1 00:00:01,200 --> 00:00:05,080 Speaker 1: Hey, guys, welcome to I've never said this before with me, 2 00:00:05,480 --> 00:00:09,200 Speaker 1: Tommy di Dario. We are not too far off from 3 00:00:09,400 --> 00:00:12,600 Speaker 1: spooky season. So my guest today is giving me everything 4 00:00:12,600 --> 00:00:14,680 Speaker 1: and more than I need to get into the spirit. 5 00:00:15,080 --> 00:00:18,440 Speaker 1: The very talented Hunter Doohan joins my show who you 6 00:00:18,480 --> 00:00:21,160 Speaker 1: most likely know in love from his very creepy and 7 00:00:21,320 --> 00:00:24,880 Speaker 1: intense performance as the Hide in the series Wednesday. He 8 00:00:25,000 --> 00:00:27,640 Speaker 1: is so brilliant in this, but that's no surprise because 9 00:00:27,640 --> 00:00:30,760 Speaker 1: he is brilliant in everything that he does, and Wednesday 10 00:00:30,840 --> 00:00:33,239 Speaker 1: is one of Netflix's biggest hits of all time and 11 00:00:33,320 --> 00:00:36,160 Speaker 1: for good reason. Season two, Part two is out right now, 12 00:00:36,200 --> 00:00:39,400 Speaker 1: and man Hunter is taking us on a journey. He 13 00:00:39,440 --> 00:00:41,960 Speaker 1: also has a very powerful film coming out in October 14 00:00:42,000 --> 00:00:44,440 Speaker 1: called The Wilderness, and right now he is filming the 15 00:00:44,560 --> 00:00:47,760 Speaker 1: highly anticipated movie Evil Deadburn. So even though my man 16 00:00:47,840 --> 00:00:50,000 Speaker 1: is busy in book, I was lucky enough to catch 17 00:00:50,040 --> 00:00:52,320 Speaker 1: him on an off day all the way from New Zealand. 18 00:00:52,680 --> 00:00:56,880 Speaker 1: And listen up because this episode is full of Wednesday spoilers, 19 00:00:57,080 --> 00:00:59,640 Speaker 1: So fair warning. As you begin to listen, you're gonna 20 00:00:59,680 --> 00:01:02,160 Speaker 1: hear some boilers coming up. All right, let's see if 21 00:01:02,200 --> 00:01:04,560 Speaker 1: today we can get Hunter to say something that he 22 00:01:04,600 --> 00:01:13,120 Speaker 1: has never said before. Hunter, Mom, Man, it is so 23 00:01:13,280 --> 00:01:14,080 Speaker 1: good to see you. 24 00:01:15,040 --> 00:01:16,039 Speaker 2: It's good to see you too. 25 00:01:16,720 --> 00:01:19,680 Speaker 1: I know you're across the world. I'm here in New York, 26 00:01:20,000 --> 00:01:21,920 Speaker 1: you're in New Zealand. But you know what, we made 27 00:01:21,920 --> 00:01:24,440 Speaker 1: it happen. And I always love hanging out with you. 28 00:01:24,480 --> 00:01:25,559 Speaker 1: We always have a good time. 29 00:01:26,200 --> 00:01:30,280 Speaker 2: Yeah, same, Thanks for making you this crazy time difference work. 30 00:01:30,680 --> 00:01:32,920 Speaker 1: Oh my god, I'm psyched. You're doing good. Your your 31 00:01:32,920 --> 00:01:33,800 Speaker 1: travels are good. 32 00:01:34,800 --> 00:01:37,480 Speaker 2: Yeah. Yeah, I'm feeling here in Auckland at the moment. 33 00:01:37,520 --> 00:01:40,280 Speaker 2: I've been here a little over a month and still 34 00:01:41,200 --> 00:01:42,600 Speaker 2: about two left to go. 35 00:01:44,120 --> 00:01:47,600 Speaker 1: That's wild. How do you how do you adjust to that? Like, oh, 36 00:01:47,680 --> 00:01:49,680 Speaker 1: I got to go make a home you know, across 37 00:01:49,760 --> 00:01:50,240 Speaker 1: the world. 38 00:01:50,560 --> 00:01:52,440 Speaker 3: Is that weird? Does it feel like a home where 39 00:01:52,440 --> 00:01:52,840 Speaker 3: you are? 40 00:01:56,200 --> 00:01:58,760 Speaker 2: It feels weird. He is kind of the same thing 41 00:01:59,720 --> 00:02:03,120 Speaker 2: all the time with when you do travel for work. 42 00:02:04,200 --> 00:02:06,520 Speaker 2: I didn't get to bring my cat this time because 43 00:02:06,680 --> 00:02:13,079 Speaker 2: New Zealand has strict rules about the wildlife, so that 44 00:02:13,320 --> 00:02:19,720 Speaker 2: has been different. But you know, it's like, compared to 45 00:02:19,800 --> 00:02:22,200 Speaker 2: other jobs have done, this is not that long of 46 00:02:22,240 --> 00:02:26,520 Speaker 2: a stint really, and the people here are really lovely 47 00:02:26,840 --> 00:02:30,440 Speaker 2: and my Dad's whole side of the family is Australian, 48 00:02:30,600 --> 00:02:32,720 Speaker 2: so I'm really excited. I think some of them are 49 00:02:32,720 --> 00:02:34,679 Speaker 2: going to come over. I'm gonna get to pop over 50 00:02:34,720 --> 00:02:35,520 Speaker 2: there for a little bit. 51 00:02:36,080 --> 00:02:37,440 Speaker 3: Oh that's nice. I love that. 52 00:02:37,720 --> 00:02:39,560 Speaker 1: Is there besides your cat, which you kind of bring, 53 00:02:39,639 --> 00:02:41,120 Speaker 1: is there one thing you have to always kind of 54 00:02:41,120 --> 00:02:42,680 Speaker 1: set up to make you feel like. 55 00:02:42,600 --> 00:02:45,240 Speaker 3: Home, Like, is it candles? Is it sage? 56 00:02:45,360 --> 00:02:48,720 Speaker 2: I don't know. I did go get some candles as 57 00:02:48,720 --> 00:02:55,040 Speaker 2: soon as I got here, and not like any sort 58 00:02:55,080 --> 00:02:58,400 Speaker 2: of like things like that that I can think of 59 00:02:58,600 --> 00:03:01,360 Speaker 2: that I had to bring. I don't know. I was 60 00:03:01,400 --> 00:03:04,320 Speaker 2: just I was really excited to get down here. I 61 00:03:04,360 --> 00:03:07,519 Speaker 2: may not feel like home, but it's like an exciting adventure, 62 00:03:07,560 --> 00:03:07,720 Speaker 2: you know. 63 00:03:08,160 --> 00:03:08,600 Speaker 3: Yeah. 64 00:03:08,680 --> 00:03:11,440 Speaker 1: Yeah, it keeps life fun, it keeps life fresh. So 65 00:03:11,520 --> 00:03:14,440 Speaker 1: I'm all about it. I'm also all about Wednesday. We 66 00:03:14,520 --> 00:03:17,560 Speaker 1: have to just dive right in because mom. 67 00:03:17,440 --> 00:03:20,240 Speaker 2: Man, yes, I'm sorry, I'll stop talking about being homesick. 68 00:03:20,639 --> 00:03:25,000 Speaker 3: No, no, I just like, oh, what a season it's been. 69 00:03:25,240 --> 00:03:27,400 Speaker 1: I mean we had part two, Part one obviously Part 70 00:03:27,400 --> 00:03:29,800 Speaker 1: two is out now, So for everybody listening, we're gonna 71 00:03:29,800 --> 00:03:30,959 Speaker 1: be talking spoilers. 72 00:03:31,000 --> 00:03:31,600 Speaker 3: So if you're not. 73 00:03:31,880 --> 00:03:34,440 Speaker 2: Caught up spoiler warning now. 74 00:03:34,560 --> 00:03:37,000 Speaker 1: Yes, so either finish it and then come back, or 75 00:03:37,040 --> 00:03:38,560 Speaker 1: hopefully finish it by now. I have a feeling a 76 00:03:38,560 --> 00:03:41,360 Speaker 1: lot of people already have binged the entire part two. 77 00:03:41,880 --> 00:03:42,280 Speaker 3: I guess. 78 00:03:42,360 --> 00:03:46,200 Speaker 1: First of all, Man, you kept us waiting for almost 79 00:03:46,200 --> 00:03:48,640 Speaker 1: three years. I mean you didn't, but the show kept 80 00:03:48,720 --> 00:03:51,800 Speaker 1: us waiting almost. Yeah, you're like, please, don't have the 81 00:03:51,840 --> 00:03:54,520 Speaker 1: fans come for me. Did it feel that long for you? 82 00:03:55,440 --> 00:04:00,000 Speaker 2: Yes? Yeah, because it was I think a little over 83 00:04:00,720 --> 00:04:05,120 Speaker 2: two full years just between us wrapping season one and 84 00:04:05,240 --> 00:04:09,600 Speaker 2: even starting season two. Yeah, that was that was crazy 85 00:04:09,600 --> 00:04:12,360 Speaker 2: and not what any of us wanted. It was just 86 00:04:13,080 --> 00:04:17,960 Speaker 2: you know, we switched filming locations, our whole industry shut 87 00:04:18,000 --> 00:04:20,679 Speaker 2: down for a while with the writers and actors strikes, 88 00:04:20,720 --> 00:04:25,040 Speaker 2: so you know, season two hadn't been written and the 89 00:04:25,080 --> 00:04:28,960 Speaker 2: strike happened, so we just got pushed so far and 90 00:04:29,000 --> 00:04:32,159 Speaker 2: then Yeah, there was just a lot of factors that 91 00:04:32,279 --> 00:04:34,440 Speaker 2: made it like that. But you know, they have an 92 00:04:34,440 --> 00:04:37,799 Speaker 2: out season three, and I can say everyone is going 93 00:04:37,800 --> 00:04:41,040 Speaker 2: full steam ahead and it will not be three years 94 00:04:41,040 --> 00:04:41,880 Speaker 2: in between seasons. 95 00:04:42,720 --> 00:04:45,280 Speaker 1: Okay, fair enough. Are you going back to film season 96 00:04:45,279 --> 00:04:46,360 Speaker 1: three this year? 97 00:04:47,760 --> 00:04:49,000 Speaker 2: That's the plan? Yeah? 98 00:04:49,640 --> 00:04:53,719 Speaker 1: Okay, cool. Cool, So you don't anticipate another three year stretch. 99 00:04:54,279 --> 00:04:56,760 Speaker 3: Oh no, no, I promise good. 100 00:04:56,800 --> 00:04:59,159 Speaker 1: Good to know is that weird to like play a 101 00:04:59,240 --> 00:05:01,280 Speaker 1: character and then have such a big break and then 102 00:05:01,360 --> 00:05:03,120 Speaker 1: have to go step into his shoes again, Like does 103 00:05:03,160 --> 00:05:04,800 Speaker 1: it take you a minute to figure him out? 104 00:05:04,880 --> 00:05:06,839 Speaker 3: Or it's kind of like, no, I know who he is. 105 00:05:06,880 --> 00:05:09,880 Speaker 3: It's I go right back into it a little bit 106 00:05:09,880 --> 00:05:10,960 Speaker 3: of I guess. 107 00:05:10,800 --> 00:05:15,160 Speaker 2: It was my first time returning to a character. You know, 108 00:05:15,160 --> 00:05:19,039 Speaker 2: it was easy, like when I was in scenes with 109 00:05:19,120 --> 00:05:23,479 Speaker 2: people I'd been in with, like from season one. I 110 00:05:23,480 --> 00:05:25,120 Speaker 2: feel like we did kind of me like Jenna and 111 00:05:25,200 --> 00:05:28,039 Speaker 2: I kind of just slipped right back into that dynamic. 112 00:05:28,160 --> 00:05:31,960 Speaker 2: And that's, you know, honestly, so just I'm just thankful 113 00:05:31,960 --> 00:05:33,840 Speaker 2: to her. She's so good. It's easy to kind of 114 00:05:33,920 --> 00:05:38,479 Speaker 2: drop in. But I think for me personally, it was 115 00:05:38,600 --> 00:05:42,960 Speaker 2: kind of nice that Tyler had such a switch in 116 00:05:43,000 --> 00:05:45,200 Speaker 2: between the two seasons. You know, we only got like 117 00:05:45,279 --> 00:05:49,240 Speaker 2: a glimpse of this Tyler at the end of season one, 118 00:05:49,720 --> 00:05:54,320 Speaker 2: and then he's been locked away for months and you know, 119 00:05:54,640 --> 00:05:57,320 Speaker 2: gotten even darker, So it was kind of it was 120 00:05:57,480 --> 00:06:00,880 Speaker 2: a whole new layer of him, even just in part 121 00:06:00,880 --> 00:06:02,960 Speaker 2: one and then you know, we've seen the second part 122 00:06:02,960 --> 00:06:05,440 Speaker 2: obviously several more kind of layers to him. 123 00:06:05,640 --> 00:06:08,400 Speaker 1: Yeah, we we were waiting for that transformation. So it's 124 00:06:08,400 --> 00:06:12,440 Speaker 1: so satisfying as the audience to now see you in 125 00:06:12,520 --> 00:06:16,440 Speaker 1: this totally different place for this whole season and that high. 126 00:06:16,560 --> 00:06:19,880 Speaker 1: He goes through some wild moments through part two and 127 00:06:20,040 --> 00:06:22,400 Speaker 1: part one, but for you, what's been one of the wildest. 128 00:06:22,440 --> 00:06:24,640 Speaker 1: You've got to really sink your teeth into. 129 00:06:25,560 --> 00:06:28,320 Speaker 2: Getting to kill Christina Ricci is pretty fun. 130 00:06:29,720 --> 00:06:32,440 Speaker 3: It's pretty iconic, iconic. 131 00:06:32,200 --> 00:06:37,520 Speaker 2: Yeah, and a nice you know, iconic just for me 132 00:06:37,920 --> 00:06:41,159 Speaker 2: and as Hunter, just because I love her, but also 133 00:06:41,360 --> 00:06:43,760 Speaker 2: like on the character side, I think it's really cool 134 00:06:43,800 --> 00:06:46,839 Speaker 2: to get to see you know, kind of a not 135 00:06:46,920 --> 00:06:49,400 Speaker 2: that Tyler's an angel, but you know he's a victim 136 00:06:49,480 --> 00:06:53,040 Speaker 2: of hers, and to get to like get revenge I 137 00:06:53,120 --> 00:06:55,760 Speaker 2: think is really important. I like the way they handled that. 138 00:06:56,400 --> 00:06:58,480 Speaker 1: Do you still have this moment when you're with Christina 139 00:06:58,560 --> 00:07:00,479 Speaker 1: Riachi're like, oh my god, I'm with her? 140 00:07:01,200 --> 00:07:04,239 Speaker 2: Oh yeah, because you know, I only got to really 141 00:07:04,279 --> 00:07:07,320 Speaker 2: work with her for one day this on season two 142 00:07:07,680 --> 00:07:09,520 Speaker 2: because we only got her for a little bit in 143 00:07:09,560 --> 00:07:13,960 Speaker 2: the season. But just I mean, so fun she's iconic, 144 00:07:14,040 --> 00:07:17,840 Speaker 2: and it wasn't for her performance as Wednesday in the movies. 145 00:07:18,240 --> 00:07:21,480 Speaker 2: I don't think people now would be as attached to 146 00:07:21,520 --> 00:07:24,680 Speaker 2: that character. And I think that she's a huge part 147 00:07:24,720 --> 00:07:27,000 Speaker 2: of why this show exists, you know. 148 00:07:27,480 --> 00:07:28,480 Speaker 3: Yeah, one hundred percent. 149 00:07:28,920 --> 00:07:34,160 Speaker 1: And I love your we'll say complex relationship with Wednesday 150 00:07:34,280 --> 00:07:37,640 Speaker 1: throughout the course of this series. It's layered, it's complex. 151 00:07:38,160 --> 00:07:41,960 Speaker 1: Do you think that the Hide is in love with Wednesday? 152 00:07:44,400 --> 00:07:52,600 Speaker 2: The Hide, I don't think so. I think Tyler there's 153 00:07:53,280 --> 00:07:58,600 Speaker 2: definitely some deep, deep feelings for Wednesday still. You know, 154 00:07:58,760 --> 00:08:00,400 Speaker 2: I just like to think the highe is kind of 155 00:08:00,440 --> 00:08:04,320 Speaker 2: like the layer over Tyler that he's you know, his 156 00:08:04,440 --> 00:08:08,520 Speaker 2: humanity kind of pokes through times even in Hide form. 157 00:08:08,720 --> 00:08:11,760 Speaker 2: You know, Wednesday's kind of the only one that gets 158 00:08:11,760 --> 00:08:13,520 Speaker 2: through to him a little bit. You see that, and like, 159 00:08:14,080 --> 00:08:17,600 Speaker 2: you know, he slashes right through Laurel Gates and episode 160 00:08:17,600 --> 00:08:21,200 Speaker 2: four and then stops in front of Wednesday. He does 161 00:08:21,200 --> 00:08:24,600 Speaker 2: like toss hero ount the window. But in episode five, 162 00:08:26,000 --> 00:08:28,720 Speaker 2: you know it is written and they made it happen 163 00:08:28,760 --> 00:08:32,920 Speaker 2: on screen as well, that he's like facing Enid and 164 00:08:32,960 --> 00:08:36,000 Speaker 2: the rest of the night Shades and then Wednesday says 165 00:08:36,080 --> 00:08:39,240 Speaker 2: she's lying about her feelings, and even in hide form, 166 00:08:39,320 --> 00:08:41,959 Speaker 2: he turns to face her, you know, m M. 167 00:08:42,200 --> 00:08:46,200 Speaker 1: Even in episode eight too, with you know, him bearing 168 00:08:46,240 --> 00:08:49,880 Speaker 1: her alive, you see that moment across his face. 169 00:08:50,760 --> 00:08:55,360 Speaker 2: Definitely, And you know, because I think he's been He 170 00:08:55,400 --> 00:08:57,800 Speaker 2: was under Laurel's control, then he thought he was gonna free, 171 00:08:57,840 --> 00:09:01,240 Speaker 2: but he's losing his mind, dying, and then he's been 172 00:09:01,320 --> 00:09:06,720 Speaker 2: under his mom and uncle's control for part two and 173 00:09:06,760 --> 00:09:09,440 Speaker 2: he obviously wants to save his mom and he has 174 00:09:09,480 --> 00:09:12,480 Speaker 2: to obey what they say. But I think that moment 175 00:09:12,520 --> 00:09:15,240 Speaker 2: is so real for him when he thinks, oh no, 176 00:09:16,200 --> 00:09:20,000 Speaker 2: I've actually done it. Wednesday is going to die and 177 00:09:20,120 --> 00:09:24,400 Speaker 2: so just to you know, have that little moment of 178 00:09:26,320 --> 00:09:31,240 Speaker 2: regret or his humanity trying to come through was something 179 00:09:33,440 --> 00:09:35,840 Speaker 2: I talked a lot about with Anna Miles and with 180 00:09:36,120 --> 00:09:39,320 Speaker 2: Tim on the day, and yeah, I was really happy 181 00:09:39,400 --> 00:09:44,280 Speaker 2: with that. You know, trying to find these little moments 182 00:09:44,360 --> 00:09:47,600 Speaker 2: is really difficult us. You know, they were really thoughtful 183 00:09:47,600 --> 00:09:48,040 Speaker 2: about it. 184 00:09:49,480 --> 00:09:53,000 Speaker 1: There's there's so much to be said for the complexity 185 00:09:53,000 --> 00:09:55,359 Speaker 1: of this character that you bring to life so brilliantly. 186 00:09:55,440 --> 00:09:57,679 Speaker 1: But one of the things I take away from it, 187 00:09:57,800 --> 00:09:59,400 Speaker 1: I have no idea if this is right or wrong, 188 00:09:59,440 --> 00:10:02,280 Speaker 1: but I feel how you play him makes me feel 189 00:10:02,320 --> 00:10:07,320 Speaker 1: like your character really wants to a belong and be 190 00:10:07,720 --> 00:10:09,960 Speaker 1: figure out who the hell he is. It's like this 191 00:10:10,120 --> 00:10:13,480 Speaker 1: massive identity crisis, and through all the relationships in the 192 00:10:13,480 --> 00:10:16,880 Speaker 1: show and all the things your character goes through, I 193 00:10:16,880 --> 00:10:19,920 Speaker 1: get the impression it's kind of like where do I belong? 194 00:10:20,040 --> 00:10:21,480 Speaker 3: Do I belong? Who am I? 195 00:10:21,720 --> 00:10:25,480 Speaker 1: Is that kind of one of the layers that you 196 00:10:25,520 --> 00:10:27,439 Speaker 1: play around with when you bring him to life. 197 00:10:28,000 --> 00:10:32,920 Speaker 2: Yeah, absolutely, Like I don't think he's ever felt he 198 00:10:33,000 --> 00:10:36,480 Speaker 2: belonged anywhere, and then he finds out, you know, his 199 00:10:36,600 --> 00:10:39,160 Speaker 2: mom died because she's a hide and he's one, so 200 00:10:39,160 --> 00:10:42,520 Speaker 2: he feels this connection. And then even being an outcast, 201 00:10:42,640 --> 00:10:45,640 Speaker 2: the other outcast don't accept them, and that's kind of 202 00:10:45,679 --> 00:10:50,160 Speaker 2: something that he blames his mother's death on. Even when 203 00:10:50,200 --> 00:10:53,400 Speaker 2: his mom is back, you know, she's he's waited his 204 00:10:53,679 --> 00:10:58,400 Speaker 2: whole life, wished for this, and then she's not even 205 00:10:58,480 --> 00:11:01,040 Speaker 2: giving him the kind of love and affect he was expecting. 206 00:11:01,080 --> 00:11:05,120 Speaker 2: You know, she becomes his master. She can be kind 207 00:11:05,120 --> 00:11:07,840 Speaker 2: of warm with him at moments, but then cold and 208 00:11:07,880 --> 00:11:13,480 Speaker 2: demanding while really giving that affection to Isaac slurp, and 209 00:11:13,520 --> 00:11:16,480 Speaker 2: I think there's like a real jealousy there, And yeah, 210 00:11:16,520 --> 00:11:18,760 Speaker 2: that's I mean that's I'm really happy you picked up 211 00:11:18,760 --> 00:11:21,480 Speaker 2: on that. I feel like I'm expanding out it too long, 212 00:11:21,520 --> 00:11:24,240 Speaker 2: but yeah, that's that's a huge, huge part of it. 213 00:11:24,360 --> 00:11:28,360 Speaker 1: Do you bring part of your life and things you've 214 00:11:28,400 --> 00:11:31,040 Speaker 1: gone through throughout your life to a role like that? 215 00:11:33,000 --> 00:11:35,080 Speaker 2: Yeah, I mean that's how I just kind of work 216 00:11:35,120 --> 00:11:41,360 Speaker 2: as an actor in general, is connecting you know, kind 217 00:11:41,360 --> 00:11:43,839 Speaker 2: of like an a lot of as if it's a 218 00:11:43,880 --> 00:11:46,560 Speaker 2: kind of easy way to put it, you know, thinking 219 00:11:46,840 --> 00:11:48,839 Speaker 2: through before you get there on the day, and then 220 00:11:49,120 --> 00:11:53,920 Speaker 2: as my kind of emotional prep for scenes like yeah, 221 00:11:54,600 --> 00:11:57,920 Speaker 2: stuff that would that would really affect me in that 222 00:11:58,000 --> 00:12:01,720 Speaker 2: way that the same like level the characters at even 223 00:12:01,720 --> 00:12:06,080 Speaker 2: if it's you know, not a direct correlation, because if 224 00:12:06,120 --> 00:12:07,640 Speaker 2: he did that, he would have a really hard time, 225 00:12:08,040 --> 00:12:09,680 Speaker 2: you know, connecting to monsters. 226 00:12:11,600 --> 00:12:12,480 Speaker 3: Yeah, fair enough. 227 00:12:12,600 --> 00:12:15,640 Speaker 1: That's that's a very valid point, especially when your scenes 228 00:12:15,720 --> 00:12:18,840 Speaker 1: like where you kill your own mom. I mean that's 229 00:12:18,880 --> 00:12:20,400 Speaker 1: kind of intense to have to connect to. 230 00:12:21,480 --> 00:12:23,640 Speaker 2: Yeah, yeah, what. 231 00:12:23,440 --> 00:12:23,960 Speaker 3: Was that like? 232 00:12:26,640 --> 00:12:30,480 Speaker 2: You know that was obviously when he's like in human form, 233 00:12:30,559 --> 00:12:36,440 Speaker 2: he's just going after trying to stop Isaac and then 234 00:12:36,679 --> 00:12:40,199 Speaker 2: his mom transforms and they have this you know, epic battle, 235 00:12:40,840 --> 00:12:43,520 Speaker 2: and you know, once the Hide is in control, it's 236 00:12:43,559 --> 00:12:47,280 Speaker 2: just like raged kind of takes over and colors everything 237 00:12:48,040 --> 00:12:51,440 Speaker 2: and it's you know, it wasn't in an intentional thing 238 00:12:51,679 --> 00:12:54,520 Speaker 2: killing her, and then you know, we see him at 239 00:12:54,520 --> 00:12:58,319 Speaker 2: the end of the season. He's just standing at his parents' grave. 240 00:12:59,480 --> 00:13:03,280 Speaker 2: He's kind of lost everything you ever had to fight for, 241 00:13:03,800 --> 00:13:06,800 Speaker 2: and then now he knows he's gonna die again because 242 00:13:06,800 --> 00:13:08,360 Speaker 2: he was I'm a master. I think he's just kind 243 00:13:08,360 --> 00:13:15,000 Speaker 2: of totally hopeless until Capri Billy Piper's character shows up 244 00:13:15,000 --> 00:13:18,280 Speaker 2: there at the end, and he kind of has nothing 245 00:13:18,400 --> 00:13:21,840 Speaker 2: left to lose, and I think that's why he's even 246 00:13:21,880 --> 00:13:24,480 Speaker 2: willing to entertain her offer at all. 247 00:13:25,400 --> 00:13:28,760 Speaker 1: Man the whole second season, you you, you go through it, 248 00:13:28,880 --> 00:13:32,880 Speaker 1: you go through it, and I love I love the 249 00:13:33,040 --> 00:13:35,719 Speaker 1: moments where you just like animal out and we get 250 00:13:35,720 --> 00:13:39,800 Speaker 1: those screams and the crazy eyes and the facial expressions 251 00:13:39,800 --> 00:13:41,720 Speaker 1: when you're in a room doing that, are you ever 252 00:13:41,840 --> 00:13:44,760 Speaker 1: like I feel so ridiculous And when you see it 253 00:13:44,800 --> 00:13:46,719 Speaker 1: and you're like, oh that came out cool, Like do 254 00:13:46,760 --> 00:13:48,640 Speaker 1: you just feel crazy when you're doing it. 255 00:13:49,320 --> 00:13:54,120 Speaker 2: Yeah. Yeah, when we did the first transformation of the season, 256 00:13:54,760 --> 00:13:56,679 Speaker 2: I was like talking to Tim like, oh, I want 257 00:13:56,679 --> 00:13:59,520 Speaker 2: to do this, and then he's like and as he's 258 00:13:59,520 --> 00:14:00,959 Speaker 2: like leaving TheRoom, he's like, yeah, we'll do this, and 259 00:14:01,360 --> 00:14:03,880 Speaker 2: then Hunter do your kind of interpretive dance or whatever, 260 00:14:04,280 --> 00:14:08,559 Speaker 2: and yeah, it's one of those moments that we always 261 00:14:08,559 --> 00:14:10,640 Speaker 2: just end up laughing because I have to do the 262 00:14:10,640 --> 00:14:13,400 Speaker 2: transformation for like so much longer than you see me 263 00:14:13,520 --> 00:14:15,920 Speaker 2: on screen so they can cut into it with you know, 264 00:14:16,280 --> 00:14:21,320 Speaker 2: a raising special effects team. But yeah, it's it. It 265 00:14:21,440 --> 00:14:26,000 Speaker 2: looks ridiculous without those amazing artists coming in to save me. 266 00:14:26,600 --> 00:14:29,000 Speaker 1: I really hope there's some behind the scenes videos or 267 00:14:29,000 --> 00:14:32,320 Speaker 1: somebody snapping come on, we need that released. 268 00:14:34,400 --> 00:14:37,960 Speaker 2: I know. Once I posted like one of our stunt 269 00:14:38,320 --> 00:14:41,760 Speaker 2: performers from season one on like the stilts in the 270 00:14:41,800 --> 00:14:44,760 Speaker 2: motion capture suit as the hide, and I was like, oh, 271 00:14:44,760 --> 00:14:46,960 Speaker 2: this will be cool, like behind the scenes. I think 272 00:14:46,960 --> 00:14:49,840 Speaker 2: I put it on TikTok and everyone was like, oh 273 00:14:49,880 --> 00:14:51,200 Speaker 2: my god, this is so awkward. 274 00:14:59,200 --> 00:14:59,880 Speaker 3: That's awesome. 275 00:15:00,240 --> 00:15:03,720 Speaker 1: It's it's definitely a my hat is tipped to what 276 00:15:03,760 --> 00:15:07,040 Speaker 1: you do because it isn't natural, but you make it 277 00:15:07,040 --> 00:15:10,000 Speaker 1: look so natural and real, which is the magic of 278 00:15:10,360 --> 00:15:12,520 Speaker 1: what you know, the entire cast does with the show. 279 00:15:12,960 --> 00:15:15,640 Speaker 1: I feel very upset for you though, that you didn't 280 00:15:15,680 --> 00:15:16,840 Speaker 1: get to meet Lady Gaga. 281 00:15:16,880 --> 00:15:17,840 Speaker 3: How is that allowed? 282 00:15:18,920 --> 00:15:24,480 Speaker 2: And no, I kinda stop talking about this. No, I 283 00:15:24,520 --> 00:15:28,720 Speaker 2: actually I wasn't in town when she was there doing 284 00:15:28,720 --> 00:15:31,920 Speaker 2: her part in episode six. You know she was there 285 00:15:32,840 --> 00:15:37,480 Speaker 2: really briefly. We're lucky to get her at all. Yeah, 286 00:15:37,520 --> 00:15:44,120 Speaker 2: But then I go on podcast before and jokingly call 287 00:15:44,160 --> 00:15:46,360 Speaker 2: it a hate crime, and I've seen that headline be 288 00:15:46,440 --> 00:15:51,000 Speaker 2: run so many times. And then I was just in 289 00:15:51,040 --> 00:15:56,120 Speaker 2: Sydney doing an event for the Part two coming out, 290 00:15:56,160 --> 00:16:00,080 Speaker 2: and you know when they're announcing Dwindlan Christie's return and 291 00:16:00,120 --> 00:16:02,600 Speaker 2: me and Alan Miles Riders were laughing about it. So 292 00:16:02,920 --> 00:16:06,560 Speaker 2: they luckily didn't read one of those headlines and think 293 00:16:06,560 --> 00:16:07,480 Speaker 2: I was being serious. 294 00:16:09,240 --> 00:16:11,200 Speaker 1: But I also would feel the same way, by the way, 295 00:16:11,240 --> 00:16:14,400 Speaker 1: and I feel, yeah, yeah, now she needs to invite 296 00:16:14,440 --> 00:16:16,720 Speaker 1: you to her concert to make it all right. I'm 297 00:16:16,800 --> 00:16:19,840 Speaker 1: just saying, yeah, yeah. 298 00:16:21,880 --> 00:16:24,760 Speaker 2: I got to see her at Coachella. That was so fun. 299 00:16:25,040 --> 00:16:28,640 Speaker 1: Oh my god, her set looked unbelievable, unbelievable. 300 00:16:28,680 --> 00:16:33,000 Speaker 2: Yeah, I'm in New Zealand. Now. So I missed her 301 00:16:33,040 --> 00:16:37,960 Speaker 2: coming to La, but I'm hoping, you know, to catch 302 00:16:37,960 --> 00:16:43,040 Speaker 2: her in Europe if we're back shooting in time or something. 303 00:16:43,120 --> 00:16:43,680 Speaker 2: That'd be fun. 304 00:16:43,960 --> 00:16:47,520 Speaker 1: That'd be really fun. Is she coming back in any 305 00:16:47,520 --> 00:16:48,920 Speaker 1: sort of way next season or you. 306 00:16:48,840 --> 00:16:51,200 Speaker 2: Don't know, Oh, I have no idea. 307 00:16:51,880 --> 00:16:52,680 Speaker 3: Well, you never know. 308 00:16:52,760 --> 00:16:56,000 Speaker 1: We'll see maybe a new pop star will make an appearance. Yeah, yeah, 309 00:16:56,040 --> 00:16:58,040 Speaker 1: I've got a listen. Yeah, I'm sure you do. 310 00:16:58,560 --> 00:17:00,960 Speaker 3: I'm sure you do. Hunter. 311 00:17:01,080 --> 00:17:06,399 Speaker 1: You've had so many great moments with Jenna Artega with 312 00:17:06,480 --> 00:17:10,280 Speaker 1: Wednesday throughout the course of this season. For you, what's 313 00:17:10,320 --> 00:17:12,119 Speaker 1: been one of the most fun were you two? Just 314 00:17:12,240 --> 00:17:14,440 Speaker 1: like totally had a blast doing it. 315 00:17:15,160 --> 00:17:19,400 Speaker 2: I really liked doing just that. There's a few sequences 316 00:17:19,400 --> 00:17:22,080 Speaker 2: in episode five where I got to be with Jenna 317 00:17:22,240 --> 00:17:26,359 Speaker 2: and everyone, I mean, Jenna laughing me into chains. And 318 00:17:26,440 --> 00:17:34,600 Speaker 2: episode two was really demoralizing and fun. This season, we 319 00:17:34,640 --> 00:17:39,080 Speaker 2: all got to just hang out offset a lot, and 320 00:17:39,119 --> 00:17:41,640 Speaker 2: that was really fun. We were all living pretty close 321 00:17:41,680 --> 00:17:44,440 Speaker 2: to each other in Dublin, and so they're constantly kind 322 00:17:44,440 --> 00:17:48,920 Speaker 2: of walking to pubs as people do in Dublin, constantly 323 00:17:49,960 --> 00:17:54,879 Speaker 2: hanging out each other's apartments. Yeah, I love her. I 324 00:17:54,920 --> 00:17:58,960 Speaker 2: love that whole group of people, even though I'm Monstree 325 00:17:58,960 --> 00:18:00,680 Speaker 2: and I'm intact organizing them. 326 00:18:00,920 --> 00:18:01,600 Speaker 3: Yeah, yeah, I know. 327 00:18:01,640 --> 00:18:03,680 Speaker 1: It's it's very clear you guys are a very tight 328 00:18:03,720 --> 00:18:06,439 Speaker 1: knit group, which is so cool, and and there are 329 00:18:06,480 --> 00:18:08,200 Speaker 1: so many scenes that I imagine doing it with your 330 00:18:08,240 --> 00:18:11,840 Speaker 1: friend must be just so epic, like you burying her alive, 331 00:18:12,000 --> 00:18:14,600 Speaker 1: like do you do you like cut it just break. 332 00:18:14,359 --> 00:18:16,280 Speaker 3: Into laughter, like she's like, what are you doing? And 333 00:18:16,280 --> 00:18:17,040 Speaker 3: then you just go back to. 334 00:18:17,040 --> 00:18:19,959 Speaker 2: See the character was hilarious because she was on this 335 00:18:20,040 --> 00:18:24,440 Speaker 2: wire being like slowly lowered down into and like it's 336 00:18:24,480 --> 00:18:27,280 Speaker 2: slow at first as Isaac's talking around, then they just 337 00:18:27,320 --> 00:18:32,240 Speaker 2: like slammer down. Yeah, hilarious. That's so that was a 338 00:18:32,240 --> 00:18:35,240 Speaker 2: tough one to keep bye contact and not left. 339 00:18:35,480 --> 00:18:38,120 Speaker 1: Oh that's the best though, that's the best. There's got 340 00:18:38,160 --> 00:18:39,520 Speaker 1: to be a blooper reel somewhere. 341 00:18:40,200 --> 00:18:43,840 Speaker 2: Yeah. I don't think they've released anything for a part 342 00:18:43,880 --> 00:18:47,320 Speaker 2: two blooper or as part of season two bloopers. I 343 00:18:47,320 --> 00:18:49,120 Speaker 2: hope they do. There's got to be some good ones 344 00:18:49,119 --> 00:18:49,720 Speaker 2: in there. 345 00:18:49,600 --> 00:18:51,000 Speaker 3: Yeah, I imagine. 346 00:18:51,040 --> 00:18:54,040 Speaker 1: And at the end of the season we see kind 347 00:18:54,040 --> 00:18:56,840 Speaker 1: of everybody going off in their own way, in their 348 00:18:56,880 --> 00:19:00,200 Speaker 1: own direction, which sets up a very interesting season three. 349 00:19:01,200 --> 00:19:03,120 Speaker 1: Where do you think it's all going or where would 350 00:19:03,160 --> 00:19:05,000 Speaker 1: you be interested in it all going? 351 00:19:05,920 --> 00:19:11,560 Speaker 2: I don't know yet. I think for me, I still 352 00:19:12,080 --> 00:19:18,119 Speaker 2: want to see the real Tyler get to kind of 353 00:19:18,160 --> 00:19:21,000 Speaker 2: gain more control, you know. I think he's done a 354 00:19:21,040 --> 00:19:23,800 Speaker 2: lot of things to try to fix his issues. Necessarily 355 00:19:23,880 --> 00:19:29,760 Speaker 2: not necessarily heal from anything, you know, because he thinks 356 00:19:29,880 --> 00:19:32,800 Speaker 2: in part one, killing his master is going to set 357 00:19:32,880 --> 00:19:36,199 Speaker 2: him free, and then he doesn't know that he's not 358 00:19:36,240 --> 00:19:39,199 Speaker 2: going to be able to survive without one, and you know, 359 00:19:39,240 --> 00:19:41,240 Speaker 2: he's literally like the way he was written in the 360 00:19:41,240 --> 00:19:44,480 Speaker 2: script and we talked about it was like he's losing 361 00:19:45,240 --> 00:19:50,560 Speaker 2: touch with reality. And then he's under his mother's control, 362 00:19:50,680 --> 00:19:53,120 Speaker 2: and you know, he's a kid that lost his mom 363 00:19:53,160 --> 00:19:55,480 Speaker 2: at a young age and he has like a chance 364 00:19:55,680 --> 00:19:59,199 Speaker 2: to save her, so he's kind of doing anything he 365 00:19:59,280 --> 00:20:03,600 Speaker 2: can to do that. And then, yeah, I think we 366 00:20:03,760 --> 00:20:11,280 Speaker 2: still haven't gotten to explore Tyler in control while having 367 00:20:11,560 --> 00:20:12,639 Speaker 2: high abilities. 368 00:20:13,520 --> 00:20:17,280 Speaker 1: Do you think there's a world where Tyler and Wednesday 369 00:20:18,200 --> 00:20:22,560 Speaker 1: could be best friends or even love interests? 370 00:20:22,560 --> 00:20:30,080 Speaker 2: Again, I think that Tyler still deeply feels for her. 371 00:20:31,720 --> 00:20:36,520 Speaker 2: It would obviously I think need to be like a 372 00:20:36,680 --> 00:20:41,240 Speaker 2: slow burn. If anything, I think he has a lot 373 00:20:41,320 --> 00:20:43,560 Speaker 2: to make up for her. But you know, this end 374 00:20:43,560 --> 00:20:48,840 Speaker 2: of the season it was fun because part two, I 375 00:20:48,880 --> 00:20:52,320 Speaker 2: think his focus, you know, the hide is full of 376 00:20:52,400 --> 00:20:54,439 Speaker 2: rage and he knows the only way to get her 377 00:20:54,440 --> 00:20:58,119 Speaker 2: attention is through you know, Enid in episode five. But 378 00:20:58,200 --> 00:21:01,560 Speaker 2: then I think for Tyler, whole focus shifts to saving 379 00:21:01,560 --> 00:21:03,840 Speaker 2: his mom and Wednesday and her friends honestly just keep 380 00:21:04,000 --> 00:21:07,239 Speaker 2: getting in the way of that. They totally like if 381 00:21:07,240 --> 00:21:09,080 Speaker 2: they we just had been able to save mom in 382 00:21:09,119 --> 00:21:11,680 Speaker 2: episode six, it would have solved a lot of problems. 383 00:21:12,119 --> 00:21:17,080 Speaker 2: But yeah, it was it was just it was fun 384 00:21:17,160 --> 00:21:19,720 Speaker 2: to get to explore the you know, even though he's 385 00:21:19,760 --> 00:21:22,240 Speaker 2: being told what to do and to hide part of him, 386 00:21:22,840 --> 00:21:27,119 Speaker 2: he's still obviously he doesn't want her to die. And 387 00:21:27,160 --> 00:21:31,520 Speaker 2: then she has the chance to kill him, and you 388 00:21:31,560 --> 00:21:34,119 Speaker 2: know she sets him free, and you know it's a 389 00:21:34,119 --> 00:21:36,680 Speaker 2: moment of she kind of needs his help as well. 390 00:21:36,800 --> 00:21:40,280 Speaker 2: So yeah, it's just I think there's a it's fun. 391 00:21:40,320 --> 00:21:43,119 Speaker 2: There's a lot of fun dynamics to explore there. Yeah, 392 00:21:43,160 --> 00:21:45,720 Speaker 2: so there there might be a world where that could happen. 393 00:21:45,760 --> 00:21:50,680 Speaker 2: You never know, be sealed on that one. 394 00:21:52,800 --> 00:21:57,040 Speaker 1: Okay, moving on, moving on, moving on, moving on. I 395 00:21:57,119 --> 00:21:58,720 Speaker 1: just feel really like proud of you. 396 00:21:58,760 --> 00:22:02,440 Speaker 3: Man. I remember when we got caught in Brooklyn. Yeah, 397 00:22:02,760 --> 00:22:05,040 Speaker 3: a couple of years ago. Now, I guess maybe did 398 00:22:05,080 --> 00:22:06,560 Speaker 3: season one just come out? 399 00:22:07,440 --> 00:22:10,320 Speaker 2: I'm trying to remember as well. I feel like it 400 00:22:10,800 --> 00:22:14,080 Speaker 2: it must have just come out. Yeah, I think, yeah, 401 00:22:14,359 --> 00:22:17,120 Speaker 2: I think. I think I was there with my husband's 402 00:22:17,119 --> 00:22:19,800 Speaker 2: family for Christmas, because his whole family's in New York. 403 00:22:19,800 --> 00:22:22,359 Speaker 2: I think that's why we were there and in the city, 404 00:22:22,400 --> 00:22:25,320 Speaker 2: and I came in to do a few press things 405 00:22:25,359 --> 00:22:26,160 Speaker 2: and we met up. 406 00:22:26,760 --> 00:22:28,119 Speaker 3: Yeah, like it just came out. 407 00:22:28,160 --> 00:22:31,200 Speaker 1: I remember talking to you about it and and I 408 00:22:31,280 --> 00:22:33,480 Speaker 1: knew it would be huge, and I know you hope 409 00:22:33,520 --> 00:22:35,359 Speaker 1: that it would be huge, but you never know how 410 00:22:35,440 --> 00:22:37,679 Speaker 1: it goes, right, and it just blew up to be 411 00:22:37,720 --> 00:22:41,560 Speaker 1: this amazing thing that people really, really really love and 412 00:22:41,600 --> 00:22:44,919 Speaker 1: it shoots to number one instantly every time, and season 413 00:22:44,920 --> 00:22:47,679 Speaker 1: two has been delivering, and you got season three, I 414 00:22:47,720 --> 00:22:50,480 Speaker 1: believe before Season two even came out, right, So it's 415 00:22:50,600 --> 00:22:54,040 Speaker 1: just yeah, crazy, yeah, Like, it's so cool to see 416 00:22:54,080 --> 00:22:56,560 Speaker 1: you being a part of something that people crave and 417 00:22:56,600 --> 00:22:59,399 Speaker 1: love and want more of. And I imagine, you know, 418 00:22:59,440 --> 00:23:02,199 Speaker 1: I know it's hard as humans to pat ourselves on 419 00:23:02,240 --> 00:23:04,359 Speaker 1: the back, But I imagine a part of you does feel 420 00:23:04,359 --> 00:23:09,840 Speaker 1: pretty proud to have achieved this kind of victory, let's say, 421 00:23:09,920 --> 00:23:11,240 Speaker 1: in a business that's really tough. 422 00:23:12,200 --> 00:23:16,280 Speaker 2: Yeah, I feel insanely proud to be a part of 423 00:23:16,320 --> 00:23:20,560 Speaker 2: this show. I mean, you know, I've been acting out 424 00:23:20,600 --> 00:23:22,560 Speaker 2: and I'll just thinking for stuff in LA since you know, 425 00:23:22,600 --> 00:23:29,280 Speaker 2: twenty twelve, So very aware of just how rare it 426 00:23:29,320 --> 00:23:35,400 Speaker 2: is to get on something, let alone, something has this 427 00:23:35,560 --> 00:23:38,400 Speaker 2: kind of reach. You know, I'm trying to like enjoy 428 00:23:38,520 --> 00:23:43,000 Speaker 2: every moment of it because you know, something like this, 429 00:23:43,200 --> 00:23:46,800 Speaker 2: I feel like most people don't get to experience it once, 430 00:23:46,920 --> 00:23:49,640 Speaker 2: and I'm very aware of probably we'll never have something, 431 00:23:50,119 --> 00:23:53,200 Speaker 2: you know, that has this kind of reach ever again. 432 00:23:53,320 --> 00:23:57,160 Speaker 2: So I think it's it's been a really fun journey. 433 00:23:57,440 --> 00:24:00,840 Speaker 2: I'm just really yeah, aware of that, and I'm grateful 434 00:24:01,000 --> 00:24:01,960 Speaker 2: to be doing it. 435 00:24:02,600 --> 00:24:06,040 Speaker 1: Do you read the the fan comments and the Reddit 436 00:24:06,160 --> 00:24:08,639 Speaker 1: threads and the theories like do you ever catch yourself 437 00:24:08,720 --> 00:24:10,720 Speaker 1: kind of spinning in that cycle or you try to 438 00:24:11,520 --> 00:24:13,800 Speaker 1: try to tune out for your sanity. 439 00:24:14,680 --> 00:24:16,359 Speaker 2: A little bit of that and then But I have 440 00:24:16,480 --> 00:24:22,720 Speaker 2: seen some theories those are fun. Some people, some people 441 00:24:22,720 --> 00:24:26,440 Speaker 2: are like, make me think there's a leak, and then 442 00:24:28,040 --> 00:24:29,680 Speaker 2: some people, Oh, I can talk about this now because 443 00:24:29,680 --> 00:24:35,600 Speaker 2: Part twoso, you know, when Wednesday saves my mom an 444 00:24:35,640 --> 00:24:37,720 Speaker 2: episode end at part four, we don't know who she 445 00:24:37,880 --> 00:24:41,880 Speaker 2: is yet. There was so many rumors online like if 446 00:24:41,920 --> 00:24:45,880 Speaker 2: it was an Ophelia or Tyler's mom, and then this 447 00:24:45,960 --> 00:24:49,320 Speaker 2: rumor started that it was both, and that Wednesday and 448 00:24:49,320 --> 00:24:51,800 Speaker 2: I were cousins, and I was like, you guys, we 449 00:24:52,000 --> 00:24:54,280 Speaker 2: kissed already. Please don't spread this. 450 00:24:55,160 --> 00:24:56,680 Speaker 3: Yeah, that's a problem. 451 00:24:57,880 --> 00:25:03,200 Speaker 1: Yeah, oh god, yeah, let's let's not have that one 452 00:25:03,280 --> 00:25:05,760 Speaker 1: resurface again. We don't we don't need that rumor out there. 453 00:25:05,800 --> 00:25:08,000 Speaker 1: But that is that is funny. I have to say, 454 00:25:08,040 --> 00:25:12,320 Speaker 1: that's amazing. I would love to see you because you know, 455 00:25:12,359 --> 00:25:14,640 Speaker 1: Tim Burns such a genius and you're working so closely 456 00:25:14,680 --> 00:25:16,960 Speaker 1: with him. I'm just putting it out there that I 457 00:25:16,960 --> 00:25:19,800 Speaker 1: will love to see you in another Beetlejuice movie. 458 00:25:20,280 --> 00:25:20,840 Speaker 3: My good. Yeah. 459 00:25:20,880 --> 00:25:24,000 Speaker 2: Well there was, you know, thirty years in between the 460 00:25:24,080 --> 00:25:27,959 Speaker 2: first two, so I don't know. That's you know, totally 461 00:25:28,000 --> 00:25:31,200 Speaker 2: up to Tim if he feels the urge to go 462 00:25:31,280 --> 00:25:33,679 Speaker 2: back to that world. I loved that movie though, the 463 00:25:34,240 --> 00:25:36,800 Speaker 2: I mean obviously the original, but I thought they really 464 00:25:36,840 --> 00:25:41,639 Speaker 2: captured the oddness of the original in that sequel. That 465 00:25:41,720 --> 00:25:43,760 Speaker 2: was I thought, really really fun. 466 00:25:44,040 --> 00:25:45,879 Speaker 1: Oh my god, me too. It was very true to 467 00:25:45,920 --> 00:25:48,840 Speaker 1: the original world that they created. And I imagine, I mean, 468 00:25:48,880 --> 00:25:50,280 Speaker 1: how much fun would it be to do a movie 469 00:25:50,359 --> 00:25:50,560 Speaker 1: like that? 470 00:25:50,720 --> 00:25:50,960 Speaker 3: Right? 471 00:25:51,640 --> 00:25:52,160 Speaker 2: So fun? 472 00:25:52,400 --> 00:25:55,840 Speaker 1: Yeah, he's he's a genius. Well, I mean that would 473 00:25:55,880 --> 00:25:58,560 Speaker 1: be down the line, because you're a little busy right now. 474 00:25:58,600 --> 00:26:01,480 Speaker 1: You do have a movie coming out out of your own, 475 00:26:01,800 --> 00:26:07,040 Speaker 1: The Wilderness, Congratulations, that's coming out Octobers at seventeenth, seventeenth. Yeah, 476 00:26:07,119 --> 00:26:11,200 Speaker 1: exactly October seventeenth. So this is a very different type 477 00:26:11,200 --> 00:26:11,760 Speaker 1: of role for you. 478 00:26:13,119 --> 00:26:16,280 Speaker 2: Yeah, it's kind of switch lanes here from talking about 479 00:26:16,600 --> 00:26:21,240 Speaker 2: love interests and monsters. Yeah, it's a really special story 480 00:26:21,320 --> 00:26:25,800 Speaker 2: our writer and director Spencer King. It's based off his 481 00:26:26,000 --> 00:26:32,880 Speaker 2: experiences being sent to like a wilderness therapy program as 482 00:26:32,880 --> 00:26:38,119 Speaker 2: a teenager. Yeah. And you know, for people who don't know, 483 00:26:38,280 --> 00:26:40,360 Speaker 2: is like this goal takes place in like the troubled 484 00:26:40,400 --> 00:26:45,600 Speaker 2: teen industry, which is kind of this like private network 485 00:26:45,640 --> 00:26:48,440 Speaker 2: of a bunch of different types of facilities and the 486 00:26:48,520 --> 00:26:52,320 Speaker 2: wilderness programs like the one it explored in our movie, 487 00:26:53,160 --> 00:26:57,840 Speaker 2: or you know, boot camps, therapeutic boarding schools, conversion therapy, 488 00:26:57,880 --> 00:27:02,360 Speaker 2: all of those kind of follow under this teach label. Yeah, 489 00:27:02,359 --> 00:27:07,680 Speaker 2: it is a multi billion dollar industry, and I don't 490 00:27:07,680 --> 00:27:12,560 Speaker 2: think there's enough out there about it. So I was 491 00:27:12,680 --> 00:27:16,280 Speaker 2: just really honored to be brought on to help. You know, 492 00:27:16,320 --> 00:27:20,480 Speaker 2: a story that Spencer had written based on, you know, 493 00:27:20,960 --> 00:27:22,439 Speaker 2: like inspired by it, but he went. 494 00:27:22,320 --> 00:27:26,960 Speaker 1: Through what surprised you about the work you were able 495 00:27:27,000 --> 00:27:28,120 Speaker 1: to do in a role. 496 00:27:28,040 --> 00:27:32,240 Speaker 2: Like this, you know, I never you know, I didn't 497 00:27:32,920 --> 00:27:36,639 Speaker 2: go to one of these camps. I do have a 498 00:27:36,640 --> 00:27:43,760 Speaker 2: close friend that did. But my kind of initial way 499 00:27:43,800 --> 00:27:48,080 Speaker 2: into ed my character was Spencer and I connected because 500 00:27:48,359 --> 00:27:52,000 Speaker 2: we find out the reason he's kind of struggling is 501 00:27:52,160 --> 00:27:56,080 Speaker 2: he's lost his father. And Spencer lost his at a 502 00:27:56,119 --> 00:27:57,760 Speaker 2: young age. I lost my dad at a young age. 503 00:27:57,800 --> 00:28:01,720 Speaker 2: So that was kind of my like emotional way in. 504 00:28:01,840 --> 00:28:06,359 Speaker 2: And yeah, I feel like I've not really gotten to 505 00:28:06,400 --> 00:28:10,600 Speaker 2: explore it and something like this since that I went 506 00:28:10,640 --> 00:28:14,600 Speaker 2: through that, and so yeah, I was kind of a 507 00:28:14,640 --> 00:28:16,000 Speaker 2: little nervous to do it too. 508 00:28:16,920 --> 00:28:19,840 Speaker 1: Well, that's how you know it's right, right, Yeah, because 509 00:28:19,880 --> 00:28:23,679 Speaker 1: you push yourself outside of what makes maybe feel safe 510 00:28:23,840 --> 00:28:27,720 Speaker 1: or comfortable, And yeah, I mean, doing a project where 511 00:28:27,720 --> 00:28:29,840 Speaker 1: you have to revisit some of those feelings, which I 512 00:28:29,840 --> 00:28:32,840 Speaker 1: imagine were very traumatic for you, is freaky. 513 00:28:33,040 --> 00:28:33,640 Speaker 3: It just is. 514 00:28:34,000 --> 00:28:36,159 Speaker 2: Yeah, it was freaky. And then you know there's enough 515 00:28:36,320 --> 00:28:40,000 Speaker 2: to separate the two obviously that just like my relation 516 00:28:40,160 --> 00:28:42,320 Speaker 2: to my dad is not the same at all to 517 00:28:43,320 --> 00:28:45,920 Speaker 2: Ed and his. But yeah, I just think that, like 518 00:28:46,440 --> 00:28:50,440 Speaker 2: very That's what made me interested in like wanting to 519 00:28:50,480 --> 00:28:53,640 Speaker 2: do the movie is that the way it explored grief 520 00:28:53,800 --> 00:28:58,600 Speaker 2: was really touching. And yeah, just connected with Spenser so much. 521 00:28:58,640 --> 00:29:01,240 Speaker 2: I just wanted to be a part of it. And 522 00:29:02,240 --> 00:29:05,080 Speaker 2: to come on to play ahead and then to get 523 00:29:05,160 --> 00:29:09,840 Speaker 2: to produce something was really gratifying. 524 00:29:10,000 --> 00:29:13,360 Speaker 1: Yeah, yeah, I know, excuse me, producer, that's a big deal. 525 00:29:13,520 --> 00:29:14,400 Speaker 3: That's a big deal. 526 00:29:15,000 --> 00:29:18,920 Speaker 2: Yeah it was. It was really fun and I love acting, 527 00:29:18,960 --> 00:29:22,680 Speaker 2: but you know, I've all I've been trying to work 528 00:29:22,720 --> 00:29:24,480 Speaker 2: at doing stuff on the other side of the camera 529 00:29:24,520 --> 00:29:27,560 Speaker 2: for a while, you know, write a lot, and to 530 00:29:27,640 --> 00:29:30,960 Speaker 2: get to be a producer and just get to have 531 00:29:31,120 --> 00:29:35,840 Speaker 2: more of a hand or say and this whole storytelling 532 00:29:36,000 --> 00:29:41,080 Speaker 2: from the beginning to the end, Yeah, it was really fun. 533 00:29:41,400 --> 00:29:42,480 Speaker 2: I loved that side of it. 534 00:29:42,800 --> 00:29:45,080 Speaker 1: Well, everybody has to see you in this movie. It's, 535 00:29:45,240 --> 00:29:46,760 Speaker 1: like I said, a very different type of role for 536 00:29:46,800 --> 00:29:48,240 Speaker 1: you visually. It's beautiful. 537 00:29:48,360 --> 00:29:54,560 Speaker 2: I mean, yeah, Utah for five weeks and you know, 538 00:29:54,960 --> 00:30:08,440 Speaker 2: our cinematographer Sean Mutan was incredible, really beautiful film. 539 00:30:08,560 --> 00:30:11,240 Speaker 1: It's awesome that right after people are gonna seeing you 540 00:30:11,240 --> 00:30:13,280 Speaker 1: on Wednesday, they can then see this totally different character 541 00:30:13,320 --> 00:30:16,200 Speaker 1: in a different world, grounded more in were reality, I 542 00:30:16,240 --> 00:30:20,680 Speaker 1: guess because monsters aren't real, I don't think so, it's 543 00:30:21,080 --> 00:30:22,000 Speaker 1: it's really cool. 544 00:30:23,520 --> 00:30:28,600 Speaker 3: What's that you're questioning that? Well, I mean, I don't 545 00:30:28,600 --> 00:30:30,400 Speaker 3: want anyone to come from me, but maybe maybe just 546 00:30:30,440 --> 00:30:32,080 Speaker 3: a little what you're saying. 547 00:30:32,200 --> 00:30:34,080 Speaker 1: Although I've met some people that I would call monsters 548 00:30:34,080 --> 00:30:39,640 Speaker 1: in my life, so that's a different story. But that's 549 00:30:39,640 --> 00:30:44,000 Speaker 1: for the After Hour show. It's a really really, really 550 00:30:44,000 --> 00:30:46,800 Speaker 1: cool movie. So it's why it's released in limited theaters 551 00:30:46,800 --> 00:30:48,040 Speaker 1: on the seventeenth, right. 552 00:30:48,520 --> 00:30:52,960 Speaker 2: Yeah, so you know this is a true, true independent movie. 553 00:30:53,320 --> 00:30:58,480 Speaker 2: So I we are so grateful to have a theatrical 554 00:30:58,520 --> 00:31:02,840 Speaker 2: release that is rare. You know, won't be everywhere, but 555 00:31:03,120 --> 00:31:06,320 Speaker 2: you know it'll be in select cities and you know 556 00:31:06,600 --> 00:31:10,640 Speaker 2: we'll put the link somewhere when that's available. Yeah, I'm 557 00:31:10,640 --> 00:31:14,760 Speaker 2: excited about that. To just have it, this little movie 558 00:31:14,800 --> 00:31:18,200 Speaker 2: we worked on make it to theaters is really exciting. 559 00:31:18,520 --> 00:31:21,320 Speaker 1: Oh, that's amazing. It's it's gonna be awesome. And I 560 00:31:21,360 --> 00:31:24,520 Speaker 1: know everyone's really psyched for that. They're also psyched for 561 00:31:24,600 --> 00:31:27,400 Speaker 1: what you're working on right now, which is why you 562 00:31:27,480 --> 00:31:29,480 Speaker 1: are not in studio with me, and you were in 563 00:31:29,520 --> 00:31:32,920 Speaker 1: New Zealand you were filming Evil Dead burn right. 564 00:31:33,560 --> 00:31:37,640 Speaker 2: Yes, yeah, I'm you know, we've been shooting for like 565 00:31:37,680 --> 00:31:42,400 Speaker 2: a month, two more to go, so so fun. Yeah, 566 00:31:43,080 --> 00:31:50,400 Speaker 2: another kind of departure straight up horror. It's been really fun. 567 00:31:51,560 --> 00:31:52,080 Speaker 3: Is it been? 568 00:31:53,600 --> 00:31:55,680 Speaker 1: Do you get freaked out when you work on projects 569 00:31:55,760 --> 00:31:57,800 Speaker 1: like this, because I mean it's a that franchise is. 570 00:31:57,760 --> 00:32:02,640 Speaker 2: No joke, Yeah, no joke. It had a lot of 571 00:32:03,560 --> 00:32:06,440 Speaker 2: jokes and the original ones, which I love, Like, I mean, 572 00:32:06,440 --> 00:32:11,160 Speaker 2: Evil Dead two it's just a classic and so campy 573 00:32:11,240 --> 00:32:14,920 Speaker 2: and and then you know the Army of Darkness, you know, 574 00:32:15,080 --> 00:32:17,080 Speaker 2: even goes further. But yeah, ever since kind of like 575 00:32:17,160 --> 00:32:23,400 Speaker 2: Vedi Alvarez did the twenty thirteen one, it's been truly horrifying. 576 00:32:23,480 --> 00:32:28,120 Speaker 2: And yeah, our a lot of our effects and makeup 577 00:32:28,800 --> 00:32:33,600 Speaker 2: has been a lot of practical stuff but it's it's 578 00:32:33,680 --> 00:32:35,720 Speaker 2: so fun. On the day, you know, we're all getting 579 00:32:35,760 --> 00:32:37,920 Speaker 2: at each other. It's like, oh, look at that's disgusting. 580 00:32:40,040 --> 00:32:41,920 Speaker 3: Oh man, I bet I can't wait for that. 581 00:32:42,600 --> 00:32:45,920 Speaker 1: Would you say we're going to be pretty scared watching 582 00:32:45,960 --> 00:32:47,240 Speaker 1: this based off of your filming? 583 00:32:48,360 --> 00:32:54,160 Speaker 2: I hope so. Our director, Sebastian Benicek is a fringe 584 00:32:54,160 --> 00:32:58,280 Speaker 2: filmmaker who his first film is called vermin Or Invested 585 00:32:58,320 --> 00:33:04,200 Speaker 2: in English. But that movie really freaked me out. So 586 00:33:05,000 --> 00:33:08,600 Speaker 2: I think we're Evil Dead fans can trust that he 587 00:33:08,760 --> 00:33:10,880 Speaker 2: is gonna really bring it. 588 00:33:11,440 --> 00:33:13,920 Speaker 3: M Oh my god, that's excited. 589 00:33:14,040 --> 00:33:15,960 Speaker 1: I gotta say, I'm pretty surprised in this day and 590 00:33:16,000 --> 00:33:19,280 Speaker 1: age we live in that there's really been no spoilers. 591 00:33:19,320 --> 00:33:23,960 Speaker 3: It's been pretty locked down. Yeah. 592 00:33:23,960 --> 00:33:26,880 Speaker 2: I don't think anything is kind of leaked out online 593 00:33:26,880 --> 00:33:29,680 Speaker 2: about it, which is nice. So I'm gonna try to 594 00:33:29,720 --> 00:33:31,880 Speaker 2: not spoil it here and now. 595 00:33:32,160 --> 00:33:35,040 Speaker 1: So you're not gonna tell me how it ends. 596 00:33:34,720 --> 00:33:40,080 Speaker 3: Oh all right, I won't get that out. 597 00:33:40,160 --> 00:33:41,080 Speaker 2: Here's people to die. 598 00:33:41,760 --> 00:33:45,920 Speaker 3: Yeah, No, you don't say, yeah. 599 00:33:45,720 --> 00:33:48,280 Speaker 2: That's the first Evil Dead movie where no one dies. 600 00:33:48,800 --> 00:33:52,600 Speaker 2: It's just a kind of a nice family film. 601 00:33:53,800 --> 00:33:57,480 Speaker 1: Okay, all right, Well, I think you just maybe told 602 00:33:57,480 --> 00:33:59,720 Speaker 1: everyone not to come based off that description, So let's 603 00:33:59,720 --> 00:34:00,360 Speaker 1: not do that. 604 00:34:01,000 --> 00:34:06,760 Speaker 2: Yeah. Yeah, yeah, I've got to stop talking just utter 605 00:34:07,240 --> 00:34:10,040 Speaker 2: bullshit on podcasts that get taken out of continents. 606 00:34:11,840 --> 00:34:13,360 Speaker 3: No, that's that's awesome. 607 00:34:13,360 --> 00:34:16,440 Speaker 1: Well that's another project that you should be so proud of. 608 00:34:16,480 --> 00:34:19,400 Speaker 1: You're doing so much, man like is there and you 609 00:34:19,440 --> 00:34:21,160 Speaker 1: do a lot of different things, But is there a 610 00:34:21,239 --> 00:34:23,160 Speaker 1: type of role that you haven't gotten to play yet 611 00:34:23,160 --> 00:34:24,960 Speaker 1: where you're like, oh, man, one day, I want to 612 00:34:25,080 --> 00:34:26,200 Speaker 1: I want to I want to do that. 613 00:34:27,360 --> 00:34:33,840 Speaker 2: This Fall and Evil that is super different. It's you know, 614 00:34:34,920 --> 00:34:37,319 Speaker 2: I can it's much probably, but it's it's different for me. 615 00:34:39,440 --> 00:34:42,440 Speaker 2: I think Ed in the Wilderness was also different than 616 00:34:42,520 --> 00:34:48,160 Speaker 2: you know, obviously like Wednesday or Muse and Daredevil. But yeah, 617 00:34:48,239 --> 00:34:51,160 Speaker 2: I think I need to play a character who isn't 618 00:34:51,640 --> 00:34:59,160 Speaker 2: suffering so much or making other people suffer. It would 619 00:34:59,360 --> 00:35:03,319 Speaker 2: it would be nice to do something kind of lighthearted next, maybe. 620 00:35:03,840 --> 00:35:05,560 Speaker 3: Like a good rom com. 621 00:35:05,760 --> 00:35:09,640 Speaker 2: Yeah, just a calm. 622 00:35:10,440 --> 00:35:15,360 Speaker 3: Something with a laugh. Yeah, yeah, I could, I could totally. 623 00:35:16,520 --> 00:35:19,360 Speaker 2: Yeah, something about me walking into a casting office. 624 00:35:19,360 --> 00:35:24,480 Speaker 1: They're like murderer, he gives dark energy. 625 00:35:25,080 --> 00:35:28,640 Speaker 3: Yeah. I hope that for you too though. That would 626 00:35:28,640 --> 00:35:30,759 Speaker 3: be really cool to see. I would, and it would 627 00:35:30,760 --> 00:35:31,760 Speaker 3: be cool to see you play. 628 00:35:32,040 --> 00:35:36,840 Speaker 1: Also, like there's so much great content, you know, for 629 00:35:36,920 --> 00:35:40,359 Speaker 1: the community, like you know, over Compensating was amazing and 630 00:35:41,480 --> 00:35:45,160 Speaker 1: oh my god love how why where is the season 631 00:35:45,239 --> 00:35:45,960 Speaker 1: two announcement? 632 00:35:46,080 --> 00:35:50,640 Speaker 2: Like come on, I know I need doing that. I 633 00:35:50,680 --> 00:35:52,840 Speaker 2: binge that so fast? 634 00:35:53,520 --> 00:35:59,640 Speaker 3: Brilliant is amazing, brilliant, brilliant. Yeah. 635 00:36:01,680 --> 00:36:05,719 Speaker 2: Yeah, I've seen him out about and definitely was like, 636 00:36:06,320 --> 00:36:10,080 Speaker 2: so are you gonna call me? Uh? For season two? 637 00:36:11,239 --> 00:36:13,000 Speaker 2: Pitch definitely pitched myself. I would love to play just 638 00:36:13,080 --> 00:36:17,399 Speaker 2: a queer character in general, or to anything for that show. 639 00:36:17,400 --> 00:36:19,160 Speaker 2: I would. I would play frat bro. 640 00:36:21,360 --> 00:36:24,479 Speaker 1: That would be fun to see. That would be really 641 00:36:24,480 --> 00:36:26,759 Speaker 1: fun to see. Yeah, no, the show is amazing and 642 00:36:26,800 --> 00:36:28,200 Speaker 1: oh my god, if you were in season two that 643 00:36:28,200 --> 00:36:30,239 Speaker 1: would be epic. But that isn't that isn't a fun 644 00:36:30,280 --> 00:36:33,799 Speaker 1: point that you know, you're you're an alka man and 645 00:36:33,840 --> 00:36:37,160 Speaker 1: not that doesn't define you, but like you would want 646 00:36:37,160 --> 00:36:38,640 Speaker 1: to play that kind of role? 647 00:36:39,600 --> 00:36:44,520 Speaker 2: Yeah, I mean, well I have auditioned. I just haven't 648 00:36:45,719 --> 00:36:46,719 Speaker 2: give the book one. 649 00:36:48,960 --> 00:36:49,560 Speaker 3: That's funny. 650 00:36:49,600 --> 00:36:52,520 Speaker 1: You've tried out for just for different you know LGBT 651 00:36:52,800 --> 00:36:58,120 Speaker 1: projects out there, Yes, really any any of that that 652 00:36:58,200 --> 00:36:58,640 Speaker 1: I would know. 653 00:37:00,680 --> 00:37:03,680 Speaker 2: Oh my god. I can't stand when people list the 654 00:37:03,760 --> 00:37:06,480 Speaker 2: roles they didn't get and then it's just never that 655 00:37:06,600 --> 00:37:10,839 Speaker 2: never comes out right. But yeah, maybe off camera, I'll 656 00:37:10,840 --> 00:37:11,320 Speaker 2: tell you. 657 00:37:11,840 --> 00:37:14,480 Speaker 1: All right, fair enough, that's funny. That's so funny. All right, 658 00:37:14,520 --> 00:37:16,759 Speaker 1: so maybe we'll see that happening down the line. I 659 00:37:16,800 --> 00:37:21,640 Speaker 1: think I saw that you somewhere were actually saying somebody 660 00:37:21,800 --> 00:37:24,799 Speaker 1: like Jonathan Bailey is an inspiration in this business. 661 00:37:25,400 --> 00:37:33,759 Speaker 2: Yeah, huge, He's so talented, and I think just when 662 00:37:33,760 --> 00:37:39,080 Speaker 2: it comes to this topic, he speaks so eloquently about it, 663 00:37:39,120 --> 00:37:43,880 Speaker 2: and just there was some like long form interview if 664 00:37:44,200 --> 00:37:48,600 Speaker 2: maybe I forget where it was, but just that he 665 00:37:48,760 --> 00:37:52,720 Speaker 2: kind of let go of the limitations that he felt 666 00:37:52,840 --> 00:37:56,600 Speaker 2: from the outside world about it. And yeah, I mean 667 00:37:56,640 --> 00:38:03,800 Speaker 2: I think his career is amazing. Played queer characters, straight characters, 668 00:38:04,120 --> 00:38:09,520 Speaker 2: giant franchises, the you know, big romantic interest you know, 669 00:38:09,920 --> 00:38:14,120 Speaker 2: now Jurassic Park, you know, like, yeah, so when it 670 00:38:14,160 --> 00:38:17,680 Speaker 2: comes to how he discusses this, I'm just really inspired. 671 00:38:17,719 --> 00:38:20,520 Speaker 2: And then I'm just a huge fan of his work too. 672 00:38:21,080 --> 00:38:23,120 Speaker 1: Have you had the opportunity to connect with him and 673 00:38:23,520 --> 00:38:25,880 Speaker 1: like tell him that, oh no, I've. 674 00:38:25,760 --> 00:38:28,680 Speaker 2: Never never met him, but yeah, hopefully someday. 675 00:38:29,080 --> 00:38:30,160 Speaker 3: Yeah, that's awesome. 676 00:38:30,200 --> 00:38:32,200 Speaker 1: I love when you can look up to someone in 677 00:38:32,200 --> 00:38:35,239 Speaker 1: the business who's truly doing great things. And I've talked 678 00:38:35,280 --> 00:38:37,520 Speaker 1: him a bunch and I did a whole hour long 679 00:38:37,680 --> 00:38:39,719 Speaker 1: conversation with him at the ninety second Street while here 680 00:38:39,760 --> 00:38:41,920 Speaker 1: in New York, and we, you know, keep in touch 681 00:38:41,960 --> 00:38:44,239 Speaker 1: a few times a year, and he's like, genuinely one 682 00:38:44,320 --> 00:38:45,680 Speaker 1: of the kindest, nicest people. 683 00:38:46,760 --> 00:38:48,319 Speaker 2: That's I love to hear that. 684 00:38:48,840 --> 00:38:50,760 Speaker 3: Yeah, yeah, he's he's good people. 685 00:38:51,320 --> 00:38:53,799 Speaker 2: Yeah, it seems like you can tell that just all 686 00:38:53,840 --> 00:38:57,600 Speaker 2: his interviews and press stuff I've seen. Yeah, he seems 687 00:38:57,640 --> 00:38:58,839 Speaker 2: like a really genuine guy. 688 00:38:59,080 --> 00:39:01,960 Speaker 1: Oh yeah, yeah, have like a strict no asshole policy. 689 00:39:02,000 --> 00:39:04,200 Speaker 1: And I'm like, thank god you're cool, because I would 690 00:39:04,280 --> 00:39:06,640 Speaker 1: not be able to do anything with. 691 00:39:06,640 --> 00:39:08,759 Speaker 3: You, so I respect that for sure. 692 00:39:08,960 --> 00:39:12,799 Speaker 1: Hunter, is there a franchise out there that you just 693 00:39:13,000 --> 00:39:15,560 Speaker 1: love and like it would be a pinch me moment 694 00:39:15,680 --> 00:39:16,440 Speaker 1: to be a part. 695 00:39:16,280 --> 00:39:19,840 Speaker 2: Of big kind of franchise right now? 696 00:39:20,040 --> 00:39:22,359 Speaker 1: Yeah, or like a series, like anything kind of that 697 00:39:22,440 --> 00:39:25,600 Speaker 1: exists or a world that exists out there in a 698 00:39:25,640 --> 00:39:28,120 Speaker 1: project that you're like, Ah, that would be so cool. 699 00:39:28,880 --> 00:39:36,040 Speaker 2: Uh, I really love Separence. I loved Game of Thrones. 700 00:39:36,239 --> 00:39:38,839 Speaker 2: The House of the Dragon has been really fun as well, 701 00:39:38,960 --> 00:39:42,560 Speaker 2: so something like that would be really different and cool. 702 00:39:44,760 --> 00:39:48,160 Speaker 2: I don't know. Yeah, it's like kind of always comes 703 00:39:48,200 --> 00:39:56,840 Speaker 2: down to the script for me. Yeah, it's just so funny, 704 00:39:56,840 --> 00:40:01,600 Speaker 2: like you can never predict or kind of plan this 705 00:40:01,960 --> 00:40:06,920 Speaker 2: these next things. I feel like I loved Evil Dead 706 00:40:08,360 --> 00:40:12,200 Speaker 2: and never really even saw myself in that world, and 707 00:40:12,239 --> 00:40:15,160 Speaker 2: then I got this audition. I knew who Sebastian was 708 00:40:15,200 --> 00:40:21,040 Speaker 2: before I got it, and then seeing how good this 709 00:40:21,239 --> 00:40:23,480 Speaker 2: script was is what made me want to do it 710 00:40:23,520 --> 00:40:25,440 Speaker 2: and make trust in him as a filmmaker. 711 00:40:26,520 --> 00:40:28,680 Speaker 1: That's so cool that, like one of your kind of 712 00:40:29,480 --> 00:40:32,600 Speaker 1: dream you know, areas to be involved in, is happening 713 00:40:32,680 --> 00:40:33,600 Speaker 1: right now as we speak. 714 00:40:33,640 --> 00:40:34,400 Speaker 3: I love hearing that. 715 00:40:34,640 --> 00:40:37,560 Speaker 1: And of course, as you mentioned earlier, over compensating season two, 716 00:40:37,719 --> 00:40:42,640 Speaker 1: call you come on, He's right, what the fuck I'm 717 00:40:43,040 --> 00:40:44,759 Speaker 1: I'm gonna slide into this dam and be like, you 718 00:40:44,800 --> 00:40:46,359 Speaker 1: better make this fucking happen. 719 00:40:50,080 --> 00:40:51,759 Speaker 2: After this two me like, I'm sorry. 720 00:40:52,600 --> 00:40:54,520 Speaker 3: There might be things that come out there about me 721 00:40:54,600 --> 00:40:56,000 Speaker 3: doing your show. Ignore it. 722 00:40:57,760 --> 00:40:59,279 Speaker 2: All right. We came up with the storyline. 723 00:40:59,360 --> 00:41:02,759 Speaker 1: It's ready to go, Oh my god, Yes, I not 724 00:41:02,800 --> 00:41:04,440 Speaker 1: that he needs hell, but I do have some great 725 00:41:05,200 --> 00:41:07,520 Speaker 1: options played stuff things I've gone through in my life 726 00:41:07,560 --> 00:41:10,440 Speaker 1: that are really too funny to even believe. But anyway, 727 00:41:11,880 --> 00:41:14,480 Speaker 1: God Hunter, I just love catching up with you. And 728 00:41:14,600 --> 00:41:17,080 Speaker 1: as we wrap up, the name of the show is 729 00:41:17,080 --> 00:41:19,600 Speaker 1: called I've never said this before, and I love having 730 00:41:19,600 --> 00:41:22,800 Speaker 1: people come on and say something that they don't always 731 00:41:22,800 --> 00:41:24,920 Speaker 1: get a chance to say in a two minute carpet, 732 00:41:25,160 --> 00:41:27,719 Speaker 1: you know, or a four minute junket where it's all 733 00:41:27,719 --> 00:41:30,960 Speaker 1: the same things being thrown your way. So is there 734 00:41:31,000 --> 00:41:33,760 Speaker 1: anything today that you can think of that you've never 735 00:41:34,480 --> 00:41:37,800 Speaker 1: said before in an interview that you want to share? 736 00:41:39,200 --> 00:41:42,480 Speaker 2: Yeah, because the name of the show is thinking about it, 737 00:41:44,120 --> 00:41:49,120 Speaker 2: I'm not sure, but how to say it, I guess, 738 00:41:49,160 --> 00:41:51,840 Speaker 2: but you kind of touched on it earlier asking about 739 00:41:52,400 --> 00:41:55,719 Speaker 2: getting to like the comments and stuff. I don't. I 740 00:41:55,719 --> 00:41:57,759 Speaker 2: think I've kind of been struggling with how much of 741 00:41:58,400 --> 00:42:02,359 Speaker 2: myself I want to out there. There's because I gotta say, 742 00:42:02,400 --> 00:42:06,279 Speaker 2: like the Wednesday fans, every interaction I've had with them 743 00:42:06,440 --> 00:42:09,520 Speaker 2: in real life has been so great, and online it's 744 00:42:09,520 --> 00:42:12,959 Speaker 2: mostly positive too, But then it's not the like fans 745 00:42:13,000 --> 00:42:15,920 Speaker 2: of the show. There's been like some there's honestly been 746 00:42:15,960 --> 00:42:19,840 Speaker 2: these like weird AI videos on like TikTok that have 747 00:42:19,960 --> 00:42:24,000 Speaker 2: like spread rumors about like me and Jenna and Emma's 748 00:42:24,040 --> 00:42:27,080 Speaker 2: and other cast members like personal lives are just so 749 00:42:27,320 --> 00:42:30,319 Speaker 2: not true and obviously this fake AI voice and then 750 00:42:31,239 --> 00:42:34,080 Speaker 2: but this stuff coulds spread around and people believe it, 751 00:42:34,120 --> 00:42:36,680 Speaker 2: and so I don't know, sometimes it makes me want 752 00:42:36,680 --> 00:42:43,400 Speaker 2: to like protect myself more and not share anything for 753 00:42:43,520 --> 00:42:47,320 Speaker 2: my personal life. And sometimes I want to like comment 754 00:42:47,400 --> 00:42:50,880 Speaker 2: on these stupid AI videos and say, truly, people aren't 755 00:42:51,520 --> 00:42:55,320 Speaker 2: believing this shit. I mean, if I don't want to 756 00:42:55,320 --> 00:42:57,719 Speaker 2: have fuel to the fire. I don't know, I feel 757 00:42:57,719 --> 00:43:00,840 Speaker 2: like I'm not really making a cohesive point here. I 758 00:43:00,840 --> 00:43:03,719 Speaker 2: feel like I just this kind of topic to me 759 00:43:03,840 --> 00:43:09,200 Speaker 2: is like, oh, I kind of avoid talking about this 760 00:43:10,400 --> 00:43:14,560 Speaker 2: and just kind of wanted to lightly touch on that. 761 00:43:15,719 --> 00:43:19,920 Speaker 2: I don't know, everyone be a little nicer and not 762 00:43:21,360 --> 00:43:25,600 Speaker 2: just believe some rumor that is literally an AI voice 763 00:43:25,640 --> 00:43:27,080 Speaker 2: speaking on TikTok. 764 00:43:27,400 --> 00:43:30,440 Speaker 1: Right right, Well, I think what you're basically saying is 765 00:43:30,480 --> 00:43:32,600 Speaker 1: you struggle with how much to share and how much 766 00:43:32,680 --> 00:43:37,520 Speaker 1: not to share, you know, based off how crazy the 767 00:43:37,560 --> 00:43:42,040 Speaker 1: Internet can sometimes be and how quickly rumors can start 768 00:43:42,080 --> 00:43:44,600 Speaker 1: and how quickly fake things can be said and interpreted 769 00:43:44,680 --> 00:43:47,200 Speaker 1: as factual or real. And I imagine that does put 770 00:43:47,200 --> 00:43:48,160 Speaker 1: you in a weird position. 771 00:43:49,680 --> 00:43:52,239 Speaker 2: Yeah, I mean I got to go to Sydney for 772 00:43:52,280 --> 00:43:57,520 Speaker 2: that event for part two, but like I couldn't go 773 00:43:57,600 --> 00:44:00,160 Speaker 2: to the London premire, so I was here shooting and 774 00:44:00,840 --> 00:44:02,520 Speaker 2: I even posted it. I was like, oh, I wish 775 00:44:02,520 --> 00:44:04,839 Speaker 2: I could be there, And there's like rumors that, like 776 00:44:05,160 --> 00:44:08,080 Speaker 2: I saw a wonder word, Jenna didn't allow me to go, 777 00:44:08,400 --> 00:44:11,600 Speaker 2: which is so not true. There was a rumor that 778 00:44:11,719 --> 00:44:14,360 Speaker 2: my husband didn't let me go because he was jealous 779 00:44:14,400 --> 00:44:16,239 Speaker 2: of Jenna, and I was like, you guys, can we 780 00:44:16,320 --> 00:44:21,879 Speaker 2: be so being for real right now? It's ridiculous. 781 00:44:22,000 --> 00:44:22,840 Speaker 3: Oh my god. 782 00:44:22,920 --> 00:44:26,760 Speaker 1: So according to the Internet, you and Jenna had an affair, 783 00:44:26,840 --> 00:44:29,000 Speaker 1: your husband caught on when it let you go, and 784 00:44:29,040 --> 00:44:30,759 Speaker 1: then she got mad and banned you from going. 785 00:44:30,760 --> 00:44:31,719 Speaker 3: It all makes sense to me. 786 00:44:32,480 --> 00:44:37,080 Speaker 1: Yeah, yeah, that's I know, Well, that's I think it's 787 00:44:37,120 --> 00:44:38,719 Speaker 1: a really good thing to bring up, because you know, 788 00:44:38,760 --> 00:44:41,400 Speaker 1: like you said, the community of Wednesday fans are awesome 789 00:44:42,440 --> 00:44:47,480 Speaker 1: and they've been great, but there are people randoms online 790 00:44:47,520 --> 00:44:50,640 Speaker 1: who you know, like to jump on something because it's 791 00:44:50,640 --> 00:44:53,400 Speaker 1: a popular show or the actors being talked about, and 792 00:44:53,440 --> 00:44:56,120 Speaker 1: like you said, they make up these crazy things and 793 00:44:57,360 --> 00:44:59,239 Speaker 1: y'all are people. Like at the end of the day, 794 00:44:59,440 --> 00:45:04,560 Speaker 1: things hurt and can have real life repercussions if someone believes. 795 00:45:04,080 --> 00:45:09,560 Speaker 3: Something you know and like, it's not cool. So so 796 00:45:10,000 --> 00:45:10,279 Speaker 3: it's a. 797 00:45:10,280 --> 00:45:12,480 Speaker 1: Good message to put out to just like in general, 798 00:45:12,480 --> 00:45:15,280 Speaker 1: for everyone to be kinder and live in the reality 799 00:45:15,320 --> 00:45:18,160 Speaker 1: of it all and not kind of spread gossip or 800 00:45:18,640 --> 00:45:21,400 Speaker 1: rumors or anything like that, because we do want you 801 00:45:21,520 --> 00:45:24,480 Speaker 1: to feel comfortable to open up to a certain extent 802 00:45:24,680 --> 00:45:28,239 Speaker 1: and share more of you and not just the characters 803 00:45:28,280 --> 00:45:31,680 Speaker 1: you play, because there's so much more to you than that, 804 00:45:32,040 --> 00:45:35,120 Speaker 1: you know. So I hope that I hope that even 805 00:45:35,120 --> 00:45:38,160 Speaker 1: though that happens and hopefully won't continue to happen, I 806 00:45:38,160 --> 00:45:43,760 Speaker 1: hope that you still feel comfortable sharing a certain amount 807 00:45:43,840 --> 00:45:47,120 Speaker 1: of you with you know, your community in the world 808 00:45:47,200 --> 00:45:50,239 Speaker 1: and not letting that kind of put you in a 809 00:45:50,239 --> 00:45:52,120 Speaker 1: box with the lock on it, you know what I mean. 810 00:45:53,800 --> 00:45:57,640 Speaker 2: Yeah, I hope so too, because yeah, I think that's 811 00:46:00,600 --> 00:46:06,000 Speaker 2: vulnerability is important as an actor. But yeah, kinda do 812 00:46:06,040 --> 00:46:11,920 Speaker 2: you have to protect yourself? I guess sometimes I don't know. 813 00:46:11,080 --> 00:46:14,680 Speaker 1: Would you like to would you like to clarify one 814 00:46:14,760 --> 00:46:17,799 Speaker 1: final time that your marriage is great and you and 815 00:46:17,880 --> 00:46:19,440 Speaker 1: Jenna are nothing more than friends. 816 00:46:20,920 --> 00:46:26,319 Speaker 2: Yes. Yeah. My husband, for the record, did not tell 817 00:46:26,360 --> 00:46:28,520 Speaker 2: me not to go to the Wednesday premiere because he's 818 00:46:28,600 --> 00:46:34,160 Speaker 2: jealous of Jenna and I grow up. I love her 819 00:46:34,239 --> 00:46:42,399 Speaker 2: to death, so stupid I like something like I even say, 820 00:46:42,400 --> 00:46:44,839 Speaker 2: it's so ridiculous because I think most people see through it. 821 00:46:45,320 --> 00:46:50,359 Speaker 2: But then we get these like crazy messages, or he 822 00:46:50,360 --> 00:46:53,200 Speaker 2: gets these crazy messages, and it's just so insane. 823 00:46:53,440 --> 00:46:56,840 Speaker 3: Oh my god, I know, I know, it's always something. Well. 824 00:46:57,640 --> 00:47:00,880 Speaker 1: I appreciate you coming on, and I do think today 825 00:47:00,920 --> 00:47:04,600 Speaker 1: you shared you know a lot, and you shared what 826 00:47:04,680 --> 00:47:08,399 Speaker 1: you should feel comfortable sharing, and you don't know more 827 00:47:08,440 --> 00:47:11,280 Speaker 1: than that to anyone, And it's all about levels of comfort. 828 00:47:11,360 --> 00:47:13,400 Speaker 1: And I think it's really cool that you can straddle 829 00:47:13,400 --> 00:47:15,560 Speaker 1: a line, in my opinion, of being a great artist 830 00:47:15,560 --> 00:47:18,440 Speaker 1: and doing work that people love and talking and celebrating 831 00:47:18,440 --> 00:47:22,200 Speaker 1: the work, but also sharing glimpses into yourself and telling 832 00:47:22,200 --> 00:47:24,600 Speaker 1: me that with the wilderness, you know you could relate 833 00:47:24,640 --> 00:47:27,000 Speaker 1: because you've lost your dad and that was something emotional 834 00:47:27,040 --> 00:47:29,520 Speaker 1: for you and a little freaky, but you did it 835 00:47:29,560 --> 00:47:32,000 Speaker 1: and it added to the character. And those are things 836 00:47:32,080 --> 00:47:35,040 Speaker 1: that we wouldn't know just watching a project. So for 837 00:47:35,120 --> 00:47:37,800 Speaker 1: what it's worth, I think you straddled the line really well. 838 00:47:38,640 --> 00:47:41,879 Speaker 1: And I just you know, I love you, man. I'm 839 00:47:41,920 --> 00:47:44,680 Speaker 1: so psyched for you. I'm psyched that part two is out, 840 00:47:44,760 --> 00:47:48,239 Speaker 1: hopefully everybody's watching it. Hopefully everybody will watch The Wilderness 841 00:47:48,280 --> 00:47:51,719 Speaker 1: coming out and about a month. So we're going to 842 00:47:51,800 --> 00:47:54,239 Speaker 1: keep rocking and rolling, and I hope you come back 843 00:47:54,280 --> 00:47:55,600 Speaker 1: to New York soon and we can hang. 844 00:47:56,600 --> 00:47:56,799 Speaker 3: Yeah. 845 00:47:56,880 --> 00:47:59,239 Speaker 2: Yeah, it's so good to see you, and it's so 846 00:47:59,320 --> 00:48:03,600 Speaker 2: fun to talk about all this stuff with you. Yeah, 847 00:48:03,760 --> 00:48:05,439 Speaker 2: I'll let you know next time back in New York. 848 00:48:05,719 --> 00:48:06,920 Speaker 3: Noh me, no, let me know. 849 00:48:07,000 --> 00:48:10,680 Speaker 1: We'll rock and roll, my man, and try to keep 850 00:48:10,800 --> 00:48:13,480 Speaker 1: saying between playing a hide and now running around in 851 00:48:13,480 --> 00:48:18,920 Speaker 1: some horror world and a little worried about you, we're. 852 00:48:18,719 --> 00:48:19,480 Speaker 2: Having a good time. 853 00:48:19,600 --> 00:48:23,640 Speaker 1: Don't worry, good, good, good, All right, my man, we 854 00:48:23,680 --> 00:48:28,320 Speaker 1: will talk soon. I've never said this before. Is hosted 855 00:48:28,360 --> 00:48:32,919 Speaker 1: by Me Tommy Dedario. This podcast is executive produced by 856 00:48:32,960 --> 00:48:36,960 Speaker 1: Andrew Publici at iHeartRadio and by Me Tommy, with editing 857 00:48:37,000 --> 00:48:40,759 Speaker 1: by Joshua Colaudney I've never said this before is part 858 00:48:40,800 --> 00:48:45,399 Speaker 1: of the Elvis Duran podcast Network on iHeart Podcasts for more, rate, 859 00:48:45,520 --> 00:48:48,360 Speaker 1: review and subscribe to our show and if you liked 860 00:48:48,400 --> 00:48:52,120 Speaker 1: this episode, tell your friends. Until next time, I'm Tommy 861 00:48:52,160 --> 00:48:52,640 Speaker 1: de Dario