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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, Girl Drama, Girl,

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Speaker 2: all about them high school queens, We'll take you for

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Speaker 2: a ride, and our comic girl sharing for the right team,

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Speaker 2: Drama Queens, Jaylie's Up Girl Fashion, which your tough girl?

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Speaker 1: You could sit with us, Girl Drama, Queen Drama, Queise Drama,

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Speaker 1: Queens Drama, Drama, Queens Drama Queens.

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Speaker 3: Hello everyone, Hello, Robert Buckley, Hi, so how are you hey?

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Speaker 4: And hello to everyone at home.

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Speaker 3: Gang, We got a fun one for you today, Episode

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Speaker 3: seven fifteen, Season seven, episode fifteen, Don't You Forget About Me?

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Speaker 3: Cue the song, Air date February first, twenty ten. Tell

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Speaker 3: them what it's about, soph.

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Speaker 4: Okay, this is such a fun one. In the chaos

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Speaker 4: surrounding an eighties alumni dance at the high school, it's

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Speaker 4: a fundraiser dance, by the way. That's not in the synopsis,

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Speaker 4: but does feel relevant, Hayley's birthday gets for gotten, Jamie's

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Speaker 4: left home alone, and Nathan and Claire stranded two hundred

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Speaker 4: miles from tree Hill. Meanwhile, Brook's appearance at the dance

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Speaker 4: with Alexander forces Julian to relive his dorky adolescence in

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Speaker 4: an episode dedicated to the memory of John Hughes. Les

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Speaker 4: Butler directed this. It was written by Terry Coley. This

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Speaker 4: was so fun.

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Speaker 3: Yes, agreed, are you? Are you a big fan of

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Speaker 3: the eighties and of John Hughes immense.

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Speaker 4: Like an immense John Hughes fan. I went through a

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Speaker 4: phase where I probably watched The Breakfast Club once a

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Speaker 4: week for two years. Wow, Like, I just I don't know,

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Speaker 4: I just love the whole era. I think, you know,

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Speaker 4: from that to Ferris Bueller's Day Off to Pretty in

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Speaker 4: paink in sixteen Handles, like, it was such an iconic

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Speaker 4: moment in film history. And I think the nostalgia of

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Speaker 4: it relates to this show because you really had a

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Speaker 4: lot of kids trying to figure out their identity and

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Speaker 4: like talk about their feelings and figure out how to

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Speaker 4: be good to each other and forgive each other. And

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Speaker 4: I don't know, there's something something about getting to honor

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Speaker 4: John Hughes on a show like one Trehill felt like

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Speaker 4: a really big deal.

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Speaker 3: Yes, I had forgotten entirely that we had done this episode.

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Speaker 3: By the way, Really, I am a huge John Hughes fan.

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Speaker 3: I'm a big eighties fan. When I became an actor,

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Speaker 3: one of my bucket list dreams was to work with

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Speaker 3: John Hughes. So when he passed, I was devastated because

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Speaker 3: his movies they're so unique in that they entertain you,

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Speaker 3: but they leave you feeling good when you walk out

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Speaker 3: of the movie theater. There's actual, like substance. They're nutritious,

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Speaker 3: you know, it's not like diet coke. Like a lot

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Speaker 3: of movies, there's ninety minutes of content, but they don't

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Speaker 3: make your heart feel better, you know, And his weord

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Speaker 3: just different. And so when you know, the episode opens

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Speaker 3: with was it simple minds? Don't you forget about me?

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Speaker 4: Yeah?

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Speaker 3: And oh, I just I loved it. I thought it

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Speaker 3: was so great. So do you remember did he did

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Speaker 3: he pass? Like? Ride around this time and we just

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Speaker 3: quickly turned around an episode dedicated to him.

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Speaker 4: Yeah, it must have been. I would imagine it was

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Speaker 4: a few months before filming. I don't really remember in

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Speaker 4: the calendar, but obviously they had to figure out how

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Speaker 4: to do it. And then the sort of device of

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Speaker 4: letting all of us adults honor John Hughes and then

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Speaker 4: giving Jamie the home alone storyline. Yeah, felt so sweet

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Speaker 4: because it sort of merged the worlds we grew up in,

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Speaker 4: you know, as viewers, and to your point that we

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Speaker 4: kind of grew up idolizing, like similarly to you, I

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Speaker 4: really always hoped I'd get to make a John Hughes movie.

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Speaker 4: And it is really weird when you're heroes pass away

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Speaker 4: because it so confronting about time, and I don't know,

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Speaker 4: I think it's really special that we got to do

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Speaker 4: something that felt like that and felt authentic to us

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Speaker 4: as well. And then you know the fact that our team,

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Speaker 4: our studio was able to also get cheap trick to

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Speaker 4: come in and perform was so crazy and cool. Yeah,

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Speaker 4: it was really neat.

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Speaker 3: This show continually crushes it when it comes to music.

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Speaker 3: I'm constantly amazed at what we pulled off. You know,

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Speaker 3: we talk about sometimes how things happen on this show,

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Speaker 3: and it feels like it feels a bit half baked,

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Speaker 3: where it's like, oh, man, if we had just given

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Speaker 3: that a little bit more thought, we could have pulled

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Speaker 3: this off so much more successfully. I felt like this

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Speaker 3: was an example of they really executed it very well

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Speaker 3: in terms of yes kind of seamlessly fitting in the

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Speaker 3: eighties vibe, the homages to all of the different John

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Speaker 3: Hughes movies. It was all done very very just cleverly

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Speaker 3: like it all worked. None of it was sort of

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Speaker 3: clunky or awkward, you know, because we're referencing I think,

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Speaker 3: what let's see home alone, sixteen candles, pretty in pink, planes,

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Speaker 3: trains and automobiles, and Uncle Buck with a lot of

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Speaker 3: movie references to get right, you know, but they wove

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Speaker 3: it all together quite well.

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Speaker 4: Yeah, it is a lot.

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Speaker 3: Forgive me, because this is the John Hughes these movies

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Speaker 3: that I'm not super clear about. The iconic shot of

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Speaker 3: is it Molly Ringwold and Andrew whatever his name is

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Speaker 3: with the cake in the middle, Is that pretty in

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Speaker 3: pink or sixteen candles?

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Speaker 4: I asked the same question. Hold on, I'm going.

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Speaker 3: To google Andrew McCarthy is his name, because I knew

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Speaker 3: we were referencing one of them. Obviously, Ducky is I

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Speaker 3: don't even know which one Ducky is either.

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Speaker 4: Pretty in pink? Okay is what I'm finding online? I

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Speaker 4: had the exact same question. I was like, wait, is

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Speaker 4: it pretty in bangor is it sixteen candles?

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Speaker 3: But it okay is sixteen candles? Molly Ringwold as well?

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Speaker 4: Yeah, I mean she's in all of them.

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Speaker 3: Good for her in.

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Speaker 4: Every John Hughes movie. She was only sixteen when she

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Speaker 4: did Breakfast Club. What.

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Speaker 3: Yeah, that blows my mind.

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Speaker 4: Really, fifteen when they made sixteen Candles, sixteen when they

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Speaker 4: did the Breakfast Club.

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Speaker 2: Wow.

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Speaker 3: So I gotta say, if an actor wants a dressed

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Speaker 3: I feel like one of the worst answers you could

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Speaker 3: give to shut them down is you're not that kind

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Speaker 3: of girl. Ooof, you know what I mean, that's a

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Speaker 3: great way to get someone to dig in their heels.

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Speaker 4: Your character's just not that cool.

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Speaker 3: Sorry woof, infinitely smarter. I will say wardrobe killed it

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Speaker 3: this episode. Hair makeup as well. Oh my gosh, I

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Speaker 3: did have a question. This is a very obvious boy question.

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Speaker 3: But okay, Quinn uses a flat iron apparently to achieve

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Speaker 3: the kind of crimped look.

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Speaker 4: So a crimper is essentially it's the same tool as

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Speaker 4: a flat iron, you know, flat side, and then there's

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Speaker 4: the there's the metal plates in it, but instead of

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Speaker 4: the metal plates being flat on the inside, they're in

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Speaker 4: like a they're in this they're in like a zigzag,

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Speaker 4: like a triangle shape. So when you push the flat

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Speaker 4: iron together, it actually crimps the hair, and so instead

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Speaker 4: of grabbing it and dragging it down like you see

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Speaker 4: girls do with a flat iron, you grab and press

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Speaker 4: and hold for a minute and then it's crimped and

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Speaker 4: then you keep going. So you have to do each

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Speaker 4: section on the plates.

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Speaker 3: Gotcha? Okay? See I thought she was holding a flat iron,

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Speaker 3: and so I was very confused as to how a

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Speaker 3: flat iron would achieve such a crimped look. But that's it.

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Speaker 4: It's the shape of the plate, got it. The more

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Speaker 4: you know, you know.

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Speaker 3: Do you remember in the eighties, And you might be

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Speaker 3: too young for this, but there was, you know, because

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Speaker 3: there was things we grew up with that we were

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Speaker 3: like taught to be afraid of that just had absolutely

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Speaker 3: no like like real world and like presence, like quicksand

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Speaker 3: for example, I was definitely afraid of quicksand as a kid,

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Speaker 3: I've never seen quicksand in my life. No, do you

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Speaker 3: remember hearing about how aerosol hair sprays were destroying the ozone? Yes,

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Speaker 3: what happened?

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Speaker 5: I don't actually know, because we still have plenty of

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Speaker 5: aerosol hair sprays, But I feel do we just have

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Speaker 5: bigger fish to fry? I don't know, Because do you

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Speaker 5: remember hearing like I remember being at like a younger

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Speaker 5: age and hearing like, yes, these hair sprays are destroying

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Speaker 5: our ozone.

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Speaker 4: Well, and there was a big deal, especially when we

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Speaker 4: were little kids. The hole in the ozone layer was growing.

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Speaker 4: But then all of these great regulations and environmental protections

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Speaker 4: were put into place, and and you know, hundreds of

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Speaker 4: thousands of acres of land were planted with trees that

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Speaker 4: would pull carbon and like all these great things. And

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Speaker 4: then you cut to a couple of years ago and

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Speaker 4: like these terrible people set like half the Amazon on fire.

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Speaker 4: And I'm like, so, I know, the ozone started to

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Speaker 4: get better, but then we essentially set the lungs of

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Speaker 4: the planet on fire. Is anybody going to give us

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Speaker 4: an update about that? Like, I know, it's really bad.

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Speaker 4: And people talked about how it could you know, push

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Speaker 4: climate into like terrifying, a terrifying sort of zone where

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Speaker 4: we're going to go past to sea, and then like

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Speaker 4: what happens to the global food supply? That wow, this

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Speaker 4: has really taking a turn. Yeah, now you know what

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Speaker 4: I spend all my free time reading about and I'm like, okay,

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Speaker 4: I read all the really really scary things. Is anybody

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Speaker 4: going to like, let us know what we need to

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Speaker 4: do about that, because you talk to us way more

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Speaker 4: about hairspray than you did about like fires that ate

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Speaker 4: up hundreds of thousands of acres of the trees that

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Speaker 4: keep us alive. So thank you for reminding me of

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Speaker 4: that terrifying thing, Rob that I know I'm going to

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Speaker 4: have to go and check in on an update for

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Speaker 4: on the internet after this episode.

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Speaker 3: They're like, listen, don't worry about what we're doing to

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Speaker 3: the rainforest. You need to be focused on acid rain

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Speaker 3: and clicksand and killer.

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Speaker 4: Bees and rats of unusual size.

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Speaker 3: Yep, you know there's a lot to be worried about,

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Speaker 3: which is all the more reason why we need an

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Speaker 3: episode like this.

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Speaker 4: We need a John Hughes moment.

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Speaker 3: Let me ask you a question. When you think eighties

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Speaker 3: hair makeup, what's the first thing that comes to your mind?

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Speaker 4: I think a lot about Is it Helmet Newton? He

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Speaker 4: did all these really edgy portraits of women, and like

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Speaker 4: I think they did. Didn't he do music videos?

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Speaker 3: Okay, well, sof does this, I'll give my answer. Okay,

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Speaker 3: for me, it's Moose. Moose is like when Moose is

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Speaker 3: so specifically eighties in fact I was doing. I was

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Speaker 3: doing some sort of job not too long ago, and

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Speaker 3: the hairstyles put moose in my hair, and I remember

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Speaker 3: feeling like, did you just find that in a time capsule?

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Speaker 3: Like I haven't seen that in the two decades. Still

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Speaker 3: works though?

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Speaker 4: It absolutely does. And by the way, I had to

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Speaker 4: do a shoot recently and they put moose in my

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Speaker 4: hair and I was like, wow, this feels like a

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Speaker 4: real throwback. I didn't say anything because it was my

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Speaker 4: first day on set with these people, and at the

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Speaker 4: end of the day, I was like, my hair still

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Speaker 4: looks really good. Is mooseless? Secret?

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Speaker 3: Yes?

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Speaker 4: Okay. Robert Palmer was the eighties music video guy Addicted

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Speaker 4: to Love, and it was all the like hot chicks

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Speaker 4: in the black dresses and the really beautiful like red lips,

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Speaker 4: severe eye. This is what I think about immediately when

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Speaker 4: I think about eighties style yees, like all these chicks

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Speaker 4: in their black dresses with the guitars and the red

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Speaker 4: lips just looking epic.

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Speaker 3: Yeah, I know this look right, Yeah, And.

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Speaker 4: I loved that I got to do a version of

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Speaker 4: that that was actually me and Carol's inspiration for Brooke

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Speaker 4: was like the shape of the dress looks a lot

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Speaker 4: like those eighties electric guitars. And it's the black velvet

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Speaker 4: and the red lip and the big hair, like we

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Speaker 4: really wanted to lean into that. Kelly Kopowski meets a

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Speaker 4: Robert Palmer video girl and it was the highlight for me.

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Speaker 3: Yeah, great reference, Kelly Kopowski. Yes, right, that hair is

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Speaker 3: so perfectly eighties my gal. I thought, Yeah, the wardrobe

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Speaker 3: was so good. I was bummed that Clay didn't get

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Speaker 3: to get in on it, but I loved the planes,

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Speaker 3: trains and automobile storyline with Nathan and Clay's actually a

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Speaker 3: memory I a clear memory I have from shooting the

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Speaker 3: series was doing it. Yes, First of all, I remember

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Speaker 3: being at the gas station the scene where Clay and

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Speaker 3: Nathan because I thought deluge was pronounced deluge and the

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Speaker 3: produce ready to come out and go like it's it's

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Speaker 3: deluge and I was like, I don't think so. It

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Speaker 3: was one of those ones where I was wrong and

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Speaker 3: confident and I had I had to be corrected by

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Speaker 3: several different people. And then the pigs. I remember being

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Speaker 3: in the back of the truck with with James and

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Speaker 3: the pigs. How is that it was great?

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Speaker 4: Stinky?

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Speaker 3: Probably Yeah, but what I just remember is going like,

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Speaker 3: this is cool, this is my job, Like this is awesome,

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Speaker 3: you know, it's this is we're sitting in the back

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Speaker 3: of the truck with pigs. Also, there was so much

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Speaker 3: fun stuff, you know what it did. They did a

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Speaker 3: really good thing with that storyline where even that little

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Speaker 3: snapshot of a John Hughes movie was like a John

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Speaker 3: Hughes movie in the sense that we had laughs, but

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Speaker 3: then we had emotional sincerity, like when Clay actually talks

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Speaker 3: about losing Sarah, and then there's like the hero's redemption

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Speaker 3: they actually for It's so hard to do an episode

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Speaker 3: of television when you have so many characters to serve.

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Speaker 3: This is the thing like people don't realize. When you

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Speaker 3: have an entire ensemble, it oftentimes worked out to where

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Speaker 3: it's like every character gets five minutes of screen time,

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Speaker 3: you know, when you have such a big cast, and

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Speaker 3: it's really hard to tell a whole story in five minutes.

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Speaker 3: But that storyline they did an exceptional job with because

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Speaker 3: it really kind of had its own arc, its own beginning, middle,

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Speaker 3: and end. So Yeah, while I was bummed I didn't

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Speaker 3: get to take part in the eighties fashion, I loved

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Speaker 3: because I also love planes, trains, and automobiles. It's just iconic,

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Speaker 3: you know, the only thing missing from that homage was

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Speaker 3: the incredible scene at the airport where Steve Martin goes

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Speaker 3: to get a rental car and it's not there, and

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Speaker 3: he has the vulgarity laden tirade where he's like, you know,

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Speaker 3: and I guess apparently that that little riff in the movie.

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Speaker 3: I think that was what got did that movie. I

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Speaker 3: think that movie was an r I think we're hearing

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Speaker 3: because of that scene. Yeah, and the studio is saying

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Speaker 3: like no, because especially back then, I don't know if

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Speaker 3: it's still the case our movies, you're not able to

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Speaker 3: gross as much as a PG thirteen movie. But I

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Speaker 3: believe John Hughes saying or the thing was like, no,

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Speaker 3: that's that needs to stay in the picture.

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Speaker 4: I loved And I want to reference this because it

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Speaker 4: comes up at the beginning of the episode. And I

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Speaker 4: actually think it's so cool that it happened in this one,

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Speaker 4: because we talked about it last week with Austin that

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Speaker 4: it would have been so much better if he had

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Speaker 4: been in one of the rooms in Lucas's house and

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Speaker 4: overheard the director berating Alex like just on the other

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Speaker 4: side of the doorway, and we got it in this

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Speaker 4: one because Brooke and Julian are in Lucas's old bedroom

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Speaker 4: and you know, she has the bit about like this

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Speaker 4: teamster is, you know, painting over my childhood and I,

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Speaker 4: by the way, I love the Teamster shout out because

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Speaker 4: they just ratified their new union deal and I was like,

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Speaker 4: go Teamsters. It maybe really proud, but it's like one

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Speaker 4: of those jokes that's burned into my brain. But it's

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Speaker 4: so great because Brook's talking about the dance and Julian's

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Speaker 4: not getting it and they're back in this bedroom that

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Speaker 4: she tried to have good communication with a boy and

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Speaker 4: in high school and it failed. And then right on

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Speaker 4: the other side of the wall, Alex when Julian comes out,

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Speaker 4: is like she's asking you to the dance and he's like, no,

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Speaker 4: she's not, and she's like, yes, she is, You're going.

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Speaker 4: And it's this great moment because it does feel so

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Speaker 4: high school, and it also gives us the thing we

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Speaker 4: really wanted last week that we didn't get, and I

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Speaker 4: loved that it happened.

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Speaker 3: Yeah, I was a very big fan of Alex the Wingman. Yeah,

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Speaker 3: I will say I So I was. I love that

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Speaker 3: because it was so believable, like I'm the same way.

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Speaker 3: I'm such I can be so thick headed and just

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Speaker 3: like not pick up on cues and subtleties. I'd be like,

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Speaker 3: she doesn't like me, you know. So I was. I

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Speaker 3: totally understood that. But so I loved all of that.

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Speaker 3: I loved and it was kind of cool that the

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Speaker 3: two Alex's were both actually just sort of there to

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Speaker 3: like Wingman and Cheerlead. Yeah, love that dynamic. The weird

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Speaker 3: thing that I I didn't I bumped on hard was

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Speaker 3: at the end of it when alex I think she's talking.

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Speaker 3: I think she's talking to Alexander, yeah, outside the school,

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Speaker 3: and she's like, just so you know, like those two

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Speaker 3: are gonna end up, like she loves him or something

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Speaker 3: like that, and he goes, well, how do you know?

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Speaker 3: And she says, because I love him too. I was like, what,

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Speaker 3: why are we still telling people you love him?

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Speaker 4: Yeah, it's weird. It would have been better if she'd

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Speaker 4: said some version of it that was like in the

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Speaker 4: past tense, yes, like I used to love him and

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Speaker 4: there's no getting between those two or something. Yeah, you know,

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Speaker 4: like I've seen it, They're meant to be something. It.

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Speaker 4: It was weird because she's rooting for them, and then

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Speaker 4: she's also like, but I love him.

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Speaker 3: It's bizarre And that's fine if you still have feelings

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Speaker 3: for him, But I don't know why you'd advertise that right,

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Speaker 3: especially to someone, especially to the person who is Brook's

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Speaker 3: right hand man.

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Speaker 4: Yes, and it's interesting too because Brooke has had the

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Speaker 4: conversation uh with other people about what it was like

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Speaker 4: to be the third in the Brook, Peyton and Lucas

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Speaker 4: love triangle, like there's no getting between Peyton and Lucas.

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Speaker 4: You could give the audience that familiar feeling in that

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Speaker 4: Easter egg of like, I know what it's like to

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Speaker 4: be in this love triangle. There's no getting between those two.

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Speaker 4: And it would really get into that canon of the

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Speaker 4: One Tree Hill relationships, right, like the end games are

345
00:19:08,680 --> 00:19:12,639
Speaker 4: such a big deal, YadA YadA, and instead it's like, wait,

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Speaker 4: is she being the sweetest person in the world or

347
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Speaker 4: kind of a stalker?

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Speaker 3: Like what's that's it? Exactly? Because I'm still trying to

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Speaker 3: figure out like who Alex is, Like what what is

350
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Speaker 3: Alex going forward? And so throughout the entirety of this episode,

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Speaker 3: I was thinking, sweet, she has sort of come to

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Speaker 3: terms with the fact that it's Brooke and Julian and

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Speaker 3: now she's just going to be a team player. And

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Speaker 3: then so to do this, to make this proclamation, it's

355
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Speaker 3: not really a proclamation, but to make this admission, it

356
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Speaker 3: just it's like, yeah, it kind of muddies the water

357
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Speaker 3: of like, so, is this sincere?

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Speaker 4: It kind of takes the charm out of the whole night.

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00:19:53,600 --> 00:19:56,480
Speaker 3: Yes, yeah, we'll put that's what it is, I think.

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Speaker 3: And I just because she's been so I was sort

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Speaker 3: of hoping that we would just settle into this, we're

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Speaker 3: finally just friends with no ulterior motives, and then she

363
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Speaker 3: says this at the very end, I'm like, oh, friends,

364
00:20:12,359 --> 00:20:12,800
Speaker 3: don't do.

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Speaker 4: That, because you know what it is. It could have

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Speaker 4: been very similar to last week with Mouth and Miss Lauren,

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Speaker 4: where you get to see these friends who really see

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Speaker 4: each other and they have great chemistry, but that chemistry

369
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Speaker 4: is not romantic, and the Alex and Julian chemistry as

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Speaker 4: friends and sidekicks is so great. And then in a way,

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Speaker 4: like it pulls the rug out from under itself by

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Speaker 4: having her say she still has feelings for him.

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Speaker 3: And I wonder just to what end it was in

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Speaker 3: there for, because I don't know, are they still trying

375
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Speaker 3: to have alex be a potential threat too? Brilliant? I

376
00:20:53,080 --> 00:20:56,680
Speaker 3: don't remember where the story goes, so that I'm genuinely asking, I.

377
00:20:56,640 --> 00:20:59,359
Speaker 4: Was just going to say, I'm embarrassed. I don't remember.

378
00:20:59,680 --> 00:21:03,040
Speaker 3: I don't remember how long alex is as a round for.

379
00:21:03,280 --> 00:21:05,520
Speaker 3: But that was my only question was are we still

380
00:21:06,520 --> 00:21:10,600
Speaker 3: trying to like have the presence of a potential threat?

381
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Speaker 3: Is that why that's happening? I don't know it was.

382
00:21:14,160 --> 00:21:16,439
Speaker 3: It would have been a lot cooler if like she

383
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Speaker 3: hit on Alexander, sure, or.

384
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Speaker 4: If she even admitted that it's hard. But she's trying

385
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Speaker 4: to be a good friend because by the way, that's

386
00:21:25,480 --> 00:21:29,080
Speaker 4: what he's doing, you know, he he is so charming

387
00:21:29,119 --> 00:21:32,320
Speaker 4: through this episode, coming in to check on her, offering

388
00:21:32,359 --> 00:21:34,679
Speaker 4: to be a date, saying, look, Miami, vice is my

389
00:21:35,000 --> 00:21:39,240
Speaker 4: that's my jam. And the way like that shot of

390
00:21:39,400 --> 00:21:44,120
Speaker 4: him of Mitch outside, you know, on the trans am

391
00:21:44,600 --> 00:21:49,080
Speaker 4: in the suit, it's so charming, Like holy is it charming?

392
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Speaker 4: And I don't know, I like that he really shows

393
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Speaker 4: up for her as a friend and even if he

394
00:21:57,720 --> 00:22:01,680
Speaker 4: likes Brooke, he's not talking about it. Yeah, and it

395
00:22:01,720 --> 00:22:04,960
Speaker 4: would be cool to see him in Alex Alexander and

396
00:22:05,000 --> 00:22:10,760
Speaker 4: Alex wind up in the same kind of space. But

397
00:22:10,800 --> 00:22:12,560
Speaker 4: then the writers like took it away from her a

398
00:22:12,600 --> 00:22:13,800
Speaker 4: little bit, and I don't love that.

399
00:22:14,480 --> 00:22:17,439
Speaker 3: Yeah. And also that Miami Vice suit was incredible.

400
00:22:17,640 --> 00:22:19,840
Speaker 4: He looks so good and his hair is so good.

401
00:22:20,040 --> 00:22:23,480
Speaker 4: Oh good, the whole thing is perfect. I also like

402
00:22:23,520 --> 00:22:25,159
Speaker 4: that he comes in and he ribs her about the

403
00:22:25,240 --> 00:22:27,720
Speaker 4: dress a little bit. He's like, what is like what

404
00:22:27,880 --> 00:22:32,040
Speaker 4: is this? What like Flamenco dancing contest or whatever? He says,

405
00:22:32,080 --> 00:22:34,679
Speaker 4: are you going to and she realizes she has to

406
00:22:34,680 --> 00:22:38,240
Speaker 4: redo it. My flag on the play there is whose

407
00:22:38,320 --> 00:22:40,719
Speaker 4: hands are cutting and sewing my dress? Because they are

408
00:22:40,760 --> 00:22:41,240
Speaker 4: not mine?

409
00:22:41,400 --> 00:22:42,480
Speaker 3: Oh? How funny?

410
00:22:42,800 --> 00:22:46,359
Speaker 4: Like they realized they didn't shoot inserts, and I'm like,

411
00:22:46,400 --> 00:22:49,400
Speaker 4: you guys, I had like I had a manicure, and

412
00:22:50,160 --> 00:22:54,960
Speaker 4: whoever whoever's hands they used for the inserts had like

413
00:22:55,080 --> 00:22:59,520
Speaker 4: rings on that aren't mine. And it's so silly to me.

414
00:22:59,600 --> 00:23:01,480
Speaker 4: So that a big flag for me.

415
00:23:01,640 --> 00:23:04,560
Speaker 3: In There is there a world in which was Alexander's

416
00:23:04,560 --> 00:23:05,800
Speaker 3: hands or were they female hands?

417
00:23:06,000 --> 00:23:07,880
Speaker 4: No, they were they were a lady's hands.

418
00:23:08,480 --> 00:23:11,159
Speaker 3: That's funny. I didn't catch that. Oh it's good though.

419
00:23:11,560 --> 00:23:15,000
Speaker 4: Like it's a shot of like scissors cutting the red

420
00:23:15,080 --> 00:23:18,600
Speaker 4: crinkle fabric that becomes the sash on my dress, and

421
00:23:18,640 --> 00:23:22,080
Speaker 4: then sewing like through the sewing machine, feeding the fabric through,

422
00:23:22,119 --> 00:23:23,640
Speaker 4: and I'm like, I don't know whose hands those are,

423
00:23:23,720 --> 00:23:26,960
Speaker 4: but they are. It was kind of a trip.

424
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Speaker 3: But yeah, to your point, I think anything Alex would

425
00:23:31,320 --> 00:23:33,200
Speaker 3: have said, all you have to do is just make

426
00:23:33,240 --> 00:23:34,000
Speaker 3: it past tense.

427
00:23:35,040 --> 00:23:35,280
Speaker 4: Yeah.

428
00:23:35,280 --> 00:23:38,240
Speaker 3: The issue is that she's stating it as if it's

429
00:23:38,320 --> 00:23:41,080
Speaker 3: just how she's currently still feeling. That makes it sense.

430
00:23:41,200 --> 00:23:44,679
Speaker 4: Yeah, And she's been such a great friend recently to

431
00:23:44,800 --> 00:23:52,000
Speaker 4: Julian that it it makes her kindness seem suspect and

432
00:23:52,040 --> 00:23:53,960
Speaker 4: then it's like, well is she kind or conniving?

433
00:23:54,520 --> 00:23:55,160
Speaker 3: Yeah?

434
00:23:55,200 --> 00:23:57,040
Speaker 4: And I don't think that that's necessary.

435
00:23:58,080 --> 00:24:01,040
Speaker 3: Yeah, And we've put her through enough extreme stuff. Can

436
00:24:01,080 --> 00:24:04,159
Speaker 3: you just have her be a human for a while? Yeah, Like,

437
00:24:04,280 --> 00:24:05,240
Speaker 3: just let her be a buddy.

438
00:24:05,800 --> 00:24:09,640
Speaker 4: They really ran Alex and Millie through the ringer this season.

439
00:24:10,280 --> 00:24:11,680
Speaker 3: Yeah, and you know how else they ran through the

440
00:24:11,760 --> 00:24:14,360
Speaker 3: ringer this episode, Kylie.

441
00:24:14,720 --> 00:24:17,800
Speaker 4: Poor Sasha, God, Sasha is such a good sport.

442
00:24:18,680 --> 00:24:21,480
Speaker 3: Yeah, They're like, just show up in a bikini. We're

443
00:24:21,480 --> 00:24:23,160
Speaker 3: gonna pour a smoothie on you.

444
00:24:23,680 --> 00:24:24,360
Speaker 4: I didn't what.

445
00:24:25,640 --> 00:24:28,840
Speaker 3: No, they did her dirty in this episode.

446
00:24:29,040 --> 00:24:33,119
Speaker 4: They really literally I wondered if it was sort of

447
00:24:33,160 --> 00:24:37,080
Speaker 4: a you know, the famous red bikini scene, and that's

448
00:24:37,119 --> 00:24:39,359
Speaker 4: a John Hughes movie right when the girl gets out

449
00:24:39,960 --> 00:24:41,200
Speaker 4: fast times at Ridgemont High.

450
00:24:41,320 --> 00:24:42,600
Speaker 3: Is not that's not John Hughes.

451
00:24:42,760 --> 00:24:43,560
Speaker 4: It's not John Hughes.

452
00:24:43,600 --> 00:24:46,040
Speaker 3: Okay, I don't believe so so well it's in.

453
00:24:46,000 --> 00:24:48,240
Speaker 4: That era, then, I guess, And it felt like they

454
00:24:48,280 --> 00:24:52,679
Speaker 4: wanted to kind of reference that, but they did it

455
00:24:52,720 --> 00:24:56,280
Speaker 4: in this way that was a bit degrading, and it

456
00:24:56,359 --> 00:24:59,800
Speaker 4: was also weird. It felt so left of center for Quinn.

457
00:25:00,000 --> 00:25:05,920
Speaker 4: I was like, wait, Quinn is like pretty chill, and

458
00:25:06,359 --> 00:25:09,159
Speaker 4: then she like dumped a smoothie on this girl and

459
00:25:09,320 --> 00:25:12,040
Speaker 4: is accusing is like calling her a whore. It feels

460
00:25:12,080 --> 00:25:12,560
Speaker 4: like a lot.

461
00:25:13,160 --> 00:25:17,160
Speaker 3: Well, and it doesn't help that literally, last episode she

462
00:25:17,240 --> 00:25:20,840
Speaker 3: was telling Haley to kill Taylor with kindness and she

463
00:25:20,920 --> 00:25:23,040
Speaker 3: was like, I'm a high road type gal, I kill

464
00:25:23,080 --> 00:25:26,159
Speaker 3: with kindness, and then the next episode she's pouring a

465
00:25:26,280 --> 00:25:29,679
Speaker 3: smoothie on this gal. It neither way made sense to

466
00:25:29,720 --> 00:25:36,000
Speaker 3: me saw Kylie's I don't understand she's not like a

467
00:25:36,040 --> 00:25:39,520
Speaker 3: real person because she just shows up at Clays to

468
00:25:39,680 --> 00:25:43,199
Speaker 3: swim without even talking to him, which again is just odd.

469
00:25:43,800 --> 00:25:46,199
Speaker 3: She has a key and she goes to let herself in,

470
00:25:46,240 --> 00:25:48,480
Speaker 3: and then she's mad when the door's not open. It's like,

471
00:25:49,359 --> 00:25:51,399
Speaker 3: what kind of a real person would do that?

472
00:25:51,880 --> 00:25:55,000
Speaker 4: No, it's all very weird. And she has such a

473
00:25:55,000 --> 00:26:00,760
Speaker 4: great storyline in this episode because she is the babe

474
00:26:00,800 --> 00:26:07,320
Speaker 4: from Weird Science, but it opens so oddly, and again

475
00:26:07,600 --> 00:26:09,439
Speaker 4: it reminds me of what we talked about with Austin

476
00:26:09,520 --> 00:26:12,720
Speaker 4: last week, that they had an idea for how to

477
00:26:12,760 --> 00:26:16,720
Speaker 4: bring the Kylie character back so that they could do

478
00:26:16,880 --> 00:26:19,119
Speaker 4: the lock thing and Clay could be cute to Quinn

479
00:26:19,160 --> 00:26:24,320
Speaker 4: and then Kylie could be the fantasy girl from Weird

480
00:26:24,400 --> 00:26:26,920
Speaker 4: Science in this episode. But it feels like they never

481
00:26:26,960 --> 00:26:30,600
Speaker 4: got past the outline on her scenes. It was like

482
00:26:30,640 --> 00:26:32,639
Speaker 4: they just left the bullet points from the outline in

483
00:26:32,680 --> 00:26:36,520
Speaker 4: and they didn't flesh out last week or these first

484
00:26:36,520 --> 00:26:39,520
Speaker 4: scenes this week. Because then once Kylie gets to the

485
00:26:39,640 --> 00:26:43,240
Speaker 4: dance with Mouth, it's so great, but when she shows

486
00:26:43,320 --> 00:26:47,520
Speaker 4: up for the date and we're doing this really gross,

487
00:26:47,720 --> 00:26:51,680
Speaker 4: like They wrote all these really sort of transphobic things

488
00:26:52,200 --> 00:26:55,760
Speaker 4: in the episode about how there's no girl so perfect

489
00:26:55,840 --> 00:26:58,320
Speaker 4: she's going to be a he and then to prove

490
00:26:58,359 --> 00:27:01,080
Speaker 4: that she's a woman, she flashed her tits at him.

491
00:27:01,200 --> 00:27:07,240
Speaker 4: I'm like, what, Like it felt so yucky, And i mean,

492
00:27:07,280 --> 00:27:09,199
Speaker 4: poor Sasha. It's like, look, you show up as an

493
00:27:09,240 --> 00:27:12,359
Speaker 4: actor and you have to do your job, and she committed.

494
00:27:12,520 --> 00:27:14,600
Speaker 4: She did such a great job. She made it charming

495
00:27:14,600 --> 00:27:17,720
Speaker 4: and funny and sassy, and she winds up just being

496
00:27:17,760 --> 00:27:21,359
Speaker 4: the sweetest, sad girl who feels like she doesn't get picked.

497
00:27:21,440 --> 00:27:25,360
Speaker 4: And you know, the scene where they wind up together

498
00:27:26,040 --> 00:27:30,280
Speaker 4: at the locker between her and Quinn is actually so sweet. Yeah,

499
00:27:30,280 --> 00:27:31,919
Speaker 4: And I was like, did it have to be so

500
00:27:32,280 --> 00:27:35,560
Speaker 4: mean to get here? Couldn't we have just gotten here anyway?

501
00:27:36,680 --> 00:27:40,720
Speaker 3: Yeah? And you know, the whole weird science thing like

502
00:27:40,800 --> 00:27:43,560
Speaker 3: that is male wish fulfillment, right, That's the whole point.

503
00:27:43,600 --> 00:27:46,120
Speaker 4: It's like this like creepy male gaze stuff.

504
00:27:46,440 --> 00:27:49,960
Speaker 3: Yeah. But they definitely continued with that theme because the

505
00:27:50,040 --> 00:27:52,679
Speaker 3: thing that I just killed me man was at the

506
00:27:52,760 --> 00:27:55,359
Speaker 3: end of the episode her in mouth walk out to

507
00:27:55,400 --> 00:27:59,480
Speaker 3: the parking lot and she says, well, but you have

508
00:27:59,520 --> 00:28:01,840
Speaker 3: been a true so we can go and have a shag.

509
00:28:03,000 --> 00:28:05,160
Speaker 3: And it just felt like as if she was offering

510
00:28:05,240 --> 00:28:09,480
Speaker 3: him a cookie, like, well, you weren't a complete asshole,

511
00:28:09,600 --> 00:28:13,560
Speaker 3: so how about I give you some sex. It's like what, what?

512
00:28:14,160 --> 00:28:19,080
Speaker 4: Yes? It just come And it feels like this recycling

513
00:28:19,960 --> 00:28:25,760
Speaker 4: of the not it's not the charming John Hughes of

514
00:28:25,800 --> 00:28:28,399
Speaker 4: it all. No one's learning a lesson. It's no different

515
00:28:28,440 --> 00:28:30,800
Speaker 4: than last week where they had Taylor say and the rest,

516
00:28:30,840 --> 00:28:33,639
Speaker 4: as they say, was sex. It's like, no one's saying

517
00:28:33,640 --> 00:28:36,400
Speaker 4: that at the dinner table. That's not how women talk,

518
00:28:36,920 --> 00:28:39,160
Speaker 4: and this girl is not gonna do this with mouth,

519
00:28:39,360 --> 00:28:43,040
Speaker 4: Like I don't know, maybe they would say, you know,

520
00:28:43,240 --> 00:28:45,000
Speaker 4: why don't we start over, let's go to a bar,

521
00:28:45,160 --> 00:28:47,120
Speaker 4: let's go have a great time, and she realizes he's

522
00:28:47,120 --> 00:28:49,920
Speaker 4: an amazing dancer, and they wind up going to like

523
00:28:49,960 --> 00:28:50,800
Speaker 4: have a night together.

524
00:28:51,160 --> 00:28:51,840
Speaker 3: But it's so.

525
00:28:53,360 --> 00:28:55,160
Speaker 4: I don't know, I feel like eight year old boys

526
00:28:55,160 --> 00:28:58,360
Speaker 4: wrote these scenes and I'm like, what is happening here?

527
00:28:59,440 --> 00:29:02,880
Speaker 3: Even the act that she's so hung up on Clay

528
00:29:02,960 --> 00:29:08,040
Speaker 3: when all we've ever seen is her laying in Clay's bed,

529
00:29:08,640 --> 00:29:11,680
Speaker 3: and then she makes one comment to him about maybe

530
00:29:11,680 --> 00:29:14,400
Speaker 3: feelings and he goes, I don't believe in love, like

531
00:29:14,520 --> 00:29:18,440
Speaker 3: he shuts her down hard, hard, and ever since then

532
00:29:18,480 --> 00:29:21,800
Speaker 3: it's like she has keys to the house. Yeah, weird

533
00:29:23,040 --> 00:29:26,760
Speaker 3: and uh, and she's in love with him, but again

534
00:29:26,760 --> 00:29:28,360
Speaker 3: it's odd, like so she shows up to his house

535
00:29:28,400 --> 00:29:30,760
Speaker 3: to swim but doesn't go to talk to him. And

536
00:29:30,800 --> 00:29:37,560
Speaker 3: then now now it's uh, the like, yeah, just it's

537
00:29:37,640 --> 00:29:40,360
Speaker 3: it's so, it's so odd. So I just had such

538
00:29:40,520 --> 00:29:42,880
Speaker 3: a massive brain fart. What was I talking about.

539
00:29:43,840 --> 00:29:47,440
Speaker 4: Well, it's just this thing of us really going like

540
00:29:49,480 --> 00:29:54,360
Speaker 4: it feels reductive and illogical, like Kylie can't possibly be

541
00:29:54,400 --> 00:29:57,800
Speaker 4: in love with Clay there it is also why does

542
00:29:57,840 --> 00:29:59,760
Speaker 4: she have keys? Because the only time we've seen her

543
00:29:59,760 --> 00:30:02,280
Speaker 4: show up at his house he has to let her in. Yes,

544
00:30:02,360 --> 00:30:06,120
Speaker 4: So again, it just feels to me like they had

545
00:30:06,160 --> 00:30:08,640
Speaker 4: these bullet points in the outline and then they never

546
00:30:08,720 --> 00:30:12,520
Speaker 4: fleshed out those scenes because they were doing really great

547
00:30:12,560 --> 00:30:14,400
Speaker 4: work in so many other scenes. And I know we

548
00:30:14,440 --> 00:30:18,000
Speaker 4: talk about this, I do want to be careful. I

549
00:30:18,000 --> 00:30:20,080
Speaker 4: feel like I don't want to be totally negative because

550
00:30:20,080 --> 00:30:24,880
Speaker 4: I actually loved this episode, but it is hard. I

551
00:30:24,920 --> 00:30:27,800
Speaker 4: think from these points we're all in when we are

552
00:30:28,520 --> 00:30:31,280
Speaker 4: you know, older and wiser when you know many of

553
00:30:31,360 --> 00:30:34,320
Speaker 4: us are directors and producers and our literal job is

554
00:30:34,360 --> 00:30:37,600
Speaker 4: to break down scripts to make sure they're as good

555
00:30:37,600 --> 00:30:39,480
Speaker 4: as they can be. And then you look back and

556
00:30:39,520 --> 00:30:42,320
Speaker 4: you go like, wait, all of these actors are so good,

557
00:30:42,400 --> 00:30:45,520
Speaker 4: everyone is so charming, The setup for the episode is

558
00:30:45,560 --> 00:30:48,840
Speaker 4: actually so adorable. Who doesn't love John Hughes? And then

559
00:30:48,880 --> 00:30:51,840
Speaker 4: you're like, you could have done better by this character,

560
00:30:51,840 --> 00:30:53,600
Speaker 4: who's actually great.

561
00:30:54,320 --> 00:30:57,400
Speaker 3: Yeah, And to be fair, I mean, I'm not really

562
00:30:57,440 --> 00:31:00,000
Speaker 3: complaining about this episode. This is just this one story

563
00:31:00,080 --> 00:31:06,120
Speaker 3: line where we feel for Kylie. And also they they

564
00:31:06,240 --> 00:31:08,560
Speaker 3: really nailed it with again sort of going back to

565
00:31:08,600 --> 00:31:11,520
Speaker 3: how when you have an ensemble and you really break

566
00:31:11,560 --> 00:31:13,720
Speaker 3: down the math of how many minutes of airtime you

567
00:31:13,760 --> 00:31:17,000
Speaker 3: have and how many characters you have, like genuinely, you

568
00:31:17,040 --> 00:31:19,360
Speaker 3: get to a spot where you're like, we have six

569
00:31:19,520 --> 00:31:22,080
Speaker 3: minutes with this character to tell a whole episode. Yes,

570
00:31:22,800 --> 00:31:27,240
Speaker 3: and if they didn't flesh out the Kylie storyline, which

571
00:31:27,280 --> 00:31:29,960
Speaker 3: let's be honest, that's not the ABC or probably even

572
00:31:30,040 --> 00:31:33,600
Speaker 3: D storyline, Like that's okay because they nailed it with

573
00:31:33,720 --> 00:31:36,840
Speaker 3: all of the main characters. Yeah, but that's not to

574
00:31:36,840 --> 00:31:39,600
Speaker 3: say that, like they couldn't have done a little bit

575
00:31:39,640 --> 00:31:41,080
Speaker 3: more just to humanize her.

576
00:31:41,360 --> 00:31:43,840
Speaker 4: Just a little adjustment, like two clicks to the left

577
00:31:43,880 --> 00:31:44,640
Speaker 4: would have been great.

578
00:31:44,960 --> 00:31:46,960
Speaker 3: Yeah. And the point when I when I lost the

579
00:31:46,960 --> 00:31:48,560
Speaker 3: thread when I was gonna get to is it just

580
00:31:48,720 --> 00:31:51,400
Speaker 3: I didn't earn the moment when they're in the parking

581
00:31:51,440 --> 00:31:55,800
Speaker 3: lot and Kylie looks over and sees Clay and Quinn reuniting,

582
00:31:57,200 --> 00:31:59,680
Speaker 3: and she kind of has that look of longing. I

583
00:31:59,760 --> 00:32:02,640
Speaker 3: know at that moment is but I just found myself going.

584
00:32:03,440 --> 00:32:08,320
Speaker 3: But it's just odd how into him she is, and

585
00:32:08,440 --> 00:32:12,360
Speaker 3: how completely oblivious and he he is, and how he's

586
00:32:12,400 --> 00:32:15,600
Speaker 3: just like not there for her at all. Yeah, one

587
00:32:15,640 --> 00:32:17,000
Speaker 3: sided is a better way of putting it.

588
00:32:17,160 --> 00:32:24,080
Speaker 4: He's having appropriate reaction, and she's been assigned adoration based

589
00:32:24,120 --> 00:32:25,280
Speaker 4: on pages.

590
00:32:25,640 --> 00:32:28,120
Speaker 3: Yeah, and just at that last little exchange with Mouth,

591
00:32:28,680 --> 00:32:32,760
Speaker 3: instead of just going, well, you sort of behaved yourself tonight,

592
00:32:32,880 --> 00:32:35,680
Speaker 3: So here's some sex as a reward. It would have

593
00:32:35,680 --> 00:32:38,960
Speaker 3: been so so much better if and said it was like, well,

594
00:32:39,040 --> 00:32:43,240
Speaker 3: like let's go get waffles, you know, anything, pancakes, Yeah,

595
00:32:43,400 --> 00:32:45,800
Speaker 3: see a breakfast food of any type, you know, Yes,

596
00:32:46,320 --> 00:32:49,080
Speaker 3: just like that. I would have just been nice to see, like,

597
00:32:49,160 --> 00:32:50,440
Speaker 3: let's let her just be a let's let her be

598
00:32:50,480 --> 00:32:50,880
Speaker 3: a person.

599
00:32:51,120 --> 00:33:05,760
Speaker 4: Yeah, it would have been nice. I was wondering if

600
00:33:05,800 --> 00:33:09,760
Speaker 4: you remember watching everyone in the parking lot. It didn't

601
00:33:09,800 --> 00:33:13,000
Speaker 4: seem like that was a freezing night. Sometimes I feel

602
00:33:13,040 --> 00:33:15,640
Speaker 4: like you can see the cold on camera. I could

603
00:33:15,800 --> 00:33:18,520
Speaker 4: see how cold it was when you and James were

604
00:33:18,560 --> 00:33:21,800
Speaker 4: at the gas station and in the pig truck, Like,

605
00:33:22,280 --> 00:33:26,640
Speaker 4: I I know you guys were freezing, and this episode

606
00:33:26,680 --> 00:33:30,960
Speaker 4: airing what does it say February first, I'm like, oof.

607
00:33:31,240 --> 00:33:33,800
Speaker 4: This was probably the first episode we shot coming back

608
00:33:33,920 --> 00:33:39,200
Speaker 4: from the New Year's break, Like, were you just frozen

609
00:33:39,560 --> 00:33:41,520
Speaker 4: in the back of a truck with some little piggies?

610
00:33:42,040 --> 00:33:48,240
Speaker 3: Yeah? Yeah, I remember when they gave wardrobe options for

611
00:33:48,320 --> 00:33:50,280
Speaker 3: being in the back of that truck. It was one

612
00:33:50,280 --> 00:33:52,280
Speaker 3: of those moments where I was like, give me every

613
00:33:52,280 --> 00:33:54,800
Speaker 3: suggestion you have as a Yes, you got a silly hat,

614
00:33:54,840 --> 00:33:56,600
Speaker 3: put a silly hat on it, you got gloves, give

615
00:33:56,640 --> 00:33:59,320
Speaker 3: me gloves. Because the scene at the gas station, I

616
00:33:59,320 --> 00:34:02,080
Speaker 3: don't remember that being very cold. I mean to be fair,

617
00:34:02,120 --> 00:34:04,880
Speaker 3: most most of it plays inside the car anyways, but yeah,

618
00:34:04,880 --> 00:34:07,120
Speaker 3: that truck was cold because it's cold outside. And then

619
00:34:07,120 --> 00:34:10,160
Speaker 3: you're also just you're just exposed to the wind, chill

620
00:34:10,160 --> 00:34:14,880
Speaker 3: and the breeze, so that that was cold, but at

621
00:34:14,960 --> 00:34:18,040
Speaker 3: least it was It was funny and distracting because you

622
00:34:18,200 --> 00:34:20,640
Speaker 3: just have unruly pigs, and so we'd be like halfway

623
00:34:20,640 --> 00:34:23,080
Speaker 3: into a take, you know, and a pig would want

624
00:34:23,080 --> 00:34:25,920
Speaker 3: to like cuddle up with you, and it's just you know,

625
00:34:25,960 --> 00:34:28,200
Speaker 3: you'd be like, Okay, this is happening. We're just gonna

626
00:34:28,280 --> 00:34:29,719
Speaker 3: we're gonna go with it.

627
00:34:29,840 --> 00:34:31,640
Speaker 4: The little baby pigs in the back.

628
00:34:31,680 --> 00:34:34,600
Speaker 3: They weren't the most professional of scene partners, but they

629
00:34:34,600 --> 00:34:37,600
Speaker 3: were adorable. It worked, Oh my god.

630
00:34:38,080 --> 00:34:43,200
Speaker 4: And then the hiking I also watching I in all caps,

631
00:34:43,239 --> 00:34:46,960
Speaker 4: I wrote, why are they hiking? Did love that'll do? Pig?

632
00:34:47,320 --> 00:34:50,320
Speaker 4: Your little quoting babe was so sweet?

633
00:34:51,000 --> 00:34:56,440
Speaker 3: Yeah? And how did it go? Did Clay didn't confess

634
00:34:56,560 --> 00:34:57,560
Speaker 3: right away about Sarah?

635
00:34:57,640 --> 00:34:57,799
Speaker 4: Right?

636
00:34:57,840 --> 00:35:00,760
Speaker 3: Didn't? Nathan kind of admonish him a couple of times?

637
00:35:00,840 --> 00:35:02,799
Speaker 4: Yeah, you guys have been hiking for a while, and

638
00:35:02,840 --> 00:35:05,880
Speaker 4: he flips out, which I thought was great. You know,

639
00:35:07,000 --> 00:35:09,239
Speaker 4: I liked that we got a little bit of realism

640
00:35:09,560 --> 00:35:13,040
Speaker 4: because again, these characters all have these crazy jobs, like

641
00:35:13,200 --> 00:35:16,279
Speaker 4: it's all fantasyland, right, And I liked that he said,

642
00:35:16,320 --> 00:35:19,719
Speaker 4: I spend over half the year on the road. The

643
00:35:19,880 --> 00:35:22,040
Speaker 4: least I can do is be home for my wife's birthday.

644
00:35:22,640 --> 00:35:24,839
Speaker 4: It was such a nice thing because it does. It

645
00:35:24,880 --> 00:35:28,040
Speaker 4: reminded me of you know, there'd be weekends where like

646
00:35:28,400 --> 00:35:30,920
Speaker 4: we would have worked a hundred hours and we'd go

647
00:35:31,040 --> 00:35:34,520
Speaker 4: straight from set at five am on Saturday morning to

648
00:35:34,560 --> 00:35:36,400
Speaker 4: the airport to get on a six am flight to

649
00:35:36,440 --> 00:35:39,360
Speaker 4: get home for somebody's wedding or something, because you're just

650
00:35:39,520 --> 00:35:43,560
Speaker 4: never home. Yeah, And it felt so true to me

651
00:35:43,719 --> 00:35:46,200
Speaker 4: what he was saying. And I think in a way

652
00:35:47,120 --> 00:35:49,000
Speaker 4: when he said, you know, you'd understand that if you'd

653
00:35:49,000 --> 00:35:53,520
Speaker 4: ever been married. I was not expecting it. And when

654
00:35:53,520 --> 00:35:56,560
Speaker 4: he said that to you, the look on your face

655
00:35:56,760 --> 00:36:00,880
Speaker 4: coincided with me going like I gasped out loud alone

656
00:36:00,920 --> 00:36:04,200
Speaker 4: in my house, and I was it felt like such

657
00:36:04,239 --> 00:36:08,520
Speaker 4: a sucker punch. And then I literally wrote down I

658
00:36:08,560 --> 00:36:10,640
Speaker 4: was like, wow, they really played the scene well, like

659
00:36:11,120 --> 00:36:14,520
Speaker 4: I got very lost in it, and it was amazing

660
00:36:14,640 --> 00:36:18,280
Speaker 4: that I as if you or I got to watch

661
00:36:18,320 --> 00:36:22,920
Speaker 4: you be hurt by that and then realize that the

662
00:36:22,920 --> 00:36:25,200
Speaker 4: only way to undo that hurt was to tell the truth.

663
00:36:25,280 --> 00:36:27,799
Speaker 4: Because he just doesn't know. He says something shitty to you,

664
00:36:28,040 --> 00:36:31,160
Speaker 4: but it's shitty because he doesn't know. Yeah, And the

665
00:36:32,440 --> 00:36:38,360
Speaker 4: way that you share together in that moment was so good.

666
00:36:38,440 --> 00:36:42,240
Speaker 4: And and he thinks you're joking. And then you explain

667
00:36:42,320 --> 00:36:44,719
Speaker 4: that she died, and I wrote down I have all

668
00:36:44,760 --> 00:36:47,200
Speaker 4: these notes about both of the ways you both reacted.

669
00:36:47,640 --> 00:36:50,399
Speaker 4: The look on James's face. He looks away, he looks down,

670
00:36:50,440 --> 00:36:54,720
Speaker 4: He like shakes his head. He doesn't know what to do. Yeah,

671
00:36:54,719 --> 00:36:58,480
Speaker 4: and he says, I'm so sorry. I thought you were joking. Yeah, Like,

672
00:36:59,280 --> 00:37:02,000
Speaker 4: and you realize these two people are so close and

673
00:37:02,000 --> 00:37:04,360
Speaker 4: they do love each other so much, and their friendship

674
00:37:04,400 --> 00:37:10,400
Speaker 4: is so meaningful, but this thing not existing between them

675
00:37:10,480 --> 00:37:13,799
Speaker 4: until this moment like creates a big hole. It was

676
00:37:13,840 --> 00:37:15,920
Speaker 4: really beautiful. You guys were so good.

677
00:37:16,120 --> 00:37:18,320
Speaker 3: Yeah, thinks And I'm glad you brought up because I

678
00:37:18,719 --> 00:37:22,440
Speaker 3: loved this scene. You know, I love I love emotional

679
00:37:22,480 --> 00:37:26,600
Speaker 3: vulnerability on a guy. I love emotional accessibility. And it's

680
00:37:27,160 --> 00:37:29,960
Speaker 3: it was such a great invitation, you know, for like

681
00:37:30,000 --> 00:37:33,720
Speaker 3: intimacy between these two of like, yeah, okay, we're pals.

682
00:37:33,760 --> 00:37:35,480
Speaker 3: Like I'm going to really let you see me here,

683
00:37:35,600 --> 00:37:38,200
Speaker 3: you know, I'm going to drop the guard and I love,

684
00:37:38,280 --> 00:37:40,040
Speaker 3: like you said, I think the way he played it

685
00:37:40,080 --> 00:37:44,440
Speaker 3: was perfect. I like the way that Clay delivers it

686
00:37:44,440 --> 00:37:47,719
Speaker 3: because it's not punitive. It's not like, well you don't

687
00:37:47,760 --> 00:37:50,080
Speaker 3: think this, but guess what. You know? He was just saying, hey,

688
00:37:50,160 --> 00:37:51,759
Speaker 3: matter of fact, by the way, I've never shared this

689
00:37:51,800 --> 00:37:54,440
Speaker 3: with you. Here some of my here's some of my story,

690
00:37:54,520 --> 00:37:56,440
Speaker 3: you know. And I love the way he did it

691
00:37:56,480 --> 00:37:59,160
Speaker 3: because it's so honest. That would be That's how how

692
00:37:59,160 --> 00:38:02,759
Speaker 3: i'd react, is like, that's not funny, that's that's don't

693
00:38:02,760 --> 00:38:04,920
Speaker 3: don't make that joke. And then oh my god, you're

694
00:38:04,960 --> 00:38:11,200
Speaker 3: not joking. Oh you know, but it landed. It was

695
00:38:11,280 --> 00:38:14,400
Speaker 3: so great man. Yeah, and just sets the stage for

696
00:38:14,440 --> 00:38:17,040
Speaker 3: them getting even closer, which is which is awesome.

697
00:38:17,920 --> 00:38:20,399
Speaker 4: Yeah, and the bit with the woman who drives by

698
00:38:20,680 --> 00:38:23,080
Speaker 4: and the whole thing, and you know when he shows

699
00:38:23,080 --> 00:38:25,120
Speaker 4: back up to rescue you and he's like, I bought

700
00:38:25,120 --> 00:38:29,200
Speaker 4: her car. It's so it's a great buddy comedy that

701
00:38:29,239 --> 00:38:31,279
Speaker 4: you guys have going in this whole episode.

702
00:38:31,480 --> 00:38:35,200
Speaker 3: Yeah. Was that Christy Swanson? I think so because I

703
00:38:35,200 --> 00:38:37,919
Speaker 3: remember shooting that scene and just remember having a moment

704
00:38:37,920 --> 00:38:41,719
Speaker 3: of going, no freaking way the og Buffy, I get

705
00:38:41,719 --> 00:38:44,840
Speaker 3: to do a scene with the og Buffy. But yeah, again,

706
00:38:44,920 --> 00:38:48,680
Speaker 3: like the fact we have her and cheap trick, like

707
00:38:48,760 --> 00:38:51,919
Speaker 3: it just it fired on all cylinders. Man.

708
00:38:52,400 --> 00:38:57,040
Speaker 4: Yeah, they did really really well, and and I really

709
00:38:57,160 --> 00:39:03,200
Speaker 4: love that all of those eighties references, you know, from

710
00:39:03,239 --> 00:39:10,120
Speaker 4: the obvious to maybe the niche, depending on what people

711
00:39:10,200 --> 00:39:12,640
Speaker 4: know about the era and those shows and those movies.

712
00:39:13,040 --> 00:39:15,840
Speaker 4: They really layered all of that stuff in so well.

713
00:39:16,640 --> 00:39:21,080
Speaker 4: Even the fact that Brooke and Julian have their scene

714
00:39:21,840 --> 00:39:24,840
Speaker 4: with you know, the nerd and the popular girl in

715
00:39:24,960 --> 00:39:29,000
Speaker 4: shop class like it was such a good choice. It

716
00:39:29,080 --> 00:39:32,680
Speaker 4: wasn't over by the punch bowl, you know. It was

717
00:39:32,920 --> 00:39:37,440
Speaker 4: so fun. And the one thing I do wish and

718
00:39:37,480 --> 00:39:40,399
Speaker 4: I remember because obviously I had that really intense red

719
00:39:40,440 --> 00:39:45,120
Speaker 4: lipstick on. I barely kiss him, and that would have

720
00:39:45,120 --> 00:39:47,040
Speaker 4: been my note. Watching it back, I was like, oh,

721
00:39:47,080 --> 00:39:48,920
Speaker 4: I should have just kissed him and we should have

722
00:39:48,960 --> 00:39:51,840
Speaker 4: reset and gotten the lipstick off his face. But it

723
00:39:51,920 --> 00:39:56,560
Speaker 4: was so colorful that I was trying to be careful

724
00:39:56,560 --> 00:39:59,560
Speaker 4: and you know, respectful of Austin's face and time, and

725
00:39:59,560 --> 00:40:03,960
Speaker 4: that was the one thing I wish we had changed.

726
00:40:05,760 --> 00:40:10,399
Speaker 4: But I do think that the scene itself was so

727
00:40:10,440 --> 00:40:14,080
Speaker 4: sweet because he talks about, you know, losing his confidence

728
00:40:14,160 --> 00:40:16,719
Speaker 4: and it's nice to see that on a movie director.

729
00:40:17,320 --> 00:40:19,960
Speaker 4: And she talks about, you know, knowing what it's like

730
00:40:20,000 --> 00:40:22,680
Speaker 4: to get a kiss from the popular girl, which was

731
00:40:22,719 --> 00:40:29,040
Speaker 4: always something she was self conscious about. And now it's like, oh, well,

732
00:40:29,040 --> 00:40:30,799
Speaker 4: if you can own that, I can on this too,

733
00:40:30,920 --> 00:40:33,799
Speaker 4: And I don't know, it was this very sweet. I

734
00:40:33,800 --> 00:40:36,520
Speaker 4: felt like I saw them as adults and as teenagers,

735
00:40:36,560 --> 00:40:40,200
Speaker 4: like healing their teen years in their present together.

736
00:40:40,719 --> 00:40:42,840
Speaker 3: I gotta say, I'm actually glad you didn't put a

737
00:40:42,840 --> 00:40:45,840
Speaker 3: bigger kiss on him. Really, yeah, I don't.

738
00:40:45,680 --> 00:40:47,759
Speaker 4: Mean like a makeout. I just meant I wish i'd

739
00:40:47,800 --> 00:40:50,720
Speaker 4: like kissed him, and I felt like I pecked him

740
00:40:51,000 --> 00:40:53,120
Speaker 4: so that I didn't red up his face.

741
00:40:53,480 --> 00:40:57,600
Speaker 3: The reason that worked for me was because I it

742
00:40:57,719 --> 00:41:00,680
Speaker 3: left me a little confused that you kissed him. But

743
00:41:00,719 --> 00:41:02,799
Speaker 3: then the episode goes on to say that, like you're

744
00:41:02,880 --> 00:41:07,840
Speaker 3: still broken up? Yeah, because to me that kiss is

745
00:41:07,880 --> 00:41:10,799
Speaker 3: sort of an invitation back in. That's how That's how

746
00:41:10,840 --> 00:41:12,680
Speaker 3: I interpreted it, Like if my ex so I still

747
00:41:12,680 --> 00:41:14,120
Speaker 3: have feelings for who I know, I feelings for me

748
00:41:14,200 --> 00:41:17,240
Speaker 3: kisses me. That is sort of the door being opened

749
00:41:17,360 --> 00:41:22,319
Speaker 3: to let's revisit this now. So I was confused because

750
00:41:22,360 --> 00:41:24,360
Speaker 3: after that scene there's some sort of mention of like,

751
00:41:24,360 --> 00:41:26,359
Speaker 3: we're gonna it's gonna be hard, we're gonna figure it out,

752
00:41:26,400 --> 00:41:29,040
Speaker 3: and I was confused going but you just you just

753
00:41:29,120 --> 00:41:32,800
Speaker 3: sort of showed. So I'm glad it wasn't more of

754
00:41:32,840 --> 00:41:35,120
Speaker 3: a kiss because that would have been even more confusing

755
00:41:35,160 --> 00:41:38,480
Speaker 3: of like you just had this wildly passionate kiss and

756
00:41:38,560 --> 00:41:40,160
Speaker 3: now you know, because then it would have been like

757
00:41:40,200 --> 00:41:42,680
Speaker 3: you're back on you know what I mean like that.

758
00:41:43,680 --> 00:41:47,600
Speaker 3: And so because you made it small, it was sad. Yeah,

759
00:41:47,640 --> 00:41:50,479
Speaker 3: it was sad. It was sad, and it also made

760
00:41:50,520 --> 00:41:53,120
Speaker 3: sense because in those movies, that is the kind of

761
00:41:53,160 --> 00:41:55,719
Speaker 3: kiss that the popular girl gives the nerdy guy. It's

762
00:41:55,760 --> 00:41:59,160
Speaker 3: sort of a consolation prize. Here you go, it's an adam.

763
00:41:59,160 --> 00:42:01,600
Speaker 3: Here you go, pal, here's a kiss for you.

764
00:42:01,840 --> 00:42:05,680
Speaker 4: Yeah, it was. It was like a sad thing. And

765
00:42:06,120 --> 00:42:09,680
Speaker 4: I remember I do have that sense memory of being

766
00:42:09,719 --> 00:42:14,520
Speaker 4: in the scene, and what we really wanted to capture

767
00:42:14,680 --> 00:42:19,000
Speaker 4: was the sadness of the timing being off, but the

768
00:42:19,040 --> 00:42:24,080
Speaker 4: longing for them, you know. And it's interesting you saying

769
00:42:24,080 --> 00:42:25,960
Speaker 4: that has made me think even about what I was

770
00:42:26,040 --> 00:42:28,960
Speaker 4: just saying that in a way, I see them as adults,

771
00:42:29,000 --> 00:42:33,120
Speaker 4: and also I see them kind of reliving their like

772
00:42:33,280 --> 00:42:37,680
Speaker 4: childhood wounds together. That's what they say, right, is that like,

773
00:42:37,840 --> 00:42:40,960
Speaker 4: when you get into the right relationship, it's healthy in

774
00:42:41,000 --> 00:42:43,040
Speaker 4: the present, but it can help you heal your past.

775
00:42:44,080 --> 00:42:47,160
Speaker 4: And it's actually sort of special. And I hadn't thought

776
00:42:47,160 --> 00:42:49,640
Speaker 4: about it until you said it, that we're we're getting

777
00:42:49,640 --> 00:42:52,480
Speaker 4: a window into Brook and Julian ultimately being right for

778
00:42:52,560 --> 00:42:55,480
Speaker 4: each other and being able to like grow together and

779
00:42:55,640 --> 00:42:58,560
Speaker 4: heal together. But in this moment, the timing is still

780
00:42:58,600 --> 00:43:02,319
Speaker 4: a little off, so there's duck and the being kind

781
00:43:02,320 --> 00:43:06,520
Speaker 4: of in limbo or stuck in tandem. Is it's so

782
00:43:06,680 --> 00:43:07,840
Speaker 4: sad and so sweet.

783
00:43:08,400 --> 00:43:10,080
Speaker 3: Yeah, but you guys both played it great. But yeah,

784
00:43:10,120 --> 00:43:14,600
Speaker 3: the opening of that scene of Julian just sitting in

785
00:43:14,640 --> 00:43:18,800
Speaker 3: the half assembled car by himself cracked me up. Man,

786
00:43:20,640 --> 00:43:24,480
Speaker 3: that was so funny, and his ducky outfit was next

787
00:43:24,520 --> 00:43:27,080
Speaker 3: level when he and Jenna walked in. First of all,

788
00:43:27,400 --> 00:43:32,680
Speaker 3: your hair was incredible, Like, you guys nailed your hair.

789
00:43:32,760 --> 00:43:36,759
Speaker 3: But when when alex and Julian walked in, I mean

790
00:43:36,800 --> 00:43:40,080
Speaker 3: everyone though Alexander was the same everyone who dressed up

791
00:43:40,120 --> 00:43:43,520
Speaker 3: for this dance lacredible.

792
00:43:42,719 --> 00:43:46,000
Speaker 4: His hair kind of up like that. He looked so good.

793
00:43:47,080 --> 00:43:50,280
Speaker 4: I loved it. Everyone looked great, and I loved also,

794
00:43:51,440 --> 00:43:53,880
Speaker 4: especially because of the way the writing was for Jana

795
00:43:53,920 --> 00:43:57,839
Speaker 4: in the episode prior to this, in seven fourteen. You know,

796
00:43:57,960 --> 00:44:01,480
Speaker 4: they made a lot of this guy hitting on her

797
00:44:01,680 --> 00:44:04,839
Speaker 4: and her being barely dressed and all this stuff. I

798
00:44:04,880 --> 00:44:07,600
Speaker 4: love that she came into the dance looking like Skipper,

799
00:44:08,000 --> 00:44:12,120
Speaker 4: like Barbie's kid's sister, Like she looked beautiful, but she

800
00:44:12,320 --> 00:44:15,240
Speaker 4: was in like little Bermuda shorts and like she wasn't

801
00:44:15,320 --> 00:44:20,719
Speaker 4: in something like whoa Sexy, which obviously Jana can do.

802
00:44:21,600 --> 00:44:24,600
Speaker 4: And I thought it was a very cool choice because

803
00:44:25,440 --> 00:44:28,759
Speaker 4: her and Julian in a way came in looking more

804
00:44:28,840 --> 00:44:32,279
Speaker 4: like siblings than like people on a date, and it

805
00:44:32,360 --> 00:44:38,400
Speaker 4: was a really smart choice from the wardrobe department to

806
00:44:38,960 --> 00:44:41,880
Speaker 4: try to signal that they were really there as friends.

807
00:44:42,800 --> 00:44:46,200
Speaker 3: Mm hm, you know yeah. And again it's like, so

808
00:44:46,280 --> 00:44:48,480
Speaker 3: that's why I wish that they had she hadn't said

809
00:44:48,480 --> 00:44:49,960
Speaker 3: I'm still in love with him, because it's like they're

810
00:44:49,960 --> 00:44:52,760
Speaker 3: doing all of these things right to pave a really

811
00:44:52,840 --> 00:44:56,719
Speaker 3: cool friendship exactly By the way, speaking of her on set,

812
00:44:56,760 --> 00:44:59,640
Speaker 3: do you remember last episode. We didn't really talk about this,

813
00:44:59,719 --> 00:45:02,799
Speaker 3: but that director the caricature of a terrible director is like,

814
00:45:02,920 --> 00:45:06,160
Speaker 3: let's let's let's see the scene. First of all, she

815
00:45:06,320 --> 00:45:09,239
Speaker 3: has no scene partner, there is no other actor on

816
00:45:09,320 --> 00:45:12,920
Speaker 3: set to run lines with, and she gets like four

817
00:45:12,920 --> 00:45:16,200
Speaker 3: words in before he's like, it's terrible, it's whatever it is.

818
00:45:16,520 --> 00:45:19,239
Speaker 4: And by the way, she's tearing up. She's fully emotionally

819
00:45:19,320 --> 00:45:21,799
Speaker 4: present and he's like, terrible acting. I'm like, wait, what's

820
00:45:21,800 --> 00:45:22,359
Speaker 4: happening here.

821
00:45:23,000 --> 00:45:25,439
Speaker 3: That was so confusing to me because, like you said,

822
00:45:25,440 --> 00:45:27,360
Speaker 3: first of all, I just felt like, if the director's

823
00:45:27,360 --> 00:45:29,400
Speaker 3: doing that for you, it's like usually to run words

824
00:45:29,680 --> 00:45:31,520
Speaker 3: like let's just hear the words if your scene partner's

825
00:45:31,560 --> 00:45:35,719
Speaker 3: out there. She actually does the performance. She gets emotional,

826
00:45:35,840 --> 00:45:38,360
Speaker 3: and he's like like he's not even paying attention. He's like,

827
00:45:38,400 --> 00:45:41,000
Speaker 3: that's terrible. You should have And I think that's the

828
00:45:41,000 --> 00:45:42,480
Speaker 3: moment where he like grabs her wrists and he.

829
00:45:42,440 --> 00:45:44,920
Speaker 4: Goes her wrists. It's so gross.

830
00:45:45,120 --> 00:45:47,239
Speaker 3: He makes some comment about her like needing to do

831
00:45:47,320 --> 00:45:48,160
Speaker 3: better next time.

832
00:45:48,200 --> 00:45:50,560
Speaker 4: It was like she says, can't you do anything right?

833
00:45:51,680 --> 00:45:53,760
Speaker 4: What awful?

834
00:45:54,560 --> 00:45:57,799
Speaker 3: Gasp? I did not.

835
00:45:57,960 --> 00:46:02,879
Speaker 4: Okay, man, Janna's a pro because she she showed up beautifully,

836
00:46:03,760 --> 00:46:06,400
Speaker 4: And yeah, I think you're right, especially because of the

837
00:46:06,600 --> 00:46:10,680
Speaker 4: arc from fourteen to fifteen is so good for her.

838
00:46:11,239 --> 00:46:15,920
Speaker 4: She's really, you know, mustering her strength and doing everything

839
00:46:16,200 --> 00:46:18,759
Speaker 4: as right as she knows how to do. That's why

840
00:46:18,800 --> 00:46:21,120
Speaker 4: it feels like a little bit of a sabotage to

841
00:46:21,120 --> 00:46:23,640
Speaker 4: have her say the thing to Alexander at the end,

842
00:46:23,719 --> 00:46:26,640
Speaker 4: because you're like, no, she's doing better than this.

843
00:46:27,480 --> 00:46:30,520
Speaker 3: Yeah, it's a sabotage. And it's also just not smart,

844
00:46:31,160 --> 00:46:34,400
Speaker 3: like why would you tell the right hand man to

845
00:46:34,880 --> 00:46:36,040
Speaker 3: the love interest of them?

846
00:46:36,400 --> 00:46:39,279
Speaker 6: Just yes, you know.

847
00:46:41,200 --> 00:46:47,080
Speaker 4: I Well, it was pretty wonderful regardless. I know we

848
00:46:47,200 --> 00:46:53,200
Speaker 4: mentioned it, but I I did really love the sort

849
00:46:53,239 --> 00:46:57,520
Speaker 4: of making up moment between Quinn and Kylie at the end.

850
00:46:58,880 --> 00:47:02,640
Speaker 4: I remember that they had to be really careful. They

851
00:47:02,680 --> 00:47:06,800
Speaker 4: basically put like a hair piece in Kylie Sasha's hair

852
00:47:07,520 --> 00:47:11,880
Speaker 4: that they actually cut, so they basically put like fake

853
00:47:12,000 --> 00:47:14,440
Speaker 4: hair in the back and put that in the locker,

854
00:47:14,920 --> 00:47:16,840
Speaker 4: and I remember everyone being like, oh my god, oh

855
00:47:16,840 --> 00:47:18,200
Speaker 4: my god, oh my god, oh my god, please don't

856
00:47:18,200 --> 00:47:22,520
Speaker 4: cut any of her actual hair, and not feeling really stressful.

857
00:47:24,400 --> 00:47:27,200
Speaker 4: I love how funny she was when Quinn's like, why

858
00:47:27,280 --> 00:47:29,439
Speaker 4: do you have scissors in your Like I was gonna

859
00:47:29,440 --> 00:47:30,320
Speaker 4: slash your tires?

860
00:47:31,200 --> 00:47:33,240
Speaker 3: Would she pulled out a pair of scissors. It's funny

861
00:47:33,239 --> 00:47:37,480
Speaker 3: because you see my notes, I'm like, why does she

862
00:47:37,560 --> 00:47:39,799
Speaker 3: have a pair of scissors in her purse going to

863
00:47:39,880 --> 00:47:42,920
Speaker 3: a school dance? And then underneath it, it's just never mind,

864
00:47:44,120 --> 00:47:45,160
Speaker 3: they explained it right away.

865
00:47:45,280 --> 00:47:50,160
Speaker 4: It's genius. Actually, yeah, it's so good. I I also

866
00:47:50,280 --> 00:47:52,480
Speaker 4: thought Grubs was so sweet. It was nice to see

867
00:47:52,560 --> 00:47:55,880
Speaker 4: him back, even though he barely did anything in the episode.

868
00:47:55,920 --> 00:47:59,040
Speaker 4: To your point, such a big ensemble. I wish though

869
00:47:59,080 --> 00:48:04,319
Speaker 4: that they'd had someone like why didn't Kylie ask for

870
00:48:04,400 --> 00:48:08,000
Speaker 4: a drink? And he know what she wanted? Like Grubbs

871
00:48:08,120 --> 00:48:11,799
Speaker 4: being the psychic bartender is such a good bit that

872
00:48:11,800 --> 00:48:14,279
Speaker 4: that was the one thing I was sad didn't happen here.

873
00:48:17,600 --> 00:48:19,480
Speaker 4: But the rest of it, I just loved it. I

874
00:48:19,560 --> 00:48:22,560
Speaker 4: loved Jackson having the whole home alone thing and then

875
00:48:22,640 --> 00:48:25,920
Speaker 4: doing that sped up like kid, you know, on a

876
00:48:25,920 --> 00:48:28,440
Speaker 4: sugar rush, running around the house and falling over the

877
00:48:28,480 --> 00:48:32,279
Speaker 4: furniture and all of it was just it was really fun.

878
00:48:32,520 --> 00:48:34,960
Speaker 4: I did make a note and maybe you will remember this.

879
00:48:35,160 --> 00:48:38,920
Speaker 4: At the end, Nathan shows up in his amazing eighties

880
00:48:38,960 --> 00:48:41,440
Speaker 4: hero moment and she's like, whose car is that? And

881
00:48:41,440 --> 00:48:44,440
Speaker 4: he says it's yours. Happy birthday baby. Do we ever

882
00:48:44,520 --> 00:48:46,240
Speaker 4: see this Porsche that he bought again?

883
00:48:47,760 --> 00:48:50,200
Speaker 3: I have no idea. That's a great question.

884
00:48:50,680 --> 00:48:53,800
Speaker 4: I wrote it down. I was like, wait, I don't remember.

885
00:48:53,840 --> 00:48:56,000
Speaker 4: Do we ever see this car again? Or is it

886
00:48:56,120 --> 00:48:58,839
Speaker 4: literally just a joke or a bit rather for this

887
00:48:58,920 --> 00:49:00,840
Speaker 4: episode because if we don't see it again, that's going

888
00:49:00,920 --> 00:49:01,480
Speaker 4: to be annoying.

889
00:49:01,800 --> 00:49:03,640
Speaker 3: Yeah, I have no idea if we do or not?

890
00:49:05,800 --> 00:49:11,080
Speaker 3: The uh? I just an unrelated question. Do did Mouth

891
00:49:11,239 --> 00:49:12,480
Speaker 3: move back in with Millie?

892
00:49:13,840 --> 00:49:15,759
Speaker 4: So he says he's going to stay a while, and

893
00:49:15,800 --> 00:49:19,400
Speaker 4: obviously that's where he's staying m hm. But they haven't

894
00:49:20,040 --> 00:49:22,520
Speaker 4: addressed it. But I was like, is he staying in

895
00:49:22,640 --> 00:49:26,040
Speaker 4: Skills his old room or are they just like sharing

896
00:49:26,080 --> 00:49:29,440
Speaker 4: a bed but they're broken up. I was curious about

897
00:49:29,480 --> 00:49:30,080
Speaker 4: that as well.

898
00:49:31,280 --> 00:49:35,160
Speaker 3: My honorable mention of this episode would be when Jamie

899
00:49:35,239 --> 00:49:39,560
Speaker 3: hatches the plan to get himself home alone when he

900
00:49:39,640 --> 00:49:45,000
Speaker 3: calls Junk and Fergie, uh is it is? It is called? No?

901
00:49:46,440 --> 00:49:48,280
Speaker 3: I forget which ones which but I think it's junk.

902
00:49:48,320 --> 00:49:51,919
Speaker 3: Hangs up the phone and he goes, Oh, I guess

903
00:49:52,040 --> 00:49:55,960
Speaker 3: they don't. They don't. They don't need us to babysit

904
00:49:56,080 --> 00:49:59,399
Speaker 3: Jamie today. He goes why, He says, uh, he said

905
00:49:59,400 --> 00:50:00,720
Speaker 3: they're going in a different direction.

906
00:50:00,840 --> 00:50:01,720
Speaker 4: In a different direction.

907
00:50:02,680 --> 00:50:06,080
Speaker 3: That cracked me up. That's such a funny use because

908
00:50:06,080 --> 00:50:08,760
Speaker 3: that's something they say in acting, like if you audition

909
00:50:08,840 --> 00:50:10,840
Speaker 3: for a role and you don't get it, often a

910
00:50:10,960 --> 00:50:12,799
Speaker 3: kind way of them saying is like, oh, they went

911
00:50:12,840 --> 00:50:17,160
Speaker 3: in a different direction. So to hear that with babysitting

912
00:50:17,760 --> 00:50:18,600
Speaker 3: cracked me up.

913
00:50:18,800 --> 00:50:20,960
Speaker 4: It was a sweet little nod to people who know

914
00:50:21,040 --> 00:50:25,399
Speaker 4: the industry and the fact that the episode is really booke.

915
00:50:25,520 --> 00:50:28,880
Speaker 4: Ended with Julian's movie and he talks about how nervous

916
00:50:28,920 --> 00:50:31,839
Speaker 4: he is for his you know, first big speech, and

917
00:50:31,920 --> 00:50:34,600
Speaker 4: you see him in Brooke doing this thing together anyway,

918
00:50:34,680 --> 00:50:36,359
Speaker 4: and at the end he makes the speech and they

919
00:50:36,360 --> 00:50:39,720
Speaker 4: have that sweet moment of eye contact and then Julian

920
00:50:39,800 --> 00:50:42,200
Speaker 4: says and action and it cuts.

921
00:50:42,719 --> 00:50:43,040
Speaker 3: Yeah.

922
00:50:43,080 --> 00:50:46,600
Speaker 4: I just loved it. I was like, it's so adorable

923
00:50:46,840 --> 00:50:49,920
Speaker 4: and it's a really cool way to end on a director.

924
00:50:50,680 --> 00:50:53,000
Speaker 4: And then you cut to in memory of John hughes

925
00:50:53,160 --> 00:50:57,640
Speaker 4: and I was like, that's some of those little moments.

926
00:50:57,640 --> 00:51:01,440
Speaker 4: I'm like, that's really movie and TV magic at its best.

927
00:51:01,719 --> 00:51:04,120
Speaker 3: Yeah, that was sweet. There was a funny moment in

928
00:51:04,160 --> 00:51:07,239
Speaker 3: that when when Julian does that where he goes and

929
00:51:08,000 --> 00:51:10,439
Speaker 3: action and for those who are just listening at home,

930
00:51:10,840 --> 00:51:13,200
Speaker 3: I'm also showing he did like a hand gesture as

931
00:51:13,239 --> 00:51:16,120
Speaker 3: if he was like a karate chop. Yeah, And I laughed,

932
00:51:16,360 --> 00:51:18,279
Speaker 3: like that's I wonder if that was a choice on

933
00:51:18,320 --> 00:51:21,120
Speaker 3: his part because he's a new director, because no directors

934
00:51:21,160 --> 00:51:23,439
Speaker 3: ever do a hand gesture while they yell action because

935
00:51:23,440 --> 00:51:25,439
Speaker 3: no one's looking at them. But I thought that's great

936
00:51:25,480 --> 00:51:27,160
Speaker 3: if he's just a little awkward and doesn't know, so

937
00:51:27,200 --> 00:51:29,879
Speaker 3: he's just like and action hand chop.

938
00:51:30,640 --> 00:51:32,920
Speaker 4: Yeah. Or was it because they were like, do something

939
00:51:32,960 --> 00:51:35,840
Speaker 4: into camera because the last shot of the episode is

940
00:51:35,920 --> 00:51:39,040
Speaker 4: him looking down the barrel of the lens like who knows.

941
00:51:39,480 --> 00:51:42,040
Speaker 3: Yeah, but that was great, It's so sweet.

942
00:51:42,080 --> 00:51:46,840
Speaker 4: Well, I think overall we actually really loved this episode.

943
00:51:46,880 --> 00:51:49,080
Speaker 4: It made me very nostalgic.

944
00:51:49,640 --> 00:51:51,640
Speaker 3: This episode was great. Did it seem like we were

945
00:51:52,400 --> 00:51:54,360
Speaker 3: tearing it apart too much? I feel like there was

946
00:51:54,400 --> 00:51:57,040
Speaker 3: a couple of little nitpicky things. But I think overall

947
00:51:57,360 --> 00:51:58,560
Speaker 3: this episode was awesome.

948
00:51:58,920 --> 00:52:02,560
Speaker 4: Here's the thing, and you know, we talk obviously a

949
00:52:02,640 --> 00:52:04,960
Speaker 4: lot about therapy on our shows, so like no one

950
00:52:05,040 --> 00:52:08,080
Speaker 4: is surprised that we are working through things. I mentioned

951
00:52:08,080 --> 00:52:10,840
Speaker 4: to you that, like we were beginning to joke about

952
00:52:10,840 --> 00:52:13,120
Speaker 4: something last week, and then I was like, ah, I

953
00:52:13,160 --> 00:52:14,879
Speaker 4: don't know, I don't know. I never like to joke

954
00:52:14,920 --> 00:52:19,240
Speaker 4: about I'm the person who gets very anxious joking about

955
00:52:19,239 --> 00:52:21,400
Speaker 4: anything if I'm not the butt of the joke. Like

956
00:52:21,440 --> 00:52:23,920
Speaker 4: I can't even finish a joke, usually if it's about

957
00:52:23,920 --> 00:52:26,680
Speaker 4: someone else and people are like, yeah, but I'm in

958
00:52:26,800 --> 00:52:30,120
Speaker 4: on the joke, but I get overly nervous, and I

959
00:52:30,160 --> 00:52:33,000
Speaker 4: think because I threw myself into like a bundle of nerves,

960
00:52:34,080 --> 00:52:36,040
Speaker 4: I just now I'm like, I don't know, I don't know.

961
00:52:36,080 --> 00:52:37,480
Speaker 4: Maybe it's too much, is it too critical?

962
00:52:37,520 --> 00:52:37,799
Speaker 6: A lot?

963
00:52:38,600 --> 00:52:41,279
Speaker 4: I'm stuck in the loop of it, which is you know,

964
00:52:41,360 --> 00:52:44,120
Speaker 4: a fun ADHD brain thing that happens to me and.

965
00:52:44,680 --> 00:52:48,480
Speaker 3: Wonderful some of your neurospiciness.

966
00:52:48,920 --> 00:52:49,520
Speaker 4: Uh huh.

967
00:52:49,560 --> 00:52:52,400
Speaker 3: Do you have an honorable mention from this app? I?

968
00:52:55,360 --> 00:52:57,880
Speaker 4: Yeah, I mean really the wardrobe for me is the

969
00:52:57,920 --> 00:53:01,840
Speaker 4: honorable mention because it it really built the world. I

970
00:53:01,920 --> 00:53:04,640
Speaker 4: was also going to say, though, I just because I'm

971
00:53:04,680 --> 00:53:08,320
Speaker 4: looking at it. Some of those little things like going

972
00:53:08,360 --> 00:53:11,799
Speaker 4: in a different direction and action, there's little things we

973
00:53:11,920 --> 00:53:15,880
Speaker 4: know that felt like inside jokes. And when Julian asks

974
00:53:16,000 --> 00:53:18,719
Speaker 4: Alex why there's no changes, why do we have a

975
00:53:18,760 --> 00:53:20,560
Speaker 4: golden Rod script, and she was like, I wasn't gonna

976
00:53:20,600 --> 00:53:22,120
Speaker 4: let the final pages be salmon.

977
00:53:22,640 --> 00:53:24,520
Speaker 3: Yeah.

978
00:53:23,360 --> 00:53:26,719
Speaker 4: It's such a funny thing that if you work on

979
00:53:26,760 --> 00:53:30,520
Speaker 4: a set, you know the color order of the pages

980
00:53:30,560 --> 00:53:33,520
Speaker 4: that you get, and I always loved the Golden Rod

981
00:53:33,560 --> 00:53:36,560
Speaker 4: pages the most and it just made me laugh. So

982
00:53:37,080 --> 00:53:41,000
Speaker 4: I don't know, maybe it's our little inside industry film

983
00:53:41,120 --> 00:53:43,000
Speaker 4: jokes that also get my honorable mention.

984
00:53:43,080 --> 00:53:46,040
Speaker 3: It's a tie, yeah, because that joke is only for

985
00:53:46,120 --> 00:53:47,280
Speaker 3: a very small audience.

986
00:53:47,719 --> 00:53:48,200
Speaker 6: Yeah.

987
00:53:48,480 --> 00:53:51,320
Speaker 3: Yeah. If you're not if you're not hip with the industry,

988
00:53:51,360 --> 00:53:53,200
Speaker 3: you would never get that. All right, Well, if you're

989
00:53:53,200 --> 00:53:55,080
Speaker 3: going to give it to wardrobe, I'm gonna give it

990
00:53:55,120 --> 00:53:58,800
Speaker 3: to hair and makeup because between the two, I mean seriously,

991
00:53:58,840 --> 00:54:01,040
Speaker 3: the wardrobe and the hair makeup. And this episode made

992
00:54:01,040 --> 00:54:07,120
Speaker 3: me so happy, and also the music department just killed it.

993
00:54:08,160 --> 00:54:08,879
Speaker 4: Unbelievable.

994
00:54:09,320 --> 00:54:11,400
Speaker 3: This show always does a good job with music. But

995
00:54:11,480 --> 00:54:13,759
Speaker 3: I mean, I love the eighties. I'm a child of

996
00:54:13,760 --> 00:54:16,279
Speaker 3: the eighties, so it has a very special place in

997
00:54:16,280 --> 00:54:18,800
Speaker 3: my heart. So yeah, this episode was right up my alley.

998
00:54:19,040 --> 00:54:29,560
Speaker 6: Loved it.

999
00:54:31,880 --> 00:54:37,120
Speaker 4: Okay, we've got a question, A listener question, Matilde, says Sophia.

1000
00:54:37,160 --> 00:54:40,080
Speaker 4: In a recent episode, you said to the characters, weren't

1001
00:54:40,120 --> 00:54:44,239
Speaker 4: allowed to have pets. Yes, nobody on the production side

1002
00:54:44,280 --> 00:54:48,240
Speaker 4: wanted to deal with animals. If you all had pets,

1003
00:54:48,800 --> 00:54:52,640
Speaker 4: what would your character have? And why? I mean, is

1004
00:54:52,719 --> 00:54:55,239
Speaker 4: Clay like a Golden Retriever guy? Or is he the

1005
00:54:55,280 --> 00:54:56,360
Speaker 4: guy that has a ferret.

1006
00:54:56,680 --> 00:54:58,680
Speaker 3: Let's be honest, Clay himself is a bit of a

1007
00:54:58,719 --> 00:55:03,959
Speaker 3: Golden Retriever. So you know how they say the pet

1008
00:55:04,120 --> 00:55:07,239
Speaker 3: dog owners usually look like their dog. Yeah, it would

1009
00:55:07,280 --> 00:55:11,400
Speaker 3: be pretty on brand if Clay had a Golden Retriever.

1010
00:55:11,640 --> 00:55:13,680
Speaker 3: But that being said, as soon as you said this question,

1011
00:55:13,760 --> 00:55:15,080
Speaker 3: my first thought was, would Cla have a.

1012
00:55:15,040 --> 00:55:17,480
Speaker 4: Monkey like Ross used too on Friends?

1013
00:55:17,760 --> 00:55:19,279
Speaker 3: Yeah, exactly, I.

1014
00:55:19,200 --> 00:55:21,319
Speaker 4: Mean people definitely look like their dogs. I have a big,

1015
00:55:21,320 --> 00:55:23,399
Speaker 4: old square jaw and I've always had like a big,

1016
00:55:23,440 --> 00:55:24,520
Speaker 4: square headed piple.

1017
00:55:25,200 --> 00:55:27,880
Speaker 3: Oh you did, I haven't thought about that. It was

1018
00:55:28,360 --> 00:55:32,000
Speaker 3: a gall with one eye right, yeah, Oh, she was

1019
00:55:32,160 --> 00:55:33,040
Speaker 3: so lovely.

1020
00:55:33,760 --> 00:55:35,280
Speaker 4: He was really the best.

1021
00:55:35,600 --> 00:55:36,239
Speaker 3: What was a boy?

1022
00:55:36,719 --> 00:55:36,919
Speaker 5: Yeah?

1023
00:55:37,000 --> 00:55:38,799
Speaker 3: Patch, I thought it was a girl. Yeah Patch. I

1024
00:55:38,840 --> 00:55:40,920
Speaker 3: remember Patch in the hair Maker and.

1025
00:55:41,000 --> 00:55:44,000
Speaker 4: Penny was the little girl, the little orange one. Yeah.

1026
00:55:44,280 --> 00:55:45,480
Speaker 4: Oh so yummy.

1027
00:55:46,400 --> 00:55:47,680
Speaker 3: I love a sweet pit man.

1028
00:55:47,920 --> 00:55:54,279
Speaker 4: Oh they're so good. I I could see if I

1029
00:55:54,280 --> 00:55:57,040
Speaker 4: think about the ways were similar. I think Brooke Davis

1030
00:55:57,040 --> 00:56:00,280
Speaker 4: would also love a rescue dog like that, because she

1031
00:56:00,280 --> 00:56:05,280
Speaker 4: she likes to take bets on people. But if I'm

1032
00:56:05,320 --> 00:56:09,040
Speaker 4: not trying to relate us too closely, I think in

1033
00:56:09,120 --> 00:56:11,719
Speaker 4: my fantasy world because I'm really allergic to cats, so

1034
00:56:11,760 --> 00:56:13,960
Speaker 4: I can't have one, even though I think they're pretty amazing.

1035
00:56:14,400 --> 00:56:16,759
Speaker 4: I think Brooke would have one of those like gorgeous

1036
00:56:16,800 --> 00:56:18,799
Speaker 4: little Bengal cats, you know, the ones that have like

1037
00:56:19,080 --> 00:56:21,319
Speaker 4: the leopard spots on them and the green eyes. But

1038
00:56:21,360 --> 00:56:28,960
Speaker 4: their house cats whoa, No, they are so gorgeous. They

1039
00:56:28,960 --> 00:56:29,600
Speaker 4: look like this.

1040
00:56:30,280 --> 00:56:32,719
Speaker 3: Oh wow, yeah that is a good looking cat that

1041
00:56:32,760 --> 00:56:34,320
Speaker 3: also feels very Brooke Davis.

1042
00:56:34,440 --> 00:56:36,880
Speaker 4: Don't you think she'd have like a chic little kitty.

1043
00:56:36,960 --> 00:56:39,560
Speaker 4: Oh exactly, look at their little eyes.

1044
00:56:40,280 --> 00:56:40,960
Speaker 3: Wow.

1045
00:56:41,400 --> 00:56:46,440
Speaker 4: Like if I would not be constantly unable to see

1046
00:56:46,480 --> 00:56:47,919
Speaker 4: and sneezing. I would have one.

1047
00:56:48,520 --> 00:56:51,840
Speaker 3: Yeah, it's not worth theologies, but it's a good looking cat.

1048
00:56:52,080 --> 00:56:55,880
Speaker 4: Right, So yeah, I think Brooke might be a cat lady.

1049
00:56:56,040 --> 00:56:58,440
Speaker 3: I love it. Are we spinning a wheel or we

1050
00:56:58,640 --> 00:56:59,480
Speaker 3: just we should?

1051
00:56:59,480 --> 00:57:00,920
Speaker 4: We didn't a wheel last time.

1052
00:57:00,960 --> 00:57:01,360
Speaker 3: We didn't.

1053
00:57:01,719 --> 00:57:04,400
Speaker 4: We got so excited talking about things with Austin we

1054
00:57:04,560 --> 00:57:10,640
Speaker 4: just bumped right out, what do we got most likely

1055
00:57:10,680 --> 00:57:12,360
Speaker 4: to get their pilot's license?

1056
00:57:13,360 --> 00:57:17,480
Speaker 3: I mean it's Chase, he did agreed, yep.

1057
00:57:18,280 --> 00:57:21,080
Speaker 4: Has anybody actually done that on our show? Though? Like

1058
00:57:21,160 --> 00:57:22,040
Speaker 4: in real life.

1059
00:57:22,200 --> 00:57:27,600
Speaker 3: Tyler Hilton stop. I don't know if Tyler actually finished

1060
00:57:27,600 --> 00:57:30,560
Speaker 3: his certification, but he definitely started the process and has

1061
00:57:30,640 --> 00:57:31,360
Speaker 3: flowing planes.

1062
00:57:32,000 --> 00:57:35,320
Speaker 4: Whoa, Okay, wow, I missed that.

1063
00:57:35,880 --> 00:57:37,680
Speaker 3: We got it. I was actually just talking about this.

1064
00:57:37,720 --> 00:57:39,640
Speaker 3: I was like, when do you come back on the show, dude,

1065
00:57:39,640 --> 00:57:41,400
Speaker 3: I'm dying to get you on, and he said not

1066
00:57:41,520 --> 00:57:44,680
Speaker 3: till season nine? No, is that possible?

1067
00:57:45,120 --> 00:57:47,040
Speaker 4: We should probably just have him join us for an

1068
00:57:47,080 --> 00:57:49,640
Speaker 4: episode and like watch and give us commentary.

1069
00:57:49,800 --> 00:57:52,600
Speaker 3: We should because he's he's just so funny and such

1070
00:57:52,600 --> 00:57:54,320
Speaker 3: a great guy. We should yet, we should do that.

1071
00:57:54,360 --> 00:57:55,960
Speaker 3: We can also ask me about this flying because I'm

1072
00:57:55,960 --> 00:57:58,720
Speaker 3: pretty sure had something he did. In fact, at the convention,

1073
00:57:58,800 --> 00:58:00,720
Speaker 3: we were talking and he made some friends. He's like, yeah,

1074
00:58:00,760 --> 00:58:02,640
Speaker 3: it's like they tell you when you're learning to fly.

1075
00:58:03,480 --> 00:58:06,040
Speaker 3: I was like, don't say that, Like that's relatable to me. Guy.

1076
00:58:06,320 --> 00:58:08,080
Speaker 4: Yeah, you're like, sorry, what.

1077
00:58:08,120 --> 00:58:09,880
Speaker 3: I've never flown a plane. Yeah?

1078
00:58:09,960 --> 00:58:17,640
Speaker 4: Okay, all right, well maybe we we need to get

1079
00:58:17,720 --> 00:58:18,200
Speaker 4: him on here.

1080
00:58:18,400 --> 00:58:20,800
Speaker 3: We'll get him right here. Well, let's tell the folks

1081
00:58:20,800 --> 00:58:22,200
Speaker 3: we got next week. So what do we got?

1082
00:58:22,640 --> 00:58:26,080
Speaker 4: Okay, next episode. We will be back together for season seven,

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00:58:26,120 --> 00:58:31,640
Speaker 4: episode sixteen. My attendance is bad, but my intentions are good.

1084
00:58:32,280 --> 00:58:33,240
Speaker 3: That's a great title.

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00:58:33,560 --> 00:58:34,680
Speaker 4: It's a very good title.

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00:58:34,960 --> 00:58:36,840
Speaker 3: Thanks for joining, everybody, keeping.

1087
00:58:36,560 --> 00:58:38,720
Speaker 4: The high school theme going. Thanks friends, We'll see you

1088
00:58:38,760 --> 00:58:41,720
Speaker 4: next week. Hey, thanks for listening. Don't forget to leave

1089
00:58:41,800 --> 00:58:44,560
Speaker 4: us a review. You can also follow us on Instagram

1090
00:58:44,600 --> 00:58:48,960
Speaker 4: at drama Queen's ot or email us at Drama Queens

1091
00:58:49,000 --> 00:58:51,000
Speaker 4: at iHeartRadio dot com.

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00:58:51,320 --> 00:58:52,320
Speaker 3: See you next time.

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00:58:53,560 --> 00:58:56,960
Speaker 2: We all about that high school drama girl, Drama Girl,

1094
00:58:57,000 --> 00:58:57,680
Speaker 2: all about.

1095
00:58:57,480 --> 00:59:00,760
Speaker 4: Them high school queens forever. We'll take you for a ride.

1096
00:59:00,760 --> 00:59:04,000
Speaker 4: And our comic girl cheering for the Right Teams.

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00:59:03,760 --> 00:59:07,200
Speaker 2: Drama Queens Chelise my girl up Girl Fashion with your

1098
00:59:07,280 --> 00:59:07,800
Speaker 2: tough girl

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00:59:07,880 --> 00:59:10,920
Speaker 1: You could sit with us girl Drama, Queens, drama, queise drama,

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00:59:11,000 --> 00:59:14,640
Speaker 1: queens drama, drama, queens drama queens