WEBVTT - "Everything Feet" (w/ Gracie Abrams)

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<v Speaker 1>Look Mayer, Oh, I see you, my own Bowen. Look

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<v Speaker 1>over there is that culture.

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<v Speaker 2>Yes, goodness, lost.

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<v Speaker 1>Culture ding dong, lost culturistas calling.

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<v Speaker 2>Why the pregnant pause? Oh wait, hold on for podcast

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<v Speaker 2>or visual medium, Matt and I synergistic again.

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<v Speaker 1>It kind of keeps happening. So I come in today

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<v Speaker 1>and I think there's no way that Bowen is gonna

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<v Speaker 1>wear a pop culture icon on his shirt today, like

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<v Speaker 1>I am, because I'm kind of giving my icon Mariyah.

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<v Speaker 1>And you walk in clad in Bruce.

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<v Speaker 2>Lee, you know, lad in it and I have. I

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<v Speaker 2>have my thing with Bruce Lee, which is just someone

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<v Speaker 2>who looms large. But I don't like I'm finally gonna

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<v Speaker 2>come out as like a Bruce Lee stan. I like

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<v Speaker 2>it's only in my bedroom, literally, like you know that,

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<v Speaker 2>Like I have that Italian poster of this is.

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<v Speaker 1>A queer narrative.

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<v Speaker 2>This is a queer narrative.

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<v Speaker 1>It just existed in your bedroom as a child, and

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<v Speaker 1>now it's roaring to life in public.

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<v Speaker 2>Well, all these politicians out here saying keep that in

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<v Speaker 2>the bedroom to.

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<v Speaker 1>Me, Yeah, and you finally defied them here, I am

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<v Speaker 1>look at this. I love this cut and color on

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<v Speaker 1>you similar to the cut and color on our guests.

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<v Speaker 1>We've got a lot of primary action happening in here.

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<v Speaker 1>This is the day I meet my pen pal. Ah,

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<v Speaker 1>this is like when you meet like your pen and

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<v Speaker 1>pal from when you were young, but just adult version.

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<v Speaker 1>I was gonna say, like when you have like because

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<v Speaker 1>you know when you were little, did they ever give

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<v Speaker 1>you a pen pal from like a far away school?

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<v Speaker 1>Do you have your program ever do this?

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<v Speaker 2>Yeah? I want to say once or twice. But so

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<v Speaker 2>when I moved from Canada, all the kids wrote little postcards.

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<v Speaker 2>Oh that's so sweet. And then I think the first

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<v Speaker 2>week we moved to Colorado, I was like, Dad, where

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<v Speaker 2>are the postcards? He was like, I can't find them?

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<v Speaker 1>And I thought got it?

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<v Speaker 2>Never ready, of course, still still thinking about it all

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<v Speaker 2>these years later.

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<v Speaker 1>You could cry now if you feel like there's still

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<v Speaker 1>some left in the tank. Our guest would support it.

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<v Speaker 2>Oh yeah, I haven't hydrated enough today. Well I think, no, no, no,

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<v Speaker 2>are you wanted some.

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<v Speaker 1>Of our guest Arctic vibe, which is in a cop

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<v Speaker 1>and looks sick like poison?

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<v Speaker 2>This is what this is why, this is why Celsius

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<v Speaker 2>doesn't come in a clear container. Let's get into it.

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<v Speaker 1>Let's really get into it what we came here to

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<v Speaker 1>talk about today, which is what Celsius looks like in

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<v Speaker 1>a clear container. Certainly not the excellent third album. It's

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<v Speaker 1>it's a step forward.

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<v Speaker 2>It's the third album down.

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<v Speaker 1>Which was tough to do because we were already pretty forward.

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<v Speaker 1>I went to that concert. Bodies were hitting the ground,

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<v Speaker 1>Bodies were hitting the ground. People were getting so overwhelmed.

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<v Speaker 1>Bodies were hitting the ground.

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<v Speaker 2>Well, we were saying, these girls were like forming a circle,

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<v Speaker 2>clutching each other.

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<v Speaker 1>I've never seen anything like it. Girls grabbed hands and

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<v Speaker 1>created like a ringutiful and it didn't matter who else

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<v Speaker 1>was there. It was their floor.

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<v Speaker 2>And I was like, yes, nothing in the circle, No,

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<v Speaker 2>just their energy. Well that that's that's a lot of floor.

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<v Speaker 2>That's a lot of area.

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<v Speaker 1>If you wanted to get in it, you could have

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<v Speaker 1>crawled under them. It just didn't feel right. It was

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<v Speaker 1>their floor.

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<v Speaker 2>You, I think you have something to say about that

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<v Speaker 2>you should address, like just just just taking up the air. Yeah,

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<v Speaker 2>let's let's put our guest. And she's incredible in every way.

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<v Speaker 2>Everyone welcome.

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<v Speaker 3>Sip of Arctic of Arctic piss. This is the treat

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<v Speaker 3>of my life to be here. And also I don't

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<v Speaker 3>want to speak. I just want to like sit this.

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<v Speaker 3>It feels you know, there's like fever dream moments.

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<v Speaker 2>Yeah, yeah, oh I have to speak.

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<v Speaker 1>You have to how about this? You name the episode? Yeah,

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<v Speaker 1>no matter, I must have to find about.

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<v Speaker 3>Okay, Well, whatever you say, it's your house.

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<v Speaker 1>Will say it. And only if you confirm it.

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<v Speaker 2>Can it be great?

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<v Speaker 1>Because I feel like you're going to be the vibe

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<v Speaker 1>of saying the rules of culture with us today.

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<v Speaker 2>I want you to.

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<v Speaker 3>I mean, it's I do it. I do it when

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<v Speaker 3>I'm on the train in my headphones. Like you'll say

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<v Speaker 3>something and I will predict, and sometimes I'm surprised when

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<v Speaker 3>you don't make something confirmed.

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<v Speaker 1>Breeder, I guess finalist, finalist, Well, of course finalists.

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<v Speaker 3>Cheers, cheer. Let me expose just how piss like this is.

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<v Speaker 2>Absolutely wait, I want to I want to bring something

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<v Speaker 2>up right off the bat. I was at Jake Shane's house.

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<v Speaker 3>Oh is it the bag?

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<v Speaker 2>It was not the bag. I saw the books that

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<v Speaker 2>you gifted him. Yes, and I squealed, and I go,

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<v Speaker 2>of course, Gracie fucking reads Eve bab bit and you.

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<v Speaker 3>Know what, kaya and I Yes, I had a Library

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<v Speaker 3>Science conversation about Eve Babbitts and Joe Didion, And it

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<v Speaker 3>was one of my like, it was one of those

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<v Speaker 3>moments where you're just relieved when people read. But and

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<v Speaker 3>I was, and I was relieved to gift Jake books.

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<v Speaker 2>Yes, what was the relief?

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<v Speaker 1>No?

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<v Speaker 3>No, no, no, no, he will He's the he's the He

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<v Speaker 3>was the first to say it. He was like, do

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<v Speaker 3>you read? I was like, I do, do you?

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<v Speaker 2>He was like crazy, yeah, And then.

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<v Speaker 3>He was like, I will read. I told him. I

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<v Speaker 3>was like, I'm going to send you a like the

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<v Speaker 3>just the beginning of your library, and I wrote him

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<v Speaker 3>and then he was like, I will read. I was

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<v Speaker 3>like the title, I will.

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<v Speaker 2>Read, the the book cover, the blurbs. I said, no,

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<v Speaker 2>you should actually read these, like like these are incredible

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<v Speaker 2>first like starter package.

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<v Speaker 3>I'm glad you approved of them.

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<v Speaker 2>Oh yes. And I was like, Jake, you would actually

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<v Speaker 2>fucking love you babbits because she's talking about.

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<v Speaker 3>She's just talking about the culture. She's talking about the

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<v Speaker 3>culture and the babbits.

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<v Speaker 1>She's just talking about the culture. It's real culture, number

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<v Speaker 1>two babbits. She's just talking about the culture. Then you're

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<v Speaker 1>dancing in.

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<v Speaker 3>He's really good. It's so nice. It's so nice in

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<v Speaker 3>this room. Thank you with all of you.

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<v Speaker 1>Well, our best friend Jared is here and he never

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<v Speaker 1>comes and sits in, but he is one of.

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<v Speaker 3>Your great fact.

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<v Speaker 1>Jared, we were there at your concert where the girls

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<v Speaker 1>were were ringing ringing around there. Do you see this

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<v Speaker 1>from the stage?

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<v Speaker 3>And actually we were just talking about this like ten

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<v Speaker 3>minutes ago, about the concept. Like someone's like, oh, is

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<v Speaker 3>there a marsh And I was like, well, there is.

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<v Speaker 3>I wouldn't. I don't know if I would use that

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<v Speaker 3>that word. I would.

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<v Speaker 1>It's a saush, it's a soft mash.

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<v Speaker 3>Yeah, yeah, but it is. You make a good point,

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<v Speaker 3>like what's happening to that floor space because they stay wide,

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<v Speaker 3>which I also I'm like, everybody take their space and

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<v Speaker 3>it is theirs to it is theirs to. They they

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<v Speaker 3>chose to be on the floor, it's their floor.

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<v Speaker 2>You know what our phones out, our phones out phones.

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<v Speaker 3>I know, I'm I'm pro put them, I'm your pro

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<v Speaker 3>put them down, But well, I actually I live on.

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<v Speaker 3>I think I'm pro soak up the experience. You went

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<v Speaker 3>out of your way to be here. It's like you

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<v Speaker 3>paid money to be here. If you want to record

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<v Speaker 3>every single second of it. I advocate for that to you.

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<v Speaker 3>I'm not antiphone. I'm pro presence.

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<v Speaker 2>So there's this book that's coming out called The Story

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<v Speaker 2>of Your Life. I have not read it, but I'm

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<v Speaker 2>seeing like people who are getting galleys like talk about

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<v Speaker 2>how this is this author that writes about how social

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<v Speaker 2>media is whatever about defining all our lives, but specifically

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<v Speaker 2>when it comes to pulling out your phone at a concert,

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<v Speaker 2>this is why we do it. Are you ready? Yeah,

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<v Speaker 2>it's because you're so overwhelmed with emotion and in the

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<v Speaker 2>modern the modern condition is such that you don't know

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<v Speaker 2>how to process and sit with the emotion then, other

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<v Speaker 2>than to take out your phone and record something, because

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<v Speaker 2>I don't watch that stuff back. No, you never do.

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<v Speaker 1>And also the experience of other people watching it is

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<v Speaker 1>never going to be as good. I think it's a

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<v Speaker 1>thing of like you are anticipating a moment so much

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<v Speaker 1>you think the number one thing to do is capturing,

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<v Speaker 1>when what you really should do. What happens to me

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<v Speaker 1>is I know this to be true, So I'll have

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<v Speaker 1>my phone out and I'll just capture like a boring

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<v Speaker 1>part of any song so that I see the part

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<v Speaker 1>that's worth capturing or whatever.

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<v Speaker 3>Pulling my phone out is the curse for what I'm like,

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<v Speaker 3>my goal is immediately gone. Like there's no there's no

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<v Speaker 3>success rate, absolutely low success rate.

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<v Speaker 1>Yeah, because at a concert you can't play the song again,

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<v Speaker 1>and that's real culture number three. At a concert, you

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<v Speaker 1>can't play the song.

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<v Speaker 3>Again unless you're Audrey Hobert and you do see me

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<v Speaker 3>twice she does, she does and you know what she does,

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<v Speaker 3>which actually, maybe this isn't mine for me. Well, it's

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<v Speaker 3>the best show. Have you guys seen her live yet?

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<v Speaker 2>We did a show in l A for Katie Crutchfield

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<v Speaker 2>and Darcy Cardon and.

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<v Speaker 4>Now oh yeah, and you guys, I saw you guys

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<v Speaker 4>singing together together and that was Again it's one of

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<v Speaker 4>those things it's like, well, I can't rank why, like

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<v Speaker 4>in order, what's the best thing about Audrey's like.

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<v Speaker 3>Rise, Yes, selfishly, I think it's that I get to

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<v Speaker 3>see more of my friends like on the internet doing things.

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<v Speaker 2>Oh that's cool, do you know what I mean?

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<v Speaker 3>Yeah, because when we're not in the same place, like

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<v Speaker 3>I got to just open Instagram and you two are

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<v Speaker 3>singing together on stage. That is what I would like

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<v Speaker 3>that in my fantasy, I'd be like, in my simulation,

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<v Speaker 3>I'd be like Bowen and Audrey are now on stage together.

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<v Speaker 3>Do you know what I mean?

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<v Speaker 2>I feel like it is this is we are living

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<v Speaker 2>in your simulation.

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<v Speaker 3>Well today we are because I get to watch to

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<v Speaker 3>you do your job and you get to watch me

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<v Speaker 3>drink piss.

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<v Speaker 1>You know what's what probably rocks most about the Audrey situation.

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<v Speaker 2>And I think the Audry situation situation title of that well.

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<v Speaker 1>I was going to say stay wide, but I didn't

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<v Speaker 1>want to be rude to have one in the room

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<v Speaker 1>crass title crass idea for a title stay wid Why anyway?

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<v Speaker 1>Moving on, I feel like it's that thing of when

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<v Speaker 1>you just you think that someone around you is really

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<v Speaker 1>special and then the world starts to confirm it. Well,

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<v Speaker 1>we're like, oh whoa, whoa, whoa, Like these these things

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<v Speaker 1>that I got to experience, everyone's getting that same feeling,

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<v Speaker 1>and that's that's fun.

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<v Speaker 3>It's just it's like the It's I grew up with

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<v Speaker 3>her voice in my head all the time every day

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<v Speaker 3>for sixteen years, and I'm just I just now others

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<v Speaker 3>get to have that, So I'm just like, we're all better.

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<v Speaker 2>Off jealous, You're jealous.

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<v Speaker 3>I'm guys, I have a it's the best. Also, Also,

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<v Speaker 3>I mean, and I never want to move on from

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<v Speaker 3>this topic, but to see, I'm just so excited because

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<v Speaker 3>she's she's doing festivals this summer, like can you imagine

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<v Speaker 3>being at Lala And then like, can you imagine like

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<v Speaker 3>being at Lala and if you for some reason don't

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<v Speaker 3>know who she is yet? And then you hear like

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<v Speaker 3>and you're like, I'm gonna chase.

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<v Speaker 1>That audience that's there is going to be giving. It's

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<v Speaker 1>going to be a Chapel moment.

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<v Speaker 2>Well, I was gonna say I think so, because when

0:10:25.920 --> 0:10:27.480
<v Speaker 2>Suey first came out and the video came out, I

0:10:27.520 --> 0:10:30.760
<v Speaker 2>was like, like, I I feel like Matt. Matt was

0:10:30.760 --> 0:10:32.120
<v Speaker 2>on Chapel from the jump.

0:10:32.200 --> 0:10:34.360
<v Speaker 3>I remember it. I remember.

0:10:34.840 --> 0:10:36.680
<v Speaker 2>I wanted to say this on pod, but I felt

0:10:36.679 --> 0:10:38.480
<v Speaker 2>too shy because I feel like I'm not as prescient

0:10:38.559 --> 0:10:40.560
<v Speaker 2>as you. But I was like, I think this Audrey

0:10:40.600 --> 0:10:41.360
<v Speaker 2>Hobert girl is.

0:10:41.320 --> 0:10:42.679
<v Speaker 1>Like no, you were always right about that.

0:10:42.880 --> 0:10:47.920
<v Speaker 3>Also, but you've all, in my experience, you've always been supporting, Like.

0:10:48.600 --> 0:10:52.400
<v Speaker 2>I support the Core for sure, for sure, but I'm

0:10:52.400 --> 0:10:55.240
<v Speaker 2>also like I'm not I'm not gonna be as like

0:10:55.320 --> 0:10:56.440
<v Speaker 2>I'm not gonna, I'm not gonna.

0:10:56.800 --> 0:10:58.040
<v Speaker 3>You're not being declarative.

0:10:58.520 --> 0:10:59.720
<v Speaker 2>I don't want to stick his.

0:10:59.600 --> 0:11:03.160
<v Speaker 1>Neck out because what if something horrible, God forbid, like

0:11:03.160 --> 0:11:07.160
<v Speaker 1>a flop, like a flop single.

0:11:07.280 --> 0:11:12.079
<v Speaker 2>No, there's no chance with that chance with sixteen years.

0:11:12.120 --> 0:11:13.679
<v Speaker 2>But then the process been the same when you guys

0:11:13.679 --> 0:11:15.720
<v Speaker 2>have been writing together where it's like wine nights or

0:11:15.760 --> 0:11:16.960
<v Speaker 2>is it it's changed over time.

0:11:17.120 --> 0:11:20.479
<v Speaker 3>Well, it's like we just lived together. Well well well

0:11:20.080 --> 0:11:25.480
<v Speaker 3>well well well we we just were we were roommates, yes,

0:11:26.280 --> 0:11:29.480
<v Speaker 3>and then we just started writing songs together, which is

0:11:29.520 --> 0:11:31.760
<v Speaker 3>like such a weird all of a sudden one day

0:11:32.200 --> 0:11:34.440
<v Speaker 3>because I imagine with the two of you, what you

0:11:34.520 --> 0:11:36.240
<v Speaker 3>make together, it was probably not like a.

0:11:36.440 --> 0:11:38.480
<v Speaker 1>Born out of friendship instead of like we have to

0:11:38.480 --> 0:11:39.480
<v Speaker 1>create Yeah exactly.

0:11:39.480 --> 0:11:42.320
<v Speaker 3>There's no like sit down conversation. It's just like there's

0:11:42.360 --> 0:11:45.440
<v Speaker 3>a guitar and both of us are there and we're

0:11:45.480 --> 0:11:49.080
<v Speaker 3>already like we just started laughing while we were strumming,

0:11:49.679 --> 0:11:51.520
<v Speaker 3>and then it made it. It made it. That was

0:11:51.559 --> 0:11:54.120
<v Speaker 3>like the bar for us of what we chose to

0:11:54.240 --> 0:11:57.760
<v Speaker 3>keep in like lyrics that either felt so correct or

0:11:57.840 --> 0:11:58.920
<v Speaker 3>made us laugh the hardest.

0:11:58.960 --> 0:12:01.120
<v Speaker 1>You said that about that so true too. Yeah, you

0:12:01.120 --> 0:12:02.559
<v Speaker 1>guys were cracking up by the end of it.

0:12:02.679 --> 0:12:05.760
<v Speaker 3>Yes, and we have a song on this album as

0:12:05.800 --> 0:12:08.120
<v Speaker 3>well that that we wrote I think the same week

0:12:08.160 --> 0:12:09.920
<v Speaker 3>that we did that's so true, which like also made

0:12:09.960 --> 0:12:11.720
<v Speaker 3>us giggle in that sense, you know.

0:12:12.400 --> 0:12:16.120
<v Speaker 1>On this album Mini Bar Mini Bar is fab.

0:12:16.200 --> 0:12:21.240
<v Speaker 3>It's like zippy. Yeah, well, she's just it's like there's

0:12:21.280 --> 0:12:25.680
<v Speaker 3>that there's that I feel like the shorthand of your

0:12:25.960 --> 0:12:29.800
<v Speaker 3>best friend, and and it's just so yeah, yes, well

0:12:29.800 --> 0:12:34.520
<v Speaker 3>you don't I wish she was here.

0:12:35.760 --> 0:12:37.520
<v Speaker 1>No, it is that thing where it's like you don't

0:12:37.520 --> 0:12:39.880
<v Speaker 1>think it's going to translate, and then it very much does.

0:12:39.920 --> 0:12:43.479
<v Speaker 1>It's what I always wish that things are more specific

0:12:44.200 --> 0:12:47.520
<v Speaker 1>and less broad. I mean, but we should say specifically.

0:12:47.520 --> 0:12:49.480
<v Speaker 1>You guys are wearing the same goddamn shoe today.

0:12:49.559 --> 0:12:51.600
<v Speaker 3>Yeah, you have an amazing point.

0:12:52.080 --> 0:12:54.000
<v Speaker 2>I don't know if my arch is non existent.

0:12:54.559 --> 0:12:56.679
<v Speaker 3>I think, what do you mean non existent? Like you're

0:12:56.720 --> 0:12:57.160
<v Speaker 3>just flat?

0:12:57.280 --> 0:12:59.000
<v Speaker 1>You're currently I'm flat.

0:12:59.200 --> 0:12:59.679
<v Speaker 3>I'm flat?

0:12:59.760 --> 0:13:03.640
<v Speaker 2>Really you wait, we're just gonna step on I don't think.

0:13:03.559 --> 0:13:05.680
<v Speaker 3>So, honey, are you gonna steal on it right now?

0:13:05.960 --> 0:13:09.160
<v Speaker 2>I feel like sounds like you have some foot in security.

0:13:09.720 --> 0:13:14.240
<v Speaker 5>Oh no, no, no, no sounds like no no, no no,

0:13:14.559 --> 0:13:15.840
<v Speaker 5>because of what I said, because we can't.

0:13:15.960 --> 0:13:20.440
<v Speaker 3>Oh because my ankles. Ankles about my ankles, I just

0:13:20.520 --> 0:13:25.000
<v Speaker 3>sometimes but but yeah, let's make it personal. It's my ankles.

0:13:25.400 --> 0:13:27.120
<v Speaker 3>I actually I would love to talk about feet.

0:13:27.160 --> 0:13:27.640
<v Speaker 2>I have a couple.

0:13:28.080 --> 0:13:37.040
<v Speaker 3>I have a few questions. Over New Year's we were all.

0:13:33.520 --> 0:13:35.960
<v Speaker 2>Well, we were all there there for New Years.

0:13:36.120 --> 0:13:39.679
<v Speaker 3>Over New Year's we were all talking about Wiki feet,

0:13:39.960 --> 0:13:43.600
<v Speaker 3>that's the thing. And I had never explored that platform. Yes,

0:13:43.760 --> 0:13:47.640
<v Speaker 3>and many of our friends have explored it, which I

0:13:47.679 --> 0:13:52.520
<v Speaker 3>was like, okay, totally like I anyway, news to me, Okay,

0:13:52.720 --> 0:13:57.200
<v Speaker 3>there is there's there's ratings, and there are comments. Okay,

0:13:57.480 --> 0:14:01.880
<v Speaker 3>so I have in my mind wide feet. I've just

0:14:01.960 --> 0:14:03.920
<v Speaker 3>noticed this. Okay everyone look.

0:14:04.040 --> 0:14:06.640
<v Speaker 2>Literally no, no.

0:14:05.800 --> 0:14:07.040
<v Speaker 3>This part bone to.

0:14:07.120 --> 0:14:09.120
<v Speaker 1>Bone, well, every honey, everyone's foot there.

0:14:09.320 --> 0:14:11.440
<v Speaker 3>I know it's the widest part of the foot in theory.

0:14:11.960 --> 0:14:14.200
<v Speaker 3>But I've always felt this, and so I'm for the

0:14:14.200 --> 0:14:16.120
<v Speaker 3>first time in my life over New Years this past

0:14:16.160 --> 0:14:18.920
<v Speaker 3>year on Wiki feet with everyone, and I come across

0:14:19.000 --> 0:14:23.320
<v Speaker 3>a comment about my own that this this man wasn't

0:14:23.360 --> 0:14:27.440
<v Speaker 3>writing from a place of like any fetish or like

0:14:27.520 --> 0:14:29.720
<v Speaker 3>there was no sexual angle. It was as if he

0:14:30.000 --> 0:14:34.240
<v Speaker 3>was a doctor, going like, I fear she might have

0:14:34.360 --> 0:14:35.920
<v Speaker 3>like a bunion in her future.

0:14:36.280 --> 0:14:38.560
<v Speaker 2>You don't have a bunyan girl in your future. In

0:14:38.600 --> 0:14:42.400
<v Speaker 2>my future, we don't know psychic and you wish she

0:14:42.440 --> 0:14:44.320
<v Speaker 2>had had more of a sexual fetish. She sort of

0:14:44.400 --> 0:14:45.480
<v Speaker 2>angle to it. No, No, I.

0:14:45.600 --> 0:14:48.840
<v Speaker 3>Definitely I wasn't like damn it, but I was a no.

0:14:48.960 --> 0:14:51.480
<v Speaker 3>But I was then curious, like and so and so,

0:14:51.720 --> 0:14:55.160
<v Speaker 3>having already noticed when I put on heels that are

0:14:55.200 --> 0:14:59.120
<v Speaker 3>like meant for like a lady, sometimes my foot feels

0:14:59.160 --> 0:15:02.360
<v Speaker 3>too wide to go in section. So anyway, basically, no,

0:15:02.400 --> 0:15:04.560
<v Speaker 3>I'm like, is he right? And then like and that,

0:15:04.680 --> 0:15:07.160
<v Speaker 3>I wonder like, is there something preventive that I could

0:15:07.160 --> 0:15:07.520
<v Speaker 3>be doing.

0:15:07.720 --> 0:15:08.880
<v Speaker 2>I feel like I'm onto something.

0:15:09.000 --> 0:15:11.200
<v Speaker 3>Okay, you are.

0:15:11.360 --> 0:15:14.120
<v Speaker 2>You are spiraling with this man's voice in your.

0:15:14.000 --> 0:15:16.200
<v Speaker 3>Head about everything feet, about.

0:15:15.960 --> 0:15:17.760
<v Speaker 2>Everything feet and everything.

0:15:18.960 --> 0:15:21.520
<v Speaker 1>You so much you just you just locked it in

0:15:21.880 --> 0:15:23.360
<v Speaker 1>the title of that is everything feet.

0:15:23.440 --> 0:15:24.600
<v Speaker 3>That guy's gonna love it.

0:15:24.920 --> 0:15:29.200
<v Speaker 2>Of course, I will say, I feel like I have

0:15:29.320 --> 0:15:32.520
<v Speaker 2>some of the most beautiful feet in the history of man.

0:15:33.360 --> 0:15:34.880
<v Speaker 3>I'm not going to ask you to show him, but

0:15:35.280 --> 0:15:39.840
<v Speaker 3>I will find you on WOOKI feet? Have you looked

0:15:39.880 --> 0:15:40.400
<v Speaker 3>up your score?

0:15:40.520 --> 0:15:41.680
<v Speaker 1>I've looked on it. I'm one of those frees.

0:15:41.880 --> 0:15:46.840
<v Speaker 3>One of our friends, she was so proud about being

0:15:46.880 --> 0:15:51.960
<v Speaker 3>the highest ranking member in the group that like.

0:15:53.240 --> 0:15:54.080
<v Speaker 1>You're too proud.

0:15:54.120 --> 0:15:56.640
<v Speaker 2>You said, you're too proud, And I was.

0:15:56.560 --> 0:15:58.760
<v Speaker 3>Like, but I would also probably react that way if

0:15:58.800 --> 0:16:02.000
<v Speaker 3>there weren't doctors in my in my forum.

0:16:02.440 --> 0:16:04.760
<v Speaker 2>Sure, but I think the way I feel about my

0:16:04.840 --> 0:16:07.480
<v Speaker 2>feet is I need I need to apply this. I

0:16:07.520 --> 0:16:09.360
<v Speaker 2>need to I need to be written large in terms

0:16:09.400 --> 0:16:11.640
<v Speaker 2>of my whole life, where I'm like, oh, it doesn't

0:16:11.680 --> 0:16:13.280
<v Speaker 2>matter what other people think because my rating on wiki

0:16:13.320 --> 0:16:16.240
<v Speaker 2>feed is in the gutter what And I'm like, I

0:16:16.320 --> 0:16:19.400
<v Speaker 2>don't care. This is actually dead wrong.

0:16:19.200 --> 0:16:21.840
<v Speaker 3>When people review your album like it fucking sucks, but

0:16:21.880 --> 0:16:23.040
<v Speaker 3>it's like I had a fun.

0:16:22.880 --> 0:16:24.200
<v Speaker 2>Making it exactly.

0:16:26.320 --> 0:16:28.840
<v Speaker 3>It's yeah, you know, it's a part of your soul.

0:16:29.160 --> 0:16:33.080
<v Speaker 1>Well, I feel like my feet are they're they're treating

0:16:33.480 --> 0:16:36.520
<v Speaker 1>if Wicked Feet is Pitchfork, they're treating my feet like

0:16:36.760 --> 0:16:40.080
<v Speaker 1>it's like it's an apple because like, I have a

0:16:40.160 --> 0:16:42.000
<v Speaker 1>very high rating, and I have to tell you, I

0:16:42.000 --> 0:16:44.560
<v Speaker 1>would not describe my feet as Fiona apple coated. I

0:16:44.560 --> 0:16:45.160
<v Speaker 1>think my feet are.

0:16:46.360 --> 0:16:46.440
<v Speaker 6>No.

0:16:46.680 --> 0:16:49.000
<v Speaker 1>Everyone who sees my feet are just like, put those away?

0:16:49.040 --> 0:16:49.520
<v Speaker 3>What do you mean?

0:16:49.600 --> 0:16:49.840
<v Speaker 2>Wait?

0:16:49.880 --> 0:16:52.760
<v Speaker 1>Hold on, My friend Dave calls them the steaks. Jared appy,

0:16:52.840 --> 0:16:56.880
<v Speaker 1>what do you think you hate them? They're bad, They're

0:16:56.920 --> 0:16:57.320
<v Speaker 1>not good.

0:16:57.520 --> 0:16:59.800
<v Speaker 2>Why describe I'm going to be very vulnerable?

0:17:00.000 --> 0:17:02.960
<v Speaker 3>Okay, Well finally I'm was like talking about like.

0:17:04.480 --> 0:17:08.600
<v Speaker 1>You're like a few years ago. A few years ago,

0:17:08.640 --> 0:17:12.560
<v Speaker 1>I made the fatal, the fatal mistake of yes, showering

0:17:12.560 --> 0:17:14.280
<v Speaker 1>at the Hollywood Equinox with no shoes on.

0:17:14.480 --> 0:17:18.080
<v Speaker 3>Oh, this is actually a part of my later really please.

0:17:18.320 --> 0:17:22.120
<v Speaker 1>As a result, I got athlete's foot, and it really

0:17:22.359 --> 0:17:24.280
<v Speaker 1>wasn't good there for a little while, and to the

0:17:24.280 --> 0:17:26.280
<v Speaker 1>point where like it had to be, like I had to,

0:17:26.480 --> 0:17:28.240
<v Speaker 1>I had to start a relationship.

0:17:27.760 --> 0:17:29.080
<v Speaker 3>With Jared is shaking his head.

0:17:29.240 --> 0:17:31.399
<v Speaker 1>You can't believe I'm this candid on the pod?

0:17:31.920 --> 0:17:33.240
<v Speaker 3>Was it visually a thing?

0:17:33.880 --> 0:17:36.960
<v Speaker 1>Just let's just say I was surprised to see my

0:17:37.000 --> 0:17:42.200
<v Speaker 1>wicked feet rating so high. Jesus, last last as long

0:17:42.240 --> 0:17:43.080
<v Speaker 1>as you let it.

0:17:43.119 --> 0:17:44.919
<v Speaker 3>Is it a topical situation.

0:17:44.560 --> 0:17:47.879
<v Speaker 1>Likeream it is, it's very treatable, very curable. It's on

0:17:47.920 --> 0:17:50.080
<v Speaker 1>this foot, it's on where is it?

0:17:50.600 --> 0:17:50.639
<v Speaker 3>No?

0:17:50.960 --> 0:17:51.800
<v Speaker 2>No, no, it was.

0:17:51.840 --> 0:17:55.080
<v Speaker 1>It was on both feet. That's how fungus works. Here's

0:17:55.440 --> 0:17:57.080
<v Speaker 1>here's the thing about feet.

0:17:57.119 --> 0:17:58.720
<v Speaker 3>Though I love topical creed.

0:18:00.440 --> 0:18:01.960
<v Speaker 2>I love topical Do they work?

0:18:02.480 --> 0:18:06.480
<v Speaker 3>I don't know. It's always like results in better over times, like.

0:18:07.840 --> 0:18:11.560
<v Speaker 1>Results in time, results in time. You will see results

0:18:11.560 --> 0:18:11.840
<v Speaker 1>in time.

0:18:11.960 --> 0:18:12.040
<v Speaker 3>Ess.

0:18:12.040 --> 0:18:14.480
<v Speaker 1>Actually, with the culture number nine, you will see results

0:18:14.480 --> 0:18:14.920
<v Speaker 1>in time.

0:18:16.480 --> 0:18:17.520
<v Speaker 2>Did you just have a breakup?

0:18:17.640 --> 0:18:18.000
<v Speaker 3>Honey?

0:18:18.160 --> 0:18:20.880
<v Speaker 1>Time, honey, You're gonna love time?

0:18:22.320 --> 0:18:23.760
<v Speaker 2>Honey, baby, oh baby, time.

0:18:24.359 --> 0:18:24.719
<v Speaker 3>Time.

0:18:26.960 --> 0:18:28.080
<v Speaker 1>The description is time.

0:18:28.280 --> 0:18:30.760
<v Speaker 2>I think if someone were to, if you were to,

0:18:31.680 --> 0:18:36.200
<v Speaker 2>if Jared were to describe why Matt's theater bad qualitatively,

0:18:36.280 --> 0:18:39.320
<v Speaker 2>you would And I thought they were flowing away from it.

0:18:39.520 --> 0:18:41.880
<v Speaker 2>Why they're bad. I think this should be the topic

0:18:41.920 --> 0:18:44.240
<v Speaker 2>of the whole episode. Feed everything.

0:18:45.960 --> 0:18:46.800
<v Speaker 3>I know because I listen.

0:18:47.200 --> 0:18:49.200
<v Speaker 1>Well, you know, the only other time we did that

0:18:49.400 --> 0:18:51.320
<v Speaker 1>was when Iowa Deputy was on a few years ago

0:18:51.359 --> 0:18:56.280
<v Speaker 1>and we talked only about Omerosaile was when she came

0:18:56.280 --> 0:18:59.040
<v Speaker 1>out and said everyone will bow down to the most

0:18:59.200 --> 0:19:01.879
<v Speaker 1>powerful man in the universe. And we always start the

0:19:01.880 --> 0:19:04.399
<v Speaker 1>episode with the dingdong, except that episode, we started with

0:19:04.440 --> 0:19:07.560
<v Speaker 1>that voiceover and the three of us just screamed about

0:19:07.560 --> 0:19:09.680
<v Speaker 1>Amosa for the whole app.

0:19:12.160 --> 0:19:13.440
<v Speaker 2>Have you ever realized.

0:19:13.080 --> 0:19:15.560
<v Speaker 1>Your car just doesn't fit your life anymore? Like maybe

0:19:15.560 --> 0:19:18.080
<v Speaker 1>you've got a new job, or you've moved, or your

0:19:18.119 --> 0:19:20.679
<v Speaker 1>family's grown, or maybe you're just ready for something different.

0:19:20.800 --> 0:19:23.760
<v Speaker 2>Yeah, that new chapter feeling is exciting, and sometimes it

0:19:23.760 --> 0:19:26.440
<v Speaker 2>comes with a new car. When it's time to shop,

0:19:26.480 --> 0:19:28.680
<v Speaker 2>it can feel overwhelming, though totally.

0:19:29.119 --> 0:19:31.480
<v Speaker 1>There are so many options, so many places to look.

0:19:31.560 --> 0:19:34.960
<v Speaker 1>You could spend weeks bouncing between websites and dealerships trying

0:19:34.960 --> 0:19:37.520
<v Speaker 1>to figure out what actually works. That's why I always

0:19:37.560 --> 0:19:38.760
<v Speaker 1>start with cars dot com.

0:19:38.800 --> 0:19:42.639
<v Speaker 2>Cars dot com brings together over two million new and

0:19:42.760 --> 0:19:45.840
<v Speaker 2>used cars nationwide, all in one place. So whether you

0:19:45.880 --> 0:19:48.040
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0:19:48.040 --> 0:19:50.919
<v Speaker 2>got real choices, everything from compact cars for your commute

0:19:50.960 --> 0:19:53.720
<v Speaker 2>to SUVs for family trips or trucks for hauling gear.

0:19:53.880 --> 0:19:55.560
<v Speaker 2>And it's not just a list.

0:19:55.760 --> 0:19:58.720
<v Speaker 1>Cars dot com has tools and expert advice to help

0:19:58.760 --> 0:20:02.040
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0:20:02.080 --> 0:20:05.680
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0:20:06.040 --> 0:20:09.239
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0:20:09.280 --> 0:20:09.719
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0:20:09.920 --> 0:20:13.040
<v Speaker 2>Plus the site has real reviews from people about dealerships

0:20:13.040 --> 0:20:14.960
<v Speaker 2>and transparent del rating so you can see whether the

0:20:14.960 --> 0:20:17.000
<v Speaker 2>price you're looking at is fair compared to other cars

0:20:17.040 --> 0:20:19.800
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0:20:19.840 --> 0:20:23.399
<v Speaker 1>That combination of clarity and choice really takes the stress

0:20:23.400 --> 0:20:26.040
<v Speaker 1>out of car shopping. It lets you focus on what matters,

0:20:26.240 --> 0:20:28.280
<v Speaker 1>finding the car that works for your life, your plans,

0:20:28.320 --> 0:20:29.119
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0:20:29.359 --> 0:20:33.680
<v Speaker 2>So don't take any chances. Do car shopping the easy way.

0:20:34.000 --> 0:20:37.880
<v Speaker 2>Start your search with cars dot com. We're too next.

0:20:38.280 --> 0:20:39.840
<v Speaker 2>Are you hitting up theater while you're in?

0:20:40.119 --> 0:20:40.399
<v Speaker 1>You're not?

0:20:40.640 --> 0:20:44.080
<v Speaker 3>I am not. I wish I was here any longer.

0:20:43.760 --> 0:20:46.480
<v Speaker 2>Than speaking of writing, Yes, what are you? I want

0:20:46.480 --> 0:20:49.040
<v Speaker 2>to know what y'all you two are writing about? Because

0:20:49.080 --> 0:20:50.160
<v Speaker 2>you're such beautiful pals.

0:20:51.600 --> 0:20:53.879
<v Speaker 3>We check in and catch We check in kind of

0:20:53.920 --> 0:20:57.000
<v Speaker 3>like I check in with you more than money that

0:20:57.080 --> 0:20:58.080
<v Speaker 3>I've known intimately for.

0:20:58.359 --> 0:21:00.480
<v Speaker 1>Viewers, well, because I feel I do, and I'm just

0:21:00.480 --> 0:21:02.359
<v Speaker 1>gonna say this, I do feel connected to you.

0:21:02.760 --> 0:21:05.720
<v Speaker 3>Very It's very like this is not our first life together.

0:21:05.880 --> 0:21:06.280
<v Speaker 2>I really.

0:21:06.359 --> 0:21:08.720
<v Speaker 1>I was like, they were like, Okay, well, Gracie's ready

0:21:08.760 --> 0:21:10.200
<v Speaker 1>to come in, and I was like, I'm not meeting

0:21:10.240 --> 0:21:13.720
<v Speaker 1>her on the camera walking in there because I saw

0:21:13.720 --> 0:21:15.240
<v Speaker 1>you guys do a TikTok together at us.

0:21:15.160 --> 0:21:18.600
<v Speaker 3>Immediately dropped to my knees. I'm like sorry to everyone

0:21:18.600 --> 0:21:21.280
<v Speaker 3>else in the room. Well, I found out that you

0:21:21.840 --> 0:21:25.200
<v Speaker 3>liked our show when warm Anyway.

0:21:25.200 --> 0:21:26.840
<v Speaker 1>I found that you liked our show when you saw

0:21:26.960 --> 0:21:30.680
<v Speaker 1>Hannah Einbinder on it and she cried delicious at the top.

0:21:30.960 --> 0:21:36.040
<v Speaker 3>Yeah, I I wish I were capable of accessing like tears.

0:21:36.280 --> 0:21:36.720
<v Speaker 2>You can't.

0:21:37.080 --> 0:21:41.880
<v Speaker 3>I mean I could go there, I could go there.

0:21:41.960 --> 0:21:46.120
<v Speaker 1>What about your upcoming potentially, well, you have to cry

0:21:46.119 --> 0:21:47.320
<v Speaker 1>in your upcoming film debut?

0:21:48.080 --> 0:21:54.440
<v Speaker 3>Oh shit, oh shit, I'm going to just drink nothing.

0:21:54.880 --> 0:22:00.200
<v Speaker 3>I don't, I don't think so what can I say? Well, well,

0:22:00.240 --> 0:22:02.480
<v Speaker 3>have you seen Helena's previous.

0:22:02.119 --> 0:22:03.240
<v Speaker 1>We're fans of Helen's.

0:22:03.960 --> 0:22:07.959
<v Speaker 3>She's she would be incredible on this podcast because she

0:22:08.080 --> 0:22:10.800
<v Speaker 3>is just the most Have you met her.

0:22:11.040 --> 0:22:14.159
<v Speaker 1>No, but I've heard that she is a very vivid character.

0:22:14.800 --> 0:22:18.240
<v Speaker 3>A hundred Yeah, she's really She's a really an amazing person.

0:22:18.320 --> 0:22:20.720
<v Speaker 3>And I just whenever she speaks about anything, I'm like,

0:22:21.880 --> 0:22:22.560
<v Speaker 3>give her the mic.

0:22:22.720 --> 0:22:24.800
<v Speaker 1>I've been waiting for you to get on camera in

0:22:24.800 --> 0:22:28.119
<v Speaker 1>anacting way. I do feel you are a superstar.

0:22:28.440 --> 0:22:30.880
<v Speaker 3>Well, that's generous and you got it. Well, I will

0:22:30.880 --> 0:22:36.080
<v Speaker 3>take that from you because it's Helena. To me, Helena,

0:22:36.080 --> 0:22:38.719
<v Speaker 3>it's Helena. It's Elena. She is she is. When I

0:22:38.880 --> 0:22:41.639
<v Speaker 3>when I read the script that she wrote, I was like,

0:22:41.720 --> 0:22:44.240
<v Speaker 3>what the And she sent it to me just being like,

0:22:44.240 --> 0:22:45.720
<v Speaker 3>would you ever want to read it? And I was like,

0:22:45.880 --> 0:22:47.959
<v Speaker 3>not thinking she was asking me to read it in

0:22:48.000 --> 0:22:52.000
<v Speaker 3>the sense of like motive, but I just loved her.

0:22:52.000 --> 0:22:54.440
<v Speaker 3>We got breakfast three years ago once because a friend

0:22:54.440 --> 0:22:57.199
<v Speaker 3>connected us, and it was similarly to I was like,

0:22:57.280 --> 0:23:00.439
<v Speaker 3>I have known you, I've known you before, and and

0:23:00.480 --> 0:23:04.680
<v Speaker 3>then and then the next time he communicated was when

0:23:04.720 --> 0:23:06.199
<v Speaker 3>she sent me the script.

0:23:06.359 --> 0:23:08.160
<v Speaker 1>How are you with milk? There's a lot of milk

0:23:08.200 --> 0:23:09.080
<v Speaker 1>on her sets.

0:23:10.119 --> 0:23:12.200
<v Speaker 3>Actually, actually there is milk.

0:23:12.280 --> 0:23:13.760
<v Speaker 1>Actually there's a film.

0:23:13.800 --> 0:23:22.240
<v Speaker 3>There's good guys, so many glasses of tall, tall milk everywhere.

0:23:22.280 --> 0:23:25.600
<v Speaker 3>Now no more glasses of milk as far as I'm concerned,

0:23:25.680 --> 0:23:32.399
<v Speaker 3>But movies, maybe the set designer will like, yeah, there

0:23:32.480 --> 0:23:33.240
<v Speaker 3>might be pissed.

0:23:34.280 --> 0:23:36.080
<v Speaker 2>Here's a tip on crying. I don't think this has

0:23:36.119 --> 0:23:41.120
<v Speaker 2>worked on me. Imagine there's a column within you, a column,

0:23:41.240 --> 0:23:45.520
<v Speaker 2>a column whatever. Ionic uh, Corinthian, I don't even know

0:23:45.560 --> 0:23:46.320
<v Speaker 2>what the other columns are.

0:23:46.400 --> 0:23:48.760
<v Speaker 1>Do you know the difference between Ionic and Corinthian columns.

0:23:48.800 --> 0:23:51.399
<v Speaker 3>I'm gonna if you're going to give more contexts, I

0:23:51.480 --> 0:23:53.600
<v Speaker 3>might be able to use context clues.

0:23:53.840 --> 0:23:55.040
<v Speaker 2>Just a column.

0:23:55.080 --> 0:23:58.280
<v Speaker 1>I believe Corinthian have the lines straight down, of.

0:23:58.320 --> 0:24:01.359
<v Speaker 3>Course, I'm just sorry they of course, But what was

0:24:01.359 --> 0:24:05.440
<v Speaker 3>the first one? What is an Ionics just a base scroll?

0:24:05.520 --> 0:24:07.040
<v Speaker 2>The scroll at the top still has lines, but then

0:24:07.119 --> 0:24:10.320
<v Speaker 2>Corinthian has like these embellishments like these natural heard just

0:24:10.359 --> 0:24:13.800
<v Speaker 2>imagine a calm within you, huh collapsing.

0:24:14.240 --> 0:24:19.560
<v Speaker 3>That gets you? Okay ready everyone, No, I actually can't.

0:24:19.920 --> 0:24:21.160
<v Speaker 2>Already we're dying.

0:24:21.680 --> 0:24:25.840
<v Speaker 3>Wait, this is like to my reliable place I saw.

0:24:25.960 --> 0:24:29.200
<v Speaker 3>I've been sort of starting to get like on my reels,

0:24:29.520 --> 0:24:32.160
<v Speaker 3>reels is reels is my top?

0:24:32.200 --> 0:24:35.480
<v Speaker 2>All yeah, and it's great, it's so good.

0:24:35.600 --> 0:24:43.159
<v Speaker 3>Way from there, yeah a bit. I've been starting to

0:24:43.200 --> 0:24:46.760
<v Speaker 3>get like I will dwell like just long enough on

0:24:46.760 --> 0:24:52.160
<v Speaker 3>on clips of certain I will dwell long enough, long enough.

0:24:52.160 --> 0:24:55.680
<v Speaker 1>And then and then the algorithms, well, she's dwelling, well,

0:24:56.040 --> 0:24:57.520
<v Speaker 1>our girl is dwelling on this one.

0:24:57.560 --> 0:25:00.760
<v Speaker 7>So yes, of course, the way the algorith famously works,

0:25:00.760 --> 0:25:05.119
<v Speaker 7>and then it'll give me like these these beautiful like

0:25:05.200 --> 0:25:08.480
<v Speaker 7>old women talking about how they make themselves, crying like

0:25:08.560 --> 0:25:10.200
<v Speaker 7>I will, like I will, like just.

0:25:10.280 --> 0:25:13.080
<v Speaker 3>Me in my room. I've been doing that at the

0:25:13.160 --> 0:25:15.960
<v Speaker 3>end of these long days and like go there.

0:25:15.960 --> 0:25:21.880
<v Speaker 1>And do you in the mirror you're always yeah, literally,

0:25:22.400 --> 0:25:24.040
<v Speaker 1>then by the end of this we will oh my god,

0:25:24.040 --> 0:25:25.080
<v Speaker 1>oh my god, my god, my god.

0:25:25.600 --> 0:25:26.680
<v Speaker 2>And you put your lip too.

0:25:26.600 --> 0:25:27.159
<v Speaker 1>Looking at.

0:25:28.520 --> 0:25:30.320
<v Speaker 3>Imagine the most devastating.

0:25:33.040 --> 0:25:38.720
<v Speaker 2>Affected real shorts.

0:25:38.760 --> 0:25:48.359
<v Speaker 3>TikTok uh reel shorts. I don't well, I have kill shorts.

0:25:48.840 --> 0:25:55.960
<v Speaker 3>Sorry it also YouTube you do I've never been I

0:25:56.160 --> 0:25:57.720
<v Speaker 3>never I have.

0:25:58.119 --> 0:25:59.680
<v Speaker 1>It's never never watch a short?

0:25:59.800 --> 0:26:05.040
<v Speaker 3>Well, kill TikTok. And also, by the way, well all

0:26:05.359 --> 0:26:05.840
<v Speaker 3>you all go.

0:26:05.880 --> 0:26:08.760
<v Speaker 2>And then off kill TikTok. I'm marrying shorts because it's

0:26:08.800 --> 0:26:10.080
<v Speaker 2>usually like recipes and wholes.

0:26:10.400 --> 0:26:12.840
<v Speaker 3>You've never been on shorts? Are you on your phone?

0:26:14.080 --> 0:26:15.680
<v Speaker 2>Like like everything else gets it because it's how the

0:26:15.680 --> 0:26:17.440
<v Speaker 2>olgorithm works to it's just here's.

0:26:17.160 --> 0:26:19.520
<v Speaker 3>A short, wait but wait, but no, but I've never

0:26:19.880 --> 0:26:21.440
<v Speaker 3>I've never been fed a short.

0:26:21.480 --> 0:26:23.000
<v Speaker 1>Do you go on YouTube for fun?

0:26:23.080 --> 0:26:28.439
<v Speaker 3>Like I've ever been fed a short?

0:26:27.320 --> 0:26:27.480
<v Speaker 1>Never?

0:26:28.880 --> 0:26:32.159
<v Speaker 3>Seriously? Where you on YouTube and you on your phone?

0:26:32.640 --> 0:26:32.840
<v Speaker 2>Yeah?

0:26:32.880 --> 0:26:35.560
<v Speaker 1>You just kind of do the thing. I I can't

0:26:35.560 --> 0:26:36.240
<v Speaker 1>explain either.

0:26:36.119 --> 0:26:36.960
<v Speaker 2>How you do?

0:26:37.080 --> 0:26:37.159
<v Speaker 6>No?

0:26:37.480 --> 0:26:41.040
<v Speaker 2>You if you go on YouTube for anything? Yeah, out

0:26:41.040 --> 0:26:44.240
<v Speaker 2>of a video, there's gonna be a hole above the fold.

0:26:44.359 --> 0:26:46.800
<v Speaker 2>They say in web design they have like a they

0:26:46.800 --> 0:26:49.080
<v Speaker 2>have like a row of shorts that are just like

0:26:49.640 --> 0:26:50.520
<v Speaker 2>little clipped.

0:26:50.240 --> 0:26:51.840
<v Speaker 1>Videos watching shorts and you don't even know.

0:26:51.920 --> 0:26:53.080
<v Speaker 2>You don't even know you're watching shorts?

0:26:53.119 --> 0:26:54.200
<v Speaker 3>Are they horizontal?

0:26:55.440 --> 0:26:57.920
<v Speaker 2>So I'm not Can I tell you what I've never

0:26:57.920 --> 0:27:01.919
<v Speaker 2>got yesterday? Vertical integration? Yes, but that's a different vertical.

0:27:02.080 --> 0:27:07.280
<v Speaker 2>Oh right, it's like you're integrating your vertical about columns vertical?

0:27:08.359 --> 0:27:12.280
<v Speaker 1>I cry because of this topic. Okay, so we have

0:27:12.400 --> 0:27:14.359
<v Speaker 1>to ask you the central question of our podcast, and

0:27:14.400 --> 0:27:15.640
<v Speaker 1>I I just know you.

0:27:15.600 --> 0:27:17.639
<v Speaker 2>Came with a with an answer answer.

0:27:18.200 --> 0:27:20.600
<v Speaker 1>I had abrams, what was the culture that made you say?

0:27:20.640 --> 0:27:22.760
<v Speaker 1>Culture was for you? Ultimately?

0:27:23.280 --> 0:27:28.359
<v Speaker 3>Ultimately it was pure heroin God. Ultimately it was.

0:27:30.040 --> 0:27:31.800
<v Speaker 1>Of the offerings it was.

0:27:32.440 --> 0:27:35.600
<v Speaker 3>And then I was like, was it Megita Perez? And

0:27:35.640 --> 0:27:38.680
<v Speaker 3>then truly Magita are you?

0:27:38.720 --> 0:27:38.880
<v Speaker 1>No?

0:27:39.000 --> 0:27:40.960
<v Speaker 3>I was like, it was it Magita pres because also

0:27:41.280 --> 0:27:46.040
<v Speaker 3>like forget the Marnie of it all, Magita like now

0:27:46.080 --> 0:27:47.560
<v Speaker 3>and I was gonna say Megita press and then I

0:27:47.560 --> 0:27:51.560
<v Speaker 3>was also thinking like Beach House episode two shots where

0:27:51.680 --> 0:27:53.800
<v Speaker 3>they've had the blow up and they yeah, but the

0:27:53.840 --> 0:27:57.560
<v Speaker 3>nonverbal Marnie comes into the kitchen and they're all cleaning

0:27:57.760 --> 0:27:59.480
<v Speaker 3>and they're not speaking, and then they're still not speaking

0:27:59.520 --> 0:28:01.320
<v Speaker 3>and it's their doing there, and I was like, that

0:28:01.480 --> 0:28:05.080
<v Speaker 3>is I grew up me Audrey, Leela and clem Are

0:28:05.240 --> 0:28:09.080
<v Speaker 3>hour four. That like when I watched Girls when it

0:28:09.119 --> 0:28:11.960
<v Speaker 3>came out, and I was like, too young, and it

0:28:12.080 --> 0:28:14.720
<v Speaker 3>like helped inspire all of the kind of you know,

0:28:14.760 --> 0:28:16.879
<v Speaker 3>it's like what like Adam Driver as a whole, you're

0:28:16.920 --> 0:28:19.879
<v Speaker 3>sort of like you wonder as an adult why certain

0:28:19.920 --> 0:28:22.919
<v Speaker 3>things are like yeah, like why and I'm like, oh,

0:28:22.920 --> 0:28:23.800
<v Speaker 3>because I was twelve.

0:28:24.240 --> 0:28:28.400
<v Speaker 1>Yeah anyway at those dynamics, yes, of course.

0:28:28.600 --> 0:28:33.360
<v Speaker 3>Yeah, whatever, but whatever and anyway, and then so so anyway,

0:28:33.480 --> 0:28:35.240
<v Speaker 3>so I was thinking those Megita, I.

0:28:35.200 --> 0:28:38.680
<v Speaker 1>Just what about Megita the interaction.

0:28:38.440 --> 0:28:43.960
<v Speaker 3>The interaction, I felt like, you just see her, You've

0:28:44.000 --> 0:28:48.040
<v Speaker 3>also she's like, I'm she backs herself. She immediately and

0:28:48.080 --> 0:28:50.240
<v Speaker 3>that smile on her face when she walks with six

0:28:50.320 --> 0:28:53.200
<v Speaker 3>hundred dollars is the biggest smile you see on Marty's

0:28:53.240 --> 0:28:58.720
<v Speaker 3>face except for when Daisy's proposing also when yeah, anyway we.

0:28:58.840 --> 0:29:01.080
<v Speaker 2>Go on, it's pure Haro, it's your heroine. But hold

0:29:01.080 --> 0:29:04.360
<v Speaker 2>on before we go back to your Haroin. That is it.

0:29:05.480 --> 0:29:09.320
<v Speaker 2>I've never been more shook on this podcast.

0:29:09.520 --> 0:29:11.200
<v Speaker 1>He only ever wants to talk about Megita.

0:29:11.360 --> 0:29:15.280
<v Speaker 2>No hype. Yeah, I think Perez like once a week.

0:29:15.480 --> 0:29:20.040
<v Speaker 3>Yeah, Allison is going to be the car here. And

0:29:20.080 --> 0:29:23.080
<v Speaker 3>I was like, I had this like impulse to not

0:29:23.280 --> 0:29:26.440
<v Speaker 3>change my handle on Instagram, just changed my name.

0:29:28.280 --> 0:29:32.640
<v Speaker 1>That would be really strong for forty eight hours twenty four.

0:29:33.080 --> 0:29:40.720
<v Speaker 3>Yeah. Right, It's like part of album promound.

0:29:37.680 --> 0:29:41.120
<v Speaker 2>Like pop craves, like a track called Gita.

0:29:40.840 --> 0:29:43.920
<v Speaker 3>Perez is Megita on the album.

0:29:44.120 --> 0:29:48.080
<v Speaker 2>You have to wear the the red halter, the red halter,

0:29:48.200 --> 0:29:48.640
<v Speaker 2>Oh my god.

0:29:48.640 --> 0:29:51.280
<v Speaker 3>When she goes the slit up the front.

0:29:51.320 --> 0:29:53.520
<v Speaker 2>But the way she says Megita, Perez.

0:29:54.600 --> 0:29:58.280
<v Speaker 3>Meggita but she doesn't Mekita. Period.

0:29:59.560 --> 0:30:02.080
<v Speaker 2>There's a little, a little roll in the army, Mikita

0:30:02.160 --> 0:30:06.960
<v Speaker 2>pet What did she say? I find if I go,

0:30:07.320 --> 0:30:08.000
<v Speaker 2>if I go about the.

0:30:07.920 --> 0:30:11.480
<v Speaker 3>Two hundred extra, if I'm going above the tenth floor.

0:30:11.400 --> 0:30:13.080
<v Speaker 2>And then she talks her behind he she goes, I

0:30:13.120 --> 0:30:14.960
<v Speaker 2>have a fear of heights.

0:30:15.280 --> 0:30:18.480
<v Speaker 1>Yeah, she's an like two hundred extra if I go

0:30:18.520 --> 0:30:20.400
<v Speaker 1>above the tenth floor, like she has some like fear

0:30:20.480 --> 0:30:22.480
<v Speaker 1>that they can pay for It's incredible.

0:30:22.600 --> 0:30:26.200
<v Speaker 3>There's but there's two. There's two, she gets, she gets,

0:30:26.240 --> 0:30:29.160
<v Speaker 3>there's another. Feel what's the other feet above the tenth floor?

0:30:29.480 --> 0:30:30.040
<v Speaker 2>Dress? Rental?

0:30:30.200 --> 0:30:30.800
<v Speaker 1>Dress?

0:30:30.800 --> 0:30:33.840
<v Speaker 2>Oh my god, Oh my god, dress rental one hundred

0:30:34.280 --> 0:30:35.800
<v Speaker 2>unless you want me to come in my jeane.

0:30:36.880 --> 0:30:39.280
<v Speaker 1>Way, Can I point out you're sort of the Megita

0:30:39.360 --> 0:30:46.560
<v Speaker 1>red You sort of came dress where.

0:30:48.360 --> 0:30:49.280
<v Speaker 3>Color of the year.

0:30:51.080 --> 0:30:52.200
<v Speaker 1>Megita red.

0:30:52.720 --> 0:30:53.640
<v Speaker 3>Anyway, but it was pure haro.

0:30:53.760 --> 0:30:55.000
<v Speaker 2>Okay, let's talk about your heroin.

0:30:55.520 --> 0:30:57.479
<v Speaker 1>I also have a formative experience with it.

0:30:57.480 --> 0:31:01.600
<v Speaker 3>It's when I started smoking we okay, so okay, right,

0:31:01.680 --> 0:31:06.400
<v Speaker 3>So talking about it, well, I felt like there's lots

0:31:06.440 --> 0:31:09.960
<v Speaker 3>to say the I feel like there are these moments,

0:31:10.200 --> 0:31:15.200
<v Speaker 3>you know, like Buyork and Kate Bush and like Rosalia,

0:31:15.320 --> 0:31:20.200
<v Speaker 3>like subverting pop and just redefining it. And I felt,

0:31:20.720 --> 0:31:25.600
<v Speaker 3>you know, Lord who has since become such a dear friend,

0:31:25.680 --> 0:31:28.800
<v Speaker 3>and so all of these memories are so hysterical and

0:31:28.960 --> 0:31:32.520
<v Speaker 3>even more important than they were then because I get

0:31:32.560 --> 0:31:35.640
<v Speaker 3>to like love her so much for the quality of

0:31:35.680 --> 0:31:38.080
<v Speaker 3>human being that she is. She was like a couple

0:31:38.200 --> 0:31:41.040
<v Speaker 3>years older than me, and I was fourteen when Peter

0:31:41.120 --> 0:31:43.560
<v Speaker 3>Heroin came out, And that week that it came out,

0:31:43.560 --> 0:31:46.560
<v Speaker 3>she was having a show at the Fonda in LA

0:31:48.160 --> 0:31:50.920
<v Speaker 3>and I went, and it was the first show I've

0:31:50.960 --> 0:31:56.200
<v Speaker 3>ever seen where like the concept of potentially performing was like,

0:31:56.920 --> 0:31:59.000
<v Speaker 3>that was the first time I was ever not like

0:32:00.160 --> 0:32:03.160
<v Speaker 3>absolutely fucking never, because.

0:32:02.560 --> 0:32:04.320
<v Speaker 2>That's what it was before that. No, that was That's

0:32:04.320 --> 0:32:04.640
<v Speaker 2>what it.

0:32:04.600 --> 0:32:08.640
<v Speaker 3>Was like forever. Yeah, But seeing her know herself and

0:32:08.720 --> 0:32:11.760
<v Speaker 3>also just be up there and command the crowd and

0:32:11.800 --> 0:32:15.000
<v Speaker 3>not have like this flashy it was just her. She

0:32:15.080 --> 0:32:17.400
<v Speaker 3>was she had her like long curly black hair, and

0:32:17.440 --> 0:32:21.760
<v Speaker 3>she was wearing this huge, like it felt like a cape,

0:32:21.800 --> 0:32:24.840
<v Speaker 3>like this long black dress, and it was just her

0:32:24.880 --> 0:32:27.400
<v Speaker 3>and it just blew my mind and rocked my world.

0:32:27.440 --> 0:32:31.160
<v Speaker 3>And I feel like it's always stuck with me in

0:32:31.200 --> 0:32:31.800
<v Speaker 3>that same.

0:32:31.840 --> 0:32:35.520
<v Speaker 2>Yes, of course, because we were in college when Royals

0:32:35.560 --> 0:32:37.480
<v Speaker 2>came out. I remember this. I was like, I was

0:32:37.520 --> 0:32:39.360
<v Speaker 2>living in Crown Heights. I was like, I don't know

0:32:39.360 --> 0:32:40.880
<v Speaker 2>what my life is. I gotta figure this out. I

0:32:40.920 --> 0:32:43.000
<v Speaker 2>like pulled out of med school applications. I was like,

0:32:43.440 --> 0:32:47.520
<v Speaker 2>I gotta really rethink things. But something about pure Haroin

0:32:47.640 --> 0:32:50.960
<v Speaker 2>like soundtracked, like I think it's time, but I think

0:32:50.960 --> 0:32:55.120
<v Speaker 2>it timestamps everyone's life. Yes, you know, and within a

0:32:55.120 --> 0:32:57.479
<v Speaker 2>certain like age bracket or whatever in terms of like

0:32:57.520 --> 0:33:00.160
<v Speaker 2>whatever you were going through, it's it's pure hair. When

0:33:00.200 --> 0:33:01.680
<v Speaker 2>it's all it's like agree.

0:33:01.680 --> 0:33:04.080
<v Speaker 3>And I loved how dark it was yep, yeah, yeah,

0:33:04.120 --> 0:33:07.080
<v Speaker 3>And I think when you're like a tumblr middle schooler

0:33:07.720 --> 0:33:11.360
<v Speaker 3>and it just was it was exactly perfect. It was

0:33:11.400 --> 0:33:12.160
<v Speaker 3>exactly perfect.

0:33:12.200 --> 0:33:14.880
<v Speaker 1>I'll never forget. Like really listening to four hundred Lucks,

0:33:16.000 --> 0:33:16.400
<v Speaker 1>I was like.

0:33:16.760 --> 0:33:18.640
<v Speaker 2>How old is she really?

0:33:18.760 --> 0:33:21.520
<v Speaker 1>It really didn't make any sense and all those signs were.

0:33:21.960 --> 0:33:23.120
<v Speaker 3>You eight hundred?

0:33:23.480 --> 0:33:26.959
<v Speaker 1>Yeah, it's it's pretty wild.

0:33:27.320 --> 0:33:31.360
<v Speaker 3>She's like an owl inside, yes, her beautiful body.

0:33:31.520 --> 0:33:35.960
<v Speaker 1>There was just there was just something that was so like, yeah,

0:33:36.000 --> 0:33:39.120
<v Speaker 1>it just that was when I in the West Village.

0:33:39.520 --> 0:33:43.680
<v Speaker 1>This was it for me, West Village in my tiny apartment,

0:33:44.040 --> 0:33:46.280
<v Speaker 1>smoking weed for the first time and walking around the

0:33:46.280 --> 0:33:50.000
<v Speaker 1>West Village like we're getting good at this, yes, and

0:33:50.160 --> 0:33:52.840
<v Speaker 1>like it was just like the girl was fourteen years

0:33:52.880 --> 0:33:54.680
<v Speaker 1>old and I'm vibing out.

0:33:54.920 --> 0:33:57.760
<v Speaker 3>Yeah totally. And also I felt like I because she

0:33:57.760 --> 0:34:00.120
<v Speaker 3>she I think she's like two years older than me.

0:34:00.520 --> 0:34:05.040
<v Speaker 3>And I was like, I feel like there was that

0:34:05.240 --> 0:34:08.120
<v Speaker 3>was just the time where I was like really yearning

0:34:08.480 --> 0:34:10.919
<v Speaker 3>to like break free, yeah you know what I mean?

0:34:11.000 --> 0:34:12.520
<v Speaker 3>And that album makes you want.

0:34:12.320 --> 0:34:16.520
<v Speaker 1>To like lead to lead, Yeah, go somewhere else.

0:34:16.600 --> 0:34:20.640
<v Speaker 3>And I didn't have my license yet and like long

0:34:20.800 --> 0:34:23.840
<v Speaker 3>reax exactly our exit music.

0:34:25.920 --> 0:34:26.879
<v Speaker 1>That's good for later.

0:34:27.040 --> 0:34:29.080
<v Speaker 3>You guys are so many great segments on this show.

0:34:29.120 --> 0:34:31.400
<v Speaker 1>Can I tell you that's shocking to hear because they

0:34:31.440 --> 0:34:33.080
<v Speaker 1>literally sat us down the first day we ever had

0:34:33.120 --> 0:34:34.719
<v Speaker 1>the podcast. I was like, oh, before we record, you

0:34:34.760 --> 0:34:38.359
<v Speaker 1>guys should probably have segments and we were like, oh, wow,

0:34:38.440 --> 0:34:40.000
<v Speaker 1>I don't think so, honey, Yeah.

0:34:40.000 --> 0:34:41.759
<v Speaker 3>Did you come up with it on the spot.

0:34:41.800 --> 0:34:44.120
<v Speaker 1>It was something we used to say to each other, are.

0:34:43.960 --> 0:34:45.520
<v Speaker 3>You still working with those people?

0:34:45.719 --> 0:34:48.239
<v Speaker 1>Which person no.

0:34:47.640 --> 0:34:49.319
<v Speaker 3>So don't you feel kind of.

0:34:49.520 --> 0:34:52.879
<v Speaker 2>But the beautiful thing about the podcast is that people

0:34:52.880 --> 0:34:55.400
<v Speaker 2>say otherwise, it really hasn't changed, Like formally, it's been

0:34:55.440 --> 0:34:55.719
<v Speaker 2>the same.

0:34:55.800 --> 0:34:56.120
<v Speaker 1>He starts.

0:34:56.120 --> 0:34:58.440
<v Speaker 3>Do you know the people.

0:34:58.239 --> 0:35:02.200
<v Speaker 1>Think about the podcast is it is really the same.

0:35:02.760 --> 0:35:08.640
<v Speaker 3>Peacock on the radio show. But how long has it

0:35:08.680 --> 0:35:10.520
<v Speaker 3>been now that what the hell?

0:35:11.320 --> 0:35:13.520
<v Speaker 1>When did you first hear that we were a podcast?

0:35:13.640 --> 0:35:17.360
<v Speaker 3>I mean, it's like always been In. It's one of

0:35:17.400 --> 0:35:19.120
<v Speaker 3>those things though, truly where I actually you know when

0:35:19.160 --> 0:35:21.040
<v Speaker 3>you can't remember a time before something.

0:35:22.120 --> 0:35:24.560
<v Speaker 1>That's sort of like true. So it was it first

0:35:24.680 --> 0:35:27.160
<v Speaker 1>was Lord, then a few years later we decided to

0:35:27.760 --> 0:35:28.200
<v Speaker 1>the podcast.

0:35:28.239 --> 0:35:28.640
<v Speaker 2>It's true.

0:35:28.800 --> 0:35:32.400
<v Speaker 1>I think if there's no pure Heroin, there's no lost culture. Yes, wow,

0:35:32.520 --> 0:35:34.200
<v Speaker 1>because I never started smoking weed, then.

0:35:34.239 --> 0:35:38.839
<v Speaker 3>Exactly, that is the link, that is the link between.

0:35:38.560 --> 0:35:41.160
<v Speaker 2>Everything and everything. What's your favorite song on the album?

0:35:41.239 --> 0:35:45.000
<v Speaker 1>Yeah, come on, I think Ribs Yeah, kind of a

0:35:45.040 --> 0:35:45.719
<v Speaker 1>class I think it.

0:35:45.880 --> 0:35:49.880
<v Speaker 3>Just like that's the one I would choose. Yes, yes, yes, yes.

0:35:50.640 --> 0:35:56.080
<v Speaker 3>And I also think it's like I loved her last

0:35:56.080 --> 0:36:00.560
<v Speaker 3>album so much and also again, I feel like all

0:36:00.600 --> 0:36:04.560
<v Speaker 3>of her albums they came at the exact correct time

0:36:04.760 --> 0:36:09.280
<v Speaker 3>and and this one last year came out the first

0:36:09.320 --> 0:36:13.360
<v Speaker 3>day of Gloston or no the yeah, the Friday of Glastonbury. Yeah,

0:36:13.400 --> 0:36:16.480
<v Speaker 3>and we were in the mud. We were I wish

0:36:16.520 --> 0:36:18.400
<v Speaker 3>it was muddy. We didn't go to most people like

0:36:18.640 --> 0:36:20.520
<v Speaker 3>people were so stoked. Was that that was my first

0:36:20.520 --> 0:36:23.480
<v Speaker 3>one And we were playing Friday night at like seven thirty.

0:36:23.480 --> 0:36:25.840
<v Speaker 3>It was like the it's the best weekend of my life.

0:36:25.960 --> 0:36:27.520
<v Speaker 3>But her album came out that morning and she had

0:36:27.520 --> 0:36:30.560
<v Speaker 3>a surprise show and I wasn't on festival grounds yet,

0:36:30.560 --> 0:36:33.920
<v Speaker 3>but I sat and I got ready to go listening

0:36:33.920 --> 0:36:35.680
<v Speaker 3>to her album and it was just it's the exact

0:36:35.760 --> 0:36:38.320
<v Speaker 3>same feeling. It feels like you're like being like plugged

0:36:38.360 --> 0:36:40.000
<v Speaker 3>into your life.

0:36:40.160 --> 0:36:42.480
<v Speaker 2>Yeah, that's a great way to put it.

0:36:42.560 --> 0:36:45.080
<v Speaker 3>I just love her, you guys.

0:36:45.600 --> 0:36:48.160
<v Speaker 1>She actually was supposed to come in and then we

0:36:48.239 --> 0:36:50.600
<v Speaker 1>had to reschedule or it just didn't end up happening

0:36:50.640 --> 0:36:52.759
<v Speaker 1>for that cycle. But she's been floating around the pod

0:36:52.840 --> 0:36:53.560
<v Speaker 1>for a while.

0:36:53.760 --> 0:36:55.080
<v Speaker 3>She's just the coolest.

0:36:55.200 --> 0:37:02.480
<v Speaker 2>Yeah, she's so cool. Yeah, another common thread you're you

0:37:02.480 --> 0:37:04.880
<v Speaker 2>were speaking you you speak of a lot of people

0:37:05.040 --> 0:37:09.200
<v Speaker 2>whom you love in terms of like a past life.

0:37:09.239 --> 0:37:11.920
<v Speaker 2>Maybe not that you're saying, but this about that lord,

0:37:11.960 --> 0:37:13.880
<v Speaker 2>but it's like she's eight hundred years old. There's an

0:37:13.880 --> 0:37:14.440
<v Speaker 2>awl inside her.

0:37:14.520 --> 0:37:19.040
<v Speaker 1>Yeah, yeah, like there's something spiritual. Do you see the

0:37:19.120 --> 0:37:20.120
<v Speaker 1>animals and everyone?

0:37:20.200 --> 0:37:23.279
<v Speaker 2>Do you see and that's beautiful?

0:37:23.800 --> 0:37:24.560
<v Speaker 1>See the animals?

0:37:25.880 --> 0:37:29.279
<v Speaker 3>You are reminding me of a bumblebee.

0:37:29.719 --> 0:37:33.960
<v Speaker 1>Oh I've never heard that, you are. I've heard seal

0:37:34.120 --> 0:37:36.400
<v Speaker 1>and I've heard every bad dinosaur.

0:37:36.719 --> 0:37:37.360
<v Speaker 3>What the hell?

0:37:37.800 --> 0:37:39.080
<v Speaker 2>I think? I have a lot of friends that want

0:37:39.120 --> 0:37:42.839
<v Speaker 2>to knock me down. Yeah, a sea lion, and I

0:37:42.880 --> 0:37:44.640
<v Speaker 2>see the sea lion of content. It's coming up on

0:37:44.640 --> 0:37:45.399
<v Speaker 2>your reels now too.

0:37:45.480 --> 0:37:47.360
<v Speaker 1>It's a lot of a lot of times I'll be

0:37:47.400 --> 0:37:49.560
<v Speaker 1>on reels now and I'll just flick flick, flick, and

0:37:49.600 --> 0:37:51.719
<v Speaker 1>then I'll see you or or or I don't like.

0:37:52.400 --> 0:37:54.880
<v Speaker 3>Yeah, yeah I don't. I hate when it's the videos

0:37:54.920 --> 0:37:57.239
<v Speaker 3>of them in an institution, I know.

0:37:57.360 --> 0:37:59.160
<v Speaker 1>Okay, So then I choose to this one.

0:37:59.000 --> 0:38:02.080
<v Speaker 3>Great video tation center, and I understand.

0:38:01.640 --> 0:38:03.560
<v Speaker 1>And I think that's what it was, because someone did

0:38:03.560 --> 0:38:05.759
<v Speaker 1>get in my d MS and I did clock that.

0:38:05.880 --> 0:38:08.400
<v Speaker 1>Everything else before they had said was also nasty. But

0:38:08.400 --> 0:38:11.960
<v Speaker 1>they were like, are you posting this this captivated animal?

0:38:11.960 --> 0:38:14.720
<v Speaker 1>I'm like, okay, I I really just loved his energy.

0:38:15.360 --> 0:38:16.640
<v Speaker 3>Yeah, it's everyone.

0:38:16.880 --> 0:38:20.080
<v Speaker 2>So this is this is this is the one thing

0:38:20.840 --> 0:38:24.600
<v Speaker 2>on the internet. It's no, we have to we have

0:38:24.640 --> 0:38:27.200
<v Speaker 2>to contact love, touch to touch.

0:38:27.840 --> 0:38:28.960
<v Speaker 1>My conniverse really ruins.

0:38:29.239 --> 0:38:30.439
<v Speaker 2>I shouldn't have worn socks today.

0:38:30.520 --> 0:38:32.120
<v Speaker 3>No no, no, no, you should have.

0:38:32.360 --> 0:38:34.520
<v Speaker 2>I should have to now. I don't want to wear

0:38:34.520 --> 0:38:35.960
<v Speaker 2>I want to show my ankles because you're gonna make

0:38:36.000 --> 0:38:36.439
<v Speaker 2>fun of them.

0:38:36.600 --> 0:38:38.959
<v Speaker 3>No no, no, no, no, you should no no no, no, no.

0:38:38.840 --> 0:38:46.600
<v Speaker 6>No, no, don't don't wait. No they're gonna smell, no

0:38:47.760 --> 0:38:49.400
<v Speaker 6>freaking out, no no no.

0:38:49.480 --> 0:38:51.920
<v Speaker 3>And they are perfect feet, not now.

0:38:51.840 --> 0:38:55.400
<v Speaker 1>After a petty was hold no no, no, no, I'll do

0:38:55.480 --> 0:38:56.000
<v Speaker 1>I'll do this.

0:38:56.120 --> 0:39:01.520
<v Speaker 3>No suck Matt my shoes off, both of them, perfect feet,

0:39:01.520 --> 0:39:03.759
<v Speaker 3>perfect people. I'm in fact gonna get on wiki feet,

0:39:03.800 --> 0:39:04.960
<v Speaker 3>make a profile.

0:39:04.719 --> 0:39:05.400
<v Speaker 2>And then rate me.

0:39:06.760 --> 0:39:09.400
<v Speaker 1>I like, I think it's better with the song.

0:39:09.320 --> 0:39:10.759
<v Speaker 3>It's better with the sock and ever and no one

0:39:10.800 --> 0:39:11.120
<v Speaker 3>look at me.

0:39:11.120 --> 0:39:13.000
<v Speaker 2>You know, if you went home and there was like

0:39:13.040 --> 0:39:16.239
<v Speaker 2>a bot farm, that would be so funny. If you

0:39:16.360 --> 0:39:17.440
<v Speaker 2>just had a million.

0:39:17.160 --> 0:39:25.480
<v Speaker 3>Fills saying block crazy apron, trust me, trust, trust farm,

0:39:25.800 --> 0:39:28.680
<v Speaker 3>that would be you're a hummingbird to me?

0:39:30.040 --> 0:39:34.359
<v Speaker 1>Sorry being a hummingbird. Aren't we rivals in the fields?

0:39:34.640 --> 0:39:35.359
<v Speaker 3>What are you?

0:39:35.440 --> 0:39:37.239
<v Speaker 1>I just feel like being a hummingbird. They do a

0:39:37.239 --> 0:39:38.120
<v Speaker 1>lot of the same stuff.

0:39:38.160 --> 0:39:39.400
<v Speaker 2>We're both going for the flower.

0:39:39.880 --> 0:39:42.879
<v Speaker 3>But maybe there's a second order though in the is it?

0:39:43.200 --> 0:39:45.200
<v Speaker 1>I think? Well, I guess it would depend what kind

0:39:45.200 --> 0:39:47.680
<v Speaker 1>of be, because there's of course the queen bee, who's

0:39:47.680 --> 0:39:48.560
<v Speaker 1>the top head honcho.

0:39:48.719 --> 0:39:54.040
<v Speaker 2>Would you like that the worker bees connected to the worker? No?

0:39:54.120 --> 0:39:56.040
<v Speaker 1>I just kind of I want some worker bees.

0:39:56.160 --> 0:39:57.040
<v Speaker 3>Oh you lies?

0:39:57.200 --> 0:39:57.480
<v Speaker 6>What's what?

0:39:57.600 --> 0:40:01.279
<v Speaker 2>What's what's grazy? What's grazy? I don't no pressure, I

0:40:01.600 --> 0:40:03.720
<v Speaker 2>have one.

0:40:03.800 --> 0:40:07.200
<v Speaker 1>I was gonna say, really well, because you're a gazelle.

0:40:07.239 --> 0:40:10.359
<v Speaker 1>It's that weird that we both said it. What does

0:40:10.440 --> 0:40:17.160
<v Speaker 1>that elegant one that is inspiring to the other grassland

0:40:17.200 --> 0:40:20.400
<v Speaker 1>animals to leap higher, faster, stronger, earthy?

0:40:20.480 --> 0:40:22.600
<v Speaker 2>But but can thank you?

0:40:23.080 --> 0:40:24.120
<v Speaker 3>That's very nice.

0:40:23.920 --> 0:40:28.080
<v Speaker 1>One who the lions are trying to get, but they're

0:40:28.160 --> 0:40:31.560
<v Speaker 1>often not quick enough because they're thinking one step ahead

0:40:31.600 --> 0:40:35.200
<v Speaker 1>of these lions. Famously, gazelle is absolutely never got attacked

0:40:35.239 --> 0:40:38.000
<v Speaker 1>by lions. It just doesn't happen because there's so much smarter.

0:40:38.920 --> 0:40:42.200
<v Speaker 3>It's like every dog is like them, getting their next.

0:40:42.000 --> 0:40:46.040
<v Speaker 1>Like the lions of the the.

0:40:45.960 --> 0:40:49.280
<v Speaker 3>We cannot give them that much, cannot be.

0:40:50.280 --> 0:40:57.320
<v Speaker 1>No their hyaenas their vultures, and we're not dead yet.

0:40:57.160 --> 0:40:58.200
<v Speaker 3>And we're not dead yet.

0:40:59.600 --> 0:41:01.120
<v Speaker 1>Look somewhere else, you freaks.

0:41:01.239 --> 0:41:03.480
<v Speaker 2>Yeah, whatever the thing about Taylor when she goes, I

0:41:03.480 --> 0:41:05.399
<v Speaker 2>have a very strong opinion that when you are young,

0:41:05.440 --> 0:41:09.560
<v Speaker 2>you just feel things more intensely. I'm like, that is tea.

0:41:09.680 --> 0:41:13.280
<v Speaker 3>Do you do you feel like you feel things less

0:41:13.320 --> 0:41:17.840
<v Speaker 3>as you yeah, yeah, totally really, yeah, because there's fewer

0:41:18.000 --> 0:41:21.279
<v Speaker 3>new feelings or why or because is it perspective and

0:41:21.320 --> 0:41:22.520
<v Speaker 3>like right sizing, I.

0:41:22.440 --> 0:41:26.480
<v Speaker 1>Think it's one third my lexapro dosage. I think it's

0:41:26.560 --> 0:41:29.560
<v Speaker 1>one third what you said, yeah, and I think it's

0:41:29.640 --> 0:41:30.600
<v Speaker 1>one third.

0:41:32.080 --> 0:41:33.000
<v Speaker 2>Memory loss.

0:41:33.320 --> 0:41:35.040
<v Speaker 3>Yeah, that's the dream recipe.

0:41:35.120 --> 0:41:37.640
<v Speaker 2>Honestly, just with the doctor ordered.

0:41:37.520 --> 0:41:39.799
<v Speaker 1>I didn't even think of memory loss because I forgot it.

0:41:39.880 --> 0:41:41.880
<v Speaker 3>I literally have that.

0:41:42.520 --> 0:41:44.000
<v Speaker 2>No you don't you guys.

0:41:43.800 --> 0:41:44.520
<v Speaker 1>Are you a stoner?

0:41:44.600 --> 0:41:47.680
<v Speaker 3>Of course? Okay, so maybe and I've I'm actually like

0:41:47.719 --> 0:41:50.080
<v Speaker 3>I'm right now in a in a period of like

0:41:51.080 --> 0:41:56.640
<v Speaker 3>compared to before times. Yes, basically no before times, because

0:41:56.640 --> 0:41:57.200
<v Speaker 3>there's a later.

0:41:57.120 --> 0:41:58.920
<v Speaker 2>On the album where you're like the weed from when

0:41:58.960 --> 0:42:00.400
<v Speaker 2>we were seventeen is like catching up to I'm.

0:42:00.239 --> 0:42:01.920
<v Speaker 3>Not butering it, but no, no, that's basically it.

0:42:02.000 --> 0:42:03.680
<v Speaker 2>So like what like what are you going to get?

0:42:04.239 --> 0:42:08.279
<v Speaker 3>The lyric that comes before that is my brain half

0:42:08.320 --> 0:42:09.080
<v Speaker 3>melted down?

0:42:09.239 --> 0:42:11.440
<v Speaker 1>So for well, don't weight on the street in New

0:42:11.520 --> 0:42:12.279
<v Speaker 1>York City.

0:42:12.160 --> 0:42:15.120
<v Speaker 3>Well, New York weed is just a nightmare.

0:42:15.200 --> 0:42:15.680
<v Speaker 1>It's evil.

0:42:15.760 --> 0:42:17.960
<v Speaker 3>I also have a feeling that unless you're like with

0:42:18.120 --> 0:42:21.240
<v Speaker 3>the exact right person in the exact right room, weed

0:42:21.440 --> 0:42:24.360
<v Speaker 3>in New York period, regardless of where you got. It

0:42:24.400 --> 0:42:27.920
<v Speaker 3>can also be like insidious, it's crazy, and I think

0:42:27.920 --> 0:42:30.000
<v Speaker 3>it's because I've been getting over stimulated recently in a

0:42:30.040 --> 0:42:32.040
<v Speaker 3>new way that I feel. And then I was like,

0:42:32.200 --> 0:42:35.120
<v Speaker 3>that's embarrassing, and that's my fault, that's no one's fault.

0:42:35.280 --> 0:42:39.040
<v Speaker 3>That's like I should just know myself now over stimulated.

0:42:39.120 --> 0:42:40.560
<v Speaker 2>Oh wait, don't.

0:42:40.560 --> 0:42:45.760
<v Speaker 1>Don't do that film acting towards us.

0:42:45.800 --> 0:42:48.879
<v Speaker 2>Oh my gosh. Sure, here's the thing.

0:42:49.800 --> 0:42:51.960
<v Speaker 1>I don't know a bigger stoner than that person over there,

0:42:52.040 --> 0:42:54.680
<v Speaker 1>Jared Frieder. And he smokes my weed and he's he

0:42:54.680 --> 0:42:57.040
<v Speaker 1>has laid down and he says, you're crazy.

0:42:56.680 --> 0:42:57.960
<v Speaker 3>Because it's so heavy.

0:42:58.160 --> 0:43:00.320
<v Speaker 2>I feel sad.

0:42:59.600 --> 0:43:02.440
<v Speaker 1>I go in there and I'm like and then I'm like,

0:43:02.480 --> 0:43:04.279
<v Speaker 1>I guess I'm just looking for some pre rolls. And

0:43:04.280 --> 0:43:05.120
<v Speaker 1>they're like, well, what do you want?

0:43:05.560 --> 0:43:09.600
<v Speaker 2>What do you have? And they're like, Oh, you're gonna

0:43:09.640 --> 0:43:10.280
<v Speaker 2>love this stuff.

0:43:10.360 --> 0:43:10.560
<v Speaker 3>Man.

0:43:10.640 --> 0:43:13.160
<v Speaker 1>I don't know why I'm talking like a monster truck driver.

0:43:13.480 --> 0:43:17.320
<v Speaker 1>But that's the scary place. Do you Inventura Bulevard? No,

0:43:18.080 --> 0:43:20.080
<v Speaker 1>there is one there, Yeah, and I live next door

0:43:20.080 --> 0:43:20.319
<v Speaker 1>to it.

0:43:20.440 --> 0:43:22.080
<v Speaker 3>Are you guys stoners at the moment?

0:43:23.040 --> 0:43:23.279
<v Speaker 2>Yeah?

0:43:23.320 --> 0:43:24.600
<v Speaker 3>I know, I know, but what is that?

0:43:24.680 --> 0:43:24.920
<v Speaker 4>Is that?

0:43:24.960 --> 0:43:28.640
<v Speaker 3>Because because there's the only daily, daily daily o'clock.

0:43:29.360 --> 0:43:32.160
<v Speaker 2>Uh No, I was going to yesterday last night and

0:43:32.160 --> 0:43:34.440
<v Speaker 2>I was like, I'm gonna I'm gonna not. Yeah, that

0:43:34.520 --> 0:43:36.520
<v Speaker 2>was totally fine. I got a raw dog it more.

0:43:36.680 --> 0:43:39.960
<v Speaker 3>Yes, I think. I think what I've been learning recently

0:43:40.120 --> 0:43:44.520
<v Speaker 3>is that there's it's for some reason right now, the

0:43:44.880 --> 0:43:48.640
<v Speaker 3>the it feels like a fifty to fifty chance of it,

0:43:48.880 --> 0:43:51.640
<v Speaker 3>like landing or really like sending me.

0:43:52.320 --> 0:43:54.360
<v Speaker 2>Well, when you say you get over stimulated, is that

0:43:54.400 --> 0:43:57.120
<v Speaker 2>when you're not stoned or when you're when you're sobra

0:43:57.440 --> 0:43:59.840
<v Speaker 2>that you're like, oh, I need it sobra.

0:44:00.280 --> 0:44:07.960
<v Speaker 3>I feel like this particular like month, there's just lots

0:44:08.040 --> 0:44:12.280
<v Speaker 3>to be engaged with. It's just like and it doesn't

0:44:12.280 --> 0:44:14.759
<v Speaker 3>even not in the I just it feels like I

0:44:14.800 --> 0:44:21.040
<v Speaker 3>want to be ready, and I think that I'm impaired.

0:44:21.040 --> 0:44:25.400
<v Speaker 5>When I'm impaired, I guess for me sometimes when I'm high,

0:44:25.200 --> 0:44:27.880
<v Speaker 5>but I think I'm kind of like I think what

0:44:27.920 --> 0:44:31.000
<v Speaker 5>I'm hig I'm actually high and I so it just

0:44:31.120 --> 0:44:32.760
<v Speaker 5>is a little bit iffy these days.

0:44:32.760 --> 0:44:36.160
<v Speaker 3>But but but then I have this fantasy like of

0:44:36.920 --> 0:44:39.680
<v Speaker 3>you know, like an evening that starts at four pm

0:44:39.800 --> 0:44:44.080
<v Speaker 3>and then the next day isn't no obligations? That would

0:44:44.080 --> 0:44:44.839
<v Speaker 3>be you know what I mean?

0:44:44.880 --> 0:44:47.960
<v Speaker 2>But I would be wonderful also living.

0:44:48.040 --> 0:44:50.960
<v Speaker 3>Not here anymore. You know.

0:44:51.200 --> 0:44:53.320
<v Speaker 2>I don't smoke at.

0:44:52.880 --> 0:44:57.880
<v Speaker 3>All in London. Yeah, And I think like if we

0:44:57.880 --> 0:45:00.440
<v Speaker 3>think New York, we'd a scary like I I don't know,

0:45:00.480 --> 0:45:02.480
<v Speaker 3>I don't know what's even going on, and I just

0:45:02.520 --> 0:45:07.160
<v Speaker 3>haven't engaged. And of course pop culture they're like, You're like,

0:45:07.320 --> 0:45:09.279
<v Speaker 3>it's right outside, have a drink. And then they're like

0:45:09.280 --> 0:45:11.120
<v Speaker 3>at dark outside, have a drink. You're like, WHOA.

0:45:11.520 --> 0:45:15.759
<v Speaker 1>So jealous of London because they're getting a Universal Studios what?

0:45:16.160 --> 0:45:19.520
<v Speaker 1>Oh yeah, congrats you love that stuff. Love Let's go

0:45:19.600 --> 0:45:22.880
<v Speaker 1>right now.

0:45:21.480 --> 0:45:29.720
<v Speaker 3>Play pure Haro, Universal did what was Your Last? Because

0:45:29.719 --> 0:45:33.759
<v Speaker 3>they also love seemingly love you even more than you

0:45:33.800 --> 0:45:34.120
<v Speaker 3>love that.

0:45:34.320 --> 0:45:42.279
<v Speaker 2>So I think London, No, London, we know, and we

0:45:42.320 --> 0:45:42.840
<v Speaker 2>love London.

0:45:42.960 --> 0:45:44.600
<v Speaker 1>I'm doing my Christmas show in London.

0:45:44.640 --> 0:45:46.440
<v Speaker 2>Oh my, go there.

0:45:46.640 --> 0:45:52.160
<v Speaker 3>When I played we played there, and I and I

0:45:52.200 --> 0:45:54.640
<v Speaker 3>got tattoos the day we played lots of I got

0:45:54.640 --> 0:45:56.960
<v Speaker 3>tattoos the day we played that. In you, I have

0:45:57.120 --> 0:45:59.920
<v Speaker 3>such a long list for you. Oh yeah, And also

0:46:00.120 --> 0:46:00.960
<v Speaker 3>and also you need to come.

0:46:01.480 --> 0:46:04.680
<v Speaker 1>I know, will you be around in November? Actually wait

0:46:04.920 --> 0:46:11.160
<v Speaker 1>November fifth, eighteenth? No, oh come on please, like you're

0:46:11.200 --> 0:46:12.000
<v Speaker 1>not around mama.

0:46:12.080 --> 0:46:15.879
<v Speaker 3>Oh wait November, yeah, what is it?

0:46:16.840 --> 0:46:16.920
<v Speaker 7>Oh?

0:46:17.040 --> 0:46:19.000
<v Speaker 1>Yeah, well, I think this is coming out after we've

0:46:19.040 --> 0:46:20.880
<v Speaker 1>announced the tour, so we can just say that's what

0:46:20.920 --> 0:46:22.080
<v Speaker 1>we're whispering.

0:46:21.600 --> 0:46:25.200
<v Speaker 3>About, rehearsals for tour. Maybe I'll quit the tour.

0:46:25.320 --> 0:46:27.120
<v Speaker 1>By the way, we just come to your show. We

0:46:27.760 --> 0:46:31.239
<v Speaker 1>spoke earlier about the crowd happenings. I also want to

0:46:31.239 --> 0:46:33.120
<v Speaker 1>say your performance was fucking great.

0:46:33.320 --> 0:46:35.200
<v Speaker 3>That was so generous of you to be there, and

0:46:35.920 --> 0:46:37.839
<v Speaker 3>I okay, recall.

0:46:37.760 --> 0:46:38.680
<v Speaker 1>Can we say what happened?

0:46:38.920 --> 0:46:40.960
<v Speaker 3>Yeah, I was gonna say bageler call, there was no

0:46:41.000 --> 0:46:41.640
<v Speaker 3>ticket for you.

0:46:42.120 --> 0:46:44.279
<v Speaker 1>I get there, I'm excited to see Gracie. I go hi,

0:46:44.320 --> 0:46:45.160
<v Speaker 1>I think I'm on the list.

0:46:45.920 --> 0:46:47.719
<v Speaker 3>And also, of course I wasn't on my fucking phone

0:46:47.840 --> 0:46:52.880
<v Speaker 3>till after the show, so of course check my phone

0:46:52.880 --> 0:46:55.239
<v Speaker 3>and Matt's like, hey, I'm outside.

0:46:55.480 --> 0:46:57.719
<v Speaker 2>No, I'm like I'm gontall, no, no, no.

0:46:57.800 --> 0:46:59.840
<v Speaker 1>So I ended up buying a ticket and me, Jared

0:47:00.200 --> 0:47:02.480
<v Speaker 1>and our friend were there, and it ended up exactly

0:47:02.480 --> 0:47:03.160
<v Speaker 1>what needed to happen.

0:47:03.200 --> 0:47:06.879
<v Speaker 3>I'm so sorry, Yeah he already ticket, thank you.

0:47:07.400 --> 0:47:09.080
<v Speaker 1>I was gonna be like I was going to be

0:47:09.080 --> 0:47:10.680
<v Speaker 1>at that seat kind of by myself. And then they

0:47:10.680 --> 0:47:12.759
<v Speaker 1>were like, oh, okay, well we just bought tickets. I

0:47:12.800 --> 0:47:14.440
<v Speaker 1>was like, I'm buying a ticket, went in the pit,

0:47:14.520 --> 0:47:16.719
<v Speaker 1>and I needed to be there so that you.

0:47:16.680 --> 0:47:20.120
<v Speaker 5>Could see the with all my friends.

0:47:20.760 --> 0:47:25.279
<v Speaker 3>I LA shows are very weird come well, I think

0:47:25.320 --> 0:47:27.560
<v Speaker 3>a couple of things. I think every tour in the

0:47:27.600 --> 0:47:30.919
<v Speaker 3>history of the world comes through LA, so I think

0:47:30.960 --> 0:47:33.360
<v Speaker 3>there's like a kind of.

0:47:35.600 --> 0:47:39.160
<v Speaker 1>They're just not that excited about live shows. I always

0:47:39.239 --> 0:47:42.239
<v Speaker 1>start with my tour there because I'm like, I don't

0:47:42.320 --> 0:47:44.600
<v Speaker 1>don't come here here later and then be like what

0:47:44.719 --> 0:47:45.359
<v Speaker 1>happened in my.

0:47:45.320 --> 0:47:49.120
<v Speaker 3>Worst I totally. I think also because I grew up there,

0:47:49.280 --> 0:47:51.600
<v Speaker 3>I always have a fondness, which helps make up for

0:47:51.800 --> 0:47:57.120
<v Speaker 3>the like anticipation of it being less like yeah, vibrant

0:47:57.239 --> 0:48:01.480
<v Speaker 3>sometimes in the crowd. But I also my my curiosity

0:48:01.840 --> 0:48:05.360
<v Speaker 3>for those who attend shows in LA is like why

0:48:05.440 --> 0:48:10.000
<v Speaker 3>not lean in because you're only enriching the experience. If

0:48:10.000 --> 0:48:13.960
<v Speaker 3>everyone's kind of like going nuts for for for anyone

0:48:13.960 --> 0:48:17.239
<v Speaker 3>else who's not me, not me, I'm just like, do

0:48:17.280 --> 0:48:19.560
<v Speaker 3>you know, like the the like, because touring is like

0:48:19.719 --> 0:48:25.279
<v Speaker 3>the least cynical, like most whole, like like going to

0:48:25.320 --> 0:48:28.640
<v Speaker 3>a show, seeing anything live, it's like you're spending money,

0:48:28.719 --> 0:48:30.920
<v Speaker 3>spending energy, You're gettingdressed up, you're making a plan with

0:48:30.960 --> 0:48:34.400
<v Speaker 3>friends probably or you're even braver are going alone and

0:48:34.440 --> 0:48:36.920
<v Speaker 3>it's like you're singing stranger.

0:48:37.120 --> 0:48:39.440
<v Speaker 1>My favorite experience. And I will say I've seen incredible

0:48:39.480 --> 0:48:41.799
<v Speaker 1>shows in La. Mostly they happen at the Greek.

0:48:42.120 --> 0:48:44.640
<v Speaker 3>I love the Greek the best. I love the Greek.

0:48:44.800 --> 0:48:46.640
<v Speaker 1>We had like a Greek era Jared and I have

0:48:46.719 --> 0:48:48.239
<v Speaker 1>you been to the Greek bo Like I've seeing a

0:48:48.239 --> 0:48:50.520
<v Speaker 1>show with the Oh really.

0:48:50.480 --> 0:48:53.759
<v Speaker 2>I don't think i've ever. I was my first La concert.

0:48:53.920 --> 0:48:57.439
<v Speaker 2>Maybe was going to be Oh no, was Lily Allen? Yeah?

0:48:57.480 --> 0:49:01.640
<v Speaker 2>Oh my god? Oh yeah that was in La. We

0:49:01.640 --> 0:49:04.279
<v Speaker 2>did the last year. I was gonna I was gonna

0:49:04.280 --> 0:49:07.560
<v Speaker 2>go with Pray one day. That would have been fun.

0:49:09.160 --> 0:49:12.000
<v Speaker 1>No Adam at them anyway.

0:49:12.000 --> 0:49:12.280
<v Speaker 3>Whatever.

0:49:12.320 --> 0:49:14.840
<v Speaker 1>We saw Maggie Rodgers at the Greek. We saw Casey

0:49:14.920 --> 0:49:16.960
<v Speaker 1>Musters at the Greek Moon. I've seen twice.

0:49:17.200 --> 0:49:21.440
<v Speaker 3>Yeah, Ima Image and Heap did che glove.

0:49:23.160 --> 0:49:24.960
<v Speaker 1>It was really cool. That might have been the first

0:49:25.000 --> 0:49:27.719
<v Speaker 1>concert we saw together Image and Heap honestly likes so

0:49:27.800 --> 0:49:30.239
<v Speaker 1>not to ship on l A shows because there are

0:49:30.360 --> 0:49:32.959
<v Speaker 1>so many yes, like special moments that happen.

0:49:33.080 --> 0:49:34.960
<v Speaker 3>Also, it's like I, I really I have such a

0:49:34.960 --> 0:49:38.640
<v Speaker 3>fondness and it is it's crazy to get to play

0:49:38.719 --> 0:49:41.560
<v Speaker 3>shows there period, because there are venues that I grew

0:49:41.640 --> 0:49:43.879
<v Speaker 3>up going to you, so I know them.

0:49:43.880 --> 0:49:48.680
<v Speaker 2>Well, you haven't done, have you? I want that. I

0:49:48.719 --> 0:49:49.040
<v Speaker 2>want that.

0:49:51.080 --> 0:49:56.200
<v Speaker 6>But she's saying, but touching feet interesting.

0:49:56.760 --> 0:49:57.560
<v Speaker 2>I was wanting to.

0:49:57.520 --> 0:50:01.120
<v Speaker 3>Ask that's our Easter eggs about every time, like to

0:50:01.160 --> 0:50:02.319
<v Speaker 3>see if they pick up on it.

0:50:02.920 --> 0:50:06.719
<v Speaker 1>So the readers are noting that they touched feet. It's

0:50:06.760 --> 0:50:09.839
<v Speaker 1>several different points during the episode. I feel like, what

0:50:10.160 --> 0:50:12.000
<v Speaker 1>we because we went there, and I feel like there's

0:50:12.000 --> 0:50:15.240
<v Speaker 1>an attitude amongst artists that like weekend one of Coachella

0:50:15.360 --> 0:50:17.520
<v Speaker 1>is bad and Weekend two of Coachella is good.

0:50:17.680 --> 0:50:19.960
<v Speaker 2>Is that a thing you can confirm that artists talk about.

0:50:20.160 --> 0:50:23.800
<v Speaker 3>I have heard that in the discourse. Yeah, just probably

0:50:23.840 --> 0:50:26.760
<v Speaker 3>exactly as much as you have. But I wonder if it's.

0:50:27.640 --> 0:50:29.400
<v Speaker 2>About the band breaking the seal.

0:50:29.280 --> 0:50:31.719
<v Speaker 3>And maybe or like I'm like, are there more? Like

0:50:32.680 --> 0:50:36.440
<v Speaker 3>I was gonna ask are there more activations weekend one.

0:50:36.600 --> 0:50:37.760
<v Speaker 3>There are like eye roll.

0:50:37.719 --> 0:50:38.480
<v Speaker 1>They are a plenty.

0:50:39.040 --> 0:50:41.800
<v Speaker 3>Yeah, I've been to i'n't been to Coachella in a

0:50:41.840 --> 0:50:44.279
<v Speaker 3>long time. I went in high school and it was

0:50:44.320 --> 0:50:47.919
<v Speaker 3>so fun. I and then this past summer, glaston Bray

0:50:48.000 --> 0:50:52.239
<v Speaker 3>was our first of the festival run and it has

0:50:52.320 --> 0:50:56.000
<v Speaker 3>ruined everything for me. I bet, have you done it? Guys?

0:50:56.000 --> 0:50:58.440
<v Speaker 3>It's the best. It's like, I can't even begin to

0:50:58.600 --> 0:50:59.160
<v Speaker 3>like I.

0:50:59.120 --> 0:51:02.120
<v Speaker 2>Think you k festivals. I mean, we only have one

0:51:02.200 --> 0:51:07.480
<v Speaker 2>data point, which was my mighty Hoopla. It's the gay one,

0:51:07.600 --> 0:51:08.440
<v Speaker 2>the queer one.

0:51:08.360 --> 0:51:09.160
<v Speaker 3>Incredible name.

0:51:09.320 --> 0:51:12.520
<v Speaker 2>It's so and it was where is that? That's like,

0:51:12.640 --> 0:51:16.040
<v Speaker 2>oh my god, it's it's on. It's oh, it's a

0:51:16.120 --> 0:51:24.000
<v Speaker 2>neighbor down, neighborhood down, neighborhood down, neighbors neighborhood, neghbor down.

0:51:24.120 --> 0:51:27.040
<v Speaker 2>I couldn't tell you. Wait, where are they going to

0:51:27.080 --> 0:51:29.880
<v Speaker 2>get Percy Pigs to the States? Let's let's let's you

0:51:29.960 --> 0:51:33.640
<v Speaker 2>love them so much, so much? I like them too, Okay,

0:51:33.640 --> 0:51:34.359
<v Speaker 2>well you don't care.

0:51:35.560 --> 0:51:39.280
<v Speaker 3>I think they're so common these days.

0:51:38.440 --> 0:51:47.880
<v Speaker 1>My love skills favorite candy. I'm like, this is the

0:51:47.960 --> 0:51:51.000
<v Speaker 1>question we ask every guest, what was the candy? That

0:51:51.080 --> 0:51:53.160
<v Speaker 1>what was the candy? Candy was for you?

0:51:54.280 --> 0:51:56.239
<v Speaker 3>What's my favorite candy at Reese's.

0:51:55.920 --> 0:52:04.080
<v Speaker 1>Pieces it's barely chalk it girl, girl a candy or else?

0:52:04.920 --> 0:52:05.080
<v Speaker 4>Well?

0:52:05.120 --> 0:52:08.479
<v Speaker 3>I ate, I ate a candy yesterday which was which

0:52:08.520 --> 0:52:13.759
<v Speaker 3>was a sour pickle belt? What? What the who is

0:52:13.800 --> 0:52:14.600
<v Speaker 3>she so good?

0:52:14.600 --> 0:52:14.719
<v Speaker 1>Way?

0:52:14.760 --> 0:52:16.120
<v Speaker 3>What's up with you guys in your personals?

0:52:16.719 --> 0:52:19.320
<v Speaker 1>Oh okay, she didn't want to talk about candy anymore.

0:52:19.400 --> 0:52:20.399
<v Speaker 3>No, I mean all day but.

0:52:20.560 --> 0:52:23.000
<v Speaker 1>No, for real, for real, But this is the thing.

0:52:23.560 --> 0:52:24.439
<v Speaker 2>Let's talk about her personal.

0:52:25.680 --> 0:52:26.319
<v Speaker 3>They're so busy.

0:52:26.360 --> 0:52:28.840
<v Speaker 1>Well, my personal is I'm happy because we're busy.

0:52:29.600 --> 0:52:32.239
<v Speaker 3>Yeah, I like busy, I guess overwhelmed, like in a

0:52:32.239 --> 0:52:34.480
<v Speaker 3>parasocial way, overwhelmed for the both of you.

0:52:34.520 --> 0:52:37.160
<v Speaker 2>No, there's no need that you think we're too busy.

0:52:37.440 --> 0:52:40.520
<v Speaker 3>Not too but just you're doing like so much at

0:52:40.600 --> 0:52:43.400
<v Speaker 3>such a high level that I think, like, how.

0:52:43.120 --> 0:52:48.320
<v Speaker 2>How I I'm coming off of plane psychosis to travel?

0:52:48.640 --> 0:52:50.880
<v Speaker 3>Yes, well, I mean I think back to when you

0:52:50.920 --> 0:52:52.400
<v Speaker 3>were like doing wicked.

0:52:52.440 --> 0:52:53.200
<v Speaker 2>I mean I'm.

0:52:53.080 --> 0:52:56.440
<v Speaker 3>Wicked in SNL. I'm like, how the hell? And that?

0:52:56.640 --> 0:52:59.200
<v Speaker 3>Like I just think sometimes it was.

0:52:59.320 --> 0:53:02.560
<v Speaker 1>It was a hell hell for sure. Now in retrospect,

0:53:02.560 --> 0:53:04.359
<v Speaker 1>I think we're happy that Wicked.

0:53:04.120 --> 0:53:05.319
<v Speaker 2>Is out there and that you're in it.

0:53:05.600 --> 0:53:09.040
<v Speaker 1>Oh but during this yeah, you had to do it.

0:53:09.120 --> 0:53:11.440
<v Speaker 2>I had There was no way I wasn't going to do.

0:53:12.719 --> 0:53:15.719
<v Speaker 1>You're a gay guy that's offered Wicked and they tell

0:53:15.760 --> 0:53:18.520
<v Speaker 1>you and you say, well, what's the role and you say, well,

0:53:18.560 --> 0:53:21.960
<v Speaker 1>you're gonna be Ariana Grande's sort of gay gay friend,

0:53:23.280 --> 0:53:28.840
<v Speaker 1>and so they and then you go okay, yeah, yeah.

0:53:29.080 --> 0:53:32.160
<v Speaker 2>Brought to you by the Spam Brand. Matt, I think

0:53:32.160 --> 0:53:35.799
<v Speaker 2>we need a new Culture Award and the category is

0:53:36.400 --> 0:53:37.799
<v Speaker 2>hungry for more. Oh.

0:53:37.920 --> 0:53:39.040
<v Speaker 1>I like the sound of that.

0:53:39.400 --> 0:53:42.040
<v Speaker 2>This is something that brings the sizzle. It always hits

0:53:42.080 --> 0:53:44.400
<v Speaker 2>the spot. It's been a part of culture for decades.

0:53:44.640 --> 0:53:47.360
<v Speaker 2>The influencers love it. It's like the pop star foods.

0:53:47.400 --> 0:53:50.480
<v Speaker 2>It's the Spam brand. It's always meat for you, well,

0:53:50.560 --> 0:53:53.480
<v Speaker 2>especially when it's crispy on the outside, tender and juicy

0:53:53.520 --> 0:53:56.200
<v Speaker 2>on the inside, and a flavor for every type of

0:53:56.400 --> 0:54:00.000
<v Speaker 2>food mood like sweet and Savior, Korean barbecue flavored spice,

0:54:00.000 --> 0:54:02.520
<v Speaker 2>s jalapeno, and who could forget the one that started

0:54:02.520 --> 0:54:06.000
<v Speaker 2>this whole cultural phenomenon, Spam Classic.

0:54:06.120 --> 0:54:08.279
<v Speaker 1>It's great with your eggs in the morning, it's great

0:54:08.320 --> 0:54:11.680
<v Speaker 1>with tacos or ramen or really whatever dish that could

0:54:11.719 --> 0:54:14.439
<v Speaker 1>use some extra sizzle. It's like pop music, it's great

0:54:14.440 --> 0:54:15.600
<v Speaker 1>at anytime anywhere.

0:54:15.680 --> 0:54:18.680
<v Speaker 2>I feel that way about other kinds of music too, Jazz.

0:54:18.840 --> 0:54:23.000
<v Speaker 1>Yes, So if you're baving a delicious dish that's also

0:54:23.040 --> 0:54:25.759
<v Speaker 1>a cultural icon, look no further.

0:54:25.800 --> 0:54:28.879
<v Speaker 2>Than the Spam brand. Grab your favorite flavor, or try

0:54:28.880 --> 0:54:31.759
<v Speaker 2>a new one, and sizzle it to perfection. Today in

0:54:31.800 --> 0:54:35.040
<v Speaker 2>a pan Spam Brand sizzle pork and m.

0:54:35.560 --> 0:54:40.759
<v Speaker 1>Learn more and get sizzlin at spam dot com. I

0:54:40.800 --> 0:54:43.479
<v Speaker 1>think we're having another like twenty twenty four moment, like.

0:54:43.520 --> 0:54:46.279
<v Speaker 3>Girl growing so much music coming out, it's the best news.

0:54:46.280 --> 0:54:46.919
<v Speaker 2>It's so cool.

0:54:47.080 --> 0:54:49.239
<v Speaker 1>I was watching someone react to Short and Sweet, and

0:54:49.239 --> 0:54:51.200
<v Speaker 1>I remember texting you about Short and Sweet when it

0:54:51.239 --> 0:54:52.880
<v Speaker 1>came out, Yes, and you were like, I can't believe

0:54:52.920 --> 0:54:55.080
<v Speaker 1>she just swooped in and made the album of.

0:54:55.040 --> 0:54:57.640
<v Speaker 3>The Yeah, yeah, I know it's it's I'm sorry, but

0:54:57.680 --> 0:54:59.719
<v Speaker 3>also what can't you do? And like, I think I

0:54:59.760 --> 0:55:01.720
<v Speaker 3>feel like all of us at this point are done

0:55:02.280 --> 0:55:07.799
<v Speaker 3>being surprised by how phenomenal she's just cemented, like forever, forever, forever. Yeah,

0:55:07.920 --> 0:55:11.800
<v Speaker 3>Like there's like you know, I also like talk about

0:55:11.880 --> 0:55:14.440
<v Speaker 3>someone who I wish would take a nap for the.

0:55:14.400 --> 0:55:16.080
<v Speaker 2>Sake of your heart soul? What do I know?

0:55:16.160 --> 0:55:20.080
<v Speaker 3>And she seems like I mean, she's glowing harder than you.

0:55:20.160 --> 0:55:22.680
<v Speaker 1>Guys are all coming up and solidifying together at the

0:55:22.680 --> 0:55:25.160
<v Speaker 1>same time in a generation that that feels very cool.

0:55:25.200 --> 0:55:27.560
<v Speaker 1>You're part of like a cool class of pop girlies.

0:55:29.760 --> 0:55:32.680
<v Speaker 3>I love them. I'm just happy to be here today.

0:55:32.520 --> 0:55:33.680
<v Speaker 2>On a good job for you all.

0:55:33.920 --> 0:55:39.080
<v Speaker 1>No, it's a group shot called Slade twenty twenty four

0:55:39.120 --> 0:55:40.160
<v Speaker 1>and now twenty twenty six.

0:55:40.360 --> 0:55:45.640
<v Speaker 3>Twenty twenty four is back twenty twenty fours. We're so back.

0:55:45.800 --> 0:55:47.839
<v Speaker 2>It's the two year anniversary you have twenty two.

0:55:47.920 --> 0:55:48.920
<v Speaker 3>Yeah, exactly exactly.

0:55:48.920 --> 0:55:51.000
<v Speaker 1>Do you ever go into soho and like hang.

0:55:51.200 --> 0:55:52.240
<v Speaker 3>Like not often?

0:55:52.840 --> 0:55:55.680
<v Speaker 1>No, I don't know a lot about it. Is that

0:55:55.719 --> 0:55:56.600
<v Speaker 1>a weird thing for you to do?

0:55:58.120 --> 0:56:00.360
<v Speaker 3>Yummies? Even to mountain?

0:56:00.760 --> 0:56:06.840
<v Speaker 2>No, what's so good about the mountain mount the mountain mountain?

0:56:07.280 --> 0:56:09.080
<v Speaker 3>It is basically like the mountain. It's so good. It's

0:56:09.120 --> 0:56:12.920
<v Speaker 3>just a really delicious restaurant. It's like super super fresh,

0:56:13.040 --> 0:56:16.120
<v Speaker 3>like yummy, like small plates, but also like big plates.

0:56:16.239 --> 0:56:18.880
<v Speaker 2>Well, we love to shooe why we love to Shoom.

0:56:18.920 --> 0:56:23.960
<v Speaker 3>I love to Shome the times a week.

0:56:24.080 --> 0:56:25.080
<v Speaker 2>Yeah, delivery to Shoom.

0:56:25.160 --> 0:56:28.359
<v Speaker 3>Yeah. My code is twenty four if you need it.

0:56:28.360 --> 0:56:29.399
<v Speaker 2>It's like twenty twenty four.

0:56:29.480 --> 0:56:31.160
<v Speaker 3>Did you you shot in London?

0:56:31.360 --> 0:56:32.080
<v Speaker 2>Shot in London?

0:56:32.120 --> 0:56:33.000
<v Speaker 3>Was it? What's it?

0:56:33.120 --> 0:56:35.640
<v Speaker 2>Leaves Din? And we did Elstree and then we went

0:56:35.800 --> 0:56:37.920
<v Speaker 2>we shot like all the shid stuff, like in this

0:56:38.520 --> 0:56:43.200
<v Speaker 2>literal astro turf farm because they got to grow it

0:56:43.239 --> 0:56:44.000
<v Speaker 2>because it's frazy.

0:56:44.000 --> 0:56:44.560
<v Speaker 3>It was real.

0:56:44.800 --> 0:56:45.840
<v Speaker 2>Well I don't understand.

0:56:45.920 --> 0:56:47.319
<v Speaker 3>Oh sorry, astro not real.

0:56:47.560 --> 0:56:48.319
<v Speaker 1>It was never clear.

0:56:48.360 --> 0:56:50.000
<v Speaker 2>It was never clear for it was like it was

0:56:50.040 --> 0:56:51.799
<v Speaker 2>AstroTurf that it was fake, Like why don't you just

0:56:51.800 --> 0:56:53.080
<v Speaker 2>make it in the factory. But they needed to like

0:56:53.160 --> 0:56:55.160
<v Speaker 2>lay it out or something, make it in the.

0:56:55.080 --> 0:56:58.080
<v Speaker 3>Factory, make it in the factory, making the factory on

0:56:58.120 --> 0:56:59.360
<v Speaker 3>the air, just make it in fact.

0:56:59.120 --> 0:57:01.680
<v Speaker 2>Making the factory. And then we would stay at the

0:57:01.719 --> 0:57:05.279
<v Speaker 2>grove which is all the way out. But anyway, we

0:57:05.360 --> 0:57:09.680
<v Speaker 2>love to shoom and it's fine, it's it's it's amazing.

0:57:10.400 --> 0:57:11.800
<v Speaker 1>Rumor they're bringing it to America.

0:57:12.080 --> 0:57:14.759
<v Speaker 3>Wow, great, you didn't.

0:57:15.200 --> 0:57:16.640
<v Speaker 1>They really are New York.

0:57:16.720 --> 0:57:19.960
<v Speaker 3>I love their sauces, are chutneys and such.

0:57:20.880 --> 0:57:23.280
<v Speaker 2>Their chicken bery Britannica, Britannia.

0:57:24.680 --> 0:57:31.200
<v Speaker 1>It's like Chicken Britannica. He's probably your drag mate. Oh

0:57:31.240 --> 0:57:36.440
<v Speaker 1>my god, Chicken Britannica, Britannica, and I'll be Britanica.

0:57:36.560 --> 0:57:37.840
<v Speaker 2>Yeah, you're not pork.

0:57:38.120 --> 0:57:39.080
<v Speaker 1>What am I?

0:57:39.200 --> 0:57:43.800
<v Speaker 2>You're not pork? I roll irolle veel Britannica.

0:57:44.000 --> 0:57:46.360
<v Speaker 1>Yes, how I love that for me.

0:57:47.720 --> 0:57:48.880
<v Speaker 2>I just waiting at your team.

0:57:49.040 --> 0:57:50.280
<v Speaker 1>I've made eye contact with her.

0:57:51.160 --> 0:57:54.520
<v Speaker 3>I'm always doing ship like that with them.

0:57:54.760 --> 0:57:55.680
<v Speaker 2>Do you love the team?

0:57:56.280 --> 0:57:56.720
<v Speaker 3>I love?

0:57:57.320 --> 0:57:59.200
<v Speaker 2>Give you the hands, give it up.

0:58:02.480 --> 0:58:04.960
<v Speaker 3>It's really I'm the luckiest in the so.

0:58:05.040 --> 0:58:07.160
<v Speaker 1>You're loving your loving life. It's going to be an

0:58:07.160 --> 0:58:07.959
<v Speaker 1>incredible sum.

0:58:08.160 --> 0:58:09.840
<v Speaker 3>It's going to be a sum. It's going to be

0:58:09.920 --> 0:58:15.959
<v Speaker 3>some busy, yes, but but like, thank God and thank God,

0:58:16.120 --> 0:58:20.640
<v Speaker 3>and I think I think there's so much to return

0:58:21.000 --> 0:58:25.200
<v Speaker 3>to at home as well. But I love I also

0:58:25.440 --> 0:58:29.320
<v Speaker 3>love learning what it's like to be at home.

0:58:29.160 --> 0:58:31.360
<v Speaker 1>To congrats on your Cultural Award nomination.

0:58:31.560 --> 0:58:32.440
<v Speaker 3>Thank you so much.

0:58:33.480 --> 0:58:36.880
<v Speaker 5>We were both touched, beyond believed, and there were so

0:58:36.960 --> 0:58:38.160
<v Speaker 5>many options of.

0:58:43.640 --> 0:58:46.680
<v Speaker 2>We did it. Wait, he wanted a picture with me

0:58:47.320 --> 0:58:48.440
<v Speaker 2>when we when he was at us.

0:58:48.400 --> 0:58:52.680
<v Speaker 3>And that was I that was I loved that episode.

0:58:52.720 --> 0:58:55.560
<v Speaker 2>Of course he was so funny. We wrote him the

0:58:55.640 --> 0:58:56.800
<v Speaker 2>craziest sketch in the world.

0:58:57.280 --> 0:58:59.320
<v Speaker 3>Are you talking about.

0:59:01.640 --> 0:59:02.000
<v Speaker 1>She was?

0:59:02.440 --> 0:59:04.320
<v Speaker 3>Of course, yeah, she was. She was in the flesh.

0:59:04.400 --> 0:59:06.720
<v Speaker 1>She was was that episode of SNL.

0:59:07.000 --> 0:59:09.440
<v Speaker 3>God, that was amazing. The fact first of all, the

0:59:09.480 --> 0:59:15.080
<v Speaker 3>fact that like end credits, it's all and Tricia. It

0:59:15.240 --> 0:59:17.360
<v Speaker 3>was like, I can I can go.

0:59:17.600 --> 0:59:20.960
<v Speaker 1>By the way, Tricia is television's biggest star. She stars

0:59:21.000 --> 0:59:25.080
<v Speaker 1>on Hacks and she also was on Was she on

0:59:25.120 --> 0:59:25.520
<v Speaker 1>the Company?

0:59:25.600 --> 0:59:27.240
<v Speaker 3>She was on Euphoria, she was on.

0:59:28.840 --> 0:59:31.120
<v Speaker 1>Tricia is all over television?

0:59:31.160 --> 0:59:32.280
<v Speaker 3>Are you guys, dear friends?

0:59:32.600 --> 0:59:33.600
<v Speaker 1>Bowen knows Tricia.

0:59:34.240 --> 0:59:36.880
<v Speaker 2>I spent one day with her.

0:59:38.400 --> 0:59:40.040
<v Speaker 3>I just didn't. I was like, I didn't wear in

0:59:40.120 --> 0:59:42.400
<v Speaker 3>the like because I just, of course, like the rest,

0:59:42.440 --> 0:59:44.680
<v Speaker 3>I have a million, of course questions, like I just

0:59:44.720 --> 0:59:45.440
<v Speaker 3>want to know everything.

0:59:45.560 --> 0:59:47.200
<v Speaker 1>Well, the best was when we went to go see

0:59:47.240 --> 0:59:49.120
<v Speaker 1>Lily Allen Show and then there's a bit in the

0:59:49.160 --> 0:59:53.400
<v Speaker 1>show where this woman rises up and Bowen is like,

0:59:53.560 --> 0:59:57.200
<v Speaker 1>is that Tricia? And it was Tricia Pets By the way.

0:59:57.240 --> 1:00:00.760
<v Speaker 1>The next night, Lisa ran I saw that. I saw

1:00:00.840 --> 1:00:03.200
<v Speaker 1>that do you have Bravo takes?

1:00:03.880 --> 1:00:07.920
<v Speaker 3>Well, so you've been my guide. I had that was

1:00:08.560 --> 1:00:10.920
<v Speaker 3>that there was definitely not the start of us loving

1:00:10.920 --> 1:00:12.640
<v Speaker 3>each other, no or me loving you.

1:00:12.640 --> 1:00:14.640
<v Speaker 1>I can't speak, but it was. But it was the.

1:00:14.640 --> 1:00:16.560
<v Speaker 2>Secret of us, secret of us.

1:00:17.040 --> 1:00:20.000
<v Speaker 1>It was it was that sort of worked.

1:00:20.080 --> 1:00:25.600
<v Speaker 3>That was really nice, really good, really nice. I I've

1:00:25.720 --> 1:00:29.680
<v Speaker 3>just done salt Lake, yeah, or I've a while ago?

1:00:29.760 --> 1:00:30.440
<v Speaker 2>Can I ask.

1:00:30.680 --> 1:00:34.200
<v Speaker 1>Big pulls from salt Lake? Where do you stand? Who is?

1:00:34.280 --> 1:00:35.080
<v Speaker 1>Who's your girl?

1:00:35.800 --> 1:00:38.200
<v Speaker 3>What's scary again about like the memory of it all is?

1:00:38.240 --> 1:00:39.760
<v Speaker 3>I don't even remember where we.

1:00:39.720 --> 1:00:41.960
<v Speaker 2>Left them totally, that's I think, fine.

1:00:41.880 --> 1:00:44.240
<v Speaker 3>Where did we leave them? Oh?

1:00:45.200 --> 1:00:46.560
<v Speaker 1>Upset on an island.

1:00:48.560 --> 1:00:54.840
<v Speaker 2>About Whitney, Whitney, Bronwyn and bron She was not.

1:00:56.160 --> 1:00:57.400
<v Speaker 1>She announced that she's getting a divorce.

1:00:57.400 --> 1:00:59.960
<v Speaker 3>That was where we left it right, kind of not together?

1:01:01.200 --> 1:01:02.040
<v Speaker 3>What are my takes?

1:01:02.160 --> 1:01:03.320
<v Speaker 1>She now dates a male model?

1:01:03.760 --> 1:01:08.000
<v Speaker 3>Incredible? Oh, but Survivor not Bravo. What if there's Bravo

1:01:08.080 --> 1:01:11.080
<v Speaker 3>Survivor crossover? Can I pitch that?

1:01:11.320 --> 1:01:14.000
<v Speaker 1>I think you just imagine And this is the place

1:01:14.000 --> 1:01:18.480
<v Speaker 1>where Manifest Survivor. Wait, we were just talking about the season.

1:01:18.840 --> 1:01:19.920
<v Speaker 2>He's going to come out like.

1:01:20.040 --> 1:01:22.240
<v Speaker 3>Soon, Heather Gay is like taking.

1:01:21.920 --> 1:01:23.919
<v Speaker 1>I think Heather would be good, It would be great.

1:01:24.080 --> 1:01:25.320
<v Speaker 3>You guys, should you have.

1:01:25.400 --> 1:01:27.360
<v Speaker 2>No idea what I'm fighting for?

1:01:29.200 --> 1:01:32.280
<v Speaker 3>What's her? What was her? What was her I want

1:01:32.280 --> 1:01:35.560
<v Speaker 3>to win survivor what was her line? Season one assault

1:01:35.600 --> 1:01:37.480
<v Speaker 3>Lake like like my like.

1:01:37.440 --> 1:01:38.920
<v Speaker 2>My pioneer, pioneer.

1:01:40.360 --> 1:01:43.760
<v Speaker 1>Trail, just like my pioneer ancestors.

1:01:43.800 --> 1:01:47.640
<v Speaker 3>I've never been my favorite is.

1:01:47.640 --> 1:01:48.560
<v Speaker 2>You come for me?

1:01:48.760 --> 1:01:50.720
<v Speaker 1>I will send Jesus after you.

1:01:50.800 --> 1:01:56.560
<v Speaker 3>Who is that? Of course? And Meredith's uh, jealousy is

1:01:56.600 --> 1:02:00.439
<v Speaker 3>a disease, to which I said, get always said, which

1:02:00.520 --> 1:02:01.120
<v Speaker 3>I said.

1:02:01.520 --> 1:02:04.680
<v Speaker 2>Syntactically, it makes no sense she's saying to the disease.

1:02:06.320 --> 1:02:11.560
<v Speaker 1>Is a disease, to which I say, she should keep

1:02:11.560 --> 1:02:17.240
<v Speaker 1>speaking and not making it's her whole thing. You you

1:02:17.280 --> 1:02:18.320
<v Speaker 1>didn't speak speak up for.

1:02:18.320 --> 1:02:18.720
<v Speaker 3>Me at all.

1:02:19.080 --> 1:02:21.640
<v Speaker 2>Yeah, well, you didn't speak up for me at all.

1:02:23.320 --> 1:02:23.760
<v Speaker 1>You have to.

1:02:24.640 --> 1:02:28.600
<v Speaker 3>It's the looking down. Then there's the like hed.

1:02:28.440 --> 1:02:32.240
<v Speaker 1>Time question, what's the goal?

1:02:33.680 --> 1:02:34.360
<v Speaker 2>What's the goal?

1:02:35.720 --> 1:02:40.680
<v Speaker 1>Well, she can fu offs. It's a never ending wheel

1:02:40.760 --> 1:02:42.880
<v Speaker 1>of the way you can say words.

1:02:43.720 --> 1:02:51.800
<v Speaker 2>That is just it's very Brian Cox. It is I

1:02:51.800 --> 1:02:55.200
<v Speaker 2>would love to and Brian Cox.

1:02:56.600 --> 1:02:58.560
<v Speaker 3>Off and he.

1:03:00.160 --> 1:03:01.000
<v Speaker 2>And then turn the round.

1:03:03.160 --> 1:03:04.880
<v Speaker 3>Off.

1:03:05.760 --> 1:03:07.720
<v Speaker 2>Helena better get you saying off.

1:03:07.560 --> 1:03:11.080
<v Speaker 3>In the movie. I will put that in whatever my

1:03:11.120 --> 1:03:13.160
<v Speaker 3>next conversation is you ever give each other a word

1:03:13.160 --> 1:03:15.520
<v Speaker 3>to drop in a like an interview or something.

1:03:15.920 --> 1:03:16.600
<v Speaker 2>Should we do that?

1:03:17.000 --> 1:03:17.720
<v Speaker 3>I dare you to do?

1:03:19.240 --> 1:03:21.400
<v Speaker 1>Okay, so we should do that. We're gonna be We're

1:03:21.400 --> 1:03:23.120
<v Speaker 1>about to be doing a lot of interviews together. But

1:03:23.160 --> 1:03:26.440
<v Speaker 1>this will come out, I think after Now, let's say

1:03:27.880 --> 1:03:33.560
<v Speaker 1>this is an Eastga Okay, I should be easy to

1:03:33.600 --> 1:03:35.680
<v Speaker 1>be honest. Okay, what interview is going to be the

1:03:35.720 --> 1:03:36.520
<v Speaker 1>hardest one to drop?

1:03:36.600 --> 1:03:41.080
<v Speaker 2>Macgita Perez, how many times have you done that?

1:03:41.360 --> 1:03:43.480
<v Speaker 1>Watch what happens? This is my tenth appearance.

1:03:43.560 --> 1:03:48.320
<v Speaker 2>Is it fun and so quick? I feel like I

1:03:48.400 --> 1:03:49.960
<v Speaker 2>need more context?

1:03:50.240 --> 1:03:53.080
<v Speaker 3>No, no, no, just more well yes, of the brav

1:03:53.080 --> 1:03:56.120
<v Speaker 3>overse like I feel I would feel like a bit

1:03:56.160 --> 1:03:59.240
<v Speaker 3>of a fraud. I think being across from him and

1:03:59.680 --> 1:04:01.120
<v Speaker 3>speak on anything.

1:04:00.840 --> 1:04:03.280
<v Speaker 1>Sally feel was on there that I didn't know about Bravo.

1:04:03.320 --> 1:04:04.160
<v Speaker 1>But she Sally.

1:04:03.920 --> 1:04:06.800
<v Speaker 3>Feels she can do she can Well, that's your Sally

1:04:06.840 --> 1:04:09.640
<v Speaker 3>feel yourself. You don't even look at me like that, never,

1:04:09.880 --> 1:04:12.480
<v Speaker 3>never even like Sally Field look at me like Sally.

1:04:14.400 --> 1:04:16.280
<v Speaker 2>That's a real culture. Number eight doesn't look at me

1:04:16.360 --> 1:04:20.440
<v Speaker 2>like Sally. You said role model every night when he

1:04:20.480 --> 1:04:21.120
<v Speaker 2>opened for you.

1:04:21.320 --> 1:04:23.800
<v Speaker 3>Yeah, yeah, yeah, I do not like wa what's our

1:04:23.840 --> 1:04:24.960
<v Speaker 3>word for Gracie.

1:04:25.600 --> 1:04:29.560
<v Speaker 2>For you to drop dropping an interview? Give me anything,

1:04:30.320 --> 1:04:35.000
<v Speaker 2>I'm pissed. No wait wait ding dong ionic ding ding.

1:04:35.760 --> 1:04:41.720
<v Speaker 3>Happily Okay if ionic, it's crazy ionic, just describe some

1:04:42.400 --> 1:04:45.960
<v Speaker 3>that's like it's like they ask a question, like what's

1:04:46.000 --> 1:04:47.520
<v Speaker 3>it like writing a song? It's like there's this.

1:04:47.680 --> 1:04:52.880
<v Speaker 1>Ionica like like that you lean against. I wanted to describe.

1:04:52.920 --> 1:04:55.280
<v Speaker 1>I wanted to explore like a more ionic sound on

1:04:55.320 --> 1:04:59.040
<v Speaker 1>this album. And I buy it because.

1:04:58.760 --> 1:05:01.360
<v Speaker 3>People are going to be like, yeah, people would love that.

1:05:01.880 --> 1:05:03.240
<v Speaker 1>And then some people are gonna be like what the

1:05:03.240 --> 1:05:05.280
<v Speaker 1>fuck is she talking about? But you have to be

1:05:05.280 --> 1:05:09.040
<v Speaker 1>brave enough they block me traffic and that confusion they

1:05:09.120 --> 1:05:09.920
<v Speaker 1>block you.

1:05:10.760 --> 1:05:13.160
<v Speaker 2>Don't understand why anyone would.

1:05:13.000 --> 1:05:16.480
<v Speaker 3>What new music are you guys liking these days? Like yeah,

1:05:16.520 --> 1:05:19.400
<v Speaker 3>of course, do you guys listen to underscores?

1:05:20.320 --> 1:05:20.520
<v Speaker 2>Oh?

1:05:20.640 --> 1:05:22.720
<v Speaker 1>No, talk about this that's.

1:05:22.680 --> 1:05:27.800
<v Speaker 3>In the beginning of this just like yeah, isn't it beautiful?

1:05:28.600 --> 1:05:33.560
<v Speaker 2>Kind of this but it's kind of like fuck, I

1:05:33.600 --> 1:05:35.520
<v Speaker 2>love it. Oh, it's a gag?

1:05:36.240 --> 1:05:39.040
<v Speaker 1>Have you put this on a playlist to me? And

1:05:39.200 --> 1:05:40.080
<v Speaker 1>always does that?

1:05:41.320 --> 1:05:44.240
<v Speaker 2>Sobi Club you should you would love Stebe Club. It's

1:05:44.320 --> 1:05:46.160
<v Speaker 2>very like punk, but with this kind of.

1:05:46.160 --> 1:05:48.360
<v Speaker 3>Like okay, you're you're a Slater fan. I saw you

1:05:48.800 --> 1:05:52.920
<v Speaker 3>later and Tom Nish, Oh amazing.

1:05:53.640 --> 1:05:56.640
<v Speaker 2>I've been spending that album for weeks.

1:05:57.560 --> 1:06:00.280
<v Speaker 3>Some of my friends are deeply obsessed and in it,

1:06:00.320 --> 1:06:02.680
<v Speaker 3>and I need to kind of like spend more time.

1:06:02.480 --> 1:06:06.080
<v Speaker 2>There in the Tom world. Hot little Birds guy, you

1:06:06.120 --> 1:06:07.800
<v Speaker 2>know we love that right now.

1:06:07.840 --> 1:06:09.320
<v Speaker 1>I'm very kiss me.

1:06:10.400 --> 1:06:16.640
<v Speaker 3>I dropped every time the radio comes on and I

1:06:16.720 --> 1:06:18.320
<v Speaker 3>have to say, I follow me there.

1:06:18.400 --> 1:06:23.800
<v Speaker 1>I can't believe begged the second. I know she's a freak.

1:06:23.960 --> 1:06:27.360
<v Speaker 3>She's such a freak. Her voice never sounded better somehow. Yeah,

1:06:27.400 --> 1:06:28.320
<v Speaker 3>it's just the control.

1:06:28.520 --> 1:06:30.560
<v Speaker 1>I don't say the same thing for you, by the way,

1:06:30.640 --> 1:06:32.160
<v Speaker 1>and wait, can we just before we do? I don't

1:06:32.160 --> 1:06:36.040
<v Speaker 1>think so, honey, actually talk about your amazing work. I

1:06:36.440 --> 1:06:39.640
<v Speaker 1>just want to say, like we were listening to Jared

1:06:39.680 --> 1:06:42.160
<v Speaker 1>and I listened to it together hit the Wall. Can

1:06:42.200 --> 1:06:47.880
<v Speaker 1>you just talk about like finding all this bigness in

1:06:47.920 --> 1:06:50.000
<v Speaker 1>your sound, because you've always had big emotions and I

1:06:50.040 --> 1:06:52.680
<v Speaker 1>feel like this sounds sonically is even bigger and matching

1:06:52.720 --> 1:06:54.720
<v Speaker 1>those emotions. Now, if that is that something you strove

1:06:54.800 --> 1:06:55.360
<v Speaker 1>for you.

1:06:55.440 --> 1:06:58.080
<v Speaker 3>Well, I think it was just like being in the

1:06:58.120 --> 1:07:00.440
<v Speaker 3>whole thing was informed by having been on road for

1:07:00.480 --> 1:07:03.320
<v Speaker 3>the past few years, but like really diving into the

1:07:03.320 --> 1:07:08.440
<v Speaker 3>production process once it ended ended, and I think that

1:07:08.520 --> 1:07:11.280
<v Speaker 3>there was a lot of like more patients are like

1:07:11.560 --> 1:07:15.440
<v Speaker 3>space in this album actually, or it felt like it

1:07:15.560 --> 1:07:18.600
<v Speaker 3>matched my sort of internal rhythm being of road.

1:07:18.720 --> 1:07:23.560
<v Speaker 1>Off road, when you were off the.

1:07:23.560 --> 1:07:27.200
<v Speaker 3>Road when tor ended, and so I feel like there's

1:07:27.280 --> 1:07:30.920
<v Speaker 3>this kind of to me conversation in the album between

1:07:31.040 --> 1:07:33.840
<v Speaker 3>having space and then also when songs do want to build.

1:07:33.920 --> 1:07:38.520
<v Speaker 3>We were very intricate in the production of so many

1:07:38.600 --> 1:07:41.360
<v Speaker 3>vocal layers and where you know, I felt like the

1:07:41.360 --> 1:07:44.400
<v Speaker 3>story would benefit from that kind of impact, and it

1:07:44.440 --> 1:07:48.680
<v Speaker 3>was it was a real treat to make. I don't know,

1:07:48.720 --> 1:07:51.040
<v Speaker 3>we were it was all very thoughtful and Aaron and

1:07:51.080 --> 1:07:53.120
<v Speaker 3>I made this together again. This is our sixth year

1:07:53.160 --> 1:07:57.080
<v Speaker 3>working together. And I love him because he's not like

1:07:58.000 --> 1:08:02.520
<v Speaker 3>he sort of reminds me at least that you don't

1:08:02.680 --> 1:08:07.400
<v Speaker 3>need to make some radical change in order to like

1:08:07.520 --> 1:08:11.440
<v Speaker 3>have your next album be a valid step forward. And

1:08:11.520 --> 1:08:15.360
<v Speaker 3>you're kind of like artistry or just being a person.

1:08:15.400 --> 1:08:17.479
<v Speaker 3>It's like it can just accurately reflect where you're at.

1:08:17.800 --> 1:08:22.360
<v Speaker 3>And to me, this felt like it felt like the

1:08:22.360 --> 1:08:24.679
<v Speaker 3>most elevated version of all of the ways that we've

1:08:24.680 --> 1:08:27.640
<v Speaker 3>written and worked together in the past, Like there's his

1:08:27.800 --> 1:08:33.920
<v Speaker 3>gothic folky sounds that he's like mayor of Gothic folk town,

1:08:32.640 --> 1:08:37.240
<v Speaker 3>and like what if it's right and humming do things

1:08:37.320 --> 1:08:38.920
<v Speaker 3>like that, and then like good Reason feels like a

1:08:38.960 --> 1:08:41.000
<v Speaker 3>sister song to I Love You, I'm Sorry in ways

1:08:41.080 --> 1:08:45.320
<v Speaker 3>to me but like different, and then like look at

1:08:45.320 --> 1:08:47.160
<v Speaker 3>my life we wrote to a pulse, which we do

1:08:47.240 --> 1:08:49.400
<v Speaker 3>all the time, or like cold goodbyes we just did

1:08:49.439 --> 1:08:52.840
<v Speaker 3>one instrument in my vocal or like hit the wall

1:08:52.960 --> 1:08:56.519
<v Speaker 3>felt like I don't know, there's all these kind of

1:08:56.520 --> 1:09:02.400
<v Speaker 3>like trances that envelope us in the studio and this

1:09:02.840 --> 1:09:08.000
<v Speaker 3>was a real heavenly experience to do it. And I'm

1:09:08.000 --> 1:09:12.280
<v Speaker 3>grateful to him because I was having this like on

1:09:12.880 --> 1:09:17.760
<v Speaker 3>the tour toward the end, where everyone has been on

1:09:17.880 --> 1:09:20.160
<v Speaker 3>the bus and with each other and just like the

1:09:20.280 --> 1:09:22.439
<v Speaker 3>energy and the kind of like social like being on

1:09:22.680 --> 1:09:26.600
<v Speaker 3>and the where you're sort of like white knuckling in

1:09:26.640 --> 1:09:29.800
<v Speaker 3>a way that is full of gratitude but also like

1:09:30.560 --> 1:09:33.479
<v Speaker 3>survival mode a bit in order to get through. I

1:09:33.560 --> 1:09:36.880
<v Speaker 3>was just so my voice inside my head was like

1:09:37.520 --> 1:09:39.720
<v Speaker 3>not there anymore. Like I was so tired. I just

1:09:39.760 --> 1:09:45.799
<v Speaker 3>felt like absolutely gone. And Aaron's music with no words

1:09:45.840 --> 1:09:49.799
<v Speaker 3>and no vocal nothing like always sort of like presses

1:09:49.960 --> 1:09:53.719
<v Speaker 3>some button in me that like allows me to remember

1:09:53.760 --> 1:09:57.880
<v Speaker 3>what I feel and remember my perspective and hear myself again.

1:09:58.280 --> 1:10:01.400
<v Speaker 3>So this album was a surprise to me and.

1:10:01.479 --> 1:10:05.600
<v Speaker 1>Really interesting, like he's creates like escape for you to

1:10:05.680 --> 1:10:07.120
<v Speaker 1>then like inhabit.

1:10:07.320 --> 1:10:08.719
<v Speaker 3>Yeah, like hear yourself again.

1:10:08.880 --> 1:10:10.280
<v Speaker 2>That's really cool, bless.

1:10:10.360 --> 1:10:12.120
<v Speaker 1>I was thinking while I was listening to it that

1:10:12.400 --> 1:10:15.280
<v Speaker 1>it's made for a live experience too, Like Daughter from

1:10:15.280 --> 1:10:18.200
<v Speaker 1>Hell is just going to be such a communal.

1:10:17.800 --> 1:10:18.720
<v Speaker 2>Moment for everyone there.

1:10:18.760 --> 1:10:21.719
<v Speaker 1>I feel, I you do you do have them wanting

1:10:21.760 --> 1:10:23.280
<v Speaker 1>that experience, Well.

1:10:23.080 --> 1:10:26.160
<v Speaker 3>They're really bringing it. I get to just hang out

1:10:26.200 --> 1:10:28.160
<v Speaker 3>and watch them have good time. It's really nice. But

1:10:28.280 --> 1:10:34.320
<v Speaker 3>that song in particular, we wrote with this particular show

1:10:34.479 --> 1:10:37.880
<v Speaker 3>in mind, not this album, but we were thinking about

1:10:37.880 --> 1:10:42.400
<v Speaker 3>a specific like festival experience, and that's on this amazing

1:10:42.400 --> 1:10:44.960
<v Speaker 3>baritone guitar, and it's just playing that. We've been in

1:10:45.000 --> 1:10:48.639
<v Speaker 3>rehearsals this past week for lots of things and playing

1:10:48.680 --> 1:10:52.040
<v Speaker 3>that live so good. Yeah, and like it's interesting, it's

1:10:52.080 --> 1:10:55.840
<v Speaker 3>so fun how quickly like already playing these songs of

1:10:55.880 --> 1:10:59.200
<v Speaker 3>the band. I'm like, my favorite song is shifting around

1:10:59.280 --> 1:11:02.080
<v Speaker 3>always and so I think, you know, just shout.

1:11:01.840 --> 1:11:04.439
<v Speaker 1>Out where you at today? A favorite song wise, I think.

1:11:04.280 --> 1:11:09.000
<v Speaker 3>The Knife for I love thee That song gets me. Fuck,

1:11:09.320 --> 1:11:12.759
<v Speaker 3>it's so good live, like it's such a band song. Yes,

1:11:13.320 --> 1:11:16.000
<v Speaker 3>and they're all just such brilliant players. So everyone who

1:11:16.000 --> 1:11:20.519
<v Speaker 3>worked on this album I'm addicted to and I admire

1:11:20.600 --> 1:11:22.879
<v Speaker 3>so much. So it was a joy.

1:11:23.360 --> 1:11:25.960
<v Speaker 2>It's truly well, thank you for sharing all that.

1:11:25.960 --> 1:11:27.880
<v Speaker 3>That's so profan for listening and letting me talk.

1:11:27.960 --> 1:11:31.200
<v Speaker 2>You didn't say ionic, so yeah, you just have to

1:11:31.240 --> 1:11:31.879
<v Speaker 2>say ionic.

1:11:32.080 --> 1:11:36.120
<v Speaker 3>Well maybe like two point seven will be like that,

1:11:36.640 --> 1:11:37.600
<v Speaker 3>just the ion.

1:11:37.400 --> 1:11:38.920
<v Speaker 2>It the force.

1:11:39.520 --> 1:11:43.680
<v Speaker 1>What Honestly, if an reviewer one day says, so talk

1:11:43.720 --> 1:11:45.960
<v Speaker 1>about the ionic nature of this album, know that we

1:11:46.000 --> 1:11:46.639
<v Speaker 1>sent them.

1:11:46.439 --> 1:11:49.559
<v Speaker 3>There, I'll say ding dong yeah.

1:11:49.120 --> 1:11:51.920
<v Speaker 1>And they'll come in with a million dollars. It's a

1:11:51.920 --> 1:11:54.920
<v Speaker 1>mister beasts challenge. Anyways, With that in mind, it is

1:11:54.920 --> 1:11:58.240
<v Speaker 1>time for I don't think so honey, And really what

1:11:58.280 --> 1:12:00.760
<v Speaker 1>it is is it's a one minute segment on this

1:12:00.800 --> 1:12:05.400
<v Speaker 1>podcast where sort of cathartically tear down something in culture

1:12:05.400 --> 1:12:09.160
<v Speaker 1>that's been giving us some troubles. I'm finally speaking truth

1:12:09.200 --> 1:12:10.439
<v Speaker 1>about something on this podcast.

1:12:10.720 --> 1:12:13.519
<v Speaker 2>Finally. Yeah, this is Matt Rogers. I don't think so,

1:12:13.560 --> 1:12:14.599
<v Speaker 2>Whny his time starts now.

1:12:14.680 --> 1:12:16.680
<v Speaker 1>I don't think so, honey. Sunglass shopping, when you have

1:12:16.720 --> 1:12:19.360
<v Speaker 1>a long head and a bridge of your nose, that

1:12:19.479 --> 1:12:23.000
<v Speaker 1>is what a little crooked. It's especially complicated by the

1:12:23.000 --> 1:12:27.639
<v Speaker 1>fact that I'm colorblind. I go in to a sunglass store, shop, stand,

1:12:27.720 --> 1:12:30.840
<v Speaker 1>whatever it is, any of those s locations, and I

1:12:30.880 --> 1:12:35.799
<v Speaker 1>am met with strife another s because basically I can't

1:12:36.360 --> 1:12:39.759
<v Speaker 1>cannot find a pair of sunglasses that fit my face.

1:12:40.439 --> 1:12:43.000
<v Speaker 1>I am gonna need them custom made. I put them on.

1:12:43.240 --> 1:12:46.200
<v Speaker 1>It's a little bit askew. I would rather they be

1:12:46.520 --> 1:12:48.600
<v Speaker 1>full ascue, because then it could be a statement. This

1:12:49.320 --> 1:12:52.160
<v Speaker 1>is just nothing. It's just a little bit wrong. I

1:12:52.400 --> 1:12:57.559
<v Speaker 1>already had the nose job, yep, So now what non elective? Medically,

1:12:58.160 --> 1:13:01.240
<v Speaker 1>I medically needed to have fifteen seconds, but they wouldn't

1:13:01.280 --> 1:13:03.960
<v Speaker 1>let me use my insurance to cover it because they

1:13:04.000 --> 1:13:06.760
<v Speaker 1>said it was elective. But I say, if you saw

1:13:06.800 --> 1:13:09.600
<v Speaker 1>the cyst in my nose at the time, you would know.

1:13:09.640 --> 1:13:11.320
<v Speaker 1>I couldn't have lived with it. No, I don't know

1:13:11.320 --> 1:13:12.880
<v Speaker 1>how we got there, but I don't think so, honey,

1:13:12.960 --> 1:13:15.559
<v Speaker 1>sunglass shopping and that's one minute.

1:13:15.560 --> 1:13:18.960
<v Speaker 3>Okay, where was the cyst? Honey?

1:13:19.479 --> 1:13:24.080
<v Speaker 1>Right there, I'll show you breathe so get this. It

1:13:24.120 --> 1:13:27.080
<v Speaker 1>didn't affect my breathing at all. It just like it

1:13:27.120 --> 1:13:28.000
<v Speaker 1>was just like an in.

1:13:28.520 --> 1:13:29.880
<v Speaker 3>Doctors are like it's elected.

1:13:30.080 --> 1:13:33.559
<v Speaker 1>No, no, no, no. Was my boyfriend at the time

1:13:33.600 --> 1:13:36.360
<v Speaker 1>I had this cyst? Was that a medical necessity.

1:13:37.360 --> 1:13:38.920
<v Speaker 2>Because it smelled, didn't it?

1:13:38.960 --> 1:13:43.599
<v Speaker 1>Everyone stop? This is my foot and my nose are

1:13:43.640 --> 1:13:44.040
<v Speaker 1>my things.

1:13:44.400 --> 1:13:48.439
<v Speaker 2>Everyone stop, this is my thing with sunglass shopping. Oh,

1:13:48.479 --> 1:13:50.120
<v Speaker 2>I put on sunglasses. I go to the mirror to

1:13:50.120 --> 1:13:52.120
<v Speaker 2>see myself. I can't see a damn thing in the

1:13:52.320 --> 1:13:53.160
<v Speaker 2>exactly dark.

1:13:53.200 --> 1:13:56.439
<v Speaker 1>All of a sudden, that's a real culture dark number thirty.

1:13:56.479 --> 1:13:57.600
<v Speaker 2>I put on sunglasses.

1:13:57.640 --> 1:13:58.400
<v Speaker 1>It's also dark.

1:13:58.439 --> 1:13:59.960
<v Speaker 2>All of a sudden, you can't see.

1:14:00.479 --> 1:14:01.559
<v Speaker 3>You have an amazing nose.

1:14:01.840 --> 1:14:02.599
<v Speaker 1>Thank you for saying that.

1:14:02.640 --> 1:14:03.439
<v Speaker 3>What do you mean crooked?

1:14:03.479 --> 1:14:06.920
<v Speaker 1>Where you'll see if you if you really look, it's

1:14:06.960 --> 1:14:08.320
<v Speaker 1>a little bit the bone here.

1:14:08.600 --> 1:14:13.840
<v Speaker 3>I can't see, but I trust you, of course, have

1:14:13.880 --> 1:14:16.920
<v Speaker 3>a I also have a sunglass problem. Let me see

1:14:18.000 --> 1:14:18.960
<v Speaker 3>absolutely straight.

1:14:19.680 --> 1:14:21.760
<v Speaker 1>See this is why I own these though.

1:14:22.360 --> 1:14:23.920
<v Speaker 3>Did you get them fixed for you?

1:14:24.040 --> 1:14:24.160
<v Speaker 4>No?

1:14:24.160 --> 1:14:25.479
<v Speaker 1>No, no, this was a.

1:14:27.200 --> 1:14:27.600
<v Speaker 3>Look at that.

1:14:32.160 --> 1:14:34.960
<v Speaker 1>Look at them very asy wow. Out of the whole

1:14:34.960 --> 1:14:43.200
<v Speaker 1>wicked soundtrack, I chose like could have been I'm gonna

1:14:43.240 --> 1:14:45.559
<v Speaker 1>be gld coated during your I don't think so, honey. Okay,

1:14:45.600 --> 1:14:48.519
<v Speaker 1>so this is I don't think so, honey. Do you

1:14:48.520 --> 1:14:52.840
<v Speaker 1>have a topic on today? This is Bow's. I don't

1:14:52.840 --> 1:14:55.000
<v Speaker 1>think so, honey. I always go to the wrong thing.

1:14:55.040 --> 1:14:58.000
<v Speaker 1>That's right time his time starts now.

1:14:57.960 --> 1:15:01.200
<v Speaker 2>I don't think so, honey. Reading taking such a long time.

1:15:01.880 --> 1:15:04.960
<v Speaker 2>I want to read every damn book in the world, basically,

1:15:05.080 --> 1:15:10.320
<v Speaker 2>but it takes a minute. It do take time results

1:15:10.400 --> 1:15:13.160
<v Speaker 2>in time. I wish I could read a book in

1:15:13.320 --> 1:15:16.760
<v Speaker 2>merely five minutes, but no, I think I am on

1:15:17.400 --> 1:15:19.559
<v Speaker 2>page fifty seven and I'm gonna be on this page

1:15:19.560 --> 1:15:24.000
<v Speaker 2>for the next six months. And that's what sucks about reading.

1:15:24.120 --> 1:15:26.200
<v Speaker 2>A lot of great things about reading, but the worst,

1:15:26.400 --> 1:15:30.400
<v Speaker 2>shittiest thing about reading is how you have to basically

1:15:30.520 --> 1:15:36.040
<v Speaker 2>sit or stand and be visually uninteresting as this thing

1:15:36.120 --> 1:15:39.439
<v Speaker 2>that has to ferment in your brain takes hold. I

1:15:39.479 --> 1:15:43.360
<v Speaker 2>wish it were faster. There's no real substitute for actual reading.

1:15:44.439 --> 1:15:46.719
<v Speaker 2>And I think we would be a much better society

1:15:46.720 --> 1:15:48.439
<v Speaker 2>if we had, if our eyes moved faster, if we

1:15:48.439 --> 1:15:50.400
<v Speaker 2>could read words on top of each other, stacked on

1:15:50.400 --> 1:15:52.000
<v Speaker 2>top of each other. But there's just no way around it.

1:15:52.040 --> 1:15:52.599
<v Speaker 1>Five seconds.

1:15:52.600 --> 1:15:54.879
<v Speaker 2>It's linear, and I wish it were radio.

1:15:56.760 --> 1:16:00.520
<v Speaker 1>And that's so what book is giving you. Try.

1:16:01.080 --> 1:16:03.280
<v Speaker 3>Yeah, I was gonna say, I stop it.

1:16:03.479 --> 1:16:06.360
<v Speaker 2>Middle March. Oh wow, I want to have a Middle

1:16:06.360 --> 1:16:08.120
<v Speaker 2>March summer. I always try to have a Middle March summer.

1:16:08.160 --> 1:16:10.439
<v Speaker 2>It doesn't in fact, on speaking of a kid putting

1:16:10.439 --> 1:16:11.920
<v Speaker 2>it down, I keep putting it because it's a big,

1:16:11.960 --> 1:16:12.400
<v Speaker 2>big book.

1:16:12.520 --> 1:16:13.800
<v Speaker 3>And I had well that's what I was gonna say, like,

1:16:13.840 --> 1:16:14.880
<v Speaker 3>of course that would that would take.

1:16:14.760 --> 1:16:16.360
<v Speaker 2>Anyone time, would take anyone. But I had it on

1:16:16.360 --> 1:16:16.920
<v Speaker 2>the set of Wicked.

1:16:17.080 --> 1:16:17.280
<v Speaker 3>Yeah.

1:16:17.280 --> 1:16:19.240
<v Speaker 2>And then Cynthia was like, what book is that. I

1:16:19.280 --> 1:16:21.720
<v Speaker 2>was like, it's Middle March by George Elliott and it's

1:16:21.760 --> 1:16:24.719
<v Speaker 2>actually a woman whatever this was her pseudonym. She goes,

1:16:25.560 --> 1:16:26.160
<v Speaker 2>I'll read that.

1:16:27.240 --> 1:16:28.559
<v Speaker 3>She read it. Yeah, I was gonna say it's gone,

1:16:28.600 --> 1:16:30.519
<v Speaker 3>and like, yeah, I'm gone.

1:16:30.760 --> 1:16:33.559
<v Speaker 2>Gone, gone gone. She read it in a week and

1:16:33.600 --> 1:16:37.880
<v Speaker 2>I was like, she does everything. I was like cynth

1:16:38.720 --> 1:16:39.759
<v Speaker 2>while I read the math.

1:16:39.600 --> 1:16:42.120
<v Speaker 3>On she is, like I was playing, She's like a

1:16:42.320 --> 1:16:43.600
<v Speaker 3>super human she is.

1:16:43.920 --> 1:16:45.080
<v Speaker 1>Have you seen Dracula?

1:16:45.840 --> 1:16:46.280
<v Speaker 3>I haven't.

1:16:46.360 --> 1:16:48.040
<v Speaker 1>I played twenty seven different ways.

1:16:48.360 --> 1:16:49.080
<v Speaker 3>Have you seen it?

1:16:49.520 --> 1:16:52.920
<v Speaker 1>No? No, because I do it, because I do. I

1:16:52.960 --> 1:16:53.439
<v Speaker 1>don't see it.

1:16:53.600 --> 1:16:54.720
<v Speaker 2>I don't see it. I am it.

1:16:55.439 --> 1:16:58.120
<v Speaker 3>Maybe it's I don't think so honey, Like, well, I

1:16:58.200 --> 1:16:58.880
<v Speaker 3>actually I can't.

1:16:58.920 --> 1:17:03.400
<v Speaker 1>Do you ever started to like this is it Irish

1:17:03.439 --> 1:17:05.120
<v Speaker 1>accent harder than hell?

1:17:05.280 --> 1:17:10.320
<v Speaker 3>Yeah, he's talking, He's talking all sorts.

1:17:10.080 --> 1:17:13.040
<v Speaker 1>Of are you ready for your I don't think so, honey,

1:17:13.320 --> 1:17:16.280
<v Speaker 1>I think so yeah, Okay, I have I Do you

1:17:16.600 --> 1:17:18.720
<v Speaker 1>keep like a bunch of them in your head or

1:17:18.720 --> 1:17:19.240
<v Speaker 1>do you have one?

1:17:19.560 --> 1:17:21.960
<v Speaker 3>What was concerning me is that I I which I

1:17:21.960 --> 1:17:24.479
<v Speaker 3>think is also like maybe maybe pleasant. But then I

1:17:24.520 --> 1:17:25.400
<v Speaker 3>was thinking about the two of you.

1:17:25.479 --> 1:17:29.000
<v Speaker 2>I was like, I don't don't don't think about us.

1:17:31.439 --> 1:17:33.200
<v Speaker 3>I was like thinking. I was like, and I even

1:17:33.439 --> 1:17:36.719
<v Speaker 3>as I as I because I'm even in this moment,

1:17:36.760 --> 1:17:40.760
<v Speaker 3>I'm like, there's a couple that I could go with, and.

1:17:40.720 --> 1:17:46.920
<v Speaker 1>I'm heart come out. This is Gracie Abrams. I don't

1:17:46.920 --> 1:17:48.120
<v Speaker 1>think so, honey, your time starts now.

1:17:48.160 --> 1:17:52.519
<v Speaker 3>Okay, I don't think so, honey. Travel Etiquette Edition with

1:17:52.600 --> 1:17:56.000
<v Speaker 3>love and understanding that everyone operates in their own individual way.

1:17:56.720 --> 1:17:59.799
<v Speaker 3>My personal hope and dream is that in public spaces

1:17:59.880 --> 1:18:02.920
<v Speaker 3>like not to go back to the feet please, But

1:18:03.160 --> 1:18:06.280
<v Speaker 3>I feel it's fascinating the impulse when we're on a

1:18:06.320 --> 1:18:08.720
<v Speaker 3>plane thirty thousand feet up in the air in a

1:18:08.760 --> 1:18:11.120
<v Speaker 3>metal tube, that we're taking our socks all the way off.

1:18:11.479 --> 1:18:13.720
<v Speaker 3>That fascinates me. I have also recently been on a

1:18:13.760 --> 1:18:16.320
<v Speaker 3>flight where people were clipping their nails on the flight.

1:18:16.960 --> 1:18:21.680
<v Speaker 3>Flight attendants are angels in the sky. Forget everyone you're

1:18:21.680 --> 1:18:24.200
<v Speaker 3>sitting next to. You're making everyone un comfortable. They are

1:18:24.240 --> 1:18:26.960
<v Speaker 3>seeing that and that's their space. So I would just

1:18:26.960 --> 1:18:31.759
<v Speaker 3>say please. Another thing is when you're going through TSA,

1:18:32.120 --> 1:18:33.599
<v Speaker 3>you have to put the tray back in the thing

1:18:34.560 --> 1:18:37.040
<v Speaker 3>or you're a bad person. And then you feel performative

1:18:37.040 --> 1:18:40.759
<v Speaker 3>beyond when you put everyone else's not a nice feeling.

1:18:42.040 --> 1:18:45.040
<v Speaker 3>And then my last live too are oh shit, okay,

1:18:45.600 --> 1:18:47.720
<v Speaker 3>the mouth of the mouth of the of the of

1:18:47.840 --> 1:18:50.519
<v Speaker 3>the of the machine. When you're the bags are coming out,

1:18:50.880 --> 1:18:53.479
<v Speaker 3>we bum rush. If everyone took a step back, we'd

1:18:53.479 --> 1:18:55.879
<v Speaker 3>have air to breathe, and we have room to see,

1:18:56.160 --> 1:18:58.800
<v Speaker 3>and we'd almost have room to stretch post flight. And

1:18:58.880 --> 1:19:01.599
<v Speaker 3>I just think these are things to maybe consider, and

1:19:02.360 --> 1:19:03.320
<v Speaker 3>I'll leave it there.

1:19:03.760 --> 1:19:06.719
<v Speaker 1>I don't think so Honey has been in one minute.

1:19:06.720 --> 1:19:09.200
<v Speaker 1>And do you know what the other thing was? Because

1:19:09.200 --> 1:19:10.680
<v Speaker 1>you said there were two things that you decided to

1:19:10.720 --> 1:19:11.960
<v Speaker 1>leave it there, but there's something else.

1:19:12.760 --> 1:19:16.599
<v Speaker 3>I just think. I don't think. I don't think so Honey,

1:19:16.840 --> 1:19:18.719
<v Speaker 3>like sig shaming anyone but yourself.

1:19:18.760 --> 1:19:22.960
<v Speaker 1>Oh, okay, got it? Cigarette, don't cigarette other people?

1:19:23.040 --> 1:19:25.200
<v Speaker 3>Yeah, everyone is doing their best.

1:19:25.360 --> 1:19:26.719
<v Speaker 1>Yeah, I would agree. Are you a smoker?

1:19:27.120 --> 1:19:28.360
<v Speaker 3>Like everyone's in a while? Everyone?

1:19:28.479 --> 1:19:30.200
<v Speaker 2>I do it on vacation every once.

1:19:30.000 --> 1:19:37.759
<v Speaker 3>In a while. Yeah it's a sunny Saturday, yea, or.

1:19:35.400 --> 1:19:37.920
<v Speaker 1>Or I've had one to five drinks. Yeah.

1:19:38.080 --> 1:19:42.120
<v Speaker 3>I'm just said, by the policing of certain behaviors, and

1:19:42.120 --> 1:19:44.559
<v Speaker 3>I'm like, I get it, like I understand, and we

1:19:44.600 --> 1:19:47.120
<v Speaker 3>all have the same information, and therefore, like you don't

1:19:47.120 --> 1:19:48.240
<v Speaker 3>know what's going on and everyone's live.

1:19:48.400 --> 1:19:50.479
<v Speaker 1>I do have to be a vaporizer police, though.

1:19:50.640 --> 1:19:52.960
<v Speaker 3>I certainly am not on that wave I and I know,

1:19:53.479 --> 1:19:56.879
<v Speaker 3>and I know when I heard that story, I stopped.

1:19:56.920 --> 1:19:59.799
<v Speaker 3>I was on a line bike, got off it stop

1:20:00.000 --> 1:20:02.360
<v Speaker 3>really god, because I was like, hold on, I was

1:20:02.400 --> 1:20:04.400
<v Speaker 3>going too fast. Yeah, I need to slow down and

1:20:04.439 --> 1:20:08.320
<v Speaker 3>hear you. I've got off and then walked home.

1:20:08.240 --> 1:20:09.680
<v Speaker 2>And I would argue a line bike is sort of

1:20:09.720 --> 1:20:11.519
<v Speaker 2>the vapes of vehicles.

1:20:12.400 --> 1:20:14.240
<v Speaker 3>Well, and then another I don't think so honey that

1:20:14.240 --> 1:20:16.720
<v Speaker 3>I was sitting on was that like, I don't think

1:20:16.800 --> 1:20:20.320
<v Speaker 3>so honey. City bikes don't have the phone holders, oh,

1:20:20.360 --> 1:20:23.000
<v Speaker 3>which is for safety and for like a beautiful social

1:20:23.080 --> 1:20:25.120
<v Speaker 3>kind of you can call your you can call your friend.

1:20:24.960 --> 1:20:27.439
<v Speaker 2>Like not in a dangerous No.

1:20:27.479 --> 1:20:28.720
<v Speaker 3>I know New York is a grid, and I know

1:20:28.800 --> 1:20:30.679
<v Speaker 3>London like you really need to know where you're going.

1:20:30.560 --> 1:20:31.639
<v Speaker 2>But London has the holders.

1:20:31.800 --> 1:20:33.800
<v Speaker 1>Yeah, they do it all better.

1:20:33.920 --> 1:20:36.960
<v Speaker 3>I know, come on, New York.

1:20:37.160 --> 1:20:38.560
<v Speaker 1>New York is fantastic.

1:20:38.680 --> 1:20:42.800
<v Speaker 3>But yeah, anyway, listen, this has been just thank you,

1:20:43.640 --> 1:20:46.960
<v Speaker 3>thank you, no, thank you so much. This is this podcast.

1:20:47.080 --> 1:20:49.840
<v Speaker 3>What you guys make is a big part of the

1:20:49.920 --> 1:20:52.479
<v Speaker 3>you know, joy of my every week. So thank you.

1:20:52.640 --> 1:20:54.840
<v Speaker 2>And I couldn't be more obsessed with you.

1:20:55.120 --> 1:20:57.000
<v Speaker 3>I literally just couldn't be more grateful, and you guys

1:20:57.040 --> 1:20:59.720
<v Speaker 3>are I'm just I wish it wasn't a thing. I'm

1:20:59.760 --> 1:21:00.839
<v Speaker 3>like it's not one o'clock.

1:21:01.560 --> 1:21:04.080
<v Speaker 1>Well, we've done a lot, We've got ionic back in

1:21:04.120 --> 1:21:04.760
<v Speaker 1>the conversation.

1:21:04.960 --> 1:21:12.479
<v Speaker 2>We've read the original title that was the Aubrey situation.

1:21:12.760 --> 1:21:19.200
<v Speaker 2>The Aubrey situation. There's no situation and situation.

1:21:20.280 --> 1:21:25.240
<v Speaker 3>Do we, Megita? You like the Audrey situation.

1:21:25.400 --> 1:21:29.000
<v Speaker 2>I want people to stumble on Megita Perez the way

1:21:29.000 --> 1:21:32.640
<v Speaker 2>that I did, which was not expecting and being absolutely

1:21:33.320 --> 1:21:34.280
<v Speaker 2>smack smacked.

1:21:34.280 --> 1:21:35.639
<v Speaker 3>Okay, what's the title of that, you guys?

1:21:35.640 --> 1:21:37.400
<v Speaker 1>You would said it. I forget what it was. But

1:21:38.040 --> 1:21:40.160
<v Speaker 1>everything feet, everything feeding feet.

1:21:40.560 --> 1:21:44.679
<v Speaker 3>That feels perfect, perfect, They're gonna flip everything everything feet

1:21:44.720 --> 1:21:45.800
<v Speaker 3>with Gracie Abrams.

1:21:45.920 --> 1:21:49.320
<v Speaker 1>Okay, well, looking forward to that hitting your airwaves soon,

1:21:49.400 --> 1:21:51.280
<v Speaker 1>which is now actually Daughter from Hell.

1:21:51.400 --> 1:21:54.400
<v Speaker 2>Daughter from album is fantastic. All of your music is

1:21:54.479 --> 1:21:56.639
<v Speaker 2>everything you do is exciting and great and we love

1:21:56.680 --> 1:21:57.479
<v Speaker 2>you and.

1:21:58.240 --> 1:22:06.360
<v Speaker 1>We'll see yuh Silver Universal Studios. Thirty guys, we had

1:22:06.439 --> 1:22:09.640
<v Speaker 1>every episode with a song. What did we say we

1:22:09.640 --> 1:22:15.000
<v Speaker 1>were going to do? Oh? How does it start?

1:22:15.640 --> 1:22:15.880
<v Speaker 2>Shut?

1:22:18.520 --> 1:22:19.800
<v Speaker 3>Dreams of Green seen?

1:22:25.120 --> 1:22:30.080
<v Speaker 1>Wait while I'm waiting out front, this is going to

1:22:30.120 --> 1:22:34.800
<v Speaker 1>be really good for everyone and oh again, well what wait,

1:22:34.880 --> 1:22:36.599
<v Speaker 1>hold on, wait, what is it?

1:22:36.680 --> 1:22:39.280
<v Speaker 3>No, No, I hope you just leave in when it's

1:22:39.400 --> 1:22:40.320
<v Speaker 3>just Matt.

1:22:40.920 --> 1:22:48.400
<v Speaker 1>Like this, you're saying me, why that key anyway?

1:22:48.400 --> 1:22:53.719
<v Speaker 2>Bye? Last Culture. Racis is the production by Will Ferrell's

1:22:53.720 --> 1:22:56.320
<v Speaker 2>Big Money Players and iHeartRadio podcasts.

1:22:55.680 --> 1:22:59.000
<v Speaker 1>Created and hosted by Matt Rogers and Bowen Yang, executive

1:22:59.040 --> 1:23:02.640
<v Speaker 1>produced by Annah and produced by Decca Ramos, edited by

1:23:02.680 --> 1:23:05.559
<v Speaker 1>hot Dog Sandwich and our music is by Henry Berski