1
00:00:00,080 --> 00:00:01,320
Speaker 1: First of all, you don't know me.

2
00:00:02,279 --> 00:00:05,640
Speaker 2: We all about that high school drama Girl Drama Girl,

3
00:00:05,720 --> 00:00:08,840
Speaker 2: all about them high school Queens, We'll take you for

4
00:00:08,960 --> 00:00:12,400
Speaker 2: a ride, and our comic girl sharing for the Right Teams,

5
00:00:12,480 --> 00:00:16,480
Speaker 2: Drama Queens, Jaylie's Up Girl Fashion, which your tough girl,

6
00:00:16,600 --> 00:00:19,600
Speaker 2: you could sit with us Girl Drama, Queen Drama, Queens Drama,

7
00:00:19,680 --> 00:00:24,840
Speaker 2: Queens Drama, drahn McQueen's Drama Queens.

8
00:00:24,880 --> 00:00:29,640
Speaker 1: Well, hello friends, we are back and post not one,

9
00:00:29,680 --> 00:00:33,840
Speaker 1: but two conventions. We're really like feeling the giddy here

10
00:00:34,360 --> 00:00:38,400
Speaker 1: you've got us for season seven, episode fourteen, absolutely titled

11
00:00:38,920 --> 00:00:42,280
Speaker 1: Family Affair, which is really what our conventions feel like now.

12
00:00:42,920 --> 00:00:46,559
Speaker 1: This aired originally January twenty fifth, twenty ten, and today

13
00:00:46,840 --> 00:00:50,720
Speaker 1: our special guest will read the synopsis for us Austin

14
00:00:50,760 --> 00:00:51,640
Speaker 1: take it away.

15
00:00:51,640 --> 00:00:55,720
Speaker 3: Here we go. The synopsis. Nathan tries to keep Haley

16
00:00:55,760 --> 00:00:58,160
Speaker 3: calm after Taylor shows up at their house with Quin's

17
00:00:58,160 --> 00:01:01,240
Speaker 3: ex husband in toe, Julie and sticks up for alex

18
00:01:01,600 --> 00:01:03,640
Speaker 3: on the set of their movie, and Brooke leans on

19
00:01:03,760 --> 00:01:07,680
Speaker 3: Alexander to ease her heartache. Meanwhile, Clay gets a chance

20
00:01:07,720 --> 00:01:10,200
Speaker 3: to prove his commitment to Quinn by helping her through

21
00:01:10,319 --> 00:01:13,400
Speaker 3: a dinner with her sister and David. This episode was

22
00:01:13,440 --> 00:01:17,160
Speaker 3: directed by Paul Johansson, writers Mike Harrow and David Strauss.

23
00:01:17,840 --> 00:01:18,840
Speaker 4: This was a good one.

24
00:01:19,200 --> 00:01:20,720
Speaker 1: This was a really.

25
00:01:22,680 --> 00:01:28,959
Speaker 3: Jump good morning whore. You can leave now start the episode.

26
00:01:29,520 --> 00:01:31,560
Speaker 3: I just started laughing out lout. I was like, oh

27
00:01:31,600 --> 00:01:34,880
Speaker 3: my god, this this episode is going to be full on?

28
00:01:34,440 --> 00:01:39,240
Speaker 3: Was this peak? Just like what did? I wrote some

29
00:01:39,319 --> 00:01:42,640
Speaker 3: notes like peak juicy one Tree Hill. It just seems

30
00:01:42,680 --> 00:01:43,320
Speaker 3: so juicy?

31
00:01:43,600 --> 00:01:43,839
Speaker 1: Yeah?

32
00:01:44,040 --> 00:01:45,760
Speaker 3: Or was it always in every episode?

33
00:01:46,240 --> 00:01:49,640
Speaker 1: I don't think it was always this intense, but it

34
00:01:50,400 --> 00:01:55,680
Speaker 1: really went for the jugular on the like old school.

35
00:01:56,240 --> 00:01:58,600
Speaker 1: It sort of made me flash back that morning scene.

36
00:01:58,640 --> 00:02:02,080
Speaker 1: I was like, Wow, we've really graduated from uh like

37
00:02:02,240 --> 00:02:08,440
Speaker 1: Brooke Bevin, Daniil or Rachel and Peyton being like slut

38
00:02:08,480 --> 00:02:11,160
Speaker 1: hoor bitch, thank you in like you know, season three

39
00:02:11,280 --> 00:02:13,639
Speaker 1: or whatever that was. I was like, Oh, we're on

40
00:02:13,840 --> 00:02:17,160
Speaker 1: good Morning horror. And then the response is nothing he

41
00:02:17,200 --> 00:02:20,959
Speaker 1: hasn't seen before, reminding the audience that Taylor is the

42
00:02:21,000 --> 00:02:23,119
Speaker 1: one who took Nathan's virginity. I was like, wow, we're

43
00:02:23,200 --> 00:02:27,960
Speaker 1: really Yeah, these girls are like in the mud. It was.

44
00:02:28,600 --> 00:02:29,520
Speaker 1: It was really something.

45
00:02:29,720 --> 00:02:32,720
Speaker 3: It was definitely gratuitous, and I was I immediately went like,

46
00:02:32,880 --> 00:02:35,720
Speaker 3: was it sweeps week? Like, what was the you know,

47
00:02:36,240 --> 00:02:38,400
Speaker 3: it was very It's just very juicy.

48
00:02:38,520 --> 00:02:41,520
Speaker 4: Well, in that same scene, Joy has the incredible line.

49
00:02:41,840 --> 00:02:44,000
Speaker 4: Haley has the great line which she says, you like

50
00:02:44,080 --> 00:02:46,120
Speaker 4: that outfit enough to get buried in it? Or do

51
00:02:46,160 --> 00:02:50,040
Speaker 4: you want to go put something on? It's like like

52
00:02:50,080 --> 00:02:52,360
Speaker 4: they set the tone in a very good way. Like

53
00:02:52,400 --> 00:02:55,600
Speaker 4: you knew immediately after that first scene, Okay, this is

54
00:02:55,600 --> 00:02:56,920
Speaker 4: what we have in store for ourselves.

55
00:02:57,080 --> 00:03:00,840
Speaker 1: Great, Yeah, you knew it was going to be knockdown,

56
00:03:00,919 --> 00:03:04,799
Speaker 1: drag out through the whole episode, which becomes literal by

57
00:03:04,800 --> 00:03:08,560
Speaker 1: the end. But what I sort of I don't know.

58
00:03:08,720 --> 00:03:11,800
Speaker 1: I sort of loved it well because it made me giggle.

59
00:03:11,840 --> 00:03:14,080
Speaker 1: You know, we've all talked so much about how like

60
00:03:15,080 --> 00:03:18,000
Speaker 1: the on screen drama is great, but there's also just

61
00:03:18,040 --> 00:03:21,760
Speaker 1: the preposterousness of what happens when you trap a group

62
00:03:21,800 --> 00:03:27,919
Speaker 1: of young people together for ten years and like everybody's dated, everybody,

63
00:03:27,960 --> 00:03:30,960
Speaker 1: everybody knows everybody's business. And I was like, wow, they're

64
00:03:31,000 --> 00:03:35,920
Speaker 1: taking like some of these people's lives and making it

65
00:03:36,160 --> 00:03:39,800
Speaker 1: so extra and so ridiculous. It just made me giggle.

66
00:03:40,320 --> 00:03:42,920
Speaker 1: I was like, I feel like I saw things in

67
00:03:42,960 --> 00:03:46,520
Speaker 1: it this time around that I didn't see in real

68
00:03:46,600 --> 00:03:51,680
Speaker 1: time then, And yeah, it felt very ballsy one hundred percent.

69
00:03:51,720 --> 00:03:53,800
Speaker 3: I was you know, we're all older now, years have

70
00:03:53,840 --> 00:03:56,800
Speaker 3: gone by, and you're you know, looking back at ourselves

71
00:03:56,840 --> 00:04:00,320
Speaker 3: as kids doing this stuff and going, what what's going on?

72
00:04:00,560 --> 00:04:02,920
Speaker 3: I can't believe we were doing this, but you know,

73
00:04:03,520 --> 00:04:06,120
Speaker 3: it's a young drama about young people. I love it.

74
00:04:06,120 --> 00:04:08,960
Speaker 3: It is. It's interesting to watch it with older eyes.

75
00:04:09,160 --> 00:04:09,600
Speaker 1: Isn't it.

76
00:04:09,800 --> 00:04:11,720
Speaker 4: What were some of the things that you noticed this

77
00:04:11,800 --> 00:04:12,320
Speaker 4: time around?

78
00:04:12,320 --> 00:04:18,520
Speaker 1: So for me, it made me laugh because I think

79
00:04:18,600 --> 00:04:20,920
Speaker 1: back to our lives in season seven and they were

80
00:04:20,960 --> 00:04:24,400
Speaker 1: like very mellow. My early life on this show was not.

81
00:04:25,480 --> 00:04:27,880
Speaker 1: And it was very funny to me to be like, oh,

82
00:04:28,360 --> 00:04:30,440
Speaker 1: in a very similar way to the way I think

83
00:04:30,520 --> 00:04:33,000
Speaker 1: Brooke and Julian sort of look on screen almost like

84
00:04:33,040 --> 00:04:35,760
Speaker 1: the mom and dad now, like they have a little

85
00:04:35,800 --> 00:04:38,680
Speaker 1: bit of drama, but it's gentle. I was like, Wow,

86
00:04:39,240 --> 00:04:42,839
Speaker 1: there's just shows happening, and people had shows going on

87
00:04:42,880 --> 00:04:44,719
Speaker 1: in their life, and it made me laugh because I

88
00:04:44,800 --> 00:04:48,400
Speaker 1: was just so relieved that it wasn't me, and I

89
00:04:48,640 --> 00:04:51,520
Speaker 1: just like, I don't know, there's a there's like a

90
00:04:51,560 --> 00:04:56,000
Speaker 1: playfulness to all of it that is so ridiculous but

91
00:04:56,040 --> 00:05:01,520
Speaker 1: also kind of legit. And I think we've talked about this.

92
00:05:01,560 --> 00:05:03,240
Speaker 1: I'm really trying to be careful because I don't want

93
00:05:03,240 --> 00:05:06,559
Speaker 1: to be specific about anybody's lives obviously, but like there's

94
00:05:06,680 --> 00:05:10,040
Speaker 1: times when our lives were mined for on screen drama

95
00:05:10,120 --> 00:05:13,920
Speaker 1: and times when on screen drama was so ridiculous and unrealistic,

96
00:05:14,400 --> 00:05:16,200
Speaker 1: and I can just I can see all of that

97
00:05:16,320 --> 00:05:18,560
Speaker 1: in this episode, Like some of it's not based in

98
00:05:18,600 --> 00:05:21,159
Speaker 1: any reality, some of it's based in reality. Some of

99
00:05:21,200 --> 00:05:24,960
Speaker 1: it's so extreme and ridiculous, and it just makes me

100
00:05:25,080 --> 00:05:28,880
Speaker 1: giggle because to Austin's point, like it's been so long,

101
00:05:29,200 --> 00:05:31,760
Speaker 1: we all laugh at each other. We've been a family

102
00:05:31,800 --> 00:05:34,520
Speaker 1: now for almost twenty years, and I don't know, I

103
00:05:34,600 --> 00:05:36,920
Speaker 1: was just very amused. It all felt very meta and

104
00:05:36,960 --> 00:05:38,080
Speaker 1: it made me laugh a lot.

105
00:05:39,200 --> 00:05:41,760
Speaker 4: Well, it made for good TV because this was a

106
00:05:41,760 --> 00:05:43,040
Speaker 4: fun episode.

107
00:05:43,680 --> 00:05:44,480
Speaker 1: It really was.

108
00:05:45,160 --> 00:05:48,520
Speaker 3: It really was. And I also want to say, like, Sophia,

109
00:05:48,520 --> 00:05:51,480
Speaker 3: what did you think about the pool? The girls all

110
00:05:51,520 --> 00:05:55,880
Speaker 3: going in the pool at the end, like complete honesty, I.

111
00:05:55,760 --> 00:05:58,960
Speaker 1: Think I actually made notes about this. Hold on, let

112
00:05:58,960 --> 00:06:03,400
Speaker 1: me scroll down because I remembered, like when the episode started,

113
00:06:03,440 --> 00:06:04,600
Speaker 1: I was like, oh, yeah, this is the one where

114
00:06:04,600 --> 00:06:07,080
Speaker 1: they all fight and wind up in the pool. What

115
00:06:07,200 --> 00:06:10,760
Speaker 1: I wish they'd done for the girls because I actually

116
00:06:10,839 --> 00:06:15,400
Speaker 1: thought you got this flashback Haley and Taylor wrestling was

117
00:06:15,960 --> 00:06:20,279
Speaker 1: really good because it was so childish. And what bummed

118
00:06:20,320 --> 00:06:24,159
Speaker 1: me out is that they very clearly just wanted the

119
00:06:24,160 --> 00:06:27,000
Speaker 1: girls to end up in the pool. And I was like,

120
00:06:27,440 --> 00:06:31,080
Speaker 1: wouldn't it have been great if they'd shot something where like,

121
00:06:31,920 --> 00:06:34,880
Speaker 1: I don't know, Taylor had gotten Haley on the ground

122
00:06:34,960 --> 00:06:37,400
Speaker 1: and like wouldn't get off of her, and so Quinn

123
00:06:37,720 --> 00:06:40,320
Speaker 1: shoved Taylor in the pool and then Taylor grabbed Quinn's leg,

124
00:06:40,440 --> 00:06:44,000
Speaker 1: Like I would have loved to have seen everybody wind

125
00:06:44,080 --> 00:06:47,360
Speaker 1: up in there in a little bit of a messier way.

126
00:06:47,800 --> 00:06:51,440
Speaker 1: And I was kind of bummed that they it worked obviously,

127
00:06:51,480 --> 00:06:53,920
Speaker 1: and it was probably a safety thing, let's be real,

128
00:06:54,440 --> 00:06:56,919
Speaker 1: but I was bummed that they just had Chantelle knock

129
00:06:56,960 --> 00:06:59,640
Speaker 1: everyone into the pool like kind of out of nowhere.

130
00:07:00,160 --> 00:07:03,200
Speaker 1: I was like, oh, that that doesn't track and like.

131
00:07:05,480 --> 00:07:05,640
Speaker 3: It.

132
00:07:06,440 --> 00:07:09,280
Speaker 1: I felt like it was a missed opportunity to give

133
00:07:09,320 --> 00:07:13,160
Speaker 1: them a little more comedy, and that bummed me out

134
00:07:13,200 --> 00:07:15,480
Speaker 1: a little bit. And I only say that because Rob

135
00:07:15,520 --> 00:07:19,520
Speaker 1: and I have been talking a lot lately, and we

136
00:07:19,560 --> 00:07:21,920
Speaker 1: did this last week when Joy was with us for

137
00:07:22,040 --> 00:07:24,240
Speaker 1: our Friends listening. She's on her book tour, so we

138
00:07:24,280 --> 00:07:26,880
Speaker 1: don't have her this week, so sweet Austin came to

139
00:07:27,520 --> 00:07:31,160
Speaker 1: fill in, so thank you. But like we talked last

140
00:07:31,160 --> 00:07:34,640
Speaker 1: week about how there are these opportunities to have things

141
00:07:34,680 --> 00:07:37,800
Speaker 1: be really grounded, and they're almost there, they're ninety percent

142
00:07:37,840 --> 00:07:40,280
Speaker 1: of the way there, and then they're ten percent lazy.

143
00:07:41,120 --> 00:07:43,840
Speaker 1: And I was like, I would have loved to have

144
00:07:43,920 --> 00:07:47,240
Speaker 1: seen Quinn like try to get rip Taylor off of

145
00:07:47,240 --> 00:07:49,600
Speaker 1: Haley and then they all fall in the pool. But

146
00:07:49,680 --> 00:07:51,560
Speaker 1: I was like, they had her like dive at the

147
00:07:51,600 --> 00:07:54,000
Speaker 1: girls like alignment in a football game. I was like,

148
00:07:54,040 --> 00:07:56,440
Speaker 1: why did you make her do that? Because she's like

149
00:07:56,480 --> 00:08:00,000
Speaker 1: a tall, elegant person who also is strong and could

150
00:08:00,160 --> 00:08:03,480
Speaker 1: totally do like a stunt sequence. And I was like,

151
00:08:03,520 --> 00:08:06,200
Speaker 1: oh man, it was all working for me until they

152
00:08:06,240 --> 00:08:09,040
Speaker 1: like they just made the girls get wet to get wet,

153
00:08:09,120 --> 00:08:10,800
Speaker 1: and that bummed me out a little bit. Is that

154
00:08:10,840 --> 00:08:11,600
Speaker 1: why you're asking?

155
00:08:12,160 --> 00:08:14,600
Speaker 3: Yeah, exactly, I you know, the part of I have

156
00:08:14,680 --> 00:08:17,880
Speaker 3: two minds about it one, it was hilarious and entertaining,

157
00:08:17,960 --> 00:08:21,200
Speaker 3: and then the second part of me starts going, Okay,

158
00:08:21,200 --> 00:08:23,160
Speaker 3: this is a little gratuitous. The guys are drinking beers

159
00:08:23,160 --> 00:08:26,560
Speaker 3: and watching, and I'm glad they weren't in underwear, you

160
00:08:26,560 --> 00:08:29,800
Speaker 3: know what I mean, Like, yes, you know, if Nathan

161
00:08:29,840 --> 00:08:32,160
Speaker 3: had like you said, if Nathan had like maybe tried

162
00:08:32,160 --> 00:08:35,280
Speaker 3: to intervene and then he gets pushed, or if it

163
00:08:35,280 --> 00:08:37,920
Speaker 3: had been more of an accident, or even if yeah

164
00:08:38,000 --> 00:08:40,559
Speaker 3: you know, melee like you said, or even guys in

165
00:08:41,000 --> 00:08:44,720
Speaker 3: trying to whatever. But yeah, it did. It did enter

166
00:08:44,800 --> 00:08:48,880
Speaker 3: the realm of hot girls fighting in a swimming pool, yeah,

167
00:08:49,080 --> 00:08:52,520
Speaker 3: watching And I was like, yeah, yeah, I totally agree

168
00:08:52,520 --> 00:08:52,720
Speaker 3: with you.

169
00:08:53,080 --> 00:08:56,080
Speaker 1: And everyone's already so dressed up, like it's a dinner

170
00:08:56,120 --> 00:08:59,880
Speaker 1: at home, and girls are in like mini skirts and corsets,

171
00:09:00,160 --> 00:09:03,760
Speaker 1: four in shield like it's already so crazy, and then

172
00:09:03,760 --> 00:09:06,040
Speaker 1: they get in the pool. I don't know. I I

173
00:09:06,080 --> 00:09:09,000
Speaker 1: saw both sides of it. I liked the goofy sibling thing,

174
00:09:09,080 --> 00:09:11,840
Speaker 1: and I wish we'd leaned more into it because to

175
00:09:11,920 --> 00:09:15,240
Speaker 1: your point, the girls were like so hot in the

176
00:09:15,480 --> 00:09:19,240
Speaker 1: in the outfits that I was like, give us, give

177
00:09:19,320 --> 00:09:21,600
Speaker 1: us the goofy all the way across the finish line

178
00:09:21,640 --> 00:09:23,360
Speaker 1: in this one moment please.

179
00:09:23,520 --> 00:09:25,920
Speaker 4: Yes, yeah, you can earn it a bit. It kind

180
00:09:25,960 --> 00:09:28,000
Speaker 4: of feels like it's It's sort of like when you

181
00:09:28,080 --> 00:09:30,280
Speaker 4: watch it sometimes you watch a performance of an actor

182
00:09:30,320 --> 00:09:32,319
Speaker 4: and you go, did they just shoot the first take

183
00:09:32,440 --> 00:09:35,199
Speaker 4: or the rehearsal. You know, it's sort of like, okay,

184
00:09:35,320 --> 00:09:37,120
Speaker 4: like you got the words eye, you know. It felt

185
00:09:37,160 --> 00:09:39,600
Speaker 4: like it was in the writer's room. Someone just pitched

186
00:09:39,600 --> 00:09:41,960
Speaker 4: it and it went, don't go any further with that idea.

187
00:09:42,360 --> 00:09:47,040
Speaker 4: It's perfect, Yeah, because it's like just the exactly they

188
00:09:47,080 --> 00:09:48,839
Speaker 4: end up pool. I don't know, maybe one grabs the

189
00:09:48,880 --> 00:09:51,560
Speaker 4: other and the other pushes them both in perfect perfect

190
00:09:51,600 --> 00:09:52,400
Speaker 4: don't change a thing.

191
00:09:52,920 --> 00:09:56,439
Speaker 3: Yeah. Yeah. I also I was and I'm not here

192
00:09:56,440 --> 00:09:58,199
Speaker 3: to rip the episode at all, but I was wondering

193
00:09:58,240 --> 00:10:00,640
Speaker 3: why anybody would sit down at that dinner. I'm going,

194
00:10:01,559 --> 00:10:04,320
Speaker 3: why is anyone choosing to sit down at this? I

195
00:10:04,360 --> 00:10:06,840
Speaker 3: wish that would have been like that dinner would have

196
00:10:06,920 --> 00:10:11,520
Speaker 3: come together for in a different way, like everyone chows

197
00:10:11,640 --> 00:10:13,800
Speaker 3: to some for some reason to sit down at that table.

198
00:10:13,840 --> 00:10:18,360
Speaker 3: And I was like, no, why is this? That one

199
00:10:18,400 --> 00:10:18,880
Speaker 3: bumped me?

200
00:10:19,360 --> 00:10:21,880
Speaker 1: The one place where I where I got it, and

201
00:10:21,920 --> 00:10:25,199
Speaker 1: I actually thought it was a really great scene for them.

202
00:10:25,760 --> 00:10:27,920
Speaker 1: Joy and Chantal did such a good job in the

203
00:10:27,920 --> 00:10:32,720
Speaker 1: scene at Clay's beach house, because Hailey is like, why

204
00:10:32,760 --> 00:10:35,120
Speaker 1: are you doing this? And Quinn's like, because this is

205
00:10:35,120 --> 00:10:37,840
Speaker 1: who Taylor's always been, so I can't let her get

206
00:10:37,840 --> 00:10:41,760
Speaker 1: to me, and and Hailey makes a joke about killing her.

207
00:10:42,520 --> 00:10:44,320
Speaker 1: And what bummed me out is there was such a

208
00:10:44,320 --> 00:10:46,280
Speaker 1: good button on that scene, like yeah, I'm gonna kill

209
00:10:46,320 --> 00:10:49,439
Speaker 1: her with kindness, like cliches or a cliche for a reason,

210
00:10:49,480 --> 00:10:52,160
Speaker 1: you know, And they didn't take the bait on it,

211
00:10:52,200 --> 00:10:55,000
Speaker 1: and I was a little again. I was like, writers,

212
00:10:55,080 --> 00:10:58,160
Speaker 1: come on, like you've gotten us ninety percent of the

213
00:10:58,200 --> 00:11:00,880
Speaker 1: way there, finish it. But I did like the idea

214
00:11:01,800 --> 00:11:06,080
Speaker 1: that Quinn was like, listen, I understand why David's upset

215
00:11:06,160 --> 00:11:10,480
Speaker 1: with me, and I'm just gonna have to take it.

216
00:11:10,559 --> 00:11:12,840
Speaker 1: And my sister's always been an appol so she's gonna

217
00:11:12,840 --> 00:11:16,840
Speaker 1: be an apple. But I wanted I liked that that

218
00:11:16,880 --> 00:11:21,160
Speaker 1: felt grounded, and then so many other things didn't, and

219
00:11:21,240 --> 00:11:24,400
Speaker 1: like I'm sorry but saying grace and Taylor saying I

220
00:11:24,440 --> 00:11:26,640
Speaker 1: have been calling out God's name a lot. I was

221
00:11:26,760 --> 00:11:30,720
Speaker 1: like oh, they're just it was so, and then she

222
00:11:30,840 --> 00:11:34,440
Speaker 1: teaches stripper aerobics and the rest, as they say, is sex.

223
00:11:34,480 --> 00:11:37,680
Speaker 1: I was like, no woman talks like this. If she

224
00:11:37,800 --> 00:11:40,280
Speaker 1: made the god joke, that would be the end of it.

225
00:11:40,600 --> 00:11:43,600
Speaker 4: They make out at the table in front of other

226
00:11:43,720 --> 00:11:47,920
Speaker 4: people and no one gets up to leave, right ooh.

227
00:11:47,600 --> 00:11:49,920
Speaker 3: That's what I'm talking about. Like I have two minds

228
00:11:49,920 --> 00:11:52,320
Speaker 3: of it because it was ridiculous, but I was also

229
00:11:52,559 --> 00:11:55,439
Speaker 3: just laughing my ass off and enjoying the hell out

230
00:11:55,440 --> 00:11:55,719
Speaker 3: of it.

231
00:11:56,400 --> 00:11:59,960
Speaker 4: Yeah, And that's something I've been sort of figuring out

232
00:12:00,080 --> 00:12:02,680
Speaker 4: lately when I watched the episodes, right is because I found,

233
00:12:02,760 --> 00:12:04,200
Speaker 4: I think, for a little while, sort of getting into

234
00:12:04,200 --> 00:12:06,599
Speaker 4: this groove of being critical and like well this like

235
00:12:06,640 --> 00:12:08,520
Speaker 4: I was sort of becoming the logic police.

236
00:12:08,840 --> 00:12:11,000
Speaker 1: Yeah, you can't do that on a teen drama.

237
00:12:11,040 --> 00:12:12,960
Speaker 4: That's exactly what I realized, Like, that's not what this

238
00:12:13,040 --> 00:12:16,800
Speaker 4: show is. This isn't a docu series. It's a fun show.

239
00:12:16,840 --> 00:12:19,760
Speaker 4: And so, like you, Austin, I there was stuff like

240
00:12:19,960 --> 00:12:24,679
Speaker 4: listen for Taylor and David to show up and spend

241
00:12:24,720 --> 00:12:28,520
Speaker 4: the night, like there's sociopaths, Like there's so many issues, right, yes,

242
00:12:28,559 --> 00:12:30,080
Speaker 4: but I just had to go like if that, since

243
00:12:30,080 --> 00:12:31,679
Speaker 4: that was the start of it, I had to just go,

244
00:12:32,320 --> 00:12:33,880
Speaker 4: this is going to be a fun ride, and I'm

245
00:12:33,880 --> 00:12:36,160
Speaker 4: on it. You know, I'm not here to pick apart.

246
00:12:36,160 --> 00:12:38,880
Speaker 4: Why that doesn't make sense? Like stuff's about to get

247
00:12:38,920 --> 00:12:41,960
Speaker 4: real awkward and uncomfortable, and I'm here to enjoy it.

248
00:12:42,600 --> 00:12:45,640
Speaker 3: Yeah. Yes, And it's a TV show, and it's like

249
00:12:45,679 --> 00:12:49,360
Speaker 3: it's a like we're here to you know, to put

250
00:12:49,400 --> 00:12:53,120
Speaker 3: some some fun, some fun, juicy drama on the screen

251
00:12:53,120 --> 00:12:53,760
Speaker 3: for the audience.

252
00:12:54,040 --> 00:12:57,240
Speaker 4: But I will say that it did make David just

253
00:12:58,200 --> 00:13:02,719
Speaker 4: like any any crow that ability or sympathy he had

254
00:13:02,840 --> 00:13:06,520
Speaker 4: earned with the audience is out the window.

255
00:13:07,120 --> 00:13:11,320
Speaker 1: Yeah, so you could rightfully be heartbroken if you've come

256
00:13:11,360 --> 00:13:13,240
Speaker 1: to a point where the person you love looks at

257
00:13:13,280 --> 00:13:16,240
Speaker 1: you and says, I just can't do this anymore. Like,

258
00:13:16,559 --> 00:13:19,240
Speaker 1: we get it, we get it. That's hard. He got left.

259
00:13:19,679 --> 00:13:23,360
Speaker 1: That's hard. Your response to getting left is to bone

260
00:13:23,400 --> 00:13:29,079
Speaker 1: her sister, Like, sir, what, it's so crazy? And then

261
00:13:29,520 --> 00:13:31,920
Speaker 1: they wrote this is what made me nuts. They wrote

262
00:13:31,920 --> 00:13:35,080
Speaker 1: this thing that he was so mad at her for

263
00:13:35,280 --> 00:13:38,839
Speaker 1: lying that she'd moved on faster than she had, as

264
00:13:38,880 --> 00:13:41,800
Speaker 1: if that's the worst thing, that's happened in this dynamic

265
00:13:41,880 --> 00:13:45,800
Speaker 1: since they broke up, Like he's dating her sister, and

266
00:13:45,840 --> 00:13:50,840
Speaker 1: he's mad that she suggested she'd moved on more quickly

267
00:13:50,880 --> 00:13:55,360
Speaker 1: physically than is true. Like, I was like, you can't

268
00:13:55,400 --> 00:13:56,200
Speaker 1: be mad about that.

269
00:13:57,000 --> 00:14:00,559
Speaker 4: In what world are those two things comparables? Like you

270
00:14:01,120 --> 00:14:03,800
Speaker 4: dived about sleeping with this guy to push me away.

271
00:14:03,920 --> 00:14:07,319
Speaker 4: I actually went and sought out your sister and slept

272
00:14:07,360 --> 00:14:07,840
Speaker 4: with her.

273
00:14:08,240 --> 00:14:10,959
Speaker 1: And am dating her and brought her home for dinner.

274
00:14:11,840 --> 00:14:12,200
Speaker 3: What.

275
00:14:13,280 --> 00:14:17,280
Speaker 4: Oh, it's so petty. It's so small time and petty.

276
00:14:17,800 --> 00:14:20,200
Speaker 1: But it also and I want to be clear, I

277
00:14:20,200 --> 00:14:22,640
Speaker 1: wouldn't say this in a room with a zoom room

278
00:14:22,680 --> 00:14:24,720
Speaker 1: with two of my favorite men, if you weren't two

279
00:14:24,760 --> 00:14:27,800
Speaker 1: of my favorite men, Like I get I say these

280
00:14:27,800 --> 00:14:29,160
Speaker 1: things in front of men because I'm like, you're on

281
00:14:29,160 --> 00:14:32,680
Speaker 1: the inside the men who wrote this, Like what this

282
00:14:32,840 --> 00:14:35,480
Speaker 1: says to me about the man who ran our show

283
00:14:36,040 --> 00:14:40,440
Speaker 1: and the way he looked at women. I think that's why, Like,

284
00:14:41,040 --> 00:14:43,080
Speaker 1: and now I'm so uncomfortable, you know me, The minute

285
00:14:43,120 --> 00:14:45,280
Speaker 1: I say something that I worry could ever like be

286
00:14:45,360 --> 00:14:47,640
Speaker 1: taken the wrong way, then I have anxiety for two days.

287
00:14:47,920 --> 00:14:52,160
Speaker 1: I was like laughing about how they took little things

288
00:14:52,200 --> 00:14:54,920
Speaker 1: from everyone's lives and then made them one hundred miles

289
00:14:54,960 --> 00:14:59,000
Speaker 1: an hour psychotic, insane, sprinkled in and hot fire dust

290
00:14:59,160 --> 00:15:02,800
Speaker 1: on the show, Like all of this stuff I'm giggling

291
00:15:02,880 --> 00:15:08,320
Speaker 1: about from the beginning, but like it's actually so nuts

292
00:15:08,880 --> 00:15:12,800
Speaker 1: that we were in an environment where someone equated these

293
00:15:12,840 --> 00:15:15,600
Speaker 1: sorts of things, like I've moved on because this really

294
00:15:15,640 --> 00:15:20,120
Speaker 1: wasn't healthy for me into this is equal to your

295
00:15:20,120 --> 00:15:23,520
Speaker 1: ex sleeping with your sibling and sticking their tongue down

296
00:15:23,520 --> 00:15:26,200
Speaker 1: their throat at youd like at your parents' dinner table, essentially,

297
00:15:26,240 --> 00:15:30,240
Speaker 1: Like it's I just go like, wow, that's the way

298
00:15:30,280 --> 00:15:35,240
Speaker 1: you think about women and their autonomy, and they're not

299
00:15:35,320 --> 00:15:38,680
Speaker 1: liking you even This is nuts.

300
00:15:38,200 --> 00:15:54,320
Speaker 4: Right in that same vein to switch scenes for a moment,

301
00:15:54,480 --> 00:15:57,160
Speaker 4: how about when we are on the set of their movie.

302
00:15:57,200 --> 00:15:59,720
Speaker 4: It's the first time we've been in Lucas's house on set,

303
00:15:59,800 --> 00:16:03,280
Speaker 4: and Julian and his dad are talking and we see

304
00:16:03,320 --> 00:16:10,520
Speaker 4: the director actively groping Alex yes, And unfortunately the response

305
00:16:10,840 --> 00:16:13,680
Speaker 4: Juliane and his dad have is to make a joke

306
00:16:13,840 --> 00:16:14,600
Speaker 4: about it.

307
00:16:15,960 --> 00:16:16,920
Speaker 1: Oh.

308
00:16:17,000 --> 00:16:18,360
Speaker 3: I was like, what are we what?

309
00:16:18,680 --> 00:16:21,640
Speaker 4: I know he's a good guy, Why is this taking

310
00:16:21,720 --> 00:16:24,720
Speaker 4: so what it was that blew my mind? They're like, well,

311
00:16:24,760 --> 00:16:29,840
Speaker 4: I guess he's a hands on director. What what are

312
00:16:29,880 --> 00:16:32,160
Speaker 4: we doing here the.

313
00:16:32,080 --> 00:16:34,680
Speaker 3: Way we're looking at it? You know, I don't remember

314
00:16:35,080 --> 00:16:37,440
Speaker 3: how I felt when I watched it back then, but

315
00:16:37,480 --> 00:16:39,840
Speaker 3: I wonder how people felt when they watched it when

316
00:16:39,880 --> 00:16:43,120
Speaker 3: it was on, Like is that just like, oh, yeah,

317
00:16:43,640 --> 00:16:46,960
Speaker 3: director's grabbing a book. Cool that happens? Or was were

318
00:16:47,000 --> 00:16:50,760
Speaker 3: people going We're people going ick? Then?

319
00:16:51,400 --> 00:16:54,600
Speaker 4: I don't think so. I don't know, especially because it

320
00:16:54,600 --> 00:16:57,240
Speaker 4: doesn't take long for you to sort of eventually step

321
00:16:57,320 --> 00:17:00,200
Speaker 4: up and be a hero about it. I don't like

322
00:17:00,240 --> 00:17:02,600
Speaker 4: we didn't. We didn't leave that like hanging in the

323
00:17:02,640 --> 00:17:03,880
Speaker 4: air too long before.

324
00:17:04,280 --> 00:17:05,880
Speaker 3: Oh good point, Yeah, I see. Yeah.

325
00:17:05,920 --> 00:17:08,800
Speaker 4: But that guy's he's just and again as a teenage

326
00:17:08,800 --> 00:17:12,520
Speaker 4: so but he's just like this extreme caricature.

327
00:17:12,640 --> 00:17:15,359
Speaker 1: Well I was just gonna say caricature. He's not a

328
00:17:15,400 --> 00:17:16,160
Speaker 1: real person.

329
00:17:16,359 --> 00:17:18,359
Speaker 4: No, he's like he's like a.

330
00:17:18,280 --> 00:17:24,440
Speaker 1: Twisty, mustached like villain guy. And it I thought you,

331
00:17:24,560 --> 00:17:28,280
Speaker 1: Austin and Jana were so good in that, Like, you

332
00:17:28,400 --> 00:17:33,399
Speaker 1: guys grounded this relationship that the characters have built. You know,

333
00:17:35,280 --> 00:17:38,080
Speaker 1: you tried to give her great advice, let her be strong.

334
00:17:38,359 --> 00:17:40,280
Speaker 1: You know, you asked him to back off all these things,

335
00:17:40,960 --> 00:17:43,200
Speaker 1: but he didn't feel like a real person to me,

336
00:17:43,240 --> 00:17:45,399
Speaker 1: which feels like a disservice then to the two of you,

337
00:17:46,359 --> 00:17:49,720
Speaker 1: because you're great actors and you have to essentially act

338
00:17:49,720 --> 00:17:51,760
Speaker 1: with like the cookie Monster.

339
00:17:52,400 --> 00:17:52,800
Speaker 3: Yeah.

340
00:17:53,000 --> 00:17:55,080
Speaker 4: Yeah, you guys talk about how he's a good director,

341
00:17:55,119 --> 00:17:57,960
Speaker 4: but it would have been so easy to get, Like

342
00:17:58,040 --> 00:18:01,960
Speaker 4: it would take ten seconds to see him actually giving

343
00:18:01,960 --> 00:18:04,879
Speaker 4: a substantive note, you know what I mean, Because the

344
00:18:04,920 --> 00:18:09,160
Speaker 4: problem was it was all it was was just vitual.

345
00:18:09,880 --> 00:18:13,240
Speaker 4: It was it was playing grab ass and being mean.

346
00:18:13,680 --> 00:18:15,880
Speaker 4: It's like we didn't see him direct, we didn't see

347
00:18:15,920 --> 00:18:18,640
Speaker 4: him being a genius. We just saw this guy where

348
00:18:18,720 --> 00:18:21,040
Speaker 4: it's like, and when you do that, then it makes

349
00:18:21,040 --> 00:18:23,280
Speaker 4: everyone else look bad for going Why is no one

350
00:18:23,400 --> 00:18:25,840
Speaker 4: saying anything? Whereas like if he had had a good

351
00:18:25,880 --> 00:18:29,320
Speaker 4: note or something, then you're like, I see the predicament.

352
00:18:29,880 --> 00:18:33,720
Speaker 4: He's good for this, you know, yeah right, yeah.

353
00:18:33,160 --> 00:18:36,000
Speaker 1: And Julian still could have come in to save the

354
00:18:36,080 --> 00:18:40,800
Speaker 1: day when he said something disgusting. But yeah, like the

355
00:18:40,840 --> 00:18:44,280
Speaker 1: things that Taylor has to say feels so extreme. The

356
00:18:44,280 --> 00:18:47,639
Speaker 1: way that this director talks felt so extreme, Like that

357
00:18:47,720 --> 00:18:49,440
Speaker 1: a man would look at you and be like, well,

358
00:18:49,480 --> 00:18:52,760
Speaker 1: she's gone down more times than the sun. What he

359
00:18:52,880 --> 00:18:58,400
Speaker 1: guy's so gross? Like what and it I don't know,

360
00:18:58,880 --> 00:19:02,240
Speaker 1: it just felt. It's like in these moments where I

361
00:19:02,280 --> 00:19:07,000
Speaker 1: catch myself saying like our boss's name to myself while

362
00:19:07,040 --> 00:19:09,879
Speaker 1: I watch the episodes as like a swear word, you know,

363
00:19:10,640 --> 00:19:15,080
Speaker 1: I'm like skin Voldemort, Like it's just like that guy.

364
00:19:15,359 --> 00:19:17,399
Speaker 1: You just had to get it in there, and I

365
00:19:17,440 --> 00:19:18,240
Speaker 1: don't get it.

366
00:19:18,440 --> 00:19:20,600
Speaker 3: I hate doing this because it's in the can. It's

367
00:19:20,680 --> 00:19:22,760
Speaker 3: years it's years ago. No I know, no, no, no,

368
00:19:22,800 --> 00:19:25,080
Speaker 3: But like I was thinking of a way that might

369
00:19:25,119 --> 00:19:27,960
Speaker 3: be more interesting and like it's pointless. But if we

370
00:19:28,040 --> 00:19:31,280
Speaker 3: could have had a moment where the director and Alex

371
00:19:31,359 --> 00:19:36,360
Speaker 3: thought they were alone and he did something more subtle,

372
00:19:36,480 --> 00:19:41,440
Speaker 3: like just touched her shoulder or said like, hey, Julian overheard,

373
00:19:41,440 --> 00:19:44,760
Speaker 3: do you want to get a drink tonight? So when

374
00:19:44,760 --> 00:19:47,280
Speaker 3: he thought they were alone, and then what that does

375
00:19:47,320 --> 00:19:50,359
Speaker 3: to Julian in the audience, immediate was like, oh, is

376
00:19:50,359 --> 00:19:52,199
Speaker 3: this gonna is this guy gonna cross the line? Like

377
00:19:52,680 --> 00:19:55,040
Speaker 3: that would a really interesting way to explore something that,

378
00:19:55,080 --> 00:19:56,400
Speaker 3: by the way, still happens.

379
00:19:56,960 --> 00:19:58,360
Speaker 4: Yeah, all the time.

380
00:19:58,480 --> 00:20:02,560
Speaker 3: Yeah, something like that, instead of just this very out

381
00:20:02,560 --> 00:20:06,120
Speaker 3: in the open. I don't know it could have been.

382
00:20:06,520 --> 00:20:09,280
Speaker 4: That would have actually been so much more threatening as well,

383
00:20:10,520 --> 00:20:12,159
Speaker 4: you know, as opposed to this guy is doing it

384
00:20:12,160 --> 00:20:13,119
Speaker 4: in the wide open.

385
00:20:13,440 --> 00:20:16,520
Speaker 1: Exactly, especially because you guys are in Lucas and Peyton's

386
00:20:16,520 --> 00:20:20,800
Speaker 1: old house, Like if you had, you know, been doing

387
00:20:20,840 --> 00:20:24,159
Speaker 1: something in Lucas's old bedroom and then turned to go

388
00:20:24,240 --> 00:20:26,439
Speaker 1: into the hallway but heard them in the hallway and

389
00:20:26,480 --> 00:20:28,840
Speaker 1: like leaned in and we see you on the other

390
00:20:28,880 --> 00:20:31,639
Speaker 1: side of the doorframe, you know, especially because you and

391
00:20:31,680 --> 00:20:34,080
Speaker 1: I are in that scene in there, and I'm like, well,

392
00:20:34,119 --> 00:20:36,600
Speaker 1: they're painting my high school a fugly shade of brown.

393
00:20:36,680 --> 00:20:39,159
Speaker 1: Like it could have gone from funny to not funny

394
00:20:39,320 --> 00:20:42,720
Speaker 1: really quickly in a way that would have made us uncomfortable.

395
00:20:42,760 --> 00:20:45,960
Speaker 1: We would have understood that this man knows Alex is

396
00:20:45,960 --> 00:20:48,240
Speaker 1: supposed to be sober and is suggesting they go to

397
00:20:48,280 --> 00:20:50,920
Speaker 1: a bar, like all of this is bad for her,

398
00:20:51,760 --> 00:20:56,880
Speaker 1: And it could have been more interesting. Absolutely, absolutely, one

399
00:20:56,880 --> 00:21:00,199
Speaker 1: of the things I loved about this episode was all

400
00:21:00,240 --> 00:21:01,119
Speaker 1: of our storyline.

401
00:21:01,359 --> 00:21:02,720
Speaker 3: I thought it was so good.

402
00:21:03,359 --> 00:21:06,800
Speaker 1: I thought it was so sweet. I love the Victoria

403
00:21:06,920 --> 00:21:09,560
Speaker 1: for whatever reason, is suddenly obsessed with the movie seven

404
00:21:09,680 --> 00:21:11,520
Speaker 1: and can't stop talking about severed heads.

405
00:21:11,840 --> 00:21:12,080
Speaker 4: Yeah.

406
00:21:12,280 --> 00:21:18,000
Speaker 1: Yeah, and when she sees how sad I am about

407
00:21:18,000 --> 00:21:21,240
Speaker 1: your stuff. The fact that the mom sort of acts

408
00:21:21,280 --> 00:21:23,720
Speaker 1: like a child and gets the other boy to drop

409
00:21:23,760 --> 00:21:26,680
Speaker 1: off the box to prove a point was so cute

410
00:21:26,720 --> 00:21:30,840
Speaker 1: to me, and what it allowed for us, like you

411
00:21:30,960 --> 00:21:33,879
Speaker 1: came in so hot, yelling and I was like, wait what.

412
00:21:35,320 --> 00:21:37,560
Speaker 1: And the fact that by the end of the episode,

413
00:21:37,680 --> 00:21:39,720
Speaker 1: I was so surprised by it. I didn't remember it,

414
00:21:39,760 --> 00:21:42,480
Speaker 1: but I loved it. And by the end of the

415
00:21:42,520 --> 00:21:46,000
Speaker 1: episode when we get to the beat where I'm like

416
00:21:46,160 --> 00:21:49,080
Speaker 1: fishing and I'm like, so, I'm really I'm the best

417
00:21:49,160 --> 00:21:51,840
Speaker 1: person for this job, and You're like yeah, and we're

418
00:21:51,840 --> 00:21:54,959
Speaker 1: doing the little dance around the clothing racks. It was

419
00:21:55,200 --> 00:21:58,080
Speaker 1: so precious to me. It made my day.

420
00:21:58,480 --> 00:22:03,639
Speaker 3: I gotta say, the clothing rack dance. What a was

421
00:22:03,680 --> 00:22:04,399
Speaker 3: that Paul's idea?

422
00:22:04,960 --> 00:22:06,040
Speaker 1: I don't remember.

423
00:22:06,480 --> 00:22:09,040
Speaker 3: I just remember I just watched it this morning. I

424
00:22:09,080 --> 00:22:11,119
Speaker 3: was like, this could have been a bplus scene and

425
00:22:11,119 --> 00:22:15,000
Speaker 3: took it to in a Yeah, just that kind of

426
00:22:15,080 --> 00:22:17,840
Speaker 3: koy playing with each other, just a little movement, you know,

427
00:22:18,000 --> 00:22:20,320
Speaker 3: you're obstructed. I'm instructed, then you see us, then you don't.

428
00:22:20,520 --> 00:22:22,960
Speaker 3: It's just really well staged.

429
00:22:23,359 --> 00:22:28,159
Speaker 1: Yeah, it gave it this really fun, playful energy, and

430
00:22:28,200 --> 00:22:31,840
Speaker 1: I felt like it built really well off of this

431
00:22:32,000 --> 00:22:35,440
Speaker 1: scene when you came back to close over Bros. Calmer

432
00:22:36,240 --> 00:22:37,960
Speaker 1: and you said, look, you're the only one I trust.

433
00:22:38,000 --> 00:22:39,320
Speaker 1: You don't even have to look at me if you

434
00:22:39,400 --> 00:22:42,879
Speaker 1: don't want to in the back of the store, and

435
00:22:42,920 --> 00:22:45,600
Speaker 1: I'm like, oh boy, this is going to be hard.

436
00:22:45,680 --> 00:22:47,320
Speaker 1: And then we get to the thing and it's this

437
00:22:47,400 --> 00:22:51,760
Speaker 1: little dance and it was such a great device and

438
00:22:51,800 --> 00:22:53,720
Speaker 1: I just loved it. I was like, oh, we're cute.

439
00:22:54,359 --> 00:22:56,560
Speaker 3: And then also after the episode was over, I went

440
00:22:56,640 --> 00:22:59,280
Speaker 3: back and watched the opening again because I wanted to

441
00:22:59,320 --> 00:23:02,359
Speaker 3: see all the names and who wrote and directed and everything.

442
00:23:02,880 --> 00:23:05,879
Speaker 3: And I saw the scenes from the previous one again

443
00:23:06,280 --> 00:23:13,560
Speaker 3: and realized, we just broke up the night before. Yes,

444
00:23:12,880 --> 00:23:15,520
Speaker 3: it's okay, So the next day we're already starting to

445
00:23:15,520 --> 00:23:16,920
Speaker 3: put it back together. That's hilarious.

446
00:23:17,520 --> 00:23:19,680
Speaker 4: But can I tell you, as a as a brilliant fan,

447
00:23:19,920 --> 00:23:23,679
Speaker 4: I was very grateful for that. Like, I've watched you

448
00:23:23,800 --> 00:23:26,960
Speaker 4: guys fight and be on different pages for a few episodes,

449
00:23:27,000 --> 00:23:30,640
Speaker 4: so this was a welcome reprieve to get to see

450
00:23:30,680 --> 00:23:34,000
Speaker 4: you guys beginning this dance of finding each other again.

451
00:23:34,240 --> 00:23:37,359
Speaker 4: And it was just it was cute as heck, you know,

452
00:23:37,400 --> 00:23:40,359
Speaker 4: like you said, the chemistry is great and it worked

453
00:23:40,480 --> 00:23:40,960
Speaker 4: very well.

454
00:23:41,800 --> 00:23:42,080
Speaker 3: Nice.

455
00:23:42,440 --> 00:23:46,840
Speaker 4: Speaking of Alexander Coin, first of all, hilarious that he

456
00:23:46,880 --> 00:23:49,600
Speaker 4: can't just say Hi, I'm Alexander. He has to and

457
00:23:49,640 --> 00:23:52,880
Speaker 4: it's just funny because Coin is such a funny last name,

458
00:23:53,440 --> 00:23:57,040
Speaker 4: you know. Yes, But the shirt he is wearing when

459
00:23:57,080 --> 00:24:00,359
Speaker 4: he comes to drop off Julian's stuff, I mean that

460
00:24:00,480 --> 00:24:04,199
Speaker 4: is a baby gap, extra small. I laughed because that

461
00:24:04,280 --> 00:24:06,520
Speaker 4: is like that has been one of my biggest CW

462
00:24:06,640 --> 00:24:09,439
Speaker 4: experiences is like, what shirt does Rob wear a large?

463
00:24:09,720 --> 00:24:13,280
Speaker 4: Put him in a small? Like I spent so many

464
00:24:13,359 --> 00:24:15,000
Speaker 4: years in shirts that were way too small for me.

465
00:24:15,040 --> 00:24:18,760
Speaker 4: So when I saw him carrying that box in in

466
00:24:19,040 --> 00:24:22,960
Speaker 4: just the shirt, begging please get off me, I laughed

467
00:24:23,040 --> 00:24:26,879
Speaker 4: so hard at the poor guy, Like, we get it,

468
00:24:26,960 --> 00:24:30,200
Speaker 4: he's handsome, he's fit, Get him a bigger shirt.

469
00:24:30,480 --> 00:24:31,560
Speaker 3: Yeah, it's really funny.

470
00:24:31,600 --> 00:24:33,520
Speaker 4: It's cutting off his circulation. You know.

471
00:24:34,119 --> 00:24:37,200
Speaker 1: He's such a good sport and something I will say

472
00:24:37,280 --> 00:24:41,200
Speaker 1: I really appreciate obviously at the time when we were

473
00:24:41,200 --> 00:24:44,680
Speaker 1: shooting it was supposed to be this rivalry between you two,

474
00:24:45,680 --> 00:24:50,919
Speaker 1: and watching it back, I realize how like he plays

475
00:24:51,000 --> 00:24:56,040
Speaker 1: a lot of it so subtly, and it's I don't know,

476
00:24:56,080 --> 00:24:59,760
Speaker 1: I really appreciate it, Mitch did. He did such a

477
00:24:59,800 --> 00:25:05,160
Speaker 1: good job of showing up and just being a good

478
00:25:05,200 --> 00:25:08,119
Speaker 1: guy where you you kind of don't know as an

479
00:25:08,160 --> 00:25:10,240
Speaker 1: audience member, like does he like Brook or is he

480
00:25:10,400 --> 00:25:13,600
Speaker 1: just really a good friend to her? Is he a

481
00:25:13,640 --> 00:25:17,320
Speaker 1: good new addition to her work life? Does he feel chemistry?

482
00:25:18,520 --> 00:25:21,639
Speaker 1: I don't see it as being as overt as it

483
00:25:21,760 --> 00:25:25,320
Speaker 1: felt then, because you know, my job as an actor

484
00:25:25,359 --> 00:25:27,720
Speaker 1: then was to be in between these two and to

485
00:25:27,760 --> 00:25:31,440
Speaker 1: be like, no, I don't have feelings for this person, Julienne,

486
00:25:31,480 --> 00:25:35,680
Speaker 1: I have feelings for you. But I think maybe because

487
00:25:35,680 --> 00:25:39,200
Speaker 1: it was supposed to feel dramatic, it felt more heightened then.

488
00:25:39,680 --> 00:25:42,159
Speaker 1: And I'm watching it and I'm like, good Anya, Mitch, Like,

489
00:25:42,240 --> 00:25:46,199
Speaker 1: he does a really great job of not really revealing

490
00:25:46,920 --> 00:25:49,159
Speaker 1: like does he or does any like this girl? And

491
00:25:49,200 --> 00:25:51,280
Speaker 1: I really like the way he plays these scenes.

492
00:25:51,960 --> 00:25:55,119
Speaker 4: Yeah, yeah, I think there is a there's a trap

493
00:25:55,240 --> 00:25:57,920
Speaker 4: in this writing that a lesser actor would have fallen into,

494
00:25:58,480 --> 00:26:02,600
Speaker 4: which is if you don't layer it with sincerity, it

495
00:26:03,280 --> 00:26:07,640
Speaker 4: just it's overtly like it's so clear he's into you

496
00:26:07,760 --> 00:26:10,639
Speaker 4: and he's hitting on you. And then that does brook

497
00:26:10,680 --> 00:26:13,439
Speaker 4: a disservice because if you even start entertaining that, it's like,

498
00:26:13,480 --> 00:26:16,080
Speaker 4: what all this dude is doing is just coming in

499
00:26:16,200 --> 00:26:19,560
Speaker 4: hot all the time. But because he does this thing

500
00:26:19,560 --> 00:26:22,600
Speaker 4: where he is just seeming to be wanting to be

501
00:26:22,640 --> 00:26:26,320
Speaker 4: a good friend to you, it makes him more appealing.

502
00:26:26,400 --> 00:26:28,520
Speaker 4: It makes it kind of muddies the water. So we

503
00:26:28,560 --> 00:26:32,360
Speaker 4: don't really know what's going on, but he he did

504
00:26:32,359 --> 00:26:33,239
Speaker 4: a great job with it.

505
00:26:33,480 --> 00:26:36,040
Speaker 3: Yeah. Can I tell a quick story about Mitch please?

506
00:26:36,240 --> 00:26:36,960
Speaker 1: Yeah.

507
00:26:37,000 --> 00:26:39,439
Speaker 3: So, I don't know if you remember this, Sofia, but

508
00:26:39,480 --> 00:26:41,560
Speaker 3: we had a late call one morning and there was

509
00:26:42,280 --> 00:26:44,560
Speaker 3: I don't mean I always make everything about surfing.

510
00:26:45,160 --> 00:26:46,879
Speaker 4: I knew it. I feel this was going to be

511
00:26:46,920 --> 00:26:47,640
Speaker 4: a surfing story.

512
00:26:47,680 --> 00:26:50,240
Speaker 3: I loved it was a hurricane brewing in the Atlantic.

513
00:26:51,560 --> 00:26:53,399
Speaker 3: We had a late call and Mitch really wanted to

514
00:26:53,400 --> 00:26:56,920
Speaker 3: go surfing, and I was like, hey man, tomorrow morning

515
00:26:57,000 --> 00:26:59,920
Speaker 3: is going to be like the best day of the year,

516
00:27:00,119 --> 00:27:02,639
Speaker 3: Like it was going to be that good. Yeah, he

517
00:27:02,760 --> 00:27:05,920
Speaker 3: was so so down. He was such a nice positive guy.

518
00:27:05,920 --> 00:27:08,480
Speaker 3: He's like, yeah, let's go. He was so excited and

519
00:27:08,200 --> 00:27:10,000
Speaker 3: we got there and I'm not even kidding, it was

520
00:27:10,040 --> 00:27:13,399
Speaker 3: the best I'd ever seen Wrightsville Beach. And he paddles

521
00:27:13,400 --> 00:27:16,119
Speaker 3: out and it's big and hollow and powerful and dangerous,

522
00:27:16,119 --> 00:27:20,119
Speaker 3: and he just getting destroyed so much so that there

523
00:27:20,160 --> 00:27:23,760
Speaker 3: was there was points where I was like Mitch and

524
00:27:23,840 --> 00:27:25,960
Speaker 3: like are you okay? And he'd paddle back out Mitchell

525
00:27:25,960 --> 00:27:28,280
Speaker 3: all right, and he'd be like, yeah, man, that was awesome.

526
00:27:29,000 --> 00:27:32,480
Speaker 3: And his sort of smile and his attitude just after

527
00:27:32,560 --> 00:27:36,119
Speaker 3: getting destroyed was always a smile and happy and like

528
00:27:36,400 --> 00:27:38,960
Speaker 3: he had the best attitude. And I think he, you know,

529
00:27:39,040 --> 00:27:40,680
Speaker 3: that's what he brought to the set every day because

530
00:27:40,720 --> 00:27:43,359
Speaker 3: it's not easy to come into as as we all know,

531
00:27:43,440 --> 00:27:44,960
Speaker 3: it's not easy to come into a show that's up

532
00:27:44,960 --> 00:27:47,199
Speaker 3: and running and you're playing like the guy that's in

533
00:27:47,240 --> 00:27:51,399
Speaker 3: between a couple, like it's not and you know, he uh,

534
00:27:52,240 --> 00:27:55,080
Speaker 3: he was so positive and he just brought the right energy.

535
00:27:55,720 --> 00:27:58,440
Speaker 1: I hadn't thought about this until you just said that.

536
00:27:59,280 --> 00:28:01,960
Speaker 1: Do you think that that helped you guys bond as friends?

537
00:28:02,000 --> 00:28:06,080
Speaker 1: Because that's what you did in season six, Like Julian

538
00:28:06,160 --> 00:28:09,280
Speaker 1: comes in and the whole audience is going ballistic because

539
00:28:09,320 --> 00:28:12,000
Speaker 1: they think he's going to screw up Lucas and Peyton, right,

540
00:28:12,119 --> 00:28:14,280
Speaker 1: and then Julian and Brooke end up together, and then

541
00:28:14,320 --> 00:28:16,960
Speaker 1: Alexander comes in to screw up Julian and Brook Like.

542
00:28:17,400 --> 00:28:20,120
Speaker 1: It's kind of an interesting domino effect, right.

543
00:28:20,160 --> 00:28:22,679
Speaker 3: Yeah, I might have had a little tender spot for him,

544
00:28:22,720 --> 00:28:22,919
Speaker 3: you know.

545
00:28:23,160 --> 00:28:26,399
Speaker 4: Yeah, Yet here I came in brand new season seven

546
00:28:26,760 --> 00:28:31,399
Speaker 4: and I didn't get asked to go surfing once, and

547
00:28:31,480 --> 00:28:33,399
Speaker 4: I didn't know how, but I would have been I

548
00:28:33,400 --> 00:28:36,359
Speaker 4: would have liked to have been invited. I feel like

549
00:28:36,400 --> 00:28:39,240
Speaker 4: Miss Lauren when Skills didn't invite her to Los Angeles.

550
00:28:39,240 --> 00:28:40,840
Speaker 4: It would have been nice to be invited.

551
00:28:41,000 --> 00:28:42,800
Speaker 3: That invitation's on its way. It's gonna happen.

552
00:28:42,800 --> 00:28:45,280
Speaker 1: Hey, guys, next convention, we're going a day early and

553
00:28:45,360 --> 00:28:46,360
Speaker 1: Austin's taking.

554
00:28:46,160 --> 00:28:47,560
Speaker 3: All of us surfing deal.

555
00:28:47,960 --> 00:28:49,840
Speaker 1: I will say, you are a good teacher.

556
00:28:50,320 --> 00:28:50,560
Speaker 4: Thank you.

557
00:28:50,760 --> 00:28:55,440
Speaker 1: Here's here's a fun BTS throwback in Obviously this World.

558
00:28:55,600 --> 00:28:58,080
Speaker 1: I did not get in the hurricane waters because I'm

559
00:28:58,480 --> 00:29:02,520
Speaker 1: not on a suicide mission, but Austin did. On like

560
00:29:02,640 --> 00:29:05,200
Speaker 1: baby Wave days, really take the time to try to

561
00:29:05,240 --> 00:29:07,920
Speaker 1: teach me to surf and there was like there was

562
00:29:07,960 --> 00:29:10,120
Speaker 1: like a solid two weeks rob where I was really

563
00:29:10,160 --> 00:29:12,960
Speaker 1: feeling it. And by the way, nothing will make a

564
00:29:13,000 --> 00:29:17,280
Speaker 1: girl feel cooler than walking down Rightsville Beach with a surfboard.

565
00:29:17,440 --> 00:29:20,040
Speaker 1: Like people were like whoa, and I was like, this

566
00:29:20,080 --> 00:29:23,160
Speaker 1: is tight. I've never felt cool at anything.

567
00:29:23,640 --> 00:29:23,760
Speaker 4: Like.

568
00:29:24,280 --> 00:29:26,800
Speaker 1: I was a theater kid, and not even a musical

569
00:29:26,840 --> 00:29:30,320
Speaker 1: theater kid, just a theater kid. And I didn't have

570
00:29:30,360 --> 00:29:33,080
Speaker 1: that experience at my tiny all girls school. So I

571
00:29:33,160 --> 00:29:36,360
Speaker 1: was really having the like blue crush fantasy life of

572
00:29:36,360 --> 00:29:39,440
Speaker 1: my dreams for these couple of weeks. And there was

573
00:29:39,480 --> 00:29:41,640
Speaker 1: a day where I was really feeling confident and the

574
00:29:41,680 --> 00:29:44,200
Speaker 1: waves were probably like three feet big instead of two

575
00:29:44,280 --> 00:29:47,040
Speaker 1: feet big, like nothing to write home about, and I

576
00:29:47,080 --> 00:29:51,000
Speaker 1: had a tumble and the board. I don't know if

577
00:29:51,040 --> 00:29:53,880
Speaker 1: you remember this, the board came out of the water

578
00:29:54,000 --> 00:29:58,640
Speaker 1: at me so fast I like tried to get out

579
00:29:58,640 --> 00:30:01,000
Speaker 1: of the way. Thank god it didn't break my face

580
00:30:01,520 --> 00:30:04,000
Speaker 1: because Warner Brothers probably would have sued me no more.

581
00:30:04,040 --> 00:30:04,640
Speaker 3: One Tree Hill.

582
00:30:05,200 --> 00:30:07,800
Speaker 1: It hit me in the leg so hard, like the

583
00:30:07,960 --> 00:30:12,400
Speaker 1: upper left part of my thigh, that it left a dent. Yes,

584
00:30:12,440 --> 00:30:17,200
Speaker 1: And it took five years for that dent to fully

585
00:30:17,200 --> 00:30:17,680
Speaker 1: go away.

586
00:30:18,160 --> 00:30:20,400
Speaker 3: Oh my god, really it went away like.

587
00:30:20,800 --> 00:30:24,400
Speaker 1: Mostly after two. And then I just had this weird

588
00:30:25,960 --> 00:30:28,960
Speaker 1: I can't explain it, it was it was. It was

589
00:30:29,000 --> 00:30:31,959
Speaker 1: a dent in my leg. And for years I was like,

590
00:30:32,040 --> 00:30:35,440
Speaker 1: if I ever, if I ever get overly confident that

591
00:30:35,560 --> 00:30:37,760
Speaker 1: I can do some stupid shit, all I have to

592
00:30:37,760 --> 00:30:39,760
Speaker 1: do is look at my leg and be like, remember

593
00:30:39,840 --> 00:30:42,680
Speaker 1: that time I almost killed myself surfing with Austin And

594
00:30:42,720 --> 00:30:46,600
Speaker 1: it wasn't It wasn't even like a good day. It

595
00:30:46,640 --> 00:30:48,920
Speaker 1: was it was child's play. And I was like, not

596
00:30:49,000 --> 00:30:50,880
Speaker 1: for me. I'm gonna go back to the theater and

597
00:30:50,920 --> 00:30:52,959
Speaker 1: sit in the dark and run the light board. That's

598
00:30:53,000 --> 00:30:53,640
Speaker 1: that's what I do.

599
00:30:53,800 --> 00:30:57,000
Speaker 3: It sounds silly, but there's surfing just offers all kinds

600
00:30:57,000 --> 00:30:58,040
Speaker 3: of lessons like these.

601
00:30:58,720 --> 00:31:01,040
Speaker 1: It hits a lot. And then what did I do?

602
00:31:01,120 --> 00:31:03,040
Speaker 1: I came home and I started a podcast, which is

603
00:31:03,120 --> 00:31:08,400
Speaker 1: essentially running a lightboard indoors in the dark. Yeah, I

604
00:31:08,440 --> 00:31:09,680
Speaker 1: was like, I know what I'm good for.

605
00:31:10,080 --> 00:31:12,560
Speaker 3: Wait before I forget. I wanted to pop out to

606
00:31:12,880 --> 00:31:16,880
Speaker 3: kind of a different topic. When I was watching your

607
00:31:16,960 --> 00:31:20,120
Speaker 3: scene on the deck at the at your house and

608
00:31:20,320 --> 00:31:23,080
Speaker 3: it was topsail right Topsail Beach or Clay's.

609
00:31:22,840 --> 00:31:25,960
Speaker 4: House house right Topsail, Yeah, you're right, yeah, and you

610
00:31:25,960 --> 00:31:26,480
Speaker 4: guys are.

611
00:31:26,320 --> 00:31:28,840
Speaker 3: On the balcony and then behind you in the background

612
00:31:29,040 --> 00:31:33,880
Speaker 3: are sand dunes and like open land. And I just

613
00:31:33,920 --> 00:31:37,720
Speaker 3: started drooling this morning watching the episode, going, oh my god,

614
00:31:37,760 --> 00:31:39,840
Speaker 3: I want that house. I want to live in Clay's house.

615
00:31:39,880 --> 00:31:41,960
Speaker 3: I want to be on that beach. There's like space.

616
00:31:42,000 --> 00:31:44,240
Speaker 3: You don't have a house right next to you. I

617
00:31:44,400 --> 00:31:48,120
Speaker 3: was just just drool over and your car of course too,

618
00:31:48,600 --> 00:31:52,520
Speaker 3: but I just was overwhelmed and because we were just

619
00:31:52,600 --> 00:31:56,800
Speaker 3: there in Wilmington and just sort of I'm so in

620
00:31:56,840 --> 00:31:59,640
Speaker 3: love with the beauty of that place and so special

621
00:32:00,160 --> 00:32:03,520
Speaker 3: ocean and anyway, your house, Clay's house, just got me

622
00:32:03,560 --> 00:32:04,280
Speaker 3: all excited again.

623
00:32:04,320 --> 00:32:08,000
Speaker 4: Anyway, the house was beautiful. The only problem with that

624
00:32:08,040 --> 00:32:10,320
Speaker 4: house was it was forty five minutes away.

625
00:32:10,840 --> 00:32:16,240
Speaker 1: Yeah, so was mine? Really the yeah, the Brooks house

626
00:32:16,760 --> 00:32:19,040
Speaker 1: you know that she originally like buys and her and

627
00:32:19,080 --> 00:32:23,200
Speaker 1: Peyton live in. There were all these scenes in that

628
00:32:23,560 --> 00:32:27,080
Speaker 1: I guess it was season five where Hillary and I

629
00:32:27,120 --> 00:32:29,320
Speaker 1: would sit up on the deck which was like three

630
00:32:29,360 --> 00:32:32,840
Speaker 1: stories up overlooking the marina. And we did that in

631
00:32:32,960 --> 00:32:33,760
Speaker 1: Carolina Beach.

632
00:32:33,920 --> 00:32:35,560
Speaker 3: Oh, yeah, I worked there. I remember that.

633
00:32:35,520 --> 00:32:38,440
Speaker 1: Place, and that's why eventually we just stopped going outside

634
00:32:38,480 --> 00:32:41,680
Speaker 1: at Brook and Julian's because it took so long to

635
00:32:41,720 --> 00:32:42,120
Speaker 1: get there.

636
00:32:42,640 --> 00:32:44,960
Speaker 3: I remember the very last scene I think we did

637
00:32:44,960 --> 00:32:46,720
Speaker 3: there was you and me on that bench.

638
00:32:46,800 --> 00:32:47,400
Speaker 1: On the dock.

639
00:32:47,800 --> 00:32:50,720
Speaker 3: Yeah, and forgetting the message. It's like, yeah, we won't

640
00:32:50,720 --> 00:32:53,280
Speaker 3: be coming back here anymore. It's it's fun.

641
00:32:53,880 --> 00:32:57,160
Speaker 4: At one point, Brooke calls Hailey Jilly.

642
00:32:57,520 --> 00:33:03,080
Speaker 1: Jayley Jaylee because Haley, and that's why she makes the

643
00:33:03,160 --> 00:33:06,240
Speaker 1: joke like I hate my name because I say to her,

644
00:33:06,280 --> 00:33:08,560
Speaker 1: You've been arrested more than anyone I know, Jailee, and

645
00:33:08,600 --> 00:33:11,480
Speaker 1: she's like, got I hate my name because we got

646
00:33:11,560 --> 00:33:15,240
Speaker 1: arrested in high school for stealing back all my original

647
00:33:15,240 --> 00:33:18,320
Speaker 1: clothes over Bros. Designs that were taken by a store

648
00:33:18,360 --> 00:33:23,520
Speaker 1: with no credit. We Hailey got arrested. I don't remember.

649
00:33:23,560 --> 00:33:25,200
Speaker 1: I think she says in the episode, it's like, it'll

650
00:33:25,240 --> 00:33:28,200
Speaker 1: be my fourth time going to jail, fifth fourth, and

651
00:33:28,240 --> 00:33:40,920
Speaker 1: it's very very good.

652
00:33:42,000 --> 00:33:44,560
Speaker 3: It was really cool to see Gregory Harrison, who plays

653
00:33:44,640 --> 00:33:50,320
Speaker 3: Julian's father. We actually became great friends through the show,

654
00:33:50,400 --> 00:33:53,480
Speaker 3: and we ended up on vacation together, Like I love

655
00:33:53,520 --> 00:33:56,320
Speaker 3: that man and anyway, I hadn't seen him in a

656
00:33:56,360 --> 00:33:57,840
Speaker 3: long time, so it was really great to see him

657
00:33:57,840 --> 00:34:00,880
Speaker 3: on my screen and kind of I will say one

658
00:34:00,920 --> 00:34:02,320
Speaker 3: of the coolest things that happened to me on the

659
00:34:02,320 --> 00:34:06,520
Speaker 3: show was having them right parents for Julian and having

660
00:34:06,560 --> 00:34:09,640
Speaker 3: them come through was that was a lot of fun

661
00:34:09,680 --> 00:34:12,640
Speaker 3: and it gives a character so much more dimension. And

662
00:34:12,760 --> 00:34:15,440
Speaker 3: I anyway, I was really lucky to have Sharon Lawrence

663
00:34:15,480 --> 00:34:18,160
Speaker 3: and Gregor Harrison. Is my TV moment.

664
00:34:18,360 --> 00:34:22,080
Speaker 4: Sharon was your mom. Yeah, oh, I love me some.

665
00:34:22,200 --> 00:34:25,200
Speaker 4: Sharon Lawrence to oh get ready, she played my mom

666
00:34:25,920 --> 00:34:27,319
Speaker 4: in a couple movies she did.

667
00:34:27,360 --> 00:34:28,120
Speaker 3: Oh that's so cool.

668
00:34:28,480 --> 00:34:31,200
Speaker 4: Yeah, she's the best. She's so great. And Gregory Harrison,

669
00:34:31,239 --> 00:34:33,800
Speaker 4: I got to work with a different series and we

670
00:34:33,880 --> 00:34:36,520
Speaker 4: became Palace. He's great. Also he's a surfer, so of

671
00:34:36,520 --> 00:34:39,120
Speaker 4: course you guys get long. But he's a lovely guy.

672
00:34:39,320 --> 00:34:41,440
Speaker 1: Didn't you guys go to Catalina or something?

673
00:34:41,760 --> 00:34:43,719
Speaker 3: No, we went to Indonesia. We went on a surf

674
00:34:43,719 --> 00:34:44,440
Speaker 3: trip to Indonesia.

675
00:34:44,560 --> 00:34:47,799
Speaker 1: Oh, the big surf trip you went on? Okay, but yeah,

676
00:34:47,920 --> 00:34:51,360
Speaker 1: I don't know why. I remember there were talks about

677
00:34:51,400 --> 00:34:53,640
Speaker 1: you guys like going to do a Catalina trip, but

678
00:34:54,080 --> 00:34:56,120
Speaker 1: maybe that'll maybe that'll come soon.

679
00:34:56,520 --> 00:34:58,759
Speaker 3: He talked about Catalina a lot. He might have had

680
00:34:58,760 --> 00:35:01,400
Speaker 3: a place there something, but it never happened. But I

681
00:35:01,400 --> 00:35:05,319
Speaker 3: will say this. Greg did a very famous movie called

682
00:35:05,320 --> 00:35:08,440
Speaker 3: north Shore that was an eighties yeah surf movie, And

683
00:35:08,520 --> 00:35:11,040
Speaker 3: when we were surfing in Indonesia, I shit you not,

684
00:35:11,560 --> 00:35:16,399
Speaker 3: people paddled up to him and went, Chandlor, No, he

685
00:35:16,440 --> 00:35:19,960
Speaker 3: gets recognized in the water in Indonesia.

686
00:35:20,239 --> 00:35:22,400
Speaker 1: Wow, that's so cool.

687
00:35:22,520 --> 00:35:24,840
Speaker 3: It was really cool. Some guys we brought a boat

688
00:35:24,880 --> 00:35:27,760
Speaker 3: and some guys paddled over with beers to our boat

689
00:35:28,080 --> 00:35:30,400
Speaker 3: and was like, Chandler, can we have a beer? Bro?

690
00:35:32,239 --> 00:35:33,840
Speaker 4: Oh my gosh, that's awesome.

691
00:35:34,320 --> 00:35:38,239
Speaker 1: That's incredible. I love that you guys had Gregory and

692
00:35:38,320 --> 00:35:42,640
Speaker 1: Sharon Lawrence overlap Hillary and I had Markey Post overlap.

693
00:35:43,200 --> 00:35:43,480
Speaker 4: What.

694
00:35:44,400 --> 00:35:47,200
Speaker 1: Yeah, Marky played Hillary's mom and she played my mom

695
00:35:47,280 --> 00:35:47,719
Speaker 1: on PD.

696
00:35:48,680 --> 00:35:49,640
Speaker 3: Oh that's awesome.

697
00:35:49,680 --> 00:35:51,560
Speaker 1: So it's like, I don't know, we just had these

698
00:35:51,560 --> 00:35:54,960
Speaker 1: really special years with some of these folks and really cool.

699
00:35:55,120 --> 00:35:56,360
Speaker 4: Marky Post is a legend.

700
00:35:56,719 --> 00:35:59,080
Speaker 1: Oh, Marky was just the most amazing woman.

701
00:35:59,600 --> 00:35:59,799
Speaker 4: I know.

702
00:35:59,840 --> 00:36:03,200
Speaker 1: You guys all got asked obviously, I got all the

703
00:36:03,280 --> 00:36:07,000
Speaker 1: video updates. You got asked about like where things stand

704
00:36:07,040 --> 00:36:12,200
Speaker 1: with this potential revisit, and I mean Rob and I

705
00:36:12,200 --> 00:36:14,080
Speaker 1: talked about this a few weeks ago, and obviously you know,

706
00:36:14,120 --> 00:36:16,839
Speaker 1: Austin because we talked about it last weekend. But it's

707
00:36:16,880 --> 00:36:19,200
Speaker 1: like it's a bummer when something leaks and you don't

708
00:36:19,200 --> 00:36:24,160
Speaker 1: actually have anything to say but thinking about it and

709
00:36:24,840 --> 00:36:28,520
Speaker 1: you know, having to kind of answer questions without answering them. Like,

710
00:36:29,320 --> 00:36:32,080
Speaker 1: it's so cool to me that we're sort of in

711
00:36:32,120 --> 00:36:34,160
Speaker 1: the position now where we might get to play the

712
00:36:34,239 --> 00:36:39,839
Speaker 1: young parents, And I don't know, I'm like, it's such

713
00:36:39,840 --> 00:36:42,080
Speaker 1: a crazy thing that part of what excites me the

714
00:36:42,120 --> 00:36:44,160
Speaker 1: most about if we get to do this is like,

715
00:36:44,440 --> 00:36:46,640
Speaker 1: what if we get to bring all our parents back too,

716
00:36:46,920 --> 00:36:50,040
Speaker 1: like our on screen parents. Could you imagine like a

717
00:36:50,400 --> 00:36:52,880
Speaker 1: like a generational moment. I would sob I think I

718
00:36:52,880 --> 00:36:55,080
Speaker 1: would actually cry the whole time. It would be very

719
00:36:55,160 --> 00:36:57,640
Speaker 1: much like our final episode where I just walked around

720
00:36:57,680 --> 00:37:00,000
Speaker 1: the stages in tears for two street weeks.

721
00:37:00,440 --> 00:37:03,959
Speaker 3: There's so many people came through, It's a nine year show,

722
00:37:04,120 --> 00:37:07,839
Speaker 3: so many actors came through. There's so many characters that

723
00:37:07,960 --> 00:37:12,520
Speaker 3: are in the sandbox to play with. I can't even imagine,

724
00:37:13,280 --> 00:37:16,000
Speaker 3: like how fun and difficult that could be.

725
00:37:16,760 --> 00:37:22,359
Speaker 1: Yeah, just so sweet, I don't know. Yeah, and all

726
00:37:22,400 --> 00:37:24,880
Speaker 1: of the families that have been built out of this too,

727
00:37:24,920 --> 00:37:28,680
Speaker 1: Like I had one of those moments. Obviously. It's so

728
00:37:28,840 --> 00:37:32,960
Speaker 1: fun having the David character, as extreme as the storylines are,

729
00:37:33,280 --> 00:37:36,080
Speaker 1: because Scott Holroyd is just the nicest person in the world.

730
00:37:36,440 --> 00:37:41,360
Speaker 1: But having Miss Lauren and David in this episode, I

731
00:37:41,480 --> 00:37:45,640
Speaker 1: was like, oh my god, Like our friends when they

732
00:37:45,719 --> 00:37:47,840
Speaker 1: first started working on this show together didn't even have

733
00:37:47,960 --> 00:37:51,200
Speaker 1: kids yet, you know, and I think about their family now.

734
00:37:52,160 --> 00:37:55,120
Speaker 1: It's just a trick to me. It's so special, so cool.

735
00:37:55,440 --> 00:37:58,719
Speaker 4: So two things around, Well, before we get to that

736
00:37:58,760 --> 00:38:02,560
Speaker 4: Miss Lauren scene with Mouth is how I loved this scene.

737
00:38:03,520 --> 00:38:06,360
Speaker 4: Mouth is now back at their apartment and there's this

738
00:38:06,480 --> 00:38:08,680
Speaker 4: great exchange when Millie's getting ready to leave for work

739
00:38:08,719 --> 00:38:11,279
Speaker 4: and she says she asks him like, how long are

740
00:38:11,280 --> 00:38:14,399
Speaker 4: you staying? And he says a day or two and

741
00:38:14,480 --> 00:38:16,160
Speaker 4: she stops and says, but you'll be here when I

742
00:38:16,160 --> 00:38:19,320
Speaker 4: get home and he says yeah, and she says, that helps.

743
00:38:19,400 --> 00:38:22,960
Speaker 1: That helps. I started crying.

744
00:38:24,000 --> 00:38:28,120
Speaker 4: It was so sweet, and again, especially after this ridiculous

745
00:38:28,160 --> 00:38:30,520
Speaker 4: storyline of her after school special, like it was just

746
00:38:30,560 --> 00:38:32,680
Speaker 4: so nice to be getting her Mouth and Milly back

747
00:38:32,760 --> 00:38:35,320
Speaker 4: in this like sweet scene of connection. But then I

748
00:38:35,360 --> 00:38:38,879
Speaker 4: will say I had a really funny moment when Miss

749
00:38:39,000 --> 00:38:42,279
Speaker 4: Lauren shows up and Mouth is cleaning up this you know,

750
00:38:42,320 --> 00:38:44,759
Speaker 4: the apartment looks like a Fiona Apple music video. It's

751
00:38:44,760 --> 00:38:48,839
Speaker 4: an absolute disaster. And she shows up and she's like, well,

752
00:38:48,840 --> 00:38:51,640
Speaker 4: all help, and they start playing this like cute game

753
00:38:51,680 --> 00:38:54,400
Speaker 4: of like recreating a crime scene. And because I remember

754
00:38:54,440 --> 00:38:57,560
Speaker 4: much of the show was like hold on a second, yeah,

755
00:38:57,560 --> 00:38:59,680
Speaker 4: our Mouth and Miss Lauren about to make some bad

756
00:38:59,719 --> 00:39:01,799
Speaker 4: descis together, I thought so too.

757
00:39:02,200 --> 00:39:04,400
Speaker 1: I had that moment too where I was like, what's happening,

758
00:39:04,920 --> 00:39:06,799
Speaker 1: what's happening? And then I went no, No, they're both

759
00:39:06,840 --> 00:39:09,880
Speaker 1: just adorable. They're just adorable and they miss their people.

760
00:39:10,280 --> 00:39:13,200
Speaker 1: But I had a moment of panic because the episode

761
00:39:13,280 --> 00:39:17,120
Speaker 1: is so extreme and outlandish and has taken like what

762
00:39:17,320 --> 00:39:19,200
Speaker 1: might be the craziest things that have ever happened to

763
00:39:19,239 --> 00:39:21,560
Speaker 1: anyone and ratcheted them up from ten to one hundred.

764
00:39:21,640 --> 00:39:25,040
Speaker 1: I was like, no, no, no, oh. I had one

765
00:39:25,040 --> 00:39:27,040
Speaker 1: of those. It was like a no, no, no, getting

766
00:39:27,080 --> 00:39:29,600
Speaker 1: closer to the TV, and then an oh, oh oh.

767
00:39:29,880 --> 00:39:32,440
Speaker 1: Resting back into my couch, I.

768
00:39:32,400 --> 00:39:35,160
Speaker 3: Find stuff like that's so interesting because then I go, Okay,

769
00:39:35,280 --> 00:39:37,359
Speaker 3: was it in the lines or was it in the performance?

770
00:39:37,800 --> 00:39:41,440
Speaker 3: And yeah, something that happened just because the two actors

771
00:39:41,440 --> 00:39:43,960
Speaker 3: had a cute moment or was it actually in the writing.

772
00:39:44,120 --> 00:39:44,960
Speaker 4: That's a good question.

773
00:39:45,360 --> 00:39:47,279
Speaker 3: Did the writers want that to happen or did that

774
00:39:47,400 --> 00:39:48,520
Speaker 3: just happen accidentally?

775
00:39:49,000 --> 00:39:52,080
Speaker 1: Well, and there's a thing too, right where like everyone

776
00:39:52,200 --> 00:39:57,920
Speaker 1: has chemistry. Chemistry doesn't have to be sexual, it doesn't

777
00:39:57,920 --> 00:40:00,960
Speaker 1: have to be romantic. But when you really get along

778
00:40:01,000 --> 00:40:02,799
Speaker 1: with someone, when you share a sense of humor, like

779
00:40:03,239 --> 00:40:05,640
Speaker 1: you have chemistry with your friends, like me and Raw

780
00:40:05,960 --> 00:40:08,360
Speaker 1: exactly you and Rob have. I mean, honestly, sometimes I

781
00:40:08,400 --> 00:40:11,000
Speaker 1: feel like I should leave the room. It's electric, it's

782
00:40:11,680 --> 00:40:17,120
Speaker 1: really hot. Sometimes I don't know. As a viewer, I

783
00:40:17,160 --> 00:40:19,600
Speaker 1: was watching them and I was like, their chemistry is

784
00:40:19,640 --> 00:40:24,440
Speaker 1: so good, but it's so sweet. But it's also chemistry.

785
00:40:24,480 --> 00:40:27,880
Speaker 1: What's happening. And that's a fun place to be seven

786
00:40:28,000 --> 00:40:33,120
Speaker 1: years in to realize you don't know something with characters

787
00:40:33,120 --> 00:40:35,480
Speaker 1: that at this point almost feel like your family. I

788
00:40:35,520 --> 00:40:36,399
Speaker 1: really liked that.

789
00:40:37,000 --> 00:40:40,480
Speaker 4: And tonally the episode is so unhinged that it is

790
00:40:40,680 --> 00:40:43,239
Speaker 4: entirely within the realm of possibility that this might be

791
00:40:43,320 --> 00:40:45,680
Speaker 4: going down, because by the time we get to this bit,

792
00:40:45,800 --> 00:40:49,920
Speaker 4: oh if we've already seen some outrageous stuff happen and

793
00:40:49,960 --> 00:40:53,200
Speaker 4: it's it's perfect. It's like you were saying, So if

794
00:40:53,200 --> 00:40:56,040
Speaker 4: it's in no way is it heavy handed, it's kind

795
00:40:56,040 --> 00:40:59,520
Speaker 4: of all circumstantial, right, Yeah, mouth has been through it

796
00:40:59,560 --> 00:41:02,360
Speaker 4: with Milk. It's been nothing but like pain and heartache

797
00:41:02,360 --> 00:41:06,440
Speaker 4: and worry. Miss Lauren is heartbroken. And now here they

798
00:41:06,480 --> 00:41:09,400
Speaker 4: are back in this apartment and they're laughing together and

799
00:41:09,400 --> 00:41:13,600
Speaker 4: they're connecting. So they didn't have to do much to

800
00:41:13,680 --> 00:41:17,040
Speaker 4: create that question of oh, farts.

801
00:41:16,880 --> 00:41:19,320
Speaker 1: Yes, and this is going to be like a really

802
00:41:19,360 --> 00:41:22,480
Speaker 1: extreme thing I'm relating it to. But again, I think

803
00:41:22,480 --> 00:41:26,520
Speaker 1: it's why it felt possible. You know, there's that very

804
00:41:26,560 --> 00:41:29,840
Speaker 1: common thing that happens, you know, knock on wood, God forbid,

805
00:41:30,480 --> 00:41:38,000
Speaker 1: someone dies young and then like you know, the widowed man,

806
00:41:38,560 --> 00:41:42,240
Speaker 1: the widower and the wife who's died, her best friend

807
00:41:42,280 --> 00:41:48,400
Speaker 1: fall in love like people often bond after loss, and

808
00:41:48,520 --> 00:41:52,560
Speaker 1: granted skills hasn't died. But weirdly, you know, our bosses

809
00:41:52,600 --> 00:41:54,920
Speaker 1: did that strange thing where like they just disappeared a

810
00:41:54,960 --> 00:41:56,759
Speaker 1: character for a while, so they were like, Julian got

811
00:41:56,840 --> 00:41:59,120
Speaker 1: him a job in la but nobody's heard from him.

812
00:41:59,120 --> 00:42:01,680
Speaker 1: We don't know how often they're talking, you know, Lauren's

813
00:42:01,719 --> 00:42:05,040
Speaker 1: talking about him like he's just evaporated and they both

814
00:42:05,080 --> 00:42:08,160
Speaker 1: miss him. And I think that's part of why you're like, wait,

815
00:42:08,360 --> 00:42:12,319
Speaker 1: are they friends that are having the same sad experience

816
00:42:12,440 --> 00:42:15,239
Speaker 1: or are they gonna like bond in a way they

817
00:42:15,280 --> 00:42:20,440
Speaker 1: shouldn't out of their sadness. Yeah, And it left me questioning.

818
00:42:20,480 --> 00:42:24,799
Speaker 1: But the questioning was kind of cool because it reminds you,

819
00:42:24,920 --> 00:42:27,719
Speaker 1: I guess, that you never really know. And it was

820
00:42:27,760 --> 00:42:31,640
Speaker 1: an interesting thing to have Mouth trying to process with

821
00:42:31,800 --> 00:42:35,120
Speaker 1: Milly and deciding to stay and show up. And then

822
00:42:35,160 --> 00:42:38,400
Speaker 1: on the other end, you know, since we've been the

823
00:42:38,400 --> 00:42:40,239
Speaker 1: best of friends on the show for so long, you

824
00:42:40,320 --> 00:42:43,360
Speaker 1: have Brooke who's like pushing away her feelings about Milly

825
00:42:44,480 --> 00:42:46,320
Speaker 1: and who just doesn't want to deal and like can't

826
00:42:46,320 --> 00:42:49,600
Speaker 1: have another person hurt her. And then you've got Victoria

827
00:42:49,640 --> 00:42:52,319
Speaker 1: being like she believed in you and I didn't. I

828
00:42:52,760 --> 00:42:57,200
Speaker 1: loved that they gave that to Daphne to be this

829
00:42:57,320 --> 00:43:01,120
Speaker 1: sort of rational person who really stood up for Milly

830
00:43:01,719 --> 00:43:04,839
Speaker 1: and who at the same time is so Victoria because

831
00:43:04,840 --> 00:43:07,320
Speaker 1: she's like I don't necessarily like her or whatever she says,

832
00:43:07,640 --> 00:43:10,239
Speaker 1: but she was a very good friend to you. It

833
00:43:10,320 --> 00:43:15,239
Speaker 1: was so snarky and yet so sweet at the same time.

834
00:43:15,280 --> 00:43:18,359
Speaker 1: And I just thought the whole world they built around

835
00:43:19,000 --> 00:43:24,279
Speaker 1: Millicent felt worthy of her, like we've missed her so much.

836
00:43:24,320 --> 00:43:27,040
Speaker 1: To your point, Rob, that it's nice to see everybody

837
00:43:27,040 --> 00:43:28,040
Speaker 1: trying to figure it out.

838
00:43:28,920 --> 00:43:33,560
Speaker 4: And speaking of Victoria, Daphne makes this incredible choice at

839
00:43:33,560 --> 00:43:37,080
Speaker 4: the top of one of these scenes where I think

840
00:43:37,120 --> 00:43:39,560
Speaker 4: it's in close over bros And maybe Brooke is showing up,

841
00:43:40,080 --> 00:43:43,799
Speaker 4: either Brooke or Milly, where there's no dialogue, but she's

842
00:43:43,840 --> 00:43:46,279
Speaker 4: making the choice to be looking at her reflection and

843
00:43:46,280 --> 00:43:48,520
Speaker 4: she's pulling back her skin as if to see what

844
00:43:48,560 --> 00:43:51,560
Speaker 4: a facelift would look like on her. Yeah. Yeah, and

845
00:43:51,600 --> 00:43:54,240
Speaker 4: that killed me because you know, that's not in the script.

846
00:43:54,239 --> 00:43:57,640
Speaker 4: That's just an actor who's good knowing like, Okay, here's

847
00:43:57,640 --> 00:43:59,319
Speaker 4: how I can fill up some time. This is what

848
00:43:59,400 --> 00:44:03,000
Speaker 4: this character doing. But it it got such a for me,

849
00:44:03,080 --> 00:44:05,080
Speaker 4: It got such a good laugh that I don't think

850
00:44:05,239 --> 00:44:05,960
Speaker 4: was on the page.

851
00:44:06,120 --> 00:44:08,880
Speaker 3: You know. Yeah, it was great and also vulnerable, shows

852
00:44:08,880 --> 00:44:11,440
Speaker 3: that a little vulnerability and really great.

853
00:44:11,480 --> 00:44:14,040
Speaker 4: Which tracks with what we're seeing her do lately, you know.

854
00:44:14,640 --> 00:44:16,480
Speaker 1: And one of the things I loved about it too

855
00:44:16,640 --> 00:44:23,000
Speaker 1: is Daphne is so she's so in her body. She's

856
00:44:23,040 --> 00:44:28,440
Speaker 1: a meditator, she's like a brilliant mind. She's you know,

857
00:44:29,760 --> 00:44:33,200
Speaker 1: incredibly healthy, like she takes beautiful care of herself and

858
00:44:33,239 --> 00:44:36,120
Speaker 1: also has never been a woman who messes with her face,

859
00:44:36,840 --> 00:44:39,200
Speaker 1: and that she was so willing to be like, well,

860
00:44:39,480 --> 00:44:41,800
Speaker 1: since my face actually moves, I can pull it around

861
00:44:41,880 --> 00:44:45,680
Speaker 1: and do something with it, like absolute freedom in herself.

862
00:44:46,200 --> 00:44:49,080
Speaker 1: And you don't see that a lot. And I remember

863
00:44:49,120 --> 00:44:51,959
Speaker 1: at the time her being like, oh, come on, it's hilarious,

864
00:44:52,560 --> 00:44:55,560
Speaker 1: And now it's like even cooler to me than it

865
00:44:55,640 --> 00:44:56,000
Speaker 1: was then.

866
00:44:56,440 --> 00:44:57,120
Speaker 3: Yeah, for sure.

867
00:44:57,280 --> 00:44:59,959
Speaker 1: Can I say something about before we move on from that? Though,

868
00:45:00,080 --> 00:45:03,759
Speaker 1: Like the Millie Brooke in Victoria dynamic I really love

869
00:45:04,080 --> 00:45:07,080
Speaker 1: and I just caught a note and I get why

870
00:45:07,080 --> 00:45:09,000
Speaker 1: I didn't, because it has to be a little hard one.

871
00:45:09,400 --> 00:45:13,440
Speaker 1: But Victoria is really encouraging Brooke to stand up for

872
00:45:13,520 --> 00:45:15,400
Speaker 1: Melicent and to be her friend and to show up

873
00:45:15,440 --> 00:45:18,120
Speaker 1: for her. And the only way Brooke really knows how

874
00:45:18,680 --> 00:45:21,160
Speaker 1: in her own sadness. When she sees that Milly's also

875
00:45:21,320 --> 00:45:23,680
Speaker 1: so sad, is to say, hey, will you help me

876
00:45:23,719 --> 00:45:26,760
Speaker 1: with this? And they start working on that jacket together.

877
00:45:26,840 --> 00:45:29,200
Speaker 1: You know, they're each taking a lapel and doing the work,

878
00:45:29,239 --> 00:45:31,640
Speaker 1: and they have this nice moment of like, Okay, this

879
00:45:31,719 --> 00:45:36,799
Speaker 1: is a first step. But sweet Lisa is so I mean,

880
00:45:36,840 --> 00:45:41,640
Speaker 1: she's just so vulnerable and obviously crushed, and it kills

881
00:45:41,680 --> 00:45:45,120
Speaker 1: me that when she's like, through her tears, says thanks

882
00:45:45,200 --> 00:45:47,880
Speaker 1: as she's pinning, I don't just hug her, And I

883
00:45:48,280 --> 00:45:49,840
Speaker 1: wrote it down, I was like, I wish I had

884
00:45:49,920 --> 00:45:53,600
Speaker 1: hugged her. I know it required baby steps, but for me,

885
00:45:54,040 --> 00:45:56,680
Speaker 1: it like it hurts me that I didn't get to

886
00:45:56,760 --> 00:45:59,360
Speaker 1: hug her in that moment. And I'm sure it was

887
00:45:59,440 --> 00:46:01,759
Speaker 1: Paul being a smart director and saying no, no, it's

888
00:46:01,800 --> 00:46:07,000
Speaker 1: too much, too soon. But oh, she's just so vulnerable

889
00:46:07,080 --> 00:46:07,319
Speaker 1: in it.

890
00:46:08,000 --> 00:46:11,279
Speaker 3: I always find that so interesting, the sort of intersection

891
00:46:11,640 --> 00:46:15,120
Speaker 3: or the the push and pull of the actor's instinct

892
00:46:16,040 --> 00:46:19,759
Speaker 3: and then also not being right for a story. Yes,

893
00:46:20,080 --> 00:46:21,480
Speaker 3: that happens to me all the time, where I have

894
00:46:21,480 --> 00:46:24,360
Speaker 3: an instinct and it's not right for the movie or

895
00:46:24,400 --> 00:46:26,359
Speaker 3: the show. It's like no, no, no, that happened. That's

896
00:46:26,360 --> 00:46:27,000
Speaker 3: gonna be later.

897
00:46:27,960 --> 00:46:31,800
Speaker 1: Yes, Like you gotta wait and you're like, no, my heart,

898
00:46:31,840 --> 00:46:32,920
Speaker 1: it hurts.

899
00:46:33,239 --> 00:46:38,480
Speaker 4: It's like the the camping trip when Nathan is just

900
00:46:38,520 --> 00:46:42,919
Speaker 4: an absolute tool to Julian the entire time.

901
00:46:42,960 --> 00:46:43,120
Speaker 3: You know.

902
00:46:43,160 --> 00:46:45,960
Speaker 4: It's that kind of thing where I think the rational

903
00:46:48,040 --> 00:46:50,000
Speaker 4: James Pricey like, hey, I feel like I'm coming off

904
00:46:50,040 --> 00:46:53,520
Speaker 4: a little bit dickish.

905
00:46:52,200 --> 00:46:53,440
Speaker 1: And they're like, that's the point.

906
00:46:53,840 --> 00:46:55,719
Speaker 4: But it's exactly. It's like, yeah, but we got to

907
00:46:55,760 --> 00:46:58,239
Speaker 4: get to the end where there's this nice turn. You know.

908
00:47:00,800 --> 00:47:05,320
Speaker 4: So what did you think of the whole Kylie swimming

909
00:47:05,440 --> 00:47:06,720
Speaker 4: in Clay's pool?

910
00:47:07,440 --> 00:47:10,120
Speaker 3: What did that ever happened before? Or was that the

911
00:47:10,120 --> 00:47:11,160
Speaker 3: only time that happened.

912
00:47:11,640 --> 00:47:16,799
Speaker 1: It's happened before, but not since Quinn, right, And so

913
00:47:16,920 --> 00:47:19,800
Speaker 1: the fact that Kylie just comes back out of nowhere,

914
00:47:22,360 --> 00:47:24,320
Speaker 1: it didn't feel super motivated.

915
00:47:24,840 --> 00:47:27,239
Speaker 3: And also we were out of the scene before they

916
00:47:27,280 --> 00:47:30,680
Speaker 3: could say anything or do anything. It was just scene

917
00:47:30,680 --> 00:47:34,480
Speaker 3: over and it's like, what happened? What was the conversation

918
00:47:34,800 --> 00:47:36,000
Speaker 3: after this happened?

919
00:47:36,560 --> 00:47:37,200
Speaker 1: Exactly?

920
00:47:37,800 --> 00:47:40,879
Speaker 4: Well, the whole thing is like she's the booty call.

921
00:47:40,920 --> 00:47:44,520
Speaker 4: We've established that, you know that, Like it's just it

922
00:47:44,560 --> 00:47:46,400
Speaker 4: was just the fling when Clay was still trying to

923
00:47:46,480 --> 00:47:49,480
Speaker 4: numb out, you know. And so to me though, to

924
00:47:49,560 --> 00:47:52,200
Speaker 4: have her just show up for a swim and be leaving,

925
00:47:52,640 --> 00:47:54,520
Speaker 4: to me, it's like she's not even there to hook up.

926
00:47:54,560 --> 00:47:57,239
Speaker 4: She just needed a pool to swim in. It's so

927
00:47:57,880 --> 00:47:59,000
Speaker 4: it's so strange.

928
00:47:59,440 --> 00:48:03,160
Speaker 1: It's very strange. And again it feels like they had

929
00:48:03,160 --> 00:48:05,960
Speaker 1: an idea that they didn't take across the finish line,

930
00:48:06,160 --> 00:48:08,960
Speaker 1: because the whole reason it happens is so that by

931
00:48:08,960 --> 00:48:11,239
Speaker 1: the time you guys get home from this show of

932
00:48:11,280 --> 00:48:14,040
Speaker 1: a dinner, Clay can say I changed the locks for you,

933
00:48:14,120 --> 00:48:15,759
Speaker 1: and now you're the only woman with a key to

934
00:48:15,800 --> 00:48:18,800
Speaker 1: my house. And then my reaction wasn't oh, how sweet.

935
00:48:18,800 --> 00:48:20,200
Speaker 1: I was like, Kylie had keys.

936
00:48:20,640 --> 00:48:23,799
Speaker 4: Yeah, what I was like, wait.

937
00:48:23,800 --> 00:48:26,839
Speaker 1: Clay's just been giving keys to random chicks, Like, oh

938
00:48:26,880 --> 00:48:27,279
Speaker 1: my god.

939
00:48:27,360 --> 00:48:27,560
Speaker 3: What.

940
00:48:28,320 --> 00:48:30,840
Speaker 1: It feels like they had the kernel of an idea

941
00:48:31,080 --> 00:48:34,279
Speaker 1: and then they sent the script out and forgot to

942
00:48:34,360 --> 00:48:35,440
Speaker 1: finish those scenes.

943
00:48:35,600 --> 00:48:38,200
Speaker 4: Oh yeah, and then you know, and we'll see in

944
00:48:38,239 --> 00:48:42,680
Speaker 4: the next episode. There's poor Sasha. She was a good sport,

945
00:48:42,800 --> 00:48:46,000
Speaker 4: you know, but her unofficial uniform in this show was

946
00:48:46,160 --> 00:48:50,239
Speaker 4: just a bikini. But yeah, I just thought it was

947
00:48:50,280 --> 00:48:53,320
Speaker 4: so odd that it's like she wasn't even like swimming

948
00:48:53,400 --> 00:48:55,800
Speaker 4: sexy or like took her top off y at Clay's attention.

949
00:48:55,960 --> 00:48:58,080
Speaker 4: She just didn't even knock. She was like, I'm just

950
00:48:58,120 --> 00:48:59,960
Speaker 4: going to show up and swim in his pool.

951
00:49:00,280 --> 00:49:02,319
Speaker 1: She was like doing laps to get her cardio.

952
00:49:02,040 --> 00:49:05,240
Speaker 4: In exactly what go to the why what are you doing?

953
00:49:06,080 --> 00:49:11,560
Speaker 1: It's so weird. Yeah, okay, I think I think this

954
00:49:11,640 --> 00:49:16,359
Speaker 1: episode is like an extreme seesaw. It's very up and down,

955
00:49:16,560 --> 00:49:19,799
Speaker 1: but all around pretty fun. Oh yeah, what do you

956
00:49:19,840 --> 00:49:22,239
Speaker 1: guys think? What are your honorable mentions for this?

957
00:49:23,760 --> 00:49:25,520
Speaker 4: I will say there was there was a line from

958
00:49:25,520 --> 00:49:28,799
Speaker 4: this episode that I remembered to this day, which is

959
00:49:28,800 --> 00:49:32,640
Speaker 4: when Nathan is shooting his mocap for the video game

960
00:49:33,680 --> 00:49:36,279
Speaker 4: and he walks over and I say, you look good

961
00:49:36,360 --> 00:49:37,360
Speaker 4: covered in balls.

962
00:49:37,960 --> 00:49:39,040
Speaker 1: That was uncomfortable.

963
00:49:39,120 --> 00:49:46,360
Speaker 4: And then he says, now I know how Taylor feels. Whoa, whoa, whoa.

964
00:49:47,719 --> 00:49:51,200
Speaker 3: The mine's kind of weird. The x X song, Yes,

965
00:49:51,719 --> 00:49:53,719
Speaker 3: that song is so good and so sexy, and I

966
00:49:53,760 --> 00:49:55,200
Speaker 3: was like, oh my god, that must have been a

967
00:49:55,239 --> 00:49:58,440
Speaker 3: fortune because that's what I'm dealing with. And I just

968
00:49:58,480 --> 00:50:00,000
Speaker 3: thought it was so cool that we have that song.

969
00:50:00,160 --> 00:50:04,680
Speaker 1: The episode was Yeah, stoked, it's so good. I wrote

970
00:50:04,719 --> 00:50:06,359
Speaker 1: that down too. I was like that we had two

971
00:50:06,440 --> 00:50:09,440
Speaker 1: songs from the XX and we had Teagan and Sarah.

972
00:50:09,520 --> 00:50:12,680
Speaker 1: I was like, God, we were in such good flow.

973
00:50:14,239 --> 00:50:17,359
Speaker 1: I actually I want to give an honorable mention because

974
00:50:17,400 --> 00:50:20,880
Speaker 1: it was the perfect button on the whole episode. The

975
00:50:20,920 --> 00:50:23,920
Speaker 1: scene where Nathan and Haley are getting in bed and

976
00:50:23,960 --> 00:50:26,600
Speaker 1: he just starts to laugh and she goes what and

977
00:50:27,160 --> 00:50:30,640
Speaker 1: through laughter he goes, your family's crazy. It was just

978
00:50:30,719 --> 00:50:34,319
Speaker 1: a perfect little button on the episode because in a way,

979
00:50:34,440 --> 00:50:36,719
Speaker 1: Nathan got to be the audience being like, what the

980
00:50:37,120 --> 00:50:39,879
Speaker 1: was that? And I thought it was a very very

981
00:50:40,040 --> 00:50:43,879
Speaker 1: great little device of comedy. So hats off to Mike

982
00:50:43,920 --> 00:50:44,839
Speaker 1: and David for that.

983
00:50:45,120 --> 00:50:47,320
Speaker 3: A little wink like, hey, we know this episode was

984
00:50:47,320 --> 00:50:49,080
Speaker 3: a bit unhinged exactly.

985
00:50:49,160 --> 00:50:51,200
Speaker 1: They were like, it was unhinged, we know, we're in

986
00:50:51,200 --> 00:50:52,160
Speaker 1: on the joke real quick.

987
00:50:52,200 --> 00:50:54,040
Speaker 4: To last things, one, did you notice that their bed

988
00:50:54,120 --> 00:50:55,719
Speaker 4: is smack in the middle of their room?

989
00:50:55,880 --> 00:50:57,080
Speaker 3: I was just gonna say this.

990
00:50:57,200 --> 00:50:59,840
Speaker 1: Yeah, the floating bed in a house that has no

991
00:51:00,080 --> 00:51:03,319
Speaker 1: other modern touches is very odd. It stood out to

992
00:51:03,360 --> 00:51:03,839
Speaker 1: me as well.

993
00:51:03,920 --> 00:51:06,000
Speaker 3: Part of me thinks loves it and part of me

994
00:51:06,080 --> 00:51:08,920
Speaker 3: hates it. I was wondering why they did that, and

995
00:51:09,000 --> 00:51:12,040
Speaker 3: then I started thinking like a DP and going, oh, well,

996
00:51:12,040 --> 00:51:14,120
Speaker 3: there's more depth and you don't have to be facing

997
00:51:14,520 --> 00:51:17,319
Speaker 3: shooting at a wall all the time. Yeah, maybe it

998
00:51:17,360 --> 00:51:19,200
Speaker 3: looks good on camera.

999
00:51:19,000 --> 00:51:20,760
Speaker 1: But you know what, it made me think of Austin,

1000
00:51:21,200 --> 00:51:24,799
Speaker 1: like those visits to see all of Donald Judd's spaces

1001
00:51:24,840 --> 00:51:28,600
Speaker 1: that we've done, and like, I was like, it's a

1002
00:51:28,640 --> 00:51:34,640
Speaker 1: really weird choice in this very kind of like Mediterranean

1003
00:51:34,760 --> 00:51:37,920
Speaker 1: villa home to do like the Donald Judd floating bed

1004
00:51:38,160 --> 00:51:40,320
Speaker 1: in the middle of an empty room that isn't empty.

1005
00:51:40,719 --> 00:51:42,239
Speaker 1: I was like, I don't know, but I do agree.

1006
00:51:42,280 --> 00:51:44,400
Speaker 1: I think it was probably a DP thing. And it

1007
00:51:44,400 --> 00:51:46,680
Speaker 1: made me giggle. I like that we all noticed that

1008
00:51:46,760 --> 00:51:48,000
Speaker 1: and we're like, wait, what's going on.

1009
00:51:48,320 --> 00:51:49,880
Speaker 3: It's odd, but it's kind of cool.

1010
00:51:50,040 --> 00:51:52,040
Speaker 4: It's it's so odd. And also there's a scene at

1011
00:51:52,080 --> 00:51:55,120
Speaker 4: the very start of it when Taylor sauntras out of

1012
00:51:55,160 --> 00:51:56,920
Speaker 4: the room I think it's like that scene where she's

1013
00:51:56,920 --> 00:51:59,520
Speaker 4: wearing like the juicy shorts or whatever, and Hayley turns

1014
00:51:59,520 --> 00:52:02,120
Speaker 4: to Nathan goes, are you going to say something? And

1015
00:52:02,520 --> 00:52:04,880
Speaker 4: James takes a beat and just goes, I love you

1016
00:52:06,920 --> 00:52:09,640
Speaker 4: and the husband and you went accurate.

1017
00:52:10,040 --> 00:52:11,000
Speaker 3: Accurate yep.

1018
00:52:11,440 --> 00:52:14,520
Speaker 1: Also, he has such good dad jokes in this episode

1019
00:52:14,520 --> 00:52:17,040
Speaker 1: because when him and David have the talk and they

1020
00:52:17,080 --> 00:52:18,880
Speaker 1: get to the end and he goes, if Haley asks,

1021
00:52:18,920 --> 00:52:20,480
Speaker 1: I yelled at you and you're sorry, and then he

1022
00:52:20,560 --> 00:52:24,200
Speaker 1: walks away, that was great, accurate. It's all so good.

1023
00:52:24,360 --> 00:52:26,279
Speaker 3: Mind's a bit of a disc but it's it's not

1024
00:52:26,560 --> 00:52:31,040
Speaker 3: that I actually loved it. The video game animation is

1025
00:52:31,080 --> 00:52:35,560
Speaker 3: pretty bad, yeah, but I've kind of like loved it.

1026
00:52:35,560 --> 00:52:36,239
Speaker 1: It was kind of good.

1027
00:52:36,320 --> 00:52:39,080
Speaker 3: Schedule is so fast, you don't have the time and

1028
00:52:39,120 --> 00:52:40,080
Speaker 3: the money, but it was.

1029
00:52:40,040 --> 00:52:42,719
Speaker 1: Kind of well and can you imagine now that thing

1030
00:52:42,760 --> 00:52:45,839
Speaker 1: would have been rendered in five minutes and looked incredible.

1031
00:52:45,640 --> 00:52:49,000
Speaker 4: Totally, And it's just it's so funny again like Logic Police,

1032
00:52:49,080 --> 00:52:52,480
Speaker 4: But if you are recording mocap for a video game

1033
00:52:52,760 --> 00:52:55,840
Speaker 4: at noon, you will not have a prototype of the

1034
00:52:55,880 --> 00:52:58,960
Speaker 4: game available at four pm. Yeah, it's exactly. It's like

1035
00:52:59,280 --> 00:53:00,680
Speaker 4: it'll be available eight months.

1036
00:53:01,520 --> 00:53:02,560
Speaker 1: It's so crazy.

1037
00:53:03,360 --> 00:53:06,000
Speaker 3: I did you even think of that? Rob. That's really funny.

1038
00:53:07,160 --> 00:53:08,759
Speaker 1: The game will be out next year. But here's a

1039
00:53:08,840 --> 00:53:12,160
Speaker 1: DVD of it for you today, kid, So weird.

1040
00:53:12,400 --> 00:53:15,280
Speaker 4: But that scene also lent itself to Nathan being able

1041
00:53:15,280 --> 00:53:18,680
Speaker 4: to tell Chuck to suck it, which was funny. Yeah,

1042
00:53:18,920 --> 00:53:21,399
Speaker 4: and that's like a grown man burning an eight year.

1043
00:53:21,320 --> 00:53:37,239
Speaker 1: Old, you know, yeah, the absolute payoff. Okay, guys, we

1044
00:53:37,320 --> 00:53:40,080
Speaker 1: have a listener question, and this is actually really sweet

1045
00:53:40,120 --> 00:53:43,160
Speaker 1: since we just have had these two conventions back to back.

1046
00:53:43,400 --> 00:53:47,600
Speaker 1: Shay wants to know what is your most memorable fan

1047
00:53:47,719 --> 00:53:50,680
Speaker 1: interaction that you have had at a One Tree Hill convention.

1048
00:53:52,360 --> 00:53:58,560
Speaker 5: Oh my god, there's so many because as you guys know,

1049
00:53:58,800 --> 00:54:02,879
Speaker 5: you know, people have had crazy tragedies happen to them,

1050
00:54:02,920 --> 00:54:05,080
Speaker 5: and they come to you and they say, like, this

1051
00:54:05,120 --> 00:54:06,080
Speaker 5: show saved my life.

1052
00:54:06,080 --> 00:54:08,880
Speaker 3: You know, all kinds of amazing things come from this,

1053
00:54:09,600 --> 00:54:11,640
Speaker 3: so it's hard to pinpoint one. But there was this

1054
00:54:11,680 --> 00:54:15,879
Speaker 3: girl named Matilda who's from France and I saw her

1055
00:54:15,920 --> 00:54:18,520
Speaker 3: seven years ago when I was dead at Comic Con

1056
00:54:18,840 --> 00:54:23,719
Speaker 3: in Paris, and you know, she's like, she's tweeted me

1057
00:54:23,920 --> 00:54:26,279
Speaker 3: and hit me up on Instagram and stuff, and she

1058
00:54:26,360 --> 00:54:29,120
Speaker 3: keeps just send me that photo of us together at

1059
00:54:29,120 --> 00:54:34,200
Speaker 3: the convention. And I saw her last weekend in Paris. Oh,

1060
00:54:34,320 --> 00:54:39,000
Speaker 3: you know, it was just moving and so cool just

1061
00:54:39,040 --> 00:54:42,719
Speaker 3: to see her again. And she came at the last thing.

1062
00:54:42,760 --> 00:54:46,760
Speaker 3: I was signing something and she comes and she goes, Austin,

1063
00:54:46,800 --> 00:54:48,200
Speaker 3: I wanted to say goodbye. I don't know if I'll

1064
00:54:48,200 --> 00:54:51,719
Speaker 3: ever see you again, and she it was just crumbled

1065
00:54:51,760 --> 00:54:53,840
Speaker 3: and like I crumbled, and I was just like, this

1066
00:54:54,040 --> 00:54:58,080
Speaker 3: is so beautiful and sad, like she's just has the

1067
00:54:58,120 --> 00:55:02,560
Speaker 3: most kindest, most beautiful and love that girl of death.

1068
00:55:04,400 --> 00:55:06,319
Speaker 4: How about you? So oh my.

1069
00:55:06,239 --> 00:55:09,560
Speaker 1: Gosh, it's funny. It's like there's there's so many memorable

1070
00:55:09,600 --> 00:55:14,480
Speaker 1: moments like running through my brain. The first thing I

1071
00:55:14,520 --> 00:55:16,600
Speaker 1: thought about was a couple of years ago at a

1072
00:55:16,600 --> 00:55:19,480
Speaker 1: convention in Wilmington, Hillary and I got to help two

1073
00:55:19,800 --> 00:55:22,920
Speaker 1: gals who love the show get engaged and like to

1074
00:55:22,960 --> 00:55:28,520
Speaker 1: be part of someone's proposal is so cool and so special.

1075
00:55:29,080 --> 00:55:33,120
Speaker 1: And then to your point, Austin, like sometimes it's the

1076
00:55:33,160 --> 00:55:36,279
Speaker 1: best moment, and sometimes it's that you were a part

1077
00:55:36,320 --> 00:55:39,319
Speaker 1: of like real hardship and you find out that this

1078
00:55:39,440 --> 00:55:44,400
Speaker 1: thing that you made helped this wonderful little girl Hayley

1079
00:55:44,520 --> 00:55:47,200
Speaker 1: that similarly, I feel like I've known her for almost

1080
00:55:47,239 --> 00:55:50,440
Speaker 1: fifteen years now because of the show and social and

1081
00:55:50,520 --> 00:55:54,719
Speaker 1: all the things like grew up being super sick. Her

1082
00:55:54,719 --> 00:55:57,440
Speaker 1: mom used to cut out all of our little characters

1083
00:55:58,400 --> 00:56:01,920
Speaker 1: and glue them onto her eyegs, like in scenes from

1084
00:56:01,960 --> 00:56:04,920
Speaker 1: the show when she was in the hospital for treatments.

1085
00:56:05,400 --> 00:56:08,320
Speaker 1: I've watched her go through all of these things for years.

1086
00:56:08,800 --> 00:56:13,239
Speaker 1: Cut to after college she moved to LA she wound

1087
00:56:13,320 --> 00:56:15,759
Speaker 1: up working for one of my friends, Like applied for

1088
00:56:15,800 --> 00:56:19,719
Speaker 1: a job because she'd followed a friend's company because I

1089
00:56:19,920 --> 00:56:22,520
Speaker 1: talked about it on Instagram, And like, I get a

1090
00:56:22,560 --> 00:56:24,759
Speaker 1: call from my friend Elizabeth, who's like, this kid is

1091
00:56:24,920 --> 00:56:27,120
Speaker 1: amazing and said she like grew up in the win

1092
00:56:27,200 --> 00:56:31,239
Speaker 1: Tree Hill world. Like I've watched her get better and

1093
00:56:31,280 --> 00:56:35,960
Speaker 1: it's so special, and like I don't know all of

1094
00:56:36,000 --> 00:56:40,440
Speaker 1: these all of these incredible things. You know, you realize

1095
00:56:40,480 --> 00:56:45,480
Speaker 1: that we built a world that ran the gamut of

1096
00:56:45,640 --> 00:56:49,840
Speaker 1: you know, tragedy to joy, and we've been in people's

1097
00:56:49,880 --> 00:56:52,520
Speaker 1: lives while they've run the real life gamut of those things,

1098
00:56:52,560 --> 00:56:55,600
Speaker 1: and we did too behind the scenes, you know, our

1099
00:56:56,200 --> 00:56:58,120
Speaker 1: on our set for as many years as we were there.

1100
00:56:58,239 --> 00:57:03,439
Speaker 1: And there's just something really special about this particular little

1101
00:57:03,480 --> 00:57:06,279
Speaker 1: world because we all feel like the same place makes

1102
00:57:06,360 --> 00:57:08,920
Speaker 1: us feel at home. And I really cherished that.

1103
00:57:10,520 --> 00:57:11,200
Speaker 4: That's wild.

1104
00:57:11,520 --> 00:57:12,120
Speaker 1: What do you got?

1105
00:57:12,200 --> 00:57:14,400
Speaker 4: I would say. In fact, it was at Paris this

1106
00:57:14,480 --> 00:57:17,480
Speaker 4: last week and I had several fans come up and

1107
00:57:17,520 --> 00:57:21,840
Speaker 4: show me a picture of us together from seven years ago.

1108
00:57:22,120 --> 00:57:27,080
Speaker 4: One was eleven years ago, and I was kind of

1109
00:57:27,120 --> 00:57:28,960
Speaker 4: struck by a similar thing to what you were saying.

1110
00:57:28,960 --> 00:57:33,800
Speaker 4: Where it was. It just blew my mind that this

1111
00:57:33,880 --> 00:57:36,920
Speaker 4: show has that kind of staying power and to be

1112
00:57:37,000 --> 00:57:39,280
Speaker 4: able to like look at the picture and then look

1113
00:57:39,280 --> 00:57:41,120
Speaker 4: at the person ahead of me and being like, wow,

1114
00:57:41,440 --> 00:57:45,960
Speaker 4: we've we've had ten years of life since then, and

1115
00:57:46,120 --> 00:57:48,880
Speaker 4: yet like the thing that hasn't changed is this show,

1116
00:57:49,720 --> 00:57:51,600
Speaker 4: you know, and it's still going on and it's just

1117
00:57:51,640 --> 00:57:54,760
Speaker 4: such a cool opportunity to get to do. But yeah,

1118
00:57:54,800 --> 00:57:57,400
Speaker 4: the fact that you know, we've we've been meeting some

1119
00:57:57,440 --> 00:58:00,480
Speaker 4: of these people for you know, more than a decade

1120
00:58:00,920 --> 00:58:05,240
Speaker 4: is crazy to me. And it's still going strong. Yeah,

1121
00:58:05,320 --> 00:58:09,439
Speaker 4: there's nothing like it. So cool, powerful. Well, buddy, thank

1122
00:58:09,480 --> 00:58:11,360
Speaker 4: you so much for joining us.

1123
00:58:11,320 --> 00:58:13,400
Speaker 3: Thank you for having me guys. It's so fun to

1124
00:58:13,520 --> 00:58:14,760
Speaker 3: see you and catch up always.

1125
00:58:14,840 --> 00:58:18,240
Speaker 1: What a fun day. And next week, you guys, the

1126
00:58:18,280 --> 00:58:21,680
Speaker 1: next episode, Season seven, episode fifteen is Don't You Forget

1127
00:58:21,720 --> 00:58:23,240
Speaker 1: About Me? It's our John Hughes week.

1128
00:58:23,760 --> 00:58:28,240
Speaker 4: Oh I'm so pumped, so good fun costumes.

1129
00:58:28,440 --> 00:58:30,880
Speaker 1: I'll go ahead while we have you, Austin an honorable

1130
00:58:30,920 --> 00:58:34,760
Speaker 1: mention your ducky costume. It was really really pro dude.

1131
00:58:35,840 --> 00:58:36,760
Speaker 4: It's so good.

1132
00:58:37,280 --> 00:58:42,080
Speaker 3: Very stoked on that because I love eighties everything and

1133
00:58:42,240 --> 00:58:44,280
Speaker 3: John here. That was a lot of fun.

1134
00:58:44,600 --> 00:58:46,520
Speaker 1: Oh, it's gonna be a good one.

1135
00:58:46,760 --> 00:58:47,960
Speaker 4: You were it well, my friend.

1136
00:58:48,600 --> 00:58:49,080
Speaker 3: Thank you, sir.

1137
00:58:49,440 --> 00:58:53,080
Speaker 1: Thanks friends, See you next week. Hey, thanks for listening.

1138
00:58:53,200 --> 00:58:55,440
Speaker 1: Don't forget to leave us a review. You can also

1139
00:58:55,480 --> 00:58:59,240
Speaker 1: follow us on Instagram at Drama Queen's otch.

1140
00:58:59,120 --> 00:59:03,360
Speaker 2: Or email set Drama Queens at iHeartRadio dot com.

1141
00:59:03,560 --> 00:59:04,560
Speaker 1: See you next time.

1142
00:59:05,800 --> 00:59:08,160
Speaker 2: We all about that high school drama.

1143
00:59:08,240 --> 00:59:09,959
Speaker 1: Girl Drama Girl, all about them.

1144
00:59:09,920 --> 00:59:11,680
Speaker 2: High school queens.

1145
00:59:11,720 --> 00:59:13,919
Speaker 1: We'll take you for a ride. And our comic girl

1146
00:59:14,680 --> 00:59:18,040
Speaker 1: cheering for the right teams. Drama Queens use my girl,

1147
00:59:18,120 --> 00:59:20,040
Speaker 1: rough girl fashion with your tough girl.

1148
00:59:20,120 --> 00:59:22,800
Speaker 2: You could sit with us Girl Drama Queens, Drama Queens,

1149
00:59:22,880 --> 00:59:26,880
Speaker 2: Drama Queens, Drama Drama Queens, Drama Queens