WEBVTT - Selects: The Soul Train Episode

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<v Speaker 1>Hey, everybody, it's Chuck here.

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<v Speaker 2>It's April twenty first, twenty twenty on our COVID timeline

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<v Speaker 2>here for the Saturday Trip down Memory Lane. This is

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<v Speaker 2>a really fun episode, so I'm very excited to recommend

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<v Speaker 2>this app from April twenty first, the Soul Train episode

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<v Speaker 2>where we took a fun look back at the great,

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<v Speaker 2>great TV show that was So.

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<v Speaker 1>Train.

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<v Speaker 3>Welcome to Stuff you should know, a production of iHeartRadio.

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<v Speaker 4>Hey, and welcome to the podcast. I'm Josh Clark and

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<v Speaker 4>there's Charles w Chuck Bryan over there, and this is

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<v Speaker 4>stuff you should know. Not bad, let's hear yours. I

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<v Speaker 4>know you can do it.

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<v Speaker 2>The Soul Train it's so much higher than that.

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<v Speaker 4>That was good, though, but you dropped it down into

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<v Speaker 4>your range and it's still was. You made it to

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<v Speaker 4>your own I think, is what I'm trying to say,

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<v Speaker 4>and I.

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<v Speaker 1>Like it, which is old white guy version.

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<v Speaker 4>So you're not old, You're just middle aged.

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<v Speaker 1>Now.

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<v Speaker 4>Okay, sure, well let me ask you this, Chuck. Were

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<v Speaker 4>you aware of Soul Train while it was on?

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<v Speaker 1>Oh?

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<v Speaker 4>Yeah, okay, then your Super Bowl?

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<v Speaker 1>I love Soul Train.

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<v Speaker 4>Sure, so I was a solid gold man myself. But

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<v Speaker 4>I can get on some Soul Train for sure, especially

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<v Speaker 4>like vintage stuff these days.

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<v Speaker 2>Yeah, I mean I've watched Solid Gold to be sure,

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<v Speaker 2>an American Bandstand, But I was just a a rabid

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<v Speaker 2>consumer of popular culture and television and music growing up,

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<v Speaker 2>so before MTV came along and completely changed my life,

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<v Speaker 2>because that's all I watched was shows like Soul Train

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<v Speaker 2>were where I could because you know, often I couldn't

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<v Speaker 2>stay up to watch late night tea talk shows where

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<v Speaker 2>you see performances like this is where I got to

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<v Speaker 2>see live music before I could start go seeing live music.

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<v Speaker 4>Right, Oh, yeah, that was and that was a huge

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<v Speaker 4>draw of it for sure. Like the idea of just

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<v Speaker 4>being able to tune in on Saturday at eleven am,

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<v Speaker 4>depending on where you were and seeing like a somebody

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<v Speaker 4>like Marvin Gaye or Stevie Wonder perform like that was

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<v Speaker 4>that was a big deal, especially like you're saying, if

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<v Speaker 4>you were too young and fell asleep too early to

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<v Speaker 4>go to a proper show, that's right, but even more

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<v Speaker 4>than that, and like that was a huge, huge mark

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<v Speaker 4>that Soul Train left was just presenting that. But that

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<v Speaker 4>had been done before there was American band Stand. There

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<v Speaker 4>are all sorts of like kind of dance party TV shows.

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<v Speaker 4>So it didn't exactly pioneer in that sense, but what

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<v Speaker 4>it did pioneer in is that the people that was

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<v Speaker 4>presenting African Americans teenagers who were hip and their own

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<v Speaker 4>people and part of black culture, and presenting it in

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<v Speaker 4>a way that like was an apologetic that wasn't critical,

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<v Speaker 4>that did didn't portray it in some sort of negative

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<v Speaker 4>light or in a way that you know, was trying

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<v Speaker 4>to get white people to understand it. Just presenting it

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<v Speaker 4>as it was and celebrating it. That's where SoulTrain like

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<v Speaker 4>really broke through. And it's very very difficult to overstate

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<v Speaker 4>how revolutionary and groundbreaking SoulTrain was, especially for how simple

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<v Speaker 4>this show format was.

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<v Speaker 2>Basically, Yeah, I mean, like you said, bandstand had been

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<v Speaker 2>around since nineteen fifty two, and this, you know, kind

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<v Speaker 2>of was known as the Black American Bandstand, and it

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<v Speaker 2>followed that format. It was, you know, people, a live

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<v Speaker 2>music performance, a host interviewing and talking to these people

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<v Speaker 2>these musicians afterward briefly, and then beyond that just awesome

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<v Speaker 2>music spinning on the turntable and amazing dancing, amazing outfits,

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<v Speaker 2>amazing hair styles, and just to celebrate of black culture.

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<v Speaker 1>It was really really cool.

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<v Speaker 2>And the point is made in this in this article

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<v Speaker 2>that they put together for us, but.

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<v Speaker 1>It was it was definitely by.

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<v Speaker 2>Black people and four black people, but it was an

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<v Speaker 2>introduction to black culture to white kids like me, little

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<v Speaker 2>eight year old Chuck in Stone Mountain, Georgia sitting around

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<v Speaker 2>watching the Soul Train dance line.

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<v Speaker 4>Yeah, I can imagine. It was mind blowing, Chuck, Like

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<v Speaker 4>I think it wasn't just you know, it wasn't like

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<v Speaker 4>you were necessarily sheltered where you were growing up. Whether

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<v Speaker 4>you were or not, it kind of doesn't matter. It

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<v Speaker 4>was that there there was no place for you to

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<v Speaker 4>be exposed to this prior to Soul Train, that if

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<v Speaker 4>you saw a black guy on TV, it was say

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<v Speaker 4>on the news and he was being arrested for something,

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<v Speaker 4>or they you know, he was involved in a protest

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<v Speaker 4>and the protest was kind of presented in a particularly negative,

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<v Speaker 4>agitated light, or he was a side on TV or

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<v Speaker 4>a servant or in some kind of goofy comedy or

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<v Speaker 4>something like that. Like in Soul Train and do that.

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<v Speaker 4>There was no there was no subscribing to all like

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<v Speaker 4>the preconceived notions that there have been before it was

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<v Speaker 4>just its own thing. It was like, hey, by the

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<v Speaker 4>way we've been you know, we have our own culture

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<v Speaker 4>over here. You guys have ignored all this time. We're

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<v Speaker 4>gonna put it on TV and show it often. If

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<v Speaker 4>you like it, awesome, if you don't get lost.

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<v Speaker 2>Yeah, And Dave I thought it was kind of astute

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<v Speaker 2>that he said it was kind of like a lifestyle

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<v Speaker 2>brand before that was such a thing because these people

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<v Speaker 2>were influencers. What you saw on Soul Train, you wanted

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<v Speaker 2>to dance like that, You wanted to wear those clothes.

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<v Speaker 2>If someone debuted a sweet move that you saw on

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<v Speaker 2>Saturday morning, you would practice that move in your living

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<v Speaker 2>room and then debut it at your club that night.

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<v Speaker 4>And there were like some pretty sweet moves that were

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<v Speaker 4>debuted on Soul Trained. The Sweetest we did an entire

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<v Speaker 4>episode on the Moonwalk, if you'll remember correctly, and that

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<v Speaker 4>was originally called the backslide that was created on Soul Train.

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<v Speaker 4>The robot, the rerun ding it.

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<v Speaker 1>Man, there's so much sweet roboting going on.

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<v Speaker 4>Yes, yeah, and that's where it came from. Apparently no

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<v Speaker 4>one did the robot, and like these were like basically

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<v Speaker 4>club kids who now had a place to do their

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<v Speaker 4>club stuff on TV and then go out to the

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<v Speaker 4>clubs later that night and do some more and like

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<v Speaker 4>come up with more stuff, and they'd come bring it

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<v Speaker 4>to SoulTrain again. And then kids would watch that. Kids,

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<v Speaker 4>college kids, adults would watch this and be like, this

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<v Speaker 4>is the coolest thing that's on TV right now, and

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<v Speaker 4>I want to do those dance moves too.

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<v Speaker 1>Yeah.

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<v Speaker 2>Let's read a couple of these quotes that kind of

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<v Speaker 2>encapsulate how important of a show this was. One is

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<v Speaker 2>from philosopher, activists and Harvard professor Cornell West. He said,

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<v Speaker 2>I never missed it Saturday morning as a graduate at

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<v Speaker 2>a student at Princeton. I would see it wherever I

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<v Speaker 2>was available to the world. One of the great traditions

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<v Speaker 2>in American history, which is a history of soul music.

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<v Speaker 2>Soul music at its best, taught America, especially young Americans,

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<v Speaker 2>about color, how to be free, and how to love

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<v Speaker 2>in a deeper and better way. And this from common

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<v Speaker 2>the actor and rapper. Watching my babysitter get the opportunity

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<v Speaker 2>to go on Soul Train was like a dream come

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<v Speaker 2>true for her because Soul Train was the biggest thing

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<v Speaker 2>then for the black community. It gave ordinary everyday people

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<v Speaker 2>an opportunity to express themselves. It showed us that we

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<v Speaker 2>too have a place on TV.

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<v Speaker 4>Yeah, and I can't imagine what commons babysitter, How excited

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<v Speaker 4>she must have been to get to be on Soul Train.

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<v Speaker 4>Oh yeah, like that must have been the biggest thing possible.

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<v Speaker 4>Like they said it was the hippus trip on television,

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<v Speaker 4>and like that was not much of an exaggeration, especially

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<v Speaker 4>at the time, especially when you compared it to like

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<v Speaker 4>American Bandstand at the time, which when Soul Train came along,

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<v Speaker 4>you said, bansand had been on since nineteen fifty two,

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<v Speaker 4>almost two decades by this time. SoulTrain comes along. And

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<v Speaker 4>there was a TV critic in nineteen seventy three who wrote,

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<v Speaker 4>I believe for the New York Times that comparing Soul

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<v Speaker 4>Train to the old American Bandstand is like comparing Champagne

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<v Speaker 4>to seltzer Burns. That had to hurt Dick Clark.

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<v Speaker 1>Oh, he did fine.

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<v Speaker 4>Well, as far as I could tell. Everything I've ever

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<v Speaker 4>heard about him. He was literate, so he very well

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<v Speaker 4>could have read that, and if not, somebody may have

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<v Speaker 4>read it to him, and it hurt his feelings, there's

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<v Speaker 4>no way it didn't.

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<v Speaker 2>So we can't talk about SoulTrain without talking about Don Cornelius. No,

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<v Speaker 2>Don Cornelius was the host and creator of SoulTrain and

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<v Speaker 2>owner and owner, which is huge. Like this guy owned

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<v Speaker 2>his own TV show, which was not a very common

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<v Speaker 2>thing to happen, still is not a common thing.

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<v Speaker 4>They usually put him in league with Desi Arnetz, who

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<v Speaker 4>owned I Love Lucy, and Mike Douglas, who owned the

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<v Speaker 4>Mike Douglas Show. Most of the even like the creators

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<v Speaker 4>of a show, you didn't own the show that you created,

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<v Speaker 4>like you like have some sort of deal with somebody

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<v Speaker 4>to help produce it, or a network has exclusive rights

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<v Speaker 4>to it, or somebody else at least owns some other

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<v Speaker 4>piece of it. This was one hundred percent Don Cornelius's jam.

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<v Speaker 4>And there's a legend that kind of goes along with

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<v Speaker 4>that that James Brown came on very early on in

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<v Speaker 4>like nineteen seventy two or three, and he was like,

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<v Speaker 4>so who's backing you on this? Man? And dot thank you.

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<v Speaker 4>I can't do a very good James Brown, and Don

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<v Speaker 4>Cornelius says, it's just me, James, And apparently James Brown

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<v Speaker 4>thought that he didn't fully understand the question, so he

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<v Speaker 4>kind of asked it again. Didn't think to rephrase it

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<v Speaker 4>in different words, just ask the same question. Don Cornelius

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<v Speaker 4>answers them the same way. He says, it's just me, James,

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<v Speaker 4>like he got what he's saying, and he was telling

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<v Speaker 4>him this is mine, one hundred percent mine. Nobody else

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<v Speaker 4>owns it. It's totally my show. And I don't think

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<v Speaker 4>anybody else could have done it like Don Cornelius did.

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<v Speaker 4>He was perfect for Soul Train, and I think the

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<v Speaker 4>reason why is because it came from him, like it

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<v Speaker 4>was his creation and his baby.

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<v Speaker 1>Should we take a break.

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<v Speaker 4>I'm a little worked up, so yeah maybe so.

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<v Speaker 1>All right, Uh, you're gonna work on your rerun dance.

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<v Speaker 2>We're gonna take a little break, and we'll go back

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<v Speaker 2>and talk about young Don Cornelius right after this. I

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<v Speaker 2>want to learn about terms horn and college, howadactyle, how

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<v Speaker 2>to take a berg all about is gone.

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<v Speaker 3>That's a little hunt.

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<v Speaker 1>We should know.

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<v Speaker 3>Word up, Jerry.

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<v Speaker 1>All right.

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<v Speaker 2>So, Young Don was born in Chicago on the South Side,

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<v Speaker 2>in the neighborhood of Bronzeville, known as the Black Metropolis.

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<v Speaker 2>He was the son of a postal worker and was

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<v Speaker 2>a marine. He joined the Marines after high school, fought

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<v Speaker 2>in South Korea. After that, comes home to Chicago, sells

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<v Speaker 2>cars for a little while, sells insurance for a little while,

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<v Speaker 2>and then says, I want to.

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<v Speaker 1>Be a cop.

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<v Speaker 4>I want to be a popo.

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<v Speaker 1>Yep, And he was a popo.

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<v Speaker 4>Also in there somewhere. He married, I believe, his high

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<v Speaker 4>school sweetheart and has two kids. So by the time

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<v Speaker 4>he's a cop, he's married with two kids at home,

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<v Speaker 4>two sons. And one day there's a story, an urban

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<v Speaker 4>legend that, as far as I know, is true, let

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<v Speaker 4>me smell it. Well, then it's not an urban legend,

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<v Speaker 4>it's just a story. It could be a true urban legend. Okay,

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<v Speaker 4>we're going to come up with an entirely different category

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<v Speaker 4>right now. Chall right, So Don Cornelius, Officer Cornelis pulls

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<v Speaker 4>the guy over, and that guy happened to be the

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<v Speaker 4>news director, Roy Wood for a local AM radio station

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<v Speaker 4>wvo N, And as Roy Wood is getting this ticket

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<v Speaker 4>written up by Officer Cornelius, he's like, hey, man, your

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<v Speaker 4>voice is astounding, because if you've never heard Don Cornelius's voice,

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<v Speaker 4>press pause right now, go on to YouTube. Just listen

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<v Speaker 4>to some soul trained intros from him. He was an

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<v Speaker 4>amazingly hip cat with one of the best voices of

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<v Speaker 4>all time. Yeah, led Barry White.

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<v Speaker 1>He also pulled over the guy and said license and registration, baby.

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<v Speaker 4>Yeah, so that helped. Yeah, do it as Sammy Davis

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<v Speaker 4>Junior pulling him over.

0:12:25.280 --> 0:12:29.559
<v Speaker 1>Now, hey, bab, give me your license and registration.

0:12:30.679 --> 0:12:35.000
<v Speaker 4>That's so good. So anyway, the guy like is like,

0:12:35.080 --> 0:12:37.040
<v Speaker 4>you have a really great voice. Have you ever considered

0:12:37.120 --> 0:12:42.240
<v Speaker 4>going into radio? And Don Cornelius says, I haven't until now,

0:12:42.280 --> 0:12:43.760
<v Speaker 4>but I'm going to give it some thought. And not

0:12:43.840 --> 0:12:46.440
<v Speaker 4>only does he give it some thought, it's not clear

0:12:46.520 --> 0:12:49.640
<v Speaker 4>whether he actually gave Roy Wood the ticket or not,

0:12:50.679 --> 0:12:55.200
<v Speaker 4>but he actually quits being a cop, goes and takes

0:12:55.200 --> 0:12:58.040
<v Speaker 4>a three month broadcasting course with a wife and two

0:12:58.080 --> 0:12:59.880
<v Speaker 4>sons at home. So this is a pretty big risk

0:13:00.040 --> 0:13:03.800
<v Speaker 4>on his part, and tries out for a part as

0:13:03.840 --> 0:13:07.400
<v Speaker 4>a radio announcer at WVN and gets hired after a

0:13:07.400 --> 0:13:10.800
<v Speaker 4>three month course because his voice was that great and

0:13:11.240 --> 0:13:13.360
<v Speaker 4>because his persona was that hip too.

0:13:14.120 --> 0:13:20.800
<v Speaker 2>So yes, Don Cornelius, the voice of gold the Golden Tonsils.

0:13:21.400 --> 0:13:24.080
<v Speaker 4>Is that what they called the velvet fog. That was

0:13:24.120 --> 0:13:26.600
<v Speaker 4>melt or may oh okay, and I just get those

0:13:26.640 --> 0:13:27.359
<v Speaker 4>too confused.

0:13:27.679 --> 0:13:30.280
<v Speaker 1>And Noel on movie Crush his nickname is Smokey Velvet.

0:13:31.320 --> 0:13:32.040
<v Speaker 4>Oh, that's nice.

0:13:32.080 --> 0:13:33.800
<v Speaker 1>I'm not sure where that came from. Maybe I made

0:13:33.840 --> 0:13:36.400
<v Speaker 1>it up. Smokey gullet, smoky velvet.

0:13:36.800 --> 0:13:40.160
<v Speaker 4>Oh, smoky velvet, smoky gullet.

0:13:40.160 --> 0:13:41.199
<v Speaker 1>That's really gross.

0:13:41.920 --> 0:13:45.640
<v Speaker 2>So he becomes a DJ at the radio station, like

0:13:45.679 --> 0:13:47.720
<v Speaker 2>you said, and then is hired as a reporter, a

0:13:47.760 --> 0:13:52.439
<v Speaker 2>news reporter on TV for w CiU TV. He covered sports,

0:13:52.480 --> 0:13:57.720
<v Speaker 2>he covered civil rights stuff. He had a show for

0:13:57.840 --> 0:14:00.880
<v Speaker 2>the news program called a blacks View of the News,

0:14:02.120 --> 0:14:03.960
<v Speaker 2>which is, you know something you could only get away

0:14:04.000 --> 0:14:07.079
<v Speaker 2>with in the nineteen sixties I.

0:14:07.000 --> 0:14:08.880
<v Speaker 4>Think early seventies by nut. Oh, yeah, you're right, it

0:14:08.920 --> 0:14:10.160
<v Speaker 4>would have been the sixties. Sorry.

0:14:10.240 --> 0:14:10.520
<v Speaker 1>Yeah.

0:14:10.559 --> 0:14:14.120
<v Speaker 2>And he interviewed Jesse Jackson, he interviewed Martin Luther King.

0:14:15.120 --> 0:14:18.480
<v Speaker 2>Still djaying at night, and he hosted the series of

0:14:18.640 --> 0:14:22.240
<v Speaker 2>house parties and club appearances all over Chicago. And he

0:14:22.280 --> 0:14:24.880
<v Speaker 2>would take the train to get to these places. So

0:14:24.960 --> 0:14:28.000
<v Speaker 2>he called these parties the soul Train. That's where the

0:14:28.040 --> 0:14:28.680
<v Speaker 2>name came from.

0:14:29.120 --> 0:14:33.760
<v Speaker 4>Yeah, So he's like a TV broadcaster by day radio

0:14:33.840 --> 0:14:36.560
<v Speaker 4>DJ and sockhap DJ by night comes up with this

0:14:36.600 --> 0:14:39.480
<v Speaker 4>soul train idea. And again, so this is like in

0:14:39.520 --> 0:14:43.520
<v Speaker 4>his first year after taking a three month broadcasting course,

0:14:43.600 --> 0:14:46.200
<v Speaker 4>after pulling over a radio executive who told him he

0:14:46.200 --> 0:14:49.000
<v Speaker 4>had a good voice, and he's like, you know what,

0:14:49.360 --> 0:14:52.200
<v Speaker 4>I'm happy doing news and civil rights reporting, and I'm

0:14:52.240 --> 0:14:55.200
<v Speaker 4>part of this group called the Good Guys, these black

0:14:55.280 --> 0:14:57.760
<v Speaker 4>DJs out of Chicago that were kind of known as

0:14:57.760 --> 0:15:02.360
<v Speaker 4>the Arbiters of Cool. But he said that he had

0:15:02.400 --> 0:15:05.000
<v Speaker 4>He later said that he had this burning desire to

0:15:06.000 --> 0:15:09.040
<v Speaker 4>see black people depicted on television in a positive light,

0:15:10.000 --> 0:15:12.240
<v Speaker 4>and he decided that the best way to do that

0:15:12.320 --> 0:15:15.040
<v Speaker 4>was to kind of take these parties, these sockhops and

0:15:16.360 --> 0:15:18.400
<v Speaker 4>just kind of cool Chicago house parties that he was

0:15:18.440 --> 0:15:20.960
<v Speaker 4>DJing and just put him on TV. That like that

0:15:21.000 --> 0:15:24.560
<v Speaker 4>would basically be enough that if people just saw how

0:15:24.600 --> 0:15:26.480
<v Speaker 4>cool these parties weren't, how fun they were, and how

0:15:26.520 --> 0:15:30.320
<v Speaker 4>much like how what a celebration of like black culture

0:15:30.360 --> 0:15:32.480
<v Speaker 4>they were just in and of themselves, that that could

0:15:32.480 --> 0:15:35.200
<v Speaker 4>be a TV show by itself. And that was the

0:15:35.240 --> 0:15:36.280
<v Speaker 4>original soul train.

0:15:37.200 --> 0:15:38.960
<v Speaker 1>That's right and very key.

0:15:39.120 --> 0:15:42.880
<v Speaker 2>He went to his TV station W CiU and said,

0:15:43.240 --> 0:15:45.120
<v Speaker 2>I want to shoot a pilot for this thing, baby,

0:15:45.960 --> 0:15:48.600
<v Speaker 2>and they said, uh, sure, but we're not going to

0:15:48.760 --> 0:15:51.120
<v Speaker 2>front the money, and he said, I'll pay for it.

0:15:51.640 --> 0:15:53.840
<v Speaker 1>Little did he know what a fortuitous move that was.

0:15:54.240 --> 0:15:56.560
<v Speaker 2>Yeah, because I think had they funded it, they would

0:15:56.560 --> 0:15:59.000
<v Speaker 2>have had a real claim to it legally. But he

0:15:59.000 --> 0:16:01.840
<v Speaker 2>put up four hundred bucks of his own money shot

0:16:01.880 --> 0:16:04.200
<v Speaker 2>a pilot. It didn't look that great, it was in

0:16:04.240 --> 0:16:07.240
<v Speaker 2>black and white, but it was a big hit immediately.

0:16:07.880 --> 0:16:10.600
<v Speaker 2>And he said, not because it was wonderful, but because

0:16:10.640 --> 0:16:11.280
<v Speaker 2>it was theirs.

0:16:11.320 --> 0:16:13.800
<v Speaker 1>It belonged to the black people. Yeah.

0:16:14.000 --> 0:16:17.160
<v Speaker 2>A year later he moves to LA and said, I'm

0:16:17.160 --> 0:16:19.240
<v Speaker 2>going to do the show for real here. This is

0:16:19.240 --> 0:16:23.520
<v Speaker 2>where it became nationally syndicated, which you know, I don't

0:16:23.520 --> 0:16:26.320
<v Speaker 2>know when we talked about TV syndication, but that's basically

0:16:26.360 --> 0:16:30.000
<v Speaker 2>when it's not owned and run on a major network,

0:16:30.080 --> 0:16:33.920
<v Speaker 2>but you sell it to each local TV station in

0:16:33.960 --> 0:16:34.640
<v Speaker 2>whatever city.

0:16:35.920 --> 0:16:37.600
<v Speaker 4>Yeah. I don't know what we would have talked about

0:16:37.600 --> 0:16:40.560
<v Speaker 4>that on either, but I would I think we should

0:16:40.560 --> 0:16:43.080
<v Speaker 4>do an entire episode on TV syndication. I'll bet it

0:16:43.120 --> 0:16:48.400
<v Speaker 4>was world changing. Sure, So when he moved into Los

0:16:48.440 --> 0:16:51.800
<v Speaker 4>Angeles in nineteen seventy one that Black and White Soul Train.

0:16:51.880 --> 0:16:54.520
<v Speaker 4>It used to be on every weekday. They continued that,

0:16:54.600 --> 0:16:58.200
<v Speaker 4>so it was two things. It was a full color

0:16:58.960 --> 0:17:02.720
<v Speaker 4>nationally syndicate hated television show out of la but it

0:17:02.800 --> 0:17:07.680
<v Speaker 4>was also a black and white local weekly or weekday

0:17:07.720 --> 0:17:10.879
<v Speaker 4>television show out of Chicago at the same time. For

0:17:10.960 --> 0:17:13.320
<v Speaker 4>like a good five years, they were both running at

0:17:13.359 --> 0:17:16.199
<v Speaker 4>the same time, and so Don Cornelius was at the

0:17:16.240 --> 0:17:18.960
<v Speaker 4>helm of both. So on Fridays he would fly out

0:17:18.960 --> 0:17:22.800
<v Speaker 4>to La shoot four episodes, two on Saturday, two on Sunday,

0:17:22.920 --> 0:17:24.679
<v Speaker 4>and then fly back in time to be there for

0:17:24.800 --> 0:17:29.400
<v Speaker 4>the afternoon black and white Monday episode of the Chicago

0:17:29.520 --> 0:17:30.640
<v Speaker 4>Local Soul Train.

0:17:31.240 --> 0:17:32.160
<v Speaker 1>Amazing working hard.

0:17:32.200 --> 0:17:33.920
<v Speaker 4>He was working hard. Yeah, it's right.

0:17:34.760 --> 0:17:37.439
<v Speaker 2>So it was a very popular show right out of

0:17:37.440 --> 0:17:40.160
<v Speaker 2>the gate, but advertising was always kind of a struggle

0:17:40.720 --> 0:17:43.399
<v Speaker 2>because mainstream brands didn't quite know what to make of it.

0:17:43.440 --> 0:17:45.320
<v Speaker 2>They didn't this is kind of the first show of

0:17:45.320 --> 0:17:49.119
<v Speaker 2>its kind, but that did open the door for Johnson Products,

0:17:49.960 --> 0:17:53.520
<v Speaker 2>another black owned Chicago business from husband and wife team

0:17:54.000 --> 0:17:57.840
<v Speaker 2>George and Joeanne Johnson that they started in nineteen fifty four.

0:17:58.520 --> 0:17:59.800
<v Speaker 2>And these commercials are.

0:17:59.640 --> 0:18:00.320
<v Speaker 1>So great too.

0:18:00.760 --> 0:18:04.560
<v Speaker 2>They sold beauty and hair care products to African Americans.

0:18:04.600 --> 0:18:07.720
<v Speaker 2>So Afroshine and Ultraschine were the two big ones and

0:18:07.760 --> 0:18:10.560
<v Speaker 2>the two big commercials you see, and they became as

0:18:10.640 --> 0:18:12.760
<v Speaker 2>much as part of the fabric of the show almost

0:18:13.280 --> 0:18:16.480
<v Speaker 2>as like the Soul Train liner, the performers or anything else.

0:18:16.520 --> 0:18:19.560
<v Speaker 4>Really yeah, and I mean, like I think in a

0:18:19.680 --> 0:18:22.320
<v Speaker 4>large part because they were they were like our stamps

0:18:22.320 --> 0:18:25.640
<v Speaker 4>dot Com, like one of the earliest and longest running sponsors. Right.

0:18:26.080 --> 0:18:29.760
<v Speaker 4>So when they came on, what they were promoting with

0:18:29.840 --> 0:18:34.960
<v Speaker 4>like with Afrochine and Ultraschine was radical and that it's

0:18:35.000 --> 0:18:37.200
<v Speaker 4>saying like just let your hair grow naturally. These are

0:18:37.240 --> 0:18:40.120
<v Speaker 4>hair products for African Americans to use when they're growing

0:18:40.119 --> 0:18:43.480
<v Speaker 4>their hair naturally, not following like white beauty standards. Right.

0:18:43.800 --> 0:18:47.120
<v Speaker 4>So it was like a perfect sponsor for SoulTrain, which

0:18:47.160 --> 0:18:52.520
<v Speaker 4>is a celebration of black culture. For itself, the Johnson

0:18:52.640 --> 0:18:57.240
<v Speaker 4>family of products were promoting black culture and it's like

0:18:57.400 --> 0:19:00.159
<v Speaker 4>natural State too, so it was like just perfect go

0:19:00.200 --> 0:19:02.359
<v Speaker 4>hand in hand. I think they kind of worked with

0:19:02.440 --> 0:19:07.040
<v Speaker 4>each other but also were important independent of one another.

0:19:07.080 --> 0:19:08.639
<v Speaker 4>But when you put them together, it was like greater

0:19:08.720 --> 0:19:10.200
<v Speaker 4>than some of its parts even.

0:19:10.480 --> 0:19:13.720
<v Speaker 1>Yeah, and it was. It was a big deal culturally.

0:19:14.240 --> 0:19:16.040
<v Speaker 2>Not only was it a big hit, but like people

0:19:16.080 --> 0:19:19.240
<v Speaker 2>like Jesse Jackson said, Don Cornelius is right up there

0:19:19.240 --> 0:19:21.840
<v Speaker 2>with any civil rights leader of our generation. He gave

0:19:21.880 --> 0:19:23.800
<v Speaker 2>people a chance to feel good about themselves.

0:19:24.400 --> 0:19:25.080
<v Speaker 4>That's pretty great.

0:19:25.400 --> 0:19:26.880
<v Speaker 2>And like I said, I was a little white kid

0:19:26.880 --> 0:19:30.119
<v Speaker 2>watching it. There's this lady, Madeline Weeks, who is a

0:19:30.119 --> 0:19:33.520
<v Speaker 2>fashion editor at GQ. She was a little white girl

0:19:33.520 --> 0:19:36.040
<v Speaker 2>in Virginia, and she said, I watched Soul Train religiously

0:19:36.080 --> 0:19:38.840
<v Speaker 2>every week. Loved it from beginning to end. Even the

0:19:38.840 --> 0:19:42.920
<v Speaker 2>Afroshine and Ultrachine ads were heaven. Had the funkiest, most stylish,

0:19:42.920 --> 0:19:46.399
<v Speaker 2>sexiest dancers. Everybody looked like they were having the best time.

0:19:46.680 --> 0:19:49.200
<v Speaker 2>All the girls look gorgeous. Who wouldn't want to look

0:19:49.240 --> 0:19:51.199
<v Speaker 2>like that. I was just a little kid living in

0:19:51.200 --> 0:19:55.879
<v Speaker 2>the countryside in Virginia and I live for it.

0:19:55.920 --> 0:19:57.400
<v Speaker 1>Does something else, it's pretty great.

0:19:57.840 --> 0:19:59.720
<v Speaker 4>Well, you want to take a break and then get

0:19:59.720 --> 0:20:01.480
<v Speaker 4>back into what it was like to watch.

0:20:01.280 --> 0:20:03.520
<v Speaker 1>Soul Train and be on it. You know, I was

0:20:03.520 --> 0:20:03.960
<v Speaker 1>a guest.

0:20:04.800 --> 0:20:07.520
<v Speaker 4>Yes, I can't wait. We're gonna debut that clip live,

0:20:08.040 --> 0:20:08.879
<v Speaker 4>all right, let's do it.

0:20:09.119 --> 0:20:10.800
<v Speaker 2>I want to learn about a terri sort and college

0:20:10.920 --> 0:20:14.000
<v Speaker 2>rd Actole, how to take a perfect bout is Gone?

0:20:14.040 --> 0:20:17.920
<v Speaker 3>That's another hunt, The Sane Everything.

0:20:19.119 --> 0:20:19.760
<v Speaker 1>And John.

0:20:23.400 --> 0:20:42.840
<v Speaker 5>Word up, Jerry, Okay, Chuck, So we're back.

0:20:43.359 --> 0:20:45.760
<v Speaker 4>There was one little thing that I wanted to include

0:20:45.760 --> 0:20:49.119
<v Speaker 4>about w c i U, the original Chicago home of

0:20:49.200 --> 0:20:53.080
<v Speaker 4>Soul Train. Apparently it was like a ragtag U HF station,

0:20:53.440 --> 0:20:56.800
<v Speaker 4>an independent station. And have you ever seen that that

0:20:56.880 --> 0:21:01.000
<v Speaker 4>movie U HF with weird al Nope, it's so good,

0:21:01.400 --> 0:21:03.880
<v Speaker 4>but it actually is not too far off from w CiU.

0:21:04.320 --> 0:21:09.320
<v Speaker 4>They would play Lithuanian and Polish language talk shows Amos

0:21:09.320 --> 0:21:13.720
<v Speaker 4>and Andy Bullfights from Mexico like these are they just

0:21:13.800 --> 0:21:19.000
<v Speaker 4>had this weird assemblage of TV shows, But then they're

0:21:19.160 --> 0:21:23.000
<v Speaker 4>they're in house. Programming was made by like this ragtag

0:21:23.119 --> 0:21:26.359
<v Speaker 4>kind of group of inexperienced people. And there's a I

0:21:26.400 --> 0:21:29.080
<v Speaker 4>read in the Chicago Reader this kind of oral history

0:21:29.080 --> 0:21:33.680
<v Speaker 4>of the local version of SoulTrain. The head cameraman at

0:21:33.800 --> 0:21:38.000
<v Speaker 4>w CiU had strabusmiths and couldn't use the viewfinder in

0:21:38.040 --> 0:21:40.960
<v Speaker 4>the camera. It was like that kind of ragtag group

0:21:41.000 --> 0:21:42.760
<v Speaker 4>that just kind of got it done somehow.

0:21:42.840 --> 0:21:43.080
<v Speaker 1>Wow.

0:21:43.080 --> 0:21:44.520
<v Speaker 4>I just love that little tidbit.

0:21:44.760 --> 0:21:45.480
<v Speaker 1>That's pretty cool.

0:21:45.920 --> 0:21:48.640
<v Speaker 2>Yeah, all right, So if you watch SoulTrain, the first

0:21:48.640 --> 0:21:50.359
<v Speaker 2>thing that you would see when the show starts is

0:21:50.359 --> 0:21:56.080
<v Speaker 2>that classic animated intro of that freight train rolling into

0:21:56.080 --> 0:21:56.520
<v Speaker 2>the city.

0:21:57.040 --> 0:21:58.439
<v Speaker 1>So cool, so iconic.

0:21:59.520 --> 0:22:02.560
<v Speaker 2>Then you see Don Cornelius, always dressed to the nines,

0:22:03.000 --> 0:22:06.080
<v Speaker 2>the man, coolest cat maybe to ever be on television.

0:22:06.440 --> 0:22:09.080
<v Speaker 4>We make Billy d weep with jealousy.

0:22:10.040 --> 0:22:13.439
<v Speaker 2>He was because he was a DJ previously he was.

0:22:13.720 --> 0:22:16.879
<v Speaker 2>He just had that DJ lingo down. Yeah, you know,

0:22:17.400 --> 0:22:19.119
<v Speaker 2>they put in one of the things, it's going to

0:22:19.160 --> 0:22:23.880
<v Speaker 2>be a stone Gas honey, like all that seventies sort

0:22:23.880 --> 0:22:28.720
<v Speaker 2>of shaft like talk was just who Don Cornelius was.

0:22:29.280 --> 0:22:32.480
<v Speaker 4>Let me, let me try my hand at it. You ready, Okay,

0:22:32.560 --> 0:22:36.520
<v Speaker 4>it's going to be a stone gas honey. Okay, that

0:22:36.600 --> 0:22:40.440
<v Speaker 4>sounded like a CB trucker from the seventies somehow interesting.

0:22:40.880 --> 0:22:44.600
<v Speaker 4>It's going to be a stone gas honey. I don't

0:22:44.680 --> 0:22:45.719
<v Speaker 4>know what my problem is.

0:22:46.000 --> 0:22:49.639
<v Speaker 2>Hey, not bad, don't lie to me, Chuck, Josh Cornelius.

0:22:51.520 --> 0:22:53.399
<v Speaker 2>You had your musical guest, like we said, just like

0:22:53.440 --> 0:22:57.960
<v Speaker 2>American Bandstand. I think sometimes they lip synced and sometimes

0:22:58.000 --> 0:22:59.240
<v Speaker 2>they really sang.

0:23:00.200 --> 0:23:01.800
<v Speaker 4>On the lip sync to cross the board.

0:23:01.960 --> 0:23:03.960
<v Speaker 2>Yeah, it kind of depends on who the artist is too,

0:23:06.119 --> 0:23:10.040
<v Speaker 2>Patty LaBelle, Barry White, Aretha Franklin, Stevie Wonder, James Brown,

0:23:10.119 --> 0:23:14.760
<v Speaker 2>Al Green, like just a murderer's row of rhythm and

0:23:14.760 --> 0:23:17.920
<v Speaker 2>blues and soul performers. I think Gladys Knight and the

0:23:17.960 --> 0:23:21.200
<v Speaker 2>Pips was on the first syndicated episode.

0:23:21.560 --> 0:23:23.959
<v Speaker 4>Yeah, and like that was a huge favor that he

0:23:24.040 --> 0:23:27.000
<v Speaker 4>called in and Gladys totally delivered by being on that

0:23:27.040 --> 0:23:30.120
<v Speaker 4>first nationally syndicated episode because it drew a lot of attention,

0:23:30.560 --> 0:23:34.119
<v Speaker 4>and apparently from that point on he was he was

0:23:34.160 --> 0:23:38.560
<v Speaker 4>always very deferential, saying, you know, if it weren't for Gladys,

0:23:38.640 --> 0:23:41.200
<v Speaker 4>none of this would be here right now. Oh that's nice, Yeah,

0:23:41.240 --> 0:23:43.600
<v Speaker 4>it was pretty Cooliver. Have you ever eaten a Gladys

0:23:43.680 --> 0:23:45.120
<v Speaker 4>Knight's House of Chicken and waffles?

0:23:45.200 --> 0:23:45.760
<v Speaker 1>What do you think?

0:23:46.600 --> 0:23:49.360
<v Speaker 4>I'm thinking you probably have multiple times, but we've never

0:23:49.440 --> 0:23:50.080
<v Speaker 4>discussed it.

0:23:50.240 --> 0:23:50.480
<v Speaker 1>Yeah.

0:23:50.520 --> 0:23:51.960
<v Speaker 2>I mean when I lived in LA I was a

0:23:52.040 --> 0:23:55.440
<v Speaker 2>regular at Roscoe's Chicken and Waffles. But yeah, Gladys Knight

0:23:55.520 --> 0:23:56.640
<v Speaker 2>does it right as well.

0:23:56.840 --> 0:23:59.000
<v Speaker 4>Yes she does. Have you ever had the smothered chicken there?

0:24:00.200 --> 0:24:03.359
<v Speaker 4>I don't think so. Is it like gravy or something. Yes,

0:24:03.680 --> 0:24:06.880
<v Speaker 4>and it is even better than the chicken and waffles.

0:24:06.920 --> 0:24:10.120
<v Speaker 1>Really, yes, I can't not get the chicken and waffle.

0:24:09.880 --> 0:24:11.119
<v Speaker 4>So get both.

0:24:11.400 --> 0:24:12.800
<v Speaker 1>Okay, just get both.

0:24:13.680 --> 0:24:16.040
<v Speaker 4>There's no reason to hold back at Gladys Knight's House

0:24:16.080 --> 0:24:17.200
<v Speaker 4>of Chicken and waffle.

0:24:17.000 --> 0:24:18.280
<v Speaker 1>And eat a little bit of both and take the

0:24:18.280 --> 0:24:20.760
<v Speaker 1>rest of home, sure, or eat it all.

0:24:21.240 --> 0:24:26.480
<v Speaker 2>Yes, so Soul Train, of course that the musical performances

0:24:26.480 --> 0:24:30.120
<v Speaker 2>were great and classic and iconic, but it's the dancing

0:24:30.160 --> 0:24:33.479
<v Speaker 2>that is what it's really known for. They got they

0:24:33.520 --> 0:24:35.480
<v Speaker 2>scouted out some of these dancers. They would go to

0:24:35.520 --> 0:24:38.440
<v Speaker 2>the clubs, and they did this on American Bandstand and

0:24:38.520 --> 0:24:42.560
<v Speaker 2>other shows too that had dancers. They would go find

0:24:42.640 --> 0:24:45.639
<v Speaker 2>like the flyest dancers in the clubs, invite them to

0:24:45.680 --> 0:24:48.560
<v Speaker 2>be on the show, and everyone else had to audition,

0:24:48.680 --> 0:24:51.960
<v Speaker 2>Like thousands of people would line up and audition with

0:24:52.040 --> 0:24:54.040
<v Speaker 2>their dance moves to be a soul trained dancer.

0:24:54.920 --> 0:24:58.679
<v Speaker 4>Yeah, and like again, like Common's babysitter was saying, like

0:24:58.760 --> 0:25:01.880
<v Speaker 4>that was a big deal to be picked. And some

0:25:02.119 --> 0:25:05.520
<v Speaker 4>were recruited like you're saying, from the clubs, and those

0:25:06.240 --> 0:25:10.040
<v Speaker 4>those particular dancers were usually so good that they would

0:25:10.160 --> 0:25:12.960
<v Speaker 4>rise to like national prominence, like the camera just couldn't

0:25:13.040 --> 0:25:16.520
<v Speaker 4>avoid them. They also were no slouches at learning how

0:25:16.520 --> 0:25:19.560
<v Speaker 4>to play to the camera too when the camera was

0:25:19.560 --> 0:25:21.879
<v Speaker 4>on them or anywhere near them. But one of the

0:25:21.880 --> 0:25:24.280
<v Speaker 4>ways that everybody shine too, whether you've got a lot

0:25:24.320 --> 0:25:27.400
<v Speaker 4>of camera time or not, was in the the Soul

0:25:27.440 --> 0:25:30.960
<v Speaker 4>Train Line, which became a really regular feature of each

0:25:31.000 --> 0:25:34.440
<v Speaker 4>episode where everybody just kind of be clapping and standing

0:25:34.520 --> 0:25:36.960
<v Speaker 4>on two sides, and then a couple would come down,

0:25:37.040 --> 0:25:39.760
<v Speaker 4>usually a couple, sometimes it was solo would come down

0:25:39.800 --> 0:25:43.359
<v Speaker 4>and do some crazy dance moves and really get a

0:25:43.440 --> 0:25:46.520
<v Speaker 4>chance to show off and kind of capture the attention

0:25:46.680 --> 0:25:48.879
<v Speaker 4>of the viewing audience.

0:25:49.320 --> 0:25:51.919
<v Speaker 2>Yeah, if you've never gone on YouTube and looked at

0:25:51.960 --> 0:25:57.320
<v Speaker 2>Soul Train Line videos, first of all, I'm surprised that

0:25:57.400 --> 0:26:02.000
<v Speaker 2>you exist as a human. And secondly, just do it

0:26:02.080 --> 0:26:05.040
<v Speaker 2>and then look up at the clock two hours later,

0:26:06.160 --> 0:26:08.719
<v Speaker 2>because you will be able to do nothing but watch

0:26:08.920 --> 0:26:09.920
<v Speaker 2>those video clips.

0:26:10.040 --> 0:26:11.120
<v Speaker 1>It's amazing.

0:26:11.640 --> 0:26:13.440
<v Speaker 4>And what's cool about it too, is you can put

0:26:13.440 --> 0:26:15.600
<v Speaker 4>it to any kind of super cool music and it

0:26:15.640 --> 0:26:18.440
<v Speaker 4>sounds really great and looks really great.

0:26:18.359 --> 0:26:20.960
<v Speaker 1>What you like, and mute it and put on different music.

0:26:21.359 --> 0:26:23.680
<v Speaker 4>No, no, but other people have like put their own

0:26:23.720 --> 0:26:26.240
<v Speaker 4>tracks or other people's tracks. Oh really, video of soul

0:26:26.320 --> 0:26:28.359
<v Speaker 4>train and it works really well.

0:26:28.520 --> 0:26:31.560
<v Speaker 1>Oh interesting, Yeah, I like the real music.

0:26:32.200 --> 0:26:33.880
<v Speaker 4>Sure, real music isn't bad either.

0:26:34.000 --> 0:26:36.240
<v Speaker 2>Yeah, the Jungle Boogie one is really good in particular,

0:26:36.560 --> 0:26:39.560
<v Speaker 2>that is a good one. So they'd filmed four episodes

0:26:39.640 --> 0:26:43.600
<v Speaker 2>in a weekend. Apparently the dancers were worked pretty hard,

0:26:44.160 --> 0:26:46.200
<v Speaker 2>and Cornelius was pretty demanding of them.

0:26:46.720 --> 0:26:48.399
<v Speaker 1>You couldn't choot them, you couldn't curse.

0:26:49.320 --> 0:26:53.280
<v Speaker 2>His mantra was be on time, be tactful, be creative,

0:26:53.720 --> 0:26:55.880
<v Speaker 2>be funky, and be yourself.

0:26:56.560 --> 0:27:01.960
<v Speaker 4>Yeah, they were unpaid too. Typically, I guess you would

0:27:02.040 --> 0:27:06.919
<v Speaker 4>be paid if you were dancing to a performer, but

0:27:07.040 --> 0:27:10.240
<v Speaker 4>if you were part of the segments that it was

0:27:10.320 --> 0:27:13.240
<v Speaker 4>just them playing music and people were dancing, you were unpaid.

0:27:14.080 --> 0:27:16.800
<v Speaker 4>I think they'd feed you because again, you're doing two

0:27:16.920 --> 0:27:21.960
<v Speaker 4>episodes over two days, so four total, like you were saying,

0:27:23.040 --> 0:27:25.480
<v Speaker 4>and I mean, you're dancing like the whole time. And

0:27:25.520 --> 0:27:28.520
<v Speaker 4>I'm guessing that these things probably took longer than an hour.

0:27:28.640 --> 0:27:30.719
<v Speaker 4>They didn't just do an hour and that was it,

0:27:30.760 --> 0:27:33.399
<v Speaker 4>with no retakes or edits or anything like that. So

0:27:33.400 --> 0:27:35.920
<v Speaker 4>I'm not sure how long it actually took to film

0:27:35.960 --> 0:27:39.600
<v Speaker 4>an actual episode, but you were basically dancing the entire time,

0:27:40.200 --> 0:27:43.360
<v Speaker 4>two episodes back to back, twice over a weekend.

0:27:43.720 --> 0:27:44.600
<v Speaker 1>I bet it was fun too.

0:27:44.600 --> 0:27:46.800
<v Speaker 4>Though I'm sure it was fun too. I was thinking

0:27:46.800 --> 0:27:50.119
<v Speaker 4>at the impression that it was a little competitive. Although

0:27:50.320 --> 0:27:55.280
<v Speaker 4>there's a guy who frequently gets overshadowed by Don Cornelis,

0:27:55.359 --> 0:27:57.680
<v Speaker 4>but was known as his right hand man. His name

0:27:57.720 --> 0:28:00.040
<v Speaker 4>was Clinton Ghent, and he was one of the the

0:28:01.240 --> 0:28:03.720
<v Speaker 4>kind of co creators of Soul Training, or he was

0:28:03.720 --> 0:28:06.479
<v Speaker 4>there from the beginning in Chicago, and he had a

0:28:06.520 --> 0:28:10.240
<v Speaker 4>real eye for finding those dancers in the clubs. He

0:28:10.320 --> 0:28:12.200
<v Speaker 4>was one of the ones who would go scout dancers,

0:28:13.280 --> 0:28:15.359
<v Speaker 4>but not only of finding people who had like really

0:28:15.359 --> 0:28:17.359
<v Speaker 4>crazy good moves and getting them to come on to

0:28:17.440 --> 0:28:20.240
<v Speaker 4>Soul Train, but of putting all sorts of different dancers

0:28:20.240 --> 0:28:23.359
<v Speaker 4>who would normally be pretty competitive with one another, finding

0:28:23.359 --> 0:28:25.600
<v Speaker 4>groups that would kind of gel together like a family,

0:28:25.840 --> 0:28:28.119
<v Speaker 4>so that when you go back and watch Soul Train episodes,

0:28:28.200 --> 0:28:29.920
<v Speaker 4>or when you were watching it when they were coming

0:28:29.960 --> 0:28:33.600
<v Speaker 4>on the first time, you weren't like sitting there seeing

0:28:33.640 --> 0:28:37.320
<v Speaker 4>like dancers like kind of sniping one another. Backbiting or

0:28:37.320 --> 0:28:39.280
<v Speaker 4>pushing each other out of the way. It did kind

0:28:39.280 --> 0:28:43.920
<v Speaker 4>of have this really family vibe every episode, and apparently

0:28:43.960 --> 0:28:46.320
<v Speaker 4>that was the work of that Clinton Ghent guy who

0:28:46.600 --> 0:28:48.320
<v Speaker 4>just really knew how to put people together.

0:28:48.720 --> 0:28:52.200
<v Speaker 1>Yeah, that GQ editor really nailed it.

0:28:52.280 --> 0:28:54.520
<v Speaker 2>Like it just looked like it looked like a party

0:28:54.560 --> 0:28:56.200
<v Speaker 2>you wanted to be at, like everyone was.

0:28:56.120 --> 0:28:56.880
<v Speaker 1>Having a good time.

0:28:57.200 --> 0:28:57.920
<v Speaker 4>Yeah, for sure.

0:28:58.360 --> 0:29:01.160
<v Speaker 2>So some of the some of these dancers went on

0:29:01.200 --> 0:29:05.120
<v Speaker 2>to be famous. We're kind of discovered there. Jody Wattley,

0:29:05.840 --> 0:29:08.360
<v Speaker 2>the singer. She started out as a teenager on Soul

0:29:08.400 --> 0:29:12.240
<v Speaker 2>Train and Don Cornelius was like, you're super talented, I'm

0:29:12.280 --> 0:29:15.600
<v Speaker 2>a businessman. I'm going to pair you with this other guy,

0:29:15.680 --> 0:29:19.720
<v Speaker 2>Jeffrey Daniel, and you guys should record music together. And

0:29:19.880 --> 0:29:22.840
<v Speaker 2>that little group went on to be Shallamar. Of course,

0:29:24.080 --> 0:29:26.960
<v Speaker 2>in nineteen seventy seven they got together, and then.

0:29:26.880 --> 0:29:30.800
<v Speaker 4>After Shallamar, Jody Wattley went on to become Jody Wattley.

0:29:31.160 --> 0:29:31.640
<v Speaker 1>That's right.

0:29:33.560 --> 0:29:37.960
<v Speaker 2>You mentioned rerun from What's Happening, Nick Cannon, Carmen Electra,

0:29:38.160 --> 0:29:40.160
<v Speaker 2>which I didn't know that she started out there.

0:29:40.200 --> 0:29:41.360
<v Speaker 1>That kind of surprised me.

0:29:41.760 --> 0:29:44.440
<v Speaker 4>I didn't either. Her real name is Tara Lee Patrick.

0:29:44.520 --> 0:29:45.120
<v Speaker 4>Did you know that.

0:29:46.280 --> 0:29:47.920
<v Speaker 1>I don't know if I did or not. I know

0:29:48.040 --> 0:29:49.080
<v Speaker 1>it wasn't Carmen Electra.

0:29:49.760 --> 0:29:52.920
<v Speaker 4>Yeah, no, it's not that, although she looks way more

0:29:52.960 --> 0:29:57.000
<v Speaker 4>like a Carmen Electra than a Tara Lee Patrick. Yeah, agreed,

0:29:57.640 --> 0:29:59.479
<v Speaker 4>doesn't look at all Irish or Southern.

0:30:01.000 --> 0:30:03.200
<v Speaker 2>Rosie Perez was maybe one of the biggest names to

0:30:03.240 --> 0:30:07.040
<v Speaker 2>come out of SoulTrain. This was in the eighties, because

0:30:07.040 --> 0:30:09.000
<v Speaker 2>you know, you think about the salad days of SoulTrain

0:30:09.080 --> 0:30:12.640
<v Speaker 2>and you'd probably think of the seventies, but the eighties

0:30:12.640 --> 0:30:14.040
<v Speaker 2>were pretty big and it went all the way to

0:30:14.160 --> 0:30:17.240
<v Speaker 2>two thousand and six. But in the eighties is when

0:30:17.240 --> 0:30:20.800
<v Speaker 2>the hip hop influence came on, and Rosie Perez brought

0:30:20.840 --> 0:30:24.560
<v Speaker 2>that Brooklyn, New York City hip hop flavor. And if

0:30:24.560 --> 0:30:27.320
<v Speaker 2>you go back and watch some of her stuff on SoulTrain,

0:30:27.960 --> 0:30:32.000
<v Speaker 2>it's like the dancing school. It's much different than that

0:30:32.040 --> 0:30:34.880
<v Speaker 2>sort of seventies groove. It was that sort of New

0:30:34.960 --> 0:30:36.160
<v Speaker 2>York City hip hop style.

0:30:37.040 --> 0:30:40.720
<v Speaker 4>Yeah, she does it like the beginning of what does

0:30:40.800 --> 0:30:43.719
<v Speaker 4>it do the right thing? Yeah, that's her dancing at

0:30:43.720 --> 0:30:44.560
<v Speaker 4>the beginning of it, right.

0:30:44.640 --> 0:30:45.200
<v Speaker 1>Yeah.

0:30:45.280 --> 0:30:47.200
<v Speaker 4>Yeah, that was like straight up SoulTrain. So what she

0:30:47.240 --> 0:30:50.760
<v Speaker 4>did on SoulTrain, which is very much not like what

0:30:50.800 --> 0:30:53.440
<v Speaker 4>they were doing in La too. So she kind of

0:30:53.920 --> 0:30:56.880
<v Speaker 4>rose to prominence as a Soul Train dancer very quickly,

0:30:57.160 --> 0:30:59.960
<v Speaker 4>and Don Cornelius apparently was like, hey, I want to

0:31:00.120 --> 0:31:03.320
<v Speaker 4>lock you into a contract, and Rosie Perez, being smart,

0:31:03.560 --> 0:31:06.120
<v Speaker 4>street wise, Rosie Perez said that's great, I'll show it

0:31:06.160 --> 0:31:09.040
<v Speaker 4>to my lawyer. And apparently Don Cornelius didn't like this,

0:31:09.320 --> 0:31:13.200
<v Speaker 4>and as the story goes, he grabbed Rosie Perez, which

0:31:13.240 --> 0:31:15.640
<v Speaker 4>is not what you do when somebody says that they

0:31:15.640 --> 0:31:17.600
<v Speaker 4>want their lawyer to look at a contract you want

0:31:17.600 --> 0:31:22.240
<v Speaker 4>them to lock into, or for any reason really, and

0:31:22.600 --> 0:31:25.920
<v Speaker 4>to get him all over, she threw a piece of

0:31:25.960 --> 0:31:27.680
<v Speaker 4>the fried chicken she was eating at the time right

0:31:27.720 --> 0:31:29.360
<v Speaker 4>at his head and hit him in the face.

0:31:29.600 --> 0:31:31.040
<v Speaker 1>That's how the story goes.

0:31:31.360 --> 0:31:33.280
<v Speaker 4>That's how Rosie Perez tells it for sure.

0:31:33.680 --> 0:31:36.440
<v Speaker 1>Yeah, and you know we should mention too. That is

0:31:36.480 --> 0:31:37.200
<v Speaker 1>not cool at all.

0:31:37.400 --> 0:31:40.080
<v Speaker 2>And while we're praising Don Cornelius for his talents as

0:31:40.080 --> 0:31:42.720
<v Speaker 2>a host, he did later in life when he was

0:31:42.720 --> 0:31:46.600
<v Speaker 2>a bit older. Was was he arrested or was he

0:31:46.720 --> 0:31:51.280
<v Speaker 2>just charged? I think he was charged with domestic violence

0:31:51.760 --> 0:31:53.959
<v Speaker 2>against his Russian Ukrainian wife.

0:31:54.440 --> 0:31:59.040
<v Speaker 4>Yes, he was at least charged. I don't know if

0:31:59.080 --> 0:32:02.880
<v Speaker 4>he was victed, but there was a Yeah, he got

0:32:02.880 --> 0:32:06.760
<v Speaker 4>into an entailment because of that, at least accusation that

0:32:06.840 --> 0:32:11.640
<v Speaker 4>he had abused her and then also apparently intimidated a

0:32:11.680 --> 0:32:14.360
<v Speaker 4>witness into changing their story. He was charged with that

0:32:14.480 --> 0:32:17.040
<v Speaker 4>as well. It was from what I understand though, this

0:32:17.080 --> 0:32:20.240
<v Speaker 4>all took place over a single night and possibly within

0:32:20.280 --> 0:32:22.680
<v Speaker 4>a very short period of time, over single night. Not

0:32:22.800 --> 0:32:27.520
<v Speaker 4>at all trying to justify or excuse it, but I

0:32:27.960 --> 0:32:30.880
<v Speaker 4>don't know the story behind it at all, but I

0:32:31.320 --> 0:32:34.520
<v Speaker 4>think it's worth pointing out like Don Cornelius was not

0:32:34.680 --> 0:32:38.200
<v Speaker 4>just as straight up like nothing but a smooth, cool cat.

0:32:38.280 --> 0:32:40.320
<v Speaker 4>He was a complex human being who had faults as

0:32:40.320 --> 0:32:44.040
<v Speaker 4>well too. Yeah, inflaws and all that. I mean, grabbing

0:32:44.120 --> 0:32:46.000
<v Speaker 4>Rosie Perez is bad enough alone.

0:32:46.120 --> 0:32:48.000
<v Speaker 1>Sure you know what you get, You get the old

0:32:48.080 --> 0:32:49.200
<v Speaker 1>chicken wing to the forehead.

0:32:49.480 --> 0:32:52.719
<v Speaker 4>Yeah you do. You would think, like even before she

0:32:52.840 --> 0:32:55.440
<v Speaker 4>was a star, you'd know, just hanging out with her

0:32:55.440 --> 0:32:57.200
<v Speaker 4>a little bit, not to mess with Rosy Perez.

0:32:57.280 --> 0:32:58.760
<v Speaker 1>No, I would never mess with Rosie Perez.

0:32:58.920 --> 0:33:02.680
<v Speaker 2>He didn't know that his signature sign off was on

0:33:02.840 --> 0:33:05.760
<v Speaker 2>Don Cornelius and as always in partying, we wish you love,

0:33:05.920 --> 0:33:07.400
<v Speaker 2>peace and soul.

0:33:08.280 --> 0:33:10.400
<v Speaker 4>Yeah, there were a couple of other people who kind

0:33:10.400 --> 0:33:13.160
<v Speaker 4>of rose to prominence too. Cheryl Song she was the

0:33:13.240 --> 0:33:16.120
<v Speaker 4>first Asian dancer on SoulTrain, and she said she had

0:33:16.160 --> 0:33:17.920
<v Speaker 4>to really kind of prove herself that she wasn't just

0:33:17.960 --> 0:33:22.000
<v Speaker 4>like the token non African American dancer, that she was

0:33:22.040 --> 0:33:25.040
<v Speaker 4>actually a really good dancer, and she did. And then

0:33:25.160 --> 0:33:28.640
<v Speaker 4>Jermaine Stewart, who you might recognize as the singer of

0:33:28.680 --> 0:33:31.360
<v Speaker 4>We Don't Have to Take Our Clothes Off, and that's

0:33:31.400 --> 0:33:34.360
<v Speaker 4>pretty cute because he came back home and performed it

0:33:34.400 --> 0:33:37.680
<v Speaker 4>on SoulTrain in nineteen eighty six, and when Don Cornelius

0:33:37.800 --> 0:33:40.240
<v Speaker 4>was introducing him, he was saying he made good and

0:33:40.280 --> 0:33:41.520
<v Speaker 4>we're all very proud of him.

0:33:41.920 --> 0:33:45.720
<v Speaker 1>And like you mentioned, the Irish Carmen Electra, who I

0:33:45.720 --> 0:33:48.200
<v Speaker 1>guess stood out because she was river dancing on SoulTrain

0:33:49.440 --> 0:33:50.800
<v Speaker 1>and everyone was like, what is that?

0:33:51.360 --> 0:33:53.560
<v Speaker 4>What is that? But then everybody wanted to do it

0:33:53.600 --> 0:33:55.520
<v Speaker 4>because it was Carmen Electra doing it.

0:33:55.760 --> 0:34:00.960
<v Speaker 2>So SoulTrain was so popular. And Dick Clark, I guess

0:34:01.160 --> 0:34:05.480
<v Speaker 2>didn't feel like he had enough money as a TV

0:34:05.600 --> 0:34:09.919
<v Speaker 2>mogul and an icon on American Bandstand. So he went, hey,

0:34:10.520 --> 0:34:13.399
<v Speaker 2>I'm going to start my own Soul Train and try

0:34:13.440 --> 0:34:16.360
<v Speaker 2>and bury Don Cornelius, right, and I'm going to call

0:34:16.440 --> 0:34:17.440
<v Speaker 2>it Soul Unlimited.

0:34:18.160 --> 0:34:20.319
<v Speaker 1>I'm going to put it on ABC. And it was.

0:34:20.719 --> 0:34:22.120
<v Speaker 1>You can see clips of it on YouTube.

0:34:22.160 --> 0:34:26.440
<v Speaker 2>It didn't last long, but it was a literal ripoff

0:34:26.520 --> 0:34:29.040
<v Speaker 2>of Soul Train. And you might say Soul Train was

0:34:29.040 --> 0:34:32.440
<v Speaker 2>a ripoff of American Bandstand, fair enough, but for him

0:34:32.440 --> 0:34:37.120
<v Speaker 2>to go after the African American market like that, I

0:34:37.120 --> 0:34:38.160
<v Speaker 2>don't think was very cool.

0:34:39.560 --> 0:34:42.560
<v Speaker 4>No, it isn't very cool. I could see Dick Clark

0:34:42.600 --> 0:34:45.759
<v Speaker 4>being a little blind to the larger implications of it.

0:34:46.080 --> 0:34:46.279
<v Speaker 1>Well.

0:34:46.880 --> 0:34:49.160
<v Speaker 4>And you know, I don't know if if he was

0:34:49.200 --> 0:34:51.719
<v Speaker 4>involved in it's canceling or not, but you know, some

0:34:52.880 --> 0:34:55.680
<v Speaker 4>black leaders did get it canceled. They started a campaign

0:34:55.719 --> 0:34:58.600
<v Speaker 4>to say, like, no, just leave this one alone. I

0:34:58.600 --> 0:35:01.040
<v Speaker 4>don't know if how easily Clark went along with her

0:35:01.080 --> 0:35:02.960
<v Speaker 4>or not. I like to think he was like, oh, okay,

0:35:03.000 --> 0:35:05.120
<v Speaker 4>I see the era of my ways now and dropped it.

0:35:05.400 --> 0:35:08.239
<v Speaker 4>But yeah, only a few episodes came out either way,

0:35:08.560 --> 0:35:10.759
<v Speaker 4>SoulTrain was left to like stand on its own. You

0:35:10.840 --> 0:35:13.200
<v Speaker 4>know yeah, which and I think rightfully so too.

0:35:13.520 --> 0:35:17.040
<v Speaker 2>Yeah, yeah, there were other performers. Later on they would

0:35:17.080 --> 0:35:19.879
<v Speaker 2>have white performers. David Bowie very famously was on there.

0:35:20.520 --> 0:35:21.759
<v Speaker 4>Oh no, did you watch that?

0:35:21.920 --> 0:35:24.200
<v Speaker 2>He did did ah, it was awful, did a pretty

0:35:24.200 --> 0:35:27.880
<v Speaker 2>bad lip sync job, which Cornelius gave him kind of

0:35:27.880 --> 0:35:30.839
<v Speaker 2>teased him about. And then Elton John who was who

0:35:30.920 --> 0:35:32.920
<v Speaker 2>was always had a pretty big following in the African

0:35:32.960 --> 0:35:33.840
<v Speaker 2>American community.

0:35:34.520 --> 0:35:35.759
<v Speaker 4>I know that, did you?

0:35:35.880 --> 0:35:37.600
<v Speaker 1>Yeah? Yeah, he wrote. He wrote about it in his

0:35:37.880 --> 0:35:39.719
<v Speaker 1>autobiography that I read last year.

0:35:40.040 --> 0:35:40.520
<v Speaker 4>That's cool.

0:35:40.560 --> 0:35:46.600
<v Speaker 2>I think it started when Aretha Franklin covered burned Down

0:35:46.600 --> 0:35:49.480
<v Speaker 2>the Mission. If I'm not mistaken, Okay, is that the

0:35:49.480 --> 0:35:51.680
<v Speaker 2>one she recorded. I think that's the way it went down.

0:35:52.040 --> 0:35:53.480
<v Speaker 4>I've never heard of that song before.

0:35:54.280 --> 0:35:57.920
<v Speaker 1>What is wrong with you? You've never heard burn Down the Mission?

0:35:58.320 --> 0:36:01.200
<v Speaker 4>I don't think so. I'm not the biggest Elton John fan.

0:36:01.400 --> 0:36:03.479
<v Speaker 4>I mean, I'm fine with him, but I really don't

0:36:03.560 --> 0:36:05.880
<v Speaker 4>like a lot of his seventies stuff, like a lot.

0:36:06.040 --> 0:36:09.440
<v Speaker 4>I really don't like it. Wow, But I like his

0:36:09.480 --> 0:36:11.640
<v Speaker 4>any stuff, like the whole I'm still standing thing.

0:36:11.760 --> 0:36:12.319
<v Speaker 1>Okay, it's good.

0:36:13.120 --> 0:36:14.759
<v Speaker 4>It was burned Down the Mission before that.

0:36:15.200 --> 0:36:18.200
<v Speaker 1>Yeah, Yeah, that was that was a nice My follow.

0:36:17.960 --> 0:36:20.040
<v Speaker 4>Up question is what what what problem did he have

0:36:20.120 --> 0:36:24.480
<v Speaker 4>with the mission? He didn't write it, Okay, Bernie Toppin

0:36:24.520 --> 0:36:27.839
<v Speaker 4>wrote all his lyrics. Oh I see now I am

0:36:27.840 --> 0:36:28.839
<v Speaker 4>a Bernie Toppin fan.

0:36:32.320 --> 0:36:33.360
<v Speaker 1>You're a national treasure.

0:36:33.840 --> 0:36:34.319
<v Speaker 4>Thank you.

0:36:34.360 --> 0:36:36.799
<v Speaker 2>So Elton John was on a couple of times, and

0:36:37.560 --> 0:36:40.439
<v Speaker 2>it's pretty sweet if you look at the one. I'm

0:36:40.440 --> 0:36:43.839
<v Speaker 2>not sure if it was the Philadelphia Freedom one or I.

0:36:43.800 --> 0:36:45.480
<v Speaker 4>Hate that song or the other one.

0:36:45.640 --> 0:36:46.600
<v Speaker 1>It's such a good song.

0:36:47.120 --> 0:36:49.200
<v Speaker 2>But he they you know, he takes questions and you

0:36:49.239 --> 0:36:51.600
<v Speaker 2>can tell he's kind of shy and a little nervous,

0:36:52.000 --> 0:36:55.000
<v Speaker 2>and he takes some questions from the from the people,

0:36:55.320 --> 0:36:57.040
<v Speaker 2>from the dancers and stuff, which was kind of cool.

0:36:57.680 --> 0:36:59.560
<v Speaker 2>But it's just very sweet to see how nervous he was.

0:37:00.120 --> 0:37:05.640
<v Speaker 4>Yeah, because he's known for being a humble, humble spirit,

0:37:06.760 --> 0:37:11.440
<v Speaker 4>is he No have you ever seen that the documentary

0:37:11.480 --> 0:37:14.400
<v Speaker 4>they made or he self made or no, his partner made.

0:37:14.520 --> 0:37:16.600
<v Speaker 4>His partner was the only one he would let, you know,

0:37:16.760 --> 0:37:19.040
<v Speaker 4>fallow him around with the camera, which is pretty understandable.

0:37:19.440 --> 0:37:20.920
<v Speaker 4>But he came out in the last like I don't know,

0:37:21.080 --> 0:37:21.919
<v Speaker 4>decade or less.

0:37:22.000 --> 0:37:23.840
<v Speaker 1>Yeah, the tantrums and tierras.

0:37:23.880 --> 0:37:26.480
<v Speaker 4>I think, yes, yeah, yeah, yeah, it was great, man,

0:37:26.560 --> 0:37:27.120
<v Speaker 4>I loved it.

0:37:27.320 --> 0:37:29.439
<v Speaker 1>Yeah, he's good. I like that Rocketman movie a lot too.

0:37:30.080 --> 0:37:33.200
<v Speaker 4>I have not seen that. I saw it. I saw

0:37:33.239 --> 0:37:35.840
<v Speaker 4>it over someone else's shoulders on a plane.

0:37:36.120 --> 0:37:37.080
<v Speaker 1>You wouldn't like it, I didn't.

0:37:37.520 --> 0:37:39.440
<v Speaker 4>I know, it didn't look like anything I would like.

0:37:39.719 --> 0:37:41.279
<v Speaker 1>No, if you don't like Elton John, you wouldn't like

0:37:41.280 --> 0:37:42.279
<v Speaker 1>the movie about Elton John.

0:37:42.680 --> 0:37:42.759
<v Speaker 3>No.

0:37:42.880 --> 0:37:46.239
<v Speaker 4>And again, sir Elton, I have no problem with you personally.

0:37:46.640 --> 0:37:49.680
<v Speaker 4>It's just that that period through seventies, the seventies, like

0:37:49.800 --> 0:37:55.200
<v Speaker 4>Crocodile Rock, the one about like Philadelphia Freedom.

0:37:55.400 --> 0:37:58.080
<v Speaker 2>You know, all those bad seventies albums Madman Across the

0:37:58.120 --> 0:38:01.080
<v Speaker 2>Water and Captain Fantastic and by yelbrick Row, those are

0:38:01.120 --> 0:38:01.720
<v Speaker 2>all terrible.

0:38:02.000 --> 0:38:04.560
<v Speaker 4>Exactly. I feel understood.

0:38:04.640 --> 0:38:05.239
<v Speaker 1>Check thank you.

0:38:06.120 --> 0:38:10.399
<v Speaker 2>So the eighties come along and nineteen eighty three Don

0:38:10.440 --> 0:38:13.960
<v Speaker 2>Cornelius has brain surgery, takes a little time off, he

0:38:14.040 --> 0:38:17.680
<v Speaker 2>comes back. SoulTrain has changed their look a little bit

0:38:17.719 --> 0:38:20.719
<v Speaker 2>to try and fit with kind of what's going on

0:38:20.800 --> 0:38:23.520
<v Speaker 2>at the time, with like Whitney Houston and people like that.

0:38:24.480 --> 0:38:28.600
<v Speaker 2>And then hip hop and rap come along and apparently

0:38:28.600 --> 0:38:30.839
<v Speaker 2>Don Cornelius is not a big fan.

0:38:31.360 --> 0:38:34.920
<v Speaker 4>Uh yeah, I think I read I can't remember. I

0:38:34.960 --> 0:38:37.640
<v Speaker 4>read a really great article in Dazed about it, or

0:38:38.280 --> 0:38:40.319
<v Speaker 4>there's another pretty good one that was a review of

0:38:40.360 --> 0:38:45.640
<v Speaker 4>the recent TV biopic about him and SoulTrain on The Guardian,

0:38:45.680 --> 0:38:49.880
<v Speaker 4>and it basically explained it like that Don Cornelius was

0:38:49.960 --> 0:38:56.319
<v Speaker 4>like a mid century integration minded black businessman and that

0:38:57.239 --> 0:39:02.520
<v Speaker 4>he and his ilk and generation they had been working toward, like,

0:39:02.960 --> 0:39:05.959
<v Speaker 4>you know, getting a piece of the pie that didn't

0:39:06.000 --> 0:39:08.360
<v Speaker 4>necessarily it wasn't the white pie. It was the pie

0:39:08.440 --> 0:39:12.320
<v Speaker 4>that white people controlled. And if you were you know,

0:39:12.000 --> 0:39:14.440
<v Speaker 4>if you if you made your way to get a

0:39:14.480 --> 0:39:16.360
<v Speaker 4>piece of this that like you could you could be

0:39:16.440 --> 0:39:19.200
<v Speaker 4>black and still enjoy the good life. And that hip

0:39:19.200 --> 0:39:23.240
<v Speaker 4>hop reminded him of everything that he and his generation

0:39:23.360 --> 0:39:26.480
<v Speaker 4>had kind of tried to work beyond and pasted and

0:39:26.520 --> 0:39:30.320
<v Speaker 4>to integrate, and that to him it was a step backwards.

0:39:30.360 --> 0:39:33.080
<v Speaker 4>So he wasn't vibing on it at all. My own

0:39:33.160 --> 0:39:37.440
<v Speaker 4>personal take is that he was a smooth customer and

0:39:37.480 --> 0:39:42.920
<v Speaker 4>he appreciated smoothness, and hip hop, especially eighties hip hop,

0:39:43.160 --> 0:39:46.239
<v Speaker 4>was the opposite of smooth, and so he was not

0:39:46.400 --> 0:39:48.400
<v Speaker 4>vibing on it at all, and he even referred to

0:39:48.480 --> 0:39:51.680
<v Speaker 4>himself as an old guy sometimes when he was interviewing

0:39:52.560 --> 0:39:54.120
<v Speaker 4>you know, some of the hip hop artists who came

0:39:54.160 --> 0:39:55.400
<v Speaker 4>on Soul Train in the eighties.

0:39:55.880 --> 0:39:58.279
<v Speaker 2>Yeah, I watched one of the Public Enemy clips and

0:39:59.400 --> 0:40:03.160
<v Speaker 2>it was weird. Afterward he like he basically ignores Chuck

0:40:03.239 --> 0:40:07.000
<v Speaker 2>D and like talks only to Flavor Flave.

0:40:08.280 --> 0:40:12.839
<v Speaker 1>And then finally turns to Chuck It was like, and now,

0:40:12.920 --> 0:40:13.239
<v Speaker 1>Chuck D.

0:40:13.480 --> 0:40:16.759
<v Speaker 2>He said, you must feel so blessed to have have

0:40:16.880 --> 0:40:20.440
<v Speaker 2>someone as talented as Flavor as your partner. What really,

0:40:20.520 --> 0:40:22.759
<v Speaker 2>it was really weird, and Chuck D was like, yeah,

0:40:22.800 --> 0:40:26.640
<v Speaker 2>you know, he's quite a character, as you can see. Yeah,

0:40:26.680 --> 0:40:28.919
<v Speaker 2>I just I don't know. It really came off as

0:40:28.960 --> 0:40:33.640
<v Speaker 2>like Don Cornelius doesn't understand this. I'm not dissing Flave,

0:40:33.760 --> 0:40:37.160
<v Speaker 2>but like Chuck D was like the he was the

0:40:37.239 --> 0:40:38.480
<v Speaker 2>leader of that band, you know.

0:40:38.920 --> 0:40:41.760
<v Speaker 4>Yeah, he was the brains behind the outfit for sure.

0:40:42.120 --> 0:40:47.000
<v Speaker 4>And I mean like, yeah, Flavor Flaves just like he's

0:40:47.160 --> 0:40:51.640
<v Speaker 4>he's like fills in the kind of hardness of Chuck D. Yeah,

0:40:51.719 --> 0:40:54.720
<v Speaker 4>I don't Yeah, if you think Public Enemy, it's definitely

0:40:54.800 --> 0:40:57.000
<v Speaker 4>Flavor Flavor and Chuck D. But it's Chuck D.

0:40:57.360 --> 0:40:58.080
<v Speaker 1>Yeah, you know what I mean.

0:40:58.840 --> 0:40:59.800
<v Speaker 4>And then Flavor Flave.

0:41:00.080 --> 0:41:02.719
<v Speaker 2>Yeah, it was definitely a strange interview because I thought,

0:41:02.760 --> 0:41:04.600
<v Speaker 2>finally he's going to talk to Chuck D. And he's like,

0:41:04.640 --> 0:41:06.680
<v Speaker 2>you must feel so good about having this guy as

0:41:06.719 --> 0:41:07.200
<v Speaker 2>your partner.

0:41:07.719 --> 0:41:10.120
<v Speaker 4>Which one was that after? Because they were on at

0:41:10.200 --> 0:41:13.000
<v Speaker 4>least twice on the regular show by my count, and

0:41:13.040 --> 0:41:15.600
<v Speaker 4>then once on the Soul Train Awards at least you

0:41:15.719 --> 0:41:17.919
<v Speaker 4>don't remember. So it's not like he wasn't smart enough

0:41:17.960 --> 0:41:21.040
<v Speaker 4>to know that they were big and should be on anyway,

0:41:21.080 --> 0:41:24.279
<v Speaker 4>whether he liked him or not. But they did they

0:41:24.520 --> 0:41:27.120
<v Speaker 4>can't trust it in nineteen ninety one, and they did

0:41:27.160 --> 0:41:29.680
<v Speaker 4>Rubble without a Pause in nineteen eighty seven, and I

0:41:29.840 --> 0:41:32.520
<v Speaker 4>could not find the interview segment. I just saw, like

0:41:32.600 --> 0:41:35.200
<v Speaker 4>the performance, No, both like really great.

0:41:35.680 --> 0:41:38.960
<v Speaker 2>Well, it was very sweet and actually it would have

0:41:39.000 --> 0:41:43.120
<v Speaker 2>had to been the nineties one because afterward Flavor Flave

0:41:43.280 --> 0:41:47.640
<v Speaker 2>asked for a a moment of silence for the passing

0:41:47.680 --> 0:41:49.400
<v Speaker 2>of Miles Davis and Red Fox.

0:41:50.680 --> 0:41:52.240
<v Speaker 1>And they take a moment of silence.

0:41:52.680 --> 0:41:55.840
<v Speaker 4>That's awesome, h it was cool. So and that's actually

0:41:56.719 --> 0:41:59.279
<v Speaker 4>just in case we haven't gotten this across enough yet

0:41:59.440 --> 0:42:04.040
<v Speaker 4>Soul Train again, was it never got away from like

0:42:04.080 --> 0:42:06.600
<v Speaker 4>it's black roots, like it never sold out or anything

0:42:06.680 --> 0:42:09.439
<v Speaker 4>like that. Like it was, like, that makes perfect sense

0:42:09.480 --> 0:42:11.839
<v Speaker 4>that they would include that part. They wouldn't just edit

0:42:11.880 --> 0:42:16.239
<v Speaker 4>that out in the episode that they published. Yeah, that

0:42:16.360 --> 0:42:18.560
<v Speaker 4>was just part of it. Even as late as the

0:42:18.600 --> 0:42:19.440
<v Speaker 4>early nineties.

0:42:19.960 --> 0:42:22.439
<v Speaker 1>Yeah, in the early nineties is when Don Cornelius finally

0:42:22.480 --> 0:42:25.759
<v Speaker 1>had to step down. May tenth, nineteen ninety three was

0:42:25.760 --> 0:42:29.760
<v Speaker 1>his final episode. He passed it on to the younger generation.

0:42:30.440 --> 0:42:32.319
<v Speaker 1>It went all the way to two thousand and six

0:42:32.440 --> 0:42:36.080
<v Speaker 1>and became the longest running syndicated show in TV history.

0:42:36.640 --> 0:42:41.440
<v Speaker 4>Yeah, thirty five seasons amazing and those younger that younger

0:42:41.440 --> 0:42:44.040
<v Speaker 4>generation that he handed the reins over to. Some of

0:42:44.080 --> 0:42:49.359
<v Speaker 4>the temporary hosts included Jamie Fox got his start, Tyra

0:42:49.440 --> 0:42:53.239
<v Speaker 4>Banks and Shamar Moore from Criminal Minds. He was a

0:42:53.280 --> 0:42:56.560
<v Speaker 4>long time stand in host. Really, Yeah, he's big time manh.

0:42:56.560 --> 0:42:57.359
<v Speaker 1>I don't know who that is.

0:42:59.280 --> 0:43:01.960
<v Speaker 4>I don't Watchdal Minds either, but you've seen enough like

0:43:02.080 --> 0:43:04.680
<v Speaker 4>ads for Criminal Minds that you would recognize. I'm sure.

0:43:05.640 --> 0:43:08.520
<v Speaker 2>Very Sadly, Don Cornelius took his own life. He was

0:43:08.520 --> 0:43:12.520
<v Speaker 2>suffering from Alzheimer's and apparently he was having a lot

0:43:12.560 --> 0:43:16.920
<v Speaker 2>of seizures and just in a pretty bad way physically,

0:43:17.400 --> 0:43:20.319
<v Speaker 2>and his son said that that was the reason why he.

0:43:20.239 --> 0:43:21.000
<v Speaker 1>Took his own life.

0:43:22.080 --> 0:43:25.879
<v Speaker 4>Yeah, well, Puss. He'd also sold the rights i think

0:43:25.920 --> 0:43:28.319
<v Speaker 4>to Soul Train too, and it seems like things kind

0:43:28.320 --> 0:43:30.960
<v Speaker 4>of started to go downhill for him around then, I

0:43:30.960 --> 0:43:32.040
<v Speaker 4>think in two thousand and eight.

0:43:32.200 --> 0:43:34.239
<v Speaker 1>Yeah.

0:43:34.320 --> 0:43:36.360
<v Speaker 4>But yeah, apparently it was a really big surprise to

0:43:36.400 --> 0:43:41.719
<v Speaker 4>everybody who knew him that he died by suicide, that

0:43:41.880 --> 0:43:47.400
<v Speaker 4>that was not the perceived outcome for him, I think. Yeah,

0:43:47.480 --> 0:43:50.080
<v Speaker 4>but his legacy lives on. Like you said, I mean,

0:43:50.120 --> 0:43:53.319
<v Speaker 4>the thirty five seasons the longest running syndicated television show

0:43:53.360 --> 0:43:56.600
<v Speaker 4>of all time. In and of itself, it's an incredible achievement,

0:43:56.800 --> 0:44:00.799
<v Speaker 4>but also to be like a cornerstone of like introducing

0:44:00.840 --> 0:44:04.319
<v Speaker 4>black culture as black culture to the larger culture as

0:44:04.360 --> 0:44:08.080
<v Speaker 4>a whole in white culture huge is Yeah. I mean,

0:44:08.080 --> 0:44:11.319
<v Speaker 4>that's about as big an accomplishment as you can make.

0:44:11.719 --> 0:44:14.279
<v Speaker 4>It's like Jesse Jackson said, he was as important as

0:44:14.320 --> 0:44:15.440
<v Speaker 4>any civil rights leader.

0:44:15.640 --> 0:44:16.080
<v Speaker 1>Yep, you know.

0:44:17.120 --> 0:44:24.320
<v Speaker 4>So that's Don Cornelius and Soul Train. That's how ed

0:44:25.640 --> 0:44:27.279
<v Speaker 4>if you want to know more about that. You don't

0:44:27.320 --> 0:44:30.280
<v Speaker 4>need to know anything else. Just start go watching clips

0:44:30.280 --> 0:44:33.000
<v Speaker 4>of Soul Train and you will be a happier person

0:44:33.040 --> 0:44:34.320
<v Speaker 4>than you were before you started.

0:44:34.440 --> 0:44:36.879
<v Speaker 1>Yeah, get ready for some sick robot action.

0:44:37.520 --> 0:44:40.319
<v Speaker 4>It's so great. And rerun too. You can't forget about

0:44:40.320 --> 0:44:41.400
<v Speaker 4>rerun fred Berry.

0:44:41.400 --> 0:44:42.080
<v Speaker 1>No, that's sweet.

0:44:43.280 --> 0:44:45.600
<v Speaker 4>Well, since we talked about fred Berry, that means everybody.

0:44:45.680 --> 0:44:47.240
<v Speaker 4>Obviously it's time for listener mail.

0:44:49.719 --> 0:44:50.920
<v Speaker 1>This is about Iron Maiden.

0:44:51.440 --> 0:44:53.520
<v Speaker 2>Hey, guys, listen to your short stuff on six sixty

0:44:53.560 --> 0:44:57.120
<v Speaker 2>six and loved it more so for Josh's thoughts on

0:44:57.160 --> 0:45:00.520
<v Speaker 2>Iron Maiden, hardest working band of business seeing them twice.

0:45:00.960 --> 0:45:03.000
<v Speaker 2>I've been a Maiden fan for about fifteen years, and

0:45:03.040 --> 0:45:05.319
<v Speaker 2>I got to say Josh was right on the money

0:45:05.320 --> 0:45:07.240
<v Speaker 2>when he said Power Slave was the album to listen

0:45:07.280 --> 0:45:10.840
<v Speaker 2>to if you've never really given them a chance. So chuck,

0:45:11.280 --> 0:45:15.000
<v Speaker 2>whip out that old bean bag, roll up a fatty,

0:45:15.719 --> 0:45:18.240
<v Speaker 2>crack open a cold one, and crank up some Maiden.

0:45:18.480 --> 0:45:21.719
<v Speaker 2>You'll be glad you did. Also, just want to say

0:45:21.719 --> 0:45:24.960
<v Speaker 2>thank you both for the awesome work you do. I'm spewing,

0:45:26.400 --> 0:45:30.360
<v Speaker 2>which must be Australian for angry, he says, I'm spewing

0:45:30.360 --> 0:45:31.879
<v Speaker 2>because I couldn't get to your show when you came

0:45:31.920 --> 0:45:32.600
<v Speaker 2>to Perth.

0:45:32.960 --> 0:45:35.479
<v Speaker 4>I think, so, yeah, yeah, you missed a good show

0:45:35.520 --> 0:45:37.799
<v Speaker 4>that I was thinking about how cool that town was

0:45:37.840 --> 0:45:38.319
<v Speaker 4>the other day.

0:45:38.400 --> 0:45:39.239
<v Speaker 1>Yeah, Perth was cool.

0:45:39.680 --> 0:45:42.439
<v Speaker 2>Your discussion and delivery of interesting, exciting topics week after

0:45:42.480 --> 0:45:47.439
<v Speaker 2>week transmute information and understanding into very enjoyable entertainment into

0:45:47.440 --> 0:45:49.920
<v Speaker 2>my ear holes, bringing much joy not just to my

0:45:49.920 --> 0:45:50.480
<v Speaker 2>commute but.

0:45:50.440 --> 0:45:51.360
<v Speaker 1>To my work life.

0:45:51.719 --> 0:45:55.600
<v Speaker 2>Lots of love from Mandura, Western Australia, and that is

0:45:55.600 --> 0:45:57.520
<v Speaker 2>from Tie Ty.

0:45:57.640 --> 0:45:58.480
<v Speaker 4>I like this person.

0:45:58.680 --> 0:45:59.040
<v Speaker 1>Yeah.

0:45:59.280 --> 0:46:02.759
<v Speaker 4>First of all, Tie says that I'm right, which I love. Yeah,

0:46:03.480 --> 0:46:06.360
<v Speaker 4>likes Iron Maiden, loves Iron Maiden. You could say, and

0:46:06.440 --> 0:46:09.160
<v Speaker 4>it is upset that they missed our show.

0:46:09.719 --> 0:46:10.319
<v Speaker 1>We'll be back.

0:46:11.400 --> 0:46:13.320
<v Speaker 4>Sure we will be Hey, you know, we're like number

0:46:13.360 --> 0:46:15.239
<v Speaker 4>one in Australia as far as podcasts go.

0:46:15.360 --> 0:46:17.799
<v Speaker 1>Right now, I heard that. Man, they're practically begging for

0:46:17.880 --> 0:46:18.560
<v Speaker 1>us to come back.

0:46:18.880 --> 0:46:21.080
<v Speaker 4>We'll come back and we'll definitely go to Perth again.

0:46:21.200 --> 0:46:23.440
<v Speaker 4>So don't worry, Ty, we'll be there. Just keep an

0:46:23.480 --> 0:46:24.839
<v Speaker 4>ear up, keep your ear holes out.

0:46:24.920 --> 0:46:25.319
<v Speaker 1>That's right.

0:46:26.120 --> 0:46:27.920
<v Speaker 4>If you want to be cool like Tye and get

0:46:27.960 --> 0:46:30.600
<v Speaker 4>in touch with us, you can do that, You can

0:46:30.640 --> 0:46:37.280
<v Speaker 4>send us an email to stuff podcast at iHeartRadio dot com.

0:46:38.000 --> 0:46:41.000
<v Speaker 5>You Know Stuff You Should Know is a production of iHeartRadio.

0:46:41.480 --> 0:46:44.680
<v Speaker 2>For more podcasts my heart Radio, visit the iHeartRadio app,

0:46:44.880 --> 0:46:46.320
<v Speaker 2>Apple Podcasts, or wherever

0:46:46.320 --> 0:46:47.800
<v Speaker 4>You listen to your favorite shows.