1 00:00:01,720 --> 00:00:04,440 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,360 --> 00:00:12,440 Speaker 1: Welcome to and That's What You Really miss podcast. Live 4 00:00:12,520 --> 00:00:16,200 Speaker 1: to You by Coastal from LA and New York. Kevin 5 00:00:16,360 --> 00:00:20,439 Speaker 1: in New York, Hello to my old stumping around. 6 00:00:20,920 --> 00:00:22,560 Speaker 2: Yeah, I'm in your old neighborhood. 7 00:00:23,280 --> 00:00:28,840 Speaker 1: Very exciting, Kevin Spelling. The rehearsals going good. Yes, you too, 8 00:00:29,680 --> 00:00:31,120 Speaker 1: rehearsal exciting. 9 00:00:32,520 --> 00:00:35,760 Speaker 2: Everything is going. Everyone's very nice. We're all very excited. 10 00:00:35,840 --> 00:00:38,400 Speaker 2: I think it's going to be great. It's such a 11 00:00:38,400 --> 00:00:41,080 Speaker 2: good show. So if you're in New York starting November seventh, 12 00:00:41,240 --> 00:00:43,599 Speaker 2: just come see Spelling. Be at ther World Stages. 13 00:00:43,720 --> 00:00:44,600 Speaker 1: Pop on over. 14 00:00:45,159 --> 00:00:49,320 Speaker 2: Yeah, it's quick, it's one act. It's like ninety something minutes. 15 00:00:50,040 --> 00:00:53,040 Speaker 1: Those are the dream shows. I love those shows. 16 00:00:53,120 --> 00:00:55,600 Speaker 2: Yeah, I think it will be I think it will 17 00:00:55,600 --> 00:00:59,480 Speaker 2: be good. It's going to be great because so great 18 00:01:00,040 --> 00:01:01,240 Speaker 2: nothing to do with the writing of the show. 19 00:01:01,280 --> 00:01:03,160 Speaker 1: Well, we know the show is good, and then the 20 00:01:03,200 --> 00:01:05,760 Speaker 1: cast that you've got is excellent. So you guys are 21 00:01:05,760 --> 00:01:07,920 Speaker 1: gonna be good. You're gonna be great. It's gonna be 22 00:01:07,920 --> 00:01:14,119 Speaker 1: so much fun. It is here though, your first time 23 00:01:14,200 --> 00:01:14,880 Speaker 1: living in New York. 24 00:01:15,560 --> 00:01:18,720 Speaker 2: Yeah, I've never been here for more than like time. 25 00:01:19,280 --> 00:01:21,760 Speaker 1: It's just so lively all the time. 26 00:01:22,200 --> 00:01:24,600 Speaker 2: It's I take Sophie, my dog for a walk, and 27 00:01:24,640 --> 00:01:26,360 Speaker 2: I look down and like, what are you doing here 28 00:01:26,400 --> 00:01:26,959 Speaker 2: in New York? 29 00:01:27,000 --> 00:01:31,679 Speaker 1: Sophie's new stomping grounds in New York. She's living in 30 00:01:31,720 --> 00:01:32,880 Speaker 1: the concrete junk. 31 00:01:34,760 --> 00:01:36,600 Speaker 2: Peeing and pooping on the concrete. No problem. 32 00:01:36,680 --> 00:01:39,640 Speaker 1: Oh, Barry used to do that everywhere. He'd be like, 33 00:01:39,720 --> 00:01:40,319 Speaker 1: I'm no good. 34 00:01:40,959 --> 00:01:43,800 Speaker 2: I just wasn't sure if she was, like, literally no hesitation. 35 00:01:44,360 --> 00:01:46,920 Speaker 3: I mean, this ain't her first rodeo. 36 00:01:47,120 --> 00:01:51,520 Speaker 2: She knows these street dogs, you know, they've lived, so. 37 00:01:51,440 --> 00:01:54,480 Speaker 3: They ate nothing. 38 00:01:56,600 --> 00:01:58,960 Speaker 1: All right, Kevin, So here we are, we are. We 39 00:01:59,080 --> 00:02:03,640 Speaker 1: are live from New York Saturday night, and we were 40 00:02:03,640 --> 00:02:06,040 Speaker 1: doing Greece today Grease recap. Very exciting. 41 00:02:07,320 --> 00:02:08,720 Speaker 2: I mean, this is a big one. 42 00:02:09,400 --> 00:02:10,560 Speaker 1: This would not be complete. 43 00:02:10,639 --> 00:02:12,600 Speaker 2: This is like the Holy Grail of musicals. 44 00:02:12,720 --> 00:02:17,280 Speaker 1: Yeah, I mean it's John Travolta and Olivia and John 45 00:02:17,840 --> 00:02:21,800 Speaker 1: which they are, they are King and Queen. 46 00:02:22,520 --> 00:02:26,680 Speaker 2: They are and watching this. I haven't seen it in 47 00:02:26,680 --> 00:02:30,120 Speaker 2: a really long time. I thought I had, like, I 48 00:02:30,480 --> 00:02:32,119 Speaker 2: know this like the back of my hand. I don't 49 00:02:32,160 --> 00:02:33,560 Speaker 2: technically even really need to watch it. 50 00:02:33,600 --> 00:02:36,080 Speaker 1: For this, I know, I literally could have watched this 51 00:02:36,240 --> 00:02:38,520 Speaker 1: like in my sleep with my eyes closed and I 52 00:02:38,520 --> 00:02:40,519 Speaker 1: could see every frame. 53 00:02:40,800 --> 00:02:45,080 Speaker 2: However, so much of it I didn't remember at all. Oh, 54 00:02:45,280 --> 00:02:48,520 Speaker 2: like a couple things like segments, I didn't remember at all, 55 00:02:49,560 --> 00:02:53,120 Speaker 2: And my perspective of it now as like a full 56 00:02:53,760 --> 00:03:00,880 Speaker 2: fully fledged adult's, so it in that way, the stories 57 00:03:01,000 --> 00:03:03,800 Speaker 2: or the characters of who who are my favorites are 58 00:03:03,840 --> 00:03:06,680 Speaker 2: different from when I was a kid? Okay, okay, right, 59 00:03:07,560 --> 00:03:12,240 Speaker 2: Like the story I didn't realize how raunchy Grease is. 60 00:03:11,720 --> 00:03:15,359 Speaker 1: Very raunchy, Like as a kid wanting to watch Grease 61 00:03:15,400 --> 00:03:18,160 Speaker 1: and your parents being like, you shouldn't be watching that. 62 00:03:18,320 --> 00:03:20,240 Speaker 1: You're like, but this is so good. 63 00:03:22,040 --> 00:03:24,640 Speaker 2: I was never told that, So I think I didn't realize. 64 00:03:24,280 --> 00:03:27,920 Speaker 3: Your child, so this stuff was like off limits. 65 00:03:27,960 --> 00:03:31,240 Speaker 1: But who was in a musical theater growing up and 66 00:03:31,360 --> 00:03:34,520 Speaker 1: didn't see Greece didn't do Grease, didn't do We Go Together, 67 00:03:34,600 --> 00:03:38,080 Speaker 1: didn't we do, didn't do summer Nights, Like, it's just 68 00:03:38,200 --> 00:03:40,240 Speaker 1: it's a staple, so you had to see it, and 69 00:03:40,280 --> 00:03:44,280 Speaker 1: so you're just like sneaking it, but I yes, okay, 70 00:03:44,280 --> 00:03:48,760 Speaker 1: so let's get into it. So Greece premiered on June sixteenth, 71 00:03:48,960 --> 00:03:50,920 Speaker 1: nineteen seventy eight. 72 00:03:51,800 --> 00:03:56,040 Speaker 2: Can you believe it, ten years before my birth? Oh 73 00:03:56,080 --> 00:04:01,120 Speaker 2: my gosh, wow, almost exactly. The number one song in 74 00:04:01,160 --> 00:04:04,120 Speaker 2: the country was Shadow Dancing by Andy Gibb. 75 00:04:04,440 --> 00:04:06,840 Speaker 1: The number of movies was Jaws two and opened the 76 00:04:06,880 --> 00:04:11,400 Speaker 1: same weekend as Grease and hit number one. Wow, and 77 00:04:11,520 --> 00:04:16,080 Speaker 1: obviously wow we were doing you know, we we were 78 00:04:17,320 --> 00:04:21,560 Speaker 1: not even a thought yet the cast members of Glaze. 79 00:04:21,320 --> 00:04:24,719 Speaker 3: So there's no blue now. But we were deep in 80 00:04:24,839 --> 00:04:25,320 Speaker 3: the disco. 81 00:04:25,480 --> 00:04:28,440 Speaker 1: So this is all the pop culture snapshots where we 82 00:04:28,480 --> 00:04:32,159 Speaker 1: were nineteen seventy It was peak disco, I mean, give 83 00:04:32,200 --> 00:04:36,080 Speaker 1: me down. Travolta and the Beg's and Andy Gibb. This 84 00:04:36,160 --> 00:04:38,360 Speaker 1: was also the other Blondie and the police started being, 85 00:04:38,400 --> 00:04:40,680 Speaker 1: Oh my god, the police. Wow. 86 00:04:41,279 --> 00:04:43,640 Speaker 3: This is the beginning of everything that raised me. 87 00:04:44,640 --> 00:04:48,520 Speaker 2: Grease and Superman were huge blockbusters, The Muppet Show on 88 00:04:48,560 --> 00:04:51,120 Speaker 2: TV and The Love Boat were huge ssh. 89 00:04:51,520 --> 00:04:53,400 Speaker 1: Space Invaders came out in nineteen seventy eight two, so 90 00:04:53,560 --> 00:04:57,160 Speaker 1: basically kicking off the whole arcade craze which was like 91 00:04:57,320 --> 00:04:59,599 Speaker 1: so massive in the eighties. I remember growing up. My 92 00:04:59,600 --> 00:05:02,840 Speaker 1: brother was you know, right around that age in the eighties, 93 00:05:02,839 --> 00:05:06,359 Speaker 1: and so everything in our life was games and arcades 94 00:05:06,480 --> 00:05:09,120 Speaker 1: and the whole thing atari, et cetera. 95 00:05:09,600 --> 00:05:12,200 Speaker 2: Fun fact, like very very fun fact, the very first 96 00:05:12,240 --> 00:05:14,760 Speaker 2: cell phone system was introduced in nineteen seventy eight. 97 00:05:15,320 --> 00:05:16,760 Speaker 1: You know, I would have guessed that was like if 98 00:05:16,760 --> 00:05:18,560 Speaker 1: somebody asked me as a trivia question, I would have 99 00:05:18,560 --> 00:05:21,760 Speaker 1: been like, nineteen ninety eight, you know what I mean, 100 00:05:22,000 --> 00:05:26,320 Speaker 1: Like that seems so early for the first cell phone system, 101 00:05:26,400 --> 00:05:27,839 Speaker 1: But I guess you're right. 102 00:05:28,000 --> 00:05:31,080 Speaker 3: This is also like the beginning of the age of beebers. 103 00:05:31,440 --> 00:05:34,320 Speaker 2: Oh yeah, that's the thing. I think we think about 104 00:05:34,760 --> 00:05:37,760 Speaker 2: decades in a very like black or white thing. It's 105 00:05:37,760 --> 00:05:41,960 Speaker 2: from like nineteen seventy to nineteen seventy nine. Yeah, in 106 00:05:42,080 --> 00:05:44,880 Speaker 2: nineteen seventy nine, like that's our decade. But they don't 107 00:05:44,920 --> 00:05:47,440 Speaker 2: actually happen like that. They usually there are a couple 108 00:05:47,560 --> 00:05:50,520 Speaker 2: of years ACKed off, Like if you're really talking about 109 00:05:50,560 --> 00:05:53,599 Speaker 2: things that happened in the eighties, they started in the 110 00:05:53,880 --> 00:05:58,280 Speaker 2: late seventies. Like everything's shifted just a little bit. 111 00:05:59,360 --> 00:06:02,320 Speaker 1: Yes, this is also a big year for history and 112 00:06:02,400 --> 00:06:06,359 Speaker 1: social change. So s F San Francisco flew the Rainbow 113 00:06:06,400 --> 00:06:09,360 Speaker 1: Pride flag for the very first time, symbolizing the growing 114 00:06:09,440 --> 00:06:12,400 Speaker 1: LGBTQ plus Rights Movement plus. 115 00:06:12,400 --> 00:06:15,560 Speaker 2: Harvey Milk was elected to the San Francisco Board of Supervisors, 116 00:06:15,560 --> 00:06:18,360 Speaker 2: making him one of the first openly gay elected officials 117 00:06:18,400 --> 00:06:20,680 Speaker 2: in a major US city. 118 00:06:21,000 --> 00:06:21,320 Speaker 1: Wow. 119 00:06:21,480 --> 00:06:26,080 Speaker 3: Wow, it's huge, so grease. 120 00:06:26,560 --> 00:06:27,000 Speaker 2: Yeah. 121 00:06:27,320 --> 00:06:31,440 Speaker 1: This is directed by Randall Kleiser. The screenplay was by 122 00:06:31,440 --> 00:06:34,920 Speaker 1: Bronte Woodard and the adaptation was Alan Carr. 123 00:06:35,480 --> 00:06:38,640 Speaker 2: This was also it's based on a stage musical, which 124 00:06:38,760 --> 00:06:39,640 Speaker 2: I don't think I knew. 125 00:06:39,880 --> 00:06:42,479 Speaker 1: This is the thing we're learning. It's like, oh, things 126 00:06:42,520 --> 00:06:45,320 Speaker 1: have to be a book first, or a musical first, 127 00:06:45,440 --> 00:06:47,640 Speaker 1: or whatever. First we were thinking like the movie came first, 128 00:06:47,640 --> 00:06:50,280 Speaker 1: and then people are making musicals like now. But it 129 00:06:50,360 --> 00:06:56,240 Speaker 1: was stage movie stage yes, correct, always the stage first. 130 00:06:56,320 --> 00:06:59,359 Speaker 2: Yeah, but so at least in this stage musical was 131 00:06:59,360 --> 00:07:03,680 Speaker 2: by Jim Jacobs and Warren Casey, and it premiered in 132 00:07:03,800 --> 00:07:09,440 Speaker 2: nineteen seventy two. The movie was choreographed by Patricia Birch 133 00:07:11,120 --> 00:07:14,360 Speaker 2: and most of the music in this movie because also 134 00:07:14,440 --> 00:07:21,320 Speaker 2: like what other musical has spawned this many commercial hits. Trually, 135 00:07:21,720 --> 00:07:23,960 Speaker 2: most of the music it's written by Jim Jacobs and 136 00:07:24,000 --> 00:07:28,760 Speaker 2: Warren Casey, who created the original Broadway musical, but the 137 00:07:28,840 --> 00:07:33,840 Speaker 2: movie added new songs from Barry Gibb, John Ferrar and 138 00:07:33,920 --> 00:07:38,760 Speaker 2: Louis Saint Louis, Saint Louis, Lewis Saint Louis, Louis Saint Louis. 139 00:07:39,920 --> 00:07:42,120 Speaker 2: I'm not sure how do you say it? We're unclear 140 00:07:43,280 --> 00:07:45,600 Speaker 2: Arry Gibb, And like some of the songs they added 141 00:07:45,640 --> 00:07:51,000 Speaker 2: for this, like hopelessly devoted, I mean, Greece is the word? 142 00:07:51,480 --> 00:07:53,520 Speaker 1: You add that? For Olivia Newton, John you add that. 143 00:07:55,080 --> 00:07:59,200 Speaker 1: So this moved off Broadway in nineteen seventy two, were 144 00:07:59,360 --> 00:08:02,600 Speaker 1: producer Ali car bought the film rights and brought it 145 00:08:02,640 --> 00:08:03,240 Speaker 1: to Paramount. 146 00:08:03,360 --> 00:08:05,880 Speaker 2: This is what I love. So Austin and I were 147 00:08:05,880 --> 00:08:09,360 Speaker 2: watching this and he was sort of googling things along 148 00:08:09,400 --> 00:08:12,400 Speaker 2: the way, which is really fascinating because obviously we know 149 00:08:12,520 --> 00:08:17,360 Speaker 2: this music and movies so well, right that there's a 150 00:08:17,400 --> 00:08:20,520 Speaker 2: wealth of history that I have no idea about. 151 00:08:20,840 --> 00:08:22,440 Speaker 1: I mean so much. Yeah. 152 00:08:22,480 --> 00:08:25,600 Speaker 2: So the film had a six million dollar budget and 153 00:08:25,720 --> 00:08:28,440 Speaker 2: was shot over two months at Venice High School and 154 00:08:28,600 --> 00:08:29,080 Speaker 2: all over. 155 00:08:29,120 --> 00:08:33,520 Speaker 1: LA which was so special, and then also filming when 156 00:08:33,600 --> 00:08:38,000 Speaker 1: we did summer nights, we did it at the high school. 157 00:08:38,120 --> 00:08:39,760 Speaker 2: How was that? Because I wasn't in that. I think 158 00:08:39,800 --> 00:08:43,000 Speaker 2: it's do it you think you could do summer nights. Oh, 159 00:08:43,040 --> 00:08:47,120 Speaker 2: I'm not in it was that super surreal. 160 00:08:48,559 --> 00:08:54,160 Speaker 1: Yeah, it was pretty full Eric Stilts structed and it 161 00:08:54,400 --> 00:08:59,280 Speaker 1: was it's just special. It's really fun. And it was 162 00:08:59,360 --> 00:09:04,079 Speaker 1: like you you just walked onto the onto the location 163 00:09:04,240 --> 00:09:06,840 Speaker 1: in the ground, and you're like, right, I know exactly 164 00:09:06,840 --> 00:09:09,840 Speaker 1: where this is, I know exactly what happened here. 165 00:09:10,760 --> 00:09:11,880 Speaker 3: This is so iconic. 166 00:09:13,000 --> 00:09:14,719 Speaker 1: It felt a little like I felt like I'm a 167 00:09:14,720 --> 00:09:17,400 Speaker 1: little muppety in it because like it's such a cool 168 00:09:17,400 --> 00:09:19,960 Speaker 1: movie and it was such like an iconic part of 169 00:09:20,080 --> 00:09:23,080 Speaker 1: history and in my mind and in my childhood so 170 00:09:23,240 --> 00:09:25,880 Speaker 1: iconic that like I was like here, I am like 171 00:09:26,320 --> 00:09:28,760 Speaker 1: troops in around trying to do this song here, and 172 00:09:28,840 --> 00:09:32,800 Speaker 1: like it's just so everything about Grease was when I 173 00:09:32,880 --> 00:09:36,640 Speaker 1: growing up, was like so cool. Like the characters were cool, 174 00:09:36,760 --> 00:09:42,600 Speaker 1: the outfits were cool, the the all the like storylines 175 00:09:42,640 --> 00:09:44,920 Speaker 1: in Greece were like, oh wow, this is so racy 176 00:09:44,960 --> 00:09:45,800 Speaker 1: and so bad. 177 00:09:46,000 --> 00:09:46,240 Speaker 2: You know. 178 00:09:46,640 --> 00:09:50,120 Speaker 1: So I felt a little muppety doing it, but I 179 00:09:50,120 --> 00:09:53,680 Speaker 1: I really appreciated that we got to do it on 180 00:09:53,760 --> 00:09:56,280 Speaker 1: the actual location that we did it, that was they did. 181 00:09:56,280 --> 00:10:03,200 Speaker 2: It's something I couldn't get over was how cool everybody 182 00:10:03,360 --> 00:10:07,880 Speaker 2: was like the costumes were absolutely incredible on everyone. The 183 00:10:07,960 --> 00:10:12,679 Speaker 2: set deck was, yeah, absolutely incredible. Like the attention to detail, 184 00:10:12,760 --> 00:10:15,800 Speaker 2: the scale of every single scene, like every single frame 185 00:10:16,320 --> 00:10:19,320 Speaker 2: was filled was rich with materials. 186 00:10:18,960 --> 00:10:22,520 Speaker 1: Yes, yeah, and like picture worthy, Like each frame was 187 00:10:22,559 --> 00:10:27,679 Speaker 1: like picture worthy. You're like, oh so iconic. And this 188 00:10:27,800 --> 00:10:33,040 Speaker 1: initially was originally set in Chicago, like you know, gritty 189 00:10:33,160 --> 00:10:38,880 Speaker 1: Chicago at the time, and uh, this like LA kind 190 00:10:38,880 --> 00:10:42,640 Speaker 1: of softened that, like the setting and made into like 191 00:10:42,720 --> 00:10:46,960 Speaker 1: more of a like a glossy California vibe versus like 192 00:10:47,040 --> 00:10:49,680 Speaker 1: the grittier like West Side story of it. You know. 193 00:10:49,920 --> 00:10:51,520 Speaker 2: It was funny though, because a lot of I feel 194 00:10:51,559 --> 00:10:54,720 Speaker 2: like the locations looked pretty dingy, like a lot of 195 00:10:54,720 --> 00:10:57,080 Speaker 2: it. It wasn't as glossy as I remember it being as 196 00:10:57,120 --> 00:10:57,440 Speaker 2: a kid. 197 00:10:57,760 --> 00:10:58,080 Speaker 1: Hmmm. 198 00:10:58,640 --> 00:11:00,640 Speaker 3: Interesting, And I loved like. 199 00:11:00,600 --> 00:11:03,840 Speaker 2: Half the cast as like strong like New York and 200 00:11:03,840 --> 00:11:05,280 Speaker 2: New Jersey accents. 201 00:11:06,720 --> 00:11:08,679 Speaker 1: Yeah, totally, it was. 202 00:11:08,880 --> 00:11:11,400 Speaker 3: It was all like where are these people from here? 203 00:11:11,480 --> 00:11:15,679 Speaker 2: Right? Speaking of so, how they cast John Travolta, I 204 00:11:15,720 --> 00:11:18,679 Speaker 2: also think is fascinating. So he had played duty on 205 00:11:18,800 --> 00:11:21,560 Speaker 2: stage and was under like when they used to do 206 00:11:21,559 --> 00:11:26,200 Speaker 2: three picture deals with the producer Robert studios would and 207 00:11:26,280 --> 00:11:30,559 Speaker 2: he got he got the lead after Henry Henry Winkler 208 00:11:31,160 --> 00:11:34,000 Speaker 2: turned it down because he didn't want to be typecast 209 00:11:34,040 --> 00:11:38,000 Speaker 2: as you know, it's it is basically the fond. 210 00:11:38,120 --> 00:11:43,440 Speaker 1: Yeah, it's so interesting that he got he got offered 211 00:11:43,480 --> 00:11:45,360 Speaker 1: this role. Like I get it, the type casting of 212 00:11:45,400 --> 00:11:49,400 Speaker 1: it all, but like imagine Henry Winkler doing this role 213 00:11:49,440 --> 00:11:53,000 Speaker 1: in not Travolta like crazy, I. 214 00:11:52,920 --> 00:11:55,520 Speaker 2: Think also like going on. I mean we can say 215 00:11:55,520 --> 00:12:01,360 Speaker 2: that now because we have like hindsight of what Travolta 216 00:12:01,360 --> 00:12:05,440 Speaker 2: has done and it makes perfect sense with like especially 217 00:12:05,480 --> 00:12:08,240 Speaker 2: like having just watched Hairspray, like it makes sense like 218 00:12:08,320 --> 00:12:09,520 Speaker 2: this is in his wheelhouse. 219 00:12:11,040 --> 00:12:11,400 Speaker 1: Yeah. 220 00:12:11,480 --> 00:12:15,079 Speaker 2: Yeah, but I wonder like Henry Winkler, we know him 221 00:12:15,120 --> 00:12:19,200 Speaker 2: as an older guy obviously happy days, but like I 222 00:12:19,200 --> 00:12:22,400 Speaker 2: feel like you probably could have pulled it off. 223 00:12:22,440 --> 00:12:24,160 Speaker 3: It would have been a very different he. 224 00:12:23,960 --> 00:12:25,480 Speaker 1: Oh, he definitely would have pulled it off. I mean 225 00:12:25,520 --> 00:12:26,199 Speaker 1: he was so. 226 00:12:27,880 --> 00:12:31,840 Speaker 3: Also such a legend, Yeah, but different different. 227 00:12:33,320 --> 00:12:36,439 Speaker 1: I almost feel like, no, it was a smart move 228 00:12:36,520 --> 00:12:40,440 Speaker 1: on his part, I think, just in terms of not 229 00:12:40,440 --> 00:12:42,240 Speaker 1: wanting to be pigeonholed into roles like that. 230 00:12:42,600 --> 00:12:45,400 Speaker 2: But and it doesn't hurt that like Travolta already knew 231 00:12:45,440 --> 00:12:50,400 Speaker 2: the director Randall Kleising the plastic bubble. 232 00:12:50,920 --> 00:12:56,720 Speaker 1: Right, and then after Travalda was cast, he knew Olivia 233 00:12:58,840 --> 00:13:03,280 Speaker 1: because Travalda pushed for her and she nailed her screen test. Obviously, 234 00:13:04,080 --> 00:13:08,000 Speaker 1: she worried about being too old for the role in 235 00:13:08,040 --> 00:13:11,040 Speaker 1: her late twenties, which we all do now, Like she's 236 00:13:11,080 --> 00:13:12,640 Speaker 1: at the scene for all of us. 237 00:13:13,000 --> 00:13:16,080 Speaker 2: She's hardly the oldest looking one in the movie. Yeah please. 238 00:13:16,800 --> 00:13:19,880 Speaker 1: She insisted on script changes that Sandy became Australian and 239 00:13:19,920 --> 00:13:26,440 Speaker 1: more assertive, which I love. She was such a just 240 00:13:26,480 --> 00:13:31,160 Speaker 1: an icon already, but I mean she had her album 241 00:13:31,280 --> 00:13:35,040 Speaker 1: Totally Hot, which mirrored her transformation in her own career. 242 00:13:35,679 --> 00:13:40,240 Speaker 1: But I this is where I fell in love with 243 00:13:40,320 --> 00:13:41,079 Speaker 1: Living in John. 244 00:13:41,320 --> 00:13:43,520 Speaker 2: Yeah, like she was already the world. She had already 245 00:13:43,800 --> 00:13:47,000 Speaker 2: had some hits under her belt when she started this, 246 00:13:47,040 --> 00:13:50,240 Speaker 2: which I didn't even necessarily realized. And there are other 247 00:13:50,240 --> 00:13:53,440 Speaker 2: people like for Sandy that were considered, like Carrie Fisher, 248 00:13:53,800 --> 00:13:58,240 Speaker 2: Susan Day and Margaret Deborah Raffin Mary Osmond who turned 249 00:13:58,280 --> 00:14:01,120 Speaker 2: it down. Could you imagine, like we could have had 250 00:14:01,880 --> 00:14:03,640 Speaker 2: a Henry Winkler and. 251 00:14:03,559 --> 00:14:10,800 Speaker 1: Maria that's so funny. So we obviously have also had 252 00:14:10,960 --> 00:14:14,080 Speaker 1: some amazing casting choices, like Rizzo is Stockard Channing. She 253 00:14:14,240 --> 00:14:16,360 Speaker 1: was the oldest cast member, but she thought to keep 254 00:14:17,240 --> 00:14:20,120 Speaker 1: there are worse things I could do. Also, imagine not 255 00:14:20,320 --> 00:14:26,520 Speaker 1: having that song in this show, movie, anything, history history. 256 00:14:27,120 --> 00:14:31,200 Speaker 2: I also think Stockard, it's just unbelievable. 257 00:14:31,920 --> 00:14:32,440 Speaker 3: She's a star. 258 00:14:32,640 --> 00:14:37,440 Speaker 2: Yeah's a star. Just like the power. Yeah, the presence she. 259 00:14:37,480 --> 00:14:45,200 Speaker 1: Has standing really insane stand out. Also fun casting casting info. 260 00:14:46,120 --> 00:14:50,160 Speaker 1: Elvis Presley and Donnie Osmond other Osmond were both considered 261 00:14:50,160 --> 00:14:53,480 Speaker 1: for teen Angel and sadly Elvis died before filming and 262 00:14:53,560 --> 00:14:57,440 Speaker 1: Donnie was passed over, and so, uh, this is fun. 263 00:14:57,600 --> 00:15:01,920 Speaker 1: So Frankie Valley was offered either a teenage role or 264 00:15:01,960 --> 00:15:04,040 Speaker 1: the theme song, and he chose the theme song, which 265 00:15:04,080 --> 00:15:06,720 Speaker 1: we love Frankie Valley, and that became a hit. And 266 00:15:06,760 --> 00:15:09,520 Speaker 1: so then Frankie Avalon was cast as teenage oll, reviving 267 00:15:09,640 --> 00:15:11,360 Speaker 1: his career, which I thought he was. 268 00:15:11,680 --> 00:15:17,000 Speaker 2: I said, it was great. 269 00:15:21,120 --> 00:15:24,200 Speaker 1: Do you remember like the the first time you saw Grease? 270 00:15:24,760 --> 00:15:29,560 Speaker 2: I don't. I remember buying the CD. I do remember 271 00:15:29,600 --> 00:15:31,920 Speaker 2: getting the CD. It was like one of my prize possessions. 272 00:15:32,000 --> 00:15:35,680 Speaker 3: Yeah, yeah, yeah, definitely that cover. 273 00:15:35,760 --> 00:15:40,160 Speaker 2: Yeah, and I learned it front to back. 274 00:15:40,960 --> 00:15:41,160 Speaker 1: Yeah. 275 00:15:41,200 --> 00:15:44,640 Speaker 2: I knew all the dance moves, like all the choreography. 276 00:15:44,760 --> 00:15:45,000 Speaker 1: Yep. 277 00:15:45,440 --> 00:15:50,080 Speaker 2: Just fully fully obsessed because it was also like very approachable. 278 00:15:50,480 --> 00:15:52,480 Speaker 2: These were songs anybody could sing. 279 00:15:53,480 --> 00:15:57,760 Speaker 1: Right school like characters like in school, but they were 280 00:15:57,800 --> 00:15:58,920 Speaker 1: cool and they were. 281 00:15:58,840 --> 00:16:03,040 Speaker 2: Like it doesn't feel like a musical somehow, like it 282 00:16:03,960 --> 00:16:07,560 Speaker 2: there's nothing. Maybe it's a style of music because it's 283 00:16:07,560 --> 00:16:14,000 Speaker 2: written with like current sounding music right that I think, 284 00:16:14,080 --> 00:16:16,200 Speaker 2: like in my head, what I would consider a regular 285 00:16:16,640 --> 00:16:20,040 Speaker 2: musical like this just is not. It feels like a 286 00:16:20,080 --> 00:16:22,120 Speaker 2: jukebox music musical, but even the music is. 287 00:16:22,120 --> 00:16:24,920 Speaker 1: Written for it tak the words out of my mouth. Literally, 288 00:16:25,040 --> 00:16:28,440 Speaker 1: it feels like a jukebox musical. But it's I mean, 289 00:16:28,480 --> 00:16:33,280 Speaker 1: it's perfect. I remember getting the CD as well Kevin 290 00:16:33,280 --> 00:16:37,840 Speaker 1: and putting it into my little CD player like portable player, 291 00:16:37,880 --> 00:16:40,480 Speaker 1: and like we moved the couch. We would get dressed 292 00:16:40,480 --> 00:16:43,920 Speaker 1: in all black and wear my little motorcycle jacket and 293 00:16:44,000 --> 00:16:46,600 Speaker 1: my friend and I would literally put on like performances 294 00:16:46,600 --> 00:16:51,520 Speaker 1: in our living room to You're the One that I Want. 295 00:16:53,160 --> 00:16:55,360 Speaker 1: And it was so formative for me and I remember 296 00:16:56,800 --> 00:16:58,800 Speaker 1: seeing it. I don't remember the first time but I 297 00:16:58,840 --> 00:17:02,680 Speaker 1: just remember all I remember it being controversial in my 298 00:17:02,720 --> 00:17:06,199 Speaker 1: house of like should we let her watch this? But 299 00:17:06,480 --> 00:17:09,040 Speaker 1: I knew about it so much in like my all 300 00:17:09,080 --> 00:17:12,880 Speaker 1: my dance classes, everything that I was doing my musical, 301 00:17:13,000 --> 00:17:15,320 Speaker 1: you know, I was singing all the songs from the show, 302 00:17:15,359 --> 00:17:18,920 Speaker 1: like so I think it was just inevitable, like that 303 00:17:19,200 --> 00:17:26,760 Speaker 1: Greece was. It's just a staple in musical theater, and 304 00:17:26,800 --> 00:17:33,400 Speaker 1: it was so I think there was something I think 305 00:17:33,440 --> 00:17:40,400 Speaker 1: Sandy and how innocent she was playing against the contrast 306 00:17:40,400 --> 00:17:42,520 Speaker 1: of all these other like you know, the Pink Ladies, 307 00:17:42,680 --> 00:17:47,919 Speaker 1: and like the Rizzo's was so like relatable, that is 308 00:17:47,920 --> 00:17:51,440 Speaker 1: what you were saying, Like Sandy was our way in yeah, 309 00:17:52,080 --> 00:17:55,639 Speaker 1: and Danny was and all these the Pink Ladies are 310 00:17:55,680 --> 00:18:02,919 Speaker 1: like semi aspirational. And then they did and I mean 311 00:18:02,960 --> 00:18:05,720 Speaker 1: there's just been so many different iterations of Greece throughout 312 00:18:05,760 --> 00:18:09,080 Speaker 1: the years. I mean, we had the sequel with Cool Rider, 313 00:18:09,280 --> 00:18:18,480 Speaker 1: of course, I mean my anthem, and and they did 314 00:18:19,440 --> 00:18:22,200 Speaker 1: a series called Grease, the Rise of the Pink Ladies 315 00:18:22,240 --> 00:18:25,359 Speaker 1: and Paramount Pla. They also did Fox did Greece Live, 316 00:18:25,520 --> 00:18:32,360 Speaker 1: which I believe Zach Tommy Keale directed it, who directed 317 00:18:32,359 --> 00:18:36,240 Speaker 1: Hamilton with like Jordan Fisher, who I remember was like 318 00:18:36,280 --> 00:18:39,440 Speaker 1: such a standout in that that version. And I remember 319 00:18:39,840 --> 00:18:42,920 Speaker 1: thinking with all of the Ted musicals that were being 320 00:18:43,000 --> 00:18:45,600 Speaker 1: like live productions that were being done in that era 321 00:18:45,680 --> 00:18:49,359 Speaker 1: of time Greece, I was like, that's that's how you 322 00:18:49,400 --> 00:18:53,280 Speaker 1: do it. This is how you do it, so all 323 00:18:53,320 --> 00:18:55,760 Speaker 1: of them, like it's just it's it's fun to see 324 00:18:55,800 --> 00:19:01,359 Speaker 1: like the the life that Greece has lived, and but 325 00:19:01,480 --> 00:19:06,160 Speaker 1: yet like nobody's like reimagining Greece like a sunset Bulevart 326 00:19:06,359 --> 00:19:10,840 Speaker 1: or any of these other musicals like this is it 327 00:19:10,920 --> 00:19:12,920 Speaker 1: is what it is, Yeah, and it's I mean perfectly. 328 00:19:12,920 --> 00:19:16,800 Speaker 2: It was the highest grossing movie musical ever until last 329 00:19:16,840 --> 00:19:18,359 Speaker 2: year because Wicket came out and. 330 00:19:19,280 --> 00:19:22,000 Speaker 3: Unreal, Yeah it earned almost four. 331 00:19:21,880 --> 00:19:23,480 Speaker 2: Hundred million dollars like it, And. 332 00:19:23,480 --> 00:19:24,680 Speaker 1: Then there was in nineteen seventy eight. 333 00:19:24,800 --> 00:19:27,800 Speaker 2: Yeah right, you know what's crazy. So nineteen seventy eight, 334 00:19:27,840 --> 00:19:31,800 Speaker 2: it's doing a movie about set in the fifties. That 335 00:19:31,840 --> 00:19:33,359 Speaker 2: would be like doing a movie now and setting it 336 00:19:33,400 --> 00:19:46,920 Speaker 2: in two thousand and five. But also just doesn't feel 337 00:19:46,920 --> 00:19:47,439 Speaker 2: like there are. 338 00:19:47,280 --> 00:19:50,000 Speaker 3: Definitive things like that's it's not enough. 339 00:19:50,840 --> 00:19:54,119 Speaker 2: Seventies, eighty nineties all feel very definitive stylistically. 340 00:19:54,880 --> 00:19:57,200 Speaker 1: Do you think it's because of like the rise of 341 00:19:57,240 --> 00:19:59,720 Speaker 1: the internet, like that was the change. It wasn't so 342 00:20:00,000 --> 00:20:03,159 Speaker 1: out maybe internal, like it was very internal, like with 343 00:20:03,880 --> 00:20:07,000 Speaker 1: people going inward and hiding behind her screens and all 344 00:20:07,040 --> 00:20:11,080 Speaker 1: these crazy things. But like it could be just I 345 00:20:11,080 --> 00:20:14,199 Speaker 1: guess they are of style, Like like the trends in 346 00:20:14,240 --> 00:20:17,280 Speaker 1: the style makes sense to me in their early two thousands, 347 00:20:17,320 --> 00:20:19,960 Speaker 1: Like now we're starting to see, like the jokes on 348 00:20:20,000 --> 00:20:22,679 Speaker 1: social media how we used to dress and what the 349 00:20:22,720 --> 00:20:26,080 Speaker 1: millennials used to do. But it's not an interesting enough 350 00:20:26,119 --> 00:20:29,680 Speaker 1: fort to be Like let me pitch a movie in 351 00:20:29,720 --> 00:20:30,240 Speaker 1: two thousand and. 352 00:20:30,320 --> 00:20:33,919 Speaker 2: Five costumes and like that school dance sequence that is 353 00:20:34,119 --> 00:20:37,119 Speaker 2: just that whole school dance sequence. Like I want to 354 00:20:37,160 --> 00:20:38,960 Speaker 2: ask how long it took to film that? 355 00:20:39,359 --> 00:20:42,399 Speaker 1: I bet you pretty fast. Really, I don't know that 356 00:20:42,440 --> 00:20:45,080 Speaker 1: it was like hairspray, where you get all that time? 357 00:20:45,480 --> 00:20:46,160 Speaker 1: Like I don't know. 358 00:20:46,920 --> 00:20:50,159 Speaker 2: So some things I noticed as an adult but I 359 00:20:50,200 --> 00:20:53,280 Speaker 2: didn't notice as a kid, Like we said how racy 360 00:20:53,280 --> 00:20:58,840 Speaker 2: it is, how creepy? All, like the guys. 361 00:20:58,520 --> 00:20:59,359 Speaker 1: Are adult men. 362 00:21:00,160 --> 00:21:02,560 Speaker 2: She's the older man, but even like the guys at 363 00:21:02,560 --> 00:21:08,720 Speaker 2: school are looking up girls dresses and stuff, and also 364 00:21:08,760 --> 00:21:11,680 Speaker 2: that like the moral of the story is just like nah, 365 00:21:11,840 --> 00:21:12,400 Speaker 2: just get hot. 366 00:21:13,119 --> 00:21:16,840 Speaker 1: Well that's it. It's like the leave it to the 367 00:21:16,880 --> 00:21:20,399 Speaker 1: story of like the female having to change to get 368 00:21:20,440 --> 00:21:23,920 Speaker 1: noticed and like not that that's the only thing, because 369 00:21:23,920 --> 00:21:27,000 Speaker 1: like Danny does go and he tries to change and 370 00:21:27,240 --> 00:21:28,000 Speaker 1: you know, reform. 371 00:21:28,080 --> 00:21:28,800 Speaker 2: Hehrm, that does. 372 00:21:28,880 --> 00:21:31,960 Speaker 1: But like at the end of the day, you're like, 373 00:21:32,040 --> 00:21:35,200 Speaker 1: Sandy doesn't just stay who she is who she is. 374 00:21:35,400 --> 00:21:38,280 Speaker 1: She's just like let me go say goodbye, to say, 375 00:21:40,359 --> 00:21:43,840 Speaker 1: let the woman change and be better than she was. 376 00:21:43,640 --> 00:21:47,240 Speaker 2: I love that. She's just like you know what, never mind, 377 00:21:47,920 --> 00:21:50,479 Speaker 2: let's just fly away in a cart and be hot together. 378 00:21:50,720 --> 00:21:51,680 Speaker 3: Yeah yeah. 379 00:21:52,920 --> 00:21:58,280 Speaker 2: I also realized that Frenchy is sort of the main character. 380 00:22:01,119 --> 00:22:06,520 Speaker 2: Well yeah, yeah, like Frenchie I think is end this 381 00:22:06,720 --> 00:22:08,200 Speaker 2: movie more than any other character. 382 00:22:09,200 --> 00:22:13,399 Speaker 1: She's she's springs Sandy in we have a whole storyline 383 00:22:13,480 --> 00:22:18,520 Speaker 1: about her in not getting into school or you know, 384 00:22:18,600 --> 00:22:23,639 Speaker 1: dropping out of beauty school. She's she is the thread. 385 00:22:23,960 --> 00:22:26,760 Speaker 2: She's the thread between like through everything. And it's also 386 00:22:26,880 --> 00:22:30,240 Speaker 2: like so good Dedy. 387 00:22:30,080 --> 00:22:34,160 Speaker 1: Con Man also just also Vanessa Lenji's playing. 388 00:22:35,480 --> 00:22:36,680 Speaker 2: Right doors out of my mouth. 389 00:22:37,040 --> 00:22:39,679 Speaker 1: I was like like She took my breath away when 390 00:22:39,720 --> 00:22:45,040 Speaker 1: I saw her coming into that number. The amount of 391 00:22:45,480 --> 00:22:50,680 Speaker 1: numbers that Glee did for Grease is actually almost the entire. 392 00:22:50,480 --> 00:22:54,760 Speaker 2: Show because it's like it on hits on hits, they're 393 00:22:54,920 --> 00:22:55,960 Speaker 2: so good. 394 00:22:56,440 --> 00:22:58,800 Speaker 1: And it it I mean, and the story was just 395 00:22:58,920 --> 00:23:03,560 Speaker 1: like perfect to like our storyline, like we've perfectly through 396 00:23:03,840 --> 00:23:07,639 Speaker 1: there was like it all just fit into like the 397 00:23:07,760 --> 00:23:11,040 Speaker 1: high school that we were living in as well. Beauty 398 00:23:11,040 --> 00:23:15,639 Speaker 1: School Dropout was by far my favorite number. Well I 399 00:23:15,640 --> 00:23:17,240 Speaker 1: guess look at me, I'm synergy. It was really fun 400 00:23:17,240 --> 00:23:20,359 Speaker 1: to film, but Beauty School Dropout was also like I 401 00:23:20,359 --> 00:23:22,160 Speaker 1: don't think we knew we were going to be in it. 402 00:23:23,040 --> 00:23:24,720 Speaker 1: And then they're like, you guys are in it, just 403 00:23:24,800 --> 00:23:27,240 Speaker 1: learn it. So we learned it like literally in seconds. 404 00:23:27,359 --> 00:23:33,840 Speaker 1: And then we had those crowing helmets and they're like, okay, 405 00:23:33,880 --> 00:23:35,879 Speaker 1: so do the whole dance with these on instead, and 406 00:23:35,960 --> 00:23:38,040 Speaker 1: you know, like the dancers are like they'll do anything 407 00:23:38,080 --> 00:23:39,919 Speaker 1: you ask because they're just that's the way they were 408 00:23:39,960 --> 00:23:44,200 Speaker 1: trained and brought up to. Like you, We're like meanwhile, 409 00:23:44,320 --> 00:23:47,600 Speaker 1: me and like Becca and I are like what is 410 00:23:47,640 --> 00:23:51,600 Speaker 1: this these heavy things on our head? We were like 411 00:23:51,760 --> 00:23:55,399 Speaker 1: bend down. It was crazy, but it looked phenomenal and 412 00:23:55,440 --> 00:23:56,679 Speaker 1: we had a fun time doing it. 413 00:23:57,240 --> 00:24:02,359 Speaker 2: Uh everybody Okay. Obviously the caveat to this movie is 414 00:24:02,400 --> 00:24:05,160 Speaker 2: everybody looks about forty years old for. 415 00:24:05,080 --> 00:24:09,399 Speaker 1: Sure, but at least say all in it was cohesive. 416 00:24:09,600 --> 00:24:15,879 Speaker 2: Yes, even like the extras looked old, Like everyone looked old. 417 00:24:16,320 --> 00:24:16,840 Speaker 3: I kind of love. 418 00:24:16,920 --> 00:24:18,480 Speaker 1: I think maybe that's also why we loved it. Like 419 00:24:18,520 --> 00:24:21,359 Speaker 1: even at the age we were out, like twenty year 420 00:24:21,359 --> 00:24:25,199 Speaker 1: olds would have been old to us, right, yes, but 421 00:24:25,440 --> 00:24:28,280 Speaker 1: even now I'm like, oh, I like that it's adults, 422 00:24:28,320 --> 00:24:30,040 Speaker 1: Like I love it, and there's something. 423 00:24:30,200 --> 00:24:32,960 Speaker 2: There's something immediately when you see Stockard Channing getting out 424 00:24:33,000 --> 00:24:35,600 Speaker 2: of that car in the very beginning and she's like 425 00:24:35,680 --> 00:24:38,280 Speaker 2: walking in like this is our senior year, and I'm like, 426 00:24:38,320 --> 00:24:39,880 Speaker 2: you know what it is? 427 00:24:40,080 --> 00:24:40,600 Speaker 1: Get a girl? 428 00:24:40,720 --> 00:24:43,720 Speaker 2: Yeah, but the confidence of being an adult. 429 00:24:47,160 --> 00:24:47,400 Speaker 1: True. 430 00:24:47,520 --> 00:24:52,760 Speaker 2: I thought the Pink Ladies, all of them individually and 431 00:24:52,920 --> 00:24:58,920 Speaker 2: especially Stockard and d D the way they like light 432 00:24:59,040 --> 00:25:00,119 Speaker 2: up the screen. 433 00:25:01,600 --> 00:25:06,840 Speaker 3: Is an Olidia standard, like just standing unbelievable. 434 00:25:07,640 --> 00:25:10,080 Speaker 2: I feel like everybody was so good. Every single supporting 435 00:25:10,160 --> 00:25:14,040 Speaker 2: character was on all the time, like it looked like 436 00:25:14,080 --> 00:25:15,720 Speaker 2: it was fun to film. It looked like they were 437 00:25:15,760 --> 00:25:18,560 Speaker 2: so in it that like the camera wasn't even there. 438 00:25:19,520 --> 00:25:20,680 Speaker 3: It was really special. 439 00:25:22,560 --> 00:25:24,880 Speaker 1: And I think that's also like all of these movies, 440 00:25:25,040 --> 00:25:30,320 Speaker 1: these like uh kind of hit musical movies that we're 441 00:25:30,359 --> 00:25:33,280 Speaker 1: watching now and recapping, Like there's something like High School 442 00:25:33,359 --> 00:25:38,200 Speaker 1: Musical and Hairspray. There's something about the cast and the 443 00:25:38,280 --> 00:25:45,320 Speaker 1: magic of the chemistry that elevates the already great music, 444 00:25:45,520 --> 00:25:50,040 Speaker 1: great story, great performances, but the chemistry is really like 445 00:25:50,200 --> 00:25:52,000 Speaker 1: kind of the same thing that we talked about with 446 00:25:52,359 --> 00:25:56,240 Speaker 1: Glee was like we all just it just clicked, right, 447 00:25:56,480 --> 00:25:59,679 Speaker 1: and when it clicks, you're like it's special. It's not 448 00:25:59,720 --> 00:26:03,600 Speaker 1: just it's not just excellent, it's special. And I think 449 00:26:04,960 --> 00:26:09,560 Speaker 1: this is definitely this is just I don't know. 450 00:26:10,520 --> 00:26:13,680 Speaker 2: When I had a brief interaction with Dedcon last month, 451 00:26:14,320 --> 00:26:19,560 Speaker 2: she very quickly mentioned that Greece felt like summer camp 452 00:26:20,960 --> 00:26:24,520 Speaker 2: and like they all just got along. Like watching it 453 00:26:24,560 --> 00:26:29,800 Speaker 2: now again, it's like you feel that obviously, and I. 454 00:26:30,040 --> 00:26:32,880 Speaker 1: Just shooting all over La Yeah, are you Like. 455 00:26:32,840 --> 00:26:36,119 Speaker 2: I forgot that? Almost every single time I see the 456 00:26:36,160 --> 00:26:39,840 Speaker 2: quote unquote La River, I think of that scene like 457 00:26:39,880 --> 00:26:44,680 Speaker 2: that is Oh, that's how I first like discovered what 458 00:26:44,720 --> 00:26:48,280 Speaker 2: the La River looks like it's concrete. 459 00:26:48,480 --> 00:26:50,440 Speaker 3: Well in the amount of times, like I wanted to 460 00:26:50,520 --> 00:26:53,280 Speaker 3: dress up like a pink lady for Grease for Halloween 461 00:26:53,440 --> 00:26:55,760 Speaker 3: and was like, I could do it together this year 462 00:26:55,800 --> 00:26:56,280 Speaker 3: if I want. 463 00:26:56,840 --> 00:27:01,600 Speaker 2: Yeah, you know how bad and jeans and roll my 464 00:27:01,680 --> 00:27:02,919 Speaker 2: jeans look like a t bver. 465 00:27:03,080 --> 00:27:06,000 Speaker 1: Oh my god, like, oh my gosh. 466 00:27:06,320 --> 00:27:08,760 Speaker 2: This movie was foundational to who we are. 467 00:27:10,160 --> 00:27:13,359 Speaker 1: No, really, it was into like our love for musical theater. 468 00:27:13,600 --> 00:27:16,280 Speaker 1: It was very formative in that time for us and 469 00:27:16,440 --> 00:27:22,000 Speaker 1: seeing I don't know, musical movies like this that take 470 00:27:22,080 --> 00:27:25,040 Speaker 1: place in relatable places and like you said, like very 471 00:27:25,119 --> 00:27:27,840 Speaker 1: just relatable across the board, even though they were in 472 00:27:27,880 --> 00:27:31,880 Speaker 1: their you know, late twenties thirties, Like it's just elevated 473 00:27:32,000 --> 00:27:37,400 Speaker 1: and fun. And the music was just like NonStop hits. 474 00:27:37,440 --> 00:27:41,880 Speaker 1: Like the music. I mean, we did You're the One 475 00:27:41,880 --> 00:27:44,960 Speaker 1: that I Want twice on our show. 476 00:27:45,160 --> 00:27:46,879 Speaker 3: One was in the pilot of our show. 477 00:27:47,080 --> 00:27:50,920 Speaker 2: By the way, You're the One that I Want is 478 00:27:51,440 --> 00:27:57,160 Speaker 2: like the perfect musical number like sequence that when that 479 00:27:57,200 --> 00:28:00,000 Speaker 2: came on, I was just like, this is so good, 480 00:28:01,000 --> 00:28:03,280 Speaker 2: like how it shot the choreo and like that fun 481 00:28:03,320 --> 00:28:06,520 Speaker 2: house thing you have, like the extra dancer singing the 482 00:28:06,560 --> 00:28:13,120 Speaker 2: backgrounds like up in the bars, and it's just it's perfection. 483 00:28:14,240 --> 00:28:15,480 Speaker 2: It's absolutely perfection. 484 00:28:16,960 --> 00:28:18,560 Speaker 1: I love it. I loved it. 485 00:28:19,560 --> 00:28:21,600 Speaker 2: I also like wonder like how they did some of 486 00:28:21,640 --> 00:28:26,440 Speaker 2: the singing because also like the lip singing was phenomenal, like. 487 00:28:26,600 --> 00:28:32,040 Speaker 1: Straight on, and I would imagine if I had to guess, it. 488 00:28:31,960 --> 00:28:35,200 Speaker 2: Was pre reh it was absolutely prerecorded right like and produced. 489 00:28:36,200 --> 00:28:40,480 Speaker 1: But yeah, everything was like pristine. 490 00:28:40,560 --> 00:28:43,600 Speaker 2: Yes, so many like sequences in this movie that are 491 00:28:43,640 --> 00:28:47,160 Speaker 2: also like just so long, so high school, Like every 492 00:28:47,560 --> 00:28:51,840 Speaker 2: so much happens in this movie, and all of it 493 00:28:51,880 --> 00:28:52,960 Speaker 2: is so good. 494 00:28:52,840 --> 00:28:57,160 Speaker 1: And it's very like it just all molds into each other. 495 00:28:57,480 --> 00:29:01,160 Speaker 1: Everything is like it works to get other. All the 496 00:29:01,200 --> 00:29:04,600 Speaker 1: storylines are crazy but believable for like you know, but 497 00:29:04,600 --> 00:29:08,520 Speaker 1: but not so crazy, I guess. But then there's this 498 00:29:08,640 --> 00:29:12,600 Speaker 1: air of like, uh, like disbelief. What am I? What 499 00:29:12,680 --> 00:29:16,680 Speaker 1: is the there's not to dis believe, like with the 500 00:29:16,720 --> 00:29:21,600 Speaker 1: car and the teen angel and all. Then you're like, wow, 501 00:29:21,720 --> 00:29:28,160 Speaker 1: like there's something it's just aspirational, you know, and I 502 00:29:28,680 --> 00:29:38,840 Speaker 1: just it brings me so much joy. Let's talk about 503 00:29:38,840 --> 00:29:41,840 Speaker 1: some of these musical numbers and we great the performances 504 00:29:41,880 --> 00:29:45,440 Speaker 1: while we while we do it Grease. 505 00:29:46,480 --> 00:29:48,000 Speaker 2: Growing up, I hated this song. 506 00:29:49,280 --> 00:29:52,720 Speaker 3: I you know what I did too. It's not terrible, 507 00:29:53,080 --> 00:29:55,320 Speaker 3: it's just I think it's great now. 508 00:29:56,160 --> 00:29:59,600 Speaker 1: When it started immediately I was like, ooh, chills, dumb 509 00:29:59,640 --> 00:30:00,280 Speaker 1: my Yes. 510 00:30:01,320 --> 00:30:03,760 Speaker 3: So familiar and exciting. So I'm going to. 511 00:30:03,760 --> 00:30:05,960 Speaker 2: Give an I do hate the cartoon intro. 512 00:30:07,600 --> 00:30:07,920 Speaker 1: Too. 513 00:30:08,080 --> 00:30:09,360 Speaker 2: I do hate it intro at all. 514 00:30:09,840 --> 00:30:10,400 Speaker 1: We don't need it. 515 00:30:11,720 --> 00:30:14,560 Speaker 2: Reminded me of that, like failed Glee intro, that we 516 00:30:14,680 --> 00:30:21,080 Speaker 2: had that one to pull archives. Summer Nights phenomenal. 517 00:30:22,000 --> 00:30:23,440 Speaker 3: I mean it is that. 518 00:30:23,920 --> 00:30:26,480 Speaker 1: It is one of the most I just I know, 519 00:30:26,480 --> 00:30:28,320 Speaker 1: I'm going to say that a lot in going through these. 520 00:30:28,440 --> 00:30:33,120 Speaker 2: So if I feel like Summer Nights is the gateway drug, Yes, 521 00:30:33,520 --> 00:30:39,960 Speaker 2: Summer Nights is the number one single. Yes rock to 522 00:30:39,960 --> 00:30:41,040 Speaker 2: sing both parts. 523 00:30:42,400 --> 00:30:44,320 Speaker 3: Yeah, I know every word every. 524 00:30:44,360 --> 00:30:46,560 Speaker 2: I also just love how it's I love how it's 525 00:30:46,600 --> 00:30:52,320 Speaker 2: staged and blocked and choreographed. M h, it's insane. They 526 00:30:52,360 --> 00:30:56,600 Speaker 2: have that fading in Oliving Newton John space next to 527 00:30:57,120 --> 00:30:58,840 Speaker 2: John Travolta space like. 528 00:31:01,560 --> 00:31:04,800 Speaker 3: The bleachers are just they're it so jealous. 529 00:31:04,840 --> 00:31:05,560 Speaker 2: You got to be on this. 530 00:31:06,760 --> 00:31:08,800 Speaker 3: Very special look at me. 531 00:31:08,800 --> 00:31:13,400 Speaker 2: I'm Sandar d phenomenon as a kid one I didn't 532 00:31:13,520 --> 00:31:20,200 Speaker 2: like really, Yeah, for some reason, I didn't really love it. 533 00:31:20,840 --> 00:31:22,760 Speaker 1: I see what you're saying. It's not as much of 534 00:31:22,880 --> 00:31:25,000 Speaker 1: like a singalong song, Like we're not singing to that 535 00:31:25,040 --> 00:31:25,760 Speaker 1: in the car. Yeah. 536 00:31:25,800 --> 00:31:29,760 Speaker 2: I think I was interested in like the fun songs. Yeah, 537 00:31:29,760 --> 00:31:32,080 Speaker 2: and like something about the melody felt weird to me. 538 00:31:32,960 --> 00:31:34,400 Speaker 1: Agreed, Agreed, I totally. 539 00:31:34,880 --> 00:31:38,840 Speaker 2: I think it's no notes. It's just no note. And also, 540 00:31:39,280 --> 00:31:41,160 Speaker 2: and look at me, I'm Sandar d watching each of 541 00:31:41,200 --> 00:31:48,920 Speaker 2: those women. Everybody's just so good. I watched. I tried 542 00:31:48,920 --> 00:31:51,280 Speaker 2: to watch everybody individually for as long as possible. And 543 00:31:51,360 --> 00:31:53,560 Speaker 2: that number is everyone's just going. 544 00:31:53,400 --> 00:31:55,760 Speaker 1: On, and we did it pretty close to the original, 545 00:31:55,880 --> 00:31:56,840 Speaker 1: like we got to do this. 546 00:31:56,960 --> 00:31:58,840 Speaker 2: That yours is also phenomenal. 547 00:31:59,160 --> 00:32:02,320 Speaker 1: That was really fun on That actually revived it for 548 00:32:02,440 --> 00:32:05,520 Speaker 1: me because I was like, you know, like it's it 549 00:32:05,600 --> 00:32:08,840 Speaker 1: is the song it is, but Stucord's perfect for it, 550 00:32:08,880 --> 00:32:14,520 Speaker 1: and so all these by the way, yeah, honestly, I mean, 551 00:32:14,520 --> 00:32:16,360 Speaker 1: but hopeless they devoted to you is one of my 552 00:32:16,440 --> 00:32:20,920 Speaker 1: favorite numbers ever ever in musical. 553 00:32:22,000 --> 00:32:27,920 Speaker 3: It's a perfect song. It's unbelievable, and and Olivia. 554 00:32:27,600 --> 00:32:31,400 Speaker 1: Is just like I hope they wrote that one. They 555 00:32:31,520 --> 00:32:34,640 Speaker 1: cast Olivia because it was actually perfect for her and 556 00:32:34,680 --> 00:32:35,720 Speaker 1: if they didn't, it was perfect. 557 00:32:35,800 --> 00:32:38,920 Speaker 2: Insane it is and we've talked about this before. There's 558 00:32:38,920 --> 00:32:42,160 Speaker 2: not much going on in that number, and she is so. 559 00:32:42,120 --> 00:32:45,800 Speaker 1: Captivating, blasting, blasting grease. 560 00:32:45,880 --> 00:32:49,400 Speaker 2: Laightnon also walked in the room, goes, I hate this number. 561 00:32:50,160 --> 00:32:52,560 Speaker 1: It's like, what this is one of the this is 562 00:32:52,600 --> 00:32:55,040 Speaker 1: a sandru D song for me where it was like, 563 00:32:55,480 --> 00:33:00,600 Speaker 1: it's fine, but over time I've found addition. Only then 564 00:33:00,960 --> 00:33:03,280 Speaker 1: Beauty School Dropout was also not one of my favorites. 565 00:33:03,400 --> 00:33:03,640 Speaker 2: Same. 566 00:33:04,240 --> 00:33:09,280 Speaker 1: I was like, this is fine, but both have been 567 00:33:10,360 --> 00:33:13,840 Speaker 1: in this rewatch were revived. 568 00:33:13,920 --> 00:33:16,080 Speaker 2: I mean Greece and that was one I used to 569 00:33:16,160 --> 00:33:18,560 Speaker 2: perform in the house all the time. I knew all 570 00:33:18,560 --> 00:33:22,520 Speaker 2: the Yes the Boys song it also, you know Austin's 571 00:33:22,520 --> 00:33:26,360 Speaker 2: point was it just completely stops the story, has nothing 572 00:33:26,400 --> 00:33:29,280 Speaker 2: to do with the story. Okay, fine, but it is 573 00:33:29,360 --> 00:33:30,280 Speaker 2: such a good number. 574 00:33:31,600 --> 00:33:34,760 Speaker 1: I mean, the guys needed this song that he could be. 575 00:33:35,040 --> 00:33:39,640 Speaker 2: I also realized in this I think maybe one of 576 00:33:39,680 --> 00:33:46,240 Speaker 2: my first boy crushes was the blonde one in this movie. 577 00:33:47,080 --> 00:33:50,800 Speaker 2: It all came flooding back to me watching I was like, yeah, 578 00:33:50,960 --> 00:33:53,360 Speaker 2: I don't think I realized That's what I was feeling. 579 00:33:54,160 --> 00:33:56,800 Speaker 1: But here it was for you to just revisal it 580 00:33:56,840 --> 00:34:01,240 Speaker 1: was him Yeah, okay, but makes sense. 581 00:34:01,600 --> 00:34:06,520 Speaker 3: I mean, you know, yeah, yeah, beautiful dropout we. 582 00:34:06,560 --> 00:34:13,560 Speaker 2: Loved Honestly, Greece is about French. 583 00:34:13,600 --> 00:34:16,840 Speaker 3: Ye, Greece is Frenchie. 584 00:34:17,239 --> 00:34:17,839 Speaker 1: Greece is French. 585 00:34:18,080 --> 00:34:20,160 Speaker 2: I feel like today I've watched it this morning. I 586 00:34:20,239 --> 00:34:24,160 Speaker 2: was like, how did I miss this? I know she's 587 00:34:24,200 --> 00:34:25,320 Speaker 2: all up in that movie. 588 00:34:26,200 --> 00:34:28,600 Speaker 1: I know, I know everybody. 589 00:34:28,680 --> 00:34:30,160 Speaker 2: She has her own little journey and. 590 00:34:30,200 --> 00:34:35,080 Speaker 3: I know and her little relationship with see ye good 591 00:34:36,760 --> 00:34:42,279 Speaker 3: Born to Hand Dive again wasn't like a song that 592 00:34:42,320 --> 00:34:44,000 Speaker 3: I was like, Oh, I'm gonna listen to this. 593 00:34:44,640 --> 00:34:46,799 Speaker 1: In the car, or put it on. Let me put 594 00:34:46,840 --> 00:34:49,600 Speaker 1: my discplayer on Born to Hand Dive. But like this 595 00:34:49,640 --> 00:34:54,520 Speaker 1: whole sequence, the whole dancing, the dancing of it, all 596 00:34:54,719 --> 00:35:01,279 Speaker 1: the production value, the performances. I I think. 597 00:35:01,320 --> 00:35:02,400 Speaker 3: I also didn't love talk Ja. 598 00:35:03,080 --> 00:35:06,200 Speaker 1: Oh yeah, she like took me out. I was like, ugh, 599 00:35:06,440 --> 00:35:08,400 Speaker 1: I don't like her. She did her job right as 600 00:35:08,440 --> 00:35:11,359 Speaker 1: a character, and you're like I don't like her, but 601 00:35:11,400 --> 00:35:12,919 Speaker 1: you're like, oh wow, she was really good. 602 00:35:13,200 --> 00:35:16,760 Speaker 2: You know what I like about this one? They shot 603 00:35:16,840 --> 00:35:20,200 Speaker 2: danced very well in this entire movie. But what I 604 00:35:20,320 --> 00:35:26,200 Speaker 2: like about it is that, yes, the dancing is clean, 605 00:35:26,719 --> 00:35:30,120 Speaker 2: but yet it's still a little rough around the edges somehow, 606 00:35:30,200 --> 00:35:33,520 Speaker 2: like everyone's doing it as their characters and. 607 00:35:33,760 --> 00:35:35,360 Speaker 1: It's not like in sync. 608 00:35:35,800 --> 00:35:39,040 Speaker 2: But it is like everybody's everybody's doing it correctly and 609 00:35:39,080 --> 00:35:42,279 Speaker 2: it's still clean. You can identify all the movements. It 610 00:35:42,360 --> 00:35:46,560 Speaker 2: looks together. It looks great, but it's not like I 611 00:35:46,600 --> 00:35:48,400 Speaker 2: feel like with a lot of modern dancing or a 612 00:35:48,400 --> 00:35:52,880 Speaker 2: lot of modern movie musicals. Yes, everybody's dancing and the 613 00:35:52,960 --> 00:35:56,040 Speaker 2: exact same like a yes, there's no person. 614 00:35:56,360 --> 00:35:58,919 Speaker 1: They all look the same. Yeah, yeah, yeah, everybody's the 615 00:35:58,920 --> 00:36:04,160 Speaker 1: same exact level, hand to the hip like versus like 616 00:36:04,160 --> 00:36:05,360 Speaker 1: giving it. 617 00:36:05,360 --> 00:36:07,560 Speaker 2: It's not like all of a sudden we started doing 618 00:36:08,040 --> 00:36:11,840 Speaker 2: a group group choreo and we all lost our identities 619 00:36:11,880 --> 00:36:12,480 Speaker 2: as a character. 620 00:36:12,760 --> 00:36:13,799 Speaker 3: Yeah, we didn't lose. 621 00:36:14,360 --> 00:36:19,399 Speaker 2: Like everybody is still their characters doing those dances. Yes, yes, 622 00:36:19,480 --> 00:36:23,840 Speaker 2: which I think is a note some modern movie musicals 623 00:36:24,000 --> 00:36:24,480 Speaker 2: should take. 624 00:36:24,880 --> 00:36:30,880 Speaker 1: Take agreed, uh C and d No, it's fine. I 625 00:36:30,880 --> 00:36:32,879 Speaker 1: think they added that for that's a skit. 626 00:36:34,360 --> 00:36:39,240 Speaker 2: Did you know the guy who plays Kiniki was Danny 627 00:36:39,320 --> 00:36:40,880 Speaker 2: Zuko on Broadway. 628 00:36:41,400 --> 00:36:46,880 Speaker 3: M and Travolta played duty right, Yeah crazy? 629 00:36:46,960 --> 00:36:50,000 Speaker 1: Is that crazy? Wow? 630 00:36:50,080 --> 00:36:52,200 Speaker 2: Yeah? Sorry, that was just a random fun fact that. 631 00:36:52,239 --> 00:36:55,879 Speaker 1: No, no, for sure, Uh well, there are worse things 632 00:36:55,880 --> 00:36:59,319 Speaker 1: I could do. The fact that Stockard also pushed to 633 00:36:59,400 --> 00:37:01,800 Speaker 1: keep this in the movie and then it was almost 634 00:37:01,880 --> 00:37:05,279 Speaker 1: there was a shot even a second thought. And then 635 00:37:05,320 --> 00:37:13,200 Speaker 1: I think also having the whole Rizzou storyline on Glee, 636 00:37:13,520 --> 00:37:17,400 Speaker 1: this like it created a deeper love. Not that there 637 00:37:17,440 --> 00:37:20,239 Speaker 1: wasn't already a love for this song, but like it 638 00:37:20,280 --> 00:37:24,040 Speaker 1: was a deeper love for this number even after that 639 00:37:24,120 --> 00:37:26,560 Speaker 1: and then rewatching it now you're like, wow, they were 640 00:37:26,600 --> 00:37:29,399 Speaker 1: both stand out, and. 641 00:37:29,360 --> 00:37:33,160 Speaker 2: That's like you have someone who is that good, like 642 00:37:33,200 --> 00:37:36,160 Speaker 2: that strong of an actor like you put you keep 643 00:37:36,239 --> 00:37:37,560 Speaker 2: as much of them in as you. 644 00:37:37,600 --> 00:37:40,280 Speaker 1: Can well, and then you're the one that I wanted 645 00:37:40,280 --> 00:37:41,120 Speaker 1: to we go together. 646 00:37:41,480 --> 00:37:45,000 Speaker 2: Just just perfect, unbelievable. I mean, is that not the 647 00:37:45,200 --> 00:37:50,040 Speaker 2: perfect movie musical ending at BAM Move. What was refreshing 648 00:37:50,160 --> 00:37:54,040 Speaker 2: is like I've seen some grease like stage productions, and 649 00:37:54,080 --> 00:37:56,839 Speaker 2: obviously there was reality shows and the live performance. I 650 00:37:56,840 --> 00:38:00,359 Speaker 2: think all those things make it feel so bright and 651 00:38:00,400 --> 00:38:03,680 Speaker 2: like high school. Obviously it's high school and it takes 652 00:38:03,719 --> 00:38:06,719 Speaker 2: place in high school. But that movie is gritty. It's 653 00:38:06,719 --> 00:38:13,080 Speaker 2: gritty and rough and like controversial, and that's where it feels. 654 00:38:12,920 --> 00:38:16,480 Speaker 1: Right down and dirty, down and dirty. Obviously. 655 00:38:16,480 --> 00:38:17,640 Speaker 3: You know how we feel about Grease. 656 00:38:17,960 --> 00:38:18,640 Speaker 1: We hated it. 657 00:38:19,480 --> 00:38:20,840 Speaker 2: Yeah, you never want to see it again. 658 00:38:21,000 --> 00:38:24,600 Speaker 3: Let's see some party takes, Okay, Oh geez, I mean 659 00:38:24,640 --> 00:38:25,400 Speaker 3: there's actually. 660 00:38:25,160 --> 00:38:25,640 Speaker 2: Quite a few. 661 00:38:25,880 --> 00:38:28,279 Speaker 3: There's a lot things didn't not go well. 662 00:38:28,520 --> 00:38:29,720 Speaker 2: No, it was most of the guys. 663 00:38:29,800 --> 00:38:34,719 Speaker 1: I mean, Rinse, he is just problematic. He is problematic, 664 00:38:35,800 --> 00:38:41,240 Speaker 1: all the boys, like you said, problematic, like the jam 665 00:38:41,360 --> 00:38:43,480 Speaker 1: of it, all the weight thing, like. 666 00:38:43,560 --> 00:38:45,439 Speaker 2: Not good, it's so weird. 667 00:38:45,320 --> 00:38:50,800 Speaker 1: Not good. There's just a lot of stuff of treating 668 00:38:50,800 --> 00:38:54,760 Speaker 1: women and looking at women and pulling skirts up and 669 00:38:55,000 --> 00:38:58,320 Speaker 1: just doing things that just did not Yeah, it's not good. 670 00:38:58,719 --> 00:39:00,480 Speaker 3: Uh, best ants. 671 00:39:00,320 --> 00:39:06,840 Speaker 2: Move God honestly, Born to hand drive. Yeahorn the whole sequence. 672 00:39:07,200 --> 00:39:09,879 Speaker 3: I mean, Travolta is just phenomenal in that too. 673 00:39:12,400 --> 00:39:14,400 Speaker 2: The special shoutout though for during year, the one they 674 00:39:14,440 --> 00:39:16,200 Speaker 2: want when they're doing a little box step, it's not 675 00:39:16,200 --> 00:39:17,880 Speaker 2: even a box step, Like what is it? It's like 676 00:39:17,920 --> 00:39:21,480 Speaker 2: a little jazzquare? Is it even a jazzquare? Does it count? Yeah? 677 00:39:21,480 --> 00:39:22,200 Speaker 2: I guess it is a just. 678 00:39:24,800 --> 00:39:31,800 Speaker 1: Best song, Kevin. I'm going with hopelessly devoted to you, Jenna, 679 00:39:32,120 --> 00:39:34,040 Speaker 1: I can't. 680 00:39:34,480 --> 00:39:38,719 Speaker 2: I think I'm I'm going with You're the one that 681 00:39:38,760 --> 00:39:39,080 Speaker 2: I want. 682 00:39:39,239 --> 00:39:44,160 Speaker 3: Okay, wow, that is I'm not what I value. 683 00:39:43,880 --> 00:39:44,359 Speaker 1: You would pick. 684 00:39:45,560 --> 00:39:47,000 Speaker 2: Well, there we are. 685 00:39:47,600 --> 00:39:52,320 Speaker 1: Yeah, performs by a problem, the broken condom, the needle 686 00:39:52,360 --> 00:39:54,319 Speaker 1: for the ear piercing, Oh my. 687 00:39:54,239 --> 00:39:59,120 Speaker 2: God, yes, the wigs. There's so many good props in this. 688 00:40:00,880 --> 00:40:02,160 Speaker 2: All the food in the diner. 689 00:40:02,560 --> 00:40:03,080 Speaker 1: Yes. 690 00:40:03,400 --> 00:40:07,799 Speaker 2: Oh the panda bear, Oh the panda turning look at me. 691 00:40:07,800 --> 00:40:15,680 Speaker 2: I'm Sandra d is incredible. Gosh, best line, Sandy. His 692 00:40:15,840 --> 00:40:17,799 Speaker 2: voice is crazy. The voice he was putting on for 693 00:40:17,840 --> 00:40:20,759 Speaker 2: this is absolutely insane. But I loved it me too. 694 00:40:21,640 --> 00:40:25,880 Speaker 3: It is crazy, though. Marty says, do they make me 695 00:40:25,960 --> 00:40:26,560 Speaker 3: look smarter? 696 00:40:27,440 --> 00:40:27,560 Speaker 2: Oh? 697 00:40:27,600 --> 00:40:30,120 Speaker 1: Yeah, glasses and is like no, you can still see 698 00:40:30,160 --> 00:40:32,560 Speaker 1: your faces? Was the one liner. 699 00:40:32,320 --> 00:40:34,879 Speaker 2: Punchees tell me about it, stud. 700 00:40:36,040 --> 00:40:41,400 Speaker 1: Yes, nobody puts baby in a corner. That's that one performance. MVP. 701 00:40:42,520 --> 00:40:45,800 Speaker 1: I mean Travolta and Olivia. 702 00:40:45,760 --> 00:40:48,160 Speaker 2: Just I'm throwing out d d con. 703 00:40:50,480 --> 00:40:51,040 Speaker 1: I mean you. 704 00:40:51,040 --> 00:40:53,040 Speaker 3: Said it, she's the star of the show. 705 00:40:55,520 --> 00:41:01,160 Speaker 2: But yes, John Travolta, Olivia Newton, John like they we're 706 00:41:01,200 --> 00:41:06,719 Speaker 2: never better, never better, never better. Okay, so should we 707 00:41:06,719 --> 00:41:13,600 Speaker 2: found on TikTok Sandy Cameron posted stage Geordiva and it's 708 00:41:15,280 --> 00:41:19,280 Speaker 2: presumably an older gentleman and he's wearing a Glee Live 709 00:41:19,400 --> 00:41:20,840 Speaker 2: Tour twenty eleven. 710 00:41:21,000 --> 00:41:23,080 Speaker 3: Oh my god, like sweatshirt. 711 00:41:23,520 --> 00:41:26,760 Speaker 2: Incredible outside the stage of a show. Is that a jacket? 712 00:41:28,400 --> 00:41:29,280 Speaker 1: There's a jacket? 713 00:41:29,760 --> 00:41:32,799 Speaker 2: I love the comments. Oh he knows ball. It's an 714 00:41:32,840 --> 00:41:34,200 Speaker 2: amazing condition. 715 00:41:34,600 --> 00:41:35,440 Speaker 1: Very exciting. 716 00:41:36,200 --> 00:41:38,520 Speaker 2: Uh, this is the exact cody in my closet. 717 00:41:39,560 --> 00:41:42,920 Speaker 1: I love it. Uh, that's Grease. Hope you guys enjoyed it. 718 00:41:43,520 --> 00:41:47,239 Speaker 1: Thanks for rewatching with us if you did, and if 719 00:41:47,239 --> 00:41:49,200 Speaker 1: you didn't, I hope this makes you want to because 720 00:41:49,239 --> 00:41:55,120 Speaker 1: it's a great watch. And this week we're talking to 721 00:41:55,200 --> 00:41:57,680 Speaker 1: Duty himself, Kevin, one of the T Birds. The original 722 00:41:57,760 --> 00:41:59,279 Speaker 1: T Bird is very pearl. 723 00:42:00,960 --> 00:42:06,480 Speaker 2: Unreal. And your assignment for next week. I don't think 724 00:42:06,520 --> 00:42:07,479 Speaker 2: I've ever seen this. 725 00:42:09,080 --> 00:42:15,480 Speaker 1: Grease too coo better? Oh my god? What to watch? 726 00:42:16,200 --> 00:42:17,040 Speaker 1: What to watch? 727 00:42:17,400 --> 00:42:20,160 Speaker 2: Buckle up and that's what you really missed. Thanks for 728 00:42:20,200 --> 00:42:23,359 Speaker 2: listening and follow us on Instagram at and that's what 729 00:42:23,400 --> 00:42:25,400 Speaker 2: you really miss pod. Make sure to write us a 730 00:42:25,480 --> 00:42:28,000 Speaker 2: review and leave us five stars. See you next time