WEBVTT - Suddenly Susan?

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<v Speaker 1>It's nine oh gene one olgin with Jenny Garth and

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<v Speaker 1>Tory spelling. Hi nine O two one omg ors. Guess what?

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<v Speaker 1>Geez back, I'm back. It's destined to be a podcaster,

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<v Speaker 1>not a dancer.

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<v Speaker 2>You but you're a great dancer.

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<v Speaker 1>You did so good you can't. I mean, I was shocked.

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<v Speaker 2>I was shocked. You improved so much from that first

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<v Speaker 2>dance to the second dance. It was actually bananas.

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<v Speaker 3>Yeah, I'd like two or three more left in me though,

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<v Speaker 3>I'll show you. Guys.

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<v Speaker 2>Are you feeling a little better? Do you feel sad?

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<v Speaker 2>Do you feel what? Do you feel?

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<v Speaker 1>He's still so sad?

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<v Speaker 2>That's nah, I get it, Jenny. How far did you

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<v Speaker 2>make it?

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<v Speaker 4>Like?

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<v Speaker 2>Did you go.

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<v Speaker 1>Like or something?

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<v Speaker 4>Oh?

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<v Speaker 3>Wow, the semi finals?

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<v Speaker 2>But oh whoa.

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<v Speaker 1>I used to be a dancer in my younger years.

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<v Speaker 1>You have never danced.

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<v Speaker 3>This is true like.

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<v Speaker 1>That and it's hard, and I was so concerned about

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<v Speaker 1>you going in and just like the health part of

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<v Speaker 1>it all and your little body, and I know how

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<v Speaker 1>hard it is. So I'm just glad you're okay.

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<v Speaker 3>Jen. My body thrived. It was like, thank you, you're

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<v Speaker 3>doing something for me.

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<v Speaker 1>Okay.

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<v Speaker 3>It responded, I have muscle fighting. Oh my god, I

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<v Speaker 3>have muscles, and I have the need to keep dancing.

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<v Speaker 3>I have no outlet. I don't know what to do.

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<v Speaker 1>I know, once you get kicked off, you're like, wait,

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<v Speaker 1>but I want to dance more, and there's no where

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<v Speaker 1>are you gonna do that?

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<v Speaker 3>Just shut down, You're just I just go on Instagram.

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<v Speaker 3>I see all of them keep going and I'm.

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<v Speaker 2>Like, oh, well, well so your body felt better doing it.

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<v Speaker 2>That's interesting.

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<v Speaker 3>Oh my body like remembered like from thirty years ago

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<v Speaker 3>that I used to move Like wow, it was like radical.

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<v Speaker 1>Yeah, muscle memory is a real thing, and you like,

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<v Speaker 1>so maybe this will be a motivation for you to

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<v Speaker 1>work out.

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<v Speaker 3>Will not work out, but I'd like to keep dancing,

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<v Speaker 3>and I just don't. I don't have an outlet. I

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<v Speaker 3>don't know it.

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<v Speaker 1>You and I could dance and one of us could lead.

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<v Speaker 1>I just don't. I need somebody to leave me. I

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<v Speaker 1>don't know how to dance without somebody leading me.

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<v Speaker 3>Or we could dance and just had two people lead us. Amy,

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<v Speaker 3>are you on board?

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<v Speaker 2>Can you get us a dance podcast? You're just like yes,

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<v Speaker 2>That's what I'm saying, is like it's not that hard

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<v Speaker 2>to keep dancing. So many of those people even have

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<v Speaker 2>studios and classes they do. Yeah they do.

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<v Speaker 1>Wow, that might be a thing.

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<v Speaker 3>I feel for normal people. There needs to be like

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<v Speaker 3>a way to do it. It's not all right.

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<v Speaker 2>It's called dance classes. Have you guys never but it's not.

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<v Speaker 1>Wait a second, Amy, have you ever been to a

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<v Speaker 1>dance class? First of all, uh huh's an adult no.

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<v Speaker 2>Joy in Motion right down the road for me has

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<v Speaker 2>adult dance classes. And I see them because they do.

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<v Speaker 2>There's like an outdoor stage and when the weather's nice,

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<v Speaker 2>I see all the moms like doing their dancing. It's

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<v Speaker 2>not like ballroom but exactly there's the reason.

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<v Speaker 3>Nope, I mean, what's that class that's been around forever?

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<v Speaker 3>It's and like shopping malls, but it's couples like seventy

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<v Speaker 3>and over that go and do their little.

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<v Speaker 1>Robert or no, you know what I mean. It's a name,

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<v Speaker 1>the name of it.

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<v Speaker 2>A lot of those dancers on Dancing with the Stars

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<v Speaker 2>started there. What's his name?

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<v Speaker 1>Are there?

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<v Speaker 2>Yes? Thank you Jenny for the Wynn who has the.

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<v Speaker 3>Most memory of all.

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<v Speaker 4>Gonna memory my memory for being a drug addict.

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<v Speaker 1>Wow, oh god, yeah, we should breakface this uh this

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<v Speaker 1>recap by saying trigger alert.

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<v Speaker 2>You went down and you went down fast and hard fast.

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<v Speaker 3>Yeah.

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<v Speaker 1>We I don't know, Amy, did you read any comments

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<v Speaker 1>from last week or how are people with well?

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<v Speaker 2>I think are better. I think better. I didn't see

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<v Speaker 2>anything super negative so about Yeah, some people felt like

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<v Speaker 2>we were taking it a little bit joke joking, but

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<v Speaker 2>it isn't a joke, which we agree. It isn't a joke.

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<v Speaker 2>It's just a little of how nine o two one

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<v Speaker 2>of sometimes does things is not a little Sophie is

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<v Speaker 2>a great, great way to say it.

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<v Speaker 1>Yeah, yeah, and just so fast. So we were kind

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<v Speaker 1>of you know how we do on this podcast. We

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<v Speaker 1>make fun of things that we did thirty years ago,

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<v Speaker 1>and so it's easy for me to make fun of it.

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<v Speaker 1>But then I have to remember that there are people

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<v Speaker 1>out there really struggling with addiction or love someone who

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<v Speaker 1>is and I don't I don't ever want to make

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<v Speaker 1>light of it. But it's just in the context of

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<v Speaker 1>this show and this character, and that's kind of what

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<v Speaker 1>we're sticking with.

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<v Speaker 2>I sort of remember it feeling more realistic. I didn't know,

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<v Speaker 2>so I was like, oh ah, that's what happens it.

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<v Speaker 1>Gets now, guys, this is I did it. Last week

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<v Speaker 1>Kelly jumped the shark. I stand by it.

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<v Speaker 3>No, yeah, you come back.

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<v Speaker 1>She does something no one she would not do.

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<v Speaker 3>No one is going to believe that did She did cocaine?

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<v Speaker 1>Yeah, and then she gets addicted to it, like in

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<v Speaker 1>five minutes.

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<v Speaker 2>I mean maybe it's real. Like you, it's in your genes.

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<v Speaker 2>You stepped into it and you go down hard and

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<v Speaker 2>you got this drug addict boyfriend. This episode is like,

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<v Speaker 2>we got to talk about it.

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<v Speaker 1>Okay, We're going to talk all about this episode right

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<v Speaker 1>after this.

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<v Speaker 2>iHeart Podcasts.

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<v Speaker 1>Listen on the iHeartRadio app. Okay. Season six, episode eighteen,

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<v Speaker 1>Snowbound aired January seventeen, nineteen ninety six.

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<v Speaker 3>Synopsis Stephen Clare have a need for speed that lands

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<v Speaker 3>them in the Last Lap traffic school. Meanwhile, the friend

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<v Speaker 3>group is concerned after Kelly and Colin go on a

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<v Speaker 3>drug induced shopping spree. Joe tells Donna don't worry when

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<v Speaker 3>it comes to his heart, but Susan and Brandon contemplate

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<v Speaker 3>publishing a football tell all.

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<v Speaker 1>Directed by chipchall is written by John well Blee.

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<v Speaker 2>Whoa I don't never heard any of those names before. Nope, okay,

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<v Speaker 2>I didn't really mention in the synopsis, but we find

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<v Speaker 2>out Susan's dark secret too.

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<v Speaker 1>Yeah, okay, so that's the connective tissue between her and

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<v Speaker 1>her ex boyfriend, that trauma in her life where.

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<v Speaker 2>That's what I remember?

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<v Speaker 1>Yeah, wow yeah. Yeah. Well, well I feel like I'm

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<v Speaker 1>there's so much to talk about. I feel like we

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<v Speaker 1>should just start at the top.

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<v Speaker 2>Yeah, let's just because there's so much.

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<v Speaker 1>We start at the beach house. Donna is frantically looking

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<v Speaker 1>for her keys because she's late to meet her dad

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<v Speaker 1>for lunch. Claire tells Donna that she is worried about

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<v Speaker 1>Kelly because she won't even answer her calls. And Claire

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<v Speaker 1>thinks Colin is still doing drugs and he's dragging Kelly

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<v Speaker 1>down with him.

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<v Speaker 2>Donna, real quick, sorry just saying or it doesn't even

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<v Speaker 2>I mean, Donna doesn't even miss that bird.

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<v Speaker 1>Where'd the bird go? They gave him to like a

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<v Speaker 1>pet place?

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<v Speaker 3>Fitness of that bird. Claire looks really great in that

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<v Speaker 3>motorcycle jacket though, shout out to that jacket.

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<v Speaker 2>And her hair is like as you guys are going shorter,

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<v Speaker 2>she's going longer.

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<v Speaker 3>She can get the memo.

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<v Speaker 2>Yeah, all right, so sorry I derailed us with the

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<v Speaker 2>bird thing. But okay, let's break it all down.

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<v Speaker 1>They're missing there. They noticed that Kelly's been gone for

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<v Speaker 1>two weeks, and it's so weird that Donna says, I

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<v Speaker 1>haven't even talked to her for like two weeks, and

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<v Speaker 1>that's just come on, that's not their best friends. So

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<v Speaker 1>that doesn't track.

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<v Speaker 2>But again in the roommates, like, if you didn't see

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<v Speaker 2>your roommate for that long, you would definitely be like, yeah, so.

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<v Speaker 1>We see we see why though. Kelly and conn are

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<v Speaker 1>in bed with lines of coke on the nightstand and

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<v Speaker 1>Kelly clowns, oh my god, just like drug sex frenzy

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<v Speaker 1>over there, but its apartment.

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<v Speaker 2>Did Claire kind of call it out though, doesn't she say?

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<v Speaker 2>Something's not right? Yeah, Donna's worried about killing Donna's.

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<v Speaker 3>Donna's like, she's fine. I'm seeing her in two weeks,

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<v Speaker 3>so she's fine.

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<v Speaker 2>So I think Donna even says she would never do that,

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<v Speaker 2>and we get yeah, wrong, Donna.

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<v Speaker 1>Donna and everybody else in the episode, all the characters

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<v Speaker 1>except valvl knows what's up with the gifts.

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<v Speaker 2>But yeah, so we get right into it like here

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<v Speaker 2>we are boom, she's into drugs.

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<v Speaker 1>Bam, boom bam.

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<v Speaker 4>Uh.

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<v Speaker 1>We see Susane and Brandon running and I'm guessing that

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<v Speaker 1>they're supposed to be running in Beverly Hills, but uh,

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<v Speaker 1>that is not what Beverly Hills looks like. You guys,

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<v Speaker 1>where is that? That's alta Dinna for sure.

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<v Speaker 2>Brandon is wearing so many bracelets to run in. Yeah,

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<v Speaker 2>over chunky heavy bracelet. I mean what, I can't even

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<v Speaker 2>run with a one ring on. I'm like, that's.

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<v Speaker 1>Because he was running for like two seconds intervals during

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<v Speaker 1>action and cut. But yeah, I did. I think that

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<v Speaker 1>you would probably take off all your jewels to go

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<v Speaker 1>on a chalk.

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<v Speaker 2>Oh. They really were going for it, and that's.

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<v Speaker 1>When we see Susan have her flashback.

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<v Speaker 2>It all happen that fast? Well, oh, because they stumble

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<v Speaker 2>into a car accident where a car accident hit a

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<v Speaker 2>person and I'm sorry they put a sheet over that person.

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<v Speaker 1>That means they're it did yes, Like that was like.

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<v Speaker 2>A bit aggressive. It's like what they just showed us

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<v Speaker 2>a dead body?

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<v Speaker 1>Yeah, that would upset anyone, but it really upsets his

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<v Speaker 1>and because it sent her back to that memory. Of

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<v Speaker 1>her sister dying from the exact same thing, and it.

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<v Speaker 3>Didn't even know she had a sister.

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<v Speaker 1>Nobody did.

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<v Speaker 2>Wasn't the sister at Stanford. She was like going to

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<v Speaker 2>be a doctor or something, and Susan really living in

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<v Speaker 2>her shadow. We get a lot of background on Susan and.

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<v Speaker 1>Very very short period time in one minute, then we

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<v Speaker 1>have the entire run.

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<v Speaker 3>Daring to her like tear white. They were like on

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<v Speaker 3>points she did.

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<v Speaker 2>I'm not invested in her, which is so interesting, Like

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<v Speaker 2>you were before, I've always been kind of I don't

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<v Speaker 2>care about Susan. Yeah, but you liked her, It's not

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<v Speaker 2>I don't think so. Suzanne Keith Susan Susan keys and keats.

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<v Speaker 1>That does not sound right, you guys, What is happening?

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<v Speaker 1>Hold on Susan? Is her name?

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<v Speaker 2>Yes?

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<v Speaker 1>No, I don't believe you. I'm gonna go back.

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<v Speaker 3>Real name is Field.

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<v Speaker 2>But what do you mean that?

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<v Speaker 1>Am mccau feel Susan?

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<v Speaker 2>Her name is Susan? Yeah?

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<v Speaker 3>I really needed She doesn't look like a Susan, right,

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<v Speaker 3>absolutely not.

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<v Speaker 2>Her name is Susan. And I'm not invested in here,

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<v Speaker 2>and clearly neither are you.

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<v Speaker 1>There, Like I don't even know.

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<v Speaker 3>I feel like you both were like, oh, she's so frisky.

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<v Speaker 3>I checked her for Brandon frisky energy.

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<v Speaker 1>Sure, but you were always not on board with Susan

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<v Speaker 1>Keats who me no Amy.

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<v Speaker 2>Because I I know she existed, but I don't really

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<v Speaker 2>remember her. I remember Joe, I remember Ray, I even

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<v Speaker 2>remember dumb calling.

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<v Speaker 3>But Susan your boys girlfriends, I don't know. Like it's

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<v Speaker 3>just you mix her up with that who later? Who

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<v Speaker 3>was later?

0:12:52.040 --> 0:12:54.760
<v Speaker 2>When she comes next season, which I sort of think

0:12:54.840 --> 0:12:57.240
<v Speaker 2>she's cute, the one that comes next season?

0:12:57.360 --> 0:12:58.520
<v Speaker 1>Who's coming next season?

0:12:59.200 --> 0:12:59.760
<v Speaker 2>I'm not gonna run.

0:13:00.360 --> 0:13:01.840
<v Speaker 3>I'll tell you you don't remember.

0:13:02.400 --> 0:13:04.240
<v Speaker 2>No, I don't remember her name, but I don't remember you?

0:13:04.440 --> 0:13:06.360
<v Speaker 1>Are you guys? I won't remember you told me?

0:13:07.080 --> 0:13:10.120
<v Speaker 2>So here's my thing. We learned this dramatic thing about Susan,

0:13:10.120 --> 0:13:12.320
<v Speaker 2>and keep me honest, you guys, tell me if I'm wrong.

0:13:13.000 --> 0:13:15.640
<v Speaker 2>I was like, oh, that's sad, that's really sad, but

0:13:15.720 --> 0:13:18.520
<v Speaker 2>like I didn't care. Like last week we were crying.

0:13:18.600 --> 0:13:20.720
<v Speaker 2>I was crying in the episode over Kelly and her

0:13:20.800 --> 0:13:24.400
<v Speaker 2>dad and the whole thing. But this one, I'm like,

0:13:24.440 --> 0:13:25.120
<v Speaker 2>but you haven't.

0:13:25.640 --> 0:13:28.360
<v Speaker 1>I haven't had the audience get invested in her character

0:13:28.440 --> 0:13:31.240
<v Speaker 1>that much, So it makes sense that you wouldn't care

0:13:31.240 --> 0:13:32.920
<v Speaker 1>about her as much as you would one of the

0:13:32.920 --> 0:13:35.480
<v Speaker 1>main characters like Kelly. So it tracks.

0:13:36.160 --> 0:13:50.480
<v Speaker 3>Yeah, I agree, Let's go to the peach pit.

0:13:51.960 --> 0:13:52.320
<v Speaker 2>Uh.

0:13:52.480 --> 0:13:55.200
<v Speaker 1>Claire pulls up in her brand new car that her

0:13:55.320 --> 0:13:59.280
<v Speaker 1>dad got her for making the Dean's list again? Did

0:13:59.280 --> 0:14:02.040
<v Speaker 1>a Miata? What is it?

0:14:02.040 --> 0:14:05.400
<v Speaker 2>It's red red?

0:14:05.600 --> 0:14:06.440
<v Speaker 1>I couldn't really tell.

0:14:06.600 --> 0:14:10.360
<v Speaker 2>Oh, really, Masada.

0:14:11.600 --> 0:14:16.240
<v Speaker 3>Oh god, that's something challenging to Steve's Ferra Corvette. No, he's.

0:14:17.640 --> 0:14:21.880
<v Speaker 2>Not the right. I don't feel she needed a cool

0:14:21.920 --> 0:14:25.720
<v Speaker 2>car like David Silver or like a Volvo like a

0:14:26.600 --> 0:14:29.800
<v Speaker 2>Oh didn't she used to have a Folo Yeah, that's

0:14:29.840 --> 0:14:30.640
<v Speaker 2>what I had.

0:14:31.160 --> 0:14:32.880
<v Speaker 1>That's what she had when we went to the convent.

0:14:33.280 --> 0:14:35.400
<v Speaker 2>Yeah, that was her dad's car. I think she borrowed.

0:14:35.720 --> 0:14:40.720
<v Speaker 1>Oh gosh, anyway, she I For a split second, I

0:14:40.760 --> 0:14:43.920
<v Speaker 1>was like, hmmm, suspicious that she makes the Deans less

0:14:43.960 --> 0:14:48.200
<v Speaker 1>every time, and her dad's the Dean. I started to

0:14:48.200 --> 0:14:51.000
<v Speaker 1>like get a little, but not that I don't think

0:14:51.040 --> 0:14:53.880
<v Speaker 1>she's intelligent and can do it, of course, but I

0:14:53.960 --> 0:14:57.200
<v Speaker 1>never thought of that. You're right, though, it pricked my years.

0:14:57.440 --> 0:14:59.920
<v Speaker 3>Is that an nepotism? Now?

0:15:00.040 --> 0:15:00.200
<v Speaker 4>Oh?

0:15:00.240 --> 0:15:01.600
<v Speaker 1>That's I don't know what that is.

0:15:03.040 --> 0:15:08.320
<v Speaker 3>That's more than nepotism, Dean deanslessism, genius.

0:15:08.360 --> 0:15:14.520
<v Speaker 2>So obviously it makes sense she's on the Dean's Yeah.

0:15:13.520 --> 0:15:15.960
<v Speaker 1>But Steve doesn't like her. Cary calls it the Barbie Mobile.

0:15:16.960 --> 0:15:18.000
<v Speaker 3>It's really insulting.

0:15:18.520 --> 0:15:21.200
<v Speaker 2>I just really, they're going to go onto the mean

0:15:21.240 --> 0:15:24.360
<v Speaker 2>streets of Beverly Hills, and it's really triggered by it.

0:15:24.400 --> 0:15:26.080
<v Speaker 3>I'm really triggered by his shirt.

0:15:26.240 --> 0:15:30.200
<v Speaker 1>And yeah, I was triggered by her saying Barbie wouldn't

0:15:30.200 --> 0:15:35.640
<v Speaker 1>be on the Dean's list. Rude and not something I

0:15:36.600 --> 0:15:37.240
<v Speaker 1>do anything.

0:15:37.600 --> 0:15:40.400
<v Speaker 2>Yeah, we learned a lot about Barbie years later. Girl.

0:15:41.280 --> 0:15:47.040
<v Speaker 1>Yeah, I guess so.

0:15:45.160 --> 0:15:46.640
<v Speaker 2>Robby would beg to differ.

0:15:47.160 --> 0:15:50.240
<v Speaker 1>Yeah, all the women in the world would beg to differ.

0:15:50.280 --> 0:15:50.520
<v Speaker 2>Hello.

0:15:51.800 --> 0:15:54.240
<v Speaker 1>Uh So they challenge each other other to a race,

0:15:55.360 --> 0:15:59.880
<v Speaker 1>and then, of course they get pulled over instantly. Where

0:16:00.120 --> 0:16:02.040
<v Speaker 1>where are they racing down Santa Monica Boulevard?

0:16:04.160 --> 0:16:09.200
<v Speaker 3>I wouldn't tell. I don't know. One of them could

0:16:09.240 --> 0:16:11.440
<v Speaker 3>have gotten away though, right, I mean something like that

0:16:11.440 --> 0:16:13.520
<v Speaker 3>ever happens, one should just take off.

0:16:13.880 --> 0:16:16.680
<v Speaker 2>Claire pulled over to be supportive.

0:16:17.520 --> 0:16:19.920
<v Speaker 1>Oh really, I thought he pulled them both over.

0:16:21.600 --> 0:16:24.480
<v Speaker 2>Oh I thought he only pulled over Steve and Clare.

0:16:24.520 --> 0:16:26.320
<v Speaker 2>Oh but maybe Claire got a ticket too. You're right,

0:16:26.360 --> 0:16:27.760
<v Speaker 2>but how do you pull over two cars?

0:16:28.120 --> 0:16:30.760
<v Speaker 1>They didn't really seem to be bothered much by getting

0:16:30.760 --> 0:16:34.360
<v Speaker 1>a moving back, right, No, I would have been freaking

0:16:34.360 --> 0:16:36.920
<v Speaker 1>out bummed and yeah, like trying to get out of it.

0:16:38.000 --> 0:16:38.880
<v Speaker 1>He did try to get.

0:16:38.720 --> 0:16:41.600
<v Speaker 3>Out of it, but it was not like any Communican.

0:16:42.200 --> 0:16:44.440
<v Speaker 1>Yeah, she was like.

0:16:44.520 --> 0:16:47.960
<v Speaker 2>Which was winning. It's just like, are you guys idiots?

0:16:48.240 --> 0:16:50.760
<v Speaker 1>Oh my god, I guess that's what the cops in

0:16:50.840 --> 0:16:57.520
<v Speaker 1>Beverly Hills are like. I don't know. Did not work

0:16:57.560 --> 0:17:00.040
<v Speaker 1>for me. We go to Colin studio where calling and

0:17:00.120 --> 0:17:03.000
<v Speaker 1>tells Kelly that they should go on a shopping spree

0:17:03.120 --> 0:17:05.679
<v Speaker 1>in a lemo. Kelly says, good idea, because neither of

0:17:05.720 --> 0:17:11.040
<v Speaker 1>them are designated driver materials. So clarifying, bringing it real

0:17:11.160 --> 0:17:12.720
<v Speaker 1>clear that there hot.

0:17:12.720 --> 0:17:14.679
<v Speaker 2>He's just been born and raised in a limo.

0:17:17.880 --> 0:17:22.240
<v Speaker 1>Yeah, well, this is when Valerie comes and knocking on

0:17:22.280 --> 0:17:29.200
<v Speaker 1>the door. Yeah, with goodness.

0:17:29.240 --> 0:17:30.320
<v Speaker 2>Some art nonsense.

0:17:30.400 --> 0:17:34.520
<v Speaker 3>Right, Yeah, he's getting I was focused on her bubblegum

0:17:34.560 --> 0:17:35.879
<v Speaker 3>lipstick that I did not like.

0:17:36.880 --> 0:17:38.080
<v Speaker 1>I didn't even notice it.

0:17:38.359 --> 0:17:40.399
<v Speaker 3>Oh, it's not a fan. It was too light pink.

0:17:40.640 --> 0:17:42.639
<v Speaker 2>Sorry, yeah, it was too frosty pink.

0:17:42.760 --> 0:17:47.000
<v Speaker 1>I didn't I did notice the makeup was heavier on

0:17:47.080 --> 0:17:51.320
<v Speaker 1>her in this episode. You're right, So, I mean that

0:17:51.440 --> 0:17:53.280
<v Speaker 1>was the That's was what we were doing.

0:17:53.440 --> 0:17:55.880
<v Speaker 2>Could you all get on your makeup? Did you get

0:17:55.880 --> 0:17:58.120
<v Speaker 2>like a makeup artist you liked, and did you get

0:17:58.160 --> 0:17:59.080
<v Speaker 2>input on it or not?

0:17:59.240 --> 0:18:00.480
<v Speaker 3>Take that down? Can help?

0:18:00.520 --> 0:18:03.320
<v Speaker 1>Sorry?

0:18:01.640 --> 0:18:04.840
<v Speaker 2>Well I said, hold on. Did you all get to

0:18:04.880 --> 0:18:06.160
<v Speaker 2>like have a say in your makeup?

0:18:07.720 --> 0:18:10.879
<v Speaker 1>Yeah? Yeah, yeah, definitely.

0:18:11.480 --> 0:18:13.280
<v Speaker 2>And did you get to pick your makeup artist or

0:18:13.280 --> 0:18:14.600
<v Speaker 2>it was like the hiring person.

0:18:15.119 --> 0:18:18.280
<v Speaker 1>I think we just kind of the makeup department assigned

0:18:18.400 --> 0:18:22.560
<v Speaker 1>who the artists whoever they wanted to have them doing,

0:18:22.640 --> 0:18:25.960
<v Speaker 1>So we kind of just got sat in the chair

0:18:26.160 --> 0:18:29.280
<v Speaker 1>of the person that wanted us, and then we start

0:18:29.320 --> 0:18:31.320
<v Speaker 1>to establish a relationship with them and they kind of

0:18:31.320 --> 0:18:37.119
<v Speaker 1>became your specific yeah artists, So you got really close

0:18:37.160 --> 0:18:40.920
<v Speaker 1>with with all of them, but more specifically the one

0:18:40.920 --> 0:18:42.480
<v Speaker 1>that's in your face all day long.

0:18:43.280 --> 0:18:48.760
<v Speaker 3>That was interesting because back then, straight older men typically

0:18:48.880 --> 0:18:51.679
<v Speaker 3>were the makeup artists, not yours gen but like mine

0:18:51.880 --> 0:18:58.800
<v Speaker 3>and Tiffany's. And yeah, it's not that way anymore.

0:18:59.600 --> 0:19:03.040
<v Speaker 1>No, it's true. That's true. There aren't a lot of

0:19:03.080 --> 0:19:07.360
<v Speaker 1>straight men in my experience in the last.

0:19:07.359 --> 0:19:10.159
<v Speaker 2>You know what's so funny? Does are saying this? I

0:19:10.240 --> 0:19:14.159
<v Speaker 2>saw was sorry, my voice started to get so scraggly

0:19:14.200 --> 0:19:18.680
<v Speaker 2>there menopause. I don't know. Anyway, I saw this TikTok

0:19:18.760 --> 0:19:22.879
<v Speaker 2>or like an Instagram with Share and Carol Burnett and

0:19:22.920 --> 0:19:27.240
<v Speaker 2>they talked about their makeup. Man, it really seems like

0:19:27.280 --> 0:19:28.040
<v Speaker 2>it used to be a man.

0:19:28.200 --> 0:19:33.919
<v Speaker 3>Yes. Wow, it was like a men's world and they were.

0:19:33.880 --> 0:19:37.760
<v Speaker 2>Yeah, they talked about them. Everybody in the entertainment like

0:19:37.800 --> 0:19:40.080
<v Speaker 2>on the crew side was a man. It sounded like

0:19:40.480 --> 0:19:44.320
<v Speaker 2>in the Carol Burnett Share days. Oh yeah, they were

0:19:44.359 --> 0:19:46.640
<v Speaker 2>like the this man, this man, this man, this man

0:19:46.680 --> 0:19:50.160
<v Speaker 2>that this man. And I'm like, whoa a lot of men?

0:19:51.359 --> 0:19:53.960
<v Speaker 1>Yeah, we had a lot of women on our set,

0:19:53.960 --> 0:19:57.159
<v Speaker 1>which was really cool for being in the nineties like that.

0:19:57.840 --> 0:19:59.879
<v Speaker 2>Yeah.

0:20:00.200 --> 0:20:02.239
<v Speaker 1>Uh. Valerie can tell that Kelly and Colin are doing

0:20:02.320 --> 0:20:05.320
<v Speaker 1>drugs together, but Kelly says that she doesn't care what

0:20:05.440 --> 0:20:06.440
<v Speaker 1>Valerie thinks.

0:20:07.680 --> 0:20:10.440
<v Speaker 2>So don't you have sort of a fake moment there

0:20:10.440 --> 0:20:13.320
<v Speaker 2>where she sees the dollars and you're like, oh, Colin,

0:20:13.440 --> 0:20:15.520
<v Speaker 2>I told you like you do it.

0:20:15.520 --> 0:20:16.399
<v Speaker 3>From the holidays.

0:20:17.800 --> 0:20:20.199
<v Speaker 1>Yeah, that's pretty good at lying. I I'm kind of

0:20:20.280 --> 0:20:21.080
<v Speaker 1>enjoying that part.

0:20:21.720 --> 0:20:24.399
<v Speaker 3>Do you notice when Valerie it happens multiple times in

0:20:24.400 --> 0:20:27.520
<v Speaker 3>this episode she slams the door. The door sounds like,

0:20:27.560 --> 0:20:30.960
<v Speaker 3>it's like it's not a real door. You could tell

0:20:30.960 --> 0:20:33.359
<v Speaker 3>it the set the sounds.

0:20:33.960 --> 0:20:34.760
<v Speaker 1>I didn't notice.

0:20:35.080 --> 0:20:37.280
<v Speaker 3>Oh my gosh, and it happens again. I think when

0:20:37.640 --> 0:20:40.080
<v Speaker 3>Brandon comes to see Joe and shuts the door, like,

0:20:40.119 --> 0:20:42.560
<v Speaker 3>it's just like they're flimsy.

0:20:42.960 --> 0:20:45.400
<v Speaker 1>They probably could have improved the door shutting.

0:20:45.560 --> 0:20:51.600
<v Speaker 3>Yes, but I loved Kelly's reaction after Valerie left. Oh

0:20:51.680 --> 0:20:55.160
<v Speaker 3>when'd you say? You're like when you said bye to her?

0:20:55.720 --> 0:20:57.440
<v Speaker 1>I remember, Oh, it.

0:20:57.359 --> 0:20:58.320
<v Speaker 3>Was so good.

0:20:58.760 --> 0:21:02.600
<v Speaker 1>It was like improviseed was just okay, oh thanks for

0:21:02.680 --> 0:21:03.560
<v Speaker 1>coming or something.

0:21:03.920 --> 0:21:05.280
<v Speaker 3>Yeah, So it was just really good.

0:21:07.720 --> 0:21:09.440
<v Speaker 2>When you talked about the sound, it makes me think

0:21:09.520 --> 0:21:13.479
<v Speaker 2>quickly of when Susan, Susan Keats and Brandon are running.

0:21:14.840 --> 0:21:18.280
<v Speaker 2>It was kind of blatant looping because obviously you're not

0:21:18.280 --> 0:21:21.880
<v Speaker 2>gonna be able to hear them we're running, right, isn't

0:21:21.920 --> 0:21:22.959
<v Speaker 2>that what that's called looping?

0:21:23.720 --> 0:21:23.880
<v Speaker 4>Yeah?

0:21:23.920 --> 0:21:25.359
<v Speaker 3>They their whole scene looped.

0:21:25.359 --> 0:21:28.240
<v Speaker 2>It It feels like that when they're running. Yeah, I

0:21:28.320 --> 0:21:30.840
<v Speaker 2>sort of noticed it. I was like, oh, they're not

0:21:30.960 --> 0:21:35.440
<v Speaker 2>talking right now, sort of look like this. I'm moving

0:21:35.480 --> 0:21:36.200
<v Speaker 2>my lips.

0:21:36.000 --> 0:21:41.360
<v Speaker 1>Cuz I didn't even notice. I was so obsessed. They're

0:21:41.400 --> 0:21:49.560
<v Speaker 1>running the neighborhood not being right. Yeah, okay, so peach bit.

0:21:49.720 --> 0:21:52.560
<v Speaker 1>Donna is with her dad and asks about Joe's diagnosis,

0:21:52.560 --> 0:21:55.680
<v Speaker 1>and she doesn't understand how two cardiologists could have such

0:21:55.720 --> 0:22:00.240
<v Speaker 1>different opinions, which is valid and doctor mart and it

0:22:00.280 --> 0:22:03.919
<v Speaker 1>says that Joe should get a third opinion. And that's

0:22:03.960 --> 0:22:07.640
<v Speaker 1>where Donna tells Brandon about the situation and that she's

0:22:07.680 --> 0:22:10.160
<v Speaker 1>worried because of what the team doctor said.

0:22:10.840 --> 0:22:15.720
<v Speaker 3>Brandon looks hot there, he does like when she leaves,

0:22:15.760 --> 0:22:19.320
<v Speaker 3>they just like zoom in on him. He just looks.

0:22:19.760 --> 0:22:20.880
<v Speaker 1>He looks good right now.

0:22:21.000 --> 0:22:24.439
<v Speaker 3>Smoldering is the look in his eyes. Yeah, he looks great.

0:22:25.560 --> 0:22:31.320
<v Speaker 1>A good season for JPS California University. Steve is complaining

0:22:31.320 --> 0:22:33.320
<v Speaker 1>to David about his speeding ticket because he won't be

0:22:33.359 --> 0:22:38.000
<v Speaker 1>able to afford his insurance rates. Like he pays his insurance.

0:22:37.720 --> 0:22:40.439
<v Speaker 2>Right, He's so rich. It's like he's not gonna Plus,

0:22:40.480 --> 0:22:43.359
<v Speaker 2>I think he can obviously go to traffic school.

0:22:44.440 --> 0:22:50.680
<v Speaker 1>That's what David. Yeah, and they go to traffic school.

0:22:51.960 --> 0:22:55.560
<v Speaker 1>It was interesting. There's one called traffic for Armenians.

0:22:56.960 --> 0:22:59.560
<v Speaker 2>And missed all the traffic schools, Like I didn't miss it.

0:22:59.720 --> 0:23:01.800
<v Speaker 2>I heard them saying it. But then it was kind

0:23:01.800 --> 0:23:02.680
<v Speaker 2>of going fast and.

0:23:02.640 --> 0:23:05.280
<v Speaker 1>I'm like, oh, she was like reading off the different

0:23:05.400 --> 0:23:08.159
<v Speaker 1>there's cooking traffic school for traffic school.

0:23:08.200 --> 0:23:11.760
<v Speaker 2>I would have picked that one, yeah, se because the

0:23:12.200 --> 0:23:15.680
<v Speaker 2>laugh a minute traffic school was not funny at all.

0:23:15.880 --> 0:23:23.160
<v Speaker 1>Oh my goodness, not funny. I kind of remember those two. Yeah,

0:23:23.600 --> 0:23:25.800
<v Speaker 1>I don't remember. I think I went to traffic school once.

0:23:25.920 --> 0:23:26.400
<v Speaker 1>Have you gone?

0:23:26.520 --> 0:23:28.879
<v Speaker 2>I've gone. Now you can do it online, so it's

0:23:28.920 --> 0:23:31.120
<v Speaker 2>a whole better deal. But I definitely went. And it

0:23:31.160 --> 0:23:35.120
<v Speaker 2>was like kind of miserable. And yeah, someone I knew

0:23:35.200 --> 0:23:38.439
<v Speaker 2>was in my traffic school. You always like bump into people.

0:23:38.560 --> 0:23:39.239
<v Speaker 1>Did you go to her?

0:23:39.840 --> 0:23:43.240
<v Speaker 3>I did one time, one time, the one and all

0:23:43.280 --> 0:23:44.000
<v Speaker 3>the time.

0:23:45.640 --> 0:23:48.760
<v Speaker 2>In person. Traffic school even exists anymore.

0:23:48.840 --> 0:23:52.320
<v Speaker 1>No thing, So, oh my god, that's so crazy how

0:23:52.400 --> 0:23:54.440
<v Speaker 1>things just like disappear.

0:23:55.680 --> 0:23:58.240
<v Speaker 2>I think about that all the time. This is such

0:23:58.240 --> 0:24:01.760
<v Speaker 2>a sidebar. But we have bridge up here, like and

0:24:02.160 --> 0:24:07.360
<v Speaker 2>until March thirteenth, there were toll collectors at the bridges,

0:24:08.280 --> 0:24:12.760
<v Speaker 2>and literally they're gone, and that job just doesn't exist anymore.

0:24:13.200 --> 0:24:15.160
<v Speaker 2>And every bridge is like automated now.

0:24:15.960 --> 0:24:18.880
<v Speaker 1>I think about all the bridges in our country too,

0:24:19.600 --> 0:24:22.639
<v Speaker 1>because you go to the East coast and you're toll

0:24:22.680 --> 0:24:24.760
<v Speaker 1>bridge after a toll bridge, and.

0:24:24.720 --> 0:24:27.080
<v Speaker 2>There's no toll collectors anymore, no toll collectors.

0:24:27.240 --> 0:24:29.680
<v Speaker 1>Very it's so weird, gosh.

0:24:29.840 --> 0:24:31.960
<v Speaker 2>And also those things are very narrow, and now that

0:24:31.960 --> 0:24:34.480
<v Speaker 2>there's no toll collectors, people go real fast through those

0:24:34.520 --> 0:24:38.679
<v Speaker 2>things and it wigs me out sidebar. I'm talking about speeding.

0:24:39.680 --> 0:24:40.639
<v Speaker 2>It's very narrow.

0:24:40.720 --> 0:24:43.840
<v Speaker 1>Let's see, we go inside the Lemo. That's where Kelly

0:24:43.840 --> 0:24:48.040
<v Speaker 1>says she was basically born inside a lemo. Must that

0:24:48.480 --> 0:24:53.560
<v Speaker 1>I can't relate to that. But did you put to

0:24:53.840 --> 0:25:00.239
<v Speaker 1>did you come home from the house really? Did I

0:25:00.440 --> 0:25:00.840
<v Speaker 1>love that?

0:25:02.040 --> 0:25:04.160
<v Speaker 2>Sorry, I'm so try to think about that. You drove

0:25:04.200 --> 0:25:06.280
<v Speaker 2>around in limos, I would be so carsick.

0:25:08.680 --> 0:25:09.640
<v Speaker 1>You get used to it.

0:25:10.280 --> 0:25:14.639
<v Speaker 2>Yeah, Oh I do not like a limo, but you do,

0:25:15.240 --> 0:25:18.480
<v Speaker 2>Jenny Kelly, because you were about to bomb Chicken Baumbaum

0:25:18.640 --> 0:25:20.080
<v Speaker 2>in the back of that thing and then gave me

0:25:20.080 --> 0:25:21.000
<v Speaker 2>the waggies.

0:25:21.200 --> 0:25:24.560
<v Speaker 1>I was like, oh, who momo is that? And who's

0:25:24.560 --> 0:25:25.360
<v Speaker 1>going to be in it next?

0:25:25.400 --> 0:25:29.600
<v Speaker 2>I think it's a rental the porn driver.

0:25:30.280 --> 0:25:33.080
<v Speaker 1>I guess we start to we learn a little something

0:25:33.119 --> 0:25:36.239
<v Speaker 1>about Colin's backstory and why he is the way he is,

0:25:36.240 --> 0:25:40.520
<v Speaker 1>but it's too late. Nobody cares. No, he talks about

0:25:40.600 --> 0:25:45.760
<v Speaker 1>way too late. Yeah, that's not going to help anything.

0:25:46.480 --> 0:25:49.680
<v Speaker 1>Old Colon, Yeah, he sounds like he had a rough

0:25:49.760 --> 0:25:57.000
<v Speaker 1>go though, you just call him Colon. I did. Back

0:25:57.080 --> 0:26:01.439
<v Speaker 1>at Cossa, well, Kelly and Colin come in bearing gifts

0:26:01.440 --> 0:26:06.159
<v Speaker 1>for David and Valerie and Claire and Steven is calling. Yeah,

0:26:06.240 --> 0:26:12.120
<v Speaker 1>Kelly and Colon arrive and after Kelly leaves, Valerie tries

0:26:12.200 --> 0:26:15.159
<v Speaker 1>to convince the others that she is doing drugs with Colon.

0:26:15.520 --> 0:26:19.400
<v Speaker 1>When they don't believe her, she says these are guilt gifts.

0:26:19.600 --> 0:26:21.080
<v Speaker 1>Kelly's getting high.

0:26:21.880 --> 0:26:25.200
<v Speaker 2>Also, she spent a lot of dough. How much is

0:26:25.240 --> 0:26:26.400
<v Speaker 2>a mont Bloc pen?

0:26:27.720 --> 0:26:32.720
<v Speaker 1>An Internet in a box? Did you catch that? What

0:26:32.920 --> 0:26:33.679
<v Speaker 1>is that? Even?

0:26:34.280 --> 0:26:34.359
<v Speaker 4>What?

0:26:36.240 --> 0:26:39.600
<v Speaker 2>Amy? I can't hear an og router? I think it

0:26:39.680 --> 0:26:40.879
<v Speaker 2>was like an og router.

0:26:41.160 --> 0:26:42.720
<v Speaker 1>She got at a router.

0:26:44.880 --> 0:26:46.520
<v Speaker 2>Internet in a box. I gotta look that.

0:26:48.760 --> 0:26:51.280
<v Speaker 1>Well, she's on a penn. I kind of enjoyed her

0:26:51.280 --> 0:26:55.000
<v Speaker 1>gifts because they're very thoughtful and sensible, like the Internet

0:26:55.000 --> 0:26:58.359
<v Speaker 1>in a Box. People needed these things. That's why what

0:26:58.400 --> 0:26:58.800
<v Speaker 1>does she get?

0:26:58.880 --> 0:27:02.520
<v Speaker 2>Val I can't remember the pen, the Internet in a Box.

0:27:02.720 --> 0:27:07.159
<v Speaker 1>A mirror. I think it was a mirror, wasn't classic?

0:27:07.760 --> 0:27:10.840
<v Speaker 2>Kind of like what's that woman from snow Whites mirror?

0:27:11.400 --> 0:27:17.280
<v Speaker 2>The mirror on the wall. Wikipedia says Internet in a

0:27:17.320 --> 0:27:21.400
<v Speaker 2>Box is a low cost digital library consisting of wireless

0:27:21.440 --> 0:27:23.680
<v Speaker 2>access point with storage. Wow.

0:27:24.359 --> 0:27:27.520
<v Speaker 1>Oh, I don't know how that would work, but it's

0:27:27.600 --> 0:27:29.200
<v Speaker 1>like the cloud before.

0:27:30.480 --> 0:27:34.959
<v Speaker 2>Yeah, hm hm, oh gosh.

0:27:35.000 --> 0:27:35.920
<v Speaker 1>We go to the restaurant.

0:27:35.920 --> 0:27:41.639
<v Speaker 3>We're called the restaurant scene was cringe, cringe.

0:27:42.800 --> 0:27:45.280
<v Speaker 1>Colon and Kelly ordered very expensive food, but they don't

0:27:45.320 --> 0:27:46.280
<v Speaker 1>even eat it because.

0:27:46.040 --> 0:27:47.879
<v Speaker 2>They're zachcause they're so on coke y.

0:27:48.320 --> 0:27:51.800
<v Speaker 1>Yeah, they're so like on and and then what did they're?

0:27:51.880 --> 0:27:53.000
<v Speaker 1>Up and down, up and down up?

0:27:53.119 --> 0:27:54.800
<v Speaker 3>Yeah, why did they even order it? Why did they

0:27:54.840 --> 0:27:59.200
<v Speaker 3>even go there? She wasted black truffles, just scooted them

0:27:59.200 --> 0:28:02.200
<v Speaker 3>off her Rizota. I'm so mad. I want to those.

0:28:03.280 --> 0:28:06.280
<v Speaker 1>Honestly, I probably do that too. I don't care.

0:28:06.320 --> 0:28:09.240
<v Speaker 2>I don't care for truffles. Look, that's smell.

0:28:09.600 --> 0:28:10.680
<v Speaker 1>They're so strong.

0:28:11.640 --> 0:28:13.320
<v Speaker 2>His steak looked pretty good.

0:28:14.240 --> 0:28:16.840
<v Speaker 3>His lamb chops with pant was that lamb.

0:28:16.600 --> 0:28:20.600
<v Speaker 2>Chops used to have lambshops?

0:28:34.480 --> 0:28:38.440
<v Speaker 1>Colin asked for more coke, but Kelly says she finished.

0:28:37.920 --> 0:28:45.080
<v Speaker 2>It all, so they have to go to the some glot.

0:28:45.680 --> 0:28:48.120
<v Speaker 1>Yeah, they behind it to the news stand.

0:28:48.320 --> 0:28:50.080
<v Speaker 3>Wait, he just threw down money. He didn't even get

0:28:50.120 --> 0:28:52.680
<v Speaker 3>the check if was it enough?

0:28:53.200 --> 0:28:55.920
<v Speaker 1>And where's he getting all this money? Is it from

0:28:55.920 --> 0:28:57.760
<v Speaker 1>you from the desk?

0:28:58.040 --> 0:28:59.280
<v Speaker 3>Speak? He hasn't money?

0:28:59.640 --> 0:29:01.120
<v Speaker 2>You know where? It looked like he went for the

0:29:01.200 --> 0:29:06.200
<v Speaker 2>drugs though the Brentwood newsstand, whole Food's parking lot, like

0:29:06.320 --> 0:29:07.400
<v Speaker 2>it really looked.

0:29:07.560 --> 0:29:09.680
<v Speaker 3>I thought it was the news stand on Van Ey's.

0:29:10.400 --> 0:29:12.719
<v Speaker 2>It totally looked like one of those newsstands that are

0:29:12.720 --> 0:29:14.720
<v Speaker 2>all shutting down now, but there's a couple left.

0:29:14.760 --> 0:29:16.520
<v Speaker 3>I feel like it was the one just south of

0:29:16.600 --> 0:29:17.080
<v Speaker 3>Van Eyce.

0:29:17.640 --> 0:29:23.080
<v Speaker 1>I think you're right, yes, yeah, Then he went in

0:29:23.120 --> 0:29:25.040
<v Speaker 1>the dark alley. I thought for sure that guy was

0:29:25.040 --> 0:29:25.720
<v Speaker 1>going to be a cop.

0:29:26.240 --> 0:29:26.600
<v Speaker 3>Me too.

0:29:26.680 --> 0:29:28.800
<v Speaker 2>I thought they were going to get busted. I sort

0:29:28.880 --> 0:29:29.360
<v Speaker 2>to hope for it.

0:29:29.880 --> 0:29:33.600
<v Speaker 1>M yeah, then that would put a nice end to

0:29:33.680 --> 0:29:34.280
<v Speaker 1>this storyline.

0:29:34.320 --> 0:29:39.040
<v Speaker 2>It's a miserable storyline. Yeah, he got fake coke.

0:29:39.480 --> 0:29:44.000
<v Speaker 1>Oh Man Brandon by Joe's dorm room to show concern

0:29:44.080 --> 0:29:48.800
<v Speaker 1>for his heart situation. And that's when Joe says, please

0:29:48.800 --> 0:29:52.440
<v Speaker 1>don't do a story about me. And he also tells

0:29:52.480 --> 0:29:55.960
<v Speaker 1>them about how when he was younger, he was told

0:29:56.000 --> 0:29:57.200
<v Speaker 1>that he wouldn't walk again.

0:29:58.920 --> 0:30:01.320
<v Speaker 3>Scarcely real. Remember were those real?

0:30:02.760 --> 0:30:03.480
<v Speaker 1>They looked real?

0:30:04.000 --> 0:30:07.120
<v Speaker 3>Yeah, they write that in because he had scars. He

0:30:07.200 --> 0:30:07.640
<v Speaker 3>was good fu.

0:30:08.600 --> 0:30:14.320
<v Speaker 2>Yeah, he's good Joe. Yeah. Yeah, Wait, un till he

0:30:14.400 --> 0:30:18.160
<v Speaker 2>runs up and down the stadium steps five thousand times.

0:30:17.800 --> 0:30:26.160
<v Speaker 1>And never huffs a puff. We'll get to that. So yeah, Kelly,

0:30:26.160 --> 0:30:29.000
<v Speaker 1>oh wait, Valerie and David are in bed and he's

0:30:29.080 --> 0:30:33.120
<v Speaker 1>trying to get frisky and she's not having it because

0:30:33.160 --> 0:30:38.080
<v Speaker 1>she's good because she's so pissed about everybody being blind

0:30:38.440 --> 0:30:41.480
<v Speaker 1>to Kelly's drug use that she only wants Kelly to

0:30:41.560 --> 0:30:43.160
<v Speaker 1>be exposed.

0:30:43.720 --> 0:30:48.640
<v Speaker 4>Yeah, it's like her life mission, just to knock her

0:30:48.640 --> 0:30:53.480
<v Speaker 4>off her pedestal, I guess. And uh, that's when they

0:30:53.680 --> 0:30:57.600
<v Speaker 4>have their weird bench and it's just so uncomfortable.

0:30:57.680 --> 0:30:58.360
<v Speaker 1>I can't watch it.

0:30:59.360 --> 0:31:03.320
<v Speaker 2>Was this where the doing wait is this the fake coke? Yeah?

0:31:03.400 --> 0:31:05.560
<v Speaker 2>And then they get some coke or something.

0:31:06.600 --> 0:31:09.360
<v Speaker 1>Then they calls his friend Paul and offers him the double.

0:31:10.400 --> 0:31:13.400
<v Speaker 3>Yeah, and it was very Kelly's money, wasn't it kind

0:31:13.440 --> 0:31:15.080
<v Speaker 3>of cheap though, I felt like he was like sixty

0:31:15.160 --> 0:31:16.080
<v Speaker 3>dollars or something.

0:31:16.600 --> 0:31:19.520
<v Speaker 1>Remember, I was like, no, he paid sixty dollars for

0:31:19.600 --> 0:31:20.440
<v Speaker 1>the fake stuff.

0:31:20.960 --> 0:31:24.160
<v Speaker 2>Yeah, that felt how much shake costs.

0:31:24.400 --> 0:31:27.600
<v Speaker 1>I didn't how cocaine costs, no idea.

0:31:27.600 --> 0:31:30.000
<v Speaker 2>I didn't know. We're so cheap.

0:31:31.560 --> 0:31:37.600
<v Speaker 1>We're all just so pure and boring stick cocaine in

0:31:37.600 --> 0:31:38.800
<v Speaker 1>the nineties.

0:31:38.360 --> 0:31:41.360
<v Speaker 2>Like, what's happening? And then I know we're not there.

0:31:41.400 --> 0:31:44.160
<v Speaker 2>But then he gives her the weird pills, the downers.

0:31:44.160 --> 0:31:47.920
<v Speaker 2>I just don't Yeah, he lets her drive home.

0:31:48.280 --> 0:31:50.720
<v Speaker 3>What why would she take those? And then she's like

0:31:50.800 --> 0:31:54.040
<v Speaker 3>I'm gonna go. I'm like, now, oh god, I was

0:31:54.040 --> 0:31:54.880
<v Speaker 3>getty concerned.

0:31:54.920 --> 0:32:00.680
<v Speaker 2>Also, yes, sly bad, really bad. It's just bad.

0:32:02.440 --> 0:32:06.400
<v Speaker 1>So Brandon tells Susan about Joe's heart, and Susan says

0:32:06.440 --> 0:32:10.480
<v Speaker 1>they need to do a story about it. I fast

0:32:10.520 --> 0:32:12.480
<v Speaker 1>forward what I did too.

0:32:14.280 --> 0:32:18.680
<v Speaker 2>Sorry, true, but I don't know she's a journalist.

0:32:18.720 --> 0:32:22.560
<v Speaker 1>First I guess, yeah, pretty hardcore.

0:32:23.480 --> 0:32:24.720
<v Speaker 3>Yeah.

0:32:25.440 --> 0:32:27.600
<v Speaker 1>Then we get to see the last laught traffic school

0:32:27.600 --> 0:32:29.800
<v Speaker 1>and Stephen Clara there and they bicker in front of

0:32:29.800 --> 0:32:31.600
<v Speaker 1>their comedian traffic school.

0:32:31.400 --> 0:32:36.640
<v Speaker 2>Instructor semi famously recognizable guy behind them who looked you

0:32:36.680 --> 0:32:38.960
<v Speaker 2>know that guy. You're like, Oh, there's that guy.

0:32:39.280 --> 0:32:40.160
<v Speaker 1>What's his name?

0:32:40.960 --> 0:32:43.600
<v Speaker 2>I don't know, but he's definitely that guy. The guy

0:32:43.680 --> 0:32:52.040
<v Speaker 2>behind them was so recognizable. I'm like, yeah, he's that guy.

0:32:52.200 --> 0:32:53.560
<v Speaker 2>He's a that guy Benovich.

0:32:54.720 --> 0:32:56.840
<v Speaker 3>You know that name because.

0:32:56.560 --> 0:32:59.320
<v Speaker 2>He's that guy, you guys, He's in so many things,

0:32:59.680 --> 0:33:04.800
<v Speaker 2>that guy. Okay, I like when we go to KTTV

0:33:05.040 --> 0:33:09.240
<v Speaker 2>in a second, which fun fact for everybody watching along

0:33:09.960 --> 0:33:13.920
<v Speaker 2>is the Fox station in Los Angeles located in Santa

0:33:13.960 --> 0:33:16.160
<v Speaker 2>Monica that looked like the right building and that is

0:33:16.160 --> 0:33:20.400
<v Speaker 2>where nine O two one oh aired. So in LA

0:33:20.760 --> 0:33:26.960
<v Speaker 2>that was your affiliate KTTV Channel eleven, is it channel? Yeah?

0:33:28.960 --> 0:33:31.480
<v Speaker 2>So that was one of your big affiliates, and that's

0:33:31.600 --> 0:33:39.360
<v Speaker 2>where they shot this fake talk show. Interesting, Thank you, tidbit.

0:33:39.320 --> 0:33:44.200
<v Speaker 1>Sure, thank you. Help really enjoyed it. What else do

0:33:44.200 --> 0:33:44.920
<v Speaker 1>you guys want to know?

0:33:45.560 --> 0:33:49.880
<v Speaker 2>Traffic storyline was dull. Did they break up or do

0:33:49.960 --> 0:33:50.760
<v Speaker 2>they stay together?

0:33:51.320 --> 0:33:54.840
<v Speaker 3>I actually find them entertaining and I didn't want to

0:33:54.840 --> 0:33:57.400
<v Speaker 3>watch the storyline.

0:33:57.120 --> 0:33:59.640
<v Speaker 2>Because nobody wants to go to traffic school. Why would

0:33:59.680 --> 0:34:02.320
<v Speaker 2>we want to watch traffic school? And they even bring

0:34:02.400 --> 0:34:07.320
<v Speaker 2>up Red Asphalt, which was like the big movie you

0:34:07.400 --> 0:34:11.720
<v Speaker 2>had to watch a traffic school where people die.

0:34:11.960 --> 0:34:15.520
<v Speaker 1>It's such a good point. Amy nobody even wants to

0:34:15.600 --> 0:34:18.439
<v Speaker 1>go to traffic school, Why the hell would we want

0:34:18.480 --> 0:34:19.960
<v Speaker 1>to watch it?

0:34:20.520 --> 0:34:23.239
<v Speaker 2>And we watched a lot of traffic School, Like we

0:34:23.480 --> 0:34:26.879
<v Speaker 2>really let that woman do a lot.

0:34:27.000 --> 0:34:30.880
<v Speaker 3>I was like, for the c storyline, let's do traffic school,

0:34:31.239 --> 0:34:36.600
<v Speaker 3>like imagine, and everyone's like, yes, the writer's rooms. What

0:34:38.760 --> 0:34:39.960
<v Speaker 3>see that on this show?

0:34:40.239 --> 0:34:44.200
<v Speaker 1>Really stretching. We see that Kelly hasn't slept in days.

0:34:44.280 --> 0:34:47.400
<v Speaker 1>Brandon calls and he's worried about her, and.

0:34:48.280 --> 0:34:52.759
<v Speaker 2>I say, great rouse Brandon calling to thank for the pen.

0:34:53.280 --> 0:35:00.319
<v Speaker 2>I was like, Hellever's Brandon, Yeah he is art.

0:35:01.040 --> 0:35:04.120
<v Speaker 1>So when they're at traffic school though, so interestingly enough,

0:35:04.120 --> 0:35:07.480
<v Speaker 1>they get scouted at traffic School and invited to be

0:35:07.520 --> 0:35:08.800
<v Speaker 1>on a show called back Talk.

0:35:09.760 --> 0:35:13.280
<v Speaker 2>Everybody does that in television. Suddenly you meet a person

0:35:13.320 --> 0:35:16.360
<v Speaker 2>and there you put them on television that night. Yeah

0:35:16.560 --> 0:35:19.480
<v Speaker 2>that does o't Hey, well I guess canceled. So you

0:35:19.520 --> 0:35:21.920
<v Speaker 2>know what I'm gonna do? Find two people at traffic

0:35:21.960 --> 0:35:24.359
<v Speaker 2>school and put them on television.

0:35:24.600 --> 0:35:26.080
<v Speaker 1>What what a producer?

0:35:29.320 --> 0:35:29.840
<v Speaker 2>Wow?

0:35:31.200 --> 0:35:35.280
<v Speaker 1>So back at to you. There's just growing concern over

0:35:36.200 --> 0:35:42.680
<v Speaker 1>Joe's health and Susan is talking to Donna, and Donna's

0:35:42.680 --> 0:35:45.440
<v Speaker 1>worried that they're going to write a story about it.

0:35:45.920 --> 0:35:49.960
<v Speaker 2>And Susan was being snaky. She was, yeah, she's a.

0:35:50.280 --> 0:35:54.520
<v Speaker 1>Joe begs Donna to not ruin his entire career and

0:35:54.600 --> 0:35:57.440
<v Speaker 1>don't you know, don't encourage them to write this story

0:35:57.880 --> 0:36:02.640
<v Speaker 1>because it's true. If he if they wrote about him, yeah,

0:36:02.760 --> 0:36:05.719
<v Speaker 1>having a heart condition, he wouldn't ever be able to

0:36:05.719 --> 0:36:11.239
<v Speaker 1>play again. I sad stuff. Yeah, oh this is fun

0:36:11.320 --> 0:36:14.920
<v Speaker 1>scene Colin stop in Colin studio. David stops by to

0:36:15.000 --> 0:36:17.759
<v Speaker 1>check on Kelly, and David tells Colin he can tell

0:36:17.760 --> 0:36:21.600
<v Speaker 1>their j and then he threatens Colin if he keeps

0:36:21.680 --> 0:36:25.120
<v Speaker 1>giving drugs to Kelly, he's gonna put his fist in

0:36:25.200 --> 0:36:27.120
<v Speaker 1>his face or something. I don't know how he said it,

0:36:27.760 --> 0:36:29.880
<v Speaker 1>but I was like, go, David.

0:36:30.200 --> 0:36:32.399
<v Speaker 3>Blow up his nose. Will be the only thing going

0:36:32.400 --> 0:36:32.919
<v Speaker 3>after your nose.

0:36:33.239 --> 0:36:35.640
<v Speaker 1>Oh yeah, he's gonna put his fist up his nose.

0:36:37.000 --> 0:36:42.600
<v Speaker 1>But I loved Okay, So Colin is how how tall

0:36:42.719 --> 0:36:48.160
<v Speaker 1>is Colin? Not not? I mean maybe I'm maybe five

0:36:48.239 --> 0:36:49.640
<v Speaker 1>eight okay?

0:36:50.000 --> 0:36:53.239
<v Speaker 3>And Brian is what six two six three? Like, he's

0:36:54.520 --> 0:36:56.640
<v Speaker 3>no six, maybe six foot.

0:36:57.920 --> 0:36:58.479
<v Speaker 2>Five eight?

0:36:58.600 --> 0:37:01.880
<v Speaker 3>Good call, Jenny, I google it when I was not

0:37:02.040 --> 0:37:03.440
<v Speaker 3>six feet he's taller. Now that's tall.

0:37:03.440 --> 0:37:04.440
<v Speaker 1>It is Brian Austin Green.

0:37:04.520 --> 0:37:06.360
<v Speaker 2>I'm doing it. I'm doing it. Just give me a second.

0:37:06.440 --> 0:37:07.359
<v Speaker 2>Nobody beat me to it?

0:37:07.480 --> 0:37:09.000
<v Speaker 3>Or was he just the tallest on the cast so

0:37:09.160 --> 0:37:10.200
<v Speaker 3>he just seemed really tall?

0:37:10.280 --> 0:37:11.479
<v Speaker 2>Six feet six feet?

0:37:11.640 --> 0:37:13.480
<v Speaker 1>My god, I have a genius when it comes to

0:37:13.480 --> 0:37:18.040
<v Speaker 1>you really can guess on a game show called how Tell?

0:37:18.080 --> 0:37:19.800
<v Speaker 2>Am I? How tell you?

0:37:19.800 --> 0:37:21.520
<v Speaker 1>You are five six.

0:37:23.360 --> 0:37:25.560
<v Speaker 2>A half and maybe a seven? But what are you?

0:37:25.600 --> 0:37:26.120
<v Speaker 2>What's toy?

0:37:27.040 --> 0:37:31.240
<v Speaker 1>Okay? Tours five four oh to four and a half

0:37:32.680 --> 0:37:35.560
<v Speaker 1>five five five? Yeah.

0:37:35.600 --> 0:37:37.400
<v Speaker 2>I was gonna say, you guys got that much smaller

0:37:37.400 --> 0:37:39.160
<v Speaker 2>than me. You're only like an inch taller, tiny air?

0:37:39.520 --> 0:37:41.960
<v Speaker 3>So what am I? I am slightly bit taller than

0:37:42.160 --> 0:37:46.040
<v Speaker 3>you're taller? I'm five. You always see that. I'm like,

0:37:46.040 --> 0:37:47.000
<v Speaker 3>I never remember that.

0:37:48.120 --> 0:37:49.640
<v Speaker 1>I don't remember that either.

0:37:50.120 --> 0:37:52.560
<v Speaker 3>I know I'm wrong.

0:37:54.080 --> 0:37:57.280
<v Speaker 2>Hopefully you're right. I'm not shrinking quite yet. Is anyone shrinking?

0:37:57.320 --> 0:37:59.520
<v Speaker 2>I'm not shrinking yet not yet have a slew of

0:37:59.640 --> 0:38:01.680
<v Speaker 2>MetOp issues, but shrinking ate one of them.

0:38:01.719 --> 0:38:05.680
<v Speaker 3>Not that, but okay, so Jason Wilds is five it

0:38:06.440 --> 0:38:08.399
<v Speaker 3>so he's like five. Okay, so any guy that said

0:38:12.280 --> 0:38:15.280
<v Speaker 3>uh and Brian the six Seeds, but in this scene,

0:38:15.400 --> 0:38:20.279
<v Speaker 3>somehow they looked almost the same. Hike. David Afterwards is

0:38:20.320 --> 0:38:23.000
<v Speaker 3>doing that thing where he's like eyeing him, like saying like,

0:38:23.040 --> 0:38:25.440
<v Speaker 3>I'm taller than you, and he's looking looking.

0:38:25.280 --> 0:38:28.239
<v Speaker 1>Up at that hairdoo. I loved it. It was so

0:38:28.400 --> 0:38:34.840
<v Speaker 1>like so good, threatening like guy like yeah, and you

0:38:34.920 --> 0:38:38.600
<v Speaker 1>know Colin. You know, Colon was on an apple box.

0:38:38.719 --> 0:38:40.160
<v Speaker 1>You know, they built him up so that they.

0:38:40.080 --> 0:38:42.480
<v Speaker 2>Got to ask you. I was gonna ask that.

0:38:42.560 --> 0:38:45.560
<v Speaker 3>There's no way, but they should have left him off

0:38:45.600 --> 0:38:49.799
<v Speaker 3>the apple box. So it looked more to be its point,

0:38:49.920 --> 0:38:52.239
<v Speaker 3>like taller than you, bro.

0:38:53.080 --> 0:38:55.000
<v Speaker 1>I didn't know. I didn't clock that it was because

0:38:55.000 --> 0:38:59.480
<v Speaker 1>he was taller. I thought it was a hair hairdoo. Oh,

0:38:59.719 --> 0:39:00.279
<v Speaker 1>god got it.

0:39:00.600 --> 0:39:01.759
<v Speaker 3>I thought he's making fun of his.

0:39:03.200 --> 0:39:04.000
<v Speaker 2>Right funny.

0:39:04.080 --> 0:39:04.800
<v Speaker 1>It was good.

0:39:05.320 --> 0:39:05.839
<v Speaker 3>It was good.

0:39:06.120 --> 0:39:09.000
<v Speaker 1>I'd like to see them get into it. Back at

0:39:09.080 --> 0:39:13.320
<v Speaker 1>the Condor Nest, Brandon ketches Susan doing the story about

0:39:13.400 --> 0:39:18.960
<v Speaker 1>Joe wors and he wants her to drop it because

0:39:19.160 --> 0:39:22.359
<v Speaker 1>Joe's health issues are none of her business, so why

0:39:22.400 --> 0:39:23.720
<v Speaker 1>did he tell her in the first place?

0:39:23.920 --> 0:39:25.400
<v Speaker 2>Our friends?

0:39:25.800 --> 0:39:26.840
<v Speaker 1>Yeah.

0:39:26.640 --> 0:39:26.759
<v Speaker 4>Uh.

0:39:26.920 --> 0:39:30.600
<v Speaker 1>Then Colin comes over to yell at Valerie to leave

0:39:30.680 --> 0:39:33.879
<v Speaker 1>him and Kelly alone, and he really gets angry at her,

0:39:34.000 --> 0:39:37.640
<v Speaker 1>but she grabs his hands. She's so brave, she says,

0:39:37.680 --> 0:39:39.160
<v Speaker 1>I'm the only one that cares about you.

0:39:40.560 --> 0:39:42.319
<v Speaker 3>I forgot to comment on his artwork. He was doing

0:39:42.320 --> 0:39:45.840
<v Speaker 3>the difficult was it like macaroons? And then like a

0:39:46.320 --> 0:39:53.000
<v Speaker 3>space like spiral like yeah, black hole, black hole macaroons.

0:39:53.239 --> 0:39:54.480
<v Speaker 3>I don't know macaroons.

0:39:54.600 --> 0:39:57.600
<v Speaker 1>I didn't see the macaroons, but I was like, paint

0:39:57.640 --> 0:39:59.480
<v Speaker 1>that not good, buddy.

0:40:00.239 --> 0:40:01.920
<v Speaker 3>It was horrifying.

0:40:02.280 --> 0:40:06.280
<v Speaker 1>But you know what they say, art is objective, somebody

0:40:06.320 --> 0:40:10.480
<v Speaker 1>will buy it. And we see the two kids there

0:40:10.480 --> 0:40:15.880
<v Speaker 1>on the TV talk show and uh, all of a

0:40:15.920 --> 0:40:17.000
<v Speaker 1>sudden they make up.

0:40:18.480 --> 0:40:22.720
<v Speaker 2>We don't and then they do, and I, I don't

0:40:22.719 --> 0:40:23.640
<v Speaker 2>care about this.

0:40:24.040 --> 0:40:25.120
<v Speaker 1>I can start it too.

0:40:25.200 --> 0:40:25.760
<v Speaker 3>I'm sorry.

0:40:25.960 --> 0:40:28.040
<v Speaker 1>I don't fast forward though, that seems like it was

0:40:28.080 --> 0:40:31.320
<v Speaker 1>more exciting and fast forward. I have to be honest, because.

0:40:34.680 --> 0:40:37.440
<v Speaker 2>I agree with that. You guys are going to get

0:40:37.440 --> 0:40:38.800
<v Speaker 2>in trouble for fast forward.

0:40:38.920 --> 0:40:39.959
<v Speaker 3>I know, I know.

0:40:40.200 --> 0:40:42.840
<v Speaker 2>Fans are gonna rip. I never I just want everyone

0:40:42.880 --> 0:40:45.040
<v Speaker 2>to know I never have fast forwarded it. Ever. I

0:40:45.040 --> 0:40:46.480
<v Speaker 2>don't even skip the credits.

0:40:47.360 --> 0:40:48.919
<v Speaker 1>Oh my god, that's because it's true.

0:40:49.360 --> 0:40:50.200
<v Speaker 2>Wow, thank you.

0:40:50.520 --> 0:40:52.880
<v Speaker 1>And you're a busy lady. I am a busy lady.

0:40:52.920 --> 0:40:56.200
<v Speaker 1>We are both busy ladies. And I forgot to watch

0:40:56.200 --> 0:40:58.640
<v Speaker 1>the show last night, so I had to watch the

0:40:58.680 --> 0:41:02.399
<v Speaker 1>show right before we start this podcast, and I had

0:41:02.400 --> 0:41:04.200
<v Speaker 1>to fast forward some things in order to be done

0:41:04.200 --> 0:41:04.520
<v Speaker 1>in time.

0:41:04.640 --> 0:41:08.960
<v Speaker 3>Okay, well I had no reason, I had no time constraint.

0:41:09.000 --> 0:41:12.240
<v Speaker 3>I just fast forwarded. You were just I was just bored.

0:41:12.680 --> 0:41:14.400
<v Speaker 2>Sorry. I don't want I don't want to be a bragger,

0:41:14.400 --> 0:41:16.879
<v Speaker 2>but I love the difference between us. I watch it

0:41:16.920 --> 0:41:20.360
<v Speaker 2>on like Thursday or Friday nights, like as part of

0:41:20.400 --> 0:41:24.239
<v Speaker 2>my enjoyment. I'm like, oh, okay, like it's my Friday night.

0:41:24.600 --> 0:41:27.200
<v Speaker 2>It's you know, ten o'clock now, and this is what

0:41:27.239 --> 0:41:29.400
<v Speaker 2>I'm gonna watch and I'm gonna love every second of it.

0:41:29.440 --> 0:41:30.799
<v Speaker 2>And I usually have like a cup of tea and

0:41:30.840 --> 0:41:32.800
<v Speaker 2>maybe a little mini cupcake.

0:41:33.160 --> 0:41:35.520
<v Speaker 1>Oh my god, I love you wow.

0:41:35.840 --> 0:41:38.319
<v Speaker 2>Like a whole I'm not mad about it at all.

0:41:38.719 --> 0:41:39.759
<v Speaker 2>I'm like, here we go.

0:41:40.320 --> 0:41:41.520
<v Speaker 1>When do you watch it tour?

0:41:42.840 --> 0:41:46.440
<v Speaker 3>Oh? Always either the night before the morning of. Oh,

0:41:46.640 --> 0:41:48.520
<v Speaker 3>I'll forget if I do it.

0:41:49.440 --> 0:41:52.640
<v Speaker 1>You'll forget what happened. Really me too, Yeah, I usually

0:41:52.680 --> 0:41:55.880
<v Speaker 1>watch it the night before. Anyway, I say, I'm just

0:41:55.920 --> 0:41:59.680
<v Speaker 1>a bigger fan. You are a better fan. A bigger fan,

0:42:00.080 --> 0:42:00.719
<v Speaker 1>are the best?

0:42:00.760 --> 0:42:01.120
<v Speaker 3>That's fan.

0:42:02.239 --> 0:42:05.120
<v Speaker 1>Yeah. So we go to the beach house and Donna

0:42:05.120 --> 0:42:07.640
<v Speaker 1>tries to tell Kelly about what's going on with Joe,

0:42:07.680 --> 0:42:10.600
<v Speaker 1>but Kelly is too tired and just totally blows her off.

0:42:10.400 --> 0:42:14.399
<v Speaker 2>Which now she's on her downers and she's coming down.

0:42:15.080 --> 0:42:18.920
<v Speaker 1>So not Kelly not ready to give advice. And then

0:42:19.440 --> 0:42:21.800
<v Speaker 1>we go to the football field where we see Joe

0:42:21.920 --> 0:42:23.920
<v Speaker 1>running up and down the stairs.

0:42:23.800 --> 0:42:26.160
<v Speaker 2>Running and running and running and running up and down.

0:42:27.000 --> 0:42:30.319
<v Speaker 1>Is just sitting there watching him, which was weird, like

0:42:30.400 --> 0:42:33.680
<v Speaker 1>a weirdo. And then Susan brings the story but she

0:42:33.800 --> 0:42:34.680
<v Speaker 1>rips it up.

0:42:35.719 --> 0:42:38.680
<v Speaker 2>Also waste of ink and paper.

0:42:38.680 --> 0:42:42.000
<v Speaker 1>Right and time. And then Donna comes to apologize to

0:42:42.600 --> 0:42:46.040
<v Speaker 1>Joe and they have a scene where he's not tired

0:42:46.080 --> 0:42:48.120
<v Speaker 1>out at all from running up those stairs. I would

0:42:48.120 --> 0:42:52.000
<v Speaker 1>have been dying and not able to even speak, but

0:42:52.080 --> 0:42:56.160
<v Speaker 1>then his heart Yeah, he says that those will take

0:42:56.200 --> 0:42:58.680
<v Speaker 1>her out to dinner, and then he starts.

0:42:58.680 --> 0:42:59.959
<v Speaker 3>Seven. I don't think it's gonna happen.

0:43:00.760 --> 0:43:05.200
<v Speaker 1>He has a He starts to have a heart issue.

0:43:05.680 --> 0:43:08.480
<v Speaker 2>How scary done? That was the end?

0:43:09.400 --> 0:43:10.919
<v Speaker 3>I know, But didn't you think like he was gonna

0:43:10.920 --> 0:43:12.279
<v Speaker 3>go like that and then they were going to run

0:43:12.280 --> 0:43:13.640
<v Speaker 3>over to him, But no, they were gone.

0:43:13.920 --> 0:43:16.960
<v Speaker 1>Everybody's gone. If he collapses up there on the top

0:43:17.000 --> 0:43:20.799
<v Speaker 1>of those bleacher stairs, he's definitely falling down. This is

0:43:20.840 --> 0:43:24.440
<v Speaker 1>going to be bad. Yeah, I don't know, I.

0:43:24.440 --> 0:43:27.040
<v Speaker 3>Really what do you get the Is that a cliffhanger

0:43:27.200 --> 0:43:29.520
<v Speaker 3>kind of Yeah, that's dune dunk dumb.

0:43:30.239 --> 0:43:32.640
<v Speaker 2>I was like, I need to roll into the next one.

0:43:33.640 --> 0:43:36.880
<v Speaker 2>Did you did not? Because I am not a cheater,

0:43:36.960 --> 0:43:41.160
<v Speaker 2>cheater pumpkin eater on how we do this? But part

0:43:41.160 --> 0:43:44.879
<v Speaker 2>of this episode is great, part of it is dull.

0:43:46.560 --> 0:43:49.600
<v Speaker 1>I enjoyed most of it. I mean, I think I

0:43:49.680 --> 0:43:50.799
<v Speaker 1>might give it a seven.

0:43:51.120 --> 0:43:54.000
<v Speaker 2>Probably more like an eight eight and a half eight eight.

0:43:54.040 --> 0:43:55.520
<v Speaker 2>It's no eight and a half, it's in eight.

0:43:56.040 --> 0:43:57.000
<v Speaker 3>I'm gonna go with the seven.

0:43:57.680 --> 0:44:01.240
<v Speaker 1>Well, hopefully next week we'll be a little bit more exciting.

0:44:01.760 --> 0:44:04.880
<v Speaker 1>I don't know though, because it's called Nancy's Choice and

0:44:04.920 --> 0:44:08.440
<v Speaker 1>I don't know who the hell Nancy is? So is

0:44:08.480 --> 0:44:10.319
<v Speaker 1>she a main character? And I've forgotten her name too?

0:44:10.880 --> 0:44:15.240
<v Speaker 3>No? Is that a riff on like Sophie's Choice? Who's Nancy?

0:44:15.440 --> 0:44:16.399
<v Speaker 3>Who is it?

0:44:16.600 --> 0:44:20.279
<v Speaker 1>I don't know. We're gonna find out next week though,

0:44:20.600 --> 0:44:24.080
<v Speaker 1>next episode, season six, episode nineteen, Nancy's Choice.

0:44:25.040 --> 0:44:27.080
<v Speaker 2>Whole podcast was Susan.

0:44:29.080 --> 0:44:31.799
<v Speaker 3>Oh my god, I'm sorry, you go that's not her name?

0:44:31.800 --> 0:44:33.680
<v Speaker 3>And the name He's like, wait, no, it's not her name.

0:44:34.400 --> 0:44:40.680
<v Speaker 3>How you can like spiral somebody? Sorry, guys, sorry, Like

0:44:40.760 --> 0:44:43.759
<v Speaker 3>is this Jusanne? I'm like, oh, something wrong with me?

0:44:44.480 --> 0:44:48.040
<v Speaker 2>What? Oh? Well that note.

0:44:48.239 --> 0:44:54.920
<v Speaker 1>Have a great week, everybody,