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Speaker 1: Warning, Today's episode contains spoilers for Jurassic World rebirth. Spoilers, spoilers,

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Speaker 1: spoil So he didn't do the theme this, it wasn't

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Speaker 1: John Williams, Johnny, Hello, any of his Jason concepts and

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Speaker 1: I'm rosy night and welcome back to next vision of

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Speaker 1: the podcast where we doe you.

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Speaker 2: You could do your favorite shows, the movies.

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Speaker 1: Comics of pop culture Company from my our podcast where

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Speaker 1: we're bringing you episodes every Tuesday Thursday, plus highlighting some

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Speaker 1: of biggest movies every Friday. News.

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Speaker 3: In today's episode, Oh, you're gonna be happy to know

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Speaker 3: that we have brought together the.

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Speaker 4: In Gen board, Common and Aaron are joining us for

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Speaker 4: roundtable discussion of Jurassic World.

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Speaker 3: Wee bir are any of us as rich as in

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Speaker 3: Jen sadly not, but we are here to discuss Jurassic

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Speaker 3: World rebirth and it's fun, fun, fun, outrageous dinosaur adventures.

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Speaker 4: Also, guys, you have heard we've had people in discord

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Speaker 4: asking about it.

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Speaker 3: We are going to be at San Diego Comic Con,

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Speaker 3: so make sure to keep an eye on our social media.

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Speaker 3: Join our discord to find out when and where you

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Speaker 3: can see me.

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Speaker 4: Jason Joel and Ian there.

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Speaker 1: Now, let's welcome in the super producer crew. First up,

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Speaker 1: he has strong feelings about the score of Jurassic World Rebirth.

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Speaker 1: Super Producer Aaron, Welcome to the show.

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Speaker 2: Thank you.

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Speaker 5: Jurassic Park is probably one of my top ten favorite movies.

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Speaker 5: I love the original, I love dinosaurs. I've always loved dinosaurs.

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Speaker 5: I was so excited to go see a new dinosaur movie.

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Speaker 3: Common, how are you doing. Thank you for joining us today.

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Speaker 6: I'm doing great. Thank you for having me. I know,

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Speaker 6: like Aaron, I am of the Jurassic Park generation and

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Speaker 6: grew up loving dinosaurs. I had many a Dino t

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Speaker 6: shirts as a kid, and this was a lot of fun.

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Speaker 6: I really enjoyed this movie. I had a good time

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Speaker 6: seeing it.

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Speaker 1: Well, let's let's get into it. First of all, should

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Speaker 1: we start with our general thoughts on Jurassic World Rebirth?

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Speaker 1: What did we think of the latest edition in the

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Speaker 1: Jurassic Park franchise? The ip monster marches on Carmen, Let's

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Speaker 1: start with you.

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Speaker 6: Yeah, I was. I was telling Aaron before everybody joined

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Speaker 6: today that, you know, I think for me, seeing dinosaurs

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Speaker 6: on the big screen is always a fun experience. It's really,

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Speaker 6: really hard to mess that up, you know. And I

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Speaker 6: think the first half of the movie for me was

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Speaker 6: definitely the most engaging, the most exciting, because it had

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Speaker 6: the most I think tension, because let's be real, the

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Speaker 6: first half of the movie takes place mostly in the water,

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Speaker 6: and I probably have what is it? The last of

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Speaker 6: what is it? The lastophobia of Giant?

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Speaker 4: I got it. I'm scared.

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Speaker 6: I was terrified.

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Speaker 3: I am I'm also scared, but love awarded the dinosaur

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Speaker 3: type situation, so I relate.

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Speaker 6: Yes, I think the second half of the movie was

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Speaker 6: a little like once they arrived on the island, a

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Speaker 6: little less engaging, and we'll talk about it more, but

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Speaker 6: I think the I feel like the distortis Rex. The

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Speaker 6: d Rex was underused and.

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Speaker 1: Like a frozen turkey fresh out of the energy.

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Speaker 4: Aaron, how about you? What was your feeling?

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Speaker 5: There were a handful of moments that I loved. I

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Speaker 5: was on the edge of my seat with you know,

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Speaker 5: the spinosauruses and then then like the boat chase, that

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Speaker 5: entire thing. Love the t rex raft scene, like I love,

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Speaker 5: It's so nice to see that. Yeah, and from the

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Speaker 5: book that didn't make it into the first movie to

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Speaker 5: have it here was great. I thought, overall, this was

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Speaker 5: like a bad movie that had some great things and

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Speaker 5: it was fun to see with a bunch of popcorn.

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Speaker 2: Like I went and saw the Adam Driver.

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Speaker 5: Dinosaur Movie sixty I was twenty five. I was one

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Speaker 5: of the sixty five people who actually saw that, So

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Speaker 5: I'll go see whatever. I just there are a lot

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Speaker 5: of things I was like, this is, this is I'm

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Speaker 5: personally over mutated dinosaurs. Dinosaurs are scary and interesting enough,

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Speaker 5: so I don't need the mutants.

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Speaker 4: You you are not alone in that.

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Speaker 3: We have definitely seen a kind of critical or quality

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Speaker 3: question mark over the movie, Jason, how about you? Because

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Speaker 3: me and Joel did the recap, so people have already

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Speaker 3: had my thoughts.

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Speaker 1: Well, this is like, I mean, I agree, we can

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Speaker 1: get into plot holes, and I'm eager to get into

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Speaker 1: plot holes because I know you are like almost every

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Speaker 1: Jurassic Park movie many first two. A lot of things

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Speaker 1: wrong with this fucking movie.

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Speaker 2: That said, I thought the set.

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Speaker 1: Pieces were fantastic. Yeah, dinosaur action wonderful. I personally like

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Speaker 1: the mutated dinosaurs. I think it was wise of them

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Speaker 1: to wait until, you know, to kind of reveal them

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Speaker 1: later in the movie. I thought that was the way

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Speaker 1: to go. I thought that once you got the first

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Speaker 1: half hours a little slow for me, but once it

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Speaker 1: really gets going, I'm just here for the action set pieces.

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Speaker 1: Like everything else, if you scratch it a little bit,

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Speaker 1: is ridiculous, Like like again, we'll table this, okay, But

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Speaker 1: just my headline is why why does the pharmacy ceo

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Speaker 1: go on this mission? Like there's a lot of things

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Speaker 1: that are ridiculous.

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Speaker 4: Send the guy just as.

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Speaker 1: Potential trillion dollar drug like franchise that you're gonna make

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Speaker 1: from this, and you still like eight guys.

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Speaker 4: And when Jonathan Bailey is when he's like, just send

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Speaker 4: an army, I'm.

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Speaker 3: Like, correct, that's actually the right thing to do.

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Speaker 4: Just like do that, guys. We see.

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Speaker 2: But I really enjoyed it. I quite enjoyed it.

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Speaker 1: I think it's my like third or fourth favorite Jurassic movie.

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Speaker 5: To be fair, there are only seven of them, so

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Speaker 5: four is the middle.

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Speaker 4: Hey, still the middle.

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Speaker 3: I would also say, as well, this is an interesting

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Speaker 3: exercise in shrinking a world very quickly, because the Jurassic

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Speaker 3: World movies were every dinosaur is out, Dinosaurs are just living,

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Speaker 3: Dinosaurs are at the drive in, dinosaurs are everywhere.

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Speaker 4: This is very much.

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Speaker 3: About like, how do you make an intimate, small scale,

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Speaker 3: kind of back to basics Jurassic movie. But then you know,

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Speaker 3: you hire Gareth Edwards, who's actually really greatest those big

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Speaker 3: stuff good.

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Speaker 4: You're being Rosie.

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Speaker 1: That's exactly I think what I was responding to you, like,

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Speaker 1: I like Jurassic Park three. I think a lot more

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Speaker 1: than many people because I like.

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Speaker 4: It very fun. I also like it.

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Speaker 1: I liked it it's not trying to add a ton

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Speaker 1: of stuff to the lore. It's just this kind of

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Speaker 1: like self contained, almost like bottle Jurassic Park movie. And

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Speaker 1: that's kind of what this movie is. It's kind of

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Speaker 1: like a bottle movie for Jurassic Park.

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Speaker 3: Yeah. I think that's a good point, and I do

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Speaker 3: think that that was what David Kep was going for original.

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Speaker 4: Jurassic Park right. Also, I would say of.

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Speaker 3: The screenplay, obviously based on the Michael Crichton, but I

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Speaker 3: would also say this is very different for a Jurassic

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Speaker 3: World movie, because the last three Jurassic World movies are

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Speaker 3: all about like the amount of people at the park

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Speaker 3: or the way that the dinosaurs are interacting with other people.

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Speaker 4: But here it really is that eight you know, eight

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Speaker 4: to twelve people.

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Speaker 3: Cost once you get the family in and once a

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Speaker 3: few people end up getting eaten, and by the end

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Speaker 3: you have this really kind of tiny cast. How did

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Speaker 3: that work for the steaks? For you, guys, Aaron, you

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Speaker 3: didn't enjoy it as much. Do you feel like not

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Speaker 3: having them kind of running around the park or having

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Speaker 3: other people at the park lowered the escapes stakes for you?

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Speaker 5: Actually likes the tiny cast, and I think the cast

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Speaker 5: could have been smaller. Recipes to ed screen Who is

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Speaker 5: there for six lines?

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Speaker 4: Yeah?

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Speaker 3: I know. I was so excited to see it, and

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Speaker 3: then I was like, I was like, who from LA.

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Speaker 4: Wrote that name? Because I know that's an Atwater village name.

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Speaker 2: I saw him and I was like, oh, I didn't know.

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Speaker 2: I didn't realize he was in this, and then he was.

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Speaker 4: I was like, yeah, but okay.

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Speaker 3: Speaking of which, though, let's talk about how the movie

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Speaker 3: establishes this kind of new world of dinosaurs.

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Speaker 4: This is one of the things that I.

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Speaker 3: Think is an instant issue in the Jurassic World movies,

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Speaker 3: and I saw somebody write about this way more eloquently.

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Speaker 3: But the idea that people are bored of dinosaurs, it's like,

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Speaker 3: I get it in the first Drassic World movie.

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Speaker 4: It's kind of funny.

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Speaker 3: You've had the park for twenty years, but if your

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Speaker 3: movie starts with the idea of people are bored of dinosaurs,

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Speaker 3: are you inherently like making the audience less interested?

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Speaker 4: Yeah, in those dinosaurs.

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Speaker 5: I joked with Carmen before this. That's why no one

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Speaker 5: goes to see tigers and lyons at zoos. That's why

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Speaker 5: no one goes to see Hamilton on Broadway anymore, because

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Speaker 5: everyone is bored.

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Speaker 2: Of those things. No, no one would get bored of dinosaurs. Like,

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Speaker 2: let's let's stop with that that fib.

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Speaker 1: I found that interesting only in that I now want

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Speaker 1: to know more about this chaotic shit world that must exist. Yeah,

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Speaker 1: but order for people to just be like, hey, there's

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Speaker 1: dinosaurs running around the equator free and don't worry about it.

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Speaker 4: It's just the theeosaurus in New York.

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Speaker 1: I did for me. It was more. I felt like

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Speaker 1: a better way to go is, hey, every time we

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Speaker 1: try a theme park, like a thousand people get killed.

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Speaker 3: So yes, we just can't do it any respect to

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Speaker 3: go legitimate.

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Speaker 4: I also like I would what I would have loved

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Speaker 4: to see.

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Speaker 3: I would love to see, like if we're doing little

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Speaker 3: kind of like pushed through. This was a push through

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Speaker 3: movie really really quick, end up taking a random release date.

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Speaker 3: That's why it doesn't have a three D release. That's

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Speaker 3: why it doesn't have an IMAX release. I would love

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Speaker 3: to see, like, who is getting sued over the fact

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Speaker 3: that dinosaurs were just released into the world at the

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Speaker 3: end of Fallen Kingdom, Like, I feel like there is

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Speaker 3: some legal issues about the world that I do want

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Speaker 3: to know, but this movie is not interested in them.

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Speaker 3: This is a meet the Gang, get the gang to

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Speaker 3: the island, and start killing people. Because this is also

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Speaker 3: very interestingly one of the first movies since well the

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Speaker 3: first Jurassic Park movie where they have leaned into the

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Speaker 3: idea of like enjoying seeing dinosaurs kill people with our

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Speaker 3: evil CEO character.

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Speaker 6: Yeah, so it's.

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Speaker 3: Definitely a bit more violent, it's a bit more horror.

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Speaker 4: How did that.

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Speaker 3: Sit with you, guys? Did you feel like that work?

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Speaker 3: Calm and I know your horror babe, one of our

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Speaker 3: scream queens, How did that aspect to work for you?

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Speaker 6: I felt like it didn't lean into the horror enough

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Speaker 6: quite honestly, because I felt like the distortus Rex could

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Speaker 6: have been really, really terrifying if they had a used

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Speaker 6: it a little bit more. I know, that's such a

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Speaker 6: funny name, and.

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Speaker 3: Dude, it was I was at the Universe. I'm also

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Speaker 3: like they didn't finish Like they finished it. They gave

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Speaker 3: it a name, but like it was just left there.

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Speaker 4: I don't know. I feel like, would they really have

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Speaker 4: given it a name?

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Speaker 3: But Yeah, I was saying with my friend after we'd

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Speaker 3: been at Universal all day and we went to watch

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Speaker 3: it, it was like eleven pm at night, and they would just.

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Speaker 4: Like, why does he have such a big head? Like

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Speaker 4: every time he came on, they were just like his

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Speaker 4: five head, Like, I just why does he look so dorfy?

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Speaker 4: He's got it?

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Speaker 6: Yeah, And I think that ties back to a bigger

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Speaker 6: conversation we've been having at the screen queens in our

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Speaker 6: own little group chat just about how monster design in

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Speaker 6: the in the in general is kind of on a

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Speaker 6: downward slope thests. You know, monster design is not really.

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Speaker 4: Post No Speratu.

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Speaker 6: Yes we have the No Sparatu monster slump. Yes, I

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Speaker 6: would agree, And so for me, I felt like, if

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Speaker 6: you have this big, giant, scary monster, I want I

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Speaker 6: wanted to I want to see it a little bit more,

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Speaker 6: but I also want to, like, I want the elements

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Speaker 6: of the movie to be a little more horr and

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Speaker 6: a little less action. You know.

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Speaker 4: Yeah, how did that work for you? Jason?

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Speaker 1: Well, I agree with Carmen, I think in terms of

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Speaker 1: just to add to what Carmen said about creature design,

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Speaker 1: I feel like the creatures are too in this movie generally,

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Speaker 1: and generally in movies nowadays, are too clean. Like it's

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Speaker 1: they look and they look really cool and they look real,

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Speaker 1: but you know, like a real animal has like snot

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Speaker 1: and weird stuff coming off of it and things, and

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Speaker 1: that was very muche grossness, and you don't feel the

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Speaker 1: grossness of these creatures like at all, hardly at all,

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Speaker 1: And to me, that's that takes away from the impact

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Speaker 1: of it. I will say that I wanted more horror.

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Speaker 1: It's always made sense to me to make this, you know,

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Speaker 1: like the the most effective set pieces the first two

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Speaker 1: Jurassics were to me like horror set pieces.

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Speaker 4: Essentially, the car, the kitchen, Yeah.

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Speaker 1: And so like that to me has always been the

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Speaker 1: heartbeat of this film, is like the dinosaurs are loose,

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Speaker 1: they're really scary and they're killing people. And I did

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Speaker 1: like listen, I did like that this movie is really

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Speaker 1: leaning into even with the family is like, you want

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Speaker 1: to see it. You want to see him get fucking eaten,

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Speaker 1: don't you.

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Speaker 4: Yeah, they're like this disrespectful young guys.

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Speaker 1: Get eaten? Does he not?

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Speaker 3: Well, it has they have had issues and obviously the

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Speaker 3: first Drassic Park we get to see the lawyer eating

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Speaker 3: on the toilet legendary, but since then they have struggled

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Speaker 3: at times, like in Jurassic World, very famously, the let's

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Speaker 3: put it in the Commas kind of annoying, nagging assistant

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Speaker 3: character just randomly gets like the most horrifics very legendarily. Yes,

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Speaker 3: and so this at least gives us like an evil,

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Speaker 3: big farmer guy to root for, Like by the time

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Speaker 3: he's getting killed, you're happy with what's gonna happen to him?

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Speaker 4: Aaron, how did you feel about that? Because we do

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Speaker 4: get quite a lot of dino deaths in this movie.

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Speaker 5: You mean death to dino's or deaths of Dinah, death

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Speaker 5: of dinos.

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Speaker 4: Deaths at the mouths of dinosaurs.

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Speaker 2: Yeah, and that.

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Speaker 5: I'm not a horror person. I think that the first

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Speaker 5: Drastic Park has so much good horror in it. For me,

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Speaker 5: someone who doesn't want to see a horror movie. There

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Speaker 5: are so many scary things in that first one, and

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Speaker 5: the second one even has some really good horror elements.

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Speaker 5: I think this one I my favorite parts. I think

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Speaker 5: were more of the action scenes with a lot of

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Speaker 5: thrill and suspense to them, rather than the d Rex

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Speaker 5: and like it. It was an incredible shot when it

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Speaker 5: emerges from the smoke and the fog and it has

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Speaker 5: just bitten the helicopter like that was I wanted more

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Speaker 5: that from him him being the d Rex. I I

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Speaker 5: actually don't know it's gender, where its distortus lies within

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Speaker 5: the spectrum, but I I thought that the horror and

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Speaker 5: the scary elements worked really well, so as someone who

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Speaker 5: doesn't like scary movies, this was sufficiently scary. Could have

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Speaker 5: been maybe even a little scarier, but that's not essential

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Speaker 5: to a good dinosaur. Sorry, it's not essential that it

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Speaker 5: has these mutants I think to be scary, because I

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Speaker 5: still think the t Rex raft scene in the middle

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Speaker 5: of the day had my heart going so hot. I

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Speaker 5: mean that was seeing it swim and then come up

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Speaker 5: onto on them, like, oh, I love that. I loved

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Speaker 5: it so much. So yeah, I wanted I could have

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Speaker 5: used more stuff like that. And the scene we haven't

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Speaker 5: even talked about that that was that was scary too,

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Speaker 5: and just watching it like climb, which like as I'm

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Speaker 5: climbing out of the cave and it's like going up

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Speaker 5: the wall.

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Speaker 6: Oh, it was.

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Speaker 4: Really Oh my, poor guy, I was really reading Kim.

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Speaker 3: Okay, let's take a quick break and when we were back,

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Speaker 3: we will get Aaron's thoughts as our most.

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Speaker 4: Prolific musician on the scores of Joss. And we're back, Aaron,

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Speaker 4: let's do it.

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Speaker 2: Let's talk about the score.

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Speaker 5: Before I saw the movie, you and Joel had already

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Speaker 5: seen it, and you Joel just mentioned.

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Speaker 4: That Joel was not a fan of the director.

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Speaker 5: And Joe well was interested in what I was going

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Speaker 5: to say about the score. And it's very common now

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Speaker 5: that when I see a movie, it's great having all

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Speaker 5: of you. I will immediately text one of you a

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Speaker 5: lot of times when I leave a movie if you've

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Speaker 5: already seen it. And I just texted Joelle as I

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Speaker 5: walked out, and I was like, you were not kidding

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Speaker 5: about the score. So here's I've prepared a little statement.

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Speaker 5: If this gets too long, we can cut things but

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Speaker 5: I'm just gonna go for this all right. As we know,

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Speaker 5: this movie does a lot to reference and mirror the

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Speaker 5: first film in the franchise, so it would be only

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Speaker 5: natural that the score would have nods to Jonathan will

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Speaker 5: John Williams's masterpiece that accompanied that first roun Mister Jonathan Williams. However,

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Speaker 5: the score here calls back to Williams's original work, with

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Speaker 5: lait motifs and spots that are random at best and

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Speaker 5: just flat out misunderstood at worst. In the original, the

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Speaker 5: most memorable pieces bring out a childlike sense of awe

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Speaker 5: and wonder We're seeing a freaking dinosaur for the first time. Here,

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Speaker 5: they're used in spots that offer no awe and no

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Speaker 5: wonder whatsoever. First up, the first time we get John

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Speaker 5: Williams's piece, we have Scarlett and Jonathan Bailey sitting on

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Speaker 5: the edge of the boat while hunting the Mosesaurus. The

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Speaker 5: scene is set to the piece Zora and Loomis Chat.

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Speaker 5: Now top in my head. That is the actual name

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Speaker 5: of the piece, Zora and Loomis Chat. It's remaking elements

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Speaker 5: of the iconic Welcome to Jurassic Park from the original.

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Speaker 5: In the original, Alan Grant has that iconic rise up

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Speaker 5: from the jeep, grab Ellie's head and turn it because

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Speaker 5: she's not looking at the dinosaur, and then they both

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Speaker 5: run around like they're a dog who's never been outside.

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Speaker 2: For the very first time.

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Speaker 5: In Rebirth, the characters are talking about they're developing this

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Speaker 5: tension of do we give the blood samples to the

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Speaker 5: corporation or not? Do we open source it, which, as

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Speaker 5: far as I can tell, a textbook example of childhood

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Speaker 5: awe and wonder do we open source this blood DNA

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Speaker 5: for pharmaceuticals? This this to me, was like if you

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Speaker 5: had the god a new Godzilla movie and you play

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Speaker 5: the Godzilla theme when a military general enters the cafeteria

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Speaker 5: for the first time.

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Speaker 4: Oh wow, this is incredible, next.

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Speaker 6: To us perfect.

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Speaker 5: The second time we get John Williams music heavily featured

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Speaker 5: is in Dino Spectacle. That's the name of the piece

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Speaker 5: which plays during the Titanosaur scene, so clearly echoing the

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Speaker 5: Brachiosaurus reveal in the very first one where I talked

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Speaker 5: about with Alan Grant Settler. Uh, Ellie and uh again,

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Speaker 5: this is our first time seeing these majestic sora pods

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Speaker 5: up close. Except in the first film, it's our first

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Speaker 5: time seeing a dinosaur. We briefly saw the raptor obscured

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Speaker 5: by shadows in the cage, but in Rebirth, our characters

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Speaker 5: have already encountered two separate species of dinosaurs. They've attacked

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Speaker 5: and decimated their boat, and they've killed multiple crew members.

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Speaker 5: We open the movie with a dying Sora pod in

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Speaker 5: New York that everyone just treats like someone handing out

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Speaker 5: tickets to a free comedy show. Here we get this moment,

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Speaker 5: and instead of something beautiful, it's Scarlett Johanson loading the

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Speaker 5: gun and getting ready to shoot the dinosaur in the act.

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Speaker 4: Okay, I.

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Speaker 3: Do not disagree with you, and I am gonna tap

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Speaker 3: in Jason as another musician face thoughts, but I will

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Speaker 3: just say Jonathan Bailey is acting his fucking ass off

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Speaker 3: in that moment though because I was tearing up, the

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Speaker 3: guy next to me was tearing up.

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Speaker 4: He sells it.

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Speaker 3: Even if the music doesn't like his acting, you believe

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Speaker 3: that he has seen the dinosaur.

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Speaker 4: Jason.

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Speaker 1: I'm not going to sit here and say that Displatt

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Speaker 1: is on the level of John Williams, but I think

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Speaker 1: we're misunderstanding how movie making works. It's a lot, Like

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Speaker 1: how when I was doing a lot of journalism, someone

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Speaker 1: would complain this headline is inaccurate to me, and I'm like, bitch,

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Speaker 1: I don't write the headline. See editor, Gareth Edwards decides

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Speaker 1: where the music goes, and Displatt is making the stuff

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Speaker 1: that Gareth Edwards is responding to, and so I don't

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Speaker 1: discount that. Like I don't know if the if the

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Speaker 1: introductions and the motifs would I would generally put them

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Speaker 1: in the places that they are. But I think this

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Speaker 1: is now the third collaboration between Edwards and Dysplatter the second,

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Speaker 1: and I think Edwards likes the music where he likes it,

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00:21:56,760 --> 00:22:01,040
Speaker 1: which is when the action is happening, and not as

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Speaker 1: a face, not as a space filler or or a

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Speaker 1: space elevator or in a mood elevator. And that's on him.

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Speaker 2: If you don't like it.

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Speaker 5: To me, Yeah, look, I don't want to disparage Displat's score.

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Speaker 5: There are a lot of pieces in here. I actually

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Speaker 5: really like. I've talked already about that t Rex Raft scene. Also,

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Speaker 5: Birds Boat Chase is great about Chase is good. The

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Speaker 5: action ones are good. I do agree that they the quiet.

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Speaker 1: Ones don't have the sense of magic and what you know,

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Speaker 1: the kind of ephemeral chemistry that others. I mean, it's hard,

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Speaker 1: like you're saying John Williams, it's like, hey, you're not

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Speaker 1: as good as Michael Jordan at basketball.

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Speaker 4: Exact like, we get it.

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Speaker 1: But I think a lot of the things I do

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Speaker 1: think that in terms of positioning and placement, I think

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Speaker 1: a lot of that's got to be on Edwards of course.

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Speaker 5: Yeah, And far be it from me to say there's

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Speaker 5: something wrong with the score itself. Maybe I'm just having

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Speaker 5: a complaint about the guy that directed Rogue one.

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Speaker 2: Exactly exactly.

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Speaker 4: A coming together. It's all coming I.

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Speaker 5: Do want to point out Jonathan Bailey fun fact played

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Speaker 5: clarinet growing up, and he asked to be there for

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Speaker 5: the recordings, sat in on the recording and actually played

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Speaker 5: the clarinet for the theme for Doctor Loomis.

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Speaker 2: So that was here. It's I mean, like, could we

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Speaker 2: like this guy anymore?

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Speaker 4: So he's definitely in my fave.

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Speaker 3: I thought him and Mahershela, I thought they had great chemistry.

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Speaker 3: We know, like you said, ed Screen gets killed off

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Speaker 3: that poor french woman at the beginning, she gets killed

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00:23:49,000 --> 00:23:53,800
Speaker 3: off in a very scary moment. Yeah, common, What are

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Speaker 3: your feelings on the chemistry the leads? Do you need

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Speaker 3: to see Scarlett you handsome return? Can she just continue

439
00:24:01,080 --> 00:24:03,960
Speaker 3: on to her next project and we just have Maherschela.

440
00:24:04,280 --> 00:24:07,159
Speaker 3: Can you even see these characters continuing on? Because it

441
00:24:07,200 --> 00:24:10,879
Speaker 3: does leave things in a kind of finite place in

442
00:24:10,920 --> 00:24:12,480
Speaker 3: some ways it does.

443
00:24:13,040 --> 00:24:17,880
Speaker 6: I really like the introduction of Jonathan Bailey as what's

444
00:24:17,880 --> 00:24:21,040
Speaker 6: his name, doctor Loomis. Loomis, Yeah, I'm.

445
00:24:20,920 --> 00:24:24,280
Speaker 1: One of my favorite doctors in any Jurassic Park, I think.

446
00:24:24,320 --> 00:24:25,640
Speaker 4: Yeah, Yeah, I think so too.

447
00:24:26,080 --> 00:24:29,600
Speaker 6: He was great. But the entire time I kept trying

448
00:24:29,600 --> 00:24:33,400
Speaker 6: to figure out are they trying to make some sort

449
00:24:33,440 --> 00:24:37,560
Speaker 6: of like romantic connection happen between his character and Scarlett

450
00:24:37,600 --> 00:24:42,160
Speaker 6: Johansson's character, because I was feeling no chemistry between the two,

451
00:24:42,240 --> 00:24:45,480
Speaker 6: but they kept like having like, I don't know, flirtation

452
00:24:45,640 --> 00:24:48,280
Speaker 6: with each other. That I was like, is are they

453
00:24:48,280 --> 00:24:49,280
Speaker 6: trying to lean into that?

454
00:24:50,560 --> 00:24:52,920
Speaker 3: I think I really they will want they don't kiss,

455
00:24:52,960 --> 00:24:56,400
Speaker 3: they don't kiss. I think they wanted a Twisters type situation, yeah,

456
00:24:56,440 --> 00:24:59,199
Speaker 3: where the chemistry is so high that everyone's annoyed they

457
00:24:59,200 --> 00:24:59,800
Speaker 3: don't kiss.

458
00:25:00,080 --> 00:25:01,760
Speaker 4: But it did, Yes, it did not mean that way.

459
00:25:01,800 --> 00:25:03,720
Speaker 4: I was glad they did not commit to the kiss.

460
00:25:03,880 --> 00:25:05,480
Speaker 6: Yes, yeah, I did like.

461
00:25:05,560 --> 00:25:08,360
Speaker 3: The suggestive part where she where he like chained her

462
00:25:08,400 --> 00:25:10,399
Speaker 3: to the boat. I was like, that was like, I

463
00:25:10,440 --> 00:25:12,280
Speaker 3: was like, Okay, there's something going on between the two

464
00:25:12,280 --> 00:25:12,720
Speaker 3: of you here.

465
00:25:12,840 --> 00:25:15,639
Speaker 6: I don't know what it is, right, but yeah, I

466
00:25:15,680 --> 00:25:18,679
Speaker 6: felt like I felt like in those instances, Jonathan Bailey

467
00:25:18,800 --> 00:25:23,240
Speaker 6: was carrying a lot more of the chemistry. Loved mahershall

468
00:25:23,359 --> 00:25:28,160
Speaker 6: Ali's character, and I feel terrible that like his whole

469
00:25:28,200 --> 00:25:30,440
Speaker 6: crew basically, I know, and he.

470
00:25:30,440 --> 00:25:32,920
Speaker 3: Was the only one who seemed to care about it

471
00:25:32,560 --> 00:25:34,919
Speaker 3: and was not bothered, not bothered at all.

472
00:25:35,080 --> 00:25:37,160
Speaker 4: Duncan Kincaid incredible action.

473
00:25:37,359 --> 00:25:38,960
Speaker 6: Name, crazy name.

474
00:25:40,160 --> 00:25:40,439
Speaker 4: I know.

475
00:25:40,520 --> 00:25:43,639
Speaker 3: I'm like, that's some real uncharged type situation. And this

476
00:25:43,760 --> 00:25:46,760
Speaker 3: is a very like uncharted Indiana Jones.

477
00:25:46,640 --> 00:25:49,560
Speaker 4: It inspired movie, yeah for sure.

478
00:25:50,119 --> 00:25:54,240
Speaker 3: Okay, so let's start talking about you know, we're not

479
00:25:54,280 --> 00:25:57,160
Speaker 3: gonna plot hole a Jurassic World movie, because the truth

480
00:25:57,240 --> 00:26:01,240
Speaker 3: is it's all ahole because guess dinosaurs can't be born

481
00:26:01,280 --> 00:26:04,560
Speaker 3: back to life from DNA. But let's start talking about

482
00:26:04,600 --> 00:26:07,720
Speaker 3: maybe some of the inconsistencies. We get this great scene

483
00:26:07,800 --> 00:26:12,040
Speaker 3: early on when Loomis is talking to Atwater played by

484
00:26:12,119 --> 00:26:16,560
Speaker 3: nscreen Irip, who gets killed by a spinosaurus, and the

485
00:26:16,600 --> 00:26:20,600
Speaker 3: film makes this kind of big deal where he's like, oh,

486
00:26:20,640 --> 00:26:23,159
Speaker 3: you're gonna tell me it's like illegal to kill a dinosaur,

487
00:26:23,400 --> 00:26:26,080
Speaker 3: and Jonathan Bailey acts his ass off once again.

488
00:26:25,880 --> 00:26:28,639
Speaker 4: And he's like, no, I'm gonna tell you it's a sin.

489
00:26:29,160 --> 00:26:33,720
Speaker 3: But then, as a superducer Aaron has pointed out, Bennett

490
00:26:34,040 --> 00:26:38,159
Speaker 3: immediately shoots a dinosaur that's shunning them. Isabella takes the

491
00:26:38,240 --> 00:26:42,919
Speaker 3: baby Aquilops the Larees breakout star from like the.

492
00:26:42,800 --> 00:26:47,600
Speaker 4: Only environment known that she can survive in. So where

493
00:26:47,600 --> 00:26:50,040
Speaker 4: do we land? Is it a sin to kill a dinosaur?

494
00:26:50,440 --> 00:26:52,800
Speaker 4: Is it not a sin? What do you guys feel

495
00:26:52,840 --> 00:26:53,320
Speaker 4: about it?

496
00:26:53,320 --> 00:26:56,080
Speaker 1: It's a sin to kill a person in yet.

497
00:26:57,080 --> 00:26:59,560
Speaker 4: Jesus said it, you know.

498
00:26:59,720 --> 00:27:04,600
Speaker 1: So I've found this to be I think that this

499
00:27:04,680 --> 00:27:06,600
Speaker 1: is a conversation that would take place in a world

500
00:27:06,600 --> 00:27:09,879
Speaker 1: in which dinosaurs exist, right, you have people concerned about

501
00:27:09,880 --> 00:27:13,080
Speaker 1: like the treatment of the dinosaurs and whether they're being

502
00:27:14,119 --> 00:27:15,800
Speaker 1: handled violently or un.

503
00:27:15,760 --> 00:27:18,280
Speaker 4: Ethic, which was a major point of Yes, And I.

504
00:27:18,240 --> 00:27:21,119
Speaker 1: Think that that too. So I think that like, technically, yes,

505
00:27:21,440 --> 00:27:24,800
Speaker 1: you shouldn't. These are very intelligent creatures that we shouldn't

506
00:27:24,840 --> 00:27:29,199
Speaker 1: be like shooting so that we can like extract their

507
00:27:29,320 --> 00:27:34,200
Speaker 1: DNA for pharmaceutical purposes. But at the same time, it's

508
00:27:34,240 --> 00:27:35,800
Speaker 1: like I kind of feel the same way about this

509
00:27:35,920 --> 00:27:39,600
Speaker 1: that I feel about these conversations that you see more

510
00:27:39,600 --> 00:27:41,880
Speaker 1: and more now about whether, Okay, so if AI comes

511
00:27:41,920 --> 00:27:44,119
Speaker 1: to life, like it should get human rights, right, and

512
00:27:44,119 --> 00:27:49,440
Speaker 1: I'm like, yes, technically, but until we can guarantee human

513
00:27:49,520 --> 00:27:52,439
Speaker 1: rights for all the actual humans, Like I hear that

514
00:27:52,560 --> 00:27:56,159
Speaker 1: much if we shoot a dinosaur, like I think it's terrible,

515
00:27:56,160 --> 00:27:58,480
Speaker 1: but like, sometimes you got to shoot a dinosaurus.

516
00:27:58,600 --> 00:28:03,440
Speaker 3: Also, it very interesting to me that in this movie

517
00:28:03,480 --> 00:28:06,159
Speaker 3: we don't get a lot of the kind of that

518
00:28:06,320 --> 00:28:09,920
Speaker 3: in the old movies, right, Like you had either Beattie

519
00:28:09,960 --> 00:28:15,000
Speaker 3: Wong or you had good old Jeff Goldbloom as in

520
00:28:15,119 --> 00:28:19,560
Speaker 3: Malcolm basically being like, hey, these aren't really animals like

521
00:28:19,680 --> 00:28:20,080
Speaker 3: they are.

522
00:28:20,200 --> 00:28:23,800
Speaker 4: They're not dinosaurs. They are hybrid creations. They are kind

523
00:28:23,840 --> 00:28:25,200
Speaker 4: of this you know.

524
00:28:25,240 --> 00:28:29,480
Speaker 3: Part frog part, this part that they're monsters, their abaritions, but.

525
00:28:29,480 --> 00:28:31,000
Speaker 4: We didn't have that here. Here.

526
00:28:31,080 --> 00:28:33,440
Speaker 3: They were just like it's a dinosaur man, They're back.

527
00:28:33,600 --> 00:28:35,280
Speaker 3: This is how they're back now, And.

528
00:28:35,240 --> 00:28:36,080
Speaker 2: You know what, sometimes you.

529
00:28:36,160 --> 00:28:36,960
Speaker 4: Just got to kill them.

530
00:28:37,600 --> 00:28:38,760
Speaker 6: Another great dinosaur movie.

531
00:28:38,760 --> 00:28:43,600
Speaker 1: They're back speaking of like more platforms.

532
00:28:43,920 --> 00:28:45,880
Speaker 4: I was gonna say, let's talk about it.

533
00:28:46,120 --> 00:28:49,000
Speaker 1: Yeah, I will say that. Well, first of all, the

534
00:28:49,080 --> 00:28:55,520
Speaker 1: CEO being on the trip is insane just sending someone else.

535
00:28:55,400 --> 00:28:58,480
Speaker 3: Like you know, it's a trillion dollar project, but he

536
00:28:58,560 --> 00:29:00,000
Speaker 3: has been in charge of why is.

537
00:29:00,640 --> 00:29:02,160
Speaker 1: Why are you there where?

538
00:29:02,480 --> 00:29:02,920
Speaker 2: Now?

539
00:29:03,720 --> 00:29:07,240
Speaker 1: If there ever are let's say, you survive, if there

540
00:29:07,320 --> 00:29:12,040
Speaker 1: ever are like charges about it, you were physically there,

541
00:29:12,280 --> 00:29:14,880
Speaker 1: like running the whole thing. Nicer one you don't go

542
00:29:15,280 --> 00:29:17,520
Speaker 1: and number two is like a trillion dollars. I think

543
00:29:17,520 --> 00:29:19,719
Speaker 1: we can invest in more guys, like why are we

544
00:29:20,240 --> 00:29:24,440
Speaker 1: sending such a small team of guys? And my only

545
00:29:24,480 --> 00:29:28,200
Speaker 1: other note is this, I think in certain Jurassic movies

546
00:29:28,200 --> 00:29:31,160
Speaker 1: and this is one of them, we don't need the family.

547
00:29:31,480 --> 00:29:34,000
Speaker 1: I think I understand that it is that I.

548
00:29:33,960 --> 00:29:37,560
Speaker 3: Think if that's a mercenary involved, you don't need the family.

549
00:29:37,680 --> 00:29:40,000
Speaker 1: They don't need it. And I think that I understand

550
00:29:40,000 --> 00:29:43,840
Speaker 1: that it's a core part of the DNA of the

551
00:29:43,960 --> 00:29:48,160
Speaker 1: dress or friend show, but it just felt like to

552
00:29:48,480 --> 00:29:52,080
Speaker 1: shoehorned in this time and it's like as soon as

553
00:29:52,120 --> 00:29:54,240
Speaker 1: you see them, you know, the archetype. It's like, oh,

554
00:29:54,240 --> 00:29:57,960
Speaker 1: she's dating the knucklehead and the dad is really nice

555
00:29:58,440 --> 00:30:01,440
Speaker 1: and this one is mischief this and it's like, Okay,

556
00:30:02,000 --> 00:30:04,600
Speaker 1: I get it, Like I didn't. I just personally didn't

557
00:30:04,640 --> 00:30:06,800
Speaker 1: need it. I don't know if anybody else feels that way.

558
00:30:07,480 --> 00:30:08,480
Speaker 6: No, I've felt the same way.

559
00:30:08,880 --> 00:30:13,120
Speaker 3: I think that it is an understandable addition because we've

560
00:30:13,120 --> 00:30:15,760
Speaker 3: basically always had at least a kid, but in the

561
00:30:15,840 --> 00:30:18,280
Speaker 3: Jurassic World movies, they at least by the second movie,

562
00:30:18,360 --> 00:30:21,080
Speaker 3: got made that a lot weirder, and we're like, okay, well.

563
00:30:20,960 --> 00:30:24,440
Speaker 4: It's a clone. It's a weird clone child. So I'm like,

564
00:30:24,880 --> 00:30:26,240
Speaker 4: let's do a little bit of a reach.

565
00:30:26,360 --> 00:30:32,080
Speaker 3: Also, I do think that it's very speaking of plotolish,

566
00:30:32,240 --> 00:30:35,600
Speaker 3: I'm like, okay, so your dad and you decided that

567
00:30:35,800 --> 00:30:38,800
Speaker 3: even in a world where there are real life dinosaurs,

568
00:30:38,840 --> 00:30:42,920
Speaker 3: like giant giant dinosaurs, you just have to you know,

569
00:30:44,040 --> 00:30:48,160
Speaker 3: sail across the Atlantic Ocean. Also, what kind of that, like,

570
00:30:48,240 --> 00:30:50,640
Speaker 3: I don't know what kind of like houses you guys

571
00:30:50,680 --> 00:30:51,280
Speaker 3: were raised them.

572
00:30:51,320 --> 00:30:54,000
Speaker 4: But my dad was definitely not letting me bring like

573
00:30:54,120 --> 00:30:55,240
Speaker 4: my sexy.

574
00:30:54,840 --> 00:30:57,680
Speaker 3: Boyfriend who I'm just like, fucking in the boat constantly

575
00:30:58,200 --> 00:30:59,680
Speaker 3: like what was that?

576
00:30:59,440 --> 00:31:05,240
Speaker 1: That absolutely like negates the relieving town plan, Like the

577
00:31:05,280 --> 00:31:07,600
Speaker 1: whole thing is to take you away from this guy,

578
00:31:07,840 --> 00:31:10,040
Speaker 1: and he's coming.

579
00:31:10,120 --> 00:31:14,880
Speaker 3: He's just gonna eat el sisters, sisters, you know.

580
00:31:15,800 --> 00:31:18,520
Speaker 2: Okay, So guys, one more little plot holes.

581
00:31:18,400 --> 00:31:20,160
Speaker 4: Please, because I was gonna just bring up another.

582
00:31:21,360 --> 00:31:24,120
Speaker 5: There is not really a plot hole, but the fact

583
00:31:24,120 --> 00:31:27,920
Speaker 5: that the Chekhov's fill in the blank is actually a

584
00:31:27,920 --> 00:31:31,719
Speaker 5: gun in a movie featuring dinosaurs and mutant dinosaurs, and

585
00:31:31,760 --> 00:31:34,320
Speaker 5: the thing is a guy who found a handgun.

586
00:31:34,400 --> 00:31:36,320
Speaker 2: That to me was like, okay, come on, we got

587
00:31:36,360 --> 00:31:38,320
Speaker 2: like raptors right around I know.

588
00:31:38,360 --> 00:31:40,440
Speaker 3: I'm like, also, couldn't that be like a cool gun

589
00:31:41,440 --> 00:31:43,960
Speaker 3: we had like special gun that you had to use,

590
00:31:44,960 --> 00:31:46,000
Speaker 3: not just like a handgun.

591
00:31:46,040 --> 00:31:51,640
Speaker 1: And someone explain, Can someone explain that the the requirements

592
00:31:51,640 --> 00:31:57,160
Speaker 1: for the drug DNA has your biggest dinosaurs? Y?

593
00:32:00,720 --> 00:32:02,560
Speaker 2: Yes, I read this.

594
00:32:02,560 --> 00:32:05,920
Speaker 3: This was cracking based on what like, No, this was

595
00:32:06,040 --> 00:32:08,640
Speaker 3: absolutely cracking me up because in the movie I was

596
00:32:08,680 --> 00:32:11,400
Speaker 3: waiting for them to explain it and they were basically like, well,

597
00:32:11,400 --> 00:32:14,120
Speaker 3: it's because they've got the biggest hearts, so you can

598
00:32:14,200 --> 00:32:18,600
Speaker 3: see you can the coronary muscles are stronger. That's what

599
00:32:18,760 --> 00:32:22,280
Speaker 3: Sexy Glasses Jonathan Bailey says, and he's like, so you

600
00:32:22,400 --> 00:32:23,080
Speaker 3: gotta do it.

601
00:32:23,240 --> 00:32:26,040
Speaker 4: I mean, I'm gonna tell you what was clear to me, this.

602
00:32:25,920 --> 00:32:32,320
Speaker 3: Is another franchise filmmaker, just like Ryan Johnson, JJ Abrams

603
00:32:32,400 --> 00:32:35,360
Speaker 3: or these other people who watched Avatar the Last Airbender

604
00:32:35,400 --> 00:32:37,800
Speaker 3: and was like, yes, this is very appealing to me

605
00:32:37,920 --> 00:32:40,760
Speaker 3: because it's like I was cracking up when they're like, we.

606
00:32:40,760 --> 00:32:43,720
Speaker 4: Gotta get the biggest dinosaurs from the air.

607
00:32:43,840 --> 00:32:49,880
Speaker 3: The sea and the Okay nation, when are they starting right?

608
00:32:51,680 --> 00:32:53,640
Speaker 4: And you said you have a plot point, let's talk.

609
00:32:53,520 --> 00:32:57,520
Speaker 6: About it at the end. I was very confused in

610
00:32:57,560 --> 00:33:00,360
Speaker 6: the end. In the swamp scene, it's nighttime, they've got

611
00:33:00,360 --> 00:33:03,160
Speaker 6: the flares. Mahruschela Ali is trying to get away from

612
00:33:03,200 --> 00:33:06,680
Speaker 6: the d Rex. It was incredibly confusing to me how

613
00:33:06,760 --> 00:33:11,240
Speaker 6: he basically just like turned a corner, lit another flare

614
00:33:11,480 --> 00:33:14,320
Speaker 6: and then was fine, like out of the sight of

615
00:33:14,360 --> 00:33:16,280
Speaker 6: the Direx. I'm like, this thing is huge. Can he

616
00:33:16,360 --> 00:33:19,640
Speaker 6: not see you over the trees or anything.

617
00:33:19,720 --> 00:33:21,000
Speaker 4: It was very Direx's dumb.

618
00:33:21,040 --> 00:33:23,080
Speaker 2: He's got a big head b d Rex's battery. Instead,

619
00:33:23,120 --> 00:33:24,440
Speaker 2: he had to go back and he just had to

620
00:33:24,680 --> 00:33:25,200
Speaker 2: play it out.

621
00:33:25,520 --> 00:33:28,720
Speaker 3: I will say I did love Maherschel and not getting killed,

622
00:33:28,800 --> 00:33:31,960
Speaker 3: but I did also think it was like very hilarious because,

623
00:33:32,040 --> 00:33:34,600
Speaker 3: like you say, he is the world's best like underwater

624
00:33:34,680 --> 00:33:38,560
Speaker 3: swimmer or something. Right, there's like a reason that he

625
00:33:38,840 --> 00:33:43,120
Speaker 3: is able to escape. Also, let's ask the other question, Aaron,

626
00:33:43,640 --> 00:33:47,480
Speaker 3: how many islands do you think they did experiments?

627
00:33:47,720 --> 00:33:50,680
Speaker 4: Because we're at seven islands at this point.

628
00:33:50,920 --> 00:33:53,360
Speaker 1: We just came up with another island. I seem to

629
00:33:53,440 --> 00:33:56,680
Speaker 1: remember that the that it was central to the plot

630
00:33:56,920 --> 00:33:57,400
Speaker 1: of the.

631
00:33:57,440 --> 00:33:59,840
Speaker 2: Second to me, right, that the.

632
00:34:02,280 --> 00:34:06,040
Speaker 1: Dinosaurs are dying and then and then there was also

633
00:34:06,200 --> 00:34:10,560
Speaker 1: like an entire like island they got blown up, So like,

634
00:34:10,680 --> 00:34:11,320
Speaker 1: what's happened?

635
00:34:11,600 --> 00:34:12,040
Speaker 2: Where are these?

636
00:34:12,080 --> 00:34:14,560
Speaker 4: How many islands? Also how much money?

637
00:34:14,640 --> 00:34:16,440
Speaker 3: Like we know in gen had a lot of money,

638
00:34:16,680 --> 00:34:19,480
Speaker 3: but did it have like twenty five island money, like

639
00:34:19,640 --> 00:34:21,640
Speaker 3: twenty five private islands?

640
00:34:21,800 --> 00:34:25,680
Speaker 4: Like that's a whole different level of corporate oversight.

641
00:34:25,760 --> 00:34:29,400
Speaker 3: And also at least in the first three Jurassic Park movies,

642
00:34:29,880 --> 00:34:31,880
Speaker 3: it was like, you know, I love the opening of

643
00:34:31,920 --> 00:34:33,960
Speaker 3: the third one. I think it's so scary where the

644
00:34:34,040 --> 00:34:36,919
Speaker 3: kid is like parasailing around and they have to pay

645
00:34:36,960 --> 00:34:39,200
Speaker 3: a guy loads of money to take them there, because

646
00:34:39,280 --> 00:34:42,560
Speaker 3: nobody will go at this point though, they just got

647
00:34:42,800 --> 00:34:45,440
Speaker 3: like islands just out there, like they got islands with

648
00:34:45,560 --> 00:34:51,280
Speaker 3: the evilist Sarlac I mean, rancors looking them off, Dinosaur

649
00:34:51,480 --> 00:34:53,560
Speaker 3: and they don't even have a chain around the island

650
00:34:53,760 --> 00:34:56,360
Speaker 3: or a military thing. They're just like, nah, just go,

651
00:34:56,880 --> 00:34:59,520
Speaker 3: it's fine, it's okay, Aaron. How many islands do you

652
00:34:59,560 --> 00:34:59,960
Speaker 3: think there are?

653
00:35:00,200 --> 00:35:00,480
Speaker 6: Ultimate?

654
00:35:00,640 --> 00:35:01,799
Speaker 2: How many more movies do you want?

655
00:35:04,000 --> 00:35:05,560
Speaker 4: I'm hoping for at least ten more.

656
00:35:08,840 --> 00:35:09,040
Speaker 2: Yeah.

657
00:35:09,680 --> 00:35:12,960
Speaker 1: Also, like why doesn't I don't I guess I don't

658
00:35:13,080 --> 00:35:19,400
Speaker 1: understand why Engine or the other one don't have the

659
00:35:19,560 --> 00:35:22,320
Speaker 1: DNA somewhere like in an archive, Like why do we

660
00:35:22,440 --> 00:35:23,120
Speaker 1: need to come out?

661
00:35:24,480 --> 00:35:26,400
Speaker 2: They bought all this stuff from the Engine.

662
00:35:26,160 --> 00:35:26,960
Speaker 4: Auction, I thought.

663
00:35:29,880 --> 00:35:33,800
Speaker 3: I guess when in between the original Jurassic Park and

664
00:35:33,920 --> 00:35:37,360
Speaker 3: then I believe that in gen was essentially like taken

665
00:35:37,520 --> 00:35:40,960
Speaker 3: over by the mas Rani Corporation. Who's the guy who

666
00:35:41,200 --> 00:35:43,879
Speaker 3: insists on riding driving his own helicopter in the first

667
00:35:43,960 --> 00:35:47,000
Speaker 3: movie and like smashes into the avery very fun in

668
00:35:47,160 --> 00:35:49,920
Speaker 3: Jurassic World. I'm guessing at some point then this I

669
00:35:49,960 --> 00:35:53,120
Speaker 3: think it's like Parker Nugenix.

670
00:35:52,440 --> 00:35:55,040
Speaker 4: Or something in the new one. They must have bought it.

671
00:35:55,280 --> 00:35:57,319
Speaker 3: But yeah, I mean in Gen is like legit one

672
00:35:57,360 --> 00:35:59,719
Speaker 3: of the worst companies that has ever existed. Like they

673
00:36:00,239 --> 00:36:03,920
Speaker 3: they've got no corporate oversight, they've got no archives.

674
00:36:03,960 --> 00:36:04,480
Speaker 4: Apparently.

675
00:36:04,760 --> 00:36:09,839
Speaker 3: Also, one of the guys who created Engen, the guy

676
00:36:09,880 --> 00:36:12,520
Speaker 3: who was revealed alongside.

677
00:36:13,480 --> 00:36:16,200
Speaker 4: Classic you know, Hammond Engen.

678
00:36:16,800 --> 00:36:20,760
Speaker 3: Used the technology to clone his own daughter, who died

679
00:36:20,840 --> 00:36:24,640
Speaker 3: of illness, and then raised her as his granddaughter. So

680
00:36:24,719 --> 00:36:27,800
Speaker 3: I think these are not saying people who were in charge,

681
00:36:27,960 --> 00:36:30,839
Speaker 3: but I guess they were less greedy than this guy.

682
00:36:32,040 --> 00:36:37,160
Speaker 1: I will say that I want a live taping of

683
00:36:37,280 --> 00:36:39,720
Speaker 1: how did this get made? They were talking about fast

684
00:36:40,000 --> 00:36:45,360
Speaker 1: X and I'm not sure this made this into the

685
00:36:45,440 --> 00:36:47,879
Speaker 1: show because it was live, so there was a lot

686
00:36:47,920 --> 00:36:50,480
Speaker 1: of it was seth Rogen and so there was like

687
00:36:50,520 --> 00:36:53,279
Speaker 1: a lot of Shane. There's a lot of Shnans, and

688
00:36:53,320 --> 00:36:56,000
Speaker 1: he was he knows Charlie's so he was like telling

689
00:36:56,080 --> 00:36:59,360
Speaker 1: a lot of like off, you know, stories that she

690
00:36:59,440 --> 00:37:01,160
Speaker 1: had told him. And I don't know if it made

691
00:37:01,160 --> 00:37:03,000
Speaker 1: it into the it's the episode, so I don't know

692
00:37:03,040 --> 00:37:04,600
Speaker 1: if I'm breaking anything, but I'm gonna tell it now.

693
00:37:05,160 --> 00:37:08,000
Speaker 1: So there was apparently like this funny moment where uh,

694
00:37:08,400 --> 00:37:12,440
Speaker 1: something happened on one of the like uh, one of

695
00:37:12,520 --> 00:37:16,440
Speaker 1: the scenes in one of the fasts got changed, right,

696
00:37:16,880 --> 00:37:19,200
Speaker 1: And so these writers that they had hired I want

697
00:37:19,239 --> 00:37:20,560
Speaker 1: to say it was Lord and Miller, but I don't think.

698
00:37:20,560 --> 00:37:22,560
Speaker 1: I don't think that's right. It's some like young writing

699
00:37:22,600 --> 00:37:24,120
Speaker 1: teams that they had hired to kind of like punch

700
00:37:24,239 --> 00:37:27,319
Speaker 1: up and work on this had come in and they

701
00:37:27,440 --> 00:37:29,880
Speaker 1: saw that some big thing had gotten changed and they

702
00:37:29,920 --> 00:37:33,080
Speaker 1: were like, oh my god, this like kind of changes

703
00:37:33,120 --> 00:37:34,719
Speaker 1: a lot of the other scenes we need. So they

704
00:37:34,719 --> 00:37:37,759
Speaker 1: were sitting there like in the offices up all night,

705
00:37:37,840 --> 00:37:40,720
Speaker 1: like writing, writing, writing, trying to fix this, and whoever

706
00:37:40,920 --> 00:37:43,160
Speaker 1: one of the producers comes in and is like, guys,

707
00:37:43,160 --> 00:37:45,040
Speaker 1: what are you doing here. It's like, oh, but they

708
00:37:45,160 --> 00:37:48,879
Speaker 1: changed this thing and they and the producer just goes stop,

709
00:37:49,000 --> 00:37:55,680
Speaker 1: stops up, sun, who fucking cares? Yeah, do you know

710
00:37:55,800 --> 00:37:56,399
Speaker 1: what we're making?

711
00:37:57,520 --> 00:37:58,800
Speaker 6: Just like who can do it?

712
00:37:59,080 --> 00:38:01,520
Speaker 1: And I think that's kind of I think that's kind

713
00:38:01,520 --> 00:38:03,320
Speaker 1: of like obviously, I think they don't want it to

714
00:38:03,360 --> 00:38:06,840
Speaker 1: be dumb dumb no, no, But like the CEO of

715
00:38:07,840 --> 00:38:10,600
Speaker 1: the Parasitical Company didn't personally go.

716
00:38:10,719 --> 00:38:11,920
Speaker 2: On this Dinosaur.

717
00:38:12,400 --> 00:38:16,120
Speaker 4: Yeah, exactly, Like how much suspension of this belief do

718
00:38:16,200 --> 00:38:21,000
Speaker 4: you have? How much of the kind of enjoy? So

719
00:38:21,080 --> 00:38:24,200
Speaker 4: I will say great, great, lay up.

720
00:38:24,160 --> 00:38:26,600
Speaker 3: There, Jason, because later we will be talking about which

721
00:38:27,440 --> 00:38:30,799
Speaker 3: franchises we want Jurassic Parks and.

722
00:38:30,960 --> 00:38:33,000
Speaker 2: One of them for me, it's fast.

723
00:38:34,760 --> 00:38:36,799
Speaker 4: Let's go to an ad break and we'll be right back.

724
00:38:52,000 --> 00:38:52,520
Speaker 4: Am I back?

725
00:38:54,360 --> 00:38:57,400
Speaker 3: Okay, I'm going to start with you, Aaron, asking this

726
00:38:57,560 --> 00:39:03,080
Speaker 3: somber question, where do we stand post seeing this movie

727
00:39:03,280 --> 00:39:07,799
Speaker 3: on Gareth Edwards as a director because Rogue One, as

728
00:39:07,880 --> 00:39:10,960
Speaker 3: we know notoriously had to be basically saved from the

729
00:39:11,080 --> 00:39:14,120
Speaker 3: brink of production hell by the Tone Zone Tony Gilroy

730
00:39:14,480 --> 00:39:18,640
Speaker 3: Godzilla twenty fourteen, though it did end up launching the

731
00:39:18,920 --> 00:39:23,120
Speaker 3: legendary Monster Verse, that was kind of a mixed bag

732
00:39:23,239 --> 00:39:26,680
Speaker 3: and also tonally just completely different from anything that they're

733
00:39:26,719 --> 00:39:30,360
Speaker 3: doing in that franchise now. Then twenty twenty three he

734
00:39:30,520 --> 00:39:35,120
Speaker 3: had the Creator, which was the AI kind of war movie,

735
00:39:35,360 --> 00:39:39,800
Speaker 3: but that got really fantastic reviews, specifically for the visuals,

736
00:39:39,880 --> 00:39:42,080
Speaker 3: but story wise did not really hit and did not

737
00:39:42,960 --> 00:39:44,040
Speaker 3: make a lot of money.

738
00:39:44,760 --> 00:39:45,960
Speaker 4: So like, how are you feeling?

739
00:39:46,000 --> 00:39:49,720
Speaker 3: You're feeling like you are correct in your Rogue One hatred?

740
00:39:49,840 --> 00:39:52,080
Speaker 3: Do you feel like Gareth Edwards? You just don't get it.

741
00:39:52,480 --> 00:39:53,560
Speaker 4: You hate English people?

742
00:39:53,840 --> 00:39:54,400
Speaker 3: Like, what is it?

743
00:39:56,640 --> 00:39:58,040
Speaker 2: I hate anyone from over the part?

744
00:39:58,200 --> 00:40:01,000
Speaker 5: Now, I think one of the things I think is

745
00:40:01,040 --> 00:40:03,640
Speaker 5: weird is I've read something that he really wanted to

746
00:40:04,080 --> 00:40:06,400
Speaker 5: He loved the rank or design from Star Wars and

747
00:40:06,480 --> 00:40:09,480
Speaker 5: wanted to make something like that, so instead of including

748
00:40:09,560 --> 00:40:11,920
Speaker 5: it in his Star Wars movie, he included that in

749
00:40:12,000 --> 00:40:14,960
Speaker 5: his Jurassic Park movie. So next he's gonna do, I

750
00:40:15,000 --> 00:40:16,719
Speaker 5: don't know, a Star Trek movie and there will be

751
00:40:16,719 --> 00:40:18,920
Speaker 5: a t Rex in it because he wanted to like

752
00:40:19,080 --> 00:40:22,880
Speaker 5: something else. I think, honestly, you know, I know I

753
00:40:22,960 --> 00:40:26,040
Speaker 5: am in the minority and not liking Rogue One. There

754
00:40:26,080 --> 00:40:28,680
Speaker 5: were a lot of moments in this film I really enjoyed.

755
00:40:28,719 --> 00:40:30,760
Speaker 5: I would watch another thing he does. I'm not gonna,

756
00:40:31,160 --> 00:40:34,600
Speaker 5: you know, count it out just because he's involved. So

757
00:40:34,880 --> 00:40:37,960
Speaker 5: I am probably surprisingly more on board with him doing

758
00:40:38,040 --> 00:40:42,279
Speaker 5: something else, not necessarily another Jurassic Park maybe, but you know, yeah,

759
00:40:42,280 --> 00:40:43,359
Speaker 5: I'll watch another thing he does.

760
00:40:44,360 --> 00:40:46,680
Speaker 3: Common how do you feel about Gareth Edwards off to

761
00:40:46,760 --> 00:40:50,440
Speaker 3: that little recap of his cinematic history, Well.

762
00:40:50,320 --> 00:40:54,600
Speaker 6: Only having seen Rogue One, and the twenty fourteen Godzilla.

763
00:40:54,880 --> 00:40:57,439
Speaker 6: You know, I would say he's not like Uie Bowl

764
00:40:57,600 --> 00:40:59,360
Speaker 6: levels of bad director.

765
00:41:00,200 --> 00:41:05,200
Speaker 3: You know. She said, yes, she said guys, she said, guys,

766
00:41:05,360 --> 00:41:07,600
Speaker 3: do you need somebody to talk about the movies?

767
00:41:07,640 --> 00:41:15,640
Speaker 6: Because yes, yes, yes, so he's not quite a B

768
00:41:15,840 --> 00:41:18,400
Speaker 6: movie director. But I do think in terms of like

769
00:41:19,520 --> 00:41:22,279
Speaker 6: these big movies, I would have loved to have seen

770
00:41:22,320 --> 00:41:25,400
Speaker 6: what this would have been like if Steven Spielberg had

771
00:41:25,480 --> 00:41:28,720
Speaker 6: returned to the director's seat. You know, not that he would,

772
00:41:28,960 --> 00:41:30,840
Speaker 6: but I would have just I would just love to

773
00:41:30,880 --> 00:41:32,239
Speaker 6: see what that would be like. I think it was

774
00:41:32,360 --> 00:41:35,160
Speaker 6: kind of a you know, kind of mid in comparison

775
00:41:35,239 --> 00:41:37,080
Speaker 6: to the original trilogy.

776
00:41:37,400 --> 00:41:40,360
Speaker 4: And I will say too, I've struggled to keep that like.

777
00:41:41,960 --> 00:41:46,799
Speaker 3: The emotional or enjoy and emotion comboed with the kind

778
00:41:46,840 --> 00:41:48,120
Speaker 3: of massive dino.

779
00:41:48,080 --> 00:41:50,239
Speaker 2: And pharmaceutical discussions.

780
00:41:50,920 --> 00:41:53,960
Speaker 6: Yes, and I will say too, like I went back

781
00:41:54,040 --> 00:41:57,839
Speaker 6: and rewatched, Well, I've never watched any of the Chris

782
00:41:57,960 --> 00:42:01,440
Speaker 6: Pratt because I just take Chris Pratt, but I've never

783
00:42:01,520 --> 00:42:04,840
Speaker 6: watched any of the Jurassic World movies. And so I

784
00:42:05,120 --> 00:42:07,239
Speaker 6: went back. It was free on two B so I said, yes,

785
00:42:07,280 --> 00:42:09,160
Speaker 6: I will sit down and watch this free on two

786
00:42:09,239 --> 00:42:13,839
Speaker 6: B movie, and I found that the way that they

787
00:42:14,080 --> 00:42:17,600
Speaker 6: used that Indominus Rex that in that movie was a

788
00:42:17,680 --> 00:42:20,600
Speaker 6: lot more effective and a lot more scary than what

789
00:42:20,760 --> 00:42:23,319
Speaker 6: ended up happening with the d Rex. So I think

790
00:42:23,360 --> 00:42:23,799
Speaker 6: it's kind of.

791
00:42:23,880 --> 00:42:26,600
Speaker 3: Like mid Yeah, you got to see something else from him.

792
00:42:26,640 --> 00:42:30,080
Speaker 3: I will say I first when I first saw this

793
00:42:30,200 --> 00:42:32,320
Speaker 3: movie in forty X, which by the way, guys, I

794
00:42:32,440 --> 00:42:34,480
Speaker 3: am not sponsored by forty X, But this is the

795
00:42:34,600 --> 00:42:37,480
Speaker 3: movie if you are like this, no, no, no, this

796
00:42:37,640 --> 00:42:38,080
Speaker 3: is the movie.

797
00:42:38,400 --> 00:42:42,000
Speaker 4: The way that you are like flying around like you're

798
00:42:42,960 --> 00:42:50,800
Speaker 4: for d Rex, that's what we call it.

799
00:42:51,080 --> 00:42:53,800
Speaker 3: But yeah, Like, the water effects were great. It was

800
00:42:53,920 --> 00:42:56,920
Speaker 3: really scary. It was very immersive. They had loads of

801
00:42:56,960 --> 00:42:59,320
Speaker 3: good sense that they were pumping in. But when I

802
00:42:59,360 --> 00:43:01,719
Speaker 3: first saw that, I was like, Okay, I do think

803
00:43:02,160 --> 00:43:04,680
Speaker 3: they said why this was the one that the kid

804
00:43:04,840 --> 00:43:06,560
Speaker 3: that I went to see it with, Isaiah, was really

805
00:43:06,920 --> 00:43:10,200
Speaker 3: struggling with for some reason. When she was eating the

806
00:43:10,320 --> 00:43:13,560
Speaker 3: licorice red licorice laces, which me and Isaiah are both

807
00:43:13,640 --> 00:43:16,319
Speaker 3: found them, they were pumping in like a beef jerky smell.

808
00:43:16,360 --> 00:43:19,120
Speaker 3: I guess because they didn't have like a red licorice smell.

809
00:43:19,480 --> 00:43:19,840
Speaker 3: It was with.

810
00:43:21,840 --> 00:43:26,000
Speaker 4: Very immersive. Yeah. Yeah, I live in South LA, so

811
00:43:26,120 --> 00:43:28,399
Speaker 4: you never know, but they were.

812
00:43:29,239 --> 00:43:30,799
Speaker 3: I came out of it and I was like, Okay,

813
00:43:30,840 --> 00:43:32,680
Speaker 3: I think people are really gonna love this because it's

814
00:43:32,719 --> 00:43:35,680
Speaker 3: really stripped back and it feels like much more just

815
00:43:35,800 --> 00:43:39,440
Speaker 3: like to the point Jurassic World kind of this is

816
00:43:39,480 --> 00:43:41,880
Speaker 3: what we want. It's very it's more kin to the

817
00:43:42,040 --> 00:43:45,959
Speaker 3: original trilogy. But I will say I was watching Jurassic World,

818
00:43:46,280 --> 00:43:49,359
Speaker 3: the first movie recently as well as it was free

819
00:43:49,400 --> 00:43:53,879
Speaker 3: on chuby, and I was actually kind of surprised by

820
00:43:54,480 --> 00:43:57,400
Speaker 3: how well some of this stuff really did land, even like,

821
00:43:58,120 --> 00:44:00,319
Speaker 3: you know, the movie was not beloved by critics time,

822
00:44:00,360 --> 00:44:02,439
Speaker 3: but there are moments in it common like you say,

823
00:44:02,880 --> 00:44:05,400
Speaker 3: where you do get this kind of epic scope and

824
00:44:05,520 --> 00:44:09,000
Speaker 3: scale and scariness, like the idea that the indominous Rex

825
00:44:09,080 --> 00:44:13,560
Speaker 3: can be invisible because it was camouflages, in the fact

826
00:44:13,600 --> 00:44:15,600
Speaker 3: that at the end you have that great scene where

827
00:44:15,640 --> 00:44:19,920
Speaker 3: everybody's kind of running through the park because the terodactyls

828
00:44:19,960 --> 00:44:22,080
Speaker 3: tried to pick them up. You know. So I was

829
00:44:22,520 --> 00:44:25,320
Speaker 3: I think it's I was surprised by how bad the

830
00:44:25,400 --> 00:44:27,680
Speaker 3: critic reviews were for this. It was around a fifty

831
00:44:27,800 --> 00:44:31,640
Speaker 3: percent I thought that was really unfair because I thought

832
00:44:31,640 --> 00:44:34,239
Speaker 3: this was quite a solid, kind of fun two our

833
00:44:34,760 --> 00:44:38,839
Speaker 3: adventure movie. But then I was also surprised by how

834
00:44:39,239 --> 00:44:42,120
Speaker 3: when I compared it to Jurassic World, it didn't immediately

835
00:44:42,200 --> 00:44:44,840
Speaker 3: feel like just one hundred percent of better movie. It

836
00:44:44,960 --> 00:44:48,959
Speaker 3: was just two very different takes the world of Jurassic Park.

837
00:44:49,160 --> 00:44:52,600
Speaker 1: On Gareth, I will say that I'm not a particularly

838
00:44:52,600 --> 00:44:56,760
Speaker 1: a fan of Gareth. He did get fired off of Rogue,

839
00:44:56,880 --> 00:44:58,879
Speaker 1: on which did open the door for the Tone Zone

840
00:44:58,960 --> 00:45:03,160
Speaker 1: to take a and give us and or or whatever.

841
00:45:03,280 --> 00:45:07,000
Speaker 1: He delivered a director's cut that Disney didn't like, and

842
00:45:07,400 --> 00:45:11,839
Speaker 1: that opened the door the door for and we love

843
00:45:11,880 --> 00:45:14,719
Speaker 1: the Tone Zone. That's it. I think that Gareth is

844
00:45:15,360 --> 00:45:19,920
Speaker 1: incredible at big stuff. We kind of tease that. I agree, Godzilla,

845
00:45:21,280 --> 00:45:24,960
Speaker 1: King Kong and this. He is great at scale, at

846
00:45:25,080 --> 00:45:29,320
Speaker 1: action sequences that take scale into account, that make that

847
00:45:29,480 --> 00:45:33,720
Speaker 1: deliver a sense of awe and excitement and suspense because

848
00:45:33,760 --> 00:45:36,360
Speaker 1: something huge is like coming out of the water or

849
00:45:36,440 --> 00:45:39,400
Speaker 1: coming through the woods, and I think he's just I

850
00:45:39,440 --> 00:45:41,239
Speaker 1: think he's good at that. I think it's one of

851
00:45:41,360 --> 00:45:44,600
Speaker 1: his major major pluses for him.

852
00:45:45,080 --> 00:45:46,120
Speaker 4: I definitely think that.

853
00:45:46,200 --> 00:45:48,720
Speaker 3: The stuff that he learned from doing that twenty fourteen

854
00:45:48,760 --> 00:45:52,440
Speaker 3: Godzilla movie, which visually is really really cool and did

855
00:45:52,600 --> 00:45:55,920
Speaker 3: establish this kind of chunky, big boy American Godzilla that

856
00:45:56,000 --> 00:46:00,880
Speaker 3: we have now is definitely on show here, like the

857
00:46:01,320 --> 00:46:05,920
Speaker 3: size of the dinosaurs, that moment, like you said, with

858
00:46:06,040 --> 00:46:09,360
Speaker 3: the d Rex eating the helicopter, and then you know,

859
00:46:09,520 --> 00:46:11,680
Speaker 3: the moment where we get to see the big.

860
00:46:11,760 --> 00:46:13,680
Speaker 4: Titanosauruses for the first time.

861
00:46:14,200 --> 00:46:20,000
Speaker 3: Also the fun of having the kind of wrapped terodactyl

862
00:46:20,200 --> 00:46:25,800
Speaker 3: crossover dinosaurs, though I will say quite ugly all the

863
00:46:25,880 --> 00:46:29,279
Speaker 3: mutant dinosaurs in this now this does lead to sorry

864
00:46:29,320 --> 00:46:32,040
Speaker 3: to judge those dinosaurs by their physicality, but I don't

865
00:46:32,080 --> 00:46:32,840
Speaker 3: know them personally.

866
00:46:33,120 --> 00:46:35,319
Speaker 4: But this leads to something me and Aaron were really

867
00:46:35,360 --> 00:46:36,480
Speaker 4: interested in, which was.

868
00:46:36,560 --> 00:46:42,120
Speaker 3: A discourse a discourse in our discord, which was a

869
00:46:42,280 --> 00:46:44,759
Speaker 3: really cool comment and take that I like that, I

870
00:46:44,840 --> 00:46:49,479
Speaker 3: am going to tell you by anamalas she they which

871
00:46:49,600 --> 00:46:53,680
Speaker 3: is something that they really liked about the movie was

872
00:46:53,719 --> 00:46:58,640
Speaker 3: they essentially used the mutant dinosaurs as the villains and

873
00:46:58,800 --> 00:47:02,200
Speaker 3: the non mutants as that's just nature folks, Like the

874
00:47:02,280 --> 00:47:05,840
Speaker 3: t Rex is scary, but we also see it like napping,

875
00:47:06,080 --> 00:47:07,960
Speaker 3: kind of like a cat and you know that you

876
00:47:08,160 --> 00:47:13,000
Speaker 3: are in its space. And then the quetzacotalus it's just

877
00:47:13,080 --> 00:47:16,200
Speaker 3: looking after its eggs, right, And the titanosauruses have that

878
00:47:16,400 --> 00:47:19,640
Speaker 3: kind of we are in love and that was actually

879
00:47:19,640 --> 00:47:21,799
Speaker 3: originally meant to be a mating moment too, but they

880
00:47:21,840 --> 00:47:24,879
Speaker 3: didn't commit. But the mutants don't get that edit. They're

881
00:47:24,920 --> 00:47:26,680
Speaker 3: not trying to make us love the d Rex or

882
00:47:26,719 --> 00:47:28,799
Speaker 3: the weird raptor bird things. And I feel like if

883
00:47:28,840 --> 00:47:31,480
Speaker 3: you're going to introduce something like that that takes away

884
00:47:31,600 --> 00:47:34,160
Speaker 3: from the natural beauty of the dinosaurs in JP one,

885
00:47:34,600 --> 00:47:36,880
Speaker 3: then they have to be the villains. The movie retains

886
00:47:36,920 --> 00:47:39,359
Speaker 3: that the natural dinosaurs in gen made are just out

887
00:47:39,400 --> 00:47:42,520
Speaker 3: here living their life. And sure you have the argument

888
00:47:42,719 --> 00:47:45,839
Speaker 3: that they're not, you know, real dinosaurs, but that kind

889
00:47:45,840 --> 00:47:48,600
Speaker 3: of dichotomy keeps the nostalgia golden.

890
00:47:48,719 --> 00:47:49,759
Speaker 4: I think that's a good read.

891
00:47:49,840 --> 00:47:54,000
Speaker 3: I like the idea that the mutant kind of two

892
00:47:54,960 --> 00:47:58,400
Speaker 3: dangerous dinosaurs, those become more of your kind of scary

893
00:47:59,239 --> 00:48:03,680
Speaker 3: monstrosity tease, and then you know, you get the more

894
00:48:03,760 --> 00:48:06,640
Speaker 3: classical t Rex, though here the t Rex is not

895
00:48:07,440 --> 00:48:10,399
Speaker 3: the hero, which is also the first movie where we've

896
00:48:10,520 --> 00:48:12,719
Speaker 3: kind of dealt with that, because usually the t rex

897
00:48:12,800 --> 00:48:15,919
Speaker 3: is brought in as that last minute kind of hero.

898
00:48:16,600 --> 00:48:17,879
Speaker 4: How do you guys think about that type.

899
00:48:17,920 --> 00:48:18,920
Speaker 2: I have two responses.

900
00:48:19,120 --> 00:48:21,520
Speaker 5: One, I do think the mosasaurus and the spinosaurus were

901
00:48:21,560 --> 00:48:24,200
Speaker 5: kind of dicks, and I think that they were kind

902
00:48:24,239 --> 00:48:25,440
Speaker 5: of out there hunting.

903
00:48:25,880 --> 00:48:29,840
Speaker 4: I love dinosaur They're so scary and that's terrifying.

904
00:48:30,000 --> 00:48:34,400
Speaker 5: My second take is I actually have a theory that

905
00:48:34,800 --> 00:48:40,960
Speaker 5: the muted raptor, the raptor Yannidon hybrid was not a

906
00:48:41,200 --> 00:48:43,000
Speaker 5: I think that was originally going to be raptors.

907
00:48:43,920 --> 00:48:45,000
Speaker 2: I think in that.

908
00:48:46,719 --> 00:48:50,120
Speaker 5: They have a raptor and right now they have the

909
00:48:50,239 --> 00:48:52,040
Speaker 5: mutated dinosaur come down and get it. I think that

910
00:48:52,160 --> 00:48:53,640
Speaker 5: was going to be a catch of cool Atlas just

911
00:48:53,719 --> 00:48:57,160
Speaker 5: getting the raptor. But I did a little looking into

912
00:48:57,239 --> 00:49:00,320
Speaker 5: this because that could have been raptors. And if you

913
00:49:00,400 --> 00:49:04,360
Speaker 5: go on the Mattel website, there is no toy for

914
00:49:04,760 --> 00:49:06,400
Speaker 5: the mutated raptor creature.

915
00:49:06,600 --> 00:49:09,880
Speaker 2: Okay, there are multiple things for raptors.

916
00:49:10,000 --> 00:49:12,280
Speaker 5: There are all the other dinosaurs, there are other dinosaurs

917
00:49:12,320 --> 00:49:13,920
Speaker 5: that didn't even show up in the final cut of

918
00:49:14,000 --> 00:49:16,440
Speaker 5: the movie, but there's no toy for the mutated one.

919
00:49:16,520 --> 00:49:18,920
Speaker 5: And I kind of think that was like a last minute,

920
00:49:19,960 --> 00:49:23,000
Speaker 5: we didn't commit enough to the mutation stuff we need

921
00:49:23,080 --> 00:49:23,520
Speaker 5: to throw.

922
00:49:23,440 --> 00:49:26,840
Speaker 4: At something else might have been too homage.

923
00:49:27,160 --> 00:49:28,560
Speaker 2: Yes, because there is a lot.

924
00:49:29,120 --> 00:49:31,480
Speaker 4: I was quite surprised to see.

925
00:49:31,520 --> 00:49:34,680
Speaker 3: A lot of the critique was essentially like, it's just

926
00:49:34,760 --> 00:49:37,239
Speaker 3: the same as the first Jurassic Park movie. Again, why

927
00:49:37,320 --> 00:49:39,320
Speaker 3: are we always doing the same thing. I did not

928
00:49:39,440 --> 00:49:41,160
Speaker 3: feel that was the case, but when I went to

929
00:49:41,160 --> 00:49:43,920
Speaker 3: see it for a second time, I did kind of

930
00:49:44,120 --> 00:49:46,480
Speaker 3: notice a lot of the beats that were very similar

931
00:49:46,600 --> 00:49:48,360
Speaker 3: in the homages in I.

932
00:49:48,480 --> 00:49:50,399
Speaker 4: Remember, I don't.

933
00:49:51,040 --> 00:49:53,400
Speaker 3: I think it was my friend Steve, who has a

934
00:49:53,440 --> 00:49:56,040
Speaker 3: podcast called Stephen Ray Morris, who has a podcast called

935
00:49:56,080 --> 00:50:00,279
Speaker 3: See Jurassic Right and was also the producer of My

936
00:50:00,360 --> 00:50:02,799
Speaker 3: Favorite Motor for for a long time but is now

937
00:50:02,960 --> 00:50:04,000
Speaker 3: dinosaur focused.

938
00:50:04,640 --> 00:50:07,080
Speaker 4: He had said it, yeah, Steven's.

939
00:50:06,680 --> 00:50:10,200
Speaker 3: Great, and he'd said that it was it had reminded

940
00:50:10,280 --> 00:50:13,080
Speaker 3: him on first viewing of kind of like Alien Romulus,

941
00:50:13,160 --> 00:50:16,040
Speaker 3: where it felt like they were more interested in kind

942
00:50:16,040 --> 00:50:18,239
Speaker 3: of like the homages and the throwbacks and the strip

943
00:50:18,400 --> 00:50:19,200
Speaker 3: back nature of it.

944
00:50:19,640 --> 00:50:20,880
Speaker 4: But then we went to see it.

945
00:50:21,080 --> 00:50:22,920
Speaker 3: Steve came with us to see it in forty X

946
00:50:23,000 --> 00:50:25,400
Speaker 3: and I think seeing it with a bunch of kids

947
00:50:25,480 --> 00:50:28,239
Speaker 3: and being in that more immersive experience was way more fun.

948
00:50:28,360 --> 00:50:30,640
Speaker 3: And now he's kind of turned a corner on it.

949
00:50:30,719 --> 00:50:33,440
Speaker 3: But I thought that alien romulus thing was pretty smart

950
00:50:33,480 --> 00:50:39,120
Speaker 3: because I do think the kind of crossover of original

951
00:50:39,480 --> 00:50:43,000
Speaker 3: callbacks that could have been a big one with raptors, though,

952
00:50:43,040 --> 00:50:46,000
Speaker 3: I will say this is another big question actually, and

953
00:50:46,120 --> 00:50:48,320
Speaker 3: generally I've seen people respond to this, well, how do

954
00:50:48,360 --> 00:50:50,040
Speaker 3: you guys feel about the fact that there clearly are

955
00:50:50,080 --> 00:50:52,120
Speaker 3: not really any raptors in this movie? You get like

956
00:50:52,400 --> 00:50:55,719
Speaker 3: three minutes of raptors, not Eva Jason, he said, he said,

957
00:50:55,719 --> 00:50:58,400
Speaker 3: I'm over it and I need him in seven movies.

958
00:50:59,239 --> 00:50:59,960
Speaker 1: How would they get here?

959
00:51:00,200 --> 00:51:00,320
Speaker 6: You know?

960
00:51:00,440 --> 00:51:02,560
Speaker 4: I think that that it's it's a good point.

961
00:51:02,640 --> 00:51:08,280
Speaker 1: Actually buy into the destruction and despoilment of previous Jurassic

962
00:51:08,320 --> 00:51:10,880
Speaker 1: World islands, then I think it would make sense that

963
00:51:10,960 --> 00:51:12,799
Speaker 1: they would not have reached here.

964
00:51:13,800 --> 00:51:15,920
Speaker 3: Yeah, and also it would just be like there's a couple,

965
00:51:16,120 --> 00:51:18,440
Speaker 3: but they're gonna get eaten off, They're gonna get eaten

966
00:51:18,840 --> 00:51:20,680
Speaker 3: by another dinosaur, like we see.

967
00:51:21,080 --> 00:51:24,600
Speaker 6: I felt like the spinosaurs kind of replaced the role

968
00:51:24,920 --> 00:51:27,480
Speaker 6: of the yeah, raptors and the water, and that was

969
00:51:27,480 --> 00:51:29,600
Speaker 6: a lot more scary to me.

970
00:51:29,760 --> 00:51:32,840
Speaker 4: I did think the water stuff was exceptionally cool.

971
00:51:32,920 --> 00:51:35,279
Speaker 3: And also I will say, in defense of the muscosaurus

972
00:51:35,320 --> 00:51:37,880
Speaker 3: and spinosaurus, they are you could argue that they are

973
00:51:37,920 --> 00:51:41,239
Speaker 3: also just like be doing the natural thing that they

974
00:51:41,320 --> 00:51:43,480
Speaker 3: should be doing, which is like hunting people.

975
00:51:44,160 --> 00:51:46,360
Speaker 6: So I have a whole body of water though to go.

976
00:51:46,920 --> 00:51:49,400
Speaker 3: Exactly now, and they just got to hope that some

977
00:51:49,600 --> 00:51:51,440
Speaker 3: rich parents are like, hope, I got to teach my

978
00:51:51,600 --> 00:51:54,880
Speaker 3: child to sail across the ocean this summer. Also, I

979
00:51:54,960 --> 00:51:58,440
Speaker 3: will say visually we've talked about how good Gareth is

980
00:51:58,480 --> 00:51:59,080
Speaker 3: at big stuff.

981
00:51:59,200 --> 00:51:59,920
Speaker 4: Totally agree.

982
00:52:00,640 --> 00:52:03,880
Speaker 3: I do think something that this movie and that cleanness

983
00:52:03,920 --> 00:52:07,239
Speaker 3: that you're talking about, Jason, is there is only one full,

984
00:52:08,080 --> 00:52:12,160
Speaker 3: like practical animatronic dinosaur, and it is the Aquaops, the

985
00:52:12,239 --> 00:52:15,440
Speaker 3: little Dolores that she has in her bag. So I

986
00:52:15,560 --> 00:52:17,800
Speaker 3: think that's part of the reason in the other movies

987
00:52:17,880 --> 00:52:19,080
Speaker 3: we were always getting at.

988
00:52:19,080 --> 00:52:24,239
Speaker 4: Least some big, practical, kind of fancy animatronic.

989
00:52:24,360 --> 00:52:27,040
Speaker 1: Can I say one more thing about the cleanness too, please?

990
00:52:27,560 --> 00:52:30,120
Speaker 1: In forty X, the Dinosaurs gotta stink. I gotta smell

991
00:52:30,160 --> 00:52:32,479
Speaker 1: the bread. It's yes, it's gotta smell.

992
00:52:33,520 --> 00:52:35,760
Speaker 4: I know that you're in a museum.

993
00:52:36,239 --> 00:52:40,719
Speaker 1: I gotta I know that's not what people want when

994
00:52:40,760 --> 00:52:41,160
Speaker 1: they go to.

995
00:52:41,200 --> 00:52:44,080
Speaker 4: The should have happened?

996
00:52:44,640 --> 00:52:47,160
Speaker 1: Are we committing to this or not? When it comes

997
00:52:47,280 --> 00:52:51,919
Speaker 1: up and it's screaming in your face, don't you spit?

998
00:52:53,680 --> 00:52:56,400
Speaker 4: No, this is a good point because they smell something.

999
00:52:57,200 --> 00:52:58,080
Speaker 4: There was a moment.

1000
00:52:58,280 --> 00:53:00,920
Speaker 1: Why am I smelling twills twizzle? I'm not smelling a

1001
00:53:01,040 --> 00:53:02,600
Speaker 1: twiddlers dinosaur?

1002
00:53:03,480 --> 00:53:07,759
Speaker 3: Yeah, I know, I'm yeah right, it's it's it's Dan

1003
00:53:07,880 --> 00:53:12,120
Speaker 3: Stevenson's character from The Lasts.

1004
00:53:10,840 --> 00:53:15,279
Speaker 4: And Kaijo Kaiju dentist. So I will say that one

1005
00:53:15,360 --> 00:53:17,000
Speaker 4: of the things that was most funny.

1006
00:53:17,040 --> 00:53:19,360
Speaker 3: And Jason, I think you are right because when we

1007
00:53:19,480 --> 00:53:22,680
Speaker 3: went to see Gladiator two in forty X because it

1008
00:53:22,760 --> 00:53:24,279
Speaker 3: was the only way I could see it to cover

1009
00:53:24,360 --> 00:53:24,680
Speaker 3: it for the.

1010
00:53:24,719 --> 00:53:31,720
Speaker 4: Podcast, they had burning flesh smells. They had burning splash smells.

1011
00:53:32,040 --> 00:53:34,320
Speaker 4: I think that dinosaurs it should be like that.

1012
00:53:34,520 --> 00:53:37,120
Speaker 3: Let's commit to it, especially because there was a moment,

1013
00:53:37,200 --> 00:53:38,720
Speaker 3: and I do think it's one of the best moments

1014
00:53:38,760 --> 00:53:39,239
Speaker 3: in the movie.

1015
00:53:39,280 --> 00:53:41,960
Speaker 4: But when the French lady, I'm so sorry, I don't

1016
00:53:42,000 --> 00:53:43,520
Speaker 4: know your name, baby, You're in the movie for like

1017
00:53:43,600 --> 00:53:44,160
Speaker 4: five minutes.

1018
00:53:44,400 --> 00:53:47,600
Speaker 3: She's got a little kerchief on She is trying to

1019
00:53:47,760 --> 00:53:51,680
Speaker 3: push this bag of like supplies onto the beach, and

1020
00:53:51,880 --> 00:53:54,399
Speaker 3: if you catch it from the corner of your eye,

1021
00:53:54,520 --> 00:53:57,640
Speaker 3: you'll see a spinosaurus moving. If you don't, she then

1022
00:53:57,760 --> 00:54:00,600
Speaker 3: just gets grabbed from behind and there's it's hue splash.

1023
00:54:01,000 --> 00:54:04,480
Speaker 3: I screamed so loud the cinema fucking water went in

1024
00:54:04,560 --> 00:54:08,400
Speaker 3: my mouth, and I was like, I'm gonna die. So honestly,

1025
00:54:09,280 --> 00:54:12,840
Speaker 3: I can deal with a bad smell because I screamed

1026
00:54:12,960 --> 00:54:15,320
Speaker 3: and I was just like, I am gonna die of

1027
00:54:15,560 --> 00:54:16,400
Speaker 3: like fucking.

1028
00:54:16,160 --> 00:54:20,239
Speaker 4: Botulism cinema water. So let's add the funk.

1029
00:54:20,040 --> 00:54:23,880
Speaker 1: Guys, funk like the jungle stinks.

1030
00:54:24,600 --> 00:54:29,000
Speaker 4: Come on. Oh yeah, it would be so humid and sweaty. Okay, guys.

1031
00:54:29,440 --> 00:54:33,040
Speaker 4: So the franchise is here. It made so much money.

1032
00:54:33,080 --> 00:54:35,400
Speaker 4: It made like three hundred and forty eight million dollars

1033
00:54:35,480 --> 00:54:37,200
Speaker 4: globally on a weekend.

1034
00:54:37,719 --> 00:54:40,439
Speaker 3: This is gonna end up being one of the most

1035
00:54:40,480 --> 00:54:44,320
Speaker 3: successful movies of the year globally, no question. It's already

1036
00:54:44,360 --> 00:54:48,080
Speaker 3: the biggest global opening weekend of the year. Where does

1037
00:54:48,160 --> 00:54:50,680
Speaker 3: the franchise go from here? Because I think that is

1038
00:54:50,800 --> 00:54:55,320
Speaker 3: something that the movie leaves very open ended aka unanswered,

1039
00:54:55,560 --> 00:54:56,719
Speaker 3: So Jason, what do you think.

1040
00:54:57,120 --> 00:54:59,279
Speaker 1: Well, we talked about it, we teased it, so let's

1041
00:54:59,320 --> 00:55:02,680
Speaker 1: do it. What But I think it's time to mash

1042
00:55:03,560 --> 00:55:07,840
Speaker 1: a little bit, and I here's my proposal. Planet of

1043
00:55:07,840 --> 00:55:14,160
Speaker 1: the Apes Jurassic crossover. It's the far flung, you know,

1044
00:55:14,360 --> 00:55:19,920
Speaker 1: dystopian ape ruled future of Earth. They have like the

1045
00:55:20,160 --> 00:55:25,600
Speaker 1: Northern Pole Hemisphere regions, and then around the equator it's

1046
00:55:25,680 --> 00:55:28,040
Speaker 1: all the dinosaurs and it's the smart dinosaurs.

1047
00:55:29,000 --> 00:55:31,920
Speaker 6: And I love this.

1048
00:55:32,080 --> 00:55:35,720
Speaker 1: It's like coming in conflict with the with the apes,

1049
00:55:36,320 --> 00:55:39,880
Speaker 1: and like some you come up with some bullshit, like

1050
00:55:40,520 --> 00:55:43,360
Speaker 1: one of the humans involved in the story is like

1051
00:55:43,719 --> 00:55:47,720
Speaker 1: Alan Grant's great great great whatever grand or some bullshit

1052
00:55:47,840 --> 00:55:53,160
Speaker 1: like this right dinosaurs, Yeah, and you, and that's how

1053
00:55:53,200 --> 00:55:53,600
Speaker 1: you weave it.

1054
00:55:55,520 --> 00:55:57,800
Speaker 3: I also would love to see that because I like

1055
00:55:57,920 --> 00:56:01,320
Speaker 3: the implication that, like we could somehow end up in

1056
00:56:01,400 --> 00:56:03,359
Speaker 3: a situation where if Jurassic Park had.

1057
00:56:03,320 --> 00:56:05,360
Speaker 4: Never happened, we never would have gone that way and

1058
00:56:05,440 --> 00:56:08,000
Speaker 4: monkeys never would have taken over. But like that you

1059
00:56:08,160 --> 00:56:09,200
Speaker 4: were stupid enough.

1060
00:56:09,040 --> 00:56:14,000
Speaker 6: To bring dinosaurs back and make monkeys smarter.

1061
00:56:14,239 --> 00:56:17,040
Speaker 3: Yeah, I'm saying, Okay, Common, what franchise are you crossing

1062
00:56:17,080 --> 00:56:18,880
Speaker 3: it over with? If you can cross over with anything.

1063
00:56:19,400 --> 00:56:21,560
Speaker 6: Okay, this is going to be the most on brand

1064
00:56:21,719 --> 00:56:22,480
Speaker 6: answer for me.

1065
00:56:22,600 --> 00:56:23,560
Speaker 2: Ever, can't wait?

1066
00:56:24,200 --> 00:56:30,000
Speaker 6: Bear with me, No, not that, bear with me. Alien

1067
00:56:30,160 --> 00:56:36,160
Speaker 6: versus predator. Oh, I would like to see it and

1068
00:56:36,280 --> 00:56:40,279
Speaker 6: the predator I made this is stream of consciousness. By

1069
00:56:40,280 --> 00:56:47,320
Speaker 6: the way, I do the predator lands on Earth to

1070
00:56:47,400 --> 00:56:51,040
Speaker 6: start hunting dinosaurs because you know, he needs a cool

1071
00:56:51,080 --> 00:56:54,480
Speaker 6: trophy to take back that which, by the way, we

1072
00:56:54,640 --> 00:56:59,319
Speaker 6: have a t rex skull weretorship. Oh my god, see

1073
00:56:59,360 --> 00:57:01,400
Speaker 6: I've already it's perfect comment.

1074
00:57:01,560 --> 00:57:03,239
Speaker 4: Keep this one in the back pocket, that that that

1075
00:57:03,400 --> 00:57:04,600
Speaker 4: specscript might get made.

1076
00:57:04,640 --> 00:57:04,920
Speaker 6: Baby.

1077
00:57:05,200 --> 00:57:05,399
Speaker 5: Yeah.

1078
00:57:05,680 --> 00:57:10,760
Speaker 6: And then uh, let's say, uh, a xenomorph egg crash

1079
00:57:10,920 --> 00:57:14,240
Speaker 6: lands on some whalen you tawny ship in the same

1080
00:57:14,440 --> 00:57:17,400
Speaker 6: area that the predator is hunting. Now the predator is

1081
00:57:17,720 --> 00:57:21,680
Speaker 6: hunting dinosaurs, but he's also having to face the alien

1082
00:57:22,040 --> 00:57:26,120
Speaker 6: and guess what the alien face hugger does some cross

1083
00:57:26,280 --> 00:57:29,080
Speaker 6: breeding with a t rex or something.

1084
00:57:30,160 --> 00:57:35,400
Speaker 3: Yes, that we've been waiting to see it. I'm like, also,

1085
00:57:35,480 --> 00:57:37,600
Speaker 3: I'm like, let's make that into a comake or something.

1086
00:57:37,680 --> 00:57:38,360
Speaker 3: Let's make it happen.

1087
00:57:38,440 --> 00:57:40,080
Speaker 4: That sounds amazing, Aaron, how about you?

1088
00:57:40,600 --> 00:57:42,440
Speaker 5: You know I really want there to be something. I

1089
00:57:42,480 --> 00:57:44,440
Speaker 5: don't want to say John Wick, but I want something that.

1090
00:57:44,560 --> 00:57:47,880
Speaker 2: Is very okay. I would watch that one human stuck.

1091
00:57:47,680 --> 00:57:50,360
Speaker 5: On the island, not a group of humans want I

1092
00:57:50,400 --> 00:57:52,720
Speaker 5: guess I'm just describing the Adam Driver movie at this.

1093
00:57:52,760 --> 00:57:55,600
Speaker 4: Point, but like I want them to make that movie.

1094
00:57:55,640 --> 00:58:00,400
Speaker 2: But good, maybe that's it. Just Kylo Ren on Dinosaur Island.

1095
00:58:00,920 --> 00:58:00,960
Speaker 5: No.

1096
00:58:01,240 --> 00:58:03,520
Speaker 3: I love this. I love this because I actually do

1097
00:58:03,800 --> 00:58:09,880
Speaker 3: think that yeah, two Meda, which they were leaning into here,

1098
00:58:09,960 --> 00:58:11,880
Speaker 3: but also as well, if you just think about it,

1099
00:58:12,680 --> 00:58:16,200
Speaker 3: you know, if you've read the Green Arrow comics, Oliver

1100
00:58:16,400 --> 00:58:18,400
Speaker 3: ends up on this island. He has to be trained

1101
00:58:18,440 --> 00:58:20,560
Speaker 3: all his I feel like there is this kind of

1102
00:58:21,040 --> 00:58:22,200
Speaker 3: storytelling trope.

1103
00:58:22,240 --> 00:58:24,880
Speaker 4: It's almost like Castaway but with dinosaurs. And it just

1104
00:58:24,960 --> 00:58:27,040
Speaker 4: so happens that it was John Wick who they threw

1105
00:58:27,120 --> 00:58:28,440
Speaker 4: off a bus and.

1106
00:58:28,800 --> 00:58:33,320
Speaker 3: He's got enough bullets to keep those dinosaurs dying. And yes, guys,

1107
00:58:33,640 --> 00:58:37,160
Speaker 3: of course, my dream franchise crossover for this, which I

1108
00:58:37,360 --> 00:58:40,440
Speaker 3: feel like they were leaning into in Fast nine. Actually

1109
00:58:40,560 --> 00:58:44,640
Speaker 3: with the with the opening both owned by Universal, you

1110
00:58:44,720 --> 00:58:49,440
Speaker 3: can make it happen, guys, Fast and Furious meets Jurassic Park.

1111
00:58:49,600 --> 00:58:50,720
Speaker 4: I think it's ready.

1112
00:58:51,240 --> 00:58:51,920
Speaker 3: We call it.

1113
00:58:52,600 --> 00:58:56,800
Speaker 4: You know, it's Fast eleven and I know Fast Extinction.

1114
00:58:57,000 --> 00:58:57,840
Speaker 2: It's the last.

1115
00:58:59,840 --> 00:59:00,880
Speaker 4: He is talking about.

1116
00:59:00,960 --> 00:59:02,000
Speaker 6: How curious.

1117
00:59:02,480 --> 00:59:07,120
Speaker 3: Yeah, yeah, Vin Diesel's already talking about how he is

1118
00:59:07,240 --> 00:59:09,240
Speaker 3: going to bring back.

1119
00:59:09,400 --> 00:59:12,760
Speaker 4: Paul Walker for the next movie. So why not? Just

1120
00:59:13,120 --> 00:59:16,400
Speaker 4: why not? Just nobody knows how, don't want to ask him,

1121
00:59:16,520 --> 00:59:20,080
Speaker 4: don't need the details. But I don't see why a

1122
00:59:20,200 --> 00:59:23,200
Speaker 4: dinosaur could be any other. They have gone to space.

1123
00:59:23,960 --> 00:59:27,080
Speaker 3: They are essentially superpowered to the point where they talk

1124
00:59:27,160 --> 00:59:29,800
Speaker 3: about it. I think that they are the only ones

1125
00:59:29,840 --> 00:59:32,920
Speaker 3: who could. They could like tire a dinosaur out, like

1126
00:59:33,080 --> 00:59:34,840
Speaker 3: it's being chased through the jungle.

1127
00:59:34,960 --> 00:59:36,800
Speaker 4: I would watch it. I think it would happen.

1128
00:59:37,080 --> 00:59:41,840
Speaker 3: There's definitely enough of these islands around islisauna and stuff.

1129
00:59:42,040 --> 00:59:45,520
Speaker 3: This is an island that was gonna be their you know,

1130
00:59:45,720 --> 00:59:50,880
Speaker 3: universal style kind of car show area, and they were

1131
00:59:50,880 --> 00:59:52,600
Speaker 3: gonna have like dinosaurs jumping.

1132
00:59:52,400 --> 00:59:54,360
Speaker 4: Through holes and well he could happen.

1133
00:59:55,480 --> 01:00:02,479
Speaker 1: Well, oil comes from fossilized dinosaurs and plants and other things.

1134
01:00:03,200 --> 01:00:06,600
Speaker 1: They find out the Fast crew finds out that like

1135
01:00:06,720 --> 01:00:13,520
Speaker 1: the dinosaur blood is gassing. Oh my god, and it's like, yes, the.

1136
01:00:13,600 --> 01:00:21,280
Speaker 3: Baby guys, it's all about family and dinosaurs.

1137
01:00:23,040 --> 01:00:25,000
Speaker 4: Thank you guys so much for joining us. This was

1138
01:00:25,080 --> 01:00:25,640
Speaker 4: a delight.

1139
01:00:26,560 --> 01:00:28,960
Speaker 3: Always loved to have you guys, had any lost Jurassic

1140
01:00:29,000 --> 01:00:29,800
Speaker 3: World reap ber thoughts?

1141
01:00:29,840 --> 01:00:31,760
Speaker 4: You have to get off your chest before we leave.

1142
01:00:31,960 --> 01:00:35,640
Speaker 5: Congrats to Scarlet Johansson. I'm becoming the Hollywood's highest grossing

1143
01:00:35,720 --> 01:00:36,240
Speaker 5: lead actor.

1144
01:00:37,440 --> 01:00:40,640
Speaker 4: Wild she's been she's been making that money.

1145
01:00:40,920 --> 01:00:43,720
Speaker 1: You know she was nine billion is she?

1146
01:00:43,960 --> 01:00:48,400
Speaker 4: Do you think Scarjo is a billionaire personally? I don't

1147
01:00:48,400 --> 01:00:49,080
Speaker 4: think something.

1148
01:00:51,280 --> 01:00:54,000
Speaker 5: To get used to pay for Colin Jos's ferry to

1149
01:00:54,120 --> 01:00:59,920
Speaker 5: Staten Island, right, guys on Private Fairy.

1150
01:01:00,160 --> 01:01:01,960
Speaker 2: Come on, guy, that was less than a million dollars.

1151
01:01:02,160 --> 01:01:03,240
Speaker 1: I think her partner.

1152
01:01:03,640 --> 01:01:08,320
Speaker 3: I mean, I gotta say, guys, I'm feeling like maybe

1153
01:01:08,360 --> 01:01:11,240
Speaker 3: there's an issue with how the studios are making billions

1154
01:01:11,280 --> 01:01:13,800
Speaker 3: of dollars, but even someone like Scodgers, not Billy and

1155
01:01:13,880 --> 01:01:17,320
Speaker 3: that yet, Let's talk about that on another day. Whose labors? Guy?

1156
01:01:17,440 --> 01:01:20,360
Speaker 1: She's doing I hope I think she's doing well, and

1157
01:01:20,440 --> 01:01:24,440
Speaker 1: I hope that she is participating in the success of

1158
01:01:24,680 --> 01:01:31,760
Speaker 1: the immensely successful projects that she has been involved in. Yeah, guys,

1159
01:01:31,840 --> 01:01:34,560
Speaker 1: thanks a lot, Thanks a lot. Again. On the next

1160
01:01:34,640 --> 01:01:37,480
Speaker 1: episode of Extra Vision, We're diving into Oh It's hereos

1161
01:01:37,840 --> 01:01:40,200
Speaker 1: our reactions to Superman A long away.

1162
01:01:43,160 --> 01:01:44,160
Speaker 2: That's it for this episode.

1163
01:01:44,160 --> 01:01:46,080
Speaker 6: Thanks for listening well.

1164
01:01:51,600 --> 01:01:52,880
Speaker 2: X ray Vision is hosted.

1165
01:01:52,600 --> 01:01:54,840
Speaker 1: By Jason Concepts Young and Rosie Knight and is a

1166
01:01:54,880 --> 01:01:56,280
Speaker 1: production of iHeart Podcast.

1167
01:01:56,680 --> 01:01:59,960
Speaker 4: Our executive producers are Joel Monique and Aaron Cole.

1168
01:02:00,520 --> 01:02:02,560
Speaker 2: Our supervising producer is Abu Zafar.

1169
01:02:02,960 --> 01:02:06,880
Speaker 4: Our producers are Common, Laurent Dean Jonathan and Fay Wag.

1170
01:02:07,000 --> 01:02:09,760
Speaker 1: A theme song is by Brian Vasquez, with alternate theme

1171
01:02:09,840 --> 01:02:11,120
Speaker 1: songs by Aaron Kauffman.

1172
01:02:11,280 --> 01:02:14,600
Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

1173
01:02:14,760 --> 01:02:16,520
Speaker 3: Heidi our discord moderator.