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Speaker 1: We have a whole bunch of live shows scheduled for

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Speaker 1: this summer.

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Speaker 2: Podmeats World Live is going on the road.

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Speaker 1: So, writer, what we've been in discussion, how are we

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Speaker 1: gonna do this?

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Speaker 2: Are we going?

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Speaker 1: Are the three of us going on the road together?

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Speaker 1: What does that mean for our families? Writer, you have

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Speaker 1: talked many times about how as India is getting older,

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Speaker 1: it's made you realize, like, now that he's eight, you

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Speaker 1: have ten more summers of actual like time vacations with him,

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Speaker 1: and so what have you decided to do this summer

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Speaker 1: with your time.

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Speaker 3: We're gonna road trip it. We're gonna We're gonna van

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Speaker 3: life it. Yeah, we've done multiple road trips.

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Speaker 4: Like during COVID and twenty twenty we did a big

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Speaker 4: camping you know, we were just kind of on our

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Speaker 4: own and our own little bubble.

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Speaker 3: We literally brought like a portable toilet with us, so

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Speaker 3: we never went to a public bath.

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Speaker 4: And we did that for like three weeks and it

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Speaker 4: was just such a bonding, great experience. And then after

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Speaker 4: like in twenty twenty one, when everyone was vaccinated and

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Speaker 4: feeling safer, we decided to drive around the country and

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Speaker 4: see all of our friends that we hadn't seen.

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Speaker 3: Because of COVID. So we like did this epic three

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Speaker 3: or four week road trip.

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Speaker 4: And then so this summer was coming up, and I

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Speaker 4: really want to take into rafting because I grew up

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Speaker 4: whitewater rafting all the time.

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Speaker 3: Amazing, and so we wanted to go.

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Speaker 4: We do our normal camping trip, We go up to

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Speaker 4: my parents, we go camping, and then we were going.

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Speaker 4: I was like, oh, and then we'll just go right

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Speaker 4: into a rafting trip. And then we were looking at

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Speaker 4: the dates based on our live shows and we were like, well,

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Speaker 4: then we'd be driving all the way back to La

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Speaker 4: like right when we have to, I'd have to turn

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Speaker 4: around and jump on a plane to Minneapolis.

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Speaker 3: I was like, why not just keep driving?

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Speaker 4: And then we kept adding up the dates between conventions

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Speaker 4: and live shows.

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Speaker 3: We're just gonna be on the road for over six weeks.

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Speaker 4: Wow. Yeah, and so and Indy could not be more excited,

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Speaker 4: which I just love because I loved road trips as

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Speaker 4: a kid.

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Speaker 3: I love the trips as an adult.

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Speaker 4: You know, we camp and we get out and we hike,

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Speaker 4: and like we're going to white Water raft so it's

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Speaker 4: not like we're like in the car the whole time,

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Speaker 4: but just exploring the country. And I'm just so glad

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Speaker 4: that he likes it. Like he always sees he'll be like, Dad,

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Speaker 4: I missed the month long road trip when we took

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Speaker 4: our road trip two years ago. He still talks about it,

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Speaker 4: and I'm like, all right, let's do it again.

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Speaker 5: So if I am on the road for six weeks,

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Speaker 5: I am running from the law.

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Speaker 6: That's why I've been.

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Speaker 3: In a car to be home.

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Speaker 6: Of course, of course I am running from my wife

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Speaker 6: and I This is one of the things that makes

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Speaker 6: a great partnership.

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Speaker 5: And it's the same thing that you have Danielle, and

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Speaker 5: the same thing that you have with Alex riders.

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Speaker 6: How you travel together makes a huge difference.

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Speaker 5: So when it comes to your partnership, and Sue and

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Speaker 5: I on almost exactly the same day at exactly the

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Speaker 5: same time, no matter where we are in the world,

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Speaker 5: we'll look at each other and go, I want to

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Speaker 5: go home.

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Speaker 7: That's about ten or twelve days into a trip, or like,

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Speaker 7: I want to go home now.

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Speaker 3: Yes.

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Speaker 5: So that's what makes a great partnership, when you're just

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Speaker 5: you travel the same together.

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Speaker 4: It's important and I think Alex and I would just

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Speaker 4: keep going I don't think we unless we have to

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Speaker 4: come home.

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Speaker 3: There's a man keep going.

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Speaker 1: So getting back to our live shows, we are doing

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Speaker 1: costume contests. Oh I can't in every city. I feel

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Speaker 1: like you guys just both took a sip of your coffee.

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Speaker 1: Now I need to take a take a sip. So

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Speaker 1: what costumes are you hoping to see?

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Speaker 6: I was just going to ask the same thing.

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Speaker 5: What do you think is going to be the most

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Speaker 5: obscure Boy meets World character costume you're going to see?

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Speaker 6: Because I'm guessing we'll get a lot of feenies, a

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Speaker 6: lot of place with squirrels. Yeah, a lot of Topanga

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Speaker 6: Topango with the with the lipstick on the.

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Speaker 3: Face to Panga's.

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Speaker 2: Yeah, we've seen the Dusty war. Actually, yeah, I want

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Speaker 2: to see it. Dusty.

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Speaker 6: Dusty would be great. Dusty would be great.

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Speaker 4: Janitor Bud, I want to see.

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Speaker 3: You guys are great outfit?

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Speaker 2: What about a lobster?

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Speaker 6: See that's what I mean? Like it's good?

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Speaker 5: What are we going to get a Nancy Kerrigan? Are

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Speaker 5: we going to get a model from the mall? Are

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Speaker 5: we going to get a Kathy Ireland?

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Speaker 6: Like?

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Speaker 1: How obscure are people going to What about Ryder's friend

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Speaker 1: who invented the word strafty bright?

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Speaker 3: Is that ocean so obscure? No one knows what ocean

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Speaker 3: looks like.

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Speaker 1: It doesn't matter. They just come up and say right now, okay.

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Speaker 3: Lock and curly hair tied.

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Speaker 4: I shirt Nike, black Nike shorts, no shoes every day.

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Speaker 6: Every day you think a kid named ocean like.

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Speaker 4: Shirt, different tid ice shirt, black Nike shorts. Never wore

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Speaker 4: shoes he grew up on. He grew up on like

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Speaker 4: fifty acres. Never work shoes.

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Speaker 3: He could run on gravel like his feet were.

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Speaker 4: So thick because he just never wore shoes. So yeah,

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Speaker 4: every day that's what he wore.

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Speaker 2: So that's pretty easy. I like that one.

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Speaker 4: So can you even talked about on the show that

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Speaker 4: that people send us strafty bright in ultiple situations on

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Speaker 4: Boy Meet's World.

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Speaker 3: Yes, it's on the board.

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Speaker 4: I wrote it on the board during the season one

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Speaker 4: season one, and so you can see it clearly behind Ben.

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Speaker 4: And then I wrote it on my notebook apparently a number.

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Speaker 1: Yeah, episode, you really made a valiant effort to get

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Speaker 1: that word.

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Speaker 4: Yes, But what it was so weird about seeing like

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Speaker 4: when people sent us those those it was like it

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Speaker 4: was like it was like coded messages I had sent

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Speaker 4: through time to myself.

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Speaker 3: Do you know what I mean?

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Speaker 4: It was like, oh my god, I took these opportunities

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Speaker 4: to write strafty right into the show, like sneak it

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Speaker 4: in there, and like I totally forgot so to be

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Speaker 4: able to see it now as an adult, it was

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Speaker 4: just the weirdest travel. Yeah, it's weird.

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Speaker 5: I also just got for everybody going back to the

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Speaker 5: costume contest, a forty pound box delivered to my house

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Speaker 5: of my scripts from back in my childhood bedroom. And

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Speaker 5: I'm talking scripts with like remember they used to have

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Speaker 5: the stickers with our names on it, Like a bunch

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Speaker 5: of them still have Wilford al on them. These were

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Speaker 5: like original table read draft delivered to my apartment.

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Speaker 6: Scripts that are there. I have the breakdowns of the

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Speaker 6: blocking sheets. Wo.

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Speaker 5: I have our cast and cruise sheets with all the

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Speaker 5: phone numbers on my I have our bump like the

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Speaker 5: TGIF bump sheets.

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Speaker 6: I've got all of that stuff.

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Speaker 1: Well those are prizes, yeah, for who wears the best costume.

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Speaker 2: We will decide.

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Speaker 1: We haven't talked about our criteria or the judging process.

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Speaker 2: We still have to. We still have to discuss all

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Speaker 2: of that.

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Speaker 1: But one of you lucky people will be walking out

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Speaker 1: of our live show every single night with an autographed

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Speaker 1: script from Will Stash that we will all sign for

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Speaker 1: the best costume.

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Speaker 6: I'm also there'll be a cushling. That'd be great. Oh wow, ay,

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Speaker 6: Jody sweet and cush and that'd be a great cost the

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Speaker 6: ripped pants that she's Peter Soman.

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Speaker 5: I'm also I can tell you going to be having

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Speaker 5: lunch with a couple cast members of Boy Meets World

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Speaker 5: coming up.

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Speaker 6: I won't say who, but a couple coming up.

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Speaker 2: So I are not included in this.

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Speaker 6: You are not.

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Speaker 3: Allowed I invited to lunch.

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Speaker 2: I guess we're not.

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Speaker 6: We're we're having a real cast reunion, got it, okay?

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Speaker 5: And maybe I'll bring some scripts and have some of

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Speaker 5: them sign it as well, so we can have some

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Speaker 5: cool stuff there.

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Speaker 3: People.

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Speaker 5: But no, neither of you are invited. I keep up

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Speaker 5: with everybody, you know how that is. And we don't

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Speaker 5: like you, and so you're not going to be coming.

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Speaker 5: That's just how it is.

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Speaker 6: But I'll tell you all about lunch. It's going to

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Speaker 6: be great.

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Speaker 1: Oh can't wait to hear about it. I hope you

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Speaker 1: I hope you get some bib let us what I do.

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Speaker 1: Welcome to Pod Meets World. I'm Danielle Fischel, I'm writer Strong,

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Speaker 1: and I'm Wilfordell. So today we are recapping season two

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Speaker 1: episode twenty three Home, which is the season two finale.

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Speaker 1: It originally aired May nineteenth, nineteen ninety five. Any thoughts

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Speaker 1: you guys want to share before we jump into this episode? Wow,

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Speaker 1: I love this episode.

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Speaker 3: You love it.

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Speaker 2: I love it.

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Speaker 3: It's it's good. I it's very dramatic.

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Speaker 6: It's very dramatic and very dramatic.

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Speaker 3: I am very dramatic.

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Speaker 6: You are very dramatic.

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Speaker 4: And I guess the interesting thing that the overall thought

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Speaker 4: to me is that it's it's it's strange how much

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Speaker 4: the show shifts into Sean storyline, like into like Sean's

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Speaker 4: world by the end of season two, like a two parter.

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Speaker 1: Yeah, this episode and the one right before it feel

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Speaker 1: like a two parter.

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Speaker 6: It also feels like we haven't seen Corey in a while.

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Speaker 4: Now, that's what I mean to end of the season,

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Speaker 4: sort of moving away from Corey.

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Speaker 3: This much feels it's it's it's a bold move.

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Speaker 4: It's a really interesting that I didn't I don't think

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Speaker 4: I recognized that as how unusual that was, or maybe

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Speaker 4: it wasn't unusual.

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Speaker 3: Maybe it's just the natural evolution of the show.

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Speaker 4: But watching it this time, I was like, Wow, Corey

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Speaker 4: is really like Sean is just Sean's storyline?

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Speaker 3: Is then the major thrust of the season ender, which

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Speaker 3: is just a lot.

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Speaker 1: Yeah, And I wonder how much of that is because

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Speaker 1: as we've discussed with multiple episodes that we've seen lately,

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Speaker 1: like I really loved the Thriller and Philla episode.

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Speaker 2: I think I was.

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Speaker 1: You know, Will did too, writer, you were not a fan.

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Speaker 1: So I think it seems as though, in my opinion,

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Speaker 1: the storylines of Corey being in every Man and I'm

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Speaker 1: never making my mark and how do I make myself different,

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Speaker 1: we've reached a point where we've exhausted those storylines. We

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Speaker 1: have done the very normal storyline of that, which is

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Speaker 1: like the very relatable who am I? I'm not gorgeous,

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Speaker 1: I'm not super smart, I'm just normal.

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Speaker 2: We've done those episodes, and.

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Speaker 1: Then we've done you know, crazy over the top episodes

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Speaker 1: where Corey's a wrestler and it's pro wrestling.

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Speaker 2: And we've get Yes, Me and Bleef and Robert Goula.

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Speaker 2: It's like, we've exhausted those.

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Speaker 1: Now we need some real stakes and how do we

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Speaker 1: do that.

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Speaker 2: Let's do it through Sean and I.

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Speaker 1: Yes, it's dramatic, but I love it. It feels way

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Speaker 1: more interesting to me, you know, Like it makes Alan

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Speaker 1: and Amy parents again, and obviously mister Turner a teacher

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Speaker 1: slash parent again.

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Speaker 4: It brings up all the tensions that the show sort

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Speaker 4: of started with, which is like, how do you raise

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Speaker 4: kids and you be a kid in the world, and

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Speaker 4: like it reignites all of the same.

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Speaker 3: It brings back the characters to their sort of core

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Speaker 3: and their essency.

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Speaker 4: It stresses them out right, Like he stresses the situation

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Speaker 4: out in the best possible way so that everybody has

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Speaker 4: to sort of get back to who they really are.

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Speaker 3: It's it's great storytelling. Yeah.

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Speaker 6: Yeah.

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Speaker 1: It also we've clearly set up now through two seasons,

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Speaker 1: no matter what happens to Corey, he's not going to

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Speaker 1: quote unquote fail. There is a safe There are safety

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Speaker 1: nets after safety nets after safety net. He's got his

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Speaker 1: parents who were super invo He's got a brother who,

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Speaker 1: even though his brother needles him and jokes at him,

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Speaker 1: is always there for him and will you know, jump

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Speaker 1: over a hallway, you know, ledge to protect him if

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Speaker 1: he needs to. He's got Foenie watching out for him,

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Speaker 1: he's got Turner on his side. Like he's got Sean,

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Speaker 1: a best friend who says, no matter what, you're Corey

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Speaker 1: and I'm Sean.

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Speaker 6: So like he's got a girl.

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Speaker 2: There's like Corey's fine, Corey's fine.

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Speaker 1: We have two seasons of setting up that Corey's life

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Speaker 1: is gonna be fine on his own anxiety exactly if

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Speaker 1: he can get out of his own way, he'll be golden.

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Speaker 1: And but what we've also set up is that his

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Speaker 1: very best friend is not necessarily going to be fine.

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Speaker 1: And so opening up the next few seasons of let's

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Speaker 1: see how this very stable Rock character can influence this

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Speaker 1: very unstable, not protected is us find it. It's fascinating

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Speaker 1: and way more interesting than continuing to see how secure

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Speaker 1: Corey's life is.

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Speaker 5: It's also it's just it's television too, where it's you know,

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Speaker 5: you're coming into season two, you're hoping there's going to

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Speaker 5: be a season three. The only way a television show

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Speaker 5: has legs is if every character is developed. Yes, So

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Speaker 5: it's one of those things where you know, after a

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Speaker 5: while watching Family Ties and it was like, well, we

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Speaker 5: let's get into Justine Bateman's character.

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Speaker 6: We need to know what the sister's like. We need

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Speaker 6: to know.

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Speaker 5: You see it on The Office, you see it on

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Speaker 5: those shows where it's like, okay, if we're going to

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Speaker 5: actually be one of those shows that lasts.

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Speaker 6: Everybody's got a matter.

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Speaker 5: Yeah, and it's and it's that's kind of where we

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Speaker 5: are now. And it's I agree with Danielle hundred percent

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Speaker 5: seeing there's something which again makes the idea that he

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Speaker 5: then was off the show so crazy. But seeing you

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Speaker 5: and Tony together, there's something about the two of you

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Speaker 5: together that's great. And it's just it's him trying the

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Speaker 5: way they've now made it where you know he needs

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Speaker 5: we'll get into it. He needs something in his life

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Speaker 5: and it's it. You think it's gonna be a woman,

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Speaker 5: but it turns out to not be that. It's just

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Speaker 5: it was really clever the way.

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Speaker 3: That Tony is such a dramatic actor.

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Speaker 4: He's so clearly remarkable because he clearly wasn't cast for

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Speaker 4: that right and he's cast, but he just rises to

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Speaker 4: being such a He's just he's a rock. You know,

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Speaker 4: like you just believe you want him to be this

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Speaker 4: father figure so bad, and he's so believable. He's so

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Speaker 4: present and he doesn't.

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Speaker 5: Yeah, there was a there was a movie of the

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Speaker 5: Week that Tony did before he did Boy, and when

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Speaker 5: we were friends, he was like, he showed it to

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Speaker 5: me as a joke. He was like, you got to

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Speaker 5: see his movie the week I did?

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Speaker 6: It was both And.

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Speaker 5: The last kind of scene, they're all he and his

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Speaker 5: family are at a funeral and they're all sitting there

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Speaker 5: and they pan past the family and it is one

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Speaker 5: stereotypical grief after grief, and it's kind of a bad,

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Speaker 5: cheesy acting, and you get to Tony, who's dead behind

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Speaker 5: the eyes and tears streaming down his face, and you're like.

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Speaker 6: That was this is amazing.

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Speaker 5: You're amazing at that he just could hit these beats

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Speaker 5: that we didn't see.

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Speaker 3: He's not false at all.

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Speaker 6: He's so he's so real, it's so present, it's easy.

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Speaker 3: Great.

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Speaker 1: Did you and Tony really work on developing? Like was

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Speaker 1: that something you did? There are no external conversations about.

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Speaker 3: That's what I don't remember. I just remember us.

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Speaker 4: I loved working with him. But it's so funny I

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Speaker 4: don't remember talking about acting. I don't remember talking about

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Speaker 4: our performances. I don't remember, Like I mean, there are times,

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Speaker 4: you know, and they can think of where I like

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Speaker 4: worked out things with people.

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Speaker 3: But I feel like it was all instinct.

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Speaker 4: Like I feel like we just because I didn't really

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Speaker 4: I didn't know how to act. I just sort of

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Speaker 4: showed up and did it, you know what I mean.

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Speaker 4: And I think that we just worked together. We just

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Speaker 4: have We just had this chemistry and it came alive.

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Speaker 4: I mean I felt that not so much in this episode,

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Speaker 4: but in the previous episode when I go to his

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Speaker 4: apartment and end up eating the food and falling to sleep, Like,

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Speaker 4: I just loved that scene. It was, you know, and

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Speaker 4: I'm watching it, I was like, wow, I don't I

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Speaker 4: don't remember this, but I just I just thought that

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Speaker 4: the dynamic was Yeah, but no, I don't. We just

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Speaker 4: had chemistry. We just had actor chemistry, you know, like whatever, Now,

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Speaker 4: how lucky.

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Speaker 5: We are as because what you just said is so true.

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Speaker 5: I didn't know how to act either. You kind of

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Speaker 5: just go and do it and then you learn on

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Speaker 5: your feet.

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Speaker 6: A little bit. You know, how lucky we were.

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Speaker 5: To have the adult actors we did around us doing

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Speaker 5: what they did, Rusty and Bill and Betsy and Tony.

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Speaker 5: I mean, we were only as good as those people

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Speaker 5: we were watching and who were helping us along without

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Speaker 5: even knowing they were helping us along. And man where

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Speaker 5: we were and again we didn't, we didn't recognize it

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Speaker 5: while we were there.

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Speaker 6: We just it was so beneficial to have those actors

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Speaker 6: with us.

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Speaker 5: And that's a credit to Michael and to Sally and

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Speaker 5: everybody who cast everybody who brought I mean, Alex and

360
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Speaker 5: all the adults they brought in were just so good

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Speaker 5: that we upped our game to be next to them.

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Speaker 4: So we just took it for granted, right, We honestly

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Speaker 4: don't think it was like I didn't think like, oh,

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Speaker 4: it's remarkable that this thirty year old dude can act

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Speaker 4: this well.

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Speaker 3: It was just like, well, he's mister Turner and he's

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Speaker 3: a good actor and he does actor. I would never

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Speaker 3: have said Tony was bad.

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Speaker 4: I always knew he was good, but I don't think

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Speaker 4: I recognized what he was bringing to you know, this, this,

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Speaker 4: these scenes, these characters, characters.

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Speaker 6: It's incredible.

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Speaker 1: Yeah, agreed, Well, let's jump in the synopsis. Is when

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Speaker 1: Sean starts to feel like a burden to the Matthews.

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Speaker 1: He sneaks out, only to find himself on mister Turner's

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Speaker 1: doorstep yet again, and Eric tries to master the SATs

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Speaker 1: by working for mister Feenie. So once again, this is

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Speaker 1: like our first real serialized Ye we went from career

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Speaker 1: day writing.

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Speaker 3: Storyline is serialized, you know That's what I'm saying.

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Speaker 5: Yeah, and they've turned Eric into Corey. So this is

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00:16:32,440 --> 00:16:35,840
Speaker 5: the start of really Eric and Feenie. I mean it's

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00:16:35,880 --> 00:16:37,000
Speaker 5: the same storyline where.

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Speaker 6: You're gonna you're gonna work around the house.

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Speaker 5: I mean that's such a first season Cory storyline.

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Speaker 6: Yeah, exactly, and they've given it to Eric. They've completely

387
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Speaker 6: given it to Eric, so so strange. Well.

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Speaker 1: It was directed by David Traynor, written by Jeff Sherman,

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Speaker 1: guest starring Jason Marsden as Jason Marsden, Blake Clark as

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Speaker 1: Chet Hunter. Darlene Vogel is back as Catherine Kat Tompkins.

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Speaker 6: Wow.

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Speaker 2: She is in a lot of episodes, yes, right, and.

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Speaker 4: Has like a major story point in this. It's not

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Speaker 4: just of Toss, it's life changing drama.

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Speaker 3: And the two of them. Yeah, and she's great.

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Speaker 1: If she's fantastic, and no recollection, no recollection at all.

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Speaker 6: I thought she did one or two.

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Speaker 5: Maybe I remember her because of her eye and because

399
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Speaker 5: of Back to the Future.

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Speaker 6: That's all that I remember, so that she was this.

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Speaker 3: Her, just her and Tony pretty much.

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Speaker 5: So.

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00:17:30,800 --> 00:17:34,960
Speaker 1: Yeah, Ivory Ocean as Policeman. He's best known for his

404
00:17:35,080 --> 00:17:36,840
Speaker 1: role as Mayor Tilton in The Mask.

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Speaker 6: There's something else with him we will talk about when

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Speaker 6: we get to that scene. If I am correct, and

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Speaker 6: I think.

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Speaker 2: I am, I can't wait. Okay.

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Speaker 1: Also worth noting this will be the final episode with

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Speaker 1: Lily nick Say as Morgan Matthews.

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Speaker 5: That's definite right, that's definite right that she she does

412
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Speaker 5: season three, comes back and she's.

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Speaker 2: Gone, right, yeah, I don't you just never gets star.

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Speaker 6: Again or to come back again.

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Speaker 3: Does she know Lindsey takes over?

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Speaker 2: It takes over. I think halfway through season three, which.

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Speaker 3: Wasn't that long then. If it really was halfway through

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Speaker 3: season three, yeah.

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Speaker 2: She would not, she would not have it was.

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Speaker 1: It was a significant amount through season three because I

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Speaker 1: remember then when they wrote the character in and it

422
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Speaker 1: was like she's been on a time out.

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Speaker 3: We made a whole big joke out and she's been.

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Speaker 2: Done for a while.

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Speaker 1: Also worth noting season four or five, this would have

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Speaker 1: also been the infamous tape day of embrace Gate. True,

427
00:18:37,920 --> 00:18:41,440
Speaker 1: so this would have been when Adam Scott.

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Speaker 3: Is even in it.

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Speaker 6: He's not in this one though. It must have been

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Speaker 6: Thriller in Phila.

431
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Speaker 3: It had.

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Speaker 6: Why would he Phila?

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Speaker 5: It must have been unless we shot him out of order,

434
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Speaker 5: which I don't think we did this season.

435
00:18:52,160 --> 00:18:54,280
Speaker 3: Unless he was just happened to be there for tape

436
00:18:54,359 --> 00:18:55,640
Speaker 3: night in the final season.

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Speaker 1: Yeah, it was probably Thrilla and Phylla, and he thought

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Speaker 1: it was him, he did say the finale. But listen,

439
00:19:03,520 --> 00:19:07,680
Speaker 1: so we all have been hugging anyway, because exactly unless

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Speaker 1: he knew he wasn't coming back.

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00:19:09,720 --> 00:19:11,879
Speaker 6: You know, you're also in the star of the show

442
00:19:11,920 --> 00:19:14,400
Speaker 6: at this point, writer, and he was at a guest star.

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Speaker 2: How you know what? How dare he?

444
00:19:17,600 --> 00:19:20,520
Speaker 6: Let's get him back? Exactly?

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00:19:20,880 --> 00:19:24,480
Speaker 2: Oh man, that's pretty great.

446
00:19:25,920 --> 00:19:28,280
Speaker 1: So let's jump into our recap. We start in Corey

447
00:19:28,320 --> 00:19:30,400
Speaker 1: and Eric's room. Corey is banging on the bathroom door

448
00:19:30,400 --> 00:19:32,360
Speaker 1: to get Sean out, who has been living there now

449
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Speaker 1: for three weeks. He spent two and a half of

450
00:19:34,440 --> 00:19:37,280
Speaker 1: those weeks in the bathroom, he says. Eric, who's sitting

451
00:19:37,320 --> 00:19:39,879
Speaker 1: nearby at the desk, says, to keep it down, he's studying.

452
00:19:40,200 --> 00:19:43,080
Speaker 1: Corey shoots him a look and Eric says, well, I am.

453
00:19:43,600 --> 00:19:45,760
Speaker 1: And then Corey says, well, I'm trying to shower here,

454
00:19:45,880 --> 00:19:48,760
Speaker 1: and Eric shoots him a look and Corey says, well,

455
00:19:48,800 --> 00:19:49,200
Speaker 1: I am.

456
00:19:49,640 --> 00:19:52,080
Speaker 2: And I don't understand these jokes.

457
00:19:52,920 --> 00:19:53,320
Speaker 6: Okay.

458
00:19:53,400 --> 00:19:58,719
Speaker 5: So the joke is essentially I'm studying and Corey's like,

459
00:19:59,160 --> 00:19:59,960
Speaker 5: you're studying.

460
00:20:00,840 --> 00:20:01,280
Speaker 6: I am.

461
00:20:01,840 --> 00:20:05,960
Speaker 5: Well, I'm taking a shower. You're taking a shower like stinky.

462
00:20:06,520 --> 00:20:06,720
Speaker 1: Yeah.

463
00:20:07,280 --> 00:20:10,200
Speaker 2: Yeah, that's and Eric doesn't usually study.

464
00:20:10,119 --> 00:20:12,560
Speaker 5: Right, So okay, it's out of the norm for both

465
00:20:12,600 --> 00:20:15,120
Speaker 5: of them, the norm for Corey to shower and out

466
00:20:15,119 --> 00:20:16,439
Speaker 5: of the norm for Eric to study.

467
00:20:16,800 --> 00:20:21,840
Speaker 2: Right, Okay, I started I would do that in just

468
00:20:21,880 --> 00:20:23,560
Speaker 2: a real I am.

469
00:20:25,280 --> 00:20:29,560
Speaker 6: Working to sell this dialogue because but it is. It's

470
00:20:29,760 --> 00:20:30,439
Speaker 6: I am, I am.

471
00:20:31,240 --> 00:20:34,000
Speaker 5: They left to hang very big in the in the

472
00:20:34,040 --> 00:20:36,960
Speaker 5: in the first part of this, just like trying to

473
00:20:37,040 --> 00:20:37,680
Speaker 5: hit these beats.

474
00:20:37,800 --> 00:20:39,320
Speaker 6: I get better as the episode goes on.

475
00:20:39,920 --> 00:20:40,880
Speaker 2: But I think you're great.

476
00:20:41,000 --> 00:20:41,480
Speaker 3: I'm working.

477
00:20:41,640 --> 00:20:42,680
Speaker 6: I'm working. I don't think I'm bad.

478
00:20:42,680 --> 00:20:44,520
Speaker 5: I definitely don't think I'm bad, but it's it's better

479
00:20:44,560 --> 00:20:45,119
Speaker 5: as it goes on.

480
00:20:45,200 --> 00:20:47,960
Speaker 1: It's the opening of this show for those to be

481
00:20:48,160 --> 00:20:49,840
Speaker 1: like the hook them jokes.

482
00:20:50,200 --> 00:20:52,160
Speaker 2: I am not sure we could.

483
00:20:52,320 --> 00:20:55,320
Speaker 6: We could have used the rewrite, could use a little

484
00:20:55,320 --> 00:20:55,840
Speaker 6: punch up.

485
00:20:56,040 --> 00:21:02,080
Speaker 4: The best joke is is my shaving crew completely with you?

486
00:21:02,359 --> 00:21:03,760
Speaker 6: And started.

487
00:21:05,359 --> 00:21:06,399
Speaker 3: The door with that.

488
00:21:07,760 --> 00:21:10,399
Speaker 1: Sean opens the door and reveals he is shaving his face.

489
00:21:10,520 --> 00:21:13,120
Speaker 1: Facial hair runs in the family, especially on his mom's side.

490
00:21:13,200 --> 00:21:16,280
Speaker 1: You've got shaving cream just a little bit right here

491
00:21:16,440 --> 00:21:20,440
Speaker 1: in between your eyebrows, which made me die laughing. So

492
00:21:20,800 --> 00:21:23,399
Speaker 1: Eric is prepping for his SATs and still panicking. And

493
00:21:23,480 --> 00:21:25,800
Speaker 1: here's where we see that we have a running storyline

494
00:21:25,800 --> 00:21:26,240
Speaker 1: going on.

495
00:21:27,160 --> 00:21:31,520
Speaker 2: Eric is working out a problem. Nihilism is to optimism

496
00:21:31,760 --> 00:21:36,920
Speaker 2: as gluttony is too, And he says, butte Montana, did

497
00:21:36,920 --> 00:21:39,119
Speaker 2: you guys figure out what the answer should be?

498
00:21:40,040 --> 00:21:40,159
Speaker 6: Oh?

499
00:21:40,280 --> 00:21:40,680
Speaker 3: I wasn't.

500
00:21:40,760 --> 00:21:49,240
Speaker 1: No, nihilism is to optimism as gluttony is to starvation.

501
00:21:50,160 --> 00:21:52,920
Speaker 2: That's what I said first. That's what I said first.

502
00:21:52,960 --> 00:21:56,040
Speaker 1: But because you can be gluttonous about anything, it doesn't

503
00:21:56,119 --> 00:21:57,320
Speaker 1: just have to be food.

504
00:21:57,480 --> 00:22:00,840
Speaker 5: Really well, nihilism is nihilism is the belief in nothingness

505
00:22:00,880 --> 00:22:03,560
Speaker 5: and optimism is being positive.

506
00:22:03,080 --> 00:22:08,560
Speaker 6: So it is a little oppositey pessimism exactly. That's what

507
00:22:08,640 --> 00:22:09,760
Speaker 6: that's where it's They love.

508
00:22:09,640 --> 00:22:11,440
Speaker 4: Nihilis because they used that in the last episode to

509
00:22:12,480 --> 00:22:15,040
Speaker 4: go to each their go to s a T work.

510
00:22:15,680 --> 00:22:17,879
Speaker 5: I think I think what they're going for is something

511
00:22:18,000 --> 00:22:19,320
Speaker 5: like starvation.

512
00:22:19,080 --> 00:22:24,080
Speaker 1: Or I said moderation. Moderation is to moderation.

513
00:22:25,480 --> 00:22:29,160
Speaker 2: So anyway, I.

514
00:22:27,840 --> 00:22:29,400
Speaker 1: I then googled it. You want to know what comes

515
00:22:29,480 --> 00:22:36,119
Speaker 1: up just our show? There is no answer.

516
00:22:36,480 --> 00:22:37,040
Speaker 2: That's great.

517
00:22:37,160 --> 00:22:41,080
Speaker 1: So Eric, who is mind blocked and can't even remember

518
00:22:41,119 --> 00:22:43,840
Speaker 1: what college is until Corey reminds him, starts looking for

519
00:22:43,920 --> 00:22:44,960
Speaker 1: his lucky pencil.

520
00:22:45,440 --> 00:22:48,720
Speaker 2: Who you call Pency Pency?

521
00:22:49,720 --> 00:22:53,960
Speaker 4: All right, somebody shows up at our shows dressed as Pency.

522
00:22:54,000 --> 00:22:59,480
Speaker 1: Great great costume, a chewed pencil. Oh, I love it

523
00:22:59,480 --> 00:22:59,920
Speaker 1: it just.

524
00:23:00,040 --> 00:23:03,080
Speaker 2: And his names is Pensy and he can't find it.

525
00:23:03,160 --> 00:23:04,879
Speaker 2: He is freaking out until Corey finds it.

526
00:23:04,920 --> 00:23:06,760
Speaker 6: Oh, I'm sorry. I just had the theme song to

527
00:23:06,800 --> 00:23:08,720
Speaker 6: the Pency cartoon that just went through my head.

528
00:23:09,160 --> 00:23:14,520
Speaker 4: Pancy Pency, It's Me and you Pency favorite number two.

529
00:23:14,680 --> 00:23:16,879
Speaker 6: No, I just made that up, but it just seems

530
00:23:16,920 --> 00:23:21,080
Speaker 6: like that would be the Oh my Goshency.

531
00:23:22,119 --> 00:23:25,520
Speaker 2: It all right, let's get on that record that.

532
00:23:25,920 --> 00:23:29,439
Speaker 1: Let's record that please Wills Will's new theme song for

533
00:23:29,520 --> 00:23:31,399
Speaker 1: the animated show he just created on the spot.

534
00:23:31,960 --> 00:23:34,080
Speaker 6: It's me That's how it would be.

535
00:23:36,520 --> 00:23:39,080
Speaker 1: So Sean comes out of the bathroom cleaning his ears

536
00:23:39,160 --> 00:23:42,600
Speaker 1: with Eric's lucky towel Towley a south Park reference.

537
00:23:42,840 --> 00:23:47,280
Speaker 6: South Park, Now, thank you. I don't think they've one

538
00:23:47,280 --> 00:23:49,600
Speaker 6: of the things I wrote down. There's one of those

539
00:23:49,720 --> 00:23:50,600
Speaker 6: in this episode.

540
00:23:50,640 --> 00:23:55,440
Speaker 5: Two major shows taking from us in this episode.

541
00:23:54,680 --> 00:24:01,120
Speaker 1: We were Towey first, we created Seinfeld South Park Friends.

542
00:24:02,040 --> 00:24:04,520
Speaker 5: It's a Seinfeld one next to that. I'm going to

543
00:24:04,600 --> 00:24:05,280
Speaker 5: talk to you about.

544
00:24:05,400 --> 00:24:07,760
Speaker 4: So but you know, totally would have been like when

545
00:24:07,760 --> 00:24:09,680
Speaker 4: we were because that was right around the time that

546
00:24:09,720 --> 00:24:11,120
Speaker 4: we did the Halloween episode.

547
00:24:11,600 --> 00:24:15,840
Speaker 6: Yeah, Cowy's just the towel that just keeps getting stoned

548
00:24:16,000 --> 00:24:16,640
Speaker 6: on South Park.

549
00:24:17,240 --> 00:24:21,120
Speaker 4: You guys want to get season five or six of.

550
00:24:21,080 --> 00:24:24,120
Speaker 6: So think so yeah, I think so so Yeah, it's

551
00:24:24,359 --> 00:24:27,800
Speaker 6: just wow, Okay, yeah, I think I think we beat

552
00:24:27,840 --> 00:24:28,480
Speaker 6: south Park.

553
00:24:28,280 --> 00:24:41,000
Speaker 1: With Tally, but we'll say unbelievable. So Eric starts to

554
00:24:41,000 --> 00:24:43,239
Speaker 1: give him ground rules about living in their house, but

555
00:24:43,280 --> 00:24:45,960
Speaker 1: Corey steps in to say it's only temporary and they've

556
00:24:45,960 --> 00:24:48,960
Speaker 1: been doing pretty darn well. Eric, who wants some peace

557
00:24:48,960 --> 00:24:51,959
Speaker 1: and quiet, goes into the bathroom and screams off camera

558
00:24:52,080 --> 00:24:56,040
Speaker 1: as his notebook goes flying, and Sean says, looks like

559
00:24:56,080 --> 00:24:57,880
Speaker 1: he found slippy is lucky, So.

560
00:24:58,280 --> 00:25:00,120
Speaker 6: Slippy love that.

561
00:25:02,560 --> 00:25:08,200
Speaker 4: I know everybody else is slippy would have worked. Yeah, Eric,

562
00:25:08,440 --> 00:25:09,320
Speaker 4: camera getting hurt.

563
00:25:10,640 --> 00:25:12,760
Speaker 6: I was gonna say, I literally wrote same jokes as

564
00:25:12,800 --> 00:25:16,280
Speaker 6: last episode, the same kind. We're still in the Yeah.

565
00:25:16,800 --> 00:25:19,400
Speaker 1: For as much as as much as I love this episode,

566
00:25:19,560 --> 00:25:23,680
Speaker 1: I don't know that we started out super hot, but

567
00:25:24,520 --> 00:25:27,399
Speaker 1: but I love the episode. Okay, So then we're in

568
00:25:27,440 --> 00:25:31,040
Speaker 1: the Matthew's kitchen, Morgan are departing, Lily Nixy is eating

569
00:25:31,080 --> 00:25:34,520
Speaker 1: a loaded ice cream Sunday for breakfast. Alan calls it

570
00:25:34,560 --> 00:25:36,840
Speaker 1: out as not breakfast and she says. Sean says his

571
00:25:36,920 --> 00:25:39,800
Speaker 1: family has Sundays for breakfast all the time. Amy walks

572
00:25:39,800 --> 00:25:42,320
Speaker 1: in and Alan sarcastically explains that Morgan has been getting

573
00:25:42,359 --> 00:25:45,760
Speaker 1: nutritional advice from the Hunters, and Amy starts to complain

574
00:25:45,800 --> 00:25:47,920
Speaker 1: about Sewan, but she stops herself because Morgan is there,

575
00:25:47,960 --> 00:25:50,560
Speaker 1: so she offers Morgan an opportunity to go watch TV

576
00:25:50,600 --> 00:25:53,479
Speaker 1: in the next room, but Morgan doesn't want to, so

577
00:25:53,560 --> 00:25:55,720
Speaker 1: Alan pays Morgan a dollar to go to the living

578
00:25:55,760 --> 00:25:58,000
Speaker 1: room and now alone, Amy and Alan talk about how

579
00:25:58,000 --> 00:26:01,160
Speaker 1: the last couple of weeks and that maybe we pay

580
00:26:01,160 --> 00:26:02,879
Speaker 1: her a dollar get her out.

581
00:26:02,760 --> 00:26:05,960
Speaker 5: Of there, than here's a buck, thanks for getting out

582
00:26:05,960 --> 00:26:13,399
Speaker 5: of I thought Rusty was going to do something that

583
00:26:13,440 --> 00:26:15,680
Speaker 5: I thought. It looked like he was headed that way,

584
00:26:15,720 --> 00:26:17,359
Speaker 5: and I was like, oh, here it comes, here, it comes.

585
00:26:17,520 --> 00:26:19,440
Speaker 6: I thought he was going to start eating her ice

586
00:26:19,480 --> 00:26:20,080
Speaker 6: creel me too.

587
00:26:20,200 --> 00:26:21,000
Speaker 2: Did he never do it.

588
00:26:21,080 --> 00:26:23,359
Speaker 6: I don't think he ever did it. And I thought

589
00:26:23,359 --> 00:26:25,800
Speaker 6: it would be choice because he started with the spoon

590
00:26:25,840 --> 00:26:26,879
Speaker 6: and he has it in there.

591
00:26:26,960 --> 00:26:27,160
Speaker 3: Yeah.

592
00:26:27,240 --> 00:26:29,120
Speaker 5: Yeah, it's like, oh, he's going to start eating the ice,

593
00:26:29,320 --> 00:26:31,720
Speaker 5: which is a brilliant choice. And then I don't think

594
00:26:31,720 --> 00:26:36,040
Speaker 5: he ever actually put the spoon to his lips so.

595
00:26:34,760 --> 00:26:35,680
Speaker 6: Close it was so cool.

596
00:26:35,840 --> 00:26:38,159
Speaker 1: No, maybe they Maybe maybe he did, and it was

597
00:26:38,200 --> 00:26:39,959
Speaker 1: just one of the things that was lost in editing

598
00:26:40,040 --> 00:26:42,600
Speaker 1: because he was probably eating when we were on coverage

599
00:26:42,640 --> 00:26:44,359
Speaker 1: of Amy, and so it's possible that he did and

600
00:26:44,400 --> 00:26:46,480
Speaker 1: we just lost it because I did. I thought the

601
00:26:46,520 --> 00:26:48,600
Speaker 1: exact same thing while he had the bowl up there.

602
00:26:48,880 --> 00:26:50,240
Speaker 1: I thought, oh, my gosh, he's going to eat it.

603
00:26:50,280 --> 00:26:52,280
Speaker 1: And then I started paying attention to something else and

604
00:26:52,320 --> 00:26:53,000
Speaker 1: forgot all about it.

605
00:26:53,080 --> 00:26:56,120
Speaker 6: Me too, So something shiny uh. So.

606
00:26:56,240 --> 00:26:57,920
Speaker 1: Amy and Alan talk about how the last few weeks

607
00:26:57,920 --> 00:26:59,639
Speaker 1: with Sean has not been easy on their nerves or

608
00:26:59,640 --> 00:27:02,440
Speaker 1: their budget. Alan doesn't blame Sean. He blames Chet, who

609
00:27:02,480 --> 00:27:04,840
Speaker 1: hasn't called or sent a card in three weeks.

610
00:27:05,119 --> 00:27:09,000
Speaker 3: Man, four kids in a house, can you imagine?

611
00:27:10,920 --> 00:27:11,080
Speaker 6: Yeah?

612
00:27:12,200 --> 00:27:15,400
Speaker 5: And again I'm glad, they said financially too, because that's

613
00:27:15,680 --> 00:27:17,280
Speaker 5: you're adding another kid that's.

614
00:27:17,560 --> 00:27:21,160
Speaker 2: Huge, actually a teenage boy. The way they eat.

615
00:27:21,400 --> 00:27:24,280
Speaker 6: Yeah, and they're on a budget. They've already yes, set

616
00:27:24,359 --> 00:27:26,000
Speaker 6: up that they are very much on a budget. You

617
00:27:26,040 --> 00:27:29,840
Speaker 6: throw a third you couldn't you couldn't handle a dog. Gross,

618
00:27:29,960 --> 00:27:33,080
Speaker 6: I mean a fourth kid that's huge. Yeah, that's that's big.

619
00:27:33,400 --> 00:27:33,560
Speaker 4: Well.

620
00:27:33,600 --> 00:27:35,960
Speaker 1: Amy says she's glad Sean has Eric and Corey to

621
00:27:35,960 --> 00:27:39,720
Speaker 1: make things easier, and then Sean comes down angrily, apologizing

622
00:27:39,800 --> 00:27:42,879
Speaker 1: and yelling to Eric for breathing his lucky air. Sean

623
00:27:42,920 --> 00:27:44,760
Speaker 1: goes to the fridge and drinks right out of the

624
00:27:44,800 --> 00:27:47,720
Speaker 1: milk carton, and he's wearing the same clothes as the

625
00:27:47,800 --> 00:27:50,160
Speaker 1: last time we saw him, so we kind of get

626
00:27:50,200 --> 00:27:54,719
Speaker 1: the sense that, oh, he's wearing the same clothes every day,

627
00:27:55,080 --> 00:27:57,440
Speaker 1: even though didn't Chet say to go get a two

628
00:27:57,480 --> 00:28:01,280
Speaker 1: brush and a shirt, right, So you're not wearing that shirt,

629
00:28:01,320 --> 00:28:04,600
Speaker 1: You're wearing this other one. So Amy marks the carton

630
00:28:04,640 --> 00:28:07,080
Speaker 1: with an S and then opens the fridge to reveal

631
00:28:07,240 --> 00:28:10,280
Speaker 1: all of the other items that have been marked as Sean,

632
00:28:10,520 --> 00:28:13,240
Speaker 1: revealing that you apparently just drink out of all the cartons.

633
00:28:14,200 --> 00:28:16,440
Speaker 2: Amy announces it's a great joke. Joke.

634
00:28:16,520 --> 00:28:17,360
Speaker 6: That's a good joke. Yep.

635
00:28:17,680 --> 00:28:20,080
Speaker 1: Amy announces she had went shopping for Sean. I got

636
00:28:20,119 --> 00:28:23,000
Speaker 1: you some pants and Alan is surprised that she brought

637
00:28:23,080 --> 00:28:25,520
Speaker 1: him clothes and she says, yes, he can't just wear

638
00:28:25,560 --> 00:28:29,040
Speaker 1: the same outfit for three weeks every day, And Alan says,

639
00:28:29,240 --> 00:28:33,720
Speaker 1: I do, which was very funny. Amy asks if Sean

640
00:28:33,760 --> 00:28:36,120
Speaker 1: remembers the jeans with all the holes in them. Sean

641
00:28:36,200 --> 00:28:37,720
Speaker 1: is afraid she threw them out, but she did not.

642
00:28:37,840 --> 00:28:40,760
Speaker 1: She just patched them, and he's mortified. There's an S

643
00:28:40,880 --> 00:28:43,520
Speaker 1: on the butt and a ton of very like cloth

644
00:28:43,600 --> 00:28:46,600
Speaker 1: looking patches. It's so cute that little ass. By the way,

645
00:28:46,720 --> 00:28:49,040
Speaker 1: did you guys have in the nineties a pair of

646
00:28:49,040 --> 00:28:51,360
Speaker 1: holy super worn.

647
00:28:51,040 --> 00:28:53,880
Speaker 2: In jeans that you just loved more than anything.

648
00:28:54,000 --> 00:28:57,520
Speaker 4: Jean shorts that I painted his horse he did, and

649
00:28:57,560 --> 00:29:01,320
Speaker 4: then I wore them all the time, like pay splattered shorts.

650
00:29:01,440 --> 00:29:05,960
Speaker 6: You have shorts, I wear them every day.

651
00:29:06,080 --> 00:29:10,120
Speaker 5: I wear my ripped jeans every single day.

652
00:29:10,760 --> 00:29:12,560
Speaker 2: I remember those, will.

653
00:29:13,040 --> 00:29:15,800
Speaker 3: Remember like big overalls were popular for a moment.

654
00:29:16,240 --> 00:29:20,240
Speaker 1: Yes, so I literally remember your jeans almost as well

655
00:29:20,240 --> 00:29:21,200
Speaker 1: as I remember mine.

656
00:29:21,240 --> 00:29:23,000
Speaker 2: They had that huge.

657
00:29:22,640 --> 00:29:24,000
Speaker 6: Hole in the knee.

658
00:29:24,200 --> 00:29:24,680
Speaker 3: I remember it.

659
00:29:25,080 --> 00:29:26,920
Speaker 1: I think I have a picture of you with Anna

660
00:29:27,200 --> 00:29:30,200
Speaker 1: and Anna's on your lap and you're wearing those jeans. Yes,

661
00:29:30,240 --> 00:29:33,479
Speaker 1: I'll have to find that picture in the world. I

662
00:29:33,480 --> 00:29:35,960
Speaker 1: had a pair two that I love more than anything.

663
00:29:36,040 --> 00:29:38,920
Speaker 1: Oh gosh, they're just the greatest. Nothing like that feeling

664
00:29:38,960 --> 00:29:41,040
Speaker 1: of just your super worn in holy jeans.

665
00:29:41,120 --> 00:29:41,400
Speaker 6: Ah.

666
00:29:41,440 --> 00:29:44,440
Speaker 1: Okay, So then she pulls out she got him a

667
00:29:44,520 --> 00:29:48,960
Speaker 1: really yellow hoodie. It looks very Corey esque. And then

668
00:29:49,160 --> 00:29:51,680
Speaker 1: Corey sure enough comes down wearing one.

669
00:29:51,760 --> 00:29:55,000
Speaker 3: Right, Yes, very colors, just so season one.

670
00:29:55,880 --> 00:29:59,160
Speaker 6: Nonchalant about it too. He's like, hey, San Sweacher, it's

671
00:29:59,200 --> 00:29:59,720
Speaker 6: just so cool.

672
00:30:00,080 --> 00:30:01,280
Speaker 2: At the same one.

673
00:30:02,040 --> 00:30:05,200
Speaker 1: And this is where I noticed. So she didn't actually

674
00:30:05,240 --> 00:30:06,520
Speaker 1: buy him any pants.

675
00:30:07,640 --> 00:30:10,720
Speaker 6: No, I think she said, I think mended my pants,

676
00:30:10,840 --> 00:30:12,880
Speaker 6: mended the pants and got a new top.

677
00:30:13,080 --> 00:30:16,560
Speaker 1: But she says, she says, at the beginning, I bought

678
00:30:16,600 --> 00:30:20,680
Speaker 1: you some new pants, and he goes, you bought him clothes,

679
00:30:20,760 --> 00:30:23,560
Speaker 1: and so then she's like, remember those jeans, And I thought, oh,

680
00:30:23,560 --> 00:30:25,560
Speaker 1: we're gonna she's replaced them with a new pair of pants.

681
00:30:25,600 --> 00:30:27,720
Speaker 1: But then no, she mended them. And then she pulls

682
00:30:27,720 --> 00:30:30,080
Speaker 1: out a hoodie and I was like, those aren't pants.

683
00:30:30,320 --> 00:30:33,400
Speaker 2: So anyway, just a little interesting things, A little bit

684
00:30:33,520 --> 00:30:33,840
Speaker 2: not a.

685
00:30:33,760 --> 00:30:35,680
Speaker 1: Big deal because maybe there's a pair of pants in

686
00:30:35,680 --> 00:30:37,320
Speaker 1: there she didn't get to yet. Maybe she bought him

687
00:30:37,320 --> 00:30:39,120
Speaker 1: a hoodie and a pair of pants and had his

688
00:30:39,200 --> 00:30:42,000
Speaker 1: jeans mended. But I did just notice that. Okay, then

689
00:30:42,040 --> 00:30:44,240
Speaker 1: we're in the school hallway. Miss Tompkins walks up to

690
00:30:44,280 --> 00:30:47,120
Speaker 1: mister Turner. She calls him Johnny and gives him a

691
00:30:47,120 --> 00:30:49,040
Speaker 1: little little hug and a kiss hello.

692
00:30:48,880 --> 00:30:50,160
Speaker 6: On the cheek in the hallway.

693
00:30:50,200 --> 00:30:51,080
Speaker 2: Is that weird for teaching?

694
00:30:51,280 --> 00:30:52,000
Speaker 3: Kiss in the hallway?

695
00:30:52,040 --> 00:30:53,480
Speaker 6: I was curious. I didn't know if that was weird

696
00:30:53,560 --> 00:30:54,720
Speaker 6: or not. It seemed a little weird.

697
00:30:54,840 --> 00:30:59,240
Speaker 1: I think it seems a little odd for dating dating

698
00:31:00,160 --> 00:31:01,320
Speaker 1: teachers they're not married.

699
00:31:01,680 --> 00:31:03,840
Speaker 6: Yeah, like adult dating, but you can't kiss if.

700
00:31:03,800 --> 00:31:05,280
Speaker 2: You're not married. That's not what I'm saying.

701
00:31:05,320 --> 00:31:07,760
Speaker 4: I mean the implication of this episode is that they're

702
00:31:08,280 --> 00:31:10,160
Speaker 4: they're like together together.

703
00:31:09,960 --> 00:31:12,600
Speaker 3: Like you're either moving in or getting married, at least.

704
00:31:12,360 --> 00:31:14,600
Speaker 6: In her mind. At least in her mind they are.

705
00:31:14,760 --> 00:31:18,280
Speaker 3: Yeah, but after they do doing a lot to like

706
00:31:18,480 --> 00:31:18,840
Speaker 3: make it.

707
00:31:18,800 --> 00:31:21,360
Speaker 5: Happen as quickly as We'll get into that later, because

708
00:31:21,400 --> 00:31:22,120
Speaker 5: it seems like it.

709
00:31:22,520 --> 00:31:24,680
Speaker 6: Yeah, okay, Yeah.

710
00:31:24,760 --> 00:31:28,120
Speaker 1: He hands her a paper bag of something she left

711
00:31:28,120 --> 00:31:30,520
Speaker 1: at his apartment, and he gets nervous about her opening

712
00:31:30,520 --> 00:31:32,480
Speaker 1: it up and opening opening it up in the hallway,

713
00:31:32,680 --> 00:31:34,800
Speaker 1: and she says she left it there on purpose. He

714
00:31:34,800 --> 00:31:37,400
Speaker 1: said he'd only be nervous if he wore them. So

715
00:31:38,640 --> 00:31:41,120
Speaker 1: I think they're Yes, it's a pair of underwear. But

716
00:31:41,200 --> 00:31:44,959
Speaker 1: here's here's my question again. At first I thought this

717
00:31:45,640 --> 00:31:52,360
Speaker 1: toothbrush because they refer to it as an it, and

718
00:31:52,400 --> 00:31:55,600
Speaker 1: I thought we call underwear them, which they made me think,

719
00:31:55,920 --> 00:31:57,360
Speaker 1: why do we call underwear them?

720
00:31:57,680 --> 00:32:00,960
Speaker 3: Yeah? Why are pants plural? Underwear? It's plural?

721
00:32:01,520 --> 00:32:03,920
Speaker 2: Right, Like, why would you legs?

722
00:32:03,960 --> 00:32:06,240
Speaker 1: Maybe yeah, because it's got two legs, but like it's

723
00:32:06,240 --> 00:32:07,479
Speaker 1: still all garment.

724
00:32:08,080 --> 00:32:11,440
Speaker 6: Sweet, shirt. Is still it? Yeah, you should still I left.

725
00:32:11,280 --> 00:32:12,160
Speaker 2: It at your house.

726
00:32:13,080 --> 00:32:15,560
Speaker 1: But like I would say I'm gonna put it on,

727
00:32:15,880 --> 00:32:18,880
Speaker 1: you would say I'm gonna put them on, I'm going

728
00:32:18,920 --> 00:32:19,720
Speaker 1: to take them off.

729
00:32:20,080 --> 00:32:23,440
Speaker 3: Underwear A bra would be the only rational explanation.

730
00:32:23,560 --> 00:32:24,000
Speaker 6: It could be.

731
00:32:24,000 --> 00:32:29,480
Speaker 7: It could be you got it in a tiny little bag, though,

732
00:32:29,920 --> 00:32:31,520
Speaker 7: well sure, sure.

733
00:32:31,400 --> 00:32:33,840
Speaker 2: They fold in half and and mold into themselves.

734
00:32:33,880 --> 00:32:37,120
Speaker 4: Yeah, okay, it's got to be. I thought it was

735
00:32:37,200 --> 00:32:39,040
Speaker 4: underwear too, and I was like, why is this so weird?

736
00:32:39,080 --> 00:32:42,040
Speaker 1: But you're it's okay, Okay, it's a bra, and that's

737
00:32:42,040 --> 00:32:42,640
Speaker 1: why it's in it.

738
00:32:43,000 --> 00:32:47,080
Speaker 2: Okay, like a neglige, like a right, like a hole.

739
00:32:47,880 --> 00:32:49,320
Speaker 3: It's got to be small enough to it's.

740
00:32:49,200 --> 00:32:51,120
Speaker 1: Got to be small enough to which a neglige could

741
00:32:51,160 --> 00:32:52,840
Speaker 1: also fit in a paper bag. But I bet it's

742
00:32:52,840 --> 00:32:54,240
Speaker 1: a bra. I bet it's a bra. And because she

743
00:32:54,240 --> 00:32:56,520
Speaker 1: says I have others, he brings it to her. If

744
00:32:56,560 --> 00:32:58,480
Speaker 1: it's a negligee, he's not thinking, what are you gonna

745
00:32:58,520 --> 00:33:02,120
Speaker 1: you need this? It's definitely a bra. Her point is

746
00:33:02,200 --> 00:33:04,680
Speaker 1: I have others. I don't need this one. I where

747
00:33:04,880 --> 00:33:05,280
Speaker 1: said I.

748
00:33:05,280 --> 00:33:07,000
Speaker 6: Left it on purpose, didn't she? Is it supposed to

749
00:33:07,000 --> 00:33:08,000
Speaker 6: be like a sexy thing.

750
00:33:08,240 --> 00:33:10,280
Speaker 2: Nope, I think it's just a bra that she had there,

751
00:33:10,440 --> 00:33:11,880
Speaker 2: that she left there because.

752
00:33:11,640 --> 00:33:13,000
Speaker 3: She's gonna might.

753
00:33:14,400 --> 00:33:16,880
Speaker 1: Well, it could be a sexy bra. I don't think it's.

754
00:33:16,960 --> 00:33:19,040
Speaker 1: I don't think it's like, you know, something just for

755
00:33:19,120 --> 00:33:20,920
Speaker 1: sexy time. I think it's it may be a sexy bra.

756
00:33:21,360 --> 00:33:22,360
Speaker 2: It's a b. It's a bro.

757
00:33:22,520 --> 00:33:24,840
Speaker 1: I feel very confident that it's a bra. I feel

758
00:33:24,840 --> 00:33:26,760
Speaker 1: like we've worked this out. Thank you for discussing this

759
00:33:26,880 --> 00:33:29,920
Speaker 1: with me. I feel much better. So then mister Feenie

760
00:33:29,960 --> 00:33:32,720
Speaker 1: walks up and he asks what's in the brown bag,

761
00:33:32,760 --> 00:33:35,280
Speaker 1: but then realizes he doesn't want to know. He's thinking

762
00:33:35,280 --> 00:33:37,880
Speaker 1: a change of subject is in order, and then Ms.

763
00:33:37,920 --> 00:33:41,280
Speaker 1: Tompkins walks off. Sean is drinking from the water fountain

764
00:33:41,320 --> 00:33:45,320
Speaker 1: wearing the modified yellow hoodie, the one Amy gave him earlier.

765
00:33:45,520 --> 00:33:48,880
Speaker 1: It's very Sean style. Now it's become a vest. Yes,

766
00:33:49,560 --> 00:33:50,840
Speaker 1: And did you cut the.

767
00:33:50,800 --> 00:33:52,000
Speaker 3: Hood off too? Yep?

768
00:33:52,280 --> 00:33:53,320
Speaker 6: Yeah, cut the.

769
00:33:53,280 --> 00:33:56,840
Speaker 2: Hood off, leaves off and cut it down the middle.

770
00:33:56,960 --> 00:33:58,320
Speaker 3: Also, why am I wearing this?

771
00:33:58,400 --> 00:33:58,560
Speaker 6: Then?

772
00:33:59,800 --> 00:34:02,479
Speaker 4: I have cold out? And if it's cold, and why

773
00:34:04,320 --> 00:34:07,280
Speaker 4: why would Sean put on this a click thing? Even

774
00:34:07,280 --> 00:34:09,799
Speaker 4: if he modified it? It doesn't right, doesn't make sense.

775
00:34:09,880 --> 00:34:11,560
Speaker 1: No, it doesn't make much sense except for the fact

776
00:34:11,560 --> 00:34:13,239
Speaker 1: that we needed to see that you cut it up

777
00:34:13,239 --> 00:34:15,320
Speaker 1: so that we could have this exchange that comes next.

778
00:34:15,840 --> 00:34:18,680
Speaker 1: Corey walks up and asks if he knows what his

779
00:34:18,800 --> 00:34:22,799
Speaker 1: mom did if she sees this modified hoodie, and he says,

780
00:34:22,840 --> 00:34:25,040
Speaker 1: my guess she would clean it, sew it back up,

781
00:34:25,080 --> 00:34:26,719
Speaker 1: and put an s on it, which I thought was

782
00:34:26,719 --> 00:34:28,400
Speaker 1: a very funny.

783
00:34:28,160 --> 00:34:30,520
Speaker 6: Really funny joke. Yep, really funny joke.

784
00:34:31,160 --> 00:34:33,200
Speaker 2: And Corey says she's just trying to be nice, and

785
00:34:33,239 --> 00:34:35,520
Speaker 2: Sean says he's just trying to get through this without

786
00:34:35,560 --> 00:34:39,040
Speaker 2: making any waves. And I love that.

787
00:34:39,160 --> 00:34:41,440
Speaker 1: I think everything about what just happened in that exchange

788
00:34:41,680 --> 00:34:45,600
Speaker 1: is perfect. Yeah, I fully understand both of their positions.

789
00:34:45,680 --> 00:34:47,880
Speaker 1: I fully understand how tense this is for Sean and

790
00:34:47,880 --> 00:34:50,319
Speaker 1: how difficult this is. And it was just enough for

791
00:34:50,400 --> 00:34:52,760
Speaker 1: mister Turner to overhear for him to understand that something's

792
00:34:52,800 --> 00:34:55,400
Speaker 1: going on. So mister Turner is nearby. He hears it

793
00:34:55,480 --> 00:34:57,800
Speaker 1: and asks how asks Corey how it's going with Sean

794
00:34:57,840 --> 00:34:59,520
Speaker 1: being at his house, and Corey says it's going great.

795
00:34:59,560 --> 00:35:02,600
Speaker 2: Their best friends. Turner offers for Corey to call.

796
00:35:02,480 --> 00:35:05,680
Speaker 1: Him any time if he needs anything. And as Corey leaves,

797
00:35:05,680 --> 00:35:08,120
Speaker 1: Phoeney walks up to mister Turner concerned about him giving

798
00:35:08,120 --> 00:35:10,799
Speaker 1: his phone number to students, and Turner says, give him

799
00:35:10,800 --> 00:35:12,680
Speaker 1: a break. Sean is having a tough time and he's

800
00:35:12,719 --> 00:35:17,040
Speaker 1: his teacher. Phoene reiterates he is only his teacher, and

801
00:35:17,080 --> 00:35:19,680
Speaker 1: Turner says, come on, you're always getting involved with the

802
00:35:19,719 --> 00:35:23,839
Speaker 1: Matthews kids. And right then Eric almost walks into an

803
00:35:23,920 --> 00:35:27,759
Speaker 1: open locker. Feenie yells Eric, right, is the heller Eric

804
00:35:27,840 --> 00:35:28,880
Speaker 1: or easicht locker?

805
00:35:29,280 --> 00:35:30,320
Speaker 3: Eric locker locker?

806
00:35:30,640 --> 00:35:31,600
Speaker 2: Eric locker right?

807
00:35:31,680 --> 00:35:34,600
Speaker 1: And Eric dodges it just in time, and you give

808
00:35:34,719 --> 00:35:38,719
Speaker 1: him the cutest, most perfect thumbs up.

809
00:35:39,000 --> 00:35:39,480
Speaker 6: Thumbs up.

810
00:35:41,960 --> 00:35:45,360
Speaker 2: This again is a perfect scene, perfect scene.

811
00:35:45,719 --> 00:35:47,920
Speaker 1: It is a from beginning to end with what happens

812
00:35:47,920 --> 00:35:50,840
Speaker 1: with Miss Tompkins, to with the exchange that happens between

813
00:35:50,840 --> 00:35:53,400
Speaker 1: Corey and Sean, to then they a.

814
00:35:53,400 --> 00:35:55,040
Speaker 3: Little weird to me, but everything else is good.

815
00:35:55,200 --> 00:35:58,040
Speaker 1: Yes, But here's the thing that the bra thing sets up.

816
00:35:58,560 --> 00:36:00,840
Speaker 1: It sets up again. It reminds the audience from the

817
00:36:00,920 --> 00:36:04,560
Speaker 1: last episode of Career Day. She is thinking of his

818
00:36:04,680 --> 00:36:08,040
Speaker 1: house as an as a second home to her, His

819
00:36:08,120 --> 00:36:11,800
Speaker 1: house is her house, and you, without needing to spell

820
00:36:11,800 --> 00:36:14,120
Speaker 1: it out with a ton of exposition, very quickly understand

821
00:36:14,120 --> 00:36:17,080
Speaker 1: that he's like, you're leaving your things in my house.

822
00:36:17,160 --> 00:36:19,560
Speaker 1: He does not feel as though his space is her space.

823
00:36:20,480 --> 00:36:23,759
Speaker 1: So I couldn't think of a better way to explain

824
00:36:23,960 --> 00:36:29,120
Speaker 1: that dynamic without having it to be one too much exposition. Which, yeah,

825
00:36:29,239 --> 00:36:30,960
Speaker 1: so anyway, I think it's I think it's just a

826
00:36:31,000 --> 00:36:32,080
Speaker 1: perfect scene.

827
00:36:32,280 --> 00:36:32,960
Speaker 3: It's really well.

828
00:36:33,040 --> 00:36:35,520
Speaker 5: It's actually really well directed and blocked too, because there's

829
00:36:35,560 --> 00:36:38,000
Speaker 5: a lot going on. There's a you know, characters coming in,

830
00:36:38,120 --> 00:36:41,960
Speaker 5: characters coming out, go moving this way. And she also

831
00:36:42,120 --> 00:36:46,480
Speaker 5: noticed when she exited, she exited towards camera. Yep, so

832
00:36:46,520 --> 00:36:49,400
Speaker 5: she also made it where Okay, there is more to

833
00:36:49,440 --> 00:36:51,200
Speaker 5: this home school this way, more.

834
00:36:51,080 --> 00:36:51,759
Speaker 6: School this way.

835
00:36:51,920 --> 00:36:54,719
Speaker 5: So all the little beats in this scene really made

836
00:36:54,760 --> 00:36:57,440
Speaker 5: it feel very full. So yeah, I like, I liked

837
00:36:57,440 --> 00:36:58,040
Speaker 5: it quite a bit.

838
00:36:58,640 --> 00:37:01,040
Speaker 1: So Eric bring a Poeney, brings home a speech to

839
00:37:01,080 --> 00:37:03,840
Speaker 1: Turner about keeping boundaries, and then wham, Eric runs into

840
00:37:03,920 --> 00:37:07,040
Speaker 1: a different locker, and then we're back in the Matthew's kitchen.

841
00:37:07,160 --> 00:37:09,720
Speaker 1: Eric is pacing nervously waiting for Jason to finish grading

842
00:37:09,760 --> 00:37:11,120
Speaker 1: his practice SAT exam.

843
00:37:11,440 --> 00:37:13,279
Speaker 2: Jason says Eric got a one hundred.

844
00:37:13,000 --> 00:37:16,560
Speaker 1: And ninety on the practice SATs. Eric says, that's impossible.

845
00:37:16,600 --> 00:37:18,799
Speaker 1: You get two hundred dollars just for spelling your name right.

846
00:37:19,040 --> 00:37:28,520
Speaker 1: Two undred points dollars. I know, seriously, I'm such a capitalist.

847
00:37:28,520 --> 00:37:31,480
Speaker 6: Sixteen dollars dollars.

848
00:37:32,440 --> 00:37:34,839
Speaker 1: You get two hundred points for just spelling your name right.

849
00:37:35,000 --> 00:37:37,680
Speaker 1: Eric then notices he spelled his last name wrong.

850
00:37:37,719 --> 00:37:40,000
Speaker 2: There's two Teas and Mathews.

851
00:37:40,200 --> 00:37:43,160
Speaker 3: Yeah, this is this is this is Eric becoming what

852
00:37:43,320 --> 00:37:43,960
Speaker 3: he's going to be.

853
00:37:44,400 --> 00:37:47,799
Speaker 5: Yeah, but he's studying all it's all about studying, which

854
00:37:47,840 --> 00:37:50,200
Speaker 5: is strange. It's kind of a bizarre combination of what

855
00:37:50,280 --> 00:37:54,400
Speaker 5: he was and what he's becoming. Yeah, so it's it's fun,

856
00:37:54,480 --> 00:37:56,759
Speaker 5: it's a it's an interesting hybrid of the of the

857
00:37:56,800 --> 00:37:59,319
Speaker 5: two Erics as it were. Yeah, to kind of see

858
00:37:59,320 --> 00:38:01,919
Speaker 5: the evolution as interesting. And again I say this every time.

859
00:38:02,280 --> 00:38:04,120
Speaker 5: Marsden a bunch of episodes.

860
00:38:04,520 --> 00:38:06,719
Speaker 3: I mean, Jay was the last episode.

861
00:38:07,200 --> 00:38:10,200
Speaker 6: I think maybe I don't know, Yeah, I think it

862
00:38:10,239 --> 00:38:12,080
Speaker 6: seemed like there was a shit, we haven't seen season

863
00:38:12,080 --> 00:38:14,200
Speaker 6: three yet, and we legitimately haven't seen season.

864
00:38:14,000 --> 00:38:15,920
Speaker 5: Three yet, but it seems like there's going to be

865
00:38:15,960 --> 00:38:19,040
Speaker 5: a shift. Yeah, so we'll see what happens.

866
00:38:19,040 --> 00:38:20,120
Speaker 6: But yeah, I think.

867
00:38:19,960 --> 00:38:21,080
Speaker 3: This was his last one.

868
00:38:21,719 --> 00:38:24,640
Speaker 1: So Jason says, Eric needs to sleep, his brain needs

869
00:38:24,680 --> 00:38:27,400
Speaker 1: a break right now. He wouldn't even get into Clown College,

870
00:38:27,560 --> 00:38:30,080
Speaker 1: and Eric asks, is that a four year school four

871
00:38:30,120 --> 00:38:30,440
Speaker 1: years ago?

872
00:38:30,719 --> 00:38:31,919
Speaker 6: That's a really good school too.

873
00:38:31,920 --> 00:38:36,320
Speaker 5: Clown College, Yeah, it is is hard, really hard to

874
00:38:36,320 --> 00:38:38,640
Speaker 5: get in. It was it Pendulette was like one of

875
00:38:38,640 --> 00:38:40,840
Speaker 5: their top students, and there's some great people that have

876
00:38:40,880 --> 00:38:42,040
Speaker 5: come out of Clon College.

877
00:38:42,640 --> 00:38:44,880
Speaker 1: So Eric says he needs more oxygen and he grabs

878
00:38:44,960 --> 00:38:47,719
Speaker 1: Jason to run outside. Jason asks if Eric's house has

879
00:38:47,760 --> 00:38:50,640
Speaker 1: ever been tested for raidon, and Eric panics at the

880
00:38:50,680 --> 00:38:54,280
Speaker 1: thought of another test. Jason leaves just as mister Feeney

881
00:38:54,360 --> 00:38:56,120
Speaker 1: enters the backyard carrying some mulch.

882
00:38:56,239 --> 00:38:58,359
Speaker 2: He asks, SATs this weekend? Eric?

883
00:38:58,560 --> 00:39:03,080
Speaker 1: And Eric says, yeah me, which I thought, that's very cute,

884
00:39:03,320 --> 00:39:04,480
Speaker 1: very funny, easy, And.

885
00:39:04,360 --> 00:39:08,799
Speaker 6: Then there was a really weird cut. Did you see this?

886
00:39:08,840 --> 00:39:11,680
Speaker 5: So it was like, all of a sudden, we're in

887
00:39:11,719 --> 00:39:14,239
Speaker 5: the scene and it's very natural, and then there's this

888
00:39:14,360 --> 00:39:17,320
Speaker 5: bizarre cut where they must have lost a line or

889
00:39:17,320 --> 00:39:19,919
Speaker 5: two because then all of a sudden I'm like, I'm

890
00:39:19,960 --> 00:39:22,880
Speaker 5: not ready, and it was like whoa, whoa, Where the

891
00:39:22,880 --> 00:39:25,240
Speaker 5: hell did that come from? It was like they lost something.

892
00:39:25,280 --> 00:39:26,040
Speaker 5: It was really weird.

893
00:39:26,719 --> 00:39:28,600
Speaker 6: So if you go back and watch it, it was it

894
00:39:28,640 --> 00:39:30,319
Speaker 6: was just a bizarre cut. It was a weird cut.

895
00:39:30,440 --> 00:39:31,320
Speaker 2: Yeah, huh, weird.

896
00:39:31,640 --> 00:39:34,520
Speaker 1: Well, mister Phoene tells Eric all students feel anxiety around

897
00:39:34,560 --> 00:39:36,560
Speaker 1: their college exams, but there's no way around him.

898
00:39:36,560 --> 00:39:39,600
Speaker 2: They're very important. Eric says he's not ready, and Phoene

899
00:39:39,640 --> 00:39:41,520
Speaker 2: says he promised to never tell.

900
00:39:41,360 --> 00:39:44,960
Speaker 1: Any students this, but he knows secrets that would unravel

901
00:39:45,000 --> 00:39:48,959
Speaker 1: the entire college screening process as a whole. Eric wants

902
00:39:49,000 --> 00:39:52,080
Speaker 1: to know these secrets. Phoene says he can for a price,

903
00:39:52,480 --> 00:39:55,600
Speaker 1: and Eric thinks he's being sly and wants some money.

904
00:39:55,600 --> 00:39:57,480
Speaker 1: So he takes out his wall and says he he

905
00:39:57,960 --> 00:40:01,319
Speaker 1: sled dog that dog, which I think is really cute.

906
00:40:01,360 --> 00:40:03,359
Speaker 1: And I'm dying to know how much money does Eric

907
00:40:03,440 --> 00:40:04,240
Speaker 1: have in his wallet?

908
00:40:04,520 --> 00:40:06,080
Speaker 2: What does he think? What is he going to offer

909
00:40:06,200 --> 00:40:07,480
Speaker 2: Phoene for these We.

910
00:40:07,560 --> 00:40:10,120
Speaker 5: Needed that five bucks from Cory back in the day. Also,

911
00:40:10,160 --> 00:40:11,279
Speaker 5: I'd like to point out we are now at the

912
00:40:11,440 --> 00:40:13,200
Speaker 5: end of season two and there has not been a

913
00:40:13,360 --> 00:40:17,120
Speaker 5: single Phoenie call. Yeah, so there's no there's not even

914
00:40:17,200 --> 00:40:19,399
Speaker 5: the start of a Phoenie call yet, Right, you didn't

915
00:40:19,400 --> 00:40:22,920
Speaker 5: start doing it, so I guess I guess not.

916
00:40:23,080 --> 00:40:23,440
Speaker 3: It's yea.

917
00:40:24,120 --> 00:40:27,440
Speaker 6: I think maybe maybe I thought it had had its

918
00:40:27,520 --> 00:40:29,399
Speaker 6: genesis started way back.

919
00:40:29,719 --> 00:40:31,680
Speaker 5: I thought there was at least one scene where it

920
00:40:31,800 --> 00:40:34,040
Speaker 5: was the regular mister Foene from the dip from the

921
00:40:34,440 --> 00:40:35,080
Speaker 5: fence line.

922
00:40:35,160 --> 00:40:37,560
Speaker 6: But there's been nothing yet, So I was amazing a

923
00:40:37,600 --> 00:40:37,880
Speaker 6: little bit.

924
00:40:38,040 --> 00:40:38,239
Speaker 2: Yeah.

925
00:40:38,960 --> 00:40:41,960
Speaker 1: Well, Phoene scoff set the money idea and says he's Aira,

926
00:40:42,080 --> 00:40:44,080
Speaker 1: says that he's doing some landscaping around the house and

927
00:40:44,160 --> 00:40:46,600
Speaker 1: if Eric will help him, he will tell him the secrets.

928
00:40:46,880 --> 00:40:47,439
Speaker 2: It's a deal.

929
00:40:47,640 --> 00:40:50,520
Speaker 1: They shake hands, and then we're in Corey and Eric's room.

930
00:40:50,560 --> 00:40:52,840
Speaker 1: Corey is sleeping and he wakes up to find Sean

931
00:40:52,960 --> 00:40:54,959
Speaker 1: looking out the window at a dog. It's a stray

932
00:40:55,040 --> 00:40:57,239
Speaker 1: dog that Sean is clearly connecting with.

933
00:40:58,440 --> 00:40:59,320
Speaker 3: Is it a metaphor?

934
00:40:59,480 --> 00:40:59,640
Speaker 6: Guy?

935
00:41:00,320 --> 00:41:04,320
Speaker 2: Why do you think? Do you think this is a

936
00:41:04,480 --> 00:41:06,200
Speaker 2: little heavy.

937
00:41:06,120 --> 00:41:15,200
Speaker 1: Hand, just a little bit, But you know, again, this

938
00:41:15,440 --> 00:41:21,000
Speaker 1: is a nineties six directed as children, even though it's

939
00:41:21,040 --> 00:41:22,600
Speaker 1: supposed to be for everyone.

940
00:41:23,640 --> 00:41:28,960
Speaker 2: If you're trying to spell out to a younger generation.

941
00:41:30,440 --> 00:41:34,440
Speaker 3: One feels like a lonely dog and how and because.

942
00:41:34,200 --> 00:41:37,920
Speaker 1: You also want to say, how could he possibly find

943
00:41:38,280 --> 00:41:41,600
Speaker 1: anything good in what we've presented. His house has been

944
00:41:41,640 --> 00:41:43,560
Speaker 1: taken from him, he doesn't have clothes, he doesn't have

945
00:41:43,640 --> 00:41:43,920
Speaker 1: his bed.

946
00:41:45,200 --> 00:41:48,719
Speaker 2: But also we have to say why why Sean misses it?

947
00:41:48,800 --> 00:41:50,840
Speaker 1: It's what he's used to. There's a freedom in it.

948
00:41:51,320 --> 00:41:54,080
Speaker 1: He doesn't feel constrained by it. He's been so used

949
00:41:54,120 --> 00:41:57,400
Speaker 1: to living on his own terms that he likes that.

950
00:41:57,800 --> 00:42:01,520
Speaker 1: And so we need the audience to understand what is

951
00:42:01,680 --> 00:42:04,880
Speaker 1: drawing Sean to pursue that again, as opposed to it

952
00:42:05,000 --> 00:42:06,239
Speaker 1: just being like, well, why is this?

953
00:42:06,600 --> 00:42:07,280
Speaker 2: Why is he crazy?

954
00:42:07,360 --> 00:42:10,200
Speaker 1: Anyone would want the life Corey has, but that isn't

955
00:42:10,200 --> 00:42:13,279
Speaker 1: necessarily true. So this is a this It maybe feel

956
00:42:13,320 --> 00:42:15,880
Speaker 1: heavy handed to us as grown adults, but if you

957
00:42:16,000 --> 00:42:17,640
Speaker 1: are a ten or eleven year old.

958
00:42:18,040 --> 00:42:20,480
Speaker 3: Right, you have to rationalize why Sean would want to run?

959
00:42:20,600 --> 00:42:22,560
Speaker 1: Why would Sean? Why would Sean hate it so much

960
00:42:22,600 --> 00:42:24,440
Speaker 1: inside this house? And why would he feel constrained? And

961
00:42:24,520 --> 00:42:26,600
Speaker 1: what is he missing from his safe?

962
00:42:26,640 --> 00:42:27,560
Speaker 6: But it's very real.

963
00:42:27,640 --> 00:42:29,360
Speaker 5: I know this is a strange analogy, but when I

964
00:42:29,520 --> 00:42:32,400
Speaker 5: went to go do boy. I was sixteen or seventeen,

965
00:42:32,520 --> 00:42:34,120
Speaker 5: and I was living at the oak Wood. I was,

966
00:42:34,280 --> 00:42:35,919
Speaker 5: you know, had a guardian, but was living by.

967
00:42:35,840 --> 00:42:37,520
Speaker 2: Myself, smoking three pads a day.

968
00:42:37,520 --> 00:42:39,920
Speaker 6: Was smoking three packs a day. I had this great

969
00:42:40,040 --> 00:42:41,080
Speaker 6: freedom in my life.

970
00:42:41,320 --> 00:42:41,520
Speaker 4: Yeah.

971
00:42:41,600 --> 00:42:43,759
Speaker 5: And then the show rapped for the first season and

972
00:42:43,800 --> 00:42:45,400
Speaker 5: I went back and lived with my parents again, who

973
00:42:45,440 --> 00:42:46,560
Speaker 5: are the greatest people in the world.

974
00:42:46,640 --> 00:42:50,600
Speaker 6: But I was like, ah, rules again, like I'm I'm back.

975
00:42:50,719 --> 00:42:51,080
Speaker 3: It's way.

976
00:42:51,360 --> 00:42:53,440
Speaker 5: I had my own apartment, I was wash I was

977
00:42:53,520 --> 00:42:55,680
Speaker 5: cooking for myself. And then all of a sudden, that

978
00:42:55,880 --> 00:42:58,000
Speaker 5: was on a Thursday and on Friday, I had a

979
00:42:58,080 --> 00:42:58,680
Speaker 5: curfew again.

980
00:42:58,760 --> 00:43:01,000
Speaker 2: Right, and now you have one saying to you Otter

981
00:43:01,120 --> 00:43:02,520
Speaker 2: Pops for breakfast.

982
00:43:02,280 --> 00:43:04,960
Speaker 6: Exactly what the hell are you doing? And it did

983
00:43:05,080 --> 00:43:07,160
Speaker 6: and it was like, oh my, that's right.

984
00:43:07,400 --> 00:43:10,279
Speaker 5: The structure in life is back again, and there is

985
00:43:10,480 --> 00:43:12,719
Speaker 5: kind of Man, I love you guys so much, but

986
00:43:13,080 --> 00:43:15,000
Speaker 5: I've got to ask you got to go.

987
00:43:15,200 --> 00:43:17,480
Speaker 6: I went to Amsterdam, So I did what any seventeen

988
00:43:17,560 --> 00:43:18,080
Speaker 6: year old does.

989
00:43:18,160 --> 00:43:20,359
Speaker 2: You go to Amsterdam, Yeah, and you decide to move there,

990
00:43:20,520 --> 00:43:21,879
Speaker 2: so it makes sense.

991
00:43:22,040 --> 00:43:33,759
Speaker 6: It did make sense. Yeah, Can I ask a quick

992
00:43:33,840 --> 00:43:36,840
Speaker 6: question about the timing because.

993
00:43:37,280 --> 00:43:42,080
Speaker 5: The parents later say nine pm, nine pm, and Corey

994
00:43:42,280 --> 00:43:47,520
Speaker 5: says nine pm is their curfew, but Corey's already asleep.

995
00:43:46,960 --> 00:43:49,200
Speaker 1: Because Corey is smart and eight thirty pm is the

996
00:43:49,280 --> 00:43:55,880
Speaker 1: best bedtime at fourteen, at fourteen, so I was.

997
00:43:55,840 --> 00:43:58,839
Speaker 6: Wonderings like, oh, he he's asleep at eight forty five.

998
00:43:59,120 --> 00:44:00,359
Speaker 6: I know it's weird.

999
00:44:00,800 --> 00:44:01,680
Speaker 2: I know it is weird.

1000
00:44:01,760 --> 00:44:04,760
Speaker 1: I don't know why it needed to be nine pm.

1001
00:44:04,880 --> 00:44:07,120
Speaker 1: I don't know why later they didn't say ten pm

1002
00:44:08,000 --> 00:44:09,520
Speaker 1: because or since he.

1003
00:44:09,600 --> 00:44:11,560
Speaker 6: Left last night, that's all you needed to say. You

1004
00:44:11,600 --> 00:44:13,040
Speaker 6: didn't need to specifically say nine.

1005
00:44:13,080 --> 00:44:15,640
Speaker 5: I figured it was like Corey wakes up, it's one

1006
00:44:15,680 --> 00:44:18,160
Speaker 5: o'clock in the morning, and Sean is staring out the window,

1007
00:44:18,800 --> 00:44:20,480
Speaker 5: but it wasn't it was nine.

1008
00:44:20,960 --> 00:44:23,040
Speaker 1: Well, they needed to set up that mister Turner was

1009
00:44:23,080 --> 00:44:26,359
Speaker 1: still awake having this conversation with Kat Tompkins, so they

1010
00:44:26,440 --> 00:44:30,000
Speaker 1: needed to be late enough for someone to say, why

1011
00:44:30,160 --> 00:44:31,280
Speaker 1: is Sean out and about?

1012
00:44:31,640 --> 00:44:33,680
Speaker 2: But not why is mister Turner still up?

1013
00:44:33,719 --> 00:44:35,520
Speaker 1: But that's why I think ten o'clock would have worked,

1014
00:44:35,719 --> 00:44:39,880
Speaker 1: because if your curfew is nine pm, you probably are

1015
00:44:39,920 --> 00:44:43,320
Speaker 1: at least staying awake until nine pm watching something on TV,

1016
00:44:44,320 --> 00:44:44,879
Speaker 1: especially when.

1017
00:44:44,760 --> 00:44:45,880
Speaker 2: Your best friend is living with you.

1018
00:44:45,960 --> 00:44:48,080
Speaker 6: Yes, of course you're with your best friend.

1019
00:44:48,600 --> 00:44:50,560
Speaker 1: The only thing to me and I do understand why

1020
00:44:50,640 --> 00:44:53,319
Speaker 1: later they did want to say a time because it's

1021
00:44:53,440 --> 00:44:55,200
Speaker 1: helped set up the fact that Corey goes, do you

1022
00:44:55,280 --> 00:44:58,360
Speaker 1: guys just know everything that happens, like they knew to

1023
00:44:58,520 --> 00:45:03,000
Speaker 1: the moment what he left. So anyway, I just think

1024
00:45:03,080 --> 00:45:05,279
Speaker 1: ten is the perfect compromise. Thought a lot about it.

1025
00:45:05,400 --> 00:45:07,480
Speaker 1: I think ten PM could have been better. Let's invent

1026
00:45:07,520 --> 00:45:10,000
Speaker 1: the time machine, go back, make this little tiny tweak it.

1027
00:45:10,040 --> 00:45:13,040
Speaker 1: So Corey says the dog is barking because he needs

1028
00:45:13,080 --> 00:45:16,920
Speaker 1: a home, and Sean says the dog doesn't need a

1029
00:45:17,000 --> 00:45:19,200
Speaker 1: home because he's happy and free. He doesn't need to

1030
00:45:19,239 --> 00:45:22,360
Speaker 1: follow any rules, and Corey says, I don't know. To me,

1031
00:45:22,520 --> 00:45:24,920
Speaker 1: the dog looks lonely, cold and like he doesn't have

1032
00:45:25,000 --> 00:45:27,520
Speaker 1: a friend in the world, and Sean quickly opens the

1033
00:45:27,560 --> 00:45:29,919
Speaker 1: window to try and get away, but Corey says he can't.

1034
00:45:30,000 --> 00:45:32,200
Speaker 1: It's a school night, and Sean says he can't live

1035
00:45:32,239 --> 00:45:34,240
Speaker 1: by these rules. If he wants to cut his toenails

1036
00:45:34,239 --> 00:45:37,480
Speaker 1: at the dinner table, he should be allowed, and Corey explains,

1037
00:45:37,840 --> 00:45:40,560
Speaker 1: we were just covering our food just covering our food.

1038
00:45:41,960 --> 00:45:42,160
Speaker 6: Good.

1039
00:45:42,920 --> 00:45:45,000
Speaker 2: It's so disgusting but so great.

1040
00:45:47,000 --> 00:45:49,120
Speaker 1: Corey says his parents make the rules, and Sean says

1041
00:45:49,200 --> 00:45:51,040
Speaker 1: he didn't ask to live with them or be in

1042
00:45:51,120 --> 00:45:53,640
Speaker 1: this situation. And Corey asks, what am I supposed to

1043
00:45:53,640 --> 00:45:56,239
Speaker 1: tell my parents? And then we hear the dog bark again,

1044
00:45:56,360 --> 00:45:59,120
Speaker 1: and Sean says, to tell them he took himself out

1045
00:45:59,360 --> 00:45:59,960
Speaker 1: for a walk.

1046
00:46:01,680 --> 00:46:04,000
Speaker 2: And then we are at Turner's apartment.

1047
00:46:04,360 --> 00:46:04,480
Speaker 6: Ms.

1048
00:46:04,680 --> 00:46:05,520
Speaker 2: Tompkins is over.

1049
00:46:05,640 --> 00:46:08,640
Speaker 1: They're sitting on the couch romantically and Turner says he

1050
00:46:08,760 --> 00:46:12,160
Speaker 1: could look into her eyes forever, and Miss Tompkins asks

1051
00:46:12,280 --> 00:46:14,200
Speaker 1: if that means he wants to marry her?

1052
00:46:14,360 --> 00:46:17,200
Speaker 2: And he is shocked. You got that from that?

1053
00:46:17,640 --> 00:46:19,480
Speaker 6: What have you been? Four months?

1054
00:46:20,200 --> 00:46:23,879
Speaker 2: Any any man in his right mind would turn and run.

1055
00:46:24,560 --> 00:46:27,200
Speaker 6: Hey, your eyes look beautiful. We've been dating for four months?

1056
00:46:27,320 --> 00:46:29,439
Speaker 6: Does that mean you want to marry me? Get out?

1057
00:46:30,320 --> 00:46:33,279
Speaker 6: There's the only possible answer to that. Next thing?

1058
00:46:33,360 --> 00:46:34,440
Speaker 3: Are you no?

1059
00:46:34,760 --> 00:46:34,800
Speaker 6: No?

1060
00:46:37,040 --> 00:46:40,440
Speaker 3: If you're in love? I mean, look, well, hold on,

1061
00:46:40,560 --> 00:46:41,080
Speaker 3: let's go back.

1062
00:46:41,400 --> 00:46:41,759
Speaker 2: Let's do it.

1063
00:46:41,880 --> 00:46:44,480
Speaker 4: What about three months to buy a car to make

1064
00:46:44,520 --> 00:46:47,279
Speaker 4: a decision? How long did it Amy and you were.

1065
00:46:48,960 --> 00:46:51,240
Speaker 3: There's a logic gap. We can really you're.

1066
00:46:51,280 --> 00:46:53,840
Speaker 6: Talking about the logic gap between taking three months to

1067
00:46:53,880 --> 00:46:56,240
Speaker 6: buy a car and four months to want to marry

1068
00:46:56,360 --> 00:46:57,880
Speaker 6: somebody you just started dating.

1069
00:46:58,000 --> 00:47:02,120
Speaker 1: Okay, marriage, no, no, no, no, let's see now. Turner

1070
00:47:02,440 --> 00:47:04,960
Speaker 1: is in his early thirties, right, I.

1071
00:47:05,080 --> 00:47:06,680
Speaker 3: Think, or maybe late twenties.

1072
00:47:07,000 --> 00:47:07,200
Speaker 4: Yeah.

1073
00:47:07,640 --> 00:47:11,399
Speaker 1: I feel like he's here maybe, Okay, somewhere in there.

1074
00:47:12,600 --> 00:47:16,000
Speaker 2: She is acting as though she's She says she's the

1075
00:47:16,040 --> 00:47:16,600
Speaker 2: same age.

1076
00:47:17,440 --> 00:47:21,600
Speaker 1: Her implication when she says that is we are old

1077
00:47:21,760 --> 00:47:25,480
Speaker 1: enough to know what we want, and you get the

1078
00:47:25,560 --> 00:47:27,480
Speaker 1: sense that she is not looking to be in a

1079
00:47:27,560 --> 00:47:30,840
Speaker 1: relationship for like two years before she decides whether or

1080
00:47:30,880 --> 00:47:32,080
Speaker 1: not she wants to get married and have.

1081
00:47:32,120 --> 00:47:35,160
Speaker 2: A family with somebody. That's fair at four months.

1082
00:47:35,239 --> 00:47:37,360
Speaker 1: I'm also picking up on all of this stuff that

1083
00:47:37,520 --> 00:47:39,680
Speaker 1: he has not said I love you yet.

1084
00:47:40,440 --> 00:47:40,720
Speaker 2: Okay.

1085
00:47:41,640 --> 00:47:46,279
Speaker 1: He says he could look in her eyes forever, which

1086
00:47:46,440 --> 00:47:51,200
Speaker 1: does feel a little like wow, that means something. That

1087
00:47:51,360 --> 00:47:52,800
Speaker 1: means something if you think you could look in my

1088
00:47:52,840 --> 00:47:53,239
Speaker 1: eyes forever?

1089
00:47:53,400 --> 00:47:53,720
Speaker 6: Okay.

1090
00:47:53,960 --> 00:47:56,279
Speaker 1: And I don't think she's trying to say I need

1091
00:47:56,360 --> 00:47:59,279
Speaker 1: you to propose to me, but she is looking for

1092
00:48:00,040 --> 00:48:03,359
Speaker 1: I love you, and based on where we are now,

1093
00:48:03,920 --> 00:48:07,800
Speaker 1: I see this being the potential relationship that could go

1094
00:48:08,120 --> 00:48:08,760
Speaker 1: the distance.

1095
00:48:09,080 --> 00:48:11,160
Speaker 6: No problem with anything you just said.

1096
00:48:11,000 --> 00:48:12,640
Speaker 2: Okay, and I think that's what this is.

1097
00:48:13,000 --> 00:48:16,680
Speaker 1: And again they just needed to up the stakes a

1098
00:48:16,760 --> 00:48:21,200
Speaker 1: little bit where she could look at it like, if

1099
00:48:21,280 --> 00:48:24,640
Speaker 1: you're not willing to say to me, I could see

1100
00:48:24,719 --> 00:48:29,120
Speaker 1: this relationship leading to forever. Something may change in three

1101
00:48:29,160 --> 00:48:31,720
Speaker 1: or four months, but I could see this being something

1102
00:48:31,760 --> 00:48:33,879
Speaker 1: that lasts forever. Which it feels as though he can't

1103
00:48:33,920 --> 00:48:36,680
Speaker 1: even say that to her, and she says, if after

1104
00:48:36,960 --> 00:48:39,560
Speaker 1: four months of this much time with me, you can't

1105
00:48:39,600 --> 00:48:42,920
Speaker 1: tell me that, then you are maybe not the person

1106
00:48:43,000 --> 00:48:43,200
Speaker 1: for me.

1107
00:48:43,520 --> 00:48:46,640
Speaker 5: Have no problem with anything you just said. When the

1108
00:48:46,800 --> 00:48:49,719
Speaker 5: ants when it comes from I could look in your

1109
00:48:49,800 --> 00:48:52,680
Speaker 5: eyes forever? Does that mean you want to marry me?

1110
00:48:53,200 --> 00:48:55,640
Speaker 5: You're a crazy lady, That's what.

1111
00:48:55,760 --> 00:48:58,759
Speaker 6: That So if it's if you go from I could

1112
00:48:58,760 --> 00:49:00,759
Speaker 6: look in your eyes forever, well, what is what does

1113
00:49:00,840 --> 00:49:02,799
Speaker 6: that mean? Because we've now been together for four months?

1114
00:49:02,880 --> 00:49:06,000
Speaker 6: What mean it's different than throwing marriage out?

1115
00:49:06,320 --> 00:49:08,440
Speaker 1: They could they could have changed it a little bit

1116
00:49:08,600 --> 00:49:12,120
Speaker 1: to say, does that mean you could see yourself marrying

1117
00:49:12,200 --> 00:49:12,800
Speaker 1: me someday?

1118
00:49:13,800 --> 00:49:14,239
Speaker 7: Or does it?

1119
00:49:14,320 --> 00:49:17,120
Speaker 6: Does that? Does that mean you could see this lasting?

1120
00:49:17,719 --> 00:49:20,239
Speaker 6: You don't you don't throw the marriage word out after

1121
00:49:20,440 --> 00:49:21,640
Speaker 6: four months ever.

1122
00:49:22,520 --> 00:49:26,280
Speaker 3: Ever, I it's funny that you're so strong.

1123
00:49:26,640 --> 00:49:31,280
Speaker 5: I think most men, and I'm not trying to speak

1124
00:49:31,280 --> 00:49:33,600
Speaker 5: for everybody, I think most men would find that an

1125
00:49:33,719 --> 00:49:37,239
Speaker 5: instant red flag. If if you say I could look

1126
00:49:37,280 --> 00:49:39,880
Speaker 5: into your eyes forever after four months and the response

1127
00:49:40,000 --> 00:49:42,439
Speaker 5: is does that mean you want to marry me? Most

1128
00:49:42,520 --> 00:49:44,960
Speaker 5: guys would instantly have their radar.

1129
00:49:44,840 --> 00:49:48,759
Speaker 6: Up where it's like, wow, you took that real far,

1130
00:49:48,920 --> 00:49:52,120
Speaker 6: real fast, and he kind of does that where he's like, wow,

1131
00:49:52,239 --> 00:49:54,879
Speaker 6: you take a compliment worse than anybody I have ever

1132
00:49:54,920 --> 00:49:57,000
Speaker 6: seen him. And again, had they written it in a

1133
00:49:57,040 --> 00:50:00,840
Speaker 6: way where it was exactly what you were saying, Danielle like,

1134
00:50:01,360 --> 00:50:03,719
Speaker 6: I don't want to, you know, give my heart to

1135
00:50:03,880 --> 00:50:05,640
Speaker 6: her line that she says is great. I don't want

1136
00:50:05,640 --> 00:50:11,200
Speaker 6: to give you jump right to marriage, which, for again

1137
00:50:11,360 --> 00:50:13,160
Speaker 6: most men is going to signal it.

1138
00:50:13,239 --> 00:50:16,359
Speaker 1: But it's just the word marriage, because saying I could

1139
00:50:16,400 --> 00:50:19,200
Speaker 1: see myself spending forever with you is marriage.

1140
00:50:19,480 --> 00:50:22,279
Speaker 6: Yeah, but you want to take steps and seeing, so

1141
00:50:22,400 --> 00:50:25,520
Speaker 6: it's not even saying forever with you, it's do you

1142
00:50:25,719 --> 00:50:30,000
Speaker 6: see this going somewhere? Which doesn't necessarily mean marriage, but

1143
00:50:30,080 --> 00:50:33,719
Speaker 6: it also means there's a possibility for growth, which is

1144
00:50:33,800 --> 00:50:35,839
Speaker 6: what you want in a relationship. Hey, this is something

1145
00:50:35,840 --> 00:50:37,600
Speaker 6: where it's going to be together, the two of us.

1146
00:50:37,680 --> 00:50:41,560
Speaker 6: I see this growing together into something that can be beautiful.

1147
00:50:41,719 --> 00:50:42,919
Speaker 2: But I always break it down.

1148
00:50:43,040 --> 00:50:45,600
Speaker 1: I always break it down into the for TV show purposes,

1149
00:50:45,640 --> 00:50:48,959
Speaker 1: we are looking at stakes and if we need to say,

1150
00:50:49,440 --> 00:50:52,040
Speaker 1: on a quick elevator pitch, what this is about.

1151
00:50:52,520 --> 00:50:53,399
Speaker 3: He is not ready.

1152
00:50:53,640 --> 00:50:58,640
Speaker 1: Is mister Turner ready for commitment, which is equals marriage?

1153
00:50:58,920 --> 00:50:59,320
Speaker 6: I get it.

1154
00:50:59,680 --> 00:51:01,800
Speaker 2: No, and she is looking for that.

1155
00:51:02,160 --> 00:51:05,480
Speaker 5: But the way they wrote it, most men would have

1156
00:51:05,719 --> 00:51:08,279
Speaker 5: pulled the ripcord at that point. When you go right

1157
00:51:08,360 --> 00:51:10,400
Speaker 5: from I like your eyes to does that mean you

1158
00:51:10,480 --> 00:51:12,440
Speaker 5: want to marry me? Most men would be like that.

1159
00:51:12,719 --> 00:51:16,360
Speaker 6: I had an early again. So yeah, I know it's.

1160
00:51:18,920 --> 00:51:22,759
Speaker 2: We can agree to disagree. We can so me says

1161
00:51:22,840 --> 00:51:25,640
Speaker 2: they have spent four months together, and Jonathan, you are

1162
00:51:25,719 --> 00:51:26,799
Speaker 2: a good gentleman.

1163
00:51:27,040 --> 00:51:27,520
Speaker 5: I love you.

1164
00:51:27,800 --> 00:51:29,360
Speaker 1: I could spend the rest of my life with you

1165
00:51:29,440 --> 00:51:30,719
Speaker 1: and have children with you, and I know that they

1166
00:51:30,719 --> 00:51:31,560
Speaker 1: will always be safe.

1167
00:51:31,719 --> 00:51:33,240
Speaker 2: When you hold me, I feel safe.

1168
00:51:33,239 --> 00:51:35,520
Speaker 1: If you can't say the same thing with the same conviction,

1169
00:51:35,960 --> 00:51:37,879
Speaker 1: then don't let me give any more. Of my heart

1170
00:51:37,960 --> 00:51:40,920
Speaker 1: to you go, and he says, you take a compliment

1171
00:51:41,040 --> 00:51:44,040
Speaker 1: worse than any woman I've ever met. He says he

1172
00:51:44,120 --> 00:51:45,680
Speaker 1: can't say that he loves her. And then there is

1173
00:51:45,719 --> 00:51:48,080
Speaker 1: a knock at the door and it's Sean. Mister Turner says,

1174
00:51:48,120 --> 00:51:51,200
Speaker 1: this is a terrible time, and Sean says, tell me

1175
00:51:51,320 --> 00:51:55,040
Speaker 1: about it, and he reveals a uniformed police officer next

1176
00:51:55,080 --> 00:51:56,960
Speaker 1: to him, and then Sean says.

1177
00:51:57,280 --> 00:51:57,839
Speaker 2: He's a cop.

1178
00:51:58,160 --> 00:51:59,919
Speaker 3: That's my favorite life line.

1179
00:52:01,360 --> 00:52:05,160
Speaker 6: Great, he's a cop, and this is another stealing good

1180
00:52:05,560 --> 00:52:07,000
Speaker 6: this is this is the other thing we were going

1181
00:52:07,080 --> 00:52:12,279
Speaker 6: to talk about. That same actor played exactly the same

1182
00:52:12,360 --> 00:52:15,800
Speaker 6: police officer but with an eyepatch in Seinfeld the next season.

1183
00:52:16,640 --> 00:52:20,920
Speaker 6: Really same uniform, same character, same everything. In an episode

1184
00:52:20,960 --> 00:52:22,719
Speaker 6: called the Scofflaw, and I was like, that's the thing

1185
00:52:22,920 --> 00:52:23,600
Speaker 6: that was.

1186
00:52:25,120 --> 00:52:25,520
Speaker 2: Our police.

1187
00:52:25,719 --> 00:52:28,680
Speaker 5: So we got Taoli and the police officer right there,

1188
00:52:28,719 --> 00:52:30,880
Speaker 5: same carc hell and you yeah, they're taking, they're stealing

1189
00:52:31,000 --> 00:52:31,319
Speaker 5: from us.

1190
00:52:32,200 --> 00:52:34,160
Speaker 1: Well, then we're into a commercial break and then we

1191
00:52:34,280 --> 00:52:36,920
Speaker 1: come back. We're still in Turner's apartment. The police officer

1192
00:52:36,960 --> 00:52:39,640
Speaker 1: explains that Sean was caught loitering with older kids and

1193
00:52:39,680 --> 00:52:41,839
Speaker 1: they had spray paint at the high school. It looked

1194
00:52:41,840 --> 00:52:45,080
Speaker 1: like they were about to do some redecorating, so Sean

1195
00:52:45,160 --> 00:52:46,800
Speaker 1: says he was just going to sell the cans to

1196
00:52:46,880 --> 00:52:48,279
Speaker 1: some bad kids for a higher price.

1197
00:52:48,360 --> 00:52:49,560
Speaker 2: Serves them right now.

1198
00:52:50,160 --> 00:52:53,080
Speaker 4: I liked this moment because it's one of the few

1199
00:52:53,120 --> 00:52:56,480
Speaker 4: times where Seawan was actually doing something bad. Yeah, like

1200
00:52:56,560 --> 00:52:59,120
Speaker 4: we talk about Sean being this like rebel or whatever,

1201
00:52:59,160 --> 00:53:02,560
Speaker 4: but Sean sides blowing up a mailbox. Yeah, it never

1202
00:53:02,719 --> 00:53:06,760
Speaker 4: does anything actually against the law, or that he's always

1203
00:53:06,800 --> 00:53:09,480
Speaker 4: in snowl He's always shows up for you know, Like,

1204
00:53:09,719 --> 00:53:11,680
Speaker 4: so this gotts.

1205
00:53:12,080 --> 00:53:13,600
Speaker 3: Yeah, Cory's gotten way more attention.

1206
00:53:13,760 --> 00:53:15,200
Speaker 4: So this is one of the few times in the

1207
00:53:15,400 --> 00:53:17,879
Speaker 4: history of Boy Meets World where Seawan actually was doing

1208
00:53:18,320 --> 00:53:22,120
Speaker 4: something bad and he's gonna spray paint, you know or whatever.

1209
00:53:22,280 --> 00:53:23,080
Speaker 4: And I just liked it.

1210
00:53:23,160 --> 00:53:24,719
Speaker 3: I was like, oh, this is nice to see.

1211
00:53:24,760 --> 00:53:26,360
Speaker 4: There should have been a little bit more of that,

1212
00:53:26,640 --> 00:53:29,160
Speaker 4: because there's just not enough, Like we're just sort of

1213
00:53:29,320 --> 00:53:31,799
Speaker 4: told that Shawn's a bad kid or from the wrong

1214
00:53:31,880 --> 00:53:33,319
Speaker 4: side of the track, but this was like a clear

1215
00:53:33,360 --> 00:53:34,680
Speaker 4: example of him doing something wrong.

1216
00:53:34,880 --> 00:53:35,399
Speaker 3: It was nice.

1217
00:53:35,840 --> 00:53:37,160
Speaker 2: Yes, it is nice.

1218
00:53:37,480 --> 00:53:39,200
Speaker 1: I think part of the reason they don't ever show

1219
00:53:39,239 --> 00:53:41,080
Speaker 1: more than that is because they don't want you to

1220
00:53:41,200 --> 00:53:45,120
Speaker 1: actually be the bad kid. They just want the threat

1221
00:53:45,480 --> 00:53:47,840
Speaker 1: of you becoming the bad kids. So this is the

1222
00:53:47,920 --> 00:53:48,759
Speaker 1: perfect amount of that.

1223
00:53:49,200 --> 00:53:52,920
Speaker 5: It's also they want all the other characters to assume

1224
00:53:53,040 --> 00:53:54,600
Speaker 5: you're going to be a bad kid from where you

1225
00:53:54,760 --> 00:53:57,120
Speaker 5: just from where you're from, right, which is that whole

1226
00:53:57,160 --> 00:53:57,600
Speaker 5: thing too.

1227
00:53:57,600 --> 00:53:58,600
Speaker 3: So we should keep tabs on it.

1228
00:53:58,719 --> 00:54:01,719
Speaker 4: Like, I don't know if Sean ever is a bad kid, right,

1229
00:54:01,800 --> 00:54:04,720
Speaker 4: you know, besides this and blowing up a mailbox, does

1230
00:54:05,000 --> 00:54:08,080
Speaker 4: do Shawn ever do anything truly bad, like in the

1231
00:54:08,160 --> 00:54:10,680
Speaker 4: sense of like amoral or against the law?

1232
00:54:11,040 --> 00:54:11,200
Speaker 6: Yeah?

1233
00:54:11,200 --> 00:54:13,320
Speaker 1: And I mean even in this situation, you didn't actually

1234
00:54:13,440 --> 00:54:16,799
Speaker 1: do the graffiti, yet it looked like you were about to. Yeah, right, Yeah,

1235
00:54:17,480 --> 00:54:19,680
Speaker 1: So he teld the police officer that he was staying

1236
00:54:19,719 --> 00:54:22,000
Speaker 1: with mister Turner. Turner thinks about it for a second

1237
00:54:22,040 --> 00:54:25,000
Speaker 1: and looks back at Miss Tompkins. She looks sympathetic and supportive,

1238
00:54:25,040 --> 00:54:27,160
Speaker 1: and he says, yeah, he's staying with me while his

1239
00:54:27,239 --> 00:54:30,359
Speaker 1: parents are out of town. And then Sean goes even

1240
00:54:30,440 --> 00:54:32,600
Speaker 1: further and says, yeah, called out of town to save

1241
00:54:32,640 --> 00:54:35,360
Speaker 1: a baby girl in East Virginia who fell down a blowhole,

1242
00:54:35,920 --> 00:54:40,080
Speaker 1: which is hysterical, just the too much detailed liars give

1243
00:54:41,680 --> 00:54:43,880
Speaker 1: and the police officer tells Turner to keep Sean in

1244
00:54:43,960 --> 00:54:47,120
Speaker 1: his house and apologizes to Missus Turner for the disturbance,

1245
00:54:47,760 --> 00:54:52,200
Speaker 1: and then he leaves, and Sean is shocked at Missus

1246
00:54:52,280 --> 00:54:55,560
Speaker 1: Turner and says, hey, congrats, But as Sean goes to

1247
00:54:55,560 --> 00:54:58,240
Speaker 1: shake her hand, Kat says, nope, she's still miss Tompkins.

1248
00:54:58,719 --> 00:55:01,239
Speaker 2: And Jonathan says we'll talk or he sees her later,

1249
00:55:01,320 --> 00:55:04,080
Speaker 2: and she says good luck, and she leaves.

1250
00:55:04,719 --> 00:55:06,680
Speaker 3: That's my question, breaking up?

1251
00:55:07,000 --> 00:55:09,759
Speaker 6: Is that a breakup? See? Would it have been stronger

1252
00:55:09,840 --> 00:55:12,359
Speaker 6: if she said goodbye? That's what I thought.

1253
00:55:12,480 --> 00:55:14,759
Speaker 5: I was waiting for him to say out there, you

1254
00:55:14,800 --> 00:55:16,879
Speaker 5: know whatever, and her going goodbye Jonathan, like I thought

1255
00:55:16,920 --> 00:55:17,439
Speaker 5: there was something.

1256
00:55:17,600 --> 00:55:20,960
Speaker 1: I liked it so much, but it was good luck.

1257
00:55:21,800 --> 00:55:25,800
Speaker 1: She is leaving breaking up with him without any malice.

1258
00:55:26,760 --> 00:55:29,960
Speaker 1: She doesn't dislike him, she's not mad at him, she

1259
00:55:30,080 --> 00:55:36,759
Speaker 1: doesn't blame him, she's not guilty things and I are

1260
00:55:36,880 --> 00:55:40,640
Speaker 1: in looking for different things. And I feel differently about

1261
00:55:40,680 --> 00:55:42,640
Speaker 1: you than you do about me. And there's nothing that's

1262
00:55:42,719 --> 00:55:44,839
Speaker 1: there's nothing wrong with either one of us. It's very

1263
00:55:45,200 --> 00:55:47,880
Speaker 1: matric and I love it cool. Yeah, I thought I

1264
00:55:48,040 --> 00:55:49,160
Speaker 1: thought that's what it was, but I was, like, I

1265
00:55:49,239 --> 00:55:49,720
Speaker 1: think she's.

1266
00:55:49,600 --> 00:55:50,319
Speaker 3: Breaking up with him.

1267
00:55:50,600 --> 00:55:51,200
Speaker 2: Yeah she is.

1268
00:56:01,520 --> 00:56:01,560
Speaker 6: So.

1269
00:56:01,760 --> 00:56:03,640
Speaker 1: Seawan is then about to leave, but Turner says stay

1270
00:56:03,680 --> 00:56:05,400
Speaker 1: and he holds him back and Sean asks why she

1271
00:56:05,520 --> 00:56:07,400
Speaker 1: got to leave, and Turner says, because I have more

1272
00:56:07,440 --> 00:56:10,120
Speaker 1: to say to you, and then he confronts Sean about

1273
00:56:10,160 --> 00:56:13,040
Speaker 1: the blowhole lie. Sean thanks Turner for covering because the

1274
00:56:13,080 --> 00:56:15,200
Speaker 1: Matthews would have freaked out with police at their door,

1275
00:56:15,280 --> 00:56:17,719
Speaker 1: and Turner yells, saying would they have been mad like this?

1276
00:56:18,280 --> 00:56:22,040
Speaker 1: Turner is furious at the situation and disappointed in his behavior,

1277
00:56:22,800 --> 00:56:24,759
Speaker 1: and Sean tries to leave again.

1278
00:56:24,840 --> 00:56:28,719
Speaker 2: He's had a really rotten night. Tony does the best

1279
00:56:28,880 --> 00:56:36,000
Speaker 2: do you see me? Ballroom dancing? It's so good, it's

1280
00:56:36,239 --> 00:56:39,319
Speaker 2: so great, he tells Sean.

1281
00:56:39,360 --> 00:56:41,160
Speaker 1: If he keeps heading down this track in life, then

1282
00:56:41,160 --> 00:56:43,080
Speaker 1: he's gonna go down places he doesn't want to be.

1283
00:56:43,560 --> 00:56:46,200
Speaker 1: Sewn apologizes for messing up his night and Turner says,

1284
00:56:46,280 --> 00:56:48,439
Speaker 1: don't worry, I already messed up my night well before

1285
00:56:48,520 --> 00:56:52,600
Speaker 1: you got here. Turner sits down and Sean joins him, saying, yeah, women.

1286
00:56:53,440 --> 00:56:55,759
Speaker 1: Turner says, what do you know about women, and Sean

1287
00:56:55,840 --> 00:56:56,960
Speaker 1: quickly retorts, what do.

1288
00:56:57,000 --> 00:56:57,440
Speaker 3: You want to know?

1289
00:56:57,840 --> 00:57:01,120
Speaker 2: And Turner says, great, it's good.

1290
00:57:01,360 --> 00:57:04,720
Speaker 3: It's so good. The characters about this, it's perfect.

1291
00:57:04,920 --> 00:57:07,719
Speaker 4: Characters will going together and they're just you want to

1292
00:57:07,760 --> 00:57:10,680
Speaker 4: see them together. You want to see Sean giving him

1293
00:57:10,760 --> 00:57:12,440
Speaker 4: dating advice. It's hysterical.

1294
00:57:12,560 --> 00:57:13,680
Speaker 2: It's so good.

1295
00:57:13,920 --> 00:57:16,680
Speaker 1: And and the quick quick little retorts why can't you

1296
00:57:16,760 --> 00:57:19,760
Speaker 1: be the sharp in my class? And your response Math's

1297
00:57:19,840 --> 00:57:22,480
Speaker 1: not my best subject. All of it's so great.

1298
00:57:23,680 --> 00:57:24,880
Speaker 6: Could were you? I did?

1299
00:57:28,600 --> 00:57:30,080
Speaker 3: I had to look away because I think if I

1300
00:57:30,280 --> 00:57:31,000
Speaker 3: made eye contact.

1301
00:57:33,920 --> 00:57:36,480
Speaker 1: He says, I'm your English teacher, and Sean says, and

1302
00:57:36,600 --> 00:57:37,800
Speaker 1: why are you teaching math?

1303
00:57:38,440 --> 00:57:40,480
Speaker 2: It's just such a beautiful scene between you and.

1304
00:57:41,000 --> 00:57:45,720
Speaker 4: Dumb Sean exists coexisting with dramatic Sean, like exactly, you're

1305
00:57:45,760 --> 00:57:48,360
Speaker 4: in the same yeah, in the same episode.

1306
00:57:48,400 --> 00:57:49,760
Speaker 2: So yeah, it's so great.

1307
00:57:49,840 --> 00:57:53,480
Speaker 1: It's it's a perfect way of instilling your dramatic character

1308
00:57:53,600 --> 00:57:56,880
Speaker 1: with bits of comedy because you can you can deliver

1309
00:57:56,960 --> 00:57:58,640
Speaker 1: it deadpan and it and it and it.

1310
00:57:58,640 --> 00:57:59,360
Speaker 2: Fits with the drama.

1311
00:57:59,440 --> 00:58:01,240
Speaker 6: So it's that's great. It is, it's great.

1312
00:58:02,040 --> 00:58:03,960
Speaker 1: Then we're in the Matthew's kitchen, Amy and Allan call

1313
00:58:04,000 --> 00:58:06,200
Speaker 1: the boys down for breakfast, but Corey comes down alone.

1314
00:58:06,320 --> 00:58:08,360
Speaker 1: They ask where Sean is, and Corey starts to cover

1315
00:58:08,520 --> 00:58:10,960
Speaker 1: for him. They know that Sean left around nine pm

1316
00:58:11,040 --> 00:58:13,960
Speaker 1: the night before. Cory asks if they know everything all

1317
00:58:14,040 --> 00:58:16,240
Speaker 1: the time, and Corey says that Sean is like a

1318
00:58:16,320 --> 00:58:19,920
Speaker 1: wild dog doing wild dog things. Turner then knocks on

1319
00:58:19,960 --> 00:58:22,240
Speaker 1: the door with Sean next to him, and Alan reveals

1320
00:58:22,280 --> 00:58:24,720
Speaker 1: that Turner called them. Amy sends the boys up to

1321
00:58:24,760 --> 00:58:27,040
Speaker 1: their room, and Alan says the last time he heard

1322
00:58:27,080 --> 00:58:28,800
Speaker 1: from Chet was when he backed out of their driveway

1323
00:58:28,800 --> 00:58:29,720
Speaker 1: and hit the trash can.

1324
00:58:30,480 --> 00:58:32,200
Speaker 2: Eric walks in from outside, asking for.

1325
00:58:32,240 --> 00:58:34,400
Speaker 1: A weed whacker and reveals that he's working for those

1326
00:58:34,520 --> 00:58:37,960
Speaker 1: SAT secrets and has feene Rights right where he wants him.

1327
00:58:38,120 --> 00:58:41,600
Speaker 6: And apparently rolling in the dirt you are to cover,

1328
00:58:42,040 --> 00:58:45,920
Speaker 6: is that what's happened is absolutely in the dirt.

1329
00:58:45,720 --> 00:58:48,640
Speaker 2: As he does there covered in nud They were not

1330
00:58:48,840 --> 00:58:49,440
Speaker 2: subtle with that.

1331
00:58:50,720 --> 00:58:53,600
Speaker 1: They Feeney yells at him to keep working in the garden,

1332
00:58:53,640 --> 00:58:55,760
Speaker 1: and Eric says, right in the palm of my hand,

1333
00:58:55,920 --> 00:58:57,760
Speaker 1: it's really great. Uh.

1334
00:58:58,120 --> 00:58:59,040
Speaker 2: Just as Turner.

1335
00:58:58,840 --> 00:59:01,720
Speaker 1: Explains what Sean needs, Chet calls and starts to leave

1336
00:59:01,760 --> 00:59:04,200
Speaker 1: a message on their machine until Amy picks up. They

1337
00:59:04,280 --> 00:59:07,000
Speaker 1: ask where he is. He says he's either leaving Ohio

1338
00:59:07,160 --> 00:59:10,480
Speaker 1: or heading into Georgia. He's nowhere near Philadelphia. Amy asks

1339
00:59:10,520 --> 00:59:12,080
Speaker 1: if he found his wife, and he says no, but

1340
00:59:12,200 --> 00:59:13,440
Speaker 1: he did find the r V.

1341
00:59:14,720 --> 00:59:15,120
Speaker 3: One of those.

1342
00:59:15,200 --> 00:59:18,200
Speaker 4: We have two like kind of cheat swing sets, this

1343
00:59:18,360 --> 00:59:20,680
Speaker 4: one and then there's the outside the boys bedroom.

1344
00:59:20,720 --> 00:59:24,160
Speaker 3: Yeah, it's funny. They're like, really just one.

1345
00:59:24,120 --> 00:59:27,320
Speaker 1: Shot basically exactly, one little shot one one little four

1346
00:59:27,400 --> 00:59:28,120
Speaker 1: foot section.

1347
00:59:28,720 --> 00:59:30,320
Speaker 3: Masks don't cost too much.

1348
00:59:30,520 --> 00:59:33,720
Speaker 4: Yeah, but this one, I mean, so how did they

1349
00:59:33,800 --> 00:59:36,600
Speaker 4: get the car effect moving on the outside.

1350
00:59:36,640 --> 00:59:37,640
Speaker 3: That's what I'm curious about.

1351
00:59:37,840 --> 00:59:39,400
Speaker 2: Yeah, like is it no?

1352
00:59:39,480 --> 00:59:41,479
Speaker 3: Because you actually I think you can see cars moving,

1353
00:59:41,720 --> 00:59:43,600
Speaker 3: so it might actually be a screen. Like, I don't know,

1354
00:59:45,040 --> 00:59:46,360
Speaker 3: h did they do things?

1355
00:59:46,640 --> 00:59:49,600
Speaker 6: They didn't do things after the fact, like digital screen.

1356
00:59:49,800 --> 00:59:51,680
Speaker 3: I don't think we would have had green screen back then,

1357
00:59:52,200 --> 00:59:52,840
Speaker 3: but maybe.

1358
00:59:52,600 --> 00:59:54,840
Speaker 5: We had regular green schime don't remember I rapped about it,

1359
00:59:54,920 --> 00:59:58,120
Speaker 5: but no, the the other I mean, I don't know

1360
00:59:58,160 --> 00:59:59,840
Speaker 5: if we had it on our set. Because it's funny

1361
01:00:00,000 --> 01:00:04,720
Speaker 5: because in the next scene, I it really made me

1362
01:00:04,880 --> 01:00:08,280
Speaker 5: realize how amazing those backdrops are because that backyard you

1363
01:00:08,360 --> 01:00:09,280
Speaker 5: can stare at it and.

1364
01:00:09,400 --> 01:00:10,680
Speaker 3: It looks real to photograph.

1365
01:00:10,800 --> 01:00:13,040
Speaker 6: Yeah, that's what I mean, But it looks I mean

1366
01:00:13,120 --> 01:00:15,360
Speaker 6: that with it. Really there's depth to it with with

1367
01:00:15,480 --> 01:00:17,000
Speaker 6: the other plants in front of it. So the only

1368
01:00:17,080 --> 01:00:21,080
Speaker 6: green screen we ever did was our amazing opening credits, which.

1369
01:00:23,360 --> 01:00:24,320
Speaker 3: It looks so fake.

1370
01:00:24,440 --> 01:00:27,120
Speaker 6: Yeah, and good looking Detective. We did a big green

1371
01:00:27,280 --> 01:00:28,760
Speaker 6: yeah forgot, but I.

1372
01:00:28,720 --> 01:00:30,320
Speaker 4: Don't think they would have done green screen for this.

1373
01:00:30,440 --> 01:00:32,120
Speaker 4: I'm curious how they actually pulled that.

1374
01:00:32,120 --> 01:00:37,440
Speaker 2: Off, because we could probably ask Kendall at some point. Well,

1375
01:00:37,480 --> 01:00:38,280
Speaker 2: have to follow up on that.

1376
01:00:38,840 --> 01:00:41,200
Speaker 1: So Alan asks if Chet's coming back, and he says

1377
01:00:41,240 --> 01:00:43,080
Speaker 1: he won't be coming until he finds his wife and

1378
01:00:43,120 --> 01:00:45,000
Speaker 1: wins her back. And then a waitress comes up and

1379
01:00:45,400 --> 01:00:47,760
Speaker 1: hands him the bill and he reluctantly pays, saying he

1380
01:00:47,920 --> 01:00:50,240
Speaker 1: thought he left it on the table, so he was

1381
01:00:50,280 --> 01:00:53,439
Speaker 1: trying to dine and dash. Alan says it's not fair

1382
01:00:53,520 --> 01:00:56,000
Speaker 1: to anyone with Shawn's current situation and he should come

1383
01:00:56,080 --> 01:00:56,600
Speaker 1: tell Sean.

1384
01:00:56,720 --> 01:00:59,439
Speaker 2: Chet says, I just did. If he knows his son,

1385
01:00:59,600 --> 01:01:01,080
Speaker 2: he's by listening.

1386
01:01:00,840 --> 01:01:04,160
Speaker 1: In on the adults talking, and yep, sure enough, Sean

1387
01:01:04,360 --> 01:01:07,400
Speaker 1: is listening behind them and says, no one wants him

1388
01:01:07,480 --> 01:01:11,000
Speaker 1: and he doesn't need anybody, and he runs upstairs. Sean,

1389
01:01:11,600 --> 01:01:14,320
Speaker 1: Alan and Amy run after Sean, but Turner waits for

1390
01:01:14,440 --> 01:01:17,880
Speaker 1: him outside by the treehouse because he was once a

1391
01:01:17,920 --> 01:01:20,400
Speaker 1: little Sean type and so he knows exactly where he's

1392
01:01:20,440 --> 01:01:22,600
Speaker 1: going and what he's doing, and he runs out into

1393
01:01:22,640 --> 01:01:26,040
Speaker 1: the Matthew's backyard. Sure enough, Sean jumps down, and Turner

1394
01:01:26,080 --> 01:01:28,280
Speaker 1: says it's easy to run when someone reaches out and

1395
01:01:28,320 --> 01:01:30,560
Speaker 1: tells him they care. But all Sean is looking for

1396
01:01:30,760 --> 01:01:33,600
Speaker 1: is somewhere to sleep. Turner surprises him and says he

1397
01:01:33,680 --> 01:01:36,280
Speaker 1: can give Shawn a home. Sean asks if it's just

1398
01:01:36,360 --> 01:01:38,120
Speaker 1: for three weeks and then he'll get sick of him,

1399
01:01:38,480 --> 01:01:41,320
Speaker 1: and Turner says he's already sick of him, but no,

1400
01:01:41,480 --> 01:01:43,840
Speaker 1: he's still offering him a home, and he says he

1401
01:01:43,920 --> 01:01:46,120
Speaker 1: needs to do something for somebody else and he isn't

1402
01:01:46,160 --> 01:01:49,120
Speaker 1: trying to be his dad. Seawn agrees to move in

1403
01:01:49,200 --> 01:01:51,960
Speaker 1: with Turner with a very cool handshake, saying they both

1404
01:01:52,200 --> 01:01:52,960
Speaker 1: like a challenge.

1405
01:01:53,760 --> 01:01:57,960
Speaker 3: And then great, he's so good and it's like the characters,

1406
01:01:58,360 --> 01:01:59,480
Speaker 3: you're just you're just rooting for.

1407
01:01:59,520 --> 01:02:02,680
Speaker 1: This to happen, absolutely, and what I what I love too,

1408
01:02:02,800 --> 01:02:05,560
Speaker 1: is what you were talking about, writer. With Tony being

1409
01:02:05,600 --> 01:02:07,880
Speaker 1: such a good dramatic actor. The one of the things

1410
01:02:07,960 --> 01:02:10,120
Speaker 1: we loved so much from Career Day was the way

1411
01:02:10,800 --> 01:02:14,440
Speaker 1: Alan Rusty pat's Ben's stomach at the end, instead of

1412
01:02:14,600 --> 01:02:16,960
Speaker 1: when it could be this really kind of like I'm

1413
01:02:17,000 --> 01:02:18,520
Speaker 1: the son of my father and it could be this

1414
01:02:18,560 --> 01:02:22,160
Speaker 1: emotional thing. The fact that Turner responds with I'm sick

1415
01:02:22,200 --> 01:02:24,880
Speaker 1: of your right now, like the fact that the response

1416
01:02:25,040 --> 01:02:26,760
Speaker 1: is don't want to be your dad.

1417
01:02:27,080 --> 01:02:28,200
Speaker 2: All of it's so good.

1418
01:02:28,400 --> 01:02:31,160
Speaker 1: It makes it It actually makes it land so much more.

1419
01:02:31,320 --> 01:02:34,400
Speaker 1: You're so much more invested than laying it on too thick.

1420
01:02:34,640 --> 01:02:36,240
Speaker 6: Plus the way they've set it up where they need

1421
01:02:36,360 --> 01:02:38,720
Speaker 6: each other already, we already know they need each other.

1422
01:02:38,880 --> 01:02:42,320
Speaker 1: It's great exactly because it could They very easily could

1423
01:02:42,400 --> 01:02:45,560
Speaker 1: have a lesser show wouldn't have given us any backstory

1424
01:02:45,600 --> 01:02:47,240
Speaker 1: about why this is actually going to be good for

1425
01:02:47,320 --> 01:02:49,240
Speaker 1: Turner too, and it would have just been that Turner

1426
01:02:49,320 --> 01:02:49,920
Speaker 1: is going to do the.

1427
01:02:49,960 --> 01:02:51,240
Speaker 2: Good thing for this kid.

1428
01:02:51,680 --> 01:02:55,600
Speaker 1: But instead it is actually a who rescued who to

1429
01:02:56,040 --> 01:02:58,200
Speaker 1: borrow a phrase from dog Rescue, which ties it all

1430
01:02:58,280 --> 01:02:59,320
Speaker 1: in with the laying it on thick.

1431
01:02:59,160 --> 01:03:00,760
Speaker 2: In the bedroom with the doll, Hey.

1432
01:03:03,920 --> 01:03:06,040
Speaker 6: For the dog what I just got it.

1433
01:03:07,880 --> 01:03:10,600
Speaker 2: So in Then, to top off.

1434
01:03:10,520 --> 01:03:15,200
Speaker 1: An already incredible scene between Sean and Turner, Corey falls

1435
01:03:15,360 --> 01:03:16,800
Speaker 1: out of the tree house.

1436
01:03:16,840 --> 01:03:21,320
Speaker 6: Good it was so I laughed, actually laughed out loud?

1437
01:03:21,400 --> 01:03:23,520
Speaker 3: Out did I?

1438
01:03:24,040 --> 01:03:28,240
Speaker 7: I actually laughed out loud. He falls down, hurting himself

1439
01:03:28,280 --> 01:03:34,320
Speaker 7: and says, oh gosh, oh god, and I it's perfect.

1440
01:03:34,520 --> 01:03:38,560
Speaker 7: It is perfect, so funny. I couldn't love it more.

1441
01:03:39,120 --> 01:03:42,160
Speaker 1: So Turner excuses himself to go square things up with

1442
01:03:42,280 --> 01:03:45,640
Speaker 1: Sean's dad, and Corey overheard the conversation with Turner. He

1443
01:03:45,800 --> 01:03:47,640
Speaker 1: was hanging in the tree for a while, had to

1444
01:03:47,680 --> 01:03:50,400
Speaker 1: wait for a squirrel to leave him alone, and he

1445
01:03:50,520 --> 01:03:53,200
Speaker 1: gets why this situation is better than his parents' house

1446
01:03:53,360 --> 01:03:55,320
Speaker 1: and Sean won't be astray anymore.

1447
01:03:55,560 --> 01:03:59,520
Speaker 6: Tons of hand rubbing ben after the land saw hand rubbing.

1448
01:03:59,560 --> 01:04:01,000
Speaker 3: But man, it's it was fun.

1449
01:04:01,160 --> 01:04:03,000
Speaker 2: Oh it was so good, Oh so funny.

1450
01:04:03,080 --> 01:04:05,640
Speaker 1: So Sean asks what if he hates living with Turner

1451
01:04:05,920 --> 01:04:07,960
Speaker 1: and Corey says he'll have his parents put in a

1452
01:04:08,040 --> 01:04:11,560
Speaker 1: doggy door for him, And Sean says, just leave a

1453
01:04:11,600 --> 01:04:14,240
Speaker 1: window open, and Corey says, you got it.

1454
01:04:15,000 --> 01:04:20,320
Speaker 2: And just one beautiful scene after another.

1455
01:04:20,600 --> 01:04:23,280
Speaker 6: Ye, great, awesome, this is awesome.

1456
01:04:23,320 --> 01:04:24,800
Speaker 3: Sherman wrote this episode, yes.

1457
01:04:25,560 --> 01:04:27,640
Speaker 2: And Matthew Nelson wrote the one before Career Day.

1458
01:04:28,400 --> 01:04:29,840
Speaker 6: We've had a couple in a row that have been

1459
01:04:30,560 --> 01:04:31,800
Speaker 6: really well written. Yeah.

1460
01:04:31,880 --> 01:04:36,280
Speaker 1: Dare I say Career Day and Home are two of

1461
01:04:36,360 --> 01:04:39,000
Speaker 1: my favorite episodes of the series really?

1462
01:04:39,520 --> 01:04:43,240
Speaker 6: Yes, definitely the season for me, I would say they're great.

1463
01:04:43,680 --> 01:04:47,040
Speaker 1: It's a solid right on par with me for me

1464
01:04:47,720 --> 01:04:50,360
Speaker 1: with some of my favorite season one episodes, if not

1465
01:04:51,160 --> 01:04:53,560
Speaker 1: even in my opinion, slightly better than some of those.

1466
01:04:53,680 --> 01:04:57,360
Speaker 2: I just I think these these are in contention for me.

1467
01:04:57,600 --> 01:04:58,760
Speaker 3: Yeah, they're not too.

1468
01:04:58,720 --> 01:05:01,680
Speaker 4: Dramatic for you, like I mean, I love them really okay,

1469
01:05:01,680 --> 01:05:04,640
Speaker 4: because for me, like the the Dog scened especially, it

1470
01:05:04,720 --> 01:05:07,400
Speaker 4: is just not a great I give me.

1471
01:05:08,000 --> 01:05:09,560
Speaker 1: I can see how you would feel that way, But

1472
01:05:09,680 --> 01:05:13,000
Speaker 1: I also think if you really put it into context,

1473
01:05:13,240 --> 01:05:17,200
Speaker 1: of that was for eleven year olds, Yeah, and some

1474
01:05:17,440 --> 01:05:19,720
Speaker 1: of the other stuff is for the forty five year olds,

1475
01:05:19,800 --> 01:05:21,280
Speaker 1: and some of the other stuff is for the twenty

1476
01:05:21,360 --> 01:05:24,360
Speaker 1: year olds who are there watching, And we still get

1477
01:05:24,480 --> 01:05:26,960
Speaker 1: even though they are dramatic episodes, there are still I

1478
01:05:27,200 --> 01:05:30,800
Speaker 1: literally laughed out loud multiple times, and this time when

1479
01:05:30,880 --> 01:05:33,480
Speaker 1: Corey falls out of the tree at the perfect moment.

1480
01:05:34,040 --> 01:05:36,040
Speaker 1: I was great, and I rewound it and I watched

1481
01:05:36,080 --> 01:05:39,480
Speaker 1: it again. So to me, there's never too long without

1482
01:05:39,520 --> 01:05:42,320
Speaker 1: a laugh. There's the right amount of hooking me in

1483
01:05:42,480 --> 01:05:44,520
Speaker 1: and making me invested, and then they break it up

1484
01:05:44,560 --> 01:05:45,760
Speaker 1: with a laugh out loud moment.

1485
01:05:45,840 --> 01:05:48,480
Speaker 2: It's a beautiful, beautiful episode.

1486
01:05:48,600 --> 01:05:50,760
Speaker 6: I agree. I agree hundred percent. I thought it was great.

1487
01:05:51,040 --> 01:05:53,520
Speaker 5: I thought the last two especially have been Yes, what

1488
01:05:53,680 --> 01:05:56,680
Speaker 5: a way, like just what a way to end the season.

1489
01:05:57,000 --> 01:06:01,360
Speaker 5: And if we're over on the bubble, I mean come only.

1490
01:06:00,440 --> 01:06:03,000
Speaker 1: And then Thrilla and Philip being right before career day,

1491
01:06:03,160 --> 01:06:05,160
Speaker 1: you have a fantastic vertical romp.

1492
01:06:05,280 --> 01:06:05,560
Speaker 3: Weird.

1493
01:06:05,880 --> 01:06:11,120
Speaker 2: Yeah, yeah, come on, it's like.

1494
01:06:11,360 --> 01:06:13,640
Speaker 3: This season two one. You guys over seasons.

1495
01:06:13,760 --> 01:06:20,720
Speaker 2: I mean we started off. Boy, this show salked me in.

1496
01:06:21,000 --> 01:06:22,440
Speaker 2: I am I'm glued to it.

1497
01:06:22,960 --> 01:06:26,240
Speaker 4: Yeah, I mean it needs to be said, like even

1498
01:06:26,320 --> 01:06:29,960
Speaker 4: more devastating that Tony never came back after his motorcycle accident.

1499
01:06:30,680 --> 01:06:32,560
Speaker 2: Now I don't even want to talk about that.

1500
01:06:32,840 --> 01:06:36,920
Speaker 4: Binged on this relationship. Like the cliffinger of the season

1501
01:06:37,200 --> 01:06:39,560
Speaker 4: is Sean and Turner are going to be living together.

1502
01:06:40,000 --> 01:06:42,800
Speaker 1: I can't wait to see that season three with him.

1503
01:06:42,960 --> 01:06:45,840
Speaker 1: We still have season three, let's wait to mourn his loss.

1504
01:06:46,400 --> 01:06:50,400
Speaker 4: So it's so clearly invested in Sean's like his whole

1505
01:06:50,520 --> 01:06:52,120
Speaker 4: character is going to be saved by.

1506
01:06:52,040 --> 01:06:55,400
Speaker 2: This person, and Tony will be saved by Sean.

1507
01:06:55,760 --> 01:06:58,960
Speaker 3: It's so great, Like we have to resolve this.

1508
01:07:01,240 --> 01:07:04,520
Speaker 6: Motorcycle accident. He resolved it in thirty seconds on Girl

1509
01:07:04,600 --> 01:07:04,960
Speaker 6: Me's World.

1510
01:07:05,000 --> 01:07:07,479
Speaker 3: I remember I was there, yike.

1511
01:07:07,680 --> 01:07:10,680
Speaker 1: So we are in Phoenie's backyard. Eric is gardening while

1512
01:07:10,680 --> 01:07:13,000
Speaker 1: Phoenie watches. Eric is tired of it. He demands to

1513
01:07:13,040 --> 01:07:15,320
Speaker 1: know the secrets about the SATs, which are now tomorrow.

1514
01:07:15,760 --> 01:07:18,840
Speaker 1: Phoenie says, get a good night's sleep, which he reveals

1515
01:07:19,080 --> 01:07:22,040
Speaker 1: is the first secret. The second is clear your mind,

1516
01:07:22,400 --> 01:07:24,560
Speaker 1: and Phoenie asks him if he knows what the third

1517
01:07:24,640 --> 01:07:27,680
Speaker 1: secret is and Eric says, you're Satan.

1518
01:07:28,640 --> 01:07:29,640
Speaker 3: You are Satan.

1519
01:07:29,760 --> 01:07:31,400
Speaker 2: Is so funny, remember that.

1520
01:07:32,000 --> 01:07:34,520
Speaker 1: Phoenie asks him if he knows what SAT means, and

1521
01:07:34,800 --> 01:07:38,960
Speaker 1: Eric says SAT and Phoenie says, Scholastic aptitude test. It

1522
01:07:39,520 --> 01:07:42,000
Speaker 1: measures what's in your brain. So get some sleep, clear

1523
01:07:42,040 --> 01:07:45,320
Speaker 1: your mind, and trust yourself. Eric prepares to leave, but

1524
01:07:45,360 --> 01:07:47,480
Speaker 1: Phoene says there's still work to do, the manner of

1525
01:07:47,600 --> 01:07:53,840
Speaker 1: pruning Miaslias, and Eric says, sure, I'll get right on that. Psike,

1526
01:07:54,160 --> 01:07:57,040
Speaker 1: you already told me the three secrets, and Phoenie asks

1527
01:07:57,160 --> 01:08:00,320
Speaker 1: if he said there were only three secrets because psych

1528
01:08:01,240 --> 01:08:04,920
Speaker 1: And we end the episode on maybe a little bit

1529
01:08:04,960 --> 01:08:08,280
Speaker 1: of an oof joke the way we started on a

1530
01:08:08,320 --> 01:08:10,200
Speaker 1: little bit of an oof Joe Boy.

1531
01:08:10,440 --> 01:08:14,360
Speaker 2: Everything in the middle of this is just exactly golden

1532
01:08:14,440 --> 01:08:15,040
Speaker 2: and gorgeous.

1533
01:08:15,880 --> 01:08:19,559
Speaker 1: I love it so much so any final thoughts now

1534
01:08:19,640 --> 01:08:24,880
Speaker 1: that we have finished season two, I mean, we're going

1535
01:08:24,920 --> 01:08:26,559
Speaker 1: to do a whole recap of season two. You don't

1536
01:08:26,560 --> 01:08:27,960
Speaker 1: need to tell me your thoughts on the overall season,

1537
01:08:28,000 --> 01:08:29,760
Speaker 1: but any other thoughts on this episode before we close

1538
01:08:29,840 --> 01:08:30,080
Speaker 1: us out.

1539
01:08:30,800 --> 01:08:32,960
Speaker 5: I really I really enjoyed it. I really liked seeing

1540
01:08:32,960 --> 01:08:35,840
Speaker 5: where it's going. I like seeing that they know there's

1541
01:08:35,920 --> 01:08:39,360
Speaker 5: going to be a direction. They're flushing out other characters

1542
01:08:39,400 --> 01:08:40,479
Speaker 5: besides just Corey.

1543
01:08:42,520 --> 01:08:45,000
Speaker 3: Yeah, yeah, I think I'm in at this point.

1544
01:08:45,080 --> 01:08:50,320
Speaker 4: It's it's it's really interesting how much the side character

1545
01:08:50,479 --> 01:08:54,839
Speaker 4: Sean and Turner have become, you know, the central issual

1546
01:08:55,040 --> 01:08:58,160
Speaker 4: relationship to the show, and like it's really it's a

1547
01:08:58,280 --> 01:09:00,920
Speaker 4: it's a risk, you know, and I'm I'm glad it

1548
01:09:01,120 --> 01:09:04,600
Speaker 4: happened me toally, but it's funny because I didn't see it.

1549
01:09:05,200 --> 01:09:06,799
Speaker 3: It felt inevitable at.

1550
01:09:06,720 --> 01:09:08,960
Speaker 4: That age, like when we were doing it, but in retrospect,

1551
01:09:09,080 --> 01:09:11,639
Speaker 4: like it's a it's a big shift from the beginning

1552
01:09:11,680 --> 01:09:13,920
Speaker 4: of the second season to end this way.

1553
01:09:14,040 --> 01:09:17,559
Speaker 3: It's a big shift. Yeah, it is, And I guess

1554
01:09:17,800 --> 01:09:19,360
Speaker 3: I also like, where's Tapanga right?

1555
01:09:19,600 --> 01:09:23,439
Speaker 4: Like you know, which ends up becoming probably the central

1556
01:09:23,479 --> 01:09:25,800
Speaker 4: relationship a boy meets World. It's so interesting that the

1557
01:09:25,880 --> 01:09:30,120
Speaker 4: second season ends without any sort of development in that regard.

1558
01:09:31,640 --> 01:09:34,880
Speaker 1: Well, join us for our next episode, season three, episode one,

1559
01:09:35,120 --> 01:09:38,080
Speaker 1: My Best Friend's Girl. It originally aired September twenty second,

1560
01:09:38,160 --> 01:09:41,280
Speaker 1: nineteen ninety five, and next week Bruh Meets World will

1561
01:09:41,280 --> 01:09:43,719
Speaker 1: be joining us for the Pod Meets World season recap.

1562
01:09:44,320 --> 01:09:46,840
Speaker 1: Cannot wait to welcome them back. They're always phenomenal, So

1563
01:09:47,240 --> 01:09:48,960
Speaker 1: thank you for joining us for this episode of Pod

1564
01:09:49,000 --> 01:09:51,320
Speaker 1: Meets World. As always, you can follow us on Instagram

1565
01:09:51,400 --> 01:09:53,759
Speaker 1: pod meets World Show. You can send us your emails

1566
01:09:53,800 --> 01:09:55,559
Speaker 1: pod meets World Show at gmail dot.

1567
01:09:55,479 --> 01:09:59,320
Speaker 6: Com, and we have merch turn on your merch line.

1568
01:10:01,280 --> 01:10:04,920
Speaker 2: Podmeetsworldshow dot Com will send us out.

1569
01:10:05,400 --> 01:10:07,200
Speaker 6: We Love You All pod dismissed.

1570
01:10:09,600 --> 01:10:12,280
Speaker 5: Pod Meets World is an iHeart podcast produced and hosted

1571
01:10:12,320 --> 01:10:16,160
Speaker 5: by Danielle Fischel, Wilfredell and Ryder Strong Executive producers, Jensen

1572
01:10:16,200 --> 01:10:19,479
Speaker 5: Karp and Amy Sugarman. Executive in charge of production, Danielle Romo,

1573
01:10:19,600 --> 01:10:23,479
Speaker 5: producer and editor, Taras Sudbach, producer, Jackie Rodriguez, engineer and

1574
01:10:23,560 --> 01:10:26,200
Speaker 5: Boy Meets World superfan Easton Allen. Our theme song is

1575
01:10:26,240 --> 01:10:28,479
Speaker 5: by Kyle Morton of Typhoon and you can follow us

1576
01:10:28,520 --> 01:10:31,519
Speaker 5: on Instagram at Pod meets World Show or email us

1577
01:10:31,600 --> 01:10:33,840
Speaker 5: at Podmeets Worldshow at gmail dot com