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Speaker 1: It's nine oh gene one olgin with Jenny Garth and

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Speaker 1: Tory spelling. Hi nine O two one omg ors. Guess what?

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Speaker 1: Geez back, I'm back. It's destined to be a podcaster,

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Speaker 1: not a dancer.

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Speaker 2: You but you're a great dancer.

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Speaker 1: You did so good you can't. I mean, I was shocked.

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Speaker 2: I was shocked. You improved so much from that first

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Speaker 2: dance to the second dance. It was actually bananas.

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Speaker 3: Yeah, I'd like two or three more left in me though,

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Speaker 3: I'll show you. Guys.

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Speaker 2: Are you feeling a little better? Do you feel sad?

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Speaker 2: Do you feel what? Do you feel?

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Speaker 1: He's still so sad?

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Speaker 2: That's nah, I get it, Jenny. How far did you

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Speaker 2: make it?

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Speaker 4: Like?

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Speaker 2: Did you go.

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Speaker 1: Like or something?

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Speaker 4: Oh?

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Speaker 3: Wow, the semi finals?

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Speaker 2: But oh whoa.

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Speaker 1: I used to be a dancer in my younger years.

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Speaker 1: You have never danced.

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Speaker 3: This is true like.

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Speaker 1: That and it's hard, and I was so concerned about

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Speaker 1: you going in and just like the health part of

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Speaker 1: it all and your little body, and I know how

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Speaker 1: hard it is. So I'm just glad you're okay.

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Speaker 3: Jen. My body thrived. It was like, thank you, you're

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Speaker 3: doing something for me.

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Speaker 1: Okay.

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Speaker 3: It responded, I have muscle fighting. Oh my god, I

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Speaker 3: have muscles, and I have the need to keep dancing.

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Speaker 3: I have no outlet. I don't know what to do.

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Speaker 1: I know, once you get kicked off, you're like, wait,

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Speaker 1: but I want to dance more, and there's no where

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Speaker 1: are you gonna do that?

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Speaker 3: Just shut down, You're just I just go on Instagram.

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Speaker 3: I see all of them keep going and I'm.

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Speaker 2: Like, oh, well, well so your body felt better doing it.

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Speaker 2: That's interesting.

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Speaker 3: Oh my body like remembered like from thirty years ago

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Speaker 3: that I used to move Like wow, it was like radical.

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Speaker 1: Yeah, muscle memory is a real thing, and you like,

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Speaker 1: so maybe this will be a motivation for you to

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Speaker 1: work out.

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Speaker 3: Will not work out, but I'd like to keep dancing,

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Speaker 3: and I just don't. I don't have an outlet. I

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Speaker 3: don't know it.

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Speaker 1: You and I could dance and one of us could lead.

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Speaker 1: I just don't. I need somebody to leave me. I

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Speaker 1: don't know how to dance without somebody leading me.

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Speaker 3: Or we could dance and just had two people lead us. Amy,

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Speaker 3: are you on board?

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Speaker 2: Can you get us a dance podcast? You're just like yes,

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Speaker 2: That's what I'm saying, is like it's not that hard

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Speaker 2: to keep dancing. So many of those people even have

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Speaker 2: studios and classes they do. Yeah they do.

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Speaker 1: Wow, that might be a thing.

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Speaker 3: I feel for normal people. There needs to be like

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Speaker 3: a way to do it. It's not all right.

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Speaker 2: It's called dance classes. Have you guys never but it's not.

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Speaker 1: Wait a second, Amy, have you ever been to a

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Speaker 1: dance class? First of all, uh huh's an adult no.

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Speaker 2: Joy in Motion right down the road for me has

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Speaker 2: adult dance classes. And I see them because they do.

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Speaker 2: There's like an outdoor stage and when the weather's nice,

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Speaker 2: I see all the moms like doing their dancing. It's

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Speaker 2: not like ballroom but exactly there's the reason.

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Speaker 3: Nope, I mean, what's that class that's been around forever?

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Speaker 3: It's and like shopping malls, but it's couples like seventy

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Speaker 3: and over that go and do their little.

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Speaker 1: Robert or no, you know what I mean. It's a name,

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Speaker 1: the name of it.

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Speaker 2: A lot of those dancers on Dancing with the Stars

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Speaker 2: started there. What's his name?

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Speaker 1: Are there?

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Speaker 2: Yes? Thank you Jenny for the Wynn who has the.

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Speaker 3: Most memory of all.

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Speaker 4: Gonna memory my memory for being a drug addict.

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Speaker 1: Wow, oh god, yeah, we should breakface this uh this

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Speaker 1: recap by saying trigger alert.

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Speaker 2: You went down and you went down fast and hard fast.

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Speaker 3: Yeah.

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Speaker 1: We I don't know, Amy, did you read any comments

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Speaker 1: from last week or how are people with well?

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Speaker 2: I think are better. I think better. I didn't see

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Speaker 2: anything super negative so about Yeah, some people felt like

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Speaker 2: we were taking it a little bit joke joking, but

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Speaker 2: it isn't a joke, which we agree. It isn't a joke.

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Speaker 2: It's just a little of how nine o two one

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Speaker 2: of sometimes does things is not a little Sophie is

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Speaker 2: a great, great way to say it.

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Speaker 1: Yeah, yeah, and just so fast. So we were kind

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Speaker 1: of you know how we do on this podcast. We

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Speaker 1: make fun of things that we did thirty years ago,

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Speaker 1: and so it's easy for me to make fun of it.

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Speaker 1: But then I have to remember that there are people

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Speaker 1: out there really struggling with addiction or love someone who

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Speaker 1: is and I don't I don't ever want to make

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Speaker 1: light of it. But it's just in the context of

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Speaker 1: this show and this character, and that's kind of what

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Speaker 1: we're sticking with.

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Speaker 2: I sort of remember it feeling more realistic. I didn't know,

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Speaker 2: so I was like, oh ah, that's what happens it.

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Speaker 1: Gets now, guys, this is I did it. Last week

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Speaker 1: Kelly jumped the shark. I stand by it.

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Speaker 3: No, yeah, you come back.

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Speaker 1: She does something no one she would not do.

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Speaker 3: No one is going to believe that did She did cocaine?

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Speaker 1: Yeah, and then she gets addicted to it, like in

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Speaker 1: five minutes.

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Speaker 2: I mean maybe it's real. Like you, it's in your genes.

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Speaker 2: You stepped into it and you go down hard and

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Speaker 2: you got this drug addict boyfriend. This episode is like,

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Speaker 2: we got to talk about it.

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Speaker 1: Okay, We're going to talk all about this episode right

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Speaker 1: after this.

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Speaker 2: iHeart Podcasts.

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Speaker 1: Listen on the iHeartRadio app. Okay. Season six, episode eighteen,

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Speaker 1: Snowbound aired January seventeen, nineteen ninety six.

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Speaker 3: Synopsis Stephen Clare have a need for speed that lands

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Speaker 3: them in the Last Lap traffic school. Meanwhile, the friend

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Speaker 3: group is concerned after Kelly and Colin go on a

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Speaker 3: drug induced shopping spree. Joe tells Donna don't worry when

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Speaker 3: it comes to his heart, but Susan and Brandon contemplate

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Speaker 3: publishing a football tell all.

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Speaker 1: Directed by chipchall is written by John well Blee.

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Speaker 2: Whoa I don't never heard any of those names before. Nope, okay,

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Speaker 2: I didn't really mention in the synopsis, but we find

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Speaker 2: out Susan's dark secret too.

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Speaker 1: Yeah, okay, so that's the connective tissue between her and

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Speaker 1: her ex boyfriend, that trauma in her life where.

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Speaker 2: That's what I remember?

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Speaker 1: Yeah, wow yeah. Yeah. Well, well I feel like I'm

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Speaker 1: there's so much to talk about. I feel like we

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Speaker 1: should just start at the top.

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Speaker 2: Yeah, let's just because there's so much.

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Speaker 1: We start at the beach house. Donna is frantically looking

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Speaker 1: for her keys because she's late to meet her dad

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Speaker 1: for lunch. Claire tells Donna that she is worried about

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Speaker 1: Kelly because she won't even answer her calls. And Claire

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Speaker 1: thinks Colin is still doing drugs and he's dragging Kelly

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Speaker 1: down with him.

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Speaker 2: Donna, real quick, sorry just saying or it doesn't even

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Speaker 2: I mean, Donna doesn't even miss that bird.

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Speaker 1: Where'd the bird go? They gave him to like a

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Speaker 1: pet place?

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Speaker 3: Fitness of that bird. Claire looks really great in that

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Speaker 3: motorcycle jacket though, shout out to that jacket.

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Speaker 2: And her hair is like as you guys are going shorter,

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Speaker 2: she's going longer.

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Speaker 3: She can get the memo.

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Speaker 2: Yeah, all right, so sorry I derailed us with the

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Speaker 2: bird thing. But okay, let's break it all down.

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Speaker 1: They're missing there. They noticed that Kelly's been gone for

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Speaker 1: two weeks, and it's so weird that Donna says, I

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Speaker 1: haven't even talked to her for like two weeks, and

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Speaker 1: that's just come on, that's not their best friends. So

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Speaker 1: that doesn't track.

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Speaker 2: But again in the roommates, like, if you didn't see

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Speaker 2: your roommate for that long, you would definitely be like, yeah, so.

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Speaker 1: We see we see why though. Kelly and conn are

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Speaker 1: in bed with lines of coke on the nightstand and

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Speaker 1: Kelly clowns, oh my god, just like drug sex frenzy

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Speaker 1: over there, but its apartment.

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Speaker 2: Did Claire kind of call it out though, doesn't she say?

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Speaker 2: Something's not right? Yeah, Donna's worried about killing Donna's.

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Speaker 3: Donna's like, she's fine. I'm seeing her in two weeks,

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Speaker 3: so she's fine.

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Speaker 2: So I think Donna even says she would never do that,

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Speaker 2: and we get yeah, wrong, Donna.

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Speaker 1: Donna and everybody else in the episode, all the characters

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Speaker 1: except valvl knows what's up with the gifts.

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Speaker 2: But yeah, so we get right into it like here

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Speaker 2: we are boom, she's into drugs.

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Speaker 1: Bam, boom bam.

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Speaker 4: Uh.

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Speaker 1: We see Susane and Brandon running and I'm guessing that

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Speaker 1: they're supposed to be running in Beverly Hills, but uh,

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Speaker 1: that is not what Beverly Hills looks like. You guys,

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Speaker 1: where is that? That's alta Dinna for sure.

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Speaker 2: Brandon is wearing so many bracelets to run in. Yeah,

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Speaker 2: over chunky heavy bracelet. I mean what, I can't even

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Speaker 2: run with a one ring on. I'm like, that's.

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Speaker 1: Because he was running for like two seconds intervals during

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Speaker 1: action and cut. But yeah, I did. I think that

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Speaker 1: you would probably take off all your jewels to go

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Speaker 1: on a chalk.

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Speaker 2: Oh. They really were going for it, and that's.

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Speaker 1: When we see Susan have her flashback.

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Speaker 2: It all happen that fast? Well, oh, because they stumble

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Speaker 2: into a car accident where a car accident hit a

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Speaker 2: person and I'm sorry they put a sheet over that person.

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Speaker 1: That means they're it did yes, Like that was like.

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Speaker 2: A bit aggressive. It's like what they just showed us

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Speaker 2: a dead body?

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Speaker 1: Yeah, that would upset anyone, but it really upsets his

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Speaker 1: and because it sent her back to that memory. Of

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Speaker 1: her sister dying from the exact same thing, and it.

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Speaker 3: Didn't even know she had a sister.

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Speaker 1: Nobody did.

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Speaker 2: Wasn't the sister at Stanford. She was like going to

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Speaker 2: be a doctor or something, and Susan really living in

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Speaker 2: her shadow. We get a lot of background on Susan and.

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Speaker 1: Very very short period time in one minute, then we

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Speaker 1: have the entire run.

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Speaker 3: Daring to her like tear white. They were like on

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Speaker 3: points she did.

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Speaker 2: I'm not invested in her, which is so interesting, Like

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Speaker 2: you were before, I've always been kind of I don't

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Speaker 2: care about Susan. Yeah, but you liked her, It's not

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Speaker 2: I don't think so. Suzanne Keith Susan Susan keys and keats.

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Speaker 1: That does not sound right, you guys, What is happening?

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Speaker 1: Hold on Susan? Is her name?

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Speaker 2: Yes?

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Speaker 1: No, I don't believe you. I'm gonna go back.

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Speaker 3: Real name is Field.

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Speaker 2: But what do you mean that?

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Speaker 1: Am mccau feel Susan?

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Speaker 2: Her name is Susan? Yeah?

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Speaker 3: I really needed She doesn't look like a Susan, right,

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Speaker 3: absolutely not.

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Speaker 2: Her name is Susan. And I'm not invested in here,

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Speaker 2: and clearly neither are you.

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Speaker 1: There, Like I don't even know.

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Speaker 3: I feel like you both were like, oh, she's so frisky.

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Speaker 3: I checked her for Brandon frisky energy.

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Speaker 1: Sure, but you were always not on board with Susan

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Speaker 1: Keats who me no Amy.

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Speaker 2: Because I I know she existed, but I don't really

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Speaker 2: remember her. I remember Joe, I remember Ray, I even

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Speaker 2: remember dumb calling.

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Speaker 3: But Susan your boys girlfriends, I don't know. Like it's

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Speaker 3: just you mix her up with that who later? Who

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Speaker 3: was later?

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Speaker 2: When she comes next season, which I sort of think

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Speaker 2: she's cute, the one that comes next season?

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Speaker 1: Who's coming next season?

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Speaker 2: I'm not gonna run.

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Speaker 3: I'll tell you you don't remember.

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Speaker 2: No, I don't remember her name, but I don't remember you?

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Speaker 1: Are you guys? I won't remember you told me?

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Speaker 2: So here's my thing. We learned this dramatic thing about Susan,

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Speaker 2: and keep me honest, you guys, tell me if I'm wrong.

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Speaker 2: I was like, oh, that's sad, that's really sad, but

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Speaker 2: like I didn't care. Like last week we were crying.

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Speaker 2: I was crying in the episode over Kelly and her

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Speaker 2: dad and the whole thing. But this one, I'm like,

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Speaker 2: but you haven't.

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Speaker 1: I haven't had the audience get invested in her character

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Speaker 1: that much, So it makes sense that you wouldn't care

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Speaker 1: about her as much as you would one of the

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Speaker 1: main characters like Kelly. So it tracks.

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Speaker 3: Yeah, I agree, Let's go to the peach pit.

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Speaker 2: Uh.

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Speaker 1: Claire pulls up in her brand new car that her

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Speaker 1: dad got her for making the Dean's list again? Did

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Speaker 1: a Miata? What is it?

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Speaker 2: It's red red?

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Speaker 1: I couldn't really tell.

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Speaker 2: Oh, really, Masada.

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Speaker 3: Oh god, that's something challenging to Steve's Ferra Corvette. No, he's.

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Speaker 2: Not the right. I don't feel she needed a cool

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Speaker 2: car like David Silver or like a Volvo like a

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Speaker 2: Oh didn't she used to have a Folo Yeah, that's

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Speaker 2: what I had.

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Speaker 1: That's what she had when we went to the convent.

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Speaker 2: Yeah, that was her dad's car. I think she borrowed.

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Speaker 1: Oh gosh, anyway, she I For a split second, I

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Speaker 1: was like, hmmm, suspicious that she makes the Deans less

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Speaker 1: every time, and her dad's the Dean. I started to

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Speaker 1: like get a little, but not that I don't think

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Speaker 1: she's intelligent and can do it, of course, but I

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Speaker 1: never thought of that. You're right, though, it pricked my years.

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Speaker 3: Is that an nepotism? Now?

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Speaker 4: Oh?

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Speaker 1: That's I don't know what that is.

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Speaker 3: That's more than nepotism, Dean deanslessism, genius.

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Speaker 2: So obviously it makes sense she's on the Dean's Yeah.

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Speaker 1: But Steve doesn't like her. Cary calls it the Barbie Mobile.

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Speaker 3: It's really insulting.

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Speaker 2: I just really, they're going to go onto the mean

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Speaker 2: streets of Beverly Hills, and it's really triggered by it.

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Speaker 3: I'm really triggered by his shirt.

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Speaker 1: And yeah, I was triggered by her saying Barbie wouldn't

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Speaker 1: be on the Dean's list. Rude and not something I

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Speaker 1: do anything.

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Speaker 2: Yeah, we learned a lot about Barbie years later. Girl.

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Speaker 1: Yeah, I guess so.

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Speaker 2: Robby would beg to differ.

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Speaker 1: Yeah, all the women in the world would beg to differ.

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Speaker 2: Hello.

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Speaker 1: Uh So they challenge each other other to a race,

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Speaker 1: and then, of course they get pulled over instantly. Where

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Speaker 1: where are they racing down Santa Monica Boulevard?

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Speaker 3: I wouldn't tell. I don't know. One of them could

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Speaker 3: have gotten away though, right, I mean something like that

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Speaker 3: ever happens, one should just take off.

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Speaker 2: Claire pulled over to be supportive.

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Speaker 1: Oh really, I thought he pulled them both over.

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Speaker 2: Oh I thought he only pulled over Steve and Clare.

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Speaker 2: Oh but maybe Claire got a ticket too. You're right,

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Speaker 2: but how do you pull over two cars?

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Speaker 1: They didn't really seem to be bothered much by getting

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Speaker 1: a moving back, right, No, I would have been freaking

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Speaker 1: out bummed and yeah, like trying to get out of it.

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Speaker 1: He did try to get.

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Speaker 3: Out of it, but it was not like any Communican.

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Speaker 1: Yeah, she was like.

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Speaker 2: Which was winning. It's just like, are you guys idiots?

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Speaker 1: Oh my god, I guess that's what the cops in

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Speaker 1: Beverly Hills are like. I don't know. Did not work

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Speaker 1: for me. We go to Colin studio where calling and

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Speaker 1: tells Kelly that they should go on a shopping spree

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Speaker 1: in a lemo. Kelly says, good idea, because neither of

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Speaker 1: them are designated driver materials. So clarifying, bringing it real

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Speaker 1: clear that there hot.

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Speaker 2: He's just been born and raised in a limo.

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Speaker 1: Yeah, well, this is when Valerie comes and knocking on

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Speaker 1: the door. Yeah, with goodness.

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Speaker 2: Some art nonsense.

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Speaker 3: Right, Yeah, he's getting I was focused on her bubblegum

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Speaker 3: lipstick that I did not like.

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Speaker 1: I didn't even notice it.

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Speaker 3: Oh, it's not a fan. It was too light pink.

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Speaker 2: Sorry, yeah, it was too frosty pink.

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Speaker 1: I didn't I did notice the makeup was heavier on

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Speaker 1: her in this episode. You're right, So, I mean that

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Speaker 1: was the That's was what we were doing.

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Speaker 2: Could you all get on your makeup? Did you get

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Speaker 2: like a makeup artist you liked, and did you get

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Speaker 2: input on it or not?

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Speaker 3: Take that down? Can help?

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Speaker 1: Sorry?

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Speaker 2: Well I said, hold on. Did you all get to

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Speaker 2: like have a say in your makeup?

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Speaker 1: Yeah? Yeah, yeah, definitely.

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Speaker 2: And did you get to pick your makeup artist or

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Speaker 2: it was like the hiring person.

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Speaker 1: I think we just kind of the makeup department assigned

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Speaker 1: who the artists whoever they wanted to have them doing,

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Speaker 1: So we kind of just got sat in the chair

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Speaker 1: of the person that wanted us, and then we start

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Speaker 1: to establish a relationship with them and they kind of

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Speaker 1: became your specific yeah artists, So you got really close

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Speaker 1: with with all of them, but more specifically the one

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Speaker 1: that's in your face all day long.

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Speaker 3: That was interesting because back then, straight older men typically

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Speaker 3: were the makeup artists, not yours gen but like mine

351
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Speaker 3: and Tiffany's. And yeah, it's not that way anymore.

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Speaker 1: No, it's true. That's true. There aren't a lot of

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Speaker 1: straight men in my experience in the last.

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Speaker 2: You know what's so funny? Does are saying this? I

355
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Speaker 2: saw was sorry, my voice started to get so scraggly

356
00:19:14,200 --> 00:19:18,680
Speaker 2: there menopause. I don't know. Anyway, I saw this TikTok

357
00:19:18,760 --> 00:19:22,879
Speaker 2: or like an Instagram with Share and Carol Burnett and

358
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Speaker 2: they talked about their makeup. Man, it really seems like

359
00:19:27,280 --> 00:19:28,040
Speaker 2: it used to be a man.

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Speaker 3: Yes. Wow, it was like a men's world and they were.

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00:19:33,880 --> 00:19:37,760
Speaker 2: Yeah, they talked about them. Everybody in the entertainment like

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00:19:37,800 --> 00:19:40,080
Speaker 2: on the crew side was a man. It sounded like

363
00:19:40,480 --> 00:19:44,320
Speaker 2: in the Carol Burnett Share days. Oh yeah, they were

364
00:19:44,359 --> 00:19:46,640
Speaker 2: like the this man, this man, this man, this man

365
00:19:46,680 --> 00:19:50,160
Speaker 2: that this man. And I'm like, whoa a lot of men?

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Speaker 1: Yeah, we had a lot of women on our set,

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Speaker 1: which was really cool for being in the nineties like that.

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Speaker 2: Yeah.

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00:20:00,200 --> 00:20:02,239
Speaker 1: Uh. Valerie can tell that Kelly and Colin are doing

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00:20:02,320 --> 00:20:05,320
Speaker 1: drugs together, but Kelly says that she doesn't care what

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Speaker 1: Valerie thinks.

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Speaker 2: So don't you have sort of a fake moment there

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Speaker 2: where she sees the dollars and you're like, oh, Colin,

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Speaker 2: I told you like you do it.

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Speaker 3: From the holidays.

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Speaker 1: Yeah, that's pretty good at lying. I I'm kind of

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00:20:20,280 --> 00:20:21,080
Speaker 1: enjoying that part.

378
00:20:21,720 --> 00:20:24,399
Speaker 3: Do you notice when Valerie it happens multiple times in

379
00:20:24,400 --> 00:20:27,520
Speaker 3: this episode she slams the door. The door sounds like,

380
00:20:27,560 --> 00:20:30,960
Speaker 3: it's like it's not a real door. You could tell

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00:20:30,960 --> 00:20:33,359
Speaker 3: it the set the sounds.

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Speaker 1: I didn't notice.

383
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Speaker 3: Oh my gosh, and it happens again. I think when

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Speaker 3: Brandon comes to see Joe and shuts the door, like,

385
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Speaker 3: it's just like they're flimsy.

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Speaker 1: They probably could have improved the door shutting.

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Speaker 3: Yes, but I loved Kelly's reaction after Valerie left. Oh

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Speaker 3: when'd you say? You're like when you said bye to her?

389
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Speaker 1: I remember, Oh, it.

390
00:20:57,359 --> 00:20:58,320
Speaker 3: Was so good.

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Speaker 1: It was like improviseed was just okay, oh thanks for

392
00:21:02,680 --> 00:21:03,560
Speaker 1: coming or something.

393
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Speaker 3: Yeah, So it was just really good.

394
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Speaker 2: When you talked about the sound, it makes me think

395
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Speaker 2: quickly of when Susan, Susan Keats and Brandon are running.

396
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Speaker 2: It was kind of blatant looping because obviously you're not

397
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Speaker 2: gonna be able to hear them we're running, right, isn't

398
00:21:21,920 --> 00:21:22,959
Speaker 2: that what that's called looping?

399
00:21:23,720 --> 00:21:23,880
Speaker 4: Yeah?

400
00:21:23,920 --> 00:21:25,359
Speaker 3: They their whole scene looped.

401
00:21:25,359 --> 00:21:28,240
Speaker 2: It It feels like that when they're running. Yeah, I

402
00:21:28,320 --> 00:21:30,840
Speaker 2: sort of noticed it. I was like, oh, they're not

403
00:21:30,960 --> 00:21:35,440
Speaker 2: talking right now, sort of look like this. I'm moving

404
00:21:35,480 --> 00:21:36,200
Speaker 2: my lips.

405
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Speaker 1: Cuz I didn't even notice. I was so obsessed. They're

406
00:21:41,400 --> 00:21:49,560
Speaker 1: running the neighborhood not being right. Yeah, okay, so peach bit.

407
00:21:49,720 --> 00:21:52,560
Speaker 1: Donna is with her dad and asks about Joe's diagnosis,

408
00:21:52,560 --> 00:21:55,680
Speaker 1: and she doesn't understand how two cardiologists could have such

409
00:21:55,720 --> 00:22:00,240
Speaker 1: different opinions, which is valid and doctor mart and it

410
00:22:00,280 --> 00:22:03,919
Speaker 1: says that Joe should get a third opinion. And that's

411
00:22:03,960 --> 00:22:07,640
Speaker 1: where Donna tells Brandon about the situation and that she's

412
00:22:07,680 --> 00:22:10,160
Speaker 1: worried because of what the team doctor said.

413
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Speaker 3: Brandon looks hot there, he does like when she leaves,

414
00:22:15,760 --> 00:22:19,320
Speaker 3: they just like zoom in on him. He just looks.

415
00:22:19,760 --> 00:22:20,880
Speaker 1: He looks good right now.

416
00:22:21,000 --> 00:22:24,439
Speaker 3: Smoldering is the look in his eyes. Yeah, he looks great.

417
00:22:25,560 --> 00:22:31,320
Speaker 1: A good season for JPS California University. Steve is complaining

418
00:22:31,320 --> 00:22:33,320
Speaker 1: to David about his speeding ticket because he won't be

419
00:22:33,359 --> 00:22:38,000
Speaker 1: able to afford his insurance rates. Like he pays his insurance.

420
00:22:37,720 --> 00:22:40,439
Speaker 2: Right, He's so rich. It's like he's not gonna Plus,

421
00:22:40,480 --> 00:22:43,359
Speaker 2: I think he can obviously go to traffic school.

422
00:22:44,440 --> 00:22:50,680
Speaker 1: That's what David. Yeah, and they go to traffic school.

423
00:22:51,960 --> 00:22:55,560
Speaker 1: It was interesting. There's one called traffic for Armenians.

424
00:22:56,960 --> 00:22:59,560
Speaker 2: And missed all the traffic schools, Like I didn't miss it.

425
00:22:59,720 --> 00:23:01,800
Speaker 2: I heard them saying it. But then it was kind

426
00:23:01,800 --> 00:23:02,680
Speaker 2: of going fast and.

427
00:23:02,640 --> 00:23:05,280
Speaker 1: I'm like, oh, she was like reading off the different

428
00:23:05,400 --> 00:23:08,159
Speaker 1: there's cooking traffic school for traffic school.

429
00:23:08,200 --> 00:23:11,760
Speaker 2: I would have picked that one, yeah, se because the

430
00:23:12,200 --> 00:23:15,680
Speaker 2: laugh a minute traffic school was not funny at all.

431
00:23:15,880 --> 00:23:23,160
Speaker 1: Oh my goodness, not funny. I kind of remember those two. Yeah,

432
00:23:23,600 --> 00:23:25,800
Speaker 1: I don't remember. I think I went to traffic school once.

433
00:23:25,920 --> 00:23:26,400
Speaker 1: Have you gone?

434
00:23:26,520 --> 00:23:28,879
Speaker 2: I've gone. Now you can do it online, so it's

435
00:23:28,920 --> 00:23:31,120
Speaker 2: a whole better deal. But I definitely went. And it

436
00:23:31,160 --> 00:23:35,120
Speaker 2: was like kind of miserable. And yeah, someone I knew

437
00:23:35,200 --> 00:23:38,439
Speaker 2: was in my traffic school. You always like bump into people.

438
00:23:38,560 --> 00:23:39,239
Speaker 1: Did you go to her?

439
00:23:39,840 --> 00:23:43,240
Speaker 3: I did one time, one time, the one and all

440
00:23:43,280 --> 00:23:44,000
Speaker 3: the time.

441
00:23:45,640 --> 00:23:48,760
Speaker 2: In person. Traffic school even exists anymore.

442
00:23:48,840 --> 00:23:52,320
Speaker 1: No thing, So, oh my god, that's so crazy how

443
00:23:52,400 --> 00:23:54,440
Speaker 1: things just like disappear.

444
00:23:55,680 --> 00:23:58,240
Speaker 2: I think about that all the time. This is such

445
00:23:58,240 --> 00:24:01,760
Speaker 2: a sidebar. But we have bridge up here, like and

446
00:24:02,160 --> 00:24:07,360
Speaker 2: until March thirteenth, there were toll collectors at the bridges,

447
00:24:08,280 --> 00:24:12,760
Speaker 2: and literally they're gone, and that job just doesn't exist anymore.

448
00:24:13,200 --> 00:24:15,160
Speaker 2: And every bridge is like automated now.

449
00:24:15,960 --> 00:24:18,880
Speaker 1: I think about all the bridges in our country too,

450
00:24:19,600 --> 00:24:22,639
Speaker 1: because you go to the East coast and you're toll

451
00:24:22,680 --> 00:24:24,760
Speaker 1: bridge after a toll bridge, and.

452
00:24:24,720 --> 00:24:27,080
Speaker 2: There's no toll collectors anymore, no toll collectors.

453
00:24:27,240 --> 00:24:29,680
Speaker 1: Very it's so weird, gosh.

454
00:24:29,840 --> 00:24:31,960
Speaker 2: And also those things are very narrow, and now that

455
00:24:31,960 --> 00:24:34,480
Speaker 2: there's no toll collectors, people go real fast through those

456
00:24:34,520 --> 00:24:38,679
Speaker 2: things and it wigs me out sidebar. I'm talking about speeding.

457
00:24:39,680 --> 00:24:40,639
Speaker 2: It's very narrow.

458
00:24:40,720 --> 00:24:43,840
Speaker 1: Let's see, we go inside the Lemo. That's where Kelly

459
00:24:43,840 --> 00:24:48,040
Speaker 1: says she was basically born inside a lemo. Must that

460
00:24:48,480 --> 00:24:53,560
Speaker 1: I can't relate to that. But did you put to

461
00:24:53,840 --> 00:25:00,239
Speaker 1: did you come home from the house really? Did I

462
00:25:00,440 --> 00:25:00,840
Speaker 1: love that?

463
00:25:02,040 --> 00:25:04,160
Speaker 2: Sorry, I'm so try to think about that. You drove

464
00:25:04,200 --> 00:25:06,280
Speaker 2: around in limos, I would be so carsick.

465
00:25:08,680 --> 00:25:09,640
Speaker 1: You get used to it.

466
00:25:10,280 --> 00:25:14,639
Speaker 2: Yeah, Oh I do not like a limo, but you do,

467
00:25:15,240 --> 00:25:18,480
Speaker 2: Jenny Kelly, because you were about to bomb Chicken Baumbaum

468
00:25:18,640 --> 00:25:20,080
Speaker 2: in the back of that thing and then gave me

469
00:25:20,080 --> 00:25:21,000
Speaker 2: the waggies.

470
00:25:21,200 --> 00:25:24,560
Speaker 1: I was like, oh, who momo is that? And who's

471
00:25:24,560 --> 00:25:25,360
Speaker 1: going to be in it next?

472
00:25:25,400 --> 00:25:29,600
Speaker 2: I think it's a rental the porn driver.

473
00:25:30,280 --> 00:25:33,080
Speaker 1: I guess we start to we learn a little something

474
00:25:33,119 --> 00:25:36,239
Speaker 1: about Colin's backstory and why he is the way he is,

475
00:25:36,240 --> 00:25:40,520
Speaker 1: but it's too late. Nobody cares. No, he talks about

476
00:25:40,600 --> 00:25:45,760
Speaker 1: way too late. Yeah, that's not going to help anything.

477
00:25:46,480 --> 00:25:49,680
Speaker 1: Old Colon, Yeah, he sounds like he had a rough

478
00:25:49,760 --> 00:25:57,000
Speaker 1: go though, you just call him Colon. I did. Back

479
00:25:57,080 --> 00:26:01,439
Speaker 1: at Cossa, well, Kelly and Colin come in bearing gifts

480
00:26:01,440 --> 00:26:06,159
Speaker 1: for David and Valerie and Claire and Steven is calling. Yeah,

481
00:26:06,240 --> 00:26:12,120
Speaker 1: Kelly and Colon arrive and after Kelly leaves, Valerie tries

482
00:26:12,200 --> 00:26:15,159
Speaker 1: to convince the others that she is doing drugs with Colon.

483
00:26:15,520 --> 00:26:19,400
Speaker 1: When they don't believe her, she says these are guilt gifts.

484
00:26:19,600 --> 00:26:21,080
Speaker 1: Kelly's getting high.

485
00:26:21,880 --> 00:26:25,200
Speaker 2: Also, she spent a lot of dough. How much is

486
00:26:25,240 --> 00:26:26,400
Speaker 2: a mont Bloc pen?

487
00:26:27,720 --> 00:26:32,720
Speaker 1: An Internet in a box? Did you catch that? What

488
00:26:32,920 --> 00:26:33,679
Speaker 1: is that? Even?

489
00:26:34,280 --> 00:26:34,359
Speaker 4: What?

490
00:26:36,240 --> 00:26:39,600
Speaker 2: Amy? I can't hear an og router? I think it

491
00:26:39,680 --> 00:26:40,879
Speaker 2: was like an og router.

492
00:26:41,160 --> 00:26:42,720
Speaker 1: She got at a router.

493
00:26:44,880 --> 00:26:46,520
Speaker 2: Internet in a box. I gotta look that.

494
00:26:48,760 --> 00:26:51,280
Speaker 1: Well, she's on a penn. I kind of enjoyed her

495
00:26:51,280 --> 00:26:55,000
Speaker 1: gifts because they're very thoughtful and sensible, like the Internet

496
00:26:55,000 --> 00:26:58,359
Speaker 1: in a Box. People needed these things. That's why what

497
00:26:58,400 --> 00:26:58,800
Speaker 1: does she get?

498
00:26:58,880 --> 00:27:02,520
Speaker 2: Val I can't remember the pen, the Internet in a Box.

499
00:27:02,720 --> 00:27:07,159
Speaker 1: A mirror. I think it was a mirror, wasn't classic?

500
00:27:07,760 --> 00:27:10,840
Speaker 2: Kind of like what's that woman from snow Whites mirror?

501
00:27:11,400 --> 00:27:17,280
Speaker 2: The mirror on the wall. Wikipedia says Internet in a

502
00:27:17,320 --> 00:27:21,400
Speaker 2: Box is a low cost digital library consisting of wireless

503
00:27:21,440 --> 00:27:23,680
Speaker 2: access point with storage. Wow.

504
00:27:24,359 --> 00:27:27,520
Speaker 1: Oh, I don't know how that would work, but it's

505
00:27:27,600 --> 00:27:29,200
Speaker 1: like the cloud before.

506
00:27:30,480 --> 00:27:34,959
Speaker 2: Yeah, hm hm, oh gosh.

507
00:27:35,000 --> 00:27:35,920
Speaker 1: We go to the restaurant.

508
00:27:35,920 --> 00:27:41,639
Speaker 3: We're called the restaurant scene was cringe, cringe.

509
00:27:42,800 --> 00:27:45,280
Speaker 1: Colon and Kelly ordered very expensive food, but they don't

510
00:27:45,320 --> 00:27:46,280
Speaker 1: even eat it because.

511
00:27:46,040 --> 00:27:47,879
Speaker 2: They're zachcause they're so on coke y.

512
00:27:48,320 --> 00:27:51,800
Speaker 1: Yeah, they're so like on and and then what did they're?

513
00:27:51,880 --> 00:27:53,000
Speaker 1: Up and down, up and down up?

514
00:27:53,119 --> 00:27:54,800
Speaker 3: Yeah, why did they even order it? Why did they

515
00:27:54,840 --> 00:27:59,200
Speaker 3: even go there? She wasted black truffles, just scooted them

516
00:27:59,200 --> 00:28:02,200
Speaker 3: off her Rizota. I'm so mad. I want to those.

517
00:28:03,280 --> 00:28:06,280
Speaker 1: Honestly, I probably do that too. I don't care.

518
00:28:06,320 --> 00:28:09,240
Speaker 2: I don't care for truffles. Look, that's smell.

519
00:28:09,600 --> 00:28:10,680
Speaker 1: They're so strong.

520
00:28:11,640 --> 00:28:13,320
Speaker 2: His steak looked pretty good.

521
00:28:14,240 --> 00:28:16,840
Speaker 3: His lamb chops with pant was that lamb.

522
00:28:16,600 --> 00:28:20,600
Speaker 2: Chops used to have lambshops?

523
00:28:34,480 --> 00:28:38,440
Speaker 1: Colin asked for more coke, but Kelly says she finished.

524
00:28:37,920 --> 00:28:45,080
Speaker 2: It all, so they have to go to the some glot.

525
00:28:45,680 --> 00:28:48,120
Speaker 1: Yeah, they behind it to the news stand.

526
00:28:48,320 --> 00:28:50,080
Speaker 3: Wait, he just threw down money. He didn't even get

527
00:28:50,120 --> 00:28:52,680
Speaker 3: the check if was it enough?

528
00:28:53,200 --> 00:28:55,920
Speaker 1: And where's he getting all this money? Is it from

529
00:28:55,920 --> 00:28:57,760
Speaker 1: you from the desk?

530
00:28:58,040 --> 00:28:59,280
Speaker 3: Speak? He hasn't money?

531
00:28:59,640 --> 00:29:01,120
Speaker 2: You know where? It looked like he went for the

532
00:29:01,200 --> 00:29:06,200
Speaker 2: drugs though the Brentwood newsstand, whole Food's parking lot, like

533
00:29:06,320 --> 00:29:07,400
Speaker 2: it really looked.

534
00:29:07,560 --> 00:29:09,680
Speaker 3: I thought it was the news stand on Van Ey's.

535
00:29:10,400 --> 00:29:12,719
Speaker 2: It totally looked like one of those newsstands that are

536
00:29:12,720 --> 00:29:14,720
Speaker 2: all shutting down now, but there's a couple left.

537
00:29:14,760 --> 00:29:16,520
Speaker 3: I feel like it was the one just south of

538
00:29:16,600 --> 00:29:17,080
Speaker 3: Van Eyce.

539
00:29:17,640 --> 00:29:23,080
Speaker 1: I think you're right, yes, yeah, Then he went in

540
00:29:23,120 --> 00:29:25,040
Speaker 1: the dark alley. I thought for sure that guy was

541
00:29:25,040 --> 00:29:25,720
Speaker 1: going to be a cop.

542
00:29:26,240 --> 00:29:26,600
Speaker 3: Me too.

543
00:29:26,680 --> 00:29:28,800
Speaker 2: I thought they were going to get busted. I sort

544
00:29:28,880 --> 00:29:29,360
Speaker 2: to hope for it.

545
00:29:29,880 --> 00:29:33,600
Speaker 1: M yeah, then that would put a nice end to

546
00:29:33,680 --> 00:29:34,280
Speaker 1: this storyline.

547
00:29:34,320 --> 00:29:39,040
Speaker 2: It's a miserable storyline. Yeah, he got fake coke.

548
00:29:39,480 --> 00:29:44,000
Speaker 1: Oh Man Brandon by Joe's dorm room to show concern

549
00:29:44,080 --> 00:29:48,800
Speaker 1: for his heart situation. And that's when Joe says, please

550
00:29:48,800 --> 00:29:52,440
Speaker 1: don't do a story about me. And he also tells

551
00:29:52,480 --> 00:29:55,960
Speaker 1: them about how when he was younger, he was told

552
00:29:56,000 --> 00:29:57,200
Speaker 1: that he wouldn't walk again.

553
00:29:58,920 --> 00:30:01,320
Speaker 3: Scarcely real. Remember were those real?

554
00:30:02,760 --> 00:30:03,480
Speaker 1: They looked real?

555
00:30:04,000 --> 00:30:07,120
Speaker 3: Yeah, they write that in because he had scars. He

556
00:30:07,200 --> 00:30:07,640
Speaker 3: was good fu.

557
00:30:08,600 --> 00:30:14,320
Speaker 2: Yeah, he's good Joe. Yeah. Yeah, Wait, un till he

558
00:30:14,400 --> 00:30:18,160
Speaker 2: runs up and down the stadium steps five thousand times.

559
00:30:17,800 --> 00:30:26,160
Speaker 1: And never huffs a puff. We'll get to that. So yeah, Kelly,

560
00:30:26,160 --> 00:30:29,000
Speaker 1: oh wait, Valerie and David are in bed and he's

561
00:30:29,080 --> 00:30:33,120
Speaker 1: trying to get frisky and she's not having it because

562
00:30:33,160 --> 00:30:38,080
Speaker 1: she's good because she's so pissed about everybody being blind

563
00:30:38,440 --> 00:30:41,480
Speaker 1: to Kelly's drug use that she only wants Kelly to

564
00:30:41,560 --> 00:30:43,160
Speaker 1: be exposed.

565
00:30:43,720 --> 00:30:48,640
Speaker 4: Yeah, it's like her life mission, just to knock her

566
00:30:48,640 --> 00:30:53,480
Speaker 4: off her pedestal, I guess. And uh, that's when they

567
00:30:53,680 --> 00:30:57,600
Speaker 4: have their weird bench and it's just so uncomfortable.

568
00:30:57,680 --> 00:30:58,360
Speaker 1: I can't watch it.

569
00:30:59,360 --> 00:31:03,320
Speaker 2: Was this where the doing wait is this the fake coke? Yeah?

570
00:31:03,400 --> 00:31:05,560
Speaker 2: And then they get some coke or something.

571
00:31:06,600 --> 00:31:09,360
Speaker 1: Then they calls his friend Paul and offers him the double.

572
00:31:10,400 --> 00:31:13,400
Speaker 3: Yeah, and it was very Kelly's money, wasn't it kind

573
00:31:13,440 --> 00:31:15,080
Speaker 3: of cheap though, I felt like he was like sixty

574
00:31:15,160 --> 00:31:16,080
Speaker 3: dollars or something.

575
00:31:16,600 --> 00:31:19,520
Speaker 1: Remember, I was like, no, he paid sixty dollars for

576
00:31:19,600 --> 00:31:20,440
Speaker 1: the fake stuff.

577
00:31:20,960 --> 00:31:24,160
Speaker 2: Yeah, that felt how much shake costs.

578
00:31:24,400 --> 00:31:27,600
Speaker 1: I didn't how cocaine costs, no idea.

579
00:31:27,600 --> 00:31:30,000
Speaker 2: I didn't know. We're so cheap.

580
00:31:31,560 --> 00:31:37,600
Speaker 1: We're all just so pure and boring stick cocaine in

581
00:31:37,600 --> 00:31:38,800
Speaker 1: the nineties.

582
00:31:38,360 --> 00:31:41,360
Speaker 2: Like, what's happening? And then I know we're not there.

583
00:31:41,400 --> 00:31:44,160
Speaker 2: But then he gives her the weird pills, the downers.

584
00:31:44,160 --> 00:31:47,920
Speaker 2: I just don't Yeah, he lets her drive home.

585
00:31:48,280 --> 00:31:50,720
Speaker 3: What why would she take those? And then she's like

586
00:31:50,800 --> 00:31:54,040
Speaker 3: I'm gonna go. I'm like, now, oh god, I was

587
00:31:54,040 --> 00:31:54,880
Speaker 3: getty concerned.

588
00:31:54,920 --> 00:32:00,680
Speaker 2: Also, yes, sly bad, really bad. It's just bad.

589
00:32:02,440 --> 00:32:06,400
Speaker 1: So Brandon tells Susan about Joe's heart, and Susan says

590
00:32:06,440 --> 00:32:10,480
Speaker 1: they need to do a story about it. I fast

591
00:32:10,520 --> 00:32:12,480
Speaker 1: forward what I did too.

592
00:32:14,280 --> 00:32:18,680
Speaker 2: Sorry, true, but I don't know she's a journalist.

593
00:32:18,720 --> 00:32:22,560
Speaker 1: First I guess, yeah, pretty hardcore.

594
00:32:23,480 --> 00:32:24,720
Speaker 3: Yeah.

595
00:32:25,440 --> 00:32:27,600
Speaker 1: Then we get to see the last laught traffic school

596
00:32:27,600 --> 00:32:29,800
Speaker 1: and Stephen Clara there and they bicker in front of

597
00:32:29,800 --> 00:32:31,600
Speaker 1: their comedian traffic school.

598
00:32:31,400 --> 00:32:36,640
Speaker 2: Instructor semi famously recognizable guy behind them who looked you

599
00:32:36,680 --> 00:32:38,960
Speaker 2: know that guy. You're like, Oh, there's that guy.

600
00:32:39,280 --> 00:32:40,160
Speaker 1: What's his name?

601
00:32:40,960 --> 00:32:43,600
Speaker 2: I don't know, but he's definitely that guy. The guy

602
00:32:43,680 --> 00:32:52,040
Speaker 2: behind them was so recognizable. I'm like, yeah, he's that guy.

603
00:32:52,200 --> 00:32:53,560
Speaker 2: He's a that guy Benovich.

604
00:32:54,720 --> 00:32:56,840
Speaker 3: You know that name because.

605
00:32:56,560 --> 00:32:59,320
Speaker 2: He's that guy, you guys, He's in so many things,

606
00:32:59,680 --> 00:33:04,800
Speaker 2: that guy. Okay, I like when we go to KTTV

607
00:33:05,040 --> 00:33:09,240
Speaker 2: in a second, which fun fact for everybody watching along

608
00:33:09,960 --> 00:33:13,920
Speaker 2: is the Fox station in Los Angeles located in Santa

609
00:33:13,960 --> 00:33:16,160
Speaker 2: Monica that looked like the right building and that is

610
00:33:16,160 --> 00:33:20,400
Speaker 2: where nine O two one oh aired. So in LA

611
00:33:20,760 --> 00:33:26,960
Speaker 2: that was your affiliate KTTV Channel eleven, is it channel? Yeah?

612
00:33:28,960 --> 00:33:31,480
Speaker 2: So that was one of your big affiliates, and that's

613
00:33:31,600 --> 00:33:39,360
Speaker 2: where they shot this fake talk show. Interesting, Thank you, tidbit.

614
00:33:39,320 --> 00:33:44,200
Speaker 1: Sure, thank you. Help really enjoyed it. What else do

615
00:33:44,200 --> 00:33:44,920
Speaker 1: you guys want to know?

616
00:33:45,560 --> 00:33:49,880
Speaker 2: Traffic storyline was dull. Did they break up or do

617
00:33:49,960 --> 00:33:50,760
Speaker 2: they stay together?

618
00:33:51,320 --> 00:33:54,840
Speaker 3: I actually find them entertaining and I didn't want to

619
00:33:54,840 --> 00:33:57,400
Speaker 3: watch the storyline.

620
00:33:57,120 --> 00:33:59,640
Speaker 2: Because nobody wants to go to traffic school. Why would

621
00:33:59,680 --> 00:34:02,320
Speaker 2: we want to watch traffic school? And they even bring

622
00:34:02,400 --> 00:34:07,320
Speaker 2: up Red Asphalt, which was like the big movie you

623
00:34:07,400 --> 00:34:11,720
Speaker 2: had to watch a traffic school where people die.

624
00:34:11,960 --> 00:34:15,520
Speaker 1: It's such a good point. Amy nobody even wants to

625
00:34:15,600 --> 00:34:18,439
Speaker 1: go to traffic school, Why the hell would we want

626
00:34:18,480 --> 00:34:19,960
Speaker 1: to watch it?

627
00:34:20,520 --> 00:34:23,239
Speaker 2: And we watched a lot of traffic School, Like we

628
00:34:23,480 --> 00:34:26,879
Speaker 2: really let that woman do a lot.

629
00:34:27,000 --> 00:34:30,880
Speaker 3: I was like, for the c storyline, let's do traffic school,

630
00:34:31,239 --> 00:34:36,600
Speaker 3: like imagine, and everyone's like, yes, the writer's rooms. What

631
00:34:38,760 --> 00:34:39,960
Speaker 3: see that on this show?

632
00:34:40,239 --> 00:34:44,200
Speaker 1: Really stretching. We see that Kelly hasn't slept in days.

633
00:34:44,280 --> 00:34:47,400
Speaker 1: Brandon calls and he's worried about her, and.

634
00:34:48,280 --> 00:34:52,759
Speaker 2: I say, great rouse Brandon calling to thank for the pen.

635
00:34:53,280 --> 00:35:00,319
Speaker 2: I was like, Hellever's Brandon, Yeah he is art.

636
00:35:01,040 --> 00:35:04,120
Speaker 1: So when they're at traffic school though, so interestingly enough,

637
00:35:04,120 --> 00:35:07,480
Speaker 1: they get scouted at traffic School and invited to be

638
00:35:07,520 --> 00:35:08,800
Speaker 1: on a show called back Talk.

639
00:35:09,760 --> 00:35:13,280
Speaker 2: Everybody does that in television. Suddenly you meet a person

640
00:35:13,320 --> 00:35:16,360
Speaker 2: and there you put them on television that night. Yeah

641
00:35:16,560 --> 00:35:19,480
Speaker 2: that does o't Hey, well I guess canceled. So you

642
00:35:19,520 --> 00:35:21,920
Speaker 2: know what I'm gonna do? Find two people at traffic

643
00:35:21,960 --> 00:35:24,359
Speaker 2: school and put them on television.

644
00:35:24,600 --> 00:35:26,080
Speaker 1: What what a producer?

645
00:35:29,320 --> 00:35:29,840
Speaker 2: Wow?

646
00:35:31,200 --> 00:35:35,280
Speaker 1: So back at to you. There's just growing concern over

647
00:35:36,200 --> 00:35:42,680
Speaker 1: Joe's health and Susan is talking to Donna, and Donna's

648
00:35:42,680 --> 00:35:45,440
Speaker 1: worried that they're going to write a story about it.

649
00:35:45,920 --> 00:35:49,960
Speaker 2: And Susan was being snaky. She was, yeah, she's a.

650
00:35:50,280 --> 00:35:54,520
Speaker 1: Joe begs Donna to not ruin his entire career and

651
00:35:54,600 --> 00:35:57,440
Speaker 1: don't you know, don't encourage them to write this story

652
00:35:57,880 --> 00:36:02,640
Speaker 1: because it's true. If he if they wrote about him, yeah,

653
00:36:02,760 --> 00:36:05,719
Speaker 1: having a heart condition, he wouldn't ever be able to

654
00:36:05,719 --> 00:36:11,239
Speaker 1: play again. I sad stuff. Yeah, oh this is fun

655
00:36:11,320 --> 00:36:14,920
Speaker 1: scene Colin stop in Colin studio. David stops by to

656
00:36:15,000 --> 00:36:17,759
Speaker 1: check on Kelly, and David tells Colin he can tell

657
00:36:17,760 --> 00:36:21,600
Speaker 1: their j and then he threatens Colin if he keeps

658
00:36:21,680 --> 00:36:25,120
Speaker 1: giving drugs to Kelly, he's gonna put his fist in

659
00:36:25,200 --> 00:36:27,120
Speaker 1: his face or something. I don't know how he said it,

660
00:36:27,760 --> 00:36:29,880
Speaker 1: but I was like, go, David.

661
00:36:30,200 --> 00:36:32,399
Speaker 3: Blow up his nose. Will be the only thing going

662
00:36:32,400 --> 00:36:32,919
Speaker 3: after your nose.

663
00:36:33,239 --> 00:36:35,640
Speaker 1: Oh yeah, he's gonna put his fist up his nose.

664
00:36:37,000 --> 00:36:42,600
Speaker 1: But I loved Okay, So Colin is how how tall

665
00:36:42,719 --> 00:36:48,160
Speaker 1: is Colin? Not not? I mean maybe I'm maybe five

666
00:36:48,239 --> 00:36:49,640
Speaker 1: eight okay?

667
00:36:50,000 --> 00:36:53,239
Speaker 3: And Brian is what six two six three? Like, he's

668
00:36:54,520 --> 00:36:56,640
Speaker 3: no six, maybe six foot.

669
00:36:57,920 --> 00:36:58,479
Speaker 2: Five eight?

670
00:36:58,600 --> 00:37:01,880
Speaker 3: Good call, Jenny, I google it when I was not

671
00:37:02,040 --> 00:37:03,440
Speaker 3: six feet he's taller. Now that's tall.

672
00:37:03,440 --> 00:37:04,440
Speaker 1: It is Brian Austin Green.

673
00:37:04,520 --> 00:37:06,360
Speaker 2: I'm doing it. I'm doing it. Just give me a second.

674
00:37:06,440 --> 00:37:07,359
Speaker 2: Nobody beat me to it?

675
00:37:07,480 --> 00:37:09,000
Speaker 3: Or was he just the tallest on the cast so

676
00:37:09,160 --> 00:37:10,200
Speaker 3: he just seemed really tall?

677
00:37:10,280 --> 00:37:11,479
Speaker 2: Six feet six feet?

678
00:37:11,640 --> 00:37:13,480
Speaker 1: My god, I have a genius when it comes to

679
00:37:13,480 --> 00:37:18,040
Speaker 1: you really can guess on a game show called how Tell?

680
00:37:18,080 --> 00:37:19,800
Speaker 2: Am I? How tell you?

681
00:37:19,800 --> 00:37:21,520
Speaker 1: You are five six.

682
00:37:23,360 --> 00:37:25,560
Speaker 2: A half and maybe a seven? But what are you?

683
00:37:25,600 --> 00:37:26,120
Speaker 2: What's toy?

684
00:37:27,040 --> 00:37:31,240
Speaker 1: Okay? Tours five four oh to four and a half

685
00:37:32,680 --> 00:37:35,560
Speaker 1: five five five? Yeah.

686
00:37:35,600 --> 00:37:37,400
Speaker 2: I was gonna say, you guys got that much smaller

687
00:37:37,400 --> 00:37:39,160
Speaker 2: than me. You're only like an inch taller, tiny air?

688
00:37:39,520 --> 00:37:41,960
Speaker 3: So what am I? I am slightly bit taller than

689
00:37:42,160 --> 00:37:46,040
Speaker 3: you're taller? I'm five. You always see that. I'm like,

690
00:37:46,040 --> 00:37:47,000
Speaker 3: I never remember that.

691
00:37:48,120 --> 00:37:49,640
Speaker 1: I don't remember that either.

692
00:37:50,120 --> 00:37:52,560
Speaker 3: I know I'm wrong.

693
00:37:54,080 --> 00:37:57,280
Speaker 2: Hopefully you're right. I'm not shrinking quite yet. Is anyone shrinking?

694
00:37:57,320 --> 00:37:59,520
Speaker 2: I'm not shrinking yet not yet have a slew of

695
00:37:59,640 --> 00:38:01,680
Speaker 2: MetOp issues, but shrinking ate one of them.

696
00:38:01,719 --> 00:38:05,680
Speaker 3: Not that, but okay, so Jason Wilds is five it

697
00:38:06,440 --> 00:38:08,399
Speaker 3: so he's like five. Okay, so any guy that said

698
00:38:12,280 --> 00:38:15,280
Speaker 3: uh and Brian the six Seeds, but in this scene,

699
00:38:15,400 --> 00:38:20,279
Speaker 3: somehow they looked almost the same. Hike. David Afterwards is

700
00:38:20,320 --> 00:38:23,000
Speaker 3: doing that thing where he's like eyeing him, like saying like,

701
00:38:23,040 --> 00:38:25,440
Speaker 3: I'm taller than you, and he's looking looking.

702
00:38:25,280 --> 00:38:28,239
Speaker 1: Up at that hairdoo. I loved it. It was so

703
00:38:28,400 --> 00:38:34,840
Speaker 1: like so good, threatening like guy like yeah, and you

704
00:38:34,920 --> 00:38:38,600
Speaker 1: know Colin. You know, Colon was on an apple box.

705
00:38:38,719 --> 00:38:40,160
Speaker 1: You know, they built him up so that they.

706
00:38:40,080 --> 00:38:42,480
Speaker 2: Got to ask you. I was gonna ask that.

707
00:38:42,560 --> 00:38:45,560
Speaker 3: There's no way, but they should have left him off

708
00:38:45,600 --> 00:38:49,799
Speaker 3: the apple box. So it looked more to be its point,

709
00:38:49,920 --> 00:38:52,239
Speaker 3: like taller than you, bro.

710
00:38:53,080 --> 00:38:55,000
Speaker 1: I didn't know. I didn't clock that it was because

711
00:38:55,000 --> 00:38:59,480
Speaker 1: he was taller. I thought it was a hair hairdoo. Oh,

712
00:38:59,719 --> 00:39:00,279
Speaker 1: god got it.

713
00:39:00,600 --> 00:39:01,759
Speaker 3: I thought he's making fun of his.

714
00:39:03,200 --> 00:39:04,000
Speaker 2: Right funny.

715
00:39:04,080 --> 00:39:04,800
Speaker 1: It was good.

716
00:39:05,320 --> 00:39:05,839
Speaker 3: It was good.

717
00:39:06,120 --> 00:39:09,000
Speaker 1: I'd like to see them get into it. Back at

718
00:39:09,080 --> 00:39:13,320
Speaker 1: the Condor Nest, Brandon ketches Susan doing the story about

719
00:39:13,400 --> 00:39:18,960
Speaker 1: Joe wors and he wants her to drop it because

720
00:39:19,160 --> 00:39:22,359
Speaker 1: Joe's health issues are none of her business, so why

721
00:39:22,400 --> 00:39:23,720
Speaker 1: did he tell her in the first place?

722
00:39:23,920 --> 00:39:25,400
Speaker 2: Our friends?

723
00:39:25,800 --> 00:39:26,840
Speaker 1: Yeah.

724
00:39:26,640 --> 00:39:26,759
Speaker 4: Uh.

725
00:39:26,920 --> 00:39:30,600
Speaker 1: Then Colin comes over to yell at Valerie to leave

726
00:39:30,680 --> 00:39:33,879
Speaker 1: him and Kelly alone, and he really gets angry at her,

727
00:39:34,000 --> 00:39:37,640
Speaker 1: but she grabs his hands. She's so brave, she says,

728
00:39:37,680 --> 00:39:39,160
Speaker 1: I'm the only one that cares about you.

729
00:39:40,560 --> 00:39:42,319
Speaker 3: I forgot to comment on his artwork. He was doing

730
00:39:42,320 --> 00:39:45,840
Speaker 3: the difficult was it like macaroons? And then like a

731
00:39:46,320 --> 00:39:53,000
Speaker 3: space like spiral like yeah, black hole, black hole macaroons.

732
00:39:53,239 --> 00:39:54,480
Speaker 3: I don't know macaroons.

733
00:39:54,600 --> 00:39:57,600
Speaker 1: I didn't see the macaroons, but I was like, paint

734
00:39:57,640 --> 00:39:59,480
Speaker 1: that not good, buddy.

735
00:40:00,239 --> 00:40:01,920
Speaker 3: It was horrifying.

736
00:40:02,280 --> 00:40:06,280
Speaker 1: But you know what they say, art is objective, somebody

737
00:40:06,320 --> 00:40:10,480
Speaker 1: will buy it. And we see the two kids there

738
00:40:10,480 --> 00:40:15,880
Speaker 1: on the TV talk show and uh, all of a

739
00:40:15,920 --> 00:40:17,000
Speaker 1: sudden they make up.

740
00:40:18,480 --> 00:40:22,720
Speaker 2: We don't and then they do, and I, I don't

741
00:40:22,719 --> 00:40:23,640
Speaker 2: care about this.

742
00:40:24,040 --> 00:40:25,120
Speaker 1: I can start it too.

743
00:40:25,200 --> 00:40:25,760
Speaker 3: I'm sorry.

744
00:40:25,960 --> 00:40:28,040
Speaker 1: I don't fast forward though, that seems like it was

745
00:40:28,080 --> 00:40:31,320
Speaker 1: more exciting and fast forward. I have to be honest, because.

746
00:40:34,680 --> 00:40:37,440
Speaker 2: I agree with that. You guys are going to get

747
00:40:37,440 --> 00:40:38,800
Speaker 2: in trouble for fast forward.

748
00:40:38,920 --> 00:40:39,959
Speaker 3: I know, I know.

749
00:40:40,200 --> 00:40:42,840
Speaker 2: Fans are gonna rip. I never I just want everyone

750
00:40:42,880 --> 00:40:45,040
Speaker 2: to know I never have fast forwarded it. Ever. I

751
00:40:45,040 --> 00:40:46,480
Speaker 2: don't even skip the credits.

752
00:40:47,360 --> 00:40:48,919
Speaker 1: Oh my god, that's because it's true.

753
00:40:49,360 --> 00:40:50,200
Speaker 2: Wow, thank you.

754
00:40:50,520 --> 00:40:52,880
Speaker 1: And you're a busy lady. I am a busy lady.

755
00:40:52,920 --> 00:40:56,200
Speaker 1: We are both busy ladies. And I forgot to watch

756
00:40:56,200 --> 00:40:58,640
Speaker 1: the show last night, so I had to watch the

757
00:40:58,680 --> 00:41:02,399
Speaker 1: show right before we start this podcast, and I had

758
00:41:02,400 --> 00:41:04,200
Speaker 1: to fast forward some things in order to be done

759
00:41:04,200 --> 00:41:04,520
Speaker 1: in time.

760
00:41:04,640 --> 00:41:08,960
Speaker 3: Okay, well I had no reason, I had no time constraint.

761
00:41:09,000 --> 00:41:12,240
Speaker 3: I just fast forwarded. You were just I was just bored.

762
00:41:12,680 --> 00:41:14,400
Speaker 2: Sorry. I don't want I don't want to be a bragger,

763
00:41:14,400 --> 00:41:16,879
Speaker 2: but I love the difference between us. I watch it

764
00:41:16,920 --> 00:41:20,360
Speaker 2: on like Thursday or Friday nights, like as part of

765
00:41:20,400 --> 00:41:24,239
Speaker 2: my enjoyment. I'm like, oh, okay, like it's my Friday night.

766
00:41:24,600 --> 00:41:27,200
Speaker 2: It's you know, ten o'clock now, and this is what

767
00:41:27,239 --> 00:41:29,400
Speaker 2: I'm gonna watch and I'm gonna love every second of it.

768
00:41:29,440 --> 00:41:30,799
Speaker 2: And I usually have like a cup of tea and

769
00:41:30,840 --> 00:41:32,800
Speaker 2: maybe a little mini cupcake.

770
00:41:33,160 --> 00:41:35,520
Speaker 1: Oh my god, I love you wow.

771
00:41:35,840 --> 00:41:38,319
Speaker 2: Like a whole I'm not mad about it at all.

772
00:41:38,719 --> 00:41:39,759
Speaker 2: I'm like, here we go.

773
00:41:40,320 --> 00:41:41,520
Speaker 1: When do you watch it tour?

774
00:41:42,840 --> 00:41:46,440
Speaker 3: Oh? Always either the night before the morning of. Oh,

775
00:41:46,640 --> 00:41:48,520
Speaker 3: I'll forget if I do it.

776
00:41:49,440 --> 00:41:52,640
Speaker 1: You'll forget what happened. Really me too, Yeah, I usually

777
00:41:52,680 --> 00:41:55,880
Speaker 1: watch it the night before. Anyway, I say, I'm just

778
00:41:55,920 --> 00:41:59,680
Speaker 1: a bigger fan. You are a better fan. A bigger fan,

779
00:42:00,080 --> 00:42:00,719
Speaker 1: are the best?

780
00:42:00,760 --> 00:42:01,120
Speaker 3: That's fan.

781
00:42:02,239 --> 00:42:05,120
Speaker 1: Yeah. So we go to the beach house and Donna

782
00:42:05,120 --> 00:42:07,640
Speaker 1: tries to tell Kelly about what's going on with Joe,

783
00:42:07,680 --> 00:42:10,600
Speaker 1: but Kelly is too tired and just totally blows her off.

784
00:42:10,400 --> 00:42:14,399
Speaker 2: Which now she's on her downers and she's coming down.

785
00:42:15,080 --> 00:42:18,920
Speaker 1: So not Kelly not ready to give advice. And then

786
00:42:19,440 --> 00:42:21,800
Speaker 1: we go to the football field where we see Joe

787
00:42:21,920 --> 00:42:23,920
Speaker 1: running up and down the stairs.

788
00:42:23,800 --> 00:42:26,160
Speaker 2: Running and running and running and running up and down.

789
00:42:27,000 --> 00:42:30,319
Speaker 1: Is just sitting there watching him, which was weird, like

790
00:42:30,400 --> 00:42:33,680
Speaker 1: a weirdo. And then Susan brings the story but she

791
00:42:33,800 --> 00:42:34,680
Speaker 1: rips it up.

792
00:42:35,719 --> 00:42:38,680
Speaker 2: Also waste of ink and paper.

793
00:42:38,680 --> 00:42:42,000
Speaker 1: Right and time. And then Donna comes to apologize to

794
00:42:42,600 --> 00:42:46,040
Speaker 1: Joe and they have a scene where he's not tired

795
00:42:46,080 --> 00:42:48,120
Speaker 1: out at all from running up those stairs. I would

796
00:42:48,120 --> 00:42:52,000
Speaker 1: have been dying and not able to even speak, but

797
00:42:52,080 --> 00:42:56,160
Speaker 1: then his heart Yeah, he says that those will take

798
00:42:56,200 --> 00:42:58,680
Speaker 1: her out to dinner, and then he starts.

799
00:42:58,680 --> 00:42:59,959
Speaker 3: Seven. I don't think it's gonna happen.

800
00:43:00,760 --> 00:43:05,200
Speaker 1: He has a He starts to have a heart issue.

801
00:43:05,680 --> 00:43:08,480
Speaker 2: How scary done? That was the end?

802
00:43:09,400 --> 00:43:10,919
Speaker 3: I know, But didn't you think like he was gonna

803
00:43:10,920 --> 00:43:12,279
Speaker 3: go like that and then they were going to run

804
00:43:12,280 --> 00:43:13,640
Speaker 3: over to him, But no, they were gone.

805
00:43:13,920 --> 00:43:16,960
Speaker 1: Everybody's gone. If he collapses up there on the top

806
00:43:17,000 --> 00:43:20,799
Speaker 1: of those bleacher stairs, he's definitely falling down. This is

807
00:43:20,840 --> 00:43:24,440
Speaker 1: going to be bad. Yeah, I don't know, I.

808
00:43:24,440 --> 00:43:27,040
Speaker 3: Really what do you get the Is that a cliffhanger

809
00:43:27,200 --> 00:43:29,520
Speaker 3: kind of Yeah, that's dune dunk dumb.

810
00:43:30,239 --> 00:43:32,640
Speaker 2: I was like, I need to roll into the next one.

811
00:43:33,640 --> 00:43:36,880
Speaker 2: Did you did not? Because I am not a cheater,

812
00:43:36,960 --> 00:43:41,160
Speaker 2: cheater pumpkin eater on how we do this? But part

813
00:43:41,160 --> 00:43:44,879
Speaker 2: of this episode is great, part of it is dull.

814
00:43:46,560 --> 00:43:49,600
Speaker 1: I enjoyed most of it. I mean, I think I

815
00:43:49,680 --> 00:43:50,799
Speaker 1: might give it a seven.

816
00:43:51,120 --> 00:43:54,000
Speaker 2: Probably more like an eight eight and a half eight eight.

817
00:43:54,040 --> 00:43:55,520
Speaker 2: It's no eight and a half, it's in eight.

818
00:43:56,040 --> 00:43:57,000
Speaker 3: I'm gonna go with the seven.

819
00:43:57,680 --> 00:44:01,240
Speaker 1: Well, hopefully next week we'll be a little bit more exciting.

820
00:44:01,760 --> 00:44:04,880
Speaker 1: I don't know though, because it's called Nancy's Choice and

821
00:44:04,920 --> 00:44:08,440
Speaker 1: I don't know who the hell Nancy is? So is

822
00:44:08,480 --> 00:44:10,319
Speaker 1: she a main character? And I've forgotten her name too?

823
00:44:10,880 --> 00:44:15,240
Speaker 3: No? Is that a riff on like Sophie's Choice? Who's Nancy?

824
00:44:15,440 --> 00:44:16,399
Speaker 3: Who is it?

825
00:44:16,600 --> 00:44:20,279
Speaker 1: I don't know. We're gonna find out next week though,

826
00:44:20,600 --> 00:44:24,080
Speaker 1: next episode, season six, episode nineteen, Nancy's Choice.

827
00:44:25,040 --> 00:44:27,080
Speaker 2: Whole podcast was Susan.

828
00:44:29,080 --> 00:44:31,799
Speaker 3: Oh my god, I'm sorry, you go that's not her name?

829
00:44:31,800 --> 00:44:33,680
Speaker 3: And the name He's like, wait, no, it's not her name.

830
00:44:34,400 --> 00:44:40,680
Speaker 3: How you can like spiral somebody? Sorry, guys, sorry, Like

831
00:44:40,760 --> 00:44:43,759
Speaker 3: is this Jusanne? I'm like, oh, something wrong with me?

832
00:44:44,480 --> 00:44:48,040
Speaker 2: What? Oh? Well that note.

833
00:44:48,239 --> 00:44:54,920
Speaker 1: Have a great week, everybody,