WEBVTT - Bridger Winegar, Our Close Friend Again

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<v Speaker 1>Bridger. I'm I'm grateful that you are here for this

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<v Speaker 1>moment in the history of this podcast.

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<v Speaker 2>Is this the first time?

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<v Speaker 1>This is the first time.

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<v Speaker 2>Here comes Haz and Sean.

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<v Speaker 1>We've done How many episodes have we done? Six six

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<v Speaker 1>seven mm? Of course that's not worthy of a Hollywood

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<v Speaker 1>Reporter article, like three hundred episodes? Is literally nobody ever

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<v Speaker 1>did this before till Bridger did it. My idea, we

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<v Speaker 1>must tell the story.

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<v Speaker 2>Give us my.

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<v Speaker 1>Idea to do three hundred episodes?

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<v Speaker 2>What if somebody did three hundred?

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<v Speaker 1>What if you did three hundred episodes? And the and

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<v Speaker 1>then it was written by a guy named.

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<v Speaker 2>Mikey the article Mike O'Connell.

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<v Speaker 1>Sorry, I'm not being written about by side one named Mikey.

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<v Speaker 2>That's rule.

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<v Speaker 1>Sorry, I will not be written about by Mikey.

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<v Speaker 2>Danny.

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<v Speaker 1>Oh, Danny's fine. Sure, Danny's fine. We have had no

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<v Speaker 1>communication from Sean.

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<v Speaker 2>Outside of my texting. You texted earlier. I said, don't

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<v Speaker 2>bother coming in today, you Sean, You're working hard enough already.

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<v Speaker 1>Oh oh that changes everything?

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<v Speaker 2>What does it change?

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<v Speaker 1>Well, I guess the wellness check of it all.

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<v Speaker 2>Oh sure you were worried?

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<v Speaker 1>I I mean he would want me to tod Sure.

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<v Speaker 2>It's the pot like it's about the work podcast first.

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<v Speaker 1>It's about the podcast. That's how you get to six forty,

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<v Speaker 1>that's how we get to potentially getting a Hollywood Reporter

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<v Speaker 1>article at episode maybe fifteen hundred. You what episode are

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<v Speaker 1>you on now?

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<v Speaker 2>I would say probably three h six, three of six

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<v Speaker 2>maybe that article it is fresh, I know, but also

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<v Speaker 2>now kind of out of date.

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<v Speaker 1>Oh, we'll talk about it every type you come on

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<v Speaker 1>for the rest of our lives, which we will all

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<v Speaker 1>be doing. We will all be doing these podcasts for

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<v Speaker 1>the rest of our lives. You've been doing I said,

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<v Speaker 1>no guests for three hundred and six episodes. You keep

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<v Speaker 1>your circle tight in terms of you don't really have

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<v Speaker 1>a cast of characters surrounding the show. You don't really

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<v Speaker 1>let personalities in beyond yourselves. Yes, you keep it very sterile.

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<v Speaker 2>It's people, I would say, people think it's cold sterile.

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<v Speaker 2>Lifeless would be another word I would use.

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<v Speaker 1>It creates the impression at least that there that there

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<v Speaker 1>is no one else in the universe. It seems like

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<v Speaker 1>you would like to simulate.

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<v Speaker 2>A world no no, no, no where it's just you.

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<v Speaker 2>I want it to be suffocating.

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<v Speaker 1>Okay, okay, because we've gone it down the show. There

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<v Speaker 1>are little people around.

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<v Speaker 2>There are people there. I don't know any of their names.

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<v Speaker 1>And they they they seem to be very aware that

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<v Speaker 1>there's a force field surrounding the mic table, right, and

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<v Speaker 1>a camera line like they they they eye it with fear.

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<v Speaker 2>Yeah, there's a when the mic is on, there's a

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<v Speaker 2>line you don't cross. People have. Yeah, oh they have,

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<v Speaker 2>they have, they don't anymore, they have, they don't anymore. Yeah,

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<v Speaker 2>and you guys were on just last year, just last year,

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<v Speaker 2>a late I was told very early on, we're going

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<v Speaker 2>to get these guys on the podcast. Yeah, and then

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<v Speaker 2>six years past and we ran into each other at

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<v Speaker 2>a restaurant.

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<v Speaker 1>A restaurant is a little elevated or what it was.

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<v Speaker 1>I know you'd like to be a restaurant guy.

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<v Speaker 2>What would you describe as a building that serves food?

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<v Speaker 1>It was a Yeah, it was like a like a shack,

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<v Speaker 1>like a snack shack.

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<v Speaker 2>A snack shack. Yeah, you'd call that a frequently called thing, snackshacks.

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<v Speaker 1>When I you don't go, oh, okay, when I patronized

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<v Speaker 1>them every time I've gone, you've been there. That's true

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<v Speaker 1>one of the time, and it did lead to uh

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<v Speaker 1>a booking on that show, Lucky Booking. But it's been you.

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<v Speaker 1>It's been a while since you've been here.

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<v Speaker 2>Yeah, I was on Zoom the last time you were

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<v Speaker 2>on Zoom.

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<v Speaker 1>Yes, yes, yes, we have an update. What I have

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<v Speaker 1>an update? Okay?

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<v Speaker 3>This is from a different group text from a few

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<v Speaker 3>weeks ago. Plus I'm gonna be in Tahoe July first

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<v Speaker 3>to July fifth. Oh wait, different place, but yes, definitely gone.

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<v Speaker 1>Keep going.

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<v Speaker 2>So this how did you find that one? How did

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<v Speaker 2>you track down that text?

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<v Speaker 3>I typed Tahoe into my phone. Hold on, I gotta

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<v Speaker 3>get the door.

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<v Speaker 1>That's Sean.

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<v Speaker 2>Kevin's in tah We need everyone we.

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<v Speaker 1>Can get here, Kevin. So whoever it is, you know,

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<v Speaker 1>you might you might as well bring them over and

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<v Speaker 1>hear me. They're naked, is that okay?

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<v Speaker 2>Bring them in?

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<v Speaker 1>So he Kevin has been he moved to Pittsburgh.

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<v Speaker 2>Oh that's why it's so dark. Yes, okay, And he's

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<v Speaker 2>been jerking me around all these dates.

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<v Speaker 1>That so he has been getting jerked around by all

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<v Speaker 1>these dates in Pittsburgh. That's basically he is pursuing the lifestyle.

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<v Speaker 2>Right right, So now we don't even know where he's gone.

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<v Speaker 2>Now that door, you know where that door goes.

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<v Speaker 1>Yeah, so there's two doors behind him. One is for

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<v Speaker 1>really one it's for tension, and the others for release.

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<v Speaker 1>Oh sure, that's all I.

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<v Speaker 2>Know, right, And which one did he just go through?

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<v Speaker 1>Really?

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<v Speaker 2>Release? Full release? Okay? Good?

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<v Speaker 1>And a big part of that is he just he

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<v Speaker 1>fucked up egregiously, yes, and he was just probably thinking

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<v Speaker 1>that he had gotten away with us discussing him fucking

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<v Speaker 1>up a six year delayed booking on your show.

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<v Speaker 2>Oh yeah, because that was also his That was also

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<v Speaker 2>his fault.

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<v Speaker 1>That was also his fault, right, And so as you could,

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<v Speaker 1>he's spending a lot of time in there.

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<v Speaker 2>Yeah, it could be for the rest of the episode.

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<v Speaker 1>But it's good. He likes all of it. It's not

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<v Speaker 1>like it's like he feels shame and like a negative boy.

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<v Speaker 2>He loves, he loves, he loves his feeling.

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<v Speaker 1>Yes, okay, that's right. He goes into the tension door

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<v Speaker 1>to Okay, so as you see what he.

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<v Speaker 2>Came back with back another person.

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<v Speaker 1>This is Desmond. He named the son after the character

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<v Speaker 1>from Lost. He loves Oh, of course loves the show Lost,

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<v Speaker 1>right or you say, of course, but are you familiar.

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<v Speaker 2>I've seen the first season of Lost. Okay, I've watched

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<v Speaker 2>the whole first season while working at overstock dot com.

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<v Speaker 1>Okay, he hates the first season because Desmond shows not overstocked.

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<v Speaker 2>Desmond comes into in another season.

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<v Speaker 1>I believe in season two. I think it uh the

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<v Speaker 1>season two I believe is kicked off by an introduction

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<v Speaker 1>of Dead. Yes, and so Kevin has been describing this

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<v Speaker 1>as season two of his life.

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<v Speaker 2>How are you feeling?

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<v Speaker 1>I feel okay, this is this is It's inevitable in

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<v Speaker 1>a way because we have the opposite situation as you

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<v Speaker 1>have on your show, where you have your show effectively

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<v Speaker 1>takes place under the dome, right ours, we are effectively

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<v Speaker 1>under siege by middling talents right demand demand, screen time,

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<v Speaker 1>Mike time.

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<v Speaker 2>Just.

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<v Speaker 1>Forcing themselves on the show in a legally actionable way.

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<v Speaker 2>Right all just kind of the name of self promotion.

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<v Speaker 1>At best, at absolute best. And so I haven't looked

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<v Speaker 1>over it, Richie. I can feel that he's just known

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<v Speaker 1>we're ten minutes in. He has known from the beginning

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<v Speaker 1>that this is the one, this is the episode. The

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<v Speaker 1>chair is empty, this is where I get my shot. Richie,

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<v Speaker 1>would you like to host the show with me? I

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<v Speaker 1>mean I can. Bridgard's a very critical guest. Bridgard like

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<v Speaker 1>Bridgard like is very judgmental.

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<v Speaker 4>So can you I definitely I can't. I just got

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<v Speaker 4>to reframe the camera and then did.

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<v Speaker 1>He says I can do it?

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<v Speaker 2>You're not going to excel.

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<v Speaker 1>No, he's saying that like he he can't, like he's

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<v Speaker 1>perfectly capable? Is like, does he have the desire? It's

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<v Speaker 1>at you don't know this guy. He's incredibly disrespectful. Richie.

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<v Speaker 1>Please will you host the show? Will you please come

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<v Speaker 1>over here and host the show? Let's do it go?

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<v Speaker 1>You have almost one thousand total episodes of experience, to

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<v Speaker 1>say nothing of bonus shows. Did you do it?

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<v Speaker 2>You have bonus Patreon of course?

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<v Speaker 1>Patreon of course?

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<v Speaker 2>How many have you done total? With Patreon? And everthin?

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<v Speaker 1>Kevin added up two thousand two exactly two thousand.

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<v Speaker 2>There's an article that is an article.

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<v Speaker 1>Ritchie gets one tomorrow. It's my movement, my breakout, all

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<v Speaker 1>about eves me instantly.

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<v Speaker 4>I won't forget you.

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<v Speaker 1>Though, do you know are you familiar with Bridger's show?

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<v Speaker 4>I'm I'm so bad with names, and.

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<v Speaker 1>So you are to your story is that you are

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<v Speaker 1>not familiar with Bridger's show because you forgot his name.

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<v Speaker 1>So you might have listened to the show, but the

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<v Speaker 1>names involved, Yes, you have forgotten.

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<v Speaker 4>Yeah, with the kids, it's just stuffs on and it's okay.

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<v Speaker 1>So you think while you're while you're with your children,

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<v Speaker 1>you have I said no gifts, playing on a Beats

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<v Speaker 1>pill at the beach.

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<v Speaker 4>That's exactly how I listened to it.

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<v Speaker 1>It's a it's a it's a high premise show, tough

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<v Speaker 1>to sustain over a long time episodes. It's that's hard.

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<v Speaker 2>It's a lot for me.

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<v Speaker 1>It is. Do you have any questions for him? So many?

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<v Speaker 1>So many?

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<v Speaker 2>Shoot, you want to tell me about it. I'll try

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<v Speaker 2>to remember, kind of just try to remind you. It's

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<v Speaker 2>called I said no gifts, and people, uh, for example

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<v Speaker 2>at Hayes and Sean come on and bring me a

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<v Speaker 2>gift for example. For example, sounds like a great show.

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<v Speaker 2>Is that ringing any bells?

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<v Speaker 1>It's not a very powerful network.

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<v Speaker 2>It's called exactly a writer. Are familiar with my favorite murder?

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<v Speaker 1>No?

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<v Speaker 2>Okay, I'm very new podcast listener. Yeah, I understand.

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<v Speaker 1>It's a big show. Karen Georgia. We never got Georgia.

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<v Speaker 2>You never got Georgia.

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<v Speaker 1>We we we went down the road a little bit,

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<v Speaker 1>did he never? Yes, never consummated. Interesting A guest to

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<v Speaker 1>a parents with Georgia Big show, Richie. I'm behind. They're

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<v Speaker 1>catching up.

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<v Speaker 4>I am catching up.

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<v Speaker 1>Now. What are you catching up on right now? Richie?

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<v Speaker 1>Right now? Yes, right now? Nothing?

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<v Speaker 2>Okay, so you're not catching That's why I'm not, But

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<v Speaker 2>I'm going to start.

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<v Speaker 4>I've been working on my house so by the time

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<v Speaker 4>I get home, I'm like.

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<v Speaker 1>I'm out. What are you doing to your house now?

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<v Speaker 1>Renovating the whole thing?

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<v Speaker 4>We actually just put in a bifold door for our patio.

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<v Speaker 1>Which is that's what. That's what, Kevin. That's the word

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<v Speaker 1>for what, Kevin as it's nice those two doors.

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<v Speaker 2>That's a bifold door.

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<v Speaker 1>Bifold door. Bye on one side, fold on the side. Ritchie,

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<v Speaker 1>it's all been for this. You've been so antsy about

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<v Speaker 1>your screen time, like building a screen life for yourself,

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<v Speaker 1>as you say, getting your brand out there. I just

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<v Speaker 1>I wasn't on top of it.

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<v Speaker 4>I wasn't prepared.

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<v Speaker 1>They love you out there, Richie. I didn't know the

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<v Speaker 1>fans love Richie, don't they Kevin. They do.

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<v Speaker 4>Try and do better than.

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<v Speaker 1>Kevin looks at them just like have I given you nothing?

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<v Speaker 1>But you don't know any of this, Like you don't

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<v Speaker 1>like you have no cast?

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<v Speaker 2>I have no cast?

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<v Speaker 1>How do you do it?

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<v Speaker 2>It's a great question. We've got her, we've got our

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<v Speaker 2>producer Ellis, and.

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<v Speaker 1>But we know but do we ever? We don't never

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<v Speaker 1>hear of Ellis's life on occasional What's what I need?

0:15:58.320 --> 0:16:00.000
<v Speaker 1>I need new lore for these guys.

0:16:00.680 --> 0:16:04.800
<v Speaker 2>Ellis keeps it pretty close to their chests. Okay, I'm

0:16:04.800 --> 0:16:08.480
<v Speaker 2>trying to think of what Ellis is revealed on the podcast. Okay,

0:16:08.880 --> 0:16:14.520
<v Speaker 2>almost nothing, almost nothing, Ellis. Ellis keeps it pretty professional. Okay,

0:16:15.640 --> 0:16:17.080
<v Speaker 2>we'll get into it here and there.

0:16:17.240 --> 0:16:20.560
<v Speaker 1>For us, it's like Kevin sex stuff.

0:16:21.520 --> 0:16:28.680
<v Speaker 3>NonStop, mostly sex stuff. You stuff, I'm into stuff I'm

0:16:28.720 --> 0:16:29.680
<v Speaker 3>trying to get into.

0:16:30.000 --> 0:16:32.880
<v Speaker 4>Yes, so much mooning off camera used to be.

0:16:32.880 --> 0:16:34.800
<v Speaker 1>The office that he loved. The office.

0:16:35.080 --> 0:16:37.200
<v Speaker 2>Oh sure that was the thing, but.

0:16:37.200 --> 0:16:40.560
<v Speaker 1>That was more we've we've now learned he never talks

0:16:40.560 --> 0:16:41.600
<v Speaker 1>about the office.

0:16:41.240 --> 0:16:42.680
<v Speaker 2>Anymore out of embarrassment.

0:16:43.000 --> 0:16:47.920
<v Speaker 1>He basically he basically like bagged with a woman and

0:16:48.040 --> 0:16:52.560
<v Speaker 1>so it was all along for his sex reasons.

0:16:52.680 --> 0:16:54.720
<v Speaker 2>Right, yes, right, that makes sense.

0:16:54.880 --> 0:17:05.560
<v Speaker 3>I found my pam yea from the office. Have you

0:17:05.600 --> 0:17:08.479
<v Speaker 3>listened to that podcast Richie, office ladies?

0:17:08.840 --> 0:17:09.159
<v Speaker 1>I have not.

0:17:10.640 --> 0:17:13.280
<v Speaker 4>I told you I'm very new to the podcast world.

0:17:13.760 --> 0:17:14.680
<v Speaker 2>What if you listened to.

0:17:17.040 --> 0:17:21.200
<v Speaker 4>A long time ago? I listened to Ron Bergandi.

0:17:22.840 --> 0:17:29.040
<v Speaker 1>Jesus Christ, this company man and pretending not to have

0:17:29.119 --> 0:17:36.280
<v Speaker 1>hurt my favorite murder? Is he still doing that?

0:17:37.480 --> 0:17:40.280
<v Speaker 2>No, I've been asking that a long time. Yeah, I'll

0:17:40.280 --> 0:17:42.360
<v Speaker 2>always you know, you'll see the thumbnail and I think

0:17:42.680 --> 0:17:44.160
<v Speaker 2>I can't possibly be doing it.

0:17:46.480 --> 0:17:52.840
<v Speaker 1>Ye here it is. Comedy writer Bridger Weineger said, no,

0:17:53.000 --> 0:17:59.960
<v Speaker 1>gifts man, Now he has more than three hundred of them, unbelieva.

0:18:00.720 --> 0:18:02.360
<v Speaker 2>What do you want me to say? Do you sell

0:18:02.359 --> 0:18:06.040
<v Speaker 2>the gifts after I've never sold? That's it most of it.

0:18:06.119 --> 0:18:07.200
<v Speaker 1>That would have been a good question.

0:18:07.480 --> 0:18:10.400
<v Speaker 2>I would describe the most gifts is unsellable.

0:18:10.119 --> 0:18:16.040
<v Speaker 1>Mikey, that would have been a good question. H you

0:18:16.160 --> 0:18:19.840
<v Speaker 1>kind of asked, he said, how many do you still have?

0:18:20.119 --> 0:18:21.159
<v Speaker 2>Yeah? I didn't say.

0:18:21.560 --> 0:18:23.679
<v Speaker 1>And that's when you're like a reporter for a trade

0:18:23.680 --> 0:18:28.560
<v Speaker 1>publication and you need to like maintain these relationships. That's

0:18:28.600 --> 0:18:31.280
<v Speaker 1>how you ask instead of what you really mean, which

0:18:31.359 --> 0:18:35.600
<v Speaker 1>is how much money have you made selling the gifts

0:18:36.400 --> 0:18:40.320
<v Speaker 1>as former possessions of celebrities with their DNA.

0:18:40.080 --> 0:18:42.439
<v Speaker 2>Online right, kind of plastering their name all over the

0:18:42.440 --> 0:18:43.280
<v Speaker 2>eBay list.

0:18:43.400 --> 0:18:51.440
<v Speaker 1>Right, huge market. That's right on poshmark, on posh Mark. Yeah.

0:18:51.480 --> 0:18:55.600
<v Speaker 2>I haven't sold any of them. I've kept most of them.

0:18:55.920 --> 0:18:57.760
<v Speaker 1>What'd you say? I read this interview? What did Bow

0:18:57.800 --> 0:19:00.840
<v Speaker 1>and Yang bring? You say you threw bo and gave me.

0:19:02.760 --> 0:19:04.720
<v Speaker 2>I think maybe a fifty pound bag of bird seed.

0:19:05.680 --> 0:19:08.399
<v Speaker 1>But you said that stayed in New York, which doesn't

0:19:08.440 --> 0:19:10.440
<v Speaker 1>actually say you threw it out. It could be that

0:19:10.480 --> 0:19:11.840
<v Speaker 1>you sold it.

0:19:12.160 --> 0:19:15.320
<v Speaker 2>Yeah, okay, fine, you sold a fifty pound bag. I

0:19:15.400 --> 0:19:17.280
<v Speaker 2>saw there's a valuable bag of bird seed.

0:19:17.440 --> 0:19:18.960
<v Speaker 4>I just left it on the sidewalk.

0:19:19.119 --> 0:19:22.000
<v Speaker 2>The city full of birds.

0:19:22.600 --> 0:19:26.440
<v Speaker 1>With money, with money, it's New York.

0:19:26.600 --> 0:19:27.680
<v Speaker 2>You can flip that and a night.

0:19:27.760 --> 0:19:33.480
<v Speaker 1>Be a bird in New York, right money?

0:19:33.600 --> 0:19:36.000
<v Speaker 2>Yeah, I think two things stayed in New York.

0:19:36.080 --> 0:19:40.680
<v Speaker 1>Actually, what was the question that gave you the most terror?

0:19:40.720 --> 0:19:41.639
<v Speaker 1>When he asked.

0:19:43.200 --> 0:19:44.680
<v Speaker 2>How would you define a bad guess?

0:19:44.960 --> 0:19:46.680
<v Speaker 1>I saw that one. I thought.

0:19:47.880 --> 0:19:52.200
<v Speaker 2>That's a tricky, okay answer.

0:19:51.880 --> 0:19:54.840
<v Speaker 1>Here we go. Ridgard says, I've started being able to

0:19:54.880 --> 0:19:59.240
<v Speaker 1>send somebody who was on purely for promotional purposes instead

0:19:59.280 --> 0:20:16.360
<v Speaker 1>of for the love a fucking sellout. Yes, okay, I've

0:20:16.400 --> 0:20:19.199
<v Speaker 1>met people like this, somebody who may not even be

0:20:19.280 --> 0:20:24.840
<v Speaker 1>aware meaning of like where they are. They just showed up, right.

0:20:26.080 --> 0:20:27.680
<v Speaker 2>I imagine you have a list of people that you've

0:20:28.080 --> 0:20:30.760
<v Speaker 2>felt that you know, what's really fun?

0:20:31.440 --> 0:20:37.880
<v Speaker 1>What when they when you watch them realize where they

0:20:37.920 --> 0:20:45.520
<v Speaker 1>are three quarters the way into the podcast and understand

0:20:45.520 --> 0:20:48.720
<v Speaker 1>find some comfort and relaxation in.

0:20:48.680 --> 0:20:51.000
<v Speaker 2>It, finally click in or just be.

0:20:51.040 --> 0:20:58.159
<v Speaker 1>Like, oh, this is where I am and it's okay.

0:20:59.520 --> 0:21:03.000
<v Speaker 2>I would say the ones, the really bad ones for

0:21:03.080 --> 0:21:08.119
<v Speaker 2>me that never occurred, never you know, the recording happened.

0:21:08.280 --> 0:21:09.560
<v Speaker 2>Then they just moved on with her.

0:21:09.560 --> 0:21:12.400
<v Speaker 1>And it's hard to get out of exactly.

0:21:12.080 --> 0:21:15.439
<v Speaker 2>Right, Okay. I will say the worst ones happened over

0:21:15.520 --> 0:21:20.200
<v Speaker 2>zoom okay, which Zoom's not easy.

0:21:21.080 --> 0:21:24.080
<v Speaker 1>And that's this is your thing. It's like where I'm

0:21:24.119 --> 0:21:27.520
<v Speaker 1>the COVID podcast and the podcast that started at the

0:21:27.520 --> 0:21:33.119
<v Speaker 1>beginning of covid, and yet I persevered.

0:21:33.560 --> 0:21:36.080
<v Speaker 2>I pushed through, put in the work.

0:21:37.840 --> 0:21:43.639
<v Speaker 1>And you set up a backyard studio. Yes, and then

0:21:43.680 --> 0:21:45.040
<v Speaker 1>Scott Ackerman kind of.

0:21:45.119 --> 0:21:49.960
<v Speaker 2>Is he doing that now? You know, I don't know that.

0:21:50.800 --> 0:21:52.160
<v Speaker 1>I'm not going to be a part of this.

0:21:54.640 --> 0:21:56.760
<v Speaker 2>I didn't know he was doing. He's in his backyard.

0:21:56.880 --> 0:22:02.160
<v Speaker 1>This is I'm this is Hayes. Huh do you text

0:22:02.200 --> 0:22:08.000
<v Speaker 1>some happy birthday Scott's birthdays today? You better get quick?

0:22:09.760 --> 0:22:14.720
<v Speaker 1>Oh my god, you're gonna be off after five. It's

0:22:14.760 --> 0:22:20.800
<v Speaker 1>after E O D. Yeah, you can never text Scott

0:22:21.480 --> 0:22:30.240
<v Speaker 1>after Yes, that is very old fashioned don Draper esque approach.

0:22:31.920 --> 0:22:35.200
<v Speaker 1>Do a lot of different m hm.

0:22:38.560 --> 0:22:40.400
<v Speaker 2>In the backyard how man.

0:22:42.480 --> 0:22:47.400
<v Speaker 1>Mm hmm interesting And I look, I could never bring

0:22:47.440 --> 0:22:52.320
<v Speaker 1>that stuff home my family, you know, like this environment

0:22:52.359 --> 0:22:59.600
<v Speaker 1>should not be around kids, especially Uh, look at this,

0:23:01.440 --> 0:23:04.000
<v Speaker 1>but do you have any white whales? Yes? Martha Stewart

0:23:04.040 --> 0:23:05.600
<v Speaker 1>is not really a nice way to refer to her.

0:23:09.480 --> 0:23:11.760
<v Speaker 2>Do you think Martha Stewart's does she do podcasts at all?

0:23:13.119 --> 0:23:14.600
<v Speaker 1>I think she. I'm sure she has.

0:23:17.000 --> 0:23:18.720
<v Speaker 2>I think of what podcast you would even do?

0:23:19.640 --> 0:23:24.760
<v Speaker 1>What do you think about the snoop thing? A little much? Now? Right?

0:23:26.320 --> 0:23:30.720
<v Speaker 2>It became a gimmick really fast, and then they didn't stop.

0:23:31.720 --> 0:23:33.480
<v Speaker 2>So I don't think either of them enjoys it.

0:23:33.640 --> 0:23:37.480
<v Speaker 1>You know how people are sometimes like only one of

0:23:37.520 --> 0:23:41.520
<v Speaker 1>these two people is a convicted felon and it's her.

0:23:43.920 --> 0:23:44.960
<v Speaker 1>It's supposed to be.

0:23:46.359 --> 0:23:48.000
<v Speaker 2>This guy is the criminals.

0:23:50.560 --> 0:23:54.160
<v Speaker 1>This is crazy, this version of reality.

0:23:54.400 --> 0:23:58.640
<v Speaker 2>What are we talking about? She has?

0:23:58.640 --> 0:24:02.840
<v Speaker 1>But I think this is maybe a Burgundy esque network

0:24:03.000 --> 0:24:05.919
<v Speaker 1>launching project where they say how long do I have

0:24:05.960 --> 0:24:06.280
<v Speaker 1>to do this?

0:24:06.840 --> 0:24:10.719
<v Speaker 2>Right? Their minimum? Are there episodes?

0:24:11.640 --> 0:24:14.360
<v Speaker 1>No, there are no episodes. So that's the one she's just.

0:24:14.600 --> 0:24:17.520
<v Speaker 2>Squatting, just her saying, this is my podcast in memory

0:24:17.560 --> 0:24:18.639
<v Speaker 2>of Clive Davis.

0:24:18.800 --> 0:24:21.439
<v Speaker 1>Oh wow, that's pretty fresh.

0:24:21.640 --> 0:24:24.040
<v Speaker 2>Yeah, it's getting on.

0:24:24.520 --> 0:24:26.879
<v Speaker 1>That's post. I think that's what kicked your three hundredth

0:24:26.880 --> 0:24:28.000
<v Speaker 1>episode off of the Trades.

0:24:30.320 --> 0:24:31.320
<v Speaker 2>Yeah, pushed it up.

0:24:34.720 --> 0:24:40.080
<v Speaker 1>Wait, go back to the interview. Please, this is good.

0:24:40.080 --> 0:24:41.320
<v Speaker 1>This is like what Rogan does?

0:24:42.240 --> 0:24:45.399
<v Speaker 2>Is this what Internet?

0:24:45.640 --> 0:24:50.120
<v Speaker 1>It just reads what's what's on the screen. Your podcast

0:24:50.160 --> 0:24:53.400
<v Speaker 1>is produced by exactly Right Media, Karen Kilgarriffin, Georgia Hart

0:24:53.440 --> 0:24:56.359
<v Speaker 1>Stark's network and studio that skews heavily towards true crime

0:24:56.400 --> 0:24:58.760
<v Speaker 1>because of my favorite murder. Do you know what the

0:24:58.800 --> 0:25:01.879
<v Speaker 1>overlap is with your audi? Have you courted the true

0:25:01.920 --> 0:25:07.560
<v Speaker 1>crime fans? I don't know if this is you only

0:25:07.560 --> 0:25:11.840
<v Speaker 1>have so many questions, what could possibly be like a

0:25:11.880 --> 0:25:14.200
<v Speaker 1>great answer to this quest for you.

0:25:14.640 --> 0:25:19.840
<v Speaker 2>For me, I think the it's an interesting network for

0:25:19.920 --> 0:25:21.800
<v Speaker 2>my podcast to be at because I think most of

0:25:21.840 --> 0:25:25.919
<v Speaker 2>the network's fans kind of hate my podcasts. There's no

0:25:26.000 --> 0:25:28.840
<v Speaker 2>killing in this. ANT think a lot of them are,

0:25:28.960 --> 0:25:32.320
<v Speaker 2>or at least initially very confused and yeah, well this

0:25:32.760 --> 0:25:36.000
<v Speaker 2>seems like a waste of resources for your network, and

0:25:36.040 --> 0:25:37.400
<v Speaker 2>they probably still feel that way.

0:25:38.600 --> 0:25:42.920
<v Speaker 1>Rachie's pushing me out to see it's no interest perfect.

0:25:44.000 --> 0:25:49.040
<v Speaker 1>That's exactly what it would say. They would hear his

0:25:49.080 --> 0:25:51.080
<v Speaker 1>podcasts and say there's no killing in this at all,

0:25:51.440 --> 0:25:58.280
<v Speaker 1>exactly nothing talk about exactly right. Wow, Oh, look at

0:25:58.280 --> 0:25:59.439
<v Speaker 1>you talked about Joe Rogan.

0:26:00.119 --> 0:26:03.840
<v Speaker 2>Yeah, I was asked, Wow. I think I was not

0:26:04.080 --> 0:26:05.840
<v Speaker 2>entirely clear on what the question was.

0:26:07.880 --> 0:26:14.480
<v Speaker 1>Called. Barry Weite's Dumbass of the Year. Let's let's get

0:26:14.480 --> 0:26:16.240
<v Speaker 1>through We're not gonna do that here.

0:26:17.160 --> 0:26:18.400
<v Speaker 2>Okay, you're coding.

0:26:18.760 --> 0:26:21.600
<v Speaker 1>Let me just make that clear, courting not We're not

0:26:21.760 --> 0:26:24.640
<v Speaker 1>We're not doing any of that. We're not handing out

0:26:24.720 --> 0:26:31.520
<v Speaker 1>Dumbass of the Year. On this episode. Amy Mann wrote

0:26:31.560 --> 0:26:32.200
<v Speaker 1>the theme song.

0:26:32.480 --> 0:26:37.520
<v Speaker 2>Amy Man wrote theme song How that Happened? I texted her, Wow,

0:26:37.920 --> 0:26:39.240
<v Speaker 2>and I mean, actually.

0:26:39.560 --> 0:26:42.560
<v Speaker 1>She's too involved in comedy stuff. It's it's she and

0:26:42.640 --> 0:26:44.120
<v Speaker 1>John Hamm, honestly.

0:26:44.320 --> 0:26:46.439
<v Speaker 2>But Amy's funny.

0:26:46.800 --> 0:26:49.560
<v Speaker 1>I'm not saying that she couldn't do it. I'm saying

0:26:49.560 --> 0:26:50.600
<v Speaker 1>that she shouldn't.

0:26:50.840 --> 0:26:52.400
<v Speaker 2>She's got a lot of comedy friends.

0:26:52.640 --> 0:26:54.040
<v Speaker 1>I think that's a mistake.

0:26:55.119 --> 0:26:58.200
<v Speaker 2>It's working for Amy, I don't.

0:26:58.040 --> 0:27:00.320
<v Speaker 1>I think, But imagine the counterfactual.

0:27:00.560 --> 0:27:03.879
<v Speaker 2>Who do you want her to be friends with musicians

0:27:03.880 --> 0:27:08.119
<v Speaker 2>rescutable artists. She can do both.

0:27:10.040 --> 0:27:15.000
<v Speaker 1>It's too it's it's it's too. It diminishes her. She

0:27:15.080 --> 0:27:17.800
<v Speaker 1>should be doing your podcast the sorry.

0:27:18.359 --> 0:27:22.320
<v Speaker 2>She should be either. She's cheap in the legacy.

0:27:22.960 --> 0:27:24.800
<v Speaker 1>I don't and I don't think you're the only thing

0:27:24.840 --> 0:27:28.040
<v Speaker 1>that did. But like she, she likes comedy too much.

0:27:28.359 --> 0:27:30.120
<v Speaker 1>These people like comedy too much.

0:27:30.880 --> 0:27:35.120
<v Speaker 2>Yeah, what's John Hamm doing with comedy these days?

0:27:35.160 --> 0:27:38.440
<v Speaker 1>It's been a while since he's really debased himself by

0:27:38.640 --> 0:27:40.800
<v Speaker 1>showing on our podcast for example.

0:27:41.119 --> 0:27:43.679
<v Speaker 2>Oh interesting, but like that he.

0:27:43.600 --> 0:27:46.200
<v Speaker 1>Was in the comedy bank. He was great, he crushed.

0:27:46.240 --> 0:27:49.119
<v Speaker 1>They can do it, but they should not.

0:27:50.280 --> 0:27:53.359
<v Speaker 5>He wore a blank check hat on his Apple TV show.

0:27:54.359 --> 0:27:56.200
<v Speaker 2>Oh how do you feel?

0:27:56.240 --> 0:28:00.359
<v Speaker 1>That's the lowest I could never have imagined that he

0:28:00.440 --> 0:28:01.080
<v Speaker 1>wore he.

0:28:01.080 --> 0:28:06.239
<v Speaker 2>Wore in the show where he's robbing his neighbors.

0:28:05.920 --> 0:28:08.760
<v Speaker 1>And now is that is that really what happened? Casey?

0:28:09.400 --> 0:28:11.880
<v Speaker 5>Yeah, he's in the show and on the scripted show

0:28:11.960 --> 0:28:13.960
<v Speaker 5>he walks in. I haven't watched it, but I've seen

0:28:14.000 --> 0:28:17.000
<v Speaker 5>the clip and he's wearing a blank check podcast hat

0:28:17.720 --> 0:28:18.280
<v Speaker 5>on the show.

0:28:18.720 --> 0:28:23.720
<v Speaker 2>Wow, what what does the show? I guess I don't

0:28:23.720 --> 0:28:24.720
<v Speaker 2>know that much about the show.

0:28:25.000 --> 0:28:28.800
<v Speaker 1>The show is called Your Friends and Neighbors, right, and

0:28:28.880 --> 0:28:33.360
<v Speaker 1>it is, Casey, I mean, you know everything about it's.

0:28:35.280 --> 0:28:38.400
<v Speaker 5>Yeah, it's called Your Friends and Neighbors. It's on Apple,

0:28:38.680 --> 0:28:41.760
<v Speaker 5>and as far as I know, it's about John Hamm

0:28:41.840 --> 0:28:43.040
<v Speaker 5>listening to podcasts.

0:28:43.040 --> 0:28:52.240
<v Speaker 2>He's a huge podcast Personllywood Hallywood.

0:28:53.680 --> 0:28:55.280
<v Speaker 1>Any think it's Taylor Swift.

0:28:55.000 --> 0:28:59.240
<v Speaker 2>Wedding until a couple of days ago, I didn't. I

0:28:59.600 --> 0:29:02.960
<v Speaker 2>thought it was some sort of performance. I'm happy for

0:29:03.640 --> 0:29:04.760
<v Speaker 2>I'm happy that she booked.

0:29:04.800 --> 0:29:06.400
<v Speaker 1>You thought it was some sort of performance.

0:29:06.400 --> 0:29:09.360
<v Speaker 2>I couldn't figure out. I couldn't figure out why, Like,

0:29:09.920 --> 0:29:11.080
<v Speaker 2>is it going to have an audience?

0:29:11.720 --> 0:29:15.200
<v Speaker 1>So this is that's interesting because you're saying because it

0:29:15.240 --> 0:29:19.440
<v Speaker 1>is in like a huge arena, which is.

0:29:19.480 --> 0:29:21.960
<v Speaker 2>Kind of traditionally reserved for performance.

0:29:22.400 --> 0:29:26.560
<v Speaker 1>Yes, that's now that is interesting. Is it going to

0:29:26.600 --> 0:29:28.880
<v Speaker 1>be filled? I mean, I assume there will be people there,

0:29:28.880 --> 0:29:33.320
<v Speaker 1>But the question is will they be sitting in the stands?

0:29:34.080 --> 0:29:34.360
<v Speaker 2>Right?

0:29:35.200 --> 0:29:35.400
<v Speaker 1>Is that?

0:29:36.120 --> 0:29:37.760
<v Speaker 2>Will they be holding popcorn?

0:29:37.960 --> 0:29:43.840
<v Speaker 1>Will they be will the concessionaires be operating glideout bracelets?

0:29:44.600 --> 0:29:47.960
<v Speaker 2>I'm not I'm not sure. I genuinely I'm curious. Are

0:29:47.960 --> 0:29:49.480
<v Speaker 2>they selling ticket again?

0:29:53.600 --> 0:29:56.760
<v Speaker 1>Thank you for trying to spare me, Bridger and just

0:29:56.880 --> 0:30:03.160
<v Speaker 1>keep it moving, but I just something his blade drawn

0:30:03.200 --> 0:30:12.280
<v Speaker 1>against my throat. Bracelets That's exactly what they wear at

0:30:12.400 --> 0:30:16.000
<v Speaker 1>Taylor Swift shows. I'm not sure they light up, but

0:30:17.720 --> 0:30:24.840
<v Speaker 1>they're definitely bracelets. Some of them probably light up. It's

0:30:24.840 --> 0:30:33.280
<v Speaker 1>a good question. And will will the basketball team be playing? Well?

0:30:33.320 --> 0:30:36.200
<v Speaker 1>I think that's because that's what they do there the time,

0:30:36.760 --> 0:30:38.800
<v Speaker 1>you know, And she can afford it.

0:30:39.000 --> 0:30:41.240
<v Speaker 2>She can afford to have a basketball team playing during

0:30:41.240 --> 0:30:41.680
<v Speaker 2>her wedding.

0:30:41.800 --> 0:30:47.760
<v Speaker 1>She can afford to book two NBA basketball teams to

0:30:47.920 --> 0:30:54.680
<v Speaker 1>play a regulation game outside of the season and have

0:30:54.760 --> 0:30:56.040
<v Speaker 1>that game count.

0:30:58.240 --> 0:31:06.760
<v Speaker 4>And have Friggie seen the national anthem.

0:31:07.080 --> 0:31:13.680
<v Speaker 1>My last second of podcasting, I just felt it go.

0:31:13.800 --> 0:31:18.560
<v Speaker 2>By the final episode.

0:31:20.040 --> 0:31:24.480
<v Speaker 1>No, the show will continue with I think we all

0:31:24.520 --> 0:31:35.600
<v Speaker 1>know Fergy. That's right, she's saying that crazy national anthem.

0:31:36.040 --> 0:31:40.479
<v Speaker 1>I would never ever have pulled that up in this moment.

0:31:45.160 --> 0:31:47.960
<v Speaker 1>And I'm the one that introduced this concept like it

0:31:48.080 --> 0:31:53.120
<v Speaker 1>was my idea, but clearly it was Richie's all along. Wow,

0:31:53.160 --> 0:31:55.080
<v Speaker 1>why Ella Hunt is everywhere right now?

0:31:55.960 --> 0:31:56.560
<v Speaker 2>Why is she?

0:31:58.320 --> 0:31:59.880
<v Speaker 1>I didn't know she was. It shows how out of

0:31:59.880 --> 0:32:01.520
<v Speaker 1>time much I am.

0:32:01.760 --> 0:32:04.280
<v Speaker 2>Ella Hunt.

0:32:04.920 --> 0:32:10.520
<v Speaker 1>She was in Dickinson on Apple TV. We've both been

0:32:10.560 --> 0:32:16.880
<v Speaker 1>around there, met a lot of people. Now she's in now,

0:32:16.920 --> 0:32:20.920
<v Speaker 1>she's in. Not suitable for work. They took my temperature on.

0:32:20.920 --> 0:32:24.400
<v Speaker 2>That, they took your down, moved on.

0:32:24.960 --> 0:32:28.760
<v Speaker 1>I don't know how far it would have gone. Uh.

0:32:29.200 --> 0:32:32.000
<v Speaker 1>Sometimes you say no to something just so to get

0:32:32.000 --> 0:32:34.040
<v Speaker 1>ahead of them saying no to you. Sure you know

0:32:34.080 --> 0:32:34.480
<v Speaker 1>what I mean?

0:32:34.600 --> 0:32:39.280
<v Speaker 2>Right right? You don't wanna want that egg on your face? Yes,

0:32:40.080 --> 0:32:41.680
<v Speaker 2>not suitable for work. Didn't want me.

0:32:42.920 --> 0:32:43.840
<v Speaker 1>We can't have that.

0:32:44.280 --> 0:32:45.360
<v Speaker 2>I don't think you can have that.

0:32:47.400 --> 0:32:52.000
<v Speaker 1>Outside Taylor Swift rehearsal dinner a surprising calm and security

0:32:52.280 --> 0:32:56.760
<v Speaker 1>worthy of GODAFFI for the said line, you know who

0:32:56.800 --> 0:33:02.200
<v Speaker 1>I think it was Mikey, He says, Mikey written all

0:33:02.240 --> 0:33:07.040
<v Speaker 1>over it. I mean he compares you to Goadaffi multiple times.

0:33:07.360 --> 0:33:10.480
<v Speaker 1>It's not a favorable I do you expect to meet

0:33:10.520 --> 0:33:12.200
<v Speaker 1>a similar end? He asked you?

0:33:12.280 --> 0:33:21.160
<v Speaker 2>Why why would that that question? Godaffi? That's interesting? Did

0:33:21.200 --> 0:33:24.280
<v Speaker 2>Goodaffi have a particular type of security that you would

0:33:25.440 --> 0:33:25.920
<v Speaker 2>need to.

0:33:26.880 --> 0:33:32.120
<v Speaker 1>I guess maybe what he's saying is penetrable. Oh interesting,

0:33:32.280 --> 0:33:37.080
<v Speaker 1>I mean ultimately it will fail at some point, were

0:33:37.120 --> 0:33:42.000
<v Speaker 1>he still in a position to fire people after that,

0:33:43.960 --> 0:33:46.760
<v Speaker 1>I mean you there would have to at least be

0:33:46.800 --> 0:33:47.480
<v Speaker 1>a conversation.

0:33:47.840 --> 0:33:50.480
<v Speaker 2>Yeah, so you would ever want to sit somebody down, like, hey,

0:33:51.440 --> 0:34:01.440
<v Speaker 2>some things I've noticed, Uh, how do you.

0:34:02.960 --> 0:34:05.960
<v Speaker 1>Just have one person? You're talking to them?

0:34:06.240 --> 0:34:09.640
<v Speaker 2>You're kind of how do you do that?

0:34:13.600 --> 0:34:16.560
<v Speaker 1>How do you have and you don't have the computer?

0:34:17.880 --> 0:34:19.480
<v Speaker 1>It's you don't have Ritchie.

0:34:20.680 --> 0:34:23.839
<v Speaker 2>I do feel like I'm restraining myself right now.

0:34:24.840 --> 0:34:28.120
<v Speaker 1>Now. What would it look like if the leash came off?

0:34:28.200 --> 0:34:32.040
<v Speaker 2>If the leash came off? Yeah, yes, I'd be asking

0:34:32.080 --> 0:34:34.520
<v Speaker 2>you a lot of questions. Okay, asking you a lot

0:34:34.560 --> 0:34:34.960
<v Speaker 2>of questions.

0:34:34.960 --> 0:34:35.120
<v Speaker 1>Now.

0:34:35.320 --> 0:34:36.920
<v Speaker 2>I don't want to step on any toes here, but

0:34:37.000 --> 0:34:38.480
<v Speaker 2>how I want to step on Richie's toes?

0:34:38.520 --> 0:34:42.080
<v Speaker 1>But what is that? How does you do that.

0:34:43.600 --> 0:34:48.600
<v Speaker 2>Yees, pure curiosity, just my deep curiosity.

0:34:48.719 --> 0:34:52.719
<v Speaker 1>It's led a couple rip. I'm really.

0:34:54.200 --> 0:34:58.239
<v Speaker 2>I'm just so I am genuinely curious as to you

0:34:58.280 --> 0:35:03.000
<v Speaker 2>in this moment. What are you thinking about Sean? Yeah,

0:35:03.880 --> 0:35:05.880
<v Speaker 2>what are you thinking? What do you think Sean is

0:35:05.920 --> 0:35:08.320
<v Speaker 2>going to think? Ultimately about the situation.

0:35:08.960 --> 0:35:13.480
<v Speaker 1>I think I'm happy he's getting his time.

0:35:14.280 --> 0:35:15.120
<v Speaker 2>He needed a break.

0:35:15.560 --> 0:35:20.480
<v Speaker 1>I think right now he has a lot. You know,

0:35:22.120 --> 0:35:28.680
<v Speaker 1>it's all good problems, you know what I mean, it's like.

0:35:29.560 --> 0:35:30.000
<v Speaker 2>You like to have.

0:35:30.120 --> 0:35:34.040
<v Speaker 1>It's a lot better than not having these things on

0:35:34.120 --> 0:35:36.719
<v Speaker 1>your plate, right, But it can be stressful.

0:35:37.040 --> 0:35:38.400
<v Speaker 2>People forget that as well.

0:35:38.520 --> 0:35:44.400
<v Speaker 1>Yes, yes, but being alone with with with the stress

0:35:44.440 --> 0:35:47.399
<v Speaker 1>can also you have to be very intentional when you're

0:35:47.440 --> 0:35:53.879
<v Speaker 1>taking the time, which I'm really glad he is. When

0:35:53.960 --> 0:35:58.080
<v Speaker 1>Kevin said he's in Tahoe, my feeling I was overcome

0:35:59.120 --> 0:36:00.440
<v Speaker 1>with pleasure happen.

0:36:00.560 --> 0:36:02.080
<v Speaker 2>Of course, let's overcome.

0:36:01.680 --> 0:36:05.040
<v Speaker 1>With pleasure because he's my friend.

0:36:04.840 --> 0:36:06.640
<v Speaker 2>Is getting his time recharging.

0:36:08.120 --> 0:36:09.320
<v Speaker 1>That's that's the hope.

0:36:09.440 --> 0:36:10.839
<v Speaker 2>And you can bring it back to the show.

0:36:11.000 --> 0:36:17.480
<v Speaker 1>Yes, but that like just being sitting with the stress

0:36:17.640 --> 0:36:20.440
<v Speaker 1>of like he is a movie. He's a movie.

0:36:21.040 --> 0:36:21.880
<v Speaker 2>He's got a movie.

0:36:23.000 --> 0:36:24.359
<v Speaker 1>It's hard to have a movie a.

0:36:24.280 --> 0:36:24.960
<v Speaker 4>Lot of pressure.

0:36:25.160 --> 0:36:26.560
<v Speaker 2>It's one of the hardest things you can do.

0:36:26.760 --> 0:36:28.840
<v Speaker 1>Yes, he says that, I know he's telling me.

0:36:30.040 --> 0:36:30.879
<v Speaker 2>He's telling me.

0:36:31.080 --> 0:36:35.440
<v Speaker 1>And so that's why we need That's why these places exist,

0:36:35.880 --> 0:36:38.840
<v Speaker 1>the special places, the tahoes, that's why they're.

0:36:38.640 --> 0:36:44.920
<v Speaker 2>There, these cabins, the restorative waters. Whereas you're more just

0:36:44.960 --> 0:36:45.520
<v Speaker 2>go go go.

0:36:47.040 --> 0:36:49.839
<v Speaker 1>Yeah. I mean, look, I showed up, didn't I. You're here.

0:36:50.360 --> 0:36:53.640
<v Speaker 2>There's only one of you here, right, I don't know

0:36:53.960 --> 0:36:55.239
<v Speaker 2>there's much more to say about that.

0:36:55.520 --> 0:36:59.160
<v Speaker 1>So, yeah, I think that that when you ask what

0:36:59.239 --> 0:37:05.000
<v Speaker 1>am I feeling right now? I could just straight up goosh,

0:37:05.040 --> 0:37:09.200
<v Speaker 1>I'm so happy for my friend. I could just go

0:37:10.520 --> 0:37:11.440
<v Speaker 1>all over the place.

0:37:11.760 --> 0:37:13.359
<v Speaker 2>That's probably what the listener wants to hear.

0:37:13.960 --> 0:37:16.040
<v Speaker 1>They do hear as all, so I think at this

0:37:16.080 --> 0:37:18.000
<v Speaker 1>point they might be a little What.

0:37:19.840 --> 0:37:23.600
<v Speaker 3>I meant to ask, is Tahoe in Utah Tahoe and

0:37:23.719 --> 0:37:24.400
<v Speaker 3>you haul.

0:37:27.200 --> 0:37:28.279
<v Speaker 2>Good question either way?

0:37:28.719 --> 0:37:29.760
<v Speaker 4>Just off the rails today.

0:37:31.040 --> 0:37:31.920
<v Speaker 2>Have you been to Tahoe?

0:37:34.200 --> 0:37:38.879
<v Speaker 1>I have not managed to make my way on there. Yeah,

0:37:39.080 --> 0:37:42.360
<v Speaker 1>it's kind of looking farther and farther away on the

0:37:42.440 --> 0:37:46.360
<v Speaker 1>horizon for me. The faster I run the farther away

0:37:46.400 --> 0:37:49.640
<v Speaker 1>it gets it feels like sometimes Richie, have you been

0:37:49.680 --> 0:37:51.200
<v Speaker 1>to Tahoe? I have not.

0:37:51.800 --> 0:37:53.920
<v Speaker 4>Actually one of the few places I have.

0:37:55.440 --> 0:37:55.520
<v Speaker 1>M.

0:37:57.080 --> 0:37:57.400
<v Speaker 5>Richard.

0:37:58.480 --> 0:38:02.719
<v Speaker 2>It's right there on the California and Nevada border, Right,

0:38:03.440 --> 0:38:06.759
<v Speaker 2>have you been there? I've driven through, driven through.

0:38:07.160 --> 0:38:10.640
<v Speaker 1>You know what's interesting? I can hear you so clearly,

0:38:12.320 --> 0:38:14.360
<v Speaker 1>and yet I don't have headphones. Is this just a

0:38:15.440 --> 0:38:20.640
<v Speaker 1>connection we've developed over the years, Kevin, I could hear

0:38:20.640 --> 0:38:26.439
<v Speaker 1>your voice clear as a bell. That's good.

0:38:26.560 --> 0:38:29.480
<v Speaker 3>It must be years of work.

0:38:31.520 --> 0:38:36.240
<v Speaker 1>Whittling away. Okay, ask me another question. That was great.

0:38:37.360 --> 0:38:40.080
<v Speaker 2>That's a good question, right, that was a really good question, right, yeah,

0:38:40.200 --> 0:38:42.839
<v Speaker 2>great question. Fourth is coming up?

0:38:43.520 --> 0:38:49.800
<v Speaker 1>Yeah, big plans. Yes, I'm doing a lot of drone shows.

0:38:50.320 --> 0:38:54.880
<v Speaker 1>I'm doing some drone comedy, so I guess are you

0:38:55.040 --> 0:38:55.759
<v Speaker 1>doing that as well.

0:38:55.920 --> 0:38:57.360
<v Speaker 2>I'm still in the fireworks.

0:38:57.960 --> 0:39:03.239
<v Speaker 1>Patriot ye stuff simulated fireworks and flags and things like that.

0:39:03.520 --> 0:39:05.680
<v Speaker 1>You got it? Like where the industry is at right now?

0:39:06.080 --> 0:39:10.040
<v Speaker 1>Like we have to do. I was, well, where the

0:39:10.239 --> 0:39:12.560
<v Speaker 1>comedy industry and the fireworks industry is.

0:39:12.800 --> 0:39:14.279
<v Speaker 2>It's all headed towards stroke.

0:39:14.160 --> 0:39:18.800
<v Speaker 1>Yes, so like we yeah, we like the TV writing

0:39:18.920 --> 0:39:23.839
<v Speaker 1>space is, but like sometimes you have to say no, Yes,

0:39:24.200 --> 0:39:27.040
<v Speaker 1>that's right, and like, you know, if one of us

0:39:27.360 --> 0:39:30.480
<v Speaker 1>could have a spot end, I'm glad it's shot of course.

0:39:31.360 --> 0:39:34.399
<v Speaker 2>Well I mean how else did you go to Tahoe? Yes,

0:39:34.560 --> 0:39:37.160
<v Speaker 2>that could be in Tahoe. Yes, if we hadn't said no,

0:39:37.320 --> 0:39:37.799
<v Speaker 2>that's right.

0:39:37.760 --> 0:39:42.920
<v Speaker 1>We can't both go to the show. But yeah, I

0:39:43.040 --> 0:39:53.640
<v Speaker 1>am doing I'm smashing watermelons with via drone via drone. Yes, yes,

0:39:54.000 --> 0:39:55.920
<v Speaker 1>this is I'm goalager eleven.

0:39:59.520 --> 0:40:03.319
<v Speaker 2>And that's uh is this open field kind of.

0:40:04.200 --> 0:40:07.000
<v Speaker 1>Shows heavily obscured by buildings?

0:40:07.239 --> 0:40:12.640
<v Speaker 2>Okay, right, you're doing it in city spaces, which is

0:40:12.800 --> 0:40:14.120
<v Speaker 2>like it was pitched.

0:40:13.840 --> 0:40:18.279
<v Speaker 1>To me, is like an advantage of the of the

0:40:18.440 --> 0:40:22.400
<v Speaker 1>drone format because you can't really set off fireworks in

0:40:22.520 --> 0:40:27.000
<v Speaker 1>a in a heavily urban environment, right, but keep that

0:40:27.160 --> 0:40:33.160
<v Speaker 1>for yes, over the ocean dry fields. But but I'm

0:40:33.560 --> 0:40:39.239
<v Speaker 1>finding that the eye lines similar problems to the.

0:40:41.080 --> 0:40:44.919
<v Speaker 2>Fire firework. Yeah, of course, yes, that's why it works

0:40:44.920 --> 0:40:47.080
<v Speaker 2>so well with fireworks. I mean, you know, it's a

0:40:47.160 --> 0:40:48.640
<v Speaker 2>nice replacement for a firework.

0:40:48.760 --> 0:40:51.560
<v Speaker 1>Yeah, what about you, you're doing that, You're just doing

0:40:51.600 --> 0:40:52.120
<v Speaker 1>open field.

0:40:52.880 --> 0:40:54.520
<v Speaker 2>I'm doing open field. I am going to be doing

0:40:54.560 --> 0:40:55.120
<v Speaker 2>something that's.

0:40:54.960 --> 0:40:56.800
<v Speaker 1>The equivalent for people that don't know. That's the equivalent

0:40:56.800 --> 0:40:57.520
<v Speaker 1>of an open.

0:40:57.400 --> 0:41:01.719
<v Speaker 2>Mic for yes, you know, I'm not so you can

0:41:01.800 --> 0:41:02.239
<v Speaker 2>show up.

0:41:02.320 --> 0:41:04.640
<v Speaker 1>You just say you put your name on the on

0:41:04.760 --> 0:41:05.280
<v Speaker 1>the list.

0:41:05.160 --> 0:41:07.359
<v Speaker 2>And putting in the hours. Right now, you go up

0:41:07.760 --> 0:41:11.520
<v Speaker 2>and you kind of just try things, see how people

0:41:11.600 --> 0:41:14.560
<v Speaker 2>respond to it before you kind of take it to

0:41:14.640 --> 0:41:15.280
<v Speaker 2>a real stage.

0:41:15.520 --> 0:41:18.400
<v Speaker 1>And everyone else there is also of craftsmen, and so

0:41:18.520 --> 0:41:21.360
<v Speaker 1>you get out feedback people that are actually doing it.

0:41:21.560 --> 0:41:23.719
<v Speaker 2>You might be inspired by something instead of like.

0:41:23.800 --> 0:41:26.840
<v Speaker 1>Some fucking dickhead who just like rolled off the like

0:41:27.000 --> 0:41:31.520
<v Speaker 1>turnip truck. Right, Yeah, these gays, your drones are too

0:41:32.560 --> 0:41:34.759
<v Speaker 1>whatever loud like there's louder than.

0:41:34.680 --> 0:41:39.200
<v Speaker 2>Fireworks, like and they are loud if like some of

0:41:39.320 --> 0:41:40.360
<v Speaker 2>the like some.

0:41:40.600 --> 0:41:44.719
<v Speaker 1>Of the really good ones are are allowed, yes, right,

0:41:44.960 --> 0:41:49.080
<v Speaker 1>but people are expecting something quieter than the fire certainly

0:41:49.120 --> 0:41:50.840
<v Speaker 1>not louder than a fireworks though.

0:41:51.040 --> 0:41:53.840
<v Speaker 2>Right, not louder but more sustained noise.

0:41:53.960 --> 0:42:05.080
<v Speaker 1>Pr issue Yeah by Hollywood Hamburg