1 00:00:10,200 --> 00:00:14,800 Speaker 1: Hey, friends, welcome to Friday's show. Moren Studio money Keith Urban, 2 00:00:14,880 --> 00:00:16,599 Speaker 1: we'll be in later. Pretty pumped about that. He's gonna 3 00:00:16,600 --> 00:00:18,880 Speaker 1: bring his guitar and play. So right now Scooba Steven 4 00:00:18,920 --> 00:00:23,480 Speaker 1: setting up his fancy microphone. I read a couple of 5 00:00:23,480 --> 00:00:25,959 Speaker 1: stories this morning. I wanted to start with a mom 6 00:00:25,960 --> 00:00:27,800 Speaker 1: went in to panic when she thought she saw a 7 00:00:27,840 --> 00:00:31,040 Speaker 1: huge hole in the roof of her baby's mouth. Her 8 00:00:31,120 --> 00:00:33,239 Speaker 1: name is Becky Styles. She didn't know what it was, 9 00:00:33,400 --> 00:00:35,720 Speaker 1: she just knew that she saw a big hole up there. 10 00:00:36,200 --> 00:00:37,879 Speaker 1: She has ten month old baby. She takes it to 11 00:00:37,880 --> 00:00:41,520 Speaker 1: the emergency room and the nurse looks in her mouth. 12 00:00:41,800 --> 00:00:44,159 Speaker 1: She's like, please help, please help, And it was a 13 00:00:44,200 --> 00:00:48,239 Speaker 1: sticker on top of the mouth. Okay, good m She 14 00:00:48,360 --> 00:00:51,880 Speaker 1: was changing the diaper. She was horrified by this big, 15 00:00:52,080 --> 00:00:54,520 Speaker 1: dark hole in the mouth. She started to touch it, 16 00:00:54,560 --> 00:00:57,240 Speaker 1: but the baby screamed at her. The dad looked, and 17 00:00:57,320 --> 00:00:59,440 Speaker 1: so she then away. She went to the hospital and 18 00:00:59,520 --> 00:01:01,720 Speaker 1: it was as a little sticker up there. Somehow they 19 00:01:01,720 --> 00:01:05,920 Speaker 1: got in the baby's mouth. I mean, yeah, that's definitely 20 00:01:05,959 --> 00:01:07,679 Speaker 1: one where you're like, man, I guess maybe we should 21 00:01:07,720 --> 00:01:10,960 Speaker 1: have touched it. One time, my car was really messed up. 22 00:01:11,000 --> 00:01:12,640 Speaker 1: And I remember being on the side of the road 23 00:01:12,680 --> 00:01:15,680 Speaker 1: in Austin and I was like, I don't know anything 24 00:01:15,720 --> 00:01:18,120 Speaker 1: about cars, and so I could not get the thing 25 00:01:18,160 --> 00:01:20,520 Speaker 1: to start, and I was like, oh man. So it 26 00:01:20,600 --> 00:01:22,800 Speaker 1: was like eleven o'clock at night, and I had I 27 00:01:22,880 --> 00:01:25,760 Speaker 1: called like Triple A or some sort that that kind 28 00:01:25,760 --> 00:01:28,800 Speaker 1: of service, and the guy comes and he's like, all right. 29 00:01:28,880 --> 00:01:31,360 Speaker 1: He looked under the hood and he was like dang, okay, 30 00:01:31,480 --> 00:01:32,920 Speaker 1: he couldn't. He couldn't figure it out either, and I 31 00:01:32,920 --> 00:01:36,240 Speaker 1: felt kind of justified that something happened that I couldn't 32 00:01:36,240 --> 00:01:38,440 Speaker 1: figure out, but also a smart car guy couldn't figure out. 33 00:01:39,080 --> 00:01:41,240 Speaker 1: And I remember like boom, putting the hood back down 34 00:01:41,240 --> 00:01:42,960 Speaker 1: and going like dang, I don't even know. He gets 35 00:01:42,959 --> 00:01:44,360 Speaker 1: in the car and he sits and he goes, oh, 36 00:01:44,480 --> 00:01:46,840 Speaker 1: he puts it in park. Oh my good I try 37 00:01:46,840 --> 00:01:50,240 Speaker 1: to start it and drive. Oh my goodness. Oh, it'll 38 00:01:50,280 --> 00:01:52,480 Speaker 1: just sit there and drive. It won't start. It won't start. 39 00:01:52,840 --> 00:01:55,720 Speaker 1: Oh you gotta put it in park and it wouldn't start. 40 00:01:58,360 --> 00:02:01,040 Speaker 1: And the guy and I was like, the car won't start. Him, 41 00:02:01,040 --> 00:02:03,480 Speaker 1: I'm broken down the side of the road. I guess 42 00:02:03,480 --> 00:02:04,800 Speaker 1: I was on the side of the road and in 43 00:02:04,800 --> 00:02:06,480 Speaker 1: a parking lot. And then the guy was like, yeah, 44 00:02:06,720 --> 00:02:09,680 Speaker 1: here's why it's the baby situation. Because I was like this, 45 00:02:09,840 --> 00:02:12,360 Speaker 1: I'm such an idiot. The mom had to be like, 46 00:02:12,400 --> 00:02:14,560 Speaker 1: I'm such an idiot, but also relieved because I was 47 00:02:14,600 --> 00:02:16,320 Speaker 1: relieved too to have to pay a big bill, had 48 00:02:16,360 --> 00:02:17,760 Speaker 1: to pay like the hundred bucks that he came out. 49 00:02:17,880 --> 00:02:20,200 Speaker 1: But it wasn't you know, a new transmission that I 50 00:02:20,200 --> 00:02:21,840 Speaker 1: thought I was gonna have to to put in my 51 00:02:21,880 --> 00:02:25,800 Speaker 1: car right worries over a fuel shortage, that those are 52 00:02:25,800 --> 00:02:28,720 Speaker 1: happening all over America right now. But here's a line, 53 00:02:28,800 --> 00:02:30,200 Speaker 1: and here's a woman trying to cut the line, and 54 00:02:30,200 --> 00:02:33,480 Speaker 1: here's a fistfight. Honda CRV try to get in, honked 55 00:02:33,480 --> 00:02:35,399 Speaker 1: the horn, the mail driver hopped out of his car, 56 00:02:35,880 --> 00:02:39,720 Speaker 1: spit at her. Oh, and then away they go. Fist 57 00:02:39,760 --> 00:02:41,359 Speaker 1: fight it is, and you knew every phone was coming 58 00:02:41,400 --> 00:02:44,160 Speaker 1: out of every car. Just hold it up like a concert. 59 00:02:44,400 --> 00:02:46,280 Speaker 1: At least they got some entertainment while they were waiting 60 00:02:46,320 --> 00:02:48,880 Speaker 1: for gas. I don't know, I'm not comfortable with fights. 61 00:02:49,000 --> 00:02:51,320 Speaker 1: Like Lunchbox likes to watch fights, I love it. To me, 62 00:02:51,400 --> 00:02:54,679 Speaker 1: that is that's not entertainment. I'm like, oh, please stop, 63 00:02:54,760 --> 00:02:56,919 Speaker 1: please stop, please stop. And I guess I haven't really 64 00:02:56,919 --> 00:03:00,200 Speaker 1: ever seen one in public ever. Oh you ever known 65 00:03:00,320 --> 00:03:02,320 Speaker 1: you need to get out more? Amy, No, lunchbox will 66 00:03:02,360 --> 00:03:03,840 Speaker 1: be over there during a commercial break, being like, oh, 67 00:03:03,880 --> 00:03:05,720 Speaker 1: whatch this fight? Yeah, he googles fights. I try to 68 00:03:05,760 --> 00:03:08,040 Speaker 1: find fights. Hey, he likes the ones where they get 69 00:03:08,120 --> 00:03:10,480 Speaker 1: knocked out. I'm like, oh, I can't watch that. I mean, 70 00:03:10,480 --> 00:03:13,720 Speaker 1: but it's entertaining. Look, we talk about fights because they're entertaining. No, 71 00:03:13,760 --> 00:03:15,560 Speaker 1: we don't talking about fights. We talk about the gas 72 00:03:15,560 --> 00:03:18,119 Speaker 1: situation and how dumb people are getting because they don't 73 00:03:18,120 --> 00:03:20,680 Speaker 1: want to wait in line for gas. That's what it is. 74 00:03:20,800 --> 00:03:22,880 Speaker 1: What did you do years ago before I was even 75 00:03:22,880 --> 00:03:25,400 Speaker 1: on the show, So probably over fifteen years ago, Like 76 00:03:25,480 --> 00:03:28,239 Speaker 1: y'all gave away free gas, but when people came to 77 00:03:28,280 --> 00:03:30,400 Speaker 1: get it, you gave them a can of beans or something. 78 00:03:30,560 --> 00:03:35,520 Speaker 1: Oh yeah, it was a time ago, No, Bobby, I'm 79 00:03:35,560 --> 00:03:37,400 Speaker 1: telling you it was over fifteen years old. That's true. 80 00:03:37,400 --> 00:03:39,200 Speaker 1: I forget how long I've been here. Yeah, it was 81 00:03:39,200 --> 00:03:43,160 Speaker 1: over fifteen years ago, and we were gas was extremely high. 82 00:03:43,200 --> 00:03:45,200 Speaker 1: We're like, we're getting get away free gas. Oh, we're 83 00:03:45,280 --> 00:03:47,520 Speaker 1: such idiot. I haven't thought about this forever. It's great. 84 00:03:47,560 --> 00:03:49,400 Speaker 1: I still have the cand of beans and I put 85 00:03:49,440 --> 00:03:51,080 Speaker 1: logos on all the cans of beans and the people 86 00:03:51,080 --> 00:03:53,400 Speaker 1: would get us your free gas and beans the Bobby 87 00:03:53,440 --> 00:03:56,280 Speaker 1: Bone Show logo. Uh yeah, I mean you weren't lying. 88 00:03:56,280 --> 00:03:59,200 Speaker 1: You give him gas. I mean for some reason people 89 00:03:59,240 --> 00:04:00,800 Speaker 1: didn't hate us have to that, because I would have 90 00:04:00,840 --> 00:04:03,960 Speaker 1: hated us after that. I can't believe remember that. Were 91 00:04:03,960 --> 00:04:06,000 Speaker 1: you in line? Were you? No? I wasn't in line, 92 00:04:06,040 --> 00:04:10,240 Speaker 1: but I was a listener. Or that's so I heard it. 93 00:04:10,440 --> 00:04:13,120 Speaker 1: Another one we did was lunch Bucks had had been 94 00:04:13,120 --> 00:04:16,159 Speaker 1: training to jump the station van and a four wheeler. 95 00:04:17,000 --> 00:04:19,920 Speaker 1: What well, and so we had everybody can He was 96 00:04:19,960 --> 00:04:21,440 Speaker 1: ready to make the big jump because he had been 97 00:04:21,480 --> 00:04:22,880 Speaker 1: on the four wheeler a little bit. But he was like, 98 00:04:22,880 --> 00:04:24,640 Speaker 1: I make the big jump. We built a ramp, oh boy, 99 00:04:24,920 --> 00:04:27,600 Speaker 1: and we parked the station van like a little bit 100 00:04:27,640 --> 00:04:30,080 Speaker 1: past the ramp, and he was gonna jump the station van. 101 00:04:30,480 --> 00:04:32,000 Speaker 1: And there were hundreds of people out there to watch 102 00:04:32,080 --> 00:04:34,360 Speaker 1: him jump station van like Evil Knevel. Yeah, that was 103 00:04:34,400 --> 00:04:36,680 Speaker 1: that was it. And so he so he gets in 104 00:04:36,720 --> 00:04:38,400 Speaker 1: hand and then he gets a four wheeler and he 105 00:04:38,400 --> 00:04:39,720 Speaker 1: goes up to the ram. He's flying out to the 106 00:04:39,800 --> 00:04:41,560 Speaker 1: ramp and then he stops, and then he gets out 107 00:04:41,560 --> 00:04:43,600 Speaker 1: and puts jumper cables on the and then jumps the 108 00:04:43,640 --> 00:04:50,000 Speaker 1: station van everybody and people were like, what is happening here? 109 00:04:51,320 --> 00:04:53,799 Speaker 1: Bunch of fraud? You know that one? Yes, I remember 110 00:04:53,839 --> 00:04:55,840 Speaker 1: that one? Were you on the show? Then? No, that 111 00:04:55,960 --> 00:04:59,680 Speaker 1: was before I was part of the Twelve Days at Christmas. 112 00:05:00,279 --> 00:05:07,679 Speaker 1: It's not time for a Friday edition of the mail Bags. 113 00:05:07,760 --> 00:05:13,000 Speaker 1: Something we call Hello Bobby Bones. I have a friend 114 00:05:13,279 --> 00:05:15,440 Speaker 1: who is in his early thirties and has never had 115 00:05:15,480 --> 00:05:18,680 Speaker 1: a real girlfriend, and I know he's looking. However, I 116 00:05:18,720 --> 00:05:22,719 Speaker 1: notice when we grab dinner he choose wicked, loud, smacks 117 00:05:22,760 --> 00:05:27,480 Speaker 1: his lips, slurps all drinks hot or cold. He's actively 118 00:05:27,520 --> 00:05:29,680 Speaker 1: looking for days, but I feel as though his manners 119 00:05:29,920 --> 00:05:34,080 Speaker 1: would completely turn a woman off. I'm a good amount 120 00:05:34,160 --> 00:05:36,719 Speaker 1: younger than him, but have been in several relationships and 121 00:05:36,760 --> 00:05:38,240 Speaker 1: I feel like I could give us some advice in 122 00:05:38,240 --> 00:05:40,719 Speaker 1: this area, but don't know how to do it without 123 00:05:40,800 --> 00:05:45,719 Speaker 1: hurting his feelings. What's your advice? Signed Downey. I'm also 124 00:05:45,800 --> 00:05:48,880 Speaker 1: going to assume that Downey's from Boston. Hey Downey, Well, no, 125 00:05:49,000 --> 00:05:54,080 Speaker 1: because he said he choose wicked loud, wicked loud context 126 00:05:54,120 --> 00:05:56,280 Speaker 1: closing these emails. Hey, I'll let you take us one first. 127 00:05:56,320 --> 00:05:58,200 Speaker 1: What do you think? I mean? I think it's okay 128 00:05:58,200 --> 00:06:02,760 Speaker 1: to bring it up, like it's something that he would 129 00:06:02,760 --> 00:06:04,920 Speaker 1: like to be aware of. I think maybe no one's 130 00:06:04,920 --> 00:06:07,320 Speaker 1: ever taken the time to tell him, and it's probably 131 00:06:07,360 --> 00:06:10,719 Speaker 1: annoying other people. You're doing him a favor, but you 132 00:06:10,760 --> 00:06:12,880 Speaker 1: can do it in a gentle kind way. I think 133 00:06:12,920 --> 00:06:15,640 Speaker 1: you do it like this. Hey man, what's the deal 134 00:06:15,680 --> 00:06:18,520 Speaker 1: you're trying to You're trying to get a girlfriend, you're dating. 135 00:06:19,400 --> 00:06:21,560 Speaker 1: That's how you kind of walk into the swamp a 136 00:06:21,600 --> 00:06:23,880 Speaker 1: little bit, just one step at a time. Yeah, things 137 00:06:23,880 --> 00:06:27,159 Speaker 1: have been going very well. Let me help you, Like 138 00:06:27,200 --> 00:06:29,080 Speaker 1: I failed enough times that I can at least give 139 00:06:29,080 --> 00:06:32,080 Speaker 1: you a little bit of advice. All right, Well, first 140 00:06:32,080 --> 00:06:33,480 Speaker 1: of all, then you just have to go right at it. 141 00:06:33,760 --> 00:06:35,480 Speaker 1: Like when you're eating, you gotta stop chewing and slurping. 142 00:06:35,680 --> 00:06:39,839 Speaker 1: It'll sting a second. But it's like a shot. You 143 00:06:39,920 --> 00:06:43,560 Speaker 1: need that shot feel better, like steroid shot. Whenever you're 144 00:06:43,560 --> 00:06:45,000 Speaker 1: really sick or and I have to go get my 145 00:06:45,040 --> 00:06:46,880 Speaker 1: throat's gone, I gotta take a shot in order to 146 00:06:46,920 --> 00:06:48,880 Speaker 1: go on stage and perform that night. Oh it hurts 147 00:06:48,880 --> 00:06:50,080 Speaker 1: for a second, but then I just feel a lot 148 00:06:50,080 --> 00:06:52,920 Speaker 1: better afterward. It's like that he's like, oh, I didn't 149 00:06:52,920 --> 00:06:54,719 Speaker 1: know that. It may get a little defensive for a second, 150 00:06:54,760 --> 00:06:55,960 Speaker 1: but I'm gonna tell you what. He can take it 151 00:06:55,960 --> 00:06:57,840 Speaker 1: back home with him and next time he eats, he's 152 00:06:57,839 --> 00:07:02,080 Speaker 1: gonna eat chew and slurp, spit a little less. But 153 00:07:02,160 --> 00:07:03,599 Speaker 1: I think that's how you get into it. You can't 154 00:07:03,640 --> 00:07:06,360 Speaker 1: just elbow and be like, yo, you're disgusting when you eat. 155 00:07:06,760 --> 00:07:08,640 Speaker 1: It's like, hey, what's the deal? Like, are you on apps? 156 00:07:08,640 --> 00:07:11,040 Speaker 1: You're trying to date anybody? And that's how you get 157 00:07:11,080 --> 00:07:12,440 Speaker 1: to it and just be ready to pop with that 158 00:07:12,440 --> 00:07:15,680 Speaker 1: shot real quick. That's what they do. But it is 159 00:07:15,680 --> 00:07:18,800 Speaker 1: tough when someone choose with their mouth open. I don't 160 00:07:18,840 --> 00:07:21,920 Speaker 1: care how hot she is, it was never gonna happen. Ever, 161 00:07:22,440 --> 00:07:25,080 Speaker 1: what if she could fix it? Well that need her 162 00:07:25,120 --> 00:07:27,800 Speaker 1: friend down, need to go help her. Yeah, but it's 163 00:07:27,880 --> 00:07:30,040 Speaker 1: you know, there are certain things that are just gross 164 00:07:30,040 --> 00:07:32,200 Speaker 1: and I can't see anyone getting passed on a first date. 165 00:07:32,600 --> 00:07:34,600 Speaker 1: I tell my boys this all the time as part 166 00:07:34,600 --> 00:07:36,720 Speaker 1: of a learning process of just like whenever they're smacking 167 00:07:36,840 --> 00:07:38,640 Speaker 1: or chewing with their mouth open, and like, all right, 168 00:07:38,800 --> 00:07:41,360 Speaker 1: we'll stop. We're doing first date scenario. First day, you 169 00:07:41,360 --> 00:07:42,840 Speaker 1: got the hottest girl in class, You're on a date 170 00:07:42,880 --> 00:07:44,520 Speaker 1: with her right now? Is this how you're gonna eat? 171 00:07:44,640 --> 00:07:46,760 Speaker 1: You do first date scenarios with your seven year old old, 172 00:07:46,880 --> 00:07:48,880 Speaker 1: seven year old and six year old, and my thirteen 173 00:07:48,920 --> 00:07:51,080 Speaker 1: year old is stay hottest grolling class? Oh yeah, I 174 00:07:51,080 --> 00:07:52,960 Speaker 1: gotta give him the scenario of like, look, you got 175 00:07:52,960 --> 00:07:55,400 Speaker 1: the shot to date the hottest girl in class, and 176 00:07:55,600 --> 00:07:58,280 Speaker 1: you're struggling with that bottle opener. What are you gonna do? 177 00:07:58,400 --> 00:08:01,640 Speaker 1: Like now you can't open a bottle, She's gonna leave 178 00:08:01,680 --> 00:08:03,239 Speaker 1: you if you're teaching him how to open a bottle 179 00:08:03,240 --> 00:08:05,360 Speaker 1: of wine. No, no no, no, like a bottle of like 180 00:08:05,400 --> 00:08:13,040 Speaker 1: a coker. Yeah no winey screw thought. I was like 181 00:08:13,080 --> 00:08:15,520 Speaker 1: getting them ready for that first day scenario. I did 182 00:08:15,560 --> 00:08:18,680 Speaker 1: get and I was told to stop doing what I 183 00:08:18,720 --> 00:08:20,120 Speaker 1: was doing the other day at the dinner table, which 184 00:08:20,160 --> 00:08:21,880 Speaker 1: was well, we went out to eat and I ordered 185 00:08:21,920 --> 00:08:24,360 Speaker 1: the support thing, and I am I make fun of 186 00:08:24,360 --> 00:08:26,160 Speaker 1: this guy for reading sloppily. I do too, but I 187 00:08:26,200 --> 00:08:28,360 Speaker 1: don't cut meat. For the most part. I take the 188 00:08:28,360 --> 00:08:29,480 Speaker 1: fork and I put it in the whole thing and 189 00:08:29,520 --> 00:08:31,160 Speaker 1: then I lifted up and I eat it from the fork. 190 00:08:31,400 --> 00:08:33,640 Speaker 1: So just a s Yeah, we were at a pretty 191 00:08:33,679 --> 00:08:35,440 Speaker 1: nice restaurant. Cans like, you can't do this, So can 192 00:08:35,480 --> 00:08:37,080 Speaker 1: you do it at the house? Yeah? But what are 193 00:08:37,120 --> 00:08:38,800 Speaker 1: you doing? You're picking the whole thing up with your 194 00:08:38,800 --> 00:08:40,760 Speaker 1: fork and just eating around it like it's a lollipop. 195 00:08:40,800 --> 00:08:43,800 Speaker 1: That was her literal word. Yeah, you're a fourteen year old, 196 00:08:44,480 --> 00:08:47,360 Speaker 1: that's what. No. I'm I'm an adult who just lives 197 00:08:47,360 --> 00:08:49,800 Speaker 1: his life his way. I start fighting for the guy 198 00:08:49,800 --> 00:08:52,760 Speaker 1: who's slopping down the email. I think that's a conversation 199 00:08:52,800 --> 00:08:54,480 Speaker 1: you can have downy. Thank you for emailing that. I 200 00:08:54,480 --> 00:08:56,960 Speaker 1: think you just have to walk up to it rather 201 00:08:57,000 --> 00:08:59,640 Speaker 1: than sprint to it. Walkom to it. It's gonna sting 202 00:08:59,720 --> 00:09:01,920 Speaker 1: him for a second, but if you really care about him, 203 00:09:01,960 --> 00:09:04,120 Speaker 1: that will help him. There you go. Thank you for 204 00:09:04,160 --> 00:09:06,440 Speaker 1: that email, Morgan. If they want to email the show, 205 00:09:06,480 --> 00:09:08,840 Speaker 1: what do they do? Mail bag at Bobby Bones dot com. 206 00:09:08,880 --> 00:09:11,719 Speaker 1: There it is. We've got your game mail and we 207 00:09:11,880 --> 00:09:15,320 Speaker 1: laid it on air. Now it's by the clothes Bobby's 208 00:09:15,320 --> 00:09:19,319 Speaker 1: mail bag. Here Bobby Bones Show. The latest from Nashville, 209 00:09:19,320 --> 00:09:24,640 Speaker 1: and Tullywood Morgan number two thirty second Skinny Destinent released 210 00:09:24,679 --> 00:09:28,559 Speaker 1: a collaboration with Chris Lane. The song is called Tequila 211 00:09:28,760 --> 00:09:32,520 Speaker 1: on a Boat. He late go far ain sake, a 212 00:09:32,720 --> 00:09:37,000 Speaker 1: girl with a smile, amy me with my eyes on 213 00:09:37,320 --> 00:09:42,800 Speaker 1: her and he got taken care of the weather lift. 214 00:09:42,840 --> 00:09:46,920 Speaker 1: Don't get much better than I see. Come come on 215 00:09:47,040 --> 00:09:51,400 Speaker 1: my List and stealing another Kids taking another Sea kid On. 216 00:09:52,880 --> 00:09:56,240 Speaker 1: Travis Denning released a new song called call It Country. 217 00:09:56,400 --> 00:10:00,640 Speaker 1: We ken net On Random, that hell raising me creak, 218 00:10:00,720 --> 00:10:04,880 Speaker 1: that Charlie janis out in foy shabby speakers, call down 219 00:10:04,880 --> 00:10:08,280 Speaker 1: in this town. Ain't fraining in money. You call it 220 00:10:08,400 --> 00:10:14,040 Speaker 1: what you want to. We just call it country. Mattie 221 00:10:14,040 --> 00:10:16,520 Speaker 1: and Tay dropped a new song called the Mood Ring. 222 00:10:20,400 --> 00:10:31,000 Speaker 1: I'm trying to warn ninety just a lude and new 223 00:10:31,040 --> 00:10:34,360 Speaker 1: albums out today. Alan Jackson has a new album called 224 00:10:34,520 --> 00:10:37,199 Speaker 1: Where Have You Gone? And Bobby Bones and the Raging 225 00:10:37,200 --> 00:10:41,360 Speaker 1: Idiots released a new project called award winning EP I'm 226 00:10:41,360 --> 00:10:44,400 Speaker 1: Morgan number two. That's your Skinny Hart. It's time for 227 00:10:44,440 --> 00:10:51,000 Speaker 1: the good news lunchbox, something good. There was a family 228 00:10:51,040 --> 00:10:53,080 Speaker 1: in New York, this four year olds playing in the 229 00:10:53,120 --> 00:10:55,560 Speaker 1: backyard and he looks at the neighbor's house and sees 230 00:10:55,600 --> 00:10:58,680 Speaker 1: it's caught on fire, and he yells, Mama, Mama, called 231 00:10:58,760 --> 00:11:01,319 Speaker 1: the fireman, Call the fireman. And she was like whoa, 232 00:11:01,360 --> 00:11:04,000 Speaker 1: So she calls nine one one. Then she runs next door, 233 00:11:04,080 --> 00:11:06,439 Speaker 1: starts banging on the door, says, your house is on fire. 234 00:11:06,559 --> 00:11:08,920 Speaker 1: Your house is on fire. And the lady was able 235 00:11:08,920 --> 00:11:11,000 Speaker 1: to get her one year old, three dogs, husband and 236 00:11:11,040 --> 00:11:13,080 Speaker 1: her ould the house safely because that little kids saw 237 00:11:13,120 --> 00:11:15,520 Speaker 1: and yelled it. Yep, said call the fireman. Mama, mam, 238 00:11:15,559 --> 00:11:18,040 Speaker 1: wad call the fireman. I mean you do an impression 239 00:11:18,040 --> 00:11:20,480 Speaker 1: like you actually heard the kid. I mean that's what 240 00:11:20,559 --> 00:11:22,920 Speaker 1: a four year old probably sounds like. Mama, Mama, call 241 00:11:23,000 --> 00:11:26,040 Speaker 1: the fireman. And from like the forties though, it's kind 242 00:11:26,040 --> 00:11:28,319 Speaker 1: of like that old Yeah, get your pay for news 243 00:11:28,360 --> 00:11:30,240 Speaker 1: the day right here. You want to know the name 244 00:11:30,280 --> 00:11:32,840 Speaker 1: of the kid. His mom wants him to remain anonymous. 245 00:11:33,920 --> 00:11:37,560 Speaker 1: Yeah kid, he's a kid. YEA, probably better that way. 246 00:11:37,640 --> 00:11:39,840 Speaker 1: But if he lunchbox was this kid he if that 247 00:11:39,920 --> 00:11:41,600 Speaker 1: was my kids, there will be all over the news 248 00:11:41,640 --> 00:11:43,480 Speaker 1: because we will be sending him stuff. Then what's your 249 00:11:43,520 --> 00:11:46,360 Speaker 1: kid's name? I'm not telling you that he has to 250 00:11:46,440 --> 00:11:48,640 Speaker 1: do something first? All right, there, you good. That's what 251 00:11:48,679 --> 00:11:53,920 Speaker 1: it's all about. That was tell me something good. It's 252 00:11:53,960 --> 00:11:56,120 Speaker 1: now time to see if anyone can take down the 253 00:11:56,200 --> 00:11:58,679 Speaker 1: Queen of fun facts. And that's Amy. There she is, 254 00:11:58,720 --> 00:12:04,560 Speaker 1: all right, fun fact Friday. Amy's got her list. Her 255 00:12:04,640 --> 00:12:09,800 Speaker 1: challenger today will be Raymundo. You can he take down 256 00:12:09,840 --> 00:12:12,400 Speaker 1: the Queen of fun facts? Since he was the winner? 257 00:12:12,520 --> 00:12:15,080 Speaker 1: I guess does he go first? Oh? You're the champ. Okay, 258 00:12:15,120 --> 00:12:17,120 Speaker 1: you will be taking on everybody all the time. Right, 259 00:12:17,240 --> 00:12:19,520 Speaker 1: you were armed with the most fun facts. Can anyone 260 00:12:19,600 --> 00:12:24,040 Speaker 1: take her down? Ready? Number five? So don't try this 261 00:12:24,080 --> 00:12:27,480 Speaker 1: one out at home or anything. But newborn babies can't 262 00:12:27,640 --> 00:12:31,719 Speaker 1: drown because their windpipes close in response to being submerged. 263 00:12:32,160 --> 00:12:34,840 Speaker 1: I guess around the sixth month mark, this disappears. But 264 00:12:34,920 --> 00:12:40,160 Speaker 1: for a newborn, they can't drown. You're telling me that 265 00:12:40,320 --> 00:12:42,920 Speaker 1: a newborn baby, if dunked in the water as a newborn, 266 00:12:43,000 --> 00:12:45,280 Speaker 1: will not drown because they can't take water in their 267 00:12:45,280 --> 00:12:47,200 Speaker 1: air hole. How do you think they shot the Nirvana 268 00:12:47,240 --> 00:12:50,079 Speaker 1: album cover with a baby swimming? That's not true. That's 269 00:12:50,080 --> 00:12:52,400 Speaker 1: exactly what that was. I saw a whole documentary on 270 00:12:52,440 --> 00:12:55,000 Speaker 1: this bones with moms going to the pool and letting 271 00:12:55,040 --> 00:12:58,720 Speaker 1: their babies swim underwater for like ten minutes. No way, Yeah, 272 00:12:58,960 --> 00:13:02,520 Speaker 1: bonus fun fact. That's unbelievable. I had never heard of such. 273 00:13:02,559 --> 00:13:07,440 Speaker 1: Sounds pretty crazy. I would never do that though. No, please, yes, please, 274 00:13:07,520 --> 00:13:10,160 Speaker 1: do not test this out at home with your new born. 275 00:13:10,240 --> 00:13:13,080 Speaker 1: That is wild. Just google it, you don't have to. 276 00:13:13,160 --> 00:13:15,040 Speaker 1: That's how they did the Nirvana naked baby on exactly 277 00:13:15,080 --> 00:13:19,560 Speaker 1: how they did it. Yeah, okay, Raymondo, you're up. So. 278 00:13:19,640 --> 00:13:21,160 Speaker 1: I don't know if you guys knew this, but there 279 00:13:21,160 --> 00:13:24,760 Speaker 1: are no lakes in Maryland. Maryland is the only state 280 00:13:24,800 --> 00:13:28,320 Speaker 1: in the United States with no natural lakes within its borders. 281 00:13:28,320 --> 00:13:32,040 Speaker 1: So don't go there to have a lake day. I 282 00:13:32,160 --> 00:13:36,200 Speaker 1: like that. It's interesting. Yours tough, Amy, that's to have 283 00:13:36,320 --> 00:13:40,480 Speaker 1: to be um Eddie. Amy's the champ Morgan. Amy's got it. Yeah, 284 00:13:40,480 --> 00:13:42,439 Speaker 1: Amy's got that one. Hey, Ray, did you strategize? I 285 00:13:42,480 --> 00:13:43,800 Speaker 1: know you weren't going to beat that one? You use 286 00:13:43,840 --> 00:13:45,800 Speaker 1: your worst one? Definitely did that? Ye? Okay, good? I 287 00:13:45,840 --> 00:13:48,480 Speaker 1: like that. There there's a strategy to this, all right, 288 00:13:48,480 --> 00:13:52,880 Speaker 1: here we go number four? Okay. When the IRS auctioned 289 00:13:52,880 --> 00:13:56,440 Speaker 1: off Willie Nelson's assets, in nineteen ninety one. His fans 290 00:13:56,920 --> 00:14:00,000 Speaker 1: bought the items and then gave them back to Willie 291 00:14:01,000 --> 00:14:04,440 Speaker 1: because and I've seen where he holds all that stuff. 292 00:14:04,920 --> 00:14:06,960 Speaker 1: It's like in a room that he has on his ranch. 293 00:14:07,200 --> 00:14:10,520 Speaker 1: So you're telling me, yeah, that his fans saw this, 294 00:14:10,720 --> 00:14:12,880 Speaker 1: bought it, combined their money, and gave it back to 295 00:14:12,880 --> 00:14:17,440 Speaker 1: Willie exactly. Huh. I knew he was in trouble. Yeah, 296 00:14:17,520 --> 00:14:19,000 Speaker 1: I didn't know the fans were that cool to him 297 00:14:19,040 --> 00:14:21,040 Speaker 1: like that, though. That's pretty cool, Raymundo, can you beat that? 298 00:14:21,520 --> 00:14:27,000 Speaker 1: Shaking ketchup makes it a thousand times thinner? Apparently the 299 00:14:27,120 --> 00:14:32,880 Speaker 1: spherical tomato particles form into thinner ellipses when shaken, and 300 00:14:32,960 --> 00:14:34,680 Speaker 1: that's the only way you can get it thinner is 301 00:14:34,680 --> 00:14:40,400 Speaker 1: when you shake him Eddie, Willie, Willie. You use too 302 00:14:40,400 --> 00:14:42,760 Speaker 1: many big words, Ray, He probably had us if you'd 303 00:14:42,760 --> 00:14:45,600 Speaker 1: go squishy, catch up, go puffing? All right? I mean 304 00:14:45,640 --> 00:14:48,280 Speaker 1: I think that's the key, you know, fun words. Amy 305 00:14:48,320 --> 00:14:51,000 Speaker 1: with two points? Now one more, Amy, you clinch? Okay, 306 00:14:51,080 --> 00:14:54,600 Speaker 1: all right, here we go number three. So the term 307 00:14:54,760 --> 00:14:59,200 Speaker 1: winning something, hands down, it came from horse racing. Pretty much, 308 00:14:59,200 --> 00:15:01,840 Speaker 1: a jockey who is so far ahead and as in 309 00:15:01,880 --> 00:15:05,440 Speaker 1: the lead, they can loosen the reins and keep your 310 00:15:05,440 --> 00:15:08,000 Speaker 1: hands down, so it's like, oh, you're winning hands down, 311 00:15:08,120 --> 00:15:09,960 Speaker 1: so you're riding your hands are up. Yeah, but when 312 00:15:09,960 --> 00:15:11,800 Speaker 1: it's over you can just let it. Well, once you're 313 00:15:11,800 --> 00:15:13,720 Speaker 1: in the lead enough, like you're winning hands down, that 314 00:15:13,760 --> 00:15:15,640 Speaker 1: means you're so far ahead it doesn't matter. And that 315 00:15:15,720 --> 00:15:18,640 Speaker 1: the saying came from jockeys releasing the reins and their 316 00:15:18,640 --> 00:15:20,920 Speaker 1: hands being down and they win. It's pretty fun. Ray, 317 00:15:21,440 --> 00:15:24,800 Speaker 1: a bullet from a sniper will actually hit its target 318 00:15:25,040 --> 00:15:27,920 Speaker 1: before you even hear the guns, so that's pretty scary 319 00:15:28,080 --> 00:15:34,560 Speaker 1: right there. I mean, I can give you guys the speeds, 320 00:15:34,560 --> 00:15:36,240 Speaker 1: but I mean you guys didn't like details and stuff 321 00:15:36,280 --> 00:15:38,840 Speaker 1: like that. The speed of sound is three hundred and 322 00:15:38,840 --> 00:15:42,240 Speaker 1: forty three meters a second. A bullet fired is seven 323 00:15:42,360 --> 00:15:44,280 Speaker 1: hundred and sixty two meters a second. So that's the 324 00:15:44,320 --> 00:15:48,280 Speaker 1: reason why it is like that. Eddie, oh man, this 325 00:15:48,400 --> 00:15:50,600 Speaker 1: is tough. I'm gonna have to go with the horse 326 00:15:50,720 --> 00:15:55,600 Speaker 1: racing hands down. It's pretty cool, Borgan. I don't know, 327 00:15:55,800 --> 00:15:59,320 Speaker 1: everyone was like super fun. I do like the hands 328 00:15:59,360 --> 00:16:03,200 Speaker 1: down because yeah, yeah, horses, okay, Amy Amy used to 329 00:16:03,320 --> 00:16:07,120 Speaker 1: hit three in a row. Wow, wow, So she's gonna 330 00:16:07,120 --> 00:16:09,400 Speaker 1: be the champ Raymundo. I'm sorry. You couldn't beat the 331 00:16:09,440 --> 00:16:11,920 Speaker 1: Queen of fun facts this week. Okay, thank you guys 332 00:16:11,920 --> 00:16:14,240 Speaker 1: for listening to them. You're welcome. Let's amy, let's let's 333 00:16:14,280 --> 00:16:16,560 Speaker 1: walk you out with your number two and number one, 334 00:16:16,720 --> 00:16:20,960 Speaker 1: number two. So backup. My mom used to juice a lot, 335 00:16:21,000 --> 00:16:23,080 Speaker 1: and she would juice carrots and she would her skin 336 00:16:23,120 --> 00:16:25,640 Speaker 1: would turn a little bit orange. It was crazy. We'll 337 00:16:25,640 --> 00:16:29,600 Speaker 1: get this. Flamingos turned pink due to their sheer amount 338 00:16:29,640 --> 00:16:35,240 Speaker 1: of shrimp they consume. I thought flamingos were just naturally pink, 339 00:16:35,360 --> 00:16:37,640 Speaker 1: but it's like, because they're just eating shrimp all the time. 340 00:16:37,840 --> 00:16:41,320 Speaker 1: Can Ray come back in? Right? That's good? I think 341 00:16:41,320 --> 00:16:42,920 Speaker 1: it's very fun. What would you have done right in 342 00:16:42,960 --> 00:16:45,240 Speaker 1: that spot? Yeah? So the animal that kids love at 343 00:16:45,240 --> 00:16:50,320 Speaker 1: the zoo is the duck billed platypus, who I thought, 344 00:16:52,240 --> 00:16:56,280 Speaker 1: be careful because the duck billed platypus has poisoned glands 345 00:16:56,280 --> 00:16:59,400 Speaker 1: in its hind legs. It's not deadly, but the sting 346 00:16:59,560 --> 00:17:02,080 Speaker 1: is said to be really painful, So don't grab the 347 00:17:02,160 --> 00:17:06,040 Speaker 1: platypus at the zoo. Wow, that's cool. Is it possible? 348 00:17:08,280 --> 00:17:11,640 Speaker 1: Maybe Eddie? I like, what the platypus on that? Okay, 349 00:17:11,680 --> 00:17:13,359 Speaker 1: I'm going to ever going Amy. I'm not gonna well, 350 00:17:13,359 --> 00:17:14,920 Speaker 1: I think we learned a lesson. We can't guess may 351 00:17:14,920 --> 00:17:17,640 Speaker 1: A pity win. So I'm gonna go Amy. Oh yeah, 352 00:17:17,640 --> 00:17:22,760 Speaker 1: definitely Amy Flamingoes. Okay, let's let's go number one, number one. 353 00:17:23,280 --> 00:17:25,760 Speaker 1: I don't know how quote unquote fun this is, but 354 00:17:26,000 --> 00:17:30,080 Speaker 1: for sure is interesting. So in nineteen thirty nine, Adolph 355 00:17:30,160 --> 00:17:33,840 Speaker 1: Hitler was nominated for the Nobel Peace Prize. Can you 356 00:17:33,880 --> 00:17:37,600 Speaker 1: imagine him winning that? This is not fun? But the 357 00:17:37,640 --> 00:17:40,600 Speaker 1: prize ended up not being awarded to anyone that year 358 00:17:40,720 --> 00:17:45,280 Speaker 1: because World War Two broke out, you know, because of Hitler. Ray, 359 00:17:45,320 --> 00:17:47,639 Speaker 1: you can just go today is Friday and win this point. 360 00:17:48,280 --> 00:17:50,720 Speaker 1: I thought i'd throw you. Just go today is Friday 361 00:17:50,720 --> 00:17:52,760 Speaker 1: and that's it. Ah. Yeah, So I don't know if 362 00:17:52,760 --> 00:18:00,199 Speaker 1: you guys knew this, but today is Friday, Friday. Get 363 00:18:00,359 --> 00:18:05,040 Speaker 1: you down out right. We're going Amy, You're the champion. 364 00:18:05,119 --> 00:18:09,440 Speaker 1: Four to one. She is a queen bad. We'll see 365 00:18:09,440 --> 00:18:11,080 Speaker 1: if the man you take her on next week? Nice shot. 366 00:18:12,680 --> 00:18:16,320 Speaker 1: Voicemail one is Angie from Virginia. Here you go, Hey, Bobby, 367 00:18:16,400 --> 00:18:19,560 Speaker 1: Good morning studio normally have you listened to the show 368 00:18:19,600 --> 00:18:22,719 Speaker 1: while we might work. But this past weekend, my boss 369 00:18:22,800 --> 00:18:26,160 Speaker 1: took away our privileges because of something that somebody else did. 370 00:18:26,600 --> 00:18:29,080 Speaker 1: Now on this listen to your show. And every day 371 00:18:29,119 --> 00:18:30,879 Speaker 1: I can't win UCL I can get home, and so 372 00:18:30,920 --> 00:18:34,280 Speaker 1: we'll listen to the podcast. Thank you for everything, y'all do. 373 00:18:34,800 --> 00:18:37,040 Speaker 1: I love you all all right, have a great day. 374 00:18:37,200 --> 00:18:40,400 Speaker 1: I wonder what somebody else did. Yeah, get that boss 375 00:18:40,400 --> 00:18:41,960 Speaker 1: on the phone, Scoop, Steve. We don't even know where 376 00:18:42,000 --> 00:18:44,880 Speaker 1: she works. Just get our boss on the phone. Let's 377 00:18:44,880 --> 00:18:49,000 Speaker 1: go to Hugo voicemail number two. Hey Bobby one day, Hello, 378 00:18:49,160 --> 00:18:52,639 Speaker 1: and graduate my spun graduate from A and M. I 379 00:18:52,720 --> 00:18:55,959 Speaker 1: know that Amy's albi mater and he's also being commissioned 380 00:18:56,040 --> 00:18:59,679 Speaker 1: with the United States. Baby as an instant. Is making 381 00:19:00,160 --> 00:19:03,320 Speaker 1: me his mother and sister proud. We all have served 382 00:19:03,600 --> 00:19:06,320 Speaker 1: following the family tradition. And I was want to congratulating 383 00:19:06,400 --> 00:19:10,240 Speaker 1: him and blahlam, I'm very out of here. That's great, yeah, 384 00:19:10,280 --> 00:19:14,399 Speaker 1: shout out. And finally here's one more morning studio person 385 00:19:14,480 --> 00:19:17,679 Speaker 1: within Samnia here in Kansas. Be it for hours just 386 00:19:17,880 --> 00:19:20,600 Speaker 1: waiting for your show to start. So I'm just giving 387 00:19:20,640 --> 00:19:24,879 Speaker 1: you a shout out to say, I am anxious for 388 00:19:25,280 --> 00:19:29,600 Speaker 1: this start time, can't wait, can't miss it. It keeps 389 00:19:29,680 --> 00:19:32,560 Speaker 1: me going. Isn't that the worst when you're you just 390 00:19:32,600 --> 00:19:34,560 Speaker 1: can't go back to sleep and you're like, well, might 391 00:19:34,600 --> 00:19:36,160 Speaker 1: as well wait for the day to start, and you're 392 00:19:36,160 --> 00:19:37,399 Speaker 1: an hour and a half, two hours away from the 393 00:19:37,440 --> 00:19:38,720 Speaker 1: day to start. It's the work because you know you're 394 00:19:38,720 --> 00:19:41,439 Speaker 1: gonna be exhausted, and you're just sitting there going, all right, 395 00:19:41,480 --> 00:19:43,200 Speaker 1: you can't wait for these infommercials to be over. So, 396 00:19:43,600 --> 00:19:46,359 Speaker 1: you know, because for me, I like the morning news, 397 00:19:46,880 --> 00:19:49,240 Speaker 1: and sometimes it's that weird news. It's weird overnight news 398 00:19:49,240 --> 00:19:51,280 Speaker 1: and anchors I've never seen before, and I'm like, all right, 399 00:19:51,280 --> 00:19:53,439 Speaker 1: infomercials and weird anchors. I'm ready to get out of this. 400 00:19:53,760 --> 00:19:55,880 Speaker 1: All right. That's what's up with the voicemails. You guys 401 00:19:55,880 --> 00:19:57,720 Speaker 1: can call us anytime we're not on the air and 402 00:19:57,840 --> 00:20:03,000 Speaker 1: leave us a voicemail. You're Amy's pile of stories. More 403 00:20:03,000 --> 00:20:07,360 Speaker 1: and more women are getting guns, Oh yeah, yeah, So 404 00:20:07,480 --> 00:20:09,720 Speaker 1: it's a thing like a survey was done and women 405 00:20:09,760 --> 00:20:13,760 Speaker 1: are the fastest growing group of gun owners in the US. 406 00:20:14,200 --> 00:20:16,080 Speaker 1: So a lot of it went down during the pandemic. 407 00:20:16,119 --> 00:20:18,160 Speaker 1: Like people had some extra free time and they thought, 408 00:20:18,160 --> 00:20:20,879 Speaker 1: you know, I want to learn how to better protect myself, 409 00:20:20,960 --> 00:20:23,480 Speaker 1: so in the security inside their own home, just like 410 00:20:23,560 --> 00:20:26,480 Speaker 1: your home war, wanting to feel safe. I got my 411 00:20:27,119 --> 00:20:29,640 Speaker 1: carry permit when I lived in the state of North Carolina, 412 00:20:29,720 --> 00:20:33,200 Speaker 1: and it was hilarious only because Amy got her permit 413 00:20:33,200 --> 00:20:34,880 Speaker 1: and then she was scared to walk with it. Yeah, 414 00:20:34,920 --> 00:20:36,680 Speaker 1: and she had to wear it. She had to do 415 00:20:36,800 --> 00:20:40,480 Speaker 1: like a carry inside of a gas station. I wouldn't 416 00:20:40,480 --> 00:20:42,840 Speaker 1: picked up pizza with it. She'd put in her fanny pack. 417 00:20:42,840 --> 00:20:44,480 Speaker 1: And then she walked in like the old Wild West, 418 00:20:45,000 --> 00:20:46,439 Speaker 1: like bow legged because she was scared she was going 419 00:20:46,480 --> 00:20:48,520 Speaker 1: to shoot herself. Hors Yeah. Like the thing was the 420 00:20:48,520 --> 00:20:50,760 Speaker 1: guys who just dare me to go do certain things 421 00:20:50,840 --> 00:20:53,040 Speaker 1: while I was carrying And yeah, I had a cute 422 00:20:53,080 --> 00:20:55,280 Speaker 1: little fanny pack. Actually it was my friend. She let 423 00:20:55,280 --> 00:20:56,960 Speaker 1: me borrow it, but it's what she kept her gun in. 424 00:20:57,040 --> 00:20:59,480 Speaker 1: So I was like perfect. Did you know on our 425 00:20:59,480 --> 00:21:01,520 Speaker 1: EP yesterday that we put out the ranging Idiots, we 426 00:21:01,560 --> 00:21:04,720 Speaker 1: have a song about fanny packs? No, oh so good, 427 00:21:04,920 --> 00:21:07,560 Speaker 1: must listen. It was like a tribute to the Beastie Boys, 428 00:21:08,000 --> 00:21:09,960 Speaker 1: you know, you know the beast Boys music. Yeah, good, 429 00:21:10,080 --> 00:21:11,760 Speaker 1: ready you have that song gonna play from the beginning. 430 00:21:11,760 --> 00:21:14,520 Speaker 1: It's a little little from our award winning EP. Since 431 00:21:14,520 --> 00:21:16,280 Speaker 1: you bring it. Oh, this is a fun surprise. This 432 00:21:16,359 --> 00:21:18,720 Speaker 1: is called It's only three songs on the EP, but 433 00:21:18,840 --> 00:21:20,560 Speaker 1: this is one. It was our ode to the Beastie 434 00:21:20,560 --> 00:21:24,920 Speaker 1: Boys called fanny pack. Here you go. I walk up 435 00:21:24,920 --> 00:21:26,960 Speaker 1: to this morning with a lot to do. But my 436 00:21:27,040 --> 00:21:29,720 Speaker 1: pants didn't have enough parking room. If I got my keys, 437 00:21:29,840 --> 00:21:32,080 Speaker 1: my phone, but chap stick too, good thing. I got 438 00:21:32,200 --> 00:21:37,000 Speaker 1: a pouch like a kangaroom. If you need a rubber 439 00:21:37,040 --> 00:21:39,040 Speaker 1: band or a real light snack, if you need an 440 00:21:39,040 --> 00:21:43,440 Speaker 1: empty kid to bring your granny back. Okay, I'm walking 441 00:21:43,520 --> 00:21:46,080 Speaker 1: down the street, all eyes on me on side a 442 00:21:46,119 --> 00:21:48,760 Speaker 1: round my waist in neon green. I'm zipped in the 443 00:21:48,800 --> 00:21:51,600 Speaker 1: fount and snapped in the back. You already know that's 444 00:21:51,600 --> 00:21:56,119 Speaker 1: a fanny pack. If you need it, you can literally 445 00:21:56,160 --> 00:21:58,399 Speaker 1: you're a nomen nack. If you need a fuel fister 446 00:21:58,520 --> 00:22:01,480 Speaker 1: for your ponty. Yeah, it's my Thank you very much. 447 00:22:01,920 --> 00:22:05,959 Speaker 1: I like it. Try to turn it wherever. Oh you know, 448 00:22:06,080 --> 00:22:10,280 Speaker 1: I'm racking that. If anyone back to the max r 449 00:22:10,440 --> 00:22:16,720 Speaker 1: A bought my fly what you can expect a Bobby fast. Yes, 450 00:22:17,280 --> 00:22:19,800 Speaker 1: so anytime anyone says fanny pack, we play this yeah 451 00:22:19,880 --> 00:22:23,560 Speaker 1: on the show and someone holds it up on the show. 452 00:22:23,760 --> 00:22:26,119 Speaker 1: Oh oh no, I've just been sitting on it not 453 00:22:26,200 --> 00:22:27,760 Speaker 1: knowing how to play it. But Amy brought up a 454 00:22:27,760 --> 00:22:29,359 Speaker 1: fanny bad All right, what else you got, well, just 455 00:22:29,400 --> 00:22:31,240 Speaker 1: the heads up. The roads are going to be busier 456 00:22:31,400 --> 00:22:34,600 Speaker 1: this Memorial Day weekend, especially because last year nobody was 457 00:22:34,640 --> 00:22:38,080 Speaker 1: going anywhere, so travel is increasing like sixty percent. Which 458 00:22:38,359 --> 00:22:42,000 Speaker 1: Memorial Day weekend is May twenty seventh to May thirty first, 459 00:22:42,520 --> 00:22:44,720 Speaker 1: but then that's the Monday. And also on the thirty 460 00:22:44,800 --> 00:22:48,040 Speaker 1: first is your show Breaking Bobby Bones. I don't want 461 00:22:48,040 --> 00:22:51,120 Speaker 1: to confuse people because Bear Girls is Monday and everybody 462 00:22:51,119 --> 00:22:53,119 Speaker 1: watch that. Oh yeah, we'll do that first. Sorry, but 463 00:22:53,200 --> 00:22:56,159 Speaker 1: Memorial Day is breaking Bobby Bones. And just be prepared 464 00:22:56,200 --> 00:22:57,960 Speaker 1: for hitting the road that there's me a lot more 465 00:22:58,000 --> 00:22:59,960 Speaker 1: people out there and rushing to get home to why 466 00:23:00,160 --> 00:23:03,000 Speaker 1: breaking Bobby bones probably and hitting the road makes me 467 00:23:03,040 --> 00:23:05,480 Speaker 1: think of a story that I saw this guy was 468 00:23:05,520 --> 00:23:08,000 Speaker 1: doing in New Zealand for the potholes, which I don't 469 00:23:08,000 --> 00:23:09,600 Speaker 1: know if I can like say it. It was drawn 470 00:23:09,680 --> 00:23:12,560 Speaker 1: wieners around the around thank you. Yeah, I didn't know 471 00:23:12,600 --> 00:23:16,040 Speaker 1: what one hundred there were one hundred little so they 472 00:23:16,040 --> 00:23:19,080 Speaker 1: would fix it. Yeah. It did draw attention to the problem, 473 00:23:19,119 --> 00:23:22,000 Speaker 1: which I mean, we have potholes like crazy. I mean, Bobby, 474 00:23:22,000 --> 00:23:24,240 Speaker 1: you even got a flat tire from a pothole. So 475 00:23:24,320 --> 00:23:27,240 Speaker 1: I thought they would be like, Oh, I think it's hilarious. 476 00:23:27,280 --> 00:23:30,200 Speaker 1: I also don't. It's weird, right. He just wanted people 477 00:23:30,200 --> 00:23:32,760 Speaker 1: to fix them. He wasn't going let me just be 478 00:23:32,840 --> 00:23:34,639 Speaker 1: juvenile for the sake of being juvenile. He goes, Oh, 479 00:23:34,680 --> 00:23:37,000 Speaker 1: if I draw wieners around these, he they'll have to 480 00:23:37,000 --> 00:23:40,280 Speaker 1: come fix them. Hilarious. I know it made the news 481 00:23:40,280 --> 00:23:44,360 Speaker 1: like worldwide, so shout out to him. And then Charles 482 00:23:44,440 --> 00:23:47,520 Speaker 1: Kelly and Dave Haywood of Lady A. This is a 483 00:23:47,520 --> 00:23:50,119 Speaker 1: little bit sexist of a question, but they were asked 484 00:23:50,160 --> 00:23:52,760 Speaker 1: like what their girliest trait was for each of them, 485 00:23:52,800 --> 00:23:55,240 Speaker 1: and here's a clip. I'm not gonna lie. I really 486 00:23:55,240 --> 00:23:57,920 Speaker 1: like Rose sometimes, so I'll do like a little Rose. 487 00:23:58,480 --> 00:24:00,280 Speaker 1: I'm not afraid to get out and shop all little. 488 00:24:00,280 --> 00:24:02,280 Speaker 1: I go to Lulu Limon all the time. I live 489 00:24:02,320 --> 00:24:04,160 Speaker 1: in those clothes. Man. I just want to be comfortable 490 00:24:04,160 --> 00:24:06,600 Speaker 1: all day long, and then they both admitted they are 491 00:24:06,680 --> 00:24:09,639 Speaker 1: fans of the Notebook. So my question for you, Bobby 492 00:24:09,760 --> 00:24:14,720 Speaker 1: is what's your girliest trade? It's a sexist question. Um, 493 00:24:14,760 --> 00:24:17,320 Speaker 1: you know, I'm really gonna be hard to pick from. Well, 494 00:24:17,960 --> 00:24:19,960 Speaker 1: thank you. There's like a couple of pages of girly trades. 495 00:24:20,200 --> 00:24:22,159 Speaker 1: What do you think my girliest trade is? I ate 496 00:24:22,200 --> 00:24:25,000 Speaker 1: hair vitamins now because I found Caitlin Oh, and they 497 00:24:25,040 --> 00:24:28,120 Speaker 1: taste really good and they're like hair gummies. Yeah, it's 498 00:24:28,119 --> 00:24:30,040 Speaker 1: not so much about the hair part of it, because 499 00:24:30,200 --> 00:24:33,000 Speaker 1: plenty of hair, but it's she has the bottle of 500 00:24:33,040 --> 00:24:35,159 Speaker 1: them and they're fantastic and she's like, where are my 501 00:24:35,200 --> 00:24:40,879 Speaker 1: hair gummies going? I don't know that I ate those. Um, 502 00:24:40,960 --> 00:24:42,960 Speaker 1: I don't know. I like to be clean. Yeah, I 503 00:24:43,080 --> 00:24:45,400 Speaker 1: was gonna say, you like your your groomy habits are 504 00:24:45,480 --> 00:24:47,640 Speaker 1: more on the girly side, which is great. I wish 505 00:24:47,680 --> 00:24:51,040 Speaker 1: more guys were into that than anything. You want to 506 00:24:51,040 --> 00:24:54,639 Speaker 1: add eddie for you? Yeah, I don't know. You just clean, 507 00:24:54,760 --> 00:24:57,919 Speaker 1: like your fingernails are always well taken care of and 508 00:24:57,960 --> 00:25:00,640 Speaker 1: everything like Shirley temples and stuff. I do short temple 509 00:25:00,680 --> 00:25:04,639 Speaker 1: that yeah, okay, anything else I mean, yeah, we probably no, 510 00:25:04,680 --> 00:25:06,560 Speaker 1: I'm talking about anything else for the pile. I don't 511 00:25:06,600 --> 00:25:09,760 Speaker 1: need a whole list of things the reasons I'm nearly Nope, 512 00:25:10,040 --> 00:25:14,080 Speaker 1: maybe that's my pile. That was Amy's pile of stories. 513 00:25:14,640 --> 00:25:23,760 Speaker 1: It's time for the good news. So several restaurants in Miama, Oklahoma, 514 00:25:23,880 --> 00:25:27,320 Speaker 1: have put up giving walls, or what they call receipt walls, 515 00:25:27,359 --> 00:25:30,560 Speaker 1: where customers can prepay for meals and then anyone in 516 00:25:30,640 --> 00:25:33,920 Speaker 1: need can come by grab a free meal off the wall, 517 00:25:34,080 --> 00:25:36,800 Speaker 1: no questions asked. Now, we've heard of this being done before, 518 00:25:36,840 --> 00:25:38,520 Speaker 1: but I just think it's awesome that a lot of 519 00:25:38,560 --> 00:25:41,520 Speaker 1: restaurants are picking up on it. Specifically a hot dog 520 00:25:41,600 --> 00:25:44,560 Speaker 1: spot called the Dog House. They were the first to 521 00:25:44,640 --> 00:25:46,880 Speaker 1: do it in Oklahoma, or at least that was like 522 00:25:47,080 --> 00:25:49,920 Speaker 1: in the news about it, and other restaurants have followed suit, 523 00:25:49,960 --> 00:25:52,359 Speaker 1: which is super cool. And since then they have been 524 00:25:52,400 --> 00:25:55,080 Speaker 1: able to provide more than six hundred meals to the homeless. 525 00:25:55,480 --> 00:25:57,720 Speaker 1: That's really cool. Two things happen in this story. One, 526 00:25:58,000 --> 00:26:00,920 Speaker 1: that is cool that people can come in and get meal, right, yeah, 527 00:26:01,040 --> 00:26:03,000 Speaker 1: order those just facing hard times. You don't have to 528 00:26:03,000 --> 00:26:05,000 Speaker 1: be homeless, but yeah, and two I don't think I've 529 00:26:05,040 --> 00:26:07,720 Speaker 1: ever been to a place that specializes in hot dogs 530 00:26:07,720 --> 00:26:10,679 Speaker 1: a dog spot. I love a good hot dog. Yeah, 531 00:26:10,720 --> 00:26:12,320 Speaker 1: but I don't think I've ever been to a hot 532 00:26:12,320 --> 00:26:15,800 Speaker 1: dog specialists. There was Frank in Austin. Remember that place. Yeah, 533 00:26:16,200 --> 00:26:17,840 Speaker 1: that was really good hot dogs. Now think I ever 534 00:26:17,880 --> 00:26:19,840 Speaker 1: went and it was all just hot dogs because I 535 00:26:19,880 --> 00:26:22,040 Speaker 1: can't see get it going. All right, we're going out 536 00:26:22,040 --> 00:26:24,399 Speaker 1: to dinner, Let's go to the hot dog place. But 537 00:26:24,520 --> 00:26:26,760 Speaker 1: they were really good. I know I should. I'm just 538 00:26:27,680 --> 00:26:29,720 Speaker 1: kind of wondering why I did it. That's you know, 539 00:26:29,800 --> 00:26:31,800 Speaker 1: you go to Sonic for Bobby Waters. We go to 540 00:26:31,840 --> 00:26:34,720 Speaker 1: Sonic because hot dogs. No, right, but that's not a 541 00:26:34,720 --> 00:26:37,000 Speaker 1: hot dog place. They have hot they have hot dogs. 542 00:26:37,000 --> 00:26:39,120 Speaker 1: If you get to Chicken Strips like, sorry, that place 543 00:26:39,160 --> 00:26:41,600 Speaker 1: you're talking about all hot dogs all time? Yeah, probably 544 00:26:41,600 --> 00:26:45,240 Speaker 1: all different kinds, but they're so good. Yeah. And also too, 545 00:26:45,320 --> 00:26:47,560 Speaker 1: this is just the story of community and people coming 546 00:26:47,600 --> 00:26:50,040 Speaker 1: together because these restaurants, Yes, they're willing to have the 547 00:26:50,080 --> 00:26:53,000 Speaker 1: receipt walls, but if other customers weren't coming in to 548 00:26:53,240 --> 00:26:56,600 Speaker 1: buy the prepaid meals, then there would be no meals 549 00:26:56,640 --> 00:26:59,320 Speaker 1: on the wall. So shout out to the community. Yeah, 550 00:26:59,400 --> 00:27:03,080 Speaker 1: I'd like a hot dog. That's what I got, all right, 551 00:27:03,119 --> 00:27:06,080 Speaker 1: That's what it's all about. That was tell me something good. 552 00:27:08,000 --> 00:27:12,400 Speaker 1: A woman in Australia had tonsil surgery. She wakes up 553 00:27:13,520 --> 00:27:17,880 Speaker 1: she has a different accent, so she goes under Australian 554 00:27:18,680 --> 00:27:23,080 Speaker 1: but wakes up Irish. I'm not kidding. Here's a clip 555 00:27:23,080 --> 00:27:25,680 Speaker 1: of her explaining what happened. I woke up with an 556 00:27:25,680 --> 00:27:29,160 Speaker 1: Irish accent and I've never been to Ireland before, and 557 00:27:29,400 --> 00:27:33,040 Speaker 1: I went to the hospital and they couldn't provide any answers. 558 00:27:33,200 --> 00:27:36,359 Speaker 1: At this stage, I don't think it's going to get better. 559 00:27:37,119 --> 00:27:39,840 Speaker 1: Her name is Angie In she posts these videos over 560 00:27:39,840 --> 00:27:42,719 Speaker 1: the last couple weeks on TikTok. She believes she has 561 00:27:42,760 --> 00:27:46,240 Speaker 1: an extremely rare condition called foreign accent syndrome. The accent 562 00:27:46,240 --> 00:27:48,359 Speaker 1: didn't kick in until eight days after the operation. The 563 00:27:48,480 --> 00:27:51,600 Speaker 1: doctors can't explain it. Is she faking it? I mean, 564 00:27:51,760 --> 00:27:57,480 Speaker 1: we'll never know what foreign accent syndrome is a thing 565 00:27:57,560 --> 00:27:59,560 Speaker 1: like this is not the first time that's happened, I know, 566 00:27:59,640 --> 00:28:02,000 Speaker 1: but I don't believe it anytime it happens that when 567 00:28:02,000 --> 00:28:05,199 Speaker 1: people wake up speaking another language fake because unless you 568 00:28:05,359 --> 00:28:07,080 Speaker 1: learn a language, you don't just wake up and have 569 00:28:07,160 --> 00:28:09,040 Speaker 1: the knowledge and plant it into your brain. I know, 570 00:28:09,160 --> 00:28:10,720 Speaker 1: what about the ones that wake up and they're really 571 00:28:10,720 --> 00:28:13,920 Speaker 1: good at piano all of a sudden, or art now 572 00:28:13,960 --> 00:28:16,080 Speaker 1: that I can believe you can because that's a different 573 00:28:16,080 --> 00:28:18,199 Speaker 1: part of the brain that's working, right, Like kids have 574 00:28:18,480 --> 00:28:21,320 Speaker 1: are better at art than other kids. An accent you 575 00:28:21,359 --> 00:28:25,359 Speaker 1: have to learn. Yeah, regionally, wherever you're from or wherever 576 00:28:25,359 --> 00:28:29,080 Speaker 1: you've been to Ireland, just like potatoes. I don't know. 577 00:28:29,200 --> 00:28:32,040 Speaker 1: Look at you arms. You know it's ridiculous. Do you 578 00:28:32,080 --> 00:28:34,879 Speaker 1: believe it? Yes? Or no? I guess not? No? No, no, no, 579 00:28:34,880 --> 00:28:37,960 Speaker 1: don't let us convince you. Okay, fine, I do believe it. No, 580 00:28:39,200 --> 00:28:42,080 Speaker 1: it's falls it's all fake. Yes, it's real. It's like 581 00:28:42,120 --> 00:28:43,920 Speaker 1: the women that don't know they're pregnant. I believe the 582 00:28:44,000 --> 00:28:47,360 Speaker 1: accent more than them. I don't believe that it's real, 583 00:28:47,400 --> 00:28:49,720 Speaker 1: and especially because on TikTok, I don't believe anything on TiO. 584 00:28:50,320 --> 00:28:51,760 Speaker 1: All right, let's go over to Amy and get the 585 00:28:51,880 --> 00:28:59,600 Speaker 1: morning Corny, Morning Corny. What is the gingerbread man put 586 00:28:59,680 --> 00:29:03,680 Speaker 1: on his bed? What does the gingerbread man put on 587 00:29:03,680 --> 00:29:13,720 Speaker 1: his bed? A cookie sheet? That was the morning corning 588 00:29:15,240 --> 00:29:18,920 Speaker 1: on the phone, right, now. Kim in Oklahoma, Kim, thank 589 00:29:18,960 --> 00:29:20,800 Speaker 1: you for calling the show. What's going on? Good Morning 590 00:29:20,880 --> 00:29:25,040 Speaker 1: Studios Morning. Okay, So my family of six is going 591 00:29:25,120 --> 00:29:28,720 Speaker 1: to Saint Lucia and a couple of weeks and my 592 00:29:28,840 --> 00:29:33,600 Speaker 1: sister we're taking a helicopter ride and my sister really 593 00:29:33,640 --> 00:29:36,480 Speaker 1: doesn't want me to do that as an excursion. So 594 00:29:36,600 --> 00:29:39,560 Speaker 1: I told her that I would consider not doing it 595 00:29:40,320 --> 00:29:42,600 Speaker 1: all along, I'm going to still do it. Is that 596 00:29:42,760 --> 00:29:46,640 Speaker 1: considered lying? Well, yeah, let's consider lying. But I don't 597 00:29:46,640 --> 00:29:49,280 Speaker 1: know you're wrong for doing it. So she's not going 598 00:29:49,320 --> 00:29:51,200 Speaker 1: up in the helicopter. She's not going on the trip. 599 00:29:51,320 --> 00:29:54,360 Speaker 1: Is that right correct, She's not going on the trip, 600 00:29:54,440 --> 00:29:56,920 Speaker 1: and she really doesn't want us six to be in 601 00:29:56,960 --> 00:30:01,040 Speaker 1: a helicopter together and as difference country And who are 602 00:30:01,040 --> 00:30:03,280 Speaker 1: the six people or any of them her kids? No, 603 00:30:03,600 --> 00:30:07,320 Speaker 1: it's her family. Yeah, get over its sister. She's worried 604 00:30:07,320 --> 00:30:09,520 Speaker 1: for them. Well, great, I worried for all you guys 605 00:30:09,560 --> 00:30:11,120 Speaker 1: all the time. I don't want you guys be driving 606 00:30:11,120 --> 00:30:12,240 Speaker 1: on the road have a car wreck. I don't tell 607 00:30:12,240 --> 00:30:13,680 Speaker 1: you not to drive in a car. But also I 608 00:30:13,680 --> 00:30:15,520 Speaker 1: don't know her, and I'm worried about her going up 609 00:30:15,520 --> 00:30:18,120 Speaker 1: in a helicopter in this country. I'm not I'm scared 610 00:30:18,120 --> 00:30:19,960 Speaker 1: of helicopters or was. I've been up in a hundred 611 00:30:19,960 --> 00:30:22,800 Speaker 1: them in shady situations now doing this stuff. Not, I'm 612 00:30:22,840 --> 00:30:26,040 Speaker 1: not scared. You're gonna be fine. Bobby. Can you tell 613 00:30:26,120 --> 00:30:28,800 Speaker 1: her that we're going? And I think she's a huge 614 00:30:28,920 --> 00:30:31,720 Speaker 1: listener and a huge fan, and I think she'll be 615 00:30:31,720 --> 00:30:35,760 Speaker 1: okay if you tell her. Oklahoma, Angie, it's Bobby here 616 00:30:35,800 --> 00:30:39,560 Speaker 1: from from the Bobby Bones Show talking to you in Harra, Oklahoma. 617 00:30:39,720 --> 00:30:43,000 Speaker 1: I also was like you, so let me relate to you. First, 618 00:30:43,440 --> 00:30:46,960 Speaker 1: Scared to death the helicopters. Never wanted to be in one. 619 00:30:47,360 --> 00:30:48,600 Speaker 1: First time I got to one, I was like, you 620 00:30:48,640 --> 00:30:51,640 Speaker 1: gotta be kidding me. It was, um, what a name drop? Here. 621 00:30:51,680 --> 00:30:53,720 Speaker 1: I was at Blake Shelton's ranch and he was like, 622 00:30:53,760 --> 00:30:55,440 Speaker 1: don't drive to the airport. I'll just send you over. 623 00:30:55,440 --> 00:30:57,720 Speaker 1: And I was like, get it. You're a helicopter? Was 624 00:30:57,720 --> 00:31:02,080 Speaker 1: he flying? God? No? Okay, yeah, here a pilot and 625 00:31:02,120 --> 00:31:04,000 Speaker 1: so we flew and I was like, wow, that's crazy. 626 00:31:04,320 --> 00:31:06,719 Speaker 1: I did a different thing, kut a helicopter, and then 627 00:31:06,720 --> 00:31:08,640 Speaker 1: I started doing this stuff for nat GEO. How's in 628 00:31:08,720 --> 00:31:10,959 Speaker 1: helicopters all the time. Now, I'm just a kid from 629 00:31:11,000 --> 00:31:12,760 Speaker 1: a small town in Arkansas. I've never even seen a 630 00:31:12,840 --> 00:31:14,880 Speaker 1: helicopter until I started to do. Now I feel good 631 00:31:14,880 --> 00:31:17,600 Speaker 1: about a helicopter. I've been in fifteen to them at 632 00:31:17,600 --> 00:31:20,360 Speaker 1: this point doing some crazy stuff. They're gonna be fine. 633 00:31:21,000 --> 00:31:22,680 Speaker 1: They're gonna go over. They get to have an experience 634 00:31:22,720 --> 00:31:24,400 Speaker 1: they'll tell their friends about. You only get to go 635 00:31:24,440 --> 00:31:26,360 Speaker 1: in a helicopter a few times in your life, so 636 00:31:26,560 --> 00:31:28,920 Speaker 1: let her do it. They're gonna be wonderfully taken care of. 637 00:31:29,360 --> 00:31:31,400 Speaker 1: There's no safer place than Saint Lucia. Where is that. 638 00:31:31,400 --> 00:31:33,240 Speaker 1: It's in the Caribbean. I just had to go. Yeah 639 00:31:33,280 --> 00:31:35,800 Speaker 1: that sounds a little shady, but still I would. I 640 00:31:35,800 --> 00:31:37,560 Speaker 1: would trust it. Listen, here's the thing about the pilots. 641 00:31:37,600 --> 00:31:40,920 Speaker 1: They don't want to die either. I mean really, they 642 00:31:40,960 --> 00:31:42,800 Speaker 1: have families, they don't they don't want to die either. 643 00:31:42,800 --> 00:31:44,800 Speaker 1: You think people just running around, you know, the pants 644 00:31:44,880 --> 00:31:48,760 Speaker 1: down being it. Go to have a helicopter ride, Kim. 645 00:31:48,760 --> 00:31:50,880 Speaker 1: It's gonna be so much fun. Come back when you're 646 00:31:50,880 --> 00:31:52,400 Speaker 1: back from your trip, call us and tell us how 647 00:31:52,400 --> 00:31:55,960 Speaker 1: fun it was. Okay, all right, all right, thank you 648 00:31:56,080 --> 00:32:00,520 Speaker 1: studio you're welcome. I don't know how to do that. Well, yeah, 649 00:32:00,520 --> 00:32:04,640 Speaker 1: the helicopters are scary though, phone like you are in 650 00:32:04,680 --> 00:32:08,760 Speaker 1: another country. But I'm not gonna let fear. Don't let 651 00:32:08,800 --> 00:32:12,320 Speaker 1: fear define like the life you're gonna live. Don't do it. 652 00:32:12,760 --> 00:32:14,760 Speaker 1: I'm scared of everything. They can still go to shit. 653 00:32:14,880 --> 00:32:18,880 Speaker 1: Saint Lucian how an amazing? I say no, but you 654 00:32:18,960 --> 00:32:22,040 Speaker 1: do the helicopter excursions. Okay, well no, I'm saying do it. 655 00:32:22,120 --> 00:32:24,680 Speaker 1: Do it? I helicopter, I say, go live it up 656 00:32:24,720 --> 00:32:28,320 Speaker 1: in Saint Lucius. No, helicopter ground All right, we're voting 657 00:32:28,360 --> 00:32:32,400 Speaker 1: helicopter guess or no? No, yes, yes, yeah, don't let 658 00:32:32,400 --> 00:32:36,400 Speaker 1: fear hold you back. Okay. The Friday morning conversation with 659 00:32:37,200 --> 00:32:41,560 Speaker 1: Urban up here. Yeah, you're definitely on display. Thank you 660 00:32:41,560 --> 00:32:45,680 Speaker 1: for being on displayth Yes, Hey you been I've been good. 661 00:32:46,320 --> 00:32:48,120 Speaker 1: You have you been traveling at all? We've been back 662 00:32:48,120 --> 00:32:49,959 Speaker 1: and forth a little bit. Yeah, does that mean too, 663 00:32:50,040 --> 00:32:51,680 Speaker 1: because I saw that you were doing the voice again 664 00:32:51,720 --> 00:32:54,640 Speaker 1: in Australia. That's that's a long back and forth though. 665 00:32:54,760 --> 00:32:56,720 Speaker 1: I came back and said we were there in July 666 00:32:57,400 --> 00:33:00,000 Speaker 1: um end of July when Nick dotted a film down 667 00:33:00,040 --> 00:33:02,160 Speaker 1: there which was a couple of months, and then she 668 00:33:02,400 --> 00:33:08,040 Speaker 1: had a film in Ireland in November, and then we 669 00:33:08,040 --> 00:33:11,680 Speaker 1: were back in Australia for Christmas, and then I started 670 00:33:11,680 --> 00:33:14,280 Speaker 1: the Voice down there in February, but it was only 671 00:33:14,320 --> 00:33:16,600 Speaker 1: eight weeks, so we were done by middle of March 672 00:33:16,680 --> 00:33:19,880 Speaker 1: and pretty much middle of April, and then we came 673 00:33:19,920 --> 00:33:23,000 Speaker 1: over and I did the ACMs. What do you do 674 00:33:23,160 --> 00:33:26,040 Speaker 1: when you're on set with your wife and she's shooting? 675 00:33:26,080 --> 00:33:27,560 Speaker 1: Do you just hang out in the trailer or do 676 00:33:27,560 --> 00:33:29,320 Speaker 1: you go and walk through the woods and write music 677 00:33:29,360 --> 00:33:33,760 Speaker 1: at Because there's so many COVID protocols in place that 678 00:33:34,520 --> 00:33:37,160 Speaker 1: you can't just rock up there anymore, not right now anyway, 679 00:33:37,240 --> 00:33:39,000 Speaker 1: So you just get a hotel where she is or 680 00:33:39,040 --> 00:33:41,160 Speaker 1: do you even do you just not see her? The 681 00:33:41,240 --> 00:33:44,360 Speaker 1: Belfast turnaround was really quick, so we didn't go and 682 00:33:44,400 --> 00:33:46,280 Speaker 1: then she so she was there and back pretty quick. 683 00:33:46,880 --> 00:33:48,920 Speaker 1: In your home lifestyle, because you do have two A 684 00:33:49,080 --> 00:33:52,080 Speaker 1: list celebrity superstars, do you have any chores, like do 685 00:33:52,120 --> 00:33:54,960 Speaker 1: you have to actually do a chore? Like what is it? 686 00:33:55,040 --> 00:33:56,680 Speaker 1: What is a chore you have to do around the house, 687 00:33:56,880 --> 00:34:00,320 Speaker 1: just taking out garbage and fixing things that break and 688 00:34:00,360 --> 00:34:03,040 Speaker 1: they always break can you fix things like I can 689 00:34:03,080 --> 00:34:04,960 Speaker 1: fix a lot more than I used to. When you 690 00:34:05,000 --> 00:34:06,960 Speaker 1: go to Australia, you have to do two weeks quarantine. 691 00:34:07,600 --> 00:34:10,520 Speaker 1: And we were at our place, and I'm talking like 692 00:34:10,640 --> 00:34:14,399 Speaker 1: where nobody can come in or out for two weeks 693 00:34:14,400 --> 00:34:17,919 Speaker 1: hardcore completely locked down. Two police officers at the gate, 694 00:34:18,080 --> 00:34:20,879 Speaker 1: no way government police officers making sure you don't leave 695 00:34:20,960 --> 00:34:22,759 Speaker 1: or no one comes in both twenty four hours a 696 00:34:22,840 --> 00:34:25,160 Speaker 1: day for two weeks. And you have to do tell 697 00:34:25,200 --> 00:34:28,040 Speaker 1: the medicine check ins every day, so you basically face 698 00:34:28,120 --> 00:34:32,320 Speaker 1: timing with your GP and showing everybody taking their attempts 699 00:34:32,320 --> 00:34:36,200 Speaker 1: and showing the result every day. It's crazy, but it works. Yeah, right. 700 00:34:36,560 --> 00:34:39,680 Speaker 1: But the point of that was, man, things break. We 701 00:34:39,760 --> 00:34:41,680 Speaker 1: have a house. It's like one hundred and twenty years old. 702 00:34:42,440 --> 00:34:44,760 Speaker 1: Things break. I can't get anybody to come and fix anything. 703 00:34:45,320 --> 00:34:49,480 Speaker 1: I learned a lot about everything with your live show. 704 00:34:49,520 --> 00:34:51,440 Speaker 1: I wonder if if anything is going to be different now, 705 00:34:51,480 --> 00:34:53,040 Speaker 1: because I've seen you play it many times and you're 706 00:34:53,040 --> 00:34:55,640 Speaker 1: just fantastic live. But there's there's a part where you 707 00:34:55,719 --> 00:34:58,840 Speaker 1: run into the crowd and there are people everywhere around 708 00:34:58,960 --> 00:35:01,160 Speaker 1: you and they're all bitten on you, and you're spitting 709 00:35:01,160 --> 00:35:02,600 Speaker 1: on them. I mean, that's a big, big part of 710 00:35:02,600 --> 00:35:04,920 Speaker 1: the show, the Keith having spitfest. It's making me question 711 00:35:04,960 --> 00:35:08,000 Speaker 1: my whole past right now. But are you Does that 712 00:35:08,120 --> 00:35:09,600 Speaker 1: change it all for you for a bit when you 713 00:35:09,640 --> 00:35:11,560 Speaker 1: go back live, you're still hopping on the crowd. It's 714 00:35:11,560 --> 00:35:13,200 Speaker 1: going to change a lot for everybody. I think it's 715 00:35:13,200 --> 00:35:15,000 Speaker 1: some in some degree. And yet at the same time, 716 00:35:15,000 --> 00:35:17,040 Speaker 1: I almost wonder if if you know, at some point 717 00:35:17,080 --> 00:35:19,400 Speaker 1: it's just going to be very much like it was 718 00:35:19,640 --> 00:35:22,920 Speaker 1: at some point. I don't know why it would radically change. 719 00:35:23,040 --> 00:35:25,520 Speaker 1: At some point, it's gonna be like it was. That's 720 00:35:25,560 --> 00:35:27,600 Speaker 1: that's my feeling. Did you get new tattoo? Do you 721 00:35:27,600 --> 00:35:29,920 Speaker 1: new tattoo? Yeah? I got one in my hand. I 722 00:35:29,960 --> 00:35:31,839 Speaker 1: think I saw it at the ACMs for the first time. 723 00:35:32,239 --> 00:35:34,200 Speaker 1: When did you get that? And what is that exactly? 724 00:35:34,480 --> 00:35:37,680 Speaker 1: It's just well it's sort of a Polynesian type design. 725 00:35:37,800 --> 00:35:40,960 Speaker 1: I guess that hurt on the hand. Yeah, that looks 726 00:35:41,000 --> 00:35:43,480 Speaker 1: extremely painful. Do you go in and just go I 727 00:35:43,480 --> 00:35:45,799 Speaker 1: want to get this on my hand? I know what 728 00:35:45,880 --> 00:35:47,239 Speaker 1: I want? Or do you walk into the shop and 729 00:35:47,280 --> 00:35:49,480 Speaker 1: go show me what you got? This guy who had 730 00:35:49,480 --> 00:35:52,120 Speaker 1: never worked with before just short of freehanded with with 731 00:35:52,160 --> 00:35:55,120 Speaker 1: a pan. Let someone freehanded tattoo on you with a pen? 732 00:35:55,400 --> 00:35:57,880 Speaker 1: First of all, okay, and then I liked it, and 733 00:35:58,200 --> 00:36:01,359 Speaker 1: when we committed to it, and do you have someone 734 00:36:01,440 --> 00:36:02,839 Speaker 1: come to your house or where you are and give 735 00:36:02,840 --> 00:36:04,839 Speaker 1: you tattoos? I got half of this at my house, 736 00:36:04,840 --> 00:36:08,719 Speaker 1: in the other half at his work. Somebody, maybe someone 737 00:36:08,719 --> 00:36:10,640 Speaker 1: on the show saw you at the mall before pandemic 738 00:36:10,680 --> 00:36:12,839 Speaker 1: walking around the mall and they were like, we saw 739 00:36:12,920 --> 00:36:14,880 Speaker 1: keep theirban at the mall. Were like, no, there's no 740 00:36:14,960 --> 00:36:17,160 Speaker 1: chance you saw keep theirball walking around the mall. Do 741 00:36:17,239 --> 00:36:19,040 Speaker 1: you ever walk around the mall? Yeah? I was actually 742 00:36:19,719 --> 00:36:24,799 Speaker 1: Christmas shopping when Taylor Swift text at me and say 743 00:36:24,840 --> 00:36:26,920 Speaker 1: she had these songs she was going to record and 744 00:36:26,960 --> 00:36:28,239 Speaker 1: what I want to sing on a couple. I was 745 00:36:28,320 --> 00:36:31,560 Speaker 1: literally in the food court at the mall getting reading 746 00:36:31,560 --> 00:36:34,720 Speaker 1: this text, going on, all right, send me the songs, 747 00:36:35,200 --> 00:36:37,400 Speaker 1: and I sat down, put my little apods in was 748 00:36:37,480 --> 00:36:42,400 Speaker 1: listening to these unreleased Swifty songs and it was crazy. 749 00:36:42,440 --> 00:36:45,759 Speaker 1: The whole environment was bizarre, watching everyone walk around the 750 00:36:45,800 --> 00:36:48,160 Speaker 1: food court while listening to these songs. So she sent 751 00:36:48,200 --> 00:36:50,480 Speaker 1: you the songs. What I have heard and I have 752 00:36:50,600 --> 00:36:53,719 Speaker 1: friends that have worked in that camp a bit that 753 00:36:53,800 --> 00:36:56,759 Speaker 1: it's so secretive. Sometimes they will have someone come and 754 00:36:56,800 --> 00:36:57,960 Speaker 1: bring you the song and play you the song and 755 00:36:57,960 --> 00:36:59,920 Speaker 1: then leave right. But she just sent them to you 756 00:37:00,040 --> 00:37:03,040 Speaker 1: over text. Yeah she trust you that much. Yeah. Should 757 00:37:03,080 --> 00:37:06,200 Speaker 1: you be trusted that much? She should? Yeah? Yeah, absolutely. 758 00:37:06,239 --> 00:37:08,120 Speaker 1: And he's sitting there thinking like if any of these 759 00:37:08,120 --> 00:37:10,080 Speaker 1: people shopping right now knew what I was listening to, 760 00:37:10,280 --> 00:37:13,200 Speaker 1: That's what I think out Yeah. But also I'm thinking 761 00:37:13,239 --> 00:37:15,640 Speaker 1: Keith Urban's in the food court. It doesn't matter what 762 00:37:15,680 --> 00:37:18,680 Speaker 1: he's listening to. He's just hanging out in the food court. Yeah. Um, 763 00:37:18,719 --> 00:37:20,880 Speaker 1: you were a part of Fearless with Taylor. Does she 764 00:37:20,960 --> 00:37:22,440 Speaker 1: text you or call you and go, hey, will you 765 00:37:22,480 --> 00:37:25,280 Speaker 1: do this? And what that text she texted me? Yeah? 766 00:37:25,320 --> 00:37:28,799 Speaker 1: And is it instant? Yes? Um, instant curiosity for sure. 767 00:37:28,800 --> 00:37:31,399 Speaker 1: I definitely wanted to hear the songs, and I love 768 00:37:31,440 --> 00:37:34,279 Speaker 1: the fact that both songs were unreleased. If you don't mind, 769 00:37:34,280 --> 00:37:36,120 Speaker 1: I know you're sitting there with a guitar, would you 770 00:37:36,120 --> 00:37:39,040 Speaker 1: play the new one that you do with Pink? Oh? Okay? Uh? 771 00:37:40,960 --> 00:37:42,960 Speaker 1: Because I tell you why, it's we you know it's 772 00:37:42,960 --> 00:37:45,359 Speaker 1: getting played a lot. And I sometimes when I hear. 773 00:37:45,400 --> 00:37:46,759 Speaker 1: I just it stays in my ear. It's one of 774 00:37:46,800 --> 00:37:49,120 Speaker 1: those ear worms, it doesn't leave. And when you were 775 00:37:49,120 --> 00:37:50,320 Speaker 1: coming in, I was like, I wonder if keids to 776 00:37:50,360 --> 00:37:52,480 Speaker 1: play the new one? Um? Yeah, I mean you want 777 00:37:52,480 --> 00:37:54,719 Speaker 1: to sing the high? Oh yeah, I was gonna see 778 00:37:54,719 --> 00:37:57,560 Speaker 1: if you wanted me to be You don't want me 779 00:37:57,600 --> 00:38:06,319 Speaker 1: to do that? Right? Yeah? Okay, something like a so 780 00:38:06,400 --> 00:38:17,520 Speaker 1: all don't acoustican, don't remember much about last night, woke 781 00:38:17,560 --> 00:38:21,120 Speaker 1: the bone and couch soon arrest, saw the living room 782 00:38:21,239 --> 00:38:26,160 Speaker 1: through this bloodshot as a man gold so baby didn't 783 00:38:26,239 --> 00:38:29,759 Speaker 1: like that I came home late for him. But it's 784 00:38:29,760 --> 00:38:33,520 Speaker 1: a Friday, babe, and I've been working hard. Can't you 785 00:38:33,600 --> 00:38:36,520 Speaker 1: give me some space? There is shouting out, oh my god, 786 00:38:36,600 --> 00:38:43,600 Speaker 1: who yeah, who yeah? I go out some new friends, 787 00:38:43,600 --> 00:38:48,000 Speaker 1: but it just makes me missing more more singing. I mean, 788 00:38:48,840 --> 00:38:52,960 Speaker 1: I spend all my money drinking it on my I 789 00:38:52,960 --> 00:38:57,480 Speaker 1: don't run it and this bart you sat he's hearing 790 00:38:57,520 --> 00:39:02,920 Speaker 1: that my phone and not be sick and giest bird 791 00:39:03,400 --> 00:39:07,240 Speaker 1: at wrong. I know, I'm proud good. I haven't want 792 00:39:07,320 --> 00:39:15,520 Speaker 1: to many when you write or when this song gets 793 00:39:15,520 --> 00:39:17,279 Speaker 1: to you and you're going, okay, we're gonna cut this 794 00:39:17,680 --> 00:39:20,839 Speaker 1: was it proposed as a duet or was that it 795 00:39:21,000 --> 00:39:23,680 Speaker 1: was written as a duet because some songs aren't. And 796 00:39:23,680 --> 00:39:26,120 Speaker 1: it's like, I think this feels better, but yeah, did 797 00:39:26,160 --> 00:39:28,560 Speaker 1: you have pink and mind to start? I was hoping 798 00:39:28,680 --> 00:39:31,560 Speaker 1: she'd love the song. Yeah, And I'd never recorded anything 799 00:39:31,600 --> 00:39:34,640 Speaker 1: with her, so she was just sort of always on 800 00:39:34,760 --> 00:39:38,120 Speaker 1: my big wig wish list to try and find something. 801 00:39:38,280 --> 00:39:40,080 Speaker 1: I thought maybe one day we'd write something. But this 802 00:39:40,120 --> 00:39:43,000 Speaker 1: song came along and felt it felt right. Has they 803 00:39:43,040 --> 00:39:46,879 Speaker 1: one ever turned you down? Oh? Sure, absolutely tells you're 804 00:39:46,880 --> 00:39:52,399 Speaker 1: talking musically now. You said you don't have to tell 805 00:39:52,440 --> 00:39:53,719 Speaker 1: us who, but you would send a song off ago. 806 00:39:53,719 --> 00:39:55,239 Speaker 1: I think this sounds great and they just said, are like, yeah, 807 00:39:55,280 --> 00:39:58,440 Speaker 1: it's not for me. Oh sure, absolutely, yeah, because sometimes 808 00:39:58,440 --> 00:40:01,120 Speaker 1: it's just not It doesn't, it doesn't suit. Can you 809 00:40:01,160 --> 00:40:02,799 Speaker 1: in your mind when you play guitar, can you hear 810 00:40:02,800 --> 00:40:06,200 Speaker 1: any melody and just recreate it with your hands? Bobby 811 00:40:06,320 --> 00:40:15,160 Speaker 1: boot Boot boo, Wow, that's crazy. At what point? At 812 00:40:15,200 --> 00:40:17,680 Speaker 1: what point does that happen in your brain when you're 813 00:40:17,719 --> 00:40:20,520 Speaker 1: learning guitar or was it naturally in you? I don't know. 814 00:40:20,680 --> 00:40:24,239 Speaker 1: I think maybe naturally to begin with, And I'm in 815 00:40:24,360 --> 00:40:26,840 Speaker 1: my head, always playing. I realized even when I was 816 00:40:26,840 --> 00:40:28,680 Speaker 1: in I was terrible at school. I realized why because 817 00:40:28,680 --> 00:40:30,800 Speaker 1: I was always playing guitar. I didn't need a guitar 818 00:40:30,840 --> 00:40:32,759 Speaker 1: to play guitar. I was playing it in my head 819 00:40:32,880 --> 00:40:36,759 Speaker 1: like all the time. When you hear a song, could 820 00:40:36,760 --> 00:40:39,600 Speaker 1: you go home? Like one of our jingles goes, this 821 00:40:39,840 --> 00:40:42,320 Speaker 1: is the Bobby Bone Show, could you go yeah, I 822 00:40:42,360 --> 00:40:46,839 Speaker 1: got that probably just like you know exactly where it is, right, yes, 823 00:40:47,120 --> 00:40:52,920 Speaker 1: prove it. This is the that's so, that's like a 824 00:40:52,960 --> 00:40:56,920 Speaker 1: space alien. So here's here are my skills, my interplanetary skills, 825 00:40:56,960 --> 00:40:59,799 Speaker 1: and we just can't identify that's what that is right there. 826 00:41:01,320 --> 00:41:03,400 Speaker 1: I don't speak any of the languages but English. In 827 00:41:03,440 --> 00:41:06,680 Speaker 1: this Keith Urban is here, he has his guitar. We're 828 00:41:06,680 --> 00:41:08,839 Speaker 1: gonna take a quick break, come back, play a couple 829 00:41:08,880 --> 00:41:10,360 Speaker 1: other little ones for us. We asked cou we do 830 00:41:10,360 --> 00:41:17,120 Speaker 1: a little request the Friday morning conversation with he's here, 831 00:41:17,160 --> 00:41:19,359 Speaker 1: he's got his guitar. I'm sure there are so many 832 00:41:19,360 --> 00:41:20,920 Speaker 1: people that come to you and go, hey, what is 833 00:41:20,960 --> 00:41:24,680 Speaker 1: it cap or cat? And you'll think of me, yeah, right, yeah, 834 00:41:24,719 --> 00:41:28,600 Speaker 1: right from the beginning, and the answer is cat. Take 835 00:41:28,640 --> 00:41:32,160 Speaker 1: your cat. Key with the t cat. Yeah, he doesn't 836 00:41:32,160 --> 00:41:36,000 Speaker 1: want the cat right it cat feels a little angrier. 837 00:41:36,080 --> 00:41:39,000 Speaker 1: Would we agree with that? Like a cat? Yeah? Yeah, 838 00:41:39,040 --> 00:41:40,680 Speaker 1: I put up with the damn cat the whole time. 839 00:41:40,719 --> 00:41:43,359 Speaker 1: You can take it now, yeah, take a cat. Okay, 840 00:41:43,400 --> 00:41:45,200 Speaker 1: So as long as everybody knows, would you mind playing 841 00:41:45,200 --> 00:42:00,920 Speaker 1: a little bit of that for us? Woke up buddy 842 00:42:00,960 --> 00:42:06,440 Speaker 1: this morning around for a keep the moon shining bright 843 00:42:06,640 --> 00:42:12,319 Speaker 1: its headlights only in a state, pulled the covers over 844 00:42:12,480 --> 00:42:16,880 Speaker 1: my head and try to catch some sleeping God to 845 00:42:17,200 --> 00:42:23,400 Speaker 1: us kept keeping me you et he ever since you 846 00:42:23,560 --> 00:42:28,480 Speaker 1: found yourself in someone else's arms, I've been trying the 847 00:42:28,480 --> 00:42:32,680 Speaker 1: best to get along that suit. Cake's nothing there to 848 00:42:32,800 --> 00:42:36,320 Speaker 1: sleep and chick it cat. Oh, I ain't sang the 849 00:42:36,400 --> 00:42:39,840 Speaker 1: wrong words. You psyched me out, Bobby. I was thinking 850 00:42:39,840 --> 00:42:43,799 Speaker 1: as a cattercaple of a sudden like sake, your records, 851 00:42:43,880 --> 00:42:48,759 Speaker 1: take your freedom, take your memories that don't me, take 852 00:42:48,840 --> 00:42:53,279 Speaker 1: your space and know your reasons. But you think to me, 853 00:42:53,360 --> 00:42:57,680 Speaker 1: here this ticket cat and let my sueta because we 854 00:42:57,840 --> 00:43:04,000 Speaker 1: got that bill left to it. Fact that. But as 855 00:43:04,040 --> 00:43:05,400 Speaker 1: you can tell, I haven't sang this song in a 856 00:43:05,440 --> 00:43:08,200 Speaker 1: long time. What advice do you give me is I'm 857 00:43:08,200 --> 00:43:11,480 Speaker 1: about to get married. What is the what's not wedding advice? 858 00:43:11,640 --> 00:43:15,760 Speaker 1: What is marriage? If I only know it works for mine, 859 00:43:16,360 --> 00:43:19,319 Speaker 1: and it'll end up being like my marriage advice, which 860 00:43:19,400 --> 00:43:22,400 Speaker 1: is not at all what it is. Everyone's going to 861 00:43:22,440 --> 00:43:25,320 Speaker 1: figure out their own dance, right, Every couple just figures 862 00:43:25,320 --> 00:43:28,279 Speaker 1: out their own dance, they really do. I mean, what 863 00:43:28,360 --> 00:43:30,640 Speaker 1: works for someone doesn't work for someone else? Did it 864 00:43:30,760 --> 00:43:34,920 Speaker 1: you at one point do a show, fly across, have 865 00:43:35,120 --> 00:43:38,040 Speaker 1: like Nicole's birthday with her for a day, and then 866 00:43:38,040 --> 00:43:40,560 Speaker 1: fly all the way back across again. That's a legendary 867 00:43:40,600 --> 00:43:43,279 Speaker 1: Keith Urban's story. No, she was having an ultrasound because 868 00:43:43,280 --> 00:43:47,200 Speaker 1: she was pregnant and she was shooting the film called Australia, 869 00:43:48,080 --> 00:43:52,080 Speaker 1: a Basloman film, and it was being shot in Australia, obviously, 870 00:43:52,120 --> 00:43:55,520 Speaker 1: and I was touring here in the States and she 871 00:43:55,600 --> 00:43:57,640 Speaker 1: was going in for an ultrasound, and I was like, well, 872 00:43:57,680 --> 00:44:01,080 Speaker 1: I got this three day period in between, because you 873 00:44:01,200 --> 00:44:03,279 Speaker 1: lose a day when you fly down, So you leave 874 00:44:03,320 --> 00:44:05,320 Speaker 1: here on a Monday, you get there on a Wednesday, 875 00:44:05,360 --> 00:44:10,839 Speaker 1: and we were playing on the Thursday night somewhere, so 876 00:44:11,000 --> 00:44:14,920 Speaker 1: I took off on Monday from here landed Wednesday in 877 00:44:14,960 --> 00:44:18,040 Speaker 1: the morning, went and had the ultrasound with neck. We 878 00:44:18,160 --> 00:44:19,800 Speaker 1: had lunch, and then I got on the plane and 879 00:44:19,840 --> 00:44:24,160 Speaker 1: flew back like that afternoon. Were you so dehydrated? That 880 00:44:24,239 --> 00:44:26,880 Speaker 1: is such a long flight. It's the most bizarre question. 881 00:44:27,320 --> 00:44:29,680 Speaker 1: I mean, because when I fly anywhere, I get off 882 00:44:29,680 --> 00:44:33,080 Speaker 1: and I'm just like, I'm so dehydra that I've flown 883 00:44:33,080 --> 00:44:36,520 Speaker 1: to Australia. Right, that is the longest flight ever been 884 00:44:36,560 --> 00:44:38,640 Speaker 1: on my life. It's a long one. I realized that 885 00:44:38,719 --> 00:44:41,840 Speaker 1: you travel a lot when I was telling somebody a 886 00:44:41,920 --> 00:44:43,640 Speaker 1: couple of years ago. I was talking about what we're doing, 887 00:44:43,640 --> 00:44:45,640 Speaker 1: and I said, we're gonna do this, this, this, and 888 00:44:45,680 --> 00:44:48,000 Speaker 1: then I'm going to pop down to Australia. And they went, wait, wait, wait, 889 00:44:48,200 --> 00:44:51,319 Speaker 1: did you just say pop down to Australia. And I'm 890 00:44:51,360 --> 00:44:53,160 Speaker 1: like yeah, and they go, you know you travel a 891 00:44:53,200 --> 00:44:56,680 Speaker 1: lot when you use the phrase pop down to Australia. Yeah, 892 00:44:57,040 --> 00:44:59,200 Speaker 1: it is a long flight. It's a long flight. Yeah. 893 00:44:58,960 --> 00:45:01,279 Speaker 1: Who is it that you hear right now that you're like, 894 00:45:01,320 --> 00:45:03,160 Speaker 1: damn so inspired by this because you're a guy who's 895 00:45:03,160 --> 00:45:06,239 Speaker 1: always searching out you know, great new sound, great new music. 896 00:45:06,480 --> 00:45:08,239 Speaker 1: Who is it that now you're like, Man, I'm kind 897 00:45:08,239 --> 00:45:09,880 Speaker 1: of on this right now listening to it because you 898 00:45:09,880 --> 00:45:12,080 Speaker 1: came at once and you told me about Hobo, and 899 00:45:12,120 --> 00:45:13,960 Speaker 1: I became I became a big fan and I sorry, 900 00:45:13,960 --> 00:45:15,640 Speaker 1: I was just I was texting you pictures like that. Man, 901 00:45:15,680 --> 00:45:18,200 Speaker 1: this song is great. Yeah, who is it now? I 902 00:45:18,200 --> 00:45:20,359 Speaker 1: feel like I'm waiting for that thing right now. Do 903 00:45:20,400 --> 00:45:24,000 Speaker 1: you think that the situation we're coming out of kind 904 00:45:24,000 --> 00:45:27,880 Speaker 1: of has everyone everyone on hold, or or has stifled 905 00:45:27,920 --> 00:45:30,600 Speaker 1: creativity or has created a different kind of sound, like 906 00:45:31,120 --> 00:45:32,839 Speaker 1: any of your favorite artist putting out music that they 907 00:45:32,840 --> 00:45:35,480 Speaker 1: made during the pandemic at all? I would imagine a 908 00:45:35,520 --> 00:45:37,439 Speaker 1: lot of what we're hearing right now is made during 909 00:45:37,480 --> 00:45:42,800 Speaker 1: that period. Um. That's a that's a good question. Um, 910 00:45:43,200 --> 00:45:44,600 Speaker 1: I'm you know, I think it's going to run the 911 00:45:44,600 --> 00:45:49,840 Speaker 1: gamut from songs you know about that situation. We have 912 00:45:49,960 --> 00:45:51,840 Speaker 1: a single that now called Out the Cage, which is 913 00:45:52,400 --> 00:45:54,560 Speaker 1: was written in that time, and but it's it's about 914 00:45:54,560 --> 00:45:57,600 Speaker 1: breaking out, but it's not just about that. Um. I 915 00:45:57,680 --> 00:45:59,520 Speaker 1: think I think it's gonna run the gamut of everything. 916 00:45:59,560 --> 00:46:02,120 Speaker 1: A lot of it escape, a lot of sadness, a 917 00:46:02,120 --> 00:46:03,959 Speaker 1: lot of joy, a lot of hope, a lot of fear. 918 00:46:04,680 --> 00:46:06,680 Speaker 1: I mean, there's a lot of trauma in a lot 919 00:46:06,680 --> 00:46:10,040 Speaker 1: of people right now, really undercurrent and just a desire 920 00:46:10,080 --> 00:46:12,680 Speaker 1: for things get back. If I'm remembering correctly from listening 921 00:46:12,719 --> 00:46:14,560 Speaker 1: to your record out of the Cage, is that's a 922 00:46:15,560 --> 00:46:19,600 Speaker 1: that's a pretty fast yeah like that. That That song's got 923 00:46:19,600 --> 00:46:21,120 Speaker 1: a lot of energy to it, right. Yeah. I took 924 00:46:21,160 --> 00:46:24,400 Speaker 1: a sort of big inspiration from a lot of the 925 00:46:24,600 --> 00:46:29,080 Speaker 1: nineties English house beat stuff, you know, Fat Boy Slam, Prodigy, 926 00:46:29,440 --> 00:46:31,839 Speaker 1: and I'm like, if I could take that rhythm and 927 00:46:31,920 --> 00:46:33,759 Speaker 1: put it into my world, what would it sound like 928 00:46:34,520 --> 00:46:36,879 Speaker 1: we wrote that song. That's interesting too that you can 929 00:46:36,880 --> 00:46:41,080 Speaker 1: find inspiration in older stuff as well, Like right there, 930 00:46:41,080 --> 00:46:43,279 Speaker 1: I mean you're you're talking about two artists I listened 931 00:46:43,280 --> 00:46:46,800 Speaker 1: to fifteen years ago, Yeah, fat Boy Slam and Prodigy. Yeah. 932 00:46:46,840 --> 00:46:48,960 Speaker 1: I mean there's an energy in those records, and you 933 00:46:49,160 --> 00:46:51,239 Speaker 1: would agree with it. I'm sure there's an energy in 934 00:46:51,280 --> 00:46:54,200 Speaker 1: those records that is just oh my god, it's exhilarating. 935 00:46:54,560 --> 00:46:57,320 Speaker 1: It makes you want to either run, fight, break something, 936 00:46:57,520 --> 00:47:00,520 Speaker 1: or I don't know something we're gonna you know, we're 937 00:47:00,600 --> 00:47:06,920 Speaker 1: running naked through the quadrant for sure. Interesting have you 938 00:47:06,920 --> 00:47:12,160 Speaker 1: ever done that? Uh? Well, moving on, but that song 939 00:47:12,239 --> 00:47:14,239 Speaker 1: makes you want to do that maybe a little bit. 940 00:47:14,280 --> 00:47:16,879 Speaker 1: We'll see Keith Urban is here. How about we wrapp 941 00:47:17,120 --> 00:47:19,359 Speaker 1: what's your marriage advice? But I have none. I don't 942 00:47:19,400 --> 00:47:22,719 Speaker 1: know what's your engaged advice? Then? Have you learned through 943 00:47:22,719 --> 00:47:26,799 Speaker 1: your engagement Bobby Bones? I have literally learned that it 944 00:47:26,920 --> 00:47:32,120 Speaker 1: is not about all about me anymore, because yeah, right, 945 00:47:32,160 --> 00:47:34,520 Speaker 1: and it's taken me this long to learn it, and 946 00:47:34,680 --> 00:47:37,879 Speaker 1: sometimes she's had to crowbar me into situation. She's had 947 00:47:37,920 --> 00:47:40,719 Speaker 1: to give me one example of a situation. Well, it's 948 00:47:40,800 --> 00:47:42,359 Speaker 1: it's just not all my I can't be selfish all 949 00:47:42,360 --> 00:47:44,399 Speaker 1: the time about my life all the time, and mine 950 00:47:44,600 --> 00:47:46,919 Speaker 1: and you know, even some stuff that I used to 951 00:47:46,920 --> 00:47:49,560 Speaker 1: come on and be extremely public about. Now my life 952 00:47:49,640 --> 00:47:52,360 Speaker 1: is our life, right, and I have to think about 953 00:47:52,360 --> 00:47:55,879 Speaker 1: her too before I just am and am revealing certain things. Yeah, 954 00:47:56,200 --> 00:48:00,799 Speaker 1: so on that aspect, but also making time to cultivate 955 00:48:02,000 --> 00:48:04,560 Speaker 1: a relationship, because I will just work. I will wake 956 00:48:04,640 --> 00:48:06,560 Speaker 1: up in the morning, I'll flip open my laptop and 957 00:48:06,600 --> 00:48:08,200 Speaker 1: I will spend all day working and then I will 958 00:48:08,200 --> 00:48:10,560 Speaker 1: go to sleep. My final movement is my laptop down. 959 00:48:11,120 --> 00:48:13,040 Speaker 1: But there are now important things that I have to 960 00:48:13,080 --> 00:48:17,440 Speaker 1: invest myself in for the future, not financially but relationship wise. 961 00:48:17,960 --> 00:48:19,759 Speaker 1: And so that has been the biggest thing, is this 962 00:48:20,040 --> 00:48:23,280 Speaker 1: can't be as selfish anymore, not about giving, but about 963 00:48:23,880 --> 00:48:26,359 Speaker 1: as a person to another person. Yes, and I've been 964 00:48:26,400 --> 00:48:28,160 Speaker 1: inspired by your story, which he has a ultra sound. 965 00:48:28,120 --> 00:48:30,080 Speaker 1: I'm gonna go another country on purpose, fly over to 966 00:48:30,120 --> 00:48:32,440 Speaker 1: see her and then leave just so I can be 967 00:48:32,480 --> 00:48:37,279 Speaker 1: like this was Keith Urban Tommy, you wouldn't do that, 968 00:48:37,320 --> 00:48:39,279 Speaker 1: But yeah, you're right. I mean, that's it, isn't it. 969 00:48:39,280 --> 00:48:43,360 Speaker 1: It's like putting putting the US forest is the breakthrough. 970 00:48:43,840 --> 00:48:45,879 Speaker 1: One of the songs that we listen to a lot, 971 00:48:45,920 --> 00:48:47,880 Speaker 1: And I've told you this privately, that God Whispered Your 972 00:48:47,960 --> 00:48:51,160 Speaker 1: Name is that that song reminds me of her and 973 00:48:51,239 --> 00:48:53,440 Speaker 1: I when we hear it. I'm like this and it's 974 00:48:53,480 --> 00:48:55,239 Speaker 1: kind of one of our songs, like one of our 975 00:48:55,760 --> 00:48:58,920 Speaker 1: top three or four songs that remind us of being together. 976 00:48:59,239 --> 00:49:01,480 Speaker 1: And so as you leave, would you mind playing a 977 00:49:01,480 --> 00:49:19,000 Speaker 1: little bit of God Whisper Your Name? Sure? I was 978 00:49:19,080 --> 00:49:26,040 Speaker 1: so cool. Most nothing seemed to rain true. I couldn't 979 00:49:26,120 --> 00:49:33,560 Speaker 1: bear the cross everything I've been through, and each day 980 00:49:35,120 --> 00:49:39,919 Speaker 1: I knew I needed change, but there was no way 981 00:49:41,600 --> 00:49:46,920 Speaker 1: no way, and then got to whisper your name, and 982 00:49:47,120 --> 00:49:52,160 Speaker 1: that's when everything changed. Look came out of the rain, 983 00:49:53,600 --> 00:50:00,520 Speaker 1: talk about being saved. Say I want to live more 984 00:50:00,600 --> 00:50:07,400 Speaker 1: than everybody. I'm never gonna be the same. When kid 985 00:50:07,520 --> 00:50:15,000 Speaker 1: whispered baby's name, I like that ding. Where is that 986 00:50:15,120 --> 00:50:18,840 Speaker 1: on the fret? Where it's like when ing the m 987 00:50:20,760 --> 00:50:23,640 Speaker 1: oh nice? One day, I want to do that. Yes, yeah, 988 00:50:23,640 --> 00:50:29,040 Speaker 1: that's cool. I'm left handed. One here's and I will rast, 989 00:50:30,239 --> 00:50:33,120 Speaker 1: I will wrap. I'll wrap on this story once. And 990 00:50:33,160 --> 00:50:34,799 Speaker 1: you may not remember this. I was doing some work 991 00:50:34,800 --> 00:50:36,920 Speaker 1: for a cmafest and we were underneath you and I 992 00:50:36,920 --> 00:50:38,400 Speaker 1: were shooting some stuff and I had my guitar and 993 00:50:38,440 --> 00:50:40,480 Speaker 1: I was doing some dopey stuff with people, and you 994 00:50:40,480 --> 00:50:42,160 Speaker 1: were like, let me see your guitar. I played left handed, 995 00:50:42,360 --> 00:50:43,560 Speaker 1: and you were like, I don't think I've ever played 996 00:50:43,600 --> 00:50:45,600 Speaker 1: left handed. And then you you got and it took you, 997 00:50:45,640 --> 00:50:47,359 Speaker 1: like I don't know, ten seconds of you to talk 998 00:50:47,400 --> 00:50:49,200 Speaker 1: to your fingers and your brain and you kind of 999 00:50:49,239 --> 00:50:51,640 Speaker 1: reversed everything, and then you instantly were ten times the 1000 00:50:51,680 --> 00:50:53,520 Speaker 1: left handed guitar player that I've ever tried to be. 1001 00:50:53,600 --> 00:50:55,680 Speaker 1: I don't know about that. What I do know, though, 1002 00:50:55,760 --> 00:51:00,799 Speaker 1: is that when I was about fifteen, I fell up 1003 00:51:00,840 --> 00:51:04,880 Speaker 1: my bike and broke my left arm. And my duo 1004 00:51:05,040 --> 00:51:06,919 Speaker 1: that I was in was competing in the Talent Quest 1005 00:51:06,960 --> 00:51:09,080 Speaker 1: and we'd made it through to the semifinals, and the 1006 00:51:09,120 --> 00:51:12,480 Speaker 1: semifinals were like on the weekend coming up, and I 1007 00:51:12,600 --> 00:51:14,880 Speaker 1: just broke my arm, so it's in a cast. I 1008 00:51:14,920 --> 00:51:18,319 Speaker 1: couldn't bend my fingers under the strings. I was so frustrated, 1009 00:51:18,440 --> 00:51:20,040 Speaker 1: but I realized I could put my hand over the 1010 00:51:20,080 --> 00:51:22,359 Speaker 1: top of the guitar, so I figured, I'll just play 1011 00:51:22,400 --> 00:51:33,319 Speaker 1: the chords like this, and we haven't learned the whole 1012 00:51:33,320 --> 00:51:35,960 Speaker 1: song like we made it through the semis. I think, 1013 00:51:35,960 --> 00:51:39,560 Speaker 1: out of sheer pity, did you lose because you couldn't 1014 00:51:39,600 --> 00:51:44,120 Speaker 1: play normal, wonderful guitar? Do you think did you lose? 1015 00:51:44,160 --> 00:51:46,120 Speaker 1: You said you made it the semifinals. Did you lose 1016 00:51:46,200 --> 00:51:49,319 Speaker 1: because you didn't have your entire guitar hand? Uh? No, 1017 00:51:49,400 --> 00:51:51,040 Speaker 1: I just think we weren't very good. You weren't very 1018 00:51:51,040 --> 00:51:54,560 Speaker 1: good man, sadly, all right? And you know who won though? 1019 00:51:54,840 --> 00:51:58,560 Speaker 1: You two? You two won, Yeah, but you'r duo, Like 1020 00:51:58,600 --> 00:52:03,000 Speaker 1: do you know where that person is? Now? No? All right, 1021 00:52:03,719 --> 00:52:08,160 Speaker 1: and that's all right. He got one song I wanted 1022 00:52:08,160 --> 00:52:10,120 Speaker 1: to play for you that it's really important. Okay, love it, 1023 00:52:13,120 --> 00:52:14,520 Speaker 1: but I thought it kind of fits you as well, 1024 00:52:14,600 --> 00:52:19,040 Speaker 1: you know. Busted flattened that and rouge waiting for a 1025 00:52:19,160 --> 00:52:26,960 Speaker 1: train Feeling near is fitted as my jeans. Bibby Bones 1026 00:52:27,040 --> 00:52:32,600 Speaker 1: thumbed the diesel down just before it rain, took a 1027 00:52:32,719 --> 00:52:39,560 Speaker 1: soliway and New won Leans. I pulled my harpoon out 1028 00:52:39,560 --> 00:52:43,840 Speaker 1: of my dirt air red Bantam and was blowing south 1029 00:52:44,040 --> 00:52:49,360 Speaker 1: while Bibby Bones sang the Blue with them when you 1030 00:52:49,640 --> 00:52:53,799 Speaker 1: b bus snapping time and Bobby's half kind of kind 1031 00:52:53,800 --> 00:52:57,920 Speaker 1: of stone grin slash smile. We sang every song that 1032 00:52:58,200 --> 00:53:02,799 Speaker 1: driving new and do what he sang read them just 1033 00:53:03,040 --> 00:53:08,439 Speaker 1: another word for nothing left to lose and nothing ain't 1034 00:53:08,440 --> 00:53:14,080 Speaker 1: worth nothing, but it's free. What about feeling good was 1035 00:53:14,400 --> 00:53:19,920 Speaker 1: easy low? When he sang the Blues, Feeling good was 1036 00:53:20,200 --> 00:53:23,200 Speaker 1: good enough for me. This is where he name checks 1037 00:53:23,280 --> 00:53:29,120 Speaker 1: himself good enough for me and Bobby Bones McGhee wild, 1038 00:53:29,160 --> 00:53:31,000 Speaker 1: I mean, you play that song and this Jannis Choplin 1039 00:53:31,200 --> 00:53:33,520 Speaker 1: Wild that she never got to experience that success, the 1040 00:53:33,560 --> 00:53:35,600 Speaker 1: fame of that song, that she's game because she died 1041 00:53:35,640 --> 00:53:38,359 Speaker 1: before all of it, merely all of her success came 1042 00:53:38,400 --> 00:53:41,880 Speaker 1: after that. Just tragic. Do you have you had you 1043 00:53:41,960 --> 00:53:43,600 Speaker 1: learned to play that song at home? That's something you 1044 00:53:43,640 --> 00:53:46,279 Speaker 1: play like normally? You played it my cover band, Yeah, 1045 00:53:46,400 --> 00:53:49,200 Speaker 1: back in the day many times. Such a good song, Keith, 1046 00:53:49,239 --> 00:53:51,200 Speaker 1: great song, Keith Urban is here. We love you, thank 1047 00:53:51,200 --> 00:53:55,320 Speaker 1: you for coming in. It's time for the good news, 1048 00:53:55,400 --> 00:54:01,359 Speaker 1: something good. A Texas family's home destroyed by storms last week, 1049 00:54:01,600 --> 00:54:04,040 Speaker 1: but a kind stranger gave them a new place to live. 1050 00:54:04,680 --> 00:54:07,200 Speaker 1: Wendy Holden and her five family members and three pets 1051 00:54:07,239 --> 00:54:10,600 Speaker 1: were all inside their mobile home when winds flung it 1052 00:54:10,760 --> 00:54:13,600 Speaker 1: multiple times. They managed to survive, but their home did not. 1053 00:54:14,360 --> 00:54:17,480 Speaker 1: After hearing about their misfortune, an anonymous person stepped up 1054 00:54:17,719 --> 00:54:20,200 Speaker 1: to help them. They donated a brand new mobile home 1055 00:54:20,200 --> 00:54:22,000 Speaker 1: to the family to replace the old one, and now 1056 00:54:22,000 --> 00:54:25,480 Speaker 1: they're able to live on the same land, same place, 1057 00:54:25,880 --> 00:54:28,840 Speaker 1: but with a new home, which is really cool. Here's 1058 00:54:28,840 --> 00:54:31,680 Speaker 1: a clip of Wendy Holden saying she wants the donor 1059 00:54:31,719 --> 00:54:35,400 Speaker 1: whomever it is, that anonymous person to know that she's grateful. 1060 00:54:35,760 --> 00:54:38,359 Speaker 1: I want them to know, you know, even though they're 1061 00:54:38,360 --> 00:54:45,239 Speaker 1: staying anonymous, how much our family appreciates it. And we 1062 00:54:45,280 --> 00:54:47,880 Speaker 1: are going to pay it forward. Isn't that crazy? On? 1063 00:54:49,080 --> 00:54:52,000 Speaker 1: This is just an amazing story. I wonder who it was, 1064 00:54:53,080 --> 00:54:56,000 Speaker 1: if you know, be caller ten right now, we'll give me. Now, 1065 00:54:56,000 --> 00:54:58,160 Speaker 1: that's a great story. That is what it's all about. 1066 00:54:58,920 --> 00:55:03,880 Speaker 1: That was telling me some good, big story. Yesterday was 1067 00:55:03,960 --> 00:55:06,839 Speaker 1: mask off for vaccinated people. The CDC now says fully 1068 00:55:06,920 --> 00:55:11,160 Speaker 1: vaccinated people can stop wearing masks and stop social distancing. 1069 00:55:11,840 --> 00:55:16,560 Speaker 1: Masks are still required on planes, public transportation, and in 1070 00:55:16,760 --> 00:55:20,840 Speaker 1: stores that require one. State and local laws also still apply. 1071 00:55:21,040 --> 00:55:26,840 Speaker 1: But you know what, I'm celebrating, so Raymundo, it's celebrations time. Yeah, 1072 00:55:28,400 --> 00:55:31,799 Speaker 1: except for flying. I'm good. I don't even wear a 1073 00:55:31,800 --> 00:55:33,920 Speaker 1: mask anymore. I feel good. Let's wrong, But it is 1074 00:55:34,000 --> 00:55:36,279 Speaker 1: up to the store, right, So the store doesn't want 1075 00:55:36,280 --> 00:55:37,719 Speaker 1: you to come in without a mask. That can put 1076 00:55:37,760 --> 00:55:40,520 Speaker 1: a sign in video show me the manager. I'm gonna 1077 00:55:40,520 --> 00:55:43,520 Speaker 1: be one of those people in YouTube videos while you're dancing. Yeah, 1078 00:55:43,680 --> 00:55:47,759 Speaker 1: I'm like, no, we played celebration. I'm not wearing a mask. No, 1079 00:55:47,920 --> 00:55:51,160 Speaker 1: I'll obviously respect because in a private place, you have 1080 00:55:51,200 --> 00:55:53,560 Speaker 1: to respect a private place. We like coming to my 1081 00:55:53,600 --> 00:55:55,279 Speaker 1: house and be going, hey, I don't want you to 1082 00:55:55,280 --> 00:55:59,200 Speaker 1: wear shoes and you're going no, I demand to wear shoes. Well, 1083 00:55:59,239 --> 00:56:01,719 Speaker 1: you don't pay the here. Some stores are like that, 1084 00:56:01,800 --> 00:56:04,279 Speaker 1: no shoes, no shirt. So if I go into a 1085 00:56:04,280 --> 00:56:05,799 Speaker 1: place and they want me to wear a mask, I 1086 00:56:05,840 --> 00:56:08,319 Speaker 1: will be happy to put a mask on because it's 1087 00:56:08,360 --> 00:56:11,480 Speaker 1: that's their house, that's their business, and it will be all. 1088 00:56:11,600 --> 00:56:13,120 Speaker 1: It'd always be crazy to me when people would be 1089 00:56:13,120 --> 00:56:15,200 Speaker 1: like fighting with people in a safe way or a Kroger. 1090 00:56:15,760 --> 00:56:18,640 Speaker 1: You don't own Kroger. If someone came to your house 1091 00:56:18,640 --> 00:56:20,960 Speaker 1: and told you that, I'll be like, I get it. 1092 00:56:21,080 --> 00:56:23,640 Speaker 1: I'd be mad too. Someone walked into my kitchen instead 1093 00:56:23,680 --> 00:56:26,120 Speaker 1: put on a mask. You don't own the place. And 1094 00:56:26,200 --> 00:56:27,920 Speaker 1: it's hard to believe that you don't own Kroger, just 1095 00:56:27,960 --> 00:56:32,240 Speaker 1: the way they let you walk in. And that's true. 1096 00:56:32,760 --> 00:56:35,160 Speaker 1: But that's pretty good. Huh yeah, No, I mean I'm 1097 00:56:35,200 --> 00:56:38,520 Speaker 1: excited to see that we were making progress. Two planes 1098 00:56:38,640 --> 00:56:41,279 Speaker 1: collide mid air above Denver. Well that's not good. Oh, 1099 00:56:42,239 --> 00:56:44,400 Speaker 1: I didn't know they could do that. Nobody was injured, 1100 00:56:44,440 --> 00:56:46,920 Speaker 1: which is crazy. Two small planes collided in mid air 1101 00:56:46,960 --> 00:56:50,480 Speaker 1: Wednesday near Denver, leaving one aircraft nearly ripped in half, 1102 00:56:51,120 --> 00:56:54,719 Speaker 1: forcing the pilot of the other to deploy a parachute 1103 00:56:55,040 --> 00:56:59,480 Speaker 1: attached to the plane to land safely. Remarkably, no one 1104 00:56:59,560 --> 00:57:01,840 Speaker 1: was injured. Both planes were getting ready to land at 1105 00:57:01,840 --> 00:57:04,120 Speaker 1: a small regional airport in the Denver suburb when they 1106 00:57:04,200 --> 00:57:09,920 Speaker 1: hit each other. What's crazy is that with all that airspace, 1107 00:57:10,239 --> 00:57:12,840 Speaker 1: they still hit each other. Yeah, there's air left and 1108 00:57:12,920 --> 00:57:14,920 Speaker 1: right and up and down. That being said, there's a 1109 00:57:14,920 --> 00:57:17,160 Speaker 1: plane that flu under us a few days ago. It's 1110 00:57:17,160 --> 00:57:18,920 Speaker 1: a little too close for my comfort. I saw it 1111 00:57:19,000 --> 00:57:20,640 Speaker 1: coming and I was like, well, this ain't good. We 1112 00:57:20,640 --> 00:57:23,640 Speaker 1: were climbing. We were climbing at a rate that fought uncomfortable. 1113 00:57:23,640 --> 00:57:25,520 Speaker 1: But I was like, oh, something's up. We're going in 1114 00:57:25,560 --> 00:57:28,960 Speaker 1: the middle of a flight. We're pulling up and then 1115 00:57:28,960 --> 00:57:31,360 Speaker 1: I look over and there's a plane. Just listen. I'm 1116 00:57:31,360 --> 00:57:33,640 Speaker 1: being a little dramatic, but it was just coming at us. Yeah, 1117 00:57:33,760 --> 00:57:36,160 Speaker 1: that's why you were climbing. Then, yes, get out of 1118 00:57:36,160 --> 00:57:38,440 Speaker 1: its way. Wow. And then we get up and then 1119 00:57:38,520 --> 00:57:42,160 Speaker 1: it goes under us. Anyway, it's crazy to me, with 1120 00:57:42,200 --> 00:57:45,320 Speaker 1: all the communication that you're doing, especially with air traffic 1121 00:57:45,320 --> 00:57:50,120 Speaker 1: control and knowing where other planes are. It is, it happens, 1122 00:57:50,200 --> 00:57:52,960 Speaker 1: But it is weird to me that they collide because 1123 00:57:52,960 --> 00:57:54,560 Speaker 1: I mean, there's times you're going through a cloud you 1124 00:57:54,560 --> 00:57:57,160 Speaker 1: literally can't see what's around you, but you're relying on 1125 00:57:57,240 --> 00:58:00,080 Speaker 1: instruments and people to tell you. So it's weird that 1126 00:58:00,200 --> 00:58:02,360 Speaker 1: they hid. The weird thing to me is the pilots 1127 00:58:02,360 --> 00:58:04,080 Speaker 1: aren't really looking at the air ahead of them, right 1128 00:58:04,400 --> 00:58:06,920 Speaker 1: that little the board is up over their eyes. They 1129 00:58:06,920 --> 00:58:09,840 Speaker 1: can reach up and look over, but they're flying looking 1130 00:58:09,840 --> 00:58:12,400 Speaker 1: at machines. Yeah, it's not like a windshield. I feel 1131 00:58:12,400 --> 00:58:14,320 Speaker 1: like it should be the windshield. There was a flight 1132 00:58:14,640 --> 00:58:17,480 Speaker 1: last week or maybe early this week, since Friday. I 1133 00:58:17,880 --> 00:58:21,320 Speaker 1: get them confused, But there was a plane maybe in Atlanta, 1134 00:58:21,520 --> 00:58:24,720 Speaker 1: went up, caught some birds, slammed into the winter day 1135 00:58:24,760 --> 00:58:26,280 Speaker 1: to turn around to come back, and flew out one 1136 00:58:26,280 --> 00:58:30,360 Speaker 1: of the engines a massive airplane. Yea, a bird smashed in. 1137 00:58:30,400 --> 00:58:33,120 Speaker 1: And they were like, luckily this is the three plane 1138 00:58:33,160 --> 00:58:35,280 Speaker 1: and glass on the airplane. The birds don't smash through. 1139 00:58:36,240 --> 00:58:39,400 Speaker 1: American Idol has been renewed for another season. I saw 1140 00:58:39,440 --> 00:58:41,480 Speaker 1: that though they told me it was coming out the 1141 00:58:41,560 --> 00:58:45,880 Speaker 1: day before. So have you been renewed? No, I'm still 1142 00:58:45,880 --> 00:58:48,320 Speaker 1: on this season. Oh true. I didn't know if they 1143 00:58:48,360 --> 00:58:51,040 Speaker 1: approached you like, hey, no, and they won't I'm usually 1144 00:58:51,160 --> 00:58:54,240 Speaker 1: last to get approached, I think because we're trying to 1145 00:58:54,280 --> 00:58:56,840 Speaker 1: figure out one. I love that show and hopefully we 1146 00:58:56,880 --> 00:58:58,080 Speaker 1: can work out for me to come back. But I 1147 00:58:58,120 --> 00:58:59,800 Speaker 1: had to miss the first part of the season because 1148 00:58:59,840 --> 00:59:02,280 Speaker 1: I was doing my other show. And so if my 1149 00:59:02,360 --> 00:59:06,080 Speaker 1: show works out again, I don't know. But I'm excited 1150 00:59:06,080 --> 00:59:07,960 Speaker 1: of the show's coming back. So it'll be the twentieth 1151 00:59:08,040 --> 00:59:12,040 Speaker 1: year I believe. And so the article actually says no 1152 00:59:12,120 --> 00:59:14,520 Speaker 1: word if Katy Perry, Lionel Richie, Ryan Cecrest, and Luke 1153 00:59:14,560 --> 00:59:17,080 Speaker 1: Brian will join. I wasn't mentioned in the article, so 1154 00:59:17,120 --> 00:59:21,720 Speaker 1: I guess nobody gives a crap about me. I'm in 1155 00:59:21,760 --> 00:59:23,919 Speaker 1: the promo pictures. It's probably like one hundred and fifty 1156 00:59:23,920 --> 00:59:27,680 Speaker 1: words or less. Yeah, I have no idea, but the finale, 1157 00:59:28,000 --> 00:59:30,680 Speaker 1: I will not be on this Friday or the Sunday, 1158 00:59:30,720 --> 00:59:32,280 Speaker 1: but I will go out and be there for the 1159 00:59:32,320 --> 00:59:35,600 Speaker 1: finale the next Sunday. But congratulations, it's a show last 1160 00:59:35,640 --> 00:59:37,560 Speaker 1: twenty years. I know. I can't believe we're hitting that 1161 00:59:37,600 --> 00:59:40,160 Speaker 1: twenty year mark. I remember when it debuted, like how 1162 00:59:40,320 --> 00:59:44,520 Speaker 1: I mean, it was such a cultural like just so crazy. 1163 00:59:44,560 --> 00:59:47,200 Speaker 1: It's like when everybody talked about and everyone ready to 1164 00:59:47,280 --> 00:59:50,560 Speaker 1: want in to watch like a season two through six, 1165 00:59:51,680 --> 00:59:55,160 Speaker 1: we're massive, massive. The end of season one was really big. 1166 00:59:55,440 --> 00:59:57,240 Speaker 1: But at first you're just kind of figuring it out, going, 1167 00:59:57,240 --> 00:59:59,960 Speaker 1: all right, what's what's the show? My friends didn't watch 1168 00:59:59,920 --> 01:00:02,160 Speaker 1: the this guy named Simon Cowell. Yeah, it's real rude. 1169 01:00:02,200 --> 01:00:05,000 Speaker 1: But when season two started, everybody was in and there 1170 01:00:05,040 --> 01:00:07,760 Speaker 1: were there were six seven years that were just just 1171 01:00:08,560 --> 01:00:10,520 Speaker 1: it was all anyone talked about. You sat in front 1172 01:00:10,520 --> 01:00:14,280 Speaker 1: of the TV to watch American Idol five game, you 1173 01:00:14,280 --> 01:00:16,640 Speaker 1: would match up the contestants as to where they would 1174 01:00:16,680 --> 01:00:18,560 Speaker 1: fall out of the season. That year. You couldn't even 1175 01:00:18,560 --> 01:00:20,720 Speaker 1: say like, what's up dog without thinking about Randy Jackson. 1176 01:00:21,040 --> 01:00:25,800 Speaker 1: That's true too. A woman woke up and she heard 1177 01:00:25,840 --> 01:00:31,720 Speaker 1: some dripping, like it just kept dripping, and so she 1178 01:00:31,760 --> 01:00:33,240 Speaker 1: could stup. She turns a light on and it was 1179 01:00:33,280 --> 01:00:35,920 Speaker 1: blood and she's like, oh, So she looks up and 1180 01:00:35,920 --> 01:00:38,560 Speaker 1: it's dripping onto her ceiling fan and then dripping down. 1181 01:00:39,680 --> 01:00:42,720 Speaker 1: So the blood was getting spun all over the entire room. 1182 01:00:42,880 --> 01:00:48,200 Speaker 1: Stop it, what what is this? Yeah? Well police were called. 1183 01:00:48,920 --> 01:00:51,240 Speaker 1: They were like, well, there's nothing in your apartment, so 1184 01:00:51,280 --> 01:00:54,400 Speaker 1: they go above her they found the body of a 1185 01:00:54,440 --> 01:00:56,400 Speaker 1: man they say died of natural causes five or six 1186 01:00:56,480 --> 01:00:59,720 Speaker 1: days earlier. His body had been decomposing, dripping into her. 1187 01:01:00,040 --> 01:01:03,280 Speaker 1: Blood was going all over her in her own. Oh, 1188 01:01:03,320 --> 01:01:06,400 Speaker 1: I'm about to freak out that crazy. Oh, there's so 1189 01:01:06,440 --> 01:01:10,880 Speaker 1: many terrible things happening here, like that man. Nobody noticed 1190 01:01:10,920 --> 01:01:14,120 Speaker 1: for that long that he was gone. That's sad. And 1191 01:01:14,160 --> 01:01:18,320 Speaker 1: then also she needs to move, I mean, how does 1192 01:01:18,360 --> 01:01:21,040 Speaker 1: she recover from? Yeah, I know that's traumatic for sure. 1193 01:01:21,720 --> 01:01:26,480 Speaker 1: It's basically like waking up in a crime scene. Terrible. 1194 01:01:26,520 --> 01:01:29,520 Speaker 1: I mean, she called maintenance, emergency crews knocked down the 1195 01:01:29,680 --> 01:01:31,640 Speaker 1: door above her. That's where they found the guy. Cops 1196 01:01:31,640 --> 01:01:34,720 Speaker 1: are called. But they found the body of a man 1197 01:01:34,800 --> 01:01:36,600 Speaker 1: they say had died of natural causes five or six 1198 01:01:36,680 --> 01:01:39,800 Speaker 1: days earlier, decomposed through the carpet to the floor, dripped 1199 01:01:39,800 --> 01:01:41,720 Speaker 1: onto her ceiling. Fans of a spun around the room. 1200 01:01:42,080 --> 01:01:43,840 Speaker 1: How many days if you guys don't hear from me 1201 01:01:43,920 --> 01:01:46,080 Speaker 1: until you're coming to look for me. Last night, Caitlem's 1202 01:01:46,080 --> 01:01:47,640 Speaker 1: gone for thirty minutes. I was like, where are you, 1203 01:01:47,680 --> 01:01:52,360 Speaker 1: old micause we are basically joined at the hip, Okay, 1204 01:01:52,560 --> 01:01:55,920 Speaker 1: but for you, I don't know, you're pretty Sometimes we never. 1205 01:01:56,000 --> 01:01:57,440 Speaker 1: We don't know what you're up in a few days 1206 01:01:57,480 --> 01:02:01,479 Speaker 1: at least. Let's go talking about Mikey in Florida. Who's 1207 01:02:01,480 --> 01:02:03,480 Speaker 1: on the phone. Hey Mikey, just a second ago, we're 1208 01:02:03,480 --> 01:02:06,240 Speaker 1: talking about these two planes and they had crashed into 1209 01:02:06,240 --> 01:02:08,840 Speaker 1: each other in the air, two smaller planes over a 1210 01:02:08,880 --> 01:02:11,000 Speaker 1: private airport. What can you tell me about that? How 1211 01:02:11,040 --> 01:02:14,720 Speaker 1: in the world does that even happen? First off, good morning, Bobby, 1212 01:02:14,800 --> 01:02:19,320 Speaker 1: Good morning, studio morning. So there that's used in the 1213 01:02:19,480 --> 01:02:21,680 Speaker 1: ninety nine point nine are going to be pilot air 1214 01:02:22,040 --> 01:02:24,760 Speaker 1: because one thing people don't realize when they see airplanes 1215 01:02:24,760 --> 01:02:27,840 Speaker 1: flying is there's certain rules. There's two different flight rules. 1216 01:02:27,880 --> 01:02:30,800 Speaker 1: There's what's called VFR visual flight rules, which means you're 1217 01:02:30,800 --> 01:02:34,040 Speaker 1: flying by your site, and there's instrument flight rules for like, 1218 01:02:34,080 --> 01:02:36,520 Speaker 1: if you're in the clouds, you can't see anything. So 1219 01:02:36,960 --> 01:02:39,600 Speaker 1: depending on which one you fly, if you fly, if 1220 01:02:39,600 --> 01:02:41,800 Speaker 1: you're going you have a compass that goes from zero 1221 01:02:41,840 --> 01:02:44,720 Speaker 1: to three hundred and sixty degrees, if you're flying from 1222 01:02:44,800 --> 01:02:47,880 Speaker 1: point zero zero one degree to one hundred and eighty degrees, 1223 01:02:47,920 --> 01:02:49,520 Speaker 1: I can't remember which one it is, but you have 1224 01:02:49,600 --> 01:02:53,080 Speaker 1: to be at an even number. So if you were 1225 01:02:53,120 --> 01:02:55,560 Speaker 1: flying an instrument like a passenger jet like you're on. 1226 01:02:55,960 --> 01:02:58,840 Speaker 1: You'd be flying at twenty thousand feet or twenty two thousand, 1227 01:02:58,960 --> 01:03:02,360 Speaker 1: twenty four thousand. If you're flying the visual flight rules, 1228 01:03:02,360 --> 01:03:04,640 Speaker 1: which means you're just a regular pilot and you're looking 1229 01:03:04,640 --> 01:03:07,160 Speaker 1: out of your window and seeing everything, then it would 1230 01:03:07,160 --> 01:03:10,200 Speaker 1: be the same even number, but five hundred, So you'd 1231 01:03:10,200 --> 01:03:13,440 Speaker 1: be at twenty thousand and five twenty two thousand, five hundred. 1232 01:03:13,920 --> 01:03:16,200 Speaker 1: If you're going from one hundred and eighty one degrees 1233 01:03:16,520 --> 01:03:19,400 Speaker 1: to three hundred and sixty degrees, then it's going to 1234 01:03:19,440 --> 01:03:21,560 Speaker 1: be an odd numbered one. And so that's how they 1235 01:03:21,640 --> 01:03:24,400 Speaker 1: keep apart. It keep separation that way, and it allows 1236 01:03:24,440 --> 01:03:27,080 Speaker 1: them to stay at least a thousand feet apart. Yeah, 1237 01:03:27,080 --> 01:03:28,520 Speaker 1: I got lost a long time ago, but I do 1238 01:03:28,600 --> 01:03:30,560 Speaker 1: trust that you know what you're talking about, because you 1239 01:03:30,600 --> 01:03:32,440 Speaker 1: sound like a smart guy. All I know is the 1240 01:03:32,480 --> 01:03:34,160 Speaker 1: two planes crashed into each other, and I'm like, there's 1241 01:03:34,160 --> 01:03:36,040 Speaker 1: a lot of airspace here. They were definitely not a 1242 01:03:36,120 --> 01:03:39,880 Speaker 1: thousand feet apart. And luckily that's like, doesn't dark spentally 1243 01:03:39,880 --> 01:03:41,440 Speaker 1: have one of those airplanes with a parachute on it? 1244 01:03:41,600 --> 01:03:44,080 Speaker 1: He did at one point. He may still have it, 1245 01:03:44,120 --> 01:03:46,600 Speaker 1: but I think he upgraded to different one. But I've 1246 01:03:46,840 --> 01:03:49,920 Speaker 1: like my husband flies one of those with the parachute thingy, 1247 01:03:50,040 --> 01:03:54,480 Speaker 1: which I've done. It's got one. It's one propeller. But you, 1248 01:03:54,800 --> 01:03:57,440 Speaker 1: I guess, feel safer because you have the parachute option 1249 01:03:57,520 --> 01:03:59,440 Speaker 1: in case something happens. I thought the guy jumped out 1250 01:03:59,440 --> 01:04:00,920 Speaker 1: of the plane when I read it, it it was like parachute. 1251 01:04:00,920 --> 01:04:03,720 Speaker 1: I thought it was like, oh, crapo and then jumped 1252 01:04:03,720 --> 01:04:05,880 Speaker 1: out and you know, pulled it himself. Yeah, no, no, no. 1253 01:04:06,200 --> 01:04:08,320 Speaker 1: There's a thing at the top, like at the roof, 1254 01:04:08,360 --> 01:04:10,280 Speaker 1: and you pull that down and boop. It gives the 1255 01:04:10,280 --> 01:04:12,439 Speaker 1: parachute or the plane of parachute. If I was flying, 1256 01:04:12,440 --> 01:04:14,080 Speaker 1: if I hit a little bit tourbulance, I'd pull it 1257 01:04:15,120 --> 01:04:17,920 Speaker 1: like I'm scared. They're like, hey man, we can't let 1258 01:04:17,920 --> 01:04:20,640 Speaker 1: you for much longer. Pulling tempted. I think that's an 1259 01:04:20,640 --> 01:04:25,480 Speaker 1: expensive pull. What use it? Wisely? I get scared. Sarah 1260 01:04:25,480 --> 01:04:28,560 Speaker 1: in Florida is on Good Morning, Sarah, thank you for 1261 01:04:28,600 --> 01:04:32,280 Speaker 1: calling the Bobby Bones Show. What's going on? How are y'all? 1262 01:04:32,680 --> 01:04:34,560 Speaker 1: We are doing awesome? What do you want to say? 1263 01:04:35,880 --> 01:04:38,560 Speaker 1: I love your song with John Party. I just as 1264 01:04:38,600 --> 01:04:40,720 Speaker 1: I was listening to it. I went onto iTunes and 1265 01:04:40,760 --> 01:04:42,360 Speaker 1: I bought it. That's the first time I've heard it. 1266 01:04:42,360 --> 01:04:45,680 Speaker 1: I love it. Well. Thank you. We are shocked that 1267 01:04:45,840 --> 01:04:48,840 Speaker 1: it is taking on, like I think Radiotiations should play 1268 01:04:48,840 --> 01:04:50,440 Speaker 1: it by the amount of I not really ever say 1269 01:04:50,440 --> 01:04:52,560 Speaker 1: that about our stuff. It's just dopey stuff, but we're 1270 01:04:52,600 --> 01:04:55,400 Speaker 1: getting so many streams and people are calling up. We 1271 01:04:55,480 --> 01:04:56,960 Speaker 1: just wrote that and it was like, this would funny. 1272 01:04:56,960 --> 01:04:58,600 Speaker 1: It's about all this stuff. You can't say any country song, 1273 01:04:58,680 --> 01:05:00,840 Speaker 1: so people don't write country songs like this. And then 1274 01:05:00,920 --> 01:05:02,760 Speaker 1: John's like, I'll sing on it, and so we went 1275 01:05:02,760 --> 01:05:04,720 Speaker 1: to the studio one day and sang it and there 1276 01:05:04,720 --> 01:05:06,520 Speaker 1: it is. But thank you very much for that. We 1277 01:05:06,560 --> 01:05:08,680 Speaker 1: really appreciate that. I wonder what chart it's on in 1278 01:05:08,680 --> 01:05:12,400 Speaker 1: the iTunes chart, the comedy or country, because comedy we 1279 01:05:12,480 --> 01:05:15,120 Speaker 1: can win. I feel like since John's on there, it 1280 01:05:15,160 --> 01:05:17,000 Speaker 1: should be in country. You think, so can it be 1281 01:05:17,040 --> 01:05:19,400 Speaker 1: on both? Yeah? I don't think so. Really not in 1282 01:05:19,400 --> 01:05:21,640 Speaker 1: the iTunes I don't think, so go download it. Let's 1283 01:05:21,640 --> 01:05:24,160 Speaker 1: do it. Thank you guys for listening to the show today. 1284 01:05:24,400 --> 01:05:26,160 Speaker 1: I do I will play one more thing here and 1285 01:05:26,280 --> 01:05:28,760 Speaker 1: a new promo for our episode of Running Wild with 1286 01:05:28,840 --> 01:05:31,280 Speaker 1: Bear Girls, which is Monday night on nat GEO at 1287 01:05:31,360 --> 01:05:34,280 Speaker 1: nine to eighth Central. Please watch. And I'm excited about 1288 01:05:34,280 --> 01:05:35,960 Speaker 1: it because Caitlin's on it with me. It's really her 1289 01:05:35,960 --> 01:05:39,320 Speaker 1: first time ever on TV. And so here is a clip. 1290 01:05:39,440 --> 01:05:43,600 Speaker 1: We have to go down this massive cliff and it stinks, 1291 01:05:44,000 --> 01:05:47,120 Speaker 1: not not in my nose, but it just is. It's 1292 01:05:47,200 --> 01:05:49,200 Speaker 1: terrible to have to do. Here's a clip of that. 1293 01:05:49,520 --> 01:05:52,720 Speaker 1: He accidentally let's go. We fall all the week in crisis. 1294 01:05:52,760 --> 01:05:54,960 Speaker 1: Two people take different roles and you're freaking out and 1295 01:05:55,000 --> 01:05:58,160 Speaker 1: luckily for me, I'm also freaking out. We're gonna get 1296 01:05:58,200 --> 01:05:59,760 Speaker 1: through this. That's a lot of trust. You have to 1297 01:05:59,760 --> 01:06:02,720 Speaker 1: just back into the road. I don't want to hear that. Well, 1298 01:06:02,760 --> 01:06:06,720 Speaker 1: hopefully I will be your rope. Welcome, I'm losing you, 1299 01:06:07,000 --> 01:06:14,400 Speaker 1: Welcome running while the marriage school. There you go. I'm 1300 01:06:14,440 --> 01:06:16,600 Speaker 1: gonna be ner. You know how you get nervous again. 1301 01:06:17,600 --> 01:06:19,560 Speaker 1: It makes me nervous to hear that again because knowing 1302 01:06:19,600 --> 01:06:22,560 Speaker 1: what it takes you back, it is terrible. It's so scary. 1303 01:06:23,200 --> 01:06:25,040 Speaker 1: Love Bear, Love the show. Hope you guys watched nine 1304 01:06:25,040 --> 01:06:31,400 Speaker 1: eighth Central on Monday, Bobby show downhead Sorry up to 1305 01:06:31,520 --> 01:06:35,400 Speaker 1: day This story comes to us from Lima, Ohio. A 1306 01:06:35,560 --> 01:06:38,120 Speaker 1: man was wanted for drunk driving and he didn't show 1307 01:06:38,200 --> 01:06:40,800 Speaker 1: up to court, so police put out his mugshot, said hey, 1308 01:06:40,840 --> 01:06:43,560 Speaker 1: we're looking for this guy. And he didn't like the picture, 1309 01:06:43,640 --> 01:06:45,800 Speaker 1: so he sent him a selfie and said, Yo, that 1310 01:06:45,840 --> 01:06:49,720 Speaker 1: picture is terrible, terrible. Use this one. He was caught 1311 01:06:49,760 --> 01:06:53,240 Speaker 1: two days later. How did he send the selfie cell phone? 1312 01:06:53,440 --> 01:06:56,480 Speaker 1: He just texted it over. Yeah, so they were able 1313 01:06:56,520 --> 01:06:58,800 Speaker 1: to locate him down in Florida. I mean, I get it, 1314 01:06:58,800 --> 01:07:00,080 Speaker 1: you don't want a bad picture of you out. You 1315 01:07:00,120 --> 01:07:02,400 Speaker 1: wanted to make sure he looked good. But if you're 1316 01:07:02,400 --> 01:07:06,280 Speaker 1: on the run, handle that later. Use this one. All right, 1317 01:07:06,280 --> 01:07:08,320 Speaker 1: thank you. I'm lunchboxed out your bone head story of 1318 01:07:08,360 --> 01:07:12,280 Speaker 1: the day. If he knew Kobe Bryant is, Yeah, played 1319 01:07:12,600 --> 01:07:15,800 Speaker 1: played for what team? Lakers? Good? He died? Yes, And 1320 01:07:15,840 --> 01:07:19,240 Speaker 1: so Michael Jordan is talking about how he can't delete 1321 01:07:19,280 --> 01:07:22,000 Speaker 1: the texts that he got from Kobe's I just can't 1322 01:07:22,040 --> 01:07:25,160 Speaker 1: do it, and so he's out going. You know, he 1323 01:07:25,240 --> 01:07:27,320 Speaker 1: sent him to me, but I'm not going to delete 1324 01:07:27,320 --> 01:07:28,960 Speaker 1: them from my phone because I feel like that's some 1325 01:07:29,040 --> 01:07:30,760 Speaker 1: sort and we've talked about that before. With our parents 1326 01:07:30,800 --> 01:07:32,880 Speaker 1: who have passed away. Yeah, but I have one. And 1327 01:07:32,920 --> 01:07:35,240 Speaker 1: I was just talking about this maybe a couple days 1328 01:07:35,240 --> 01:07:37,720 Speaker 1: ago my podcast. I just won't delete this Joe Diffy 1329 01:07:37,800 --> 01:07:41,400 Speaker 1: message I got. Really it was a direct message on Instagram, 1330 01:07:41,520 --> 01:07:44,080 Speaker 1: kind of before we became buds, and he was like, hey, 1331 01:07:44,080 --> 01:07:46,000 Speaker 1: are you at this game. I'll read it to you here. 1332 01:07:46,640 --> 01:07:49,400 Speaker 1: But if I delete all my messages in my you 1333 01:07:49,440 --> 01:07:51,000 Speaker 1: know that folder, I feel like I'm gonna lose this. 1334 01:07:51,040 --> 01:07:52,200 Speaker 1: And I can take a picture of it, but it 1335 01:07:52,240 --> 01:07:54,880 Speaker 1: just feels I mean and Michael Jorge, I take a 1336 01:07:54,880 --> 01:07:56,600 Speaker 1: picture of Kobe's team. Yeah, you know, it's different like 1337 01:07:56,600 --> 01:07:59,720 Speaker 1: having it there. He said, Uh, I figured you'd be 1338 01:07:59,720 --> 01:08:01,360 Speaker 1: thrown out the first pitch. We're here behind the dug 1339 01:08:01,360 --> 01:08:04,680 Speaker 1: out come over. And that was it. And so that 1340 01:08:04,680 --> 01:08:06,479 Speaker 1: was kind of when we started to become buds because 1341 01:08:06,520 --> 01:08:08,080 Speaker 1: his daughter was a massive fan of the show. Then 1342 01:08:08,120 --> 01:08:10,160 Speaker 1: he became a fan of the show, and then we 1343 01:08:10,160 --> 01:08:13,920 Speaker 1: would play the opery at the same time. Just love 1344 01:08:14,000 --> 01:08:17,479 Speaker 1: Joe Diffy. It was actually for a personal reason sad 1345 01:08:17,520 --> 01:08:19,400 Speaker 1: when he died, because sometimes people die that's famous and 1346 01:08:19,400 --> 01:08:20,720 Speaker 1: you're like, oh man, that stinks. We don't have a 1347 01:08:20,720 --> 01:08:23,560 Speaker 1: real connection other than you have consumed their product or 1348 01:08:23,560 --> 01:08:27,680 Speaker 1: watch Kobe play basketball. But we're doing a podcast next 1349 01:08:27,680 --> 01:08:29,920 Speaker 1: week about best truck songs of all time, and I 1350 01:08:29,920 --> 01:08:32,479 Speaker 1: do have Joe Diffy in mine. What there it is 1351 01:08:32,520 --> 01:08:42,840 Speaker 1: right there? Pick up? Yeah. Still, I won't tell you 1352 01:08:42,840 --> 01:08:45,599 Speaker 1: where it landed. But we are doing best truck songs, 1353 01:08:45,600 --> 01:08:47,599 Speaker 1: and that's that's one of mine. What would your best 1354 01:08:47,640 --> 01:08:50,639 Speaker 1: truck song to be? That ain't my truck? That ain't 1355 01:08:50,680 --> 01:08:55,080 Speaker 1: my truck? In her drive Red Aikins, Yes, what would 1356 01:08:55,080 --> 01:08:59,920 Speaker 1: you put Eddie? I mean, does Collard Green's count everything count? 1357 01:09:00,000 --> 01:09:02,160 Speaker 1: It's because some of mine, I'll tell you, And it 1358 01:09:02,280 --> 01:09:05,839 Speaker 1: won't come out until this Friday today at Parkner McCallum 1359 01:09:05,920 --> 01:09:08,360 Speaker 1: on for an hour, which is fantastic. But next Friday 1360 01:09:08,360 --> 01:09:11,000 Speaker 1: it's me and Travis Denning and I put Jake jaco 1361 01:09:11,040 --> 01:09:13,960 Speaker 1: on eight second ride in there simply because like, watch 1362 01:09:13,960 --> 01:09:16,839 Speaker 1: out for my dip cup. Yea, So it can be anything. 1363 01:09:17,600 --> 01:09:19,200 Speaker 1: I don't think it's called Collar Greens, It's called the 1364 01:09:19,240 --> 01:09:22,000 Speaker 1: Good Directions. Yeah yeah, But where does he say anything 1365 01:09:22,000 --> 01:09:24,680 Speaker 1: about a truck in that good Oh he's sitting on 1366 01:09:24,680 --> 01:09:28,519 Speaker 1: the side of the Robi in this pickup truck. Okay, Oh, yeah, 1367 01:09:28,560 --> 01:09:35,559 Speaker 1: see it. I'm gonna pickup true. That's a good song, 1368 01:09:35,680 --> 01:09:38,840 Speaker 1: good directions, and a fun fact. Luke Bryan wrote it 1369 01:09:39,160 --> 01:09:43,519 Speaker 1: a fun fact. Willie Nelson wrote crazy. We're trying to 1370 01:09:43,520 --> 01:09:45,000 Speaker 1: bring that up at least once a week, you know. 1371 01:09:46,840 --> 01:09:52,919 Speaker 1: All right, let's do flashback Friday. Here we go, Flashback Friday. 1372 01:09:53,720 --> 01:09:56,320 Speaker 1: The year was two thousand and four, Amy, Where were 1373 01:09:56,320 --> 01:09:58,559 Speaker 1: you in two thousand and four? Oh? Man, I was 1374 01:09:59,080 --> 01:10:02,920 Speaker 1: living with my s I'd recently graduated college, and it 1375 01:10:03,000 --> 01:10:04,920 Speaker 1: was a year before I met you. What about you 1376 01:10:05,960 --> 01:10:09,080 Speaker 1: in Austin? I'd been out of college a year and 1377 01:10:09,080 --> 01:10:11,559 Speaker 1: a half or so. I was doing mornings. Probably shouldn't 1378 01:10:11,560 --> 01:10:13,840 Speaker 1: be doing mornings. Oh, I was listening to you while 1379 01:10:13,840 --> 01:10:17,560 Speaker 1: I was at my sister's house looking for a job. Yeah, 1380 01:10:17,600 --> 01:10:20,280 Speaker 1: and I was trying to figure out this job. I'd 1381 01:10:20,320 --> 01:10:22,720 Speaker 1: been in a little trouble, not with the law, but 1382 01:10:22,760 --> 01:10:26,400 Speaker 1: with well mornings and doing radio. I've done a couple 1383 01:10:26,400 --> 01:10:28,599 Speaker 1: of dumb things. That's where I was, Eddie, Where were 1384 01:10:28,600 --> 01:10:31,519 Speaker 1: you Austin? Didn't know who you were? As a year 1385 01:10:31,560 --> 01:10:33,280 Speaker 1: before I met you. I was doing news man. I 1386 01:10:33,320 --> 01:10:35,240 Speaker 1: was carrying that camera in my shoulder, going from news 1387 01:10:35,280 --> 01:10:37,360 Speaker 1: story to news story. So you were a cameraman as 1388 01:10:37,439 --> 01:10:39,960 Speaker 1: I was. Were you insulted when people called you a cameraman? Yeah, 1389 01:10:40,040 --> 01:10:42,240 Speaker 1: that's what I was. And I was a satellite truck operator, 1390 01:10:42,280 --> 01:10:43,880 Speaker 1: so I would drive the big truck and if we 1391 01:10:43,880 --> 01:10:46,120 Speaker 1: had to go live, I would get that satellite connected 1392 01:10:46,120 --> 01:10:48,200 Speaker 1: and we'd go live in seconds. Did you have a 1393 01:10:48,200 --> 01:10:51,519 Speaker 1: favorite reporter? He liked working with a couple of them. 1394 01:10:51,560 --> 01:10:53,200 Speaker 1: There were a couple of them that had were driven 1395 01:10:53,240 --> 01:10:55,120 Speaker 1: and I really liked working with them. The other ones, 1396 01:10:55,120 --> 01:10:56,559 Speaker 1: there were some kind of like people that just cared 1397 01:10:56,640 --> 01:10:58,400 Speaker 1: how they looked all the time and not really cared 1398 01:10:58,400 --> 01:11:00,519 Speaker 1: about stories. I was that journal list man. I was 1399 01:11:00,520 --> 01:11:02,800 Speaker 1: a journalist at heart, and I wanted that good storyteller. 1400 01:11:02,840 --> 01:11:05,040 Speaker 1: Who is one of your favorite reporters. I think one 1401 01:11:05,040 --> 01:11:09,880 Speaker 1: of my favorites probably was back then Jittenhangerani was really good. 1402 01:11:10,000 --> 01:11:12,679 Speaker 1: And then Todd Boatwright, who was an anchor at the time. 1403 01:11:12,800 --> 01:11:15,920 Speaker 1: To Todd Boatwright, he was cool, all right. This is 1404 01:11:16,000 --> 01:11:18,240 Speaker 1: the number one song on this day in two thousand 1405 01:11:18,280 --> 01:11:22,040 Speaker 1: and four. In country music, Gretchen Wilson Redneck Woman, Zomi. 1406 01:11:32,840 --> 01:11:36,000 Speaker 1: The biggest pop song is from Maroon five, way before 1407 01:11:36,000 --> 01:11:45,320 Speaker 1: they sold out. This is this Love and the biggest 1408 01:11:45,320 --> 01:11:47,960 Speaker 1: thing in pop culture. Frasier aired its final episode after 1409 01:11:48,000 --> 01:11:50,840 Speaker 1: eleven years on the air. Thirty three point seven million 1410 01:11:50,880 --> 01:11:54,160 Speaker 1: people twoed in for the final episode, titled good Night Seattle. 1411 01:11:54,920 --> 01:11:57,479 Speaker 1: I never really watched Frazier Henry runs a little bit. 1412 01:11:57,479 --> 01:11:59,439 Speaker 1: I always felt like it was too high brow, like 1413 01:11:59,479 --> 01:12:01,400 Speaker 1: I was watching Home Approvement. But he was like a 1414 01:12:01,520 --> 01:12:04,320 Speaker 1: radio host, right, he had a radio show because he 1415 01:12:04,360 --> 01:12:07,160 Speaker 1: was a therapist Seattle. I'm listening. Yeah, yeah, that was 1416 01:12:07,200 --> 01:12:09,720 Speaker 1: about his radio show. Yeah, he was a therapist on 1417 01:12:09,720 --> 01:12:14,719 Speaker 1: the radio. Yes, and he was the same character on Cheers. Yes, Okay, 1418 01:12:14,720 --> 01:12:17,080 Speaker 1: I moved from Boston over to Seattle. Okay, I've never 1419 01:12:17,080 --> 01:12:19,240 Speaker 1: watched it, so I don't know. I've seen it in reruns. 1420 01:12:19,240 --> 01:12:21,280 Speaker 1: But again, I always felt like it was too you know, 1421 01:12:21,400 --> 01:12:25,679 Speaker 1: high class for me. Could you get into it now, okay, 1422 01:12:25,680 --> 01:12:28,400 Speaker 1: because sometimes we go back and show it though now, Okay, 1423 01:12:28,400 --> 01:12:34,040 Speaker 1: well I'm sure it could be. But yeah, no the answers, No, No, 1424 01:12:34,360 --> 01:12:36,880 Speaker 1: all right, that's what's up, Amy, what's happening this weekend? Um, 1425 01:12:36,880 --> 01:12:41,240 Speaker 1: We've got a wedding tonight and then my in laws 1426 01:12:41,280 --> 01:12:43,240 Speaker 1: are coming into town, and I think we have a 1427 01:12:43,280 --> 01:12:45,080 Speaker 1: birthday party which is a big deal because it's the 1428 01:12:45,120 --> 01:12:47,880 Speaker 1: roller skating rink and this is like this. You know, 1429 01:12:48,040 --> 01:12:51,720 Speaker 1: COVID times are getting further and further behind us. Times 1430 01:12:51,760 --> 01:12:55,120 Speaker 1: are over masks. Yeah, well, no one's required to wear 1431 01:12:55,120 --> 01:12:57,439 Speaker 1: a masks. I know. I still I still carry my mask. 1432 01:12:58,080 --> 01:13:00,840 Speaker 1: I want to put it on if I know too. 1433 01:13:00,479 --> 01:13:03,479 Speaker 1: What about you? Uh, we have a we're trying to 1434 01:13:03,479 --> 01:13:05,120 Speaker 1: figure out we're gonna go in our honeymoon, so we 1435 01:13:05,160 --> 01:13:06,479 Speaker 1: have a meeting about that today. Then I have the 1436 01:13:06,520 --> 01:13:08,479 Speaker 1: grand Ole Operate tomorrow. You can watch it on Peacock. 1437 01:13:08,560 --> 01:13:12,879 Speaker 1: Speaking of Peacock Opry tomorrow night. Just go to Peacock, 1438 01:13:12,960 --> 01:13:15,080 Speaker 1: look for the Circle Network and we'll be there. I 1439 01:13:15,120 --> 01:13:19,160 Speaker 1: think it starts at seven seven, seven or eight seven 1440 01:13:19,240 --> 01:13:21,120 Speaker 1: or eight. The opera runs all night, but that show 1441 01:13:21,160 --> 01:13:24,120 Speaker 1: is an hour long. That's I'm gonna leave it there, 1442 01:13:24,400 --> 01:13:25,599 Speaker 1: all right, You guys, have a good day. We'll see 1443 01:13:25,600 --> 01:13:33,960 Speaker 1: tomorrow by everybody. See see you Monday. Monday,