1 00:00:00,680 --> 00:00:07,760 Speaker 1: From Hollywood. Thank you for listening to us with Ryan seacrest. 2 00:00:09,760 --> 00:00:13,000 Speaker 1: All right, it's Tuesday morning here I kiss FM, also 3 00:00:13,080 --> 00:00:16,720 Speaker 1: known as part two night of the batchorette finale. That's 4 00:00:16,720 --> 00:00:20,959 Speaker 1: how we're looking at the calendar right. So, Hi guys, 5 00:00:20,960 --> 00:00:24,279 Speaker 1: good morning. I really have nothing to tell you. So 6 00:00:24,320 --> 00:00:26,680 Speaker 1: it's gonna be a long show, but I've got nothing 7 00:00:26,680 --> 00:00:28,840 Speaker 1: to report, nothing to tell you, nothing, nothing really to 8 00:00:28,840 --> 00:00:34,440 Speaker 1: share right now. No, no, uh so, yeah, I didn't. 9 00:00:34,520 --> 00:00:36,559 Speaker 1: And also, I had garlic last night for dinner and 10 00:00:36,600 --> 00:00:39,360 Speaker 1: I love it. I love garlic. I I put garlic 11 00:00:39,360 --> 00:00:42,520 Speaker 1: clothes in the oven, I put garncloves in the oven 12 00:00:42,960 --> 00:00:45,440 Speaker 1: and I roast them as my side dish when I 13 00:00:45,440 --> 00:00:48,920 Speaker 1: have dinner, like all the time. But yeah, it's fantastic. 14 00:00:49,000 --> 00:00:50,960 Speaker 1: The problem is it's really sticking with me this morning. 15 00:00:51,240 --> 00:00:55,200 Speaker 1: Really Imagine, so and so, you know when you have 16 00:00:55,320 --> 00:00:58,360 Speaker 1: that that great flavor. Like Kuman is another thing that 17 00:00:58,440 --> 00:01:02,200 Speaker 1: sticks with me. You Kuman. You know I don't Cook 18 00:01:02,360 --> 00:01:05,240 Speaker 1: much with you. It's a little spicy, is that's how 19 00:01:05,280 --> 00:01:08,200 Speaker 1: you say it. I thought I was human. Oh No, 20 00:01:08,560 --> 00:01:11,680 Speaker 1: it's cold, like the girl that says, like a Ki Bowl. 21 00:01:11,959 --> 00:01:16,880 Speaker 1: I think both are acceptable and I, as a kid. 22 00:01:16,920 --> 00:01:19,760 Speaker 1: I said Cuman, but then I hear chefs say Kuman 23 00:01:20,360 --> 00:01:22,920 Speaker 1: and of course you know a poser when it comes 24 00:01:22,920 --> 00:01:28,959 Speaker 1: to chefing, and I've imposter syndrome. Uh So, Kumin and 25 00:01:29,600 --> 00:01:32,959 Speaker 1: garlic and onions. I love all of it, but they 26 00:01:33,040 --> 00:01:38,280 Speaker 1: carry over overnight sometimes. Now you're like yeah, it makes 27 00:01:38,280 --> 00:01:40,320 Speaker 1: you thirsty, doesn't it? Did you get up to pee? 28 00:01:40,319 --> 00:01:44,759 Speaker 1: A Lot, lot, twice, twice. It's such a buzz kill. 29 00:01:44,920 --> 00:01:50,640 Speaker 1: What I can't figure out. Bladder is tiny. If I 30 00:01:50,720 --> 00:01:53,520 Speaker 1: overhydrate or if this is what happens? I have tried 31 00:01:53,640 --> 00:01:56,160 Speaker 1: everything to help my boyfriend with this issue and I 32 00:01:57,000 --> 00:01:59,000 Speaker 1: threw my hands up. I can't think of anything else. 33 00:01:59,360 --> 00:02:03,640 Speaker 1: Does he equally is frustrated? Does it wake you up? No, 34 00:02:03,720 --> 00:02:06,520 Speaker 1: because I obvious sleep like a rock, but I'd feel 35 00:02:06,520 --> 00:02:08,120 Speaker 1: bad for him because if I ever have to wake 36 00:02:08,200 --> 00:02:09,840 Speaker 1: up to P I get like I don't. I feel 37 00:02:09,840 --> 00:02:11,440 Speaker 1: like it ruins my sleep. Well, I do have my 38 00:02:11,440 --> 00:02:14,240 Speaker 1: eyes closed. I walked to the bathroom with my eyes 39 00:02:14,280 --> 00:02:16,400 Speaker 1: closed and I literally missed the bowl half the time. 40 00:02:18,080 --> 00:02:21,280 Speaker 1: I know lights I mean. I mean missing the bowl. 41 00:02:22,600 --> 00:02:26,000 Speaker 1: It's common mess anyway. So, yeah, we got nothing this 42 00:02:26,040 --> 00:02:31,880 Speaker 1: morning doing. Actually, according to the Cambridge Dictionary. The UK 43 00:02:32,040 --> 00:02:36,680 Speaker 1: pronunciation of the word is cuman, but in the US 44 00:02:36,720 --> 00:02:44,000 Speaker 1: it's pronounced Kuman. So those overseas cuman, tomato, tomato, Russ Cummin. 45 00:02:44,160 --> 00:02:47,480 Speaker 1: What do you say? Culinary, culinary, and I get caught. 46 00:02:48,600 --> 00:02:51,920 Speaker 1: It's killy. Say galor gala. I don't. I always get 47 00:02:51,960 --> 00:02:58,840 Speaker 1: tripped up on that. Gala, DA, data, data, data. Getting 48 00:02:58,880 --> 00:03:02,000 Speaker 1: Ready for the I heart Ratei a music festival on Friday, 49 00:03:02,160 --> 00:03:05,840 Speaker 1: two nights, a daytime stage on Saturday and we're wheels 50 00:03:05,880 --> 00:03:10,960 Speaker 1: up after this show on Friday's right. Um. So we, 51 00:03:11,840 --> 00:03:14,640 Speaker 1: how do I say this? We have a planned kind 52 00:03:14,639 --> 00:03:16,720 Speaker 1: of on the show, but we also have all these 53 00:03:16,720 --> 00:03:20,359 Speaker 1: tangents we go off on because it's unscripted and it's 54 00:03:20,360 --> 00:03:23,560 Speaker 1: a long show. Somebody asked me the other day. I 55 00:03:23,639 --> 00:03:26,760 Speaker 1: didn't realize we were unscripted. They were like, you guys 56 00:03:26,800 --> 00:03:29,000 Speaker 1: don't have like a monitor and you're not I'm like, 57 00:03:31,160 --> 00:03:32,799 Speaker 1: who in the world is not even enough to think 58 00:03:32,840 --> 00:03:37,400 Speaker 1: that this is scripted? Yeah, that's somebody never has listened. 59 00:03:37,400 --> 00:03:43,400 Speaker 1: Then that's not true. So the thing is we get 60 00:03:43,440 --> 00:03:46,000 Speaker 1: into conversation and then, just like real life, you sidebar 61 00:03:46,040 --> 00:03:48,960 Speaker 1: in your rabbit hole and you come up with things. 62 00:03:49,000 --> 00:03:50,600 Speaker 1: He said, Oh, let's get back to me. Yeah, yeah, 63 00:03:50,600 --> 00:03:51,840 Speaker 1: we think about something and we're like, Oh, put a 64 00:03:52,000 --> 00:03:54,920 Speaker 1: in and we've been using this expression, which is a 65 00:03:54,920 --> 00:03:57,720 Speaker 1: lot tubs. Put a pin in it. Put a pin 66 00:03:57,760 --> 00:04:00,200 Speaker 1: in it. Everybody says it. Right, we come back to it. Yeah, 67 00:04:00,200 --> 00:04:01,400 Speaker 1: it's come back and put a pin in it, because 68 00:04:01,400 --> 00:04:03,120 Speaker 1: we'll be in the middle of a Ryan's roses or 69 00:04:03,160 --> 00:04:05,080 Speaker 1: in the middle of a second day. Well, come up, 70 00:04:05,080 --> 00:04:06,520 Speaker 1: and so we want to go back to so we'll 71 00:04:06,520 --> 00:04:09,560 Speaker 1: say put a pin in it. Well, no, this isn't 72 00:04:09,640 --> 00:04:12,840 Speaker 1: us taking the pin out. Well, that's all I got, 73 00:04:13,560 --> 00:04:17,479 Speaker 1: basically a kiss. All right, so Tanya is taking on 74 00:04:17,520 --> 00:04:22,480 Speaker 1: the role of pinning. Ye, well, you pin then. Well, 75 00:04:22,480 --> 00:04:25,400 Speaker 1: she's keeping the list. She's got that little ball of 76 00:04:25,440 --> 00:04:28,200 Speaker 1: pins and, you know, needles and the pins and all that. 77 00:04:28,279 --> 00:04:30,640 Speaker 1: So she carries that around with her. He wants to 78 00:04:30,640 --> 00:04:33,719 Speaker 1: pull one out. All right, so what we what? What 79 00:04:33,920 --> 00:04:37,080 Speaker 1: pin are we pulling out? This one is the pin 80 00:04:37,279 --> 00:04:42,039 Speaker 1: that was marked Halloween costume. Okay, when do we put 81 00:04:42,040 --> 00:04:44,680 Speaker 1: a pin in? This must have been like Julye. This. 82 00:04:45,120 --> 00:04:47,760 Speaker 1: Two weeks ago now. Is this about our costumes for 83 00:04:47,800 --> 00:04:51,080 Speaker 1: the show here? Correct, so what do you doive any 84 00:04:51,160 --> 00:04:53,760 Speaker 1: leads on who we should be. Well, when we discussed 85 00:04:53,760 --> 00:04:55,760 Speaker 1: this on the air, it was I think we should 86 00:04:55,800 --> 00:04:58,320 Speaker 1: all as homework, think about what we should be and 87 00:04:58,480 --> 00:05:02,720 Speaker 1: come back with the ideas. So the floor is now yours. Okay, 88 00:05:03,040 --> 00:05:07,320 Speaker 1: I have an idea. Okay, I think we should be 89 00:05:07,839 --> 00:05:13,880 Speaker 1: different versions of Harry styles. No Way, why not? No, 90 00:05:13,920 --> 00:05:16,120 Speaker 1: I don't want to be Harry styles. That was one 91 00:05:16,160 --> 00:05:21,480 Speaker 1: of my suggestions. Were Three Harry styles, you guys. There's 92 00:05:21,520 --> 00:05:25,360 Speaker 1: the there's the purple Bowa Harry Styles, there's the coach 93 00:05:26,080 --> 00:05:33,280 Speaker 1: sequence Romper Harry style. There's the don't worry, Darling, I 94 00:05:33,279 --> 00:05:34,800 Speaker 1: thought you would love this because it would be so 95 00:05:34,839 --> 00:05:38,839 Speaker 1: easy for you to D and that's what's Tony and 96 00:05:39,000 --> 00:05:42,480 Speaker 1: dressing like a male character again. But it's fine. But 97 00:05:42,680 --> 00:05:45,280 Speaker 1: I just think like that's US trying to be too 98 00:05:45,279 --> 00:05:49,039 Speaker 1: cool Halloween. That was one of my ideas. So I 99 00:05:49,080 --> 00:05:51,359 Speaker 1: think that's now to the top. But yeah, I have 100 00:05:51,400 --> 00:05:54,440 Speaker 1: a second option. Right. With second option we each go 101 00:05:54,480 --> 00:05:59,520 Speaker 1: as a different member of top gun maverick. That's to 102 00:05:59,560 --> 00:06:01,120 Speaker 1: get right. Yeah, I mean, I'm just gonna have my 103 00:06:01,120 --> 00:06:04,880 Speaker 1: top gun jacket like that. That's simple. Already have the costume, alright, 104 00:06:05,320 --> 00:06:10,960 Speaker 1: I just got bomber jackets. He's on the jacket and 105 00:06:11,040 --> 00:06:13,960 Speaker 1: the glasses. Which one are we gonna BE? You can 106 00:06:13,960 --> 00:06:15,440 Speaker 1: be the girl and then I'll be one of the 107 00:06:15,720 --> 00:06:17,599 Speaker 1: want the girl, but yeah, and I want to be 108 00:06:17,760 --> 00:06:25,599 Speaker 1: I wanna be glompal's and then I'm maverick. This writes itself. 109 00:06:26,279 --> 00:06:33,640 Speaker 1: We could be minions. Want to be minions. So why 110 00:06:33,640 --> 00:06:37,080 Speaker 1: don't we surprise each other with one of these ideas? 111 00:06:37,360 --> 00:06:41,640 Speaker 1: But I am not dressing like Harry styles. It's it's 112 00:06:41,720 --> 00:06:45,200 Speaker 1: just he should like Harry styles. Adjacent like this is 113 00:06:45,240 --> 00:06:50,880 Speaker 1: soap right up your alley that literally any one of 114 00:06:50,960 --> 00:06:52,760 Speaker 1: these outfits would be perfect. Oh my gosh, you go 115 00:06:52,880 --> 00:06:54,920 Speaker 1: wear a shirt that's like super unbuttoned and then get 116 00:06:54,960 --> 00:06:57,920 Speaker 1: a giant butterfly tattoo for your chest. Okay, stop your 117 00:06:57,960 --> 00:07:03,400 Speaker 1: making me hot. Really has a better flat? Yes, and 118 00:07:03,400 --> 00:07:04,840 Speaker 1: we can get it all for you. You You don't even 119 00:07:04,880 --> 00:07:07,120 Speaker 1: have to do anything to show up and we'll dress you. 120 00:07:07,600 --> 00:07:10,160 Speaker 1: I need a WIG right, don't know, you don't even 121 00:07:10,160 --> 00:07:12,640 Speaker 1: need a wig. Your hair is fine. Maybe some extensions, 122 00:07:12,680 --> 00:07:18,440 Speaker 1: maybe just don't cut your hair until Halloween. Okay, yes, ma'am, okay, 123 00:07:18,480 --> 00:07:21,840 Speaker 1: you're starting to sell me on this idea. IDEA. I 124 00:07:21,920 --> 00:07:30,000 Speaker 1: mean too simple, so predictable. Hay Styles. I mean I 125 00:07:30,040 --> 00:07:32,360 Speaker 1: want to like blow it out like the Glamor Harry styles. 126 00:07:33,800 --> 00:07:36,640 Speaker 1: That's actually I think whatever I wear as Harry styles 127 00:07:36,720 --> 00:07:40,680 Speaker 1: I could keep for real life. Keys made that a 128 00:07:40,760 --> 00:07:45,200 Speaker 1: look right. I could totally roll up to sweet Greens 129 00:07:45,200 --> 00:07:49,560 Speaker 1: in that it's just sweet green. Well, I get more 130 00:07:49,600 --> 00:07:52,560 Speaker 1: than one green, yea, I get extra Greens, I get 131 00:07:52,560 --> 00:07:58,280 Speaker 1: Broccoli and the lettuce chucks on you in your singular 132 00:07:58,320 --> 00:08:01,080 Speaker 1: world over there. I'm plural. So every morning, this time 133 00:08:01,120 --> 00:08:04,480 Speaker 1: a little life morning hack and also a positive motivational 134 00:08:04,560 --> 00:08:08,840 Speaker 1: quote of the day. It's a situation you face. Your 135 00:08:08,880 --> 00:08:11,600 Speaker 1: baby wakes up, stop crying, you hold them, you sing 136 00:08:11,600 --> 00:08:14,880 Speaker 1: to them, you swallow them, and Disney sometimes never calms 137 00:08:14,960 --> 00:08:17,960 Speaker 1: him down right. No, I mean it just depends on 138 00:08:18,560 --> 00:08:22,600 Speaker 1: the week. So scientists, I have several different groups of 139 00:08:22,600 --> 00:08:26,400 Speaker 1: scientists I follow. These are my group of Japan, and 140 00:08:26,520 --> 00:08:28,840 Speaker 1: they say they found the secret to success. Hold the 141 00:08:28,840 --> 00:08:33,360 Speaker 1: baby while walking for five minutes, no sudden stops or turns. Yeah, 142 00:08:33,520 --> 00:08:36,360 Speaker 1: I can see that. Then hold the baby while sitting 143 00:08:36,400 --> 00:08:38,320 Speaker 1: for eight minutes. Of Five minutes are walking, eight minuts 144 00:08:38,360 --> 00:08:40,400 Speaker 1: is sitting and then boom, back to the crib. It's 145 00:08:40,400 --> 00:08:42,439 Speaker 1: a sway, I'm telling you. If as long as you 146 00:08:42,559 --> 00:08:46,720 Speaker 1: keep the baby kind of like, it's no. It's like 147 00:08:46,720 --> 00:08:49,120 Speaker 1: why we fall asleep in cars. I don't know. For 148 00:08:49,160 --> 00:08:50,960 Speaker 1: me it's just like, as long as the baby's kind 149 00:08:50,960 --> 00:08:53,440 Speaker 1: of swaying and just put it right back down. But 150 00:08:53,480 --> 00:08:56,000 Speaker 1: they really say it works. Five minutes of walking, no 151 00:08:56,040 --> 00:08:59,480 Speaker 1: sudden stops, no sudden turns, eight minutes holding and back 152 00:08:59,520 --> 00:09:05,160 Speaker 1: to the crib. Today's quote. You can't keep getting mad 153 00:09:05,160 --> 00:09:08,200 Speaker 1: at people for sucking the life out of you if 154 00:09:08,200 --> 00:09:18,920 Speaker 1: you keep giving them the straw. Cut, edit and cut headlines. Well, 155 00:09:18,920 --> 00:09:22,360 Speaker 1: in magnitude seven point six earthquakes shook Mexico's a central 156 00:09:22,400 --> 00:09:25,480 Speaker 1: Pacific coast yesterday, killing at least one person and setting 157 00:09:25,520 --> 00:09:28,840 Speaker 1: off a side sic alarm and the rattled capital on 158 00:09:28,880 --> 00:09:32,280 Speaker 1: the anniversary of two earlier devastating quakes. The quake hit 159 00:09:32,360 --> 00:09:34,680 Speaker 1: around eleven o five am at a depth of about 160 00:09:34,760 --> 00:09:39,240 Speaker 1: nine miles outdoor watering resumed yesterday for more than four 161 00:09:39,360 --> 00:09:43,600 Speaker 1: million Los Angeles County residents because the Metropolitan Water district 162 00:09:43,679 --> 00:09:47,359 Speaker 1: has completed repairs on a critical pipeline from the Colorado 163 00:09:47,440 --> 00:09:50,320 Speaker 1: River ahead of schedule. Crews worked around the clock to 164 00:09:50,360 --> 00:09:53,800 Speaker 1: make repairs to its thirty six mile upper feet or pipeline, 165 00:09:54,000 --> 00:09:58,640 Speaker 1: which carries Colorado River water into southern California, and City Hall, 166 00:09:58,800 --> 00:10:02,320 Speaker 1: the Sixth Street Bridge and dodgers stadium will be among 167 00:10:02,400 --> 00:10:06,240 Speaker 1: the iconic Los Angeles structures lit up Thursday in a 168 00:10:06,360 --> 00:10:09,880 Speaker 1: mosaic of colors as part of the city's first L 169 00:10:09,960 --> 00:10:12,680 Speaker 1: A for all week. Yeah, so L A for all 170 00:10:12,800 --> 00:10:16,160 Speaker 1: is part of the L A civil rights departments, Um 171 00:10:16,240 --> 00:10:20,120 Speaker 1: Anti hate ps a campaign other structures lighting up on Thursday. 172 00:10:20,160 --> 00:10:22,760 Speaker 1: It's gonna be all around the entire city. Union station, 173 00:10:22,880 --> 00:10:26,280 Speaker 1: the US bank tower and the pylons at l a x, 174 00:10:26,480 --> 00:10:30,440 Speaker 1: just to name a few. On aired with the Ryan Serez. 175 00:10:32,559 --> 00:10:36,160 Speaker 1: We're going to live to London this morning. Him, Camille 176 00:10:36,280 --> 00:10:41,400 Speaker 1: is on with us. Hey, he's starring in Lavic Fernandez series. 177 00:10:41,800 --> 00:10:45,680 Speaker 1: He's fantastic. I spent time with him call in Mexico 178 00:10:45,800 --> 00:10:48,960 Speaker 1: City together. We dined like how. So do you guys 179 00:10:49,400 --> 00:10:53,760 Speaker 1: vacation together? Yeah, we always travel together. Yeah, he takes 180 00:10:53,760 --> 00:10:56,240 Speaker 1: some off from his wife, I from my life. Yeah, 181 00:10:56,520 --> 00:11:00,240 Speaker 1: we show up in all Kinda all inclusive resorts. No, 182 00:11:00,480 --> 00:11:02,640 Speaker 1: he just didn't having New Mexico City and I ran 183 00:11:02,679 --> 00:11:04,240 Speaker 1: into him there. We have a mutual friend and we 184 00:11:04,280 --> 00:11:09,319 Speaker 1: went to the greatest Mexican restaurant ever in Mexico City. Okay, 185 00:11:09,360 --> 00:11:11,880 Speaker 1: now I guess I would say one of the highlights 186 00:11:12,040 --> 00:11:14,720 Speaker 1: for us on this show is that when we get 187 00:11:14,800 --> 00:11:19,719 Speaker 1: new people, you know, like the new generation of colleagues 188 00:11:19,760 --> 00:11:22,120 Speaker 1: here that start out answering the phone and producing for us, 189 00:11:23,520 --> 00:11:25,839 Speaker 1: the kids I call them and then we get a 190 00:11:25,960 --> 00:11:29,840 Speaker 1: chance to see, you know, what the kids into. I 191 00:11:29,920 --> 00:11:33,960 Speaker 1: and sort of nostalgically go back to when we were them, 192 00:11:33,960 --> 00:11:38,000 Speaker 1: trying to find love, trying to find love in Los Angeles. 193 00:11:39,040 --> 00:11:41,520 Speaker 1: All right, so Marianna is here, she works in the 194 00:11:41,520 --> 00:11:44,800 Speaker 1: phone room for us, and you don't have a boyfriend, 195 00:11:44,880 --> 00:11:49,960 Speaker 1: but you would like one. Kind of, not really don't. Yeah, 196 00:11:50,679 --> 00:11:53,480 Speaker 1: I've been you before, so this is interesting. Why don't 197 00:11:53,480 --> 00:11:57,760 Speaker 1: you want but you kind of want one, but not fully. Um, well, 198 00:11:57,800 --> 00:12:00,000 Speaker 1: because I did just get off a five year relationship 199 00:12:00,000 --> 00:12:01,920 Speaker 1: ship in the beginning of the year. So you always 200 00:12:01,920 --> 00:12:05,640 Speaker 1: have some fun. Yeah, I mean why not? Yeah, it's true. 201 00:12:05,640 --> 00:12:07,440 Speaker 1: After you can have a long term relationship with somebody, 202 00:12:07,480 --> 00:12:10,760 Speaker 1: you need a reset. Exactly. Okay, this is so fun. 203 00:12:11,080 --> 00:12:14,400 Speaker 1: So are you seeing a guy? Yeah, I've been seeing 204 00:12:14,480 --> 00:12:16,920 Speaker 1: him for about three months. Like, oh my gosh, that's 205 00:12:16,920 --> 00:12:23,319 Speaker 1: a relationship. Yeah, my God, you guys when each other. 206 00:12:23,360 --> 00:12:25,280 Speaker 1: Where do your dates? Like? Where do you go? Um, 207 00:12:25,400 --> 00:12:27,480 Speaker 1: we'll like we'll go out to eat. Um, we went 208 00:12:27,480 --> 00:12:33,000 Speaker 1: to the movies. Um, just like normal dates. You're totally 209 00:12:33,000 --> 00:12:35,920 Speaker 1: he's a DJ too. So, Um, I went to one 210 00:12:35,960 --> 00:12:37,840 Speaker 1: of his Dj gigs and I was like, okay, this 211 00:12:37,920 --> 00:12:40,920 Speaker 1: is like actually out in public where like you know people, 212 00:12:41,040 --> 00:12:43,200 Speaker 1: you're with the DJ. But did you? Did you put 213 00:12:43,200 --> 00:12:44,520 Speaker 1: the brakes so you don't hang out with him too much, 214 00:12:44,600 --> 00:12:47,720 Speaker 1: or does it become something? Yeah, I try not to. Sometimes, 215 00:12:48,080 --> 00:12:49,439 Speaker 1: like I'll be like, oh, I have something doing and 216 00:12:49,480 --> 00:12:51,280 Speaker 1: I don't have anything to do, but you lie to 217 00:12:51,360 --> 00:12:55,880 Speaker 1: the DJ. Just said I'm just at home chilling, like yeah, 218 00:12:55,920 --> 00:12:58,719 Speaker 1: I have plans, but not really. I just don't want 219 00:12:58,720 --> 00:13:01,040 Speaker 1: to get too invested. But then again, like he's kind 220 00:13:01,080 --> 00:13:03,079 Speaker 1: of like the only guy that I'm talking to, so 221 00:13:03,720 --> 00:13:07,840 Speaker 1: it's like you're already kind of exclusive because you're hooking 222 00:13:07,880 --> 00:13:09,280 Speaker 1: up with somebody else. Do you think he would have 223 00:13:09,280 --> 00:13:11,720 Speaker 1: an issue with it? I don't know. We've never even 224 00:13:11,760 --> 00:13:14,600 Speaker 1: had that conversation about you with him. Yeah, if he 225 00:13:14,640 --> 00:13:17,880 Speaker 1: started hooking up with somebody else? Would you have an issue? Um, 226 00:13:18,000 --> 00:13:20,319 Speaker 1: I feel like I would feel some type of way, 227 00:13:20,360 --> 00:13:28,720 Speaker 1: but I don't know. But Um, I mean I wouldn't 228 00:13:28,720 --> 00:13:31,319 Speaker 1: want to know. You know, don't tell me. Oh my God, 229 00:13:31,440 --> 00:13:33,840 Speaker 1: sure this could become some this is like the new 230 00:13:33,920 --> 00:13:37,760 Speaker 1: Tanya Robbie. You have a question about what we should 231 00:13:37,760 --> 00:13:40,080 Speaker 1: do coming up. Yeah, so his birthday is coming up 232 00:13:40,080 --> 00:13:42,440 Speaker 1: and I'm just like, do I get him a gift, 233 00:13:42,480 --> 00:13:45,720 Speaker 1: because I saw like nothing crazy, but I like he 234 00:13:45,800 --> 00:13:47,400 Speaker 1: likes Ricken Morty and I like brick and morty and 235 00:13:47,440 --> 00:13:49,680 Speaker 1: I'm just like, Oh my God, I'm seeing this cute 236 00:13:49,679 --> 00:13:52,160 Speaker 1: shirt and I'm like should I get it? But no, 237 00:13:52,960 --> 00:13:55,160 Speaker 1: is that too much? Not, if you're trying to keep 238 00:13:55,240 --> 00:13:57,000 Speaker 1: him at a distance, you're gonna send them. That's what 239 00:13:57,040 --> 00:13:59,400 Speaker 1: I was thinking. Message, I think. I don't want him 240 00:13:59,440 --> 00:14:01,600 Speaker 1: to think that I want a relationship. Yeah, but why 241 00:14:01,600 --> 00:14:03,320 Speaker 1: can't you be a good person and give him a birthday? 242 00:14:03,800 --> 00:14:08,400 Speaker 1: That sounds what I'm thinking. I like a coffee card. 243 00:14:08,480 --> 00:14:09,600 Speaker 1: That I mean, I want to be with him. Just 244 00:14:09,600 --> 00:14:11,920 Speaker 1: give him some cupcakes and call it a day or 245 00:14:12,559 --> 00:14:16,200 Speaker 1: do an shared experience. You know, my kids give the gift. 246 00:14:16,240 --> 00:14:20,760 Speaker 1: She just mentioned this thoughtful thoughtfulness leads to relationship. Yeah, 247 00:14:20,920 --> 00:14:22,320 Speaker 1: or what if he gets the wrong idea? Or what 248 00:14:22,360 --> 00:14:24,280 Speaker 1: if he doesn't even want to get the wrong idea, 249 00:14:24,280 --> 00:14:27,760 Speaker 1: because you get my thoughtful gift. This is a problem 250 00:14:27,920 --> 00:14:31,520 Speaker 1: with dating and you guys playing these Games. It's not 251 00:14:31,600 --> 00:14:34,160 Speaker 1: a game. It's a game. She wants to get him 252 00:14:34,160 --> 00:14:35,920 Speaker 1: a thoughtful gift, but then she wants to pump the 253 00:14:35,920 --> 00:14:37,320 Speaker 1: brakes on that because she doesn't want to get the 254 00:14:37,320 --> 00:14:39,160 Speaker 1: wrong idea that she's a nice person, but she's already 255 00:14:39,160 --> 00:14:41,560 Speaker 1: second guessing herself. So if you're second guessing, I say no, 256 00:14:41,920 --> 00:14:44,080 Speaker 1: I say absolutely, don't listen to sist me on this. 257 00:14:44,920 --> 00:14:46,960 Speaker 1: or You could write it in the car like Happy Birthday. 258 00:14:47,080 --> 00:14:48,560 Speaker 1: I wanted to get you this because you know we 259 00:14:48,600 --> 00:14:53,520 Speaker 1: share the same love. Is it a show, like happy birthday? Yeah, 260 00:14:53,560 --> 00:14:56,600 Speaker 1: but but don't, I can't. I don't get the wrong impression. 261 00:14:56,600 --> 00:14:58,160 Speaker 1: I don't want you to be my boyfriend. Yeah, exactly, 262 00:14:58,200 --> 00:14:59,840 Speaker 1: like I really this is a thoughtful gift. I don't 263 00:14:59,840 --> 00:15:02,040 Speaker 1: think that would be kind of funny if you actually 264 00:15:02,080 --> 00:15:04,640 Speaker 1: say that. It's kind of right, like I had went 265 00:15:04,720 --> 00:15:06,560 Speaker 1: back and forth on getting in this really topful gift. 266 00:15:06,560 --> 00:15:07,880 Speaker 1: By the way, you don't take it the wrong way. 267 00:15:07,920 --> 00:15:10,040 Speaker 1: I like you, but halfway. Yeah, I think you should 268 00:15:10,120 --> 00:15:13,480 Speaker 1: really say that. I get a lower case like you know, 269 00:15:15,520 --> 00:15:19,120 Speaker 1: it's not. Everybody knows, everybody's aligned, everybody's clear, and it's 270 00:15:19,160 --> 00:15:22,960 Speaker 1: in writing. Yeah, don't get the idea. Normally this would 271 00:15:22,960 --> 00:15:25,240 Speaker 1: mean I'm really into but it doesn't. It just means 272 00:15:25,280 --> 00:15:28,320 Speaker 1: I had a great idea for it's just like you know, 273 00:15:28,360 --> 00:15:29,920 Speaker 1: when you want dating advice, you'd come right here to 274 00:15:29,960 --> 00:15:32,640 Speaker 1: this panel. I don't hate it. I don't hate all. 275 00:15:34,120 --> 00:15:40,840 Speaker 1: What's The guy's name? She can't say. She doesn't want 276 00:15:40,840 --> 00:15:47,520 Speaker 1: to say because he's listening. He already knows you're talking 277 00:15:47,560 --> 00:15:51,360 Speaker 1: about him. Yeah, yes, so now it's all out of 278 00:15:51,400 --> 00:15:55,760 Speaker 1: the bag. Anyway. I mean you just told us. Los 279 00:15:55,760 --> 00:15:59,400 Speaker 1: Angeles and the rest of the nation and also runs 280 00:15:59,400 --> 00:16:01,920 Speaker 1: on demand, like it or today. That one sneaks up 281 00:16:01,920 --> 00:16:05,040 Speaker 1: on that cast some damage. Yeah, I've lived it too, 282 00:16:05,040 --> 00:16:06,520 Speaker 1: because you think it goes out live and it's done. 283 00:16:06,560 --> 00:16:08,480 Speaker 1: Then they got that replace the little next thing, you 284 00:16:08,480 --> 00:16:10,480 Speaker 1: know what your boyfriend here is that you love. Oh 285 00:16:10,560 --> 00:16:15,080 Speaker 1: my gosh, I die. Yeah, that was rough. We are 286 00:16:15,120 --> 00:16:18,080 Speaker 1: a podcast on man. All right, listen, this is great, Mariana, 287 00:16:18,160 --> 00:16:21,400 Speaker 1: you've come to your aunts and uncle's here to take 288 00:16:21,440 --> 00:16:23,520 Speaker 1: care of this and I think we have a great idea. Hey, 289 00:16:23,640 --> 00:16:28,080 Speaker 1: I love this gift more than you. I love it. Yeah, Gosh, 290 00:16:28,120 --> 00:16:33,200 Speaker 1: Young Romance, good luck, happy birthday, ymous, Mr Dj, Mr 291 00:16:33,280 --> 00:16:40,760 Speaker 1: Leebra Dj, with the DJ. Okay, I'm with the DJ guys. 292 00:16:42,480 --> 00:16:44,080 Speaker 1: I used to go up to the djs and the 293 00:16:44,120 --> 00:16:46,640 Speaker 1: clubs and get try and get them to play stuff 294 00:16:46,680 --> 00:16:48,920 Speaker 1: and they'd say no to me and then, if there 295 00:16:48,960 --> 00:16:51,240 Speaker 1: was a girl there, they'd say absolutely, I take requests. 296 00:16:51,680 --> 00:16:56,080 Speaker 1: Like how it works. That's how it works. Look, they're 297 00:16:56,080 --> 00:16:59,480 Speaker 1: playing their game too. It's time for a second date update. 298 00:17:00,480 --> 00:17:03,640 Speaker 1: Dear Ryan insistity. We work in the same building and 299 00:17:03,680 --> 00:17:06,040 Speaker 1: have been flirting for months. I already tell us gonna 300 00:17:06,040 --> 00:17:07,920 Speaker 1: be a problem. So one day in the break room, 301 00:17:07,920 --> 00:17:09,600 Speaker 1: I got up the courage to ask her out. I 302 00:17:09,720 --> 00:17:11,720 Speaker 1: rolled up the rick carpet for this day. I picked 303 00:17:11,720 --> 00:17:14,840 Speaker 1: her up. I wore a suit. I didn't want to 304 00:17:14,840 --> 00:17:16,800 Speaker 1: mess this up, but I must have messed it up, 305 00:17:16,840 --> 00:17:19,160 Speaker 1: because now I rarely see her and there's no flirting. 306 00:17:19,200 --> 00:17:21,480 Speaker 1: I want to know what I did. Yeah, this is 307 00:17:21,520 --> 00:17:25,359 Speaker 1: the thing. Risky when you get romantic with somebody at work, 308 00:17:25,400 --> 00:17:27,399 Speaker 1: because if it gets awkward, you still gotta work together. 309 00:17:28,280 --> 00:17:30,679 Speaker 1: But also, I am the type of person that probably 310 00:17:30,720 --> 00:17:33,760 Speaker 1: doesn't want to know. He wants to know. I would 311 00:17:33,840 --> 00:17:37,359 Speaker 1: be tortured by knowing why, probably, but that's not what 312 00:17:37,440 --> 00:17:38,920 Speaker 1: this is. This is second and up there we're trying 313 00:17:38,920 --> 00:17:40,440 Speaker 1: to get in peace of mind. But it wouldn't be 314 00:17:40,520 --> 00:17:45,439 Speaker 1: my choice. So, Chris, good morning. Hi, good morning. All right, 315 00:17:45,520 --> 00:17:48,520 Speaker 1: let's just break this down for a second. You went 316 00:17:48,560 --> 00:17:50,880 Speaker 1: out with this woman, Monica, you work with. You rolled 317 00:17:50,880 --> 00:17:53,200 Speaker 1: out the rick carpet. A great, great evening, it sounds like. 318 00:17:54,040 --> 00:17:57,359 Speaker 1: Did she say thank you? What was the last communication 319 00:17:57,400 --> 00:18:04,880 Speaker 1: you have? Um, I mean it was just good night 320 00:18:05,080 --> 00:18:08,440 Speaker 1: and she just went to right upstairs. I was good 321 00:18:08,560 --> 00:18:13,040 Speaker 1: night and then upstairs. No text after no. Yeah, no 322 00:18:13,119 --> 00:18:18,840 Speaker 1: text after no. Did you send her text again? Um, no, 323 00:18:19,520 --> 00:18:25,240 Speaker 1: I haven't. Well, how long has it been since the date? Um, 324 00:18:25,240 --> 00:18:28,400 Speaker 1: it's probably been like a week or so. I mean, 325 00:18:29,920 --> 00:18:35,680 Speaker 1: mm HM. Did you talk about anything interesting? Did you 326 00:18:35,720 --> 00:18:40,080 Speaker 1: give any opinions? Did you compliment her like a little flavor? Chris, 327 00:18:40,119 --> 00:18:43,280 Speaker 1: I'm struggle to understand what happened. Yeah, I mean she 328 00:18:43,480 --> 00:18:46,320 Speaker 1: was like, I don't know, she seemed like at first 329 00:18:46,320 --> 00:18:49,240 Speaker 1: she seemed excited to go out. She seems, you know, 330 00:18:49,440 --> 00:18:51,960 Speaker 1: it seemed like we're having a good time. We laughed 331 00:18:51,960 --> 00:18:56,720 Speaker 1: a lot, but I don't know. Just like now she's 332 00:18:56,760 --> 00:18:58,640 Speaker 1: like when I see her in the break room, she's 333 00:18:58,720 --> 00:19:01,280 Speaker 1: like on her phone own or she's like with a 334 00:19:01,359 --> 00:19:04,479 Speaker 1: friend and she's basically just she just tries to avoid 335 00:19:04,520 --> 00:19:06,480 Speaker 1: me anytime like we're in the same room. Where did 336 00:19:06,480 --> 00:19:09,680 Speaker 1: you guys go to eat? Um, we just went to 337 00:19:09,760 --> 00:19:13,160 Speaker 1: this Italian spot, he said. He rolled out the red carpet. 338 00:19:13,440 --> 00:19:17,000 Speaker 1: He said he was like you were on your dating game, right. Yeah, 339 00:19:17,040 --> 00:19:19,600 Speaker 1: I mean I wore a suit like I really like, 340 00:19:20,119 --> 00:19:23,359 Speaker 1: I mean I felt like I really did a lot 341 00:19:23,440 --> 00:19:27,560 Speaker 1: of planning. Um, and yeah, I just don't out. I 342 00:19:27,600 --> 00:19:30,879 Speaker 1: don't know what I did. I don't know. I mean 343 00:19:30,920 --> 00:19:33,960 Speaker 1: I always said something stupid and I don't know. Let's 344 00:19:33,960 --> 00:19:36,320 Speaker 1: find out. Let's find out. It's Chris there. When out 345 00:19:36,320 --> 00:19:38,560 Speaker 1: with Monica. They worked together. Now she will not speak 346 00:19:38,600 --> 00:19:40,640 Speaker 1: to him. She avoids it. So if I were rejected, 347 00:19:41,240 --> 00:19:42,840 Speaker 1: I would not call me and say hey, I want 348 00:19:42,880 --> 00:19:44,960 Speaker 1: to find out what happened and listen in, you know, 349 00:19:45,040 --> 00:19:48,600 Speaker 1: constructive criticism. This could be helpful. You would want to 350 00:19:48,600 --> 00:19:50,680 Speaker 1: know what you did wrong on the date. I would 351 00:19:50,720 --> 00:19:52,840 Speaker 1: kind of want to know too, but it's not wrong 352 00:19:52,920 --> 00:19:56,800 Speaker 1: or right. See, that's the thing. Let's focus on that. Wait, 353 00:19:56,840 --> 00:19:58,920 Speaker 1: hold on, you mean what Chris could have done? It's 354 00:19:58,920 --> 00:20:01,080 Speaker 1: not wrong or right. Yeah, because it's not necessarily wrong. 355 00:20:01,200 --> 00:20:03,600 Speaker 1: Red Just doesn't Gel with well, we don't know what 356 00:20:03,640 --> 00:20:07,359 Speaker 1: it is. It wrong? It could be wrong. Well, it could. 357 00:20:08,240 --> 00:20:11,280 Speaker 1: Let's find out. Well, that's why we're doing this. Fine, out, 358 00:20:11,480 --> 00:20:15,040 Speaker 1: let's go, Chris. All Right, Chris. So we don't understand 359 00:20:15,080 --> 00:20:16,640 Speaker 1: that you went out with the woman you work with 360 00:20:17,040 --> 00:20:19,040 Speaker 1: and after this great date you said you had, she's 361 00:20:19,040 --> 00:20:21,600 Speaker 1: blowing you off and avoiding you. I have her on 362 00:20:21,640 --> 00:20:24,800 Speaker 1: the phone, Chris. She sounds lovely. I'm gonna meet her next. 363 00:20:24,920 --> 00:20:26,639 Speaker 1: We're gonna talk to you a little bit. You'll listen in, 364 00:20:26,720 --> 00:20:28,280 Speaker 1: but don't say anything. Let me see what we can 365 00:20:28,280 --> 00:20:35,719 Speaker 1: find out. Okay, hi, Monica, thank you for holding hi. Yeah, so, uh, 366 00:20:36,160 --> 00:20:37,520 Speaker 1: a bit out of the blue, but we're calling you 367 00:20:37,560 --> 00:20:39,640 Speaker 1: about a guy you worker named Chris, that you went 368 00:20:39,640 --> 00:20:45,679 Speaker 1: out with. Oh, yes, yes, I did. Okay, Great. So 369 00:20:45,720 --> 00:20:48,600 Speaker 1: what was about Chris that struck you that you were 370 00:20:48,680 --> 00:20:54,240 Speaker 1: interested in? Um, UH, Chris. I mean he was really funny, 371 00:20:54,240 --> 00:20:59,400 Speaker 1: and really great and like easy to talk to. Um. Yeah, sorry, 372 00:20:59,400 --> 00:21:02,600 Speaker 1: doesn't just a weird getting a call. Very it's very strange. 373 00:21:02,600 --> 00:21:05,280 Speaker 1: I feel uncomfortable as well. But so, he you had 374 00:21:05,320 --> 00:21:08,000 Speaker 1: a great night, a good date. Would you consider everything 375 00:21:08,000 --> 00:21:14,439 Speaker 1: went well? Yeah, you know, I mean maybe it was 376 00:21:14,480 --> 00:21:16,119 Speaker 1: just like one of those lessons like I learned, like, 377 00:21:16,119 --> 00:21:18,560 Speaker 1: you know, you shouldn't date a coworker, type of thing, 378 00:21:18,720 --> 00:21:22,159 Speaker 1: like if it didn't end well. You know. So, is 379 00:21:22,200 --> 00:21:25,080 Speaker 1: there anything that was off or any conversation that didn't 380 00:21:25,080 --> 00:21:27,320 Speaker 1: go well or anything that turns you off on the day? Yeah, 381 00:21:27,359 --> 00:21:30,880 Speaker 1: like why didn't it end well? Oh Gosh, I feel 382 00:21:30,960 --> 00:21:33,280 Speaker 1: terrible like putting him on blast like this, I guess. Um. 383 00:21:33,359 --> 00:21:36,399 Speaker 1: But he like went to the bathroom towards the end 384 00:21:36,440 --> 00:21:39,080 Speaker 1: of it, Um, and like whatever, it's usually fine, but 385 00:21:39,080 --> 00:21:42,160 Speaker 1: he was like gone for five minutes and the bill came. 386 00:21:42,320 --> 00:21:44,480 Speaker 1: So like there was a long period where he's like, 387 00:21:44,520 --> 00:21:47,120 Speaker 1: oh my gosh, he ditched me to heay this bill, 388 00:21:47,160 --> 00:21:51,720 Speaker 1: like literally just left. Um. So yeah, that was like 389 00:21:51,840 --> 00:21:53,720 Speaker 1: first big Oh my gosh, this is what is happening. 390 00:21:53,800 --> 00:21:55,760 Speaker 1: And then he did come back and he ended up 391 00:21:55,760 --> 00:21:57,760 Speaker 1: paying and that was like great and all. But like 392 00:21:58,400 --> 00:22:02,040 Speaker 1: he like over explained why he was in there for 393 00:22:02,080 --> 00:22:05,240 Speaker 1: so long and like he just didn't need to do 394 00:22:05,280 --> 00:22:08,080 Speaker 1: that on a first date or like, I don't know, 395 00:22:08,200 --> 00:22:11,520 Speaker 1: in general. Why was he in the bathroom so long? 396 00:22:11,560 --> 00:22:16,000 Speaker 1: What did he explain? Oh, dairy is the devil to him. 397 00:22:17,800 --> 00:22:23,480 Speaker 1: We have team memories of Dairy Devil's here, Yike. Yeah, yeah, 398 00:22:23,520 --> 00:22:26,280 Speaker 1: and he you know, he needed to check for stains 399 00:22:26,359 --> 00:22:29,840 Speaker 1: and he's just gonna have checked later. So he thought 400 00:22:29,840 --> 00:22:32,080 Speaker 1: he picked his pants on the date with you. He 401 00:22:32,200 --> 00:22:35,000 Speaker 1: said that. Yeah, I guess. And, like you know, at 402 00:22:35,000 --> 00:22:38,919 Speaker 1: first I was like okay, Oh Gosh, you know, but 403 00:22:38,920 --> 00:22:40,800 Speaker 1: then he kept talking about it more so I was like, 404 00:22:40,840 --> 00:22:44,840 Speaker 1: oh no, this is this is all too much. Um. Okay, 405 00:22:44,920 --> 00:22:49,120 Speaker 1: I understand that's a very uncomfortable situation for a first date, 406 00:22:50,080 --> 00:22:52,119 Speaker 1: but I'm gonna Bring Chris in right now to this 407 00:22:52,160 --> 00:22:55,119 Speaker 1: phone call. He's been listening in. Chris, is this true? 408 00:22:55,119 --> 00:23:01,600 Speaker 1: Did You keep your pants? Yeah, look, I'm sorry, you're 409 00:23:01,600 --> 00:23:06,600 Speaker 1: a guy. It was it was awkward. Like you said, 410 00:23:06,640 --> 00:23:08,880 Speaker 1: it was weird. I guess I was gone for too long, 411 00:23:09,640 --> 00:23:11,840 Speaker 1: so I felt like I had to say something, but 412 00:23:11,880 --> 00:23:13,800 Speaker 1: I guess I didn't handle that as well as I 413 00:23:13,800 --> 00:23:18,800 Speaker 1: should have. Did you tell the other ware away? Yes, 414 00:23:18,880 --> 00:23:21,560 Speaker 1: I did. I did, Um, and I went kind of 415 00:23:21,680 --> 00:23:26,680 Speaker 1: I went commando for a minute there. Just whatever. I mean, 416 00:23:27,000 --> 00:23:31,440 Speaker 1: it happened. It's your human right. People get excited, they 417 00:23:31,480 --> 00:23:35,639 Speaker 1: have dairy things. Can take their not as into their 418 00:23:35,680 --> 00:23:39,880 Speaker 1: own hands. So, Monica, AH, this is a tough one. 419 00:23:40,359 --> 00:23:45,480 Speaker 1: Did you like him otherwise? I mean, yes, Um, it 420 00:23:45,560 --> 00:23:47,760 Speaker 1: was just like it was just like that was the 421 00:23:47,800 --> 00:23:49,560 Speaker 1: tone for the rest of the night. So it's like, 422 00:23:49,600 --> 00:23:50,879 Speaker 1: you know, he dropped me off and I was like, 423 00:23:50,960 --> 00:23:55,600 Speaker 1: all right, you can't get past yeah, and like, I 424 00:23:55,640 --> 00:23:58,040 Speaker 1: don't know, since we didn't recover there, I definitely have 425 00:23:58,119 --> 00:24:00,200 Speaker 1: been avoiding him in the break room and like used 426 00:24:00,200 --> 00:24:02,000 Speaker 1: to be like my bet, like my favorite part of 427 00:24:02,040 --> 00:24:03,960 Speaker 1: the day was like running into him there. You know, 428 00:24:04,040 --> 00:24:06,000 Speaker 1: we weren't in this big building, but like we have 429 00:24:06,040 --> 00:24:08,600 Speaker 1: the same breaker of it. Like I just I didn't 430 00:24:08,600 --> 00:24:10,360 Speaker 1: know what to say. I didn't know what to say 431 00:24:10,400 --> 00:24:13,280 Speaker 1: and I didn't want it. I mean, the guy works 432 00:24:13,320 --> 00:24:15,280 Speaker 1: with you, the guy is interested in you, the guy 433 00:24:15,320 --> 00:24:18,920 Speaker 1: had an unlucky event. I don't think he's a bad 434 00:24:18,960 --> 00:24:23,880 Speaker 1: person because of it, because anybody who wouldn't forgive that's 435 00:24:23,880 --> 00:24:26,080 Speaker 1: just not right, because you know you've all done it. 436 00:24:26,480 --> 00:24:29,280 Speaker 1: You know you've all done it. Tanya, I know you've 437 00:24:29,280 --> 00:24:33,159 Speaker 1: done it. Since I know you've done it. I know 438 00:24:33,280 --> 00:24:37,080 Speaker 1: you've done it, I know I've done it. So, guys, happens? Yeah, 439 00:24:37,119 --> 00:24:39,800 Speaker 1: but not on the first day. Why? You can't plan it? 440 00:24:40,000 --> 00:24:41,560 Speaker 1: Maybe you should have, Chris, I guess the rule of 441 00:24:41,600 --> 00:24:44,960 Speaker 1: thumb is don't have cheese or dairy on the first day. Yeah, 442 00:24:45,000 --> 00:24:50,480 Speaker 1: I definitely know that. Can we put this imagery aside 443 00:24:50,840 --> 00:24:54,439 Speaker 1: and get back to being friends at work or going out? No, 444 00:24:54,800 --> 00:24:58,000 Speaker 1: I mean, like, I'm actually on my way to work 445 00:24:58,080 --> 00:25:01,920 Speaker 1: right now, so like I'm or like we'll probably run 446 00:25:01,920 --> 00:25:03,320 Speaker 1: into each other at some point in the break for 447 00:25:03,400 --> 00:25:04,919 Speaker 1: room and it won't be like as ofward. We can 448 00:25:04,960 --> 00:25:06,840 Speaker 1: just laugh about it, you know what I mean? Like, 449 00:25:06,880 --> 00:25:09,439 Speaker 1: I think. So, baby steps and then just see what 450 00:25:09,480 --> 00:25:12,959 Speaker 1: happens from there. Chris, I appreciate your honesty and yours, Monica, 451 00:25:13,000 --> 00:25:17,080 Speaker 1: to good luck. Good luck. Thank you, guys. Alright, bye, 452 00:25:17,080 --> 00:25:22,320 Speaker 1: bye now. I mean, honestly, it's terribly embarrassing, but it 453 00:25:22,400 --> 00:25:27,080 Speaker 1: shouldn't mean they can't beat at least friends and hanging out. Yeah, 454 00:25:27,119 --> 00:25:28,840 Speaker 1: but it really does put like a damper on like 455 00:25:28,880 --> 00:25:32,080 Speaker 1: your first like your story, the romance part of it, 456 00:25:32,240 --> 00:25:34,119 Speaker 1: like it's just like, you know, if it ends up 457 00:25:34,119 --> 00:25:35,639 Speaker 1: working out, it's like that was our first day. You 458 00:25:35,680 --> 00:25:40,800 Speaker 1: don't want that memory. It's human. The guy has a 459 00:25:40,920 --> 00:25:44,320 Speaker 1: dairy issue, right. It's not an issue that it happened. 460 00:25:44,359 --> 00:25:49,800 Speaker 1: It's just like it just takes the romance. Yeah, but 461 00:25:49,880 --> 00:25:53,080 Speaker 1: twenty five minutes, like you gotta work faster, Bro like, 462 00:25:53,080 --> 00:25:55,080 Speaker 1: if you're gonna clean yourself up, you gotta move faster 463 00:25:55,160 --> 00:25:57,399 Speaker 1: than that, because if you could have done in ten minutes. Now, 464 00:25:57,480 --> 00:25:59,399 Speaker 1: let's see about this. Play it out. So you go 465 00:25:59,480 --> 00:26:02,720 Speaker 1: back there, you start the clock, you could totally get 466 00:26:02,760 --> 00:26:06,119 Speaker 1: yourself wrapped up, unwrapped, cleaned up in ten minutes and 467 00:26:06,119 --> 00:26:08,880 Speaker 1: get back out. Their command though, Ms Fisa. That's why 468 00:26:08,960 --> 00:26:12,760 Speaker 1: it would have never been an issue. Five yeah, exactly. 469 00:26:13,400 --> 00:26:15,600 Speaker 1: If you need to make sure nobody knows about it, 470 00:26:15,600 --> 00:26:20,040 Speaker 1: could do it in two exactly. This guy is laundry. 471 00:26:21,840 --> 00:26:25,240 Speaker 1: I just think that the guy's I'm lucky in that moment, 472 00:26:25,320 --> 00:26:33,760 Speaker 1: lucky to hang out again on air with Ryan seacrest. Well, 473 00:26:33,800 --> 00:26:37,280 Speaker 1: amy is on with us here. It's somber few weeks 474 00:26:37,320 --> 00:26:39,480 Speaker 1: in the UK, as you've seen the news and you 475 00:26:39,560 --> 00:26:44,320 Speaker 1: saw all the pump. Yesterday is the Queen Elizabeth laid 476 00:26:44,320 --> 00:26:47,160 Speaker 1: to rest and so many people. You saw the line. 477 00:26:47,240 --> 00:26:50,120 Speaker 1: So many people waited hours and hours. I read David 478 00:26:50,160 --> 00:26:52,120 Speaker 1: Beckham stood in line for twelve hours. He sure did. 479 00:26:52,280 --> 00:26:55,400 Speaker 1: Five miles twelve hours. Took selfies with fans that also 480 00:26:55,440 --> 00:26:57,600 Speaker 1: were in line. People want to pay their respect to 481 00:26:57,640 --> 00:27:02,560 Speaker 1: this amazing historical individual who was the queen for so 482 00:27:02,680 --> 00:27:06,240 Speaker 1: many decades. So tens of thousands of people watched as 483 00:27:06,560 --> 00:27:11,719 Speaker 1: the well choreographed and well rehearsed Um processional made its 484 00:27:11,760 --> 00:27:15,400 Speaker 1: way through London and you saw Harry and you saw 485 00:27:15,480 --> 00:27:18,479 Speaker 1: William and you saw Charles. You saw them all walking 486 00:27:18,520 --> 00:27:22,639 Speaker 1: somberly behind the Queen's coffin. And then last night the 487 00:27:22,680 --> 00:27:25,240 Speaker 1: Queen was later rest at Windsor Castle next to her husband, 488 00:27:25,280 --> 00:27:28,840 Speaker 1: Prince Philip. But Amy Tubbs, bring in Amy. We've never 489 00:27:28,840 --> 00:27:31,840 Speaker 1: met amy before. I don't know amy. We don't amy. 490 00:27:31,880 --> 00:27:35,760 Speaker 1: Are you there? Yes, I'm here, amy. It's Ryan seacrest, 491 00:27:35,920 --> 00:27:40,280 Speaker 1: Sisity Antania. Are In London now? I am yes, so 492 00:27:40,359 --> 00:27:44,040 Speaker 1: you are you from the US? I am Yes, I'm 493 00:27:44,080 --> 00:27:47,560 Speaker 1: from the US. And you happened to be to see 494 00:27:47,640 --> 00:27:51,800 Speaker 1: all the ceremony of the Queen yesterday and this week. 495 00:27:51,840 --> 00:27:53,480 Speaker 1: Did you wait in that long line that we've been 496 00:27:53,480 --> 00:27:57,920 Speaker 1: seen in the news? I did. I was there on Friday. 497 00:27:57,960 --> 00:28:00,359 Speaker 1: So how long was the wait for you before you 498 00:28:00,359 --> 00:28:04,400 Speaker 1: got to see the Queen's coffin fifteen hours. And what 499 00:28:04,440 --> 00:28:08,399 Speaker 1: did you do for fifteen hours? Um? Well, to be honest, 500 00:28:08,480 --> 00:28:13,080 Speaker 1: I didn't know what to expect, so I brought books 501 00:28:13,280 --> 00:28:15,560 Speaker 1: and a power bank for my phone, thinking I would 502 00:28:15,560 --> 00:28:19,520 Speaker 1: read as I waited, but I actually made friends with 503 00:28:19,960 --> 00:28:24,040 Speaker 1: people in the line and the atmosphere was very surreal. 504 00:28:24,160 --> 00:28:27,760 Speaker 1: The vibe was very somber and we all just talked 505 00:28:27,800 --> 00:28:29,560 Speaker 1: as we went along. It didn't feel like it was 506 00:28:29,600 --> 00:28:33,160 Speaker 1: fifteen hours. Yeah, I heard that there was a moment 507 00:28:33,200 --> 00:28:37,080 Speaker 1: of silence all through London and there was not a 508 00:28:37,119 --> 00:28:40,800 Speaker 1: car moving or a honk of automobile or a vehicle 509 00:28:40,840 --> 00:28:44,680 Speaker 1: or taxi that the whole city was obviously in that line. 510 00:28:44,680 --> 00:28:46,360 Speaker 1: I think it was pretty quiet too, but the whole 511 00:28:46,400 --> 00:28:50,440 Speaker 1: city really observed that moment of silence and it was 512 00:28:50,520 --> 00:28:56,560 Speaker 1: pretty universally remarkable. Yes, it was very quiet. I think 513 00:28:57,280 --> 00:29:00,520 Speaker 1: besides the pandemic, that was the only time I've heard 514 00:29:00,600 --> 00:29:05,640 Speaker 1: London very silent. So when the queen came by. Where 515 00:29:05,680 --> 00:29:10,160 Speaker 1: you were or where you saw her was where Um 516 00:29:10,240 --> 00:29:14,720 Speaker 1: up on the a four. And how powerful was it? Um, 517 00:29:14,760 --> 00:29:18,719 Speaker 1: it was very surreal. I can't put it into words. 518 00:29:19,360 --> 00:29:22,560 Speaker 1: It was just it felt like it was I was 519 00:29:22,600 --> 00:29:26,040 Speaker 1: watching a movie, even though it was actually happening right 520 00:29:26,080 --> 00:29:27,600 Speaker 1: in front of me. And you know what he got 521 00:29:27,640 --> 00:29:29,480 Speaker 1: me and I was like put me into a tear 522 00:29:30,080 --> 00:29:34,000 Speaker 1: was the queen's courtis looked sad. Her dogs knew what 523 00:29:34,040 --> 00:29:40,000 Speaker 1: was going on. They looked so sad. So amy, it 524 00:29:40,080 --> 00:29:42,560 Speaker 1: was like the perfect voice quality on what this facetime 525 00:29:42,600 --> 00:29:45,640 Speaker 1: audio is in London and you're from what part of 526 00:29:45,680 --> 00:29:49,640 Speaker 1: the states? I'm from Connecticut. Oh, and did you go 527 00:29:49,720 --> 00:29:52,360 Speaker 1: there for work or romance, or how do you end 528 00:29:52,440 --> 00:29:57,200 Speaker 1: up over there? Um, originally my education and then I 529 00:29:57,280 --> 00:30:00,200 Speaker 1: got a job and then I ended up staying here 530 00:30:00,200 --> 00:30:05,840 Speaker 1: and I'm getting married next year. So she found you 531 00:30:05,880 --> 00:30:08,200 Speaker 1: went there on to study and to get a job 532 00:30:08,240 --> 00:30:11,400 Speaker 1: and had not met the person you're gonna marry. I 533 00:30:11,720 --> 00:30:17,160 Speaker 1: met him on a woman in a pub. Oh that's 534 00:30:17,200 --> 00:30:21,760 Speaker 1: so great. Okay, well, Amy, thank you very much. We've 535 00:30:21,800 --> 00:30:26,040 Speaker 1: been watching from afar and just seeing the heaviness of 536 00:30:26,080 --> 00:30:29,800 Speaker 1: all of it and the beauty and the celebration of 537 00:30:29,840 --> 00:30:31,400 Speaker 1: all of it. So thank you very much for coming 538 00:30:31,400 --> 00:30:38,360 Speaker 1: on with us. Oh, you're welcome. Thank you for having me. Okay, bye, bye, bye. Okay, 539 00:30:38,400 --> 00:30:42,040 Speaker 1: so she, amy, was on facetime. Audio Right, no zoom, 540 00:30:42,080 --> 00:30:44,400 Speaker 1: audio fine. So I couldn't see our could just hear, 541 00:30:44,840 --> 00:30:47,479 Speaker 1: but she sounds like she was. In my ears, the 542 00:30:47,520 --> 00:30:50,560 Speaker 1: greatest connection I've ever had by a human being. It 543 00:30:50,560 --> 00:30:53,960 Speaker 1: almost didn't seem real. Nice. Didn't you feel like she's 544 00:30:54,560 --> 00:30:58,480 Speaker 1: this person real great times. Well done. You've been holding 545 00:30:58,480 --> 00:31:00,239 Speaker 1: out on me, you you never give me a kind 546 00:31:00,240 --> 00:31:02,880 Speaker 1: of quality with our guests. You know, ever hear our guests, 547 00:31:02,920 --> 00:31:08,320 Speaker 1: it like sometimes they have crackling quality. Amy, listener London, 548 00:31:08,480 --> 00:31:12,120 Speaker 1: the greatest connection we've ever had on this broadcast world, 549 00:31:12,480 --> 00:31:17,680 Speaker 1: John Legend, difficult amy, no problem. You know, it's fashion 550 00:31:17,720 --> 00:31:19,040 Speaker 1: week in New York. Has Been Fashion Week right for 551 00:31:19,080 --> 00:31:20,760 Speaker 1: a couple of weeks in New York City. We don't 552 00:31:20,800 --> 00:31:24,560 Speaker 1: get that it's a fashion week, but it's longer than 553 00:31:24,560 --> 00:31:27,640 Speaker 1: a week. It's like multiple weeks. Christmas is a day, 554 00:31:27,640 --> 00:31:34,040 Speaker 1: but it's a season. You know, Christmas is just one day. 555 00:31:34,440 --> 00:31:39,760 Speaker 1: But Chris, we say Christmas time, Christmas, it's it's you 556 00:31:39,760 --> 00:31:41,760 Speaker 1: don't understand may because they can't all fit it on 557 00:31:41,640 --> 00:31:44,680 Speaker 1: in one week. Yeah, they can't, right, but then why 558 00:31:44,720 --> 00:31:47,920 Speaker 1: is it just fashion weeks? Don't sound right. Take it 559 00:31:47,960 --> 00:31:51,240 Speaker 1: up with them and maybe actually they probably started with 560 00:31:51,240 --> 00:31:56,160 Speaker 1: one week and they branded it fashion weeks. Yeah, okay, yeah, 561 00:31:56,440 --> 00:31:59,320 Speaker 1: we solve problems here. Yeah, there you go. Anyway, show 562 00:31:59,360 --> 00:32:02,040 Speaker 1: all this ebody's are going to the fashion shows, all 563 00:32:02,080 --> 00:32:06,280 Speaker 1: the models or in New York City. And I heard Kanye, 564 00:32:06,800 --> 00:32:09,280 Speaker 1: whatever show he went to, make this party story. Whatever 565 00:32:09,320 --> 00:32:11,080 Speaker 1: show he went to, I guess he got there late. 566 00:32:11,480 --> 00:32:13,800 Speaker 1: Instead of walking in the front door, he was like 567 00:32:13,880 --> 00:32:16,440 Speaker 1: the show was happening and the wilds were walking and 568 00:32:16,440 --> 00:32:19,040 Speaker 1: he just walked out on the runway to seat during 569 00:32:19,040 --> 00:32:21,720 Speaker 1: the fashion show. No, that's not part of the story. 570 00:32:21,800 --> 00:32:25,320 Speaker 1: But Kanye is involved with this story because, Um, he 571 00:32:25,560 --> 00:32:29,080 Speaker 1: is now being linked to supermodel candice Swanna Pool. So, 572 00:32:29,360 --> 00:32:30,760 Speaker 1: if you don't know who she is, she is a 573 00:32:30,800 --> 00:32:33,840 Speaker 1: thirty three year old supermodel. Um, you might know her 574 00:32:33,880 --> 00:32:37,040 Speaker 1: best from her Victoria's secret angel days, but she has 575 00:32:37,080 --> 00:32:40,239 Speaker 1: two kids, she has never been married and she is 576 00:32:40,280 --> 00:32:47,000 Speaker 1: conveniently the face of easy gap sunglasses. Yes, so the 577 00:32:47,040 --> 00:32:49,040 Speaker 1: two were seen partying together at a New York fashion 578 00:32:49,040 --> 00:32:53,200 Speaker 1: week event and according to TMZ, they piled around with 579 00:32:53,280 --> 00:32:57,280 Speaker 1: Chris Rock, they left in Kanye's SUV and went back 580 00:32:57,320 --> 00:33:01,000 Speaker 1: to the same hotel. Well, that seems to be a 581 00:33:01,120 --> 00:33:04,080 Speaker 1: pretty good connection. And the source told et Kanye and 582 00:33:04,120 --> 00:33:06,840 Speaker 1: candice are dating and their relationship is new. They've connected 583 00:33:06,840 --> 00:33:09,800 Speaker 1: over fashion and creativity. So a lot of people think 584 00:33:09,800 --> 00:33:12,640 Speaker 1: it's a PR stunt for the SUNGLASS line. Obviously she 585 00:33:12,840 --> 00:33:15,360 Speaker 1: is the face of it. She's been posting images, but 586 00:33:15,440 --> 00:33:17,760 Speaker 1: if you remember a few, I think this is a 587 00:33:17,760 --> 00:33:20,920 Speaker 1: few weeks ago, Kim Kardashi did this like icons Um 588 00:33:20,920 --> 00:33:25,760 Speaker 1: shoot for her brand skims, and it was candice, Tyra Banks, 589 00:33:26,000 --> 00:33:29,840 Speaker 1: Kim Kardashian, Heidi Klum and Alessandra Ambrosio. Do you remember? 590 00:33:29,840 --> 00:33:34,080 Speaker 1: That photo? was like iconic. Okay, I just find it 591 00:33:34,320 --> 00:33:38,280 Speaker 1: interesting that candice was a part of that, you know, shoot, 592 00:33:38,320 --> 00:33:41,400 Speaker 1: and now she's mean I could see how, because she's 593 00:33:41,480 --> 00:33:43,640 Speaker 1: the face of the sunglasses, that they would be seen 594 00:33:43,640 --> 00:33:46,440 Speaker 1: together and it would create a stir, but I also 595 00:33:46,600 --> 00:33:51,040 Speaker 1: could see something else. So I thought it was like 596 00:33:51,120 --> 00:33:53,800 Speaker 1: totally a PR stunting, because this makes total sense. But 597 00:33:54,240 --> 00:33:56,760 Speaker 1: the news broke of their relationship on a Friday and 598 00:33:56,800 --> 00:33:59,880 Speaker 1: I think that people who want to like bury that 599 00:34:00,080 --> 00:34:02,680 Speaker 1: Barry whatever news they have coming out of them about themselves. 600 00:34:02,720 --> 00:34:05,000 Speaker 1: They do it on Fridays because after all the like 601 00:34:05,040 --> 00:34:07,280 Speaker 1: the morning shows are done so that there's not hopefully, 602 00:34:07,320 --> 00:34:11,239 Speaker 1: by Monday it's like nobody cares, it's old news. So 603 00:34:11,320 --> 00:34:13,319 Speaker 1: I think because it did break on a Friday, that 604 00:34:13,400 --> 00:34:15,520 Speaker 1: leads me to believe that it's not a PR stunt, 605 00:34:16,840 --> 00:34:19,440 Speaker 1: but it is during fashion week and maybe have a product. 606 00:34:19,520 --> 00:34:21,560 Speaker 1: The sunglass thing really throws me off. That's where it 607 00:34:21,600 --> 00:34:24,120 Speaker 1: screams pr for me. I know, but then why did 608 00:34:24,160 --> 00:34:26,120 Speaker 1: it break on a Friday afternoon? And the fact that 609 00:34:26,160 --> 00:34:30,520 Speaker 1: she did the shoot with Kim? Well, that's complicated right, 610 00:34:31,680 --> 00:34:35,920 Speaker 1: also very fascinating. You used air quotes, finger quotes so 611 00:34:35,960 --> 00:34:40,160 Speaker 1: many times to that story. I don't know what was like. quotable, 612 00:34:40,239 --> 00:34:42,880 Speaker 1: not quotable. There was like a whole puppet show going 613 00:34:42,920 --> 00:34:45,400 Speaker 1: on with the figures. I wanted to use the TMZ 614 00:34:45,520 --> 00:34:48,360 Speaker 1: quote exactly, so I was like quoting it. But I 615 00:34:48,360 --> 00:34:52,759 Speaker 1: think people who do air quotes are funny because like, uh, 616 00:34:53,200 --> 00:34:58,359 Speaker 1: they're together there. Have you seen the Chris Farley SNL thing? 617 00:34:59,760 --> 00:35:02,080 Speaker 1: U must have been a long time ago, a long 618 00:35:05,239 --> 00:35:11,800 Speaker 1: time ago, obviously, because I did these recently and and yeah, 619 00:35:11,800 --> 00:35:14,839 Speaker 1: that's a great story. All right. Now let me Grab 620 00:35:14,960 --> 00:35:17,279 Speaker 1: David on the phone this morning. David, how are you doing? 621 00:35:17,320 --> 00:35:21,680 Speaker 1: I appreciate listening. Yeah, how are you doing? Doing well? 622 00:35:21,680 --> 00:35:25,080 Speaker 1: Thank you, David. So you're calling about your boss. What's up? Yeah, 623 00:35:25,200 --> 00:35:27,720 Speaker 1: so it's actually a coworker of mine and he keeps 624 00:35:27,719 --> 00:35:32,319 Speaker 1: scheduling these team meetings that are completely unnecessary and it's 625 00:35:32,400 --> 00:35:36,320 Speaker 1: honestly becoming a little too much. And our team, we're 626 00:35:36,320 --> 00:35:40,120 Speaker 1: still remote, working remotely for a majority of the week, 627 00:35:40,200 --> 00:35:42,480 Speaker 1: with some of US going in the office a few 628 00:35:42,560 --> 00:35:45,959 Speaker 1: days on and off. And this is why I think 629 00:35:46,080 --> 00:35:48,640 Speaker 1: my co worker loves scheduling these zoom meetings so we 630 00:35:48,680 --> 00:35:52,640 Speaker 1: can all connect virtually. But these meetings could one emails, 631 00:35:53,400 --> 00:35:56,759 Speaker 1: so we all all Goneto the zoom. The first five 632 00:35:56,840 --> 00:35:59,960 Speaker 1: to ten minutes are spent discussing whatever needs to be discussed, 633 00:36:00,200 --> 00:36:03,799 Speaker 1: then it's resolved and then the next forty minutes are 634 00:36:03,840 --> 00:36:08,520 Speaker 1: spent just catching up and our coworker is asking about 635 00:36:08,520 --> 00:36:12,240 Speaker 1: our personal lives, bringing up news stories, interesting is happening 636 00:36:12,320 --> 00:36:16,360 Speaker 1: that day. And like, Listen Ryan, I really like my 637 00:36:16,400 --> 00:36:19,279 Speaker 1: coworkers and I like everyone on my team, but these 638 00:36:19,320 --> 00:36:24,759 Speaker 1: meetings are just becoming really disruptive. Here's I you're telling 639 00:36:24,760 --> 00:36:29,719 Speaker 1: a person that loathes meetings. I do not like meetings. 640 00:36:29,760 --> 00:36:32,520 Speaker 1: I find them highly inefficient, but I also think that 641 00:36:32,600 --> 00:36:35,399 Speaker 1: it's important that people have facetime and connect and things 642 00:36:35,480 --> 00:36:37,800 Speaker 1: can get done in a face to face meeting. Meetings 643 00:36:37,920 --> 00:36:40,439 Speaker 1: just don't have to be long. You know, like I will. 644 00:36:40,520 --> 00:36:42,440 Speaker 1: I mean you guys have been in meetings with me. 645 00:36:42,480 --> 00:36:44,400 Speaker 1: I like to start. I mean everyone doesn't need to 646 00:36:44,400 --> 00:36:47,000 Speaker 1: say hi, how you been? I've been fine. Start. I've 647 00:36:47,000 --> 00:36:50,600 Speaker 1: been fine. Start, let's go. You know, you can take 648 00:36:50,640 --> 00:36:52,800 Speaker 1: a people want to book an hour for a meeting. 649 00:36:52,800 --> 00:36:55,359 Speaker 1: It's like, guys, this is a seven minute conversation. Yeah, 650 00:36:55,480 --> 00:36:58,240 Speaker 1: sometimes our meetings are reversed, like the Chit Chat's always 651 00:36:58,239 --> 00:37:00,880 Speaker 1: at the front end and then it's almost like we 652 00:37:00,960 --> 00:37:03,600 Speaker 1: gotta get going, like let's let's keep moving. Our meetings 653 00:37:03,640 --> 00:37:06,880 Speaker 1: are rough. When they do these presentations of research and 654 00:37:06,920 --> 00:37:10,480 Speaker 1: focus groups, it's like pages and pages and pages and pages. 655 00:37:10,960 --> 00:37:14,319 Speaker 1: It's so formal and it's so long and it's just 656 00:37:14,360 --> 00:37:17,000 Speaker 1: like just then at the end there's this like summary Card, 657 00:37:17,200 --> 00:37:20,040 Speaker 1: but just tell us the summary Card. That's what we need. 658 00:37:20,320 --> 00:37:22,960 Speaker 1: Just the summary Card. So, David, I think that it's 659 00:37:23,040 --> 00:37:26,920 Speaker 1: good that there's these team meetings and team building, but 660 00:37:27,000 --> 00:37:30,200 Speaker 1: I think you should try and proactively make them much 661 00:37:30,200 --> 00:37:34,239 Speaker 1: more efficient. Turn your camera off. Yeah, I was just 662 00:37:34,280 --> 00:37:37,879 Speaker 1: gonna say, like, is there a way to respectfully to 663 00:37:37,920 --> 00:37:40,480 Speaker 1: ask him to stop scheduling so many meetings if they're 664 00:37:40,520 --> 00:37:43,560 Speaker 1: not I think you can express the fact that you 665 00:37:43,640 --> 00:37:47,839 Speaker 1: and others have talked and the consensus is these are 666 00:37:47,840 --> 00:37:50,200 Speaker 1: a little too frequent and we could do them even 667 00:37:50,239 --> 00:37:51,919 Speaker 1: more efficiently when we do them. I think you could 668 00:37:51,960 --> 00:37:53,399 Speaker 1: definitely say that and I think that's how you Sha 669 00:37:53,400 --> 00:37:56,880 Speaker 1: handle it. Yeah, I was also thinking maybe scheduling a 670 00:37:56,960 --> 00:37:59,520 Speaker 1: fake meeting for like thirty minutes and saying I have 671 00:37:59,520 --> 00:38:02,080 Speaker 1: a hard stop at thirty or whatever it might be. 672 00:38:02,120 --> 00:38:04,920 Speaker 1: I don't hate that. That's fine. But how do you 673 00:38:04,920 --> 00:38:08,920 Speaker 1: tell your boss that I have a heart out? It's 674 00:38:08,920 --> 00:38:11,600 Speaker 1: not a boss, it's just a coworker. Yeah, you just 675 00:38:11,640 --> 00:38:13,640 Speaker 1: say I have another meeting until third I gotta jump. 676 00:38:13,680 --> 00:38:16,360 Speaker 1: People do that all the time when we're jump. You 677 00:38:16,440 --> 00:38:18,920 Speaker 1: gotta jump. I got jumped another I'm not fat. I 678 00:38:19,080 --> 00:38:22,320 Speaker 1: do that on phone calls. I'll do that too. Hey, 679 00:38:23,200 --> 00:38:25,719 Speaker 1: I get your bad time. Yes, you did well. You 680 00:38:25,840 --> 00:38:28,480 Speaker 1: have something I gotta start in one minute. I have 681 00:38:28,480 --> 00:38:35,879 Speaker 1: a mean with. Go ahead, people, speed up if it's 682 00:38:35,920 --> 00:38:39,799 Speaker 1: really funny, which is true. Uh, did you have a 683 00:38:39,840 --> 00:38:41,680 Speaker 1: call with Jeff Tubbs? Wants to talk to you about 684 00:38:41,680 --> 00:38:43,879 Speaker 1: the equipment. All Right, tell him. I'm walking into a meeting, 685 00:38:43,880 --> 00:38:47,440 Speaker 1: even if I'm not. I mean, it is what it is. 686 00:38:47,640 --> 00:38:50,759 Speaker 1: That's all of our lives these days. David, I think 687 00:38:50,800 --> 00:38:52,279 Speaker 1: you have a good plan to handle it and good luck. 688 00:38:52,280 --> 00:38:56,960 Speaker 1: Thanks for calling. Thanks all right. Bye. Yeah, I think 689 00:38:57,040 --> 00:38:59,120 Speaker 1: if you really want to move people along, the key 690 00:38:59,200 --> 00:39:02,240 Speaker 1: is to tell them you're in the middle of something, 691 00:39:02,800 --> 00:39:06,200 Speaker 1: you stepped out or you've got like a meeting. It 692 00:39:06,239 --> 00:39:08,000 Speaker 1: starts in five minutes, but go ahead. What do you mean? 693 00:39:08,040 --> 00:39:11,040 Speaker 1: How can I help you? Answer the phone like this? Yeah, 694 00:39:11,080 --> 00:39:14,960 Speaker 1: I'm at the doctor's office. Or did you say something? 695 00:39:15,000 --> 00:39:16,600 Speaker 1: I don't think I heard you. Yeah, I said I'm 696 00:39:16,640 --> 00:39:18,960 Speaker 1: at the doctor's office. Like, answer the phone quietly, like 697 00:39:19,000 --> 00:39:23,680 Speaker 1: you're clearly being disturbed. Then you're acting out this whole charaine. Well, 698 00:39:23,719 --> 00:39:27,760 Speaker 1: that's what you're doing. Well, please, yeah, I'm not using 699 00:39:27,800 --> 00:39:32,600 Speaker 1: health that's when draw the line. Huh. Yeah, I'm not 700 00:39:32,680 --> 00:39:35,759 Speaker 1: mocking our fitness in wellness. So I'm gonna Bring in 701 00:39:35,800 --> 00:39:39,719 Speaker 1: tops bringing him Camille on the zoom. Here, superstar him. 702 00:39:39,920 --> 00:39:42,600 Speaker 1: Camille is coming in right now on our zoom. Look 703 00:39:42,640 --> 00:39:45,560 Speaker 1: at that guy. What a stud what a good looking dude. 704 00:39:46,640 --> 00:39:55,680 Speaker 1: I'm here for Ryan's Ross. I am obsessed, obsessed. We 705 00:39:56,080 --> 00:39:58,640 Speaker 1: actually don't know what to say many times when that 706 00:39:58,719 --> 00:40:01,239 Speaker 1: segment comes on. Don't know how I've heard you. I've 707 00:40:01,239 --> 00:40:03,839 Speaker 1: heard you when you're like I like you. I want 708 00:40:03,840 --> 00:40:06,200 Speaker 1: to hang up now. But yes, I don't know nothing 709 00:40:06,280 --> 00:40:08,560 Speaker 1: to say. I feel terrible him. It's great to see 710 00:40:08,560 --> 00:40:10,680 Speaker 1: you again, man, great to see her. I am to 711 00:40:10,719 --> 00:40:12,480 Speaker 1: thank you so much. Are you guys? Hi, I get 712 00:40:12,520 --> 00:40:14,000 Speaker 1: to see you. You know him and I spent some 713 00:40:14,120 --> 00:40:17,759 Speaker 1: time out in the wild, remember, yes, yes, pure in 714 00:40:17,880 --> 00:40:22,520 Speaker 1: Mexico with our boy Evans, MIS behaves. He behaves a 715 00:40:22,560 --> 00:40:25,239 Speaker 1: little bit in public. Yes, he does. We went to 716 00:40:25,480 --> 00:40:29,200 Speaker 1: one of the restaurants on chef's table, Pougeot, and it's 717 00:40:29,239 --> 00:40:32,920 Speaker 1: from that famous cheft. It's to Mexico City, Enriquel Vera, 718 00:40:32,960 --> 00:40:36,520 Speaker 1: I believe his name is. That is correct. That's correct, 719 00:40:36,520 --> 00:40:38,440 Speaker 1: and so we had we in Mexico City is one 720 00:40:38,440 --> 00:40:39,800 Speaker 1: of my favorite places in the world. I mean we 721 00:40:40,000 --> 00:40:43,680 Speaker 1: really had a good time there is gorgeous. Thank you, man. So, hi, man, 722 00:40:43,840 --> 00:40:45,560 Speaker 1: this is big news here. We're excited to have you 723 00:40:45,680 --> 00:40:50,640 Speaker 1: on talking about Huh. It is crazy, man. Yes, thank 724 00:40:50,640 --> 00:40:53,080 Speaker 1: God we woke up with great news. We're number four 725 00:40:53,160 --> 00:40:55,640 Speaker 1: in the US now, when we are at top eight 726 00:40:55,840 --> 00:41:00,759 Speaker 1: in Netflix, is a worldwide rankings, and number one in 727 00:41:00,840 --> 00:41:04,120 Speaker 1: like eleven countries, number two in like three. Like it's crazy. 728 00:41:04,200 --> 00:41:07,000 Speaker 1: Of all, of course. I mean everybody loves the Center Fernandez. 729 00:41:07,320 --> 00:41:10,600 Speaker 1: You know, it's it's just a blessing. It's remarkable. This 730 00:41:10,719 --> 00:41:14,280 Speaker 1: is like a very important role, a very important figure 731 00:41:14,360 --> 00:41:18,800 Speaker 1: to play, and I'm sure you felt that weight. But 732 00:41:18,920 --> 00:41:20,960 Speaker 1: but you know what, you cannot approach we leave out 733 00:41:21,000 --> 00:41:24,840 Speaker 1: of our emotions and touching people's emotions. So if you 734 00:41:25,440 --> 00:41:29,040 Speaker 1: program fear, the first emotion you program as an actor 735 00:41:29,200 --> 00:41:33,200 Speaker 1: is fear, then you're setting yourself up for failure, right. So, 736 00:41:33,840 --> 00:41:37,440 Speaker 1: so you you approach it with with respect, with discipline, 737 00:41:37,640 --> 00:41:40,680 Speaker 1: with the preparation, you know, with with a lot of enthusiasm, 738 00:41:41,200 --> 00:41:45,439 Speaker 1: but honestly as another acting Gig, because if you lead, 739 00:41:45,520 --> 00:41:48,719 Speaker 1: the huge weight of who we sent to Fernandez was 740 00:41:48,840 --> 00:41:52,279 Speaker 1: and is on your shoulders, you just, yeah, yeah, that 741 00:41:52,360 --> 00:41:54,680 Speaker 1: makes sense. Now, I'm gonna play a clip here and 742 00:41:54,960 --> 00:41:58,960 Speaker 1: Sis Antonia, you tell me which one is him and 743 00:41:59,160 --> 00:42:02,960 Speaker 1: which one is not. Okay, Oh, that's gonna Sense. You, Ryan, 744 00:42:03,080 --> 00:42:05,799 Speaker 1: because no one has the center's voice. That's so fair 745 00:42:05,920 --> 00:42:21,359 Speaker 1: to me. Let's to see him enter. Okay, you, Oh 746 00:42:21,480 --> 00:42:34,920 Speaker 1: my God, that's me. That's yeah, here's that is incredible. 747 00:42:36,280 --> 00:42:39,040 Speaker 1: It was. It was challenging. It was challenging in the studio. 748 00:42:39,120 --> 00:42:41,160 Speaker 1: I had the mix, you know, the music and voice, 749 00:42:41,200 --> 00:42:43,200 Speaker 1: and I have a little knob with the center's voice. 750 00:42:43,480 --> 00:42:45,520 Speaker 1: So what we wanted to do was to like in 751 00:42:45,640 --> 00:42:49,000 Speaker 1: this artistic interpretation, because we had to stay away from 752 00:42:49,239 --> 00:42:53,080 Speaker 1: from imitation, parody, caricature. We had to create a real 753 00:42:53,560 --> 00:42:56,359 Speaker 1: character that connected emotionally with the audience and to make 754 00:42:56,440 --> 00:43:00,239 Speaker 1: him real right. So within that artistic interpretation, I was 755 00:43:00,640 --> 00:43:02,520 Speaker 1: I really wanted to do. You know what we sent 756 00:43:02,640 --> 00:43:07,080 Speaker 1: it did like they're still more. You know, remember how 757 00:43:07,200 --> 00:43:10,239 Speaker 1: he track in the music exactly, so that was very 758 00:43:10,280 --> 00:43:13,000 Speaker 1: important for me to to paraphrase him and try to 759 00:43:13,560 --> 00:43:18,439 Speaker 1: emulate his performance. I'm at Camillosa with us. Everybody's talking 760 00:43:18,440 --> 00:43:20,480 Speaker 1: about L Ray. Is that the Fernandez which is on 761 00:43:20,600 --> 00:43:27,520 Speaker 1: in Netflix? And you do sound good thank you. I 762 00:43:27,640 --> 00:43:31,440 Speaker 1: just want to sing along with and his family was 763 00:43:31,520 --> 00:43:35,760 Speaker 1: very involved. Right. This is the authorized biopic by the family. 764 00:43:35,880 --> 00:43:40,399 Speaker 1: Cata Corte Lecion, who's the studio producing this for Netflix work, 765 00:43:40,440 --> 00:43:42,680 Speaker 1: would be sent it personally for two years. We sent 766 00:43:42,800 --> 00:43:46,880 Speaker 1: it told US personal and very intimate anecdotes and stories 767 00:43:46,920 --> 00:43:49,440 Speaker 1: about his life that you could that you will see 768 00:43:49,480 --> 00:43:51,400 Speaker 1: in the in the show, and it's it's beautiful to 769 00:43:51,520 --> 00:43:55,160 Speaker 1: be working with his blessing, with his family's blessings and, 770 00:43:55,600 --> 00:44:00,480 Speaker 1: you know, the only authorized series out there. So let's 771 00:44:00,480 --> 00:44:02,279 Speaker 1: play one more time before he goes. Okay, this is 772 00:44:02,480 --> 00:44:13,880 Speaker 1: is this? Is this him playing the game? Him? No, no, 773 00:44:14,000 --> 00:44:26,480 Speaker 1: I'm just kidding. This is that. You're so good. Oh, 774 00:44:26,600 --> 00:44:32,560 Speaker 1: I love it, buddy. You're him a such a great role. 775 00:44:32,719 --> 00:44:34,719 Speaker 1: Amazing to see you take it on. Check it out 776 00:44:34,719 --> 00:44:37,479 Speaker 1: on Netflix. It's our friend him coming and next time 777 00:44:37,600 --> 00:44:39,959 Speaker 1: we get together let's do it again in Mexico City. 778 00:44:40,560 --> 00:44:45,040 Speaker 1: I want to go back that restaurant. Let go now down. 779 00:44:45,640 --> 00:44:47,480 Speaker 1: I'll be in touch with you soon, buddy. Big Hugs. 780 00:44:47,760 --> 00:44:54,239 Speaker 1: Thank you. By yeah, that guy's a stud and it 781 00:44:54,320 --> 00:44:56,399 Speaker 1: makes it seems like a real stud. Yeah, I bet 782 00:44:56,760 --> 00:44:59,759 Speaker 1: he could be. Like there's the pugio pe. You J 783 00:45:00,120 --> 00:45:04,319 Speaker 1: well look it up. Striking, he's gorgeous. It's a it's 784 00:45:04,320 --> 00:45:07,200 Speaker 1: a famous restaurant. He had like could get we couldn't 785 00:45:07,200 --> 00:45:09,160 Speaker 1: get in. He could get in like he's that's the 786 00:45:09,280 --> 00:45:12,480 Speaker 1: mayor right roaming around down there. But this is a great, 787 00:45:12,640 --> 00:45:17,479 Speaker 1: great thing to stream, as it's on my watch list. 788 00:45:18,920 --> 00:45:23,080 Speaker 1: So there seems to be but reason behind it. A 789 00:45:23,280 --> 00:45:27,040 Speaker 1: new trend that many people do not want to get married. 790 00:45:28,160 --> 00:45:32,400 Speaker 1: Have we reached a point in our society that marriage 791 00:45:32,520 --> 00:45:36,480 Speaker 1: is becoming a thing of the past? Not with this girl. Well, 792 00:45:36,520 --> 00:45:40,600 Speaker 1: I read this article last night. I read this article 793 00:45:40,680 --> 00:45:43,600 Speaker 1: last night about how only half of the total population 794 00:45:43,840 --> 00:45:47,760 Speaker 1: wants to actually get married. So let's split. Finally, some honesty. 795 00:45:50,400 --> 00:45:54,120 Speaker 1: This makes me a little sad. Honestly. I value my marriage, 796 00:45:54,280 --> 00:45:57,359 Speaker 1: I work hard at it and as do many married people, 797 00:45:57,480 --> 00:46:00,239 Speaker 1: I believe, but I get that marriage is maybe not 798 00:46:00,400 --> 00:46:04,360 Speaker 1: for everyone. So the Census Bureau reported that a record 799 00:46:04,480 --> 00:46:08,319 Speaker 1: number of adults in the US are single right now. 800 00:46:08,920 --> 00:46:11,760 Speaker 1: That means they're living alone, and living alone is actually 801 00:46:11,760 --> 00:46:15,160 Speaker 1: becoming more and more popular. But it doesn't necessarily mean 802 00:46:15,320 --> 00:46:19,080 Speaker 1: that you living alone means that, like you're depressed where 803 00:46:19,239 --> 00:46:22,440 Speaker 1: you're lonely. It's like living alone is being celebrated in 804 00:46:22,560 --> 00:46:29,879 Speaker 1: this era. Basically, right there, one sec yeah, you guys 805 00:46:29,920 --> 00:46:33,560 Speaker 1: will jump on the bandwagon soon. You'll see. Yeah, I 806 00:46:33,719 --> 00:46:36,440 Speaker 1: just think you know something for life's a big commitment. 807 00:46:36,760 --> 00:46:41,200 Speaker 1: It's hard. I like people just being happy. If they 808 00:46:41,239 --> 00:46:43,680 Speaker 1: need marriage, great, if they don't find but you have 809 00:46:43,800 --> 00:46:46,040 Speaker 1: to be Cheo on up on just the wedding and 810 00:46:46,080 --> 00:46:48,000 Speaker 1: the marriage and all that stuff. It's about love and 811 00:46:48,000 --> 00:46:50,640 Speaker 1: commitment and loyalty. Well, there was more to this article. 812 00:46:51,880 --> 00:46:54,560 Speaker 1: So it went on to basically say that getting married 813 00:46:54,680 --> 00:46:57,759 Speaker 1: no longer means adulthood. So back in the day it 814 00:46:57,920 --> 00:47:01,359 Speaker 1: was like you, I don't know, half a century ago, 815 00:47:01,440 --> 00:47:04,240 Speaker 1: even if you weren't married then you weren't yet mature. 816 00:47:04,320 --> 00:47:07,000 Speaker 1: But obviously that is not the case anymore. But one 817 00:47:07,080 --> 00:47:12,600 Speaker 1: of the reasons maybe that single people are having more 818 00:47:12,840 --> 00:47:18,760 Speaker 1: sex than ever before. Researchers found that a person currently 819 00:47:18,840 --> 00:47:22,560 Speaker 1: has sex about nine times more than the average person 820 00:47:22,640 --> 00:47:26,200 Speaker 1: did in the nineties. So more bachelor's, more people are 821 00:47:26,400 --> 00:47:33,560 Speaker 1: having sex now. Yeah, I mean you're probably not wrong. 822 00:47:33,719 --> 00:47:35,759 Speaker 1: It's it's it's all the access that we have with 823 00:47:35,880 --> 00:47:39,160 Speaker 1: social media and like and the dating apps and all 824 00:47:39,239 --> 00:47:41,800 Speaker 1: of it, because it's it's at our fingertips now with 825 00:47:41,880 --> 00:47:45,640 Speaker 1: our phone. I think that people got married, or women 826 00:47:45,680 --> 00:47:48,040 Speaker 1: got married. We had to get married to be adults, 827 00:47:48,080 --> 00:47:50,400 Speaker 1: like women come back on the day, right, but I 828 00:47:50,480 --> 00:47:52,239 Speaker 1: think it takes like a long time to break a 829 00:47:52,320 --> 00:47:54,640 Speaker 1: cycle and it's just like now we can live our 830 00:47:54,680 --> 00:47:57,200 Speaker 1: lives independently. We don't have to. You don't have to 831 00:47:57,239 --> 00:48:00,160 Speaker 1: do anything to live independently. So it's like why not? 832 00:48:00,920 --> 00:48:03,960 Speaker 1: That's why raising the bar. I'm not just gonna marry 833 00:48:04,000 --> 00:48:06,000 Speaker 1: some Joe Schmo. What else you think about? This time 834 00:48:06,000 --> 00:48:08,600 Speaker 1: goes why? Sex? Nine Times more than the average person 835 00:48:08,640 --> 00:48:16,480 Speaker 1: in yeah, so random. Is it random or is it not? 836 00:48:18,040 --> 00:48:20,120 Speaker 1: Because the pandemic? There people who doesn't really have much 837 00:48:20,160 --> 00:48:24,200 Speaker 1: to do? No, I think it's I think it's dating APPS. 838 00:48:24,239 --> 00:48:27,200 Speaker 1: I think it's the fact that you have technology at 839 00:48:27,239 --> 00:48:32,920 Speaker 1: your fingertips now to swipe and meet somebody. But we've 840 00:48:32,960 --> 00:48:35,120 Speaker 1: always had a revolving door. Like think about it like, 841 00:48:35,200 --> 00:48:38,880 Speaker 1: if not like a billboard. In the nineties. You have 842 00:48:39,000 --> 00:48:40,920 Speaker 1: to go to a bar and put the effort in 843 00:48:44,480 --> 00:48:46,239 Speaker 1: come over to my house. You just have to put 844 00:48:46,280 --> 00:48:50,200 Speaker 1: effort in, like you just have to actually physically see somebody. Okay, yes, 845 00:48:50,520 --> 00:48:53,480 Speaker 1: but do you see what I'm saying here? I do. 846 00:48:53,600 --> 00:48:59,480 Speaker 1: It's just easy access romance because of technology, geography and 847 00:48:59,680 --> 00:49:02,600 Speaker 1: things like that. It's insane. We're living in the air 848 00:49:02,640 --> 00:49:05,680 Speaker 1: of the double tap, the age of the Swipe, an 849 00:49:05,760 --> 00:49:13,400 Speaker 1: on demand world. On Air With Ryan says we're going 850 00:49:13,480 --> 00:49:17,560 Speaker 1: to roll out tomorrow the best cheeseburger in California's right 851 00:49:17,600 --> 00:49:21,320 Speaker 1: here in L A, Glendora specifically. We'll talk about it tomorrow.