WEBVTT - TGI - Episode 223 “Home”

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<v Speaker 1>We have a whole bunch of live shows scheduled for

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<v Speaker 1>this summer.

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<v Speaker 2>Podmeats World Live is going on the road.

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<v Speaker 1>So, writer, what we've been in discussion, how are we

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<v Speaker 1>gonna do this?

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<v Speaker 2>Are we going?

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<v Speaker 1>Are the three of us going on the road together?

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<v Speaker 1>What does that mean for our families? Writer, you have

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<v Speaker 1>talked many times about how as India is getting older,

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<v Speaker 1>it's made you realize, like, now that he's eight, you

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<v Speaker 1>have ten more summers of actual like time vacations with him,

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<v Speaker 1>and so what have you decided to do this summer

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<v Speaker 1>with your time.

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<v Speaker 3>We're gonna road trip it. We're gonna We're gonna van

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<v Speaker 3>life it. Yeah, we've done multiple road trips.

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<v Speaker 4>Like during COVID and twenty twenty we did a big

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<v Speaker 4>camping you know, we were just kind of on our

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<v Speaker 4>own and our own little bubble.

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<v Speaker 3>We literally brought like a portable toilet with us, so

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<v Speaker 3>we never went to a public bath.

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<v Speaker 4>And we did that for like three weeks and it

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<v Speaker 4>was just such a bonding, great experience. And then after

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<v Speaker 4>like in twenty twenty one, when everyone was vaccinated and

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<v Speaker 4>feeling safer, we decided to drive around the country and

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<v Speaker 4>see all of our friends that we hadn't seen.

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<v Speaker 3>Because of COVID. So we like did this epic three

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<v Speaker 3>or four week road trip.

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<v Speaker 4>And then so this summer was coming up, and I

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<v Speaker 4>really want to take into rafting because I grew up

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<v Speaker 4>whitewater rafting all the time.

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<v Speaker 3>Amazing, and so we wanted to go.

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<v Speaker 4>We do our normal camping trip, We go up to

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<v Speaker 4>my parents, we go camping, and then we were going.

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<v Speaker 4>I was like, oh, and then we'll just go right

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<v Speaker 4>into a rafting trip. And then we were looking at

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<v Speaker 4>the dates based on our live shows and we were like, well,

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<v Speaker 4>then we'd be driving all the way back to La

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<v Speaker 4>like right when we have to, I'd have to turn

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<v Speaker 4>around and jump on a plane to Minneapolis.

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<v Speaker 3>I was like, why not just keep driving?

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<v Speaker 4>And then we kept adding up the dates between conventions

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<v Speaker 4>and live shows.

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<v Speaker 3>We're just gonna be on the road for over six weeks.

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<v Speaker 4>Wow. Yeah, and so and Indy could not be more excited,

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<v Speaker 4>which I just love because I loved road trips as

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<v Speaker 4>a kid.

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<v Speaker 3>I love the trips as an adult.

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<v Speaker 4>You know, we camp and we get out and we hike,

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<v Speaker 4>and like we're going to white Water raft so it's

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<v Speaker 4>not like we're like in the car the whole time,

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<v Speaker 4>but just exploring the country. And I'm just so glad

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<v Speaker 4>that he likes it. Like he always sees he'll be like, Dad,

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<v Speaker 4>I missed the month long road trip when we took

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<v Speaker 4>our road trip two years ago. He still talks about it,

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<v Speaker 4>and I'm like, all right, let's do it again.

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<v Speaker 5>So if I am on the road for six weeks,

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<v Speaker 5>I am running from the law.

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<v Speaker 6>That's why I've been.

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<v Speaker 3>In a car to be home.

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<v Speaker 6>Of course, of course I am running from my wife

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<v Speaker 6>and I This is one of the things that makes

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<v Speaker 6>a great partnership.

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<v Speaker 5>And it's the same thing that you have Danielle, and

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<v Speaker 5>the same thing that you have with Alex riders.

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<v Speaker 6>How you travel together makes a huge difference.

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<v Speaker 5>So when it comes to your partnership, and Sue and

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<v Speaker 5>I on almost exactly the same day at exactly the

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<v Speaker 5>same time, no matter where we are in the world,

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<v Speaker 5>we'll look at each other and go, I want to

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<v Speaker 5>go home.

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<v Speaker 7>That's about ten or twelve days into a trip, or like,

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<v Speaker 7>I want to go home now.

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<v Speaker 3>Yes.

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<v Speaker 5>So that's what makes a great partnership, when you're just

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<v Speaker 5>you travel the same together.

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<v Speaker 4>It's important and I think Alex and I would just

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<v Speaker 4>keep going I don't think we unless we have to

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<v Speaker 4>come home.

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<v Speaker 3>There's a man keep going.

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<v Speaker 1>So getting back to our live shows, we are doing

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<v Speaker 1>costume contests. Oh I can't in every city. I feel

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<v Speaker 1>like you guys just both took a sip of your coffee.

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<v Speaker 1>Now I need to take a take a sip. So

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<v Speaker 1>what costumes are you hoping to see?

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<v Speaker 6>I was just going to ask the same thing.

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<v Speaker 5>What do you think is going to be the most

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<v Speaker 5>obscure Boy meets World character costume you're going to see?

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<v Speaker 6>Because I'm guessing we'll get a lot of feenies, a

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<v Speaker 6>lot of place with squirrels. Yeah, a lot of Topanga

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<v Speaker 6>Topango with the with the lipstick on the.

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<v Speaker 3>Face to Panga's.

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<v Speaker 2>Yeah, we've seen the Dusty war. Actually, yeah, I want

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<v Speaker 2>to see it. Dusty.

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<v Speaker 6>Dusty would be great. Dusty would be great.

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<v Speaker 4>Janitor Bud, I want to see.

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<v Speaker 3>You guys are great outfit?

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<v Speaker 2>What about a lobster?

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<v Speaker 6>See that's what I mean? Like it's good?

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<v Speaker 5>What are we going to get a Nancy Kerrigan? Are

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<v Speaker 5>we going to get a model from the mall? Are

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<v Speaker 5>we going to get a Kathy Ireland?

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<v Speaker 6>Like?

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<v Speaker 1>How obscure are people going to What about Ryder's friend

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<v Speaker 1>who invented the word strafty bright?

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<v Speaker 3>Is that ocean so obscure? No one knows what ocean

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<v Speaker 3>looks like.

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<v Speaker 1>It doesn't matter. They just come up and say right now, okay.

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<v Speaker 3>Lock and curly hair tied.

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<v Speaker 4>I shirt Nike, black Nike shorts, no shoes every day.

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<v Speaker 6>Every day you think a kid named ocean like.

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<v Speaker 4>Shirt, different tid ice shirt, black Nike shorts. Never wore

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<v Speaker 4>shoes he grew up on. He grew up on like

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<v Speaker 4>fifty acres. Never work shoes.

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<v Speaker 3>He could run on gravel like his feet were.

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<v Speaker 4>So thick because he just never wore shoes. So yeah,

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<v Speaker 4>every day that's what he wore.

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<v Speaker 2>So that's pretty easy. I like that one.

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<v Speaker 4>So can you even talked about on the show that

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<v Speaker 4>that people send us strafty bright in ultiple situations on

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<v Speaker 4>Boy Meet's World.

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<v Speaker 3>Yes, it's on the board.

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<v Speaker 4>I wrote it on the board during the season one

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<v Speaker 4>season one, and so you can see it clearly behind Ben.

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<v Speaker 4>And then I wrote it on my notebook apparently a number.

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<v Speaker 1>Yeah, episode, you really made a valiant effort to get

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<v Speaker 1>that word.

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<v Speaker 4>Yes, But what it was so weird about seeing like

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<v Speaker 4>when people sent us those those it was like it

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<v Speaker 4>was like it was like coded messages I had sent

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<v Speaker 4>through time to myself.

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<v Speaker 3>Do you know what I mean?

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<v Speaker 4>It was like, oh my god, I took these opportunities

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<v Speaker 4>to write strafty right into the show, like sneak it

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<v Speaker 4>in there, and like I totally forgot so to be

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<v Speaker 4>able to see it now as an adult, it was

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<v Speaker 4>just the weirdest travel. Yeah, it's weird.

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<v Speaker 5>I also just got for everybody going back to the

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<v Speaker 5>costume contest, a forty pound box delivered to my house

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<v Speaker 5>of my scripts from back in my childhood bedroom. And

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<v Speaker 5>I'm talking scripts with like remember they used to have

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<v Speaker 5>the stickers with our names on it, Like a bunch

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<v Speaker 5>of them still have Wilford al on them. These were

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<v Speaker 5>like original table read draft delivered to my apartment.

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<v Speaker 6>Scripts that are there. I have the breakdowns of the

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<v Speaker 6>blocking sheets. Wo.

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<v Speaker 5>I have our cast and cruise sheets with all the

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<v Speaker 5>phone numbers on my I have our bump like the

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<v Speaker 5>TGIF bump sheets.

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<v Speaker 6>I've got all of that stuff.

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<v Speaker 1>Well those are prizes, yeah, for who wears the best costume.

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<v Speaker 2>We will decide.

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<v Speaker 1>We haven't talked about our criteria or the judging process.

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<v Speaker 2>We still have to. We still have to discuss all

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<v Speaker 2>of that.

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<v Speaker 1>But one of you lucky people will be walking out

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<v Speaker 1>of our live show every single night with an autographed

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<v Speaker 1>script from Will Stash that we will all sign for

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<v Speaker 1>the best costume.

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<v Speaker 6>I'm also there'll be a cushling. That'd be great. Oh wow, ay,

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<v Speaker 6>Jody sweet and cush and that'd be a great cost the

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<v Speaker 6>ripped pants that she's Peter Soman.

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<v Speaker 5>I'm also I can tell you going to be having

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<v Speaker 5>lunch with a couple cast members of Boy Meets World

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<v Speaker 5>coming up.

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<v Speaker 6>I won't say who, but a couple coming up.

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<v Speaker 2>So I are not included in this.

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<v Speaker 6>You are not.

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<v Speaker 3>Allowed I invited to lunch.

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<v Speaker 2>I guess we're not.

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<v Speaker 6>We're we're having a real cast reunion, got it, okay?

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<v Speaker 5>And maybe I'll bring some scripts and have some of

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<v Speaker 5>them sign it as well, so we can have some

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<v Speaker 5>cool stuff there.

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<v Speaker 3>People.

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<v Speaker 5>But no, neither of you are invited. I keep up

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<v Speaker 5>with everybody, you know how that is. And we don't

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<v Speaker 5>like you, and so you're not going to be coming.

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<v Speaker 5>That's just how it is.

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<v Speaker 6>But I'll tell you all about lunch. It's going to

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<v Speaker 6>be great.

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<v Speaker 1>Oh can't wait to hear about it. I hope you

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<v Speaker 1>I hope you get some bib let us what I do.

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<v Speaker 1>Welcome to Pod Meets World. I'm Danielle Fischel, I'm writer Strong,

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<v Speaker 1>and I'm Wilfordell. So today we are recapping season two

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<v Speaker 1>episode twenty three Home, which is the season two finale.

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<v Speaker 1>It originally aired May nineteenth, nineteen ninety five. Any thoughts

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<v Speaker 1>you guys want to share before we jump into this episode? Wow,

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<v Speaker 1>I love this episode.

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<v Speaker 3>You love it.

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<v Speaker 2>I love it.

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<v Speaker 3>It's it's good. I it's very dramatic.

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<v Speaker 6>It's very dramatic and very dramatic.

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<v Speaker 3>I am very dramatic.

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<v Speaker 6>You are very dramatic.

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<v Speaker 4>And I guess the interesting thing that the overall thought

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<v Speaker 4>to me is that it's it's it's strange how much

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<v Speaker 4>the show shifts into Sean storyline, like into like Sean's

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<v Speaker 4>world by the end of season two, like a two parter.

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<v Speaker 1>Yeah, this episode and the one right before it feel

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<v Speaker 1>like a two parter.

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<v Speaker 6>It also feels like we haven't seen Corey in a while.

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<v Speaker 4>Now, that's what I mean to end of the season,

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<v Speaker 4>sort of moving away from Corey.

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<v Speaker 3>This much feels it's it's it's a bold move.

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<v Speaker 4>It's a really interesting that I didn't I don't think

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<v Speaker 4>I recognized that as how unusual that was, or maybe

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<v Speaker 4>it wasn't unusual.

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<v Speaker 3>Maybe it's just the natural evolution of the show.

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<v Speaker 4>But watching it this time, I was like, Wow, Corey

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<v Speaker 4>is really like Sean is just Sean's storyline?

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<v Speaker 3>Is then the major thrust of the season ender, which

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<v Speaker 3>is just a lot.

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<v Speaker 1>Yeah, And I wonder how much of that is because

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<v Speaker 1>as we've discussed with multiple episodes that we've seen lately,

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<v Speaker 1>like I really loved the Thriller and Philla episode.

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<v Speaker 2>I think I was.

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<v Speaker 1>You know, Will did too, writer, you were not a fan.

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<v Speaker 1>So I think it seems as though, in my opinion,

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<v Speaker 1>the storylines of Corey being in every Man and I'm

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<v Speaker 1>never making my mark and how do I make myself different,

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<v Speaker 1>we've reached a point where we've exhausted those storylines. We

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<v Speaker 1>have done the very normal storyline of that, which is

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<v Speaker 1>like the very relatable who am I? I'm not gorgeous,

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<v Speaker 1>I'm not super smart, I'm just normal.

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<v Speaker 2>We've done those episodes, and.

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<v Speaker 1>Then we've done you know, crazy over the top episodes

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<v Speaker 1>where Corey's a wrestler and it's pro wrestling.

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<v Speaker 2>And we've get Yes, Me and Bleef and Robert Goula.

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<v Speaker 2>It's like, we've exhausted those.

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<v Speaker 1>Now we need some real stakes and how do we

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<v Speaker 1>do that.

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<v Speaker 2>Let's do it through Sean and I.

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<v Speaker 1>Yes, it's dramatic, but I love it. It feels way

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<v Speaker 1>more interesting to me, you know, Like it makes Alan

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<v Speaker 1>and Amy parents again, and obviously mister Turner a teacher

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<v Speaker 1>slash parent again.

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<v Speaker 4>It brings up all the tensions that the show sort

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<v Speaker 4>of started with, which is like, how do you raise

0:10:26.240 --> 0:10:28.440
<v Speaker 4>kids and you be a kid in the world, and

0:10:28.480 --> 0:10:31.520
<v Speaker 4>like it reignites all of the same.

0:10:32.440 --> 0:10:34.440
<v Speaker 3>It brings back the characters to their sort of core

0:10:34.440 --> 0:10:35.160
<v Speaker 3>and their essency.

0:10:35.240 --> 0:10:38.199
<v Speaker 4>It stresses them out right, Like he stresses the situation

0:10:38.320 --> 0:10:41.160
<v Speaker 4>out in the best possible way so that everybody has

0:10:41.200 --> 0:10:43.600
<v Speaker 4>to sort of get back to who they really are.

0:10:43.720 --> 0:10:45.319
<v Speaker 3>It's it's great storytelling. Yeah.

0:10:45.360 --> 0:10:45.560
<v Speaker 6>Yeah.

0:10:45.640 --> 0:10:49.280
<v Speaker 1>It also we've clearly set up now through two seasons,

0:10:49.640 --> 0:10:52.680
<v Speaker 1>no matter what happens to Corey, he's not going to

0:10:52.760 --> 0:10:55.720
<v Speaker 1>quote unquote fail. There is a safe There are safety

0:10:55.800 --> 0:10:58.800
<v Speaker 1>nets after safety nets after safety net. He's got his

0:10:58.920 --> 0:11:01.080
<v Speaker 1>parents who were super invo He's got a brother who,

0:11:01.120 --> 0:11:03.080
<v Speaker 1>even though his brother needles him and jokes at him,

0:11:03.160 --> 0:11:04.880
<v Speaker 1>is always there for him and will you know, jump

0:11:04.960 --> 0:11:08.360
<v Speaker 1>over a hallway, you know, ledge to protect him if

0:11:08.400 --> 0:11:10.719
<v Speaker 1>he needs to. He's got Foenie watching out for him,

0:11:10.720 --> 0:11:13.720
<v Speaker 1>he's got Turner on his side. Like he's got Sean,

0:11:13.880 --> 0:11:16.439
<v Speaker 1>a best friend who says, no matter what, you're Corey

0:11:16.440 --> 0:11:17.040
<v Speaker 1>and I'm Sean.

0:11:17.320 --> 0:11:20.840
<v Speaker 6>So like he's got a girl.

0:11:22.520 --> 0:11:25.480
<v Speaker 2>There's like Corey's fine, Corey's fine.

0:11:25.640 --> 0:11:29.040
<v Speaker 1>We have two seasons of setting up that Corey's life

0:11:29.200 --> 0:11:33.000
<v Speaker 1>is gonna be fine on his own anxiety exactly if

0:11:33.000 --> 0:11:36.319
<v Speaker 1>he can get out of his own way, he'll be golden.

0:11:37.040 --> 0:11:40.400
<v Speaker 1>And but what we've also set up is that his

0:11:40.679 --> 0:11:44.400
<v Speaker 1>very best friend is not necessarily going to be fine.

0:11:44.800 --> 0:11:50.080
<v Speaker 1>And so opening up the next few seasons of let's

0:11:50.080 --> 0:11:54.520
<v Speaker 1>see how this very stable Rock character can influence this

0:11:54.720 --> 0:12:01.920
<v Speaker 1>very unstable, not protected is us find it. It's fascinating

0:12:02.000 --> 0:12:06.000
<v Speaker 1>and way more interesting than continuing to see how secure

0:12:06.080 --> 0:12:06.840
<v Speaker 1>Corey's life is.

0:12:07.120 --> 0:12:10.440
<v Speaker 5>It's also it's just it's television too, where it's you know,

0:12:10.480 --> 0:12:12.439
<v Speaker 5>you're coming into season two, you're hoping there's going to

0:12:12.480 --> 0:12:14.680
<v Speaker 5>be a season three. The only way a television show

0:12:14.720 --> 0:12:18.160
<v Speaker 5>has legs is if every character is developed. Yes, So

0:12:18.240 --> 0:12:20.280
<v Speaker 5>it's one of those things where you know, after a

0:12:20.320 --> 0:12:23.360
<v Speaker 5>while watching Family Ties and it was like, well, we

0:12:23.520 --> 0:12:25.640
<v Speaker 5>let's get into Justine Bateman's character.

0:12:25.800 --> 0:12:27.720
<v Speaker 6>We need to know what the sister's like. We need

0:12:27.760 --> 0:12:27.960
<v Speaker 6>to know.

0:12:28.120 --> 0:12:29.400
<v Speaker 5>You see it on The Office, you see it on

0:12:29.400 --> 0:12:30.920
<v Speaker 5>those shows where it's like, okay, if we're going to

0:12:31.000 --> 0:12:33.360
<v Speaker 5>actually be one of those shows that lasts.

0:12:33.480 --> 0:12:34.680
<v Speaker 6>Everybody's got a matter.

0:12:35.000 --> 0:12:37.680
<v Speaker 5>Yeah, and it's and it's that's kind of where we

0:12:37.720 --> 0:12:39.959
<v Speaker 5>are now. And it's I agree with Danielle hundred percent

0:12:40.160 --> 0:12:43.360
<v Speaker 5>seeing there's something which again makes the idea that he

0:12:43.559 --> 0:12:46.120
<v Speaker 5>then was off the show so crazy. But seeing you

0:12:46.760 --> 0:12:50.360
<v Speaker 5>and Tony together, there's something about the two of you

0:12:50.440 --> 0:12:54.120
<v Speaker 5>together that's great. And it's just it's him trying the

0:12:54.160 --> 0:12:56.040
<v Speaker 5>way they've now made it where you know he needs

0:12:56.240 --> 0:12:58.040
<v Speaker 5>we'll get into it. He needs something in his life

0:12:58.120 --> 0:13:00.480
<v Speaker 5>and it's it. You think it's gonna be a woman,

0:13:00.480 --> 0:13:02.280
<v Speaker 5>but it turns out to not be that. It's just

0:13:02.760 --> 0:13:04.200
<v Speaker 5>it was really clever the way.

0:13:04.080 --> 0:13:05.679
<v Speaker 3>That Tony is such a dramatic actor.

0:13:05.800 --> 0:13:09.680
<v Speaker 4>He's so clearly remarkable because he clearly wasn't cast for

0:13:09.720 --> 0:13:12.760
<v Speaker 4>that right and he's cast, but he just rises to

0:13:12.920 --> 0:13:16.840
<v Speaker 4>being such a He's just he's a rock. You know,

0:13:17.080 --> 0:13:19.400
<v Speaker 4>like you just believe you want him to be this

0:13:19.480 --> 0:13:22.640
<v Speaker 4>father figure so bad, and he's so believable. He's so

0:13:22.760 --> 0:13:24.240
<v Speaker 4>present and he doesn't.

0:13:25.160 --> 0:13:26.720
<v Speaker 5>Yeah, there was a there was a movie of the

0:13:26.720 --> 0:13:30.200
<v Speaker 5>Week that Tony did before he did Boy, and when

0:13:30.240 --> 0:13:32.040
<v Speaker 5>we were friends, he was like, he showed it to

0:13:32.080 --> 0:13:33.800
<v Speaker 5>me as a joke. He was like, you got to

0:13:33.800 --> 0:13:35.040
<v Speaker 5>see his movie the week I did?

0:13:35.080 --> 0:13:36.320
<v Speaker 6>It was both And.

0:13:36.320 --> 0:13:38.640
<v Speaker 5>The last kind of scene, they're all he and his

0:13:38.640 --> 0:13:41.240
<v Speaker 5>family are at a funeral and they're all sitting there

0:13:41.240 --> 0:13:43.520
<v Speaker 5>and they pan past the family and it is one

0:13:43.720 --> 0:13:46.800
<v Speaker 5>stereotypical grief after grief, and it's kind of a bad,

0:13:46.920 --> 0:13:49.800
<v Speaker 5>cheesy acting, and you get to Tony, who's dead behind

0:13:49.840 --> 0:13:52.280
<v Speaker 5>the eyes and tears streaming down his face, and you're like.

0:13:53.080 --> 0:13:54.200
<v Speaker 6>That was this is amazing.

0:13:54.280 --> 0:13:57.480
<v Speaker 5>You're amazing at that he just could hit these beats

0:13:57.480 --> 0:13:58.600
<v Speaker 5>that we didn't see.

0:13:58.679 --> 0:13:59.640
<v Speaker 3>He's not false at all.

0:13:59.679 --> 0:14:03.120
<v Speaker 6>He's so he's so real, it's so present, it's easy.

0:14:03.280 --> 0:14:03.559
<v Speaker 3>Great.

0:14:04.000 --> 0:14:07.000
<v Speaker 1>Did you and Tony really work on developing? Like was

0:14:07.040 --> 0:14:10.760
<v Speaker 1>that something you did? There are no external conversations about.

0:14:10.480 --> 0:14:13.000
<v Speaker 3>That's what I don't remember. I just remember us.

0:14:13.640 --> 0:14:15.760
<v Speaker 4>I loved working with him. But it's so funny I

0:14:15.800 --> 0:14:19.880
<v Speaker 4>don't remember talking about acting. I don't remember talking about

0:14:19.880 --> 0:14:23.240
<v Speaker 4>our performances. I don't remember, Like I mean, there are times,

0:14:23.280 --> 0:14:25.200
<v Speaker 4>you know, and they can think of where I like

0:14:25.280 --> 0:14:26.720
<v Speaker 4>worked out things with people.

0:14:26.760 --> 0:14:28.440
<v Speaker 3>But I feel like it was all instinct.

0:14:28.440 --> 0:14:30.640
<v Speaker 4>Like I feel like we just because I didn't really

0:14:31.720 --> 0:14:33.240
<v Speaker 4>I didn't know how to act. I just sort of

0:14:33.240 --> 0:14:34.720
<v Speaker 4>showed up and did it, you know what I mean.

0:14:34.800 --> 0:14:37.040
<v Speaker 4>And I think that we just worked together. We just

0:14:37.080 --> 0:14:39.360
<v Speaker 4>have We just had this chemistry and it came alive.

0:14:39.400 --> 0:14:42.280
<v Speaker 4>I mean I felt that not so much in this episode,

0:14:42.280 --> 0:14:43.800
<v Speaker 4>but in the previous episode when I go to his

0:14:43.880 --> 0:14:47.640
<v Speaker 4>apartment and end up eating the food and falling to sleep, Like,

0:14:47.880 --> 0:14:49.800
<v Speaker 4>I just loved that scene. It was, you know, and

0:14:49.800 --> 0:14:51.360
<v Speaker 4>I'm watching it, I was like, wow, I don't I

0:14:51.400 --> 0:14:53.960
<v Speaker 4>don't remember this, but I just I just thought that

0:14:54.320 --> 0:14:56.400
<v Speaker 4>the dynamic was Yeah, but no, I don't. We just

0:14:56.480 --> 0:14:59.240
<v Speaker 4>had chemistry. We just had actor chemistry, you know, like whatever, Now,

0:14:59.320 --> 0:15:00.239
<v Speaker 4>how lucky.

0:15:00.240 --> 0:15:02.280
<v Speaker 5>We are as because what you just said is so true.

0:15:02.320 --> 0:15:03.800
<v Speaker 5>I didn't know how to act either. You kind of

0:15:03.840 --> 0:15:05.280
<v Speaker 5>just go and do it and then you learn on

0:15:05.320 --> 0:15:05.960
<v Speaker 5>your feet.

0:15:05.760 --> 0:15:09.520
<v Speaker 6>A little bit. You know, how lucky we were.

0:15:09.280 --> 0:15:12.320
<v Speaker 5>To have the adult actors we did around us doing

0:15:12.400 --> 0:15:16.280
<v Speaker 5>what they did, Rusty and Bill and Betsy and Tony.

0:15:16.400 --> 0:15:18.960
<v Speaker 5>I mean, we were only as good as those people

0:15:19.000 --> 0:15:21.080
<v Speaker 5>we were watching and who were helping us along without

0:15:21.120 --> 0:15:23.600
<v Speaker 5>even knowing they were helping us along. And man where

0:15:23.640 --> 0:15:26.080
<v Speaker 5>we were and again we didn't, we didn't recognize it

0:15:26.120 --> 0:15:26.760
<v Speaker 5>while we were there.

0:15:26.920 --> 0:15:29.760
<v Speaker 6>We just it was so beneficial to have those actors

0:15:29.760 --> 0:15:30.000
<v Speaker 6>with us.

0:15:30.080 --> 0:15:31.760
<v Speaker 5>And that's a credit to Michael and to Sally and

0:15:31.760 --> 0:15:34.680
<v Speaker 5>everybody who cast everybody who brought I mean, Alex and

0:15:34.760 --> 0:15:36.800
<v Speaker 5>all the adults they brought in were just so good

0:15:37.480 --> 0:15:40.440
<v Speaker 5>that we upped our game to be next to them.

0:15:40.520 --> 0:15:43.000
<v Speaker 4>So we just took it for granted, right, We honestly

0:15:43.040 --> 0:15:45.480
<v Speaker 4>don't think it was like I didn't think like, oh,

0:15:45.520 --> 0:15:48.640
<v Speaker 4>it's remarkable that this thirty year old dude can act

0:15:48.680 --> 0:15:49.280
<v Speaker 4>this well.

0:15:49.520 --> 0:15:51.400
<v Speaker 3>It was just like, well, he's mister Turner and he's

0:15:51.400 --> 0:15:53.120
<v Speaker 3>a good actor and he does actor. I would never

0:15:53.160 --> 0:15:54.200
<v Speaker 3>have said Tony was bad.

0:15:54.200 --> 0:15:56.040
<v Speaker 4>I always knew he was good, but I don't think

0:15:56.080 --> 0:15:59.320
<v Speaker 4>I recognized what he was bringing to you know, this, this,

0:15:59.440 --> 0:16:01.239
<v Speaker 4>these scenes, these characters, characters.

0:16:01.000 --> 0:16:01.800
<v Speaker 6>It's incredible.

0:16:01.920 --> 0:16:06.440
<v Speaker 1>Yeah, agreed, Well, let's jump in the synopsis. Is when

0:16:06.480 --> 0:16:09.040
<v Speaker 1>Sean starts to feel like a burden to the Matthews.

0:16:09.080 --> 0:16:12.200
<v Speaker 1>He sneaks out, only to find himself on mister Turner's

0:16:12.240 --> 0:16:16.040
<v Speaker 1>doorstep yet again, and Eric tries to master the SATs

0:16:16.120 --> 0:16:20.160
<v Speaker 1>by working for mister Feenie. So once again, this is

0:16:20.160 --> 0:16:25.720
<v Speaker 1>like our first real serialized Ye we went from career

0:16:25.840 --> 0:16:26.440
<v Speaker 1>day writing.

0:16:27.000 --> 0:16:29.120
<v Speaker 3>Storyline is serialized, you know That's what I'm saying.

0:16:29.200 --> 0:16:32.400
<v Speaker 5>Yeah, and they've turned Eric into Corey. So this is

0:16:32.440 --> 0:16:35.840
<v Speaker 5>the start of really Eric and Feenie. I mean it's

0:16:35.880 --> 0:16:37.000
<v Speaker 5>the same storyline where.

0:16:36.920 --> 0:16:38.360
<v Speaker 6>You're gonna you're gonna work around the house.

0:16:38.360 --> 0:16:42.160
<v Speaker 5>I mean that's such a first season Cory storyline.

0:16:42.280 --> 0:16:48.320
<v Speaker 6>Yeah, exactly, and they've given it to Eric. They've completely

0:16:48.360 --> 0:16:51.080
<v Speaker 6>given it to Eric, so so strange. Well.

0:16:51.120 --> 0:16:53.920
<v Speaker 1>It was directed by David Traynor, written by Jeff Sherman,

0:16:54.080 --> 0:16:57.840
<v Speaker 1>guest starring Jason Marsden as Jason Marsden, Blake Clark as

0:16:57.920 --> 0:17:01.640
<v Speaker 1>Chet Hunter. Darlene Vogel is back as Catherine Kat Tompkins.

0:17:01.920 --> 0:17:02.200
<v Speaker 6>Wow.

0:17:02.440 --> 0:17:05.360
<v Speaker 2>She is in a lot of episodes, yes, right, and.

0:17:05.359 --> 0:17:08.000
<v Speaker 4>Has like a major story point in this. It's not

0:17:08.200 --> 0:17:12.080
<v Speaker 4>just of Toss, it's life changing drama.

0:17:12.200 --> 0:17:14.359
<v Speaker 3>And the two of them. Yeah, and she's great.

0:17:14.440 --> 0:17:19.680
<v Speaker 1>If she's fantastic, and no recollection, no recollection at all.

0:17:19.880 --> 0:17:21.000
<v Speaker 6>I thought she did one or two.

0:17:21.040 --> 0:17:23.200
<v Speaker 5>Maybe I remember her because of her eye and because

0:17:23.200 --> 0:17:23.959
<v Speaker 5>of Back to the Future.

0:17:24.040 --> 0:17:27.040
<v Speaker 6>That's all that I remember, so that she was this.

0:17:29.040 --> 0:17:30.480
<v Speaker 3>Her, just her and Tony pretty much.

0:17:30.520 --> 0:17:30.560
<v Speaker 5>So.

0:17:30.800 --> 0:17:34.960
<v Speaker 1>Yeah, Ivory Ocean as Policeman. He's best known for his

0:17:35.080 --> 0:17:36.840
<v Speaker 1>role as Mayor Tilton in The Mask.

0:17:37.880 --> 0:17:39.880
<v Speaker 6>There's something else with him we will talk about when

0:17:39.920 --> 0:17:42.359
<v Speaker 6>we get to that scene. If I am correct, and

0:17:42.359 --> 0:17:42.800
<v Speaker 6>I think.

0:17:42.680 --> 0:17:44.680
<v Speaker 2>I am, I can't wait. Okay.

0:17:45.240 --> 0:17:49.959
<v Speaker 1>Also worth noting this will be the final episode with

0:17:50.080 --> 0:17:52.320
<v Speaker 1>Lily nick Say as Morgan Matthews.

0:17:54.440 --> 0:17:57.560
<v Speaker 5>That's definite right, that's definite right that she she does

0:17:57.840 --> 0:17:59.280
<v Speaker 5>season three, comes back and she's.

0:17:59.119 --> 0:18:01.919
<v Speaker 2>Gone, right, yeah, I don't you just never gets star.

0:18:01.880 --> 0:18:02.920
<v Speaker 6>Again or to come back again.

0:18:03.000 --> 0:18:04.560
<v Speaker 3>Does she know Lindsey takes over?

0:18:04.920 --> 0:18:08.160
<v Speaker 2>It takes over. I think halfway through season three, which.

0:18:07.960 --> 0:18:10.920
<v Speaker 3>Wasn't that long then. If it really was halfway through

0:18:10.920 --> 0:18:12.560
<v Speaker 3>season three, yeah.

0:18:12.320 --> 0:18:14.000
<v Speaker 2>She would not, she would not have it was.

0:18:14.440 --> 0:18:17.159
<v Speaker 1>It was a significant amount through season three because I

0:18:17.240 --> 0:18:19.520
<v Speaker 1>remember then when they wrote the character in and it

0:18:19.560 --> 0:18:20.880
<v Speaker 1>was like she's been on a time out.

0:18:21.119 --> 0:18:23.800
<v Speaker 3>We made a whole big joke out and she's been.

0:18:23.640 --> 0:18:24.560
<v Speaker 2>Done for a while.

0:18:26.359 --> 0:18:29.520
<v Speaker 1>Also worth noting season four or five, this would have

0:18:29.680 --> 0:18:35.760
<v Speaker 1>also been the infamous tape day of embrace Gate. True,

0:18:37.920 --> 0:18:41.440
<v Speaker 1>so this would have been when Adam Scott.

0:18:41.440 --> 0:18:42.440
<v Speaker 3>Is even in it.

0:18:42.520 --> 0:18:44.199
<v Speaker 6>He's not in this one though. It must have been

0:18:44.240 --> 0:18:45.080
<v Speaker 6>Thriller in Phila.

0:18:45.840 --> 0:18:46.240
<v Speaker 3>It had.

0:18:47.880 --> 0:18:49.040
<v Speaker 6>Why would he Phila?

0:18:49.080 --> 0:18:50.880
<v Speaker 5>It must have been unless we shot him out of order,

0:18:50.920 --> 0:18:52.120
<v Speaker 5>which I don't think we did this season.

0:18:52.160 --> 0:18:54.280
<v Speaker 3>Unless he was just happened to be there for tape

0:18:54.359 --> 0:18:55.640
<v Speaker 3>night in the final season.

0:18:55.920 --> 0:18:59.359
<v Speaker 1>Yeah, it was probably Thrilla and Phylla, and he thought

0:18:59.400 --> 0:19:03.399
<v Speaker 1>it was him, he did say the finale. But listen,

0:19:03.520 --> 0:19:07.680
<v Speaker 1>so we all have been hugging anyway, because exactly unless

0:19:07.680 --> 0:19:08.960
<v Speaker 1>he knew he wasn't coming back.

0:19:09.720 --> 0:19:11.879
<v Speaker 6>You know, you're also in the star of the show

0:19:11.920 --> 0:19:14.400
<v Speaker 6>at this point, writer, and he was at a guest star.

0:19:15.119 --> 0:19:17.360
<v Speaker 2>How you know what? How dare he?

0:19:17.600 --> 0:19:20.520
<v Speaker 6>Let's get him back? Exactly?

0:19:20.880 --> 0:19:24.480
<v Speaker 2>Oh man, that's pretty great.

0:19:25.920 --> 0:19:28.280
<v Speaker 1>So let's jump into our recap. We start in Corey

0:19:28.320 --> 0:19:30.400
<v Speaker 1>and Eric's room. Corey is banging on the bathroom door

0:19:30.400 --> 0:19:32.360
<v Speaker 1>to get Sean out, who has been living there now

0:19:32.400 --> 0:19:34.439
<v Speaker 1>for three weeks. He spent two and a half of

0:19:34.440 --> 0:19:37.280
<v Speaker 1>those weeks in the bathroom, he says. Eric, who's sitting

0:19:37.320 --> 0:19:39.879
<v Speaker 1>nearby at the desk, says, to keep it down, he's studying.

0:19:40.200 --> 0:19:43.080
<v Speaker 1>Corey shoots him a look and Eric says, well, I am.

0:19:43.600 --> 0:19:45.760
<v Speaker 1>And then Corey says, well, I'm trying to shower here,

0:19:45.880 --> 0:19:48.760
<v Speaker 1>and Eric shoots him a look and Corey says, well,

0:19:48.800 --> 0:19:49.200
<v Speaker 1>I am.

0:19:49.640 --> 0:19:52.080
<v Speaker 2>And I don't understand these jokes.

0:19:52.920 --> 0:19:53.320
<v Speaker 6>Okay.

0:19:53.400 --> 0:19:58.719
<v Speaker 5>So the joke is essentially I'm studying and Corey's like,

0:19:59.160 --> 0:19:59.960
<v Speaker 5>you're studying.

0:20:00.840 --> 0:20:01.280
<v Speaker 6>I am.

0:20:01.840 --> 0:20:05.960
<v Speaker 5>Well, I'm taking a shower. You're taking a shower like stinky.

0:20:06.520 --> 0:20:06.720
<v Speaker 1>Yeah.

0:20:07.280 --> 0:20:10.200
<v Speaker 2>Yeah, that's and Eric doesn't usually study.

0:20:10.119 --> 0:20:12.560
<v Speaker 5>Right, So okay, it's out of the norm for both

0:20:12.600 --> 0:20:15.120
<v Speaker 5>of them, the norm for Corey to shower and out

0:20:15.119 --> 0:20:16.439
<v Speaker 5>of the norm for Eric to study.

0:20:16.800 --> 0:20:21.840
<v Speaker 2>Right, Okay, I started I would do that in just

0:20:21.880 --> 0:20:23.560
<v Speaker 2>a real I am.

0:20:25.280 --> 0:20:29.560
<v Speaker 6>Working to sell this dialogue because but it is. It's

0:20:29.760 --> 0:20:30.439
<v Speaker 6>I am, I am.

0:20:31.240 --> 0:20:34.000
<v Speaker 5>They left to hang very big in the in the

0:20:34.040 --> 0:20:36.960
<v Speaker 5>in the first part of this, just like trying to

0:20:37.040 --> 0:20:37.680
<v Speaker 5>hit these beats.

0:20:37.800 --> 0:20:39.320
<v Speaker 6>I get better as the episode goes on.

0:20:39.920 --> 0:20:40.880
<v Speaker 2>But I think you're great.

0:20:41.000 --> 0:20:41.480
<v Speaker 3>I'm working.

0:20:41.640 --> 0:20:42.680
<v Speaker 6>I'm working. I don't think I'm bad.

0:20:42.680 --> 0:20:44.520
<v Speaker 5>I definitely don't think I'm bad, but it's it's better

0:20:44.560 --> 0:20:45.119
<v Speaker 5>as it goes on.

0:20:45.200 --> 0:20:47.960
<v Speaker 1>It's the opening of this show for those to be

0:20:48.160 --> 0:20:49.840
<v Speaker 1>like the hook them jokes.

0:20:50.200 --> 0:20:52.160
<v Speaker 2>I am not sure we could.

0:20:52.320 --> 0:20:55.320
<v Speaker 6>We could have used the rewrite, could use a little

0:20:55.320 --> 0:20:55.840
<v Speaker 6>punch up.

0:20:56.040 --> 0:21:02.080
<v Speaker 4>The best joke is is my shaving crew completely with you?

0:21:02.359 --> 0:21:03.760
<v Speaker 6>And started.

0:21:05.359 --> 0:21:06.399
<v Speaker 3>The door with that.

0:21:07.760 --> 0:21:10.399
<v Speaker 1>Sean opens the door and reveals he is shaving his face.

0:21:10.520 --> 0:21:13.120
<v Speaker 1>Facial hair runs in the family, especially on his mom's side.

0:21:13.200 --> 0:21:16.280
<v Speaker 1>You've got shaving cream just a little bit right here

0:21:16.440 --> 0:21:20.440
<v Speaker 1>in between your eyebrows, which made me die laughing. So

0:21:20.800 --> 0:21:23.399
<v Speaker 1>Eric is prepping for his SATs and still panicking. And

0:21:23.480 --> 0:21:25.800
<v Speaker 1>here's where we see that we have a running storyline

0:21:25.800 --> 0:21:26.240
<v Speaker 1>going on.

0:21:27.160 --> 0:21:31.520
<v Speaker 2>Eric is working out a problem. Nihilism is to optimism

0:21:31.760 --> 0:21:36.920
<v Speaker 2>as gluttony is too, And he says, butte Montana, did

0:21:36.920 --> 0:21:39.119
<v Speaker 2>you guys figure out what the answer should be?

0:21:40.040 --> 0:21:40.159
<v Speaker 6>Oh?

0:21:40.280 --> 0:21:40.680
<v Speaker 3>I wasn't.

0:21:40.760 --> 0:21:49.240
<v Speaker 1>No, nihilism is to optimism as gluttony is to starvation.

0:21:50.160 --> 0:21:52.920
<v Speaker 2>That's what I said first. That's what I said first.

0:21:52.960 --> 0:21:56.040
<v Speaker 1>But because you can be gluttonous about anything, it doesn't

0:21:56.119 --> 0:21:57.320
<v Speaker 1>just have to be food.

0:21:57.480 --> 0:22:00.840
<v Speaker 5>Really well, nihilism is nihilism is the belief in nothingness

0:22:00.880 --> 0:22:03.560
<v Speaker 5>and optimism is being positive.

0:22:03.080 --> 0:22:08.560
<v Speaker 6>So it is a little oppositey pessimism exactly. That's what

0:22:08.640 --> 0:22:09.760
<v Speaker 6>that's where it's They love.

0:22:09.640 --> 0:22:11.440
<v Speaker 4>Nihilis because they used that in the last episode to

0:22:12.480 --> 0:22:15.040
<v Speaker 4>go to each their go to s a T work.

0:22:15.680 --> 0:22:17.879
<v Speaker 5>I think I think what they're going for is something

0:22:18.000 --> 0:22:19.320
<v Speaker 5>like starvation.

0:22:19.080 --> 0:22:24.080
<v Speaker 1>Or I said moderation. Moderation is to moderation.

0:22:25.480 --> 0:22:29.160
<v Speaker 2>So anyway, I.

0:22:27.840 --> 0:22:29.400
<v Speaker 1>I then googled it. You want to know what comes

0:22:29.480 --> 0:22:36.119
<v Speaker 1>up just our show? There is no answer.

0:22:36.480 --> 0:22:37.040
<v Speaker 2>That's great.

0:22:37.160 --> 0:22:41.080
<v Speaker 1>So Eric, who is mind blocked and can't even remember

0:22:41.119 --> 0:22:43.840
<v Speaker 1>what college is until Corey reminds him, starts looking for

0:22:43.920 --> 0:22:44.960
<v Speaker 1>his lucky pencil.

0:22:45.440 --> 0:22:48.720
<v Speaker 2>Who you call Pency Pency?

0:22:49.720 --> 0:22:53.960
<v Speaker 4>All right, somebody shows up at our shows dressed as Pency.

0:22:54.000 --> 0:22:59.480
<v Speaker 1>Great great costume, a chewed pencil. Oh, I love it

0:22:59.480 --> 0:22:59.920
<v Speaker 1>it just.

0:23:00.040 --> 0:23:03.080
<v Speaker 2>And his names is Pensy and he can't find it.

0:23:03.160 --> 0:23:04.879
<v Speaker 2>He is freaking out until Corey finds it.

0:23:04.920 --> 0:23:06.760
<v Speaker 6>Oh, I'm sorry. I just had the theme song to

0:23:06.800 --> 0:23:08.720
<v Speaker 6>the Pency cartoon that just went through my head.

0:23:09.160 --> 0:23:14.520
<v Speaker 4>Pancy Pency, It's Me and you Pency favorite number two.

0:23:14.680 --> 0:23:16.879
<v Speaker 6>No, I just made that up, but it just seems

0:23:16.920 --> 0:23:21.080
<v Speaker 6>like that would be the Oh my Goshency.

0:23:22.119 --> 0:23:25.520
<v Speaker 2>It all right, let's get on that record that.

0:23:25.920 --> 0:23:29.439
<v Speaker 1>Let's record that please Wills Will's new theme song for

0:23:29.520 --> 0:23:31.399
<v Speaker 1>the animated show he just created on the spot.

0:23:31.960 --> 0:23:34.080
<v Speaker 6>It's me That's how it would be.

0:23:36.520 --> 0:23:39.080
<v Speaker 1>So Sean comes out of the bathroom cleaning his ears

0:23:39.160 --> 0:23:42.600
<v Speaker 1>with Eric's lucky towel Towley a south Park reference.

0:23:42.840 --> 0:23:47.280
<v Speaker 6>South Park, Now, thank you. I don't think they've one

0:23:47.280 --> 0:23:49.600
<v Speaker 6>of the things I wrote down. There's one of those

0:23:49.720 --> 0:23:50.600
<v Speaker 6>in this episode.

0:23:50.640 --> 0:23:55.440
<v Speaker 5>Two major shows taking from us in this episode.

0:23:54.680 --> 0:24:01.120
<v Speaker 1>We were Towey first, we created Seinfeld South Park Friends.

0:24:02.040 --> 0:24:04.520
<v Speaker 5>It's a Seinfeld one next to that. I'm going to

0:24:04.600 --> 0:24:05.280
<v Speaker 5>talk to you about.

0:24:05.400 --> 0:24:07.760
<v Speaker 4>So but you know, totally would have been like when

0:24:07.760 --> 0:24:09.680
<v Speaker 4>we were because that was right around the time that

0:24:09.720 --> 0:24:11.120
<v Speaker 4>we did the Halloween episode.

0:24:11.600 --> 0:24:15.840
<v Speaker 6>Yeah, Cowy's just the towel that just keeps getting stoned

0:24:16.000 --> 0:24:16.640
<v Speaker 6>on South Park.

0:24:17.240 --> 0:24:21.120
<v Speaker 4>You guys want to get season five or six of.

0:24:21.080 --> 0:24:24.120
<v Speaker 6>So think so yeah, I think so so Yeah, it's

0:24:24.359 --> 0:24:27.800
<v Speaker 6>just wow, Okay, yeah, I think I think we beat

0:24:27.840 --> 0:24:28.480
<v Speaker 6>south Park.

0:24:28.280 --> 0:24:41.000
<v Speaker 1>With Tally, but we'll say unbelievable. So Eric starts to

0:24:41.000 --> 0:24:43.239
<v Speaker 1>give him ground rules about living in their house, but

0:24:43.280 --> 0:24:45.960
<v Speaker 1>Corey steps in to say it's only temporary and they've

0:24:45.960 --> 0:24:48.960
<v Speaker 1>been doing pretty darn well. Eric, who wants some peace

0:24:48.960 --> 0:24:51.959
<v Speaker 1>and quiet, goes into the bathroom and screams off camera

0:24:52.080 --> 0:24:56.040
<v Speaker 1>as his notebook goes flying, and Sean says, looks like

0:24:56.080 --> 0:24:57.880
<v Speaker 1>he found slippy is lucky, So.

0:24:58.280 --> 0:25:00.120
<v Speaker 6>Slippy love that.

0:25:02.560 --> 0:25:08.200
<v Speaker 4>I know everybody else is slippy would have worked. Yeah, Eric,

0:25:08.440 --> 0:25:09.320
<v Speaker 4>camera getting hurt.

0:25:10.640 --> 0:25:12.760
<v Speaker 6>I was gonna say, I literally wrote same jokes as

0:25:12.800 --> 0:25:16.280
<v Speaker 6>last episode, the same kind. We're still in the Yeah.

0:25:16.800 --> 0:25:19.400
<v Speaker 1>For as much as as much as I love this episode,

0:25:19.560 --> 0:25:23.680
<v Speaker 1>I don't know that we started out super hot, but

0:25:24.520 --> 0:25:27.399
<v Speaker 1>but I love the episode. Okay, So then we're in

0:25:27.440 --> 0:25:31.040
<v Speaker 1>the Matthew's kitchen, Morgan are departing, Lily Nixy is eating

0:25:31.080 --> 0:25:34.520
<v Speaker 1>a loaded ice cream Sunday for breakfast. Alan calls it

0:25:34.560 --> 0:25:36.840
<v Speaker 1>out as not breakfast and she says. Sean says his

0:25:36.920 --> 0:25:39.800
<v Speaker 1>family has Sundays for breakfast all the time. Amy walks

0:25:39.800 --> 0:25:42.320
<v Speaker 1>in and Alan sarcastically explains that Morgan has been getting

0:25:42.359 --> 0:25:45.760
<v Speaker 1>nutritional advice from the Hunters, and Amy starts to complain

0:25:45.800 --> 0:25:47.920
<v Speaker 1>about Sewan, but she stops herself because Morgan is there,

0:25:47.960 --> 0:25:50.560
<v Speaker 1>so she offers Morgan an opportunity to go watch TV

0:25:50.600 --> 0:25:53.479
<v Speaker 1>in the next room, but Morgan doesn't want to, so

0:25:53.560 --> 0:25:55.720
<v Speaker 1>Alan pays Morgan a dollar to go to the living

0:25:55.760 --> 0:25:58.000
<v Speaker 1>room and now alone, Amy and Alan talk about how

0:25:58.000 --> 0:26:01.160
<v Speaker 1>the last couple of weeks and that maybe we pay

0:26:01.160 --> 0:26:02.879
<v Speaker 1>her a dollar get her out.

0:26:02.760 --> 0:26:05.960
<v Speaker 5>Of there, than here's a buck, thanks for getting out

0:26:05.960 --> 0:26:13.399
<v Speaker 5>of I thought Rusty was going to do something that

0:26:13.440 --> 0:26:15.680
<v Speaker 5>I thought. It looked like he was headed that way,

0:26:15.720 --> 0:26:17.359
<v Speaker 5>and I was like, oh, here it comes, here, it comes.

0:26:17.520 --> 0:26:19.440
<v Speaker 6>I thought he was going to start eating her ice

0:26:19.480 --> 0:26:20.080
<v Speaker 6>creel me too.

0:26:20.200 --> 0:26:21.000
<v Speaker 2>Did he never do it.

0:26:21.080 --> 0:26:23.359
<v Speaker 6>I don't think he ever did it. And I thought

0:26:23.359 --> 0:26:25.800
<v Speaker 6>it would be choice because he started with the spoon

0:26:25.840 --> 0:26:26.879
<v Speaker 6>and he has it in there.

0:26:26.960 --> 0:26:27.160
<v Speaker 3>Yeah.

0:26:27.240 --> 0:26:29.120
<v Speaker 5>Yeah, it's like, oh, he's going to start eating the ice,

0:26:29.320 --> 0:26:31.720
<v Speaker 5>which is a brilliant choice. And then I don't think

0:26:31.720 --> 0:26:36.040
<v Speaker 5>he ever actually put the spoon to his lips so.

0:26:34.760 --> 0:26:35.680
<v Speaker 6>Close it was so cool.

0:26:35.840 --> 0:26:38.159
<v Speaker 1>No, maybe they Maybe maybe he did, and it was

0:26:38.200 --> 0:26:39.959
<v Speaker 1>just one of the things that was lost in editing

0:26:40.040 --> 0:26:42.600
<v Speaker 1>because he was probably eating when we were on coverage

0:26:42.640 --> 0:26:44.359
<v Speaker 1>of Amy, and so it's possible that he did and

0:26:44.400 --> 0:26:46.480
<v Speaker 1>we just lost it because I did. I thought the

0:26:46.520 --> 0:26:48.600
<v Speaker 1>exact same thing while he had the bowl up there.

0:26:48.880 --> 0:26:50.240
<v Speaker 1>I thought, oh, my gosh, he's going to eat it.

0:26:50.280 --> 0:26:52.280
<v Speaker 1>And then I started paying attention to something else and

0:26:52.320 --> 0:26:53.000
<v Speaker 1>forgot all about it.

0:26:53.080 --> 0:26:56.120
<v Speaker 6>Me too, So something shiny uh. So.

0:26:56.240 --> 0:26:57.920
<v Speaker 1>Amy and Alan talk about how the last few weeks

0:26:57.920 --> 0:26:59.639
<v Speaker 1>with Sean has not been easy on their nerves or

0:26:59.640 --> 0:27:02.440
<v Speaker 1>their budget. Alan doesn't blame Sean. He blames Chet, who

0:27:02.480 --> 0:27:04.840
<v Speaker 1>hasn't called or sent a card in three weeks.

0:27:05.119 --> 0:27:09.000
<v Speaker 3>Man, four kids in a house, can you imagine?

0:27:10.920 --> 0:27:11.080
<v Speaker 6>Yeah?

0:27:12.200 --> 0:27:15.400
<v Speaker 5>And again I'm glad, they said financially too, because that's

0:27:15.680 --> 0:27:17.280
<v Speaker 5>you're adding another kid that's.

0:27:17.560 --> 0:27:21.160
<v Speaker 2>Huge, actually a teenage boy. The way they eat.

0:27:21.400 --> 0:27:24.280
<v Speaker 6>Yeah, and they're on a budget. They've already yes, set

0:27:24.359 --> 0:27:26.000
<v Speaker 6>up that they are very much on a budget. You

0:27:26.040 --> 0:27:29.840
<v Speaker 6>throw a third you couldn't you couldn't handle a dog. Gross,

0:27:29.960 --> 0:27:33.080
<v Speaker 6>I mean a fourth kid that's huge. Yeah, that's that's big.

0:27:33.400 --> 0:27:33.560
<v Speaker 4>Well.

0:27:33.600 --> 0:27:35.960
<v Speaker 1>Amy says she's glad Sean has Eric and Corey to

0:27:35.960 --> 0:27:39.720
<v Speaker 1>make things easier, and then Sean comes down angrily, apologizing

0:27:39.800 --> 0:27:42.879
<v Speaker 1>and yelling to Eric for breathing his lucky air. Sean

0:27:42.920 --> 0:27:44.760
<v Speaker 1>goes to the fridge and drinks right out of the

0:27:44.800 --> 0:27:47.720
<v Speaker 1>milk carton, and he's wearing the same clothes as the

0:27:47.800 --> 0:27:50.160
<v Speaker 1>last time we saw him, so we kind of get

0:27:50.200 --> 0:27:54.719
<v Speaker 1>the sense that, oh, he's wearing the same clothes every day,

0:27:55.080 --> 0:27:57.440
<v Speaker 1>even though didn't Chet say to go get a two

0:27:57.480 --> 0:28:01.280
<v Speaker 1>brush and a shirt, right, So you're not wearing that shirt,

0:28:01.320 --> 0:28:04.600
<v Speaker 1>You're wearing this other one. So Amy marks the carton

0:28:04.640 --> 0:28:07.080
<v Speaker 1>with an S and then opens the fridge to reveal

0:28:07.240 --> 0:28:10.280
<v Speaker 1>all of the other items that have been marked as Sean,

0:28:10.520 --> 0:28:13.240
<v Speaker 1>revealing that you apparently just drink out of all the cartons.

0:28:14.200 --> 0:28:16.440
<v Speaker 2>Amy announces it's a great joke. Joke.

0:28:16.520 --> 0:28:17.360
<v Speaker 6>That's a good joke. Yep.

0:28:17.680 --> 0:28:20.080
<v Speaker 1>Amy announces she had went shopping for Sean. I got

0:28:20.119 --> 0:28:23.000
<v Speaker 1>you some pants and Alan is surprised that she brought

0:28:23.080 --> 0:28:25.520
<v Speaker 1>him clothes and she says, yes, he can't just wear

0:28:25.560 --> 0:28:29.040
<v Speaker 1>the same outfit for three weeks every day, And Alan says,

0:28:29.240 --> 0:28:33.720
<v Speaker 1>I do, which was very funny. Amy asks if Sean

0:28:33.760 --> 0:28:36.120
<v Speaker 1>remembers the jeans with all the holes in them. Sean

0:28:36.200 --> 0:28:37.720
<v Speaker 1>is afraid she threw them out, but she did not.

0:28:37.840 --> 0:28:40.760
<v Speaker 1>She just patched them, and he's mortified. There's an S

0:28:40.880 --> 0:28:43.520
<v Speaker 1>on the butt and a ton of very like cloth

0:28:43.600 --> 0:28:46.600
<v Speaker 1>looking patches. It's so cute that little ass. By the way,

0:28:46.720 --> 0:28:49.040
<v Speaker 1>did you guys have in the nineties a pair of

0:28:49.040 --> 0:28:51.360
<v Speaker 1>holy super worn.

0:28:51.040 --> 0:28:53.880
<v Speaker 2>In jeans that you just loved more than anything.

0:28:54.000 --> 0:28:57.520
<v Speaker 4>Jean shorts that I painted his horse he did, and

0:28:57.560 --> 0:29:01.320
<v Speaker 4>then I wore them all the time, like pay splattered shorts.

0:29:01.440 --> 0:29:05.960
<v Speaker 6>You have shorts, I wear them every day.

0:29:06.080 --> 0:29:10.120
<v Speaker 5>I wear my ripped jeans every single day.

0:29:10.760 --> 0:29:12.560
<v Speaker 2>I remember those, will.

0:29:13.040 --> 0:29:15.800
<v Speaker 3>Remember like big overalls were popular for a moment.

0:29:16.240 --> 0:29:20.240
<v Speaker 1>Yes, so I literally remember your jeans almost as well

0:29:20.240 --> 0:29:21.200
<v Speaker 1>as I remember mine.

0:29:21.240 --> 0:29:23.000
<v Speaker 2>They had that huge.

0:29:22.640 --> 0:29:24.000
<v Speaker 6>Hole in the knee.

0:29:24.200 --> 0:29:24.680
<v Speaker 3>I remember it.

0:29:25.080 --> 0:29:26.920
<v Speaker 1>I think I have a picture of you with Anna

0:29:27.200 --> 0:29:30.200
<v Speaker 1>and Anna's on your lap and you're wearing those jeans. Yes,

0:29:30.240 --> 0:29:33.479
<v Speaker 1>I'll have to find that picture in the world. I

0:29:33.480 --> 0:29:35.960
<v Speaker 1>had a pair two that I love more than anything.

0:29:36.040 --> 0:29:38.920
<v Speaker 1>Oh gosh, they're just the greatest. Nothing like that feeling

0:29:38.960 --> 0:29:41.040
<v Speaker 1>of just your super worn in holy jeans.

0:29:41.120 --> 0:29:41.400
<v Speaker 6>Ah.

0:29:41.440 --> 0:29:44.440
<v Speaker 1>Okay, So then she pulls out she got him a

0:29:44.520 --> 0:29:48.960
<v Speaker 1>really yellow hoodie. It looks very Corey esque. And then

0:29:49.160 --> 0:29:51.680
<v Speaker 1>Corey sure enough comes down wearing one.

0:29:51.760 --> 0:29:55.000
<v Speaker 3>Right, Yes, very colors, just so season one.

0:29:55.880 --> 0:29:59.160
<v Speaker 6>Nonchalant about it too. He's like, hey, San Sweacher, it's

0:29:59.200 --> 0:29:59.720
<v Speaker 6>just so cool.

0:30:00.080 --> 0:30:01.280
<v Speaker 2>At the same one.

0:30:02.040 --> 0:30:05.200
<v Speaker 1>And this is where I noticed. So she didn't actually

0:30:05.240 --> 0:30:06.520
<v Speaker 1>buy him any pants.

0:30:07.640 --> 0:30:10.720
<v Speaker 6>No, I think she said, I think mended my pants,

0:30:10.840 --> 0:30:12.880
<v Speaker 6>mended the pants and got a new top.

0:30:13.080 --> 0:30:16.560
<v Speaker 1>But she says, she says, at the beginning, I bought

0:30:16.600 --> 0:30:20.680
<v Speaker 1>you some new pants, and he goes, you bought him clothes,

0:30:20.760 --> 0:30:23.560
<v Speaker 1>and so then she's like, remember those jeans, And I thought, oh,

0:30:23.560 --> 0:30:25.560
<v Speaker 1>we're gonna she's replaced them with a new pair of pants.

0:30:25.600 --> 0:30:27.720
<v Speaker 1>But then no, she mended them. And then she pulls

0:30:27.720 --> 0:30:30.080
<v Speaker 1>out a hoodie and I was like, those aren't pants.

0:30:30.320 --> 0:30:33.400
<v Speaker 2>So anyway, just a little interesting things, A little bit

0:30:33.520 --> 0:30:33.840
<v Speaker 2>not a.

0:30:33.760 --> 0:30:35.680
<v Speaker 1>Big deal because maybe there's a pair of pants in

0:30:35.680 --> 0:30:37.320
<v Speaker 1>there she didn't get to yet. Maybe she bought him

0:30:37.320 --> 0:30:39.120
<v Speaker 1>a hoodie and a pair of pants and had his

0:30:39.200 --> 0:30:42.000
<v Speaker 1>jeans mended. But I did just notice that. Okay, then

0:30:42.040 --> 0:30:44.240
<v Speaker 1>we're in the school hallway. Miss Tompkins walks up to

0:30:44.280 --> 0:30:47.120
<v Speaker 1>mister Turner. She calls him Johnny and gives him a

0:30:47.120 --> 0:30:49.040
<v Speaker 1>little little hug and a kiss hello.

0:30:48.880 --> 0:30:50.160
<v Speaker 6>On the cheek in the hallway.

0:30:50.200 --> 0:30:51.080
<v Speaker 2>Is that weird for teaching?

0:30:51.280 --> 0:30:52.000
<v Speaker 3>Kiss in the hallway?

0:30:52.040 --> 0:30:53.480
<v Speaker 6>I was curious. I didn't know if that was weird

0:30:53.560 --> 0:30:54.720
<v Speaker 6>or not. It seemed a little weird.

0:30:54.840 --> 0:30:59.240
<v Speaker 1>I think it seems a little odd for dating dating

0:31:00.160 --> 0:31:01.320
<v Speaker 1>teachers they're not married.

0:31:01.680 --> 0:31:03.840
<v Speaker 6>Yeah, like adult dating, but you can't kiss if.

0:31:03.800 --> 0:31:05.280
<v Speaker 2>You're not married. That's not what I'm saying.

0:31:05.320 --> 0:31:07.760
<v Speaker 4>I mean the implication of this episode is that they're

0:31:08.280 --> 0:31:10.160
<v Speaker 4>they're like together together.

0:31:09.960 --> 0:31:12.600
<v Speaker 3>Like you're either moving in or getting married, at least.

0:31:12.360 --> 0:31:14.600
<v Speaker 6>In her mind. At least in her mind they are.

0:31:14.760 --> 0:31:18.280
<v Speaker 3>Yeah, but after they do doing a lot to like

0:31:18.480 --> 0:31:18.840
<v Speaker 3>make it.

0:31:18.800 --> 0:31:21.360
<v Speaker 5>Happen as quickly as We'll get into that later, because

0:31:21.400 --> 0:31:22.120
<v Speaker 5>it seems like it.

0:31:22.520 --> 0:31:24.680
<v Speaker 6>Yeah, okay, Yeah.

0:31:24.760 --> 0:31:28.120
<v Speaker 1>He hands her a paper bag of something she left

0:31:28.120 --> 0:31:30.520
<v Speaker 1>at his apartment, and he gets nervous about her opening

0:31:30.520 --> 0:31:32.480
<v Speaker 1>it up and opening opening it up in the hallway,

0:31:32.680 --> 0:31:34.800
<v Speaker 1>and she says she left it there on purpose. He

0:31:34.800 --> 0:31:37.400
<v Speaker 1>said he'd only be nervous if he wore them. So

0:31:38.640 --> 0:31:41.120
<v Speaker 1>I think they're Yes, it's a pair of underwear. But

0:31:41.200 --> 0:31:44.959
<v Speaker 1>here's here's my question again. At first I thought this

0:31:45.640 --> 0:31:52.360
<v Speaker 1>toothbrush because they refer to it as an it, and

0:31:52.400 --> 0:31:55.600
<v Speaker 1>I thought we call underwear them, which they made me think,

0:31:55.920 --> 0:31:57.360
<v Speaker 1>why do we call underwear them?

0:31:57.680 --> 0:32:00.960
<v Speaker 3>Yeah? Why are pants plural? Underwear? It's plural?

0:32:01.520 --> 0:32:03.920
<v Speaker 2>Right, Like, why would you legs?

0:32:03.960 --> 0:32:06.240
<v Speaker 1>Maybe yeah, because it's got two legs, but like it's

0:32:06.240 --> 0:32:07.479
<v Speaker 1>still all garment.

0:32:08.080 --> 0:32:11.440
<v Speaker 6>Sweet, shirt. Is still it? Yeah, you should still I left.

0:32:11.280 --> 0:32:12.160
<v Speaker 2>It at your house.

0:32:13.080 --> 0:32:15.560
<v Speaker 1>But like I would say I'm gonna put it on,

0:32:15.880 --> 0:32:18.880
<v Speaker 1>you would say I'm gonna put them on, I'm going

0:32:18.920 --> 0:32:19.720
<v Speaker 1>to take them off.

0:32:20.080 --> 0:32:23.440
<v Speaker 3>Underwear A bra would be the only rational explanation.

0:32:23.560 --> 0:32:24.000
<v Speaker 6>It could be.

0:32:24.000 --> 0:32:29.480
<v Speaker 7>It could be you got it in a tiny little bag, though,

0:32:29.920 --> 0:32:31.520
<v Speaker 7>well sure, sure.

0:32:31.400 --> 0:32:33.840
<v Speaker 2>They fold in half and and mold into themselves.

0:32:33.880 --> 0:32:37.120
<v Speaker 4>Yeah, okay, it's got to be. I thought it was

0:32:37.200 --> 0:32:39.040
<v Speaker 4>underwear too, and I was like, why is this so weird?

0:32:39.080 --> 0:32:42.040
<v Speaker 1>But you're it's okay, Okay, it's a bra, and that's

0:32:42.040 --> 0:32:42.640
<v Speaker 1>why it's in it.

0:32:43.000 --> 0:32:47.080
<v Speaker 2>Okay, like a neglige, like a right, like a hole.

0:32:47.880 --> 0:32:49.320
<v Speaker 3>It's got to be small enough to it's.

0:32:49.200 --> 0:32:51.120
<v Speaker 1>Got to be small enough to which a neglige could

0:32:51.160 --> 0:32:52.840
<v Speaker 1>also fit in a paper bag. But I bet it's

0:32:52.840 --> 0:32:54.240
<v Speaker 1>a bra. I bet it's a bra. And because she

0:32:54.240 --> 0:32:56.520
<v Speaker 1>says I have others, he brings it to her. If

0:32:56.560 --> 0:32:58.480
<v Speaker 1>it's a negligee, he's not thinking, what are you gonna

0:32:58.520 --> 0:33:02.120
<v Speaker 1>you need this? It's definitely a bra. Her point is

0:33:02.200 --> 0:33:04.680
<v Speaker 1>I have others. I don't need this one. I where

0:33:04.880 --> 0:33:05.280
<v Speaker 1>said I.

0:33:05.280 --> 0:33:07.000
<v Speaker 6>Left it on purpose, didn't she? Is it supposed to

0:33:07.000 --> 0:33:08.000
<v Speaker 6>be like a sexy thing.

0:33:08.240 --> 0:33:10.280
<v Speaker 2>Nope, I think it's just a bra that she had there,

0:33:10.440 --> 0:33:11.880
<v Speaker 2>that she left there because.

0:33:11.640 --> 0:33:13.000
<v Speaker 3>She's gonna might.

0:33:14.400 --> 0:33:16.880
<v Speaker 1>Well, it could be a sexy bra. I don't think it's.

0:33:16.960 --> 0:33:19.040
<v Speaker 1>I don't think it's like, you know, something just for

0:33:19.120 --> 0:33:20.920
<v Speaker 1>sexy time. I think it's it may be a sexy bra.

0:33:21.360 --> 0:33:22.360
<v Speaker 2>It's a b. It's a bro.

0:33:22.520 --> 0:33:24.840
<v Speaker 1>I feel very confident that it's a bra. I feel

0:33:24.840 --> 0:33:26.760
<v Speaker 1>like we've worked this out. Thank you for discussing this

0:33:26.880 --> 0:33:29.920
<v Speaker 1>with me. I feel much better. So then mister Feenie

0:33:29.960 --> 0:33:32.720
<v Speaker 1>walks up and he asks what's in the brown bag,

0:33:32.760 --> 0:33:35.280
<v Speaker 1>but then realizes he doesn't want to know. He's thinking

0:33:35.280 --> 0:33:37.880
<v Speaker 1>a change of subject is in order, and then Ms.

0:33:37.920 --> 0:33:41.280
<v Speaker 1>Tompkins walks off. Sean is drinking from the water fountain

0:33:41.320 --> 0:33:45.320
<v Speaker 1>wearing the modified yellow hoodie, the one Amy gave him earlier.

0:33:45.520 --> 0:33:48.880
<v Speaker 1>It's very Sean style. Now it's become a vest. Yes,

0:33:49.560 --> 0:33:50.840
<v Speaker 1>And did you cut the.

0:33:50.800 --> 0:33:52.000
<v Speaker 3>Hood off too? Yep?

0:33:52.280 --> 0:33:53.320
<v Speaker 6>Yeah, cut the.

0:33:53.280 --> 0:33:56.840
<v Speaker 2>Hood off, leaves off and cut it down the middle.

0:33:56.960 --> 0:33:58.320
<v Speaker 3>Also, why am I wearing this?

0:33:58.400 --> 0:33:58.560
<v Speaker 6>Then?

0:33:59.800 --> 0:34:02.479
<v Speaker 4>I have cold out? And if it's cold, and why

0:34:04.320 --> 0:34:07.280
<v Speaker 4>why would Sean put on this a click thing? Even

0:34:07.280 --> 0:34:09.799
<v Speaker 4>if he modified it? It doesn't right, doesn't make sense.

0:34:09.880 --> 0:34:11.560
<v Speaker 1>No, it doesn't make much sense except for the fact

0:34:11.560 --> 0:34:13.239
<v Speaker 1>that we needed to see that you cut it up

0:34:13.239 --> 0:34:15.320
<v Speaker 1>so that we could have this exchange that comes next.

0:34:15.840 --> 0:34:18.680
<v Speaker 1>Corey walks up and asks if he knows what his

0:34:18.800 --> 0:34:22.799
<v Speaker 1>mom did if she sees this modified hoodie, and he says,

0:34:22.840 --> 0:34:25.040
<v Speaker 1>my guess she would clean it, sew it back up,

0:34:25.080 --> 0:34:26.719
<v Speaker 1>and put an s on it, which I thought was

0:34:26.719 --> 0:34:28.400
<v Speaker 1>a very funny.

0:34:28.160 --> 0:34:30.520
<v Speaker 6>Really funny joke. Yep, really funny joke.

0:34:31.160 --> 0:34:33.200
<v Speaker 2>And Corey says she's just trying to be nice, and

0:34:33.239 --> 0:34:35.520
<v Speaker 2>Sean says he's just trying to get through this without

0:34:35.560 --> 0:34:39.040
<v Speaker 2>making any waves. And I love that.

0:34:39.160 --> 0:34:41.440
<v Speaker 1>I think everything about what just happened in that exchange

0:34:41.680 --> 0:34:45.600
<v Speaker 1>is perfect. Yeah, I fully understand both of their positions.

0:34:45.680 --> 0:34:47.880
<v Speaker 1>I fully understand how tense this is for Sean and

0:34:47.880 --> 0:34:50.319
<v Speaker 1>how difficult this is. And it was just enough for

0:34:50.400 --> 0:34:52.760
<v Speaker 1>mister Turner to overhear for him to understand that something's

0:34:52.800 --> 0:34:55.400
<v Speaker 1>going on. So mister Turner is nearby. He hears it

0:34:55.480 --> 0:34:57.800
<v Speaker 1>and asks how asks Corey how it's going with Sean

0:34:57.840 --> 0:34:59.520
<v Speaker 1>being at his house, and Corey says it's going great.

0:34:59.560 --> 0:35:02.600
<v Speaker 2>Their best friends. Turner offers for Corey to call.

0:35:02.480 --> 0:35:05.680
<v Speaker 1>Him any time if he needs anything. And as Corey leaves,

0:35:05.680 --> 0:35:08.120
<v Speaker 1>Phoeney walks up to mister Turner concerned about him giving

0:35:08.120 --> 0:35:10.799
<v Speaker 1>his phone number to students, and Turner says, give him

0:35:10.800 --> 0:35:12.680
<v Speaker 1>a break. Sean is having a tough time and he's

0:35:12.719 --> 0:35:17.040
<v Speaker 1>his teacher. Phoene reiterates he is only his teacher, and

0:35:17.080 --> 0:35:19.680
<v Speaker 1>Turner says, come on, you're always getting involved with the

0:35:19.719 --> 0:35:23.839
<v Speaker 1>Matthews kids. And right then Eric almost walks into an

0:35:23.920 --> 0:35:27.759
<v Speaker 1>open locker. Feenie yells Eric, right, is the heller Eric

0:35:27.840 --> 0:35:28.880
<v Speaker 1>or easicht locker?

0:35:29.280 --> 0:35:30.320
<v Speaker 3>Eric locker locker?

0:35:30.640 --> 0:35:31.600
<v Speaker 2>Eric locker right?

0:35:31.680 --> 0:35:34.600
<v Speaker 1>And Eric dodges it just in time, and you give

0:35:34.719 --> 0:35:38.719
<v Speaker 1>him the cutest, most perfect thumbs up.

0:35:39.000 --> 0:35:39.480
<v Speaker 6>Thumbs up.

0:35:41.960 --> 0:35:45.360
<v Speaker 2>This again is a perfect scene, perfect scene.

0:35:45.719 --> 0:35:47.920
<v Speaker 1>It is a from beginning to end with what happens

0:35:47.920 --> 0:35:50.840
<v Speaker 1>with Miss Tompkins, to with the exchange that happens between

0:35:50.840 --> 0:35:53.400
<v Speaker 1>Corey and Sean, to then they a.

0:35:53.400 --> 0:35:55.040
<v Speaker 3>Little weird to me, but everything else is good.

0:35:55.200 --> 0:35:58.040
<v Speaker 1>Yes, But here's the thing that the bra thing sets up.

0:35:58.560 --> 0:36:00.840
<v Speaker 1>It sets up again. It reminds the audience from the

0:36:00.920 --> 0:36:04.560
<v Speaker 1>last episode of Career Day. She is thinking of his

0:36:04.680 --> 0:36:08.040
<v Speaker 1>house as an as a second home to her, His

0:36:08.120 --> 0:36:11.800
<v Speaker 1>house is her house, and you, without needing to spell

0:36:11.800 --> 0:36:14.120
<v Speaker 1>it out with a ton of exposition, very quickly understand

0:36:14.120 --> 0:36:17.080
<v Speaker 1>that he's like, you're leaving your things in my house.

0:36:17.160 --> 0:36:19.560
<v Speaker 1>He does not feel as though his space is her space.

0:36:20.480 --> 0:36:23.759
<v Speaker 1>So I couldn't think of a better way to explain

0:36:23.960 --> 0:36:29.120
<v Speaker 1>that dynamic without having it to be one too much exposition. Which, yeah,

0:36:29.239 --> 0:36:30.960
<v Speaker 1>so anyway, I think it's I think it's just a

0:36:31.000 --> 0:36:32.080
<v Speaker 1>perfect scene.

0:36:32.280 --> 0:36:32.960
<v Speaker 3>It's really well.

0:36:33.040 --> 0:36:35.520
<v Speaker 5>It's actually really well directed and blocked too, because there's

0:36:35.560 --> 0:36:38.000
<v Speaker 5>a lot going on. There's a you know, characters coming in,

0:36:38.120 --> 0:36:41.960
<v Speaker 5>characters coming out, go moving this way. And she also

0:36:42.120 --> 0:36:46.480
<v Speaker 5>noticed when she exited, she exited towards camera. Yep, so

0:36:46.520 --> 0:36:49.400
<v Speaker 5>she also made it where Okay, there is more to

0:36:49.440 --> 0:36:51.200
<v Speaker 5>this home school this way, more.

0:36:51.080 --> 0:36:51.759
<v Speaker 6>School this way.

0:36:51.920 --> 0:36:54.719
<v Speaker 5>So all the little beats in this scene really made

0:36:54.760 --> 0:36:57.440
<v Speaker 5>it feel very full. So yeah, I like, I liked

0:36:57.440 --> 0:36:58.040
<v Speaker 5>it quite a bit.

0:36:58.640 --> 0:37:01.040
<v Speaker 1>So Eric bring a Poeney, brings home a speech to

0:37:01.080 --> 0:37:03.840
<v Speaker 1>Turner about keeping boundaries, and then wham, Eric runs into

0:37:03.920 --> 0:37:07.040
<v Speaker 1>a different locker, and then we're back in the Matthew's kitchen.

0:37:07.160 --> 0:37:09.720
<v Speaker 1>Eric is pacing nervously waiting for Jason to finish grading

0:37:09.760 --> 0:37:11.120
<v Speaker 1>his practice SAT exam.

0:37:11.440 --> 0:37:13.279
<v Speaker 2>Jason says Eric got a one hundred.

0:37:13.000 --> 0:37:16.560
<v Speaker 1>And ninety on the practice SATs. Eric says, that's impossible.

0:37:16.600 --> 0:37:18.799
<v Speaker 1>You get two hundred dollars just for spelling your name right.

0:37:19.040 --> 0:37:28.520
<v Speaker 1>Two undred points dollars. I know, seriously, I'm such a capitalist.

0:37:28.520 --> 0:37:31.480
<v Speaker 6>Sixteen dollars dollars.

0:37:32.440 --> 0:37:34.839
<v Speaker 1>You get two hundred points for just spelling your name right.

0:37:35.000 --> 0:37:37.680
<v Speaker 1>Eric then notices he spelled his last name wrong.

0:37:37.719 --> 0:37:40.000
<v Speaker 2>There's two Teas and Mathews.

0:37:40.200 --> 0:37:43.160
<v Speaker 3>Yeah, this is this is this is Eric becoming what

0:37:43.320 --> 0:37:43.960
<v Speaker 3>he's going to be.

0:37:44.400 --> 0:37:47.799
<v Speaker 5>Yeah, but he's studying all it's all about studying, which

0:37:47.840 --> 0:37:50.200
<v Speaker 5>is strange. It's kind of a bizarre combination of what

0:37:50.280 --> 0:37:54.400
<v Speaker 5>he was and what he's becoming. Yeah, so it's it's fun,

0:37:54.480 --> 0:37:56.759
<v Speaker 5>it's a it's an interesting hybrid of the of the

0:37:56.800 --> 0:37:59.319
<v Speaker 5>two Erics as it were. Yeah, to kind of see

0:37:59.320 --> 0:38:01.919
<v Speaker 5>the evolution as interesting. And again I say this every time.

0:38:02.280 --> 0:38:04.120
<v Speaker 5>Marsden a bunch of episodes.

0:38:04.520 --> 0:38:06.719
<v Speaker 3>I mean, Jay was the last episode.

0:38:07.200 --> 0:38:10.200
<v Speaker 6>I think maybe I don't know, Yeah, I think it

0:38:10.239 --> 0:38:12.080
<v Speaker 6>seemed like there was a shit, we haven't seen season

0:38:12.080 --> 0:38:14.200
<v Speaker 6>three yet, and we legitimately haven't seen season.

0:38:14.000 --> 0:38:15.920
<v Speaker 5>Three yet, but it seems like there's going to be

0:38:15.960 --> 0:38:19.040
<v Speaker 5>a shift. Yeah, so we'll see what happens.

0:38:19.040 --> 0:38:20.120
<v Speaker 6>But yeah, I think.

0:38:19.960 --> 0:38:21.080
<v Speaker 3>This was his last one.

0:38:21.719 --> 0:38:24.640
<v Speaker 1>So Jason says, Eric needs to sleep, his brain needs

0:38:24.680 --> 0:38:27.400
<v Speaker 1>a break right now. He wouldn't even get into Clown College,

0:38:27.560 --> 0:38:30.080
<v Speaker 1>and Eric asks, is that a four year school four

0:38:30.120 --> 0:38:30.440
<v Speaker 1>years ago?

0:38:30.719 --> 0:38:31.919
<v Speaker 6>That's a really good school too.

0:38:31.920 --> 0:38:36.320
<v Speaker 5>Clown College, Yeah, it is is hard, really hard to

0:38:36.320 --> 0:38:38.640
<v Speaker 5>get in. It was it Pendulette was like one of

0:38:38.640 --> 0:38:40.840
<v Speaker 5>their top students, and there's some great people that have

0:38:40.880 --> 0:38:42.040
<v Speaker 5>come out of Clon College.

0:38:42.640 --> 0:38:44.880
<v Speaker 1>So Eric says he needs more oxygen and he grabs

0:38:44.960 --> 0:38:47.719
<v Speaker 1>Jason to run outside. Jason asks if Eric's house has

0:38:47.760 --> 0:38:50.640
<v Speaker 1>ever been tested for raidon, and Eric panics at the

0:38:50.680 --> 0:38:54.280
<v Speaker 1>thought of another test. Jason leaves just as mister Feeney

0:38:54.360 --> 0:38:56.120
<v Speaker 1>enters the backyard carrying some mulch.

0:38:56.239 --> 0:38:58.359
<v Speaker 2>He asks, SATs this weekend? Eric?

0:38:58.560 --> 0:39:03.080
<v Speaker 1>And Eric says, yeah me, which I thought, that's very cute,

0:39:03.320 --> 0:39:04.480
<v Speaker 1>very funny, easy, And.

0:39:04.360 --> 0:39:08.799
<v Speaker 6>Then there was a really weird cut. Did you see this?

0:39:08.840 --> 0:39:11.680
<v Speaker 5>So it was like, all of a sudden, we're in

0:39:11.719 --> 0:39:14.239
<v Speaker 5>the scene and it's very natural, and then there's this

0:39:14.360 --> 0:39:17.320
<v Speaker 5>bizarre cut where they must have lost a line or

0:39:17.320 --> 0:39:19.919
<v Speaker 5>two because then all of a sudden I'm like, I'm

0:39:19.960 --> 0:39:22.880
<v Speaker 5>not ready, and it was like whoa, whoa, Where the

0:39:22.880 --> 0:39:25.240
<v Speaker 5>hell did that come from? It was like they lost something.

0:39:25.280 --> 0:39:26.040
<v Speaker 5>It was really weird.

0:39:26.719 --> 0:39:28.600
<v Speaker 6>So if you go back and watch it, it was it

0:39:28.640 --> 0:39:30.319
<v Speaker 6>was just a bizarre cut. It was a weird cut.

0:39:30.440 --> 0:39:31.320
<v Speaker 2>Yeah, huh, weird.

0:39:31.640 --> 0:39:34.520
<v Speaker 1>Well, mister Phoene tells Eric all students feel anxiety around

0:39:34.560 --> 0:39:36.560
<v Speaker 1>their college exams, but there's no way around him.

0:39:36.560 --> 0:39:39.600
<v Speaker 2>They're very important. Eric says he's not ready, and Phoene

0:39:39.640 --> 0:39:41.520
<v Speaker 2>says he promised to never tell.

0:39:41.360 --> 0:39:44.960
<v Speaker 1>Any students this, but he knows secrets that would unravel

0:39:45.000 --> 0:39:48.959
<v Speaker 1>the entire college screening process as a whole. Eric wants

0:39:49.000 --> 0:39:52.080
<v Speaker 1>to know these secrets. Phoene says he can for a price,

0:39:52.480 --> 0:39:55.600
<v Speaker 1>and Eric thinks he's being sly and wants some money.

0:39:55.600 --> 0:39:57.480
<v Speaker 1>So he takes out his wall and says he he

0:39:57.960 --> 0:40:01.319
<v Speaker 1>sled dog that dog, which I think is really cute.

0:40:01.360 --> 0:40:03.359
<v Speaker 1>And I'm dying to know how much money does Eric

0:40:03.440 --> 0:40:04.240
<v Speaker 1>have in his wallet?

0:40:04.520 --> 0:40:06.080
<v Speaker 2>What does he think? What is he going to offer

0:40:06.200 --> 0:40:07.480
<v Speaker 2>Phoene for these We.

0:40:07.560 --> 0:40:10.120
<v Speaker 5>Needed that five bucks from Cory back in the day. Also,

0:40:10.160 --> 0:40:11.279
<v Speaker 5>I'd like to point out we are now at the

0:40:11.440 --> 0:40:13.200
<v Speaker 5>end of season two and there has not been a

0:40:13.360 --> 0:40:17.120
<v Speaker 5>single Phoenie call. Yeah, so there's no there's not even

0:40:17.200 --> 0:40:19.399
<v Speaker 5>the start of a Phoenie call yet, Right, you didn't

0:40:19.400 --> 0:40:22.920
<v Speaker 5>start doing it, so I guess I guess not.

0:40:23.080 --> 0:40:23.440
<v Speaker 3>It's yea.

0:40:24.120 --> 0:40:27.440
<v Speaker 6>I think maybe maybe I thought it had had its

0:40:27.520 --> 0:40:29.399
<v Speaker 6>genesis started way back.

0:40:29.719 --> 0:40:31.680
<v Speaker 5>I thought there was at least one scene where it

0:40:31.800 --> 0:40:34.040
<v Speaker 5>was the regular mister Foene from the dip from the

0:40:34.440 --> 0:40:35.080
<v Speaker 5>fence line.

0:40:35.160 --> 0:40:37.560
<v Speaker 6>But there's been nothing yet, So I was amazing a

0:40:37.600 --> 0:40:37.880
<v Speaker 6>little bit.

0:40:38.040 --> 0:40:38.239
<v Speaker 2>Yeah.

0:40:38.960 --> 0:40:41.960
<v Speaker 1>Well, Phoene scoff set the money idea and says he's Aira,

0:40:42.080 --> 0:40:44.080
<v Speaker 1>says that he's doing some landscaping around the house and

0:40:44.160 --> 0:40:46.600
<v Speaker 1>if Eric will help him, he will tell him the secrets.

0:40:46.880 --> 0:40:47.439
<v Speaker 2>It's a deal.

0:40:47.640 --> 0:40:50.520
<v Speaker 1>They shake hands, and then we're in Corey and Eric's room.

0:40:50.560 --> 0:40:52.840
<v Speaker 1>Corey is sleeping and he wakes up to find Sean

0:40:52.960 --> 0:40:54.959
<v Speaker 1>looking out the window at a dog. It's a stray

0:40:55.040 --> 0:40:57.239
<v Speaker 1>dog that Sean is clearly connecting with.

0:40:58.440 --> 0:40:59.320
<v Speaker 3>Is it a metaphor?

0:40:59.480 --> 0:40:59.640
<v Speaker 6>Guy?

0:41:00.320 --> 0:41:04.320
<v Speaker 2>Why do you think? Do you think this is a

0:41:04.480 --> 0:41:06.200
<v Speaker 2>little heavy.

0:41:06.120 --> 0:41:15.200
<v Speaker 1>Hand, just a little bit, But you know, again, this

0:41:15.440 --> 0:41:21.000
<v Speaker 1>is a nineties six directed as children, even though it's

0:41:21.040 --> 0:41:22.600
<v Speaker 1>supposed to be for everyone.

0:41:23.640 --> 0:41:28.960
<v Speaker 2>If you're trying to spell out to a younger generation.

0:41:30.440 --> 0:41:34.440
<v Speaker 3>One feels like a lonely dog and how and because.

0:41:34.200 --> 0:41:37.920
<v Speaker 1>You also want to say, how could he possibly find

0:41:38.280 --> 0:41:41.600
<v Speaker 1>anything good in what we've presented. His house has been

0:41:41.640 --> 0:41:43.560
<v Speaker 1>taken from him, he doesn't have clothes, he doesn't have

0:41:43.640 --> 0:41:43.920
<v Speaker 1>his bed.

0:41:45.200 --> 0:41:48.719
<v Speaker 2>But also we have to say why why Sean misses it?

0:41:48.800 --> 0:41:50.840
<v Speaker 1>It's what he's used to. There's a freedom in it.

0:41:51.320 --> 0:41:54.080
<v Speaker 1>He doesn't feel constrained by it. He's been so used

0:41:54.120 --> 0:41:57.400
<v Speaker 1>to living on his own terms that he likes that.

0:41:57.800 --> 0:42:01.520
<v Speaker 1>And so we need the audience to understand what is

0:42:01.680 --> 0:42:04.880
<v Speaker 1>drawing Sean to pursue that again, as opposed to it

0:42:05.000 --> 0:42:06.239
<v Speaker 1>just being like, well, why is this?

0:42:06.600 --> 0:42:07.280
<v Speaker 2>Why is he crazy?

0:42:07.360 --> 0:42:10.200
<v Speaker 1>Anyone would want the life Corey has, but that isn't

0:42:10.200 --> 0:42:13.279
<v Speaker 1>necessarily true. So this is a this It maybe feel

0:42:13.320 --> 0:42:15.880
<v Speaker 1>heavy handed to us as grown adults, but if you

0:42:16.000 --> 0:42:17.640
<v Speaker 1>are a ten or eleven year old.

0:42:18.040 --> 0:42:20.480
<v Speaker 3>Right, you have to rationalize why Sean would want to run?

0:42:20.600 --> 0:42:22.560
<v Speaker 1>Why would Sean? Why would Sean hate it so much

0:42:22.600 --> 0:42:24.440
<v Speaker 1>inside this house? And why would he feel constrained? And

0:42:24.520 --> 0:42:26.600
<v Speaker 1>what is he missing from his safe?

0:42:26.640 --> 0:42:27.560
<v Speaker 6>But it's very real.

0:42:27.640 --> 0:42:29.360
<v Speaker 5>I know this is a strange analogy, but when I

0:42:29.520 --> 0:42:32.400
<v Speaker 5>went to go do boy. I was sixteen or seventeen,

0:42:32.520 --> 0:42:34.120
<v Speaker 5>and I was living at the oak Wood. I was,

0:42:34.280 --> 0:42:35.919
<v Speaker 5>you know, had a guardian, but was living by.

0:42:35.840 --> 0:42:37.520
<v Speaker 2>Myself, smoking three pads a day.

0:42:37.520 --> 0:42:39.920
<v Speaker 6>Was smoking three packs a day. I had this great

0:42:40.040 --> 0:42:41.080
<v Speaker 6>freedom in my life.

0:42:41.320 --> 0:42:41.520
<v Speaker 4>Yeah.

0:42:41.600 --> 0:42:43.759
<v Speaker 5>And then the show rapped for the first season and

0:42:43.800 --> 0:42:45.400
<v Speaker 5>I went back and lived with my parents again, who

0:42:45.440 --> 0:42:46.560
<v Speaker 5>are the greatest people in the world.

0:42:46.640 --> 0:42:50.600
<v Speaker 6>But I was like, ah, rules again, like I'm I'm back.

0:42:50.719 --> 0:42:51.080
<v Speaker 3>It's way.

0:42:51.360 --> 0:42:53.440
<v Speaker 5>I had my own apartment, I was wash I was

0:42:53.520 --> 0:42:55.680
<v Speaker 5>cooking for myself. And then all of a sudden, that

0:42:55.880 --> 0:42:58.000
<v Speaker 5>was on a Thursday and on Friday, I had a

0:42:58.080 --> 0:42:58.680
<v Speaker 5>curfew again.

0:42:58.760 --> 0:43:01.000
<v Speaker 2>Right, and now you have one saying to you Otter

0:43:01.120 --> 0:43:02.520
<v Speaker 2>Pops for breakfast.

0:43:02.280 --> 0:43:04.960
<v Speaker 6>Exactly what the hell are you doing? And it did

0:43:05.080 --> 0:43:07.160
<v Speaker 6>and it was like, oh my, that's right.

0:43:07.400 --> 0:43:10.279
<v Speaker 5>The structure in life is back again, and there is

0:43:10.480 --> 0:43:12.719
<v Speaker 5>kind of Man, I love you guys so much, but

0:43:13.080 --> 0:43:15.000
<v Speaker 5>I've got to ask you got to go.

0:43:15.200 --> 0:43:17.480
<v Speaker 6>I went to Amsterdam, So I did what any seventeen

0:43:17.560 --> 0:43:18.080
<v Speaker 6>year old does.

0:43:18.160 --> 0:43:20.359
<v Speaker 2>You go to Amsterdam, Yeah, and you decide to move there,

0:43:20.520 --> 0:43:21.879
<v Speaker 2>so it makes sense.

0:43:22.040 --> 0:43:33.759
<v Speaker 6>It did make sense. Yeah, Can I ask a quick

0:43:33.840 --> 0:43:36.840
<v Speaker 6>question about the timing because.

0:43:37.280 --> 0:43:42.080
<v Speaker 5>The parents later say nine pm, nine pm, and Corey

0:43:42.280 --> 0:43:47.520
<v Speaker 5>says nine pm is their curfew, but Corey's already asleep.

0:43:46.960 --> 0:43:49.200
<v Speaker 1>Because Corey is smart and eight thirty pm is the

0:43:49.280 --> 0:43:55.880
<v Speaker 1>best bedtime at fourteen, at fourteen, so I was.

0:43:55.840 --> 0:43:58.839
<v Speaker 6>Wonderings like, oh, he he's asleep at eight forty five.

0:43:59.120 --> 0:44:00.359
<v Speaker 6>I know it's weird.

0:44:00.800 --> 0:44:01.680
<v Speaker 2>I know it is weird.

0:44:01.760 --> 0:44:04.760
<v Speaker 1>I don't know why it needed to be nine pm.

0:44:04.880 --> 0:44:07.120
<v Speaker 1>I don't know why later they didn't say ten pm

0:44:08.000 --> 0:44:09.520
<v Speaker 1>because or since he.

0:44:09.600 --> 0:44:11.560
<v Speaker 6>Left last night, that's all you needed to say. You

0:44:11.600 --> 0:44:13.040
<v Speaker 6>didn't need to specifically say nine.

0:44:13.080 --> 0:44:15.640
<v Speaker 5>I figured it was like Corey wakes up, it's one

0:44:15.680 --> 0:44:18.160
<v Speaker 5>o'clock in the morning, and Sean is staring out the window,

0:44:18.800 --> 0:44:20.480
<v Speaker 5>but it wasn't it was nine.

0:44:20.960 --> 0:44:23.040
<v Speaker 1>Well, they needed to set up that mister Turner was

0:44:23.080 --> 0:44:26.359
<v Speaker 1>still awake having this conversation with Kat Tompkins, so they

0:44:26.440 --> 0:44:30.000
<v Speaker 1>needed to be late enough for someone to say, why

0:44:30.160 --> 0:44:31.280
<v Speaker 1>is Sean out and about?

0:44:31.640 --> 0:44:33.680
<v Speaker 2>But not why is mister Turner still up?

0:44:33.719 --> 0:44:35.520
<v Speaker 1>But that's why I think ten o'clock would have worked,

0:44:35.719 --> 0:44:39.880
<v Speaker 1>because if your curfew is nine pm, you probably are

0:44:39.920 --> 0:44:43.320
<v Speaker 1>at least staying awake until nine pm watching something on TV,

0:44:44.320 --> 0:44:44.879
<v Speaker 1>especially when.

0:44:44.760 --> 0:44:45.880
<v Speaker 2>Your best friend is living with you.

0:44:45.960 --> 0:44:48.080
<v Speaker 6>Yes, of course you're with your best friend.

0:44:48.600 --> 0:44:50.560
<v Speaker 1>The only thing to me and I do understand why

0:44:50.640 --> 0:44:53.319
<v Speaker 1>later they did want to say a time because it's

0:44:53.440 --> 0:44:55.200
<v Speaker 1>helped set up the fact that Corey goes, do you

0:44:55.280 --> 0:44:58.360
<v Speaker 1>guys just know everything that happens, like they knew to

0:44:58.520 --> 0:45:03.000
<v Speaker 1>the moment what he left. So anyway, I just think

0:45:03.080 --> 0:45:05.279
<v Speaker 1>ten is the perfect compromise. Thought a lot about it.

0:45:05.400 --> 0:45:07.480
<v Speaker 1>I think ten PM could have been better. Let's invent

0:45:07.520 --> 0:45:10.000
<v Speaker 1>the time machine, go back, make this little tiny tweak it.

0:45:10.040 --> 0:45:13.040
<v Speaker 1>So Corey says the dog is barking because he needs

0:45:13.080 --> 0:45:16.920
<v Speaker 1>a home, and Sean says the dog doesn't need a

0:45:17.000 --> 0:45:19.200
<v Speaker 1>home because he's happy and free. He doesn't need to

0:45:19.239 --> 0:45:22.360
<v Speaker 1>follow any rules, and Corey says, I don't know. To me,

0:45:22.520 --> 0:45:24.920
<v Speaker 1>the dog looks lonely, cold and like he doesn't have

0:45:25.000 --> 0:45:27.520
<v Speaker 1>a friend in the world, and Sean quickly opens the

0:45:27.560 --> 0:45:29.919
<v Speaker 1>window to try and get away, but Corey says he can't.

0:45:30.000 --> 0:45:32.200
<v Speaker 1>It's a school night, and Sean says he can't live

0:45:32.239 --> 0:45:34.240
<v Speaker 1>by these rules. If he wants to cut his toenails

0:45:34.239 --> 0:45:37.480
<v Speaker 1>at the dinner table, he should be allowed, and Corey explains,

0:45:37.840 --> 0:45:40.560
<v Speaker 1>we were just covering our food just covering our food.

0:45:41.960 --> 0:45:42.160
<v Speaker 6>Good.

0:45:42.920 --> 0:45:45.000
<v Speaker 2>It's so disgusting but so great.

0:45:47.000 --> 0:45:49.120
<v Speaker 1>Corey says his parents make the rules, and Sean says

0:45:49.200 --> 0:45:51.040
<v Speaker 1>he didn't ask to live with them or be in

0:45:51.120 --> 0:45:53.640
<v Speaker 1>this situation. And Corey asks, what am I supposed to

0:45:53.640 --> 0:45:56.239
<v Speaker 1>tell my parents? And then we hear the dog bark again,

0:45:56.360 --> 0:45:59.120
<v Speaker 1>and Sean says, to tell them he took himself out

0:45:59.360 --> 0:45:59.960
<v Speaker 1>for a walk.

0:46:01.680 --> 0:46:04.000
<v Speaker 2>And then we are at Turner's apartment.

0:46:04.360 --> 0:46:04.480
<v Speaker 6>Ms.

0:46:04.680 --> 0:46:05.520
<v Speaker 2>Tompkins is over.

0:46:05.640 --> 0:46:08.640
<v Speaker 1>They're sitting on the couch romantically and Turner says he

0:46:08.760 --> 0:46:12.160
<v Speaker 1>could look into her eyes forever, and Miss Tompkins asks

0:46:12.280 --> 0:46:14.200
<v Speaker 1>if that means he wants to marry her?

0:46:14.360 --> 0:46:17.200
<v Speaker 2>And he is shocked. You got that from that?

0:46:17.640 --> 0:46:19.480
<v Speaker 6>What have you been? Four months?

0:46:20.200 --> 0:46:23.879
<v Speaker 2>Any any man in his right mind would turn and run.

0:46:24.560 --> 0:46:27.200
<v Speaker 6>Hey, your eyes look beautiful. We've been dating for four months?

0:46:27.320 --> 0:46:29.439
<v Speaker 6>Does that mean you want to marry me? Get out?

0:46:30.320 --> 0:46:33.279
<v Speaker 6>There's the only possible answer to that. Next thing?

0:46:33.360 --> 0:46:34.440
<v Speaker 3>Are you no?

0:46:34.760 --> 0:46:34.800
<v Speaker 6>No?

0:46:37.040 --> 0:46:40.440
<v Speaker 3>If you're in love? I mean, look, well, hold on,

0:46:40.560 --> 0:46:41.080
<v Speaker 3>let's go back.

0:46:41.400 --> 0:46:41.759
<v Speaker 2>Let's do it.

0:46:41.880 --> 0:46:44.480
<v Speaker 4>What about three months to buy a car to make

0:46:44.520 --> 0:46:47.279
<v Speaker 4>a decision? How long did it Amy and you were.

0:46:48.960 --> 0:46:51.240
<v Speaker 3>There's a logic gap. We can really you're.

0:46:51.280 --> 0:46:53.840
<v Speaker 6>Talking about the logic gap between taking three months to

0:46:53.880 --> 0:46:56.240
<v Speaker 6>buy a car and four months to want to marry

0:46:56.360 --> 0:46:57.880
<v Speaker 6>somebody you just started dating.

0:46:58.000 --> 0:47:02.120
<v Speaker 1>Okay, marriage, no, no, no, no, let's see now. Turner

0:47:02.440 --> 0:47:04.960
<v Speaker 1>is in his early thirties, right, I.

0:47:05.080 --> 0:47:06.680
<v Speaker 3>Think, or maybe late twenties.

0:47:07.000 --> 0:47:07.200
<v Speaker 4>Yeah.

0:47:07.640 --> 0:47:11.399
<v Speaker 1>I feel like he's here maybe, Okay, somewhere in there.

0:47:12.600 --> 0:47:16.000
<v Speaker 2>She is acting as though she's She says she's the

0:47:16.040 --> 0:47:16.600
<v Speaker 2>same age.

0:47:17.440 --> 0:47:21.600
<v Speaker 1>Her implication when she says that is we are old

0:47:21.760 --> 0:47:25.480
<v Speaker 1>enough to know what we want, and you get the

0:47:25.560 --> 0:47:27.480
<v Speaker 1>sense that she is not looking to be in a

0:47:27.560 --> 0:47:30.840
<v Speaker 1>relationship for like two years before she decides whether or

0:47:30.880 --> 0:47:32.080
<v Speaker 1>not she wants to get married and have.

0:47:32.120 --> 0:47:35.160
<v Speaker 2>A family with somebody. That's fair at four months.

0:47:35.239 --> 0:47:37.360
<v Speaker 1>I'm also picking up on all of this stuff that

0:47:37.520 --> 0:47:39.680
<v Speaker 1>he has not said I love you yet.

0:47:40.440 --> 0:47:40.720
<v Speaker 2>Okay.

0:47:41.640 --> 0:47:46.279
<v Speaker 1>He says he could look in her eyes forever, which

0:47:46.440 --> 0:47:51.200
<v Speaker 1>does feel a little like wow, that means something. That

0:47:51.360 --> 0:47:52.800
<v Speaker 1>means something if you think you could look in my

0:47:52.840 --> 0:47:53.239
<v Speaker 1>eyes forever?

0:47:53.400 --> 0:47:53.720
<v Speaker 6>Okay.

0:47:53.960 --> 0:47:56.279
<v Speaker 1>And I don't think she's trying to say I need

0:47:56.360 --> 0:47:59.279
<v Speaker 1>you to propose to me, but she is looking for

0:48:00.040 --> 0:48:03.359
<v Speaker 1>I love you, and based on where we are now,

0:48:03.920 --> 0:48:07.800
<v Speaker 1>I see this being the potential relationship that could go

0:48:08.120 --> 0:48:08.760
<v Speaker 1>the distance.

0:48:09.080 --> 0:48:11.160
<v Speaker 6>No problem with anything you just said.

0:48:11.000 --> 0:48:12.640
<v Speaker 2>Okay, and I think that's what this is.

0:48:13.000 --> 0:48:16.680
<v Speaker 1>And again they just needed to up the stakes a

0:48:16.760 --> 0:48:21.200
<v Speaker 1>little bit where she could look at it like, if

0:48:21.280 --> 0:48:24.640
<v Speaker 1>you're not willing to say to me, I could see

0:48:24.719 --> 0:48:29.120
<v Speaker 1>this relationship leading to forever. Something may change in three

0:48:29.160 --> 0:48:31.720
<v Speaker 1>or four months, but I could see this being something

0:48:31.760 --> 0:48:33.879
<v Speaker 1>that lasts forever. Which it feels as though he can't

0:48:33.920 --> 0:48:36.680
<v Speaker 1>even say that to her, and she says, if after

0:48:36.960 --> 0:48:39.560
<v Speaker 1>four months of this much time with me, you can't

0:48:39.600 --> 0:48:42.920
<v Speaker 1>tell me that, then you are maybe not the person

0:48:43.000 --> 0:48:43.200
<v Speaker 1>for me.

0:48:43.520 --> 0:48:46.640
<v Speaker 5>Have no problem with anything you just said. When the

0:48:46.800 --> 0:48:49.719
<v Speaker 5>ants when it comes from I could look in your

0:48:49.800 --> 0:48:52.680
<v Speaker 5>eyes forever? Does that mean you want to marry me?

0:48:53.200 --> 0:48:55.640
<v Speaker 5>You're a crazy lady, That's what.

0:48:55.760 --> 0:48:58.759
<v Speaker 6>That So if it's if you go from I could

0:48:58.760 --> 0:49:00.759
<v Speaker 6>look in your eyes forever, well, what is what does

0:49:00.840 --> 0:49:02.799
<v Speaker 6>that mean? Because we've now been together for four months?

0:49:02.880 --> 0:49:06.000
<v Speaker 6>What mean it's different than throwing marriage out?

0:49:06.320 --> 0:49:08.440
<v Speaker 1>They could they could have changed it a little bit

0:49:08.600 --> 0:49:12.120
<v Speaker 1>to say, does that mean you could see yourself marrying

0:49:12.200 --> 0:49:12.800
<v Speaker 1>me someday?

0:49:13.800 --> 0:49:14.239
<v Speaker 7>Or does it?

0:49:14.320 --> 0:49:17.120
<v Speaker 6>Does that? Does that mean you could see this lasting?

0:49:17.719 --> 0:49:20.239
<v Speaker 6>You don't you don't throw the marriage word out after

0:49:20.440 --> 0:49:21.640
<v Speaker 6>four months ever.

0:49:22.520 --> 0:49:26.280
<v Speaker 3>Ever, I it's funny that you're so strong.

0:49:26.640 --> 0:49:31.280
<v Speaker 5>I think most men, and I'm not trying to speak

0:49:31.280 --> 0:49:33.600
<v Speaker 5>for everybody, I think most men would find that an

0:49:33.719 --> 0:49:37.239
<v Speaker 5>instant red flag. If if you say I could look

0:49:37.280 --> 0:49:39.880
<v Speaker 5>into your eyes forever after four months and the response

0:49:40.000 --> 0:49:42.439
<v Speaker 5>is does that mean you want to marry me? Most

0:49:42.520 --> 0:49:44.960
<v Speaker 5>guys would instantly have their radar.

0:49:44.840 --> 0:49:48.759
<v Speaker 6>Up where it's like, wow, you took that real far,

0:49:48.920 --> 0:49:52.120
<v Speaker 6>real fast, and he kind of does that where he's like, wow,

0:49:52.239 --> 0:49:54.879
<v Speaker 6>you take a compliment worse than anybody I have ever

0:49:54.920 --> 0:49:57.000
<v Speaker 6>seen him. And again, had they written it in a

0:49:57.040 --> 0:50:00.840
<v Speaker 6>way where it was exactly what you were saying, Danielle like,

0:50:01.360 --> 0:50:03.719
<v Speaker 6>I don't want to, you know, give my heart to

0:50:03.880 --> 0:50:05.640
<v Speaker 6>her line that she says is great. I don't want

0:50:05.640 --> 0:50:11.200
<v Speaker 6>to give you jump right to marriage, which, for again

0:50:11.360 --> 0:50:13.160
<v Speaker 6>most men is going to signal it.

0:50:13.239 --> 0:50:16.359
<v Speaker 1>But it's just the word marriage, because saying I could

0:50:16.400 --> 0:50:19.200
<v Speaker 1>see myself spending forever with you is marriage.

0:50:19.480 --> 0:50:22.279
<v Speaker 6>Yeah, but you want to take steps and seeing, so

0:50:22.400 --> 0:50:25.520
<v Speaker 6>it's not even saying forever with you, it's do you

0:50:25.719 --> 0:50:30.000
<v Speaker 6>see this going somewhere? Which doesn't necessarily mean marriage, but

0:50:30.080 --> 0:50:33.719
<v Speaker 6>it also means there's a possibility for growth, which is

0:50:33.800 --> 0:50:35.839
<v Speaker 6>what you want in a relationship. Hey, this is something

0:50:35.840 --> 0:50:37.600
<v Speaker 6>where it's going to be together, the two of us.

0:50:37.680 --> 0:50:41.560
<v Speaker 6>I see this growing together into something that can be beautiful.

0:50:41.719 --> 0:50:42.919
<v Speaker 2>But I always break it down.

0:50:43.040 --> 0:50:45.600
<v Speaker 1>I always break it down into the for TV show purposes,

0:50:45.640 --> 0:50:48.959
<v Speaker 1>we are looking at stakes and if we need to say,

0:50:49.440 --> 0:50:52.040
<v Speaker 1>on a quick elevator pitch, what this is about.

0:50:52.520 --> 0:50:53.399
<v Speaker 3>He is not ready.

0:50:53.640 --> 0:50:58.640
<v Speaker 1>Is mister Turner ready for commitment, which is equals marriage?

0:50:58.920 --> 0:50:59.320
<v Speaker 6>I get it.

0:50:59.680 --> 0:51:01.800
<v Speaker 2>No, and she is looking for that.

0:51:02.160 --> 0:51:05.480
<v Speaker 5>But the way they wrote it, most men would have

0:51:05.719 --> 0:51:08.279
<v Speaker 5>pulled the ripcord at that point. When you go right

0:51:08.360 --> 0:51:10.400
<v Speaker 5>from I like your eyes to does that mean you

0:51:10.480 --> 0:51:12.440
<v Speaker 5>want to marry me? Most men would be like that.

0:51:12.719 --> 0:51:16.360
<v Speaker 6>I had an early again. So yeah, I know it's.

0:51:18.920 --> 0:51:22.759
<v Speaker 2>We can agree to disagree. We can so me says

0:51:22.840 --> 0:51:25.640
<v Speaker 2>they have spent four months together, and Jonathan, you are

0:51:25.719 --> 0:51:26.799
<v Speaker 2>a good gentleman.

0:51:27.040 --> 0:51:27.520
<v Speaker 5>I love you.

0:51:27.800 --> 0:51:29.360
<v Speaker 1>I could spend the rest of my life with you

0:51:29.440 --> 0:51:30.719
<v Speaker 1>and have children with you, and I know that they

0:51:30.719 --> 0:51:31.560
<v Speaker 1>will always be safe.

0:51:31.719 --> 0:51:33.240
<v Speaker 2>When you hold me, I feel safe.

0:51:33.239 --> 0:51:35.520
<v Speaker 1>If you can't say the same thing with the same conviction,

0:51:35.960 --> 0:51:37.879
<v Speaker 1>then don't let me give any more. Of my heart

0:51:37.960 --> 0:51:40.920
<v Speaker 1>to you go, and he says, you take a compliment

0:51:41.040 --> 0:51:44.040
<v Speaker 1>worse than any woman I've ever met. He says he

0:51:44.120 --> 0:51:45.680
<v Speaker 1>can't say that he loves her. And then there is

0:51:45.719 --> 0:51:48.080
<v Speaker 1>a knock at the door and it's Sean. Mister Turner says,

0:51:48.120 --> 0:51:51.200
<v Speaker 1>this is a terrible time, and Sean says, tell me

0:51:51.320 --> 0:51:55.040
<v Speaker 1>about it, and he reveals a uniformed police officer next

0:51:55.080 --> 0:51:56.960
<v Speaker 1>to him, and then Sean says.

0:51:57.280 --> 0:51:57.839
<v Speaker 2>He's a cop.

0:51:58.160 --> 0:51:59.919
<v Speaker 3>That's my favorite life line.

0:52:01.360 --> 0:52:05.160
<v Speaker 6>Great, he's a cop, and this is another stealing good

0:52:05.560 --> 0:52:07.000
<v Speaker 6>this is this is the other thing we were going

0:52:07.080 --> 0:52:12.279
<v Speaker 6>to talk about. That same actor played exactly the same

0:52:12.360 --> 0:52:15.800
<v Speaker 6>police officer but with an eyepatch in Seinfeld the next season.

0:52:16.640 --> 0:52:20.920
<v Speaker 6>Really same uniform, same character, same everything. In an episode

0:52:20.960 --> 0:52:22.719
<v Speaker 6>called the Scofflaw, and I was like, that's the thing

0:52:22.920 --> 0:52:23.600
<v Speaker 6>that was.

0:52:25.120 --> 0:52:25.520
<v Speaker 2>Our police.

0:52:25.719 --> 0:52:28.680
<v Speaker 5>So we got Taoli and the police officer right there,

0:52:28.719 --> 0:52:30.880
<v Speaker 5>same carc hell and you yeah, they're taking, they're stealing

0:52:31.000 --> 0:52:31.319
<v Speaker 5>from us.

0:52:32.200 --> 0:52:34.160
<v Speaker 1>Well, then we're into a commercial break and then we

0:52:34.280 --> 0:52:36.920
<v Speaker 1>come back. We're still in Turner's apartment. The police officer

0:52:36.960 --> 0:52:39.640
<v Speaker 1>explains that Sean was caught loitering with older kids and

0:52:39.680 --> 0:52:41.839
<v Speaker 1>they had spray paint at the high school. It looked

0:52:41.840 --> 0:52:45.080
<v Speaker 1>like they were about to do some redecorating, so Sean

0:52:45.160 --> 0:52:46.800
<v Speaker 1>says he was just going to sell the cans to

0:52:46.880 --> 0:52:48.279
<v Speaker 1>some bad kids for a higher price.

0:52:48.360 --> 0:52:49.560
<v Speaker 2>Serves them right now.

0:52:50.160 --> 0:52:53.080
<v Speaker 4>I liked this moment because it's one of the few

0:52:53.120 --> 0:52:56.480
<v Speaker 4>times where Seawan was actually doing something bad. Yeah, like

0:52:56.560 --> 0:52:59.120
<v Speaker 4>we talk about Sean being this like rebel or whatever,

0:52:59.160 --> 0:53:02.560
<v Speaker 4>but Sean sides blowing up a mailbox. Yeah, it never

0:53:02.719 --> 0:53:06.760
<v Speaker 4>does anything actually against the law, or that he's always

0:53:06.800 --> 0:53:09.480
<v Speaker 4>in snowl He's always shows up for you know, Like,

0:53:09.719 --> 0:53:11.680
<v Speaker 4>so this gotts.

0:53:12.080 --> 0:53:13.600
<v Speaker 3>Yeah, Cory's gotten way more attention.

0:53:13.760 --> 0:53:15.200
<v Speaker 4>So this is one of the few times in the

0:53:15.400 --> 0:53:17.879
<v Speaker 4>history of Boy Meets World where Seawan actually was doing

0:53:18.320 --> 0:53:22.120
<v Speaker 4>something bad and he's gonna spray paint, you know or whatever.

0:53:22.280 --> 0:53:23.080
<v Speaker 4>And I just liked it.

0:53:23.160 --> 0:53:24.719
<v Speaker 3>I was like, oh, this is nice to see.

0:53:24.760 --> 0:53:26.360
<v Speaker 4>There should have been a little bit more of that,

0:53:26.640 --> 0:53:29.160
<v Speaker 4>because there's just not enough, Like we're just sort of

0:53:29.320 --> 0:53:31.799
<v Speaker 4>told that Shawn's a bad kid or from the wrong

0:53:31.880 --> 0:53:33.319
<v Speaker 4>side of the track, but this was like a clear

0:53:33.360 --> 0:53:34.680
<v Speaker 4>example of him doing something wrong.

0:53:34.880 --> 0:53:35.399
<v Speaker 3>It was nice.

0:53:35.840 --> 0:53:37.160
<v Speaker 2>Yes, it is nice.

0:53:37.480 --> 0:53:39.200
<v Speaker 1>I think part of the reason they don't ever show

0:53:39.239 --> 0:53:41.080
<v Speaker 1>more than that is because they don't want you to

0:53:41.200 --> 0:53:45.120
<v Speaker 1>actually be the bad kid. They just want the threat

0:53:45.480 --> 0:53:47.840
<v Speaker 1>of you becoming the bad kids. So this is the

0:53:47.920 --> 0:53:48.759
<v Speaker 1>perfect amount of that.

0:53:49.200 --> 0:53:52.920
<v Speaker 5>It's also they want all the other characters to assume

0:53:53.040 --> 0:53:54.600
<v Speaker 5>you're going to be a bad kid from where you

0:53:54.760 --> 0:53:57.120
<v Speaker 5>just from where you're from, right, which is that whole

0:53:57.160 --> 0:53:57.600
<v Speaker 5>thing too.

0:53:57.600 --> 0:53:58.600
<v Speaker 3>So we should keep tabs on it.

0:53:58.719 --> 0:54:01.719
<v Speaker 4>Like, I don't know if Sean ever is a bad kid, right,

0:54:01.800 --> 0:54:04.720
<v Speaker 4>you know, besides this and blowing up a mailbox, does

0:54:05.000 --> 0:54:08.080
<v Speaker 4>do Shawn ever do anything truly bad, like in the

0:54:08.160 --> 0:54:10.680
<v Speaker 4>sense of like amoral or against the law?

0:54:11.040 --> 0:54:11.200
<v Speaker 6>Yeah?

0:54:11.200 --> 0:54:13.320
<v Speaker 1>And I mean even in this situation, you didn't actually

0:54:13.440 --> 0:54:16.799
<v Speaker 1>do the graffiti, yet it looked like you were about to. Yeah, right, Yeah,

0:54:17.480 --> 0:54:19.680
<v Speaker 1>So he teld the police officer that he was staying

0:54:19.719 --> 0:54:22.000
<v Speaker 1>with mister Turner. Turner thinks about it for a second

0:54:22.040 --> 0:54:25.000
<v Speaker 1>and looks back at Miss Tompkins. She looks sympathetic and supportive,

0:54:25.040 --> 0:54:27.160
<v Speaker 1>and he says, yeah, he's staying with me while his

0:54:27.239 --> 0:54:30.359
<v Speaker 1>parents are out of town. And then Sean goes even

0:54:30.440 --> 0:54:32.600
<v Speaker 1>further and says, yeah, called out of town to save

0:54:32.640 --> 0:54:35.360
<v Speaker 1>a baby girl in East Virginia who fell down a blowhole,

0:54:35.920 --> 0:54:40.080
<v Speaker 1>which is hysterical, just the too much detailed liars give

0:54:41.680 --> 0:54:43.880
<v Speaker 1>and the police officer tells Turner to keep Sean in

0:54:43.960 --> 0:54:47.120
<v Speaker 1>his house and apologizes to Missus Turner for the disturbance,

0:54:47.760 --> 0:54:52.200
<v Speaker 1>and then he leaves, and Sean is shocked at Missus

0:54:52.280 --> 0:54:55.560
<v Speaker 1>Turner and says, hey, congrats, But as Sean goes to

0:54:55.560 --> 0:54:58.240
<v Speaker 1>shake her hand, Kat says, nope, she's still miss Tompkins.

0:54:58.719 --> 0:55:01.239
<v Speaker 2>And Jonathan says we'll talk or he sees her later,

0:55:01.320 --> 0:55:04.080
<v Speaker 2>and she says good luck, and she leaves.

0:55:04.719 --> 0:55:06.680
<v Speaker 3>That's my question, breaking up?

0:55:07.000 --> 0:55:09.759
<v Speaker 6>Is that a breakup? See? Would it have been stronger

0:55:09.840 --> 0:55:12.359
<v Speaker 6>if she said goodbye? That's what I thought.

0:55:12.480 --> 0:55:14.759
<v Speaker 5>I was waiting for him to say out there, you

0:55:14.800 --> 0:55:16.879
<v Speaker 5>know whatever, and her going goodbye Jonathan, like I thought

0:55:16.920 --> 0:55:17.439
<v Speaker 5>there was something.

0:55:17.600 --> 0:55:20.960
<v Speaker 1>I liked it so much, but it was good luck.

0:55:21.800 --> 0:55:25.800
<v Speaker 1>She is leaving breaking up with him without any malice.

0:55:26.760 --> 0:55:29.960
<v Speaker 1>She doesn't dislike him, she's not mad at him, she

0:55:30.080 --> 0:55:36.759
<v Speaker 1>doesn't blame him, she's not guilty things and I are

0:55:36.880 --> 0:55:40.640
<v Speaker 1>in looking for different things. And I feel differently about

0:55:40.680 --> 0:55:42.640
<v Speaker 1>you than you do about me. And there's nothing that's

0:55:42.719 --> 0:55:44.839
<v Speaker 1>there's nothing wrong with either one of us. It's very

0:55:45.200 --> 0:55:47.880
<v Speaker 1>matric and I love it cool. Yeah, I thought I

0:55:48.040 --> 0:55:49.160
<v Speaker 1>thought that's what it was, but I was, like, I

0:55:49.239 --> 0:55:49.720
<v Speaker 1>think she's.

0:55:49.600 --> 0:55:50.319
<v Speaker 3>Breaking up with him.

0:55:50.600 --> 0:55:51.200
<v Speaker 2>Yeah she is.

0:56:01.520 --> 0:56:01.560
<v Speaker 6>So.

0:56:01.760 --> 0:56:03.640
<v Speaker 1>Seawan is then about to leave, but Turner says stay

0:56:03.680 --> 0:56:05.400
<v Speaker 1>and he holds him back and Sean asks why she

0:56:05.520 --> 0:56:07.400
<v Speaker 1>got to leave, and Turner says, because I have more

0:56:07.440 --> 0:56:10.120
<v Speaker 1>to say to you, and then he confronts Sean about

0:56:10.160 --> 0:56:13.040
<v Speaker 1>the blowhole lie. Sean thanks Turner for covering because the

0:56:13.080 --> 0:56:15.200
<v Speaker 1>Matthews would have freaked out with police at their door,

0:56:15.280 --> 0:56:17.719
<v Speaker 1>and Turner yells, saying would they have been mad like this?

0:56:18.280 --> 0:56:22.040
<v Speaker 1>Turner is furious at the situation and disappointed in his behavior,

0:56:22.800 --> 0:56:24.759
<v Speaker 1>and Sean tries to leave again.

0:56:24.840 --> 0:56:28.719
<v Speaker 2>He's had a really rotten night. Tony does the best

0:56:28.880 --> 0:56:36.000
<v Speaker 2>do you see me? Ballroom dancing? It's so good, it's

0:56:36.239 --> 0:56:39.319
<v Speaker 2>so great, he tells Sean.

0:56:39.360 --> 0:56:41.160
<v Speaker 1>If he keeps heading down this track in life, then

0:56:41.160 --> 0:56:43.080
<v Speaker 1>he's gonna go down places he doesn't want to be.

0:56:43.560 --> 0:56:46.200
<v Speaker 1>Sewn apologizes for messing up his night and Turner says,

0:56:46.280 --> 0:56:48.439
<v Speaker 1>don't worry, I already messed up my night well before

0:56:48.520 --> 0:56:52.600
<v Speaker 1>you got here. Turner sits down and Sean joins him, saying, yeah, women.

0:56:53.440 --> 0:56:55.759
<v Speaker 1>Turner says, what do you know about women, and Sean

0:56:55.840 --> 0:56:56.960
<v Speaker 1>quickly retorts, what do.

0:56:57.000 --> 0:56:57.440
<v Speaker 3>You want to know?

0:56:57.840 --> 0:57:01.120
<v Speaker 2>And Turner says, great, it's good.

0:57:01.360 --> 0:57:04.720
<v Speaker 3>It's so good. The characters about this, it's perfect.

0:57:04.920 --> 0:57:07.719
<v Speaker 4>Characters will going together and they're just you want to

0:57:07.760 --> 0:57:10.680
<v Speaker 4>see them together. You want to see Sean giving him

0:57:10.760 --> 0:57:12.440
<v Speaker 4>dating advice. It's hysterical.

0:57:12.560 --> 0:57:13.680
<v Speaker 2>It's so good.

0:57:13.920 --> 0:57:16.680
<v Speaker 1>And and the quick quick little retorts why can't you

0:57:16.760 --> 0:57:19.760
<v Speaker 1>be the sharp in my class? And your response Math's

0:57:19.840 --> 0:57:22.480
<v Speaker 1>not my best subject. All of it's so great.

0:57:23.680 --> 0:57:24.880
<v Speaker 6>Could were you? I did?

0:57:28.600 --> 0:57:30.080
<v Speaker 3>I had to look away because I think if I

0:57:30.280 --> 0:57:31.000
<v Speaker 3>made eye contact.

0:57:33.920 --> 0:57:36.480
<v Speaker 1>He says, I'm your English teacher, and Sean says, and

0:57:36.600 --> 0:57:37.800
<v Speaker 1>why are you teaching math?

0:57:38.440 --> 0:57:40.480
<v Speaker 2>It's just such a beautiful scene between you and.

0:57:41.000 --> 0:57:45.720
<v Speaker 4>Dumb Sean exists coexisting with dramatic Sean, like exactly, you're

0:57:45.760 --> 0:57:48.360
<v Speaker 4>in the same yeah, in the same episode.

0:57:48.400 --> 0:57:49.760
<v Speaker 2>So yeah, it's so great.

0:57:49.840 --> 0:57:53.480
<v Speaker 1>It's it's a perfect way of instilling your dramatic character

0:57:53.600 --> 0:57:56.880
<v Speaker 1>with bits of comedy because you can you can deliver

0:57:56.960 --> 0:57:58.640
<v Speaker 1>it deadpan and it and it and it.

0:57:58.640 --> 0:57:59.360
<v Speaker 2>Fits with the drama.

0:57:59.440 --> 0:58:01.240
<v Speaker 6>So it's that's great. It is, it's great.

0:58:02.040 --> 0:58:03.960
<v Speaker 1>Then we're in the Matthew's kitchen, Amy and Allan call

0:58:04.000 --> 0:58:06.200
<v Speaker 1>the boys down for breakfast, but Corey comes down alone.

0:58:06.320 --> 0:58:08.360
<v Speaker 1>They ask where Sean is, and Corey starts to cover

0:58:08.520 --> 0:58:10.960
<v Speaker 1>for him. They know that Sean left around nine pm

0:58:11.040 --> 0:58:13.960
<v Speaker 1>the night before. Cory asks if they know everything all

0:58:14.040 --> 0:58:16.240
<v Speaker 1>the time, and Corey says that Sean is like a

0:58:16.320 --> 0:58:19.920
<v Speaker 1>wild dog doing wild dog things. Turner then knocks on

0:58:19.960 --> 0:58:22.240
<v Speaker 1>the door with Sean next to him, and Alan reveals

0:58:22.280 --> 0:58:24.720
<v Speaker 1>that Turner called them. Amy sends the boys up to

0:58:24.760 --> 0:58:27.040
<v Speaker 1>their room, and Alan says the last time he heard

0:58:27.080 --> 0:58:28.800
<v Speaker 1>from Chet was when he backed out of their driveway

0:58:28.800 --> 0:58:29.720
<v Speaker 1>and hit the trash can.

0:58:30.480 --> 0:58:32.200
<v Speaker 2>Eric walks in from outside, asking for.

0:58:32.240 --> 0:58:34.400
<v Speaker 1>A weed whacker and reveals that he's working for those

0:58:34.520 --> 0:58:37.960
<v Speaker 1>SAT secrets and has feene Rights right where he wants him.

0:58:38.120 --> 0:58:41.600
<v Speaker 6>And apparently rolling in the dirt you are to cover,

0:58:42.040 --> 0:58:45.920
<v Speaker 6>is that what's happened is absolutely in the dirt.

0:58:45.720 --> 0:58:48.640
<v Speaker 2>As he does there covered in nud They were not

0:58:48.840 --> 0:58:49.440
<v Speaker 2>subtle with that.

0:58:50.720 --> 0:58:53.600
<v Speaker 1>They Feeney yells at him to keep working in the garden,

0:58:53.640 --> 0:58:55.760
<v Speaker 1>and Eric says, right in the palm of my hand,

0:58:55.920 --> 0:58:57.760
<v Speaker 1>it's really great. Uh.

0:58:58.120 --> 0:58:59.040
<v Speaker 2>Just as Turner.

0:58:58.840 --> 0:59:01.720
<v Speaker 1>Explains what Sean needs, Chet calls and starts to leave

0:59:01.760 --> 0:59:04.200
<v Speaker 1>a message on their machine until Amy picks up. They

0:59:04.280 --> 0:59:07.000
<v Speaker 1>ask where he is. He says he's either leaving Ohio

0:59:07.160 --> 0:59:10.480
<v Speaker 1>or heading into Georgia. He's nowhere near Philadelphia. Amy asks

0:59:10.520 --> 0:59:12.080
<v Speaker 1>if he found his wife, and he says no, but

0:59:12.200 --> 0:59:13.440
<v Speaker 1>he did find the r V.

0:59:14.720 --> 0:59:15.120
<v Speaker 3>One of those.

0:59:15.200 --> 0:59:18.200
<v Speaker 4>We have two like kind of cheat swing sets, this

0:59:18.360 --> 0:59:20.680
<v Speaker 4>one and then there's the outside the boys bedroom.

0:59:20.720 --> 0:59:24.160
<v Speaker 3>Yeah, it's funny. They're like, really just one.

0:59:24.120 --> 0:59:27.320
<v Speaker 1>Shot basically exactly, one little shot one one little four

0:59:27.400 --> 0:59:28.120
<v Speaker 1>foot section.

0:59:28.720 --> 0:59:30.320
<v Speaker 3>Masks don't cost too much.

0:59:30.520 --> 0:59:33.720
<v Speaker 4>Yeah, but this one, I mean, so how did they

0:59:33.800 --> 0:59:36.600
<v Speaker 4>get the car effect moving on the outside.

0:59:36.640 --> 0:59:37.640
<v Speaker 3>That's what I'm curious about.

0:59:37.840 --> 0:59:39.400
<v Speaker 2>Yeah, like is it no?

0:59:39.480 --> 0:59:41.479
<v Speaker 3>Because you actually I think you can see cars moving,

0:59:41.720 --> 0:59:43.600
<v Speaker 3>so it might actually be a screen. Like, I don't know,

0:59:45.040 --> 0:59:46.360
<v Speaker 3>h did they do things?

0:59:46.640 --> 0:59:49.600
<v Speaker 6>They didn't do things after the fact, like digital screen.

0:59:49.800 --> 0:59:51.680
<v Speaker 3>I don't think we would have had green screen back then,

0:59:52.200 --> 0:59:52.840
<v Speaker 3>but maybe.

0:59:52.600 --> 0:59:54.840
<v Speaker 5>We had regular green schime don't remember I rapped about it,

0:59:54.920 --> 0:59:58.120
<v Speaker 5>but no, the the other I mean, I don't know

0:59:58.160 --> 0:59:59.840
<v Speaker 5>if we had it on our set. Because it's funny

1:00:00.000 --> 1:00:04.720
<v Speaker 5>because in the next scene, I it really made me

1:00:04.880 --> 1:00:08.280
<v Speaker 5>realize how amazing those backdrops are because that backyard you

1:00:08.360 --> 1:00:09.280
<v Speaker 5>can stare at it and.

1:00:09.400 --> 1:00:10.680
<v Speaker 3>It looks real to photograph.

1:00:10.800 --> 1:00:13.040
<v Speaker 6>Yeah, that's what I mean, But it looks I mean

1:00:13.120 --> 1:00:15.360
<v Speaker 6>that with it. Really there's depth to it with with

1:00:15.480 --> 1:00:17.000
<v Speaker 6>the other plants in front of it. So the only

1:00:17.080 --> 1:00:21.080
<v Speaker 6>green screen we ever did was our amazing opening credits, which.

1:00:23.360 --> 1:00:24.320
<v Speaker 3>It looks so fake.

1:00:24.440 --> 1:00:27.120
<v Speaker 6>Yeah, and good looking Detective. We did a big green

1:00:27.280 --> 1:00:28.760
<v Speaker 6>yeah forgot, but I.

1:00:28.720 --> 1:00:30.320
<v Speaker 4>Don't think they would have done green screen for this.

1:00:30.440 --> 1:00:32.120
<v Speaker 4>I'm curious how they actually pulled that.

1:00:32.120 --> 1:00:37.440
<v Speaker 2>Off, because we could probably ask Kendall at some point. Well,

1:00:37.480 --> 1:00:38.280
<v Speaker 2>have to follow up on that.

1:00:38.840 --> 1:00:41.200
<v Speaker 1>So Alan asks if Chet's coming back, and he says

1:00:41.240 --> 1:00:43.080
<v Speaker 1>he won't be coming until he finds his wife and

1:00:43.120 --> 1:00:45.000
<v Speaker 1>wins her back. And then a waitress comes up and

1:00:45.400 --> 1:00:47.760
<v Speaker 1>hands him the bill and he reluctantly pays, saying he

1:00:47.920 --> 1:00:50.240
<v Speaker 1>thought he left it on the table, so he was

1:00:50.280 --> 1:00:53.439
<v Speaker 1>trying to dine and dash. Alan says it's not fair

1:00:53.520 --> 1:00:56.000
<v Speaker 1>to anyone with Shawn's current situation and he should come

1:00:56.080 --> 1:00:56.600
<v Speaker 1>tell Sean.

1:00:56.720 --> 1:00:59.439
<v Speaker 2>Chet says, I just did. If he knows his son,

1:00:59.600 --> 1:01:01.080
<v Speaker 2>he's by listening.

1:01:00.840 --> 1:01:04.160
<v Speaker 1>In on the adults talking, and yep, sure enough, Sean

1:01:04.360 --> 1:01:07.400
<v Speaker 1>is listening behind them and says, no one wants him

1:01:07.480 --> 1:01:11.000
<v Speaker 1>and he doesn't need anybody, and he runs upstairs. Sean,

1:01:11.600 --> 1:01:14.320
<v Speaker 1>Alan and Amy run after Sean, but Turner waits for

1:01:14.440 --> 1:01:17.880
<v Speaker 1>him outside by the treehouse because he was once a

1:01:17.920 --> 1:01:20.400
<v Speaker 1>little Sean type and so he knows exactly where he's

1:01:20.440 --> 1:01:22.600
<v Speaker 1>going and what he's doing, and he runs out into

1:01:22.640 --> 1:01:26.040
<v Speaker 1>the Matthew's backyard. Sure enough, Sean jumps down, and Turner

1:01:26.080 --> 1:01:28.280
<v Speaker 1>says it's easy to run when someone reaches out and

1:01:28.320 --> 1:01:30.560
<v Speaker 1>tells him they care. But all Sean is looking for

1:01:30.760 --> 1:01:33.600
<v Speaker 1>is somewhere to sleep. Turner surprises him and says he

1:01:33.680 --> 1:01:36.280
<v Speaker 1>can give Shawn a home. Sean asks if it's just

1:01:36.360 --> 1:01:38.120
<v Speaker 1>for three weeks and then he'll get sick of him,

1:01:38.480 --> 1:01:41.320
<v Speaker 1>and Turner says he's already sick of him, but no,

1:01:41.480 --> 1:01:43.840
<v Speaker 1>he's still offering him a home, and he says he

1:01:43.920 --> 1:01:46.120
<v Speaker 1>needs to do something for somebody else and he isn't

1:01:46.160 --> 1:01:49.120
<v Speaker 1>trying to be his dad. Seawn agrees to move in

1:01:49.200 --> 1:01:51.960
<v Speaker 1>with Turner with a very cool handshake, saying they both

1:01:52.200 --> 1:01:52.960
<v Speaker 1>like a challenge.

1:01:53.760 --> 1:01:57.960
<v Speaker 3>And then great, he's so good and it's like the characters,

1:01:58.360 --> 1:01:59.480
<v Speaker 3>you're just you're just rooting for.

1:01:59.520 --> 1:02:02.680
<v Speaker 1>This to happen, absolutely, and what I what I love too,

1:02:02.800 --> 1:02:05.560
<v Speaker 1>is what you were talking about, writer. With Tony being

1:02:05.600 --> 1:02:07.880
<v Speaker 1>such a good dramatic actor. The one of the things

1:02:07.960 --> 1:02:10.120
<v Speaker 1>we loved so much from Career Day was the way

1:02:10.800 --> 1:02:14.440
<v Speaker 1>Alan Rusty pat's Ben's stomach at the end, instead of

1:02:14.600 --> 1:02:16.960
<v Speaker 1>when it could be this really kind of like I'm

1:02:17.000 --> 1:02:18.520
<v Speaker 1>the son of my father and it could be this

1:02:18.560 --> 1:02:22.160
<v Speaker 1>emotional thing. The fact that Turner responds with I'm sick

1:02:22.200 --> 1:02:24.880
<v Speaker 1>of your right now, like the fact that the response

1:02:25.040 --> 1:02:26.760
<v Speaker 1>is don't want to be your dad.

1:02:27.080 --> 1:02:28.200
<v Speaker 2>All of it's so good.

1:02:28.400 --> 1:02:31.160
<v Speaker 1>It makes it It actually makes it land so much more.

1:02:31.320 --> 1:02:34.400
<v Speaker 1>You're so much more invested than laying it on too thick.

1:02:34.640 --> 1:02:36.240
<v Speaker 6>Plus the way they've set it up where they need

1:02:36.360 --> 1:02:38.720
<v Speaker 6>each other already, we already know they need each other.

1:02:38.880 --> 1:02:42.320
<v Speaker 1>It's great exactly because it could They very easily could

1:02:42.400 --> 1:02:45.560
<v Speaker 1>have a lesser show wouldn't have given us any backstory

1:02:45.600 --> 1:02:47.240
<v Speaker 1>about why this is actually going to be good for

1:02:47.320 --> 1:02:49.240
<v Speaker 1>Turner too, and it would have just been that Turner

1:02:49.320 --> 1:02:49.920
<v Speaker 1>is going to do the.

1:02:49.960 --> 1:02:51.240
<v Speaker 2>Good thing for this kid.

1:02:51.680 --> 1:02:55.600
<v Speaker 1>But instead it is actually a who rescued who to

1:02:56.040 --> 1:02:58.200
<v Speaker 1>borrow a phrase from dog Rescue, which ties it all

1:02:58.280 --> 1:02:59.320
<v Speaker 1>in with the laying it on thick.

1:02:59.160 --> 1:03:00.760
<v Speaker 2>In the bedroom with the doll, Hey.

1:03:03.920 --> 1:03:06.040
<v Speaker 6>For the dog what I just got it.

1:03:07.880 --> 1:03:10.600
<v Speaker 2>So in Then, to top off.

1:03:10.520 --> 1:03:15.200
<v Speaker 1>An already incredible scene between Sean and Turner, Corey falls

1:03:15.360 --> 1:03:16.800
<v Speaker 1>out of the tree house.

1:03:16.840 --> 1:03:21.320
<v Speaker 6>Good it was so I laughed, actually laughed out loud?

1:03:21.400 --> 1:03:23.520
<v Speaker 3>Out did I?

1:03:24.040 --> 1:03:28.240
<v Speaker 7>I actually laughed out loud. He falls down, hurting himself

1:03:28.280 --> 1:03:34.320
<v Speaker 7>and says, oh gosh, oh god, and I it's perfect.

1:03:34.520 --> 1:03:38.560
<v Speaker 7>It is perfect, so funny. I couldn't love it more.

1:03:39.120 --> 1:03:42.160
<v Speaker 1>So Turner excuses himself to go square things up with

1:03:42.280 --> 1:03:45.640
<v Speaker 1>Sean's dad, and Corey overheard the conversation with Turner. He

1:03:45.800 --> 1:03:47.640
<v Speaker 1>was hanging in the tree for a while, had to

1:03:47.680 --> 1:03:50.400
<v Speaker 1>wait for a squirrel to leave him alone, and he

1:03:50.520 --> 1:03:53.200
<v Speaker 1>gets why this situation is better than his parents' house

1:03:53.360 --> 1:03:55.320
<v Speaker 1>and Sean won't be astray anymore.

1:03:55.560 --> 1:03:59.520
<v Speaker 6>Tons of hand rubbing ben after the land saw hand rubbing.

1:03:59.560 --> 1:04:01.000
<v Speaker 3>But man, it's it was fun.

1:04:01.160 --> 1:04:03.000
<v Speaker 2>Oh it was so good, Oh so funny.

1:04:03.080 --> 1:04:05.640
<v Speaker 1>So Sean asks what if he hates living with Turner

1:04:05.920 --> 1:04:07.960
<v Speaker 1>and Corey says he'll have his parents put in a

1:04:08.040 --> 1:04:11.560
<v Speaker 1>doggy door for him, And Sean says, just leave a

1:04:11.600 --> 1:04:14.240
<v Speaker 1>window open, and Corey says, you got it.

1:04:15.000 --> 1:04:20.320
<v Speaker 2>And just one beautiful scene after another.

1:04:20.600 --> 1:04:23.280
<v Speaker 6>Ye, great, awesome, this is awesome.

1:04:23.320 --> 1:04:24.800
<v Speaker 3>Sherman wrote this episode, yes.

1:04:25.560 --> 1:04:27.640
<v Speaker 2>And Matthew Nelson wrote the one before Career Day.

1:04:28.400 --> 1:04:29.840
<v Speaker 6>We've had a couple in a row that have been

1:04:30.560 --> 1:04:31.800
<v Speaker 6>really well written. Yeah.

1:04:31.880 --> 1:04:36.280
<v Speaker 1>Dare I say Career Day and Home are two of

1:04:36.360 --> 1:04:39.000
<v Speaker 1>my favorite episodes of the series really?

1:04:39.520 --> 1:04:43.240
<v Speaker 6>Yes, definitely the season for me, I would say they're great.

1:04:43.680 --> 1:04:47.040
<v Speaker 1>It's a solid right on par with me for me

1:04:47.720 --> 1:04:50.360
<v Speaker 1>with some of my favorite season one episodes, if not

1:04:51.160 --> 1:04:53.560
<v Speaker 1>even in my opinion, slightly better than some of those.

1:04:53.680 --> 1:04:57.360
<v Speaker 2>I just I think these these are in contention for me.

1:04:57.600 --> 1:04:58.760
<v Speaker 3>Yeah, they're not too.

1:04:58.720 --> 1:05:01.680
<v Speaker 4>Dramatic for you, like I mean, I love them really okay,

1:05:01.680 --> 1:05:04.640
<v Speaker 4>because for me, like the the Dog scened especially, it

1:05:04.720 --> 1:05:07.400
<v Speaker 4>is just not a great I give me.

1:05:08.000 --> 1:05:09.560
<v Speaker 1>I can see how you would feel that way, But

1:05:09.680 --> 1:05:13.000
<v Speaker 1>I also think if you really put it into context,

1:05:13.240 --> 1:05:17.200
<v Speaker 1>of that was for eleven year olds, Yeah, and some

1:05:17.440 --> 1:05:19.720
<v Speaker 1>of the other stuff is for the forty five year olds,

1:05:19.800 --> 1:05:21.280
<v Speaker 1>and some of the other stuff is for the twenty

1:05:21.360 --> 1:05:24.360
<v Speaker 1>year olds who are there watching, And we still get

1:05:24.480 --> 1:05:26.960
<v Speaker 1>even though they are dramatic episodes, there are still I

1:05:27.200 --> 1:05:30.800
<v Speaker 1>literally laughed out loud multiple times, and this time when

1:05:30.880 --> 1:05:33.480
<v Speaker 1>Corey falls out of the tree at the perfect moment.

1:05:34.040 --> 1:05:36.040
<v Speaker 1>I was great, and I rewound it and I watched

1:05:36.080 --> 1:05:39.480
<v Speaker 1>it again. So to me, there's never too long without

1:05:39.520 --> 1:05:42.320
<v Speaker 1>a laugh. There's the right amount of hooking me in

1:05:42.480 --> 1:05:44.520
<v Speaker 1>and making me invested, and then they break it up

1:05:44.560 --> 1:05:45.760
<v Speaker 1>with a laugh out loud moment.

1:05:45.840 --> 1:05:48.480
<v Speaker 2>It's a beautiful, beautiful episode.

1:05:48.600 --> 1:05:50.760
<v Speaker 6>I agree. I agree hundred percent. I thought it was great.

1:05:51.040 --> 1:05:53.520
<v Speaker 5>I thought the last two especially have been Yes, what

1:05:53.680 --> 1:05:56.680
<v Speaker 5>a way, like just what a way to end the season.

1:05:57.000 --> 1:06:01.360
<v Speaker 5>And if we're over on the bubble, I mean come only.

1:06:00.440 --> 1:06:03.000
<v Speaker 1>And then Thrilla and Philip being right before career day,

1:06:03.160 --> 1:06:05.160
<v Speaker 1>you have a fantastic vertical romp.

1:06:05.280 --> 1:06:05.560
<v Speaker 3>Weird.

1:06:05.880 --> 1:06:11.120
<v Speaker 2>Yeah, yeah, come on, it's like.

1:06:11.360 --> 1:06:13.640
<v Speaker 3>This season two one. You guys over seasons.

1:06:13.760 --> 1:06:20.720
<v Speaker 2>I mean we started off. Boy, this show salked me in.

1:06:21.000 --> 1:06:22.440
<v Speaker 2>I am I'm glued to it.

1:06:22.960 --> 1:06:26.240
<v Speaker 4>Yeah, I mean it needs to be said, like even

1:06:26.320 --> 1:06:29.960
<v Speaker 4>more devastating that Tony never came back after his motorcycle accident.

1:06:30.680 --> 1:06:32.560
<v Speaker 2>Now I don't even want to talk about that.

1:06:32.840 --> 1:06:36.920
<v Speaker 4>Binged on this relationship. Like the cliffinger of the season

1:06:37.200 --> 1:06:39.560
<v Speaker 4>is Sean and Turner are going to be living together.

1:06:40.000 --> 1:06:42.800
<v Speaker 1>I can't wait to see that season three with him.

1:06:42.960 --> 1:06:45.840
<v Speaker 1>We still have season three, let's wait to mourn his loss.

1:06:46.400 --> 1:06:50.400
<v Speaker 4>So it's so clearly invested in Sean's like his whole

1:06:50.520 --> 1:06:52.120
<v Speaker 4>character is going to be saved by.

1:06:52.040 --> 1:06:55.400
<v Speaker 2>This person, and Tony will be saved by Sean.

1:06:55.760 --> 1:06:58.960
<v Speaker 3>It's so great, Like we have to resolve this.

1:07:01.240 --> 1:07:04.520
<v Speaker 6>Motorcycle accident. He resolved it in thirty seconds on Girl

1:07:04.600 --> 1:07:04.960
<v Speaker 6>Me's World.

1:07:05.000 --> 1:07:07.479
<v Speaker 3>I remember I was there, yike.

1:07:07.680 --> 1:07:10.680
<v Speaker 1>So we are in Phoenie's backyard. Eric is gardening while

1:07:10.680 --> 1:07:13.000
<v Speaker 1>Phoenie watches. Eric is tired of it. He demands to

1:07:13.040 --> 1:07:15.320
<v Speaker 1>know the secrets about the SATs, which are now tomorrow.

1:07:15.760 --> 1:07:18.840
<v Speaker 1>Phoenie says, get a good night's sleep, which he reveals

1:07:19.080 --> 1:07:22.040
<v Speaker 1>is the first secret. The second is clear your mind,

1:07:22.400 --> 1:07:24.560
<v Speaker 1>and Phoenie asks him if he knows what the third

1:07:24.640 --> 1:07:27.680
<v Speaker 1>secret is and Eric says, you're Satan.

1:07:28.640 --> 1:07:29.640
<v Speaker 3>You are Satan.

1:07:29.760 --> 1:07:31.400
<v Speaker 2>Is so funny, remember that.

1:07:32.000 --> 1:07:34.520
<v Speaker 1>Phoenie asks him if he knows what SAT means, and

1:07:34.800 --> 1:07:38.960
<v Speaker 1>Eric says SAT and Phoenie says, Scholastic aptitude test. It

1:07:39.520 --> 1:07:42.000
<v Speaker 1>measures what's in your brain. So get some sleep, clear

1:07:42.040 --> 1:07:45.320
<v Speaker 1>your mind, and trust yourself. Eric prepares to leave, but

1:07:45.360 --> 1:07:47.480
<v Speaker 1>Phoene says there's still work to do, the manner of

1:07:47.600 --> 1:07:53.840
<v Speaker 1>pruning Miaslias, and Eric says, sure, I'll get right on that. Psike,

1:07:54.160 --> 1:07:57.040
<v Speaker 1>you already told me the three secrets, and Phoenie asks

1:07:57.160 --> 1:08:00.320
<v Speaker 1>if he said there were only three secrets because psych

1:08:01.240 --> 1:08:04.920
<v Speaker 1>And we end the episode on maybe a little bit

1:08:04.960 --> 1:08:08.280
<v Speaker 1>of an oof joke the way we started on a

1:08:08.320 --> 1:08:10.200
<v Speaker 1>little bit of an oof Joe Boy.

1:08:10.440 --> 1:08:14.360
<v Speaker 2>Everything in the middle of this is just exactly golden

1:08:14.440 --> 1:08:15.040
<v Speaker 2>and gorgeous.

1:08:15.880 --> 1:08:19.559
<v Speaker 1>I love it so much so any final thoughts now

1:08:19.640 --> 1:08:24.880
<v Speaker 1>that we have finished season two, I mean, we're going

1:08:24.920 --> 1:08:26.559
<v Speaker 1>to do a whole recap of season two. You don't

1:08:26.560 --> 1:08:27.960
<v Speaker 1>need to tell me your thoughts on the overall season,

1:08:28.000 --> 1:08:29.760
<v Speaker 1>but any other thoughts on this episode before we close

1:08:29.840 --> 1:08:30.080
<v Speaker 1>us out.

1:08:30.800 --> 1:08:32.960
<v Speaker 5>I really I really enjoyed it. I really liked seeing

1:08:32.960 --> 1:08:35.840
<v Speaker 5>where it's going. I like seeing that they know there's

1:08:35.920 --> 1:08:39.360
<v Speaker 5>going to be a direction. They're flushing out other characters

1:08:39.400 --> 1:08:40.479
<v Speaker 5>besides just Corey.

1:08:42.520 --> 1:08:45.000
<v Speaker 3>Yeah, yeah, I think I'm in at this point.

1:08:45.080 --> 1:08:50.320
<v Speaker 4>It's it's it's really interesting how much the side character

1:08:50.479 --> 1:08:54.839
<v Speaker 4>Sean and Turner have become, you know, the central issual

1:08:55.040 --> 1:08:58.160
<v Speaker 4>relationship to the show, and like it's really it's a

1:08:58.280 --> 1:09:00.920
<v Speaker 4>it's a risk, you know, and I'm I'm glad it

1:09:01.120 --> 1:09:04.600
<v Speaker 4>happened me toally, but it's funny because I didn't see it.

1:09:05.200 --> 1:09:06.799
<v Speaker 3>It felt inevitable at.

1:09:06.720 --> 1:09:08.960
<v Speaker 4>That age, like when we were doing it, but in retrospect,

1:09:09.080 --> 1:09:11.639
<v Speaker 4>like it's a it's a big shift from the beginning

1:09:11.680 --> 1:09:13.920
<v Speaker 4>of the second season to end this way.

1:09:14.040 --> 1:09:17.559
<v Speaker 3>It's a big shift. Yeah, it is, And I guess

1:09:17.800 --> 1:09:19.360
<v Speaker 3>I also like, where's Tapanga right?

1:09:19.600 --> 1:09:23.439
<v Speaker 4>Like you know, which ends up becoming probably the central

1:09:23.479 --> 1:09:25.800
<v Speaker 4>relationship a boy meets World. It's so interesting that the

1:09:25.880 --> 1:09:30.120
<v Speaker 4>second season ends without any sort of development in that regard.

1:09:31.640 --> 1:09:34.880
<v Speaker 1>Well, join us for our next episode, season three, episode one,

1:09:35.120 --> 1:09:38.080
<v Speaker 1>My Best Friend's Girl. It originally aired September twenty second,

1:09:38.160 --> 1:09:41.280
<v Speaker 1>nineteen ninety five, and next week Bruh Meets World will

1:09:41.280 --> 1:09:43.719
<v Speaker 1>be joining us for the Pod Meets World season recap.

1:09:44.320 --> 1:09:46.840
<v Speaker 1>Cannot wait to welcome them back. They're always phenomenal, So

1:09:47.240 --> 1:09:48.960
<v Speaker 1>thank you for joining us for this episode of Pod

1:09:49.000 --> 1:09:51.320
<v Speaker 1>Meets World. As always, you can follow us on Instagram

1:09:51.400 --> 1:09:53.759
<v Speaker 1>pod meets World Show. You can send us your emails

1:09:53.800 --> 1:09:55.559
<v Speaker 1>pod meets World Show at gmail dot.

1:09:55.479 --> 1:09:59.320
<v Speaker 6>Com, and we have merch turn on your merch line.

1:10:01.280 --> 1:10:04.920
<v Speaker 2>Podmeetsworldshow dot Com will send us out.

1:10:05.400 --> 1:10:07.200
<v Speaker 6>We Love You All pod dismissed.

1:10:09.600 --> 1:10:12.280
<v Speaker 5>Pod Meets World is an iHeart podcast produced and hosted

1:10:12.320 --> 1:10:16.160
<v Speaker 5>by Danielle Fischel, Wilfredell and Ryder Strong Executive producers, Jensen

1:10:16.200 --> 1:10:19.479
<v Speaker 5>Karp and Amy Sugarman. Executive in charge of production, Danielle Romo,

1:10:19.600 --> 1:10:23.479
<v Speaker 5>producer and editor, Taras Sudbach, producer, Jackie Rodriguez, engineer and

1:10:23.560 --> 1:10:26.200
<v Speaker 5>Boy Meets World superfan Easton Allen. Our theme song is

1:10:26.240 --> 1:10:28.479
<v Speaker 5>by Kyle Morton of Typhoon and you can follow us

1:10:28.520 --> 1:10:31.519
<v Speaker 5>on Instagram at Pod meets World Show or email us

1:10:31.600 --> 1:10:33.840
<v Speaker 5>at Podmeets Worldshow at gmail dot com