WEBVTT - Stanley Tucci

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<v Speaker 1>Welcome to River Cafe, Table four, a production of iHeartRadio

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<v Speaker 1>and Adamized Studios.

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<v Speaker 2>There are actors who write, producers who direct, and cooks

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<v Speaker 2>who campaign for social change. Stanley Tucci does all of these.

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<v Speaker 2>He writes, cookbooks, creates and hosts a beautiful TV series

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<v Speaker 2>about Italy, and acts and directs movies that touch us all.

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<v Speaker 2>Stanley Tucci is respected and admired by every chef in

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<v Speaker 2>the River Cafe, especially me.

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<v Speaker 3>Oh my gosh, Ruthie, that's so nice. Now can I

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<v Speaker 3>leave now?

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<v Speaker 4>Okay, Barchi c.

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<v Speaker 2>So what we can do is, would you please read

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<v Speaker 2>the recipe that you've chosen.

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<v Speaker 3>Meze pacari cachoi pepe with langustines. Serve six six hundred

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<v Speaker 3>grams medze pacheti pasta, sixty grams unsalted butter, one hundred

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<v Speaker 3>and fifty grams pecorino freshly grated, four hundred grams medium languestines, cooked,

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<v Speaker 3>peeled and cut into pieces. Cook the pasta in plenty

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<v Speaker 3>of water until al dente. When draining the pasta, reserve

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<v Speaker 3>some of the cooking water for the sauce. Melt the

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<v Speaker 3>butter with the pecorino in a large pan over a

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<v Speaker 3>low heat adding some of the pasta water to create

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<v Speaker 3>a sauce. Add the languestines to the pecorino sauce with

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<v Speaker 3>black pepper, Add the hot pasta and mix until you

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<v Speaker 3>have a glossy sauce coating the pasta, adding more pasta

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<v Speaker 3>water if needed. Serve with extra pecora grated on top.

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<v Speaker 3>And it's also incredibly delicious. I just ate it.

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<v Speaker 2>So of all the recipes and all the cookbooks, and

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<v Speaker 2>you eat here a lot, and you're a cook, what

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<v Speaker 2>made you choose this recipes?

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<v Speaker 4>Well, lots of reasons.

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<v Speaker 3>One is that, as you say, you broke a rule,

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<v Speaker 3>which is you don't really put cheese with seafood in Italy.

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<v Speaker 4>I love pasta.

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<v Speaker 3>I eat pasta practically every day, sometimes twice a day.

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<v Speaker 3>I love languesteine, I love pecorino. Just made sense. It's

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<v Speaker 3>a gorgeous recipe.

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<v Speaker 4>Very few ingredients, very few ingredients.

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<v Speaker 3>But like most Italian cooking, it's incredibly few ingredients. I

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<v Speaker 3>sometimes feel guilty that I'm using the same thing, but

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<v Speaker 3>then when I look through cookbooks, I'm like, it's still

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<v Speaker 3>the same. It's all the same thing, but the iterations,

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<v Speaker 3>you know, the variations are extraordinary. Yeah, So your grandparents

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<v Speaker 3>came from My grandparents came from Columbria both sides.

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<v Speaker 2>Were they together before they came or did they meet?

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<v Speaker 3>No, No, they met because they came. My mother's mother

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<v Speaker 3>was three when she came to America, but her my

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<v Speaker 3>mother's father was in his mid twenties when he came.

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<v Speaker 3>They were about thirteen years apart an age or something

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<v Speaker 3>when they got married. I think she was sixteen or

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<v Speaker 3>seventeen when she got married. And my dad's father came

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<v Speaker 3>over in the early part of the first century and

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<v Speaker 3>his wife I think was maybe already here at that time,

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<v Speaker 3>and then they met.

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<v Speaker 4>And got married.

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<v Speaker 3>But you know, with the Italians, a lot of town's,

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<v Speaker 3>entire towns would basically move to the same area, to

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<v Speaker 3>the same area. It's one of the things we talked

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<v Speaker 3>about in the show. We did an episode on London

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<v Speaker 3>because there are so many Italians in London, and Angela

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<v Speaker 3>Hartnett did the show. She's half Welsh, half Italian or

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<v Speaker 3>you know, but her family came from Bardie and over

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<v Speaker 3>eighty percent or ninety percent of the Welsh Italians came

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<v Speaker 3>from that one town.

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<v Speaker 4>So they would just all move.

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<v Speaker 3>And the same in America too, because one guy moves over,

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<v Speaker 3>and then he brings his friend comes over and they're

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<v Speaker 3>getting work, and they bring their family over, and.

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<v Speaker 4>It just keeps and so.

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<v Speaker 2>Growing up with your grandparents, were they involved in the

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<v Speaker 2>food that you ate?

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<v Speaker 4>Did you?

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<v Speaker 3>We saw them every just about every week, we'd go

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<v Speaker 3>to visit them. And my maternal grandparents had this incredible

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<v Speaker 3>garden where they seemed to be able to grow anything

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<v Speaker 3>anytime of the year.

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<v Speaker 4>My grandfather had.

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<v Speaker 3>A fig tree, beautiful fig tree. No this was in

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<v Speaker 3>peak skill, but not for peak. They would take the

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<v Speaker 3>fig tree and in the winter they would wrap the

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<v Speaker 3>tree in plastic so that it would endure the winter.

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<v Speaker 2>When I talk to people about who've immigrated from another country,

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<v Speaker 2>they often talk more about the food of their grandparents

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<v Speaker 2>than their parents, because that's my experience as well, coming

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<v Speaker 2>from a Jewish immigrant family from Russia and Hungary. My grandparents,

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<v Speaker 2>I really remember their food. I don't think they really

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<v Speaker 2>mastered English much less the cooking of the United States,

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<v Speaker 2>where my mother, you know, adapted, and probably we as

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<v Speaker 2>children rejected anything but American food. And I think when

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<v Speaker 2>you talk to people, it's interesting how the grandmother features

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<v Speaker 2>is that or did your mother and father still have

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<v Speaker 2>a very strong sense of Italy.

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<v Speaker 3>Oh, yes, very much so. I mean they didn't speak Italian.

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<v Speaker 3>My father could speak a bit of Italian and they

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<v Speaker 3>could understand dialect, and because that's what you know, both

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<v Speaker 3>their parents spoke. But my mother swears to this day,

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<v Speaker 3>and my father told me that he goes your mother

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<v Speaker 3>couldn't cook. I met her and I was like, what

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<v Speaker 3>are you talking about this? I don't believe that story.

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<v Speaker 3>He said, no, Stanley, it actually is true. And my

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<v Speaker 3>mother admits it that her mother was a brilliant cook. Obviously,

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<v Speaker 3>my mother had this innate talent as well, and her

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<v Speaker 3>cooking today, still today is some of the best food

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<v Speaker 3>I've ever had. She's at my house now.

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<v Speaker 2>I know.

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<v Speaker 4>It's really disappointed, I know.

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<v Speaker 2>I mean, I can't say I was disappointed to see you,

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<v Speaker 2>because I was disappointed that I didn't see them.

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<v Speaker 4>You want to see my parents.

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<v Speaker 2>I love meeting parents. I love meeting the parents.

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<v Speaker 3>They're really great and they're really extraordinary. Like my mom

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<v Speaker 3>made a thing the other day that was just you know.

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<v Speaker 4>What she bess charged, Yeah, just what does she do?

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<v Speaker 3>She little boiling of it and then a little bit

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<v Speaker 3>of fresh tomato olive oil and a hint of garlic.

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<v Speaker 3>It was just one of the greatest things I've ever eaten.

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<v Speaker 3>And I said, well, how did you do that? I

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<v Speaker 3>try to do that, I can't do it.

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<v Speaker 2>I was born in Upstate, New York and you were

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<v Speaker 2>born not far away. My family were not a time

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<v Speaker 2>yours were. But the food that we grew up with

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<v Speaker 2>thinking was as we knew it was Italian food. Would

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<v Speaker 2>you say that was radically changed from when you actually

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<v Speaker 2>went to Italy?

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<v Speaker 3>And you know, yeah, I mean because I grew up

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<v Speaker 3>eating my family food because they were from Italy, So yeah,

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<v Speaker 3>there were, without question, there were similarities. But when I

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<v Speaker 3>would go to friends' houses and have what they thought

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<v Speaker 3>was Italian food, it was horrifying. I mean it was

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<v Speaker 3>just bad, you know, because the ingredients were lousy and

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<v Speaker 3>they didn't really understand it.

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<v Speaker 2>Yeah, for us, and I, you know, I grew up

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<v Speaker 2>with meatballs and spaghetti and an egg plot parmesana and

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<v Speaker 2>you know, and it just was heavy and it was rich,

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<v Speaker 2>and it was that version of it.

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<v Speaker 3>A lot of that Italian American food came out of

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<v Speaker 3>of suddenly having access to large amounts of meat, having

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<v Speaker 3>access to more so more was added, right, More sauce

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<v Speaker 3>was added because the Italians don't put a lot of

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<v Speaker 3>sauce really on pasta use a minimal amount for the

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<v Speaker 3>most part, whereas in America things are loaded with sauce

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<v Speaker 3>or loaded with cheese, or loaded with meat. And it

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<v Speaker 3>was about, you know, it was a land of plenty.

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<v Speaker 3>And also I think they were, you know, catering to

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<v Speaker 3>American tastes.

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<v Speaker 4>When did you.

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<v Speaker 2>Start eating in restaurants? Do you remember when that kind

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<v Speaker 2>of happened?

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<v Speaker 5>Yeah?

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<v Speaker 3>I started eating in restaurants when I no longer had

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<v Speaker 3>to work in them.

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<v Speaker 4>Yeah, do you know what I mean?

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<v Speaker 3>As an actor, it's kind of what you did to

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<v Speaker 3>make money, But working in them gave me a tremendous

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<v Speaker 3>ciation for them. And then finally when I had a

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<v Speaker 3>little bit of money and I could start going to restaurants,

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<v Speaker 3>I really got excited about it because I all knew

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<v Speaker 3>what was going on behind the scenes, and that was

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<v Speaker 3>sort of part of the genesis A Big Night, which

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<v Speaker 3>was it's almost thirty years ago now, that movie. I

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<v Speaker 3>wanted to write a story about the struggle between commerce

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<v Speaker 3>and art, but you can't really do that with a

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<v Speaker 3>painter because that is literally like watching paint dry, but

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<v Speaker 3>you could use the chef as artist. And also I

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<v Speaker 3>like the idea of not the idea the actuality that

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<v Speaker 3>you have off stage and you have on stage in

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<v Speaker 3>a restaurant just like the theater.

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<v Speaker 4>And I love that.

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<v Speaker 2>I love that too. And there were many scenes that

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<v Speaker 2>you stay in my mind forever. But interestingly enough, one

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<v Speaker 2>of my favorites is the very first scene where you

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<v Speaker 2>come out of the out of the front door having

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<v Speaker 2>been inside, and isn't there a pot with plants in it?

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<v Speaker 2>And you move it a centimeter, you know, and I

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<v Speaker 2>just thought, God, that reminds me of me. I mean

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<v Speaker 2>it really, it really did remind me of the way

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<v Speaker 2>that sometimes before service I walk out to the car

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<v Speaker 2>park and then I walk in, you know, just just

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<v Speaker 2>to look at the restaurant and just walk through that space,

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<v Speaker 2>you know.

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<v Speaker 3>I think that's that's really important, the idea of space.

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<v Speaker 3>A space is crucial in film. So if you try

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<v Speaker 3>to make a food movie and you just show beautiful

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<v Speaker 3>shots of food, it's of no consequence if you show

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<v Speaker 3>the thing that makes is we actually look at the

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<v Speaker 3>food in Big Night, it doesn't look very good. What

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<v Speaker 3>makes it work is the people's reaction to the food,

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<v Speaker 3>and then the fact that we're seeing them in that space,

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<v Speaker 3>so you know you were married to an architect.

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<v Speaker 4>Space is everything.

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<v Speaker 3>It's one of the reasons your restaurant works so beautifully,

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<v Speaker 3>because the space envelops you but also opens you up.

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<v Speaker 5>I'm George.

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<v Speaker 4>I'm a chef at the River Cafe.

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<v Speaker 5>It's a pleasure to meet you, Stanley. Your show is

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<v Speaker 5>amazing and I've watched it fully twice. We're very lucky

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<v Speaker 5>to be able to cook for some amazing people in

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<v Speaker 5>this restaurant, and we get tickets come through with people's names.

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<v Speaker 5>But probably the most exciting time a ticket came through

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<v Speaker 5>with your name on it was when I had to

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<v Speaker 5>make you a artichoke. Judea and I had literally the

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<v Speaker 5>night before watched the episode in which you make them.

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<v Speaker 4>The real episode, the right episode.

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<v Speaker 5>Yeah, and so I fell under a huge amount of pressure.

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<v Speaker 5>So I actually got our head chef, Danny over and

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<v Speaker 5>and made him do it with me from beginning to end.

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<v Speaker 4>Really. Yeah, absolutely, But I had those that wasn't that

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<v Speaker 4>long ago, No, it was recently, right, Yeah, I just

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<v Speaker 4>had them here.

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<v Speaker 5>Yeah, it was maybe maybe a month or so ago.

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<v Speaker 4>It was delicious. Oh, thank you, No, it was great.

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<v Speaker 4>I'm glad you liked the show. That's really that's great.

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<v Speaker 3>You know, obviously you know what you're doing, and the

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<v Speaker 3>fact that you like the show, that you appreciated, that's

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<v Speaker 3>that's wonderful.

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<v Speaker 2>Tell me about the series.

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<v Speaker 3>What an idea that I had for a long time.

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<v Speaker 3>I think it's probably about thirteen fifteen years ago that

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<v Speaker 3>I had this idea and that you'd go through every

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<v Speaker 3>region and you'd break down that region through the food,

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<v Speaker 3>but relate it to or how how does the food

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<v Speaker 3>relate to politics, to socioeconomics, to topography, to history, to

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<v Speaker 3>art to whatever. And I kept thinking. I wrote some

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<v Speaker 3>notes about it, and then CNN came to me and

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<v Speaker 3>they said, do you have any ideas for a show?

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<v Speaker 3>I gave them three ideas. One was about refugees and

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<v Speaker 3>food and there sort of one like I don't think so.

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<v Speaker 3>And then one was documented about cancer because my wife died,

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<v Speaker 3>my first wife died of cancer. I had just gone

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<v Speaker 3>through cancer treatments. I had so many friends who you know,

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<v Speaker 3>and we know it's basically, you know, an epidemic, you know.

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<v Speaker 3>So those two ideas they didn't care for. And then

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<v Speaker 3>I said, well, I have this idea about Italy and

0:13:46.000 --> 0:13:48.040
<v Speaker 3>you know, going through every region and breaking it down

0:13:48.080 --> 0:13:52.920
<v Speaker 3>as I said, and they went, okay, okay, no one

0:13:52.960 --> 0:13:56.600
<v Speaker 3>had really done it before that we didn't know. I

0:13:56.600 --> 0:13:58.640
<v Speaker 3>think that a lot of people don't know. I think

0:13:58.679 --> 0:14:02.120
<v Speaker 3>a lot of Americans don't know. Italy isn't just pizza

0:14:02.160 --> 0:14:05.600
<v Speaker 3>and pasta, and it isn't sunny all the time, and

0:14:05.640 --> 0:14:08.520
<v Speaker 3>not everybody's happy and hugging each other all the time,

0:14:08.640 --> 0:14:14.040
<v Speaker 3>and not everyone's a mafioso. There are these two sort

0:14:14.080 --> 0:14:18.920
<v Speaker 3>of polarities that Americans see, and I wanted to hope,

0:14:19.040 --> 0:14:21.840
<v Speaker 3>I hope to She did dispel those.

0:14:21.960 --> 0:14:28.280
<v Speaker 2>And also inform us about the region, the serious regionality.

0:14:28.400 --> 0:14:30.080
<v Speaker 2>I mean, I do think probably in the north of

0:14:30.080 --> 0:14:32.640
<v Speaker 2>France very differently than you read in Provence, and that

0:14:33.200 --> 0:14:36.280
<v Speaker 2>in Greece probably on heedraw you would eat differently than

0:14:36.320 --> 0:14:40.680
<v Speaker 2>in Athen's. But in Italy it's very very regional, fiercely so.

0:14:40.800 --> 0:14:42.520
<v Speaker 2>And as I think, I told you the other day

0:14:42.520 --> 0:14:45.200
<v Speaker 2>that we had met somebody who'd never had tomato sauce

0:14:45.280 --> 0:14:46.800
<v Speaker 2>until she was fourteen, that's.

0:14:46.680 --> 0:14:49.280
<v Speaker 4>Right, and she lived non Italy.

0:14:50.320 --> 0:14:52.160
<v Speaker 2>So the image and I think that's what you've done,

0:14:52.400 --> 0:14:54.840
<v Speaker 2>you know what is your next?

0:14:54.920 --> 0:14:59.680
<v Speaker 3>We're going next to Pulia and Calabria, and my parents

0:14:59.720 --> 0:15:01.440
<v Speaker 3>are going to come with me to Columbia.

0:15:01.720 --> 0:15:02.240
<v Speaker 2>In the film.

0:15:02.360 --> 0:15:04.640
<v Speaker 4>Yeah good, yeah, yeah.

0:15:04.000 --> 0:15:10.360
<v Speaker 3>And then we do Liguria and Sardinia, and then we

0:15:10.560 --> 0:15:15.320
<v Speaker 3>do a feast where everyone comes together, so all the chefs,

0:15:15.800 --> 0:15:18.680
<v Speaker 3>not all the chefs. We take a person from each region.

0:15:18.920 --> 0:15:20.040
<v Speaker 2>So how many would that be.

0:15:20.520 --> 0:15:21.040
<v Speaker 4>It'll be a.

0:15:21.000 --> 0:15:25.840
<v Speaker 3>Total of about Well, we'll have done thirteen regions. We're

0:15:25.840 --> 0:15:29.200
<v Speaker 3>not doing all twenty regions. You can't do all twenty regions,

0:15:29.760 --> 0:15:32.320
<v Speaker 3>but we're doing thirteen, so we'll have thirteen different chefs

0:15:32.440 --> 0:15:39.360
<v Speaker 3>or cooks come or a Vintnor, two ventnors. So it'll

0:15:39.400 --> 0:15:42.920
<v Speaker 3>be some sort of place that has a substantial kitchen,

0:15:43.720 --> 0:15:47.040
<v Speaker 3>lots of outdoor space. I want to have or build

0:15:47.320 --> 0:15:53.240
<v Speaker 3>three different outdoor fires, so somebody can do a goat

0:15:53.440 --> 0:15:56.960
<v Speaker 3>or whatever on a spit, somebody can grill something, and

0:15:57.000 --> 0:16:00.400
<v Speaker 3>somebody can bake something in a wood fire oven, and

0:16:00.440 --> 0:16:04.440
<v Speaker 3>then a proper restaurant kitchen, and it'll all be at

0:16:04.560 --> 0:16:08.960
<v Speaker 3>one long table and everyone they'll all cook for each other.

0:16:09.000 --> 0:16:12.880
<v Speaker 3>They each have a course and they'll cook each each

0:16:13.160 --> 0:16:16.640
<v Speaker 3>course in essence, so you know, you know, we might

0:16:16.720 --> 0:16:20.440
<v Speaker 3>actually do We're going to do probably four different kinds

0:16:20.480 --> 0:16:23.960
<v Speaker 3>of pasta and you the guests can choose what they

0:16:24.000 --> 0:16:26.640
<v Speaker 3>want if there if they want to have all four

0:16:26.640 --> 0:16:30.000
<v Speaker 3>of the guests, you know, the guests, they are the guests,

0:16:30.200 --> 0:16:33.560
<v Speaker 3>I see, So they cook for each other. But there

0:16:33.560 --> 0:16:35.680
<v Speaker 3>are a few other people that were taking from the

0:16:35.720 --> 0:16:38.840
<v Speaker 3>shows as well, who were who were contributors.

0:16:38.960 --> 0:16:40.400
<v Speaker 4>Yeah, yeah, yeah.

0:16:40.440 --> 0:16:44.480
<v Speaker 3>So the idea is that you unite Italy at the table,

0:16:44.920 --> 0:16:48.480
<v Speaker 3>because the whole thing is called searching for Italy. But really,

0:16:48.560 --> 0:16:52.600
<v Speaker 3>in the end, what I realized was that Italy doesn't exist.

0:16:53.560 --> 0:17:00.280
<v Speaker 3>It only exists at the table. That's where Italy is.

0:17:02.760 --> 0:17:07.080
<v Speaker 2>Have you done kind of deals in a restaurant? Michael

0:17:07.160 --> 0:17:09.560
<v Speaker 2>Caine said that in the old days, you would never

0:17:10.040 --> 0:17:12.440
<v Speaker 2>sign up for a movie unless it was in a restaurant.

0:17:12.480 --> 0:17:13.920
<v Speaker 2>I don't know if that exists anymore.

0:17:13.920 --> 0:17:17.679
<v Speaker 3>I have had that happen, But no, I think that

0:17:17.760 --> 0:17:20.800
<v Speaker 3>might be a more British thing than an American thing.

0:17:20.960 --> 0:17:22.520
<v Speaker 2>Oh here what he was saying, it was Hollywood, it

0:17:22.560 --> 0:17:25.000
<v Speaker 2>was old time home. Oh really, was there a restaurant

0:17:25.040 --> 0:17:27.720
<v Speaker 2>called Chasen's or something? Oh, you would go to and

0:17:27.800 --> 0:17:30.640
<v Speaker 2>you know, but then I asked younger people. They said, no, no,

0:17:30.680 --> 0:17:32.600
<v Speaker 2>it's not like to do it on zoom.

0:17:33.200 --> 0:17:35.440
<v Speaker 3>I do remember going to Hollywood though the first time,

0:17:35.960 --> 0:17:39.200
<v Speaker 3>you know, it was thirty four, you know, thirty six

0:17:39.280 --> 0:17:39.840
<v Speaker 3>years ago, and.

0:17:41.280 --> 0:17:42.560
<v Speaker 4>I hated it right away.

0:17:43.880 --> 0:17:46.200
<v Speaker 3>But everyone was going out to lunch all the time,

0:17:47.640 --> 0:17:50.800
<v Speaker 3>but they weren't really eating or drinking. The whole thing

0:17:50.920 --> 0:17:53.480
<v Speaker 3>was weird to me. I was like, well, why are

0:17:53.560 --> 0:17:55.520
<v Speaker 3>we at lunch? That's the point Richard.

0:17:55.600 --> 0:17:58.240
<v Speaker 2>Once but we were taken by an architect, Philip Johnson

0:17:58.280 --> 0:18:00.800
<v Speaker 2>to the Four Seasons in New York, and we walked

0:18:00.840 --> 0:18:02.919
<v Speaker 2>in and we thought, wow, you saw you know, the

0:18:03.160 --> 0:18:07.119
<v Speaker 2>great people of leaders of society and profession, and everybody

0:18:07.240 --> 0:18:10.600
<v Speaker 2>was having cottage. She's a nice tea. It was iced tea,

0:18:10.640 --> 0:18:12.560
<v Speaker 2>and Richard ordered a glass of wine and they really

0:18:12.600 --> 0:18:15.920
<v Speaker 2>thought he was an alcoholic. Yeah, it was just not done'

0:18:16.160 --> 0:18:16.600
<v Speaker 2>la too.

0:18:16.640 --> 0:18:20.040
<v Speaker 3>Also la people are driving too. Maybe not so much

0:18:20.040 --> 0:18:23.560
<v Speaker 3>anymore with uber and all that, but but yeah, it

0:18:23.760 --> 0:18:27.040
<v Speaker 3>just wasn't and it was. I found it just incredibly cold,

0:18:27.200 --> 0:18:32.200
<v Speaker 3>and although there are some amazing restaurants, but it wasn't

0:18:32.920 --> 0:18:34.720
<v Speaker 3>just not It's.

0:18:34.119 --> 0:18:37.240
<v Speaker 2>Also quite revealing how person behaves in a restaurant. I

0:18:37.280 --> 0:18:39.600
<v Speaker 2>always used to say in the early days of having

0:18:39.640 --> 0:18:43.440
<v Speaker 2>a restaurant that you could tell a lot of Americans

0:18:44.000 --> 0:18:46.600
<v Speaker 2>in the River Cafe had at one time in their

0:18:46.640 --> 0:18:50.160
<v Speaker 2>life worked in a restaurant because they were nice. They

0:18:50.160 --> 0:18:53.280
<v Speaker 2>were just they They are not saying the British weren't nice.

0:18:53.320 --> 0:18:55.280
<v Speaker 2>But having worked in a restaurant, it does make you

0:18:55.359 --> 0:18:56.879
<v Speaker 2>more tolerant, don't you think you know.

0:18:57.080 --> 0:18:59.440
<v Speaker 3>Without question what it's like. Yeah, you have to know

0:18:59.560 --> 0:19:03.560
<v Speaker 3>how hard that is. Yeah, I think particularly in America too,

0:19:03.640 --> 0:19:07.199
<v Speaker 3>because the pay is so bad and you're relying on

0:19:07.240 --> 0:19:11.040
<v Speaker 3>your tips and it's really really hard work. Having worked

0:19:11.040 --> 0:19:14.680
<v Speaker 3>as a bus boy and a bartender, and you know.

0:19:16.560 --> 0:19:22.520
<v Speaker 2>We think about food and hunger, and it's also mental health,

0:19:22.560 --> 0:19:28.080
<v Speaker 2>and it's also physical health. And we in times of pain,

0:19:28.240 --> 0:19:32.520
<v Speaker 2>we in times of discomfort. And you refer just now

0:19:32.600 --> 0:19:34.360
<v Speaker 2>to the fact that you had cancer and that your

0:19:34.359 --> 0:19:39.440
<v Speaker 2>wife died of cancer. How did you see illness and

0:19:39.520 --> 0:19:44.800
<v Speaker 2>how did illness affect your attitude or your food for you?

0:19:45.680 --> 0:19:49.040
<v Speaker 3>But I think when anybody's sick, even if it's just

0:19:49.080 --> 0:19:52.679
<v Speaker 3>a cold or flu, you instantly say, do let me

0:19:52.720 --> 0:19:56.399
<v Speaker 3>make atriction soup. Right, it's the first thing you know

0:19:57.200 --> 0:20:00.199
<v Speaker 3>you do or I'll always say do you do you

0:20:00.240 --> 0:20:02.600
<v Speaker 3>want this? Are you feeling hungry? Are you feeling why

0:20:02.600 --> 0:20:06.639
<v Speaker 3>does your stomach urt? Do you want this? And sometimes

0:20:06.040 --> 0:20:10.520
<v Speaker 3>it's a test too if they go the kid in particular.

0:20:10.200 --> 0:20:13.000
<v Speaker 4>Would go no, I don't. I don't want that.

0:20:13.040 --> 0:20:15.919
<v Speaker 3>I don't And then you know something's really wrong. You know,

0:20:16.160 --> 0:20:18.399
<v Speaker 3>you go, would you like a chocolate? You know, they go, no,

0:20:18.440 --> 0:20:20.359
<v Speaker 3>I don't want a chocolate. You go, okay, let's go

0:20:20.400 --> 0:20:23.639
<v Speaker 3>to the doctor. Or so you know, but I think

0:20:24.520 --> 0:20:29.920
<v Speaker 3>it was you know, in the end, well, Kate went

0:20:29.960 --> 0:20:33.720
<v Speaker 3>through so many different treatments, and you know, going through

0:20:33.800 --> 0:20:36.520
<v Speaker 3>chemo and radiation and all that stuff made her very

0:20:36.600 --> 0:20:39.600
<v Speaker 3>nauseous and she couldn't eat a lot at times, and

0:20:39.640 --> 0:20:42.679
<v Speaker 3>then she would recover and then cancer would present itself

0:20:42.720 --> 0:20:45.120
<v Speaker 3>again and then she'd go through the process again.

0:20:45.200 --> 0:20:46.320
<v Speaker 4>It was horrible.

0:20:47.800 --> 0:20:50.720
<v Speaker 3>When I went through mine because it was an oral cancer.

0:20:51.440 --> 0:20:54.399
<v Speaker 3>All the treatment was focused on my mouth, so I

0:20:54.440 --> 0:20:58.639
<v Speaker 3>lost everything. You don't only lose your sense of taste.

0:20:58.280 --> 0:21:04.359
<v Speaker 3>Your sense taste is destroyed and perverted so that everything

0:21:04.560 --> 0:21:10.400
<v Speaker 3>tastes like you know what for months and plus your

0:21:10.560 --> 0:21:13.960
<v Speaker 3>mouth is so compromised and so much pain. You're on

0:21:14.119 --> 0:21:17.359
<v Speaker 3>pain medications and all that stuff, and you have a

0:21:17.400 --> 0:21:22.239
<v Speaker 3>feeding tube. You're trying to put protein drinks through your

0:21:22.240 --> 0:21:25.880
<v Speaker 3>feeding tube, which are disgusting and not that you're tasting them,

0:21:25.880 --> 0:21:29.360
<v Speaker 3>but they're upsetting your stomach. And then there's morphine you're

0:21:29.400 --> 0:21:32.600
<v Speaker 3>putting through. It's just a it's a nightmare. And for me,

0:21:32.640 --> 0:21:36.000
<v Speaker 3>it was a real nightmare because food is everything to me.

0:21:36.320 --> 0:21:40.159
<v Speaker 3>It's now how most of my life. And not to

0:21:40.200 --> 0:21:43.080
<v Speaker 3>be able to eat properly, not to be able to

0:21:43.400 --> 0:21:48.040
<v Speaker 3>everything smelled horrible, tasted horrible, and not to be able

0:21:48.040 --> 0:21:49.840
<v Speaker 3>to sit and eat with my friends and drink with

0:21:49.880 --> 0:21:52.800
<v Speaker 3>my friends and cook for my family, it was really

0:21:52.800 --> 0:21:53.439
<v Speaker 3>really hard.

0:21:53.640 --> 0:21:56.560
<v Speaker 2>And did that come back? Obviously came back, But how

0:21:56.720 --> 0:21:59.360
<v Speaker 2>did it just come back and you embraced.

0:21:58.920 --> 0:22:00.840
<v Speaker 4>It or was it slow? It's very slow.

0:22:01.119 --> 0:22:07.000
<v Speaker 3>It's still not I'm almost four years out from finishing

0:22:07.040 --> 0:22:11.040
<v Speaker 3>my treatments and I still Last night I made lamb chops.

0:22:11.080 --> 0:22:12.080
<v Speaker 4>I didn't really eat them.

0:22:12.359 --> 0:22:15.919
<v Speaker 3>I can't really because you lose your saliva, so I

0:22:15.960 --> 0:22:18.920
<v Speaker 3>don't have all of my saliva. So if you don't

0:22:18.920 --> 0:22:22.760
<v Speaker 3>have your saliva, it's very hard to break things down.

0:22:23.600 --> 0:22:26.920
<v Speaker 3>So I eat a lot of pasta. But that's fine.

0:22:27.080 --> 0:22:30.440
<v Speaker 3>You know, I can eat it, just depends. You definitely

0:22:30.440 --> 0:22:35.120
<v Speaker 3>cannot eat spice, even that pepper today on that well,

0:22:35.160 --> 0:22:38.200
<v Speaker 3>it was delicious if it were a normal person. But

0:22:38.880 --> 0:22:42.639
<v Speaker 3>because my mouth is so hyper sensitive that you know,

0:22:42.720 --> 0:22:45.360
<v Speaker 3>I ate it very you have to eat it very slowly,

0:22:46.400 --> 0:22:48.080
<v Speaker 3>and you're sort of drinking lots of water with it

0:22:48.119 --> 0:22:49.160
<v Speaker 3>and all that sort of stuff.

0:22:49.640 --> 0:22:51.320
<v Speaker 4>But that's just the way it is.

0:22:51.440 --> 0:22:53.480
<v Speaker 3>I'm probably at the point now where this is about

0:22:53.680 --> 0:22:55.560
<v Speaker 3>where I'm going to be. I don't know how much

0:22:57.520 --> 0:23:00.920
<v Speaker 3>more I will recover, but it's fine. I can eat

0:23:00.960 --> 0:23:05.399
<v Speaker 3>most things. I can drink wine, I can have a

0:23:05.480 --> 0:23:06.760
<v Speaker 3>martini slowly.

0:23:07.440 --> 0:23:09.920
<v Speaker 4>It's fine. Nicroni Negroni's yet.

0:23:10.160 --> 0:23:12.440
<v Speaker 2>Yeah, you know about the nigroni.

0:23:12.920 --> 0:23:14.639
<v Speaker 4>It's my love of food.

0:23:14.800 --> 0:23:18.199
<v Speaker 3>My desire to know more about it has just grown.

0:23:19.040 --> 0:23:22.200
<v Speaker 3>So it's sort of all I think about, and it's

0:23:22.400 --> 0:23:24.919
<v Speaker 3>very much how I spend my time now. And you know,

0:23:24.960 --> 0:23:27.199
<v Speaker 3>I had people over last night and I fell asleep

0:23:27.640 --> 0:23:30.960
<v Speaker 3>with terrible anxiety because I wasn't happy with the meal

0:23:31.040 --> 0:23:33.800
<v Speaker 3>I cooked, and they said it was good.

0:23:35.320 --> 0:23:36.800
<v Speaker 4>Do I believe them? I don't know.

0:23:37.520 --> 0:23:40.960
<v Speaker 3>And also not just the meal, but also the fact

0:23:41.000 --> 0:23:43.600
<v Speaker 3>that I kept getting up and sort of trying to

0:23:43.680 --> 0:23:46.159
<v Speaker 3>time things and whereas I should have just made a stew,

0:23:47.000 --> 0:23:50.760
<v Speaker 3>served it with polenta and sat down and that's the

0:23:50.840 --> 0:23:51.199
<v Speaker 3>end of that.

0:23:51.400 --> 0:23:52.200
<v Speaker 4>Yeah.

0:23:52.240 --> 0:23:55.760
<v Speaker 2>I had a cousin who came from Italy, apparently young

0:23:55.920 --> 0:23:58.399
<v Speaker 2>kid who came and he stayed with some friends. And

0:23:58.440 --> 0:24:00.920
<v Speaker 2>when they were told that, he asked what they're having

0:24:01.000 --> 0:24:03.760
<v Speaker 2>for lunch and they didn't include pasta.

0:24:04.080 --> 0:24:05.440
<v Speaker 4>He cried.

0:24:05.520 --> 0:24:08.280
<v Speaker 2>It was about twelve and just cried because for him,

0:24:08.400 --> 0:24:11.240
<v Speaker 2>pasta was just, you know, so important. I don't know

0:24:11.280 --> 0:24:17.960
<v Speaker 2>what the British sure, you know the equivalente sausages and yeah, sausages.

0:24:18.160 --> 0:24:24.720
<v Speaker 4>Sausages British. Yeah, they have sausages. Oh my god. Please,

0:24:25.200 --> 0:24:27.960
<v Speaker 4>it's it's like we're I feel like I'm Fagan.

0:24:28.640 --> 0:24:32.760
<v Speaker 3>Yeah, just you know, you know, doling out sausages all

0:24:32.800 --> 0:24:33.160
<v Speaker 3>the time.

0:24:34.040 --> 0:24:34.280
<v Speaker 4>Yeah.

0:24:34.359 --> 0:24:37.560
<v Speaker 2>I think that if food can be painful, if food

0:24:37.640 --> 0:24:41.960
<v Speaker 2>can be restorative, Food is an expression of love for

0:24:42.000 --> 0:24:46.359
<v Speaker 2>our children. Food can be memory of your grandparents. It

0:24:46.480 --> 0:24:50.040
<v Speaker 2>is also what we've been saying, it's comfort. And I

0:24:50.040 --> 0:24:54.240
<v Speaker 2>suppose my last question to you, after really lovely afternoon

0:24:55.720 --> 0:25:00.000
<v Speaker 2>thank you, is to ask you what Stanley Tucci would

0:25:00.119 --> 0:25:01.760
<v Speaker 2>be your comfort.

0:25:03.760 --> 0:25:07.359
<v Speaker 3>It's probably something that you love as well, which is

0:25:08.320 --> 0:25:13.200
<v Speaker 3>pastave with tomato, pasta with a really simple tomato sauce

0:25:14.000 --> 0:25:16.760
<v Speaker 3>and a little pam gano, and that's it.

0:25:16.760 --> 0:25:19.720
<v Speaker 4>It makes me so comforted.

0:25:20.680 --> 0:25:23.320
<v Speaker 2>It's definitely mine. So let's have it together, whether we

0:25:23.359 --> 0:25:27.240
<v Speaker 2>need comfort or not. Thank you, Sam, thank you, thank

0:25:27.280 --> 0:25:27.800
<v Speaker 2>you so much.

0:25:27.880 --> 0:25:30.520
<v Speaker 4>Thank you.

0:25:32.480 --> 0:25:35.879
<v Speaker 2>To visit the online shop of The River Cafe, go

0:25:36.080 --> 0:25:39.360
<v Speaker 2>to shop the Rivercafe dot co dot uk.

0:25:46.960 --> 0:25:49.640
<v Speaker 1>River Cafe Table four is a production of iHeart Radio

0:25:49.720 --> 0:25:53.919
<v Speaker 1>and Adamized Studios. For more podcasts from iHeartRadio, visit the

0:25:53.960 --> 0:25:57.439
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

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