WEBVTT - 109: The Last Future

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<v Speaker 1>It's twelve twenty two am in Chicago, and you're listening tonight.

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<v Speaker 1>Call hello and welcome tonight call a call in show

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<v Speaker 1>for our dystopian reality. I'm Molly Lambert and with me

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<v Speaker 1>are Testa Lynch and Emily Oshida. Welcome back. It is

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<v Speaker 1>May today as the first day of May. This will

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<v Speaker 1>be coming out in May. And it's now Why to

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<v Speaker 1>You May? Our new theme month. That's all why t

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<v Speaker 1>K themeds excited about Why to You May? It so excited.

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<v Speaker 1>I love looking back at a fake apocalypse to just

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<v Speaker 1>contrast the real one going on right now makes me

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<v Speaker 1>gives me the warm and fuzzies. I was given permission

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<v Speaker 1>by Hunter Harris that we are the only people allowed

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<v Speaker 1>to do a It's gonna be May meme for meme

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<v Speaker 1>that died, but we can use we're allowed to do

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<v Speaker 1>It's gonna be why to May? Yes, Okay, give in

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<v Speaker 1>mean permission. I think that kind of joke is what

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<v Speaker 1>one calls a hat on a hat if you're in

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<v Speaker 1>a writer's around. But we'll go with it. What's finishing

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<v Speaker 1>the hat? I still don't understand not a hat. I

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<v Speaker 1>was going to say, like one of those big kind

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<v Speaker 1>of like top hats, like fetzy top hats that were

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<v Speaker 1>really popular around the year two thousands Mystery used to wear. Yes,

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<v Speaker 1>that's the hat that's not in the case of it's

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<v Speaker 1>going to be y too may What about a cat

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<v Speaker 1>in the hat raper hat? Yes, say same, same basic idea.

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<v Speaker 1>Keep waiting for those to come back. Yeah. I was

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<v Speaker 1>going down a long Google image wormhole when I was

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<v Speaker 1>putting together graphics for this month's Night Calling newsletter and

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<v Speaker 1>just looking at pacifier necklaces and just really wondering like those.

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<v Speaker 1>You know, there's been all sorts of nineties nostalgia over

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<v Speaker 1>the last decade, I'd say, but very little that you

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<v Speaker 1>hear about passive I ire necklaces. Maybe we should bring it.

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<v Speaker 1>It's not like pople aren't doing Molly. We're gonna get

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<v Speaker 1>into candy flippers today because that was one of my

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<v Speaker 1>realizations about Michael Jordan, as he dresses like a candy flipper.

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<v Speaker 1>I can't wait to hear all of your revelations about

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<v Speaker 1>Michael today. We're gonna talk about sports as well. Sports

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<v Speaker 1>in the late nineties, so technically on topic um, but

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<v Speaker 1>first the question to lead into that, we got a

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<v Speaker 1>night email from Jonathan Tess, would you like to read it?

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<v Speaker 1>I would love to read this email from Jonathan Okay

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<v Speaker 1>high Night Call. A few months ago, the idea of

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<v Speaker 1>the long eighties I think it was the eighties was

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<v Speaker 1>mentioned on an episode for Why to May. I was

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<v Speaker 1>wondering where you all think the long seventies, eighties, nineties,

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<v Speaker 1>and audies begin and end? The show is always a

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<v Speaker 1>highlight of my week. Thank you, Jonathan. What do you

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<v Speaker 1>guys think? Wow? I love how he wrote OS and

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<v Speaker 1>you turned it into audies. I did he wrote OS,

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<v Speaker 1>but I my brain looks at OS and just immediately

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<v Speaker 1>translates audie. I think if I saw it written like that,

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<v Speaker 1>I would say two thousand's And that's only because of

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<v Speaker 1>I love the year two thousand, or the years or

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<v Speaker 1>the two thousands, like whatever. The Empty One Show was

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<v Speaker 1>because they had done I Love the eighties, I love

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<v Speaker 1>the nineties. Did they have I Love the seventies or

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<v Speaker 1>is that a little out of their purview? I think

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<v Speaker 1>they did have I Love the seventies. I don't think

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<v Speaker 1>they had I Love the sixties. But I definitely watched

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<v Speaker 1>all that trash. I think definitely nobody who was watching

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<v Speaker 1>it was alive for the sixties, so they skipped over

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<v Speaker 1>the sixties. Um, also like the sixties. It's like it's

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<v Speaker 1>hard to like, I don't know. I feel like if

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<v Speaker 1>you were just a different documentary, it's a yeah, there's

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<v Speaker 1>lots of I love the sixties out there, just comes

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<v Speaker 1>in different forms other than a v H one talking

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<v Speaker 1>head show. But um, I want to say, I think

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<v Speaker 1>most decades, I don't think they really start until midway.

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<v Speaker 1>I feel like usually the year with the five on

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<v Speaker 1>it is when it becomes really whatever that decade is

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<v Speaker 1>going to be. Here's my here's my degree. I'll tell

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<v Speaker 1>you guys what I think, and then you can you

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<v Speaker 1>can tell me I'm wrong. Uh. I think the sixties

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<v Speaker 1>started in like okay, Like I think the early sixties

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<v Speaker 1>in the late sixties are like two different decades essentially,

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<v Speaker 1>because the early sixties are essentially the long fifties. So

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<v Speaker 1>I want to say the sixties started in like nineteen

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<v Speaker 1>sixty four maybe for real, um, the first like um

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<v Speaker 1>big civil rights protests, because I would say that is

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<v Speaker 1>like kind of the turning point for the sixties. So like, yeah,

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<v Speaker 1>sixty sixty five, YEA somewhere around the civil rights movement

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<v Speaker 1>really kicking into gear and the Beatles coming to America.

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<v Speaker 1>That's what that's when the sixties begins. The sixties end

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<v Speaker 1>in nineteen seventy two, thus begin the seven weeks. Why

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<v Speaker 1>why nineteen seventy two, particularly like Nixon and stuff, Nixon

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<v Speaker 1>and ship. Wait, but you say decades usually begin in

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<v Speaker 1>the fives, like halfway through. But you just cited two

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<v Speaker 1>examples where they both began in like seven three seventy two.

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<v Speaker 1>That's where I think they start on the third year. Okay,

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<v Speaker 1>this a little theory. Seventies, Uh go until nineteen eighty two.

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<v Speaker 1>I would definitely agree with us. Yeah, eighties begin in

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<v Speaker 1>nineteen eight three, which is also when you and I

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<v Speaker 1>Molly were born with our birth. Um, the decade was

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<v Speaker 1>allowed to begin the eighties and in nine continuing with

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<v Speaker 1>testa theory, and then the nineties are ninety three to eleven. Uh,

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<v Speaker 1>what's the quote by um fucking Narromancer author William Gibson?

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<v Speaker 1>Isn't doesn't he have the quote about how the future

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<v Speaker 1>will get here? It'll just like not be evenly dispersed. Um, Yes,

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<v Speaker 1>I think that William Gibson come on night call please obviously, Yes,

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<v Speaker 1>that is like an open invitation for all time. But

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<v Speaker 1>I think I think the same kind of goes for

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<v Speaker 1>these decade changes though, because I think if you're living

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<v Speaker 1>in the Midwest, or you're living in a more conservative place,

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<v Speaker 1>like it takes a while for some of the waves,

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<v Speaker 1>like the cultural waves of these changes to hit you,

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<v Speaker 1>so like it can still feel like the eighties, you know,

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<v Speaker 1>deep into the nineties. I mean there's some parts of

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<v Speaker 1>the country or their pockets, I think to where it

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<v Speaker 1>never fully moves on. It stays forever in one zone.

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<v Speaker 1>It's always the nineteen fifties in Burbank. Yeah, I would

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<v Speaker 1>say that that there are certain I would say there

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<v Speaker 1>are certain things, though I would say nine eleven is

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<v Speaker 1>one of them. Um, I would say, I'm fairly confident

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<v Speaker 1>that the recession, the housing crisis is one where those

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<v Speaker 1>are evenly dispersed, um and maybe even more dispersed towards

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<v Speaker 1>places that are not big metropolitan areas where we think

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<v Speaker 1>of the center of cultural change happening. Although you would say, like,

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<v Speaker 1>I have been thinking about this a lot, because obviously

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<v Speaker 1>this crisis is like extremely not evenly dispersed and being

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<v Speaker 1>really much more bad. Yeah, there's that. I mean, like

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<v Speaker 1>the severity is different for for COVID, But I would

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<v Speaker 1>say that this is definitely something that's happening to everybody

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<v Speaker 1>at the same time. It's happening in different ways to

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<v Speaker 1>everybody at the same time as the same thing with

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<v Speaker 1>the housing crisis, with kind of all of the shifts

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<v Speaker 1>that came after that um occupy and all that kind

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<v Speaker 1>of stuff like it, it affected people in different ways.

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<v Speaker 1>But like, you know, you can actually say, like, this

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<v Speaker 1>is a thing that changed pretty much everybody, at least

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<v Speaker 1>in our country. Like at the same time, when you

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<v Speaker 1>think about something like the Manson murders and people saying

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<v Speaker 1>like the Manson murders was the end of the sixties,

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<v Speaker 1>it's like, well, kind of just like in l A,

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<v Speaker 1>you know, it wasn't the end of the Definitely very convenient.

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<v Speaker 1>And also the reason the sixties really ended in l A,

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<v Speaker 1>according to Mike Davis, is because a bunch of the

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<v Speaker 1>prominent black panthers were killed by the US government. So

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<v Speaker 1>they definitely were trying to make the sixties be over

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<v Speaker 1>a sap. Yeah, the sixties is like actually one of

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<v Speaker 1>the shortest decades if we're going through it like this

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<v Speaker 1>and not on accident. But yeah, This is an interesting

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<v Speaker 1>I think about this stuff all the time. This is

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<v Speaker 1>I think just nine eleven two now is all one decade.

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<v Speaker 1>I think of it as just all one time period.

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<v Speaker 1>I would don't think that. I think that. I think

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<v Speaker 1>the housing crisis is is a turn. I think I

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<v Speaker 1>think there's a major turn there. I think the whole

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<v Speaker 1>twenty one century has been as well. Wait, this might

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<v Speaker 1>be a good time to bring up, Molly, your brother's

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<v Speaker 1>theory about Y two K and how will you explain? Okay,

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<v Speaker 1>my brother think about this constantly. My brother Ben Lambert

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<v Speaker 1>Lambo Lambo had a theory. I don't know if you

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<v Speaker 1>read it somewhere or just came up with it, but

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<v Speaker 1>his theory was essentially like Y two K did happen,

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<v Speaker 1>and that is when reality split into the multiple universes.

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<v Speaker 1>Time about this a few times, talking about it before,

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<v Speaker 1>But it's very Y two K. It's Y t K.

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<v Speaker 1>This is like the cornerstone of our Y two k's

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<v Speaker 1>like the matrix. People like it because it lets you

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<v Speaker 1>imagine there's a good universe somewhere. But I guess the

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<v Speaker 1>idea is also like in the universe where Y t

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<v Speaker 1>K happened, we had to reckon with our lack of

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<v Speaker 1>preparedness for a global event, we had to come together

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<v Speaker 1>as nations. I'm writing an Errand Sorkin book about what happened.

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<v Speaker 1>You say, I suddenly like perked up as like that

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<v Speaker 1>coming together as a nation. Um. Yeah, no. But the

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<v Speaker 1>other thing about that theory that I think is popular

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<v Speaker 1>among people of our generation and like our friends, is

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<v Speaker 1>that it conveniently lines up with like the end of

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<v Speaker 1>us being teenagers. Um, So you know, it's it's very

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<v Speaker 1>comforting to think that like once you enter adulthood, Uh,

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<v Speaker 1>then the ever shifted and it was all fake after

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<v Speaker 1>the only real stuff was when you were like a teenager,

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<v Speaker 1>I didn't have anythings like serious to worry about. But also,

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<v Speaker 1>like we got uniquely a lot of bad things happened.

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<v Speaker 1>I mean, obviously bad things happened to every generation, but uh,

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<v Speaker 1>it seems like things have gotten just acceleratedly worse since

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<v Speaker 1>the year we're speaking to you from a global pandemic.

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<v Speaker 1>So it's like, yes, it's it seems pretty bad. But

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<v Speaker 1>I also think I think the twentieth century was an

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<v Speaker 1>outlier as a time of just you know, all these

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<v Speaker 1>circumstances lined up to create growth and prosperity briefly in America,

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<v Speaker 1>starting with the beginning of the twentieth century. Something I

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<v Speaker 1>would love to talk about more that you guys don't

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<v Speaker 1>think quite is I'll be happy to go back and

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<v Speaker 1>and we can do a whole series on the Nick. Okay,

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<v Speaker 1>we're gonna do more than the Nick and fewer PBS

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<v Speaker 1>American history. And I agree with that American history. But

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<v Speaker 1>you know, I have been talking a lot about The

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<v Speaker 1>Magnificent Amberson's which is like a whole novel. Somebody wrote

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<v Speaker 1>about how much they hated cars, uh, and how they

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<v Speaker 1>thought cars were going to ruin everything, and I was like,

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<v Speaker 1>you know what not wrong? Wrong? If you had to

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<v Speaker 1>choose a world where there were no cars or no airplanes,

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<v Speaker 1>which would you choose both? Can I have both no

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<v Speaker 1>cars the new airplane? Now you have to choose one

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<v Speaker 1>or the other. That's the point of actually cars, I

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<v Speaker 1>don't care about airplanes that much. I've never had like

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<v Speaker 1>a good air travel experience, so you'd rather pick Okay, See,

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<v Speaker 1>I firmly disagree. I can get around in life, and

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<v Speaker 1>I have for many years in my life gotten around

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<v Speaker 1>without a car. But like the possibility of like Oh,

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<v Speaker 1>if I want to go see some other part of

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<v Speaker 1>the world, I have to get on an ocean line.

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<v Speaker 1>That's how it was. Yeah, But like I think I

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<v Speaker 1>think I've shared this controversial opinion on on I think

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<v Speaker 1>it was on the dailies like guys recently when I

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<v Speaker 1>was a guest on there. I think air travel is

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<v Speaker 1>great A plus love air travel, being in the sky.

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<v Speaker 1>I don't like being in the sky. It feels unnatural.

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<v Speaker 1>I don't think I'm never going to get on a

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<v Speaker 1>plane again, honestly after this. But I like a road trip.

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<v Speaker 1>I think I'm just like, well, if there's no planes,

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<v Speaker 1>we'll have to drive across the country, like in Stephen

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<v Speaker 1>King's the Stand to get places, isn't that isn't don't

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<v Speaker 1>be that bad things happen in the States. Well, this

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<v Speaker 1>is largely bad things happening. Yeah, I mean it's too

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<v Speaker 1>on topic for right now. I've watched it a lot

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<v Speaker 1>of times, but like, have you ever read it? I've

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<v Speaker 1>never read it. That it's such it's so good, a

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<v Speaker 1>good book to read, but also like I don't think

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<v Speaker 1>I can handle it right now. It might exactly what

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<v Speaker 1>you want. Well, I also saw some from Stephen King

0:13:00.920 --> 0:13:04.400
<v Speaker 1>where he was. Like in my sci fi like Dystopia universe,

0:13:04.440 --> 0:13:06.200
<v Speaker 1>it didn't like occur to me that the government would

0:13:06.200 --> 0:13:09.480
<v Speaker 1>suck it up this badly right, just like things William

0:13:09.520 --> 0:13:12.680
<v Speaker 1>Gibson says too, it's just like some of the ways

0:13:12.720 --> 0:13:15.920
<v Speaker 1>in which society has become bad. It's just like even

0:13:16.000 --> 0:13:18.760
<v Speaker 1>the people thinking about all the way society could become

0:13:18.760 --> 0:13:21.680
<v Speaker 1>really bad, we didn't didn't think about it. That's why

0:13:21.679 --> 0:13:23.360
<v Speaker 1>we're going back to Y t K, A great time

0:13:23.360 --> 0:13:28.040
<v Speaker 1>that everybody loves when it feels very innocent and quaint.

0:13:28.120 --> 0:13:32.240
<v Speaker 1>Right now, where where were you guys on Y two K?

0:13:32.960 --> 0:13:37.240
<v Speaker 1>I was in jolly old England, are you? It was

0:13:37.280 --> 0:13:41.880
<v Speaker 1>my first trip to another country speaking of air travel, UM.

0:13:42.080 --> 0:13:44.600
<v Speaker 1>And it was my mom was doing a research trip,

0:13:44.679 --> 0:13:46.920
<v Speaker 1>so I was just tagging along with her and we

0:13:46.920 --> 0:13:50.680
<v Speaker 1>were just staying at like a series of hostels around

0:13:50.760 --> 0:13:55.360
<v Speaker 1>mostly northern England. UM. But we had we spent actually

0:13:55.360 --> 0:13:59.880
<v Speaker 1>the actual turn of the millennium in Cambridge, UM. And

0:14:00.600 --> 0:14:02.640
<v Speaker 1>I remember there was a huge carnival out on some

0:14:02.760 --> 0:14:05.680
<v Speaker 1>lawn at Cambridge, but we were not we were not

0:14:05.720 --> 0:14:07.360
<v Speaker 1>doing any of that. I remember. I remember like the

0:14:07.440 --> 0:14:11.240
<v Speaker 1>drunkenness level being like and even living in a college

0:14:11.280 --> 0:14:13.560
<v Speaker 1>town at the time, being something that I had never

0:14:13.600 --> 0:14:16.920
<v Speaker 1>seen before, like because it's college town times, British times,

0:14:16.960 --> 0:14:23.160
<v Speaker 1>British exactly. Um, but we spent our evening at like

0:14:23.440 --> 0:14:26.320
<v Speaker 1>a cathedral that had been or not. It was a church,

0:14:26.400 --> 0:14:28.680
<v Speaker 1>an old old church, like a Romanesque church that had

0:14:28.720 --> 0:14:33.480
<v Speaker 1>been around since like the first millennium. And uh, there

0:14:33.600 --> 0:14:36.560
<v Speaker 1>was like a kind of service type thing, like a

0:14:36.680 --> 0:14:39.920
<v Speaker 1>victual or something. And then, um, I drank my first

0:14:39.960 --> 0:14:42.640
<v Speaker 1>class of champagne among a bunch of old people in

0:14:42.720 --> 0:14:46.320
<v Speaker 1>a an old church in Cambridge. You had the most

0:14:46.320 --> 0:14:50.480
<v Speaker 1>delightful y two k I've ever heard of. That sounds great,

0:14:50.880 --> 0:14:55.120
<v Speaker 1>That's awesome. Probably where were you. I was at my

0:14:55.320 --> 0:15:00.760
<v Speaker 1>family friend's house the Moffits with my parents and brother

0:15:01.160 --> 0:15:05.320
<v Speaker 1>and we were watching it on television. We like went

0:15:05.360 --> 0:15:07.680
<v Speaker 1>over there for New Year's. Um. I feel like I

0:15:07.720 --> 0:15:12.040
<v Speaker 1>never did anything party for New Year's in high school

0:15:12.080 --> 0:15:14.280
<v Speaker 1>because it was like such a pain and like nobody

0:15:14.280 --> 0:15:17.880
<v Speaker 1>wanted to drive on New Year's And I remember people

0:15:17.880 --> 0:15:19.480
<v Speaker 1>would always be like going to the beach, but then

0:15:19.520 --> 0:15:22.080
<v Speaker 1>that would be that was like a five hour clusterfuck

0:15:22.120 --> 0:15:25.440
<v Speaker 1>of like stuck there. Yeah, so I would always just

0:15:25.480 --> 0:15:27.480
<v Speaker 1>hang out with my parents, like the cool kid that

0:15:27.600 --> 0:15:32.360
<v Speaker 1>I was, UM and my family, and I remember that

0:15:32.400 --> 0:15:36.440
<v Speaker 1>there was like a PBS or local special of the

0:15:36.480 --> 0:15:39.200
<v Speaker 1>Millennium around the world, Why two K around the world,

0:15:40.160 --> 0:15:43.840
<v Speaker 1>and that l A had the worst y two K

0:15:44.080 --> 0:15:49.880
<v Speaker 1>celebration of anywhere. Everywhere else had something cool. Um there

0:15:49.920 --> 0:15:52.800
<v Speaker 1>was like some crazy ball drop in Sydney. And then

0:15:52.840 --> 0:15:54.640
<v Speaker 1>you know, and it's like going through as it it

0:15:54.760 --> 0:15:59.720
<v Speaker 1>becomes around the world. You remember seeing something cool looking

0:15:59.760 --> 0:16:02.960
<v Speaker 1>at the silly like Millennium Dome in England. I just

0:16:03.000 --> 0:16:07.000
<v Speaker 1>saw this like silly, probably really wasteful infrastructure stuff that

0:16:07.000 --> 0:16:10.480
<v Speaker 1>they built for the millennium, and then the Eye in

0:16:10.520 --> 0:16:14.120
<v Speaker 1>London and stop for the millennium. Yeah. Yeah, they built

0:16:14.120 --> 0:16:15.800
<v Speaker 1>a lot of dumb ship for They built a lot

0:16:15.840 --> 0:16:17.920
<v Speaker 1>of dumb ship for the millenning. And then they cut

0:16:17.960 --> 0:16:22.200
<v Speaker 1>to Hollywood, California, and it's Jay Leno at the Hollywood

0:16:22.240 --> 0:16:27.360
<v Speaker 1>Sign but and they lit off like two sparklers and

0:16:27.440 --> 0:16:35.040
<v Speaker 1>that was it. We were, you guys nervous about the

0:16:35.160 --> 0:16:37.960
<v Speaker 1>collapse of technology at the time. I think I was

0:16:38.040 --> 0:16:42.800
<v Speaker 1>like curious if it would happen. Really yeah, I don't

0:16:42.800 --> 0:16:45.720
<v Speaker 1>remember being really actively nervous. And then I think I

0:16:45.760 --> 0:16:49.720
<v Speaker 1>remember being later at some point, like or no before

0:16:49.840 --> 0:16:52.560
<v Speaker 1>it was midnight. We were in some bar or some

0:16:52.600 --> 0:16:54.800
<v Speaker 1>cafe or something and they had the TV on where

0:16:54.840 --> 0:16:58.400
<v Speaker 1>they were showing like the Millennium celebrations and like India

0:16:58.480 --> 0:17:01.480
<v Speaker 1>and stuff like that, and it was like, oh, it's fine,

0:17:01.720 --> 0:17:06.360
<v Speaker 1>like it's all gonna be okay. Um. So like by

0:17:06.400 --> 0:17:08.920
<v Speaker 1>the time it was midnight in England, I was like,

0:17:10.080 --> 0:17:13.119
<v Speaker 1>it's it's it's okay. I'm just gonna like chill and

0:17:13.200 --> 0:17:17.920
<v Speaker 1>have my my champagne. But yeah, I have no I

0:17:17.960 --> 0:17:21.080
<v Speaker 1>can't remember, and it's so stressful because I was trying to.

0:17:21.840 --> 0:17:23.720
<v Speaker 1>Right before we started, I was like, okay, I think

0:17:23.760 --> 0:17:28.600
<v Speaker 1>I was in my bedroom online, as a very cool

0:17:28.680 --> 0:17:32.080
<v Speaker 1>person would be at midnight on New Year's Eve. But

0:17:32.119 --> 0:17:35.480
<v Speaker 1>then I was like, no, I think I was in Connecticut. Um,

0:17:35.520 --> 0:17:39.679
<v Speaker 1>because my parents would leave. They were renting in California

0:17:39.760 --> 0:17:42.360
<v Speaker 1>for work, so when I would have school breaks sometimes

0:17:42.359 --> 0:17:45.280
<v Speaker 1>we would go back to their house in Connecticut. So

0:17:45.320 --> 0:17:48.040
<v Speaker 1>even worse than being in like my l a bedroom,

0:17:48.080 --> 0:17:51.200
<v Speaker 1>I think I was like all alone in my haunted

0:17:51.240 --> 0:17:55.200
<v Speaker 1>bedroom in Connecticut. But I was really really stressed about

0:17:55.440 --> 0:17:58.400
<v Speaker 1>computers breaking and stuff. Most more than anything. I was like,

0:17:58.480 --> 0:18:02.320
<v Speaker 1>my emails, my AOL emails, It's like the record of

0:18:02.359 --> 0:18:04.639
<v Speaker 1>my life. What will I do if those are lost?

0:18:05.040 --> 0:18:07.120
<v Speaker 1>And I think my dad was pretty stressed because he's

0:18:07.200 --> 0:18:10.120
<v Speaker 1>he was like an early techie, can ask your parents

0:18:10.119 --> 0:18:12.960
<v Speaker 1>for confirmation. Well, I was like, oh, I should look

0:18:13.000 --> 0:18:15.679
<v Speaker 1>at my diaries. But then I'm not. I'm not going

0:18:15.720 --> 0:18:17.800
<v Speaker 1>to go down that road right now. It's too fragile.

0:18:18.040 --> 0:18:21.080
<v Speaker 1>Look at your A O L email. Can't. Man, I

0:18:21.119 --> 0:18:24.000
<v Speaker 1>wish I could. I I don't think that those exist anymore,

0:18:24.320 --> 0:18:26.320
<v Speaker 1>but I mean they were like that was a big

0:18:26.320 --> 0:18:27.879
<v Speaker 1>deal to me. I was stressed. I actually have a

0:18:27.920 --> 0:18:30.760
<v Speaker 1>binder of printed out A O L emails, but it's

0:18:30.800 --> 0:18:33.119
<v Speaker 1>just the tip of the iceberg. It's not an exhaustive

0:18:33.160 --> 0:18:39.760
<v Speaker 1>collection correspondences. My correspondences as very victorian with the pen piles. Well,

0:18:39.840 --> 0:18:42.200
<v Speaker 1>let's take a break and then we'll be right back

0:18:42.320 --> 0:19:05.000
<v Speaker 1>with some sports. Welcome back Tonight Call. This is a

0:19:05.040 --> 0:19:09.800
<v Speaker 1>special news segment. We're introducing UH at my Behest, but

0:19:09.880 --> 0:19:13.160
<v Speaker 1>also some of our listeners demanded it called Sports Call,

0:19:13.960 --> 0:19:18.840
<v Speaker 1>the sports podcast within Nightcall. We've got two whole sports

0:19:18.920 --> 0:19:20.560
<v Speaker 1>topics to talk about, and I would love to have

0:19:20.600 --> 0:19:23.640
<v Speaker 1>some actual people who are sports journalists and we want

0:19:23.640 --> 0:19:28.040
<v Speaker 1>to have our friend Holly on sometime to talk about sports. Actually,

0:19:28.760 --> 0:19:31.159
<v Speaker 1>we are not pretending to be sports experts. We are

0:19:31.240 --> 0:19:36.840
<v Speaker 1>merely sports amateurs. But what we have our opinions, lots

0:19:36.880 --> 0:19:41.560
<v Speaker 1>of them. Well put uh here is a night text

0:19:41.560 --> 0:19:46.359
<v Speaker 1>twee got asking about the Michael Jordan documentary The Last Dance. Hi, ladies,

0:19:46.520 --> 0:19:48.399
<v Speaker 1>been a listener since your days in grant Land, and

0:19:48.440 --> 0:19:50.840
<v Speaker 1>this is my first time ever calling in. Given you

0:19:50.880 --> 0:19:53.920
<v Speaker 1>guys are talking about The Last Dance documentary, I guess

0:19:53.920 --> 0:19:55.800
<v Speaker 1>my only question is how do you think a figure

0:19:55.840 --> 0:19:58.400
<v Speaker 1>like Dennis Rodman would be read and consumed in today's

0:19:58.440 --> 0:20:01.720
<v Speaker 1>media landscaping culture. Rodman was no doubt a fascinating figure

0:20:01.760 --> 0:20:03.560
<v Speaker 1>when I was a kid in the nineties watching him,

0:20:03.560 --> 0:20:06.480
<v Speaker 1>but looking at how social media reacted to seemingly first

0:20:06.520 --> 0:20:10.280
<v Speaker 1>time discovering who Rodman is in finding old clips of him,

0:20:10.320 --> 0:20:13.720
<v Speaker 1>he's easily going viral yet again, especially when he talked

0:20:13.720 --> 0:20:15.800
<v Speaker 1>about his sexuality and how he liked to dress, which

0:20:15.840 --> 0:20:18.399
<v Speaker 1>at the time was very controversial. Thank you and I

0:20:18.480 --> 0:20:21.239
<v Speaker 1>enjoyed the podcast. Wow, thank you so much for this

0:20:21.400 --> 0:20:28.680
<v Speaker 1>great introduction to talk about our favorite subject, sports, basketball specifically,

0:20:30.720 --> 0:20:33.080
<v Speaker 1>did you guys get to watch any of the last dance?

0:20:33.680 --> 0:20:35.879
<v Speaker 1>I haven't yet, but I've I've committed to doing it

0:20:35.920 --> 0:20:39.080
<v Speaker 1>this weekend. I know, Molly, you started it right. Yeah.

0:20:39.160 --> 0:20:41.879
<v Speaker 1>It's just a great documentary. I will say. It's like,

0:20:42.280 --> 0:20:44.880
<v Speaker 1>even if you don't care anything about basketball, and I'm

0:20:44.880 --> 0:20:47.680
<v Speaker 1>definitely on the low end of caring about it, it's

0:20:47.720 --> 0:20:53.159
<v Speaker 1>just a great collection of people and personalities, um. And

0:20:53.200 --> 0:20:56.560
<v Speaker 1>it makes it very much about how these personalities interacted

0:20:56.680 --> 0:20:59.439
<v Speaker 1>and what, you know, what made that work and not

0:20:59.520 --> 0:21:02.480
<v Speaker 1>work for teams. And it's a lot about the corporate medaling,

0:21:02.560 --> 0:21:06.160
<v Speaker 1>about how the league got involved and fucked up good

0:21:06.280 --> 0:21:10.919
<v Speaker 1>arrangements and sucked over great players. Um Scottie Pippen is

0:21:10.960 --> 0:21:13.520
<v Speaker 1>the focus of the second episode. It's all it's very

0:21:13.680 --> 0:21:16.000
<v Speaker 1>it's very discursive in a way that I like, who

0:21:16.080 --> 0:21:20.720
<v Speaker 1>are the villains? The villains? Jake Kang disagrees with me,

0:21:20.760 --> 0:21:24.600
<v Speaker 1>But the main villain is Jerry Krause, who uh basically

0:21:24.600 --> 0:21:28.520
<v Speaker 1>breaks up like the threatens to break up the the

0:21:28.600 --> 0:21:33.400
<v Speaker 1>championship winning bowls. Um Scottie Pippen signs like a bad

0:21:33.480 --> 0:21:37.199
<v Speaker 1>overall deal because for reasons that make perfect sense that

0:21:37.240 --> 0:21:39.760
<v Speaker 1>he's like I need to like buy my mom a house,

0:21:40.040 --> 0:21:42.320
<v Speaker 1>you know, and like they offered him eighteen million and

0:21:42.359 --> 0:21:44.600
<v Speaker 1>he takes it. But then he gets to a point

0:21:44.680 --> 0:21:47.000
<v Speaker 1>where it's like he could be making so much more

0:21:47.080 --> 0:21:50.560
<v Speaker 1>money and he's like the second best player in the

0:21:50.640 --> 0:21:53.040
<v Speaker 1>league or something on the best team in the league,

0:21:53.160 --> 0:21:57.320
<v Speaker 1>but he is making he's like very low on on

0:21:57.920 --> 0:22:00.720
<v Speaker 1>you know, in terms of getting paid. They talk a

0:22:00.720 --> 0:22:03.920
<v Speaker 1>lot about the way that the league exploits players, and

0:22:04.240 --> 0:22:05.719
<v Speaker 1>you know how you have to be sort of like

0:22:06.119 --> 0:22:09.760
<v Speaker 1>so happy to do anything for the league. Uh. But

0:22:09.800 --> 0:22:11.880
<v Speaker 1>obviously if you get injured, they kind of stopped giving

0:22:11.880 --> 0:22:15.680
<v Speaker 1>a funk about you. But it's really about it's about

0:22:15.680 --> 0:22:22.080
<v Speaker 1>the late nineties, about Michael Jordan's retirement, and it's ten episodes.

0:22:22.119 --> 0:22:25.119
<v Speaker 1>I've watched four so far. It's coming out weekly on Sundays,

0:22:25.200 --> 0:22:27.439
<v Speaker 1>and it's like a big event that everybody's enjoying watching.

0:22:28.240 --> 0:22:31.199
<v Speaker 1>Can I ask what it's called the Last Dance? Um

0:22:31.280 --> 0:22:33.600
<v Speaker 1>Our producer Joel says she actually knows why it's called

0:22:33.640 --> 0:22:36.840
<v Speaker 1>the Last Dance, so uh. An episode one, Phil Jackson

0:22:36.920 --> 0:22:38.840
<v Speaker 1>talks about how at the top of each year he

0:22:38.840 --> 0:22:40.960
<v Speaker 1>would set up sort of a theme or a mantra

0:22:41.080 --> 0:22:42.800
<v Speaker 1>for the team in order to focus them on a

0:22:42.800 --> 0:22:45.439
<v Speaker 1>singular goal. Uh. He was pretty sure this was going

0:22:45.520 --> 0:22:47.639
<v Speaker 1>to be his last season, and so he coined this

0:22:47.800 --> 0:22:49.840
<v Speaker 1>term the last Dance, and they were all sort of

0:22:49.840 --> 0:22:53.080
<v Speaker 1>trying to make that last dance a memorable one. Nice

0:22:53.160 --> 0:22:58.720
<v Speaker 1>thank you, Joel. So the first episode is focused basically

0:22:58.720 --> 0:23:01.600
<v Speaker 1>on Michael Jordan's, the second episode is sort of focused

0:23:01.640 --> 0:23:05.320
<v Speaker 1>around Scottie Pippen, and then the third episode is Dennis Rodman,

0:23:06.160 --> 0:23:08.200
<v Speaker 1>and then episode four it starts to like weave these

0:23:08.320 --> 0:23:10.320
<v Speaker 1>They're all being woven together the whole time, which is

0:23:10.320 --> 0:23:11.919
<v Speaker 1>also why I like it. It kind of jumps around

0:23:11.920 --> 0:23:16.320
<v Speaker 1>in time and uh, in in careers, in stories a

0:23:16.359 --> 0:23:20.040
<v Speaker 1>lot um in a way that some people have said

0:23:20.040 --> 0:23:22.040
<v Speaker 1>they find confusing, But I think it's fine. You can

0:23:22.080 --> 0:23:24.600
<v Speaker 1>just follow what year it is by how long people's

0:23:24.600 --> 0:23:29.240
<v Speaker 1>shorts are. Is it the country music of nineties n

0:23:29.280 --> 0:23:34.919
<v Speaker 1>b A. It kind of is. Actually it's some, but

0:23:35.000 --> 0:23:38.520
<v Speaker 1>it's it's better than country music because it's got interviews

0:23:38.520 --> 0:23:41.760
<v Speaker 1>with everybody. And so it's got interviews from the time

0:23:41.800 --> 0:23:45.080
<v Speaker 1>period where somebody was just filming their entire season, the

0:23:45.160 --> 0:23:48.760
<v Speaker 1>Bowl season, and then it's got interviews with everybody in

0:23:48.800 --> 0:23:54.080
<v Speaker 1>the present day in their mansions, like reflecting on their lives. Um.

0:23:54.520 --> 0:23:57.320
<v Speaker 1>And that part is also really interesting. And one of

0:23:57.359 --> 0:23:59.640
<v Speaker 1>the interesting things about it is that Michael Jordan wears

0:23:59.640 --> 0:24:03.200
<v Speaker 1>a ball chain necklace in one of the interview setups,

0:24:03.960 --> 0:24:06.440
<v Speaker 1>and he wears these like huge pants all the time,

0:24:06.840 --> 0:24:09.199
<v Speaker 1>like Jinko type pants. And that was just like, I

0:24:09.240 --> 0:24:11.840
<v Speaker 1>had this realization last night where I was like, oh,

0:24:11.880 --> 0:24:15.320
<v Speaker 1>he dresses like a raver. He dresses like the ravers

0:24:15.359 --> 0:24:20.200
<v Speaker 1>I knew who also listened to Sublime. Just be kind

0:24:20.240 --> 0:24:23.960
<v Speaker 1>of like a proto like SoundCloud rapper a little bit

0:24:24.520 --> 0:24:27.560
<v Speaker 1>as like a cultural figure somebody like that. Just freaks

0:24:27.600 --> 0:24:31.400
<v Speaker 1>out parents. Well that's Rodman. Yeah, ro oh, I thought

0:24:31.400 --> 0:24:34.119
<v Speaker 1>you were talking about Dennis Roman. So that's where funny

0:24:34.280 --> 0:24:39.160
<v Speaker 1>Jordan wears the ball chain necklace. That's awesome. Rodman kind

0:24:39.160 --> 0:24:42.159
<v Speaker 1>of dresses like an old new metal guy, which is

0:24:42.200 --> 0:24:46.600
<v Speaker 1>also really cool. Um. But yeah, young Rodman, I guess

0:24:46.600 --> 0:24:49.760
<v Speaker 1>if you had never seen him before, does feel like

0:24:49.840 --> 0:24:53.879
<v Speaker 1>kind of a revelation because even for people who didn't

0:24:53.880 --> 0:24:58.040
<v Speaker 1>watch basketball, he was such like a rock star of basketball.

0:24:58.720 --> 0:25:03.560
<v Speaker 1>He looked very cool and it seemed very cool. But I,

0:25:03.720 --> 0:25:07.000
<v Speaker 1>as a person who didn't really know anything about the bulls. Uh.

0:25:07.200 --> 0:25:10.600
<v Speaker 1>I had watched the Bad Boys documentary about the Detroit Pistons,

0:25:10.800 --> 0:25:14.399
<v Speaker 1>which was where Rodman came up, was in this team

0:25:14.640 --> 0:25:18.199
<v Speaker 1>in Detroit. That's also an amazing ESPN documentary that I

0:25:18.320 --> 0:25:21.440
<v Speaker 1>super recommend about the Bad Boys, um, which was about

0:25:21.480 --> 0:25:25.119
<v Speaker 1>they basically just started playing really physical and kind of

0:25:25.160 --> 0:25:27.760
<v Speaker 1>dirty because they were like nobody likes us because we're

0:25:27.800 --> 0:25:32.080
<v Speaker 1>Detroit and in flagrant fouling. I guess, like Joel fact check,

0:25:32.560 --> 0:25:36.119
<v Speaker 1>why were they allowed to foul everybody so hard? In

0:25:36.200 --> 0:25:38.879
<v Speaker 1>the eighties. So back in the day before NBA became

0:25:39.320 --> 0:25:44.280
<v Speaker 1>a major sports ball franchise, it was um like very

0:25:44.320 --> 0:25:46.400
<v Speaker 1>low rent. So in other words, players were getting paid

0:25:46.400 --> 0:25:47.760
<v Speaker 1>a lot. A lot of them. This was their second

0:25:47.800 --> 0:25:49.760
<v Speaker 1>job they were doing. They were basically like the cheerleaders

0:25:49.760 --> 0:25:51.800
<v Speaker 1>are today, where they're like, yeah, you came into here,

0:25:51.840 --> 0:25:54.320
<v Speaker 1>here's a little chunk of change, go home or whatever. Um.

0:25:54.480 --> 0:25:58.200
<v Speaker 1>And so it wasn't uh standards and rules and all.

0:25:58.280 --> 0:26:00.000
<v Speaker 1>That was kind of like whatever, we're playing a game,

0:26:00.240 --> 0:26:03.719
<v Speaker 1>beat men like punch each other, It's fine. Uh. And

0:26:03.760 --> 0:26:05.439
<v Speaker 1>they just kind of had to eventually grow out of

0:26:05.440 --> 0:26:07.119
<v Speaker 1>that because that we can't be having players who was

0:26:07.200 --> 0:26:09.320
<v Speaker 1>for violence and things like that. But yeah, back in

0:26:09.320 --> 0:26:11.720
<v Speaker 1>the day, it was anything goes. Yeah, our producer, Zach

0:26:11.760 --> 0:26:13.919
<v Speaker 1>Are the producer also says that people got hurt a

0:26:13.920 --> 0:26:17.160
<v Speaker 1>lot over the years and that was why they reformed it. Basically,

0:26:17.200 --> 0:26:18.919
<v Speaker 1>the Pistons are like, let's see how far we can

0:26:18.960 --> 0:26:23.000
<v Speaker 1>push it. Let's just turn it into hockey kind of um.

0:26:23.720 --> 0:26:26.040
<v Speaker 1>Everybody else thought that like wasn't a classy form of

0:26:26.080 --> 0:26:29.720
<v Speaker 1>basketball to play, but super good TV, super good TV,

0:26:29.840 --> 0:26:32.159
<v Speaker 1>and like super good for sports. And so the Bulls

0:26:32.160 --> 0:26:34.399
<v Speaker 1>were kind of this prestige team and there was this

0:26:34.440 --> 0:26:38.240
<v Speaker 1>whole thing about that when they went to play the Pistons.

0:26:38.280 --> 0:26:40.840
<v Speaker 1>The Pistons had a set of rules for Jordan's that

0:26:40.880 --> 0:26:43.600
<v Speaker 1>they called the Jordan's Rules, which is the name of

0:26:43.640 --> 0:26:46.480
<v Speaker 1>the tell all book about Jordan's that my brother red

0:26:46.520 --> 0:26:48.359
<v Speaker 1>and told me all the good parts from. And it

0:26:48.440 --> 0:26:52.000
<v Speaker 1>was basically just like a strategy for playing against Jordan,

0:26:52.080 --> 0:26:54.560
<v Speaker 1>who they all agreed was like if he gets off

0:26:54.560 --> 0:26:57.000
<v Speaker 1>the ground, you're you're fucked, you know, like keep him

0:26:57.040 --> 0:27:00.320
<v Speaker 1>on the ground. It wasn't like hit him in the face.

0:27:00.480 --> 0:27:01.840
<v Speaker 1>It was a little bit hit him in the face,

0:27:01.960 --> 0:27:03.680
<v Speaker 1>and it was kind of just like play as rough

0:27:03.720 --> 0:27:06.760
<v Speaker 1>as you possibly can to keep him from from getting

0:27:06.840 --> 0:27:10.640
<v Speaker 1>to the basket. And it worked. But then, like sports

0:27:10.640 --> 0:27:13.480
<v Speaker 1>broadcasters did not like it because they were like, we

0:27:13.600 --> 0:27:16.800
<v Speaker 1>have this narrative going about Michael Jordan's and he's the greatest,

0:27:16.920 --> 0:27:20.119
<v Speaker 1>and like a bunch of you know, roughnecks, like fucking

0:27:20.160 --> 0:27:23.080
<v Speaker 1>it up isn't part of our narrative. The Pistons are

0:27:23.119 --> 0:27:26.760
<v Speaker 1>all great, they all show up in interviews, they're probably there.

0:27:27.320 --> 0:27:30.280
<v Speaker 1>They're chiller than the bulls um because they're all kind

0:27:30.280 --> 0:27:33.080
<v Speaker 1>of like, yeah, yeah, we did that stuff like it was.

0:27:33.480 --> 0:27:35.760
<v Speaker 1>It was cool. There weren't any rules yet, you could

0:27:35.760 --> 0:27:39.439
<v Speaker 1>do it. It was fine. Basketball in general always makes me.

0:27:39.520 --> 0:27:41.480
<v Speaker 1>It gives me the Y two ks. I mean this

0:27:41.640 --> 0:27:44.400
<v Speaker 1>year obviously we were talking, We've all everybody's been talking

0:27:44.440 --> 0:27:47.760
<v Speaker 1>about the Lakers because of Kobe dying Um and the

0:27:47.840 --> 0:27:51.320
<v Speaker 1>Lakers won two championships in a row. I think Joel

0:27:51.400 --> 0:27:53.359
<v Speaker 1>and Zack might know better than I do, But I

0:27:53.400 --> 0:27:55.520
<v Speaker 1>thought in two thousand and two thousand and one, is

0:27:55.520 --> 0:28:01.119
<v Speaker 1>that right? Uh? Didn't didn't they win in two? I

0:28:01.160 --> 0:28:04.119
<v Speaker 1>want to say maybe then too. But in terms of

0:28:04.160 --> 0:28:07.000
<v Speaker 1>like Y two k it was a big time for

0:28:07.040 --> 0:28:09.720
<v Speaker 1>the Lakers. It's kind of like it introduces all these

0:28:09.720 --> 0:28:13.040
<v Speaker 1>teams that became sort of like the brand name. They're

0:28:13.080 --> 0:28:15.800
<v Speaker 1>like bands. They're just exactly like bands. It's like a

0:28:15.880 --> 0:28:18.560
<v Speaker 1>music documentary. It's like people that had to get along

0:28:18.600 --> 0:28:21.320
<v Speaker 1>with each other in order to work and had like

0:28:21.400 --> 0:28:25.080
<v Speaker 1>interpersonal conflicts that they had to keep off the you know,

0:28:25.119 --> 0:28:28.440
<v Speaker 1>the court, but the behind the scenes stuff is great.

0:28:28.800 --> 0:28:31.000
<v Speaker 1>We have, don't we have to address our feelings about

0:28:31.080 --> 0:28:34.800
<v Speaker 1>Dennis Rodman, and because I want to hear what you

0:28:34.840 --> 0:28:38.440
<v Speaker 1>guys think about your impressions of Dennis Rodman, especially when

0:28:38.480 --> 0:28:41.400
<v Speaker 1>he first kind of came onto the scene. Oh nice,

0:28:41.400 --> 0:28:44.000
<v Speaker 1>Oh wait, Joel just confirms that the Lakers won the

0:28:44.080 --> 0:28:49.480
<v Speaker 1>championship two thousand, two thousand one, and two thousand two. Here.

0:28:49.560 --> 0:28:53.600
<v Speaker 1>I love it, I love thank you. I just remember

0:28:53.640 --> 0:28:57.800
<v Speaker 1>when when we graduated from high school in two thousand one, Um,

0:28:57.840 --> 0:29:00.200
<v Speaker 1>I was like in a or I guess it wasn't

0:29:00.200 --> 0:29:02.040
<v Speaker 1>when we graduated, but there was like when they won

0:29:02.040 --> 0:29:04.840
<v Speaker 1>the championship in two thousand one. Um, I was out

0:29:04.840 --> 0:29:06.760
<v Speaker 1>with a bunch of my friends and we were on

0:29:06.840 --> 0:29:09.400
<v Speaker 1>Sunset on the Sunset Strip, and everyone was like hanking

0:29:09.400 --> 0:29:11.360
<v Speaker 1>and had Lakers flags. And everything, and I was like,

0:29:11.400 --> 0:29:14.880
<v Speaker 1>maybe I care about the basketball now, well, maybe I

0:29:14.880 --> 0:29:19.080
<v Speaker 1>could play baste day. That's the main aspect that I

0:29:19.080 --> 0:29:22.479
<v Speaker 1>don't like about sports is the like city nationalism, because like,

0:29:22.600 --> 0:29:24.960
<v Speaker 1>who cares, you know, I don't think my city is

0:29:25.000 --> 0:29:27.600
<v Speaker 1>better than other cities. It's not about your city being

0:29:27.600 --> 0:29:30.200
<v Speaker 1>better than other cities. I mean, I I'm a Dodgers fan.

0:29:30.400 --> 0:29:34.480
<v Speaker 1>Like I I do enjoy that a lot. I enjoyn Scully,

0:29:34.600 --> 0:29:37.560
<v Speaker 1>I enjoy like the camaraderie. I gotta say. I like

0:29:37.720 --> 0:29:40.920
<v Speaker 1>city nationalism, not in my sterious like let's start a

0:29:40.960 --> 0:29:48.600
<v Speaker 1>warway but baby fascism. You'm not cheering for it to right,

0:29:48.720 --> 0:29:50.960
<v Speaker 1>but like and you like the New Orleans Saints. I

0:29:51.040 --> 0:29:53.960
<v Speaker 1>love it despite the fact that I think that that's

0:29:54.080 --> 0:29:56.480
<v Speaker 1>I don't love it because the sports teams are good,

0:29:56.640 --> 0:29:59.840
<v Speaker 1>Like that's yeah, but the sports teams are kind of

0:29:59.880 --> 0:30:04.040
<v Speaker 1>just an accessory to it. Like I like, I like feeling,

0:30:04.360 --> 0:30:08.320
<v Speaker 1>like you know, I think that sports is one of

0:30:08.320 --> 0:30:10.000
<v Speaker 1>the good things about it is that it is a

0:30:10.120 --> 0:30:12.200
<v Speaker 1>nice way to just like, you know, sit at a

0:30:12.240 --> 0:30:14.240
<v Speaker 1>bar and talk to somebody that you might not talk

0:30:14.280 --> 0:30:16.600
<v Speaker 1>to otherwise. When I had my brief like dalliance with

0:30:16.680 --> 0:30:19.320
<v Speaker 1>being an into football that was sort of fun. Football

0:30:19.440 --> 0:30:22.120
<v Speaker 1>is a super evil institution, but like sometimes it was

0:30:22.160 --> 0:30:25.120
<v Speaker 1>fun to just like chat with somebody at a bar,

0:30:25.400 --> 0:30:27.600
<v Speaker 1>and I think that that's like, that's like a fun

0:30:27.680 --> 0:30:29.480
<v Speaker 1>thing and it makes and it does make me feel

0:30:29.520 --> 0:30:31.440
<v Speaker 1>more even though I was never talking about l A

0:30:31.440 --> 0:30:33.440
<v Speaker 1>football because there wasn't l A football yet. When I

0:30:33.480 --> 0:30:37.160
<v Speaker 1>was watching football, like it was sort of I don't know,

0:30:37.240 --> 0:30:39.840
<v Speaker 1>it was just something to another way to kind of

0:30:40.160 --> 0:30:43.920
<v Speaker 1>cross the bridge or something to people. Um I, but

0:30:44.040 --> 0:30:47.680
<v Speaker 1>I will say that the downside of that, like when

0:30:47.840 --> 0:30:51.880
<v Speaker 1>the actual hooliganism enters into it, because my memory, I

0:30:51.920 --> 0:30:56.200
<v Speaker 1>wasn't around in l A for those championships around like two.

0:30:57.800 --> 0:31:01.320
<v Speaker 1>I was here for the one and that I remember

0:31:01.440 --> 0:31:04.440
<v Speaker 1>really really vividly because I was out at a bar

0:31:05.400 --> 0:31:08.120
<v Speaker 1>on Sunset. Sunset seems to be the place to be

0:31:08.200 --> 0:31:12.560
<v Speaker 1>a championship, and uh, I remember it was. It was

0:31:12.640 --> 0:31:17.000
<v Speaker 1>Mission Mission Takaria, yeah, um, which is still there, but

0:31:17.120 --> 0:31:19.240
<v Speaker 1>like in the shadow of the Big Death Star Emerson

0:31:19.360 --> 0:31:23.680
<v Speaker 1>Campus now um and I lived around the corner from there,

0:31:24.520 --> 0:31:26.400
<v Speaker 1>and we saw on the TV at the TV that

0:31:26.480 --> 0:31:29.400
<v Speaker 1>they won and then there was this like weird kind

0:31:29.440 --> 0:31:32.360
<v Speaker 1>of thing that went over the bar where everybody was

0:31:32.440 --> 0:31:35.960
<v Speaker 1>like I'm leaving, I'm gonna go home because it's about

0:31:36.000 --> 0:31:39.240
<v Speaker 1>to get crazy out here. And it did. Like people

0:31:39.280 --> 0:31:42.880
<v Speaker 1>were setting fires and overturning trash like like dumpster that

0:31:42.960 --> 0:31:46.120
<v Speaker 1>was like that. That was like the one good sports. Wait,

0:31:46.240 --> 0:31:48.400
<v Speaker 1>that's the good stuff I thought you hated, like the

0:31:49.240 --> 0:31:52.320
<v Speaker 1>saying that's part. It's part of it is like the

0:31:52.440 --> 0:31:57.440
<v Speaker 1>over you know, it's like I think I'm just just

0:31:57.560 --> 0:31:59.640
<v Speaker 1>you get people in the stadium. It's a little bit

0:31:59.680 --> 0:32:02.880
<v Speaker 1>like a rally. You know, there's there's a lot of good.

0:32:02.600 --> 0:32:06.200
<v Speaker 1>You like when people go and like burn shipped down

0:32:06.320 --> 0:32:10.960
<v Speaker 1>after their team by a billionaire like one a sports

0:32:11.000 --> 0:32:14.600
<v Speaker 1>game because I like when they defaced l A Live. Well,

0:32:14.600 --> 0:32:16.960
<v Speaker 1>they were defacing more than l A Live. Like we

0:32:17.080 --> 0:32:19.800
<v Speaker 1>were like overturning cop cars and ship like that's cool.

0:32:20.280 --> 0:32:23.360
<v Speaker 1>They were also overturning other people's cars to I mean,

0:32:23.440 --> 0:32:27.080
<v Speaker 1>and it's like it's like I'm I'm I'm totally here

0:32:27.120 --> 0:32:29.360
<v Speaker 1>for that if it's for a political reason and it's

0:32:29.400 --> 0:32:32.040
<v Speaker 1>like to send a message. But it's like the Lakers one,

0:32:33.160 --> 0:32:36.520
<v Speaker 1>let's destroy some property, Like and I were in Providence,

0:32:36.560 --> 0:32:38.480
<v Speaker 1>we were in college when the Red Sox one the

0:32:38.480 --> 0:32:41.120
<v Speaker 1>World Series for the first time in a billion years.

0:32:41.120 --> 0:32:43.960
<v Speaker 1>And I remember because we went to Legal Seafood. We

0:32:44.080 --> 0:32:46.280
<v Speaker 1>drove to Legal Seafood and we were driving back to

0:32:46.360 --> 0:32:49.280
<v Speaker 1>Providence and there were fireworks and we were both like,

0:32:49.320 --> 0:32:51.920
<v Speaker 1>what the fund is happening? And we were listening to

0:32:53.960 --> 0:32:56.760
<v Speaker 1>and it was very magical. You may have been don't

0:32:56.760 --> 0:32:59.160
<v Speaker 1>you dare diss you know, but I remember we were like,

0:32:59.240 --> 0:33:01.040
<v Speaker 1>what is it? Because we were both so out of

0:33:01.040 --> 0:33:02.640
<v Speaker 1>it we didn't know. And then we were like, oh,

0:33:02.720 --> 0:33:05.520
<v Speaker 1>the Red Sox one. Although I have to say that

0:33:05.560 --> 0:33:08.240
<v Speaker 1>the Red Sox so my parents are Red Sox fans

0:33:08.280 --> 0:33:10.400
<v Speaker 1>because they're both from Boston and then but then they

0:33:10.400 --> 0:33:13.360
<v Speaker 1>moved to New York and they growing up, I was

0:33:13.400 --> 0:33:17.000
<v Speaker 1>always fascinated by how much they hated the Yankees because

0:33:17.040 --> 0:33:19.960
<v Speaker 1>they were terrible at explaining it, and it was like,

0:33:20.000 --> 0:33:22.800
<v Speaker 1>because they're the Yankees because we like the reds And

0:33:22.800 --> 0:33:24.800
<v Speaker 1>I was like, but give me more, because I'm five

0:33:24.880 --> 0:33:26.640
<v Speaker 1>years old and it makes no sense. And it's like

0:33:26.800 --> 0:33:30.560
<v Speaker 1>because fun, That's what I'm saying, is like the part

0:33:30.760 --> 0:33:34.080
<v Speaker 1>of sports fandom that is like our place. You know,

0:33:34.640 --> 0:33:37.960
<v Speaker 1>Springfield is good and Shelbyville is bad, and like the

0:33:38.000 --> 0:33:41.280
<v Speaker 1>Springfield will win because like Shelbyville is evil, and it's

0:33:41.280 --> 0:33:45.120
<v Speaker 1>like as long as it's kind of a it's a joke,

0:33:45.320 --> 0:33:47.719
<v Speaker 1>you know, it's not serious, Like when I tell like

0:33:47.760 --> 0:33:49.920
<v Speaker 1>when I meet somebody from USC and I say, like,

0:33:50.000 --> 0:33:52.200
<v Speaker 1>we can't be friends. It's so stupid. I never went

0:33:52.240 --> 0:33:55.440
<v Speaker 1>to a single game, Like, I just like, it's just

0:33:55.480 --> 0:33:57.480
<v Speaker 1>sort of a dumb joke. It's like, and it's also

0:33:57.760 --> 0:34:00.760
<v Speaker 1>on this side, like like Emily is saying, when you

0:34:01.080 --> 0:34:03.680
<v Speaker 1>find it's the one thing you have in common with someone,

0:34:04.000 --> 0:34:06.200
<v Speaker 1>you know, it can be like a nice form of camaraderie.

0:34:06.280 --> 0:34:09.520
<v Speaker 1>I definitely find that with the Dodgers, although there's often

0:34:09.760 --> 0:34:12.880
<v Speaker 1>some tension depending on how many Giants fans are like

0:34:12.920 --> 0:34:15.319
<v Speaker 1>with you in your group or whatever. But I mean

0:34:15.560 --> 0:34:18.719
<v Speaker 1>it's you can start a conversation with someone about what's

0:34:18.719 --> 0:34:21.719
<v Speaker 1>happening that you're watching. It's it's such a like weird

0:34:21.840 --> 0:34:23.640
<v Speaker 1>kind of unique thing. It's not like you go to

0:34:23.680 --> 0:34:25.920
<v Speaker 1>a concert and you start like talking to the person

0:34:25.960 --> 0:34:28.920
<v Speaker 1>next to you, like what you think, It's just another show,

0:34:29.080 --> 0:34:31.280
<v Speaker 1>except you can watch the show in a huge arena

0:34:31.480 --> 0:34:34.040
<v Speaker 1>and there are good hot dogs from The problem I

0:34:34.040 --> 0:34:37.960
<v Speaker 1>think also with basketball in Los Angeles is that the

0:34:38.080 --> 0:34:41.880
<v Speaker 1>Lakers are like prohibitably expensive to see, because yeah, I

0:34:41.880 --> 0:34:46.000
<v Speaker 1>would never I've never been to a Laker game. I've

0:34:46.040 --> 0:34:49.120
<v Speaker 1>seen a w NBA game that I went to a

0:34:49.120 --> 0:34:51.880
<v Speaker 1>couple of years ago, and I like wouldn't stop talking

0:34:51.920 --> 0:34:54.759
<v Speaker 1>about it because it was so fun and it was

0:34:54.800 --> 0:34:58.880
<v Speaker 1>like a sports event with no like bullshit. I was like, Oh,

0:34:59.040 --> 0:35:03.000
<v Speaker 1>like a dad's brought their daughters here and it's all

0:35:03.080 --> 0:35:07.640
<v Speaker 1>like big groups of women just like no, no, just

0:35:08.160 --> 0:35:12.480
<v Speaker 1>macho bullshit. I guess, um, yeah, sports without I was like, oh,

0:35:12.520 --> 0:35:15.200
<v Speaker 1>there can be sports without macho bullshit. Like I didn't

0:35:15.200 --> 0:35:17.719
<v Speaker 1>even know what that looked like in real life. I

0:35:17.719 --> 0:35:19.719
<v Speaker 1>would love to go to a Sparks game. I've been

0:35:19.760 --> 0:35:24.759
<v Speaker 1>to at of three, uh three pro basketball games in

0:35:24.800 --> 0:35:29.120
<v Speaker 1>my life. One was the team formerly known as the

0:35:29.120 --> 0:35:33.600
<v Speaker 1>Seattle Sonics um when they were the Kingdom was being

0:35:34.000 --> 0:35:36.360
<v Speaker 1>repaired some time before they decided to just tear it

0:35:36.400 --> 0:35:38.759
<v Speaker 1>down all together. I really love I have like a

0:35:38.880 --> 0:35:40.719
<v Speaker 1>very soft spot in my heart for the Kingdom. But

0:35:41.360 --> 0:35:45.520
<v Speaker 1>they were playing their games at the Tacoma Dome in Tacoma,

0:35:45.719 --> 0:35:47.760
<v Speaker 1>so I went there and I got in a huge

0:35:47.760 --> 0:35:50.920
<v Speaker 1>fight with my friend that I went with because um

0:35:51.000 --> 0:35:53.279
<v Speaker 1>that they did a T shirt cannon and she like

0:35:53.440 --> 0:35:55.920
<v Speaker 1>knocked me out of the way to get a T shirt.

0:35:56.719 --> 0:36:00.560
<v Speaker 1>I was so mad at you're gonna say the T

0:36:00.680 --> 0:36:03.439
<v Speaker 1>shirt cannon knocked you out. I don't know, my friend

0:36:03.560 --> 0:36:06.880
<v Speaker 1>knocked me out? Uh and then uh. And then I

0:36:07.320 --> 0:36:09.000
<v Speaker 1>did go to a Lakers game. I've been to a

0:36:09.080 --> 0:36:10.480
<v Speaker 1>Lakers game, but it was when I worked for a

0:36:10.520 --> 0:36:12.960
<v Speaker 1>nonprofit and they would the donors to It was like

0:36:12.960 --> 0:36:15.600
<v Speaker 1>an after school program, so sometimes donors would give their

0:36:15.640 --> 0:36:18.920
<v Speaker 1>leg box seats, like really amazing seats to games. So

0:36:19.000 --> 0:36:21.360
<v Speaker 1>I like was in a skybox for Lakers game, but

0:36:21.400 --> 0:36:23.000
<v Speaker 1>I like didn't know what was going on. So I

0:36:23.000 --> 0:36:24.960
<v Speaker 1>was just like doing a crossword puzzle on the couch

0:36:24.960 --> 0:36:26.759
<v Speaker 1>in the lounge, like, and the kids were all like

0:36:26.800 --> 0:36:29.480
<v Speaker 1>having a great time. I was just like I went

0:36:29.520 --> 0:36:32.879
<v Speaker 1>to the w NBA game with a dance team called

0:36:32.880 --> 0:36:35.000
<v Speaker 1>the Divas of Compton, who I was writing about for

0:36:35.040 --> 0:36:38.719
<v Speaker 1>a sports magazine called Victory Um, and they were doing

0:36:38.719 --> 0:36:42.279
<v Speaker 1>the halftime show and it was great because I got

0:36:42.360 --> 0:36:46.000
<v Speaker 1>to like go early and go backstage and the Staples Center,

0:36:46.440 --> 0:36:50.719
<v Speaker 1>which is just like a giant concrete labyrinth, and I

0:36:50.760 --> 0:36:54.440
<v Speaker 1>was so excited about that. I was like, oh, backstage

0:36:54.480 --> 0:36:57.040
<v Speaker 1>of like a weird stadium with all just the weird

0:36:57.280 --> 0:37:03.359
<v Speaker 1>doors and warehouse stuff of thing about stadiums that I like. Um,

0:37:03.400 --> 0:37:05.760
<v Speaker 1>stadiums are bad. Well, we're going to take a quick

0:37:05.800 --> 0:37:07.879
<v Speaker 1>ad break and when we come back a little more

0:37:08.000 --> 0:37:30.120
<v Speaker 1>sports and maybe another night email or night call. Hello,

0:37:30.239 --> 0:37:33.920
<v Speaker 1>we are back. Um, Molly, have you ever played any basketball? No,

0:37:34.120 --> 0:37:37.279
<v Speaker 1>my brother was good at basketball. I'm short. All my

0:37:37.320 --> 0:37:40.719
<v Speaker 1>sports dreams were dashed by being short. I'm sure too,

0:37:40.719 --> 0:37:42.480
<v Speaker 1>I'm the same height as you. I think you're not.

0:37:43.560 --> 0:37:46.640
<v Speaker 1>I'm five five, I'm five two. You're not five to

0:37:47.080 --> 0:37:48.799
<v Speaker 1>the last time I saw you. Well, I have a

0:37:48.800 --> 0:37:52.439
<v Speaker 1>lot of bone loss because I wear sneakers with some height.

0:37:52.480 --> 0:37:58.160
<v Speaker 1>Give me some height. Also, my grandmother was a high jumper,

0:37:58.280 --> 0:38:00.760
<v Speaker 1>like an award winning high jumper and like super tall.

0:38:01.320 --> 0:38:03.680
<v Speaker 1>So I was totally just waiting for my growth spurt

0:38:03.760 --> 0:38:06.400
<v Speaker 1>and it just didn't drinking of milk as a kid. Yeah,

0:38:06.640 --> 0:38:08.520
<v Speaker 1>and also just like the sports I could have been

0:38:08.560 --> 0:38:11.880
<v Speaker 1>good at, like soccer, Um, everybody was too good at soccer.

0:38:12.480 --> 0:38:15.880
<v Speaker 1>So Emily, I think you said you you are not

0:38:15.960 --> 0:38:19.160
<v Speaker 1>a basketball person. No. The only sport I've ever played

0:38:19.360 --> 0:38:24.480
<v Speaker 1>in any organized way was with softball. They did a

0:38:24.480 --> 0:38:27.480
<v Speaker 1>softball episode last night on vander Pump Rules, which I

0:38:27.520 --> 0:38:29.640
<v Speaker 1>was like, what a great idea. I mean on it,

0:38:29.719 --> 0:38:31.319
<v Speaker 1>like that is what I will say about sports. I

0:38:31.320 --> 0:38:33.080
<v Speaker 1>know I'm talking ship, but I'm also talking shit more

0:38:33.120 --> 0:38:36.799
<v Speaker 1>about sports leagues, I guess, and like the business of

0:38:36.840 --> 0:38:40.640
<v Speaker 1>sports than I am about playing actual sports, you know,

0:38:40.760 --> 0:38:45.840
<v Speaker 1>which is fun, I think sometimes sometimes. But I played

0:38:45.880 --> 0:38:49.120
<v Speaker 1>softball for a long time, like up until junior high

0:38:49.360 --> 0:38:51.920
<v Speaker 1>went again just like people got big and I didn't,

0:38:52.000 --> 0:38:55.759
<v Speaker 1>so it was like my time was over. Um, and

0:38:55.800 --> 0:38:57.880
<v Speaker 1>I loved I was like never very good, but I

0:38:57.920 --> 0:39:01.160
<v Speaker 1>just loved being on a team, and I loved talking

0:39:01.200 --> 0:39:07.120
<v Speaker 1>trash still do still do outside of a podcast. Should

0:39:07.120 --> 0:39:10.319
<v Speaker 1>we take a night email? Yeah, let's do it. So

0:39:10.360 --> 0:39:12.920
<v Speaker 1>we have a night email from Kate who writes to us.

0:39:13.560 --> 0:39:15.400
<v Speaker 1>I was wondering if you guys could talk about the

0:39:15.400 --> 0:39:18.800
<v Speaker 1>prevalence of forest green and bright purple as a color

0:39:18.880 --> 0:39:21.640
<v Speaker 1>palette in the mid to late nineties. It was just

0:39:21.719 --> 0:39:25.600
<v Speaker 1>so hideously ugly. Note the seattle spruce and track suit

0:39:25.640 --> 0:39:29.040
<v Speaker 1>colors in the piece I attached, which we can put

0:39:29.120 --> 0:39:31.759
<v Speaker 1>it in the show notes and the really scary patterns

0:39:31.800 --> 0:39:35.880
<v Speaker 1>like this been hands posts that we're everywhere. Also, Taco

0:39:35.960 --> 0:39:38.680
<v Speaker 1>Bell in the nineties were this color scheme, the purple

0:39:38.760 --> 0:39:41.720
<v Speaker 1>and the green. H So that comes to us from Kate.

0:39:41.800 --> 0:39:44.440
<v Speaker 1>Thank you, Kate. Um. We were talking a little bit

0:39:44.440 --> 0:39:48.640
<v Speaker 1>about Y two K color schemes, the purple and green.

0:39:48.800 --> 0:39:53.040
<v Speaker 1>I'm kind of surprised too to see that be cited

0:39:53.080 --> 0:39:55.600
<v Speaker 1>by somebody because that felt very specific to the Pacific

0:39:55.680 --> 0:39:59.000
<v Speaker 1>Northwest for me in the late nineties, but maybe it

0:39:59.080 --> 0:40:03.360
<v Speaker 1>was everywhere. The it's also like big Barney colors, like

0:40:03.360 --> 0:40:07.960
<v Speaker 1>like it's like Barney Barney Purple. Spacific Northwest had such

0:40:08.000 --> 0:40:11.160
<v Speaker 1>a huge influence on everything in the nineties, that's true.

0:40:11.320 --> 0:40:13.279
<v Speaker 1>I have to say that I'm a really big fan

0:40:13.480 --> 0:40:16.240
<v Speaker 1>of forest Green and I when we got this email,

0:40:16.280 --> 0:40:19.520
<v Speaker 1>I was like really aghast because I have a forest

0:40:19.600 --> 0:40:22.360
<v Speaker 1>green bathroom. That was like a bold choice that I made,

0:40:22.400 --> 0:40:23.839
<v Speaker 1>and I thought it was great. And then I went

0:40:23.880 --> 0:40:25.959
<v Speaker 1>in there and was like, is it okay? Because there's

0:40:25.960 --> 0:40:29.000
<v Speaker 1>no purple like it. But I think that the the

0:40:29.200 --> 0:40:32.720
<v Speaker 1>Y two K Forest Green had a lot more blue

0:40:32.760 --> 0:40:35.640
<v Speaker 1>in it than the current, Like it's more of a

0:40:35.719 --> 0:40:39.040
<v Speaker 1>like deep emerald without that much it's a true green.

0:40:39.160 --> 0:40:43.160
<v Speaker 1>It was like a dark teal more that the teal heels.

0:40:43.440 --> 0:40:47.360
<v Speaker 1>I don't like the nineties color. It was all of

0:40:47.400 --> 0:40:50.720
<v Speaker 1>the schools in my school district when I was growing

0:40:50.800 --> 0:40:53.759
<v Speaker 1>up in a Tacoma Like most of them were a

0:40:53.760 --> 0:40:56.600
<v Speaker 1>combination their colors of the schools, or a combination of

0:40:56.640 --> 0:41:02.279
<v Speaker 1>like teal, purple, gray, um blue, and like sometimes a

0:41:02.280 --> 0:41:06.640
<v Speaker 1>maroon in the college. I feel like the eighties were

0:41:06.640 --> 0:41:10.480
<v Speaker 1>all primary colors, and so the nineties were like nudes

0:41:10.560 --> 0:41:14.839
<v Speaker 1>and jewel tones. Yeah, where their nudes then too. I

0:41:14.880 --> 0:41:22.600
<v Speaker 1>think of them as being nineties late eighties becoming nudes

0:41:22.680 --> 0:41:24.799
<v Speaker 1>is eighties and then you still get it in the

0:41:24.880 --> 0:41:28.880
<v Speaker 1>nineties by like what I was talking about, the effect

0:41:29.040 --> 0:41:31.840
<v Speaker 1>of like it stays in it stays in the suburbs,

0:41:31.880 --> 0:41:34.960
<v Speaker 1>like a beige house, like a beige house, and like

0:41:35.000 --> 0:41:38.160
<v Speaker 1>a very prefab neighborhood will be very like a nude colored.

0:41:38.239 --> 0:41:41.680
<v Speaker 1>A lot of those interiors and like the Ryan Murphy shows,

0:41:41.719 --> 0:41:45.279
<v Speaker 1>like American American Crime Story specifically, like that is just

0:41:45.360 --> 0:41:47.600
<v Speaker 1>a really great work of art direction as far as

0:41:47.640 --> 0:41:52.759
<v Speaker 1>capturing I totally I hate all the houses that are

0:41:52.800 --> 0:41:56.040
<v Speaker 1>slate gray now yeah, So I don't like the houses

0:41:56.080 --> 0:42:00.279
<v Speaker 1>out here that are basically black. That's the slate, right. Weird,

0:42:00.400 --> 0:42:04.000
<v Speaker 1>that's but it's it's like it's aggressively dark. They're doing it.

0:42:04.160 --> 0:42:07.200
<v Speaker 1>They're doing it to like cover the beige, I guess,

0:42:07.640 --> 0:42:10.640
<v Speaker 1>but a lot of them are new construction. Somebody posted

0:42:10.880 --> 0:42:14.239
<v Speaker 1>a Victorian like a gingerbread house in San Francisco. That

0:42:14.320 --> 0:42:16.919
<v Speaker 1>someone did that too, and it made my heart die.

0:42:17.440 --> 0:42:20.080
<v Speaker 1>It's so and it's such a stupid choice because it's

0:42:20.080 --> 0:42:22.040
<v Speaker 1>going to heat your house so quickly, so it would

0:42:22.080 --> 0:42:23.919
<v Speaker 1>make sense to me in a place that was more

0:42:23.960 --> 0:42:27.399
<v Speaker 1>often cold than swelteringly hot. It's like you're murdering out

0:42:27.480 --> 0:42:30.200
<v Speaker 1>your house. Well, I think I actually think that that

0:42:30.320 --> 0:42:33.120
<v Speaker 1>is a reaction to so much new construction of the

0:42:33.200 --> 0:42:37.200
<v Speaker 1>like the McMansion variety being this very stark white where

0:42:37.200 --> 0:42:39.360
<v Speaker 1>they had these facades where it was like the windows

0:42:39.400 --> 0:42:41.399
<v Speaker 1>a lot of them had no shutters, there was nothing

0:42:41.400 --> 0:42:44.960
<v Speaker 1>to break up this like glaring whiteness. And they're huge,

0:42:45.080 --> 0:42:47.520
<v Speaker 1>so they it just it made them look even huger.

0:42:47.880 --> 0:42:49.880
<v Speaker 1>And I think that the they started working with the

0:42:49.960 --> 0:42:52.640
<v Speaker 1>dark slate gray. I remember the first one I saw

0:42:53.280 --> 0:42:56.200
<v Speaker 1>was in Echo Park. Um it was a like a

0:42:56.239 --> 0:42:59.040
<v Speaker 1>small lot ordinance development called the Blackbirds, and there was

0:42:59.080 --> 0:43:02.440
<v Speaker 1>a huge community response because they were like, these are

0:43:02.480 --> 0:43:05.400
<v Speaker 1>supposed to be smart homes, but you're painting them black.

0:43:05.520 --> 0:43:07.880
<v Speaker 1>They're gonna be like little furnaces. And I think the

0:43:07.920 --> 0:43:10.759
<v Speaker 1>response was like, but these are not. These aren't like

0:43:10.960 --> 0:43:13.920
<v Speaker 1>churned out, you know, new construction, Like they're different. They

0:43:13.920 --> 0:43:17.440
<v Speaker 1>were trying to differentiate it's just like just a signifier

0:43:17.480 --> 0:43:21.000
<v Speaker 1>of like this is a gentrification house, Well now it is.

0:43:21.080 --> 0:43:22.960
<v Speaker 1>I think they were trying to discuss it to be

0:43:23.040 --> 0:43:25.200
<v Speaker 1>like it's not don't think it's that. It's to try

0:43:25.239 --> 0:43:27.520
<v Speaker 1>to be like it's new because they're building like the

0:43:27.560 --> 0:43:30.919
<v Speaker 1>same types of apartments. Are getting off topic. Sorry, sorry,

0:43:31.080 --> 0:43:33.839
<v Speaker 1>we'll haring get back to the Y two K aesthetic. Yeah,

0:43:33.960 --> 0:43:36.799
<v Speaker 1>so tests linked to this article in Paper magazine. There

0:43:36.880 --> 0:43:40.400
<v Speaker 1>was just about an interview with a kind of uh

0:43:40.680 --> 0:43:43.520
<v Speaker 1>a historian, I guess of the Y two K aesthetic

0:43:43.840 --> 0:43:48.080
<v Speaker 1>um as this person who runs UM the blog Institute

0:43:48.080 --> 0:43:51.839
<v Speaker 1>for Why two K Aesthetics, Evan Collins, and um I

0:43:51.880 --> 0:43:56.120
<v Speaker 1>think that there is especially since the arrival of vapor

0:43:56.200 --> 0:43:58.640
<v Speaker 1>wave as like an Internet aesthetic, there's been a lot

0:43:58.680 --> 0:44:01.320
<v Speaker 1>of stuff that thinks it's like Y two K aesthetic,

0:44:01.440 --> 0:44:04.040
<v Speaker 1>But I appreciated this interview because it's like much more

0:44:04.080 --> 0:44:08.399
<v Speaker 1>granular and actually like it seems to be coming from

0:44:08.400 --> 0:44:12.320
<v Speaker 1>more experience than just like teenagers, you know, not to

0:44:12.360 --> 0:44:15.800
<v Speaker 1>sound like an ancient old person like teenagers who didn't

0:44:15.840 --> 0:44:20.040
<v Speaker 1>necessarily it's a different my reaction. I think I've said

0:44:20.040 --> 0:44:22.840
<v Speaker 1>this before, but like all the kids who dressed nineties

0:44:22.880 --> 0:44:25.200
<v Speaker 1>now where you're like, oh, it's like a stylized, kind

0:44:25.200 --> 0:44:29.359
<v Speaker 1>of cartoon version of nineties dressing, like oh, that's how

0:44:29.400 --> 0:44:32.680
<v Speaker 1>we dressed seventies in the nineties. But you know, he so,

0:44:32.719 --> 0:44:36.359
<v Speaker 1>this guy, Evan Collins says that he he kind of

0:44:36.400 --> 0:44:39.160
<v Speaker 1>thinks that the Y two K aesthetic began in like

0:44:40.440 --> 0:44:43.879
<v Speaker 1>three and lasted to two thousand three, So it kind

0:44:43.920 --> 0:44:47.520
<v Speaker 1>of like lines up with our theory loosely that that

0:44:47.760 --> 0:44:50.560
<v Speaker 1>the decades begin and end with the threes. But also

0:44:50.640 --> 0:44:53.520
<v Speaker 1>it does I mean, I think of it primarily with

0:44:53.640 --> 0:44:56.240
<v Speaker 1>the with the nineties stuff as being a music video

0:44:56.400 --> 0:44:59.800
<v Speaker 1>aesthetic that then kind of bled out from there. Um.

0:44:59.840 --> 0:45:02.080
<v Speaker 1>And he says that the key traits of the Y

0:45:02.200 --> 0:45:06.920
<v Speaker 1>two K aesthetic is like, um, the futuristic feel period,

0:45:07.200 --> 0:45:09.840
<v Speaker 1>which I'm look, I'm scrolling through this now there's like

0:45:09.880 --> 0:45:13.480
<v Speaker 1>a great one of left eye like wearing just the

0:45:13.560 --> 0:45:17.520
<v Speaker 1>most ridiculous Everything looks like um, like those jogging suits

0:45:17.520 --> 0:45:22.120
<v Speaker 1>that are supposed to make you like sweat more like yeah, yeah, yeah,

0:45:22.239 --> 0:45:24.120
<v Speaker 1>I think a lot of what I'm thinking about is

0:45:24.120 --> 0:45:27.239
<v Speaker 1>like high Williams video. Totally. Yeah, I'm not going to

0:45:27.400 --> 0:45:29.600
<v Speaker 1>list he does a whole list of all of the

0:45:29.840 --> 0:45:32.279
<v Speaker 1>Y two K aesthetic signifiers, but I'll just go through

0:45:32.280 --> 0:45:37.440
<v Speaker 1>a couple of them. Translucency like the iMac translucency, Grady

0:45:37.480 --> 0:45:43.239
<v Speaker 1>and blue yeah, bondy blue, motion, overlays, warping in perspective

0:45:43.280 --> 0:45:50.320
<v Speaker 1>like the fish eye, lens um curves and blobs, blobjects, futuristics.

0:45:50.760 --> 0:45:53.400
<v Speaker 1>It's really interesting because you can you're like, oh, okay, this,

0:45:53.640 --> 0:45:55.680
<v Speaker 1>you know, I now see that it is a really

0:45:55.800 --> 0:45:59.880
<v Speaker 1>cohesive aesthetic because it was all leading up to the future,

0:46:00.160 --> 0:46:03.160
<v Speaker 1>which was here two thousand. Yeah. But it was like

0:46:03.200 --> 0:46:05.319
<v Speaker 1>a very i would say, for the most part, a

0:46:05.440 --> 0:46:08.920
<v Speaker 1>very optimistic kind of future that sort of like was

0:46:09.000 --> 0:46:12.080
<v Speaker 1>taking its cues from a sort of sixties idea of

0:46:12.120 --> 0:46:15.200
<v Speaker 1>the future. It was kind of a world's faise. Yeah,

0:46:15.960 --> 0:46:18.880
<v Speaker 1>like with the like with the rave influence because I

0:46:18.920 --> 0:46:22.160
<v Speaker 1>think that, like it's interesting to point like on because

0:46:22.160 --> 0:46:24.839
<v Speaker 1>that kind of is when club culture starts to really

0:46:24.840 --> 0:46:28.080
<v Speaker 1>become a thing in the States. Totally. We got the

0:46:28.120 --> 0:46:31.040
<v Speaker 1>Summer of Love like three years late. Yeah, yeah, we're

0:46:31.080 --> 0:46:34.880
<v Speaker 1>related everything like that. But but yeah, so like that,

0:46:35.040 --> 0:46:38.319
<v Speaker 1>and then you you hear it in the music, and

0:46:38.360 --> 0:46:40.560
<v Speaker 1>then you see it in the fashion and everything, and

0:46:40.640 --> 0:46:43.320
<v Speaker 1>kind of there's right, and the idea the two thousand

0:46:43.360 --> 0:46:46.239
<v Speaker 1>was going to be like a world rave. Yeah, yeah,

0:46:46.320 --> 0:46:48.400
<v Speaker 1>well that's what everybody. I mean. Like, one of my

0:46:48.440 --> 0:46:51.160
<v Speaker 1>favorite Ye two K movies is Strange Days, which takes

0:46:51.360 --> 0:46:54.120
<v Speaker 1>place around UM takes place from like Christmas to New

0:46:54.200 --> 0:46:59.640
<v Speaker 1>Year's UM in the movie was made UM, but it

0:46:59.800 --> 0:47:04.160
<v Speaker 1>ends with this incredible party scene. It's like outside the

0:47:04.440 --> 0:47:07.040
<v Speaker 1>Bonaventure Hotel in downtown l A. And it's just like

0:47:07.080 --> 0:47:10.440
<v Speaker 1>this massive crowd of people and they actually did have

0:47:10.480 --> 0:47:12.920
<v Speaker 1>a huge concert where like a f X twin and

0:47:12.960 --> 0:47:14.880
<v Speaker 1>a bunch of other people played and they had like

0:47:14.920 --> 0:47:17.359
<v Speaker 1>a real rave and people went to the hospital because

0:47:17.360 --> 0:47:20.560
<v Speaker 1>of drug roverdoses like on the set of this movie. UM.

0:47:20.640 --> 0:47:23.160
<v Speaker 1>And that just seems like the epitome of like what

0:47:23.280 --> 0:47:26.759
<v Speaker 1>people thought that that moment was going to be like

0:47:26.880 --> 0:47:29.480
<v Speaker 1>just the biggest party. Right. It seems like all of

0:47:29.560 --> 0:47:32.080
<v Speaker 1>history you're like waiting for the release. You're waiting for

0:47:32.120 --> 0:47:34.360
<v Speaker 1>the drop. I would say, right now, we are waiting

0:47:34.360 --> 0:47:36.280
<v Speaker 1>for the drop too, and it is the most pressing

0:47:36.320 --> 0:47:37.960
<v Speaker 1>thing in the world to realize it is not going

0:47:37.960 --> 0:47:40.800
<v Speaker 1>to be a drop. It's just gonna be like a slow,

0:47:41.040 --> 0:47:44.359
<v Speaker 1>deep like de crescendo. It's also funny to be like ow,

0:47:44.360 --> 0:47:47.600
<v Speaker 1>instead of all being outside together, everyone's like inside alone.

0:47:48.400 --> 0:47:53.400
<v Speaker 1>Yeah again, never alone. It's if you have a family,

0:47:53.480 --> 0:47:56.040
<v Speaker 1>you've never been less alone in your life, like having

0:47:56.160 --> 0:47:59.120
<v Speaker 1>kids and generally not seeing them as much. I mean

0:47:59.160 --> 0:48:01.760
<v Speaker 1>that's what you're still in, like a quiet place the movie,

0:48:01.800 --> 0:48:05.480
<v Speaker 1>a quiet place you're like not really, I feel like

0:48:05.520 --> 0:48:10.360
<v Speaker 1>I'm in the loudest I think, whether you're with family

0:48:10.480 --> 0:48:13.400
<v Speaker 1>or not with family, like the thing the thing that

0:48:13.520 --> 0:48:16.440
<v Speaker 1>feels optimistic or like I guess if you're a person

0:48:16.440 --> 0:48:18.000
<v Speaker 1>who likes this sort of thing. But the thing that's

0:48:18.040 --> 0:48:20.520
<v Speaker 1>appealing to you about imagining a huge Y two K

0:48:20.840 --> 0:48:24.279
<v Speaker 1>esque party, for example, is not so much like the

0:48:24.360 --> 0:48:26.880
<v Speaker 1>fact of actually being around the other humans as it

0:48:26.920 --> 0:48:30.399
<v Speaker 1>is like kind of like sharing something again, like talking

0:48:30.400 --> 0:48:32.360
<v Speaker 1>about sports at a bar with a stranger, like sharing

0:48:32.400 --> 0:48:35.200
<v Speaker 1>something with somebody that you don't necessarily know, or like

0:48:35.280 --> 0:48:38.200
<v Speaker 1>having these kind of randomized moments just because you're in

0:48:38.200 --> 0:48:40.239
<v Speaker 1>a crowd and you're out in the world. Like that's

0:48:40.239 --> 0:48:42.759
<v Speaker 1>what we're missing right now. I have to be honest, though,

0:48:42.760 --> 0:48:44.600
<v Speaker 1>and I think, like this has been discussed a lot

0:48:44.640 --> 0:48:47.759
<v Speaker 1>on Twitter recently, is I don't know that I'm ever

0:48:47.840 --> 0:48:50.640
<v Speaker 1>going to be able to go back to enjoying some

0:48:50.760 --> 0:48:52.600
<v Speaker 1>of those things. I mean, the idea of being in

0:48:52.600 --> 0:48:57.280
<v Speaker 1>a huge crowd right now, even after that is like permissible,

0:48:57.760 --> 0:49:00.759
<v Speaker 1>I'm not sure I'm ever going to feel compelled to

0:49:01.040 --> 0:49:04.359
<v Speaker 1>or like comfortable doing that. I think everyone is like

0:49:04.480 --> 0:49:07.279
<v Speaker 1>people who lived through the Blitz and they're you know,

0:49:07.320 --> 0:49:10.600
<v Speaker 1>everyone's going to have PTSD from this. It's like it's

0:49:10.600 --> 0:49:14.239
<v Speaker 1>like a nine eleven just happening, just very slowly and

0:49:14.400 --> 0:49:18.680
<v Speaker 1>like everywhere. Yeah, I totally I feel the same way.

0:49:18.719 --> 0:49:21.319
<v Speaker 1>And it's really frustrating too, because it's like, on an

0:49:21.360 --> 0:49:24.040
<v Speaker 1>intellectual level, I want to be able to enjoy those

0:49:24.040 --> 0:49:27.200
<v Speaker 1>sorts of things, but I could already feel myself like

0:49:27.280 --> 0:49:30.759
<v Speaker 1>freaking out even about the smallest little interactions right now.

0:49:31.280 --> 0:49:33.160
<v Speaker 1>This is gonna be like, so it'll it'll be even

0:49:33.160 --> 0:49:34.640
<v Speaker 1>worse in a way because it's not even like I

0:49:34.680 --> 0:49:36.279
<v Speaker 1>won't want to go to a party, So it'll be

0:49:36.320 --> 0:49:37.680
<v Speaker 1>that I want to go to a party, but I

0:49:37.680 --> 0:49:40.040
<v Speaker 1>don't think I can handle going to a party, you

0:49:40.040 --> 0:49:43.920
<v Speaker 1>know exactly. Sadiki had a really good tweet about it,

0:49:43.960 --> 0:49:46.600
<v Speaker 1>I think yesterday, where she was like, Yeah, it's not

0:49:46.640 --> 0:49:50.080
<v Speaker 1>going to just be over like anytime soon. It's not

0:49:50.120 --> 0:49:51.640
<v Speaker 1>going to be like we're not going to be in

0:49:51.640 --> 0:49:55.000
<v Speaker 1>a different place probably till like next summer, and then

0:49:55.080 --> 0:49:57.319
<v Speaker 1>it's not going to be like before and after it's

0:49:57.320 --> 0:49:59.120
<v Speaker 1>going to be like we're living in the shadow of

0:49:59.160 --> 0:50:02.440
<v Speaker 1>this event for the next decade at least, you know,

0:50:03.320 --> 0:50:06.080
<v Speaker 1>the way that nine eleven just became a way to

0:50:06.200 --> 0:50:09.440
<v Speaker 1>like enact all this terrible policy and be like, well, hey,

0:50:09.480 --> 0:50:12.640
<v Speaker 1>remember when this one scary thing happened, Like I still

0:50:12.680 --> 0:50:16.360
<v Speaker 1>hold onto some hope that there will be positive changes

0:50:16.600 --> 0:50:19.719
<v Speaker 1>like after this. I mean, you know, honestly, the way

0:50:19.760 --> 0:50:21.759
<v Speaker 1>that people have kind of come together to try to

0:50:21.840 --> 0:50:25.719
<v Speaker 1>support local businesses. And I mean today, obviously there's I

0:50:25.800 --> 0:50:29.680
<v Speaker 1>keep saying obviously today not obviously, but we know that

0:50:29.760 --> 0:50:32.359
<v Speaker 1>a lot of workers are on strike, and I think

0:50:32.400 --> 0:50:34.880
<v Speaker 1>that the response to that has been really heartening, and

0:50:34.920 --> 0:50:37.879
<v Speaker 1>I think people do have more of an understanding of

0:50:37.920 --> 0:50:40.120
<v Speaker 1>how people put themselves at risk when they work for

0:50:40.160 --> 0:50:42.640
<v Speaker 1>companies that really don't care about their well being. So

0:50:42.719 --> 0:50:45.480
<v Speaker 1>I'm hoping that there can be some kind of like

0:50:45.600 --> 0:50:49.960
<v Speaker 1>gain shared humanity. But I when I was watching I

0:50:50.000 --> 0:50:51.400
<v Speaker 1>don't remember what I was watching, but there was a

0:50:51.480 --> 0:50:54.359
<v Speaker 1>huge crowd scene and I was like, will that ever

0:50:54.480 --> 0:50:57.759
<v Speaker 1>be something that I will want to do again? Like

0:50:58.040 --> 0:51:01.120
<v Speaker 1>I'm not sure, you know, No, I've been doing a

0:51:01.120 --> 0:51:06.040
<v Speaker 1>lot of like triangle shirtwaist factory fire comments in my

0:51:06.120 --> 0:51:08.720
<v Speaker 1>head about just like the whole country is a factory

0:51:08.800 --> 0:51:11.920
<v Speaker 1>that's on fire and like everyone's trapped inside. But people

0:51:12.000 --> 0:51:15.160
<v Speaker 1>were talking about how that got us a lot of

0:51:15.200 --> 0:51:19.279
<v Speaker 1>good labor regulation because of that, and I feel like

0:51:19.320 --> 0:51:22.440
<v Speaker 1>I'm just so beaten down right now that I'm like,

0:51:23.400 --> 0:51:26.080
<v Speaker 1>they're just gonna like run us over in their cyber trucks,

0:51:26.120 --> 0:51:29.160
<v Speaker 1>like I don't know. But I also feel like that's

0:51:29.200 --> 0:51:32.400
<v Speaker 1>because the news media has been so gutted. There's not

0:51:32.480 --> 0:51:34.480
<v Speaker 1>a lot of coverage of the stuff that I'm actually

0:51:34.560 --> 0:51:36.719
<v Speaker 1>interested in, which is also I feel like it's exciting

0:51:37.120 --> 0:51:41.000
<v Speaker 1>we have a cyberpunk podcast, right, but also stuff like

0:51:41.080 --> 0:51:44.200
<v Speaker 1>rent strikes, like what a lot of people like what

0:51:44.239 --> 0:51:46.319
<v Speaker 1>you're seeing a New York low right now. It has

0:51:46.320 --> 0:51:49.920
<v Speaker 1>nothing to do with like news coverage, has truly just

0:51:49.960 --> 0:51:52.600
<v Speaker 1>to do with like ground level organizing and stuff. And

0:51:52.640 --> 0:51:56.480
<v Speaker 1>I think a lot of people, because of our circumstances

0:51:56.600 --> 0:51:59.160
<v Speaker 1>right now, you know, it does kind of take something

0:51:59.200 --> 0:52:01.840
<v Speaker 1>like this to get people to get like start doing

0:52:01.920 --> 0:52:05.080
<v Speaker 1>stuff that they wouldn't be doing normally. I think people

0:52:05.160 --> 0:52:08.000
<v Speaker 1>want to build an alternative to the world we live

0:52:08.040 --> 0:52:12.480
<v Speaker 1>in because like things are so bleak, and maybe maybe

0:52:12.480 --> 0:52:15.319
<v Speaker 1>we're trying to just make a techno commune because the

0:52:15.360 --> 0:52:18.960
<v Speaker 1>idea of a physical commune seems too stressful right now.

0:52:19.160 --> 0:52:21.080
<v Speaker 1>I want to know if and if you guys back

0:52:21.120 --> 0:52:23.799
<v Speaker 1>to the wide two case stuff and just thinking because

0:52:23.800 --> 0:52:26.760
<v Speaker 1>I just love thinking about past visions of the future.

0:52:26.840 --> 0:52:29.560
<v Speaker 1>It's just like a general bucket of stuff that I'm

0:52:29.760 --> 0:52:31.640
<v Speaker 1>have a great interest in. But do you think that

0:52:31.719 --> 0:52:35.719
<v Speaker 1>any of it I felt I don't know how to

0:52:35.800 --> 0:52:39.319
<v Speaker 1>like bad to you or felt like a wrong thing

0:52:39.440 --> 0:52:41.919
<v Speaker 1>to hope for because I've been thinking about this a lot,

0:52:42.000 --> 0:52:45.759
<v Speaker 1>and like I actually think that it's one of the

0:52:46.000 --> 0:52:50.280
<v Speaker 1>few sort of like aspirational aesthetics that I think seems

0:52:50.360 --> 0:52:53.800
<v Speaker 1>pretty wholesome, but maybe I'm missing something. Well. I remember

0:52:53.840 --> 0:52:55.560
<v Speaker 1>at the time there were a lot of people who

0:52:55.600 --> 0:52:57.880
<v Speaker 1>didn't like it because I thought it was too glossy,

0:52:58.960 --> 0:53:02.400
<v Speaker 1>especially in wrap. People were mad at the hype Williams videos,

0:53:03.040 --> 0:53:07.439
<v Speaker 1>people that were like underground heads. I think maybe Alex

0:53:07.440 --> 0:53:12.359
<v Speaker 1>Pepadimus talked about traving to to deal with the fact

0:53:12.360 --> 0:53:14.200
<v Speaker 1>that he liked those videos even though he was trying

0:53:14.239 --> 0:53:16.960
<v Speaker 1>to be like indie um, and I think just the

0:53:16.960 --> 0:53:19.440
<v Speaker 1>indie thing in general, there was like a pressure to

0:53:19.760 --> 0:53:22.920
<v Speaker 1>not admit you like that aesthetic if you liked also

0:53:22.960 --> 0:53:26.000
<v Speaker 1>a stripped down aesthetic. So I also had like a

0:53:26.000 --> 0:53:28.640
<v Speaker 1>come to Jesus moment of like, oh, I actually love

0:53:28.880 --> 0:53:32.279
<v Speaker 1>all these total Request live videos and it doesn't mean

0:53:32.320 --> 0:53:35.320
<v Speaker 1>I can't also like listen to Pavement. I can like

0:53:35.600 --> 0:53:40.040
<v Speaker 1>all these things. Um. But yeah, people were mad because

0:53:40.719 --> 0:53:43.040
<v Speaker 1>it was also there's a lot of like sexualizment of

0:53:43.080 --> 0:53:46.520
<v Speaker 1>the teens around that time as well. Sure, you know,

0:53:46.640 --> 0:53:48.799
<v Speaker 1>I feel like we were like sixteen or seventeen when

0:53:48.800 --> 0:53:51.160
<v Speaker 1>the Brittany Rolling Stone cover came out, which is like

0:53:51.239 --> 0:53:54.200
<v Speaker 1>very peak y. K aesthetic to me like nineties aesthetic,

0:53:55.000 --> 0:53:58.880
<v Speaker 1>remember being like I'm also sixteen or seventeen and I

0:53:58.960 --> 0:54:01.400
<v Speaker 1>don't look like the or feel like this, and and

0:54:01.560 --> 0:54:08.239
<v Speaker 1>baby spice in retrospect problematic baby Spice. But now that

0:54:08.320 --> 0:54:13.120
<v Speaker 1>I'm distanced from it, I love it sure well. Yeah,

0:54:13.600 --> 0:54:15.120
<v Speaker 1>like at the time, I wasn't doing a lot of

0:54:15.120 --> 0:54:20.440
<v Speaker 1>body glitter, but now would you can. There's a really

0:54:20.480 --> 0:54:23.840
<v Speaker 1>good white two Instagram filter that I posted I found

0:54:23.880 --> 0:54:26.600
<v Speaker 1>on that just gives you like a flip phone and

0:54:26.680 --> 0:54:30.560
<v Speaker 1>some some face jewels. I think, I think the thing

0:54:30.640 --> 0:54:32.879
<v Speaker 1>that makes me feel and it has less to deal

0:54:32.920 --> 0:54:37.520
<v Speaker 1>with big like large scale pop culture, but more to

0:54:37.600 --> 0:54:40.280
<v Speaker 1>do with kind of the early Internet, which is another

0:54:40.280 --> 0:54:42.360
<v Speaker 1>thing we talked about here on here a lot, and

0:54:42.400 --> 0:54:45.239
<v Speaker 1>we talked about with um with Claire Evans when she

0:54:45.320 --> 0:54:48.560
<v Speaker 1>was on talking about her great book Broadband, which you

0:54:48.560 --> 0:54:51.080
<v Speaker 1>should still read. It's great. It's got a lot of

0:54:51.120 --> 0:54:53.600
<v Speaker 1>good white take why two K content in it. But

0:54:53.680 --> 0:54:56.280
<v Speaker 1>like I guess, I guess when I think of these aesthetics,

0:54:56.320 --> 0:54:57.840
<v Speaker 1>a lot of it just comes back to like the

0:54:57.880 --> 0:55:00.759
<v Speaker 1>aesthetic that was being built built for the early Internet,

0:55:01.239 --> 0:55:06.160
<v Speaker 1>and that feels really optimistic to me, and like you

0:55:06.200 --> 0:55:12.239
<v Speaker 1>know the before everything just became ad driven, uh where

0:55:12.239 --> 0:55:14.359
<v Speaker 1>the internet did feel like it just a place where

0:55:14.400 --> 0:55:16.640
<v Speaker 1>you could figure out how to be a different kind

0:55:16.640 --> 0:55:19.000
<v Speaker 1>of person. For sure, we were going to make the

0:55:19.040 --> 0:55:22.200
<v Speaker 1>techno utopia. Yeah, and and so they all the kind

0:55:22.200 --> 0:55:26.520
<v Speaker 1>of the look and feel of that digital world, I

0:55:26.560 --> 0:55:29.360
<v Speaker 1>guess is more what I'm talking about than like hype

0:55:29.360 --> 0:55:32.200
<v Speaker 1>Williams videos and necessarily even though I love all that stuff,

0:55:32.239 --> 0:55:36.120
<v Speaker 1>but like, um, I guess that's and and like you know,

0:55:36.239 --> 0:55:39.480
<v Speaker 1>just like art, like like shitty art that people were

0:55:39.520 --> 0:55:42.160
<v Speaker 1>making for their websites and stuff like that. Well, I

0:55:42.160 --> 0:55:44.440
<v Speaker 1>love Molly Soda, that artist Molly Soda makes a lot

0:55:44.440 --> 0:55:48.680
<v Speaker 1>of great work about sort of that angel fire aesthetic.

0:55:49.280 --> 0:55:51.680
<v Speaker 1>But we will have plenty of time to continue addressing

0:55:51.680 --> 0:55:55.680
<v Speaker 1>the Y two K aesthetic. Dennis Rodman and Sports from

0:55:55.760 --> 0:55:59.120
<v Speaker 1>Night Calling the Future. UM, thanks for listening today. We'll

0:55:59.120 --> 0:56:02.520
<v Speaker 1>be back next. Can you please send us all your

0:56:02.560 --> 0:56:04.960
<v Speaker 1>thoughts on Y two K. You can email us at

0:56:05.040 --> 0:56:07.600
<v Speaker 1>Nightcall Podcast at gmail dot com. You can call us

0:56:07.640 --> 0:56:10.040
<v Speaker 1>at too four oh four six night. You can also

0:56:10.200 --> 0:56:13.080
<v Speaker 1>send us your thoughts via social media. We are Nightcall

0:56:13.200 --> 0:56:17.640
<v Speaker 1>Pod on Twitter, Nightcall Podcast on Facebook and Instagram. Also

0:56:17.680 --> 0:56:20.280
<v Speaker 1>if you're enjoying the show, considered becoming a Patreon supporter.

0:56:20.480 --> 0:56:23.239
<v Speaker 1>We are Patreon dot com. Forward slash nightcall. See you

0:56:23.280 --> 0:57:02.919
<v Speaker 1>next week, See you next week. Do the worm out.