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Speaker 1: Turn the lights off.

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Speaker 2: Yeah, do we want to have them?

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Speaker 3: I mean, just because because it's like so light outside,

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Speaker 3: is it weird to have the lights be like well.

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Speaker 1: To just do the show like it's normal.

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Speaker 2: It's just going to it's going to absolutely biznuck. My

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Speaker 2: body clock like I have an issue where this level

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Speaker 2: of sunlight. I understand it's artificial, but for me, it

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Speaker 2: is interpreted as sunlight physiologically is going to make me

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Speaker 2: feel like I'm very awake. And when I leave this

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Speaker 2: room into the abject darkness, the true black that exists

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Speaker 2: outside these doors night country, as true detective would say,

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Speaker 2: I will not be able to adjust and I may

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Speaker 2: just pass out of the parking lot.

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Speaker 1: I won't know whether I have or not.

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Speaker 3: It'll take me so long to adjust my I mean,

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Speaker 3: you know, you could hear when I walked in here,

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Speaker 3: my pupils kind of enlarging like they like you know,

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Speaker 3: they it's like they're taking.

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Speaker 1: Very loud breaths.

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Speaker 3: Your pupic or smallening, smallening my pubic bone is like, yeah,

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Speaker 3: it's not what it used to be.

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Speaker 2: No, it's no. They deteriorate, especially, I mean at a

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Speaker 2: certain age they begin to and don't believe what the

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Speaker 2: supplements tell you it's going to happen, because I've tried

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Speaker 2: them all and I've injected them everywhere. But it just

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Speaker 2: doesn't matter, like your body's going to.

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Speaker 1: Give way.

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Speaker 2: And I think I could be up for three days

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Speaker 2: after this, or like I said, I could just immediately

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Speaker 2: shut down and and just power down the parking lot

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Speaker 2: and that would be it for me. I would be

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Speaker 2: picked over by the vultures of Silver Lake. And it's

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Speaker 2: been nice knowing you. If that's the case, Kevin, what

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Speaker 2: was the thinking you wanted to do? So this show

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Speaker 2: comes out in an hour, and you wanted to record

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Speaker 2: it at the last possible second, and you wanted to

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Speaker 2: only ask people who couldn't do it last week. Yeah,

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Speaker 2: and then on day three of a holiday three day weekend,

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Speaker 2: you wanted to do it at night, which no offense

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Speaker 2: severely limits the pool of people who would even be

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Speaker 2: available and willing to do it. And I'm taken.

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Speaker 1: But the experience for the listener of.

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Speaker 3: Listening as they start the show, I'm going pee, so

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Speaker 3: they know, like as soon because this is going right up.

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Speaker 3: As soon as this is done, this is going right up.

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Speaker 2: No, the immediacy of it is is beautiful and irreplaceable,

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Speaker 2: and I expect it to be actually an outstanding episode.

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Speaker 2: And if that's you know, by design, I applaud you.

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Speaker 2: I have a feeling that we fell bass ackwards into

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Speaker 2: it through more of Kevin's bumbling.

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Speaker 1: Into Monsieur webs great.

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Speaker 2: Then your web and your webis loss right, I mean,

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Speaker 2: am I wrong?

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Speaker 1: It is?

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Speaker 3: It coming to a gumma night? It is scary, for sure.

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Speaker 3: Expected it to be scary. It was very scary, not

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Speaker 3: as scary as it is during the day.

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Speaker 2: Mm hmm. Well there's always people here during the.

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Speaker 3: Day, yes, and at least there's a reason why there's

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Speaker 3: no work happening right now.

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Speaker 1: Yeah.

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Speaker 3: When I walk in there, I'm like, Okay, there's no

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Speaker 3: work happening here. That's understandable. It's very late at night.

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Speaker 2: Yes, there there shouldn't be work happening here at this

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Speaker 2: time when we are here. Normally there should be a

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Speaker 2: lot more work, and there are people here who could

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Speaker 2: do the work. I think some of them introduce themselves

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Speaker 2: to me once.

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Speaker 4: The reason I think we should do late night recordings.

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Speaker 5: I've been studying nocturnal secretions. The blood flows south at night,

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Speaker 5: and maybe people will be interested psychologically, and the show's

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Speaker 5: not erotic enough for you, not yet, Okay, so it'll

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Speaker 5: increase the eroticism until that end.

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Speaker 2: We have a guest, we have Will Hines. So Bill,

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Speaker 2: it's always a pleasure to see.

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Speaker 4: Uh, someth you're Uh, it's yeah, it's Will normally, but

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Speaker 4: I mean you can call me whatever you'd like.

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Speaker 1: Will normally.

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Speaker 2: Yeah, Will normally. I thought it was Bill Hines, but

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Speaker 2: it's Will normally.

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Speaker 1: Will. Well normally it's pretty funny ass comedy. Name you Will.

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Speaker 2: Normally because a lot of your behavior on stage is

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Speaker 2: that is far from normally. It's actually abnormally, I guess. So, yeah,

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Speaker 2: some of the thoughts you have and everything.

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Speaker 3: People say, where's the ab You say right here, doom

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Speaker 3: doom doom.

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Speaker 1: Yeah, pull thunk thunk, pull, pull up the tank.

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Speaker 4: Yeah, I do a lot of bad ab is. Yeah,

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Speaker 4: puns are. Puns are pretty fun.

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Speaker 1: Yeah.

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Speaker 2: I know, I know you you You've proven that time

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Speaker 2: and time again, and uh, we're just we're thrilled to

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Speaker 2: be sitting down with you, especially because we have a

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Speaker 2: pretty massive opportunity potentially for all three of us, certainly

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Speaker 2: for Hayes and I. Yeah, you have like a big, big,

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Speaker 2: big job in front of us.

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Speaker 4: Can I just address one thing that was said before

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Speaker 4: I was introduced? And I'm not sure did you say

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Speaker 4: head rest one thing?

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Speaker 2: Uh?

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Speaker 4: Maybe I did. What I meant to say, was is

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Speaker 4: it okay if I ask one thing.

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Speaker 3: About something that happened already? Yes, not what's we're not

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Speaker 3: we're we're doing now?

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Speaker 4: No, but something that you've gone past, that you talked

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Speaker 4: about before I was introduced.

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Speaker 3: You want to go back even though it's not you.

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Speaker 3: You understand how to stand that.

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Speaker 4: It's done and it's a closed issue, and I want.

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Speaker 1: To real that's why you're asking.

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Speaker 4: That's why I'm getting right.

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Speaker 2: Yeah, because there's a world certainly where we say, hey,

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Speaker 2: the whole idea of this show is we're constantly pressing, constantly, and.

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Speaker 3: If you were say something on the topic that was

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Speaker 3: already being discussed, you would just I don't have.

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Speaker 2: To It is something of a headrest. I mean, I

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Speaker 2: think that was maybe either me, miss hearing, miss speaking.

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Speaker 2: It is a way to stop down and just like

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Speaker 2: lose the momentum.

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Speaker 4: I am asking permission to hard stop the momentum of

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Speaker 4: the show and address something that's so far past It's almost.

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Speaker 2: Silly because the show was kind of just getting cooking.

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Speaker 1: For me.

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Speaker 4: It was just I could feel it. It was getting hot.

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Speaker 3: Are the other or like, are the other listeners then

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Speaker 3: going to get to do that? Because you know, well,

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Speaker 3: normally here is effectively a listener for the first part.

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Speaker 4: Yes, at that point I was a.

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Speaker 3: Proxy or every one of them gonna because they all

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Speaker 3: have pitches, notes, they stuff they wanted.

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Speaker 2: You can't feel it?

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Speaker 4: Yeah, yeah, I guess they don't have to.

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Speaker 2: You know what, Let's do this, Let's do it. Let's

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Speaker 2: go back Okay, but right now? Okay?

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Speaker 4: Yeah, and I don't have to. That's why I asked

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Speaker 4: you guys, it's your party, Jesus.

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Speaker 2: I don't know if I'm gonna be able to focus.

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Speaker 2: I'm wondering what you want to go back to.

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Speaker 4: I'd love to say it, but I mean to.

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Speaker 3: Fast to a fast No no, no, no, no, just go

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Speaker 3: go go.

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Speaker 4: Was I how far down on the list was I

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Speaker 4: to be asked to do this show? I got asked

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Speaker 4: today at four o'clock, not like not a long time ago.

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Speaker 4: I was twoing nothing and said it'd be great.

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Speaker 2: For the For the record, I believe I thought you

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Speaker 2: should have been asked earlier than four. I think it

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Speaker 2: was something like two thirty.

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Speaker 4: That might be right.

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Speaker 2: Let me check the exactly, so if it took if

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Speaker 2: it took until four, let me check the exact does

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Speaker 2: not reflect it all on the esteem we hold you

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Speaker 2: in here, as.

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Speaker 4: You know what it was eleven twenty, am, Wow, I.

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Speaker 1: Do want to be.

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Speaker 2: That was before I was ready to me it's four.

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Speaker 4: That was earlier than you wanted it to be.

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Speaker 2: I thought, let's give it a couple more hours of tea.

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Speaker 4: Anything else I'm going to take shape? Okay, okay, yeah,

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Speaker 4: well eleven twenty the die was cast. Okay, So, but I.

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Speaker 3: Think it's important that since you asked, it's important that

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Speaker 3: you know that Kevin did ask someone before you.

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Speaker 4: Which I that's that doesn't insult me at all.

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Speaker 1: Who owes us? What?

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Speaker 3: I think they They phrased as a a mega favor, yes,

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Speaker 3: like what like the like the biggest favor.

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Speaker 2: And Kevin said it's time to finally cash in.

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Speaker 3: Yes, And so I guess that rather than ask will

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Speaker 3: you so that to them, to you would be someone

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Speaker 3: doing you the biggest favor that they could possibly do

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Speaker 3: is being on the show instead of will.

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Speaker 4: Right, Okay, I don't mind that. I am. I'm super available,

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Speaker 4: really really excited to be on.

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Speaker 2: Yeah, clearly, But for me it's like it is actually

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Speaker 2: exciting too because I think the other person whatever, you

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Speaker 2: are uniquely qualified to fill a role in this episode. Yeah,

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Speaker 2: because we have a massive responsibility, something that is stressful

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Speaker 2: on a certain level. But it's it's good stress. It's

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Speaker 2: it's forcing us to perform I think at a higher level.

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Speaker 2: Good trouble, good trouble good, the good kind of trouble.

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Speaker 1: Yeah.

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Speaker 2: I love that. That's you. We're not there yet. You

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Speaker 2: should use that, I should use if you end up

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Speaker 2: being the choice.

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Speaker 1: Yeah.

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Speaker 4: Okay.

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Speaker 1: Our old friend Jack Louie said that.

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Speaker 2: Mm hmm. I So I have a little bit of

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Speaker 2: a you know, friendly relationship with one of the kind

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Speaker 2: of premiere minds today who is like investigating and shaping culture.

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Speaker 1: Uh.

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Speaker 2: Do you have any experience interaction with awareness of I

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Speaker 2: mean I could not be aware of uh Jesse David Fox.

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Speaker 4: Yes, I know who, Jesse David Fox.

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Speaker 2: This guy's like a fucking super genius.

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Speaker 1: Yes.

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Speaker 4: He writes about how SNL is like a sport. It's yeah,

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Speaker 4: it's baseball. It's Basically, I think that's an interesting theory

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Speaker 4: that like people do relate to sn L like a

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Speaker 4: sport they're watching. They they like it if it's good

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Speaker 4: or bad. They're curious about the stats of the people.

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Speaker 2: Well they get the jersey for the different you know

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Speaker 2: what I mean, they were in the shirt and they go,

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Speaker 2: you know they and they like cards really want one

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Speaker 2: team from their town.

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Speaker 1: To like, yeah win.

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Speaker 2: The laugh like it's it's I mean, it's like a

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Speaker 2: one to one, like it's very close.

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Speaker 4: Yeah, I really like it. So yeah, I remember reading

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Speaker 4: but sports.

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Speaker 2: Sorry, so sports and comedy intersecting is actually what we're

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Speaker 2: here to talk about. Because the the dude did it

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Speaker 2: again in and I like, no, sooner had I finished,

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Speaker 2: you know, digesting the big game super Bowl Sunday, Yes,

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Speaker 2: football shaped chicken lunch that then I opened up my

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Speaker 2: news to see that Jesse.

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Speaker 1: He issued an exclusive opinion.

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Speaker 2: I fixed it. Well, not only that, because I don't

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Speaker 2: think there's a personal live who watched the Usher performance

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Speaker 2: and didn't say this is broken. When is Jesse going

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Speaker 2: to solve this? Like this is not working, this system

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Speaker 2: right and its core it's defunct. And I certainly was

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Speaker 2: racking my brain all night of like how do I

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Speaker 2: correct the sort of missteps that have been taken.

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Speaker 4: I guess I wasn't thinking of Jesse consciously, but I

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Speaker 4: guess in retrospect he's the kind of person who I

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Speaker 4: might expect to have an innovative solution to stuff.

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Speaker 3: I don't know if you had this ready to go,

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Speaker 3: or if he was responding to some of the same

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Speaker 3: problems that we all were. I mean, like I could

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Speaker 3: feel when that halftime show was playing basically like a

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Speaker 3: wartime mobilization across the country, like everyone pitching in, everyone

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Speaker 3: doing their part.

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Speaker 2: This guy, this guy's on roller skates. He's like, got

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Speaker 2: doing these incredible movements in these hit songs and it's

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Speaker 2: getting zero laughs.

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Speaker 3: Yes he was. He was freaking out. He said, oh

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Speaker 3: my god, yeah a few times, Yes, yeah, a few times.

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Speaker 3: So I you know, I was uncomfortable.

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Speaker 2: I was frightened and uh and then I was comfort

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Speaker 2: did as I so often have been by jdf's words,

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Speaker 2: the pen so mighty and his brainchild is that a

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Speaker 2: comedic entity, a stand up could perform the super Bowl

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Speaker 2: halftime show.

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Speaker 1: And before you even stand up comedy, before.

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Speaker 2: You even interrupt, because I can see you just about to.

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Speaker 2: They don't sell big stadiums. They sell big stadiums. They

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Speaker 2: do this, they perform in these massive venues.

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Speaker 6: Yeah, and so that and that's where it happens.

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Speaker 4: Like Radio City, they'll do Carnegie Hall.

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Speaker 2: They'll do stadiums, they'll do sports arenas they will okay, yeah,

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Speaker 2: they'll do that and they can. Yeah, and it is

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Speaker 2: a sports arena where this is happening.

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Speaker 1: And it's on TV sometimes too.

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Speaker 2: Yes, and they often have been on TV. Seinfeld was

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Speaker 2: on TV. That Seinfeld was on TV.

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Speaker 4: Yeah, very Whitney, right right, Whitney comings with head on

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Speaker 4: the show and was on TV.

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Speaker 1: And mister.

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Speaker 2: Yes, wait who mister Glaciers.

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Speaker 3: Fluffy, I'm not I'm not okay, not your not my

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Speaker 3: Seinfeld and Whitney, Yes, mister, So that's okay.

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Speaker 2: All right.

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Speaker 4: Yeah.

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Speaker 2: If it's not necessarily something I would want to explore

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Speaker 2: during the show, yes, but it should be. Yeah, should

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Speaker 2: be investing gated time.

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Speaker 4: Yes, I'll fix that.

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Speaker 2: Yeah. Uh Now I feel like I have to come

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Speaker 2: up with somebody else who's been on TV.

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Speaker 3: Tater Salad, sorry they call him Tater Salad.

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Speaker 4: I don't know, I don't know who that is.

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Speaker 1: So that's okay, that's good for you.

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Speaker 4: Honestly, yes, Carmichael, Yes, Carmichael Show.

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Speaker 3: Right, Okay, So it's on TV, it's in some of

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Speaker 3: the biggest sports playing centers. Like but this one, this

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Speaker 3: single one, we've decided we can't do this. We can only.

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Speaker 2: Which because no one and it's yes and it's.

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Speaker 1: World just sing and dance.

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Speaker 2: We're only gonna sing and dance with these I guess,

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Speaker 2: like massive artists, like you know, with this body of

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Speaker 2: work that is kind of tried and true and familiar

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Speaker 2: that people want to see repeated.

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Speaker 1: But then we're going to do that again, yeah, and

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Speaker 1: then again.

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Speaker 4: Like little done, it's a little done well.

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Speaker 2: Yeah, just like these songs are. They've been done, they've

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Speaker 2: been recorded. If you want to hear them, just put

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Speaker 2: them on.

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Speaker 4: Yeah, yeah, we know there's no surprises.

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Speaker 2: I mean you put on songs I do all the time. Yeah.

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Speaker 2: So like when I'm saying it, like be like nodding,

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Speaker 2: be into.

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Speaker 4: It, right, yes, sorry.

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Speaker 2: Enjoying like what I'm telling you because it's you know,

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Speaker 2: because it's also it's an energy thing, like it's gonna

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Speaker 2: help me and then that's going to help you get

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Speaker 2: you get your stuff.

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Speaker 4: In Yeah, Okay, I don't quite know what that means,

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Speaker 4: but I appreciate. Yeah, I'm sorry.

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Speaker 2: Yes, well, I'm hoping that you have some stuff to

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Speaker 2: get in on the I don't want and I don't

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Speaker 2: want to like set you up to to fail or anything,

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Speaker 2: but like, okay, yeah, we gotta find the guy. The

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Speaker 2: the gal could be any Yeah, could be on. We're

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Speaker 2: open to it being anyone. I understand you would not

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Speaker 2: want it to be mister Iglaciers, but we would be

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Speaker 2: fine with that, would be fine with with you with

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Speaker 2: another comedian And it's like guy gal like hey said,

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Speaker 2: like it just like whoever is gonna step into that role?

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Speaker 4: So is this a done deal?

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Speaker 1: Really?

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Speaker 2: The the the next super Bowl halftime show will be

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Speaker 2: a stand up comedian and now begins a nationwide, worldwide search.

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Speaker 2: Incredible because there's uh foreigner comedians as well. Yeah yeah,

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Speaker 2: and the the next super Bowl will be halftime show

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Speaker 2: will be packed with.

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Speaker 4: Yes, it's like miss bunny Ship.

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Speaker 6: Yes, getting the crowd moving, like enjoying it. I love

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Speaker 6: happy well they are and the audience.

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Speaker 2: For sports right, yeah, they're not really a music audience.

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Speaker 3: And the setup, the stage design is going to be

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Speaker 3: the same, there's going to be like younger people on

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Speaker 3: the field, like surrounding, uh, the.

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Speaker 1: Turning the stage on all sides.

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Speaker 4: In a choreographed way or just sort of also just

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Speaker 4: a select I.

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Speaker 2: Think the artist will be involved in designing that. But

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Speaker 2: I do think yes, absolutely in a choreographed way. And

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Speaker 2: it'll be a question of like what is the chore

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Speaker 2: what is the shape because it's not the same exact

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Speaker 2: stage every year, but there's usually a couple of different

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Speaker 2: wardrobe changes, Like it's this visual spectacle, there's.

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Speaker 4: A couple of different Could I pitch something now to

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Speaker 4: get your reaction to.

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Speaker 2: That, Yeah, I would love for you to to contribute

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Speaker 2: something like that.

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Speaker 3: So you so you so you think that that you

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Speaker 3: should be the one to do this.

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Speaker 4: Oh, I wasn't saying that. I just was on the

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Speaker 4: general topic of the show.

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Speaker 2: Do you think that I'm thinking?

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Speaker 1: I mean, if he wants to pitch something, like, if he's.

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Speaker 2: Pitching something, this could be our guy. Let's hear what

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Speaker 2: he asked.

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Speaker 4: Well, I didn't mean to I had I do not

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Speaker 4: have any I don't have anything prepared for the like

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Speaker 4: of pitching.

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Speaker 2: It could be big Bill. I mean, you know, I

351
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Speaker 2: don't think Big Bill, I don't.

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Speaker 4: Big Bill can't do it, do you know? I mean

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Speaker 4: I do stand bare You know that I so barely

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Speaker 4: do stand up.

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Speaker 2: Brother, I've seen you do stand up, so I know that.

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Speaker 2: I know that you're under selling it.

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Speaker 4: I do.

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Speaker 2: I've seen you steal a joke.

359
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Speaker 4: I think I've done that.

360
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Speaker 2: You've seen you steal a dam joke. I don't even

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Speaker 2: realize you were doing it parallel tho the.

362
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Speaker 4: Side of a pro I guess.

363
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Speaker 3: But supply and demand, if you've been sort of like

364
00:21:06,400 --> 00:21:10,640
Speaker 3: choking off the like the supply for this long. Yeah,

365
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Speaker 3: they see you walk out there.

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Speaker 4: I dabble so barely in this. I mean I do

367
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Speaker 4: it to kind of work a muscle and for fun

368
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Speaker 4: and well, but here's.

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Speaker 2: The thing, Like, you know, somebody who does it all

370
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Speaker 2: the time. Plays every city goes to do all these things,

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Speaker 2: and anybody who goes to see them goes like, well,

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Speaker 2: I could see this anywhere. But somebody who the second

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Speaker 2: they step on stage, it's like I don't even know

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Speaker 2: he fucking did this shit or who he is?

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Speaker 4: Well, what I was gonna pitch? And I do not

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Speaker 4: think it's.

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Speaker 1: A year by the way to like okay, that's that

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Speaker 1: would be good.

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Speaker 4: Yeah, no, I.

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Speaker 2: Would want to increase visibility because we do probably need

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Speaker 2: to announce it.

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Speaker 1: The name wreck and stuff will be Yeah, that will

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Speaker 1: be important. I feel like.

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Speaker 4: When the different musicians are announced, it's usually somebody pretty

385
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Speaker 4: well known.

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Speaker 1: This is what I'm saying.

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Speaker 3: We have a year and so like by the time

388
00:22:05,760 --> 00:22:07,719
Speaker 3: of the announce we're not like they don't announce it

389
00:22:07,800 --> 00:22:12,080
Speaker 3: that far in advance. Yeah, the game just happened. We

390
00:22:12,119 --> 00:22:13,960
Speaker 3: have a lot of time for you to like get

391
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Speaker 3: these I'm.

392
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Speaker 2: Thinking about like other musicians that have done it, and

393
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Speaker 2: I don't even know if I agree with you.

394
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Speaker 4: Like Bruce Springsteen did it, Prince did it more.

395
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Speaker 2: People pissed they were they pissed. I think people doctor

396
00:22:32,960 --> 00:22:34,240
Speaker 2: Dre do it. Last year.

397
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Speaker 3: People were pissed that their ship was not funny.

398
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Speaker 4: Yeah it's not that funny.

399
00:22:40,720 --> 00:22:47,880
Speaker 2: No, no it, Doga can be funny. Oh sure, I

400
00:22:47,920 --> 00:22:51,240
Speaker 2: wasn't laughing that much during her Super Bowl halftime show.

401
00:22:51,960 --> 00:22:56,440
Speaker 2: And uh, you know, Jesse, like I hope he doesn't

402
00:22:56,480 --> 00:22:59,000
Speaker 2: mind that we're talking about him so much, but JDF

403
00:22:59,040 --> 00:23:03,119
Speaker 2: like he literally wrote the book on comedy. I mean,

404
00:23:03,160 --> 00:23:05,720
Speaker 2: Hayes is in the damn book. You know, he doesn't

405
00:23:05,760 --> 00:23:08,880
Speaker 2: mention haesn't mentioned ask.

406
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Speaker 3: Not as comedia media figure, not for like doing stuff

407
00:23:12,520 --> 00:23:15,160
Speaker 3: that's funny, but like everybody.

408
00:23:14,840 --> 00:23:18,080
Speaker 2: Even really doesn't even mention doesn't give any context to

409
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Speaker 2: who you are, doesn't mention the podcast itself.

410
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Speaker 3: No, but like even that in it the idea that

411
00:23:26,880 --> 00:23:30,199
Speaker 3: I don't even need that extra context if you wear

412
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Speaker 3: the book about comedy No.

413
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Speaker 2: I mean it's like, and he's cracking my ship up.

414
00:23:36,119 --> 00:23:39,000
Speaker 3: I would be like almost more embarrassed if they were like, hey,

415
00:23:39,320 --> 00:23:41,600
Speaker 3: like just so you know, this guy's a comedian and

416
00:23:41,640 --> 00:23:42,679
Speaker 3: he has a podcast, right.

417
00:23:42,760 --> 00:23:44,200
Speaker 2: Well, he had to do that for some of the

418
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Speaker 2: people that like, I'm not like, I don't want to

419
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Speaker 2: start a feud or anything, but some of the comedians that.

420
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Speaker 4: He mentioned, he did have to explain who they were, John.

421
00:23:52,760 --> 00:23:56,800
Speaker 2: Malaney or Chappelle. He was going like, this is a comedian.

422
00:23:56,520 --> 00:23:57,200
Speaker 4: Okay, wow.

423
00:23:57,720 --> 00:24:00,600
Speaker 2: And with Hayes, it was just like do I even

424
00:24:00,720 --> 00:24:01,320
Speaker 2: have to say it?

425
00:24:01,359 --> 00:24:02,520
Speaker 1: Babe? Yeah?

426
00:24:02,800 --> 00:24:05,920
Speaker 4: Have you guys thought about pitching yourselves as performers?

427
00:24:06,320 --> 00:24:09,200
Speaker 2: You know, it's it's we've got our producer hat.

428
00:24:13,000 --> 00:24:13,359
Speaker 6: Wow.

429
00:24:14,760 --> 00:24:18,399
Speaker 2: I think we need to do it the right way. Obviously,

430
00:24:20,440 --> 00:24:25,400
Speaker 2: there was the whole kind of witch hunt that happened

431
00:24:25,400 --> 00:24:30,679
Speaker 2: when that Jeopardy producer yeah himself. Yeah, and then just

432
00:24:30,720 --> 00:24:32,399
Speaker 2: because he's the most kick ass host.

433
00:24:32,520 --> 00:24:37,399
Speaker 3: Yeah, and like what actually undid him was then finding

434
00:24:37,400 --> 00:24:39,919
Speaker 3: out that he had a podcast. Yeah, and so if

435
00:24:39,960 --> 00:24:44,720
Speaker 3: that happened to us, that could actually be a huge problem.

436
00:24:44,760 --> 00:24:45,800
Speaker 4: Okay, that's good thinking.

437
00:24:45,880 --> 00:24:49,000
Speaker 2: Yeah, that's probably the main reason we won't do it.

438
00:24:50,880 --> 00:24:54,359
Speaker 4: Just because just because since they don't people don't like

439
00:24:54,359 --> 00:24:56,359
Speaker 4: when producers put themselves in the renting.

440
00:24:56,440 --> 00:24:58,399
Speaker 2: Yeah, and it is a good gig for us to be,

441
00:24:59,000 --> 00:25:01,200
Speaker 2: you know, kind of lean the hunt. I think people

442
00:25:01,240 --> 00:25:04,040
Speaker 2: trust our taste partially because we are so funny that

443
00:25:04,080 --> 00:25:05,119
Speaker 2: we could do it ourselves.

444
00:25:06,400 --> 00:25:08,640
Speaker 4: Yeah, you want, Like, but I want to help shape it.

445
00:25:08,560 --> 00:25:12,320
Speaker 2: Like I'd love to give somebody a platform, Okay, especially

446
00:25:12,400 --> 00:25:15,520
Speaker 2: a voice, well that maybe people are less familiar with.

447
00:25:15,760 --> 00:25:18,679
Speaker 4: I deserve that I could tell you normally what I

448
00:25:18,720 --> 00:25:21,080
Speaker 4: do in my stand up routine. Maybe get that would

449
00:25:21,119 --> 00:25:22,679
Speaker 4: be Oh thrill.

450
00:25:23,280 --> 00:25:25,760
Speaker 2: You had an idea for what the stage should look like.

451
00:25:25,880 --> 00:25:29,440
Speaker 4: Related, it's so unrelated to what you're talking about now.

452
00:25:29,480 --> 00:25:32,960
Speaker 4: I was just saying, like, since you're gonna be doing

453
00:25:33,000 --> 00:25:35,479
Speaker 4: a hard pivot away from what people are used to.

454
00:25:35,520 --> 00:25:37,679
Speaker 4: It might be nice to have a little taste of

455
00:25:37,680 --> 00:25:42,040
Speaker 4: what happened before to smooth the transition. And so some

456
00:25:42,080 --> 00:25:45,520
Speaker 4: people dancing or doing some kind of choreograph because usually

457
00:25:45,560 --> 00:25:48,560
Speaker 4: they have like fans around the field just watching the

458
00:25:48,680 --> 00:25:51,159
Speaker 4: artists up close. And then also there's dancer.

459
00:25:51,240 --> 00:25:53,360
Speaker 2: Are you picked like a clockwork orange thing?

460
00:25:53,600 --> 00:25:56,240
Speaker 4: Yeah, sort of like a bunch of people dressed the same,

461
00:25:57,520 --> 00:26:01,480
Speaker 4: kind of like a gang, kind of like a.

462
00:26:00,840 --> 00:26:07,679
Speaker 2: Fred eyeing odd and they're not quite rigidly dancing a

463
00:26:07,680 --> 00:26:11,680
Speaker 2: fixture team, but sort of in just doing similar movements

464
00:26:11,720 --> 00:26:13,960
Speaker 2: the way those guys didn't clock record. I think it's

465
00:26:13,960 --> 00:26:15,760
Speaker 2: odd for them to be moving because I you know,

466
00:26:15,800 --> 00:26:17,520
Speaker 2: the promise we're sort of making is there will be

467
00:26:17,600 --> 00:26:18,280
Speaker 2: no music.

468
00:26:19,560 --> 00:26:23,320
Speaker 4: Yeah, okay, good point. Maybe they could just be laughing demonstrably.

469
00:26:24,600 --> 00:26:26,640
Speaker 2: You know that's that'll be your job.

470
00:26:27,119 --> 00:26:29,600
Speaker 4: Okay, Yeah, maybe this tell me?

471
00:26:29,920 --> 00:26:33,120
Speaker 2: What tell me someone with the stand up? Because I've

472
00:26:33,119 --> 00:26:35,199
Speaker 2: been looking at your material and some of it I

473
00:26:35,200 --> 00:26:36,720
Speaker 2: think could actually work.

474
00:26:36,560 --> 00:26:39,359
Speaker 4: For there's so little of it online. I mean, I

475
00:26:39,400 --> 00:26:43,040
Speaker 4: want to emphasize again, I barely do it. I dabble.

476
00:26:43,600 --> 00:26:48,359
Speaker 4: I mean I do open mics, and and maybe friends

477
00:26:48,359 --> 00:26:51,640
Speaker 4: will invite me to do one level above, and then

478
00:26:51,960 --> 00:26:54,720
Speaker 4: every now and then I'll float into some weird showcase show.

479
00:26:55,040 --> 00:26:57,199
Speaker 2: Oh this is friends inviting me to do one level of.

480
00:26:57,480 --> 00:27:01,480
Speaker 4: That's yes, yeah, it's it's something like that. But normally

481
00:27:01,520 --> 00:27:04,159
Speaker 4: i'll uh, you know, I'll come up on stage and

482
00:27:04,200 --> 00:27:07,760
Speaker 4: try to be pretty authentic, try to be myself.

483
00:27:08,640 --> 00:27:10,840
Speaker 2: I love that. I love that because a lot of

484
00:27:10,880 --> 00:27:14,480
Speaker 2: the super Bowl show they're acting pretty phony in the

485
00:27:14,720 --> 00:27:16,240
Speaker 2: enough time shows.

486
00:27:16,920 --> 00:27:18,520
Speaker 4: Yeah, okay, they're betting.

487
00:27:18,280 --> 00:27:20,760
Speaker 2: A little bit phony, and you feel.

488
00:27:22,240 --> 00:27:23,240
Speaker 4: This isn't really that.

489
00:27:23,640 --> 00:27:27,840
Speaker 2: So damn hard, I'm like, what are we hiding here?

490
00:27:28,040 --> 00:27:29,040
Speaker 2: Like just be yourself?

491
00:27:29,119 --> 00:27:31,760
Speaker 1: So, so how do you double is authenticity?

492
00:27:31,880 --> 00:27:37,440
Speaker 3: Like we're like we just got done seeing real things happening. Like, yes,

493
00:27:37,560 --> 00:27:40,920
Speaker 3: the most like authentic thing you can possibly do.

494
00:27:41,960 --> 00:27:44,240
Speaker 4: I mean people didn't even know it's gonna happen. Who's

495
00:27:44,240 --> 00:27:47,280
Speaker 4: gonna throw right.

496
00:27:49,280 --> 00:27:49,760
Speaker 1: Kick it?

497
00:27:50,000 --> 00:27:55,720
Speaker 2: Yeah, tackle, yes, they're jumping the coach right.

498
00:27:55,600 --> 00:28:00,120
Speaker 4: Yep whistle yes, uh block.

499
00:28:01,680 --> 00:28:04,040
Speaker 2: Well it's not yeah, we don't have to name everything,

500
00:28:04,080 --> 00:28:04,600
Speaker 2: that's sure.

501
00:28:04,640 --> 00:28:08,840
Speaker 4: Right, Yeah, it's like yeah yeah, so right. So I

502
00:28:08,880 --> 00:28:12,440
Speaker 4: normally get up, I start pretty authentic and big coat.

503
00:28:12,520 --> 00:28:16,320
Speaker 2: They have a big warm coats. Yes, when it's cold.

504
00:28:16,920 --> 00:28:24,320
Speaker 4: Yeah, that's they have a lot of warming technology.

505
00:28:25,400 --> 00:28:27,760
Speaker 3: I know, Kevin, where's this one going to be? Can

506
00:28:27,760 --> 00:28:32,399
Speaker 3: we find out? Because if it's going to be cold,

507
00:28:33,119 --> 00:28:37,840
Speaker 3: talk about like I might use it, going to be shrinkage.

508
00:28:37,880 --> 00:28:39,880
Speaker 1: I mean he's stolen other jokes.

509
00:28:39,520 --> 00:28:40,880
Speaker 4: So I stole I think a joke.

510
00:28:43,080 --> 00:28:47,000
Speaker 2: You're doing it for a little bit. Yeah, New Orleans,

511
00:28:48,840 --> 00:28:50,720
Speaker 2: Robin Williams. These are people who've stolen.

512
00:28:51,480 --> 00:28:55,320
Speaker 4: I'm in pretty good company Nor Orleans, No Orlans.

513
00:28:56,680 --> 00:28:58,720
Speaker 2: Baby, you do a little.

514
00:29:00,360 --> 00:29:01,160
Speaker 4: I don't normally do it.

515
00:29:01,480 --> 00:29:04,320
Speaker 3: Would be that would be helpful to kind of establish

516
00:29:04,440 --> 00:29:08,080
Speaker 3: you as like, what's a like one of the New

517
00:29:08,160 --> 00:29:12,440
Speaker 3: Orleans guys? Yeah, channel the face of the New Orleans

518
00:29:12,480 --> 00:29:13,240
Speaker 3: comedy scene.

519
00:29:13,320 --> 00:29:16,200
Speaker 2: What channel too? Because if it's like you know, it's

520
00:29:16,280 --> 00:29:19,760
Speaker 2: like catch me in this, catch me in the new

521
00:29:20,320 --> 00:29:24,040
Speaker 2: procedural coming out this fall, and like, you know whatever

522
00:29:24,200 --> 00:29:29,800
Speaker 2: channel and you think I'm playing, You're you're going, you're well,

523
00:29:29,920 --> 00:29:32,800
Speaker 2: I think there's sort of a funny kind of like

524
00:29:33,000 --> 00:29:37,240
Speaker 2: tongue in cheek, like you're describing the you know, New

525
00:29:37,360 --> 00:29:38,840
Speaker 2: Orleans based.

526
00:29:38,640 --> 00:29:44,520
Speaker 7: Uh show, people haven't.

527
00:29:44,960 --> 00:29:48,920
Speaker 4: I don't think people respond well to accent work in

528
00:29:48,960 --> 00:29:52,440
Speaker 4: general these days, and it's really not my thing, but

529
00:29:52,520 --> 00:29:55,240
Speaker 4: I guess to connect with the local population, that could

530
00:29:55,280 --> 00:30:02,160
Speaker 4: be can we try knowledge, yeah, lang yeah?

531
00:30:02,280 --> 00:30:02,840
Speaker 2: Can we here?

532
00:30:02,840 --> 00:30:07,360
Speaker 4: We are Nolans here, we are here, we are Knowleans.

533
00:30:07,560 --> 00:30:10,560
Speaker 2: Yeah. And it's and I think because you want it.

534
00:30:10,560 --> 00:30:13,360
Speaker 2: It's like, because you don't want it to succeed, because

535
00:30:13,440 --> 00:30:15,280
Speaker 2: you kind of were the person who shut the door

536
00:30:15,320 --> 00:30:16,760
Speaker 2: on it before we even started.

537
00:30:17,520 --> 00:30:18,560
Speaker 4: And I'm not sabotaged.

538
00:30:18,680 --> 00:30:23,280
Speaker 2: Let's not explore it, Okay, I want I I I

539
00:30:23,360 --> 00:30:28,800
Speaker 2: want to. I want to think that's true. So maybe

540
00:30:28,880 --> 00:30:31,480
Speaker 2: you said you said initially and we're getting further away

541
00:30:31,520 --> 00:30:33,760
Speaker 2: from it. So and I apologize maybe my fault because

542
00:30:33,760 --> 00:30:35,640
Speaker 2: I had like a sort of a creative idea, which

543
00:30:35,680 --> 00:30:39,360
Speaker 2: I'll try to have less. But the the first thing

544
00:30:39,360 --> 00:30:41,840
Speaker 2: you said was that you try to be pretty authentic.

545
00:30:41,880 --> 00:30:43,920
Speaker 4: I try to present a taste of myself.

546
00:30:43,960 --> 00:30:45,959
Speaker 2: So how so how are you doing that? Because that's

547
00:30:46,000 --> 00:30:47,760
Speaker 2: obviously not going to be an accent, right you said that.

548
00:30:47,960 --> 00:30:50,520
Speaker 3: You said that authentic in the sense that, like you

549
00:30:50,720 --> 00:30:53,080
Speaker 3: say that you will not do things like you've been

550
00:30:53,080 --> 00:30:57,480
Speaker 3: doing so far on this the type of I'll do things,

551
00:30:57,880 --> 00:31:01,040
Speaker 3: because that to me, like that's that's authentically.

552
00:31:00,520 --> 00:31:02,680
Speaker 4: Me would be bringing nothing is what you're saying.

553
00:31:02,560 --> 00:31:05,320
Speaker 1: Less than that? No, keep off the table.

554
00:31:05,440 --> 00:31:07,360
Speaker 4: I would yeah, no, no, no, I would. I would

555
00:31:07,360 --> 00:31:09,040
Speaker 4: be bringing something an act.

556
00:31:09,120 --> 00:31:11,760
Speaker 2: Yeah, absolutely, yes, I love hearing that.

557
00:31:12,360 --> 00:31:12,680
Speaker 4: I would.

558
00:31:12,720 --> 00:31:14,800
Speaker 2: You're gonna need to yeah, yeah, I.

559
00:31:14,720 --> 00:31:16,440
Speaker 1: Would know what what what this thing is?

560
00:31:16,480 --> 00:31:19,040
Speaker 2: You could even so. And speaking of authentic, it's like

561
00:31:20,640 --> 00:31:22,840
Speaker 2: I was checking out the city today and you talk

562
00:31:22,880 --> 00:31:25,240
Speaker 2: about some of the authentic flavors.

563
00:31:25,360 --> 00:31:26,440
Speaker 1: I was on my way here.

564
00:31:26,720 --> 00:31:31,000
Speaker 2: Gumbos got this gumbo spot.

565
00:31:31,240 --> 00:31:34,040
Speaker 4: Yeah, you know gumbo can talk a little bit about them,

566
00:31:34,280 --> 00:31:36,160
Speaker 4: it's good. Yeah, so I could do that.

567
00:31:36,800 --> 00:31:39,240
Speaker 2: This is like they're eating out of the palm of

568
00:31:39,280 --> 00:31:39,840
Speaker 2: your hand.

569
00:31:39,920 --> 00:31:42,840
Speaker 4: You're saying that anybody here, had anybody here been to

570
00:31:42,840 --> 00:31:43,160
Speaker 4: that gum?

571
00:31:43,240 --> 00:31:43,920
Speaker 1: But it's it's.

572
00:31:43,760 --> 00:31:45,880
Speaker 2: Televised as well. It's not just for the locals.

573
00:31:45,920 --> 00:31:48,000
Speaker 4: Okay, So I want to make sure to not leave them.

574
00:31:47,840 --> 00:31:49,520
Speaker 1: Out and maybe you hold your tummy.

575
00:31:50,560 --> 00:31:53,320
Speaker 4: Yeah, oh I had a I'm so full of Beignet's

576
00:31:53,360 --> 00:31:53,920
Speaker 4: and gumbo.

577
00:31:56,360 --> 00:31:59,080
Speaker 1: Yeah yeah, you say, oh yeah knowlns.

578
00:31:59,120 --> 00:32:01,920
Speaker 4: Oh yeah, yeah, oh I had a little too much.

579
00:32:02,240 --> 00:32:04,720
Speaker 2: But on stage and a normal stage scenario, and we'll

580
00:32:04,720 --> 00:32:06,840
Speaker 2: try to heighten it for this, how would you, okay,

581
00:32:06,880 --> 00:32:08,640
Speaker 2: how would you demonstrate your authentic just.

582
00:32:08,560 --> 00:32:10,480
Speaker 4: To set the stage. Normally, I'm going up in the

583
00:32:10,520 --> 00:32:12,920
Speaker 4: back of a bar where there's noise leaking in from

584
00:32:12,960 --> 00:32:16,560
Speaker 4: another room. Six or seven people are watching, four of

585
00:32:16,560 --> 00:32:20,720
Speaker 4: which have already performed. Right I get up there, it's

586
00:32:20,760 --> 00:32:24,520
Speaker 4: a hostile energy of people just mad that the thing

587
00:32:24,600 --> 00:32:27,360
Speaker 4: isn't over, and you got to say something a little

588
00:32:27,760 --> 00:32:31,520
Speaker 4: self deprecating to acknowledge that to win people back. So

589
00:32:31,640 --> 00:32:33,680
Speaker 4: normally what I'll do, and also I want to present

590
00:32:33,760 --> 00:32:42,040
Speaker 4: my natural energy, which is muted, and I will get

591
00:32:42,120 --> 00:32:43,280
Speaker 4: up and I'll say something like.

592
00:32:43,280 --> 00:32:48,480
Speaker 2: Greening teenage muted Ninja turtles WHOA just something for I

593
00:32:48,520 --> 00:32:49,120
Speaker 2: could use that?

594
00:32:49,320 --> 00:32:52,800
Speaker 4: I don't know, hang on, I did that?

595
00:32:53,320 --> 00:32:54,520
Speaker 2: No, no, no, no, no, that's I need.

596
00:32:55,080 --> 00:32:56,000
Speaker 1: That's for you.

597
00:32:56,080 --> 00:33:00,280
Speaker 4: Yes, I can use mut just because I don't want

598
00:33:00,280 --> 00:33:01,680
Speaker 4: to do that again.

599
00:33:01,800 --> 00:33:03,360
Speaker 2: I mean, if it gets really big, you have to

600
00:33:03,360 --> 00:33:05,120
Speaker 2: give me something, of course.

601
00:33:05,080 --> 00:33:08,400
Speaker 1: But a but uh so, what like, I'm there, I'm there,

602
00:33:08,600 --> 00:33:11,000
Speaker 1: I'm mad. Yeah, I'm like you.

603
00:33:11,080 --> 00:33:12,760
Speaker 4: Did you did your seven minutes?

604
00:33:13,080 --> 00:33:15,400
Speaker 2: The football crowd is mad, so yes they can.

605
00:33:15,480 --> 00:33:17,520
Speaker 4: Yeah, well half of them are mad right because their

606
00:33:17,520 --> 00:33:19,640
Speaker 4: team's down.

607
00:33:20,080 --> 00:33:23,280
Speaker 2: Yeah, I don't know. Yeah, well, yeah, that's a pretty.

608
00:33:23,000 --> 00:33:25,320
Speaker 1: Reasonable and it's really expensive.

609
00:33:25,480 --> 00:33:28,000
Speaker 2: It's pretty reasonable that one team is down. There's no

610
00:33:28,080 --> 00:33:29,280
Speaker 2: such thing as a tie score.

611
00:33:29,840 --> 00:33:31,240
Speaker 4: I guess, I don't know. I guess there could be

612
00:33:31,240 --> 00:33:32,920
Speaker 4: a tie score. Yeah, there could be a tie score.

613
00:33:33,360 --> 00:33:36,080
Speaker 4: So I get up there at this at at the

614
00:33:36,120 --> 00:33:38,040
Speaker 4: shows I normally do, and I'm I have to win

615
00:33:38,080 --> 00:33:41,440
Speaker 4: over this vaguely slightly hostile crowd. And they'll say something

616
00:33:41,480 --> 00:33:52,240
Speaker 4: like greetings, colleagues, and or and maybe someday friends, that

617
00:33:52,360 --> 00:33:57,560
Speaker 4: is what I will do, and it goes over. Okay,

618
00:33:57,960 --> 00:34:02,120
Speaker 4: it's kind of charming. It's a little bit formal and stilted,

619
00:34:02,160 --> 00:34:04,960
Speaker 4: which I am, so then sets them up for that.

620
00:34:05,480 --> 00:34:07,440
Speaker 4: They giggle a little bit, They're getting a feel for

621
00:34:07,600 --> 00:34:08,239
Speaker 4: who I am.

622
00:34:09,360 --> 00:34:11,080
Speaker 2: I'm just trying to picture it being set.

623
00:34:12,160 --> 00:34:15,759
Speaker 4: So at the super Bowl, I get on stage, I

624
00:34:15,800 --> 00:34:19,080
Speaker 4: assume there's some kind of millions. Well, I think I

625
00:34:19,120 --> 00:34:23,480
Speaker 4: could still work, because it's subverts expectations.

626
00:34:23,760 --> 00:34:27,720
Speaker 2: Colleagues to hear colleagues from the person taking the stage

627
00:34:27,719 --> 00:34:28,040
Speaker 2: at that.

628
00:34:28,520 --> 00:34:29,359
Speaker 1: Think about it. I come up.

629
00:34:29,360 --> 00:34:31,760
Speaker 4: I'll probably dressed like this. I'll have a thick flannel

630
00:34:31,800 --> 00:34:33,600
Speaker 4: shirt on. I don't see myself to.

631
00:34:33,600 --> 00:34:36,880
Speaker 2: Say, you look like a million fucking bugs. Yeah you really,

632
00:34:37,120 --> 00:34:39,200
Speaker 2: you don't have to do this when you do this show,

633
00:34:39,680 --> 00:34:41,680
Speaker 2: I want to let you off the hook. I appreciate that.

634
00:34:41,920 --> 00:34:42,640
Speaker 2: I appreciate that.

635
00:34:42,719 --> 00:34:45,040
Speaker 4: Yeah, so I could. I think it would work. I'd

636
00:34:45,080 --> 00:34:48,479
Speaker 4: get up on stage, hey now presenting the halftime act

637
00:34:48,560 --> 00:34:51,399
Speaker 4: Will Hines, and I walk up and they're like, who

638
00:34:51,480 --> 00:34:54,080
Speaker 4: is this? Maybe there's been some visibility by that time

639
00:34:54,719 --> 00:34:56,680
Speaker 4: doing TikTok videos, maybe on the rag.

640
00:34:57,200 --> 00:35:00,479
Speaker 2: By then, I think we can get you some TikTok collapse. Okay, great,

641
00:35:00,760 --> 00:35:02,360
Speaker 2: some like mom influencers.

642
00:35:02,800 --> 00:35:06,200
Speaker 4: Yeah that can so some people. I'll probably little and

643
00:35:06,200 --> 00:35:07,520
Speaker 4: I've been announced.

644
00:35:07,280 --> 00:35:10,920
Speaker 1: People stuff like big game hunting videos.

645
00:35:11,280 --> 00:35:15,600
Speaker 2: Uh sure, yeah, you're holding up like a rhinos disembodied

646
00:35:15,719 --> 00:35:19,239
Speaker 2: fucking ass or something like yeah.

647
00:35:19,160 --> 00:35:21,080
Speaker 1: You have to flay the ass.

648
00:35:21,480 --> 00:35:24,000
Speaker 2: Yeah, well sure, I guess I could fly and you're

649
00:35:24,040 --> 00:35:29,600
Speaker 2: going like flay honey or whatever, you know, like like, yeah.

650
00:35:29,280 --> 00:35:32,719
Speaker 4: Yeah, I don't mind doing that. And I get up

651
00:35:32,719 --> 00:35:35,280
Speaker 4: on stage and they announce me and I walk. Probably

652
00:35:35,320 --> 00:35:37,120
Speaker 4: it's gonna take a bit because it's a Those are

653
00:35:37,120 --> 00:35:40,440
Speaker 4: big stages, usually big, so you know, I come.

654
00:35:40,960 --> 00:35:43,640
Speaker 8: Walk, You're gonna climb up the side and no, I

655
00:35:43,640 --> 00:35:46,560
Speaker 8: think I'll walk up steps. Okay, but I just assumed

656
00:35:46,719 --> 00:35:50,319
Speaker 8: say that because like this all has to we got

657
00:35:50,360 --> 00:35:51,600
Speaker 8: to start figuring this out now.

658
00:35:52,000 --> 00:35:56,960
Speaker 2: People were actually responsible for details like that, just like no, yeah.

659
00:35:57,200 --> 00:35:59,560
Speaker 1: You don't want to it. You don't want to clamber up.

660
00:35:59,640 --> 00:36:03,440
Speaker 4: The I don't. I want to walk upstairs and then

661
00:36:03,480 --> 00:36:05,440
Speaker 4: I'll get I'll walk to the center. There'll be a

662
00:36:05,480 --> 00:36:06,480
Speaker 4: mic and a spotlight.

663
00:36:06,680 --> 00:36:10,960
Speaker 2: Could be sorry glamor so no, and just it could

664
00:36:11,000 --> 00:36:12,960
Speaker 2: be funny if he's walking around like how the fuck

665
00:36:13,040 --> 00:36:13,920
Speaker 2: do I get up here?

666
00:36:14,000 --> 00:36:16,240
Speaker 3: Like just like before we even and all the people

667
00:36:16,280 --> 00:36:17,840
Speaker 3: are are down there looking.

668
00:36:17,640 --> 00:36:19,880
Speaker 2: Like I'm supposed to be up there. People going like

669
00:36:20,360 --> 00:36:21,960
Speaker 2: doing well, you're supposed to be up here with the

670
00:36:22,000 --> 00:36:23,399
Speaker 2: stairs no, no.

671
00:36:23,360 --> 00:36:29,200
Speaker 3: Stairs, and he needs a boost everyone he comes down,

672
00:36:29,560 --> 00:36:31,800
Speaker 3: like twenty different people have their.

673
00:36:31,920 --> 00:36:34,760
Speaker 2: Pushing on his but pushing him up.

674
00:36:35,040 --> 00:36:37,360
Speaker 1: They push him too hard. Stage is very slippery. He

675
00:36:37,480 --> 00:36:38,319
Speaker 1: slides all the way.

676
00:36:38,520 --> 00:36:43,520
Speaker 2: It all goes off on the other side. I love this.

677
00:36:44,520 --> 00:36:45,760
Speaker 2: That's so funny.

678
00:36:46,400 --> 00:36:51,200
Speaker 4: I could do that. Let's say it's like that great,

679
00:36:51,640 --> 00:36:55,160
Speaker 4: that's how it starts. Well, we're just we're just first draft.

680
00:36:55,520 --> 00:36:56,160
Speaker 1: It is like that.

681
00:36:56,320 --> 00:36:58,879
Speaker 4: Just it is so it's like that.

682
00:36:59,000 --> 00:37:00,760
Speaker 2: I be like that sometimes.

683
00:37:00,840 --> 00:37:03,640
Speaker 4: Okay, so I'm getting pushed on my ass up the

684
00:37:03,719 --> 00:37:06,640
Speaker 4: stage and then I clamber up there. But I get

685
00:37:06,640 --> 00:37:08,880
Speaker 4: eventually to a microphone in the middle of the stage

686
00:37:08,880 --> 00:37:12,000
Speaker 4: with a spotlight. I assume, yeah, pick it up, say

687
00:37:12,000 --> 00:37:14,359
Speaker 4: hey everybody, and will no, I will hang on. I'll

688
00:37:14,400 --> 00:37:19,880
Speaker 4: say hello colleagues and hopefully someday friends.

689
00:37:21,920 --> 00:37:23,439
Speaker 2: Was it hopefully the first time?

690
00:37:23,680 --> 00:37:26,000
Speaker 4: No, it wasn't.

691
00:37:26,080 --> 00:37:27,920
Speaker 2: I think we should nail it down. I mean, I

692
00:37:27,960 --> 00:37:30,560
Speaker 2: wanted to feel loose. I wanted to feel improvised, but

693
00:37:30,640 --> 00:37:31,600
Speaker 2: I would like.

694
00:37:31,600 --> 00:37:35,920
Speaker 4: The usually say greetings colleagues and perhaps someday friends. That's

695
00:37:35,960 --> 00:37:36,560
Speaker 4: exactly what.

696
00:37:36,520 --> 00:37:39,600
Speaker 2: I usually say. Great, Yeah, that's what I would say.

697
00:37:39,680 --> 00:37:42,200
Speaker 2: So let's so let's say it's that. Let's just say

698
00:37:42,200 --> 00:37:45,320
Speaker 2: it's that I do not like go like too loose

699
00:37:45,440 --> 00:37:47,200
Speaker 2: where we're actually maybe.

700
00:37:46,920 --> 00:37:51,800
Speaker 1: He's pretty loose. Yeah, i'merned. I'm picturing an outcome.

701
00:37:52,920 --> 00:37:57,160
Speaker 3: You're you're at the super Bowl, right, you deliver that

702
00:37:57,239 --> 00:38:00,240
Speaker 3: line and one person last.

703
00:38:01,960 --> 00:38:03,640
Speaker 4: That could be bet worse than zero.

704
00:38:03,800 --> 00:38:06,879
Speaker 3: Right that that's sort of the outcome that I've tried

705
00:38:06,920 --> 00:38:08,480
Speaker 3: to like, I could see.

706
00:38:08,120 --> 00:38:10,560
Speaker 4: Like how many people are in the stadium numbers.

707
00:38:10,640 --> 00:38:16,640
Speaker 3: Why like playing the statistical odds. Yeah, like one person.

708
00:38:16,560 --> 00:38:17,680
Speaker 2: There's a lot of people there.

709
00:38:17,800 --> 00:38:20,920
Speaker 4: I feel like more than one person will laugh. Okay,

710
00:38:20,960 --> 00:38:22,800
Speaker 4: even on the low estimately audibly.

711
00:38:23,880 --> 00:38:27,320
Speaker 1: Yeah, Like what are you like, what are we thinking how.

712
00:38:27,160 --> 00:38:29,879
Speaker 8: Many people in the super Bowl stadium? I don't think

713
00:38:30,040 --> 00:38:33,359
Speaker 8: if they pass twenty thousand all the boxes. No, I'm

714
00:38:33,400 --> 00:38:35,120
Speaker 8: thinking like fifty sixty thousands.

715
00:38:35,120 --> 00:38:37,880
Speaker 4: Okay, fifty sixty thousand people can hear me. Yeah, I

716
00:38:37,880 --> 00:38:40,680
Speaker 4: think I'm gonna get minimum one thousand people are gonna laugh.

717
00:38:45,360 --> 00:38:46,560
Speaker 2: I think that's pretty fair.

718
00:38:50,600 --> 00:38:53,120
Speaker 1: Okay, that could like, yeah, we could make that sound.

719
00:38:53,239 --> 00:38:54,480
Speaker 4: I think that would sound pretty good.

720
00:38:54,680 --> 00:38:57,280
Speaker 2: I don't know, I think we could sweeten that. Yeah,

721
00:38:58,200 --> 00:39:04,040
Speaker 2: that's pretty Yeah, that's pretty that's pretty good. So you know,

722
00:39:04,120 --> 00:39:07,360
Speaker 2: I think we need to be aware of the fact

723
00:39:07,440 --> 00:39:12,799
Speaker 2: that and that'll be fine for this the audiences. We

724
00:39:12,840 --> 00:39:16,120
Speaker 2: don't want to alienate any one group absolutely, And so like,

725
00:39:16,200 --> 00:39:20,000
Speaker 2: in terms of looking at a lot of your material

726
00:39:20,080 --> 00:39:21,840
Speaker 2: that you've done, and I know you have this big

727
00:39:22,120 --> 00:39:24,439
Speaker 2: chunk that's sort of been the centerpiece of your act

728
00:39:24,480 --> 00:39:27,600
Speaker 2: for a while that is like kind of the tagline

729
00:39:27,600 --> 00:39:32,440
Speaker 2: of it. I guess is there's a reason that marriage

730
00:39:32,560 --> 00:39:37,040
Speaker 2: and mirage are only one letter apart, which which yes,

731
00:39:37,640 --> 00:39:41,960
Speaker 2: And I don't know if it's because that's not true,

732
00:39:42,120 --> 00:39:43,080
Speaker 2: but I think it.

733
00:39:43,080 --> 00:39:46,600
Speaker 4: Still you get both. You know, it's the the genuine

734
00:39:46,640 --> 00:39:48,960
Speaker 4: meaning of it makes people laugh, and then the wordplay

735
00:39:49,000 --> 00:39:51,720
Speaker 4: of it being wrong gets other people.

736
00:39:52,040 --> 00:39:54,480
Speaker 2: Yeah, and then you go into these examples of how

737
00:39:54,560 --> 00:40:02,040
Speaker 2: like marriage is a mirage, et cetera. Yeah, I can

738
00:40:02,120 --> 00:40:05,520
Speaker 2: speak from my own experience. There are married people watching

739
00:40:05,600 --> 00:40:09,959
Speaker 2: the Super Bowl. Sure, I don't want them to think

740
00:40:10,000 --> 00:40:13,160
Speaker 2: that we are anti lifestyle.

741
00:40:13,560 --> 00:40:15,439
Speaker 3: You don't want to get trapped into like just playing

742
00:40:15,480 --> 00:40:18,080
Speaker 3: to the audience that's in the craft because most of

743
00:40:18,120 --> 00:40:20,600
Speaker 3: them have lied to their spouses and something.

744
00:40:21,320 --> 00:40:24,279
Speaker 4: So the people in the arena might dig it. They

745
00:40:24,360 --> 00:40:26,320
Speaker 4: might be.

746
00:40:27,239 --> 00:40:29,440
Speaker 1: You know then you like get online.

747
00:40:29,560 --> 00:40:31,680
Speaker 2: No, I mean the perception at home, right.

748
00:40:31,600 --> 00:40:36,800
Speaker 3: Is like like, yeah, you know, he's been taking practice

749
00:40:36,800 --> 00:40:40,120
Speaker 3: swings in the batter battersbox this whole time, Like this

750
00:40:40,200 --> 00:40:44,200
Speaker 3: is a trap. Basically like JDF whoever is.

751
00:40:43,520 --> 00:40:46,960
Speaker 1: Like, you know, gonna jump into this. He has laid

752
00:40:46,960 --> 00:40:47,359
Speaker 1: the track.

753
00:40:47,480 --> 00:40:49,120
Speaker 4: He'll be writing about it no matter what.

754
00:40:49,239 --> 00:40:53,520
Speaker 3: Right, Oh yeah, and it's gonna be written before you

755
00:40:53,560 --> 00:40:55,439
Speaker 3: even start to clamber up on it.

756
00:40:55,440 --> 00:40:58,600
Speaker 2: It will feel in the stadium like you are killing

757
00:40:58,719 --> 00:41:01,960
Speaker 2: but at home even gout eyes where I think some

758
00:41:02,040 --> 00:41:04,440
Speaker 2: of that shit's funny that you talk about like.

759
00:41:04,920 --> 00:41:05,239
Speaker 1: You do.

760
00:41:07,760 --> 00:41:13,440
Speaker 2: Officially, no, because I can't laugh with my yes to me,

761
00:41:14,880 --> 00:41:17,400
Speaker 2: you know, saying like what we have is a mirage,

762
00:41:17,520 --> 00:41:18,440
Speaker 2: like I can't.

763
00:41:19,600 --> 00:41:21,840
Speaker 1: I like it, but I don't like that I like

764
00:41:21,920 --> 00:41:23,879
Speaker 1: it and so like that I'm not like.

765
00:41:23,960 --> 00:41:26,759
Speaker 4: So you're thinking less of it or totally cut it out,

766
00:41:26,800 --> 00:41:29,319
Speaker 4: because right now that's a lot of my act.

767
00:41:30,920 --> 00:41:32,840
Speaker 2: No, I know I would I mean I would do,

768
00:41:33,000 --> 00:41:33,760
Speaker 2: and that's a concern.

769
00:41:33,760 --> 00:41:34,960
Speaker 1: I don't think you have to cut it out.

770
00:41:35,040 --> 00:41:37,560
Speaker 2: I would say, adjusted, there's.

771
00:41:37,520 --> 00:41:43,360
Speaker 1: No reason that marriage is one letter off from from mirage?

772
00:41:45,000 --> 00:41:48,120
Speaker 2: What or it's just what's the difference between a marriage

773
00:41:48,160 --> 00:41:51,280
Speaker 2: and a mirau? Leave it open, you know what's the difference,

774
00:41:51,440 --> 00:41:54,040
Speaker 2: and then maybe you find some differences that don't really

775
00:41:54,040 --> 00:41:54,720
Speaker 2: take a position.

776
00:41:55,800 --> 00:41:58,640
Speaker 4: Right, what's the difference between marriage and a mirage?

777
00:41:58,800 --> 00:42:03,040
Speaker 2: Yeah, half of all mirages don't end in sweatpants or yeah,

778
00:42:03,160 --> 00:42:06,960
Speaker 2: just like you already take jokes that other people do.

779
00:42:07,160 --> 00:42:09,279
Speaker 4: Well, yeah, I think I did one time that I

780
00:42:09,320 --> 00:42:13,520
Speaker 4: had forgotten about. But you are reminding me, yes, okay,

781
00:42:13,560 --> 00:42:16,880
Speaker 4: well these are good good these are those are pretty good?

782
00:42:16,920 --> 00:42:18,319
Speaker 4: But do you want to hear another thing? I'd like

783
00:42:18,400 --> 00:42:19,120
Speaker 4: to know what else?

784
00:42:19,560 --> 00:42:20,799
Speaker 2: What else we're so.

785
00:42:20,840 --> 00:42:22,560
Speaker 4: Another thing I've been doing lately is I have a

786
00:42:22,640 --> 00:42:27,160
Speaker 4: lab rat bit mm hmmm, where I'll I'll say that

787
00:42:27,840 --> 00:42:31,800
Speaker 4: I'll ask if people get jealous of others people's accomplishments,

788
00:42:32,360 --> 00:42:34,919
Speaker 4: kind of try to get the crowd to relate. Usually

789
00:42:35,000 --> 00:42:37,360
Speaker 4: people will agree with that, anybody here we get jealous?

790
00:42:37,440 --> 00:42:38,360
Speaker 2: You ever feel jealous?

791
00:42:38,440 --> 00:42:40,719
Speaker 4: Yeah, you ever feel jealous of your Instagram? And you

792
00:42:40,800 --> 00:42:45,640
Speaker 4: compare your talking for failed stand ups? Yeah, this is so.

793
00:42:45,680 --> 00:42:50,080
Speaker 4: They'll usually respond in the context of the shows they're

794
00:42:50,160 --> 00:42:54,160
Speaker 4: usually they're usually that hooks them pretty good. And then

795
00:42:54,200 --> 00:42:56,880
Speaker 4: I'll say, and this is something I have been doing,

796
00:42:57,920 --> 00:43:00,839
Speaker 4: is I think about the guys who do lab rat

797
00:43:01,000 --> 00:43:05,759
Speaker 4: experiments and how some labrat experiments are big hits and

798
00:43:05,800 --> 00:43:07,879
Speaker 4: some aren't. And the ones who don't do the ones

799
00:43:07,920 --> 00:43:10,439
Speaker 4: that are big hits, are they mad at the ones

800
00:43:10,440 --> 00:43:13,319
Speaker 4: who have big hit labrat experiments. It's a lot of

801
00:43:13,360 --> 00:43:16,800
Speaker 4: explaining which gets that part well.

802
00:43:16,920 --> 00:43:20,960
Speaker 2: And the and the phrase labrat experiments be.

803
00:43:21,400 --> 00:43:23,640
Speaker 4: Not it's I say it all the time. Yeah, because

804
00:43:23,640 --> 00:43:25,279
Speaker 4: you have to because it's not a phrase. You have

805
00:43:25,360 --> 00:43:28,600
Speaker 4: to establish it. Yeah, because it's not a known but

806
00:43:28,640 --> 00:43:29,080
Speaker 4: you can get it.

807
00:43:29,080 --> 00:43:30,840
Speaker 1: It's not a phrase. But I don't have a better,

808
00:43:31,760 --> 00:43:35,480
Speaker 1: no better. Yeah. Yeah, that's what they are, their lab

809
00:43:35,560 --> 00:43:36,200
Speaker 1: rat experience.

810
00:43:36,239 --> 00:43:39,080
Speaker 4: And then I'll name some labrat experiments that everybody knows

811
00:43:39,120 --> 00:43:42,240
Speaker 4: and what are some of those, Like there's a famous

812
00:43:42,239 --> 00:43:45,000
Speaker 4: one that never happened but that people think happened, which

813
00:43:45,040 --> 00:43:50,080
Speaker 4: is where a lab rat is given a bar food.

814
00:43:50,160 --> 00:43:53,080
Speaker 4: One bar gives it food when you're getting cocaine. I'm saying,

815
00:43:53,400 --> 00:43:55,080
Speaker 4: so you got anybody ever heard of the one where.

816
00:43:55,480 --> 00:43:59,640
Speaker 2: When you say cocaine? Oh sorry, yes, one bar gives

817
00:43:59,640 --> 00:44:03,120
Speaker 2: it food, bar gives it cocaine. I didn't now I'm cocaine.

818
00:44:03,280 --> 00:44:04,040
Speaker 4: That's not what I meant.

819
00:44:04,280 --> 00:44:07,720
Speaker 2: Just find alter the alter the video.

820
00:44:08,120 --> 00:44:10,040
Speaker 3: Okay, when you do that at the super Bowl, just

821
00:44:10,080 --> 00:44:12,960
Speaker 3: find someone in the crowd who has to kind of

822
00:44:13,000 --> 00:44:13,759
Speaker 3: like give it up.

823
00:44:13,960 --> 00:44:19,040
Speaker 4: Okay, but yeah, okay, okay, yeah, okay.

824
00:44:18,840 --> 00:44:22,319
Speaker 3: Because you're gonna want that's what they you know, you'll

825
00:44:22,320 --> 00:44:23,640
Speaker 3: want to do some crowd work.

826
00:44:23,880 --> 00:44:26,000
Speaker 4: Yeah okay, yeah, so I'll do that.

827
00:44:26,080 --> 00:44:28,759
Speaker 3: Because if we're going to have this, like like go

828
00:44:28,880 --> 00:44:31,640
Speaker 3: viral afterwards, like if this is actually going to do

829
00:44:31,760 --> 00:44:32,200
Speaker 3: well on.

830
00:44:32,280 --> 00:44:34,080
Speaker 4: This bin has been doing pretty well in the rooms

831
00:44:34,080 --> 00:44:35,040
Speaker 4: that I'm talking about.

832
00:44:34,880 --> 00:44:37,200
Speaker 1: The crowd work. I'm not talking about this, Okay, the

833
00:44:37,239 --> 00:44:39,000
Speaker 1: crowd work. I just want to make very clear I

834
00:44:39,040 --> 00:44:39,759
Speaker 1: am not talking to.

835
00:44:39,880 --> 00:44:41,759
Speaker 2: The crowd work will probably replace a lot of what

836
00:44:41,840 --> 00:44:45,160
Speaker 2: this is. But the famous experiment is that they do that.

837
00:44:45,160 --> 00:44:47,600
Speaker 4: Yeah, one rat caine. Yes, the rat has a one

838
00:44:47,640 --> 00:44:49,760
Speaker 4: bar that gives it food, one bar that gives it cocaine,

839
00:44:50,160 --> 00:44:53,200
Speaker 4: and it keeps hitting the cocaine until it dies. And

840
00:44:53,239 --> 00:44:55,120
Speaker 4: then a second half of the experiment is they give

841
00:44:55,160 --> 00:44:58,439
Speaker 4: it a That was the first half. That's the first

842
00:44:58,480 --> 00:44:59,320
Speaker 4: half of the setup.

843
00:44:59,400 --> 00:45:01,759
Speaker 1: And so first half is wait no, that was the

844
00:45:01,760 --> 00:45:02,359
Speaker 1: first half of.

845
00:45:02,280 --> 00:45:05,160
Speaker 3: The experiment of the experiment, yes, okay, so now we're

846
00:45:05,160 --> 00:45:07,160
Speaker 3: going to hear a second half that is I mean

847
00:45:07,200 --> 00:45:09,319
Speaker 3: it's the half. So it's the same length as the

848
00:45:09,320 --> 00:45:11,959
Speaker 3: first half. Its correct, a little longer, It's okay.

849
00:45:12,080 --> 00:45:14,520
Speaker 4: The second half of the experiment is they then they

850
00:45:14,520 --> 00:45:16,640
Speaker 4: have a rat with a bar, food bar, cocaine, and

851
00:45:16,640 --> 00:45:19,080
Speaker 4: they give it like a little play area where it

852
00:45:19,080 --> 00:45:22,279
Speaker 4: can engage its mind and be active, and then it

853
00:45:22,320 --> 00:45:25,440
Speaker 4: goes for the food and not the cocaine. Have you

854
00:45:25,440 --> 00:45:26,759
Speaker 4: guys ever heard of that experiment?

855
00:45:27,520 --> 00:45:29,360
Speaker 2: I had heard of the first half?

856
00:45:29,560 --> 00:45:30,879
Speaker 1: Are you asked? So little?

857
00:45:30,880 --> 00:45:35,080
Speaker 3: Sorry, you're asking me if i've heard? Yes, have you

858
00:45:35,080 --> 00:45:38,160
Speaker 3: ever heard of that experiment? And you're just okay, hopefully,

859
00:45:38,239 --> 00:45:40,000
Speaker 3: And do you talk about how it did?

860
00:45:41,239 --> 00:45:41,479
Speaker 1: People?

861
00:45:41,480 --> 00:45:44,000
Speaker 4: And I say, that didn't happen, And I said, it

862
00:45:44,120 --> 00:45:45,920
Speaker 4: must be frustrating to be a guy whos in a

863
00:45:45,960 --> 00:45:49,320
Speaker 4: real labrat experiment and to have a fake one be

864
00:45:49,440 --> 00:45:51,320
Speaker 4: more famous than your actual work.

865
00:45:51,960 --> 00:45:54,480
Speaker 2: It doesn't seem to apply at all to like career

866
00:45:54,600 --> 00:45:55,760
Speaker 2: jealousy or anything.

867
00:45:55,760 --> 00:45:58,960
Speaker 4: In the initial it's been working the idea decently well

868
00:45:59,000 --> 00:46:03,160
Speaker 4: in the rooms that I go, yeah, yeah, so that's

869
00:46:03,200 --> 00:46:05,960
Speaker 4: something I don't know. That's my newest thing. I'm still

870
00:46:06,000 --> 00:46:07,040
Speaker 4: working it.

871
00:46:07,160 --> 00:46:10,240
Speaker 1: I hope. I'm wishing there were a more famous lab

872
00:46:10,320 --> 00:46:11,799
Speaker 1: rat experiment me too.

873
00:46:11,960 --> 00:46:17,239
Speaker 3: Yeah, that might feel like, you know, because like that

874
00:46:17,320 --> 00:46:20,279
Speaker 3: lab rat experiment, I guess I've kind of I don't

875
00:46:20,320 --> 00:46:23,560
Speaker 3: think of it as a famous lab rat experiment, Okay,

876
00:46:23,600 --> 00:46:24,360
Speaker 3: you know what I mean.

877
00:46:24,400 --> 00:46:26,440
Speaker 2: Only really famous one I could think of as flowers

878
00:46:26,480 --> 00:46:26,960
Speaker 2: for algra.

879
00:46:27,000 --> 00:46:29,280
Speaker 1: And also, how do you know that never happened?

880
00:46:29,680 --> 00:46:30,759
Speaker 2: Yeah?

881
00:46:30,840 --> 00:46:32,120
Speaker 4: Yeah, it's never happened.

882
00:46:32,239 --> 00:46:33,759
Speaker 1: How do you know that?

883
00:46:33,760 --> 00:46:37,480
Speaker 2: That also is sticking with me. Maybe you don't even

884
00:46:37,480 --> 00:46:39,560
Speaker 2: need to say that it didn't happen, although.

885
00:46:39,320 --> 00:46:43,319
Speaker 3: You have, but it's actually the entire premise, the whole idea.

886
00:46:43,080 --> 00:46:44,120
Speaker 2: Is that it didn't happen.

887
00:46:44,280 --> 00:46:46,680
Speaker 4: It didn't happen. I don't I just researched, But there's

888
00:46:46,719 --> 00:46:49,880
Speaker 4: been so many If it did not happen in any

889
00:46:49,920 --> 00:46:51,760
Speaker 4: major documented.

890
00:46:51,160 --> 00:46:56,759
Speaker 3: Way, okay, so maybe you have to say, like, isn't

891
00:46:56,800 --> 00:46:59,879
Speaker 3: it once you feel bad if that experiment is more

892
00:47:00,040 --> 00:47:02,880
Speaker 3: famous even though it maybe only happened in a small,

893
00:47:03,600 --> 00:47:04,759
Speaker 3: less documented way.

894
00:47:05,040 --> 00:47:10,640
Speaker 4: Yeah, yeah, okay, yeah, I'll add that.

895
00:47:10,960 --> 00:47:13,960
Speaker 2: How about Oh there is a more famous labrat experiment,

896
00:47:14,040 --> 00:47:16,240
Speaker 2: right they grew an ear on.

897
00:47:16,000 --> 00:47:21,000
Speaker 4: One, remember they agreed they did in the back of

898
00:47:21,000 --> 00:47:21,920
Speaker 4: a I know that.

899
00:47:21,800 --> 00:47:24,800
Speaker 2: Happened because I seen the ive seen the fucking ear.

900
00:47:25,120 --> 00:47:28,080
Speaker 3: Yes, and then maybe we just pivot like to this

901
00:47:28,360 --> 00:47:30,640
Speaker 3: entirely to the ear the wrath It just.

902
00:47:30,800 --> 00:47:38,440
Speaker 4: Okay, it doesn't imagine. Yeah, he must love bombing to music,

903
00:47:38,680 --> 00:47:40,040
Speaker 4: although although.

904
00:47:40,040 --> 00:47:41,560
Speaker 2: If we do that at the super Bowl is gonna

905
00:47:41,560 --> 00:47:43,240
Speaker 2: make people think like rather.

906
00:47:44,239 --> 00:47:46,040
Speaker 1: Yeah, we don't want people to be thinking about music

907
00:47:46,080 --> 00:47:46,359
Speaker 1: at all.

908
00:47:46,719 --> 00:47:47,760
Speaker 2: We really don't.

909
00:47:48,080 --> 00:47:51,080
Speaker 4: Okay, I got it. I got another one. Do you

910
00:47:51,080 --> 00:47:52,040
Speaker 4: still want to unpackt this?

911
00:47:52,480 --> 00:47:52,920
Speaker 2: No?

912
00:47:52,920 --> 00:47:55,200
Speaker 1: No, maybe I.

913
00:47:55,120 --> 00:47:57,200
Speaker 2: Think i'd like to hear another one. I mean, I

914
00:47:57,239 --> 00:47:58,440
Speaker 2: think one thing.

915
00:47:58,320 --> 00:48:00,640
Speaker 3: I thought I forgot to and then the rat that

916
00:48:00,719 --> 00:48:03,560
Speaker 3: had a Q tip sticking out of its.

917
00:48:03,239 --> 00:48:06,440
Speaker 2: Oh so they could right, Yeah, so the two of

918
00:48:06,480 --> 00:48:10,359
Speaker 2: them could its tail? Yeah, well butthole buttholes. I guess

919
00:48:10,440 --> 00:48:14,239
Speaker 2: that's a funny punchline. That's funny. I was thinking about

920
00:48:14,280 --> 00:48:19,560
Speaker 2: this when he said, Uh, the labrat experiments. I wonder

921
00:48:19,560 --> 00:48:23,680
Speaker 2: if they're jealous of other labrat experiments here, I am

922
00:48:23,960 --> 00:48:28,640
Speaker 2: jealous of all these l A Brat experiments. It's you know,

923
00:48:29,400 --> 00:48:30,600
Speaker 2: that's who I'm jealous of.

924
00:48:31,120 --> 00:48:35,440
Speaker 4: Yeah, that is pretty good because I don't feel.

925
00:48:37,280 --> 00:48:43,279
Speaker 1: Yeah, these Lebro tea experiments because these.

926
00:48:43,880 --> 00:48:48,200
Speaker 4: Lebron Lebron are tarpets or Lebron.

927
00:48:48,280 --> 00:48:52,640
Speaker 3: No, because Madam Lebron is experimenting with my te.

928
00:48:53,560 --> 00:48:54,919
Speaker 2: Uh huh huh.

929
00:48:55,000 --> 00:48:58,759
Speaker 4: Yeah, I'm just I'm not one hundred percent Do you

930
00:48:58,760 --> 00:48:59,759
Speaker 4: mean like the Bron.

931
00:48:59,600 --> 00:49:03,600
Speaker 2: You see, Lebro, this has been working pretty well for him.

932
00:49:03,719 --> 00:49:08,120
Speaker 1: Your tea, yes, is like exploding.

933
00:49:08,200 --> 00:49:11,200
Speaker 2: It increases your tea when you are when.

934
00:49:11,320 --> 00:49:14,480
Speaker 1: Bras when you witness Lebron.

935
00:49:15,920 --> 00:49:18,960
Speaker 4: Your t skyrockets and what's your tea? Your tea is

936
00:49:19,000 --> 00:49:20,000
Speaker 4: your testosterony level?

937
00:49:20,080 --> 00:49:20,799
Speaker 1: Or is that yes?

938
00:49:21,520 --> 00:49:27,040
Speaker 7: Okay, yes, yes, ideally yes, okay, yeah, that's pretty good.

939
00:49:28,920 --> 00:49:32,360
Speaker 2: Yeah, i'd say.

940
00:49:32,120 --> 00:49:35,640
Speaker 4: So, Yeah, that's gonna be pretty good. Yeah, I don't know.

941
00:49:35,680 --> 00:49:37,600
Speaker 4: I'm telling on this. I think I could make it work.

942
00:49:37,680 --> 00:49:39,960
Speaker 2: Let's talk about the crowd work, because we do need

943
00:49:40,000 --> 00:49:41,960
Speaker 2: to replace a lot of what's in there already.

944
00:49:42,080 --> 00:49:44,200
Speaker 4: Croderick's my specialty. I do better at it because I've

945
00:49:44,200 --> 00:49:47,040
Speaker 4: done more improv than stand ups. So if somebody the

946
00:49:47,080 --> 00:49:49,400
Speaker 4: crowd says something, I do tend to do better that way.

947
00:49:49,840 --> 00:49:52,640
Speaker 2: Okay, great, So there's somebody in the front row, they're

948
00:49:52,719 --> 00:49:57,680
Speaker 2: painted the colors of the team or whatever, Minnesota Vikings.

949
00:49:57,719 --> 00:49:58,920
Speaker 1: What do you ask usually?

950
00:50:01,320 --> 00:50:04,480
Speaker 4: I shouldn't. I should have asked something. I deal with

951
00:50:04,480 --> 00:50:08,400
Speaker 4: pretty vocal crowds and they just volunteer information. Something about

952
00:50:08,440 --> 00:50:12,440
Speaker 4: my presence on stage seems to provoke a lot of Saudi.

953
00:50:12,520 --> 00:50:13,960
Speaker 2: It's for me to talk.

954
00:50:14,080 --> 00:50:17,160
Speaker 1: Yeah, yeah, what kind of stuff do they usually show

955
00:50:17,239 --> 00:50:17,520
Speaker 1: up with?

956
00:50:19,800 --> 00:50:24,880
Speaker 4: Like they'll just I had a bit about reading classic books,

957
00:50:26,920 --> 00:50:28,520
Speaker 4: and somebody just shout, wait.

958
00:50:28,840 --> 00:50:31,239
Speaker 2: Wait a minute, wait a bitte and we okay, so

959
00:50:31,400 --> 00:50:33,920
Speaker 2: you're giving me this lab rat stuff. There's a classic

960
00:50:34,040 --> 00:50:38,000
Speaker 2: book bit that we could be seeing at the halftime

961
00:50:38,040 --> 00:50:42,520
Speaker 2: show at the super Bowl. Come on, oh my god.

962
00:50:43,320 --> 00:50:43,720
Speaker 1: I mean.

963
00:50:45,640 --> 00:50:48,879
Speaker 3: My only fear now is that introducing an entirely new

964
00:50:48,960 --> 00:50:52,440
Speaker 3: genre of entertainment will lead to the think pieces of like,

965
00:50:52,560 --> 00:50:55,399
Speaker 3: why isn't it classic? Isn't book doing the super Bowl

966
00:50:55,480 --> 00:50:56,160
Speaker 3: halftime show?

967
00:50:56,360 --> 00:50:59,480
Speaker 1: Yeah, but that's a that's a twenty twenty five.

968
00:51:00,120 --> 00:51:02,200
Speaker 2: And by the way, we get ahead of that. You

969
00:51:02,200 --> 00:51:03,840
Speaker 2: can sit down with some classic books.

970
00:51:03,920 --> 00:51:09,680
Speaker 4: Yeah yeah, and then people just will shout out the

971
00:51:09,760 --> 00:51:12,960
Speaker 4: name of a book. Wait, what's the what's thet I'll say,

972
00:51:13,719 --> 00:51:18,520
Speaker 4: you can't tell somebody that you are enjoying a classic

973
00:51:18,560 --> 00:51:21,960
Speaker 4: book because everyone already knows that it's good. Like you

974
00:51:22,000 --> 00:51:26,000
Speaker 4: can't say to somebody, hey, you know what a good.

975
00:51:25,960 --> 00:51:28,120
Speaker 2: And they would shout out a book, right, They'll be

976
00:51:28,200 --> 00:51:31,960
Speaker 2: and they'll just say like Twilight. Oh, they shout out

977
00:51:31,960 --> 00:51:34,640
Speaker 2: books that maybe I wouldn't consider a classic.

978
00:51:34,760 --> 00:51:36,960
Speaker 4: They'll just shot whatever they're reading. They'll just say a

979
00:51:37,080 --> 00:51:42,719
Speaker 4: book Harry Potter, Yes, that wow.

980
00:51:43,800 --> 00:51:46,440
Speaker 2: So okay, and then you and then you and your

981
00:51:46,520 --> 00:51:49,959
Speaker 2: crowd work mode I will say so.

982
00:51:50,160 --> 00:51:53,279
Speaker 3: And you and you needed this to happen because the

983
00:51:53,320 --> 00:51:56,399
Speaker 3: materials now, you don't do stand up.

984
00:51:56,640 --> 00:51:58,359
Speaker 4: I don't do stand up that well, so I need

985
00:51:58,360 --> 00:52:00,520
Speaker 4: this is now I'm in my own okay, Yes.

986
00:52:00,600 --> 00:52:04,280
Speaker 1: You're you're very You're very glad this happened. Harry Potter.

987
00:52:04,719 --> 00:52:08,400
Speaker 4: Harry Potter, and I go, I'll go, what are you

988
00:52:08,520 --> 00:52:11,400
Speaker 4: just naming books? I said, book? And you're just naming

989
00:52:11,400 --> 00:52:13,239
Speaker 4: a book and that'll usually do pretty well.

990
00:52:14,880 --> 00:52:18,840
Speaker 2: You got him, it does well. They don't respond.

991
00:52:18,960 --> 00:52:19,400
Speaker 4: They can't.

992
00:52:19,880 --> 00:52:21,439
Speaker 2: They can't. You you haven't.

993
00:52:22,040 --> 00:52:24,120
Speaker 4: This particular example that did happen, it was a very

994
00:52:24,239 --> 00:52:27,640
Speaker 4: drunk man who just shouted at Harry Potter. And then

995
00:52:27,680 --> 00:52:29,480
Speaker 4: I said, you're just going to shout up books? He

996
00:52:29,520 --> 00:52:32,600
Speaker 4: goes yes, and then I didn't say anything for a second.

997
00:52:32,600 --> 00:52:37,920
Speaker 4: He went I'm sorry, and I said it's okay, and

998
00:52:37,960 --> 00:52:40,240
Speaker 4: I went back to finish the bit and then he shout,

999
00:52:41,440 --> 00:52:45,359
Speaker 4: I like you, and it was a pretty it was.

1000
00:52:46,680 --> 00:52:50,719
Speaker 1: Here's my concern. I'm at the super Bowl. Yeah, I

1001
00:52:50,719 --> 00:52:53,800
Speaker 1: think I didn't hear what the person said.

1002
00:52:53,880 --> 00:52:54,640
Speaker 4: I'll repeat it.

1003
00:52:55,440 --> 00:52:58,799
Speaker 2: Okay, did everybody hear what this man said? Yeah? He said,

1004
00:52:58,840 --> 00:53:03,640
Speaker 2: Harry Potter said, Harry. He just said he likes me.

1005
00:53:04,120 --> 00:53:06,160
Speaker 4: He said, I'm sorry, he said he likes me.

1006
00:53:06,320 --> 00:53:09,960
Speaker 2: Yeah, that's well. You can do that even no matter

1007
00:53:10,000 --> 00:53:12,320
Speaker 2: what my know that did well.

1008
00:53:12,440 --> 00:53:14,839
Speaker 4: So yeah, I could just pretend like it happened that.

1009
00:53:15,080 --> 00:53:17,239
Speaker 2: Yeah, I'd rather do that than leave it up to

1010
00:53:17,239 --> 00:53:20,040
Speaker 2: what the crowd actually says, because I'm certain they're going

1011
00:53:20,080 --> 00:53:22,320
Speaker 2: to tell you they like you, and that's not any

1012
00:53:23,239 --> 00:53:27,160
Speaker 2: judgment on you. I'm realizing you do this classic book thing,

1013
00:53:27,239 --> 00:53:31,400
Speaker 2: and I'm remembering, of course, another joke of yours that

1014
00:53:31,480 --> 00:53:39,960
Speaker 2: I've always enjoyed, and it is attacking the liberal media.

1015
00:53:40,520 --> 00:53:43,520
Speaker 4: Yes, you've really zeroed in on parts of my routine

1016
00:53:43,560 --> 00:53:45,680
Speaker 4: that other people don't. But yeah, I go after the

1017
00:53:45,680 --> 00:53:48,439
Speaker 4: liberal media pretty I'll go aft him pretty hard.

1018
00:53:48,600 --> 00:53:50,800
Speaker 2: And I don't know that we want to be that deviceive,

1019
00:53:50,800 --> 00:53:54,560
Speaker 2: although maybe for this crowd it would be okay. I'll

1020
00:53:54,600 --> 00:54:02,560
Speaker 2: perform the joke. Now, this is Will's joke. The New

1021
00:54:02,640 --> 00:54:07,920
Speaker 2: York Times slogan is all the news that's fit to print.

1022
00:54:09,440 --> 00:54:12,760
Speaker 2: You know what I have to say to that, Relax,

1023
00:54:12,840 --> 00:54:13,640
Speaker 2: New York Times.

1024
00:54:13,880 --> 00:54:17,440
Speaker 4: That's a real joke. I can't believe you remember that.

1025
00:54:17,440 --> 00:54:23,200
Speaker 4: That is insane. Yes, I think that's good. I think

1026
00:54:23,239 --> 00:54:28,359
Speaker 4: that's a good joke. I think that's funny. I think

1027
00:54:28,360 --> 00:54:30,320
Speaker 4: it's funny to tell the New York Times to relax.

1028
00:54:31,080 --> 00:54:33,680
Speaker 2: I've always enjoyed it. Yeah, I just don't know if

1029
00:54:33,719 --> 00:54:36,200
Speaker 2: it's super Bowl ready. I think it is.

1030
00:54:36,320 --> 00:54:38,040
Speaker 4: I think it's going to crush at the Super Bowl.

1031
00:54:39,000 --> 00:54:40,439
Speaker 4: I think it's going to get up there and change

1032
00:54:40,440 --> 00:54:40,920
Speaker 4: some minds.

1033
00:54:41,440 --> 00:54:43,040
Speaker 2: If he agrees, then we've got one.

1034
00:54:43,160 --> 00:54:43,480
Speaker 4: They're not.

1035
00:54:44,760 --> 00:54:47,480
Speaker 1: They're not back to the other stuff, Like.

1036
00:54:49,360 --> 00:54:53,120
Speaker 2: Yeah, yeah, what about I'd rather see you? Oh really,

1037
00:54:53,160 --> 00:54:56,640
Speaker 2: it's all the news. I'd rather see you print Lebron.

1038
00:54:58,000 --> 00:55:01,080
Speaker 3: You know, yeah, yeah, I think you'll live rat thing.

1039
00:55:01,160 --> 00:55:03,839
Speaker 3: But like, yeah, like print Lebron. If you actually want

1040
00:55:03,880 --> 00:55:04,920
Speaker 3: to get me to read.

1041
00:55:04,760 --> 00:55:06,160
Speaker 4: This print Lebron.

1042
00:55:06,320 --> 00:55:09,640
Speaker 2: Yeah, that's pretty newsworthy according to my tea.

1043
00:55:09,760 --> 00:55:13,360
Speaker 4: Yeah, all the Lebron. That's fit to tea.

1044
00:55:14,320 --> 00:55:14,680
Speaker 1: Yeah.

1045
00:55:15,800 --> 00:55:17,200
Speaker 4: I'm just yeah, just trying here.

1046
00:55:18,360 --> 00:55:22,120
Speaker 3: I And so right around now, I think in the routine,

1047
00:55:22,320 --> 00:55:24,040
Speaker 3: what we are going to want to do is have

1048
00:55:25,920 --> 00:55:27,960
Speaker 3: the game suddenly be starting again.

1049
00:55:28,120 --> 00:55:30,959
Speaker 2: Yes, the game. You're trapped on the field.

1050
00:55:31,000 --> 00:55:37,160
Speaker 3: You're trapped on the field. They they run like straight

1051
00:55:37,200 --> 00:55:37,480
Speaker 3: into you.

1052
00:55:37,520 --> 00:55:38,880
Speaker 1: They kill you.

1053
00:55:40,360 --> 00:55:44,200
Speaker 2: So you'll be well, they kick the kickoff at you. First,

1054
00:55:44,640 --> 00:55:47,399
Speaker 2: I see the kickoff, you, in spite of yourself, catch

1055
00:55:47,440 --> 00:55:51,880
Speaker 2: the ball and then realize you've made a grave error.

1056
00:55:52,239 --> 00:55:54,920
Speaker 2: You try to put the ball down like no, no, no, no, no, no,

1057
00:55:55,000 --> 00:55:56,759
Speaker 2: I don't have the ball, but it's too late.

1058
00:55:56,920 --> 00:55:58,160
Speaker 1: They vaporize you.

1059
00:55:58,280 --> 00:56:01,960
Speaker 4: Yes, okay, and like a visual effects sort of way.

1060
00:56:01,840 --> 00:56:05,480
Speaker 1: Or now you become like just PARTI.

1061
00:56:05,880 --> 00:56:11,959
Speaker 4: Yes, I get murdered, blood missed, right, yeah, just it'd

1062
00:56:11,960 --> 00:56:12,680
Speaker 4: be legendary.

1063
00:56:13,400 --> 00:56:17,359
Speaker 2: Oh my gosh, the ratings would be fucking astronomical, and

1064
00:56:17,400 --> 00:56:18,719
Speaker 2: the tiktoks the next day.

1065
00:56:18,840 --> 00:56:20,680
Speaker 4: It wouldn't look fake, it would look real.

1066
00:56:23,120 --> 00:56:23,879
Speaker 1: And they like.

1067
00:56:25,440 --> 00:56:28,520
Speaker 3: Ideally they would they would like also be a legendary

1068
00:56:28,560 --> 00:56:30,840
Speaker 3: play on top of that, like they score a touchdown

1069
00:56:30,960 --> 00:56:31,759
Speaker 3: or something like.

1070
00:56:31,760 --> 00:56:34,839
Speaker 2: Oh yeah that it's like a total momentum swaying and

1071
00:56:34,920 --> 00:56:37,520
Speaker 2: like the team, you know, the team that most of

1072
00:56:37,560 --> 00:56:40,320
Speaker 2: the country's rooting for, ends up winning the game based

1073
00:56:40,360 --> 00:56:42,640
Speaker 2: on the fact that you were vaporized.

1074
00:56:43,000 --> 00:56:45,279
Speaker 3: I think that's actually how it's like getting like when

1075
00:56:45,320 --> 00:56:47,360
Speaker 3: your roommate dies in college, you get an a. I

1076
00:56:47,400 --> 00:56:50,120
Speaker 3: do think if like if you touch the ball and

1077
00:56:50,160 --> 00:56:52,520
Speaker 3: then you die, you do get a touchdown.

1078
00:56:52,520 --> 00:56:55,279
Speaker 2: Okay, so you get it. You win the Super Bowl.

1079
00:56:55,360 --> 00:56:58,440
Speaker 1: Yeah, that's Bill Hines gets the game winning touchdown.

1080
00:56:58,440 --> 00:57:01,200
Speaker 4: So the score would just be like team some team

1081
00:57:01,280 --> 00:57:06,400
Speaker 4: thirty five, another team twenty three, Will Hines six.

1082
00:57:06,520 --> 00:57:09,640
Speaker 2: Yeah, six, Yeah, you can't kick the extra point in

1083
00:57:09,680 --> 00:57:11,080
Speaker 2: the condition that you would be in.

1084
00:57:11,280 --> 00:57:11,800
Speaker 4: Yeah.

1085
00:57:12,080 --> 00:57:17,959
Speaker 2: The the memes of people going like, you know, like, hey,

1086
00:57:18,040 --> 00:57:21,040
Speaker 2: what what the heck? I just found Big Bill Hines

1087
00:57:21,080 --> 00:57:23,600
Speaker 2: in my spice cabinet or something, and there's like a

1088
00:57:23,720 --> 00:57:26,080
Speaker 2: they have like a a prik or you know, yeah,

1089
00:57:26,120 --> 00:57:27,480
Speaker 2: some kind of red dust.

1090
00:57:28,360 --> 00:57:33,960
Speaker 7: Yeah, yeah, it would be pretty It would be pretty cool.

1091
00:57:34,040 --> 00:57:37,080
Speaker 4: Like Dune. I guess Dune's coming out. There's a lot

1092
00:57:37,120 --> 00:57:38,000
Speaker 4: of dust and sand.

1093
00:57:38,080 --> 00:57:40,760
Speaker 1: Yeah right, yeah, that would.

1094
00:57:40,600 --> 00:57:41,320
Speaker 4: Probably work out.

1095
00:57:41,560 --> 00:57:44,680
Speaker 3: Timothy probably had some fallon or like walking through the

1096
00:57:44,760 --> 00:57:48,040
Speaker 3: sand and they're like, wow, this is like pretty sandy

1097
00:57:48,080 --> 00:57:50,480
Speaker 3: planet here. It's like, oh no, this is this is

1098
00:57:50,520 --> 00:57:52,200
Speaker 3: just big Bill, big Bill Hines.

1099
00:57:52,280 --> 00:57:53,560
Speaker 4: Yeah, we're just walking through.

1100
00:57:53,680 --> 00:57:55,400
Speaker 1: We're just Big Bill Hines.

1101
00:57:55,480 --> 00:57:57,520
Speaker 2: That's amazing. That's in Dune.

1102
00:57:58,080 --> 00:57:59,240
Speaker 1: Well, no it's not.

1103
00:58:01,360 --> 00:58:02,320
Speaker 2: It's a commercial.

1104
00:58:02,520 --> 00:58:03,200
Speaker 1: No, this is not.

1105
00:58:03,400 --> 00:58:07,080
Speaker 2: No, this would this is just a commercial. What's it for.

1106
00:58:07,240 --> 00:58:10,560
Speaker 3: This would not be a commercial. This would be like

1107
00:58:10,600 --> 00:58:16,400
Speaker 3: a sketch that found and I think, so shall they

1108
00:58:16,400 --> 00:58:16,920
Speaker 3: should do it?

1109
00:58:16,960 --> 00:58:19,120
Speaker 4: But yeah, no, I think what did I say?

1110
00:58:19,360 --> 00:58:19,640
Speaker 1: I think?

1111
00:58:19,640 --> 00:58:20,280
Speaker 4: How about this?

1112
00:58:21,000 --> 00:58:23,720
Speaker 2: Uh, just like to double back. I guess it won't

1113
00:58:23,800 --> 00:58:27,600
Speaker 2: make sense because you haven't been exploded yet, but you go, like,

1114
00:58:28,360 --> 00:58:31,080
Speaker 2: you guys have some pretty famous donuts here in all,

1115
00:58:31,240 --> 00:58:34,920
Speaker 2: and these Beignets, but I actually prefer a different uh

1116
00:58:35,120 --> 00:58:42,280
Speaker 2: uh uh uh delicacy donuts, donut, different special donut, different

1117
00:58:42,280 --> 00:58:43,640
Speaker 2: special donut for later.

1118
00:58:44,840 --> 00:58:50,960
Speaker 3: Different when they see you get blown up. Yeah, at

1119
00:58:50,960 --> 00:58:53,840
Speaker 3: the end, they'll remember. It'd be like, oh yeah, callback

1120
00:58:54,200 --> 00:58:54,680
Speaker 3: oh like.

1121
00:58:54,840 --> 00:58:57,240
Speaker 2: Do well, And Hayes comes comes out to sort of

1122
00:58:57,280 --> 00:58:58,800
Speaker 2: stray up and gather up the mic, and he goes,

1123
00:58:59,040 --> 00:59:03,400
Speaker 2: don't worry, guys had a do not resuscitate order or something,

1124
00:59:03,480 --> 00:59:05,200
Speaker 2: and and and then.

1125
00:59:05,040 --> 00:59:06,200
Speaker 4: You guys do get involved.

1126
00:59:06,520 --> 00:59:08,960
Speaker 2: Well, I think he would have to say something. I mean,

1127
00:59:09,040 --> 00:59:10,720
Speaker 2: our talent was just you.

1128
00:59:10,680 --> 00:59:13,960
Speaker 4: Know, vaporized murder. Yeah.

1129
00:59:14,040 --> 00:59:16,240
Speaker 2: Yeah, they're still going to play the game. They're going

1130
00:59:16,320 --> 00:59:17,520
Speaker 2: to finish the game. You know.

1131
00:59:18,600 --> 00:59:20,560
Speaker 1: That's I wasn't when the last game of the year,

1132
00:59:20,680 --> 00:59:21,280
Speaker 1: so I was.

1133
00:59:21,160 --> 00:59:23,240
Speaker 4: Wondering how I was going to get off the stage.

1134
00:59:23,400 --> 00:59:26,320
Speaker 2: And yeah, there are no stairs.

1135
00:59:26,400 --> 00:59:29,560
Speaker 1: Yeah, so that's honestly the cleanest way to get you.

1136
00:59:29,720 --> 00:59:31,080
Speaker 4: Yeah, because that would solve that problem.

1137
00:59:31,160 --> 00:59:33,720
Speaker 2: These guys are pro athletes, they'll just launch themselves, you know.

1138
00:59:35,400 --> 00:59:37,040
Speaker 4: I like that ending. Yeah, I mean it would be

1139
00:59:37,040 --> 00:59:38,720
Speaker 4: great to oh oh oh.

1140
00:59:39,080 --> 00:59:43,600
Speaker 2: Speaking of endings, bye,