WEBVTT - No Strings

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<v Speaker 1>As a dad actor produced for an activist. My schedule

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<v Speaker 1>it's Mala adiosa co hosts of Locata Radio. Listen. Life

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<v Speaker 1>Proud partner of Michael Tura Podcast Network. Okay, okay, thank you,

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<v Speaker 1>please help me welcome Grammy nominated artists Addelina Pass to

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<v Speaker 1>our studio. Than thank you. Thank you so much for

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<v Speaker 1>having me. Thank you for waking absolute early. I know

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<v Speaker 1>you music folks aren't really morning folks, that's true. Yeah. So, Adelita,

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<v Speaker 1>how does it feel to finally be nominated again fifteen

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<v Speaker 1>years after your first nomination? This time it's even better

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<v Speaker 1>because I got nominated with my husband, That's right. Congratulations

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<v Speaker 1>to him as well. You know, it is always an honor,

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<v Speaker 1>it's it was exciting back then and it is exciting now,

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<v Speaker 1>but I appreciate it so much more this time. I

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<v Speaker 1>hope you know how proud we all are in the

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<v Speaker 1>Hanno world. Hi, gracias. Thank you so much. Me gracias

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<v Speaker 1>to all the fans and to you and to all

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<v Speaker 1>the Hanno radio stations that I've been playing my music

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<v Speaker 1>and supporting me through all these years. Are you coming

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<v Speaker 1>what I think you are? Hey? Yeah, hey, your own

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<v Speaker 1>you finish the scratch track to No Strings? Yeah? I did.

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<v Speaker 1>Let's call wisdom. I can't wait for you to hear it. Yeah,

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<v Speaker 1>I hope. Do you think my mom heard? No, no, no

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<v Speaker 1>no way. Besides, she would have no idea what I

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<v Speaker 1>was on me. Okay, but I guess the listening party

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<v Speaker 1>between us, We'll have to wait. I told you you

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<v Speaker 1>should have never given her a setic keys. We're all

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<v Speaker 1>in the kitchen. Oh, let me huh Hey Mom, Rodrigo, Hi,

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<v Speaker 1>I heard the interviews went great and that you had

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<v Speaker 1>over one hundred people show up outside the radio station,

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<v Speaker 1>at the radio station and at the TV station. Amazing. Yeah,

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<v Speaker 1>we're about to have dinner. Would you like to join us? Guardman,

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<v Speaker 1>I already ate, but thank you. Okay, just dropping off

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<v Speaker 1>some products that arrived for you, Adelita. What products you

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<v Speaker 1>know brand's wanting you to wear their dress jewelry or

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<v Speaker 1>cowboy hats to the Grammys. I put the two boxes

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<v Speaker 1>in the living room. Two boxes. Wow, don't worry. You

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<v Speaker 1>don't have to wear any of it. Just consider it,

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<v Speaker 1>but keep in mind that it could lead to an

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<v Speaker 1>endorsement deal. Oh okay, Oh, before I go, Marcos wanted

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<v Speaker 1>me to call him when I got here. He wants

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<v Speaker 1>to talk to you guys. Is that okay? Sure of course, Marcos.

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<v Speaker 1>I'm here with Adelita Rodrigo. You're on speaker phone. Hey,

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<v Speaker 1>you two, I'm so sorry for the late congratulations. Hey,

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<v Speaker 1>how was Europe? Is that anybody interesting? Two artists? Actually?

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<v Speaker 1>But how are you doing? How does it feel to

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<v Speaker 1>have not one, but two Grammy nominations? Excited, grateful, overwhelmed.

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<v Speaker 1>You preserve it, you coul Rodrigo. It's long overdue. Marcos,

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<v Speaker 1>I appreciate it. It'd be great having both of you

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<v Speaker 1>here in LA for a few days. Yeah, you're feeling

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<v Speaker 1>about the Grammys this year. So I'll see you guys

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<v Speaker 1>in a couple of weeks. Yeah, yeah, I can't wait. Marcos,

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<v Speaker 1>I'll call you later. Bye. Yeah, this is also exciting.

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<v Speaker 1>We'll need the perfect outfits. Okay. Well, you know that

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<v Speaker 1>even if I win, no one will ever see the outfit.

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<v Speaker 1>Right as usual, our category we'll be announced during the

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<v Speaker 1>pre show. I had Alita, no Sasa. They're still press

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<v Speaker 1>and the red carpet. All right, all right, we'll get

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<v Speaker 1>dresses made for both of us. Now that's the spirit, mihaw.

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<v Speaker 1>Do you remember your first Grammy dress? Oh? How could

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<v Speaker 1>I forget? It was my dress? The thing was so

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<v Speaker 1>puffy we had to take out. I didn't know how

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<v Speaker 1>long your streak would last, so I wanted to save

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<v Speaker 1>our pennies just in case. Besides, you're only sixteen and

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<v Speaker 1>it's still fit. You look adorable. Things have changed, right, yeah, okay,

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<v Speaker 1>I'm going now that most And to think that just

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<v Speaker 1>last week you were talking about taking a break and

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<v Speaker 1>leave at the handle behind so crazy. Right, I'll call

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<v Speaker 1>Wada and make an appointment for the feelings. M okay, bye,

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<v Speaker 1>good bye. You saw what she did there. I know

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<v Speaker 1>she literally dismissed everything I talked to her about. Oh,

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<v Speaker 1>I can't wait to talk to Wisdom about my idea.

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<v Speaker 1>He said he's getting back from New York tomorrow. He

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<v Speaker 1>had to move all his things out of her penthouse. Right,

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<v Speaker 1>two years worth of stuff in a week. Poor guy.

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<v Speaker 1>Come on, let's call him and tell him we want

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<v Speaker 1>to come by tomorrow. Yeah, I don't know. We should

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<v Speaker 1>probably give him a few days a seven. Well, maybe

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<v Speaker 1>he'll appreciate having something else to occupy his mind. Besides,

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<v Speaker 1>I don't want him to commit to someone else before

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<v Speaker 1>I've had a chance to make my case. Come on, yeah,

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<v Speaker 1>all right, I'll call him now. Hey, whiz Yo was good? Rogo?

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<v Speaker 1>How are you doing? Brothers? I mean the radio put

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<v Speaker 1>me on blast. Don't pay attention to that, Okay, And

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<v Speaker 1>that's easy to say when you've been with your soul

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<v Speaker 1>may Since you're twenty, you still have plenty of time

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<v Speaker 1>to find yours. I thought I had. Yeah, I'm really

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<v Speaker 1>sorry about that. What time do you get back tomorrow?

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<v Speaker 1>Late afternoon? Is it okay to stop by? We had

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<v Speaker 1>an idea for the Grammys? We wanted to discuss. We

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<v Speaker 1>had an idea. Huh, I'm intrigued, you know what? Yeah? Yeah, yeah, sure, man,

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<v Speaker 1>just come by anytime after before? Thank you? Right him.

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<v Speaker 1>As a dad, actor, producer, and activists, my schedule fills

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<v Speaker 1>up fast, and as we all know, life can be unpredictable.

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<v Speaker 1>That's why good help is always welcome. Like when your

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<v Speaker 1>friend offers you those important words of advice, or when

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<v Speaker 1>your mom makes your favorite food just because it's holding

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<v Speaker 1>He'll forget about the video game you gave him on

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<v Speaker 1>I went to wistoms house the next day as planned.

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<v Speaker 1>Going there was always fun. His house was like something

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<v Speaker 1>out of MTV cribs. A security gate that opened up

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<v Speaker 1>to a massive fountain in the front yard, indoor and

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<v Speaker 1>outdoor pools, a full length basketball court, a game room,

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<v Speaker 1>fifteen bedrooms, and a kitchen that would make any chef jealous.

0:11:20.080 --> 0:11:23.280
<v Speaker 1>I mean, Wisdom did not spend money on designer brands,

0:11:23.320 --> 0:11:27.240
<v Speaker 1>but he knew the value of good real estate. Nobody

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<v Speaker 1>in the the Hannah world and nobody else in in Basso,

0:11:30.800 --> 0:11:34.040
<v Speaker 1>Texas had a home like this. His money was like

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<v Speaker 1>on a whole other level. My man rids. Good to

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<v Speaker 1>see you, mane, it's good to see you. Come on,

0:11:48.720 --> 0:11:51.040
<v Speaker 1>they get some snacks and drinks, this already in the studio.

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<v Speaker 1>Just just take whatever you need, all right, Ah, you've

0:11:53.320 --> 0:11:56.000
<v Speaker 1>always got the good snacks. You go, come on, man,

0:11:56.080 --> 0:12:02.319
<v Speaker 1>let's go. Sometimes sometimes when you ask friends, that's when

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<v Speaker 1>you get more confused. Oh yeah, a little bit, oh,

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<v Speaker 1>a little bit. If you say, yeah, okay, this is

0:12:10.480 --> 0:12:15.960
<v Speaker 1>your version of no Strings with Saya. More than that

0:12:21.160 --> 0:12:30.240
<v Speaker 1>we got no yeah, yeah, right, what are you thinking

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<v Speaker 1>I should would change the lyrics and make it a

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<v Speaker 1>solo because honestly, I feel like the duet is what

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<v Speaker 1>makes it fire. Oh no, it has to stay a duet. Okay, okay, okay.

0:12:39.679 --> 0:12:44.280
<v Speaker 1>So here's my idea. Okay, what if I sing Zoya

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<v Speaker 1>as part of the Grammys. I'm sorry, I'm sorry, but

0:12:48.920 --> 0:12:52.720
<v Speaker 1>you sing R and B Adelite, They're like no, but

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<v Speaker 1>I think that's what's gonna make the performance fresh and surprising. Okay,

0:12:57.520 --> 0:13:00.320
<v Speaker 1>let me explain. I took the original song and gave

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<v Speaker 1>it a whole new twist, combining your sound with Latin

0:13:03.320 --> 0:13:07.160
<v Speaker 1>rhythms to fit Adelita's voice. M okay, okay, so you

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<v Speaker 1>mean uh to hollo that voice? Yeah, because Adelita, I'm

0:13:11.360 --> 0:13:13.600
<v Speaker 1>not sure that hip hop makes as well with you know,

0:13:13.720 --> 0:13:16.240
<v Speaker 1>your sound, like what you doing all that, it won't

0:13:16.280 --> 0:13:20.120
<v Speaker 1>be the handle. I'm done with the handle since when

0:13:21.360 --> 0:13:24.360
<v Speaker 1>I'll explain later, Let let l go just show you

0:13:24.440 --> 0:14:06.720
<v Speaker 1>what we mean. M okay, m yeah, okay, that's what

0:14:06.800 --> 0:14:09.440
<v Speaker 1>we have right now. But you get the picture. What

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<v Speaker 1>do you think? Honestly, I'm shook because Dash it is

0:14:15.600 --> 0:14:21.920
<v Speaker 1>fucking dope out. So you're in? Am I in? Now? Yeah? Man,

0:14:22.000 --> 0:14:27.040
<v Speaker 1>let's let's do this. Man, yes, yes, But the only

0:14:27.080 --> 0:14:29.960
<v Speaker 1>thing is we have to keep this a sequel. What

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<v Speaker 1>you mean why? Because neither my mom nor the label

0:14:33.720 --> 0:14:36.840
<v Speaker 1>want me to transition out of the Hanno music, and

0:14:36.960 --> 0:14:40.000
<v Speaker 1>I want to prove to them that they're wrong. See

0:14:41.400 --> 0:14:44.000
<v Speaker 1>my secret performance. It will be better anyway, as the

0:14:44.040 --> 0:14:45.960
<v Speaker 1>elite that can begin to shift out of the techano

0:14:46.000 --> 0:14:48.320
<v Speaker 1>world without freaking her label out. And you can create

0:14:48.360 --> 0:14:50.640
<v Speaker 1>a lot of buzz by keeping Zoya's replacement a secret.

0:14:51.320 --> 0:14:53.360
<v Speaker 1>Just picture her face when she sees an elite that

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<v Speaker 1>take the stage. Heyn Man, that's cold even for you, man,

0:14:57.440 --> 0:15:00.560
<v Speaker 1>for real, But but but but hold on and then again,

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<v Speaker 1>I'm telling you this could be one of them epic

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<v Speaker 1>Grammy moments. You feel me? That's the idea, all right, right,

0:15:06.720 --> 0:15:09.240
<v Speaker 1>But before we do anything, it is your mother ever

0:15:09.280 --> 0:15:11.520
<v Speaker 1>gonna like talk to me again? Like what's up? Man?

0:15:12.400 --> 0:15:15.920
<v Speaker 1>I'm not even sure she'll ever talk to me again. Yeah,

0:15:16.280 --> 0:15:17.840
<v Speaker 1>all right, you know what, I guess if you if

0:15:17.840 --> 0:15:21.800
<v Speaker 1>you willing to take the risk, then I should too, right, right,

0:15:21.560 --> 0:15:24.640
<v Speaker 1>right right? Yo? Uh, play that track one more time.

0:15:24.800 --> 0:15:26.960
<v Speaker 1>I got some ideas percolating right now, so let's let's

0:15:26.960 --> 0:15:31.800
<v Speaker 1>get it down while we got it. Sure, come on,

0:15:31.880 --> 0:16:04.760
<v Speaker 1>hurry up, play that. Yeah. If you're enjoying Adelita Changing

0:16:04.800 --> 0:16:08.480
<v Speaker 1>the Key, please subscribe, rate, and review our show wherever

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<v Speaker 1>you're listening. Adelita Changing the Key is a production of

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<v Speaker 1>Sonoro in partnership with Rhearts Michael Tura Edward, created and

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<v Speaker 1>written by li Jia Vijalobos. Produced by Luisa Duardo, Castillo,

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<v Speaker 1>Grinza Chaires and Bettina Lopez Mendoza. Directed by Javier Perrazza.

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<v Speaker 1>Dayangerero and li Jiavianoos. This episode written by Helen Jencer

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<v Speaker 1>and Lijiavilovos, with help from Daniela Sarkis, Bettina Lopez, Rodrigo Bravo,

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<v Speaker 1>Querensa Chaidis, Christian Hatar and Nick Milanez. Original songs by

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<v Speaker 1>Laura Cruz, Ector Fernandez, Shan Metta, Miranda Johnson and playsm

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