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Speaker 1: Hey listeners, it's Holly here. I just wanted to share

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Speaker 1: with you a little sneak peek at an upcoming episode

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Speaker 1: of The Soundtrack Show, which is a show near and

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Speaker 1: dear to my heart because I executive produce it, but

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Speaker 1: I also think it's amazing. It is about film and

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Speaker 1: television music and scores, and also film history, so history

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Speaker 1: people might very much enjoy it. But recently the host

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Speaker 1: of the show, David W. Collins, sat down with Kristin

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Speaker 1: Anderson Lopez and Robert Lopez, who are the songwriting duo

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Speaker 1: behind Frozen and Frozen two, as well as Coco and others.

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Speaker 1: Their song Into the Unknown from Frozen two is currently

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Speaker 1: nominated for an Academy Award, and the three of them

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Speaker 1: talking is like three birds of a feather. They have

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Speaker 1: this shared love of music and film and it becomes

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Speaker 1: this very rich conversation that's really really a delight to hear.

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Speaker 1: So go ahead and get ready. This episode and a

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Speaker 1: follow up to it, a two parter, are dropping in

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Speaker 1: the next couple of weeks. But go ahead and subscribe

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Speaker 1: to The Soundtrack Show on the I Heart Radio app,

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Speaker 1: Apple podcast or wherever it is you listen and right

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Speaker 1: now enjoy this little sneak of what is to this

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Speaker 1: is Bobby has been so excited. I'm excited too, But

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Speaker 1: Bobby in particular, UH, listens to you religiously. He's like,

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Speaker 1: the soundtrack show came out today, which I can't I

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Speaker 1: can't believe it's still I mean, first of all, it's

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Speaker 1: it's great that you guys are actually here in the

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Speaker 1: place where I make this. And because usually I put

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Speaker 1: this out, the show goes out, and then usually about

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Speaker 1: a day or two later, I get a text from

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Speaker 1: Bobby going, hey, what about this? And then I analyzed

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Speaker 1: this and I saw you, and I was just like,

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Speaker 1: oh my god, kindred spirit listening to the show. So

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Speaker 1: thank you for always, you know, giving me inspiration and

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Speaker 1: fuel to add to the next episode and things. I

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Speaker 1: think the most important thing is to like always be

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Speaker 1: learning something. And I never went to film school, and

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Speaker 1: I learned tons from your show. Thanks. I think it's great.

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Speaker 1: And I love the way you the way you analyze

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Speaker 1: music and the storytelling, your your storytelling, your ability to say,

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Speaker 1: you know, listen to what John Williams does here, Listen

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Speaker 1: what he does here, and you get everybody so excited.

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Speaker 1: It's true. I get care away. Sometimes it's a real gift.

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Speaker 1: I would encourage you to go further. I mean, that's

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Speaker 1: more of the green lightsaber moment. That was amazing. That

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Speaker 1: Am I going to be judged for that? I don't

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Speaker 1: care because that that was I'll admit semi autobio ratical. No,

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Speaker 1: but I think that that's the moment that every boy

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Speaker 1: of that of that year hadn't common like agree exactly

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Speaker 1: the little little things, isn't it. If you're a songwriter

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Speaker 1: for a musical, you're really the architect you are building.

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Speaker 1: You're in charge of making the giant pillars that are

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Speaker 1: holding up the roof and the walls, and the roof

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Speaker 1: and the walls are are you really important to the

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Speaker 1: dialogue and what you're seeing? But if those pillars aren't there,

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Speaker 1: and if those songs are not in the key most

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Speaker 1: important moments of your storytelling, then it's kind of false.

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Speaker 1: You can feel that it's a little bit wonky. You

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Speaker 1: can feel and it's a movie with songs versus a

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Speaker 1: musical where the songs are all of the pivotal decision points.