WEBVTT - #485 - Jelly Roll

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<v Speaker 1>Yo Bootleg cav podcast, Yes on the Road with Jelly Roll.

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<v Speaker 2>Baby The Road with the Role Dude.

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<v Speaker 1>First of all, Man, congratulations a new album. I text

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<v Speaker 1>you this, but I truly feel I know it's, you know,

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<v Speaker 1>coming from the hip hop side of things to say classic.

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<v Speaker 1>When I hear a project a couple of times straight through,

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<v Speaker 1>I feel like this is a classic body of work.

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<v Speaker 1>We're gonna come back at this.

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<v Speaker 2>I'm super proud of it.

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<v Speaker 1>Dude.

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<v Speaker 2>It's the most time I've ever spent on a single

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<v Speaker 2>body of.

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<v Speaker 1>Work and it's twenty eight songs, but it's.

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<v Speaker 2>A lot of meat. Dude. I wrote like one hundred

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<v Speaker 2>and fifty, one hundred and sixty or something.

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<v Speaker 1>It's so crazy because even if like I go back

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<v Speaker 1>to like your old school shit, like your songwriting to

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<v Speaker 1>me has always been pretty superior in terms of like

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<v Speaker 1>your ability to write certain hooks, like you know, thinking

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<v Speaker 1>back to like Sunday Morning or smoking section. But it

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<v Speaker 1>feels like the song writing has just like it's like

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<v Speaker 1>it's hit its peak. Like I feel like you're in

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<v Speaker 1>your prime with the pen right now.

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<v Speaker 3>I think I'm getting close. I don't think I'm there yet.

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<v Speaker 3>I think i'm because I'm starting to like learn more

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<v Speaker 3>about music too. Yeah, So the more I understand how

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<v Speaker 3>the top line, like the lyrics side of what I

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<v Speaker 3>do works with the music side of what's happening under it,

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<v Speaker 3>the more dangerous I'm getting with understanding how this all

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<v Speaker 3>works together.

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<v Speaker 2>You know.

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<v Speaker 1>Yeah, it's interesting too because like I think of a song, like,

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<v Speaker 1>first of all, you kicked the album off with winning streak,

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<v Speaker 1>which is crazy because I grew up going to NA

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<v Speaker 1>and AA meetings. My uncle had a drug rehab and

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<v Speaker 1>he is recovering addict. My dad's a recovering addict. So

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<v Speaker 1>I some my summer job used to be to sit

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<v Speaker 1>in the back of those meetings. Wow, as like a

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<v Speaker 1>fourteen or fifteen year old wow, collect people's stuff, you know,

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<v Speaker 1>like because it was it was a part of like

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<v Speaker 1>a people who are on probation. You know.

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<v Speaker 3>Did you understand at that age how impactful what was

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<v Speaker 3>happening in front of you was?

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<v Speaker 2>Or no?

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<v Speaker 1>I think so, man, because you would just see people

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<v Speaker 1>break down and like, I know, you know, I was like,

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<v Speaker 1>I never have touched any like I would say hard. Oh,

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<v Speaker 1>I've dounch rooms and weed and you know, a little

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<v Speaker 1>bit of molly but I've never like putting none up

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<v Speaker 1>my nose and shit because of like the I've seen

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<v Speaker 1>it with my own eyes, Like right, you know, you.

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<v Speaker 3>Know the dangers of you got to see it. It's

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<v Speaker 3>absolute worse. It's crazy that you got to see the

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<v Speaker 3>impact and understood the impact at that age too, because

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<v Speaker 3>something what's happened in those rooms, it's magical at times. Man,

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<v Speaker 3>it's also hilarious. I've heard some of the funniest stories

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<v Speaker 3>of my life ever in those rooms.

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<v Speaker 1>How because I heard you talk about it a little

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<v Speaker 1>bit on Joe, But like, how often do you try

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<v Speaker 1>to get into a meeting and like, at this point

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<v Speaker 1>your jelly roll, So I can only imagine you walking

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<v Speaker 1>into a meeting.

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<v Speaker 3>Nah, Man, That's kind of one of the cool things

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<v Speaker 3>about going to a meeting is they take the anonymous

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<v Speaker 3>side of that really serious. So that's why I don't

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<v Speaker 3>That's why I haven't talked a lot about it, because

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<v Speaker 3>I don't know how much they would want me sharing

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<v Speaker 3>what happens in those rooms or not. Dude, you know,

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<v Speaker 3>but it's just so magical. But uh, yeah, man, that's

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<v Speaker 3>the cool thing is that never bothered at all, man, Yeah,

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<v Speaker 3>never bothered at all anytime you go, man, just you know,

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<v Speaker 3>you're just another addict or just another alcoholic to them.

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<v Speaker 2>That's how they look at you.

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<v Speaker 1>Man.

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<v Speaker 4>It just really humiliation, really this thing of humiliation that

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<v Speaker 4>happens in there in a way of like humbling, like

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<v Speaker 4>in a good way of like, no matter how great

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<v Speaker 4>we're doing today, we always reduce ourselves to know that

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<v Speaker 4>we're still that addict at heart, so we could that

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<v Speaker 4>any moment, this thing could go left for us, and

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<v Speaker 4>it is what keeps people in constant gratitude.

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<v Speaker 1>I was gonna ask you, man, but to answer.

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<v Speaker 3>Your question, because I hate avoiding questions as much as

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<v Speaker 3>I can go right, you know these days a few

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<v Speaker 3>a year, you know what I mean, ten a year, maybe.

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<v Speaker 1>What has there been, like any specific feedback you've gotten

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<v Speaker 1>from that song and just being like wow, someone because

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<v Speaker 1>I can't recall someone who's tackled that experience on a record,

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<v Speaker 1>let alone kicking kicking off an album.

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<v Speaker 2>You know, yeah, it's been cool, man. I haven't I

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<v Speaker 2>haven't got I've been sub dude. I hate to admit this.

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<v Speaker 3>I've been so in the vortex of this thing right here.

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<v Speaker 1>Yeah, I hadn't.

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<v Speaker 2>Even just today took the time to look at like critical.

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<v Speaker 1>Reviews of my album?

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<v Speaker 2>You know what I mean about that?

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<v Speaker 3>No, not at all, but it just popped up on

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<v Speaker 3>my feed and I actually had time today to entertain it.

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<v Speaker 2>I didn't go search for it.

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<v Speaker 3>I just you know, it's like it's there and it's

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<v Speaker 3>album review and then you hit one and you know

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<v Speaker 3>how news feeds doing the Google, it just immediately gives

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<v Speaker 3>you the role and you're like, well, let me just

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<v Speaker 3>what did Pitchfork say?

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<v Speaker 2>What did Browne? So?

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<v Speaker 3>You know, and more than anything, it's not that I

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<v Speaker 3>care about it. I'm just still so new to this.

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<v Speaker 3>I care that they cared, you know what I'm saying.

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<v Speaker 3>I don't care if you shop on the album.

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<v Speaker 2>The fact that you took the time to review a

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<v Speaker 2>twenty eight song album that I put out, it's still

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<v Speaker 2>fucking insane to me. Did people care enough about what

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<v Speaker 2>I'm doing? You know? Yo?

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<v Speaker 1>Uh if by the time this comes out.

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<v Speaker 2>Think about that somebody got paid.

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<v Speaker 1>To listen to your music and give them like a.

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<v Speaker 2>Real deal, like well thought out thought like dude, thank you.

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<v Speaker 2>I'm honored.

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<v Speaker 1>No, Like, I mean shit, growing up like and the

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<v Speaker 1>source was such a big deal when you like going

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<v Speaker 1>to look at the mics and but but again, it'd

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<v Speaker 1>be like just having people give a fuck from Pitchfork

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<v Speaker 1>or you know, if someone talked to you fifteen years ago,

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<v Speaker 1>ten years ago, shit, eight years ago.

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<v Speaker 3>One hunt, I would just be I would be so

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<v Speaker 3>excited that the review could have just been a shit

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<v Speaker 3>on me. And I've been like I'm getting reviewed, and

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<v Speaker 3>that's still how I feel now. So yeah, but I

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<v Speaker 3>just now I'm starting to see like the effects of

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<v Speaker 3>the music that's happened even past yesterday. I kind of

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<v Speaker 3>missed how big that moment was on TikTok. For the

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<v Speaker 3>first few days of like twelve fifteen, twenty thousand women

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<v Speaker 3>just sharing their story was crazy.

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<v Speaker 1>Yeah, I know, it's it's crazy too because you the

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<v Speaker 1>success of that moment on TikTok is what kind of

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<v Speaker 1>it sped up you dropping the deluxe?

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<v Speaker 2>Yeah, exactly.

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<v Speaker 3>We planned to drop the Deluxe, but it was like,

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<v Speaker 3>I was gonna wait a few days or maybe even

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<v Speaker 3>a week and see if I needed to come back around.

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<v Speaker 3>And I was kind of inspired by post Malone because

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<v Speaker 3>remember he dropped F one trillion and it had all

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<v Speaker 3>these features, and then he dropped like seven songs called

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<v Speaker 3>the Long Bed Edition right after with seven songs that.

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<v Speaker 1>Were so low.

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<v Speaker 2>I had these five like fire features come in the

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<v Speaker 2>bottom of the night.

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<v Speaker 3>In it, like people showed up for me, like Halsey,

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<v Speaker 3>Russ Keith, Urban Ernest, like all those features showed up

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<v Speaker 3>with for me, like within a week of releasing.

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<v Speaker 1>Crazy now because I remember hearing you working on some

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<v Speaker 1>of these records, like at the beginning of the tour,

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<v Speaker 1>just in a room backstage.

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<v Speaker 3>Yeah, and like these we're still writing Beautifully Broken on

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<v Speaker 3>the Beautifully Broken tour.

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<v Speaker 2>I never thought of it that way. Cam. That's right,

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<v Speaker 2>that's true.

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<v Speaker 1>That's a great way to put it.

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<v Speaker 2>That's why you're interview.

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<v Speaker 1>If you're watching this, there's a good chance by the

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<v Speaker 1>time this is released, that you had the number one album,

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<v Speaker 1>your first number one album.

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<v Speaker 2>Yes, it was either me or Rod Wave and it's

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<v Speaker 2>the battle is more than me and I'm happy for him.

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<v Speaker 1>But it's crazy to think how far you've come.

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<v Speaker 2>Bro.

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<v Speaker 1>Like you know, I always say when I when I

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<v Speaker 1>think of music, you are an anomaly in terms of

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<v Speaker 1>your career path, Like this doesn't happen, I don't know

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<v Speaker 1>if it will ever happen again. I think that You've

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<v Speaker 1>always heard this from when you know, however many fifty

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<v Speaker 1>to one hundred or three or four hundred people cedars

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<v Speaker 1>you were doing. But I feel like what's always been

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<v Speaker 1>synonymous with you is when people meet you, they love

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<v Speaker 1>you right right, And I feel like that's just happening

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<v Speaker 1>now on a world worldly stage. Yes, and just talk

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<v Speaker 1>like how big of a deal is that?

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<v Speaker 2>Man?

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<v Speaker 1>Because the last album was number five?

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<v Speaker 2>Right? Yeah? I think last album was five, And I

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<v Speaker 2>was blown away that we were in that car. That's

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<v Speaker 2>what I was talking to Joe about. And I love

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<v Speaker 2>Joe's perspective.

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<v Speaker 3>I needed it this week, Yeah, album week when Joe's like,

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<v Speaker 3>don't worry about a number one out, dude, worry about

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<v Speaker 3>being jelly roll man. I'll stay at the sun. I've

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<v Speaker 3>got that'll stick with me forever. But for me, it's

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<v Speaker 3>still just like I guess, just.

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<v Speaker 2>Being in the conversations are still so new to me.

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<v Speaker 3>Like when I read the first time that charge hits whatever,

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<v Speaker 3>David double drops and it goes jelly rolling rodwave with

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<v Speaker 3>an X amount of thousands of each other for what

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<v Speaker 3>could be first week number one, and.

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<v Speaker 2>I'm a like enormous road wave man.

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<v Speaker 3>He's like a huge rod like and as an artist,

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<v Speaker 3>as a human, like how he's handled himself in critical

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<v Speaker 3>appeal and the songs and just what he stands for.

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<v Speaker 3>And I feel like we're singing the exact same song,

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<v Speaker 3>just over two different beds.

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<v Speaker 2>Of music, right, you know what I mean?

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<v Speaker 3>You know it's a It's like I would say that

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<v Speaker 3>we're in the same house, just you know, we're in

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<v Speaker 3>different rooms, you know what I mean.

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<v Speaker 2>That's what's happening right with Jelly Rolling rod Wave anyway.

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<v Speaker 3>So just even being that kind of conversation with him

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<v Speaker 3>or Charlie XCX and like these like these.

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<v Speaker 2>Are pop stars to me.

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<v Speaker 1>Hey, you know this, you're a fucking pop star.

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<v Speaker 2>That's crazy talk. That's that's crazy weep.

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<v Speaker 1>It's funny. Every time we see each other after some time,

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<v Speaker 1>we'll be like, Yo, it's getting weird, ain't it.

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<v Speaker 3>It's getting weird, and it's getting weird. I'll admit that

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<v Speaker 3>to you though on and off camera. It's getting weird,

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<v Speaker 3>but like in a good way.

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<v Speaker 1>But it's but dude, it's like if if I'm watching

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<v Speaker 1>the Super Bowl and you're in a commercial, and then

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<v Speaker 1>I'm watching Summer Slam and you're fucking by the way

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<v Speaker 1>pulling off what what an amazing choke slamb.

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<v Speaker 2>Listen it was I probably up there, Listen.

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<v Speaker 3>I hate to say this. I'll get in trouble for

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<v Speaker 3>just saying this. I've had one of the best years ever.

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<v Speaker 3>If I have a number one album this week, I've

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<v Speaker 3>had a number one album Saturday Night Live. I mean,

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<v Speaker 3>I was invited to the Grammys for the first time

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<v Speaker 3>this year.

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<v Speaker 2>This is all this year and I'm turning forty forty.

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<v Speaker 3>I want to be forty this year, and I can

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<v Speaker 3>still tell you that I think Summer slim is probably

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<v Speaker 3>the coolest moment of the year.

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<v Speaker 1>Oh for sure.

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<v Speaker 2>It's just hard to beat. Dude. It's like the listen,

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<v Speaker 2>I got slimmed. That's up there.

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<v Speaker 1>That was cool.

0:09:30.760 --> 0:09:30.960
<v Speaker 2>Yeah.

0:09:31.080 --> 0:09:32.960
<v Speaker 3>But for me, these were big moments for me because

0:09:33.160 --> 0:09:34.599
<v Speaker 3>I've talked about this a little bit, but not the

0:09:34.640 --> 0:09:36.960
<v Speaker 3>way I really want to. It's like this was like

0:09:37.679 --> 0:09:40.079
<v Speaker 3>inner child moments for me, you know what I mean,

0:09:40.120 --> 0:09:42.160
<v Speaker 3>Like as a kid who grew up in the system,

0:09:42.200 --> 0:09:44.240
<v Speaker 3>and everybody knows my story. They're exhausted here and I

0:09:44.280 --> 0:09:47.080
<v Speaker 3>don't talk about it no more neither, But just knowing

0:09:47.120 --> 0:09:52.040
<v Speaker 3>where I'm from, I was by by some decisions I made, had.

0:09:51.840 --> 0:09:53.600
<v Speaker 2>To grow up a little earlier than most people.

0:09:53.800 --> 0:09:55.840
<v Speaker 3>Yeah, so because of that, I didn't you know what

0:09:55.840 --> 0:09:57.880
<v Speaker 3>I mean, Like, you bring me back and slim me,

0:09:58.880 --> 0:10:01.360
<v Speaker 3>you circle back around and I get to choke slam

0:10:01.480 --> 0:10:04.520
<v Speaker 3>somebody and sugget to listen, and they brought me in

0:10:04.679 --> 0:10:10.160
<v Speaker 3>full face, just feeling off, just doing what they do best,

0:10:10.320 --> 0:10:14.520
<v Speaker 3>just gracing them, just gracing and Austin just wiling people up.

0:10:14.559 --> 0:10:16.840
<v Speaker 3>And I get to come in with a chair shot

0:10:17.160 --> 0:10:19.480
<v Speaker 3>and then listen, here's the shoot on and I shot on.

0:10:19.559 --> 0:10:21.200
<v Speaker 3>I shot on a little bit with Logan, but here's

0:10:21.200 --> 0:10:23.959
<v Speaker 3>a real shoot on this. To giv Austin theory is

0:10:23.960 --> 0:10:28.240
<v Speaker 3>a hero in this. Grayson's a hero in this. MI

0:10:28.440 --> 0:10:34.080
<v Speaker 3>is our truth, dude, our truth. Is one of the

0:10:34.080 --> 0:10:37.359
<v Speaker 3>best humans on earth I've heard, one of the sweetest,

0:10:37.400 --> 0:10:38.439
<v Speaker 3>most down to earth.

0:10:38.480 --> 0:10:40.920
<v Speaker 2>What can I do to help you? Loving dudes? You

0:10:40.920 --> 0:10:42.640
<v Speaker 2>will ever meet.

0:10:42.200 --> 0:10:47.319
<v Speaker 3>His His character where he confuses stuff is so hilarious.

0:10:47.360 --> 0:10:49.840
<v Speaker 3>But like if that wasn't his character, that's a piece

0:10:49.880 --> 0:10:53.480
<v Speaker 3>of his soul anyways, Like just that lighthearted.

0:10:52.880 --> 0:10:57.160
<v Speaker 2>Spiritedness of who he is. And I realized really early

0:10:57.200 --> 0:10:59.080
<v Speaker 2>when I was working with all of these dudes that

0:10:59.120 --> 0:11:01.680
<v Speaker 2>they were doing everything they could to make me look

0:11:01.720 --> 0:11:02.839
<v Speaker 2>as good as I could.

0:11:02.960 --> 0:11:05.160
<v Speaker 1>Yeah, that whole jealous a little spoof he had. It

0:11:05.240 --> 0:11:08.280
<v Speaker 1>kind of sets you up, like like that first appearance

0:11:08.320 --> 0:11:09.520
<v Speaker 1>you did and he had the jelly.

0:11:10.720 --> 0:11:14.199
<v Speaker 2>It's so good, dude, It's like it was cool man.

0:11:14.280 --> 0:11:17.560
<v Speaker 3>So like that watching them rally and when you realize that,

0:11:17.559 --> 0:11:19.800
<v Speaker 3>it gives you a whole new respect for wrestling. I

0:11:19.840 --> 0:11:21.920
<v Speaker 3>always say it to guys when they do when like, uh,

0:11:22.000 --> 0:11:23.599
<v Speaker 3>I tell Eric Church or guys. They don't know the

0:11:23.679 --> 0:11:25.760
<v Speaker 3>language sometimes, but I'm like man in the wrestling world

0:11:25.800 --> 0:11:27.200
<v Speaker 3>post Malone, when he put me on his album, I

0:11:27.200 --> 0:11:28.520
<v Speaker 3>was like, Yo, this is called giving me the rub,

0:11:29.240 --> 0:11:30.000
<v Speaker 3>Like you're pulling me.

0:11:29.960 --> 0:11:31.720
<v Speaker 2>Over right now. Yeah you know what I mean over

0:11:31.880 --> 0:11:33.400
<v Speaker 2>putting me over, dude. It's like you're giving me the

0:11:33.480 --> 0:11:34.240
<v Speaker 2>rub right now.

0:11:35.480 --> 0:11:38.080
<v Speaker 3>And I realized that that's why that business has stayed

0:11:38.120 --> 0:11:40.319
<v Speaker 3>big for so many years. I wish music would steal

0:11:40.360 --> 0:11:44.160
<v Speaker 3>that from them, the idea of constantly trying to pull people,

0:11:44.559 --> 0:11:47.520
<v Speaker 3>get people, help put people, constantly trying to put people over,

0:11:47.600 --> 0:11:50.800
<v Speaker 3>constantly trying to give people the rub, like watching.

0:11:50.720 --> 0:11:52.080
<v Speaker 1>I think you know, I think Drake did that for

0:11:52.120 --> 0:11:54.080
<v Speaker 1>a long time, you know.

0:11:54.000 --> 0:11:56.920
<v Speaker 3>Because even in Austin's shoes, his idea was like, I know,

0:11:56.960 --> 0:11:59.000
<v Speaker 3>I'm taking a bump here and listen, Austin is a

0:11:59.040 --> 0:12:02.800
<v Speaker 3>world class wrestler. He has no business allowing an overweight

0:12:02.880 --> 0:12:06.480
<v Speaker 3>musician choke slamming him on SummerSlam, you know what I mean.

0:12:07.280 --> 0:12:09.480
<v Speaker 2>But he's but it's in his mind.

0:12:09.480 --> 0:12:11.440
<v Speaker 3>It's like, no, this is what's best for all of

0:12:11.520 --> 0:12:14.280
<v Speaker 3>us in this moment, because if we all do this right,

0:12:14.360 --> 0:12:16.200
<v Speaker 3>this clip could be big for all of us. This

0:12:16.240 --> 0:12:19.040
<v Speaker 3>could be big for the entire wrestling world. This could

0:12:19.040 --> 0:12:21.360
<v Speaker 3>be new eyeballs on wrestling. This could like this is

0:12:21.400 --> 0:12:23.599
<v Speaker 3>how they think of every decision they make back in

0:12:23.640 --> 0:12:26.280
<v Speaker 3>those locker rooms, and it's I admire it, dude, and

0:12:26.520 --> 0:12:27.880
<v Speaker 3>thank you for letting me come on here and get

0:12:27.880 --> 0:12:31.240
<v Speaker 3>to shoot on that a little more because it's like I'm.

0:12:31.040 --> 0:12:36.760
<v Speaker 2>Now I'm also obsessed. I am ready in the backyard.

0:12:36.200 --> 0:12:37.679
<v Speaker 1>Rumble in Tampa.

0:12:37.760 --> 0:12:38.400
<v Speaker 2>Yeah.

0:12:38.600 --> 0:12:41.520
<v Speaker 3>I was just there hanging. Yeah, you was with your son. Yeah,

0:12:41.559 --> 0:12:44.079
<v Speaker 3>we were just there on some like whatever stuff.

0:12:44.240 --> 0:12:46.360
<v Speaker 2>That's yo.

0:12:46.679 --> 0:12:48.120
<v Speaker 1>It's interesting to see.

0:12:48.360 --> 0:12:53.200
<v Speaker 3>That's something else I'm proud of. I've never been worked

0:12:53.320 --> 0:12:55.600
<v Speaker 3>into the show for any reason. But being a fan

0:12:55.640 --> 0:12:58.679
<v Speaker 3>of the show right because you're just there exactly. It

0:12:58.720 --> 0:13:01.480
<v Speaker 3>was never like a media thing or like business is

0:13:01.600 --> 0:13:05.280
<v Speaker 3>people together. This was real deal, Like, Hey, I'm coming

0:13:05.320 --> 0:13:08.120
<v Speaker 3>to Monday night Raw. Anyways, how early am I allowed

0:13:08.160 --> 0:13:08.680
<v Speaker 3>to get there?

0:13:08.720 --> 0:13:09.920
<v Speaker 1>And who can I meet?

0:13:10.080 --> 0:13:10.800
<v Speaker 2>And then when I'm.

0:13:10.640 --> 0:13:12.640
<v Speaker 3>There and they see that I'm such a fan, they're like, man,

0:13:12.679 --> 0:13:15.440
<v Speaker 3>we should work this dude in the show. Randy's the

0:13:15.480 --> 0:13:17.920
<v Speaker 3>home he sodom. I just met him, but he's just

0:13:18.000 --> 0:13:20.360
<v Speaker 3>immediately was like, oh this is I love this. Let's

0:13:20.400 --> 0:13:22.800
<v Speaker 3>do this, you know what I mean. He immediately was

0:13:22.840 --> 0:13:25.200
<v Speaker 3>like drawing into bringing me into the storyline with him,

0:13:25.200 --> 0:13:27.920
<v Speaker 3>which was super super cool because he's seen that I

0:13:28.000 --> 0:13:29.720
<v Speaker 3>was a fan too, and he told me that afterwards.

0:13:29.800 --> 0:13:31.760
<v Speaker 3>Randy was like, uh, He's like, it's a lot of

0:13:31.760 --> 0:13:33.400
<v Speaker 3>people to come through here that kind of know what

0:13:33.400 --> 0:13:36.560
<v Speaker 3>we're doing, but they're not necessarily as He's like, man,

0:13:36.720 --> 0:13:39.360
<v Speaker 3>just I admire the grace you showed back here, Like

0:13:39.400 --> 0:13:41.040
<v Speaker 3>the respect. I mean, you know, I walk around that

0:13:41.120 --> 0:13:43.520
<v Speaker 3>think and I had off like yo, I have a

0:13:43.559 --> 0:13:45.160
<v Speaker 3>lot of respect for what they do back there.

0:13:45.160 --> 0:13:48.360
<v Speaker 2>Man, huge fucking wrestling fan, kah, huge wrestling fan.

0:13:48.559 --> 0:13:52.680
<v Speaker 1>Talk to me about this moment we're in where there's

0:13:52.720 --> 0:13:58.640
<v Speaker 1>a lot of uh cross genre happening in the country direction,

0:13:59.720 --> 0:14:04.480
<v Speaker 1>And I feel like you're kind of the first person

0:14:04.960 --> 0:14:09.240
<v Speaker 1>that I that did it in a serious way. But

0:14:09.240 --> 0:14:10.679
<v Speaker 1>but but you kind of did it in a way

0:14:10.679 --> 0:14:12.640
<v Speaker 1>that was a lot a lot different than some of

0:14:12.640 --> 0:14:14.160
<v Speaker 1>the artists will see it now, Like you kind of

0:14:14.160 --> 0:14:18.120
<v Speaker 1>did it. You're an underground artist initially, right, like, and

0:14:18.200 --> 0:14:22.160
<v Speaker 1>then doing country was always something that was natural to you,

0:14:22.160 --> 0:14:23.240
<v Speaker 1>but it's what changed your life.

0:14:23.440 --> 0:14:27.000
<v Speaker 2>Right do you feel like the.

0:14:27.160 --> 0:14:30.680
<v Speaker 1>Trend of the genre of country music is being like

0:14:32.000 --> 0:14:36.680
<v Speaker 1>it feels like everyone's doing country. It just kind and

0:14:37.000 --> 0:14:39.200
<v Speaker 1>like not necessarily from a place of like even being

0:14:39.200 --> 0:14:41.440
<v Speaker 1>a fan of the music, just it just feels like

0:14:41.440 --> 0:14:44.280
<v Speaker 1>it's the thing to do, Like, like from your perspective

0:14:44.760 --> 0:14:46.880
<v Speaker 1>as kind of being the first guy to kind of

0:14:47.640 --> 0:14:49.920
<v Speaker 1>people would look at you as a rapper initially right

0:14:50.160 --> 0:14:52.920
<v Speaker 1>to have all this success, Like from how you see it,

0:14:53.000 --> 0:14:54.520
<v Speaker 1>how do you how do you see what's going on

0:14:54.600 --> 0:14:56.680
<v Speaker 1>right now with everybody kind of flocking to the genre.

0:14:57.120 --> 0:14:59.240
<v Speaker 2>I think it's country music finally getting's turn.

0:14:59.440 --> 0:15:02.160
<v Speaker 3>Yeah, my perspective, it is like we've actually got to

0:15:02.200 --> 0:15:04.920
<v Speaker 3>watch every other genre get its turn on critical mass,

0:15:04.920 --> 0:15:07.600
<v Speaker 3>but never Country. There would be artists here and there

0:15:07.640 --> 0:15:11.520
<v Speaker 3>that would get big enough that, like, you know, country

0:15:11.520 --> 0:15:16.239
<v Speaker 3>has always been represented in critical masks, with the Grammys, Amas, VMA's,

0:15:16.280 --> 0:15:19.400
<v Speaker 3>you know, all these different facets. But it's I think

0:15:19.400 --> 0:15:21.880
<v Speaker 3>it's just like the natural evolution of like it was

0:15:21.920 --> 0:15:24.000
<v Speaker 3>just kind of Country's turn. Finally, it was a great

0:15:24.000 --> 0:15:27.040
<v Speaker 3>time to be there. I think I have. I think

0:15:27.080 --> 0:15:28.760
<v Speaker 3>that the only thing I have to do with that

0:15:28.920 --> 0:15:32.880
<v Speaker 3>is luck of just waiting out long enough to be around,

0:15:33.320 --> 0:15:36.080
<v Speaker 3>long enough to be there, you know what I mean.

0:15:36.120 --> 0:15:39.520
<v Speaker 3>It's kind of the John Cena story. The Seeing Punk

0:15:39.600 --> 0:15:42.160
<v Speaker 3>stories are kind of John Cena's just like it was

0:15:42.200 --> 0:15:45.840
<v Speaker 3>just he was just consistently there. You just always show

0:15:45.880 --> 0:15:47.560
<v Speaker 3>up and you're always there. It's like all of a

0:15:47.600 --> 0:15:50.080
<v Speaker 3>sudden you can you can eventually become the guys the last.

0:15:50.000 --> 0:15:51.720
<v Speaker 1>I feel like you gave Post the rub.

0:15:52.440 --> 0:15:54.760
<v Speaker 2>No Posts gave me the use. Well listen, Post is Post,

0:15:54.840 --> 0:15:55.080
<v Speaker 2>but I.

0:15:55.000 --> 0:15:57.000
<v Speaker 1>Feel like in this world like it's you giving him

0:15:57.000 --> 0:15:57.320
<v Speaker 1>the run.

0:15:57.400 --> 0:16:00.000
<v Speaker 2>Yeah yeah, Well it's a weird thing, man. It's like

0:16:00.160 --> 0:16:01.440
<v Speaker 2>Post and Beyonce.

0:16:01.200 --> 0:16:03.840
<v Speaker 3>What they did was just bringing a bigger spotlight to

0:16:03.920 --> 0:16:09.000
<v Speaker 3>what was already overwhelmingly like if country couldn't have got

0:16:09.000 --> 0:16:12.120
<v Speaker 3>any bigger, the two of the five biggest pop stars

0:16:12.160 --> 0:16:14.240
<v Speaker 3>on Earth was like, Hey, we're gonna go do country

0:16:14.240 --> 0:16:15.040
<v Speaker 3>albums this year.

0:16:15.080 --> 0:16:16.760
<v Speaker 2>It's like it couldn't.

0:16:17.240 --> 0:16:20.720
<v Speaker 3>Man, I sound silly when I talk like this, but

0:16:20.840 --> 0:16:23.160
<v Speaker 3>I really think when you look back at this ten

0:16:23.280 --> 0:16:26.360
<v Speaker 3>years from now, twenty years from now, it's going to

0:16:26.440 --> 0:16:29.000
<v Speaker 3>just continue to stand the test of time more and more.

0:16:29.560 --> 0:16:31.280
<v Speaker 3>Like when you look back, we're talking about it in

0:16:31.320 --> 0:16:33.640
<v Speaker 3>real time and it's kind of blowing our mind. But

0:16:33.760 --> 0:16:35.880
<v Speaker 3>when they really look at this decade and what happened

0:16:35.880 --> 0:16:38.680
<v Speaker 3>with country music, and they're just like yeah, and Post

0:16:38.720 --> 0:16:40.840
<v Speaker 3>Malone dropped one of the biggest albums of the year

0:16:40.880 --> 0:16:45.160
<v Speaker 3>that year, and Beyonce it was a great album. Beyonce

0:16:45.280 --> 0:16:46.080
<v Speaker 3>got in the genre.

0:16:46.520 --> 0:16:49.880
<v Speaker 1>And just by the way, the biggest song of the

0:16:49.920 --> 0:16:51.520
<v Speaker 1>year is the country song bar.

0:16:51.600 --> 0:16:54.960
<v Speaker 3>Song, Yeah, well two years in a row now last

0:16:55.040 --> 0:16:57.520
<v Speaker 3>night was last year. The second biggest song of this

0:16:57.600 --> 0:16:58.960
<v Speaker 3>year was a Morgan Waham song.

0:16:59.040 --> 0:17:02.800
<v Speaker 2>Crazy Years in a Row. Speaking of the Bar song

0:17:03.280 --> 0:17:04.600
<v Speaker 2>boy shameless.

0:17:04.160 --> 0:17:05.840
<v Speaker 1>Plug here Shaboozy's coming on tour.

0:17:05.920 --> 0:17:09.320
<v Speaker 2>Ka Boozy is on tour with Jelly Rawl. I love you, Shaboozie.

0:17:09.359 --> 0:17:11.200
<v Speaker 2>Thank you Booze Man for picking my tour.

0:17:11.320 --> 0:17:13.520
<v Speaker 1>No, that's that's special. You can have the number one album,

0:17:13.520 --> 0:17:15.240
<v Speaker 1>the number one song on toy Man.

0:17:15.320 --> 0:17:20.119
<v Speaker 3>Dude, it's like Booze Man, he could have kind of

0:17:20.160 --> 0:17:21.639
<v Speaker 3>like Warren on this tour. He could they could have.

0:17:21.760 --> 0:17:24.480
<v Speaker 3>These are two guys that are white hot right now,

0:17:24.600 --> 0:17:25.520
<v Speaker 3>especially Booze.

0:17:25.520 --> 0:17:28.120
<v Speaker 2>I mean Booze is fish grease hot.

0:17:28.240 --> 0:17:29.680
<v Speaker 1>I think eighteen weeks number one.

0:17:30.400 --> 0:17:31.840
<v Speaker 2>It just broke the record for the you know what

0:17:31.840 --> 0:17:34.480
<v Speaker 2>I mean, like just took Little Knaves X record. I

0:17:34.480 --> 0:17:35.919
<v Speaker 2>mean crazy, It's unreal.

0:17:36.920 --> 0:17:39.880
<v Speaker 3>And uh, he could have did a headliner. He could

0:17:39.880 --> 0:17:41.880
<v Speaker 3>have went out with anybody. He was like, No, I'm

0:17:41.880 --> 0:17:44.639
<v Speaker 3>into that jelly Roll tour. It's just awesome.

0:17:44.640 --> 0:17:44.760
<v Speaker 1>Man.

0:17:44.800 --> 0:17:45.920
<v Speaker 2>Just who Shaboozy is though?

0:17:45.960 --> 0:17:49.280
<v Speaker 1>Man, So you reach out to Glorila on Twitter.

0:17:49.359 --> 0:17:50.000
<v Speaker 2>I love Glow.

0:17:50.640 --> 0:17:52.240
<v Speaker 1>You guys dropped the same day. She's got a great

0:17:52.240 --> 0:17:53.760
<v Speaker 1>body and work out. Glorious.

0:17:53.920 --> 0:17:57.320
<v Speaker 2>Yes, a lot of people. That's her government name, right,

0:17:57.800 --> 0:17:59.760
<v Speaker 2>I believe I think I think I'm serious. I think

0:18:00.480 --> 0:18:02.679
<v Speaker 2>I think or something. No, I think her government name

0:18:02.720 --> 0:18:03.320
<v Speaker 2>is Glorious.

0:18:03.560 --> 0:18:04.320
<v Speaker 1>That's amazing.

0:18:04.760 --> 0:18:06.960
<v Speaker 2>Hold on the coach is looking it up. I bet

0:18:06.960 --> 0:18:08.800
<v Speaker 2>I'm right, Tennessee.

0:18:08.880 --> 0:18:12.240
<v Speaker 1>That sounds about Gloria.

0:18:12.920 --> 0:18:14.960
<v Speaker 2>Oh, you was right. It's Hallelujah. That's the part. Always

0:18:15.640 --> 0:18:17.919
<v Speaker 2>I thought it was glorious, but it's because of Gloria Hallelujah.

0:18:17.960 --> 0:18:19.640
<v Speaker 1>That's what a what a name.

0:18:20.200 --> 0:18:22.120
<v Speaker 2>I love Glow, man, I'm such a fan of Glow.

0:18:22.119 --> 0:18:26.320
<v Speaker 3>I got to meet her at the iHeart Radio Wards.

0:18:26.320 --> 0:18:27.840
<v Speaker 3>I got to meet with the iHeart Radio Awards, and

0:18:28.720 --> 0:18:31.359
<v Speaker 3>I had me and my wife had already posted tiktoks

0:18:31.400 --> 0:18:32.840
<v Speaker 3>to the song.

0:18:33.280 --> 0:18:34.439
<v Speaker 2>You know, we're huge fans.

0:18:35.560 --> 0:18:38.240
<v Speaker 3>I love Memphis music, growing up three six Mafia and

0:18:38.240 --> 0:18:40.080
<v Speaker 3>they'm being involved in me so early, and I love

0:18:40.119 --> 0:18:42.000
<v Speaker 3>a little White and living in Memphis for a few years.

0:18:42.000 --> 0:18:45.320
<v Speaker 3>It's like, I just I'm always watching what's happening in

0:18:45.359 --> 0:18:48.440
<v Speaker 3>Memphis because you can count on a couple of artists

0:18:48.480 --> 0:18:51.720
<v Speaker 3>a year being in the top ten biggest artists in

0:18:52.040 --> 0:18:53.480
<v Speaker 3>hip hop every year being Memphis.

0:18:53.600 --> 0:18:55.760
<v Speaker 1>Yeah, you're You're synonymous with Memphis forever. Man.

0:18:56.680 --> 0:18:58.679
<v Speaker 3>I'm proud of that too, man, because I love you know,

0:18:58.720 --> 0:19:02.560
<v Speaker 3>I love Memphis and Gloria's just awesome. Dude, and me

0:19:02.600 --> 0:19:05.280
<v Speaker 3>and you talked about this off camera, but I think

0:19:05.280 --> 0:19:07.480
<v Speaker 3>we should give her flowers like this on camera. She

0:19:07.720 --> 0:19:12.320
<v Speaker 3>is you feel a radiation of gratitude coming off of

0:19:12.359 --> 0:19:15.520
<v Speaker 3>her that is rare in the music business, like this,

0:19:15.720 --> 0:19:19.359
<v Speaker 3>real genuine, like every step forward for her as a win,

0:19:19.600 --> 0:19:23.399
<v Speaker 3>and she is just in the most graceful place. You

0:19:23.400 --> 0:19:25.280
<v Speaker 3>can almost tell. She's to the point now where even

0:19:25.280 --> 0:19:26.960
<v Speaker 3>the bullshit don't get to her no more. She don't

0:19:26.960 --> 0:19:29.080
<v Speaker 3>get wrapped up and none of that. She is just complete.

0:19:29.119 --> 0:19:32.480
<v Speaker 3>She is floating and you can feel that when you're around.

0:19:32.160 --> 0:19:32.920
<v Speaker 2>Her, you know what I mean.

0:19:32.920 --> 0:19:35.480
<v Speaker 3>It's like she just gives off this genuine gratitude and

0:19:35.640 --> 0:19:37.080
<v Speaker 3>the music is fucking incredible.

0:19:37.320 --> 0:19:39.680
<v Speaker 2>No, she's I just thought, so here's the story. I should.

0:19:39.680 --> 0:19:41.040
<v Speaker 2>I should. I'll tell you the story.

0:19:42.040 --> 0:19:45.160
<v Speaker 3>Me and Glowyd when we met, we immediately because immediately

0:19:45.480 --> 0:19:49.280
<v Speaker 3>people in her management camp, you know my relationship with

0:19:49.320 --> 0:19:51.000
<v Speaker 3>Memphis for all these years, we all kind of know

0:19:51.119 --> 0:19:51.439
<v Speaker 3>each other.

0:19:51.480 --> 0:19:53.440
<v Speaker 2>It's two degrees of separation where that is.

0:19:53.400 --> 0:19:54.879
<v Speaker 3>Anyway, So somebody hit me and me like, yo, I'm

0:19:54.880 --> 0:19:57.240
<v Speaker 3>such a such you remember back then I'm working with Glowe.

0:19:57.240 --> 0:19:58.560
<v Speaker 3>I want to get yall together, put us on a

0:19:58.560 --> 0:20:02.040
<v Speaker 3>text thread and U Every time either one of us

0:20:02.040 --> 0:20:03.399
<v Speaker 3>have been in La. We've hit the other one and

0:20:03.400 --> 0:20:05.600
<v Speaker 3>missed each other, but like a couple of days so

0:20:05.640 --> 0:20:08.639
<v Speaker 3>we were trying to do something anyways. It was like

0:20:09.440 --> 0:20:11.320
<v Speaker 3>if I look at our text thread right now, it's

0:20:11.359 --> 0:20:12.600
<v Speaker 3>a constant like I'm in La.

0:20:12.680 --> 0:20:13.200
<v Speaker 2>Where are you at?

0:20:13.200 --> 0:20:15.040
<v Speaker 3>When you hear and it's like a day later she'll

0:20:15.119 --> 0:20:17.080
<v Speaker 3>be like, ah, I'll be there Friday, and I'm like

0:20:17.119 --> 0:20:19.280
<v Speaker 3>I'm gone, yeah, Or it's like her being like, Yo,

0:20:19.280 --> 0:20:19.760
<v Speaker 3>I'm in La.

0:20:19.800 --> 0:20:21.600
<v Speaker 2>Where are you at? Swing By? You know what I mean.

0:20:21.800 --> 0:20:23.960
<v Speaker 3>So it's like we I know, we like each other

0:20:23.960 --> 0:20:25.560
<v Speaker 3>and we want to work together and she knows I'm

0:20:25.560 --> 0:20:28.520
<v Speaker 3>a huge fan, and uh, it's been really cool man.

0:20:29.200 --> 0:20:30.240
<v Speaker 2>I love that she was like, we got to do

0:20:30.280 --> 0:20:31.600
<v Speaker 2>this for Tennessee. I've me and my heart smile.

0:20:31.720 --> 0:20:34.080
<v Speaker 1>Yeah, it's crazy, dude. The Memphis, whole Memphis thing is

0:20:34.119 --> 0:20:36.600
<v Speaker 1>just crazy. You know, Rest in Peace, Golf, you know

0:20:36.640 --> 0:20:39.359
<v Speaker 1>that whole case. Some of the details that's getting interesting,

0:20:39.600 --> 0:20:41.920
<v Speaker 1>how I mean it's like for you, like you're such

0:20:41.960 --> 0:20:45.840
<v Speaker 1>a fan of just everything, Like you know, I kind

0:20:45.840 --> 0:20:47.720
<v Speaker 1>of look at you as like, let's talk about.

0:20:47.520 --> 0:20:48.880
<v Speaker 3>The doll trail for two seconds. I know you don't

0:20:48.880 --> 0:20:50.400
<v Speaker 3>want me to get hung up. Here because you're my friend.

0:20:50.440 --> 0:20:52.480
<v Speaker 3>Don't want me to get in trouble. But all I

0:20:52.560 --> 0:20:54.240
<v Speaker 3>want to say about the Doll trail is I was

0:20:54.320 --> 0:20:57.920
<v Speaker 3>blown away that the doph trial opened and closed open

0:20:58.000 --> 0:21:00.600
<v Speaker 3>on a Monday, closed on a Friday, and had a

0:21:00.680 --> 0:21:02.080
<v Speaker 3>deliberated jury.

0:21:02.240 --> 0:21:05.879
<v Speaker 2>Return a verdict back in five days. And we have

0:21:06.000 --> 0:21:07.200
<v Speaker 2>been watching.

0:21:07.160 --> 0:21:13.000
<v Speaker 3>Jeffrey sit down in the the Cave County jail for years.

0:21:14.040 --> 0:21:16.720
<v Speaker 3>It is, man, I don't like to get in the

0:21:16.720 --> 0:21:19.240
<v Speaker 3>middle of stuff, and some of the stuff that he

0:21:19.320 --> 0:21:21.440
<v Speaker 3>was accused of is extremely heinous and if it's true,

0:21:21.440 --> 0:21:25.200
<v Speaker 3>he should be held accountable like any other criminal. But man,

0:21:26.320 --> 0:21:28.840
<v Speaker 3>it just seems like one of the greatest injustices I've

0:21:28.880 --> 0:21:30.360
<v Speaker 3>ever seen happening down there, man.

0:21:30.520 --> 0:21:32.920
<v Speaker 2>And it's getting to the point.

0:21:34.160 --> 0:21:36.680
<v Speaker 3>Man, I don't keV. I would tell you something, keV.

0:21:36.720 --> 0:21:39.680
<v Speaker 3>I don't talk about this much, Bubba. But there's something

0:21:39.760 --> 0:21:42.240
<v Speaker 3>I'm into. When I'm writing music, I don't listen to music,

0:21:42.720 --> 0:21:46.760
<v Speaker 3>so I listened to podcasts and it's somewhere between comedy

0:21:46.760 --> 0:21:49.480
<v Speaker 3>and true crime. And my preference of keeping up with

0:21:49.520 --> 0:21:52.600
<v Speaker 3>true crime isn't like the eerie stuff. I like watching

0:21:52.640 --> 0:21:55.639
<v Speaker 3>Law and Crime with Jesse on YouTube or familiar with

0:21:55.640 --> 0:21:59.080
<v Speaker 3>his channel, or I watched Bruce Rivers. I watch, like,

0:22:00.160 --> 0:22:03.080
<v Speaker 3>I got a few of these different kind of lawyer

0:22:03.440 --> 0:22:05.760
<v Speaker 3>things that I'll watch, these kind of lawyer things that

0:22:05.840 --> 0:22:08.720
<v Speaker 3>I'll go and then if I'm really interested in what

0:22:08.800 --> 0:22:11.320
<v Speaker 3>Jesse Webber's talking about, I'll just go watch that day

0:22:11.320 --> 0:22:15.159
<v Speaker 3>of the trial. I get that nerded out about like

0:22:15.440 --> 0:22:18.560
<v Speaker 3>active trials when they're happening. I think it's because my

0:22:18.560 --> 0:22:20.280
<v Speaker 3>mama used to watch them. She obsessed about them.

0:22:20.280 --> 0:22:23.640
<v Speaker 2>We were I've never talked about Yeah, I've never talked

0:22:23.640 --> 0:22:24.520
<v Speaker 2>about this one. What do you think?

0:22:24.640 --> 0:22:26.000
<v Speaker 1>What do you think about the thug thing? Because it

0:22:26.000 --> 0:22:27.800
<v Speaker 1>feels to me as if it's gonna get thrown out

0:22:27.840 --> 0:22:29.600
<v Speaker 1>at least it and then he's.

0:22:29.920 --> 0:22:31.399
<v Speaker 3>I think they're gonna I think they're just if it

0:22:31.400 --> 0:22:33.720
<v Speaker 3>doesn't get thrown out, then it actually goes in there,

0:22:33.760 --> 0:22:35.680
<v Speaker 3>they'll either find him guilty or the juri or hang.

0:22:36.080 --> 0:22:40.000
<v Speaker 3>But the problem becomes I think that I think that

0:22:40.080 --> 0:22:41.919
<v Speaker 3>he's gonna end up getting out of the case, and

0:22:41.960 --> 0:22:45.000
<v Speaker 3>I think he's going to have the biggest class action

0:22:45.080 --> 0:22:48.480
<v Speaker 3>lawsuit against the Cab County and American history. You know

0:22:48.480 --> 0:22:49.800
<v Speaker 3>what I mean, Because it's one hundred and twenty some

0:22:49.920 --> 0:22:52.920
<v Speaker 3>people on that case. I think the da overshot. I

0:22:53.000 --> 0:22:54.960
<v Speaker 3>think that she was I don't know what she was thinking.

0:22:55.119 --> 0:22:57.840
<v Speaker 3>I think she made too. She made a mountain out

0:22:57.840 --> 0:22:59.919
<v Speaker 3>of a mole hill. And there was some really really

0:23:00.080 --> 0:23:02.439
<v Speaker 3>really bad stuff that happened. There were bodies involved, There

0:23:02.520 --> 0:23:05.359
<v Speaker 3>was murders, murder for higher plots.

0:23:05.400 --> 0:23:05.720
<v Speaker 2>I mean it.

0:23:06.119 --> 0:23:08.080
<v Speaker 3>It had all the makings of what looked like it

0:23:08.119 --> 0:23:09.560
<v Speaker 3>should be a big thing.

0:23:10.200 --> 0:23:18.000
<v Speaker 2>My man, Hey, chow chy Bobby, we have we have

0:23:18.080 --> 0:23:29.600
<v Speaker 2>three dogs, Tim, will you take them out? Tim? Yeah? Hey,

0:23:29.600 --> 0:23:31.080
<v Speaker 2>what about scary gat mad today?

0:23:31.119 --> 0:23:32.680
<v Speaker 1>Because you think at that dog?

0:23:32.760 --> 0:23:34.360
<v Speaker 2>Why am I not going to l as like? Because

0:23:34.400 --> 0:23:37.400
<v Speaker 2>you got to watch the dogs. He did bring it down.

0:23:37.400 --> 0:23:39.320
<v Speaker 2>It was like he brought a dog, so you got

0:23:39.320 --> 0:23:42.840
<v Speaker 2>to stay back with your dog. The mean greets seemed

0:23:42.840 --> 0:23:48.560
<v Speaker 2>to go quick. Huh yeah, fifteen twenty. It felt great.

0:23:50.960 --> 0:23:56.520
<v Speaker 1>Kiss Cameron, Kiss, Shots to the Bunny. A pod swap

0:23:56.600 --> 0:24:01.159
<v Speaker 1>is coming soon, the pop swap, the pods swap. I

0:24:01.200 --> 0:24:01.480
<v Speaker 1>love that.

0:24:01.520 --> 0:24:03.800
<v Speaker 2>My wife immediately made a sexual cox swah.

0:24:03.840 --> 0:24:07.520
<v Speaker 1>She said, are we cock swapping? What does that mean?

0:24:13.560 --> 0:24:16.960
<v Speaker 2>Man? I love sex? Why am I? Yeah?

0:24:16.960 --> 0:24:19.680
<v Speaker 1>It is interesting it's interesting too, because like, do you

0:24:19.760 --> 0:24:23.760
<v Speaker 1>ever get into these. I find myself sometimes watching them,

0:24:23.760 --> 0:24:25.760
<v Speaker 1>but it's it's a little different because I know, I

0:24:25.800 --> 0:24:27.240
<v Speaker 1>know like a lot of these guys, so I try

0:24:27.240 --> 0:24:31.560
<v Speaker 1>not to. But like the like Hood documentaries that they

0:24:31.640 --> 0:24:34.480
<v Speaker 1>be putting out, where they like they'll tackle like the

0:24:34.600 --> 0:24:37.760
<v Speaker 1>Jacksonville hip hop scene, or how accurate.

0:24:37.440 --> 0:24:38.560
<v Speaker 2>Do you think some of that stuff is?

0:24:38.560 --> 0:24:41.280
<v Speaker 3>Who in that scene do you think actually does there?

0:24:41.320 --> 0:24:42.760
<v Speaker 3>Takes their time against their information.

0:24:42.880 --> 0:24:44.920
<v Speaker 1>That's the problem. I just had this conversation.

0:24:44.960 --> 0:24:46.680
<v Speaker 2>I will tell you who gets their paper who gets

0:24:46.720 --> 0:24:52.679
<v Speaker 2>the paperwork right. Jake gets the paperwork right. But I

0:24:52.720 --> 0:24:55.199
<v Speaker 2>have a lot of respect for him. He takes the

0:24:55.200 --> 0:24:56.000
<v Speaker 2>time to get it right.

0:24:56.119 --> 0:24:58.280
<v Speaker 1>Yeah, And I don't know if I've ever heard him

0:24:58.520 --> 0:25:00.400
<v Speaker 1>be wrong. And if he feels like the a guy

0:25:00.400 --> 0:25:03.240
<v Speaker 1>that would have the humility to be like this, this

0:25:03.359 --> 0:25:03.520
<v Speaker 1>was no.

0:25:03.600 --> 0:25:05.320
<v Speaker 2>I think he jump on the grenade. If he was

0:25:05.359 --> 0:25:07.680
<v Speaker 2>really wrong, he strikes music of would immediately be like

0:25:08.080 --> 0:25:10.080
<v Speaker 2>those documents, you think.

0:25:09.880 --> 0:25:11.560
<v Speaker 1>He's I got no.

0:25:11.760 --> 0:25:11.960
<v Speaker 2>Man.

0:25:12.200 --> 0:25:13.080
<v Speaker 1>My old thing is.

0:25:13.640 --> 0:25:15.480
<v Speaker 2>You're in a tight spot here. You can't say you think.

0:25:15.440 --> 0:25:19.720
<v Speaker 1>No, no, no, I think that when you're I just had

0:25:19.720 --> 0:25:25.120
<v Speaker 1>this conversation. Think about this, like, we're creating a culture

0:25:25.160 --> 0:25:29.160
<v Speaker 1>of hip hop fans who don't look at hip hop

0:25:29.240 --> 0:25:33.440
<v Speaker 1>artists people. They look at them as criminal interests on

0:25:33.480 --> 0:25:37.600
<v Speaker 1>their favorite YouTube channel. Overall, what they're doing is they're

0:25:37.600 --> 0:25:39.919
<v Speaker 1>not even into the music. Like, let's be honest, right,

0:25:40.000 --> 0:25:42.040
<v Speaker 1>like a lot of the stories the music. Yeah, So

0:25:42.040 --> 0:25:45.600
<v Speaker 1>it's like when someone like Folio, you know, gets murdered,

0:25:47.080 --> 0:25:48.679
<v Speaker 1>going and looking at the comments on some of these

0:25:48.760 --> 0:25:54.080
<v Speaker 1>posts are like it's like there's just no humanity like

0:25:54.280 --> 0:25:56.320
<v Speaker 1>with some of these fans, they just don't give a fuck.

0:25:56.359 --> 0:25:58.879
<v Speaker 1>And so like with Chapel of Ross, like you know,

0:25:58.880 --> 0:26:00.000
<v Speaker 1>I know he made like a three and a half

0:26:00.000 --> 0:26:05.040
<v Speaker 1>half hour long King Vaughan hip hop's first serial killer video.

0:26:06.320 --> 0:26:09.640
<v Speaker 1>I mean, I just if you can't prove that, that's

0:26:09.640 --> 0:26:12.160
<v Speaker 1>a pretty crazy thing to put on someone who's dead, right,

0:26:12.600 --> 0:26:15.399
<v Speaker 1>you know. So I don't know, man, I think that

0:26:15.880 --> 0:26:18.040
<v Speaker 1>you know, there a lot of that stuff is entertaining,

0:26:18.080 --> 0:26:19.600
<v Speaker 1>Like I think Trapple of Ross does a good job

0:26:19.600 --> 0:26:21.119
<v Speaker 1>of putting together entertaining content.

0:26:21.240 --> 0:26:23.640
<v Speaker 3>Now my wonder becomes is from a I think about

0:26:23.640 --> 0:26:26.240
<v Speaker 3>it as journalism, is that who is actually doing the

0:26:26.280 --> 0:26:28.720
<v Speaker 3>research to get it right? And it makes you want

0:26:28.760 --> 0:26:30.240
<v Speaker 3>and I don't know, I've watched some of Trapleo, of

0:26:30.280 --> 0:26:30.800
<v Speaker 3>Ross's stuff.

0:26:31.240 --> 0:26:32.879
<v Speaker 1>He's got entertaining stuff for sure.

0:26:33.000 --> 0:26:35.000
<v Speaker 3>It sucks, man, because I'm such a hip hop fan

0:26:35.040 --> 0:26:38.600
<v Speaker 3>to watch that part of hip hop. You know, you

0:26:38.640 --> 0:26:44.960
<v Speaker 3>gotta think in our era when Tupac got killed, there

0:26:45.080 --> 0:26:47.159
<v Speaker 3>wasn't a bigger news story in the world.

0:26:47.640 --> 0:26:49.760
<v Speaker 2>When Master J you can go on.

0:26:49.720 --> 0:26:52.720
<v Speaker 1>YouTube and watch. I mean, if Tupac died today, you know,

0:26:52.840 --> 0:26:54.920
<v Speaker 1>there'd be so much content to digest about it.

0:26:55.040 --> 0:26:58.080
<v Speaker 2>For sure, it probably his murder probably would have gotten solved.

0:26:58.400 --> 0:26:59.720
<v Speaker 3>No, they would have filmed it all the way to

0:26:59.720 --> 0:27:01.760
<v Speaker 3>where it happened. They've been able to track back every.

0:27:01.640 --> 0:27:04.000
<v Speaker 2>Video taken of that bends coming down the strip, or

0:27:04.400 --> 0:27:06.440
<v Speaker 2>people waving at each other. All that stuff would have

0:27:06.480 --> 0:27:07.760
<v Speaker 2>been able to happen in those moments.

0:27:08.119 --> 0:27:10.440
<v Speaker 1>Talk to me, man, you know we haven't really talked

0:27:10.480 --> 0:27:12.919
<v Speaker 1>about this. I've heard you talk about it, but I

0:27:13.000 --> 0:27:16.440
<v Speaker 1>know how how much of a big deal it is

0:27:16.640 --> 0:27:19.439
<v Speaker 1>to even have like someone like Eminemic knowledge who the

0:27:19.440 --> 0:27:25.760
<v Speaker 1>fuck you are, but to have Eminem sample your song

0:27:26.480 --> 0:27:29.960
<v Speaker 1>and to be able to perform with him, to be

0:27:30.000 --> 0:27:34.840
<v Speaker 1>able to just I mean, you've been performing, uh loose

0:27:34.880 --> 0:27:36.480
<v Speaker 1>yourself on stage, yeah.

0:27:36.240 --> 0:27:39.120
<v Speaker 2>For years and years and uh you know.

0:27:39.640 --> 0:27:41.600
<v Speaker 1>Can you Like I said, I know, I know you've

0:27:41.600 --> 0:27:43.119
<v Speaker 1>talked about it a lot, but I just feel like

0:27:43.160 --> 0:27:46.360
<v Speaker 1>it's such a you know, I just know how big

0:27:46.400 --> 0:27:49.119
<v Speaker 1>of a deal that was for you, man, So you know,

0:27:50.280 --> 0:27:52.679
<v Speaker 1>just yet like it's.

0:27:52.560 --> 0:27:56.280
<v Speaker 2>Getting weird weird, No, dude, Marshall's the who's the goat.

0:27:56.840 --> 0:27:58.199
<v Speaker 2>Anybody who says Eminem is.

0:27:58.200 --> 0:28:01.240
<v Speaker 3>Not the greatest rapper ever, it's just lie. Just you know,

0:28:01.400 --> 0:28:05.480
<v Speaker 3>they're they're allowing other factors.

0:28:05.560 --> 0:28:06.920
<v Speaker 1>Yeah, if we're talking about the talent of.

0:28:06.920 --> 0:28:11.320
<v Speaker 3>Rapping, yes, I don't I would argue to say that,

0:28:12.320 --> 0:28:15.800
<v Speaker 3>A man, I don't know. There's a lot of we'll

0:28:15.840 --> 0:28:19.200
<v Speaker 3>never see nobody better. I think there will be. I

0:28:19.240 --> 0:28:21.200
<v Speaker 3>don't think that I'll live long enough.

0:28:21.000 --> 0:28:21.399
<v Speaker 2>To see it.

0:28:21.520 --> 0:28:24.120
<v Speaker 5>Yeah, I think I know what I think lyrically, Yeah,

0:28:24.160 --> 0:28:27.680
<v Speaker 5>I think, you know, I think I think we've we've

0:28:27.680 --> 0:28:30.240
<v Speaker 5>had we've I always say, we're in the middle of

0:28:30.280 --> 0:28:34.080
<v Speaker 5>this era of Kendrick Lamar and it's almost like watching

0:28:34.080 --> 0:28:36.240
<v Speaker 5>Steph Curry where it's like, well, we just.

0:28:36.200 --> 0:28:38.360
<v Speaker 1>Kind of take advantage of Steph Curry and Lebron's on TV,

0:28:39.200 --> 0:28:42.200
<v Speaker 1>but like we we appreciate we lived through the Eminem

0:28:42.280 --> 0:28:44.800
<v Speaker 1>thing and we're still here, so we knew what it

0:28:44.920 --> 0:28:47.880
<v Speaker 1>was like. But I think during that era we weren't.

0:28:47.960 --> 0:28:50.120
<v Speaker 1>We didn't look at Eminem as the greatest of all time.

0:28:50.160 --> 0:28:52.320
<v Speaker 1>We just loved I.

0:28:52.320 --> 0:28:54.000
<v Speaker 2>Don't know the Kendrick moment. I don't know.

0:28:54.080 --> 0:28:56.400
<v Speaker 3>Kendrick's got a unique thing that's happening right now. That's

0:28:56.480 --> 0:28:59.680
<v Speaker 3>very Eminemish. As far as that dude's been putting out

0:28:59.760 --> 0:29:01.000
<v Speaker 3>hits a long time.

0:29:00.840 --> 0:29:03.400
<v Speaker 1>Now, for sure, it's been ten years.

0:29:04.040 --> 0:29:08.880
<v Speaker 3>He's a decade into putting out real, absolute solified bangers.

0:29:09.920 --> 0:29:12.840
<v Speaker 3>Eminem had a decade like that. I think that his

0:29:12.960 --> 0:29:15.000
<v Speaker 3>follow up to Not Like Us will be one of

0:29:15.000 --> 0:29:18.120
<v Speaker 3>the most important bodies of work. Whatever he does will

0:29:18.120 --> 0:29:20.200
<v Speaker 3>be super super important.

0:29:20.280 --> 0:29:22.400
<v Speaker 2>What is it? Also takes a lot of time off right,

0:29:22.440 --> 0:29:23.800
<v Speaker 2>he has big drops and big.

0:29:24.120 --> 0:29:27.000
<v Speaker 1>It takes time. Yeah, what is what is that like?

0:29:27.280 --> 0:29:29.360
<v Speaker 1>First initial? Is it a text? Is it a call

0:29:29.400 --> 0:29:34.200
<v Speaker 1>where you find out that a save me remix is

0:29:34.280 --> 0:29:35.760
<v Speaker 1>on the eminem out?

0:29:36.440 --> 0:29:40.080
<v Speaker 2>It's Paul Rosenberg. It's Paul Paul Rosenberg. Man, Paul Rosenberg

0:29:40.200 --> 0:29:43.160
<v Speaker 2>is the dude. So that's ms longtime manager. Anybody watching

0:29:43.280 --> 0:29:46.480
<v Speaker 2>that doesn't know, absolutely legend been with him day one,

0:29:46.680 --> 0:29:48.280
<v Speaker 2>built the entire business. Around.

0:29:48.320 --> 0:29:51.160
<v Speaker 3>It just one of the He'll go down as one

0:29:51.160 --> 0:29:52.800
<v Speaker 3>of the greatest ever, do you know what I mean?

0:29:53.520 --> 0:29:55.440
<v Speaker 3>And him and my manager John and nearly been friends

0:29:55.440 --> 0:30:01.240
<v Speaker 3>since they did Renegade together back, so they've been friends for.

0:30:01.200 --> 0:30:03.959
<v Speaker 2>All this time. I didn't know I was on M's

0:30:04.000 --> 0:30:04.680
<v Speaker 2>even radar.

0:30:04.760 --> 0:30:06.720
<v Speaker 3>I just assumed, you know that if I had a

0:30:06.800 --> 0:30:08.280
<v Speaker 3>chance to be on his radar would have been a

0:30:08.320 --> 0:30:10.920
<v Speaker 3>decade ago, whenever the Timnute Freestyle might have called it,

0:30:10.960 --> 0:30:15.320
<v Speaker 3>you know. But apparently he dug the record, and when

0:30:15.320 --> 0:30:18.440
<v Speaker 3>they initially called, they just said send it with no context.

0:30:19.200 --> 0:30:21.280
<v Speaker 3>And for this, fum, I don't need any context.

0:30:21.320 --> 0:30:21.640
<v Speaker 2>You tell me.

0:30:21.640 --> 0:30:27.360
<v Speaker 3>Anyone wants something, send them, send them, Send the vocals

0:30:27.400 --> 0:30:29.960
<v Speaker 3>we didn't use. He wants to go recop, you know

0:30:30.000 --> 0:30:31.920
<v Speaker 3>what I mean, Like send him everything.

0:30:32.240 --> 0:30:33.880
<v Speaker 2>Uh, And you know how rap is.

0:30:33.920 --> 0:30:36.040
<v Speaker 3>I thought he was gonna send me a verse and

0:30:36.080 --> 0:30:37.640
<v Speaker 3>I was just gonna have a remix of my phone,

0:30:38.200 --> 0:30:38.880
<v Speaker 3>you know what I mean, Like.

0:30:38.920 --> 0:30:41.680
<v Speaker 2>Yeah, I like this, let me let me slide on. Man.

0:30:41.720 --> 0:30:43.720
<v Speaker 2>I just kind of you know the role, I'm gonna

0:30:43.720 --> 0:30:46.040
<v Speaker 2>get a Rul's gonna throw you one, you know him, Drake.

0:30:46.080 --> 0:30:49.440
<v Speaker 2>They've kind of waned these I've watched these guys do

0:30:49.520 --> 0:30:50.160
<v Speaker 2>it over the years.

0:30:50.280 --> 0:30:52.800
<v Speaker 3>It's like randomly, just throw somebody one, and I was like,

0:30:52.800 --> 0:30:55.120
<v Speaker 3>I might be finn to get one, and were turned

0:30:55.120 --> 0:30:56.720
<v Speaker 3>out even cooler than getting one. It turned out that

0:30:56.880 --> 0:30:58.840
<v Speaker 3>end up being for his album. Now, I didn't I

0:30:58.840 --> 0:31:01.040
<v Speaker 3>didn't hear much about it for a year or eight

0:31:01.080 --> 0:31:01.680
<v Speaker 3>months or whatever.

0:31:01.760 --> 0:31:02.920
<v Speaker 2>It was a long period of time.

0:31:03.480 --> 0:31:05.880
<v Speaker 3>I'm not good at judging time right now, because I

0:31:05.920 --> 0:31:08.240
<v Speaker 3>think I started this tour eight months ago and it

0:31:08.280 --> 0:31:10.880
<v Speaker 3>was six weeks ago. I don't know, I'm lost, but

0:31:11.400 --> 0:31:13.880
<v Speaker 3>it was definitely enough time that I had gotten sad.

0:31:14.240 --> 0:31:16.120
<v Speaker 3>That's the best way to put it. It was long enough

0:31:16.120 --> 0:31:18.640
<v Speaker 3>that I had come to the conclusion it wasn't gonna happen.

0:31:19.320 --> 0:31:20.600
<v Speaker 2>And then John calls me.

0:31:20.600 --> 0:31:23.840
<v Speaker 3>He's like, EM's, EM's gonna put this on his record,

0:31:24.480 --> 0:31:27.280
<v Speaker 3>Like for sure, because when I seen Houdini drop, I

0:31:27.360 --> 0:31:30.440
<v Speaker 3>was like maybe maybe, I was like, he might be

0:31:30.680 --> 0:31:34.360
<v Speaker 3>you know this, this could be real, right, because my

0:31:34.440 --> 0:31:37.480
<v Speaker 3>fear was he just didn't drop at all. But I

0:31:37.520 --> 0:31:40.200
<v Speaker 3>had a feeling that it was gonna happen, and it did.

0:31:40.240 --> 0:31:42.920
<v Speaker 3>Man doing the video with him, he's been nothing but

0:31:43.000 --> 0:31:47.560
<v Speaker 3>kind man, Yeah, nothing but kind. Yeah, funny, genuine all

0:31:47.600 --> 0:31:48.120
<v Speaker 3>that stuff.

0:31:49.480 --> 0:31:52.760
<v Speaker 1>How hard is it for you with your come up?

0:31:52.760 --> 0:31:55.959
<v Speaker 1>I always wonder this because I know that we are

0:31:56.000 --> 0:31:58.200
<v Speaker 1>in a very finicky industry and you've been a part

0:31:58.200 --> 0:32:02.360
<v Speaker 1>of this industry long before you household name. But to

0:32:02.520 --> 0:32:04.680
<v Speaker 1>have the success you've had over the last couple of

0:32:04.760 --> 0:32:08.720
<v Speaker 1>years and to probably have new interactions with people that

0:32:08.960 --> 0:32:12.840
<v Speaker 1>maybe didn't reply to DMS or big timed you, and

0:32:13.920 --> 0:32:16.960
<v Speaker 1>that is that like does that do you remember all?

0:32:17.000 --> 0:32:18.480
<v Speaker 1>And I don't think you're a petty guy, but is

0:32:18.520 --> 0:32:19.280
<v Speaker 1>that like you ever?

0:32:19.400 --> 0:32:19.480
<v Speaker 2>Like?

0:32:20.000 --> 0:32:22.440
<v Speaker 1>But I also know you don't forget, so like, does

0:32:22.480 --> 0:32:23.920
<v Speaker 1>that happen a lot for you?

0:32:24.000 --> 0:32:25.360
<v Speaker 2>No? I remember like.

0:32:27.080 --> 0:32:29.800
<v Speaker 3>The couple of like booking agents that really passed on

0:32:29.920 --> 0:32:33.080
<v Speaker 3>me that like genuinely just like took the meeting and

0:32:33.120 --> 0:32:35.080
<v Speaker 3>you just never heard back from and then somebody else

0:32:35.120 --> 0:32:38.640
<v Speaker 3>come and says they passed Right, those you kind of

0:32:38.680 --> 0:32:41.280
<v Speaker 3>don't forget because you know you're so desperate that those

0:32:41.320 --> 0:32:44.720
<v Speaker 3>meetings meet everything right. But I also didn't hold much

0:32:44.720 --> 0:32:47.240
<v Speaker 3>of a grudge though, because I man, I guess that's

0:32:47.240 --> 0:32:49.560
<v Speaker 3>how I still look at stuff, keV. Is that even

0:32:49.600 --> 0:32:52.160
<v Speaker 3>then I would go into those rooms like I don't

0:32:52.160 --> 0:32:53.920
<v Speaker 3>care how this meeting goes. The fact that I was

0:32:53.960 --> 0:32:56.239
<v Speaker 3>invited here, lets me know that it was like to

0:32:56.280 --> 0:32:59.760
<v Speaker 3>me an erow this old fashioned phrase that the arrows

0:32:59.800 --> 0:33:02.600
<v Speaker 3>are all always pointing us in the right direction. You know,

0:33:02.640 --> 0:33:04.520
<v Speaker 3>you just got to look for him. It's like these

0:33:04.520 --> 0:33:05.960
<v Speaker 3>were a rows for me, you know what I mean.

0:33:06.040 --> 0:33:08.000
<v Speaker 3>So anytime I got big shot at the fact that

0:33:08.040 --> 0:33:10.320
<v Speaker 3>I was close enough to something to get big shot.

0:33:10.280 --> 0:33:13.000
<v Speaker 2>At, it was like I'm cooking. I'm cooking.

0:33:13.320 --> 0:33:15.600
<v Speaker 3>I thought about me and Paul talking about Paul Rosenberg.

0:33:15.920 --> 0:33:19.440
<v Speaker 3>I met Paul Rosenberg when Yellow Wolf was getting ready

0:33:19.480 --> 0:33:20.480
<v Speaker 3>to put out Love Story.

0:33:21.080 --> 0:33:23.520
<v Speaker 1>Okay, so this is like twenty fourteen, fifteen mm.

0:33:24.680 --> 0:33:26.800
<v Speaker 3>It's probably not right, around a decade ago, and he's

0:33:26.880 --> 0:33:29.160
<v Speaker 3>it's way before right, probably a year seven eight months

0:33:29.200 --> 0:33:31.760
<v Speaker 3>for the album came out. He was playing some of

0:33:31.800 --> 0:33:35.720
<v Speaker 3>the music for like a private Grammy pre listening party

0:33:35.760 --> 0:33:40.760
<v Speaker 3>for Interscope, and Paul was there and I got blackout

0:33:40.840 --> 0:33:46.520
<v Speaker 3>drunk on whistle Big never Forget It. And you know,

0:33:46.520 --> 0:33:52.320
<v Speaker 3>I met Paul then, and that's but I'm Yellow's plus one, right,

0:33:52.720 --> 0:33:54.720
<v Speaker 3>And even then in those moments, I was like, man,

0:33:54.760 --> 0:33:57.440
<v Speaker 3>I'm on the right path, Like if this dude likes

0:33:57.440 --> 0:33:59.239
<v Speaker 3>me enough to invite me to this party and then

0:33:59.280 --> 0:34:02.800
<v Speaker 3>introduce me to this dude. Like this is more a

0:34:02.960 --> 0:34:04.280
<v Speaker 3>Roe's point in the right way, you know.

0:34:04.520 --> 0:34:07.520
<v Speaker 1>I feel like Love Story was so ahead of its

0:34:07.560 --> 0:34:10.359
<v Speaker 1>time that if that album came out in twenty twenty four,

0:34:11.400 --> 0:34:13.160
<v Speaker 1>it's got a couple of number one records on it.

0:34:13.680 --> 0:34:17.960
<v Speaker 2>Dude, it is that it still had a couple of

0:34:18.080 --> 0:34:19.080
<v Speaker 2>really big reals.

0:34:19.160 --> 0:34:20.879
<v Speaker 1>No, of course. I mean I think I think, uh,

0:34:20.920 --> 0:34:24.319
<v Speaker 1>I know it's gone as platinum or gold. I think

0:34:24.360 --> 0:34:25.640
<v Speaker 1>it was American you on there.

0:34:25.840 --> 0:34:30.239
<v Speaker 3>I think that was a really weird time for Oh

0:34:30.280 --> 0:34:32.360
<v Speaker 3>dude had the eminem record on there, my best.

0:34:32.160 --> 0:34:36.040
<v Speaker 1>Friend yeah, yeah, out of my veins, that one, and

0:34:36.040 --> 0:34:37.560
<v Speaker 1>the one about about his baby Mama.

0:34:37.719 --> 0:34:40.480
<v Speaker 2>Yeah, dude, was empty Bottles on that record. Was the next?

0:34:40.520 --> 0:34:42.320
<v Speaker 1>Empty Bottles was on that record? Yeah?

0:34:42.440 --> 0:34:45.480
<v Speaker 3>Man, so many has so many big records. I think

0:34:45.480 --> 0:34:47.560
<v Speaker 3>that it fell in a weird time. It was somewhere

0:34:47.600 --> 0:34:52.520
<v Speaker 3>between the tail end of digital. Did you were streaming?

0:34:52.600 --> 0:34:54.720
<v Speaker 3>Wasn't what streaming is yet?

0:34:55.239 --> 0:34:57.799
<v Speaker 1>And and and and the other, the old school way

0:34:57.920 --> 0:34:58.560
<v Speaker 1>was dying off?

0:34:58.719 --> 0:34:59.919
<v Speaker 2>Was it was all but dead?

0:35:00.000 --> 0:35:01.680
<v Speaker 1>It was weird. It was a weird limbo it was a.

0:35:01.640 --> 0:35:04.960
<v Speaker 3>Super weird time to be putting out because remember Till

0:35:05.000 --> 0:35:07.040
<v Speaker 3>It's Gone got picked up by the last scene of

0:35:07.040 --> 0:35:08.280
<v Speaker 3>Sons of Anarchy.

0:35:07.840 --> 0:35:10.160
<v Speaker 2>Which made that such a bid I remember that, Yeah, I.

0:35:10.080 --> 0:35:12.800
<v Speaker 3>Remember said at the house, watching and going this dude's

0:35:12.800 --> 0:35:14.040
<v Speaker 3>fixing out the biggest moment ever.

0:35:14.160 --> 0:35:15.120
<v Speaker 2>I could feel it right then.

0:35:15.160 --> 0:35:15.480
<v Speaker 1>For sure.

0:35:15.680 --> 0:35:17.600
<v Speaker 3>You felt it in Nashville though, Dude him and Clever

0:35:17.640 --> 0:35:21.080
<v Speaker 3>as DJ running around town on Harley's long hair. It

0:35:21.120 --> 0:35:24.480
<v Speaker 3>was just such a different feeling that was happening around

0:35:24.520 --> 0:35:26.719
<v Speaker 3>what he was doing in that moment. But I think

0:35:26.719 --> 0:35:28.800
<v Speaker 3>it was just a very weird time to be putting

0:35:28.800 --> 0:35:32.680
<v Speaker 3>out work. It's like buying houses or selling them.

0:35:32.760 --> 0:35:37.520
<v Speaker 1>Right now, yo, you are the We kind of went

0:35:37.560 --> 0:35:40.279
<v Speaker 1>over some of these numbers last night, the amount of

0:35:40.280 --> 0:35:43.879
<v Speaker 1>physical copies you're actually selling, the true album sales, which

0:35:43.920 --> 0:35:46.279
<v Speaker 1>to me means way more than streams. Right, streams can

0:35:46.320 --> 0:35:49.839
<v Speaker 1>be manipulated. Streams could be background music. People could throw

0:35:49.880 --> 0:35:52.120
<v Speaker 1>something on while they're at the barbershop. Shit just plays.

0:35:54.040 --> 0:35:55.799
<v Speaker 1>If it isn't one hundred thousand, it's close to one

0:35:55.840 --> 0:35:59.279
<v Speaker 1>hundred thousand actual physical copies of this album were bought,

0:36:00.280 --> 0:36:04.279
<v Speaker 1>which is insane. It's it's it's almost unheard of. I

0:36:04.320 --> 0:36:06.360
<v Speaker 1>feel like I feel like maybe Nikki still does that,

0:36:06.600 --> 0:36:09.920
<v Speaker 1>but at least, you know, in the genre that I'm

0:36:09.920 --> 0:36:12.080
<v Speaker 1>familiar with, it's pretty it's pretty damn near unheard of.

0:36:14.000 --> 0:36:20.360
<v Speaker 1>You've grown this like fan base through obviously being unapologetically

0:36:20.400 --> 0:36:22.360
<v Speaker 1>yourself but speaking for so many people who don't have

0:36:22.400 --> 0:36:24.560
<v Speaker 1>a voice. But I also feel like you have this

0:36:24.640 --> 0:36:28.359
<v Speaker 1>other side of your fan base that they just love you.

0:36:28.880 --> 0:36:31.920
<v Speaker 1>They're not even like they like the music's cool, but

0:36:31.960 --> 0:36:34.640
<v Speaker 1>they saw you on a podcast, right they saw you.

0:36:35.719 --> 0:36:37.520
<v Speaker 1>They just love you. They saw you on you know,

0:36:37.560 --> 0:36:41.200
<v Speaker 1>going and speaking to Congress. Just explain to me that

0:36:41.239 --> 0:36:46.160
<v Speaker 1>connection with the fans that is, you know, it's anonymally

0:36:46.360 --> 0:36:49.400
<v Speaker 1>in music right now, to have one hundred thousand physical

0:36:49.400 --> 0:36:51.720
<v Speaker 1>copies moved in seven days, that's fucking insane.

0:36:51.800 --> 0:36:52.600
<v Speaker 2>No, that's great, man.

0:36:52.960 --> 0:36:54.920
<v Speaker 3>It's it's a support in a way that I couldn't

0:36:54.960 --> 0:37:00.680
<v Speaker 3>ever dream that of felt. It's like overwhelming, honestly, you know,

0:37:01.160 --> 0:37:03.319
<v Speaker 3>it's I don't know, man, it's crazy just having to

0:37:03.360 --> 0:37:05.080
<v Speaker 3>me me and you talked about it too, and we

0:37:05.120 --> 0:37:06.600
<v Speaker 3>talked about it off camera, but I'll say it on

0:37:06.640 --> 0:37:09.120
<v Speaker 3>camera too. Is that I'm all I'm the grass is

0:37:09.160 --> 0:37:11.520
<v Speaker 3>greener for me in that scenario where it's like the

0:37:11.560 --> 0:37:14.680
<v Speaker 3>streaming side though, is such a big consumption side in

0:37:14.719 --> 0:37:17.600
<v Speaker 3>the new world, because I guess I'm still nervous. I

0:37:17.640 --> 0:37:20.120
<v Speaker 3>hope that the CDs are translating to people caring about

0:37:20.120 --> 0:37:23.000
<v Speaker 3>the music because we've watched the street hustlers. I know

0:37:23.080 --> 0:37:25.920
<v Speaker 3>dudes that have sold tens of thousands of CDs that

0:37:26.120 --> 0:37:30.160
<v Speaker 3>couldn't sell seven tickets. So the real measure to me

0:37:30.680 --> 0:37:34.560
<v Speaker 3>of an artist's success truly is if people show up

0:37:34.560 --> 0:37:35.399
<v Speaker 3>to the building and see on.

0:37:35.360 --> 0:37:37.360
<v Speaker 1>Four feet away from the stage.

0:37:37.440 --> 0:37:39.480
<v Speaker 2>That's it. It's like to me, that's the tail tale.

0:37:39.719 --> 0:37:40.200
<v Speaker 2>You sold out?

0:37:40.239 --> 0:37:42.680
<v Speaker 1>How many people in Wichita, Kansas on a Tuesday?

0:37:42.840 --> 0:37:44.720
<v Speaker 2>Yeah for sure, thirteen fourteen thousand.

0:37:45.560 --> 0:37:47.040
<v Speaker 3>Cool, great show. We're gonna do it again the night

0:37:47.080 --> 0:37:48.640
<v Speaker 3>of Springfield. But it's gonna be gonna be a ball

0:37:48.719 --> 0:37:49.560
<v Speaker 3>down here in Springfield.

0:37:49.800 --> 0:37:52.120
<v Speaker 1>Is the like the people will they will they come?

0:37:52.320 --> 0:37:54.919
<v Speaker 2>Yeah? Yeah? Is that? Can you build a tour around it? And?

0:37:55.000 --> 0:37:58.480
<v Speaker 3>Uh, you know that's what to me whenever I look,

0:37:58.560 --> 0:38:01.160
<v Speaker 3>and normally the top two or three albums can normally

0:38:01.200 --> 0:38:03.239
<v Speaker 3>tell that road Wave is a huge touring act.

0:38:03.320 --> 0:38:05.319
<v Speaker 2>Charlie is a huge touring act. You know what I mean,

0:38:05.360 --> 0:38:08.000
<v Speaker 2>it's a but that's where that's where the rubber really

0:38:08.040 --> 0:38:09.600
<v Speaker 2>meets the road is if you can get somebody to

0:38:09.600 --> 0:38:12.359
<v Speaker 2>buy a ticket, because listen, man, I tell people, man,

0:38:12.400 --> 0:38:15.680
<v Speaker 2>that's not a ticket stub. That's a soul. That's a story,

0:38:16.120 --> 0:38:20.640
<v Speaker 2>and that's you get thirteen thousand stories. That's a babysitter,

0:38:20.719 --> 0:38:24.600
<v Speaker 2>that's gas money, that's that's a rough day of work.

0:38:24.920 --> 0:38:26.600
<v Speaker 3>I took a day off and drove in, you know

0:38:26.640 --> 0:38:28.600
<v Speaker 3>what I mean. That's all big stuff. So it's like,

0:38:28.640 --> 0:38:29.880
<v Speaker 3>to me, that's the real tale.

0:38:30.040 --> 0:38:35.279
<v Speaker 1>You've had so many interesting live moments in terms of

0:38:35.360 --> 0:38:38.600
<v Speaker 1>just your career obviously, many gatherings of the Juggalos opening

0:38:38.640 --> 0:38:40.840
<v Speaker 1>up for insane clown posse, being in a van with

0:38:40.960 --> 0:38:46.960
<v Speaker 1>highlight running around this country. What uh you know? Because

0:38:46.960 --> 0:38:50.200
<v Speaker 1>how many tickets total will this tour move by the end?

0:38:50.560 --> 0:38:53.440
<v Speaker 2>It's it's seven hundred thousand.

0:38:53.160 --> 0:38:55.560
<v Speaker 1>Seven hundred thousand. That's fucking crazy to here. I love

0:38:55.600 --> 0:39:00.799
<v Speaker 1>as well. What was like for you crazy? Talk to

0:39:00.800 --> 0:39:03.040
<v Speaker 1>me about the other the other side of your Tory

0:39:03.120 --> 0:39:05.399
<v Speaker 1>career where you were in the van and I think

0:39:05.400 --> 0:39:07.840
<v Speaker 1>you guys are trying to track down the van, Bertha, We're.

0:39:07.640 --> 0:39:09.960
<v Speaker 2>Trying to find that old van right now. We sticked

0:39:10.000 --> 0:39:10.600
<v Speaker 2>our guy on it.

0:39:10.840 --> 0:39:13.160
<v Speaker 1>But like for you, like to have seen it on

0:39:13.280 --> 0:39:16.200
<v Speaker 1>all ends of the spectrum, like take me back, and

0:39:16.520 --> 0:39:18.959
<v Speaker 1>you kind of shared a story about like a rough

0:39:19.040 --> 0:39:21.080
<v Speaker 1>a rough life show. You had what was like kind

0:39:21.120 --> 0:39:25.160
<v Speaker 1>of your your valley of being on the road as

0:39:25.160 --> 0:39:27.799
<v Speaker 1>an independent artist trying to make it before people gave

0:39:27.840 --> 0:39:28.160
<v Speaker 1>a fuck.

0:39:28.280 --> 0:39:31.520
<v Speaker 3>I told a story about whenever we played the Boardwalking Sacramento,

0:39:31.560 --> 0:39:33.799
<v Speaker 3>when there was like seven people or something that showed up.

0:39:34.080 --> 0:39:36.200
<v Speaker 3>But the one I told you that was just as

0:39:36.239 --> 0:39:39.080
<v Speaker 3>funny was we played the Please called the Electric Factory

0:39:39.400 --> 0:39:42.760
<v Speaker 3>Philly right in Philly, right, And I'm open enough for ICP.

0:39:42.840 --> 0:39:45.200
<v Speaker 3>And I'm one of four. So what one of four

0:39:45.320 --> 0:39:48.320
<v Speaker 3>means is there's four acts. I cps the fourth act.

0:39:48.600 --> 0:39:50.640
<v Speaker 3>I'm the first act, which means I go first of

0:39:50.680 --> 0:39:53.040
<v Speaker 3>all the four two as mad Child. Three is the

0:39:53.040 --> 0:39:57.560
<v Speaker 3>Mafia six okay, which is three six Mafia their side group, Yeah,

0:39:57.560 --> 0:39:58.880
<v Speaker 3>their side group short of Juicy.

0:39:59.680 --> 0:40:03.640
<v Speaker 2>And and so I'm one of four in Philly at

0:40:03.680 --> 0:40:04.440
<v Speaker 2>the Electric Factory.

0:40:04.480 --> 0:40:06.120
<v Speaker 3>And every night what I would do is because there

0:40:06.160 --> 0:40:09.520
<v Speaker 3>was like a change over time between acts, fifteen or

0:40:09.520 --> 0:40:11.880
<v Speaker 3>twenty minutes, I would say the last song. I would go, hey, y'all,

0:40:12.280 --> 0:40:15.719
<v Speaker 3>I got inside information here, such as Smad Child's not

0:40:15.800 --> 0:40:17.320
<v Speaker 3>coming on stage for twenty minutes.

0:40:17.600 --> 0:40:19.719
<v Speaker 2>So for the next twenty minutes until his song.

0:40:19.520 --> 0:40:21.080
<v Speaker 3>Starts, I want to be back at the merch booth,

0:40:21.120 --> 0:40:23.960
<v Speaker 3>signed stuff, taking pictures, smoking joints, whatever y'all want to do.

0:40:23.960 --> 0:40:25.279
<v Speaker 2>Just come hang. You know.

0:40:25.320 --> 0:40:28.560
<v Speaker 3>It's early, right, And uh I come off stage and

0:40:28.560 --> 0:40:30.040
<v Speaker 3>I'm like trying to get through the crowd to the

0:40:30.120 --> 0:40:31.560
<v Speaker 3>you know thing and normally have to put my hood

0:40:31.600 --> 0:40:32.640
<v Speaker 3>up and kind of get there, and I'll take a

0:40:32.640 --> 0:40:35.200
<v Speaker 3>picture or two on the way and uh man, I'm

0:40:35.239 --> 0:40:38.240
<v Speaker 3>looking people straight and the eye nothing. I'm walking right

0:40:38.239 --> 0:40:40.400
<v Speaker 3>by people. I just remember I just performed for this

0:40:40.480 --> 0:40:40.919
<v Speaker 3>whole crowd.

0:40:41.000 --> 0:40:41.560
<v Speaker 1>Yeah.

0:40:41.600 --> 0:40:44.160
<v Speaker 2>And I go to my merch moove and not a

0:40:44.440 --> 0:40:47.560
<v Speaker 2>soul is in there, cav not a listen there's and

0:40:47.600 --> 0:40:49.800
<v Speaker 2>it's so packed that people are standing like they have

0:40:49.960 --> 0:40:52.719
<v Speaker 2>looked my front of my merch booth has become a

0:40:52.800 --> 0:40:55.640
<v Speaker 2>common area where like people would come together and exchange

0:40:55.680 --> 0:40:58.000
<v Speaker 2>cigarettes or like put stuff in a bag.

0:40:58.239 --> 0:40:59.400
<v Speaker 1>Even you were sitting there.

0:40:59.480 --> 0:41:01.719
<v Speaker 2>Yeah, nobody, I'm standing there like you know, like my

0:41:01.760 --> 0:41:03.759
<v Speaker 2>little stuff behind me. You know what I'm saying, I'm

0:41:03.760 --> 0:41:07.080
<v Speaker 2>selling my little T shirts. It's like nothing. It was

0:41:07.120 --> 0:41:11.320
<v Speaker 2>so bad. I watched I watched, Uh, I watched.

0:41:11.640 --> 0:41:14.040
<v Speaker 3>ICP from front of house, but not like front of house.

0:41:14.080 --> 0:41:15.759
<v Speaker 3>I meant like front of house, like you know, I

0:41:15.800 --> 0:41:17.680
<v Speaker 3>just went out there. Yeah, I just stood next to

0:41:17.719 --> 0:41:19.640
<v Speaker 3>a guy. You know what I'm saying that look annoyed

0:41:19.640 --> 0:41:20.800
<v Speaker 3>that I was taking up faces.

0:41:20.960 --> 0:41:22.080
<v Speaker 2>Just watch those show.

0:41:22.600 --> 0:41:24.600
<v Speaker 3>Those are those stick with you too, because those are

0:41:24.600 --> 0:41:26.319
<v Speaker 3>the nights you get in the car and really be like,

0:41:27.040 --> 0:41:30.200
<v Speaker 3>maybe I'm driven. You're looking for the arrows, and that's

0:41:30.239 --> 0:41:31.319
<v Speaker 3>a night where you don't get one.

0:41:31.400 --> 0:41:32.400
<v Speaker 2>You like you getting.

0:41:32.480 --> 0:41:36.160
<v Speaker 3>In fact, arrows go the other way. Net negatives another negative.

0:41:36.200 --> 0:41:39.640
<v Speaker 1>That's funny, Yo. I wanted to you know you and

0:41:39.800 --> 0:41:42.600
<v Speaker 1>uh whether I don't know if you know this, but uh,

0:41:42.680 --> 0:41:44.720
<v Speaker 1>you know your daughter and my son have something in common.

0:41:44.719 --> 0:41:47.239
<v Speaker 1>They're both as as I heard you describe it on

0:41:47.239 --> 0:41:51.200
<v Speaker 1>a podcast Victims of Drug Addiction. Because my son's mom,

0:41:52.160 --> 0:41:53.920
<v Speaker 1>her whole life was just I mean, it was like

0:41:53.920 --> 0:41:57.759
<v Speaker 1>a battle to keep her sober. She left him when

0:41:57.760 --> 0:42:01.680
<v Speaker 1>he was like two for like a year, and then

0:42:03.040 --> 0:42:06.759
<v Speaker 1>at the age of ten, I decided to pull the

0:42:06.800 --> 0:42:09.799
<v Speaker 1>plug on trying to keep the bullshit together. He hasn't

0:42:09.800 --> 0:42:13.239
<v Speaker 1>seen it. She hasn't seen him. He's nineteen. She hadn't

0:42:13.239 --> 0:42:17.120
<v Speaker 1>seen since he was ten. Wow, but you know, my

0:42:17.239 --> 0:42:20.759
<v Speaker 1>wife comes into his life when when he's eleven, and

0:42:21.560 --> 0:42:25.680
<v Speaker 1>you know his mom now. Yeah, but you know, I

0:42:25.760 --> 0:42:28.200
<v Speaker 1>wanted to talk to you, like, how do you deal

0:42:28.239 --> 0:42:30.320
<v Speaker 1>with you know? And I'm kind of asking for advice

0:42:30.360 --> 0:42:33.400
<v Speaker 1>here because my son's nineteen. He's a great kid, you know,

0:42:33.520 --> 0:42:35.719
<v Speaker 1>just graduated high school, he's going to college. But I

0:42:35.840 --> 0:42:40.640
<v Speaker 1>feel like sometimes I see him wearing that that unresolved

0:42:40.880 --> 0:42:41.479
<v Speaker 1>mom shit.

0:42:42.040 --> 0:42:44.040
<v Speaker 2>Yeah, well he is. There's no way he's not.

0:42:44.200 --> 0:42:47.719
<v Speaker 3>I mean even the toughest, smartest kids that are the

0:42:47.719 --> 0:42:51.319
<v Speaker 3>most grounded and understanding, when you go through something like that,

0:42:51.920 --> 0:42:54.040
<v Speaker 3>you can't help but wonder what's going on. And you

0:42:54.080 --> 0:42:55.759
<v Speaker 3>also got to keep in mind that no matter how

0:42:55.760 --> 0:42:57.960
<v Speaker 3>smart he is, that brain still developing. Yeah, for sure,

0:42:57.960 --> 0:42:59.680
<v Speaker 3>you know what I mean, he's still even though he's nineteen,

0:42:59.680 --> 0:43:01.839
<v Speaker 3>he's an he can buy a cigarette now.

0:43:01.880 --> 0:43:03.719
<v Speaker 2>It's not to me. He's not no adult. I wasn't

0:43:03.719 --> 0:43:04.640
<v Speaker 2>an adulted eighteen.

0:43:05.239 --> 0:43:06.520
<v Speaker 1>I mean I had him when I was eighteen.

0:43:06.600 --> 0:43:08.160
<v Speaker 2>Yeah, yeah, you know, so you know that feeling.

0:43:08.280 --> 0:43:11.480
<v Speaker 3>So it's like, I don't know, man, I would I

0:43:11.520 --> 0:43:16.000
<v Speaker 3>would encourage you to encourage him, or I'll encourage him

0:43:16.880 --> 0:43:19.360
<v Speaker 3>to reach out and seek real help about that, you

0:43:19.400 --> 0:43:21.000
<v Speaker 3>know what I mean. There is a book called.

0:43:25.680 --> 0:43:29.240
<v Speaker 2>Children of Drug Addict Parents or something like that, children

0:43:29.320 --> 0:43:30.280
<v Speaker 2>of Alcoholic Parents.

0:43:30.280 --> 0:43:34.359
<v Speaker 3>I'm just not didn't you know whatever, But I normally

0:43:34.400 --> 0:43:35.759
<v Speaker 3>would have that book on the top of my head.

0:43:35.760 --> 0:43:37.359
<v Speaker 3>But I've read it before. It's a great book. It

0:43:37.360 --> 0:43:40.040
<v Speaker 3>helped me a lot, just like getting in tune with

0:43:40.080 --> 0:43:43.480
<v Speaker 3>that and understanding and one him just acknowledging it, that'll

0:43:43.520 --> 0:43:45.000
<v Speaker 3>be a good step for him just to kind of

0:43:45.000 --> 0:43:47.200
<v Speaker 3>be like, yeah, man, it does bother me a little

0:43:47.200 --> 0:43:48.160
<v Speaker 3>bit that, you know.

0:43:48.280 --> 0:43:49.799
<v Speaker 1>Do you have to deal with that with Bailey at all?

0:43:49.960 --> 0:43:52.080
<v Speaker 1>Sometimes where you got kind of like, you know, because

0:43:52.640 --> 0:43:54.800
<v Speaker 1>to get your you were forced to get your shit together.

0:43:55.960 --> 0:43:57.640
<v Speaker 2>And I still had the moments would be where I

0:43:57.640 --> 0:43:59.439
<v Speaker 2>can tell its way and on and we still allow

0:43:59.520 --> 0:44:02.520
<v Speaker 2>her to talk. Yeah, and I allowed she I allow

0:44:02.520 --> 0:44:04.399
<v Speaker 2>her to have space to feel however she feels about

0:44:04.400 --> 0:44:07.239
<v Speaker 2>her mother. That's a big one because sometimes she's like, yo,

0:44:07.960 --> 0:44:09.000
<v Speaker 2>I kind of want to talk to her and I

0:44:09.040 --> 0:44:10.920
<v Speaker 2>want to figure this out, and I'm like cool. And

0:44:10.920 --> 0:44:12.759
<v Speaker 2>then sometimes she's like, I never want to talk to

0:44:12.800 --> 0:44:15.399
<v Speaker 2>that woman again, and I'm like, I respect that decision too,

0:44:16.160 --> 0:44:18.600
<v Speaker 2>But either decision you make, I think it's important that

0:44:18.680 --> 0:44:21.759
<v Speaker 2>you continue to get help about it. So, you know,

0:44:21.840 --> 0:44:23.600
<v Speaker 2>she goes and Bay, he's been in therapy for a

0:44:23.600 --> 0:44:24.440
<v Speaker 2>couple of years about it.

0:44:24.480 --> 0:44:26.480
<v Speaker 1>Right, Well, that's important.

0:44:25.880 --> 0:44:30.560
<v Speaker 3>They yeah, well, it just will help him to understand

0:44:30.560 --> 0:44:33.239
<v Speaker 3>why he thinks the way he thinks about things. And

0:44:34.840 --> 0:44:38.360
<v Speaker 3>I would hate for it to affect his relationships later

0:44:38.400 --> 0:44:41.560
<v Speaker 3>in life by not getting ahead of it now.

0:44:41.880 --> 0:44:44.200
<v Speaker 1>Yeah, And it's like having you know, like the way

0:44:44.239 --> 0:44:47.080
<v Speaker 1>you had Bunny, the way I have my wife. It's like, man,

0:44:47.239 --> 0:44:49.160
<v Speaker 1>I don't know where. I don't know if I was

0:44:49.200 --> 0:44:52.640
<v Speaker 1>able to even handle like the level of like fatherhood

0:44:52.640 --> 0:44:56.360
<v Speaker 1>that came with trying to make it while also keeping

0:44:56.400 --> 0:44:59.200
<v Speaker 1>this kid right on the right tracks. You know what

0:44:59.239 --> 0:45:00.719
<v Speaker 1>I'm saying? So deep?

0:45:00.840 --> 0:45:02.440
<v Speaker 3>No, that's deep. Thanks for sharing that. I'll get the

0:45:02.520 --> 0:45:04.200
<v Speaker 3>name of that book though. Man, that book is it's

0:45:04.320 --> 0:45:05.880
<v Speaker 3>it's incredible.

0:45:05.920 --> 0:45:06.080
<v Speaker 2>Man.

0:45:06.120 --> 0:45:07.960
<v Speaker 3>I remember when I first looked at it, I was like,

0:45:07.960 --> 0:45:12.520
<v Speaker 3>this doesn't look like children of adult children. Of adult

0:45:12.560 --> 0:45:15.760
<v Speaker 3>alcoholics or something like that, adult children of our adult

0:45:15.840 --> 0:45:17.239
<v Speaker 3>children of alcoholics, is it?

0:45:17.320 --> 0:45:17.960
<v Speaker 2>Or something like that.

0:45:18.080 --> 0:45:20.239
<v Speaker 1>You're on this health kick right now? How many I

0:45:20.560 --> 0:45:22.280
<v Speaker 1>think I heard you say you lost about sixty pounds?

0:45:23.040 --> 0:45:25.440
<v Speaker 1>Hundred pounds? Well, congratulations, I'm at a legit hundred.

0:45:25.480 --> 0:45:31.000
<v Speaker 3>I'm at a legit hundred from my like kind of

0:45:31.000 --> 0:45:32.319
<v Speaker 3>a little bit more than a hundred from what my

0:45:32.320 --> 0:45:35.319
<v Speaker 3>biggest was. I'm down eighty or ninety this year.

0:45:35.719 --> 0:45:39.360
<v Speaker 1>It's amazing. I remember the last time, because I remember

0:45:39.600 --> 0:45:42.440
<v Speaker 1>was about twenty sixteen, seventeen, you had lost a lot

0:45:42.480 --> 0:45:42.960
<v Speaker 1>of weight.

0:45:43.000 --> 0:45:46.919
<v Speaker 2>Yep, and back this time I got to keep it off.

0:45:47.239 --> 0:45:50.120
<v Speaker 1>Well, you know, it's it's crazy because I was talking

0:45:50.160 --> 0:45:52.120
<v Speaker 1>with Big X the Plug about this because I was like, hey, man,

0:45:52.200 --> 0:45:56.680
<v Speaker 1>like you're like Big X the Plug, but like we

0:45:56.719 --> 0:46:00.319
<v Speaker 1>also want you to be here, right. Do you worry

0:46:00.320 --> 0:46:02.719
<v Speaker 1>about like your image of what the public knows you

0:46:02.800 --> 0:46:05.719
<v Speaker 1>as being wrapped into being like a heavier guy.

0:46:05.719 --> 0:46:08.160
<v Speaker 3>Man, I'm gonna lose the weight and I'm gonna break

0:46:08.200 --> 0:46:08.880
<v Speaker 3>the curse.

0:46:09.360 --> 0:46:12.200
<v Speaker 1>Yeah, Because there is a quote.

0:46:11.920 --> 0:46:15.320
<v Speaker 3>Actor curse of actors who lost weight that couldn't find work,

0:46:15.960 --> 0:46:18.480
<v Speaker 3>but there's also actors that lost weight and found more work,

0:46:18.840 --> 0:46:20.759
<v Speaker 3>you know what I mean. But if that is a

0:46:20.840 --> 0:46:23.200
<v Speaker 3>quote unquote curse, I'm gonna break it. Me and my

0:46:23.200 --> 0:46:25.800
<v Speaker 3>wife actually talked about this real deep one night recently,

0:46:25.880 --> 0:46:28.719
<v Speaker 3>because she she knows whenever I get the eye of

0:46:28.760 --> 0:46:30.759
<v Speaker 3>the tiger in me, she's seen it before. Now we've

0:46:30.760 --> 0:46:33.200
<v Speaker 3>been together long enough that she's like, oh, I know

0:46:33.239 --> 0:46:35.279
<v Speaker 3>my husband, he's not gonna stop to his weights off,

0:46:35.520 --> 0:46:38.160
<v Speaker 3>like when he really dials in this, dude's fixing it

0:46:38.239 --> 0:46:40.000
<v Speaker 3>completely shed this And she was like, well, you know,

0:46:40.040 --> 0:46:42.200
<v Speaker 3>do you have a plan sustainable to keep it off?

0:46:42.280 --> 0:46:43.759
<v Speaker 3>She just being a good woman, you know what I mean,

0:46:43.880 --> 0:46:48.319
<v Speaker 3>just having real conversations with me, And she goes, are

0:46:48.360 --> 0:46:52.080
<v Speaker 3>you worried about any criticism?

0:46:52.120 --> 0:46:52.319
<v Speaker 2>You know?

0:46:52.360 --> 0:46:53.520
<v Speaker 3>And I was like a little bit. I was like,

0:46:53.560 --> 0:46:57.000
<v Speaker 3>I know that, I know how this works. Like they're

0:46:57.000 --> 0:46:59.560
<v Speaker 3>gonna even though I'm losing the weight in front of everybody,

0:46:59.560 --> 0:47:01.279
<v Speaker 3>They're still going to like, there's still gonna be some

0:47:01.360 --> 0:47:02.880
<v Speaker 3>people like, well, of course he took the shot.

0:47:03.160 --> 0:47:05.279
<v Speaker 2>I never took a shot. Yeah.

0:47:05.320 --> 0:47:06.960
<v Speaker 3>It's like it's like they're not not that I'm against

0:47:07.000 --> 0:47:08.840
<v Speaker 3>those in picks. My doctor thinks it's great. I'm just

0:47:08.920 --> 0:47:11.239
<v Speaker 3>personally not. I'm afraid of stuff like that.

0:47:11.280 --> 0:47:11.920
<v Speaker 2>I don't know.

0:47:12.120 --> 0:47:13.839
<v Speaker 3>I did drugs for so long. I like putting weird

0:47:13.840 --> 0:47:15.640
<v Speaker 3>shit in my body on one fair enough.

0:47:15.600 --> 0:47:15.759
<v Speaker 2>You know.

0:47:16.160 --> 0:47:18.480
<v Speaker 3>But I'm not saying I won't do it. But you

0:47:18.480 --> 0:47:20.720
<v Speaker 3>know it's I can still see her. I can imagine

0:47:20.719 --> 0:47:23.319
<v Speaker 3>that I'm about another seventy eighty pound. I got another

0:47:23.320 --> 0:47:24.799
<v Speaker 3>goal to lose a lot more weight. And they'll come

0:47:24.800 --> 0:47:27.319
<v Speaker 3>a point where they'll start saying I look sick, you know,

0:47:27.360 --> 0:47:29.200
<v Speaker 3>and I'm cool with I'm just me. And her talked

0:47:29.200 --> 0:47:30.839
<v Speaker 3>about it, and she was so honest. She was like, good,

0:47:30.840 --> 0:47:32.720
<v Speaker 3>I just wanted to make sure it didn't hurt your feelings.

0:47:32.719 --> 0:47:33.440
<v Speaker 2>I was like, no, I'm not.

0:47:34.040 --> 0:47:36.799
<v Speaker 3>The difference is I think a lot of people make

0:47:36.840 --> 0:47:40.200
<v Speaker 3>the mistake of going and hiding and getting healthy and

0:47:40.239 --> 0:47:43.240
<v Speaker 3>then coming out healthy, you know what I mean.

0:47:43.480 --> 0:47:46.120
<v Speaker 1>Where it's like instead of doing it in front of everybody,

0:47:46.160 --> 0:47:46.960
<v Speaker 1>so they see that.

0:47:47.360 --> 0:47:48.960
<v Speaker 3>Like watch the daily rolls and I put them on

0:47:48.960 --> 0:47:51.680
<v Speaker 3>my Instagram every day. It's like just what we're doing

0:47:51.680 --> 0:47:54.400
<v Speaker 3>in life. And I'm not going to be one of

0:47:54.400 --> 0:47:56.319
<v Speaker 3>them weird people that loses a bunch of weight and

0:47:56.320 --> 0:47:57.280
<v Speaker 3>it becomes my identity.

0:47:57.360 --> 0:47:59.239
<v Speaker 2>Neither right, like I feel better.

0:47:59.280 --> 0:48:01.120
<v Speaker 3>I'm gonna talk about it because it's going to always

0:48:01.120 --> 0:48:03.759
<v Speaker 3>be the elephant in the room. But it's like, I

0:48:03.800 --> 0:48:07.400
<v Speaker 3>feel better, I'm thinking clearer, and uh, it's just it's

0:48:07.600 --> 0:48:09.319
<v Speaker 3>one part of what I do every day is I

0:48:09.400 --> 0:48:12.840
<v Speaker 3>now eat better, I fight my my food addiction demon,

0:48:12.880 --> 0:48:15.560
<v Speaker 3>and I work out. It's just but it's still makes

0:48:15.719 --> 0:48:16.839
<v Speaker 3>very little of who I am.

0:48:16.800 --> 0:48:17.360
<v Speaker 2>As a human.

0:48:17.880 --> 0:48:20.320
<v Speaker 3>Yeah, only making who I am as a human better.

0:48:20.719 --> 0:48:23.400
<v Speaker 3>I'm only becoming a better human as I'm getting healthier.

0:48:23.480 --> 0:48:26.759
<v Speaker 1>What for you like talk about just like because you know,

0:48:26.840 --> 0:48:30.080
<v Speaker 1>for anybody who's friends with you, you've always been at

0:48:30.120 --> 0:48:36.000
<v Speaker 1>a recreational relationship with certain substances. But for you, like,

0:48:37.160 --> 0:48:38.799
<v Speaker 1>you know, just being around you the last like six

0:48:38.840 --> 0:48:40.960
<v Speaker 1>seven months, I've noticed like you're like you've like calmed

0:48:40.960 --> 0:48:42.280
<v Speaker 1>down a lot when it comes to I mean obviously

0:48:42.320 --> 0:48:45.479
<v Speaker 1>we'll drink sometimes, but was there like a breaking point

0:48:45.520 --> 0:48:47.040
<v Speaker 1>for you where you're like, yo, I gotta kind of

0:48:47.120 --> 0:48:47.960
<v Speaker 1>kick back a little.

0:48:48.719 --> 0:48:50.840
<v Speaker 2>I could not drink the way I was drinking and

0:48:50.920 --> 0:48:52.040
<v Speaker 2>keep up with this schedule.

0:48:52.440 --> 0:48:54.800
<v Speaker 1>Yeah, because dude, you're the tequila god.

0:48:55.160 --> 0:48:57.880
<v Speaker 2>I drink. I don't drink a lot, but when I

0:48:57.960 --> 0:49:00.320
<v Speaker 2>drink I drink a lot.

0:49:00.360 --> 0:49:03.760
<v Speaker 3>Sure, I am legend with people. It gets it is crazy,

0:49:04.760 --> 0:49:06.719
<v Speaker 3>but yeah, I just couldn't drink. I just man, I'm

0:49:06.719 --> 0:49:07.239
<v Speaker 3>so like.

0:49:08.960 --> 0:49:11.400
<v Speaker 2>I have one. I started implementing a little like adult

0:49:11.560 --> 0:49:12.920
<v Speaker 2>forty year old rules.

0:49:12.680 --> 0:49:14.400
<v Speaker 3>Now that are like, I don't drink unless I have

0:49:14.440 --> 0:49:16.439
<v Speaker 3>a full day off the next day, just in case

0:49:16.680 --> 0:49:19.560
<v Speaker 3>it's the way I like to drink and I haven't.

0:49:19.320 --> 0:49:20.440
<v Speaker 2>Had a full day off.

0:49:21.040 --> 0:49:21.120
<v Speaker 1>It.

0:49:22.239 --> 0:49:24.480
<v Speaker 3>Yeah, backed up to a night that it made sense

0:49:24.520 --> 0:49:28.560
<v Speaker 3>to drink in a long time night or something like

0:49:29.280 --> 0:49:32.040
<v Speaker 3>we were we were thinking about it, like the iHeartRadio

0:49:32.080 --> 0:49:34.440
<v Speaker 3>Awards was like one of those magical nights where we

0:49:34.520 --> 0:49:38.000
<v Speaker 3>won an award that we're celebrating and had nothing to

0:49:38.040 --> 0:49:38.799
<v Speaker 3>do the next day.

0:49:38.840 --> 0:49:39.319
<v Speaker 2>It was like.

0:49:40.120 --> 0:49:43.160
<v Speaker 1>Score, we know we got blacked out that night.

0:49:43.239 --> 0:49:45.799
<v Speaker 2>Buba for sure, because when I like.

0:49:46.440 --> 0:49:48.400
<v Speaker 1>That was wasn't that the name you fell in the pond?

0:49:48.520 --> 0:49:48.719
<v Speaker 2>Yeah?

0:49:49.080 --> 0:49:52.279
<v Speaker 3>I fear of the hotel splashed around? No, It's like, dude,

0:49:52.400 --> 0:49:54.840
<v Speaker 3>those are the like if I'm gonna go out and party,

0:49:54.840 --> 0:49:57.880
<v Speaker 3>I party that way and the next day it falls

0:49:57.920 --> 0:50:01.040
<v Speaker 3>real recovery from Yeah, I gotta drink certain water, drink

0:50:01.160 --> 0:50:05.000
<v Speaker 3>eat food, get in asana, getting I be I'm old.

0:50:05.200 --> 0:50:06.640
<v Speaker 3>I just don't have it no more. So it's like,

0:50:06.640 --> 0:50:08.160
<v Speaker 3>I don't know, I'm just more I'm more in love

0:50:08.200 --> 0:50:09.080
<v Speaker 3>with the pace of.

0:50:09.040 --> 0:50:11.239
<v Speaker 2>The work I'm doing right now, we're working at a

0:50:11.280 --> 0:50:12.479
<v Speaker 2>way different pace. Man.

0:50:13.040 --> 0:50:15.120
<v Speaker 1>Yeah, it's crazy too, man, just to see the production,

0:50:15.239 --> 0:50:17.640
<v Speaker 1>Like how many people are employed on this tour? One

0:50:17.680 --> 0:50:19.799
<v Speaker 1>hundred and fifty something that's insane.

0:50:20.000 --> 0:50:26.120
<v Speaker 2>Twenty two trucks, sixteen buses. Bro, Like, it's crazy, huge production.

0:50:26.480 --> 0:50:29.560
<v Speaker 1>That's so crazy, so fun though, Like so many people's

0:50:29.719 --> 0:50:32.480
<v Speaker 1>livelihoods are in this building and connected to you going

0:50:32.520 --> 0:50:35.560
<v Speaker 1>on that stage and doing your You're out, And that's.

0:50:35.480 --> 0:50:39.000
<v Speaker 3>Not counting the one hundred plus locals every night, another

0:50:39.000 --> 0:50:40.560
<v Speaker 3>one hundred vendors.

0:50:40.120 --> 0:50:43.520
<v Speaker 1>Right, you know what I mean. So that shit's crazy.

0:50:43.880 --> 0:50:44.400
<v Speaker 1>I'm curious.

0:50:44.440 --> 0:50:44.560
<v Speaker 2>I know.

0:50:44.719 --> 0:50:48.480
<v Speaker 1>Really, you got your bar coming yes in Nashville, which

0:50:48.520 --> 0:50:51.000
<v Speaker 1>is I can't wait to like how far along is

0:50:51.040 --> 0:50:51.600
<v Speaker 1>that process?

0:50:51.800 --> 0:50:53.640
<v Speaker 3>Oh it's there, dude, they went the other day. It's

0:50:53.680 --> 0:50:56.080
<v Speaker 3>framed out, it's ready. We should be open top of

0:50:56.080 --> 0:50:57.040
<v Speaker 3>the year sometime early.

0:50:57.200 --> 0:50:59.680
<v Speaker 1>So you already got the least together and all that.

0:50:59.719 --> 0:51:01.600
<v Speaker 3>Oh no, at least, I mean, dude, this building is

0:51:01.800 --> 0:51:04.320
<v Speaker 3>being has been getting rebuilt for the last eight months.

0:51:04.400 --> 0:51:06.000
<v Speaker 1>Oh wow from scratch.

0:51:06.040 --> 0:51:07.279
<v Speaker 2>Oh yeah, this has been a.

0:51:09.040 --> 0:51:10.960
<v Speaker 3>They kept the frame of the building because it was

0:51:10.960 --> 0:51:14.040
<v Speaker 3>an old concrete built in the nineteen twenties concrete style,

0:51:15.000 --> 0:51:16.920
<v Speaker 3>but then they just framed wood inside of it. But

0:51:16.960 --> 0:51:19.719
<v Speaker 3>she had no completely remodeled the whole thing. Really really

0:51:19.760 --> 0:51:20.520
<v Speaker 3>did it the right way.

0:51:20.800 --> 0:51:23.719
<v Speaker 2>Yo. This guy and this company we're with is like

0:51:23.920 --> 0:51:26.520
<v Speaker 2>really really good at what they do. Are you are you?

0:51:26.520 --> 0:51:28.279
<v Speaker 2>You know them from Phoenix? You know what I'm working with?

0:51:28.360 --> 0:51:31.040
<v Speaker 2>Right the bottle blinde? Oh ship? Yeah, they got a

0:51:31.040 --> 0:51:33.480
<v Speaker 2>great place. Got they got a bunch of great spots. Yeah,

0:51:34.280 --> 0:51:34.640
<v Speaker 2>I'm working.

0:51:34.840 --> 0:51:37.240
<v Speaker 1>Oh that's gonna be crazy and they're gonna be great

0:51:36.960 --> 0:51:38.160
<v Speaker 1>to put everywhere.

0:51:38.280 --> 0:51:41.840
<v Speaker 2>Yeah that God? Will you know what I mean? Hey, hey, holler,

0:51:42.160 --> 0:51:44.200
<v Speaker 2>I'd love to expand. I love it.

0:51:44.239 --> 0:51:45.799
<v Speaker 3>Man, let me tell you, I want to touch this.

0:51:45.840 --> 0:51:47.600
<v Speaker 3>For a second, I said it. It kind of glossed over

0:51:47.600 --> 0:51:50.040
<v Speaker 3>and on, Joe. But I'm the first.

0:51:50.600 --> 0:51:50.880
<v Speaker 2>Uh.

0:51:50.920 --> 0:51:53.960
<v Speaker 3>Of course, Steve and his son BT owned most of

0:51:54.040 --> 0:51:56.680
<v Speaker 3>Broadway and their locals. They're real Nashville people, like for

0:51:56.760 --> 0:52:01.360
<v Speaker 3>real Steve Smith and BT. But as a as an artist,

0:52:01.680 --> 0:52:04.200
<v Speaker 3>I'm the first real Nashville guy to get a bar.

0:52:04.440 --> 0:52:05.279
<v Speaker 2>It's a big deal. Man.

0:52:05.320 --> 0:52:08.080
<v Speaker 3>It's like, I don't know, I don't feel entitled to

0:52:08.200 --> 0:52:11.399
<v Speaker 3>very Broadway. Yeah, I don't feel entitled to very much.

0:52:11.400 --> 0:52:13.040
<v Speaker 3>But like being a local, It's like.

0:52:13.760 --> 0:52:15.240
<v Speaker 1>Yeah, I mean I feel like I feel local.

0:52:15.320 --> 0:52:17.200
<v Speaker 3>That was my only complaint when I didn't think I'd

0:52:17.239 --> 0:52:18.640
<v Speaker 3>ever be in the runnings for one. I'd be like,

0:52:18.960 --> 0:52:21.759
<v Speaker 3>let Chris Young get one or Cadillac three or Ernest Like,

0:52:21.840 --> 0:52:22.839
<v Speaker 3>let a local get one.

0:52:22.840 --> 0:52:25.160
<v Speaker 1>I mean, you've done the the opry, You've got a

0:52:25.200 --> 0:52:27.440
<v Speaker 1>bar on Broadway. I think the next thing is owning

0:52:27.440 --> 0:52:28.600
<v Speaker 1>a piece of the Titans.

0:52:28.960 --> 0:52:31.319
<v Speaker 2>I would love to own. Hey, miss Samy, Me and

0:52:31.320 --> 0:52:34.239
<v Speaker 2>Miss Amy, your friends even hang out with the other day.

0:52:34.320 --> 0:52:35.879
<v Speaker 2>Just give me a little skin in the game.

0:52:35.920 --> 0:52:38.920
<v Speaker 3>Amy, I'll give you some money and I'll stay out

0:52:38.920 --> 0:52:41.000
<v Speaker 3>of the business completely. Miss Amy, I just love to

0:52:41.440 --> 0:52:43.560
<v Speaker 3>you know what's crazy I talk about that. I mean,

0:52:43.640 --> 0:52:45.239
<v Speaker 3>the only way it happens is if she'd ever let

0:52:45.239 --> 0:52:46.600
<v Speaker 3>me buy into the team, and I'd take I.

0:52:46.560 --> 0:52:49.799
<v Speaker 2>Would take whatever she'd give you. But of course I

0:52:49.840 --> 0:52:52.200
<v Speaker 2>would have never dreamed of that. Man. But Eric Church

0:52:52.280 --> 0:52:53.319
<v Speaker 2>is kind of a mentor to me.

0:52:54.200 --> 0:52:58.400
<v Speaker 3>And Eric Church owns a piece of the Charlotte Hornets.

0:52:59.320 --> 0:53:00.880
<v Speaker 2>Wow, like a real piece.

0:53:01.360 --> 0:53:01.720
<v Speaker 1>Wow.

0:53:01.880 --> 0:53:03.400
<v Speaker 2>Yeah.

0:53:03.440 --> 0:53:06.040
<v Speaker 3>And it's a true story. And I heard Kenny Chesney

0:53:06.080 --> 0:53:08.680
<v Speaker 3>is trying to work out a deal with a with

0:53:09.120 --> 0:53:10.920
<v Speaker 3>his dream. I think has been always work out with

0:53:10.960 --> 0:53:13.520
<v Speaker 3>mister craft. Something for the Patriots from a lifelong Patriots

0:53:13.520 --> 0:53:14.400
<v Speaker 3>fan got.

0:53:14.320 --> 0:53:16.839
<v Speaker 1>Me So Tom brook Brady just brought up a piece

0:53:16.840 --> 0:53:17.760
<v Speaker 1>of the fucking Raiders.

0:53:18.040 --> 0:53:19.640
<v Speaker 3>That's what I'm saying. Tom got him a little piece.

0:53:19.680 --> 0:53:21.000
<v Speaker 3>Give me that little deal, you know what I mean?

0:53:21.280 --> 0:53:23.120
<v Speaker 3>They got him a deal where he's not allowed to nothing.

0:53:23.320 --> 0:53:25.000
<v Speaker 3>He just got a little piece of the team. And

0:53:25.040 --> 0:53:26.120
<v Speaker 3>that's it, you know what I mean.

0:53:26.680 --> 0:53:28.600
<v Speaker 2>Yo. I know there was a lot of big dream

0:53:28.800 --> 0:53:29.280
<v Speaker 2>big dreams.

0:53:29.640 --> 0:53:30.960
<v Speaker 1>I know there was a lot of features that almost

0:53:31.000 --> 0:53:36.280
<v Speaker 1>happened for the album. Is there anybody who you weren't

0:53:36.280 --> 0:53:38.120
<v Speaker 1>able to because you have some great features on this album,

0:53:38.160 --> 0:53:46.360
<v Speaker 1>Hawsey Russ, Uh shit, I'm forgetting Skylar Gray, Ernest, anybody, Yeah,

0:53:46.440 --> 0:53:50.120
<v Speaker 1>anybody who you're like ya, I got this. I got this,

0:53:50.280 --> 0:53:52.160
<v Speaker 1>Like there's two or three of these motherfuckers. I just

0:53:52.160 --> 0:53:54.200
<v Speaker 1>got to do something with that. Just it just didn't

0:53:54.239 --> 0:53:55.120
<v Speaker 1>work out this time.

0:53:55.400 --> 0:53:59.480
<v Speaker 3>Oh, I mean for me, just like my list of

0:53:59.520 --> 0:54:02.040
<v Speaker 3>people out want to work with or I still want

0:54:02.040 --> 0:54:04.840
<v Speaker 3>to work with, like Miley really bad. She's from Tennessee?

0:54:05.880 --> 0:54:08.600
<v Speaker 3>What not from Tennessee? Always I like make her claim Tennessee.

0:54:08.640 --> 0:54:10.160
<v Speaker 3>I don't know she probably you know, but I know

0:54:10.200 --> 0:54:13.879
<v Speaker 3>that they have Tennessee roots. Of course Sissa. I think

0:54:13.920 --> 0:54:17.359
<v Speaker 3>Siss is like everything about her Lizzo just what they

0:54:17.840 --> 0:54:22.520
<v Speaker 3>them is people. And you know what I mean, she

0:54:22.680 --> 0:54:26.359
<v Speaker 3>is so special. She is such a gift from God. Man,

0:54:26.480 --> 0:54:28.960
<v Speaker 3>she is so grounded and the music is so.

0:54:30.640 --> 0:54:34.840
<v Speaker 2>I hey, how are you.

0:54:36.000 --> 0:54:39.560
<v Speaker 1>There's a special delivery? Sorry sorry, A nice a nice

0:54:39.600 --> 0:54:40.160
<v Speaker 1>young lady.

0:54:40.440 --> 0:54:44.880
<v Speaker 3>But and you know she's Sciss is great also because

0:54:44.880 --> 0:54:50.160
<v Speaker 3>of outside of the writing, the music, the rollouts are crazy,

0:54:50.360 --> 0:54:52.040
<v Speaker 3>the labels I mean, but.

0:54:54.080 --> 0:54:55.680
<v Speaker 2>Man, her artistry is just different. Right.

0:54:55.800 --> 0:54:57.600
<v Speaker 3>I love when you know people are putting in the

0:54:57.640 --> 0:55:00.520
<v Speaker 3>work and you can't watch Sissa do anything thing live,

0:55:00.560 --> 0:55:03.720
<v Speaker 3>whether it's an award show or an actual concert without

0:55:03.719 --> 0:55:07.319
<v Speaker 3>it just reeking of her putting tens.

0:55:07.120 --> 0:55:09.920
<v Speaker 2>Or hundreds of hours into into it. Yeah you know

0:55:09.960 --> 0:55:11.839
<v Speaker 2>what I mean. Like not the craft itself, you can

0:55:11.880 --> 0:55:14.239
<v Speaker 2>tell she spent tens of thousands there, but I mean

0:55:14.440 --> 0:55:17.319
<v Speaker 2>in individual you see her on an award show, like

0:55:17.360 --> 0:55:19.239
<v Speaker 2>the Grammys, and you're like, dude, I bet she spent

0:55:19.640 --> 0:55:22.400
<v Speaker 2>one hundred hours working on this, you know what I mean,

0:55:22.520 --> 0:55:26.279
<v Speaker 2>You're like real hours stand here and working on the court,

0:55:27.480 --> 0:55:27.680
<v Speaker 2>you know.

0:55:27.719 --> 0:55:30.520
<v Speaker 1>Like I mean, I think we waited for five years.

0:55:30.239 --> 0:55:33.200
<v Speaker 3>For albums and she don't miss man, because if you

0:55:33.280 --> 0:55:36.640
<v Speaker 3>take that long to put out an album. You know

0:55:36.680 --> 0:55:38.840
<v Speaker 3>this in our business is inside baseball right here. But

0:55:38.880 --> 0:55:42.440
<v Speaker 3>there's an old joke that says, uh, the longer you sit,

0:55:42.520 --> 0:55:44.840
<v Speaker 3>the bigger the hit, you know what I mean, Like,

0:55:44.920 --> 0:55:46.480
<v Speaker 3>the longer you sit out, you better have that much

0:55:46.520 --> 0:55:48.560
<v Speaker 3>bigger of a hit, you know what I mean, Like

0:55:48.600 --> 0:55:50.520
<v Speaker 3>when you do come back. Adele's the queen of that,

0:55:50.560 --> 0:55:53.080
<v Speaker 3>by the way, coming when she wants but never missing.

0:55:53.160 --> 0:55:56.520
<v Speaker 2>Apparently, Dell would be a dream dream scenario. The weekend.

0:55:56.560 --> 0:55:58.719
<v Speaker 3>The weekend would be my true, true, true buck. I

0:55:58.760 --> 0:56:00.720
<v Speaker 3>think he's the greatest artist this generation.

0:56:01.040 --> 0:56:01.560
<v Speaker 1>I agree.

0:56:01.680 --> 0:56:03.760
<v Speaker 2>Yeah, I just, I just, I just not the number

0:56:03.760 --> 0:56:06.000
<v Speaker 2>one artist in the world for by default. No, he

0:56:06.040 --> 0:56:10.239
<v Speaker 2>makes my favorite music too, I.

0:56:10.200 --> 0:56:12.600
<v Speaker 1>Mean, yeah, great shots of the weekend. I just met

0:56:12.680 --> 0:56:17.319
<v Speaker 1>him in at the iHeart of iHeart festival and it

0:56:17.360 --> 0:56:20.080
<v Speaker 1>feels like a fan of my work. Really, he was like, Yo,

0:56:20.920 --> 0:56:23.360
<v Speaker 1>I just want you to know, like, uh, like it

0:56:23.360 --> 0:56:25.480
<v Speaker 1>seems like everything you do is like from a genuine

0:56:25.520 --> 0:56:28.280
<v Speaker 1>good place. You feel like you got a good spirit.

0:56:28.360 --> 0:56:30.359
<v Speaker 2>If Abel said something like that to me, I know.

0:56:30.320 --> 0:56:32.880
<v Speaker 1>It was crazy because and we just started talking about

0:56:32.880 --> 0:56:35.480
<v Speaker 1>like we talked for like twenty minutes.

0:56:35.560 --> 0:56:36.359
<v Speaker 2>Did you gets a fuck?

0:56:36.640 --> 0:56:38.200
<v Speaker 1>It was just cool as fuck. And then he was

0:56:38.200 --> 0:56:39.640
<v Speaker 1>like yeah, he was like, yo, dude, you look like

0:56:39.640 --> 0:56:40.320
<v Speaker 1>you're like talking.

0:56:40.360 --> 0:56:42.840
<v Speaker 3>If I could have a thirty minute conversation with anybody,

0:56:42.840 --> 0:56:45.279
<v Speaker 3>it would be be him or James.

0:56:44.920 --> 0:56:47.480
<v Speaker 1>Taylor Man or Seeger see.

0:56:47.239 --> 0:56:51.719
<v Speaker 3>One of them three Seager, Taylor, Abel. It's yeah, that'd

0:56:51.760 --> 0:56:53.160
<v Speaker 3>be a dream feature for me though. Man, I'm a

0:56:53.200 --> 0:56:54.000
<v Speaker 3>huge weekend fan.

0:56:55.040 --> 0:56:57.560
<v Speaker 1>How do you feel about these you mentioned, adell, these

0:56:57.640 --> 0:57:00.080
<v Speaker 1>memes that are going around that you're the adele.

0:56:59.760 --> 0:57:07.000
<v Speaker 3>For uh fort Drivers. Man, dude, I'm just glad. I'm

0:57:07.280 --> 0:57:09.719
<v Speaker 3>just dude. Can you believe I've become a mame?

0:57:10.120 --> 0:57:11.880
<v Speaker 2>Yeah? No, I mean you know what they've got so

0:57:11.920 --> 0:57:13.640
<v Speaker 2>many are they called gifts or gifts?

0:57:14.280 --> 0:57:15.080
<v Speaker 1>I think it's a gift.

0:57:16.320 --> 0:57:20.880
<v Speaker 3>I think it's a it's a gift.

0:57:21.200 --> 0:57:24.600
<v Speaker 2>So yeah, they got they got gifts of me. Now, yeah,

0:57:25.400 --> 0:57:26.160
<v Speaker 2>it's really cool.

0:57:26.520 --> 0:57:29.160
<v Speaker 1>Yeah, you're You're like I've said this to other people,

0:57:29.200 --> 0:57:31.439
<v Speaker 1>but I'll say to you you are on your way

0:57:31.480 --> 0:57:34.560
<v Speaker 1>to being And I don't mean musically in any sense,

0:57:34.600 --> 0:57:37.280
<v Speaker 1>because I think you have a lot. You're gonna be

0:57:37.440 --> 0:57:43.600
<v Speaker 1>like the white Snoop Dogg hope. And I mean that

0:57:43.640 --> 0:57:44.920
<v Speaker 1>in the terms of, like, oh.

0:57:44.800 --> 0:57:47.720
<v Speaker 2>My god, Snoop Dogg announced I'm on this album. Oh

0:57:47.760 --> 0:57:48.160
<v Speaker 2>we can.

0:57:48.040 --> 0:57:52.240
<v Speaker 3>Talk about this, Snoops on the album. You're He announced it,

0:57:52.240 --> 0:57:53.760
<v Speaker 3>so I think I'm allowed to talk about it. We

0:57:54.040 --> 0:57:57.000
<v Speaker 3>cut this, I'm not okay, but he announced it. It sounds

0:57:57.040 --> 0:57:59.800
<v Speaker 3>like it should be fair Gun and the records dope, Dude,

0:58:00.080 --> 0:58:02.400
<v Speaker 3>it is crazy. I won't say anything about the record

0:58:02.400 --> 0:58:04.040
<v Speaker 3>because he didn't, but man, it's special.

0:58:04.120 --> 0:58:04.880
<v Speaker 2>It's really good.

0:58:05.120 --> 0:58:06.320
<v Speaker 1>Him and the Him and Dre shit.

0:58:06.720 --> 0:58:09.320
<v Speaker 2>Yes, the Hum and Dre album. Dog, I'm legitimately on

0:58:09.360 --> 0:58:11.120
<v Speaker 2>the Snoop dog and Doctor Dre outm It's crazy.

0:58:11.120 --> 0:58:12.160
<v Speaker 1>Who reaches out for that?

0:58:12.680 --> 0:58:14.840
<v Speaker 2>Ian Oh ship dude.

0:58:14.920 --> 0:58:17.000
<v Speaker 3>Jimmy hits John and says, can we get on a

0:58:17.040 --> 0:58:20.760
<v Speaker 3>FaceTime with Jelly Rowland Drake And I'm like, Doctor Dre.

0:58:21.240 --> 0:58:24.600
<v Speaker 3>They're like, yeah, so listen, I get on a FaceTime

0:58:24.600 --> 0:58:27.200
<v Speaker 3>on my back porch. I'm like a kid. Jimmy's there

0:58:27.200 --> 0:58:28.880
<v Speaker 3>and I'm already like I cannot believe.

0:58:28.600 --> 0:58:29.120
<v Speaker 2>This is Jimmy.

0:58:29.680 --> 0:58:31.640
<v Speaker 1>Yeah, and uh.

0:58:31.280 --> 0:58:33.440
<v Speaker 2>He goes, oh, there goes on Dre coming.

0:58:33.480 --> 0:58:33.640
<v Speaker 1>Now.

0:58:33.840 --> 0:58:36.040
<v Speaker 2>There goes Dre now. And you can see that the

0:58:37.920 --> 0:58:39.640
<v Speaker 2>cameras wiggling a little bit, so you could tell he's

0:58:39.680 --> 0:58:41.680
<v Speaker 2>walking in the frame, and you could tell that they

0:58:41.680 --> 0:58:43.360
<v Speaker 2>do that, you know that this is there still. They

0:58:43.360 --> 0:58:45.880
<v Speaker 2>could tell they're still this close. So it was just

0:58:45.920 --> 0:58:46.400
<v Speaker 2>super cool.

0:58:46.440 --> 0:58:48.280
<v Speaker 3>And he sits down and they're just like yo, and

0:58:48.280 --> 0:58:50.160
<v Speaker 3>he's like, I got this crazy idea and.

0:58:50.120 --> 0:58:52.080
<v Speaker 2>I'm like, oh, dude, this is doctor Dray.

0:58:52.560 --> 0:58:54.960
<v Speaker 3>And then he's like so it gets even cooler and

0:58:55.000 --> 0:58:57.200
<v Speaker 3>he's like, I can send you something, or you can

0:58:57.240 --> 0:58:59.040
<v Speaker 3>write something and send it back, or you can come

0:58:59.080 --> 0:59:01.640
<v Speaker 3>here and we can write something something. When he said that,

0:59:01.720 --> 0:59:04.000
<v Speaker 3>I was like, I don't there's no way he expected

0:59:04.040 --> 0:59:05.720
<v Speaker 3>me to do any other option. I was like, if

0:59:05.760 --> 0:59:08.120
<v Speaker 3>coming and writing with you is the option, I'm coming.

0:59:08.480 --> 0:59:11.320
<v Speaker 1>So you went. I went, and you worked with Dre

0:59:11.400 --> 0:59:11.800
<v Speaker 1>and person.

0:59:11.840 --> 0:59:13.160
<v Speaker 2>I worked with Dre in person.

0:59:13.720 --> 0:59:16.760
<v Speaker 1>At his house. Yes, yeah, because that's why we were I mean,

0:59:16.800 --> 0:59:18.920
<v Speaker 1>I heard that it's it's.

0:59:18.440 --> 0:59:21.320
<v Speaker 2>We're gonna say at his studio, but yeah, but yeah

0:59:21.360 --> 0:59:21.920
<v Speaker 2>it was. It was cool.

0:59:24.240 --> 0:59:26.440
<v Speaker 1>Yeah, everybody I heard the speakers are crazy.

0:59:26.720 --> 0:59:27.280
<v Speaker 2>Listen dog.

0:59:27.360 --> 0:59:29.800
<v Speaker 3>Now that I've worked with Eminem and doctor Dre, when

0:59:29.840 --> 0:59:31.560
<v Speaker 3>you work with people that big, they're the only two

0:59:31.560 --> 0:59:33.840
<v Speaker 3>people I'm scared to talk about, like when it's like

0:59:33.840 --> 0:59:35.440
<v Speaker 3>how did that go? But I mean like being like

0:59:35.480 --> 0:59:37.040
<v Speaker 3>I don't know what I can and came to you

0:59:37.040 --> 0:59:39.320
<v Speaker 3>know what I mean, They're that famous and that legendary.

0:59:39.360 --> 0:59:41.800
<v Speaker 3>But uh, it was the most awesome session ever. Dude,

0:59:41.800 --> 0:59:44.360
<v Speaker 3>I walked in. Dre was just like the biggest, most

0:59:44.400 --> 0:59:47.560
<v Speaker 3>warm hug. I went by myself completely, So I mean

0:59:47.600 --> 0:59:50.520
<v Speaker 3>I pull up solo, walk in solo, and then we

0:59:50.640 --> 0:59:53.040
<v Speaker 3>go down to like the dungeon and it's just a vibe.

0:59:55.160 --> 0:59:57.960
<v Speaker 3>We're in there right and immediately start just like no hesitation,

0:59:58.080 --> 1:00:00.600
<v Speaker 3>we just start writing it just immediately. Me and the

1:00:00.640 --> 1:00:03.080
<v Speaker 3>people that were already working on the record immediately got

1:00:03.120 --> 1:00:05.880
<v Speaker 3>it together and you could just feel that like it

1:00:06.000 --> 1:00:08.920
<v Speaker 3>was really fun because I felt like I earned their

1:00:08.960 --> 1:00:10.680
<v Speaker 3>respect kind of early in the process.

1:00:11.040 --> 1:00:12.640
<v Speaker 2>So I had a moment where I was like, all right.

1:00:12.560 --> 1:00:15.400
<v Speaker 3>Cool, I'm holding Yeah, It's like because I knew when

1:00:15.440 --> 1:00:17.080
<v Speaker 3>you walk in those rooms, I'm still the kid that's

1:00:17.080 --> 1:00:18.640
<v Speaker 3>coming to wrap at the lunch table, like I want

1:00:18.640 --> 1:00:20.720
<v Speaker 3>to prove that I just deserve to be at the table.

1:00:21.320 --> 1:00:23.280
<v Speaker 3>And uh I came in with that kind of attitude. Man,

1:00:23.320 --> 1:00:25.880
<v Speaker 3>it was really cool. We hung out, wrote stayed there

1:00:25.880 --> 1:00:28.440
<v Speaker 3>for a few hours. I mean, we chatted. Is he

1:00:28.760 --> 1:00:31.560
<v Speaker 3>by the way, Kendrick Lamar pop out of just having okay,

1:00:31.800 --> 1:00:34.440
<v Speaker 3>So I'm getting like when I say just happened, I'm

1:00:34.480 --> 1:00:35.280
<v Speaker 3>his first session.

1:00:35.320 --> 1:00:36.640
<v Speaker 2>After that, I'm.

1:00:36.440 --> 1:00:40.240
<v Speaker 3>Getting all getting I'm getting all that energy. You know,

1:00:40.320 --> 1:00:42.160
<v Speaker 3>all these people in the room together for the first

1:00:42.160 --> 1:00:44.520
<v Speaker 3>time too, So I'm getting all this energy.

1:00:44.960 --> 1:00:47.720
<v Speaker 2>So it was really it was special. Man. Is he directed?

1:00:47.800 --> 1:00:50.320
<v Speaker 1>Because I heard he's like a perfectionist dude, so he

1:00:50.400 --> 1:00:52.240
<v Speaker 1>directed your takes perfectionist.

1:00:52.400 --> 1:00:56.360
<v Speaker 3>Let me tell you about Drey. This dude, he's doctor

1:00:56.440 --> 1:01:00.840
<v Speaker 3>Dre for a reason. But he's incredible. He's a conductor

1:01:00.960 --> 1:01:05.080
<v Speaker 3>of a symphony in there, and he hears everything in everything,

1:01:05.640 --> 1:01:08.760
<v Speaker 3>and he hears it twenty different ways. And he'll like

1:01:08.880 --> 1:01:10.680
<v Speaker 3>put his ears up to these two speakers and you'll

1:01:10.720 --> 1:01:12.160
<v Speaker 3>start to sing and he'll be like a little sharp

1:01:12.840 --> 1:01:14.800
<v Speaker 3>you were flat on the word d you were a

1:01:14.800 --> 1:01:17.560
<v Speaker 3>little sharp on the word, and like he is man,

1:01:17.640 --> 1:01:20.960
<v Speaker 3>it's like not a perfectionist in like a picky asshole

1:01:21.000 --> 1:01:23.840
<v Speaker 3>way and like a super encouraging like now you got

1:01:23.840 --> 1:01:25.960
<v Speaker 3>that in your baby just a little bit like right here,

1:01:26.000 --> 1:01:27.680
<v Speaker 3>and I hit it like this, Now give me one

1:01:27.760 --> 1:01:30.640
<v Speaker 3>choice like this to work with. Like he makes you

1:01:30.680 --> 1:01:32.960
<v Speaker 3>feel like a rock star too, So you also get

1:01:33.000 --> 1:01:35.760
<v Speaker 3>why he's good at this because he's clearly correcting me

1:01:35.800 --> 1:01:37.880
<v Speaker 3>and getting what he wants out of me, but doing

1:01:37.920 --> 1:01:41.400
<v Speaker 3>it while like making me feel like I'm like Adele.

1:01:41.840 --> 1:01:44.760
<v Speaker 2>I'm over here feeling like for a forklift, you know

1:01:44.800 --> 1:01:45.080
<v Speaker 2>what I mean.

1:01:45.120 --> 1:01:47.480
<v Speaker 3>I'm over here feeling like fucking Frank Ocean right like

1:01:47.520 --> 1:01:48.680
<v Speaker 3>I'm killing it, you know what I mean.

1:01:49.800 --> 1:01:50.800
<v Speaker 1>Snoop was not around.

1:01:50.920 --> 1:01:53.640
<v Speaker 3>Snoop was not there, Okay, saddest part of the whole

1:01:53.640 --> 1:01:55.080
<v Speaker 3>story is that Snoop wasn't there.

1:01:55.080 --> 1:01:56.280
<v Speaker 2>I don't think I could have took it though.

1:01:56.360 --> 1:01:57.560
<v Speaker 1>I just feel like I couldn't.

1:01:57.280 --> 1:01:59.480
<v Speaker 2>Have walked into Snoop Dogg and Doctor.

1:01:59.240 --> 1:02:02.840
<v Speaker 1>Drape famous in like twenty years where it doesn't matter what,

1:02:03.040 --> 1:02:05.320
<v Speaker 1>like you're just gonna be, You're gonna have five TV shows,

1:02:05.400 --> 1:02:07.280
<v Speaker 1>You're gonna be hosting the Olympics.

1:02:07.320 --> 1:02:09.640
<v Speaker 3>I'll receive that. I would be honored, kind of would

1:02:09.680 --> 1:02:13.800
<v Speaker 3>love it. Noop is definitely a model, a career after

1:02:13.880 --> 1:02:14.360
<v Speaker 3>kind of guy.

1:02:14.640 --> 1:02:18.040
<v Speaker 1>Yo, it's give me some of the inside baseball on

1:02:18.520 --> 1:02:21.400
<v Speaker 1>you know, when we talk about the music industry, You've

1:02:21.440 --> 1:02:23.960
<v Speaker 1>seen so many facets of it. You've been independent, you've

1:02:24.000 --> 1:02:28.480
<v Speaker 1>done distro deals. Uh, you know, you're you're with your

1:02:28.520 --> 1:02:31.000
<v Speaker 1>label now, but you still you still own everything, right,

1:02:31.040 --> 1:02:36.680
<v Speaker 1>It's still it's like a partnership. Would it for you

1:02:36.960 --> 1:02:43.520
<v Speaker 1>would be you know, the like number one thing you

1:02:43.520 --> 1:02:45.920
<v Speaker 1>could point to that you were able to kind of

1:02:46.120 --> 1:02:50.000
<v Speaker 1>do in the last two or three years that is

1:02:50.040 --> 1:02:53.720
<v Speaker 1>like applicable for other artists who are watching this, whether

1:02:53.760 --> 1:02:58.560
<v Speaker 1>it's like learning something new or changing an attitude towards everything,

1:02:59.280 --> 1:03:01.360
<v Speaker 1>or something on the business side, maybe bringing in the

1:03:01.440 --> 1:03:03.800
<v Speaker 1>right people maybe, you know, because sometimes as an independent

1:03:03.880 --> 1:03:05.920
<v Speaker 1>artist you don't think you need as much help as

1:03:05.920 --> 1:03:07.560
<v Speaker 1>you do. But now you have a team, like a

1:03:07.600 --> 1:03:08.280
<v Speaker 1>real team, you know.

1:03:08.360 --> 1:03:11.280
<v Speaker 3>So yeah, I could definitely say that the biggest difference

1:03:11.360 --> 1:03:14.000
<v Speaker 3>was really getting with a label, like honestly, not because

1:03:14.000 --> 1:03:16.080
<v Speaker 3>of the machine as much as people like I used

1:03:16.080 --> 1:03:18.320
<v Speaker 3>to be the guy who like rage like the machine, right,

1:03:18.720 --> 1:03:21.040
<v Speaker 3>but more so just having an infrastructure of people who

1:03:21.080 --> 1:03:24.320
<v Speaker 3>are working all day delicately towards what you're ever.

1:03:24.520 --> 1:03:25.479
<v Speaker 1>We all got the same goal.

1:03:25.720 --> 1:03:27.360
<v Speaker 3>We all got the same goal is to try to

1:03:27.360 --> 1:03:29.600
<v Speaker 3>get this music in front of as many people as possible.

1:03:29.760 --> 1:03:32.800
<v Speaker 3>And it's been really, really, really cool. But I can

1:03:32.840 --> 1:03:37.240
<v Speaker 3>also tell everybody this man, that it's I truly believe

1:03:37.320 --> 1:03:39.880
<v Speaker 3>that what makes music and art so special is that

1:03:39.920 --> 1:03:43.040
<v Speaker 3>it can be done so many different ways. So do

1:03:43.120 --> 1:03:45.160
<v Speaker 3>it the way that your heart is convicted to do it.

1:03:45.920 --> 1:03:48.600
<v Speaker 3>Like for me, my heart was convicted to try to

1:03:48.640 --> 1:03:51.720
<v Speaker 3>get my message to critical mass. Like I felt like

1:03:51.760 --> 1:03:55.520
<v Speaker 3>what I was saying was so unspoken for in mass

1:03:55.560 --> 1:03:59.440
<v Speaker 3>media and in critical mass, meaning like the masses quote unquote,

1:04:00.080 --> 1:04:02.520
<v Speaker 3>that I wanted to do whatever I could to try

1:04:02.520 --> 1:04:04.880
<v Speaker 3>to get that message there, and that the deal, the

1:04:05.000 --> 1:04:08.440
<v Speaker 3>percentage was worth doing that deal and the stress that

1:04:08.480 --> 1:04:10.440
<v Speaker 3>comes with it too, also the attention, you know what

1:04:10.480 --> 1:04:12.440
<v Speaker 3>I mean, Like there's a whole new work schedule, Like

1:04:12.920 --> 1:04:13.560
<v Speaker 3>you know, there's.

1:04:13.360 --> 1:04:15.040
<v Speaker 1>Also like a whole new way you have to move.

1:04:15.160 --> 1:04:18.360
<v Speaker 3>Man, Everything about my life is different, Everything about my

1:04:18.440 --> 1:04:20.840
<v Speaker 3>life is different. I'll be the first one to admit that,

1:04:21.280 --> 1:04:23.000
<v Speaker 3>but it was a sacrifice that I wanted to make

1:04:23.040 --> 1:04:24.320
<v Speaker 3>to try to get the message out.

1:04:24.200 --> 1:04:26.720
<v Speaker 2>You know what I mean? But man that you know

1:04:27.080 --> 1:04:28.400
<v Speaker 2>there's other artists that do it otherwise.

1:04:28.480 --> 1:04:29.600
<v Speaker 3>Me and you were talking about how much we love

1:04:29.600 --> 1:04:31.800
<v Speaker 3>the way Rod Waves operates, like he just wakes up

1:04:31.840 --> 1:04:32.200
<v Speaker 3>and he's like.

1:04:32.200 --> 1:04:33.640
<v Speaker 2>You know what, the album's done, let's put it out.

1:04:33.920 --> 1:04:35.520
<v Speaker 3>And then he puts it out and goes in towards it,

1:04:35.560 --> 1:04:37.880
<v Speaker 3>and then you don't hear from him again until he weekends.

1:04:37.880 --> 1:04:38.360
<v Speaker 2>The same way.

1:04:38.680 --> 1:04:42.520
<v Speaker 3>Able is the I am. We've talked about this privately

1:04:42.560 --> 1:04:44.880
<v Speaker 3>a bunch, but I love I am such a fan

1:04:44.920 --> 1:04:46.600
<v Speaker 3>of people that do it different than how I do

1:04:46.680 --> 1:04:49.800
<v Speaker 3>it because I'm like most people. You know, why this something?

1:04:49.800 --> 1:04:54.919
<v Speaker 3>I'll this this good one. I used when everybody says

1:04:54.960 --> 1:04:57.600
<v Speaker 3>comparison is a thief of joy. I used to always

1:04:57.640 --> 1:04:59.400
<v Speaker 3>look at the way other people would do things, and

1:04:59.400 --> 1:05:01.000
<v Speaker 3>if they did it different than me, I had a

1:05:01.240 --> 1:05:03.160
<v Speaker 3>natural that was the wrong way to do.

1:05:03.120 --> 1:05:05.360
<v Speaker 1>It, that you were doing it the wrong way. They

1:05:05.360 --> 1:05:05.840
<v Speaker 1>were doing that.

1:05:05.920 --> 1:05:08.520
<v Speaker 3>Somebody had to be wrong. There's no way that both

1:05:08.560 --> 1:05:11.520
<v Speaker 3>could be right correct. And now I've realized that there's

1:05:11.600 --> 1:05:13.000
<v Speaker 3>like I let go that was all ego.

1:05:13.120 --> 1:05:13.760
<v Speaker 1>There's no rules.

1:05:13.840 --> 1:05:15.400
<v Speaker 2>Now I look like there's no rules man.

1:05:15.480 --> 1:05:18.680
<v Speaker 3>It's like whatever your conviction is, to do it, whatever

1:05:18.680 --> 1:05:19.680
<v Speaker 3>way you want to do it.

1:05:19.640 --> 1:05:21.520
<v Speaker 2>That actually works for you. You know.

1:05:21.560 --> 1:05:26.600
<v Speaker 3>It's uh, what the best news I ever heard from

1:05:26.600 --> 1:05:29.200
<v Speaker 3>a trainer. When I sat down with Ian and Uh,

1:05:29.920 --> 1:05:32.040
<v Speaker 3>we were talking about getting my weight together, and I

1:05:32.160 --> 1:05:33.400
<v Speaker 3>was like, what kind of diet are.

1:05:33.280 --> 1:05:38.040
<v Speaker 2>We going on? It's like the one that you'll eat mmmm,

1:05:39.040 --> 1:05:39.760
<v Speaker 2>And I was like huh.

1:05:39.760 --> 1:05:42.400
<v Speaker 3>He was like, yeah, man, all that stuff is like, yeah,

1:05:42.440 --> 1:05:46.120
<v Speaker 3>does keto work for sure? But can you eat carbs

1:05:46.120 --> 1:05:46.919
<v Speaker 3>and still lose weight?

1:05:47.000 --> 1:05:47.360
<v Speaker 2>For sure?

1:05:47.480 --> 1:05:50.280
<v Speaker 3>Can you do all this? It really comes down to

1:05:50.520 --> 1:05:52.880
<v Speaker 3>what you will stick to, the moderation you're willing to

1:05:52.920 --> 1:05:54.720
<v Speaker 3>eat at. If you want to eat nothing but shitty foods,

1:05:54.720 --> 1:05:57.040
<v Speaker 3>we can really make that figure out. You're gonna have

1:05:57.080 --> 1:05:59.520
<v Speaker 3>to eat a lot less because this is a calorie

1:05:59.560 --> 1:06:00.000
<v Speaker 3>in calorie.

1:06:00.720 --> 1:06:01.600
<v Speaker 2>Yeah, you know what I mean.

1:06:01.600 --> 1:06:03.160
<v Speaker 3>But when he put that to me, it's like, I

1:06:03.200 --> 1:06:05.600
<v Speaker 3>feel that same way I walk through life with that.

1:06:06.120 --> 1:06:09.960
<v Speaker 3>I used to walk through life like this, keV. Everything

1:06:10.200 --> 1:06:13.720
<v Speaker 3>that I had I held like this, and it served

1:06:13.760 --> 1:06:16.600
<v Speaker 3>me none at all. It only worked against me. I

1:06:16.680 --> 1:06:20.600
<v Speaker 3>learned I walked through life like this. I don't hold

1:06:20.600 --> 1:06:22.240
<v Speaker 3>none of that stuff like this no more, you know

1:06:22.240 --> 1:06:23.520
<v Speaker 3>what I mean. I don't have none of those I

1:06:23.680 --> 1:06:27.080
<v Speaker 3>don't have No. I'm not hammered to one ideology. I'm

1:06:27.160 --> 1:06:30.240
<v Speaker 3>open to listen to any interpretation anybody has of anything,

1:06:30.280 --> 1:06:31.960
<v Speaker 3>to see if I can gain anything from it at

1:06:31.960 --> 1:06:35.720
<v Speaker 3>any moment. I'm not like that overly committed anything at

1:06:35.800 --> 1:06:36.840
<v Speaker 3>any point anymore.

1:06:37.080 --> 1:06:38.560
<v Speaker 1>Yeah, I mean I think you like you're on a

1:06:38.560 --> 1:06:40.920
<v Speaker 1>record with Russ. There's a kid named love Russell. Have

1:06:40.960 --> 1:06:43.520
<v Speaker 1>you heard of the Russell? Yeah, like the Russell's. He's

1:06:43.520 --> 1:06:47.240
<v Speaker 1>doing this pay what you want live show thing, and

1:06:47.280 --> 1:06:49.320
<v Speaker 1>it's like, I've never seen anybody do that.

1:06:49.480 --> 1:06:50.080
<v Speaker 2>It's work, dude.

1:06:50.160 --> 1:06:52.600
<v Speaker 3>It's like, go do it the way that you want

1:06:52.600 --> 1:06:54.200
<v Speaker 3>to do it, the way Russell has done it. I

1:06:54.240 --> 1:06:56.640
<v Speaker 3>love watching people that do it their own way.

1:06:56.600 --> 1:06:56.800
<v Speaker 1>Yeah.

1:06:57.400 --> 1:07:00.920
<v Speaker 2>I chose to write songs about it, stuff that I

1:07:00.920 --> 1:07:02.880
<v Speaker 2>grew up experiencing, and I chose to go out and

1:07:02.880 --> 1:07:05.479
<v Speaker 2>beat the drum about it like this. You know, that's

1:07:05.520 --> 1:07:07.480
<v Speaker 2>just the way I chose to go about it. Yo.

1:07:07.560 --> 1:07:11.200
<v Speaker 1>When you write some of these records, man, like it

1:07:11.440 --> 1:07:15.320
<v Speaker 1>feels like like you know what I think about like

1:07:15.400 --> 1:07:17.600
<v Speaker 1>the records you got with Skyler that is going crazy

1:07:17.640 --> 1:07:21.200
<v Speaker 1>on TikTok right now after you get down recording that,

1:07:22.560 --> 1:07:25.120
<v Speaker 1>like you wear that on you for a little bit,

1:07:25.200 --> 1:07:28.560
<v Speaker 1>Like that's a really like that's a crazy Oh.

1:07:28.440 --> 1:07:33.120
<v Speaker 2>Yeah, No, we have sessions. Man, you know you don't

1:07:33.400 --> 1:07:34.800
<v Speaker 2>You're not writing the right song if you don't leave

1:07:34.840 --> 1:07:37.080
<v Speaker 2>a piece of it there. Yeah of you there, you.

1:07:37.000 --> 1:07:38.320
<v Speaker 3>Know what I mean, if there's not a part of

1:07:38.360 --> 1:07:41.600
<v Speaker 3>you that it doesn't stir your soul. The songs that

1:07:41.680 --> 1:07:43.160
<v Speaker 3>mean the most to me are the ones that sit

1:07:43.200 --> 1:07:45.240
<v Speaker 3>on my phone and bother me that they're not out,

1:07:45.880 --> 1:07:48.560
<v Speaker 3>Like this was one of those songs. The Skylar record

1:07:48.680 --> 1:07:51.080
<v Speaker 3>was like the song with Keith Urban Believe it or not,

1:07:51.280 --> 1:07:54.360
<v Speaker 3>was like I just could not quit singing that and

1:07:54.440 --> 1:07:56.880
<v Speaker 3>don't mean I don't taste and crave it in every

1:07:56.920 --> 1:08:00.960
<v Speaker 3>corner of my mind right Like that line for whatever reason,

1:08:01.040 --> 1:08:02.640
<v Speaker 3>just stuck with me in such a way that I

1:08:02.720 --> 1:08:04.560
<v Speaker 3>was like, if we don't put this song out, like

1:08:05.200 --> 1:08:07.000
<v Speaker 3>one of my favorite songs ever. Look it up from

1:08:07.040 --> 1:08:09.720
<v Speaker 3>Red Quick Gooch. You always blow the girl's name wrong, Jamie,

1:08:09.760 --> 1:08:11.880
<v Speaker 3>She's got the two Am song at.

1:08:11.720 --> 1:08:15.720
<v Speaker 2>Two am and I'm still away writing this song. I

1:08:15.840 --> 1:08:18.759
<v Speaker 2>get it all down on paper, it's no longer inside

1:08:18.760 --> 1:08:19.040
<v Speaker 2>of me.

1:08:19.160 --> 1:08:19.880
<v Speaker 1>Two am song.

1:08:20.240 --> 1:08:26.639
<v Speaker 2>Yeah, it's called just Breathe two am, Just breathe good.

1:08:27.080 --> 1:08:34.479
<v Speaker 2>I can't wait to hear it. Yeah. And she has

1:08:34.520 --> 1:08:35.680
<v Speaker 2>a line that goes.

1:08:37.560 --> 1:08:40.360
<v Speaker 3>The end of the song goes two am. And I'm

1:08:40.400 --> 1:08:43.000
<v Speaker 3>still awake writing this song. If I get it all

1:08:43.040 --> 1:08:46.040
<v Speaker 3>out on paper, it's no longer inside of me, threatening

1:08:46.040 --> 1:08:46.559
<v Speaker 3>the life.

1:08:46.360 --> 1:08:47.040
<v Speaker 1>It belongs to.

1:08:47.600 --> 1:08:51.920
<v Speaker 3>Wow, arguably greatest lyric ever written in a song. I've

1:08:51.960 --> 1:08:53.759
<v Speaker 3>been arguing this with people all the time, and whatever

1:08:53.760 --> 1:08:54.960
<v Speaker 3>I mean. There's a lot of other lyric you know,

1:08:55.000 --> 1:08:58.160
<v Speaker 3>I could there's other, but like, as a songwriter, I

1:08:58.200 --> 1:09:01.320
<v Speaker 3>don't think anybody's ever encapsul how I feel in one

1:09:01.439 --> 1:09:06.400
<v Speaker 3>sentence ever Better then, like songs like past Yesterday drive

1:09:06.479 --> 1:09:09.280
<v Speaker 3>me crazy because I know that they belong to someone

1:09:09.320 --> 1:09:12.120
<v Speaker 3>else and I have to get them out.

1:09:12.240 --> 1:09:13.080
<v Speaker 2>They're not for me.

1:09:14.000 --> 1:09:15.280
<v Speaker 3>I have a lot of songs that are for me

1:09:15.320 --> 1:09:17.280
<v Speaker 3>that will never make it, that are just wasn't either

1:09:17.320 --> 1:09:19.360
<v Speaker 3>written well enough, I just never wrote, or just they

1:09:19.400 --> 1:09:19.720
<v Speaker 3>were for.

1:09:19.720 --> 1:09:22.720
<v Speaker 2>Me, you know what I mean. But this song, when

1:09:22.720 --> 1:09:25.600
<v Speaker 2>it's really not for you, those are those kinds of songs.

1:09:25.240 --> 1:09:29.360
<v Speaker 1>Man, yo, because you have this Like you know, when

1:09:29.400 --> 1:09:31.800
<v Speaker 1>I was watching the Hulu documentary when it came out,

1:09:31.840 --> 1:09:34.720
<v Speaker 1>there was a part where I don't know if it

1:09:34.760 --> 1:09:38.600
<v Speaker 1>was a grandmother and a daughter, you were approached backstage,

1:09:38.680 --> 1:09:41.040
<v Speaker 1>and I forget the exact interaction that ended up happening

1:09:41.160 --> 1:09:44.960
<v Speaker 1>between you and these two fans, but it may like

1:09:45.000 --> 1:09:47.040
<v Speaker 1>brought tears to the minds. It was like so crazy, But

1:09:47.160 --> 1:09:49.240
<v Speaker 1>I can only imagine for you that's like every day, right,

1:09:49.320 --> 1:09:52.200
<v Speaker 1>like there's people out here with signs of you know,

1:09:52.360 --> 1:09:55.120
<v Speaker 1>maybe a kid that overdose store.

1:09:55.720 --> 1:09:58.280
<v Speaker 2>This is like if I remember that right, that story

1:09:58.400 --> 1:10:01.439
<v Speaker 2>was a murder suicide, yeah, little girl.

1:10:01.640 --> 1:10:02.400
<v Speaker 1>It was something.

1:10:02.640 --> 1:10:05.040
<v Speaker 3>It was just a lot, but uh, it was one

1:10:05.080 --> 1:10:06.639
<v Speaker 3>of the one of the hardest stories I've ever heard.

1:10:06.920 --> 1:10:08.160
<v Speaker 3>I do hear that stuff a lot.

1:10:08.240 --> 1:10:08.439
<v Speaker 1>Man.

1:10:10.120 --> 1:10:11.800
<v Speaker 3>I just feel honored that I can help people in

1:10:11.840 --> 1:10:15.559
<v Speaker 3>such a moment. I'm very empathic, so I feel it.

1:10:15.680 --> 1:10:16.880
<v Speaker 3>I definitely feel it.

1:10:17.080 --> 1:10:18.960
<v Speaker 1>How do you turn off that because you also kind

1:10:18.960 --> 1:10:21.400
<v Speaker 1>of like, you know, you have your own shit to

1:10:21.560 --> 1:10:25.120
<v Speaker 1>worry about, so it's like, you know, you're having all

1:10:25.120 --> 1:10:27.320
<v Speaker 1>these deep interactions with people, you see, how the whether

1:10:27.479 --> 1:10:30.000
<v Speaker 1>even if it's online like the TikTok response to your record,

1:10:30.200 --> 1:10:31.200
<v Speaker 1>it's so crazy.

1:10:31.840 --> 1:10:34.000
<v Speaker 3>I'm encouraged by it too, though, because I think that

1:10:34.040 --> 1:10:35.640
<v Speaker 3>it's like creating conversations.

1:10:35.800 --> 1:10:37.000
<v Speaker 1>Yeah, I love that.

1:10:37.080 --> 1:10:39.000
<v Speaker 3>Whenever I spoke about Finton all that, Whenever I went

1:10:39.040 --> 1:10:41.080
<v Speaker 3>to the Grammys two weeks later, everybody on the red

1:10:41.080 --> 1:10:42.920
<v Speaker 3>carpet want to just tell me their story about a

1:10:42.920 --> 1:10:45.400
<v Speaker 3>family member they had. You know, it's like that kind

1:10:45.439 --> 1:10:49.479
<v Speaker 3>of vulnerability because I think once we start letting people

1:10:49.600 --> 1:10:52.040
<v Speaker 3>tell their stories, like I don't know how many times

1:10:52.080 --> 1:10:54.640
<v Speaker 3>you share the story about your son and your podcast.

1:10:54.160 --> 1:10:54.800
<v Speaker 2>And it's zero.

1:10:55.720 --> 1:10:58.880
<v Speaker 3>Yeah, you see what I'm saying, Like, now there's somebody

1:10:58.920 --> 1:11:01.880
<v Speaker 3>who's been watching you for years that's gonna see that,

1:11:02.000 --> 1:11:05.000
<v Speaker 3>and like it's gonna impact them different because they're gonna

1:11:05.000 --> 1:11:05.960
<v Speaker 3>be like, damn, man.

1:11:05.880 --> 1:11:07.479
<v Speaker 2>Him, damn.

1:11:07.479 --> 1:11:08.000
<v Speaker 1>You know what I mean.

1:11:08.040 --> 1:11:09.559
<v Speaker 2>Like it's gonna hit different with people.

1:11:09.640 --> 1:11:12.880
<v Speaker 3>So like me, creating that kind of vulnerability where people

1:11:12.920 --> 1:11:15.680
<v Speaker 3>will have these kind of conversations is Man.

1:11:15.720 --> 1:11:17.400
<v Speaker 2>I think it's what I'm actually really here for.

1:11:18.080 --> 1:11:18.360
<v Speaker 1>Pose.

1:11:18.400 --> 1:11:20.240
<v Speaker 2>I think that's truly what my purpose is.

1:11:20.320 --> 1:11:23.160
<v Speaker 3>The music and me talking is just a vessel. The

1:11:23.240 --> 1:11:25.800
<v Speaker 3>music is just a vessel to create these conversations with

1:11:25.880 --> 1:11:29.040
<v Speaker 3>people that normally wouldn't be had, you know what I mean,

1:11:29.680 --> 1:11:34.439
<v Speaker 3>Because now it's like there's we've You've brought a human

1:11:34.479 --> 1:11:35.080
<v Speaker 3>element to it.

1:11:36.320 --> 1:11:38.479
<v Speaker 1>So Vester Stallone, you said it was the first person

1:11:38.520 --> 1:11:40.120
<v Speaker 1>that commented congrats on the album.

1:11:40.240 --> 1:11:43.000
<v Speaker 2>The first person first comments.

1:11:43.120 --> 1:11:48.799
<v Speaker 3>Sulton King slides the best shout out to the Stallone sisters. Systeine,

1:11:51.160 --> 1:11:54.439
<v Speaker 3>Yes they are. They came to the show. Is it

1:11:54.560 --> 1:11:57.479
<v Speaker 3>Sophia or Sophia. I think it's Sophie Sophie Stallone or

1:11:57.479 --> 1:12:03.760
<v Speaker 3>is it Sophia Stallone? But it's and Sofia and the

1:12:04.080 --> 1:12:07.240
<v Speaker 3>sweetest girls ever, so humble. You never think they grew up,

1:12:07.439 --> 1:12:13.120
<v Speaker 3>Sophia Custine and Sophia Stallone. You would never know they

1:12:13.160 --> 1:12:16.599
<v Speaker 3>were like they just don't act like Sylvester Stallone's kids.

1:12:16.880 --> 1:12:19.559
<v Speaker 3>They just act like two like really humble, cool kids,

1:12:20.040 --> 1:12:21.560
<v Speaker 3>you know what I mean. And I say kids like

1:12:21.640 --> 1:12:23.479
<v Speaker 3>cause I'm forty and they're in their twenties. Probably you

1:12:23.520 --> 1:12:25.880
<v Speaker 3>know what I mean. But they were so sweet.

1:12:25.880 --> 1:12:26.040
<v Speaker 2>Man.

1:12:26.120 --> 1:12:29.800
<v Speaker 3>Sistine loved Bunny. This is how Bunny changes my life.

1:12:29.800 --> 1:12:33.479
<v Speaker 3>As always found me through Bunny. Then seeing they had

1:12:33.479 --> 1:12:35.920
<v Speaker 3>a documentary about me on Hulu, it was like, oh well,

1:12:35.920 --> 1:12:38.200
<v Speaker 3>this is Bunny's husband, let's see what this is about.

1:12:38.560 --> 1:12:41.839
<v Speaker 3>Loves it, and then like Cistine being a true champion,

1:12:42.040 --> 1:12:45.280
<v Speaker 3>thank you for this forever. Sisteine rallies her family around

1:12:45.280 --> 1:12:47.240
<v Speaker 3>one night like, hey, y'all gott to watch this. This

1:12:47.280 --> 1:12:49.720
<v Speaker 3>is a crazy documentary, you know what I mean. And

1:12:49.760 --> 1:12:52.080
<v Speaker 3>then they watched the documentary too, so from there on

1:12:52.160 --> 1:12:55.360
<v Speaker 3>they were just like and then how the world works

1:12:55.360 --> 1:12:57.760
<v Speaker 3>fast forward. David Glasser is a producer for One on

1:12:57.840 --> 1:13:00.800
<v Speaker 3>One Studios. Met him at State Age Coach. We've been

1:13:00.840 --> 1:13:04.400
<v Speaker 3>friends ever since, like talk all the time. It was

1:13:04.439 --> 1:13:06.679
<v Speaker 3>so cool because he was like one of those dudes.

1:13:06.720 --> 1:13:09.360
<v Speaker 3>It was like just super nice and humbly and he's like,

1:13:09.400 --> 1:13:10.720
<v Speaker 3>I know I don't talk to people, but I just

1:13:10.720 --> 1:13:12.040
<v Speaker 3>want to come say we love your music. And my

1:13:12.080 --> 1:13:14.320
<v Speaker 3>wife his wife was the sweetest woman ever, and he

1:13:14.400 --> 1:13:16.600
<v Speaker 3>was like, yeah, I produced television, man, we should just

1:13:16.640 --> 1:13:18.160
<v Speaker 3>you know, whatever, man, anything I can ever do to help,

1:13:18.200 --> 1:13:20.479
<v Speaker 3>I'd love to help. We just kind of parted ways.

1:13:20.520 --> 1:13:22.000
<v Speaker 3>I didn't think much about it. I text him and

1:13:22.040 --> 1:13:23.400
<v Speaker 3>I was like, hey, good to meet you man. He's like, yeah,

1:13:23.439 --> 1:13:24.920
<v Speaker 3>lock me in. I'm David glass for One on one

1:13:24.960 --> 1:13:27.320
<v Speaker 3>Studios And at that point, I kind of copy and

1:13:27.320 --> 1:13:29.680
<v Speaker 3>paste and see this guy is and I'm like, he

1:13:29.720 --> 1:13:32.200
<v Speaker 3>does all my favorite shows. So then I hit him like, yo,

1:13:32.240 --> 1:13:34.800
<v Speaker 3>I don't want to be a super whirdo here, but like,

1:13:35.560 --> 1:13:38.000
<v Speaker 3>I think Mike McClusky is one of I think he's

1:13:38.000 --> 1:13:40.920
<v Speaker 3>the new Tony soprano. Right, you watch this show The

1:13:41.240 --> 1:13:43.519
<v Speaker 3>King's Down, Yeah, for sure, I think Mike McClusky is

1:13:43.600 --> 1:13:46.160
<v Speaker 3>like and then I'm like right, And then he does

1:13:46.240 --> 1:13:47.519
<v Speaker 3>Yellowstone and.

1:13:47.400 --> 1:13:50.120
<v Speaker 1>Then they do I haven't watched any of I haven't

1:13:50.120 --> 1:13:53.640
<v Speaker 1>watched any of the Yellowstone spinoffs, but yeah, it's crazy.

1:13:53.720 --> 1:13:56.320
<v Speaker 3>So then we get to talk about Tulsa King and

1:13:56.360 --> 1:13:58.800
<v Speaker 3>he just can tell I won't shut up about it

1:13:59.280 --> 1:14:01.160
<v Speaker 3>because I'm just like, this.

1:14:01.080 --> 1:14:04.000
<v Speaker 2>Show is so well thought out. I was like, Sophster

1:14:04.160 --> 1:14:07.080
<v Speaker 2>Stallone is back, like he never left. I'm just like,

1:14:07.200 --> 1:14:09.080
<v Speaker 2>this show it could do. This show is fire.

1:14:09.520 --> 1:14:10.120
<v Speaker 1>It's great show.

1:14:10.200 --> 1:14:11.200
<v Speaker 2>I don't care who you are.

1:14:11.280 --> 1:14:12.360
<v Speaker 1>Now, Plut's got some heat.

1:14:12.439 --> 1:14:14.680
<v Speaker 3>You go sit down and watch fucking Tulsa King and

1:14:14.760 --> 1:14:16.320
<v Speaker 3>tell me I ain't one of the best shows on TV.

1:14:16.439 --> 1:14:19.080
<v Speaker 2>You're fucking litw you know what I mean? It is

1:14:19.200 --> 1:14:19.759
<v Speaker 2>so good.

1:14:20.080 --> 1:14:22.040
<v Speaker 3>So he was like yeah, and what's so cool about

1:14:22.080 --> 1:14:25.760
<v Speaker 3>David was, h go back to our Paul Rosenberg conversation.

1:14:26.120 --> 1:14:27.800
<v Speaker 3>People who just have your back and are men of

1:14:27.800 --> 1:14:30.400
<v Speaker 3>their word. Paul told me how my back ten years ago,

1:14:30.439 --> 1:14:33.040
<v Speaker 3>and fuck kept over for ten years. David goes, oh, dude,

1:14:33.040 --> 1:14:35.000
<v Speaker 3>we're shooting the next season in Atlanta. Just drive down

1:14:35.040 --> 1:14:36.720
<v Speaker 3>one day at least come hang out on set. Maybe

1:14:36.720 --> 1:14:38.320
<v Speaker 3>we'll get you in the show. But I'd love to

1:14:38.320 --> 1:14:40.640
<v Speaker 3>introduce you to sly. So when he calls Slash, I

1:14:40.640 --> 1:14:42.400
<v Speaker 3>was like, my daughter, Maam, he watched the show. I

1:14:42.400 --> 1:14:44.080
<v Speaker 3>love this guy. Put him on the phone right now.

1:14:44.160 --> 1:14:47.640
<v Speaker 3>Let's put him in the show. And immediately, you know it,

1:14:47.840 --> 1:14:50.479
<v Speaker 3>like calls me and U slides such a creative on

1:14:50.520 --> 1:14:54.200
<v Speaker 3>that show. When he facetimes me, cam Ford him put

1:14:54.240 --> 1:14:56.720
<v Speaker 3>us on the phone together. As soon as he face

1:14:56.760 --> 1:14:58.439
<v Speaker 3>times cam Cam hands me the phone. I'm in my

1:14:58.479 --> 1:15:00.519
<v Speaker 3>Dunkin Donut commercial, so I'm already having a weird day.

1:15:00.680 --> 1:15:02.479
<v Speaker 3>I'm like, this is crazy. I'm doing a Dunkin Donut

1:15:02.520 --> 1:15:06.559
<v Speaker 3>commercial right now. And Sylvester Stalon's on the FaceTime and uh,

1:15:07.040 --> 1:15:09.000
<v Speaker 3>He's like, this is my idea, and he shoots his

1:15:09.080 --> 1:15:11.360
<v Speaker 3>idea at me right then on the phone. I'm like,

1:15:11.400 --> 1:15:13.400
<v Speaker 3>I'm gonna like, mistake you for a janitor, and we're

1:15:13.400 --> 1:15:15.080
<v Speaker 3>gonna like, let me put some egg on my face.

1:15:15.120 --> 1:15:17.360
<v Speaker 2>It'll be funny. I'm gonna set you up to you

1:15:17.360 --> 1:15:19.439
<v Speaker 2>know what I mean. It was really cool. It was like.

1:15:21.400 --> 1:15:23.800
<v Speaker 3>I hate to keep circling back to previous conversations, but

1:15:23.840 --> 1:15:27.120
<v Speaker 3>I love podcasts that have themes. It's like Austin theory.

1:15:27.640 --> 1:15:30.639
<v Speaker 3>Like I realized right then that Sylvester Stallone putting you over,

1:15:30.680 --> 1:15:32.200
<v Speaker 3>he just was putting me over, dude. He just wanted

1:15:32.240 --> 1:15:34.000
<v Speaker 3>me to look as good as I could, you know

1:15:34.040 --> 1:15:35.280
<v Speaker 3>what I mean, And like he was just in a

1:15:35.320 --> 1:15:36.600
<v Speaker 3>place where that's what his heart was.

1:15:36.640 --> 1:15:38.880
<v Speaker 2>And I'll forever clip.

1:15:38.640 --> 1:15:40.000
<v Speaker 3>This and send this to me so I can send

1:15:40.000 --> 1:15:43.080
<v Speaker 3>this to him and his family because thank you forever.

1:15:43.080 --> 1:15:46.360
<v Speaker 2>Selvestro. Acting next, I want to do it so bad. Yeah,

1:15:46.400 --> 1:15:47.439
<v Speaker 2>I want to do it so well.

1:15:47.439 --> 1:15:49.360
<v Speaker 3>You know, I'm gonna just move to LA and try

1:15:49.520 --> 1:15:51.160
<v Speaker 3>get a little acting coach and stand in line.

1:15:51.240 --> 1:15:53.080
<v Speaker 1>You're gonna get typecasted like a motherfucker.

1:15:53.120 --> 1:15:55.760
<v Speaker 3>And the prison, Oh, I'm gonna be every fucking But

1:15:55.800 --> 1:15:56.960
<v Speaker 3>you know what I told him, I was like, if

1:15:56.960 --> 1:15:58.720
<v Speaker 3>they ever knew the prisoner of a Mary Kingstown. I'll

1:15:58.720 --> 1:16:01.320
<v Speaker 3>be a prisoner for y'all. Oh yeah, Now i'd go

1:16:01.400 --> 1:16:03.280
<v Speaker 3>to play a cricket cop or real cop.

1:16:04.640 --> 1:16:05.840
<v Speaker 1>A crookeedt cop would be fun.

1:16:06.160 --> 1:16:07.920
<v Speaker 2>Oh I might get in trouble for telling this story.

1:16:08.000 --> 1:16:11.120
<v Speaker 1>Yeah. Have you ever seen the rookie the ricky? No

1:16:11.280 --> 1:16:14.839
<v Speaker 1>rookie on a Oh the rookie no like her family.

1:16:15.800 --> 1:16:17.439
<v Speaker 1>You know, I'm aware of the show like a dramed

1:16:17.680 --> 1:16:19.599
<v Speaker 1>I'm aware of the show. Yeah.

1:16:19.680 --> 1:16:20.120
<v Speaker 2>I love it.

1:16:20.160 --> 1:16:21.880
<v Speaker 3>Me and my wife and daughter watch it all the time.

1:16:22.240 --> 1:16:24.080
<v Speaker 3>I was gonna get to be on this season, dude.

1:16:24.120 --> 1:16:26.920
<v Speaker 3>I had the coolest scene ever. I wasn't jelly rolled.

1:16:26.920 --> 1:16:29.720
<v Speaker 3>I was like something else. I was gonna go get

1:16:29.720 --> 1:16:31.720
<v Speaker 3>to be on the watch be a part of my

1:16:31.880 --> 1:16:36.880
<v Speaker 3>favorite show. And I thought. I had a gallbladder attack

1:16:37.000 --> 1:16:39.280
<v Speaker 3>the night the day before we flew to the point

1:16:39.280 --> 1:16:41.200
<v Speaker 3>that I went to the hospital and I missed the scene.

1:16:41.400 --> 1:16:46.519
<v Speaker 1>Oh shit, but that's the next thing to try to tackle. Yeah,

1:16:46.560 --> 1:16:47.519
<v Speaker 1>man acting.

1:16:47.920 --> 1:16:51.360
<v Speaker 2>Yeah, well, dude, that's like my daughter like, bust my

1:16:51.520 --> 1:16:52.280
<v Speaker 2>balls about that.

1:16:52.439 --> 1:16:55.920
<v Speaker 1>Now, when you do a twenty eight song project, you

1:16:56.000 --> 1:16:58.439
<v Speaker 1>have a lot of songs to work, So I feel like,

1:16:59.240 --> 1:17:02.200
<v Speaker 1>is it safe to say that this album is gonna

1:17:02.240 --> 1:17:03.519
<v Speaker 1>live with us for a little bit.

1:17:04.320 --> 1:17:06.120
<v Speaker 3>I can tell you that I'm not an you know,

1:17:06.160 --> 1:17:07.960
<v Speaker 3>we were talking about the artists that take their time to

1:17:07.960 --> 1:17:08.639
<v Speaker 3>put out albums.

1:17:08.680 --> 1:17:10.960
<v Speaker 2>Yeah, I'm gonna take my time to put.

1:17:10.800 --> 1:17:12.040
<v Speaker 1>Out my next album. Yeah.

1:17:12.160 --> 1:17:14.400
<v Speaker 2>I hope Beautifully Broken can suffice people for a while

1:17:14.400 --> 1:17:16.160
<v Speaker 2>because I'm gonna go get I'm gonna do some acting.

1:17:16.640 --> 1:17:22.360
<v Speaker 2>I'm gonna really focus on now. M hm, you're getting

1:17:22.360 --> 1:17:23.280
<v Speaker 2>good stuff today for me.

1:17:24.160 --> 1:17:26.960
<v Speaker 3>My next goal, too, is that the next hundred pounds

1:17:27.000 --> 1:17:28.840
<v Speaker 3>I want to lose a little different than the first hundred.

1:17:30.240 --> 1:17:34.720
<v Speaker 3>The first hundred was just head down, eat right, drink water, exercise,

1:17:35.000 --> 1:17:37.240
<v Speaker 3>get it off. I want to start lifting. I want

1:17:37.240 --> 1:17:39.080
<v Speaker 3>to make sure that when I do lose the next

1:17:39.200 --> 1:17:41.040
<v Speaker 3>hundred pounds out of the body. Yeah, yeah, it doesn't

1:17:41.080 --> 1:17:42.400
<v Speaker 3>look I don't want to look weird.

1:17:42.479 --> 1:17:43.639
<v Speaker 1>So so that's the next thing.

1:17:43.880 --> 1:17:46.080
<v Speaker 2>That's the next thing. Focus on health, focus on acting,

1:17:46.120 --> 1:17:47.920
<v Speaker 2>and really slow rite the albums.

1:17:48.080 --> 1:17:50.679
<v Speaker 1>Yeah, I mean, dude, it's it feels like an album

1:17:50.720 --> 1:17:51.439
<v Speaker 1>full of singles.

1:17:51.520 --> 1:17:53.040
<v Speaker 2>Yeah, it's pretty crazy to go.

1:17:53.280 --> 1:17:55.280
<v Speaker 3>Just keep working this album, man, take it slow, just

1:17:55.320 --> 1:17:59.839
<v Speaker 3>keep pushing Beautifully Broken. Festivals only next year and travel abroad.

1:18:00.560 --> 1:18:04.080
<v Speaker 1>Yo U would you obviously? And you're not gonna stop

1:18:04.120 --> 1:18:07.519
<v Speaker 1>doing features though, like the go to feature. I feel

1:18:07.560 --> 1:18:09.599
<v Speaker 1>like you're becoming like a go to guy.

1:18:11.000 --> 1:18:14.920
<v Speaker 2>Kel told me I was the White Way, and in twenty.

1:18:14.439 --> 1:18:17.720
<v Speaker 3>Eleven, it's what it's feeling that way, That's what MGK said.

1:18:17.760 --> 1:18:19.960
<v Speaker 3>I loved him for it, but uh now, I'm always up.

1:18:20.000 --> 1:18:22.519
<v Speaker 3>I'm a collaborative guy. So somebody, especially if a friend

1:18:22.560 --> 1:18:24.599
<v Speaker 3>of mine or somebody I really adore sends me a record,

1:18:24.640 --> 1:18:25.160
<v Speaker 3>I'm always in.

1:18:25.280 --> 1:18:26.320
<v Speaker 1>Would you ever do another?

1:18:26.439 --> 1:18:26.759
<v Speaker 2>Whaling?

1:18:26.800 --> 1:18:27.960
<v Speaker 1>And Willie would Struggle.

1:18:27.720 --> 1:18:29.680
<v Speaker 3>And Struggling are definitely gonna do another. We got a

1:18:29.680 --> 1:18:31.080
<v Speaker 3>single coming out next year that we're gonna go to

1:18:31.120 --> 1:18:33.320
<v Speaker 3>the country radio with his single feature of meat Fire.

1:18:33.640 --> 1:18:36.360
<v Speaker 3>He's I'm proud of struggle Man one. He's just he's

1:18:36.360 --> 1:18:37.880
<v Speaker 3>putting out a great body of work right now. He's

1:18:37.880 --> 1:18:40.080
<v Speaker 3>fixing to go out on tour. Struggles just always work

1:18:40.160 --> 1:18:42.599
<v Speaker 3>and he's been I didn't get him on this album,

1:18:42.800 --> 1:18:46.040
<v Speaker 3>and it was kind of intentionally. I've had him on

1:18:46.080 --> 1:18:48.360
<v Speaker 3>every album I've ever done, and I think that I

1:18:48.479 --> 1:18:50.880
<v Speaker 3>wanted to let him have. He toured with me last year, yep,

1:18:51.520 --> 1:18:54.720
<v Speaker 3>and we intentionally was like, Yo, take a year, go

1:18:54.840 --> 1:18:56.120
<v Speaker 3>out there and you know what I mean.

1:18:56.439 --> 1:18:59.720
<v Speaker 1>And and and kind of like grab grab your people in.

1:19:00.479 --> 1:19:02.600
<v Speaker 3>For sure, like go out there and plan because you

1:19:02.640 --> 1:19:04.360
<v Speaker 3>haven't even got to go plan this flag yetty and

1:19:04.479 --> 1:19:06.519
<v Speaker 3>so with and then he'll go do a couple of

1:19:06.600 --> 1:19:09.800
<v Speaker 3>headliners himself with his artists like Caitlyn Curtis and them,

1:19:09.920 --> 1:19:12.679
<v Speaker 3>but he hasn't, like, you know, I'm such a I'll

1:19:12.680 --> 1:19:14.680
<v Speaker 3>block off half that dude schedule every year with my

1:19:14.720 --> 1:19:18.000
<v Speaker 3>ship for sure, you know what I mean. So it's like, dude,

1:19:18.040 --> 1:19:21.320
<v Speaker 3>go go keep building, drop money, Carlo, drop these records

1:19:21.320 --> 1:19:24.040
<v Speaker 3>that you've been working on El Camino, Drop money Carlo

1:19:24.800 --> 1:19:27.240
<v Speaker 3>and uh, and then we'll double back around and catch

1:19:27.280 --> 1:19:29.439
<v Speaker 3>a Weathering and Willy probably in the next year, next

1:19:29.479 --> 1:19:31.160
<v Speaker 3>couple of years. Could you see he'll go on my next,

1:19:31.360 --> 1:19:33.600
<v Speaker 3>my next, my next American tours a year after the

1:19:33.640 --> 1:19:35.280
<v Speaker 3>next twenty six he'll be up for me for sure.

1:19:35.439 --> 1:19:37.200
<v Speaker 2>I'm gonna take them abroad wherever I can, wherever I

1:19:37.240 --> 1:19:37.519
<v Speaker 2>can get.

1:19:38.080 --> 1:19:39.800
<v Speaker 1>Could you see yourself doing another hip hop album?

1:19:41.040 --> 1:19:45.280
<v Speaker 2>I don't know, man, I don't I don't have If

1:19:45.320 --> 1:19:46.920
<v Speaker 2>you get you you'd have to probably get the itch

1:19:47.040 --> 1:19:49.479
<v Speaker 2>right like something I'd have to really, yeah, something would

1:19:49.560 --> 1:19:52.880
<v Speaker 2>like and I would spend a lot of time thinking

1:19:52.920 --> 1:19:54.240
<v Speaker 2>about what the subject matter was.

1:19:57.400 --> 1:20:00.800
<v Speaker 3>I wrapped about certain things for so long that I

1:20:00.840 --> 1:20:03.080
<v Speaker 3>wouldn't even know how to. And I was always so

1:20:03.240 --> 1:20:05.720
<v Speaker 3>honest in my raps that I don't know if I

1:20:05.960 --> 1:20:08.120
<v Speaker 3>would even be allowed that kind of honesty right now

1:20:08.160 --> 1:20:09.040
<v Speaker 3>in my life, you know.

1:20:09.479 --> 1:20:11.479
<v Speaker 2>Yo, I mean, I don't know. I just don't know. Man,

1:20:11.479 --> 1:20:13.160
<v Speaker 2>I don't have the itch at all. Well, we're talking

1:20:13.200 --> 1:20:14.559
<v Speaker 2>about this some people's hearts out there.

1:20:14.800 --> 1:20:17.040
<v Speaker 1>There's so much money, there's so many deals.

1:20:17.240 --> 1:20:19.240
<v Speaker 3>I would rather do a hook for Big Exes album,

1:20:19.320 --> 1:20:21.479
<v Speaker 3>which I'm working on. Oh so you're I'm working on

1:20:21.520 --> 1:20:23.400
<v Speaker 3>a Big X record. I would rather do something for

1:20:23.520 --> 1:20:25.800
<v Speaker 3>Mexican O T. I would rather work with Joiner again.

1:20:25.840 --> 1:20:27.160
<v Speaker 3>I would rather work with him again.

1:20:27.280 --> 1:20:27.800
<v Speaker 1>That makes sense.

1:20:27.880 --> 1:20:30.280
<v Speaker 3>I would rather like keep I think I'm bringing more

1:20:30.400 --> 1:20:32.280
<v Speaker 3>value to hip hop right now than I ever brought

1:20:32.320 --> 1:20:32.840
<v Speaker 3>to hip hop.

1:20:32.920 --> 1:20:34.719
<v Speaker 2>And I hadn't wrapped a bar in five years.

1:20:35.360 --> 1:20:36.800
<v Speaker 3>So it's like, I think I just want to keep

1:20:36.880 --> 1:20:38.360
<v Speaker 3>doing that because I think I'm really I want to

1:20:38.400 --> 1:20:40.479
<v Speaker 3>do another Tech nine record. I want to make sure

1:20:40.520 --> 1:20:42.400
<v Speaker 3>that I want to I want to help hip hop

1:20:42.479 --> 1:20:44.599
<v Speaker 3>and them, I think I don't think I would help

1:20:44.680 --> 1:20:46.200
<v Speaker 3>hip hop by trying to be hip hop.

1:20:46.439 --> 1:20:49.519
<v Speaker 1>Well, and I think too like you're like, like you said,

1:20:49.600 --> 1:20:53.479
<v Speaker 1>you're doctor d calls, You're I mean you're to me,

1:20:53.520 --> 1:20:55.360
<v Speaker 1>you're you're a pretty genrealist man. I feel like you've

1:20:55.479 --> 1:20:56.400
<v Speaker 1>kind of always been that way.

1:20:56.479 --> 1:20:58.400
<v Speaker 2>So it's like sure, and like that's a big one,

1:20:58.560 --> 1:21:00.400
<v Speaker 2>you know what I mean, that's huge, Like to work

1:21:00.479 --> 1:21:02.720
<v Speaker 2>with somebody like Rod now you know what I mean,

1:21:02.840 --> 1:21:08.120
<v Speaker 2>like goa happen. But yeah, that's my heart. Maybe one

1:21:08.200 --> 1:21:10.639
<v Speaker 2>day I'd love to wrap on somebody else's stuff for fun.

1:21:11.080 --> 1:21:13.040
<v Speaker 2>I always joke with all my rapper homies like if

1:21:13.040 --> 1:21:14.800
<v Speaker 2>you ever get one, it really makes sense, you know

1:21:14.840 --> 1:21:16.960
<v Speaker 2>what I mean, maybe like slide a little sneaky twelve

1:21:17.040 --> 1:21:18.479
<v Speaker 2>in somewhere and see if I still got it.

1:21:18.720 --> 1:21:20.200
<v Speaker 1>Yo, it's can you can you speak?

1:21:20.200 --> 1:21:22.240
<v Speaker 2>Struggle could get it out of I mean struggle at him.

1:21:22.560 --> 1:21:24.680
<v Speaker 2>They could get it out of the probably maybe Wolf, Yeah,

1:21:24.680 --> 1:21:25.960
<v Speaker 2>Wolf could get it out of him. Yeah. But but

1:21:26.320 --> 1:21:28.880
<v Speaker 2>once again, I think I would do Wolf more by like.

1:21:28.960 --> 1:21:31.720
<v Speaker 3>Trailer in the Skyhook, which was great. Wolf wrapped and

1:21:31.800 --> 1:21:33.640
<v Speaker 3>I did. I just think I bring more value to

1:21:33.720 --> 1:21:34.840
<v Speaker 3>the song by doing what I do.

1:21:35.320 --> 1:21:37.400
<v Speaker 1>Yeah, it is whild Do you still have a ton

1:21:37.479 --> 1:21:40.800
<v Speaker 1>of those Day One like fans who maybe because you know,

1:21:41.160 --> 1:21:43.280
<v Speaker 1>you are a part of this like underground hip hop

1:21:43.760 --> 1:21:48.920
<v Speaker 1>uh world that was very niche. It was like and

1:21:49.040 --> 1:21:50.439
<v Speaker 1>I was a part of that world, you know, with

1:21:50.760 --> 1:21:53.400
<v Speaker 1>Ritz and Wolf and yourself, and you know, we can

1:21:53.439 --> 1:21:54.840
<v Speaker 1>go on and on and on. I guess like what

1:21:54.960 --> 1:21:57.120
<v Speaker 1>would call that kind of like the white the like

1:21:57.439 --> 1:21:58.679
<v Speaker 1>twenty ten white rapper.

1:21:58.960 --> 1:22:01.240
<v Speaker 2>Yeah, there was an air underground like rapper things.

1:22:03.160 --> 1:22:05.720
<v Speaker 1>Everybody was going all the famous white rappers are going

1:22:05.760 --> 1:22:09.360
<v Speaker 1>at each other. But it's like, like, do you still

1:22:09.520 --> 1:22:12.040
<v Speaker 1>see those same things because you were talking about back

1:22:12.080 --> 1:22:14.360
<v Speaker 1>in the day you would give pizza in Knoxville to

1:22:14.479 --> 1:22:16.599
<v Speaker 1>the people standing outside when you'd sell out, and you're like, yo,

1:22:16.680 --> 1:22:18.120
<v Speaker 1>we should do that again. But like, do you still

1:22:18.160 --> 1:22:20.640
<v Speaker 1>run into those crazy like Day one fans who?

1:22:20.760 --> 1:22:22.559
<v Speaker 2>Oh yeah all the time? Man, they're awesome. I went

1:22:22.600 --> 1:22:24.760
<v Speaker 2>to the DMV. I was home. I've been home two

1:22:24.800 --> 1:22:27.080
<v Speaker 2>days in the last one hundred days. They were just

1:22:27.200 --> 1:22:28.080
<v Speaker 2>like four days ago.

1:22:28.640 --> 1:22:31.479
<v Speaker 3>Walking to the DMV, I've been in there thirty seconds, right,

1:22:32.040 --> 1:22:34.280
<v Speaker 3>and I'm just looking for somebody I know to go Hey,

1:22:34.280 --> 1:22:36.000
<v Speaker 3>it's not letting me set this up online. I'm only

1:22:36.040 --> 1:22:37.160
<v Speaker 3>in town for a day. I need to bring my

1:22:37.200 --> 1:22:38.760
<v Speaker 3>daughter to get a license, which I am proud to

1:22:38.800 --> 1:22:42.479
<v Speaker 3>announce on the Bootleg CAF podcast. My sixteen year old daughter,

1:22:42.640 --> 1:22:44.559
<v Speaker 3>Bailey Anne, is now a licensed driver.

1:22:45.040 --> 1:22:47.920
<v Speaker 1>Congrats, it's a huge deal. Thank you, A huge deal.

1:22:49.400 --> 1:22:52.560
<v Speaker 2>So I walk in, the first person I see is

1:22:52.600 --> 1:22:55.960
<v Speaker 2>a dude with a Jelly Roll shirt. Not making this up.

1:22:56.240 --> 1:22:58.720
<v Speaker 2>First dude, I mean. I run into him and I'm like,

1:22:58.800 --> 1:22:59.120
<v Speaker 2>what's up.

1:22:59.160 --> 1:22:59.720
<v Speaker 1>He's like David.

1:22:59.720 --> 1:23:02.040
<v Speaker 3>I mean, he's ghost white. You could tell he's like

1:23:02.160 --> 1:23:04.200
<v Speaker 3>been with me a long time. He immediately shows me

1:23:04.320 --> 1:23:07.640
<v Speaker 3>like a a game bad Apple blended tag like my

1:23:12.720 --> 1:23:14.840
<v Speaker 3>sorry two of like the original brands that we tried

1:23:14.880 --> 1:23:17.240
<v Speaker 3>to take off. And uh, He's like, I got a

1:23:17.280 --> 1:23:18.840
<v Speaker 3>brother in the car and you meet him. I was like, yell,

1:23:18.880 --> 1:23:20.200
<v Speaker 3>let me go talk to this person. I meet him

1:23:20.200 --> 1:23:22.760
<v Speaker 3>on the way out. So I take a couple of

1:23:22.760 --> 1:23:25.679
<v Speaker 3>pictures and I meet the DMV people are so sweet,

1:23:25.680 --> 1:23:27.679
<v Speaker 3>too many girl I know. Immediately gets with the manager

1:23:27.680 --> 1:23:29.320
<v Speaker 3>I know, and they hooked me up what I needed.

1:23:29.360 --> 1:23:31.479
<v Speaker 3>I leave and I meet his brother on the way out,

1:23:31.479 --> 1:23:33.559
<v Speaker 3>and his brother goes, now, you don't get me wrong,

1:23:34.479 --> 1:23:37.040
<v Speaker 3>I like this album of years, but when you're gonna

1:23:37.120 --> 1:23:37.439
<v Speaker 3>drop some.

1:23:37.520 --> 1:23:39.160
<v Speaker 1>Of that good good shit again?

1:23:40.360 --> 1:23:43.599
<v Speaker 2>And I go, good good shit, you know, and he goes,

1:23:43.680 --> 1:23:47.559
<v Speaker 2>you know what I'm talking about? This stuffs and he shook,

1:23:48.240 --> 1:23:49.679
<v Speaker 2>I need you to do something with Haystack.

1:23:49.800 --> 1:23:51.920
<v Speaker 3>He was like, He's like, I'm talking about it, and

1:23:52.040 --> 1:23:55.760
<v Speaker 3>I said, listen, man, don't take this wrong, sir. I

1:23:55.800 --> 1:23:57.760
<v Speaker 3>don't want to sound like Andre three thousand. I'm get

1:23:57.800 --> 1:24:01.679
<v Speaker 3>in trouble here, but at a forty years old would

1:24:01.720 --> 1:24:04.560
<v Speaker 3>as soon to be college kid, I'm not sure what

1:24:04.600 --> 1:24:06.680
<v Speaker 3>I would rap about, you know what I mean. I'm

1:24:06.720 --> 1:24:08.320
<v Speaker 3>not sure that people would even want to hear what

1:24:08.400 --> 1:24:09.000
<v Speaker 3>I rapped about.

1:24:09.080 --> 1:24:10.560
<v Speaker 1>Right now. It's like, you know what I mean, Like,

1:24:11.040 --> 1:24:14.679
<v Speaker 1>you're not gonna rap about slanging freaking crack, yeah, for sure.

1:24:14.720 --> 1:24:17.759
<v Speaker 2>Like slaming pussy, you know what I mean. Those days are.

1:24:19.120 --> 1:24:22.280
<v Speaker 3>It's like, it's like, you know, I'm not gonna rap

1:24:22.320 --> 1:24:24.000
<v Speaker 3>about I don't know. I guess I could rap about

1:24:24.000 --> 1:24:25.680
<v Speaker 3>what's happening in my life now, but I'm kind of

1:24:25.800 --> 1:24:27.679
<v Speaker 3>you know, I don't know. I'm having more.

1:24:27.600 --> 1:24:30.160
<v Speaker 2>Fun telling other people's stories. Yeah, and I don't.

1:24:30.200 --> 1:24:31.880
<v Speaker 3>I've never done that in hip hop. I've only kind

1:24:31.880 --> 1:24:34.439
<v Speaker 3>of expressed self, so I'd have to find my way

1:24:34.479 --> 1:24:34.760
<v Speaker 3>into it.

1:24:35.120 --> 1:24:37.960
<v Speaker 1>Are you still when you have you know your background

1:24:38.000 --> 1:24:39.840
<v Speaker 1>that you have and I'm sure a friend group of

1:24:40.160 --> 1:24:43.120
<v Speaker 1>a certain you know amount of people who may or

1:24:43.160 --> 1:24:46.880
<v Speaker 1>may not be up to criminal activities. You know, when

1:24:46.880 --> 1:24:49.000
<v Speaker 1>you come from that lifestyle, you fall out with people.

1:24:49.080 --> 1:24:52.800
<v Speaker 1>But when you have this meteoric rise to fame, it

1:24:52.960 --> 1:24:57.200
<v Speaker 1>feels like the people who are closest to you or

1:24:57.240 --> 1:25:00.280
<v Speaker 1>where you're from, usually in hip hop, of course worse,

1:25:01.280 --> 1:25:03.479
<v Speaker 1>you get the most hate from you know, you didn't

1:25:03.479 --> 1:25:04.360
<v Speaker 1>bring me up with you, do you?

1:25:04.600 --> 1:25:04.640
<v Speaker 2>Like?

1:25:05.400 --> 1:25:07.160
<v Speaker 1>Like, how do you deal with that shit? Doug, Because

1:25:07.160 --> 1:25:09.680
<v Speaker 1>like even me and on whatever level of success I have,

1:25:10.040 --> 1:25:11.320
<v Speaker 1>I deal with that shit all the time.

1:25:11.640 --> 1:25:13.679
<v Speaker 2>Man. It's it's really hard. It hurts.

1:25:13.800 --> 1:25:15.600
<v Speaker 3>Thanks for bringing this up because it's probably one of

1:25:15.640 --> 1:25:17.800
<v Speaker 3>the thorns on my side of life that it took

1:25:17.840 --> 1:25:20.760
<v Speaker 3>me a while to forgive myself for not being able

1:25:20.840 --> 1:25:23.640
<v Speaker 3>to do everything for everybody. But somebody told me you

1:25:23.720 --> 1:25:26.519
<v Speaker 3>can't be everything to everybody, you know what I mean?

1:25:26.760 --> 1:25:30.599
<v Speaker 3>And I just started forgiving myself and giving myself grace

1:25:31.360 --> 1:25:33.280
<v Speaker 3>you know where it's like. Look, man, if you think

1:25:33.320 --> 1:25:37.200
<v Speaker 3>that I'm responsible for bringing somebody up, your mentality is wrong.

1:25:37.280 --> 1:25:37.679
<v Speaker 2>Anyways.

1:25:37.840 --> 1:25:47.200
<v Speaker 3>Yeah, Like I remember been a time where my entire

1:25:48.800 --> 1:25:52.120
<v Speaker 3>world felt like it relied on the actions of another man.

1:25:53.240 --> 1:25:55.120
<v Speaker 3>You know, does that make sense?

1:25:55.120 --> 1:25:56.000
<v Speaker 1>It makes a lot of sense.

1:25:57.160 --> 1:25:58.880
<v Speaker 2>That's not the way to go through life.

1:25:58.960 --> 1:25:59.120
<v Speaker 1>Man.

1:25:59.320 --> 1:26:03.639
<v Speaker 2>If you if your success is dependent on anybody at all,

1:26:04.160 --> 1:26:06.679
<v Speaker 2>you were in the wrong. You're in the wrong area

1:26:06.760 --> 1:26:09.559
<v Speaker 2>searching for it. So if you're looking for a homie

1:26:09.600 --> 1:26:11.160
<v Speaker 2>to do this for you, or you got your buddy

1:26:11.240 --> 1:26:12.920
<v Speaker 2>that's doing this, that he might be able to give

1:26:12.920 --> 1:26:15.160
<v Speaker 2>you a look, or this guy might be able to

1:26:15.240 --> 1:26:18.000
<v Speaker 2>do this for you. If you're one of those people,

1:26:18.080 --> 1:26:20.280
<v Speaker 2>that mentality is going to tear you down. That's that

1:26:20.400 --> 1:26:23.280
<v Speaker 2>street stuff that tourists down for years. It's also the

1:26:23.320 --> 1:26:27.840
<v Speaker 2>same street stuff that'll have you. I was thinking about

1:26:27.880 --> 1:26:30.479
<v Speaker 2>this the other day, that the streets will train you

1:26:30.920 --> 1:26:33.120
<v Speaker 2>to let somebody come in your house and shoot your

1:26:33.320 --> 1:26:36.160
<v Speaker 2>child and you not call the police on them.

1:26:38.200 --> 1:26:40.120
<v Speaker 3>Think about just now, that I'm an adult, and I

1:26:40.200 --> 1:26:43.040
<v Speaker 3>even say that back out loud, I go, how did

1:26:43.080 --> 1:26:45.720
<v Speaker 3>I believe that? How did I buy into that, you

1:26:45.760 --> 1:26:47.160
<v Speaker 3>know what I mean, Like, how did I even let

1:26:47.200 --> 1:26:50.160
<v Speaker 3>that become a thought? All that stuff works hand in

1:26:50.240 --> 1:26:52.160
<v Speaker 3>hand to me. All that is, all of those are

1:26:52.200 --> 1:26:57.559
<v Speaker 3>the same language. The other languages I look for now

1:26:57.600 --> 1:26:59.880
<v Speaker 3>that I'm very I pay attention to language now, keV,

1:27:00.280 --> 1:27:01.240
<v Speaker 3>that'll do you know what I mean.

1:27:01.320 --> 1:27:04.719
<v Speaker 2>It's like entitlement words.

1:27:05.120 --> 1:27:06.680
<v Speaker 1>Oh yeah, Entitlement's the worst, man.

1:27:06.960 --> 1:27:08.840
<v Speaker 3>You know, these are the things that are like or

1:27:09.680 --> 1:27:11.400
<v Speaker 3>even friends who are like. I had a friend tell

1:27:11.439 --> 1:27:14.920
<v Speaker 3>me recently, he's like, you change, man, don't act like

1:27:14.960 --> 1:27:17.000
<v Speaker 3>you're not different. And I'm and I had to really

1:27:17.080 --> 1:27:18.880
<v Speaker 3>take perspective of that because it hurt my feelings. But

1:27:18.920 --> 1:27:20.280
<v Speaker 3>then I thought, I was that he's totally right. I

1:27:20.400 --> 1:27:23.080
<v Speaker 3>have Yeah, well, because there's no way you have this

1:27:23.240 --> 1:27:25.160
<v Speaker 3>kind of schedule and this kind of clarity and you're

1:27:25.200 --> 1:27:27.200
<v Speaker 3>working this hard with this kind of a mission and

1:27:27.240 --> 1:27:30.960
<v Speaker 3>purpose and there just not be changes that happen like yeah,

1:27:30.960 --> 1:27:33.479
<v Speaker 3>I've changed. I've got five hundred and thirty seven unread

1:27:33.520 --> 1:27:35.639
<v Speaker 3>text messages. If yours is one of them, I'm sorry.

1:27:35.840 --> 1:27:37.720
<v Speaker 1>Yeah, you know what I mean, Like one hundred and

1:27:37.800 --> 1:27:39.920
<v Speaker 1>eighty people whose mouths I have to feel like.

1:27:39.920 --> 1:27:41.479
<v Speaker 3>There's one hundred and eighty people that are counting on

1:27:41.560 --> 1:27:43.680
<v Speaker 3>me to make sure everything that stage right. And that's

1:27:43.720 --> 1:27:45.760
<v Speaker 3>not counting the fourteen thousand people that came here to

1:27:45.800 --> 1:27:48.479
<v Speaker 3>get served. You know, there's they're like, we look at

1:27:48.520 --> 1:27:50.560
<v Speaker 3>this like church, man, we're here to serve, dude, that

1:27:50.720 --> 1:27:53.240
<v Speaker 3>we're not here to do anything but serve. We are

1:27:53.320 --> 1:27:56.519
<v Speaker 3>here to try to make people leave this building feeling better.

1:27:57.240 --> 1:28:00.479
<v Speaker 1>You're viral to address the Congress I thought was one

1:28:00.479 --> 1:28:04.560
<v Speaker 1>of the most just beautiful moments, dude, Like it was

1:28:04.640 --> 1:28:06.720
<v Speaker 1>fucking insane. I know you've talked about it a lot.

1:28:07.200 --> 1:28:09.519
<v Speaker 1>I know that there was a bill that ended up

1:28:09.560 --> 1:28:10.639
<v Speaker 1>getting passed right.

1:28:10.640 --> 1:28:13.720
<v Speaker 2>That it did the fend dolphin all that was put

1:28:13.800 --> 1:28:17.040
<v Speaker 2>in the law. I wonder I'll tell you a story

1:28:17.040 --> 1:28:18.800
<v Speaker 2>about that off camera. Remind me got you?

1:28:19.120 --> 1:28:22.559
<v Speaker 1>I wonder, like for you, you do have so much

1:28:22.640 --> 1:28:27.439
<v Speaker 1>good grace, so much influence right now, Like is that

1:28:28.240 --> 1:28:30.080
<v Speaker 1>like an area in which you're you want to still

1:28:30.160 --> 1:28:31.680
<v Speaker 1>kind of be active in terms of.

1:28:32.000 --> 1:28:34.599
<v Speaker 3>Oh yeah, man, I definitely want to just I want

1:28:34.640 --> 1:28:36.920
<v Speaker 3>to go use my ah No, that was the one

1:28:36.960 --> 1:28:38.759
<v Speaker 3>and done for me unless they need me for something

1:28:38.760 --> 1:28:41.840
<v Speaker 3>that I'm convicted about. As you can imagine, every Senator

1:28:41.880 --> 1:28:43.960
<v Speaker 3>on America called me send us an email the next

1:28:44.000 --> 1:28:48.479
<v Speaker 3>week with the calls, but uh, I'm just wasn't interested. Yeah,

1:28:48.720 --> 1:28:52.240
<v Speaker 3>I'm very specific into I don't like politics.

1:28:52.280 --> 1:28:52.800
<v Speaker 2>I just never have.

1:28:53.200 --> 1:28:55.160
<v Speaker 3>I mean, you can't even vote, right, Yeah, I can't vote.

1:28:55.200 --> 1:28:57.080
<v Speaker 3>I don't have your a feeling. Yes stuff, whoever, somebody

1:28:57.120 --> 1:28:57.760
<v Speaker 3>giving my right.

1:28:57.920 --> 1:28:59.439
<v Speaker 2>Vote back and we'll start to go, Yeah, that's what

1:28:59.520 --> 1:28:59.800
<v Speaker 2>we'll talk.

1:29:00.120 --> 1:29:05.080
<v Speaker 3>But I'm an ally in need of things that I know, right,

1:29:05.240 --> 1:29:07.120
<v Speaker 3>you know, I'm just also big about not talking about

1:29:07.120 --> 1:29:10.400
<v Speaker 3>shit I don't know. Yeah, I knew that particular subject

1:29:10.400 --> 1:29:12.000
<v Speaker 3>pretty well. There's a couple of other subjects that if

1:29:12.040 --> 1:29:13.840
<v Speaker 3>it really came up, I'd be willing to go try

1:29:13.880 --> 1:29:17.439
<v Speaker 3>to speak about. But I just want to make sure

1:29:17.479 --> 1:29:19.720
<v Speaker 3>that our people had a voice that day. That was

1:29:19.840 --> 1:29:21.400
<v Speaker 3>real simple for me, you know what I mean?

1:29:22.200 --> 1:29:26.120
<v Speaker 1>Yeah, I think too. It's like, you know, going back

1:29:26.120 --> 1:29:28.880
<v Speaker 1>to what we're talking about the AA meetings, and you know,

1:29:29.000 --> 1:29:33.680
<v Speaker 1>having family members who are addicts, like legitimately people look

1:29:33.760 --> 1:29:36.200
<v Speaker 1>at and I just heard you talk about this, but

1:29:36.520 --> 1:29:40.519
<v Speaker 1>people don't acknowledge addicts who are in a really low

1:29:40.600 --> 1:29:44.680
<v Speaker 1>places like people. They really dehumanize them. And and you know,

1:29:44.760 --> 1:29:47.640
<v Speaker 1>I think I think that's stat that. Like, to me,

1:29:47.760 --> 1:29:50.400
<v Speaker 1>that was like an important moment to like shake people

1:29:50.479 --> 1:29:52.519
<v Speaker 1>up and me like, yo, there's like you know the

1:29:52.600 --> 1:29:53.679
<v Speaker 1>airplane reference you made.

1:29:53.760 --> 1:29:56.280
<v Speaker 3>Yeah, the airplane reference is real. That many people die

1:29:56.400 --> 1:30:01.479
<v Speaker 3>day as a plane crash. And it's because we've long

1:30:01.560 --> 1:30:04.360
<v Speaker 3>had this thing in America where we look at everybody

1:30:05.479 --> 1:30:07.080
<v Speaker 3>as a it's a personal thing.

1:30:07.479 --> 1:30:08.719
<v Speaker 2>We have no sense of community.

1:30:08.800 --> 1:30:11.920
<v Speaker 3>No more is to be more, have more tribalism in

1:30:11.960 --> 1:30:15.360
<v Speaker 3>America than we've ever had, to have more tribalism in

1:30:15.400 --> 1:30:17.080
<v Speaker 3>America than we've ever had. I feel like we have

1:30:17.160 --> 1:30:19.160
<v Speaker 3>less community than we've ever had.

1:30:19.400 --> 1:30:21.080
<v Speaker 1>And you know what's crazy is most of the major

1:30:21.160 --> 1:30:22.200
<v Speaker 1>shit we all agree on.

1:30:22.600 --> 1:30:24.000
<v Speaker 2>Yeah, right, it's crazy.

1:30:24.040 --> 1:30:25.600
<v Speaker 1>But think about it, like I don't. I think I

1:30:25.680 --> 1:30:28.559
<v Speaker 1>think we all agree that like our tax dollars, we'd

1:30:28.640 --> 1:30:31.320
<v Speaker 1>like to kind of know that they're helping you know,

1:30:32.000 --> 1:30:35.680
<v Speaker 1>us a little, you know, not getting you know, sent

1:30:35.800 --> 1:30:36.840
<v Speaker 1>over to fight O.

1:30:37.200 --> 1:30:40.280
<v Speaker 3>That's yeah, one percent, it's just you know, but once again,

1:30:40.360 --> 1:30:42.559
<v Speaker 3>it's like back to that point, we've lost our sense

1:30:42.600 --> 1:30:45.000
<v Speaker 3>of real like community, you know what I mean.

1:30:45.000 --> 1:30:47.360
<v Speaker 1>So divided everybody. It's like, dude, if we don't agree

1:30:47.400 --> 1:30:50.599
<v Speaker 1>on this one thing. It doesn't mean that we can't

1:30:50.600 --> 1:30:52.000
<v Speaker 1>agree on this or we can't have beer.

1:30:52.200 --> 1:30:54.599
<v Speaker 3>You can't you know, man, or just say, hey man,

1:30:54.640 --> 1:30:56.720
<v Speaker 3>we just don't agree about that. Let's talk about something

1:30:56.720 --> 1:30:57.240
<v Speaker 3>we do agree with.

1:30:57.320 --> 1:30:59.439
<v Speaker 2>Yeah, we could. I wish we would just focus a

1:30:59.479 --> 1:31:01.519
<v Speaker 2>little more to on the things that we do agree about.

1:31:01.560 --> 1:31:02.959
<v Speaker 2>We can make so much more progress.

1:31:03.640 --> 1:31:05.240
<v Speaker 3>All right, let's quit arguing about the stuff we don't

1:31:05.240 --> 1:31:06.880
<v Speaker 3>agree about for a few minutes, and the four or

1:31:06.920 --> 1:31:09.599
<v Speaker 3>five things that we all agree about, let's go forward

1:31:09.640 --> 1:31:12.519
<v Speaker 3>with that. But yeah, back to the addict talk. I

1:31:12.600 --> 1:31:14.400
<v Speaker 3>say that because we look at them like, ah, they

1:31:14.520 --> 1:31:17.000
<v Speaker 3>chose to get on drugs. Fucked them, you know what

1:31:17.040 --> 1:31:19.280
<v Speaker 3>I mean. It's like, but like, nah, man, that's bootleg.

1:31:19.360 --> 1:31:22.240
<v Speaker 3>Kev's son's mother, you know what I mean, Like this

1:31:22.439 --> 1:31:23.840
<v Speaker 3>is so much more bigger than her.

1:31:23.920 --> 1:31:27.400
<v Speaker 2>Let's think about her son, thinking about how it affected

1:31:27.400 --> 1:31:30.040
<v Speaker 2>her mother, how it affected keV, how it affected Kev's wife.

1:31:30.120 --> 1:31:33.360
<v Speaker 3>Kev's wife had to marry into a whole situation for Svins,

1:31:33.360 --> 1:31:35.439
<v Speaker 3>an eleven year old young man, to be a mother.

1:31:35.520 --> 1:31:37.000
<v Speaker 2>It's like this is you.

1:31:37.160 --> 1:31:41.200
<v Speaker 3>Then you start seeing the the true impact the you know,

1:31:41.520 --> 1:31:45.280
<v Speaker 3>the uh, the drug addict is is not the victim here,

1:31:45.800 --> 1:31:47.120
<v Speaker 3>you know what I mean, that's not and I'm not

1:31:47.200 --> 1:31:51.760
<v Speaker 3>saying that they're the the the aggressor neither what you know,

1:31:51.920 --> 1:31:54.439
<v Speaker 3>the but saying that, you know, the victims of drug

1:31:54.479 --> 1:31:57.800
<v Speaker 3>addiction are so much murther further we change that we

1:31:57.920 --> 1:32:00.360
<v Speaker 3>state this the right way. The victims of drug addiction

1:32:00.479 --> 1:32:02.120
<v Speaker 3>her so much more than just the just.

1:32:02.200 --> 1:32:02.800
<v Speaker 1>The drug addict.

1:32:03.000 --> 1:32:06.000
<v Speaker 2>It's the family drug addict is a victim of drug addiction.

1:32:06.200 --> 1:32:08.760
<v Speaker 2>So it's like the victim of drug addiction is so

1:32:08.880 --> 1:32:10.360
<v Speaker 2>much more than just the drug addict.

1:32:10.560 --> 1:32:13.680
<v Speaker 1>How do you how do you because you know, with

1:32:13.800 --> 1:32:17.880
<v Speaker 1>the last few years, man, I'm assuming like you need

1:32:17.960 --> 1:32:21.920
<v Speaker 1>your wife more than ever now, right, how do you guys? Like,

1:32:22.040 --> 1:32:25.240
<v Speaker 1>how is your guys' relationship evolved? Uh? With with the

1:32:25.360 --> 1:32:29.200
<v Speaker 1>new success like that, like and her own success as

1:32:29.200 --> 1:32:32.360
<v Speaker 1>a as an entity on her own, her podcast is massive.

1:32:32.160 --> 1:32:35.719
<v Speaker 3>Funny's podcast is huge, Bunny's Patreon is huge, Bunny's TikTok

1:32:35.840 --> 1:32:36.479
<v Speaker 3>is bigger than mine.

1:32:36.520 --> 1:32:39.880
<v Speaker 1>But she's going crazy. I mean, she she really, I mean,

1:32:40.200 --> 1:32:42.880
<v Speaker 1>correct me, I'm wrong, but she kind of broke the sky,

1:32:42.960 --> 1:32:45.439
<v Speaker 1>the gray record. It was her TikTok, right, it was her. Sure.

1:32:45.920 --> 1:32:48.280
<v Speaker 3>What's even cooler about that was I sent Bunny the

1:32:48.320 --> 1:32:51.680
<v Speaker 3>album and said, if any of these songs touch you

1:32:51.760 --> 1:32:53.760
<v Speaker 3>in any way that you want to post them and

1:32:53.880 --> 1:32:55.639
<v Speaker 3>help me out, please, you know. I'm just like, I'm

1:32:55.760 --> 1:32:58.120
<v Speaker 3>We're that kind of with each other, and buddies like,

1:32:58.160 --> 1:32:59.960
<v Speaker 3>she's like, she's my Wife's like, I'm gonna post something.

1:33:00.000 --> 1:33:02.120
<v Speaker 2>I got you, no problem. And then when she did that,

1:33:02.160 --> 1:33:04.040
<v Speaker 2>I was like, oh, man, because you know, Bunny had

1:33:04.080 --> 1:33:06.080
<v Speaker 2>never shared that side of her story a lot, and

1:33:06.160 --> 1:33:08.320
<v Speaker 2>I won't either because that's her story to too, of course,

1:33:08.479 --> 1:33:11.400
<v Speaker 2>but I wrote that thinking about her and she knew that.

1:33:11.600 --> 1:33:13.160
<v Speaker 2>So for her to like be like, you know what, man,

1:33:13.160 --> 1:33:15.160
<v Speaker 2>I'm gonna stand on this now. For all we know

1:33:15.280 --> 1:33:17.720
<v Speaker 2>about Bunny. When her book comes out, we're gonna find

1:33:17.760 --> 1:33:19.240
<v Speaker 2>out that we don't know about Bunny, you know what

1:33:19.280 --> 1:33:19.519
<v Speaker 2>I mean.

1:33:19.760 --> 1:33:21.840
<v Speaker 3>She's like, Bunny's been through a lot more than even

1:33:21.880 --> 1:33:25.200
<v Speaker 3>she tells, so her connecting with the song. But dude,

1:33:25.840 --> 1:33:28.720
<v Speaker 3>we see each other less, but we are communicate more.

1:33:29.320 --> 1:33:30.920
<v Speaker 3>And that's kind of the rule, is that if you're

1:33:30.920 --> 1:33:32.320
<v Speaker 3>not gonna be able to see each other and spend

1:33:32.360 --> 1:33:34.599
<v Speaker 3>time together, we got to fill in the communication blank.

1:33:35.200 --> 1:33:37.160
<v Speaker 3>So every night we'll talk for hours if we're on

1:33:37.240 --> 1:33:39.120
<v Speaker 3>the phone. If we're not together and just catch up.

1:33:40.040 --> 1:33:42.920
<v Speaker 3>We still prioritize making time for each other. It's just

1:33:43.000 --> 1:33:43.800
<v Speaker 3>important things to do.

1:33:43.960 --> 1:33:46.639
<v Speaker 1>Man, any new brand deals on the way, Hey dude,

1:33:46.680 --> 1:33:47.719
<v Speaker 1>do you see my hate dude shoe?

1:33:48.120 --> 1:33:49.880
<v Speaker 2>I did not or that with these.

1:33:50.800 --> 1:33:51.519
<v Speaker 1>These are the hate dudes.

1:33:52.800 --> 1:33:54.320
<v Speaker 3>This one was a piss dirty one because I'm wearing it.

1:33:54.360 --> 1:33:58.280
<v Speaker 3>Everyone was great, but dude, I'm sure, hey, dou won't

1:33:58.320 --> 1:34:03.200
<v Speaker 3>mind me, but you don't worry. On the inside it

1:34:03.240 --> 1:34:05.439
<v Speaker 3>says made for the beautifully broken. I mean, these are

1:34:05.600 --> 1:34:08.639
<v Speaker 3>just cool. I love Hey dudes, we wear them anyways

1:34:08.720 --> 1:34:11.920
<v Speaker 3>or it's just insanely comfortable, and uh, we did a

1:34:12.000 --> 1:34:13.640
<v Speaker 3>deal with them, but I'm sure they won't mind me

1:34:13.680 --> 1:34:15.800
<v Speaker 3>saying that we're we It wasn't a one off.

1:34:15.840 --> 1:34:17.960
<v Speaker 2>We got like we're doing a big deal with day Dude.

1:34:17.880 --> 1:34:20.519
<v Speaker 3>Like everybody who's like, we only did a very limited

1:34:20.600 --> 1:34:23.360
<v Speaker 3>drop for the album. Maybe too limited in hindsight, because

1:34:23.360 --> 1:34:24.640
<v Speaker 3>I've seen a lot of people that were upset, and

1:34:24.640 --> 1:34:26.559
<v Speaker 3>I don't like to upset people. Like I'm not trying

1:34:26.560 --> 1:34:28.720
<v Speaker 3>to be a rare drop artist. You know, I'm for

1:34:28.880 --> 1:34:30.960
<v Speaker 3>everybody all the time is how I always want to be.

1:34:31.479 --> 1:34:36.080
<v Speaker 3>But we maybe slightly under anticipated what the demand could

1:34:36.080 --> 1:34:39.000
<v Speaker 3>be too. But we also wasn't worried about it because hey,

1:34:39.080 --> 1:34:40.240
<v Speaker 3>dude and I know that we're in this for the

1:34:40.320 --> 1:34:42.320
<v Speaker 3>long haul, like we've got we've got a future together.

1:34:42.400 --> 1:34:45.080
<v Speaker 3>We're we got we got year's worth of plans together

1:34:45.160 --> 1:34:46.880
<v Speaker 3>already in motion of drops every year.

1:34:47.000 --> 1:34:47.559
<v Speaker 2>So don't worry.

1:34:47.720 --> 1:34:49.800
<v Speaker 3>It's gonna be good, man, it's probably. I mean, I

1:34:49.840 --> 1:34:51.720
<v Speaker 3>got a lot, you know. The Dunkin donut commercial was cool.

1:34:51.720 --> 1:34:52.599
<v Speaker 3>I don't have a Dunkin.

1:34:52.439 --> 1:34:54.320
<v Speaker 1>Deals tak a donut shit, it's crazy. Well, I feel

1:34:54.360 --> 1:34:56.080
<v Speaker 1>like they need to give you your own item on

1:34:56.200 --> 1:34:56.880
<v Speaker 1>the maybe.

1:34:58.600 --> 1:35:00.439
<v Speaker 2>Dunk and holler at me. Y'all know how much I

1:35:00.560 --> 1:35:03.320
<v Speaker 2>loved working with y'all. It was an absolute ball.

1:35:03.760 --> 1:35:04.840
<v Speaker 1>Or a McDonald's meal.

1:35:05.160 --> 1:35:07.680
<v Speaker 2>Yeah, oh listen, you can have your own McDonald's. Oh

1:35:07.800 --> 1:35:08.320
<v Speaker 2>that's a big one.

1:35:08.320 --> 1:35:08.639
<v Speaker 1>You remember.

1:35:08.640 --> 1:35:10.519
<v Speaker 2>I remember when Travis gott got his first McDonald mill.

1:35:10.520 --> 1:35:13.160
<v Speaker 2>I was like, get out of kas just dropped the

1:35:13.200 --> 1:35:15.160
<v Speaker 2>flame sent you, I know, and did it with John

1:35:15.280 --> 1:35:17.960
<v Speaker 2>Cena talking about a big flex. Nobody's bigger than him.

1:35:18.000 --> 1:35:19.360
<v Speaker 1>He had John con to come to his house.

1:35:19.520 --> 1:35:21.639
<v Speaker 2>Dude, come on, what would be that's the only way

1:35:21.720 --> 1:35:24.080
<v Speaker 2>you go to kind do that is fair? He's the king.

1:35:24.479 --> 1:35:25.760
<v Speaker 1>I would you guys talk to me?

1:35:26.160 --> 1:35:26.880
<v Speaker 2>No, please intro.

1:35:28.680 --> 1:35:29.280
<v Speaker 1>I don't know him.

1:35:29.560 --> 1:35:30.559
<v Speaker 2>Oh I want to know him.

1:35:30.600 --> 1:35:31.439
<v Speaker 1>So he's so funny.

1:35:31.640 --> 1:35:33.679
<v Speaker 2>I think he's hilarious. Dude. I know Aiden. I talked

1:35:33.720 --> 1:35:35.479
<v Speaker 2>to Aiden every now and then. I think he's funny too.

1:35:35.560 --> 1:35:35.720
<v Speaker 1>Man.

1:35:36.320 --> 1:35:37.760
<v Speaker 2>I love that whole stream culture. Man.

1:35:37.920 --> 1:35:40.439
<v Speaker 1>It is it's it's It's interesting because the only time

1:35:40.439 --> 1:35:42.879
<v Speaker 1>I met Aidan Ross I met him at a Dre's

1:35:42.920 --> 1:35:46.040
<v Speaker 1>I was I was there in the VIP and he

1:35:46.200 --> 1:35:48.280
<v Speaker 1>was live on the internet and I was there with

1:35:48.360 --> 1:35:51.200
<v Speaker 1>fifty seven. I was just like, ah, fuck, we're like

1:35:51.280 --> 1:35:53.600
<v Speaker 1>on the internet right now and with like hundreds of

1:35:53.640 --> 1:35:57.080
<v Speaker 1>thousands of people, and I'm fucking shroomed out, blowed all.

1:35:57.000 --> 1:35:59.760
<v Speaker 2>The way back with fifty fifty. Such a fifty fan.

1:36:00.240 --> 1:36:00.600
<v Speaker 2>What would be?

1:36:00.680 --> 1:36:02.240
<v Speaker 3>Anything happened with me and Aidan? By the way, he

1:36:02.320 --> 1:36:05.360
<v Speaker 3>was at a casino Heland. Yeah, dude, I was playing

1:36:05.400 --> 1:36:08.920
<v Speaker 3>with Exposed and Nick Nick Marks. Yeah, we were over

1:36:08.960 --> 1:36:11.799
<v Speaker 3>there gambling together and then they was like Aiden Rosses

1:36:11.840 --> 1:36:13.519
<v Speaker 3>in the other room. He once you come, say what's up?

1:36:13.560 --> 1:36:15.040
<v Speaker 3>And I walked in and said hi, just because I'm

1:36:15.040 --> 1:36:17.839
<v Speaker 3>a fan. And I looked up and of course he's gambling,

1:36:17.920 --> 1:36:20.559
<v Speaker 3>but he's you know, they're they're there's training him gambling.

1:36:20.600 --> 1:36:22.680
<v Speaker 2>I was like, oh, this is crazy. I looked up

1:36:22.720 --> 1:36:24.519
<v Speaker 2>and he was cool. He's like dub Jelly in the

1:36:24.600 --> 1:36:26.160
<v Speaker 2>chatch all and everybody gave me the dog.

1:36:26.040 --> 1:36:29.759
<v Speaker 1>Was like, oh cool, cool. Well listen dude, number one album.

1:36:29.960 --> 1:36:32.200
<v Speaker 1>Oh God Willing, Baby, God Willing. If you're watching this,

1:36:32.320 --> 1:36:37.760
<v Speaker 1>we we it's it's for sure beautifully broken. Uh. I'm

1:36:37.800 --> 1:36:38.519
<v Speaker 1>just proud of you, man.

1:36:39.479 --> 1:36:41.080
<v Speaker 2>I'm glad we do a pot. We hang a short

1:36:41.120 --> 1:36:43.040
<v Speaker 2>time with a few years.

1:36:43.120 --> 1:36:45.519
<v Speaker 3>So what about the dog? Can I wonder you don't

1:36:45.560 --> 1:36:46.960
<v Speaker 3>need one of them cameras right now. I wonder if

1:36:46.960 --> 1:36:48.680
<v Speaker 3>he can be seen just dogging out right?

1:36:49.240 --> 1:36:49.679
<v Speaker 2>He slept.

1:36:51.000 --> 1:36:54.040
<v Speaker 1>I love this dog, bust dog. Yeah, he's been the

1:36:54.280 --> 1:36:56.440
<v Speaker 1>star of your your daily.

1:36:56.680 --> 1:37:00.880
<v Speaker 2>Daily roud, He's He's the most love thing on this tour.

1:37:01.560 --> 1:37:03.280
<v Speaker 1>I'm you know, I'm not gonna lie. I'm a little

1:37:03.280 --> 1:37:05.719
<v Speaker 1>surprised there's no bus dog Merchip dude.

1:37:05.760 --> 1:37:07.320
<v Speaker 2>So we're trying to get it inflatable to put in

1:37:07.360 --> 1:37:09.400
<v Speaker 2>front of the venues for the last twenty shows. That

1:37:09.560 --> 1:37:11.120
<v Speaker 2>would be fine dog.

1:37:11.320 --> 1:37:12.559
<v Speaker 1>His fans know about their dogs.

1:37:12.720 --> 1:37:14.960
<v Speaker 2>Yeah, they love bust Dog. Yeah, bust Dog is a

1:37:14.960 --> 1:37:16.599
<v Speaker 2>big deal. Dude, he's a hit.

1:37:16.680 --> 1:37:19.160
<v Speaker 3>He was on the dunking Donald's commercial. That's the more

1:37:19.240 --> 1:37:20.320
<v Speaker 3>they knocked on the door earlier.

1:37:20.600 --> 1:37:22.599
<v Speaker 2>He was bringing some men for the Bust Dog. Oh oh,

1:37:22.680 --> 1:37:24.519
<v Speaker 2>that's a Bustdog gift. He gets way more in the

1:37:24.560 --> 1:37:25.200
<v Speaker 2>Tiffany bag.

1:37:25.600 --> 1:37:27.839
<v Speaker 1>Wow, that's crazy.

1:37:28.160 --> 1:37:29.000
<v Speaker 2>We don't know what's in there.

1:37:29.120 --> 1:37:31.160
<v Speaker 1>Well listen, man, I'm super fucking proud of you, man,

1:37:31.200 --> 1:37:35.120
<v Speaker 1>I'm happy for you. Congrats on everything. You deserve it all, brother,

1:37:35.479 --> 1:37:35.960
<v Speaker 1>Thank you brother.

1:37:36.080 --> 1:37:38.479
<v Speaker 3>Halfway through the tour, yes, sir, halfway through twenty something

1:37:38.479 --> 1:37:39.400
<v Speaker 3>shows left twenty six.

1:37:39.520 --> 1:37:41.639
<v Speaker 1>If you're watching this, and I will say this, man,

1:37:41.760 --> 1:37:42.800
<v Speaker 1>best best show of the year.

1:37:43.160 --> 1:37:45.000
<v Speaker 2>Who come see it, baby, Yes, sir.

1:37:45.360 --> 1:37:45.880
<v Speaker 1>Jelly Row