WEBVTT - From the Vault: How does travel engage the senses?

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<v Speaker 1>Hey, Welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb and I'm Joe McCormick, and this episode

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<v Speaker 1>is from the Vault. It originally aired on July seven.

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<v Speaker 1>This is an episode about travel, that's right, this one.

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<v Speaker 1>I believe this is a MASA sponsored episode, and it's

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<v Speaker 1>just about how does travel engage the senses, which which

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<v Speaker 1>I thought that made for a pretty fun discussion. Oh

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<v Speaker 1>and it's thematically appropriate because because Seth is on the

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<v Speaker 1>road this week, so I hope his senses are being

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<v Speaker 1>fully engaged. Well, now I don't know about fully. I

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<v Speaker 1>hope because he's traveling with Pats, So I hope it's

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<v Speaker 1>it's like a comfortable level of sense engagement. That's what

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<v Speaker 1>I'm wishing for him. Pleasure and pain indivisible. Welcome to

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<v Speaker 1>Stuff to Blow Your Mind production of My Heart Radio.

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<v Speaker 1>Hey you, welcome to Stuff to Blow your Mind. My

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<v Speaker 1>name is Robert and I'm Joe McCormick, and today we're

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<v Speaker 1>gonna be talking about travel. This is an interesting subject

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<v Speaker 1>to think about right now because of the context of

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<v Speaker 1>the ongoing pandemic. You know, at least here in the

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<v Speaker 1>United States in early July. Of course, the risk from

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<v Speaker 1>coronavirus is still clear, it's very profound, and so this

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<v Speaker 1>has put some obvious limitations on people's designs for summer travel,

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<v Speaker 1>like whether it's actually worth the risk at all to

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<v Speaker 1>travel right now, and if you do travel, how to

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<v Speaker 1>mitigate those risks. Of course, if you are traveling this summer,

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<v Speaker 1>you should consult your local health guidelines. It'll probably include

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<v Speaker 1>advice like avoiding crowds, all the stuff you're familiar with

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<v Speaker 1>by now, keeping your distance from people outside your household,

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<v Speaker 1>wearing a mask. If you're in public, you might need

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<v Speaker 1>to quarantine before or afterwards, depending on where you are,

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<v Speaker 1>and so forth. But in addition to these practical considerations,

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<v Speaker 1>it's the time of year that a lot of people

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<v Speaker 1>would traditionally be thinking about summer vacation season. You know,

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<v Speaker 1>they'd be thinking about how this is when they would

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<v Speaker 1>be trying to get out of the house and go

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<v Speaker 1>somewhere and see something new, and that underlying urge might

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<v Speaker 1>still be there even as we grapple with all the

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<v Speaker 1>risks and important precautions that you would need to take

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<v Speaker 1>if you were actually going to travel right now. And

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<v Speaker 1>this has gotten me thinking about what travel means to

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<v Speaker 1>us and why it is that our brains keep trying

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<v Speaker 1>to compel us to visit far off places known and unknown. Yeah,

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<v Speaker 1>and to your point, though, it is a weird time

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<v Speaker 1>to think about travel. I was in a like a

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<v Speaker 1>zoom call with some friends last week, and one of

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<v Speaker 1>one of them said, well, you know, I don't know

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<v Speaker 1>if I can do next week because I need to travel. Actually, no,

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<v Speaker 1>I'm not traveling. I'm just going. I'm getting in the

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<v Speaker 1>car and going from one place to another. And we're

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<v Speaker 1>all a little that's travel. That sounds a lot like travel,

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<v Speaker 1>but but we mean different things by travel and um,

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<v Speaker 1>and we're gonna we're gonna get into that a bit

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<v Speaker 1>here in this episode, because Yeah, human travel is really

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<v Speaker 1>fascinating when you think about it. The act of simply

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<v Speaker 1>traversing distances, or say, traversing vast distances, is far from

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<v Speaker 1>a distinctly human thing. Uh. Consider like some of the

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<v Speaker 1>more outstanding cases like the Eastern gray whale, for example,

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<v Speaker 1>which regularly journeys close to fourteen thousand miles from Russian

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<v Speaker 1>waters to Mexico and then back again. Yeah, great white

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<v Speaker 1>sharks or another example that swim just these unimaginable distances.

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<v Speaker 1>I was just reading some reports from fourteen about a

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<v Speaker 1>great white shark named Lydia that was tagged with a

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<v Speaker 1>tracking device off the coast of Florida in March, and

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<v Speaker 1>then about a year later she had traveled something like

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<v Speaker 1>twenty thousand miles across the Atlantic, you know, crossing over

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<v Speaker 1>the Mid Atlantic Ridge and was heading towards basically around

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<v Speaker 1>the UK. Yeah. Another example that frequently comes up monarch butterflies.

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<v Speaker 1>They take a five thousand, five hundred mile journey from

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<v Speaker 1>central Mexico and California up into North America. It kind

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<v Speaker 1>of goes in different phases, but eventually they're you know,

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<v Speaker 1>they're getting up as far north as the Great Lakes.

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<v Speaker 1>And then in the the avian world, we have a

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<v Speaker 1>number of amazing examples, but the most extreme aim is

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<v Speaker 1>that of the Arctic Turn, which flies a record forty

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<v Speaker 1>four thousand miles. So these are just a few examples

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<v Speaker 1>of some amazing journeys undertaken by individuals or groups. But

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<v Speaker 1>then there's also the steady tide of migration that enables

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<v Speaker 1>organisms to spread out across the planet. In humans are

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<v Speaker 1>of course a prime example of this, with our earliest

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<v Speaker 1>waves of archaic human migration beginning what an estimated two

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<v Speaker 1>million years ago, and in waves, we proceeded over the

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<v Speaker 1>course of our history to spread across the planet, finding

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<v Speaker 1>a foothold in all but the most inhospitable of environments. Yeah.

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<v Speaker 1>And there's something interesting to think about when comparing human

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<v Speaker 1>travel to other long traveling organisms, which is that humans

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<v Speaker 1>travel mostly on land. Like obviously we travel by air

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<v Speaker 1>and c. Two. But when you think about most of

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<v Speaker 1>human history, a lot of the traveling is on land.

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<v Speaker 1>And if you look at just a list of like

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<v Speaker 1>the farthest traveling organisms, you will see a lot of

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<v Speaker 1>magnificent beasts that travel either by water or by air.

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<v Speaker 1>And these are very different methods of travel, right. These

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<v Speaker 1>are both methods that allow you to do unique things

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<v Speaker 1>like drift along in currents of the fluid, whether that's

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<v Speaker 1>air or water, that move naturally through the larger media.

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<v Speaker 1>You can't really do the same thing on land, right,

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<v Speaker 1>unless you're like riding a mud slide down a mountain,

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<v Speaker 1>which is not safe and not recommended. Uh. And and

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<v Speaker 1>so that makes that makes land travel kind of different

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<v Speaker 1>than the other ones. Uh. And of course there are

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<v Speaker 1>other animals that do this. There are there are some

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<v Speaker 1>epic walkers on earth, like the blue willed to beast

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<v Speaker 1>in Africa, or the caribou in North America, the ladder

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<v Speaker 1>which sometimes migrates something like forty kilometers annually. Yeah, it's incredible.

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<v Speaker 1>I guess you could say that that flying and uh

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<v Speaker 1>and traveling by boat for the passenger. Anyway, it is

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<v Speaker 1>kind of like you're taking walking and via the use

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<v Speaker 1>of vehicles, applying it to the air the sea. That's right. Yeah,

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<v Speaker 1>but but yeah, for the most part, we are we

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<v Speaker 1>are walkers. We have to have these these fabulous vehicles

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<v Speaker 1>that allow us to do anything more. I do enjoy

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<v Speaker 1>those thought experiments of like running, how fast are you going?

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<v Speaker 1>If you're running forward in a plane cabin that's already

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<v Speaker 1>flying too fast because you should sit down. Um. Now.

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<v Speaker 1>Of so, human societies, of course, they've spread out across

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<v Speaker 1>the world, but of course they continue to move around

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<v Speaker 1>for the same reasons did animal species do. For resources,

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<v Speaker 1>for mating, for shelter. Hunter gatherer societies especially had to

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<v Speaker 1>follow the natural abb and flow of available resources where

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<v Speaker 1>food could be found growing, where the prey animals traveled,

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<v Speaker 1>and therefore, you know, you'd have to follow them and

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<v Speaker 1>hunt them and there were also associated sites that offered shelter, water,

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<v Speaker 1>or say in some cases something like hot spring, something

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<v Speaker 1>that was you know, a desirable resource to have on hand.

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<v Speaker 1>And it wasn't until the agricultural revolution that humans really

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<v Speaker 1>were able to put themselves more in a position to

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<v Speaker 1>set down roots. But still many groups remain nomadic by

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<v Speaker 1>necessity Shepherd's you know, for sure, but also you know,

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<v Speaker 1>think of fisher people who still have to get in

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<v Speaker 1>their fantastic vehicles of old and travel to where the

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<v Speaker 1>fish can be found, and with surplus stocks of agriculture.

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<v Speaker 1>With the rise of cities, we also see the traveling conqueror,

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<v Speaker 1>the the occupation of cities and advances in sailing technology

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<v Speaker 1>that enabled people to expand even further. But what about

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<v Speaker 1>traveling for reasons not directly associated with food, shelter and reproduction.

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<v Speaker 1>This leads us to a particularly human aspect of travel.

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<v Speaker 1>Uh that that ultimately brings us to our modern idea

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<v Speaker 1>of travel and especially things like vacation travel. But it

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<v Speaker 1>has its roots in religious travel, sacred travel, and pilgrimage. Interesting.

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<v Speaker 1>I was reading um paper by Lett's uh kilber Um

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<v Speaker 1>and this was a titled Paradigms of travel from medieval

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<v Speaker 1>pilgrimage to the postmodern virtual tour polished in two thousand

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<v Speaker 1>six Tours and Religion and Spiritual Journeys UH, and the

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<v Speaker 1>author points out that religiously motivated or sacred travel to

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<v Speaker 1>sacred sites might well be the oldest and most prevalent

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<v Speaker 1>type of travel and human history, and may have factored

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<v Speaker 1>into the beginnings of the world's oldest religions. Religious travel

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<v Speaker 1>is the oldest form of what is sometimes referred to

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<v Speaker 1>as non economic travel, and we see evidence of this

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<v Speaker 1>going back even to Neolithic times. I was reading about

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<v Speaker 1>this in UH Intercultural Pilgrimage Identity and the Actual Age

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<v Speaker 1>in the Ancient Near East by Joy mccorriston, published in

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<v Speaker 1>Excavating Pilgrimage from seventeen and the author points out that

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<v Speaker 1>we see examples of temporary gathering UH sacrifice and feast

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<v Speaker 1>that are quote commemorated in a memorial or monument with

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<v Speaker 1>subsequent revisits, and these day back to Neolithic times. Likewise,

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<v Speaker 1>in Africa we see evidence from eight thousand years ago

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<v Speaker 1>of cattle sacrifice in quote mortuary linked feasting that they

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<v Speaker 1>commemorated with stone monuments. Religious pilgrimage is an interesting thing

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<v Speaker 1>to consider, and there are multiple models for thinking about

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<v Speaker 1>the cultural role of pilgrimage and how it first emerges

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<v Speaker 1>in history or I guess in prehistory, given the examples

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<v Speaker 1>you just cited. One interesting idea that I came across

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<v Speaker 1>was in the works of the influential anthropologists Victor and

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<v Speaker 1>Edith Turner in their nineteen seventy eight book Image and

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<v Speaker 1>Pilgrimage and Christian Culture that was from Columbia University Press.

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<v Speaker 1>And in this book they observe a lot of things

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<v Speaker 1>about Christian pilgrimage site so they do like observation of

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<v Speaker 1>the behaviors of pilgrims, uh it sites from Mexico to

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<v Speaker 1>Ireland to France, and they end up characterizing these religious

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<v Speaker 1>pilgrimages as what they call a lemonoid phenomenon. Now, this

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<v Speaker 1>was interesting to me, but it also gets kind of

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<v Speaker 1>complex and took me a while to understand, and I

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<v Speaker 1>think I've got it figured out. So here are the basics.

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<v Speaker 1>Uh So, First of all, the idea of limonoid phenomenon

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<v Speaker 1>plays on the original idea of a liminal experience, which

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<v Speaker 1>is a term that was coined by a folklorist named

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<v Speaker 1>Arnold van gennep Uh And the word liminal here comes

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<v Speaker 1>from the word for threshold. So a liminal experience is

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<v Speaker 1>part of an initiation or a right of passage, in

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<v Speaker 1>which a person temporarily steps outside of normal social structures

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<v Speaker 1>to undergo or signal a change, and then rejoins the

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<v Speaker 1>social structure on the other side of the experience having changed.

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<v Speaker 1>So there's who you are before the change that's preliminal,

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<v Speaker 1>and then there's who you are after the change that's postliminal,

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<v Speaker 1>and then in between there's this suspended middle state, the

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<v Speaker 1>liminal stage. And this might be in a practical example,

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<v Speaker 1>say the time that a person physically separates themselves from

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<v Speaker 1>the rest of their tribe to do rituals for some

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<v Speaker 1>part of a right of passage. And in the con

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<v Speaker 1>text that they studied, the Turners argue that this middle

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<v Speaker 1>liminal status is reinforced by the fact that people join

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<v Speaker 1>in what they call a community toss. It's this sense

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<v Speaker 1>of community with other pilgrims that comes with a freeing

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<v Speaker 1>sense of equality and a shedding of previously existing social

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<v Speaker 1>structures and differences. Though I have noted that several critics

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<v Speaker 1>disagree with the Turner's characterization here citing examples of well

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<v Speaker 1>you know that there are times when regular power structures

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<v Speaker 1>are still expressed among in between pilgrims to religious sites.

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<v Speaker 1>It may be that if this equalizing community power of

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<v Speaker 1>community toss during pilgrimage really exists, it might be more

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<v Speaker 1>common in some types of pilgrimage than others. And just

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<v Speaker 1>one example, there is a paper I found by a

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<v Speaker 1>scholar named Darlene Yushka, which does an amazing job of

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<v Speaker 1>making this critical point just in its title, which is

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<v Speaker 1>whose turn is it to cook? But to bring it

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<v Speaker 1>back to the idea of so so there are doing

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<v Speaker 1>that pilgrimage might be one of these liminal experiences, this

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<v Speaker 1>like in in the middle state of this change process,

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<v Speaker 1>except they call it not quite liminal. They say it's lemonoid.

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<v Speaker 1>And so lemonoid applies to experiences that are somewhat like

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<v Speaker 1>liminal experiences in structure, but they're more optional and they're

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<v Speaker 1>less explicitly transformative of your station in society, so they

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<v Speaker 1>might be seen as simply an internally transformative experience rather

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<v Speaker 1>than as a marker of an external change in status.

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<v Speaker 1>And in a lot of religious traditions, pilgrimage is honored

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<v Speaker 1>but not required, you know, so that would make it

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<v Speaker 1>more limonoid than liminal. And I was reading a review

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<v Speaker 1>of the Turner's work by the anthropologist Daniel are Gross,

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<v Speaker 1>and so he has kind of a mixed opinion. He

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<v Speaker 1>thinks the book is valuable, but that he also has

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<v Speaker 1>some criticisms of the idea of communitas being a universal

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<v Speaker 1>But he pulls an interesting quote from the Turner's book

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<v Speaker 1>describing the role of of the of the Christian pilgrimage,

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<v Speaker 1>which says, quote, in the paradigmatic Christian pilgrimage, the initiatory

0:13:08.320 --> 0:13:11.920
<v Speaker 1>quality of the process is given priority, though it is

0:13:11.960 --> 0:13:16.959
<v Speaker 1>initiation to and not through a threshold. So, if I

0:13:17.040 --> 0:13:19.800
<v Speaker 1>understand correctly, in their view, based on all of the

0:13:19.840 --> 0:13:24.360
<v Speaker 1>observations they've made of Christian pilgrimages, the symbolic message of

0:13:24.360 --> 0:13:27.960
<v Speaker 1>a Christian pilgrimage most often might be not you are

0:13:28.000 --> 0:13:33.319
<v Speaker 1>now changed, but welcome to the process of change. That's interesting,

0:13:33.360 --> 0:13:35.440
<v Speaker 1>and I think that's something we can we can continue

0:13:35.440 --> 0:13:37.760
<v Speaker 1>to take with us in this discussion and apply to

0:13:38.040 --> 0:13:42.320
<v Speaker 1>uh to to travel itself. The idea of travel as

0:13:42.400 --> 0:13:45.480
<v Speaker 1>as a process of change, which we probably don't think

0:13:45.480 --> 0:13:48.800
<v Speaker 1>about it as such, but I think whenever we engage

0:13:48.840 --> 0:13:52.600
<v Speaker 1>in meaningful travel, uh, it is a process of change.

0:13:52.640 --> 0:13:56.840
<v Speaker 1>We should arrive in a different place and end in

0:13:56.880 --> 0:13:59.720
<v Speaker 1>at least a slightly transformed state of mind. Like even

0:13:59.720 --> 0:14:02.199
<v Speaker 1>if it's as simple as well, I have to drive

0:14:02.280 --> 0:14:05.000
<v Speaker 1>up to uh, you know, um to my parents house,

0:14:05.040 --> 0:14:07.160
<v Speaker 1>but I'm gonna listen to this audio book on the way,

0:14:07.200 --> 0:14:09.079
<v Speaker 1>or I'm gonna catch up on my podcast, Like I'm

0:14:09.120 --> 0:14:13.760
<v Speaker 1>somehow going to arrive there in an enhanced state. Yeah,

0:14:13.800 --> 0:14:15.719
<v Speaker 1>I think you're exactly right, And I think it makes

0:14:15.760 --> 0:14:18.520
<v Speaker 1>a lot of sense to think about that enhanced state

0:14:18.640 --> 0:14:23.320
<v Speaker 1>that travel triggers as essentially an openness to change or

0:14:23.360 --> 0:14:26.520
<v Speaker 1>a potential for change. So I think it's pretty safe

0:14:26.520 --> 0:14:29.000
<v Speaker 1>to say that, as far as non economic travel goes,

0:14:29.400 --> 0:14:35.360
<v Speaker 1>sacred journeys are ultimately that the predecessor to modern vacation travel. Now,

0:14:35.520 --> 0:14:38.160
<v Speaker 1>a particular line is often drawn to the link between

0:14:38.240 --> 0:14:41.680
<v Speaker 1>medieval pilgrimage and also some of the economics of medieval

0:14:41.720 --> 0:14:45.880
<v Speaker 1>pilgrimage with modern travel. You know, you see advances in

0:14:46.200 --> 0:14:49.360
<v Speaker 1>banking and so forth to take place during that time. Uh.

0:14:49.360 --> 0:14:51.080
<v Speaker 1>And of course it's also important to note that the

0:14:51.120 --> 0:14:54.160
<v Speaker 1>pilgrimage is still you know, very much a part of

0:14:54.160 --> 0:14:57.800
<v Speaker 1>modern travel traditions, not only in the overt case of

0:14:57.920 --> 0:15:00.480
<v Speaker 1>you know, people going on an actual pill grimmage to

0:15:00.560 --> 0:15:03.480
<v Speaker 1>holy side, say, you know, to to Mecca on the hodge,

0:15:03.520 --> 0:15:06.840
<v Speaker 1>that sort of thing, but also holy sites are often

0:15:06.920 --> 0:15:09.800
<v Speaker 1>of significance to the modern traveler, even if they themselves

0:15:09.800 --> 0:15:13.080
<v Speaker 1>are not uh, you know, believers of that particular faith

0:15:13.160 --> 0:15:15.800
<v Speaker 1>or practitioners of that particular faith. Like if you you know,

0:15:15.840 --> 0:15:20.240
<v Speaker 1>if you go to a particular vacation destination and there

0:15:20.320 --> 0:15:22.680
<v Speaker 1>is an ancient temple, there's a good chance you're gonna

0:15:22.680 --> 0:15:25.160
<v Speaker 1>want to check it out into whatever degree is appropriate.

0:15:25.720 --> 0:15:27.600
<v Speaker 1>This actually triggers something for me that I want to

0:15:27.600 --> 0:15:31.120
<v Speaker 1>come back to when we talk about Roman tourism. Yes,

0:15:31.480 --> 0:15:34.680
<v Speaker 1>Roman tourism, because because this is also key we again

0:15:34.720 --> 0:15:37.920
<v Speaker 1>we can we can look to examples of sacred travel, uh,

0:15:37.960 --> 0:15:41.200
<v Speaker 1>you know, far back in history. But in terms of

0:15:41.240 --> 0:15:44.840
<v Speaker 1>looking for examples of travel that more closely resemble modern

0:15:44.920 --> 0:15:48.240
<v Speaker 1>vacation travel, there are some interesting examples from the Greek

0:15:48.240 --> 0:15:52.720
<v Speaker 1>and Roman periods. Uh. For instance, in our episode uh

0:15:52.840 --> 0:15:54.920
<v Speaker 1>that we have this is from what a couple of

0:15:54.960 --> 0:15:56.720
<v Speaker 1>years ago, I think we did an episode on the

0:15:56.720 --> 0:16:02.080
<v Speaker 1>singing Colossi of Memnon. We mentioned how the then fourteen

0:16:02.240 --> 0:16:05.320
<v Speaker 1>hundred year old pair of Egyptian statues were visited by

0:16:05.400 --> 0:16:09.200
<v Speaker 1>Roman travelers in the first century. See they you know,

0:16:09.240 --> 0:16:12.680
<v Speaker 1>they'd come to experience them, to to hear this unique

0:16:12.720 --> 0:16:16.960
<v Speaker 1>singing that they that that they produced. Uh. And then

0:16:17.000 --> 0:16:20.200
<v Speaker 1>they inscribed their names on the statue as well to

0:16:20.240 --> 0:16:22.480
<v Speaker 1>show that they had been there. So rude. I mean,

0:16:22.480 --> 0:16:24.520
<v Speaker 1>I guess they just must have had a different attitude

0:16:24.520 --> 0:16:29.000
<v Speaker 1>towards the preservation of historical artifacts and monuments. But man, yeah,

0:16:29.080 --> 0:16:34.160
<v Speaker 1>graffiti on this like hundreds of years old monument. Yeah.

0:16:34.400 --> 0:16:37.640
<v Speaker 1>And it's worth noting that they did seem to equate

0:16:38.000 --> 0:16:42.640
<v Speaker 1>these statues with the Greek figure mem Non. Uh. But

0:16:42.720 --> 0:16:45.800
<v Speaker 1>the colossi were not really of any religious value to

0:16:45.840 --> 0:16:48.120
<v Speaker 1>the Roman travelers as far as we can tell. Uh.

0:16:48.120 --> 0:16:51.320
<v Speaker 1>And of course they were of Egyptian origin anyway. On

0:16:51.320 --> 0:16:54.640
<v Speaker 1>one hand, I think that is true. But also that

0:16:54.680 --> 0:16:58.320
<v Speaker 1>had me thinking about another tangent about the significance of

0:16:58.360 --> 0:17:02.160
<v Speaker 1>sites that we visit and how our orientation toward culture

0:17:02.200 --> 0:17:06.880
<v Speaker 1>and religion kind of uh mitigates whatever that that relationship

0:17:07.080 --> 0:17:10.760
<v Speaker 1>is uh, something that I think is possibly interesting about

0:17:10.840 --> 0:17:14.640
<v Speaker 1>understanding the pagan Roman mindset is that, well, at least

0:17:14.680 --> 0:17:16.919
<v Speaker 1>compared to us, at least here in the United States.

0:17:16.920 --> 0:17:20.840
<v Speaker 1>For a lot of US, our idea of religious significance

0:17:20.960 --> 0:17:23.840
<v Speaker 1>is primarily through either kind of a secular lens of

0:17:23.960 --> 0:17:28.400
<v Speaker 1>just sort of disinterested observation, or perhaps through an exclusive

0:17:28.560 --> 0:17:33.480
<v Speaker 1>monotheistic lens, so that when we visit sites or monuments

0:17:33.520 --> 0:17:37.040
<v Speaker 1>that were of religious significance to other cultures in history.

0:17:38.160 --> 0:17:40.439
<v Speaker 1>I think it's possible that we're more likely to just

0:17:40.520 --> 0:17:43.960
<v Speaker 1>think what that was somebody else's belief I don't believe that,

0:17:44.040 --> 0:17:47.719
<v Speaker 1>but this is interesting. But the pagan Romans were I

0:17:47.760 --> 0:17:51.800
<v Speaker 1>think somewhat more religiously omnivorous. Their world was full of

0:17:51.840 --> 0:17:54.600
<v Speaker 1>God's and I think too many of them it would

0:17:54.600 --> 0:17:58.280
<v Speaker 1>have been perfectly plausible to go somewhere and find out

0:17:58.320 --> 0:18:01.399
<v Speaker 1>about yet another God that you weren't aware of before.

0:18:02.200 --> 0:18:04.199
<v Speaker 1>Uh So I think it might have been possible for

0:18:04.240 --> 0:18:07.359
<v Speaker 1>a pagan Roman to wonder, you know, to to see

0:18:07.359 --> 0:18:10.679
<v Speaker 1>a statue made by the ancient Egyptians that had some

0:18:10.720 --> 0:18:14.280
<v Speaker 1>religious significance to them and wonder if something is going

0:18:14.359 --> 0:18:18.000
<v Speaker 1>on here that's worth investigating or knowing more about, at

0:18:18.040 --> 0:18:20.520
<v Speaker 1>least more than than many of us would would feel

0:18:20.560 --> 0:18:22.680
<v Speaker 1>that way. And if there's any truth to this, it

0:18:22.720 --> 0:18:25.240
<v Speaker 1>would make traveling to a foreign land with a great

0:18:25.320 --> 0:18:28.480
<v Speaker 1>history a different kind of experience I think like it

0:18:28.480 --> 0:18:31.159
<v Speaker 1>would be. You know, you might also discover things that

0:18:31.240 --> 0:18:34.879
<v Speaker 1>are actively relevant in the world. I know that the

0:18:34.960 --> 0:18:37.560
<v Speaker 1>Romans generally had a respect for antiquity when it came

0:18:37.600 --> 0:18:40.600
<v Speaker 1>to religious traditions. Uh, though, I'd be interested to hear

0:18:40.640 --> 0:18:43.600
<v Speaker 1>from listeners with expertise and ancient Roman culture and religion

0:18:43.640 --> 0:18:45.800
<v Speaker 1>to find out what they think about this. Now, this

0:18:45.880 --> 0:18:49.600
<v Speaker 1>is a great point, Yeah, that perhaps the Romans traveled more, um,

0:18:49.640 --> 0:18:53.000
<v Speaker 1>with kind of a spiritual mindset, you know, as opposed

0:18:53.040 --> 0:18:57.640
<v Speaker 1>to a religious one. Um. I you know, as as

0:18:57.680 --> 0:19:00.760
<v Speaker 1>a traveler who who does like to go to to

0:19:00.880 --> 0:19:03.479
<v Speaker 1>religious sides. I mean, I always think it is kind

0:19:03.520 --> 0:19:07.280
<v Speaker 1>of an a rewarding exercise to sort of engage in

0:19:07.320 --> 0:19:10.840
<v Speaker 1>that kind of spiritual mindset, you know, to try to

0:19:11.119 --> 0:19:14.760
<v Speaker 1>at least to the degree that is culturally appropriate, you know,

0:19:14.800 --> 0:19:18.600
<v Speaker 1>to to experience it. Uh, almost as if you were

0:19:18.640 --> 0:19:21.320
<v Speaker 1>a believer, you know what I'm saying. Um, Though, it's

0:19:21.320 --> 0:19:23.399
<v Speaker 1>gonna you know, obviously it's gonna vary depending on what

0:19:23.560 --> 0:19:27.399
<v Speaker 1>is what is culturally appropriate, what feels appropriate given given

0:19:27.400 --> 0:19:30.480
<v Speaker 1>the space. But but yeah, you go to some of

0:19:30.480 --> 0:19:33.800
<v Speaker 1>these these places and you're engaging with such such history

0:19:33.880 --> 0:19:36.359
<v Speaker 1>and like the and the level of belief is is

0:19:36.400 --> 0:19:38.840
<v Speaker 1>tangible because a lot of times you go to a

0:19:38.920 --> 0:19:41.560
<v Speaker 1>religious side and there are practitioners of the religion. They're

0:19:41.600 --> 0:19:45.239
<v Speaker 1>maintaining the grounds or the facilities in addition to visiting it,

0:19:45.280 --> 0:19:48.520
<v Speaker 1>and it it creates this this sacred air that you

0:19:48.560 --> 0:19:51.560
<v Speaker 1>can't help the breathe in. Yeah, I totally agree. Now,

0:19:51.800 --> 0:19:54.919
<v Speaker 1>another issue just whether or not it's appropriate and all that,

0:19:55.000 --> 0:19:57.120
<v Speaker 1>it's also just a question of what to what extent

0:19:57.200 --> 0:20:00.560
<v Speaker 1>it's possible for you to like get into that alternate mindset.

0:20:00.760 --> 0:20:03.720
<v Speaker 1>I know it's easier for some people than others, but yeah,

0:20:03.840 --> 0:20:06.600
<v Speaker 1>I think that's a wonderful exercise. All right, On that note,

0:20:06.640 --> 0:20:08.080
<v Speaker 1>we're going to take a quick break, but when we

0:20:08.119 --> 0:20:11.679
<v Speaker 1>come back, we will discuss um the work of a

0:20:11.800 --> 0:20:15.280
<v Speaker 1>Greek author that's that is sometimes pointed to as the

0:20:15.320 --> 0:20:24.000
<v Speaker 1>world's first travel guide. Than all right, we're back, so yeah,

0:20:24.119 --> 0:20:29.160
<v Speaker 1>particular note here is a Greek geographer Bassanius, who lived

0:20:29.480 --> 0:20:33.440
<v Speaker 1>U one Tin through one a d c. And some

0:20:33.560 --> 0:20:36.840
<v Speaker 1>indeed point to to him as being the world's first

0:20:37.040 --> 0:20:40.000
<v Speaker 1>travel writer. He wrote a book in the second century

0:20:40.040 --> 0:20:44.639
<v Speaker 1>titled Hello dos Peregias, or The Description of Greece, and

0:20:44.720 --> 0:20:49.359
<v Speaker 1>it is essentially a travel guide. Um. I was reading

0:20:49.400 --> 0:20:52.679
<v Speaker 1>about this in an Atlas Obscura article titled the World's

0:20:52.720 --> 0:20:55.280
<v Speaker 1>first travel writer was a guy from Ancient Greece by

0:20:55.359 --> 0:21:00.440
<v Speaker 1>Lauren Young, and she she chats with Maria Pretzler, professor

0:21:00.440 --> 0:21:03.359
<v Speaker 1>of Ancient History at Swansea University in Wales and the

0:21:03.400 --> 0:21:08.200
<v Speaker 1>author um of a book about Passonias Passonias travel writing

0:21:08.200 --> 0:21:12.159
<v Speaker 1>in ancient Greece and uh, the author says that you know,

0:21:12.160 --> 0:21:15.560
<v Speaker 1>there were smaller guides at the time, but Passonia's book

0:21:15.920 --> 0:21:18.680
<v Speaker 1>is the largest and the most comprehensive that survives to

0:21:18.760 --> 0:21:22.439
<v Speaker 1>this day. And also it still works. It's still functions

0:21:22.480 --> 0:21:25.560
<v Speaker 1>as a travel guide. You know, obviously the world has changed,

0:21:25.760 --> 0:21:28.240
<v Speaker 1>but a lot of the places and even the landmarks

0:21:28.240 --> 0:21:31.719
<v Speaker 1>are still there. Interesting now though. The full text can

0:21:31.800 --> 0:21:35.040
<v Speaker 1>be found online and I invite everyone to go check

0:21:35.040 --> 0:21:38.080
<v Speaker 1>it out because it's it's very recognizable and travel literature.

0:21:38.080 --> 0:21:40.560
<v Speaker 1>This is not an example where you're looking at ancient

0:21:40.600 --> 0:21:43.080
<v Speaker 1>writings and you're having to really, you know, squint a

0:21:43.119 --> 0:21:45.919
<v Speaker 1>bit and you know, take a few leaps of faith

0:21:46.000 --> 0:21:48.400
<v Speaker 1>to identify it as as travel writing. No, you read

0:21:48.440 --> 0:21:51.840
<v Speaker 1>it and it reads more or less like modern travel guides.

0:21:52.320 --> 0:21:55.399
<v Speaker 1>In fact, I highly recommend when you read it, uh,

0:21:55.560 --> 0:21:57.320
<v Speaker 1>and make sure that the voice that you hear in

0:21:57.359 --> 0:22:01.000
<v Speaker 1>your head is tuned to your favorite TV travel guide,

0:22:01.000 --> 0:22:04.480
<v Speaker 1>maybe Rick Steves or someone, because it's exactly the sort

0:22:04.520 --> 0:22:06.280
<v Speaker 1>of thing Rick Steves would say, you know, would be

0:22:06.359 --> 0:22:08.919
<v Speaker 1>like like Passonius is saying, Oh, well, you're gonna you're

0:22:08.920 --> 0:22:11.120
<v Speaker 1>gonna around this next corner and then you're gonna see

0:22:11.160 --> 0:22:13.639
<v Speaker 1>the city of such and such, and out here you're

0:22:13.640 --> 0:22:15.840
<v Speaker 1>gonna see the sea, and well there's a there's a

0:22:15.920 --> 0:22:19.720
<v Speaker 1>particular legend about this, uh, about a military engagement that

0:22:19.800 --> 0:22:21.479
<v Speaker 1>happened here. You know, this sort of thing. He's just

0:22:21.800 --> 0:22:24.200
<v Speaker 1>telling you how you travel from one place to the other.

0:22:24.240 --> 0:22:26.919
<v Speaker 1>What you're gonna see there, What the historical significance or

0:22:27.080 --> 0:22:30.119
<v Speaker 1>cultural significance of the place is. I want to know

0:22:30.560 --> 0:22:34.080
<v Speaker 1>the ancient Greco Roman world's equivalent of the person who

0:22:34.080 --> 0:22:37.960
<v Speaker 1>like gives the one star Google reviews to all inspiring

0:22:38.040 --> 0:22:41.200
<v Speaker 1>monuments from the ancient world, you know, like two stars

0:22:41.280 --> 0:22:44.720
<v Speaker 1>for the Leshan Buddha. Well, I mean maybe I don't

0:22:44.760 --> 0:22:47.040
<v Speaker 1>even think the Romans were doing that on the Colossi

0:22:47.119 --> 0:22:50.520
<v Speaker 1>were the uh like one star coloss I did not

0:22:50.640 --> 0:22:52.480
<v Speaker 1>sing while I was here. That's sort of thing that

0:22:52.720 --> 0:22:57.679
<v Speaker 1>was too hot. Bathrooms hard to find. Yeah, as far

0:22:57.720 --> 0:23:00.400
<v Speaker 1>as I can tell, Passonius wasn't engaging in in any

0:23:00.440 --> 0:23:03.760
<v Speaker 1>of that. But he has indeed often pointed to is

0:23:03.840 --> 0:23:07.360
<v Speaker 1>as this example of like early travel literature and this

0:23:07.400 --> 0:23:11.679
<v Speaker 1>idea of modern travel uh in the ancient world. But

0:23:11.880 --> 0:23:14.680
<v Speaker 1>there are also some some other examples that pop up.

0:23:15.080 --> 0:23:19.560
<v Speaker 1>There's a quote attributed to the semi legendary Chinese philosopher Laozu,

0:23:19.640 --> 0:23:23.040
<v Speaker 1>the Old Master and the founder of Daoism, who's often

0:23:23.080 --> 0:23:26.760
<v Speaker 1>depicted as traveling on a water buffalo um in in

0:23:26.760 --> 0:23:29.560
<v Speaker 1>in art and sculpture, and the quote is a good

0:23:29.560 --> 0:23:33.400
<v Speaker 1>traveler has no fixed plans and is not intent upon arriving.

0:23:34.560 --> 0:23:37.240
<v Speaker 1>So he's said to be a sixth century BC figure,

0:23:37.320 --> 0:23:41.040
<v Speaker 1>that he might have been a fourth century BC historical figure. Again,

0:23:41.080 --> 0:23:43.960
<v Speaker 1>he he takes on this air of semi legendary status

0:23:43.960 --> 0:23:45.399
<v Speaker 1>like you see with a lot of figures from that

0:23:45.440 --> 0:23:50.240
<v Speaker 1>period in Chinese history. Um though, Uh, what's interesting about

0:23:50.240 --> 0:23:53.720
<v Speaker 1>this is this this this mantra of of traveling with

0:23:53.800 --> 0:23:56.720
<v Speaker 1>no fixed plans and not being intent upon arriving. It

0:23:56.760 --> 0:23:59.399
<v Speaker 1>does certainly get to sort of this this heart of

0:23:59.480 --> 0:24:04.399
<v Speaker 1>travel as the the transformative journey um and and it

0:24:04.520 --> 0:24:07.680
<v Speaker 1>gets into this you know, sort of unmoored sounding notion

0:24:07.720 --> 0:24:10.840
<v Speaker 1>of travel further removed from the idea of destination travel

0:24:10.880 --> 0:24:13.520
<v Speaker 1>and perhaps more in common with some of the ideas

0:24:13.520 --> 0:24:16.840
<v Speaker 1>of hunter gathering. Uh, though even in those traditions a

0:24:16.840 --> 0:24:21.639
<v Speaker 1>certain amount of strategic thinking was involved. This uh, this,

0:24:21.640 --> 0:24:24.919
<v Speaker 1>this does feel like a almost a I feel like

0:24:24.920 --> 0:24:26.920
<v Speaker 1>a more modern sense of, you know, just go out

0:24:26.960 --> 0:24:30.400
<v Speaker 1>and see the world, just be that noble drifter from

0:24:31.200 --> 0:24:33.120
<v Speaker 1>from that film you saw in the fifties, that sort

0:24:33.160 --> 0:24:35.919
<v Speaker 1>of thing. This allowed to quote makes me think of

0:24:35.960 --> 0:24:39.000
<v Speaker 1>a poem by ed to St. Vincent Malay, the Unexplorer.

0:24:39.119 --> 0:24:41.400
<v Speaker 1>Do you know this poem? I don't think I do.

0:24:41.600 --> 0:24:43.600
<v Speaker 1>It's great as a short little poem, I can read

0:24:43.640 --> 0:24:46.680
<v Speaker 1>the whole thing. So this was published in ninety two,

0:24:46.880 --> 0:24:50.639
<v Speaker 1>and she writes, there was a road ran past our house,

0:24:50.760 --> 0:24:54.280
<v Speaker 1>too lovely to explore. I asked my mother once. She

0:24:54.400 --> 0:24:56.800
<v Speaker 1>said that if you followed where it led, it brought

0:24:56.880 --> 0:24:59.760
<v Speaker 1>you to the Milkman store. That's why I have not

0:25:00.000 --> 0:25:04.040
<v Speaker 1>traveled more. I think it's a grade encapsulation of the

0:25:04.119 --> 0:25:06.480
<v Speaker 1>sort of the let down feeling of when you have

0:25:06.560 --> 0:25:08.600
<v Speaker 1>when you're a child in the world is full of

0:25:08.640 --> 0:25:12.840
<v Speaker 1>unknown possibility. You have that exploration mindset, and then the

0:25:12.960 --> 0:25:16.920
<v Speaker 1>adult lays on you the instrumental nature of travel. Well,

0:25:17.000 --> 0:25:19.560
<v Speaker 1>that road goes to the place I go to get this.

0:25:20.080 --> 0:25:23.040
<v Speaker 1>And the interesting thing too, is that allows you quote

0:25:23.040 --> 0:25:24.600
<v Speaker 1>I think is going to get to the heart of

0:25:24.640 --> 0:25:26.400
<v Speaker 1>what we're going to spend the rest of the podcast

0:25:26.440 --> 0:25:30.680
<v Speaker 1>talking about. And that's how our senses engage with travel.

0:25:31.080 --> 0:25:34.280
<v Speaker 1>Because ultimately, if your if your senses are fully engaged,

0:25:34.359 --> 0:25:37.320
<v Speaker 1>if all this sense data is streaming, you know, into

0:25:37.359 --> 0:25:40.840
<v Speaker 1>your nervous system and into your your your brain, this

0:25:40.920 --> 0:25:43.320
<v Speaker 1>is how we often enter this state of of you know,

0:25:43.400 --> 0:25:46.199
<v Speaker 1>being in the moment, of living in the now, of

0:25:46.359 --> 0:25:49.879
<v Speaker 1>just observing and being a part of the stream of things.

0:25:50.440 --> 0:25:52.639
<v Speaker 1>And I think that ultimately, like that's one of the

0:25:52.720 --> 0:25:56.879
<v Speaker 1>really rewarding aspects of travel, and it's we might not

0:25:56.960 --> 0:25:58.600
<v Speaker 1>even focus on it that much. I mean, and to

0:25:58.600 --> 0:26:01.840
<v Speaker 1>a certain extent, especially today, like it helps to have

0:26:01.960 --> 0:26:03.960
<v Speaker 1>a destination in mind, it helps to have a plan

0:26:04.480 --> 0:26:06.240
<v Speaker 1>and you sort of plan everything out and have a

0:26:06.240 --> 0:26:10.280
<v Speaker 1>destination so that you can perhaps feel even accidentally that

0:26:10.600 --> 0:26:14.840
<v Speaker 1>unmoored uh nowness of travel. Yeah. Absolutely, Well, then do

0:26:15.000 --> 0:26:17.000
<v Speaker 1>you want to shift over now? Talked about talk about

0:26:17.000 --> 0:26:20.119
<v Speaker 1>travel in the census. Yeah, let's do it. So, so

0:26:20.160 --> 0:26:22.240
<v Speaker 1>we've went through some examples of what human travel is

0:26:22.320 --> 0:26:24.719
<v Speaker 1>and how long we've been carrying it out and uh

0:26:24.760 --> 0:26:27.640
<v Speaker 1>and we should also stress that travel is maybe not

0:26:27.720 --> 0:26:30.359
<v Speaker 1>for everyone. You certainly encounter people who don't care for

0:26:30.440 --> 0:26:33.760
<v Speaker 1>it or have intense personal or sort of scholarly objections

0:26:33.760 --> 0:26:37.359
<v Speaker 1>to engaging in travel. Ralph Waldo Emerson, for instance, wrote

0:26:37.560 --> 0:26:41.439
<v Speaker 1>traveling as a fool's paradise. Our first journeys discovered to

0:26:41.560 --> 0:26:46.520
<v Speaker 1>us the indifference of places. Um and I guess you

0:26:46.560 --> 0:26:48.919
<v Speaker 1>also say that reflected in such adages as you know,

0:26:49.160 --> 0:26:51.240
<v Speaker 1>wherever you go there you are that sort of thing.

0:26:51.480 --> 0:26:54.520
<v Speaker 1>Um and and I think sometimes that's that's more about

0:26:55.680 --> 0:27:01.760
<v Speaker 1>tramping on unreasonable expectations of travel. But but you you

0:27:01.800 --> 0:27:05.639
<v Speaker 1>also see this this notion elsewhere as well of of

0:27:05.720 --> 0:27:08.040
<v Speaker 1>travel as being a way of of avoiding in our

0:27:08.160 --> 0:27:12.679
<v Speaker 1>local and spiritual endeavors. Um Gandhi said something to this

0:27:12.720 --> 0:27:15.160
<v Speaker 1>effect as well. Oh yeah, well, I mean I can

0:27:15.160 --> 0:27:19.160
<v Speaker 1>certainly see for some people how travel might just be

0:27:19.280 --> 0:27:22.439
<v Speaker 1>a way too busy the mind, you know, just like anything,

0:27:22.560 --> 0:27:24.480
<v Speaker 1>Just like the same way TV could be a way

0:27:24.520 --> 0:27:28.000
<v Speaker 1>too busy the mind. Um. And in that sense that,

0:27:28.200 --> 0:27:30.400
<v Speaker 1>I don't know that that might be a less rewarding

0:27:30.400 --> 0:27:33.080
<v Speaker 1>way to think about it than as opening yourself to

0:27:33.200 --> 0:27:37.760
<v Speaker 1>experiences of novelty and readying yourself for change. Yeah. But

0:27:37.760 --> 0:27:40.360
<v Speaker 1>but then again, even if you're intent is one thing,

0:27:40.680 --> 0:27:42.239
<v Speaker 1>if you're gonna end up getting it's kind of like

0:27:42.280 --> 0:27:45.520
<v Speaker 1>sneaking the you know, the medicine into the jam or something,

0:27:45.600 --> 0:27:50.040
<v Speaker 1>or or you know, grinding up some pulverizing some vegetables

0:27:50.080 --> 0:27:53.120
<v Speaker 1>and sneaking them in, um, you know, to the President's spaghetti,

0:27:53.200 --> 0:27:55.639
<v Speaker 1>that sort of thing. Um, It's it's like you're if

0:27:55.640 --> 0:27:58.840
<v Speaker 1>you're gonna end up engaging in novelty and engaging the

0:27:58.880 --> 0:28:03.400
<v Speaker 1>senses than than than Ultimately the goal was there. How

0:28:03.440 --> 0:28:05.760
<v Speaker 1>I do want to point out there there are environmental

0:28:05.800 --> 0:28:08.680
<v Speaker 1>and sometimes health objections to travel, and we touched on

0:28:08.760 --> 0:28:10.720
<v Speaker 1>some of those at the beginning, and we we should

0:28:11.000 --> 0:28:13.760
<v Speaker 1>you know, certainly these are not things to dismiss. H. No,

0:28:13.920 --> 0:28:17.159
<v Speaker 1>absolutely not I mean, you can simultaneously acknowledge that there

0:28:17.200 --> 0:28:20.439
<v Speaker 1>might be a lot of great, uh, great reasons to

0:28:20.520 --> 0:28:23.919
<v Speaker 1>appreciate the role of travel and human life, while also understanding,

0:28:24.320 --> 0:28:26.879
<v Speaker 1>you know, uh, maybe maybe we're driving more than we

0:28:26.920 --> 0:28:29.080
<v Speaker 1>should be, maybe we're flying in planes more than we

0:28:29.119 --> 0:28:32.560
<v Speaker 1>should be, and certainly understanding during like a time of pandemic,

0:28:32.680 --> 0:28:34.919
<v Speaker 1>that there are a lot of inherent risks to travel

0:28:35.000 --> 0:28:37.000
<v Speaker 1>and if you're going to do it, you need to

0:28:37.080 --> 0:28:40.520
<v Speaker 1>get really serious about finding ways to make it safe. Yeah.

0:28:40.680 --> 0:28:42.640
<v Speaker 1>And of course there's also the point that the travel

0:28:42.720 --> 0:28:45.560
<v Speaker 1>can be um dis Travel itself as an industry can

0:28:45.560 --> 0:28:49.080
<v Speaker 1>be an uh, you know, an economically transformative force, but

0:28:49.120 --> 0:28:52.000
<v Speaker 1>it can also be uh, you can also pose certain

0:28:52.080 --> 0:28:57.160
<v Speaker 1>dangers to uh, to historical sites, to to local culture,

0:28:57.240 --> 0:28:59.960
<v Speaker 1>to the local environment if if it's not carried out

0:29:00.480 --> 0:29:02.720
<v Speaker 1>in just the right way. Yeah. That's another thing I'm

0:29:02.720 --> 0:29:05.360
<v Speaker 1>sure most people listening have probably experienced at some point

0:29:05.400 --> 0:29:09.520
<v Speaker 1>where you you go to a place wanting to experience

0:29:09.600 --> 0:29:12.920
<v Speaker 1>what that place is actually like, and instead, when you

0:29:12.960 --> 0:29:15.760
<v Speaker 1>get there, you find that it has been altered to

0:29:15.920 --> 0:29:21.560
<v Speaker 1>make itself amenable to tourists and visitors like you you know, yeah,

0:29:22.120 --> 0:29:24.600
<v Speaker 1>this this has sadly been the case with for instance,

0:29:24.600 --> 0:29:28.520
<v Speaker 1>to some cave environments where a part of the cave

0:29:28.560 --> 0:29:31.040
<v Speaker 1>ecology is how it is is closed off and then

0:29:31.080 --> 0:29:33.640
<v Speaker 1>if you open it up, UM, you often just I

0:29:33.640 --> 0:29:36.640
<v Speaker 1>mean you you take part of it's it's life away

0:29:36.640 --> 0:29:39.160
<v Speaker 1>from it. But if you want to come back to

0:29:39.160 --> 0:29:42.560
<v Speaker 1>the tourism industry, because there there's actually a lot of

0:29:42.680 --> 0:29:45.640
<v Speaker 1>informative material that comes out of that industry, out of

0:29:46.280 --> 0:29:49.960
<v Speaker 1>papers and conferences related to just figuring out, like how

0:29:49.960 --> 0:29:54.760
<v Speaker 1>do people engage UM in a tourist experience? And this

0:29:54.840 --> 0:29:56.400
<v Speaker 1>is where I came across a really what I thought

0:29:56.400 --> 0:29:58.880
<v Speaker 1>to be just a wonderful visual breakdown of how we

0:29:58.920 --> 0:30:03.560
<v Speaker 1>engage with UH environmental stimuli during well, certainly in this

0:30:03.600 --> 0:30:06.400
<v Speaker 1>case during travel, but perhaps to a certain degree just

0:30:06.640 --> 0:30:09.720
<v Speaker 1>you know, in life itself. And this was from Designing

0:30:09.760 --> 0:30:13.640
<v Speaker 1>Tourism Places Understanding the Tourism Experience through Our Senses by

0:30:13.720 --> 0:30:16.040
<v Speaker 1>Kim at All, presented at the two thousand fifteen t

0:30:16.040 --> 0:30:20.520
<v Speaker 1>t r A International Conference. And apparently this particular graphic

0:30:20.640 --> 0:30:24.720
<v Speaker 1>framework of tourism experience creation was adapted from some earlier

0:30:24.760 --> 0:30:30.480
<v Speaker 1>work by by Krishna from and I'm gonna describe it

0:30:30.560 --> 0:30:33.360
<v Speaker 1>here but basically the ideas you start with a very

0:30:33.440 --> 0:30:39.680
<v Speaker 1>environmental stimuli and then that feeds into sensation, vision, hearing, smell, taste, touch,

0:30:40.160 --> 0:30:44.240
<v Speaker 1>appropriate reception, temperature, sense, and pain. And then that's gonna

0:30:44.280 --> 0:30:47.800
<v Speaker 1>all those sensations and hopefully you're not feeling too much

0:30:47.840 --> 0:30:51.120
<v Speaker 1>pain on your your vacation or on your travel, but

0:30:51.200 --> 0:30:55.280
<v Speaker 1>all part of it. Pain makes an experience real, It's true. Yeah,

0:30:55.320 --> 0:30:57.640
<v Speaker 1>I mean generally my in my experience, the first day

0:30:57.680 --> 0:30:59.400
<v Speaker 1>of travel is going to have its share of pains,

0:30:59.400 --> 0:31:02.760
<v Speaker 1>and you just got to be prepared for it. But anyway,

0:31:02.800 --> 0:31:04.680
<v Speaker 1>all those sensations then are going to go through your

0:31:04.720 --> 0:31:08.040
<v Speaker 1>individual filter and then from there they're gonna go to perception.

0:31:08.760 --> 0:31:11.640
<v Speaker 1>And then the perception of those senses is going to

0:31:11.720 --> 0:31:14.240
<v Speaker 1>go through the individual filter again, and it's gonna go

0:31:14.280 --> 0:31:15.920
<v Speaker 1>in a few couple of different directions. It's going to

0:31:15.960 --> 0:31:20.080
<v Speaker 1>go to emotional response, your emotional response to your perception

0:31:20.120 --> 0:31:22.160
<v Speaker 1>of those different senses. It's also going to go to

0:31:22.200 --> 0:31:25.960
<v Speaker 1>a cognitive response to those perceptions of those different senses.

0:31:26.280 --> 0:31:28.880
<v Speaker 1>And then likewise you're going to have an emotional reaction

0:31:28.920 --> 0:31:31.520
<v Speaker 1>to your cognitive responses, and you're also going to have

0:31:31.920 --> 0:31:37.080
<v Speaker 1>a cognitive response to your emotional responses. Um, so you know,

0:31:37.120 --> 0:31:38.880
<v Speaker 1>kind of going in a circle there, and then all

0:31:38.920 --> 0:31:40.720
<v Speaker 1>of that is going to go through the individual filter

0:31:40.840 --> 0:31:45.200
<v Speaker 1>again and feed into attitude, memory, and behavior. Yeah. And

0:31:45.240 --> 0:31:47.440
<v Speaker 1>I think one of the elements that's most relevant to

0:31:47.560 --> 0:31:51.480
<v Speaker 1>us is how travel affects memory. I want to come

0:31:51.600 --> 0:31:53.920
<v Speaker 1>back to that in a moment after we discuss novelty

0:31:53.960 --> 0:31:56.800
<v Speaker 1>a bit. Yeah, novelty, I think is gonna be gonna

0:31:56.800 --> 0:31:59.680
<v Speaker 1>be key year. So, as we've discussed in the show before,

0:31:59.760 --> 0:32:02.720
<v Speaker 1>human didn't evolve for to live in like a solitary

0:32:02.760 --> 0:32:06.520
<v Speaker 1>confinement situation. We evolved to thrive in an environment of change,

0:32:06.560 --> 0:32:10.920
<v Speaker 1>seeking resources, calculating risk, etcetera. And some of these qualities

0:32:11.040 --> 0:32:14.000
<v Speaker 1>have led to our i think our species spirit of exploration.

0:32:14.960 --> 0:32:16.960
<v Speaker 1>But one of the more studied aspects of all of

0:32:16.960 --> 0:32:20.080
<v Speaker 1>this is certainly novelty, because travel, to a very large

0:32:20.080 --> 0:32:22.720
<v Speaker 1>degree comes down to novel that you put yourself in

0:32:22.720 --> 0:32:26.440
<v Speaker 1>a place, an environment, perhaps a culture, that differs from

0:32:26.440 --> 0:32:29.320
<v Speaker 1>what you deal with every day. Uh And and this

0:32:29.360 --> 0:32:33.880
<v Speaker 1>is where you can feel, you know, this enthralling, exhilarating, overpowering,

0:32:34.040 --> 0:32:38.000
<v Speaker 1>and at times even frightening sensation of novelty. It is

0:32:38.120 --> 0:32:40.400
<v Speaker 1>it is. I don't think it's a stretch at all

0:32:40.440 --> 0:32:44.440
<v Speaker 1>to say this is an altered mental state. Sure, and

0:32:44.480 --> 0:32:47.240
<v Speaker 1>one doesn't achieve this, this particular altered state through the

0:32:47.240 --> 0:32:50.480
<v Speaker 1>consumption of a potion or a mushroom or or the

0:32:50.640 --> 0:32:53.600
<v Speaker 1>via the physical alteration of brain tissue. No, you achieve

0:32:53.600 --> 0:32:56.840
<v Speaker 1>it by traveling from one environment to another, uh, and

0:32:56.880 --> 0:33:00.200
<v Speaker 1>then continuing to be human along the way, and upon

0:33:00.320 --> 0:33:04.040
<v Speaker 1>arrival endearing this altered state. You might often find yourself

0:33:04.040 --> 0:33:07.200
<v Speaker 1>functioning as a sponge, right, soaking up information about your

0:33:07.240 --> 0:33:10.960
<v Speaker 1>travel destination or things along the way, perhaps pouring yourself

0:33:11.000 --> 0:33:15.400
<v Speaker 1>into the local museum or historical site. And if this

0:33:15.480 --> 0:33:18.000
<v Speaker 1>is is this is you? It might be due to

0:33:18.040 --> 0:33:23.080
<v Speaker 1>the role that novelty plays in associative learning. I imagine

0:33:23.080 --> 0:33:25.280
<v Speaker 1>a lot of us have experienced or have been the

0:33:25.760 --> 0:33:27.880
<v Speaker 1>this or in other people, or have been the person

0:33:28.240 --> 0:33:30.360
<v Speaker 1>who comes back from a unique trip and it's just

0:33:30.440 --> 0:33:33.959
<v Speaker 1>rattling off, you know, endless facts about the experience for everyone,

0:33:34.000 --> 0:33:37.960
<v Speaker 1>about this site, they saw this museum, they they they

0:33:38.080 --> 0:33:41.600
<v Speaker 1>visited that sort of thing. Yeah, it becomes there's a

0:33:41.720 --> 0:33:44.920
<v Speaker 1>risk when you travel somewhere that the place you most

0:33:44.960 --> 0:33:48.720
<v Speaker 1>recently traveled becomes your point of comparison for everything, every

0:33:48.840 --> 0:33:52.000
<v Speaker 1>every topic of conversation relates back to the most recent

0:33:52.080 --> 0:33:56.480
<v Speaker 1>vacation you took. Uh, And I, I shamefully will admit

0:33:56.560 --> 0:33:59.520
<v Speaker 1>I've been of that frame of mind before. And I

0:33:59.560 --> 0:34:04.440
<v Speaker 1>think that happens because of because essentially the prominence of

0:34:04.480 --> 0:34:09.320
<v Speaker 1>a travel experience in the memory enables the availability heuristic.

0:34:09.400 --> 0:34:12.919
<v Speaker 1>You know, the the availability heuristic is, uh, the the

0:34:13.000 --> 0:34:17.480
<v Speaker 1>idea where um concepts and memories and ideas that are

0:34:17.520 --> 0:34:21.120
<v Speaker 1>more accessible in memory are overrepresented in our view of

0:34:21.160 --> 0:34:24.600
<v Speaker 1>the world. So if we're looking for comparisons to whatever

0:34:24.640 --> 0:34:27.480
<v Speaker 1>we're talking about, whatever is just most prominent in your

0:34:27.520 --> 0:34:29.840
<v Speaker 1>memory is going to be the thing that's most likely

0:34:29.880 --> 0:34:34.080
<v Speaker 1>to facilitate those comparisons. Now, speaking on memory here that there,

0:34:34.120 --> 0:34:36.879
<v Speaker 1>of course are multiple different forms of memory at work

0:34:36.880 --> 0:34:40.360
<v Speaker 1>in the brain, and different brain states can enhance certain

0:34:40.400 --> 0:34:43.799
<v Speaker 1>forms of memory. Associated learning, which we're gonna be talking

0:34:43.800 --> 0:34:46.200
<v Speaker 1>about here is the ability to learn and remember the

0:34:46.280 --> 0:34:49.920
<v Speaker 1>relationship between unrelated items. And we've we've known about this

0:34:50.040 --> 0:34:54.560
<v Speaker 1>is this particular relationship between novelty and associated learning since

0:34:54.600 --> 0:34:58.840
<v Speaker 1>the nineteen sixties. UH, the idea that novelty can enhance

0:34:59.160 --> 0:35:03.279
<v Speaker 1>associated learning. One key finding it seems stems from from

0:35:03.320 --> 0:35:07.200
<v Speaker 1>twelve though. The University of Toronto's Dr Katherine Duncan used

0:35:07.600 --> 0:35:10.320
<v Speaker 1>f m RI I to identify how the brain triggers

0:35:10.400 --> 0:35:13.200
<v Speaker 1>memory states, and she identified a brain ridge and region

0:35:13.239 --> 0:35:16.560
<v Speaker 1>the detects novelty and demonstrated that novelty detection acts like

0:35:16.640 --> 0:35:20.839
<v Speaker 1>a switch, impacting how the brain learns and remembers. Now,

0:35:20.880 --> 0:35:23.160
<v Speaker 1>she's quick to remind everyone, this is not the only switch.

0:35:23.719 --> 0:35:26.319
<v Speaker 1>Memory is complex and there's a lot we still need

0:35:26.400 --> 0:35:29.919
<v Speaker 1>to study and understand, but this is one example where

0:35:29.920 --> 0:35:32.440
<v Speaker 1>it seems like we can we can draw a line

0:35:32.520 --> 0:35:36.200
<v Speaker 1>between one type of of brain state and UH and

0:35:36.320 --> 0:35:38.640
<v Speaker 1>a change in the way we we learn and with

0:35:38.719 --> 0:35:43.360
<v Speaker 1>the way we form new memories. The process here involves

0:35:43.360 --> 0:35:46.719
<v Speaker 1>the dopamine system, which is involved in associative learning. While

0:35:46.800 --> 0:35:49.239
<v Speaker 1>this has been previously suspected, it looks like there was

0:35:49.280 --> 0:35:52.040
<v Speaker 1>some some additional evidence for this that came out in

0:35:52.080 --> 0:35:56.840
<v Speaker 1>February of this year from the Flanders Institute of Biotechnology

0:35:56.880 --> 0:35:59.320
<v Speaker 1>post in the journal Neuron that took a lot closer

0:35:59.360 --> 0:36:01.960
<v Speaker 1>to look at how this work. So working with mice,

0:36:02.000 --> 0:36:05.240
<v Speaker 1>they found that dopamine neurons were activated by new smells,

0:36:05.880 --> 0:36:09.319
<v Speaker 1>but not by familiar ones. So this enhanced learning, and

0:36:09.320 --> 0:36:12.799
<v Speaker 1>they were able to stimulate or block dopamine activation in

0:36:12.880 --> 0:36:16.400
<v Speaker 1>familiar settings, then to alter learning in the mice, slowing

0:36:16.560 --> 0:36:19.920
<v Speaker 1>learning down or speeding it up. Now, part of the

0:36:19.960 --> 0:36:21.680
<v Speaker 1>take home here is that we might be able to

0:36:21.760 --> 0:36:26.319
<v Speaker 1>learn better by shaking up our routine. Um, I feel

0:36:26.360 --> 0:36:28.719
<v Speaker 1>like I engage in this, or at least I would

0:36:28.760 --> 0:36:31.680
<v Speaker 1>engage in this in a pretty pandemic world where if I,

0:36:31.760 --> 0:36:33.319
<v Speaker 1>you know, I'd be working on something, and then I

0:36:33.320 --> 0:36:35.759
<v Speaker 1>would I need to change locations. I'd go to a

0:36:35.760 --> 0:36:38.160
<v Speaker 1>different coffee shop or something, you know, somewhere else, some

0:36:38.239 --> 0:36:41.600
<v Speaker 1>new environment where I could work while you know, sort

0:36:41.600 --> 0:36:45.600
<v Speaker 1>of casually observing foot traffic or or actually I also

0:36:45.600 --> 0:36:47.840
<v Speaker 1>really enjoy working on my front porch watching people and

0:36:47.840 --> 0:36:50.640
<v Speaker 1>trains go by, that sort of thing. Uh, there's something

0:36:50.640 --> 0:36:53.520
<v Speaker 1>about putting yourself in a novel environment that seems to

0:36:53.520 --> 0:36:59.240
<v Speaker 1>help with with forming these associations. But this particular study

0:36:59.239 --> 0:37:01.920
<v Speaker 1>also sheds on some of what's happening when we engage

0:37:01.920 --> 0:37:05.480
<v Speaker 1>in travel, how and why we record strong new memories,

0:37:05.480 --> 0:37:08.600
<v Speaker 1>and why a vacation may seem in retrospect a fuller

0:37:08.640 --> 0:37:11.480
<v Speaker 1>example of life than our day to day yeah, I mean,

0:37:11.800 --> 0:37:13.600
<v Speaker 1>so there are multiple things here. I think we've touched

0:37:13.600 --> 0:37:16.200
<v Speaker 1>on the podcast before, at least the anecdotal evidence that

0:37:16.400 --> 0:37:19.120
<v Speaker 1>people seem to find that on a vacation or during

0:37:19.239 --> 0:37:22.160
<v Speaker 1>some kind of travel or major change to their day

0:37:22.160 --> 0:37:25.759
<v Speaker 1>to day routine, it's easier to establish new habits or

0:37:25.800 --> 0:37:29.040
<v Speaker 1>to change existing habits. It's kind of an interesting thing

0:37:29.120 --> 0:37:32.239
<v Speaker 1>like people don't usually think of, like the vacation is

0:37:32.280 --> 0:37:34.480
<v Speaker 1>a good time to start a diet, but it might

0:37:34.480 --> 0:37:38.200
<v Speaker 1>actually work. Oh yeah, yeah, if I've seen this pointed

0:37:38.200 --> 0:37:40.200
<v Speaker 1>out before, like if you if you want to change

0:37:40.280 --> 0:37:42.600
<v Speaker 1>up your your schedule, start doing it on vacation and

0:37:42.760 --> 0:37:46.000
<v Speaker 1>in a new location. Yeah. And I think that so

0:37:46.160 --> 0:37:49.080
<v Speaker 1>this relates to memory obviously, and and the idea of

0:37:49.120 --> 0:37:51.719
<v Speaker 1>associate of learning is very much based in memory. But

0:37:51.800 --> 0:37:54.239
<v Speaker 1>another thing about memory that this makes me think of

0:37:54.360 --> 0:37:57.760
<v Speaker 1>is we've talked previously on the show about I believe

0:37:57.840 --> 0:38:01.480
<v Speaker 1>it was the neuroscientist David Eagleman who had pointed out

0:38:01.520 --> 0:38:05.759
<v Speaker 1>this research about the different perception of time in the

0:38:05.840 --> 0:38:10.600
<v Speaker 1>moment versus in retrospect and how that relates to novelty.

0:38:10.800 --> 0:38:15.600
<v Speaker 1>And the idea was that in the moment experiences that

0:38:15.800 --> 0:38:19.440
<v Speaker 1>our novel tend to go by really fast. They feel

0:38:19.520 --> 0:38:21.680
<v Speaker 1>like they're happening really fast, and then they're over. And

0:38:21.719 --> 0:38:24.520
<v Speaker 1>you probably know this from experience. It seems like, you know,

0:38:24.640 --> 0:38:27.560
<v Speaker 1>your your regular routine day might kind of drag on,

0:38:27.760 --> 0:38:30.360
<v Speaker 1>especially if you're doing something kind of repetitive and boring,

0:38:31.000 --> 0:38:33.240
<v Speaker 1>but your vacation where you're doing a lot of novel

0:38:33.360 --> 0:38:35.600
<v Speaker 1>different stuff just kind of flies by. It feels like

0:38:35.600 --> 0:38:38.319
<v Speaker 1>it's over in an instant. But then once you get

0:38:38.360 --> 0:38:42.719
<v Speaker 1>into the retrospective mindset and you're representing those time periods

0:38:42.719 --> 0:38:46.480
<v Speaker 1>in your memory, suddenly the reverse is true, where the

0:38:46.520 --> 0:38:50.200
<v Speaker 1>experience that's full of novelty feels like it lasted a

0:38:50.200 --> 0:38:52.560
<v Speaker 1>long time and a lot of stuff happened in it.

0:38:52.560 --> 0:38:56.240
<v Speaker 1>It's like it spreads out and expands in your memory,

0:38:56.239 --> 0:38:59.440
<v Speaker 1>while the while the period of sameness where you didn't

0:38:59.440 --> 0:39:02.839
<v Speaker 1>experience a lot of novelty contracts down to a point

0:39:02.840 --> 0:39:06.240
<v Speaker 1>and there's almost nothing to remember about it. Yeah. I mean, ultimately,

0:39:06.280 --> 0:39:08.719
<v Speaker 1>there's nothing like going on vacation to fully engage in

0:39:08.760 --> 0:39:13.160
<v Speaker 1>the weirdness of time. Um in terms of novelty. Uh.

0:39:13.640 --> 0:39:16.320
<v Speaker 1>I think Eagleman might have been the one to refer

0:39:16.400 --> 0:39:19.960
<v Speaker 1>to us as as novelty junkies. Uh. It could be

0:39:20.000 --> 0:39:24.000
<v Speaker 1>misquoting him on that, but I have that that association

0:39:24.080 --> 0:39:26.919
<v Speaker 1>is in my head for some reason. Um. I also

0:39:27.000 --> 0:39:30.160
<v Speaker 1>ran across a book titled Satisfaction, in which the author

0:39:30.200 --> 0:39:33.560
<v Speaker 1>Gregory Burns uh points out that even if you don't

0:39:33.600 --> 0:39:36.560
<v Speaker 1>personally like a novelty, if you're the type of person

0:39:36.680 --> 0:39:39.160
<v Speaker 1>who you know, you feel very strongly that you like

0:39:39.360 --> 0:39:41.920
<v Speaker 1>a strict routine, you don't want any novelty thrown in.

0:39:42.320 --> 0:39:44.799
<v Speaker 1>You may not personally like it, but your brain does

0:39:46.080 --> 0:39:48.360
<v Speaker 1>because when we engage in novelty, we kind of go

0:39:48.360 --> 0:39:51.520
<v Speaker 1>into probe mode and to explore mode. Our brains tune

0:39:51.600 --> 0:39:54.880
<v Speaker 1>up to absorb and process the information we're hit with.

0:39:55.239 --> 0:39:57.040
<v Speaker 1>And so I think that's really interesting. It's like, take

0:39:57.080 --> 0:39:59.280
<v Speaker 1>that and think back to this, uh sort of flow

0:39:59.360 --> 0:40:04.520
<v Speaker 1>chart of how we engage with environmental stimuli, you know, um,

0:40:04.640 --> 0:40:07.400
<v Speaker 1>how you know it's going to be that that novel stimuli,

0:40:07.719 --> 0:40:10.480
<v Speaker 1>those novel sensations that are gonna end up sort of

0:40:10.719 --> 0:40:14.239
<v Speaker 1>supercharging this loop of emotional response and cognitive response and

0:40:14.239 --> 0:40:19.120
<v Speaker 1>then feeding into the formation of these associated memories. And

0:40:19.160 --> 0:40:21.279
<v Speaker 1>I think that also helps us better understand two of

0:40:21.360 --> 0:40:25.600
<v Speaker 1>the the the off sided benefits of travel, broadened horizons,

0:40:25.640 --> 0:40:28.480
<v Speaker 1>and self exploration. Well, yeah, this brings us back to

0:40:28.640 --> 0:40:31.640
<v Speaker 1>the anthropological framework that we're talking about earlier. Now that

0:40:31.719 --> 0:40:34.759
<v Speaker 1>was specifically in the context of Christian pilgrimage and not

0:40:34.880 --> 0:40:37.319
<v Speaker 1>travel more broadly, but I think it probably relates to

0:40:37.520 --> 0:40:40.279
<v Speaker 1>things that are going on often, if not always, in

0:40:40.320 --> 0:40:44.200
<v Speaker 1>travel more broadly, which is the the idea that it is. Uh,

0:40:44.320 --> 0:40:47.719
<v Speaker 1>it places you at the threshold. It doesn't necessarily put

0:40:47.760 --> 0:40:50.960
<v Speaker 1>you through it, but it places you at the threshold

0:40:51.040 --> 0:40:55.280
<v Speaker 1>of personal change and transformation. And I think that there's

0:40:55.360 --> 0:40:59.919
<v Speaker 1>some relationship here between that cultural observation and the idea

0:41:00.000 --> 0:41:02.200
<v Speaker 1>of what's going on in the brain when we experience

0:41:02.239 --> 0:41:04.080
<v Speaker 1>a lot of novelty that we're sort of primed for

0:41:04.120 --> 0:41:07.480
<v Speaker 1>associated learning that we can form new habits, and the

0:41:07.520 --> 0:41:10.560
<v Speaker 1>formation of new habits. While it doesn't sound all that

0:41:10.640 --> 0:41:13.759
<v Speaker 1>sexy when phrase that way, is the basis of the

0:41:13.840 --> 0:41:17.160
<v Speaker 1>change of the self. All right, Well, on that note,

0:41:17.200 --> 0:41:18.719
<v Speaker 1>we're going to take a quick break, but when we

0:41:18.800 --> 0:41:20.920
<v Speaker 1>come back, we're going to talk a little bit about

0:41:21.320 --> 0:41:29.040
<v Speaker 1>the idea of travel overload. Than alright, we're back, So, Joe,

0:41:29.560 --> 0:41:33.520
<v Speaker 1>I know you like um Italian horror films. Oh yeah,

0:41:33.760 --> 0:41:36.240
<v Speaker 1>have you have you ever seen a little film titled

0:41:36.719 --> 0:41:40.239
<v Speaker 1>Stindall Syndrome. No, I have not seen the whole thing,

0:41:40.360 --> 0:41:43.319
<v Speaker 1>but I have watched the scene that you linked me

0:41:43.440 --> 0:41:48.480
<v Speaker 1>to in it, which involves which involves the character kissing

0:41:48.480 --> 0:41:51.160
<v Speaker 1>a fish on the mouth. And while I've heard that

0:41:51.200 --> 0:41:53.600
<v Speaker 1>the movie is not that great overall, even though I

0:41:53.600 --> 0:41:57.840
<v Speaker 1>do love some Italian horror, uh, this fish kissing scene

0:41:58.000 --> 0:42:02.280
<v Speaker 1>is extraordinary. Yeah. This was the film The Stendahl Syndrome

0:42:02.360 --> 0:42:06.600
<v Speaker 1>by Dario Argento of Suspiria of Fame and countless other

0:42:06.640 --> 0:42:10.960
<v Speaker 1>films in which weird stuff stuff happens and people are stabbed. Uh.

0:42:11.000 --> 0:42:13.160
<v Speaker 1>This is very much in the genre of of weird

0:42:13.200 --> 0:42:16.520
<v Speaker 1>stuff happens and people were stabbed, excepted has this this

0:42:16.600 --> 0:42:19.960
<v Speaker 1>weird hook with Stendahl syndrome and which in this In

0:42:20.000 --> 0:42:22.680
<v Speaker 1>the film, you have this character played by Asia Argento

0:42:23.160 --> 0:42:28.160
<v Speaker 1>who experiences this overwhelming sensory experience when she engages with

0:42:28.280 --> 0:42:31.880
<v Speaker 1>fabulous works of art. Um. I believe that she's in

0:42:31.920 --> 0:42:34.520
<v Speaker 1>the movie. She's looking at landscape with the Fall of Icarus,

0:42:34.560 --> 0:42:36.880
<v Speaker 1>and so has this There's this dream like sequence in

0:42:36.880 --> 0:42:40.120
<v Speaker 1>which she falls into the painting and falls into the ocean,

0:42:40.640 --> 0:42:43.279
<v Speaker 1>you know that that Icarus would have plunged into. And

0:42:43.280 --> 0:42:48.120
<v Speaker 1>then yeah, I think it's brogo the elder and uh.

0:42:48.200 --> 0:42:50.720
<v Speaker 1>And so she falls into the water and then inexplicitly,

0:42:51.080 --> 0:42:55.520
<v Speaker 1>she kisses a fish. So it's it's it's a it's

0:42:55.520 --> 0:43:00.040
<v Speaker 1>a It's a noteworthy scene in uh in in in

0:43:00.160 --> 0:43:04.439
<v Speaker 1>the film, for sure, but it also does a link

0:43:04.520 --> 0:43:08.200
<v Speaker 1>into this idea of Stendahl syndrome, that is in an actual,

0:43:08.760 --> 0:43:13.120
<v Speaker 1>at least alleged um uh phenomenon that occurs. It's named

0:43:13.320 --> 0:43:16.879
<v Speaker 1>for the French author Stendahl, who wrote such works as

0:43:16.920 --> 0:43:21.320
<v Speaker 1>The Scarlet and Black, and he he originally wrote about

0:43:21.320 --> 0:43:26.279
<v Speaker 1>a case of what we might call extreme travel overload. Uh.

0:43:26.360 --> 0:43:30.480
<v Speaker 1>This was from his book Naples and Florence, a journey

0:43:30.560 --> 0:43:34.440
<v Speaker 1>from Milan to Reggio, and he talks about emerging on

0:43:34.480 --> 0:43:37.080
<v Speaker 1>a on a porch uh and and being seized with

0:43:37.120 --> 0:43:40.480
<v Speaker 1>his fierce palpitation of his heart, feeling like his life

0:43:40.520 --> 0:43:43.360
<v Speaker 1>had just dried up, and then and feeling like it

0:43:43.400 --> 0:43:46.040
<v Speaker 1>was just gonna collapse, like it was just physically overcome

0:43:46.840 --> 0:43:52.279
<v Speaker 1>from having visited a particular site. And this kind of

0:43:52.320 --> 0:43:55.160
<v Speaker 1>this idea that was really sort of drawn out and

0:43:55.280 --> 0:43:58.520
<v Speaker 1>and certainly was given the name Standahl syndrome by an

0:43:58.520 --> 0:44:04.719
<v Speaker 1>Italian psychiatrist Graziella Magarini, who who wrote about this in

0:44:04.760 --> 0:44:09.239
<v Speaker 1>her nine book UH The Stendal Syndrome, which defined it

0:44:09.280 --> 0:44:13.400
<v Speaker 1>is a complex process quote not intellectual, but sensitive and

0:44:13.480 --> 0:44:17.160
<v Speaker 1>easily susceptible to emotions, so essentially a kind of sensory

0:44:17.239 --> 0:44:21.120
<v Speaker 1>overload um and and it can apparently result in a

0:44:21.200 --> 0:44:27.239
<v Speaker 1>number of different symptoms breathlessness, panic attacks, faintness, temporary psychosis,

0:44:27.239 --> 0:44:32.080
<v Speaker 1>even all of this brought on via exposure to great

0:44:32.120 --> 0:44:34.160
<v Speaker 1>works of art, generally the sort of great works of

0:44:34.239 --> 0:44:37.200
<v Speaker 1>art you would find in a museum in a destination

0:44:37.680 --> 0:44:42.319
<v Speaker 1>UH city. Now, I would be shocked if um just

0:44:42.360 --> 0:44:45.640
<v Speaker 1>because of the interesting and sort of romantic nature of

0:44:45.680 --> 0:44:49.880
<v Speaker 1>this syndrome. If it's I don't know, legitimacy or or

0:44:49.920 --> 0:44:54.160
<v Speaker 1>clinical characterization has not been somewhat controversial or questioned at

0:44:54.160 --> 0:44:57.000
<v Speaker 1>some point. Yeah, that that is my understanding of it.

0:44:57.040 --> 0:44:59.800
<v Speaker 1>I think it's it's one of these ideas that's certainly

0:45:00.120 --> 0:45:03.880
<v Speaker 1>Nazi and um and and appeals to sort of the

0:45:03.880 --> 0:45:09.440
<v Speaker 1>storytelling sensibilities, uh that we have, though at the same time,

0:45:10.080 --> 0:45:12.200
<v Speaker 1>I don't know, there seemed to be enough stories of it.

0:45:12.239 --> 0:45:14.280
<v Speaker 1>I feel like there is a there, there is something

0:45:14.440 --> 0:45:19.200
<v Speaker 1>going on here um which will perhaps unravel here. Now,

0:45:19.239 --> 0:45:24.120
<v Speaker 1>there are other related, uh alleged syndromes as well. One

0:45:24.160 --> 0:45:27.600
<v Speaker 1>for instances Ruben syndrome. UM. This is the name given

0:45:27.600 --> 0:45:31.200
<v Speaker 1>for an erotically charged activity that breaks out after or

0:45:31.280 --> 0:45:34.920
<v Speaker 1>even daring viewings of works by old masters, such as

0:45:34.960 --> 0:45:38.839
<v Speaker 1>Peter Paul Reuben's. So I don't know about that. I've

0:45:38.880 --> 0:45:41.799
<v Speaker 1>never I don't think I've experienced or or witnessed that

0:45:41.920 --> 0:45:45.600
<v Speaker 1>going on anytime I've seen people looking at art in

0:45:45.600 --> 0:45:47.719
<v Speaker 1>an art museum. But who knows, Maybe they're going around

0:45:47.719 --> 0:45:50.919
<v Speaker 1>the corner is Rubens the painter where like just everybody

0:45:51.040 --> 0:45:55.080
<v Speaker 1>is just majorly thick, just like awesome that like everybody's

0:45:55.120 --> 0:45:58.400
<v Speaker 1>got huge butts and they look amazing. Uh. Yeah, I

0:45:58.440 --> 0:46:01.520
<v Speaker 1>think that would be a fair description of of of

0:46:01.560 --> 0:46:04.440
<v Speaker 1>Reuben's work. Um. Yeah, certainly there is a kind of

0:46:04.440 --> 0:46:08.839
<v Speaker 1>an erotic charge to it. Uh. Now, where I think

0:46:08.880 --> 0:46:12.400
<v Speaker 1>we really get here into the travel aspects of this

0:46:12.440 --> 0:46:15.000
<v Speaker 1>whole scenario is that there's a version of this and

0:46:15.080 --> 0:46:18.279
<v Speaker 1>more travel centric version uh that is summed up in

0:46:18.320 --> 0:46:22.719
<v Speaker 1>the idea of Jerusalem Centrome, in which tourists have been

0:46:22.719 --> 0:46:26.239
<v Speaker 1>said to experience psychosis while visiting holy sites in the

0:46:26.280 --> 0:46:29.000
<v Speaker 1>city of Jerusalem, and there have been similar accounts related

0:46:29.040 --> 0:46:32.560
<v Speaker 1>to travel to Mecca, holy sites in Spain, etcetera. So

0:46:32.600 --> 0:46:34.239
<v Speaker 1>it's not I don't want to make it sound like

0:46:34.239 --> 0:46:38.279
<v Speaker 1>it's just Jerusalem specific, but the people who came up

0:46:38.320 --> 0:46:42.520
<v Speaker 1>with that term, we're largely looking at data regarding visitors

0:46:42.560 --> 0:46:45.600
<v Speaker 1>to Jerusalem who were there for, you know, essentially out

0:46:45.600 --> 0:46:48.520
<v Speaker 1>of a sense of religious pilgrimage. Again, I think one

0:46:48.520 --> 0:46:50.879
<v Speaker 1>of the big we kind of have to come back

0:46:50.880 --> 0:46:53.400
<v Speaker 1>to that chart and think again about travel and senses,

0:46:53.840 --> 0:46:56.279
<v Speaker 1>you know, like imagine we can you don't even have

0:46:56.320 --> 0:46:57.799
<v Speaker 1>to imagine. A lot of us can think back on

0:46:57.880 --> 0:47:01.560
<v Speaker 1>examples where we ourselves travel old somewhere and got to

0:47:01.640 --> 0:47:06.080
<v Speaker 1>see a work of art or particular site something that

0:47:06.080 --> 0:47:11.160
<v Speaker 1>that was indeed the destination, and and you you build

0:47:11.160 --> 0:47:12.560
<v Speaker 1>it up in your mind, right, you have a lot

0:47:12.560 --> 0:47:16.040
<v Speaker 1>of reasons to to want to experience it, cultural or

0:47:16.080 --> 0:47:19.080
<v Speaker 1>maybe perhaps it has to do with with your political

0:47:19.120 --> 0:47:22.960
<v Speaker 1>sensibilities or your overall worldview, like you really need to

0:47:23.000 --> 0:47:25.480
<v Speaker 1>see this thing and connect with it and witness it.

0:47:26.160 --> 0:47:28.920
<v Speaker 1>On top of that, sometimes you encounter a work of

0:47:29.040 --> 0:47:30.560
<v Speaker 1>art and you realize, oh, I had no idea it

0:47:30.640 --> 0:47:33.880
<v Speaker 1>was that small or um or or perhaps the lighting

0:47:33.960 --> 0:47:36.480
<v Speaker 1>is weird and it doesn't actually come off as well

0:47:36.840 --> 0:47:39.560
<v Speaker 1>in person. I feel like I had that situation with

0:47:40.640 --> 0:47:45.440
<v Speaker 1>Buckland's UM The Island of of of Death um, the

0:47:46.160 --> 0:47:47.960
<v Speaker 1>you know where you have the weird trees and it's

0:47:48.000 --> 0:47:51.239
<v Speaker 1>this uh, this very eihlivedad. I'm sorry, that's the name

0:47:51.239 --> 0:47:53.200
<v Speaker 1>of the painting UM And I think there are a

0:47:53.239 --> 0:47:56.960
<v Speaker 1>few different versions of it as very evocative painting. But

0:47:57.320 --> 0:47:59.120
<v Speaker 1>when I saw it, I think at the matter, I

0:47:59.160 --> 0:48:00.680
<v Speaker 1>saw a version of it, and that there was something

0:48:00.680 --> 0:48:02.200
<v Speaker 1>about the way it was lid and the way that

0:48:02.239 --> 0:48:05.040
<v Speaker 1>the dark aspects of the painting came off like. I

0:48:05.080 --> 0:48:08.919
<v Speaker 1>didn't find it displeasurable and an experience. On the other hand,

0:48:09.080 --> 0:48:11.960
<v Speaker 1>there are plenty of other works that you just don't

0:48:12.080 --> 0:48:15.839
<v Speaker 1>get the scale unless you were there in front. I've

0:48:15.840 --> 0:48:19.160
<v Speaker 1>had both of those experiences looking at art. I've I've

0:48:19.200 --> 0:48:22.360
<v Speaker 1>seen things that I've seen before and like digitally represented.

0:48:22.360 --> 0:48:25.279
<v Speaker 1>When I saw them in person, I found them disappointing,

0:48:25.320 --> 0:48:27.040
<v Speaker 1>and I've and I've had it on the other end.

0:48:27.040 --> 0:48:29.359
<v Speaker 1>On the other end, one that really stuck with me

0:48:29.920 --> 0:48:34.400
<v Speaker 1>where was in the louver The paintings of Eugene Delacroix,

0:48:35.200 --> 0:48:37.560
<v Speaker 1>the French painter, who I had seen some of his

0:48:37.640 --> 0:48:40.040
<v Speaker 1>works before, just like you know, images on the Internet,

0:48:40.080 --> 0:48:41.719
<v Speaker 1>and they never really stood out to me, but for

0:48:41.800 --> 0:48:43.640
<v Speaker 1>some reason when I saw them in person and I

0:48:43.719 --> 0:48:46.920
<v Speaker 1>was like, wow, I couldn't stop looking at him. Oh yeah.

0:48:47.880 --> 0:48:51.520
<v Speaker 1>I feel this way about the works of Dolly, for example.

0:48:51.600 --> 0:48:54.319
<v Speaker 1>I feel like his his work is his is oftentimes

0:48:54.320 --> 0:48:57.239
<v Speaker 1>best experienced large scale, though he has of course some

0:48:57.440 --> 0:49:00.840
<v Speaker 1>works that are actually smaller than you expect. Um. Likewise,

0:49:00.880 --> 0:49:03.200
<v Speaker 1>one of my favorite painters is Irving Norman, and he

0:49:03.320 --> 0:49:06.440
<v Speaker 1>often painted these very large pieces, and it's just something

0:49:06.480 --> 0:49:09.520
<v Speaker 1>about being there with it. And likewise, when we're dealing

0:49:09.520 --> 0:49:11.799
<v Speaker 1>with with other aspects of travel, like you think of

0:49:11.840 --> 0:49:14.680
<v Speaker 1>things like the Grand Canyon, like I've talked on the

0:49:14.680 --> 0:49:17.080
<v Speaker 1>show before about like seeing the being there at the

0:49:17.120 --> 0:49:21.440
<v Speaker 1>Grand Canyon is just uh, it's it's an experience that

0:49:21.560 --> 0:49:26.400
<v Speaker 1>that cannot be um, you know, properly housed and just

0:49:26.800 --> 0:49:29.160
<v Speaker 1>you know, looking at a picture of reading about it,

0:49:29.239 --> 0:49:32.520
<v Speaker 1>Like there's the experience of being in a place of

0:49:32.520 --> 0:49:35.799
<v Speaker 1>of of of taking it in and and just being

0:49:35.840 --> 0:49:38.160
<v Speaker 1>a part of that environment or in the case of

0:49:38.320 --> 0:49:43.360
<v Speaker 1>historically significant locations temple cities, etcetera, like to actually be

0:49:43.560 --> 0:49:47.080
<v Speaker 1>there for this place to suddenly be physically real. You know,

0:49:47.080 --> 0:49:50.360
<v Speaker 1>I can I can see how that could be overpowering

0:49:50.360 --> 0:49:52.920
<v Speaker 1>to the senses because it is engaging the senses and

0:49:52.960 --> 0:49:56.080
<v Speaker 1>your UH in your your, your your, your cognitive and

0:49:56.080 --> 0:49:59.840
<v Speaker 1>your emotional processes UH to such a high level you.

0:50:00.120 --> 0:50:02.840
<v Speaker 1>For me, that connects to a feeling that I've often

0:50:02.960 --> 0:50:05.120
<v Speaker 1>had throughout my life, and I've tried to explain to

0:50:05.120 --> 0:50:07.000
<v Speaker 1>other people, and I think I have just failed to

0:50:07.680 --> 0:50:11.680
<v Speaker 1>adequately communicated. Maybe I'm about to fail again. But it's

0:50:11.719 --> 0:50:16.279
<v Speaker 1>this peculiar emotion that I associate primarily with two different activities.

0:50:16.400 --> 0:50:22.520
<v Speaker 1>One of them is successfully following instructions to UH to

0:50:22.600 --> 0:50:26.600
<v Speaker 1>accomplish a mechanical task such as like repairing an object

0:50:26.760 --> 0:50:29.440
<v Speaker 1>that I have no previous knowledge about how to fix,

0:50:29.760 --> 0:50:34.239
<v Speaker 1>and the other is arriving successfully at a location that

0:50:34.280 --> 0:50:39.160
<v Speaker 1>I've read about before. Both times, I have this experience

0:50:39.239 --> 0:50:44.040
<v Speaker 1>of of sudden, overwhelming kind of rectitude with the universe,

0:50:44.120 --> 0:50:47.520
<v Speaker 1>Like I feel like, ah, the external world is real,

0:50:49.120 --> 0:50:51.360
<v Speaker 1>if that makes any sense at all. It's it's a

0:50:51.400 --> 0:50:54.520
<v Speaker 1>powerful emotion in the moment. Uh. And I don't know

0:50:54.760 --> 0:50:57.400
<v Speaker 1>if this is something that other people really experience, but

0:50:57.719 --> 0:51:00.440
<v Speaker 1>it's something that's hugely operative in my end and in

0:51:00.520 --> 0:51:03.880
<v Speaker 1>my life. No, I think I've I've I've experienced something

0:51:03.920 --> 0:51:06.319
<v Speaker 1>like this as well. I mean, it's it's kind of

0:51:06.320 --> 0:51:08.479
<v Speaker 1>like the on one level of the manifestation of the

0:51:08.560 --> 0:51:11.840
<v Speaker 1>inner world, you know, research becomes real, and on the

0:51:11.880 --> 0:51:14.239
<v Speaker 1>other hand, like this is what this is one of

0:51:14.239 --> 0:51:16.400
<v Speaker 1>the things that we have evolved to do. You know,

0:51:16.440 --> 0:51:19.799
<v Speaker 1>it's like the finding of things the uh, you know,

0:51:19.840 --> 0:51:22.600
<v Speaker 1>it's like we we you know, we can read about

0:51:22.640 --> 0:51:25.440
<v Speaker 1>these all day and it's satisfying and it's fulfilling. But

0:51:25.719 --> 0:51:29.120
<v Speaker 1>to actually you know, hit the ground and and actually

0:51:29.239 --> 0:51:31.840
<v Speaker 1>you know, find a particular location or thing like that

0:51:31.840 --> 0:51:34.520
<v Speaker 1>that engages us on another level and engages the full

0:51:35.040 --> 0:51:38.120
<v Speaker 1>capabilities of our senses. Now, if you're if you're wondering,

0:51:38.160 --> 0:51:41.840
<v Speaker 1>Okay Stindall syndrome, Jerusalem syndrome, should I be worried about

0:51:41.880 --> 0:51:45.120
<v Speaker 1>my senses being overloaded? Uh? The next time I'm I'm

0:51:45.120 --> 0:51:48.720
<v Speaker 1>able to travel, I would say, based on the information

0:51:48.760 --> 0:51:51.200
<v Speaker 1>we're looking at here. Uh, you know, I would not

0:51:51.239 --> 0:51:56.239
<v Speaker 1>freak out about this basically, pre existing psychological conditions seem

0:51:56.320 --> 0:51:59.560
<v Speaker 1>to be a major factor in most of these cases

0:51:59.760 --> 0:52:04.560
<v Speaker 1>of people being overwhelmed by the sights and sounds of travel. Again,

0:52:04.600 --> 0:52:06.680
<v Speaker 1>if we think of travel as an altered mental state,

0:52:07.160 --> 0:52:10.840
<v Speaker 1>and if we factor in potential travel stresses and travel anxiety,

0:52:11.080 --> 0:52:14.120
<v Speaker 1>we can easily see how travel to a given location

0:52:14.160 --> 0:52:17.440
<v Speaker 1>could trigger a slip into an overwhelming mental state. And

0:52:17.480 --> 0:52:19.880
<v Speaker 1>the stress, you know, of course, would would certainly be

0:52:19.920 --> 0:52:22.520
<v Speaker 1>capable of triggering a pre existing condition and causing it

0:52:22.560 --> 0:52:25.239
<v Speaker 1>to flare up. Yeah, I mean, going back to something

0:52:25.280 --> 0:52:27.960
<v Speaker 1>we mentioned earlier, I mean, like stress is a big

0:52:28.000 --> 0:52:29.799
<v Speaker 1>part of travel. It's not the part that we tend

0:52:29.880 --> 0:52:31.799
<v Speaker 1>to focus on in our memories because we think about

0:52:31.840 --> 0:52:34.120
<v Speaker 1>all the good things about it, but like, yeah, stress

0:52:34.200 --> 0:52:37.080
<v Speaker 1>is almost always going to be there, and that's going

0:52:37.120 --> 0:52:41.799
<v Speaker 1>to be a key factor for exacerbating underlying psychological issues. Yeah.

0:52:41.840 --> 0:52:44.040
<v Speaker 1>And I was looking at a two thou eighteen Columbia

0:52:44.120 --> 0:52:48.200
<v Speaker 1>Universities Mailman School of Public Health study that showed that

0:52:48.320 --> 0:52:50.680
<v Speaker 1>traveling a great deal for work, so like two weeks

0:52:50.719 --> 0:52:54.120
<v Speaker 1>or more per month was capable of inducing enhanced depression

0:52:54.120 --> 0:52:57.720
<v Speaker 1>and anxiety. Now, certainly that's business travel, that's not non

0:52:57.760 --> 0:53:00.759
<v Speaker 1>economic travel like we're talking about here. But I think

0:53:00.760 --> 0:53:05.000
<v Speaker 1>it's still underlines like you know, when we when we're traveling, uh,

0:53:05.040 --> 0:53:07.720
<v Speaker 1>you know, we are uh, you know, we are engaging

0:53:07.719 --> 0:53:10.520
<v Speaker 1>in stress. It is a it is ultimately a stressful

0:53:10.920 --> 0:53:13.799
<v Speaker 1>um endeavor, even if you feel like you really have

0:53:13.840 --> 0:53:16.880
<v Speaker 1>a handle on it. There's also you know, interesting research

0:53:17.080 --> 0:53:19.319
<v Speaker 1>along the lines of sleep, and of course sleep has

0:53:19.320 --> 0:53:23.000
<v Speaker 1>an impact on our overall mental stability. I think we've

0:53:23.000 --> 0:53:25.280
<v Speaker 1>talked about the first night effect on the show before

0:53:25.320 --> 0:53:28.080
<v Speaker 1>and which one tends to experience worst sleep on a

0:53:28.160 --> 0:53:31.120
<v Speaker 1>first night in a new location, and studies have shown

0:53:31.120 --> 0:53:33.320
<v Speaker 1>that this seems to be related to enhanced activity in

0:53:33.360 --> 0:53:37.239
<v Speaker 1>the default mode network during these nights. So travel for

0:53:37.480 --> 0:53:43.439
<v Speaker 1>those seeking the limits of human experience, pain and pleasure indivisible. Yeah,

0:53:43.520 --> 0:53:46.120
<v Speaker 1>I mean, it's something to keep in mind. Um, I

0:53:46.160 --> 0:53:48.719
<v Speaker 1>think it ultimately like it just it. I know in

0:53:48.719 --> 0:53:51.239
<v Speaker 1>the past when I've when I've traveled, you know, with

0:53:51.239 --> 0:53:53.800
<v Speaker 1>with my family, I was trying to remind myself that

0:53:53.800 --> 0:53:55.879
<v Speaker 1>that first day of travel is going to it's gonna

0:53:55.880 --> 0:53:58.040
<v Speaker 1>be stressful, it's gonna have they're gonna be some flare ups,

0:53:58.040 --> 0:54:01.279
<v Speaker 1>and you just gotta try and you know, maintain some

0:54:01.360 --> 0:54:04.759
<v Speaker 1>relative level of cool and uh and flow with it. Well,

0:54:04.760 --> 0:54:07.160
<v Speaker 1>maybe it's the time that you're directly on route to

0:54:07.200 --> 0:54:10.640
<v Speaker 1>your destination where it's most important to keep the spirit

0:54:10.719 --> 0:54:14.240
<v Speaker 1>of Lautsu or of the child and the Saint Vincent

0:54:14.280 --> 0:54:17.719
<v Speaker 1>Malay before having her her mother dash her dreams of

0:54:17.760 --> 0:54:22.799
<v Speaker 1>exploration has have that mindset. Yeah, yeah, indeed, you know,

0:54:22.840 --> 0:54:24.839
<v Speaker 1>to to sort of remind yourself that it is about

0:54:24.840 --> 0:54:26.840
<v Speaker 1>the journey, not the arrival. I guess the thing is,

0:54:26.880 --> 0:54:28.719
<v Speaker 1>it's hard to remind yourself of that when you say

0:54:28.719 --> 0:54:32.000
<v Speaker 1>stuck in airports somewhere, like, it's about the journey. Oh,

0:54:32.080 --> 0:54:34.400
<v Speaker 1>I guess I'll have a cent a bun. It's it's

0:54:34.440 --> 0:54:36.960
<v Speaker 1>not quite as rewarding. I guess that's about the journey

0:54:36.960 --> 0:54:41.560
<v Speaker 1>of standing in line for coffee. Yeah, so travel again.

0:54:41.600 --> 0:54:44.040
<v Speaker 1>I think it's important to to remind ourselves that it

0:54:44.160 --> 0:54:46.120
<v Speaker 1>is it is an altered state, and it is u

0:54:46.560 --> 0:54:50.080
<v Speaker 1>and and our senses play so heavily into the journey

0:54:50.200 --> 0:54:53.120
<v Speaker 1>and into our experience of the arrival, along with our

0:54:53.200 --> 0:54:57.799
<v Speaker 1>various emotional expectations, you know, bringing it back to the

0:54:58.040 --> 0:55:00.800
<v Speaker 1>present circumstances of the world and and all of the

0:55:00.800 --> 0:55:02.719
<v Speaker 1>stuff going on right now. One thing I think I

0:55:02.760 --> 0:55:06.040
<v Speaker 1>would remind people of is that I think you can get,

0:55:06.239 --> 0:55:09.160
<v Speaker 1>you know, if you if you're feeling this overwhelming desire

0:55:09.200 --> 0:55:11.160
<v Speaker 1>to travel right now, but you're also trying to be

0:55:11.239 --> 0:55:14.319
<v Speaker 1>realistic about all the risks and stuff. I think you

0:55:14.320 --> 0:55:16.600
<v Speaker 1>can get a lot of the benefits of travel just

0:55:16.760 --> 0:55:20.239
<v Speaker 1>with activities that actually do remain relatively close to home.

0:55:20.760 --> 0:55:24.400
<v Speaker 1>You know, even near your house. There were probably places

0:55:24.440 --> 0:55:27.120
<v Speaker 1>you can figure out to go where you can experience

0:55:27.239 --> 0:55:30.480
<v Speaker 1>something novel, but you don't have to travel long distances

0:55:30.640 --> 0:55:32.920
<v Speaker 1>or be amongst crowds. You can stay with you know,

0:55:33.040 --> 0:55:35.359
<v Speaker 1>your household and family members and that kind of thing.

0:55:35.760 --> 0:55:38.640
<v Speaker 1>Oh yeah, absolutely, and and some households. And of course

0:55:38.640 --> 0:55:41.239
<v Speaker 1>I'm speaking to uh, you know, sort of a neighborhood

0:55:41.480 --> 0:55:46.280
<v Speaker 1>environment here, not like a really dense urban environment. But uh,

0:55:46.320 --> 0:55:48.439
<v Speaker 1>you know, there are cases where people have are doing

0:55:48.440 --> 0:55:52.600
<v Speaker 1>what they can to sort of enhance uh, the you know,

0:55:52.640 --> 0:55:55.480
<v Speaker 1>the travel sensations of just walking around the neighborhood, be

0:55:55.600 --> 0:55:59.440
<v Speaker 1>it decorating for Halloween or Christmas several months early, um,

0:55:59.480 --> 0:56:02.560
<v Speaker 1>doing of unique things with your yard or with signage.

0:56:02.600 --> 0:56:04.880
<v Speaker 1>You know. Uh so I do I do feel like

0:56:04.880 --> 0:56:07.799
<v Speaker 1>the that that spirit you know, can be found even

0:56:07.880 --> 0:56:11.640
<v Speaker 1>daring a what is ultimately a challenging time for those

0:56:11.719 --> 0:56:15.560
<v Speaker 1>who seek novelty. Obviously, we'd love to hear from everyone

0:56:15.560 --> 0:56:18.759
<v Speaker 1>out there, because we know we have some extensive travelers

0:56:19.080 --> 0:56:21.439
<v Speaker 1>that listen to our show. We'd love to hear your

0:56:21.520 --> 0:56:24.520
<v Speaker 1>take on all of this, how your senses are engaged

0:56:24.560 --> 0:56:27.960
<v Speaker 1>during your travels, has it ever become overwhelming? Uh? That

0:56:28.080 --> 0:56:31.160
<v Speaker 1>sort of thing, and how you're you're you're coping today.

0:56:31.200 --> 0:56:32.719
<v Speaker 1>In the meantime, if you would like to check out

0:56:32.760 --> 0:56:34.440
<v Speaker 1>other episodes of Stuff to Blow your Mind, you even

0:56:34.520 --> 0:56:37.560
<v Speaker 1>find us wherever you get your podcasts, wherever that happens

0:56:37.600 --> 0:56:39.319
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0:56:39.800 --> 0:56:42.840
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0:56:43.080 --> 0:56:45.600
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0:56:45.640 --> 0:56:48.960
<v Speaker 1>course share the show with friends. Just tell people about

0:56:49.000 --> 0:56:52.120
<v Speaker 1>the show. That helps us as well. Huge thanks as

0:56:52.160 --> 0:56:55.680
<v Speaker 1>always to our excellent audio producer Seth Nicholas Johnson. If

0:56:55.680 --> 0:56:57.120
<v Speaker 1>you would like to get in touch with us with

0:56:57.239 --> 0:56:59.520
<v Speaker 1>feedback on this episode or any other to suggest a

0:56:59.560 --> 0:57:01.880
<v Speaker 1>topic for the future, we're just to say hi. You

0:57:01.880 --> 0:57:04.759
<v Speaker 1>can email us at contact at stuff to Blow your

0:57:04.800 --> 0:57:14.960
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0:57:15.040 --> 0:57:17.760
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0:57:17.960 --> 0:57:20.320
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