.759
<v Speaker 1>I need to hear desire of it, man, I need

0:41:05.800 --> 0:41:10.880
<v Speaker 1>to believe you wanted to happen. Like like, I don't

0:41:10.920 --> 0:41:13.840
<v Speaker 1>think the journey for black folks in America is complete

0:41:14.320 --> 0:41:16.040
<v Speaker 1>to where we can be like, oh, we're just American.

0:41:16.080 --> 0:41:18.720
<v Speaker 1>It's all good. It still needs to be a level

0:41:18.760 --> 0:41:23.239
<v Speaker 1>of like, Okay, we're together. We're trying to get where

0:41:23.239 --> 0:41:26.000
<v Speaker 1>we're trying to get as a complete community to where

0:41:26.080 --> 0:41:28.719
<v Speaker 1>we do have it right, where it's just up to you.

0:41:28.719 --> 0:41:30.839
<v Speaker 1>I mean it's up to you and making your own

0:41:30.840 --> 0:41:34.720
<v Speaker 1>achievements happen, versus where it's like, you know, we're still

0:41:34.800 --> 0:41:37.720
<v Speaker 1>needing each other every minute. I mean, like we need

0:41:37.800 --> 0:41:41.600
<v Speaker 1>each other still. We still don't like a couple of

0:41:41.680 --> 0:41:44.000
<v Speaker 1>us don't, but we all need each other. If I'm

0:41:44.040 --> 0:41:46.759
<v Speaker 1>not here to help Uncle move to his podcast, maybe

0:41:46.760 --> 0:41:49.399
<v Speaker 1>he doesn't take a podcast. Serious, if me and you

0:41:49.440 --> 0:41:52.120
<v Speaker 1>don't meet, maybe you're not doing those sellings with me,

0:41:52.160 --> 0:41:53.960
<v Speaker 1>you know what I mean? Like like if we don't

0:41:54.040 --> 0:41:56.680
<v Speaker 1>put on and I don't want to just now I

0:41:56.719 --> 0:41:58.920
<v Speaker 1>say the black community because we all grow up together.

0:42:00.200 --> 0:42:02.920
<v Speaker 1>I mean me and you, we have a great relationship food,

0:42:02.960 --> 0:42:04.800
<v Speaker 1>Like you know, we've been knowing each other over ten years.

0:42:04.800 --> 0:42:08.239
<v Speaker 1>So it's like, you put on what your people, no't

0:42:08.239 --> 0:42:10.759
<v Speaker 1>matter what they look like. But that don't mean you

0:42:10.760 --> 0:42:14.200
<v Speaker 1>don't put on for your people. Still that makes sense.

0:42:14.200 --> 0:42:19.840
<v Speaker 1>I don't Last night with the slap, you know what,

0:42:19.920 --> 0:42:24.040
<v Speaker 1>We rescued the oscars because it was a felling, fucking program.

0:42:24.239 --> 0:42:28.239
<v Speaker 1>That's what I said. We rescued from failing program to

0:42:28.280 --> 0:42:36.480
<v Speaker 1>a felon program. The camera slab, Yeah, soldiers, that's that

0:42:36.480 --> 0:42:45.560
<v Speaker 1>white people see that is so dramatic. That's a comedian. Now,

0:42:45.600 --> 0:42:47.560
<v Speaker 1>if he shot him in the leg, I'll be with you,

0:42:47.800 --> 0:42:51.759
<v Speaker 1>like now, glasses would have been thing. That shooting been

0:42:51.800 --> 0:42:55.840
<v Speaker 1>a leg. Look, you hit a guy who's fifty plus

0:42:55.920 --> 0:42:58.000
<v Speaker 1>years old a hundred and thirty five pounds in the

0:42:58.040 --> 0:43:00.560
<v Speaker 1>head like that. He could suffer long term next dam

0:43:00.560 --> 0:43:03.359
<v Speaker 1>but you've never cover from that. A white comedian ship

0:43:03.480 --> 0:43:08.479
<v Speaker 1>you and fucking Jerry Field. That bullshit, A good old

0:43:08.560 --> 0:43:12.560
<v Speaker 1>American slap. That's an American slap is what was needed

0:43:13.040 --> 0:43:17.000
<v Speaker 1>to save the Oscars. The Oscar was on every new

0:43:17.120 --> 0:43:20.160
<v Speaker 1>channel and it was exciting people. Matt next year might

0:43:20.160 --> 0:43:22.480
<v Speaker 1>watch the Oscars Like, hold, somebody might get slapped next year.

0:43:22.600 --> 0:43:25.640
<v Speaker 1>You know for sure, You know you can only market

0:43:25.719 --> 0:43:35.160
<v Speaker 1>red Carpet Cleveland for so long. We're looking out for

0:43:35.200 --> 0:43:40.120
<v Speaker 1>tuning into the No Sellers Podcast. Please do us a favorite, subscribe, rate, comments, share.

0:43:40.520 --> 0:43:42.919
<v Speaker 1>This episode was recorded right here on the West coast

0:43:42.920 --> 0:43:46.160
<v Speaker 1>of the USA and produced by my homeboy A King

0:43:46.239 --> 0:43:49.240
<v Speaker 1>for the Black Effect Podcast Network and I Heart Radio.

0:43:49.760 --> 0:43:56.280
<v Speaker 1>Yeah