WEBVTT - 100: Spring Break Forever

0:00:00.080 --> 0:00:06.400
<v Speaker 1>Yeah, Welcome to Nightcall, a production of I Heart Radio.

0:00:10.240 --> 0:00:14.120
<v Speaker 1>It's ten forty nine pm in Tanama City Beach, Florida,

0:00:14.520 --> 0:00:34.479
<v Speaker 1>and you're listening to Nightcall. Hello, and welcome back to

0:00:34.640 --> 0:00:36.839
<v Speaker 1>Night Call, a call in show about our sci fi

0:00:36.960 --> 0:00:40.600
<v Speaker 1>reality for your strange days and lonely nights. I'm Tess Lynch.

0:00:40.680 --> 0:00:43.599
<v Speaker 1>I'm in Los Angeles and with me are Emily Oshida

0:00:43.760 --> 0:00:48.320
<v Speaker 1>and Lambert. This month's theme is spring Break, and tonight

0:00:48.360 --> 0:00:51.360
<v Speaker 1>we'll be talking about the movie spring Breakers, as well

0:00:51.400 --> 0:00:54.280
<v Speaker 1>as taking calls from listeners with our special guest, Samara Bank.

0:00:54.760 --> 0:00:58.240
<v Speaker 1>Samara is a speech coach who's worked on campaign trail

0:00:58.320 --> 0:01:01.640
<v Speaker 1>stump speeches, awards shows, and you and addresses, and as

0:01:01.640 --> 0:01:04.360
<v Speaker 1>a dialect coach on TV and film sets. Her new

0:01:04.400 --> 0:01:07.360
<v Speaker 1>show on I Heart Radio, Permission to Speak, welcomes guests

0:01:07.440 --> 0:01:10.560
<v Speaker 1>ranging from actors to activists, exploring the question of what

0:01:10.640 --> 0:01:14.920
<v Speaker 1>defines a powerful voice and what that means today. Hi, Samarah, Hello,

0:01:15.120 --> 0:01:17.800
<v Speaker 1>Welcome to Nichol. What if that's how I sounded? Hello,

0:01:18.800 --> 0:01:25.319
<v Speaker 1>this is fire, this is I'm not dr. I mean,

0:01:25.480 --> 0:01:27.600
<v Speaker 1>you know you're in the podcast industry now you have

0:01:27.680 --> 0:01:31.600
<v Speaker 1>to do a radio voice. I've actually been like very

0:01:31.720 --> 0:01:34.440
<v Speaker 1>very curious about that. Yeah, because I'm trying to not

0:01:34.480 --> 0:01:36.920
<v Speaker 1>just fall into some sort of like hackey thing that

0:01:36.959 --> 0:01:39.319
<v Speaker 1>we all grew up with. It comes very naturally to

0:01:39.400 --> 0:01:41.000
<v Speaker 1>some people. I'm always impressed and I go on to

0:01:41.080 --> 0:01:44.360
<v Speaker 1>somebody else's podcast and they have their podcast voice down,

0:01:44.400 --> 0:01:48.240
<v Speaker 1>I'm like, I want one of those. I would I

0:01:48.240 --> 0:01:50.640
<v Speaker 1>would almost argue the opposite that, like, the whole point

0:01:50.680 --> 0:01:52.600
<v Speaker 1>is that we should sound the same as we do.

0:01:52.640 --> 0:01:56.200
<v Speaker 1>All right, we're just hanging out with our friends. My

0:01:56.280 --> 0:01:58.080
<v Speaker 1>dad was a DJ, and people would always be like,

0:01:58.160 --> 0:02:00.480
<v Speaker 1>do your DJ voice, and you'd be like, I'm doing it.

0:02:02.880 --> 0:02:07.000
<v Speaker 1>That's the dream. Yeah, I like a conversational podcast, as

0:02:07.080 --> 0:02:10.240
<v Speaker 1>you can tell. I used to get so many complaints

0:02:10.280 --> 0:02:11.880
<v Speaker 1>and I used to be a DJ at Kicks Tell

0:02:11.960 --> 0:02:14.240
<v Speaker 1>You because I would just sound like so checked out,

0:02:14.480 --> 0:02:16.000
<v Speaker 1>Like I would just sound because it was two in

0:02:16.040 --> 0:02:19.920
<v Speaker 1>the morning. These kicks now you have to be like,

0:02:20.160 --> 0:02:25.959
<v Speaker 1>UM just played some um filling the blank of a ball.

0:02:26.240 --> 0:02:29.200
<v Speaker 1>My favorite is the is the teenage boy with the

0:02:29.280 --> 0:02:31.519
<v Speaker 1>voice cracking on Kicks Tell You where It's it's like

0:02:31.560 --> 0:02:35.120
<v Speaker 1>a little like late so actually just sent us a

0:02:35.160 --> 0:02:38.480
<v Speaker 1>little message about show that is on Kicks Sell You

0:02:38.760 --> 0:02:42.800
<v Speaker 1>that is about mushrooms and music. Oh awesome. There's been

0:02:42.840 --> 0:02:45.960
<v Speaker 1>a lot of long running like psychedelia type shows on

0:02:46.080 --> 0:02:48.519
<v Speaker 1>there that I've been around since I was on It's

0:02:48.560 --> 0:02:51.400
<v Speaker 1>for those who don't know. Kicks Tell You is basically

0:02:51.480 --> 0:02:54.560
<v Speaker 1>the college radio station of Los Angeles because the other

0:02:54.560 --> 0:02:57.920
<v Speaker 1>college radio stations are like MPR stations, um, but Kicks

0:02:57.960 --> 0:02:59.960
<v Speaker 1>Tell You is the true like spirit of college RD

0:03:00.240 --> 0:03:03.160
<v Speaker 1>that we have here in Los Angeles and at Nightcall.

0:03:05.360 --> 0:03:07.239
<v Speaker 1>Have you ever listened? No, I've never heard of it

0:03:07.320 --> 0:03:10.000
<v Speaker 1>until this one. I was glad for your never heard

0:03:11.000 --> 0:03:13.400
<v Speaker 1>until like a year and a half ago, and everyone

0:03:13.440 --> 0:03:15.080
<v Speaker 1>was like, yes, of course, cakes all you and I

0:03:15.120 --> 0:03:17.400
<v Speaker 1>was like, right, I've only lived here for most of

0:03:17.440 --> 0:03:21.160
<v Speaker 1>my life and had no idea this exists all the

0:03:21.200 --> 0:03:24.160
<v Speaker 1>way on the left. The spirit, the spirit of college

0:03:24.240 --> 0:03:29.320
<v Speaker 1>radio kicks here on Nightcall, the spirit of spring break

0:03:29.400 --> 0:03:33.399
<v Speaker 1>is alive for March. Uh. We're not getting brought down

0:03:33.440 --> 0:03:38.200
<v Speaker 1>by no coronavirus. We're gonna talking about the coronavirus as

0:03:38.240 --> 0:03:43.040
<v Speaker 1>it is an appropriately post apocalyptic nightcall type topic. But

0:03:43.360 --> 0:03:45.840
<v Speaker 1>Emily is wearing like a very nice tropical shirt today.

0:03:46.960 --> 0:03:51.720
<v Speaker 1>Test is wearing like some some cheetahs. The cheetahs. I

0:03:51.800 --> 0:03:54.440
<v Speaker 1>got some I got some cut offs. Yeah, you go. Shirt.

0:03:54.520 --> 0:03:56.560
<v Speaker 1>It feels like spring. I have a tank top. Well,

0:03:56.560 --> 0:03:58.680
<v Speaker 1>it feels like spring outside. Right now I have like

0:03:58.720 --> 0:04:00.880
<v Speaker 1>a new burst of energy because it actually feels a

0:04:00.920 --> 0:04:03.600
<v Speaker 1>little summary. I'm worried about the weather. I don't like

0:04:03.640 --> 0:04:06.040
<v Speaker 1>this weather. It's too hot. It went from being cold

0:04:06.240 --> 0:04:09.880
<v Speaker 1>too hot. It's like eighties six right now it's too hot,

0:04:09.880 --> 0:04:13.720
<v Speaker 1>too soon. Apocalyptic. Yeah, it's like someone just turned a Swiss.

0:04:13.720 --> 0:04:15.800
<v Speaker 1>That's how it is in Los Angeles. But it's like

0:04:15.960 --> 0:04:21.840
<v Speaker 1>disease germinating story. I think Richard rush Field said something

0:04:22.160 --> 0:04:29.719
<v Speaker 1>point pandemic weathers, pandemic season in Los Angeles. Well, before

0:04:29.839 --> 0:04:33.200
<v Speaker 1>we get into pandemics, let's take a quick nightcall. Last

0:04:33.240 --> 0:04:36.760
<v Speaker 1>week we covered um wellness and this kind of bridges.

0:04:36.880 --> 0:04:40.600
<v Speaker 1>This was a nightcall coming from Linda. Hey, I am

0:04:40.640 --> 0:04:43.200
<v Speaker 1>halfway through your latest podcast where y'all are discussing the

0:04:43.200 --> 0:04:46.000
<v Speaker 1>film Cocoon in relation to wellness. I immediately thought you

0:04:46.000 --> 0:04:50.000
<v Speaker 1>were going to introduce the comedy drama The Road to Wellville.

0:04:50.200 --> 0:04:52.840
<v Speaker 1>It's all about creepy wellness slash scams and has an

0:04:52.839 --> 0:04:55.840
<v Speaker 1>all star nineties cast. We should do that movie for

0:04:55.880 --> 0:04:57.960
<v Speaker 1>the Movie Club because I've never seen any there, none

0:04:57.960 --> 0:04:59.920
<v Speaker 1>of us have. So it doesn't get very good reviews.

0:05:00.080 --> 0:05:02.960
<v Speaker 1>It's loosely based I think on John Harvey Kellogg, the

0:05:03.080 --> 0:05:06.839
<v Speaker 1>Kellogg serial guy, isn't the night called Protocol? Doesn't get

0:05:06.960 --> 0:05:10.520
<v Speaker 1>very good reviews, but sounds very strange. Well, later we're

0:05:10.560 --> 0:05:14.200
<v Speaker 1>talking about spring Breakers, which I forgot didn't get great reviews.

0:05:14.320 --> 0:05:17.919
<v Speaker 1>Is that true? I think, well, it got like a

0:05:18.000 --> 0:05:21.320
<v Speaker 1>fifty six percent. I think just make didn't it make

0:05:21.360 --> 0:05:22.920
<v Speaker 1>a lot of money? It made a ton of money.

0:05:22.920 --> 0:05:24.479
<v Speaker 1>I think we can talk about this later, but I

0:05:24.480 --> 0:05:26.280
<v Speaker 1>think it really did Mark Attorney and point both in

0:05:26.360 --> 0:05:31.200
<v Speaker 1>terms of film and film criticism. Yeah, criticism was intense.

0:05:32.240 --> 0:05:34.200
<v Speaker 1>People didn't know it. Yeah, yeah, there were a lot

0:05:34.200 --> 0:05:39.680
<v Speaker 1>of think yeah. Um. But with John Harvey Kellogg, like

0:05:39.760 --> 0:05:42.440
<v Speaker 1>he is kind of this example. I think of somebody

0:05:42.440 --> 0:05:44.640
<v Speaker 1>who got rich off of something, in this case cereal,

0:05:44.680 --> 0:05:47.800
<v Speaker 1>and then went down a path of one pre date

0:05:47.880 --> 0:05:51.440
<v Speaker 1>the other. He had a really just very strange, like

0:05:51.560 --> 0:05:54.000
<v Speaker 1>childhoo an upbringing. He came from a very religious family.

0:05:54.040 --> 0:05:57.599
<v Speaker 1>I believe they were preppers um. And at some point

0:05:57.640 --> 0:06:00.200
<v Speaker 1>he he was a doctor. He ran a sanitary him

0:06:00.200 --> 0:06:03.480
<v Speaker 1>like he did a lot of good stuff in his life. Um,

0:06:03.520 --> 0:06:06.080
<v Speaker 1>he was an early adopter of the clean living movement.

0:06:06.240 --> 0:06:11.080
<v Speaker 1>No smoking, no drinking, just crea which, by the way,

0:06:11.080 --> 0:06:13.440
<v Speaker 1>you can prep really well. Oh that's the thing is

0:06:13.480 --> 0:06:16.280
<v Speaker 1>it's like you, it's a shelf stable thing unless you

0:06:16.320 --> 0:06:19.719
<v Speaker 1>get cereal moss very serious cereal moss um. But he

0:06:19.800 --> 0:06:22.400
<v Speaker 1>was on the colony. Yeah, he was very he was

0:06:22.440 --> 0:06:24.440
<v Speaker 1>like your gut flora. He was one of the first

0:06:24.440 --> 0:06:27.719
<v Speaker 1>people who knew about Governor was an anti masturbation act. Well,

0:06:27.800 --> 0:06:30.880
<v Speaker 1>that's the thing. So besides like inventing peanut butter, he

0:06:30.960 --> 0:06:34.160
<v Speaker 1>was also like if you masturbate, you're like you're just

0:06:34.240 --> 0:06:37.840
<v Speaker 1>destroying or related to the Graham crackers, Yes, it is.

0:06:38.320 --> 0:06:41.320
<v Speaker 1>It's all of the cereal products along with Graham crackers.

0:06:41.320 --> 0:06:46.599
<v Speaker 1>We're supposed to be anti masturbation tools and also yeah tools,

0:06:47.360 --> 0:06:51.680
<v Speaker 1>they're so delicious. Never want to drop off again if

0:06:51.720 --> 0:06:54.360
<v Speaker 1>you're Yeah, I think it's all part of just eating

0:06:54.400 --> 0:06:58.360
<v Speaker 1>like a plain cardboardy diet was supposed to suppress. It's

0:06:58.440 --> 0:07:02.840
<v Speaker 1>very pitic. Yeah, like if we just eat like wheat paste,

0:07:02.960 --> 0:07:08.440
<v Speaker 1>like the opposite of an oyster. How is this graham crime?

0:07:09.440 --> 0:07:13.680
<v Speaker 1>What is the blandest food yeah, the most like, yeah,

0:07:13.680 --> 0:07:17.720
<v Speaker 1>a depressionaire, although this is pre depressionaire. Yeah, this is

0:07:17.760 --> 0:07:20.480
<v Speaker 1>like healthy. Try it also to be like Bland food is,

0:07:20.520 --> 0:07:24.280
<v Speaker 1>but it's sugary. That's not healthy. Corn flakes, Yeah, that's

0:07:24.320 --> 0:07:29.160
<v Speaker 1>frosted flakes. But Graham crackers are sugary. Graham crackers are

0:07:29.160 --> 0:07:33.200
<v Speaker 1>delicious recipe. That's true. It could have been like the

0:07:33.280 --> 0:07:37.640
<v Speaker 1>bad Graham Bland. It happens in the movie. That's a

0:07:37.680 --> 0:07:41.520
<v Speaker 1>good question. I have a conspiracy theory. Yeah, is that

0:07:41.560 --> 0:07:48.680
<v Speaker 1>why they give s'mores to Scouts? Oh that's very extra man.

0:07:49.200 --> 0:07:54.760
<v Speaker 1>But then there's goo. Yeah, the chocolate completely. Grands can

0:07:54.800 --> 0:07:57.840
<v Speaker 1>pass over. You make a sandwich with the crackers and

0:07:58.000 --> 0:08:00.640
<v Speaker 1>like the bitter thing and the sweet thing. But it's

0:08:00.680 --> 0:08:03.520
<v Speaker 1>all to be like here's what you have to repress

0:08:03.960 --> 0:08:07.920
<v Speaker 1>your feeling. Right about this, I really really appreciate that analogy.

0:08:08.640 --> 0:08:11.400
<v Speaker 1>I see you with us. You keep it all in

0:08:11.480 --> 0:08:15.000
<v Speaker 1>with the Bland crackers on the outside of the land, like,

0:08:15.080 --> 0:08:18.240
<v Speaker 1>don't enjoy life too much. I would love to put

0:08:18.240 --> 0:08:20.840
<v Speaker 1>together a program of wellness themed movies. It seems like

0:08:20.880 --> 0:08:22.920
<v Speaker 1>there are more of them than we previously. We just

0:08:23.000 --> 0:08:27.240
<v Speaker 1>hit on. Yeah, I think wellness and doomsday cult is

0:08:27.280 --> 0:08:31.320
<v Speaker 1>the ven diagram of nightcall, so it seems like that

0:08:31.360 --> 0:08:35.520
<v Speaker 1>would fit right in tomorrow. What are your thoughts on wellness? Um?

0:08:36.040 --> 0:08:39.560
<v Speaker 1>I feel like it can be exploited way too easily,

0:08:40.240 --> 0:08:43.160
<v Speaker 1>um and turned into something to just make people feel

0:08:43.160 --> 0:08:47.080
<v Speaker 1>like they're doing another thing wrong. Yeah, guilt mechanism. And

0:08:47.160 --> 0:08:49.840
<v Speaker 1>on the other hand, if by wellness we don't mean

0:08:49.840 --> 0:08:53.440
<v Speaker 1>the corrupted form, then I think we can see it

0:08:53.480 --> 0:08:55.880
<v Speaker 1>as a call to arms. I'm like literally thinking about

0:08:55.880 --> 0:08:58.160
<v Speaker 1>Audre Lord right now. It can be a call to

0:08:58.320 --> 0:09:01.160
<v Speaker 1>arms about the kind of self care that actually is

0:09:01.200 --> 0:09:02.880
<v Speaker 1>like being in touch with your body and remembering that

0:09:02.880 --> 0:09:06.079
<v Speaker 1>your body is where all your best decisions get made.

0:09:06.760 --> 0:09:10.840
<v Speaker 1>And so yeah, I think it's a complicated, Uh, it is.

0:09:10.920 --> 0:09:13.280
<v Speaker 1>It's interesting. It was interesting to talk to January. She

0:09:13.280 --> 0:09:15.840
<v Speaker 1>she had a lot of opinions about Goop and Gwyneth

0:09:15.840 --> 0:09:18.959
<v Speaker 1>Paltrow that I feel like, I now, I'm like, I'm like, oh,

0:09:19.000 --> 0:09:20.600
<v Speaker 1>I don't know, I don't, I don't. I think I

0:09:20.640 --> 0:09:22.560
<v Speaker 1>have to take back every nice thing I ever said

0:09:22.600 --> 0:09:25.800
<v Speaker 1>about about Goop. She made a strong case, but I mean,

0:09:25.880 --> 0:09:28.760
<v Speaker 1>I thought that was fascinating because she did sort of

0:09:28.800 --> 0:09:30.679
<v Speaker 1>be like she can do all that other stuff just

0:09:30.760 --> 0:09:33.400
<v Speaker 1>don't sell, just don't sell. But I saw the skill.

0:09:33.800 --> 0:09:37.640
<v Speaker 1>I did see something also on the go Instagram that

0:09:37.760 --> 0:09:40.880
<v Speaker 1>was like a makeup free dinner, which is, I believe

0:09:40.880 --> 0:09:43.440
<v Speaker 1>a concept I first saw in the Real Housewives of Atlanta.

0:09:43.800 --> 0:09:45.840
<v Speaker 1>But I was like, that's only those things time. I'm

0:09:45.840 --> 0:09:48.199
<v Speaker 1>just like, what is this accomplished? Like you're going to

0:09:48.320 --> 0:09:51.280
<v Speaker 1>feel better about how you look without makeup because you're

0:09:51.280 --> 0:09:54.400
<v Speaker 1>like around other people. It's just like, I don't know,

0:09:55.240 --> 0:09:57.080
<v Speaker 1>it feels it seems like the whole thing could be

0:09:57.120 --> 0:10:00.080
<v Speaker 1>so easily destroyed if just one person cheated a I

0:10:00.120 --> 0:10:05.520
<v Speaker 1>need it. That's what happened. MAP believe that's what happened

0:10:05.520 --> 0:10:08.800
<v Speaker 1>on Real Housewives of Atlanta. They were like, you're wearing concealer.

0:10:08.920 --> 0:10:11.640
<v Speaker 1>Like I can tell um some of these people were

0:10:11.679 --> 0:10:14.640
<v Speaker 1>probably wearing a concealer. But yeah, I was just like,

0:10:14.679 --> 0:10:17.480
<v Speaker 1>what does this even mean? Like how does this relate

0:10:17.559 --> 0:10:21.000
<v Speaker 1>in any way to like wellness or feminism. It's just

0:10:21.120 --> 0:10:24.200
<v Speaker 1>like it made me sad. I was like, You've gone

0:10:24.240 --> 0:10:28.800
<v Speaker 1>your whole life feeling uncomfortable without makeup. Like Gras Paltrow

0:10:29.880 --> 0:10:32.360
<v Speaker 1>take an improv class. That's what she said, apparently on

0:10:32.400 --> 0:10:35.640
<v Speaker 1>her own podcast, that she felt bad she hadn't done

0:10:35.679 --> 0:10:39.599
<v Speaker 1>now that she was retired Danddario was posting this, he

0:10:39.679 --> 0:10:43.080
<v Speaker 1>was like, it's really sad. She's like talking to Julia

0:10:43.120 --> 0:10:45.920
<v Speaker 1>Louis Dreyfust and she's like, I really regret never taking

0:10:45.960 --> 0:10:49.839
<v Speaker 1>an improv class and now I'm retired late for me

0:10:50.200 --> 0:10:55.880
<v Speaker 1>take the improv class any selling the eggs where she

0:10:55.920 --> 0:10:58.240
<v Speaker 1>would not be able to fit into an improv class

0:11:00.080 --> 0:11:04.760
<v Speaker 1>eight one, but you maybe she made some intensive accent

0:11:04.840 --> 0:11:08.080
<v Speaker 1>training for that. That's right, that's right. I can tell

0:11:08.120 --> 0:11:10.240
<v Speaker 1>that that was what I was thinking for what she

0:11:10.240 --> 0:11:12.720
<v Speaker 1>would love that actually, because she seems like such a

0:11:12.960 --> 0:11:14.720
<v Speaker 1>type a person to where it's like she wants to

0:11:14.720 --> 0:11:17.440
<v Speaker 1>be like rewarded for being good at things. She was

0:11:17.520 --> 0:11:19.920
<v Speaker 1>like very famous for being a fake British person for

0:11:19.960 --> 0:11:24.080
<v Speaker 1>a while. Okay, she can sing, she should train with

0:11:24.120 --> 0:11:28.840
<v Speaker 1>you for My Fair Lady on Broadway? Her face? Which

0:11:28.840 --> 0:11:33.000
<v Speaker 1>sum Do you have any recollection or opinions about Gwyneth

0:11:33.000 --> 0:11:37.840
<v Speaker 1>Paltrow's famous British accent? Are you talking about um? Shakespeare

0:11:37.880 --> 0:11:41.240
<v Speaker 1>in Love? Yeah, Shakespeare Love Emma? There was okay, like

0:11:42.040 --> 0:11:45.120
<v Speaker 1>really I have a really annoying um answer to that,

0:11:45.160 --> 0:11:49.200
<v Speaker 1>which is no, um. And secondarily that there's sort of

0:11:49.240 --> 0:11:51.440
<v Speaker 1>like a thing among dialect coaches that you don't talk

0:11:51.440 --> 0:11:54.040
<v Speaker 1>about other dialect coaches work, and I'm sure she has

0:11:54.080 --> 0:11:57.560
<v Speaker 1>worked with other dialect This is like a whole world

0:11:57.640 --> 0:12:01.080
<v Speaker 1>because here's the here's the reasoning is. Just like you

0:12:01.120 --> 0:12:03.960
<v Speaker 1>know there's a gag order, because there's no gag order.

0:12:04.120 --> 0:12:06.160
<v Speaker 1>The reasoning is. And I know this from being on

0:12:06.320 --> 0:12:10.880
<v Speaker 1>sets myself. No one knows except the creatives involved, me,

0:12:11.040 --> 0:12:13.679
<v Speaker 1>the act or the creative team whatever, what story we're

0:12:13.679 --> 0:12:16.360
<v Speaker 1>actually trying to tell with the accent. So it isn't

0:12:16.360 --> 0:12:18.120
<v Speaker 1>just like there's a good accent and there's a bad accent.

0:12:18.160 --> 0:12:19.800
<v Speaker 1>It's like, who is this human being and what is she?

0:12:19.880 --> 0:12:21.960
<v Speaker 1>I mean, obviously this sounds very generous, but it is true.

0:12:22.040 --> 0:12:24.559
<v Speaker 1>Who is this human being? And what has she been through?

0:12:24.600 --> 0:12:26.360
<v Speaker 1>And how much of an accent does she have? You know,

0:12:26.440 --> 0:12:28.600
<v Speaker 1>all of us sound different from every been What about

0:12:28.640 --> 0:12:32.560
<v Speaker 1>accent coaches that are dead? Can you talk talk? I'm like,

0:12:32.600 --> 0:12:35.800
<v Speaker 1>I'm like, what's the worst accent? You want? That? Like

0:12:36.080 --> 0:12:40.840
<v Speaker 1>mean dish? I'm just say I just rewatched Mary Poppins

0:12:40.880 --> 0:12:43.720
<v Speaker 1>this weekend with my kid, and it wasn't as bad

0:12:43.760 --> 0:12:47.680
<v Speaker 1>as everybody think the original or the new one. The

0:12:47.720 --> 0:12:49.800
<v Speaker 1>original I have not yet. I have not yet dipped

0:12:49.800 --> 0:12:52.160
<v Speaker 1>my tone into I would be interested to see what

0:12:52.200 --> 0:12:55.280
<v Speaker 1>you Manel is very much not dead. Whereas I was

0:12:56.120 --> 0:12:58.640
<v Speaker 1>also said that his bad Cockney accent was like in

0:12:58.679 --> 0:13:01.280
<v Speaker 1>the spirit of Dick van Dyke bad Cockney. I would

0:13:01.360 --> 0:13:04.040
<v Speaker 1>not I would give him all the all the credits

0:13:04.480 --> 0:13:07.400
<v Speaker 1>saying that Dick van Dyke's a Cockney accent and in

0:13:07.520 --> 0:13:10.199
<v Speaker 1>Mary Poppins is so like it's something I never remember

0:13:10.280 --> 0:13:12.880
<v Speaker 1>not being exposed to. So for me, it's never been

0:13:12.960 --> 0:13:15.440
<v Speaker 1>bad because it's just like, it's what he it's what

0:13:15.520 --> 0:13:19.280
<v Speaker 1>that character said. We didn't have much of like a

0:13:19.360 --> 0:13:23.480
<v Speaker 1>real Cockney accent to compare it again, and to be

0:13:23.600 --> 0:13:27.120
<v Speaker 1>fair additionally, I mean my my agent, who is the

0:13:27.120 --> 0:13:29.200
<v Speaker 1>one who sort of represents all the dialect coaches who

0:13:29.280 --> 0:13:32.040
<v Speaker 1>do this stuff. She always started doing this in the eighties,

0:13:32.080 --> 0:13:35.439
<v Speaker 1>Like there weren't dialect coaches before that. Really, it wasn't

0:13:35.440 --> 0:13:37.959
<v Speaker 1>a thing like if you think back to the early

0:13:38.000 --> 0:13:41.200
<v Speaker 1>eighties to whatever prior to that, there's like people who

0:13:41.200 --> 0:13:47.200
<v Speaker 1>were German sounded British because British equaled elsewhere. That is true.

0:13:47.200 --> 0:13:49.080
<v Speaker 1>I have been watching a lot of Hitchcock movies, and

0:13:49.120 --> 0:13:52.360
<v Speaker 1>there's definitely just like European all over the place, mixed

0:13:52.400 --> 0:13:56.080
<v Speaker 1>in with American like Atlantic accent, rich people voice, and

0:13:56.080 --> 0:14:00.680
<v Speaker 1>it's very very hard to tell who's from where. Um,

0:14:00.720 --> 0:14:06.240
<v Speaker 1>that's exactly right, the rich people voice. I read things

0:14:06.240 --> 0:14:08.400
<v Speaker 1>about how he trained himself to do that voice because

0:14:08.400 --> 0:14:13.320
<v Speaker 1>he was actually working class. It's elocution. Elocution which is

0:14:13.360 --> 0:14:16.760
<v Speaker 1>also like the old timey term that because they wouldn't

0:14:16.760 --> 0:14:18.400
<v Speaker 1>have at the time used what I'm about to say,

0:14:18.679 --> 0:14:22.320
<v Speaker 1>which is white supremacy. It is fully that that accent

0:14:22.360 --> 0:14:24.240
<v Speaker 1>of like this is what educated sounds like. It was

0:14:24.280 --> 0:14:27.120
<v Speaker 1>taught to people. No one was born with that accent.

0:14:27.600 --> 0:14:32.120
<v Speaker 1>Catherine Hepburn didn't come out saying, y'are We'll take a

0:14:32.120 --> 0:14:51.000
<v Speaker 1>break and be back with smart Welcome back to nightcall.

0:14:51.560 --> 0:14:56.000
<v Speaker 1>You're just talking about accent, coach, how would you the

0:14:56.000 --> 0:15:00.560
<v Speaker 1>technical thing was dialectic dialect, coach, Smart b You're sitting

0:15:00.600 --> 0:15:03.680
<v Speaker 1>here and tomorrow and I have the sniffles, and it

0:15:03.840 --> 0:15:05.880
<v Speaker 1>is I have to say, the worst point in time

0:15:06.320 --> 0:15:10.360
<v Speaker 1>of my life to have been inflicted with sniffles, because

0:15:10.440 --> 0:15:14.040
<v Speaker 1>we are in the middle of a coronavirus outbreak. I

0:15:14.080 --> 0:15:17.000
<v Speaker 1>feel like I remember the exact day that, like, earlier

0:15:17.000 --> 0:15:19.280
<v Speaker 1>in the day you were like, oh, I think I

0:15:19.320 --> 0:15:21.560
<v Speaker 1>have allergies, and by that even you're like, nope, I

0:15:21.560 --> 0:15:23.160
<v Speaker 1>have a cold. And it was like the same day

0:15:23.200 --> 0:15:26.320
<v Speaker 1>that's suddenly all of the news about coronavirus was just

0:15:26.400 --> 0:15:29.880
<v Speaker 1>red flag all are you seeing? I'm patient zero. Yeah

0:15:29.920 --> 0:15:34.640
<v Speaker 1>you are, Gwyneth Paltrow. But I feel like you and

0:15:34.680 --> 0:15:36.480
<v Speaker 1>I like an opposite ends of the extreme because it

0:15:36.480 --> 0:15:40.640
<v Speaker 1>did not occur to me at all coronavirus and you're like,

0:15:41.400 --> 0:15:44.280
<v Speaker 1>just like, it's not I keep telling I've mentioned today

0:15:44.360 --> 0:15:47.720
<v Speaker 1>to six people, seven people. I'm like, hello, I don't

0:15:47.720 --> 0:15:51.440
<v Speaker 1>have coronavirus. I merely have a cold. But it's like

0:15:51.480 --> 0:15:57.080
<v Speaker 1>I'm not a sure symptoms are not on paranoid high

0:15:57.800 --> 0:16:00.360
<v Speaker 1>and it is such a weird mood. Especially it's just

0:16:00.480 --> 0:16:03.160
<v Speaker 1>like a very nice day out. Um. But I did

0:16:03.200 --> 0:16:07.120
<v Speaker 1>see like somebody cough and everybody everyone freaked out turned away,

0:16:07.160 --> 0:16:09.120
<v Speaker 1>and I was like, oh no, like this is bad.

0:16:09.640 --> 0:16:12.080
<v Speaker 1>We were on this is actually like wait. But when

0:16:12.120 --> 0:16:13.480
<v Speaker 1>I was in New York a couple of weeks ago,

0:16:13.560 --> 0:16:15.040
<v Speaker 1>and there was this girl who I think had just

0:16:15.080 --> 0:16:17.440
<v Speaker 1>been drinking water and it went down the wrong pipe

0:16:17.880 --> 0:16:20.400
<v Speaker 1>and she started coughing and hacking, like you know, she

0:16:20.400 --> 0:16:22.280
<v Speaker 1>couldn't stop coughing. It was just one of those things

0:16:22.280 --> 0:16:24.880
<v Speaker 1>where you just like really went down the wrong pipe.

0:16:25.000 --> 0:16:27.440
<v Speaker 1>But everybody was looking around and looking at her. She

0:16:27.480 --> 0:16:31.400
<v Speaker 1>was like, guys, guys, I don't have the coronavirus. I

0:16:31.440 --> 0:16:35.560
<v Speaker 1>felt so bad for her. It was very Yeah, so

0:16:35.920 --> 0:16:38.720
<v Speaker 1>that it's it's, you know, conveniently a great time for

0:16:38.800 --> 0:16:41.840
<v Speaker 1>us to be in spring break month here. Did you

0:16:41.960 --> 0:16:44.800
<v Speaker 1>see um? Did you guys see the akira meme going

0:16:44.840 --> 0:16:48.120
<v Speaker 1>around today? Well, I forget how many days it is

0:16:48.160 --> 0:16:51.640
<v Speaker 1>before the Olympics in Tokyo that might get canceled because

0:16:51.680 --> 0:16:56.360
<v Speaker 1>of the coronavirus um. And there's like a thing in

0:16:56.360 --> 0:16:58.240
<v Speaker 1>a cira whether like a hundred and forty nine days

0:16:58.280 --> 0:17:01.440
<v Speaker 1>before the Olympics um, and somebody has like tagged the

0:17:01.480 --> 0:17:04.760
<v Speaker 1>sign with like just canceled them good, So it was

0:17:04.800 --> 0:17:08.400
<v Speaker 1>going viral. Just canceled them because everybody was like, it's

0:17:08.440 --> 0:17:12.440
<v Speaker 1>that many days now before the Tokyo Olympics. Just canceled them,

0:17:12.480 --> 0:17:16.679
<v Speaker 1>like it's not worth it. Yeah, it is a weird

0:17:17.200 --> 0:17:21.160
<v Speaker 1>on the nose, it's very weird. I think the thing

0:17:21.280 --> 0:17:24.200
<v Speaker 1>that I keep kind of calming down about it, and

0:17:24.240 --> 0:17:27.040
<v Speaker 1>then there will be another wave of things that kind

0:17:27.040 --> 0:17:31.720
<v Speaker 1>of illustrate how it would just be so disruptive. The

0:17:31.760 --> 0:17:35.639
<v Speaker 1>media is doing a terrible job because they're both like

0:17:35.720 --> 0:17:40.080
<v Speaker 1>the government is probably misreporting it to try and like

0:17:40.200 --> 0:17:43.720
<v Speaker 1>not scare people, because that's what they already did in China.

0:17:43.800 --> 0:17:48.199
<v Speaker 1>That's what they were doing in China, and that's probably

0:17:48.680 --> 0:17:50.320
<v Speaker 1>what a lot of the governments are going to do.

0:17:51.359 --> 0:17:53.280
<v Speaker 1>I mean, I think like one of the things that's

0:17:53.320 --> 0:17:56.280
<v Speaker 1>kind of terrifying you Molly mentioned, so they've they've called

0:17:56.280 --> 0:17:58.439
<v Speaker 1>off school for a month in both China and Japan.

0:17:58.520 --> 0:18:02.320
<v Speaker 1>I believe in Germany. I but I've certainly heard Germany

0:18:02.359 --> 0:18:05.280
<v Speaker 1>for school closes, so that that was interesting. We've I've

0:18:05.280 --> 0:18:08.520
<v Speaker 1>gotten communications from both of my kids schools they're in

0:18:08.520 --> 0:18:11.400
<v Speaker 1>preschool and elementary school about like the measures that they're

0:18:11.440 --> 0:18:15.040
<v Speaker 1>taking to try and keep everyone healthy. Their gymnastics class

0:18:15.119 --> 0:18:18.800
<v Speaker 1>was like, just please keep your kids home if they're sick.

0:18:19.280 --> 0:18:21.720
<v Speaker 1>So it's like, even when you can kind of tune

0:18:21.720 --> 0:18:25.360
<v Speaker 1>out the panic, it like just arrives in your inbox,

0:18:25.480 --> 0:18:29.600
<v Speaker 1>Like I feel bad that Steven Soderberg always goes viral

0:18:29.960 --> 0:18:33.840
<v Speaker 1>for all the wrong reasons, you know, like it is

0:18:33.880 --> 0:18:37.840
<v Speaker 1>like a lot of Americans only reference point for something

0:18:37.920 --> 0:18:40.760
<v Speaker 1>like this is the movie Contagion, for sure, and that's

0:18:40.760 --> 0:18:43.600
<v Speaker 1>people's only reference point for anything is a movie. When

0:18:43.680 --> 0:18:46.199
<v Speaker 1>nine eleven happened, I was like, this is just like

0:18:46.240 --> 0:18:53.000
<v Speaker 1>the movie Independence Day. That was like, yes, she's good

0:18:53.040 --> 0:18:55.399
<v Speaker 1>in Contagion. She's been doing jokes about it, which again

0:18:55.560 --> 0:18:58.760
<v Speaker 1>is like she's so bad at being self aware of funny.

0:18:59.080 --> 0:19:03.320
<v Speaker 1>She's the improv class. I don't know, I have been

0:19:03.400 --> 0:19:05.919
<v Speaker 1>like kind of interested by some of the sub stories

0:19:05.920 --> 0:19:08.080
<v Speaker 1>around I think I think still for us here, it's

0:19:08.119 --> 0:19:11.240
<v Speaker 1>like it's still pretty abstract. We can only see numbers,

0:19:11.240 --> 0:19:13.000
<v Speaker 1>and I feel like there's going to be some threshold

0:19:13.040 --> 0:19:15.480
<v Speaker 1>of number of like you know, reported cases where we're

0:19:15.480 --> 0:19:17.520
<v Speaker 1>going to be like, oh, ship, it is probably going

0:19:17.600 --> 0:19:20.280
<v Speaker 1>to be like actually realistically well below what the number

0:19:20.320 --> 0:19:23.440
<v Speaker 1>actually is because of people reporting it. But like, I

0:19:23.480 --> 0:19:25.520
<v Speaker 1>don't know, did you guys see this thing about because

0:19:25.520 --> 0:19:29.680
<v Speaker 1>everybody's still on quarantine in in or just lockdown and

0:19:29.720 --> 0:19:33.480
<v Speaker 1>general in um China, but like in Wuhan they're doing

0:19:33.520 --> 0:19:38.280
<v Speaker 1>all these um like live streamed underground like punk shows

0:19:38.320 --> 0:19:42.280
<v Speaker 1>and stuff. Yeah, and then like all these people are

0:19:42.320 --> 0:19:45.360
<v Speaker 1>just like doing shows in their living rooms because they

0:19:45.359 --> 0:19:47.880
<v Speaker 1>can't go anywhere and because nobody else can go anywhere.

0:19:48.119 --> 0:19:51.199
<v Speaker 1>And it's actually like kind of it's like again, this

0:19:51.280 --> 0:19:55.720
<v Speaker 1>is very like dystopian circumstance. Dystopian. Yeah, it's like it's

0:19:55.720 --> 0:19:59.840
<v Speaker 1>like the human spirit years. It's like super will find

0:19:59.840 --> 0:20:02.919
<v Speaker 1>a way. Yeah, totally. I like that because that feels

0:20:02.920 --> 0:20:06.000
<v Speaker 1>like a weird countermeasure to these Netflix shows now that

0:20:06.080 --> 0:20:09.840
<v Speaker 1>are like people between a wall and like yeah, yeah,

0:20:09.880 --> 0:20:12.760
<v Speaker 1>well it's just it's just like I think that there

0:20:12.840 --> 0:20:17.640
<v Speaker 1>is obviously, maybe reasonably, a desire to not report accurate

0:20:17.680 --> 0:20:20.159
<v Speaker 1>numbers are not send people into a panic, but also

0:20:20.240 --> 0:20:23.160
<v Speaker 1>like the country where they're already not allowed to go out,

0:20:23.280 --> 0:20:26.280
<v Speaker 1>people are coping, and people are finding a way to

0:20:26.359 --> 0:20:29.400
<v Speaker 1>like still you know, yeah, that's to communicate with each

0:20:29.400 --> 0:20:33.080
<v Speaker 1>other and not have a complete shutdown society, and Americ

0:20:33.160 --> 0:20:36.480
<v Speaker 1>comedian narrative has been so racist about oh yeah, it's

0:20:36.520 --> 0:20:39.320
<v Speaker 1>insane there. I mean, I just heard from people here

0:20:39.320 --> 0:20:42.320
<v Speaker 1>in l A that like people weren't going to certain

0:20:42.359 --> 0:20:45.199
<v Speaker 1>Chinese restaurants and like freaking Silver Lake. How about the

0:20:45.200 --> 0:20:48.640
<v Speaker 1>people not drinking Corona beer, which is like the strangest

0:20:48.760 --> 0:20:55.760
<v Speaker 1>thing that story was planted by a pr flak where

0:20:55.760 --> 0:20:58.840
<v Speaker 1>it was like a real like you know, show your

0:20:58.880 --> 0:21:02.399
<v Speaker 1>metal drink a corrona. It was. I would totally believe

0:21:02.440 --> 0:21:04.879
<v Speaker 1>it was fake because it made me. I was I

0:21:04.920 --> 0:21:08.160
<v Speaker 1>panicked again, Like when people are so dumb and they're

0:21:08.160 --> 0:21:11.840
<v Speaker 1>not even drinking beer, what's going on? Funny how people

0:21:11.880 --> 0:21:14.679
<v Speaker 1>do get to like absurdism really fast, which feels like

0:21:14.720 --> 0:21:16.600
<v Speaker 1>sort of just the state of everything all the time.

0:21:16.640 --> 0:21:20.199
<v Speaker 1>Now it's like everything so insane, like it couldn't just

0:21:20.240 --> 0:21:24.040
<v Speaker 1>like the events of Akira, like actually taking place in

0:21:24.160 --> 0:21:26.960
<v Speaker 1>real time, like a few months after the Blade Runner

0:21:27.400 --> 0:21:29.040
<v Speaker 1>sort of felt like we had caught up to Blue,

0:21:29.160 --> 0:21:32.000
<v Speaker 1>like the Carson Plan exploded the other day and went virals.

0:21:32.000 --> 0:21:34.639
<v Speaker 1>People are like, oh, it's play Runner anyway. Yeah, it

0:21:34.720 --> 0:21:37.200
<v Speaker 1>just feels like what are you gonna do but laugh

0:21:37.240 --> 0:21:39.520
<v Speaker 1>about it? I mean, there's not much. Have any of

0:21:39.600 --> 0:21:43.439
<v Speaker 1>you guys read the book Station eleven? I haven't. My

0:21:43.520 --> 0:21:45.679
<v Speaker 1>husband read it, but yeah, okay, well and then if

0:21:45.840 --> 0:21:47.320
<v Speaker 1>we're not worth we don't need to bring it up.

0:21:47.359 --> 0:21:49.920
<v Speaker 1>I've heard it, but maybe don't read it right now

0:21:50.000 --> 0:21:54.920
<v Speaker 1>is what I've heard as a TV version. But um,

0:21:55.040 --> 0:21:58.320
<v Speaker 1>but Station eleven is one of the few novels have

0:21:58.400 --> 0:22:00.240
<v Speaker 1>actually made time for in the last few years. But

0:22:00.359 --> 0:22:02.040
<v Speaker 1>here's what I want to say. It takes place in

0:22:02.080 --> 0:22:04.399
<v Speaker 1>all different times, but one of the sort of like

0:22:04.440 --> 0:22:07.160
<v Speaker 1>primary time it keeps going to is like twenty years,

0:22:07.240 --> 0:22:09.880
<v Speaker 1>I want to say, after a massive pandemic wipes out

0:22:09.880 --> 0:22:13.360
<v Speaker 1>like ninety something percent. But it actually left me kind

0:22:13.359 --> 0:22:15.880
<v Speaker 1>of hopeful because I'm the only thinking about people who

0:22:15.880 --> 0:22:18.040
<v Speaker 1>made it, and I'm like, I'm gonna make it or not.

0:22:18.400 --> 0:22:20.600
<v Speaker 1>But so every time I think about these pandemics, I'm

0:22:20.600 --> 0:22:23.120
<v Speaker 1>always like, those people will still be like doing their

0:22:23.119 --> 0:22:26.280
<v Speaker 1>cool stuff twenty years. That's the problem that is that

0:22:26.359 --> 0:22:28.240
<v Speaker 1>all of our reference onints for this and movies are

0:22:28.240 --> 0:22:31.359
<v Speaker 1>like cozy catastrophe movies, where like a group of survivors

0:22:31.359 --> 0:22:33.920
<v Speaker 1>banded together and like fight against whatever the thing is.

0:22:33.960 --> 0:22:36.639
<v Speaker 1>If it's like zombies or a disease or like a

0:22:36.760 --> 0:22:39.680
<v Speaker 1>you know, earthquake that kills everybody, but there's always someone

0:22:39.720 --> 0:22:43.640
<v Speaker 1>who survives. This might be like maybe just like what

0:22:43.680 --> 0:22:45.800
<v Speaker 1>if no one survives, No, but it's it's supposed to

0:22:45.840 --> 0:22:49.480
<v Speaker 1>be ninety percent. Everyone's okay, so it's just two percent,

0:22:49.520 --> 0:22:51.560
<v Speaker 1>which just amounts to like what a hundred and fifty

0:22:52.240 --> 0:22:55.159
<v Speaker 1>really violent. Yeah, it's a really terrible, but it's going

0:22:55.200 --> 0:22:57.639
<v Speaker 1>to kill off like a substantial number of people that

0:22:57.720 --> 0:23:00.160
<v Speaker 1>don't have good health care or I mean it's it's

0:23:00.160 --> 0:23:04.840
<v Speaker 1>so yeah, yeah, this is just more immediate. I mean,

0:23:04.920 --> 0:23:07.439
<v Speaker 1>I think this could like the worst case scenarios. It's

0:23:07.480 --> 0:23:09.440
<v Speaker 1>like when you talk about people banding together and like, oh,

0:23:09.440 --> 0:23:14.360
<v Speaker 1>because I immediately think of the stand to fight that's

0:23:14.359 --> 0:23:17.560
<v Speaker 1>split into two teams. That's people's point of view reference

0:23:17.600 --> 0:23:21.639
<v Speaker 1>point is the stand Um. I have to say that

0:23:21.680 --> 0:23:24.480
<v Speaker 1>of all the like kind of sub stories of coronavirus,

0:23:24.640 --> 0:23:26.639
<v Speaker 1>the one that I really just really I can't think

0:23:26.680 --> 0:23:28.720
<v Speaker 1>about too hard because it feels like a nightmare is

0:23:28.760 --> 0:23:33.240
<v Speaker 1>the Japanese cruise ship like that. And we still don't

0:23:33.240 --> 0:23:36.000
<v Speaker 1>really know. I guess, like we also just talked about

0:23:36.040 --> 0:23:39.639
<v Speaker 1>the love but yeah, for people who were this might

0:23:39.680 --> 0:23:41.960
<v Speaker 1>have gotten buried by next week, do you have like,

0:23:41.960 --> 0:23:44.880
<v Speaker 1>like briefly, can you explain it? Because I just saw

0:23:45.080 --> 0:23:47.960
<v Speaker 1>snippets but I didn't piece it together. Yeah, so apparently

0:23:48.000 --> 0:23:50.240
<v Speaker 1>I need to double check on this. But I was

0:23:50.359 --> 0:23:52.439
<v Speaker 1>I think I had heard from somebody that it was

0:23:53.200 --> 0:23:57.000
<v Speaker 1>this Holland America cruise ship that I had been on before. Um,

0:23:57.480 --> 0:23:59.960
<v Speaker 1>as we have established on this podcause I have been

0:24:00.119 --> 0:24:02.600
<v Speaker 1>on a cruise Well, all cruise ships they know that

0:24:02.640 --> 0:24:06.280
<v Speaker 1>they're huge disease vector ships are haunted. Well yes that too,

0:24:06.320 --> 0:24:08.840
<v Speaker 1>but like also all cruise ships, it's kind of insane

0:24:08.840 --> 0:24:10.600
<v Speaker 1>when you get on. It takes some of the romanticism

0:24:10.640 --> 0:24:12.960
<v Speaker 1>out of it because you have cure all stations, like

0:24:13.200 --> 0:24:17.040
<v Speaker 1>every single thorway, because even without a pandemic going on,

0:24:17.200 --> 0:24:19.800
<v Speaker 1>they know that like if things are not spit spot

0:24:19.880 --> 0:24:26.000
<v Speaker 1>ship shape, one might say, um, it's really going back

0:24:27.400 --> 0:24:29.479
<v Speaker 1>that it's really easy for it to be, you know,

0:24:29.560 --> 0:24:31.200
<v Speaker 1>for a disease is to break out. I think it's

0:24:31.200 --> 0:24:34.080
<v Speaker 1>also like people don't ever think about this stuff unless

0:24:34.119 --> 0:24:36.919
<v Speaker 1>it's bad, and so when it is bad and you

0:24:36.960 --> 0:24:41.040
<v Speaker 1>think about incubation chambers, as every crowd is a potential

0:24:41.040 --> 0:24:45.040
<v Speaker 1>incubation chamber, and especially a cruise ship. Um. I think,

0:24:45.080 --> 0:24:48.240
<v Speaker 1>like a lot of the big disasters recently, what's scary

0:24:48.280 --> 0:24:51.480
<v Speaker 1>about this is like it's not the disaster itself necessarily,

0:24:51.560 --> 0:24:55.639
<v Speaker 1>it's that the human failure in the response is terrifying.

0:24:56.480 --> 0:24:58.760
<v Speaker 1>They fucked up with the cruise ship. That was the

0:24:58.760 --> 0:25:00.840
<v Speaker 1>whole thing and then there was a thing yesterday about

0:25:00.840 --> 0:25:03.760
<v Speaker 1>how Trump sent people in like without the proper protective gear,

0:25:04.320 --> 0:25:08.080
<v Speaker 1>just like Katrina or anything. It's like the thing but

0:25:08.960 --> 0:25:11.520
<v Speaker 1>over and scaled up. Yeah, it's just like there is

0:25:11.560 --> 0:25:16.120
<v Speaker 1>no infrastructure for something like this. And even in America especially,

0:25:16.560 --> 0:25:19.679
<v Speaker 1>and even in places like China and Japan where there

0:25:19.840 --> 0:25:23.800
<v Speaker 1>is better and more infrastructure, like, they can't handle it

0:25:23.920 --> 0:25:28.040
<v Speaker 1>necessarily either. The tiny little bugs will take us down.

0:25:28.440 --> 0:25:31.199
<v Speaker 1>So I just did my second round of fact checking,

0:25:31.440 --> 0:25:35.560
<v Speaker 1>and I was on a cruise ship that has been corny.

0:25:35.560 --> 0:25:37.920
<v Speaker 1>It's not the Japanese when it's the one that's in Cambodia.

0:25:38.080 --> 0:25:41.879
<v Speaker 1>So they're quarantining multiple cruise There are multiple cruise and

0:25:42.200 --> 0:25:48.240
<v Speaker 1>a jungle cruise boat forever and never. I just started

0:25:48.240 --> 0:25:50.440
<v Speaker 1>a story about a jungle cruise boat in Disney World

0:25:50.520 --> 0:25:54.960
<v Speaker 1>that sprang a leak, oh dear, and that water supposedly

0:25:54.960 --> 0:25:58.960
<v Speaker 1>has leeches in it. Before we let tomorrow, I go,

0:25:59.200 --> 0:26:02.440
<v Speaker 1>let's take one last night email. Okay, So this night

0:26:02.440 --> 0:26:05.960
<v Speaker 1>email comes to us from John, and John writes, last

0:26:06.000 --> 0:26:08.199
<v Speaker 1>follow When my cat was around two years old, she

0:26:08.240 --> 0:26:11.320
<v Speaker 1>started having seizures. We controlled for different causes we thought

0:26:11.400 --> 0:26:13.879
<v Speaker 1>might be the reason for them not letting her downstairs

0:26:13.880 --> 0:26:16.000
<v Speaker 1>in the evenings, thinking maybe it was the headlights of

0:26:16.000 --> 0:26:18.840
<v Speaker 1>passing cars and so on. After her fifth or sixth

0:26:18.840 --> 0:26:21.560
<v Speaker 1>seizure that we witnessed, my parents decided to take her

0:26:21.600 --> 0:26:23.800
<v Speaker 1>to the vet. They packed her up and the vet

0:26:23.880 --> 0:26:25.960
<v Speaker 1>did all the possible tests they could to identify a

0:26:26.000 --> 0:26:28.600
<v Speaker 1>cause for the seizures. They all came back normal, and

0:26:28.640 --> 0:26:30.560
<v Speaker 1>the last resort was just to give her cats an

0:26:30.760 --> 0:26:33.199
<v Speaker 1>X so she'd be too lupy to have any My

0:26:33.320 --> 0:26:35.479
<v Speaker 1>parents said thanks and left the vet, and just like

0:26:35.520 --> 0:26:38.000
<v Speaker 1>any other PhD having couple, they decided to take the

0:26:38.040 --> 0:26:40.119
<v Speaker 1>cat to a witch doctor because she was already in

0:26:40.200 --> 0:26:42.520
<v Speaker 1>her carriage and doesn't like to leave the house. They

0:26:42.560 --> 0:26:44.840
<v Speaker 1>found someone outside the city and said that the cat

0:26:44.880 --> 0:26:48.399
<v Speaker 1>had caught some evil eye. Nasar said it was either

0:26:48.440 --> 0:26:50.800
<v Speaker 1>directed at the cat or more likely at the household,

0:26:50.880 --> 0:26:53.720
<v Speaker 1>and it was then absorbed by the cat. My parents

0:26:53.800 --> 0:26:55.439
<v Speaker 1>live in Turkey, so this kind of thing is not

0:26:55.520 --> 0:26:58.639
<v Speaker 1>unheard of. The person that then gave the cat a

0:26:58.640 --> 0:27:00.679
<v Speaker 1>little necklace with a small soil her coin and an

0:27:00.720 --> 0:27:03.880
<v Speaker 1>amber beat on it for protection. I was so ready

0:27:03.880 --> 0:27:05.840
<v Speaker 1>to roast my parents for their decisions. Soon as the

0:27:05.840 --> 0:27:09.399
<v Speaker 1>next inevitable seizure hit. However, it's been over six months

0:27:09.400 --> 0:27:12.160
<v Speaker 1>now and she has yet to have another one. Here's

0:27:12.200 --> 0:27:14.040
<v Speaker 1>and then he sent a couple of pictures of his cat,

0:27:14.240 --> 0:27:18.639
<v Speaker 1>who's all better enjoying her juju necklace wibbling. It is

0:27:18.680 --> 0:27:20.520
<v Speaker 1>a very cute cat as a calico looks like my

0:27:20.560 --> 0:27:23.800
<v Speaker 1>mom's calicos um. I guess I think that's a calico, right,

0:27:23.880 --> 0:27:30.760
<v Speaker 1>let me see. No, that's a coronavirus art. That's cute.

0:27:31.520 --> 0:27:35.560
<v Speaker 1>That's a calico. Calicos are only ladies, right, Calico corona.

0:27:36.119 --> 0:27:39.080
<v Speaker 1>I think calicos are only female cats, but I might

0:27:39.080 --> 0:27:41.440
<v Speaker 1>be making that up. And here she is. She has

0:27:41.440 --> 0:27:47.000
<v Speaker 1>her little necklace on. Oh, she's a hext um. I

0:27:47.280 --> 0:27:53.160
<v Speaker 1>has anybody tried any alternative approaches to pet care? I'm

0:27:53.280 --> 0:27:56.240
<v Speaker 1>very interested in using CBD. We have a vet friend

0:27:57.080 --> 0:27:59.800
<v Speaker 1>who we know through a mom group, and she is

0:27:59.840 --> 0:28:04.600
<v Speaker 1>a arey wise. She's like a veterinarian and offers advice

0:28:04.720 --> 0:28:07.520
<v Speaker 1>like sometimes if people have questions about pets, and so

0:28:07.560 --> 0:28:10.119
<v Speaker 1>she's been interesting to talk to you about CBD for

0:28:10.119 --> 0:28:12.439
<v Speaker 1>pets because it's largely untested and you don't know the

0:28:12.440 --> 0:28:15.520
<v Speaker 1>source of the CBD or how period is or whatever.

0:28:16.000 --> 0:28:20.240
<v Speaker 1>But I I love CBD, which is very cliche. But

0:28:20.280 --> 0:28:24.679
<v Speaker 1>I'm like, I have a I have a CBD sponsors

0:28:24.680 --> 0:28:27.480
<v Speaker 1>on this post. It's true. I love stage the naturals

0:28:27.520 --> 0:28:30.480
<v Speaker 1>and that is they've already une they're ad. This is

0:28:30.720 --> 0:28:34.120
<v Speaker 1>a non ad. I have to say this so ties

0:28:34.160 --> 0:28:35.960
<v Speaker 1>in with um, like what I do for a living,

0:28:36.000 --> 0:28:39.320
<v Speaker 1>but also um, I got to work in the Souden House,

0:28:39.400 --> 0:28:45.080
<v Speaker 1>which I don't know. Yeah, that's house. It's on Franklins

0:28:45.200 --> 0:28:48.920
<v Speaker 1>the Frank Lloyd right Son's house, so it like has

0:28:48.920 --> 0:28:51.280
<v Speaker 1>a franklod Right quality, but also like has kind of

0:28:51.360 --> 0:28:55.640
<v Speaker 1>I want to be quality. But famously in the fifties

0:28:55.760 --> 0:28:58.960
<v Speaker 1>there were some murders, some some unsolved murders there and

0:28:58.960 --> 0:29:03.480
<v Speaker 1>there's like a lower chamber, etcetera. I did a I

0:29:03.520 --> 0:29:06.120
<v Speaker 1>did a TV show. I diale coached a TV show

0:29:06.160 --> 0:29:09.240
<v Speaker 1>that was about that and about the Black Dollar murder.

0:29:10.080 --> 0:29:13.160
<v Speaker 1>The gentleman who rents out that house because he lives

0:29:13.160 --> 0:29:18.600
<v Speaker 1>in it now that is his job CBD for dogs

0:29:19.600 --> 0:29:22.600
<v Speaker 1>that actually I said it was dog food. I heard

0:29:22.640 --> 0:29:25.320
<v Speaker 1>that it was dog food. Well it's dog food laced then,

0:29:25.520 --> 0:29:28.760
<v Speaker 1>Because I have like you know, when you're on set,

0:29:28.840 --> 0:29:31.440
<v Speaker 1>you're like twelve hours to pass the time when when

0:29:31.440 --> 0:29:33.840
<v Speaker 1>nothing's happening and they're like lighting ship and I was like,

0:29:34.080 --> 0:29:38.800
<v Speaker 1>let's look for this brochure like a CBD for dogs.

0:29:38.880 --> 0:29:41.640
<v Speaker 1>Like doing that great, you can rent. I mean people

0:29:41.880 --> 0:29:45.120
<v Speaker 1>say a side hustle because he doesn't need it. Yeah,

0:29:45.200 --> 0:29:46.959
<v Speaker 1>but you know what, who am I to say? I

0:29:47.040 --> 0:29:50.280
<v Speaker 1>was really like, who should I get the same booming biz?

0:29:50.480 --> 0:29:52.600
<v Speaker 1>I mean, because I think it's like when you're making

0:29:52.640 --> 0:29:55.160
<v Speaker 1>the CBD, you can market it for dogs or people

0:29:55.800 --> 0:29:59.240
<v Speaker 1>as long as you're not making who works out was like,

0:29:59.280 --> 0:30:00.840
<v Speaker 1>you should try to see b D for one of

0:30:00.840 --> 0:30:04.080
<v Speaker 1>my cats that's really uh neurotic. Molly is a very

0:30:04.160 --> 0:30:06.880
<v Speaker 1>neurotic cat. It's been discussed on the pod before. I mean,

0:30:06.920 --> 0:30:09.840
<v Speaker 1>if you try to um a an anti hex necklace,

0:30:10.080 --> 0:30:15.160
<v Speaker 1>no I have, it's very cute. But today I gave one.

0:30:15.200 --> 0:30:16.960
<v Speaker 1>I thought about trying to get one of them on

0:30:17.000 --> 0:30:19.000
<v Speaker 1>a leash, and I got it a harness that is

0:30:19.040 --> 0:30:23.080
<v Speaker 1>like a little orange safety vest. Wasn't immediately like, no,

0:30:23.720 --> 0:30:25.600
<v Speaker 1>take this off. I did it once to my cat

0:30:25.640 --> 0:30:27.560
<v Speaker 1>and he's he like let out a scream, So I

0:30:27.600 --> 0:30:30.600
<v Speaker 1>was like, I guess not, that's not for you. Yeah,

0:30:30.240 --> 0:30:34.680
<v Speaker 1>he he tolerated. It really is good. Yeah, cats will

0:30:34.720 --> 0:30:37.720
<v Speaker 1>tolerate a hat. I feel like we need Jane Mary's

0:30:37.760 --> 0:30:41.280
<v Speaker 1>blessing to promote CBD for animals. But I'm I think

0:30:41.000 --> 0:30:44.560
<v Speaker 1>that CBD a lot of it's not real, but when

0:30:44.600 --> 0:30:46.920
<v Speaker 1>it is real, I think it does work. I mean,

0:30:46.960 --> 0:30:49.120
<v Speaker 1>it's nice to toss a little THHC in the mix.

0:30:49.440 --> 0:30:51.400
<v Speaker 1>I guess you can't really do that to a pet,

0:30:51.440 --> 0:30:55.880
<v Speaker 1>but that does like boost thing natural made her neck

0:30:55.920 --> 0:30:58.440
<v Speaker 1>feel better. No, it's true. I really like. I mean,

0:30:58.480 --> 0:31:00.840
<v Speaker 1>I genuinely liked it. I had on I'd used a

0:31:00.920 --> 0:31:04.560
<v Speaker 1>CBD bomb before, um that I thought was just okay,

0:31:04.680 --> 0:31:06.920
<v Speaker 1>but this I was like, also because you know we

0:31:07.000 --> 0:31:11.720
<v Speaker 1>got freebies, that was like, just slap it on. Great. Well,

0:31:11.760 --> 0:31:16.480
<v Speaker 1>if you have ever given wed to your cat CBD,

0:31:18.120 --> 0:31:21.080
<v Speaker 1>or if you have tried any alternative approaches to pet care,

0:31:21.200 --> 0:31:23.120
<v Speaker 1>give us a night call at one to four oh

0:31:23.160 --> 0:31:24.920
<v Speaker 1>four six night, and you can also give us a

0:31:25.040 --> 0:31:28.880
<v Speaker 1>night email at nightcall podcasts at gmail dot com. Also,

0:31:28.960 --> 0:31:31.040
<v Speaker 1>if your pet is haunted or has been hexed, I

0:31:31.120 --> 0:31:33.040
<v Speaker 1>want to hear that too. My favorite part of the

0:31:33.120 --> 0:31:35.120
<v Speaker 1>whole letter is that is that they thought that the

0:31:35.760 --> 0:31:39.160
<v Speaker 1>cat was the one that was absorbing the curse for

0:31:39.200 --> 0:31:42.000
<v Speaker 1>the entire household. It was taking one for the team. There.

0:31:42.920 --> 0:31:44.600
<v Speaker 1>Wouldn't that be awful if you like, went to the

0:31:44.640 --> 0:31:47.760
<v Speaker 1>trouble to hex someone's household and the cat was the

0:31:47.800 --> 0:31:51.120
<v Speaker 1>one who got hecks. That's just awful to think about

0:31:51.120 --> 0:31:55.120
<v Speaker 1>all the ways they could inconvenience your enemy's son. That's true,

0:31:56.160 --> 0:32:01.480
<v Speaker 1>asking for constant Yeah, peeing on the floor, It's true. Cats.

0:32:01.560 --> 0:32:04.880
<v Speaker 1>Cats are powerful beings. Well, Samara, thank you so much

0:32:04.920 --> 0:32:06.960
<v Speaker 1>for joining us on the podcast. Would you like to

0:32:06.960 --> 0:32:09.120
<v Speaker 1>tell people where they can find you on social media

0:32:09.240 --> 0:32:11.760
<v Speaker 1>and or your podcast? Oh my god, why, I would

0:32:11.800 --> 0:32:17.240
<v Speaker 1>be happy to. Um. Yes, I just launched this podcast.

0:32:17.320 --> 0:32:20.720
<v Speaker 1>It's called Permission to Speak, and it's on my heart

0:32:21.000 --> 0:32:24.560
<v Speaker 1>and elsewhere, and um the website is Permission to Speak

0:32:24.560 --> 0:32:27.480
<v Speaker 1>pod dot com and the Instagram is Permission to Speak pod.

0:32:27.960 --> 0:32:30.400
<v Speaker 1>I would love to hear from people about their voices.

0:32:30.440 --> 0:32:33.280
<v Speaker 1>I mean, everyone's got an opinion about their voice. So

0:32:33.440 --> 0:32:35.560
<v Speaker 1>is it about people's voices or is it about your

0:32:35.600 --> 0:32:38.560
<v Speaker 1>dialect coach career? Or is it both? It's actually the

0:32:38.640 --> 0:32:41.480
<v Speaker 1>dialect coaching is a minor jumping off point for much

0:32:41.560 --> 0:32:45.640
<v Speaker 1>larger conversation about the intersection of our voices and power

0:32:45.680 --> 0:32:48.640
<v Speaker 1>in society. And by our I don't even just mean women.

0:32:48.680 --> 0:32:50.560
<v Speaker 1>I mean anybody who feels like they've been shut out

0:32:50.560 --> 0:32:53.280
<v Speaker 1>of power for one reason or another. Because I coach

0:32:53.320 --> 0:32:57.160
<v Speaker 1>people who are politicians and entrepreneurs and people who are

0:32:57.200 --> 0:32:59.800
<v Speaker 1>pitching for the first time. It's really not just about

0:32:59.800 --> 0:33:02.640
<v Speaker 1>your accent. It's about like, how do we scale up

0:33:03.000 --> 0:33:05.920
<v Speaker 1>the version of ourselves that we really love? Yeah? When

0:33:05.960 --> 0:33:10.480
<v Speaker 1>are their new episodes every single Wednesday? Wednesday's Baby, That's great?

0:33:10.600 --> 0:33:14.480
<v Speaker 1>Wait to listen. Yeah, it's right here on iHeart Podcast.

0:33:14.560 --> 0:33:17.160
<v Speaker 1>So check it out. Thanks again for joining us tomorrow

0:33:17.160 --> 0:33:20.320
<v Speaker 1>and we will be back after the break with spring Breakers.

0:33:20.880 --> 0:33:40.800
<v Speaker 1>Take it all. Welcome back to Nightcall. So. I don't

0:33:40.800 --> 0:33:43.040
<v Speaker 1>know if you can see this on the title of

0:33:43.080 --> 0:33:46.719
<v Speaker 1>this week's episode, but this is the one hundred episode

0:33:47.080 --> 0:33:50.800
<v Speaker 1>of Nightcall. Somehow we made it to one hundred episode. Guys.

0:33:50.840 --> 0:33:52.760
<v Speaker 1>I feel like we need to have like Avusla and

0:33:52.840 --> 0:33:58.520
<v Speaker 1>here we need to drop the spring Breakers music, and

0:33:58.520 --> 0:34:01.880
<v Speaker 1>I know we need Toscar licks Um for our hundredth episode.

0:34:02.080 --> 0:34:04.680
<v Speaker 1>And because we are kicking off springbreak week here, we

0:34:04.720 --> 0:34:08.919
<v Speaker 1>thought it was only appropriate to go back to one

0:34:08.960 --> 0:34:14.080
<v Speaker 1>of our inspiring sources vision board items. Uh, what have

0:34:14.160 --> 0:34:16.239
<v Speaker 1>you from? From Girls in Hoodies? From the Girls in

0:34:16.280 --> 0:34:20.200
<v Speaker 1>Hoodies Days back in Grantland And that is Harmony Cream's

0:34:20.640 --> 0:34:28.759
<v Speaker 1>spring Breakers from twelve Slash Theatrical released but one of

0:34:28.800 --> 0:34:32.960
<v Speaker 1>the most important movies of the decade. Maybe we can

0:34:32.960 --> 0:34:35.759
<v Speaker 1>get into its legacy a little bit later. But so

0:34:35.880 --> 0:34:38.560
<v Speaker 1>much has happened since this movie came out to affect

0:34:38.640 --> 0:34:43.200
<v Speaker 1>one's opinion of spring Breakers. Yeah, it is really um.

0:34:43.360 --> 0:34:45.400
<v Speaker 1>I don't know if stands the test of time is

0:34:45.400 --> 0:34:46.880
<v Speaker 1>the right word for it, but I think it like

0:34:47.280 --> 0:34:51.040
<v Speaker 1>it has been refracted through the test of time. I think, um,

0:34:51.080 --> 0:34:53.520
<v Speaker 1>which makes it even more interesting to talk about. I think,

0:34:53.840 --> 0:34:56.160
<v Speaker 1>I mean, I think when we all discussed it on

0:34:56.280 --> 0:34:58.560
<v Speaker 1>Girls in Hoodies, we were mostly of the opinion that

0:34:58.600 --> 0:35:01.640
<v Speaker 1>this was a delicious film. I think back then we

0:35:01.920 --> 0:35:04.480
<v Speaker 1>kind of thought of it as being more feminist than

0:35:04.560 --> 0:35:08.439
<v Speaker 1>not in most ways, Like we didn't feel like it

0:35:08.520 --> 0:35:12.320
<v Speaker 1>was horribly sexist and clueless and tone deaf, and I

0:35:12.760 --> 0:35:15.200
<v Speaker 1>don't think it necessarily is. But a lot of the

0:35:15.200 --> 0:35:18.240
<v Speaker 1>people involved in this movie, even if I'm also referring

0:35:18.239 --> 0:35:21.560
<v Speaker 1>to Riff Rap, who was not technically involved in this

0:35:21.600 --> 0:35:26.239
<v Speaker 1>movie Yeah, I have have had some semi too and

0:35:27.200 --> 0:35:31.320
<v Speaker 1>issues of that ILK I think I did and still

0:35:31.400 --> 0:35:37.279
<v Speaker 1>consider this movie like a curio. UM, I forgot it was.

0:35:38.280 --> 0:35:41.319
<v Speaker 1>It was one of the first Was this one of

0:35:41.320 --> 0:35:44.600
<v Speaker 1>the first four movies? Um, it was, And it was

0:35:44.800 --> 0:35:47.960
<v Speaker 1>one of the first Annapurna movies too. I feel like

0:35:48.000 --> 0:35:50.279
<v Speaker 1>it was like this in Zero Dark thirty, which really

0:35:50.320 --> 0:35:56.399
<v Speaker 1>tells you where we were at in UM. But yeah,

0:35:56.719 --> 0:35:59.640
<v Speaker 1>and and and both of those Ultimate Girl Boss movies.

0:36:01.680 --> 0:36:06.280
<v Speaker 1>I had such a probably wrong interpretation of that movie always,

0:36:06.280 --> 0:36:08.440
<v Speaker 1>which is that I thought it was like, maybe it

0:36:08.480 --> 0:36:10.759
<v Speaker 1>can be my interpretation is right, but I thought Zero

0:36:10.840 --> 0:36:13.439
<v Speaker 1>Dark thirty was a movie about like a woman who

0:36:13.440 --> 0:36:15.600
<v Speaker 1>becomes like as evil as the most evil men in

0:36:15.640 --> 0:36:20.560
<v Speaker 1>the world in order to become like to succeed, and

0:36:20.600 --> 0:36:22.520
<v Speaker 1>that my reading of it was like at the end

0:36:22.560 --> 0:36:24.120
<v Speaker 1>when she's in the plane and they're just like looking

0:36:24.120 --> 0:36:27.200
<v Speaker 1>at her face, She's like, what have I done? But

0:36:27.320 --> 0:36:29.759
<v Speaker 1>then I think that's not what it was at I

0:36:29.840 --> 0:36:31.920
<v Speaker 1>think it was just straight propagandia and I was just

0:36:31.960 --> 0:36:34.680
<v Speaker 1>projecting my own stuff on top of it. Yeah, it's

0:36:34.719 --> 0:36:37.040
<v Speaker 1>been a long time since I saw that one, because

0:36:37.080 --> 0:36:42.200
<v Speaker 1>it wasn't like the most macho phase of directors, she

0:36:42.280 --> 0:36:44.919
<v Speaker 1>became a successful, powerful director, Like, how does a woman

0:36:44.960 --> 0:36:49.239
<v Speaker 1>achieve that in nineteen eighties Hollywood especially, You have to

0:36:49.320 --> 0:36:56.799
<v Speaker 1>like turn off all of your emotions and morals um um.

0:36:56.880 --> 0:37:02.920
<v Speaker 1>But yeah, I mean I think spring Breakers, the performances

0:37:02.960 --> 0:37:08.280
<v Speaker 1>by the girls, I'll hold up grade. Oh oh okay, well, um,

0:37:08.320 --> 0:37:12.440
<v Speaker 1>so here's to me. I remember and rewatching this this week.

0:37:12.680 --> 0:37:15.400
<v Speaker 1>I remember it all flooded back to me. How watching

0:37:15.440 --> 0:37:17.680
<v Speaker 1>this in the theater, especially in a dark room where

0:37:17.760 --> 0:37:19.759
<v Speaker 1>you know you're you're really in the film. I was

0:37:19.800 --> 0:37:23.040
<v Speaker 1>just like, I would be miserable if I was stuck

0:37:23.080 --> 0:37:26.200
<v Speaker 1>around these girls. And I think that I recognize a

0:37:26.200 --> 0:37:29.799
<v Speaker 1>lot of the ticks of a just do stuff and

0:37:29.840 --> 0:37:33.080
<v Speaker 1>I'll film you improvisational type film. And I think that

0:37:33.160 --> 0:37:35.280
<v Speaker 1>some people are very good at that, and some people

0:37:35.320 --> 0:37:37.400
<v Speaker 1>are less good at that. I would put them like

0:37:37.640 --> 0:37:39.960
<v Speaker 1>firmly in the middle in this one. I think, like,

0:37:40.440 --> 0:37:43.479
<v Speaker 1>I think that there's a lot of just like there's

0:37:43.560 --> 0:37:45.759
<v Speaker 1>only a certain amount of times when people are just

0:37:45.800 --> 0:37:48.440
<v Speaker 1>like lolling around and parking lots and doing handstands and

0:37:48.480 --> 0:37:50.480
<v Speaker 1>stuff from like okay, okay, okay, I got it. You

0:37:50.480 --> 0:37:53.759
<v Speaker 1>guys are friends like, but I mean that that I

0:37:53.800 --> 0:38:00.080
<v Speaker 1>think though more so than maybe watching it in I

0:38:00.120 --> 0:38:04.520
<v Speaker 1>definitely feel like we are meant to think they are assholes, um,

0:38:04.560 --> 0:38:07.520
<v Speaker 1>more so than than than I think, well, they're assholes

0:38:07.560 --> 0:38:11.880
<v Speaker 1>except for Selena Gomez. She represents the girl that wants

0:38:11.920 --> 0:38:14.200
<v Speaker 1>to go home, which is apparently all of us. I

0:38:14.200 --> 0:38:16.960
<v Speaker 1>think we thought at the time also, we were like

0:38:17.360 --> 0:38:20.880
<v Speaker 1>we'd all go, oh yeah, no, I fully, I fully,

0:38:20.880 --> 0:38:24.319
<v Speaker 1>and especially now like that scene where I just think

0:38:24.360 --> 0:38:27.160
<v Speaker 1>Selena Gomez is so good in this movie, I agree,

0:38:27.360 --> 0:38:32.279
<v Speaker 1>and the voice like she sings her songs and yeah. Well,

0:38:32.360 --> 0:38:36.400
<v Speaker 1>for those who have not seen Spring Breakers and missed

0:38:36.400 --> 0:38:42.239
<v Speaker 1>out on an entire cinematic revolution of the twenty times, uh,

0:38:42.480 --> 0:38:44.080
<v Speaker 1>do one of you guys want to just go over

0:38:44.080 --> 0:38:46.480
<v Speaker 1>what it is? Real quick? It takes like one second.

0:38:47.560 --> 0:38:51.560
<v Speaker 1>It's the dubstep movie. Yeah, it is the skirl x movie.

0:38:51.920 --> 0:38:56.240
<v Speaker 1>It's about a group of college girls who rob a

0:38:56.280 --> 0:39:00.560
<v Speaker 1>fast food place, Chicken Chicken Shack for money and then

0:39:00.880 --> 0:39:03.280
<v Speaker 1>use it to go on a spring break trip to Florida.

0:39:04.239 --> 0:39:09.080
<v Speaker 1>They meet James Franco Alien, a guy named Alien based

0:39:09.080 --> 0:39:12.000
<v Speaker 1>on riff raff, and he takes them deeper into a

0:39:12.080 --> 0:39:17.760
<v Speaker 1>Flirty and Underworld of Crime, also again based on Dangerous

0:39:17.960 --> 0:39:21.600
<v Speaker 1>with two s s and you in There, but riff

0:39:21.680 --> 0:39:25.440
<v Speaker 1>Raff clearly also an inspiration for this movie. I went

0:39:25.440 --> 0:39:29.640
<v Speaker 1>into like a whole Wikipedia spiral over that because I

0:39:29.760 --> 0:39:31.799
<v Speaker 1>remembered it as like, of course it was riff Raff.

0:39:31.880 --> 0:39:35.680
<v Speaker 1>But in the time since the movie was released and now, um,

0:39:35.800 --> 0:39:39.960
<v Speaker 1>riff Raff tried to sue the movie for stealing his

0:39:40.040 --> 0:39:43.480
<v Speaker 1>life as inspiration. Then he promoted it across his social media,

0:39:44.000 --> 0:39:47.640
<v Speaker 1>and then um, I believe he was accused of rape.

0:39:47.719 --> 0:39:50.920
<v Speaker 1>And at the time I remember being like riff Raff.

0:39:52.120 --> 0:39:55.319
<v Speaker 1>This was an ongoing theme of the two thousands was

0:39:55.440 --> 0:39:58.000
<v Speaker 1>people that we now know better and being like, oh,

0:39:58.040 --> 0:40:03.080
<v Speaker 1>that's scamp, that love camp, just scamping around, and now

0:40:03.280 --> 0:40:04.560
<v Speaker 1>you know, you kind of have to see it a

0:40:04.600 --> 0:40:06.880
<v Speaker 1>little more. Some of these people, though, like Kevin Spacey,

0:40:06.960 --> 0:40:09.400
<v Speaker 1>always seemed like a huge creep. So then when it

0:40:09.480 --> 0:40:11.840
<v Speaker 1>came out like that Kevin Spacey was a huge creep,

0:40:11.880 --> 0:40:15.200
<v Speaker 1>I was like, that does not seem super surprising. And

0:40:15.239 --> 0:40:18.120
<v Speaker 1>I felt a little bit that way about Franco, especially

0:40:18.120 --> 0:40:21.200
<v Speaker 1>when he started being like, also I'm a poet, and

0:40:21.200 --> 0:40:26.520
<v Speaker 1>also I run an acting school. You know, just like, yeah,

0:40:26.560 --> 0:40:29.640
<v Speaker 1>there's something about trying to be a literary figure like

0:40:29.840 --> 0:40:32.400
<v Speaker 1>immediately squeezes me out ten times more than trying to

0:40:32.440 --> 0:40:35.600
<v Speaker 1>be an actor or like you're not actually that's smart,

0:40:35.800 --> 0:40:38.360
<v Speaker 1>right shows and all your writing, but people like publish

0:40:38.440 --> 0:40:42.080
<v Speaker 1>it anyway because you're famous. I mean, well, I was

0:40:42.120 --> 0:40:44.240
<v Speaker 1>just I think it's very funny that he is like

0:40:44.239 --> 0:40:47.279
<v Speaker 1>like like Alien is a poet in this movie and

0:40:47.520 --> 0:40:50.960
<v Speaker 1>like composes some poems over the course of the film,

0:40:51.080 --> 0:40:53.719
<v Speaker 1>and I'm pretty sure that James Franco probably composed it,

0:40:54.320 --> 0:40:57.000
<v Speaker 1>which is a very funny legacy for the era of

0:40:57.080 --> 0:41:01.120
<v Speaker 1>James Franco poet. Um it's like this was the most

0:41:01.160 --> 0:41:05.359
<v Speaker 1>probably well seen and um yeah, like the most high

0:41:05.360 --> 0:41:07.920
<v Speaker 1>profile poetry that he will be remembered for. Like The

0:41:08.000 --> 0:41:13.520
<v Speaker 1>Four Little Chickens Down on the Beach, I mean, the

0:41:13.560 --> 0:41:18.440
<v Speaker 1>movie still feels actually like because it's nothing bad it happened,

0:41:18.480 --> 0:41:21.000
<v Speaker 1>like nothing really bad happens to them until the very

0:41:21.120 --> 0:41:24.120
<v Speaker 1>end right now, unlike other spring Break movies where it's

0:41:24.120 --> 0:41:26.319
<v Speaker 1>like the girls are punished for like wanting to have

0:41:26.480 --> 0:41:29.960
<v Speaker 1>fun and be sexual, as in another spring Break movie

0:41:29.960 --> 0:41:33.160
<v Speaker 1>we'll watch soon called Where the Boys Are. That's very

0:41:33.160 --> 0:41:36.480
<v Speaker 1>good original spring Breakers. It was the original spring Breakers,

0:41:36.560 --> 0:41:39.359
<v Speaker 1>but with song. Yeah, like these like these girls it's

0:41:39.360 --> 0:41:42.080
<v Speaker 1>not like something. They don't get assaulted sexually in the movie,

0:41:42.440 --> 0:41:48.680
<v Speaker 1>which is what makes it feel light. Oh see, I

0:41:48.719 --> 0:41:51.840
<v Speaker 1>see my feeling about it, and I had this inkling

0:41:51.880 --> 0:41:53.880
<v Speaker 1>about it just because a lot of the race stuff

0:41:53.880 --> 0:41:56.200
<v Speaker 1>in it really kind of you're like, that's a choice,

0:41:56.400 --> 0:41:58.640
<v Speaker 1>and I think, I think, well, now, I think it's

0:41:58.640 --> 0:42:02.000
<v Speaker 1>actually more intentional than maybe. I think that it was

0:42:02.040 --> 0:42:04.280
<v Speaker 1>something that was discussed and criticized a lot of the time,

0:42:05.000 --> 0:42:07.600
<v Speaker 1>and I think with more and more hindsight, it feels

0:42:07.719 --> 0:42:11.160
<v Speaker 1>super intentional to me. And it does feel like a

0:42:11.239 --> 0:42:14.879
<v Speaker 1>story about hot girl white feminism, and it is like,

0:42:15.320 --> 0:42:19.520
<v Speaker 1>you know, taking the worst lessons from like white males

0:42:19.560 --> 0:42:23.399
<v Speaker 1>and the violence and the greed and uh and then

0:42:23.760 --> 0:42:26.440
<v Speaker 1>claiming that is your own and then murdering black and

0:42:26.480 --> 0:42:30.120
<v Speaker 1>brown people like that feels that feels like what this

0:42:30.239 --> 0:42:32.480
<v Speaker 1>movie encapsulates to me now, which is why I say

0:42:32.480 --> 0:42:34.440
<v Speaker 1>that these girls all feel like assholes to me. Do

0:42:34.480 --> 0:42:37.600
<v Speaker 1>you think Harmony Current thinks that's what it's about. I do, yeah,

0:42:37.719 --> 0:42:41.000
<v Speaker 1>I And I think I would have said maybe not.

0:42:41.239 --> 0:42:43.520
<v Speaker 1>Maybe that's something we're projecting onto it, but I think

0:42:43.560 --> 0:42:48.120
<v Speaker 1>watching it this time around, it feels so unmistakable. Um,

0:42:48.239 --> 0:42:50.680
<v Speaker 1>I don't think he's thinking about it in such academic terms,

0:42:50.719 --> 0:42:53.759
<v Speaker 1>but I don't think that The casting and like the

0:42:53.840 --> 0:42:57.920
<v Speaker 1>depiction of the different sides of this Florida underbelly, like

0:42:58.040 --> 0:43:02.160
<v Speaker 1>one side being represented by James Franco and the other

0:43:02.160 --> 0:43:05.120
<v Speaker 1>side being represented by Gucci Maine, Like, I feel like

0:43:05.160 --> 0:43:09.640
<v Speaker 1>they are very intentionally Uh there's like a line drawn there. Yeah,

0:43:09.760 --> 0:43:13.600
<v Speaker 1>I mean, Vanessa Hudgens is not white. She's also great

0:43:13.640 --> 0:43:15.839
<v Speaker 1>in this movie. I mean, I think what I liked

0:43:15.840 --> 0:43:17.760
<v Speaker 1>about it at the time that I still like about

0:43:17.760 --> 0:43:20.200
<v Speaker 1>it was the fact that like it took Selena Gomez

0:43:20.400 --> 0:43:24.560
<v Speaker 1>and Vanessa Hudgens seriously as actresses, the way that like

0:43:24.680 --> 0:43:26.400
<v Speaker 1>a young dude might get to be in an indie

0:43:26.440 --> 0:43:28.880
<v Speaker 1>movie and be like, look, he's playing a heroin Addict.

0:43:28.880 --> 0:43:33.240
<v Speaker 1>He's dark. Like they gave very good performances because nobody

0:43:33.280 --> 0:43:37.560
<v Speaker 1>expects anything have teen actresses, um for them to be

0:43:37.560 --> 0:43:39.440
<v Speaker 1>good at all. And I do just think Selena Gomez

0:43:39.480 --> 0:43:42.759
<v Speaker 1>has like a sort of soulfulness I love. I think

0:43:42.840 --> 0:43:46.480
<v Speaker 1>she's just sadness to her. The monologue stuff, like the

0:43:46.880 --> 0:43:49.680
<v Speaker 1>messages she's over the phone, conversation she's having with her grandma,

0:43:49.760 --> 0:43:52.200
<v Speaker 1>or just like you need her to deliver that because

0:43:52.200 --> 0:43:55.720
<v Speaker 1>it's it's very stuff about the like just the Bible study.

0:43:56.200 --> 0:43:58.640
<v Speaker 1>Like I like that whole part to a lot. Well,

0:43:58.680 --> 0:44:01.160
<v Speaker 1>I think when Emily was also talking about how it's

0:44:01.280 --> 0:44:04.360
<v Speaker 1>kind of white feminism, I think for me it was

0:44:04.400 --> 0:44:07.160
<v Speaker 1>definite that I you know, it did seem more intentional.

0:44:07.200 --> 0:44:09.000
<v Speaker 1>It seemed like there was a more of a message

0:44:09.040 --> 0:44:11.200
<v Speaker 1>than I saw the first time. But to me, I

0:44:11.239 --> 0:44:14.960
<v Speaker 1>saw it really as like a class thing. I mean,

0:44:15.000 --> 0:44:18.799
<v Speaker 1>I think that that was like, that's a very and

0:44:18.840 --> 0:44:20.279
<v Speaker 1>I think that I got the sense of that when

0:44:20.280 --> 0:44:22.680
<v Speaker 1>I first watched the movie, But I think now in

0:44:23.719 --> 0:44:27.160
<v Speaker 1>it's much easier to kind of pull it together into

0:44:27.200 --> 0:44:30.120
<v Speaker 1>a narrative because I think that initially um Harmony Kuran

0:44:30.200 --> 0:44:32.040
<v Speaker 1>and kind of like pitched this as just a mood

0:44:32.080 --> 0:44:36.280
<v Speaker 1>piece and just like a like sensory attactile kind of movie,

0:44:36.400 --> 0:44:39.120
<v Speaker 1>and that the plot was almost secondary to that. And

0:44:39.320 --> 0:44:41.759
<v Speaker 1>also I think um he said that he had missed

0:44:41.760 --> 0:44:43.640
<v Speaker 1>out on spring Breaks as a way of kind of

0:44:43.680 --> 0:44:46.319
<v Speaker 1>like experiencing what he thought it would be like, but

0:44:46.360 --> 0:44:49.479
<v Speaker 1>then twisting it into this kind of nightmare. But I think,

0:44:49.520 --> 0:44:52.520
<v Speaker 1>like you know, when you do kind of see like

0:44:52.560 --> 0:44:54.759
<v Speaker 1>the power dynamic flipped in the way that it is,

0:44:54.840 --> 0:44:57.000
<v Speaker 1>that's really striking, and then you notice how it's like

0:44:57.080 --> 0:44:59.719
<v Speaker 1>but it's also the same power dynamic that, yeah, it

0:45:00.000 --> 0:45:03.160
<v Speaker 1>as always existed, and it obviously treats like the movie

0:45:03.200 --> 0:45:07.080
<v Speaker 1>treats Gucci Maine as like a figure of reverence, which

0:45:07.920 --> 0:45:11.400
<v Speaker 1>I don't think everybody thought was what it did big art. Yeah,

0:45:11.520 --> 0:45:13.640
<v Speaker 1>I don't know if you need the outside context of

0:45:13.680 --> 0:45:18.360
<v Speaker 1>knowing about Gucci Maine to like enjoy this movie. But

0:45:19.600 --> 0:45:23.440
<v Speaker 1>I like that he cast some non actors. Again, I

0:45:23.480 --> 0:45:25.160
<v Speaker 1>feel like it does just kind of feel like a

0:45:25.280 --> 0:45:30.719
<v Speaker 1>natural semi naturalistic teen exploitation movie. Yeah. Yeah, I mean

0:45:30.800 --> 0:45:34.000
<v Speaker 1>I think that there's there's definite nods too, Like I

0:45:34.000 --> 0:45:36.680
<v Speaker 1>mean the whole stretch from when they get arrested to

0:45:36.800 --> 0:45:38.640
<v Speaker 1>when they get bailed out and they're just like in

0:45:38.640 --> 0:45:41.359
<v Speaker 1>their bikinis the entire time, and it just feels like

0:45:41.960 --> 0:45:44.480
<v Speaker 1>very much a nod to like the kind of exploitation

0:45:44.560 --> 0:45:46.279
<v Speaker 1>movie that it could be. And I think that it's

0:45:46.320 --> 0:45:50.520
<v Speaker 1>like very knowing and like funny in that way. Um. Yeah,

0:45:50.680 --> 0:45:53.640
<v Speaker 1>I just think like I think the stuff that's interesting

0:45:53.680 --> 0:45:55.880
<v Speaker 1>to matter. I mean, these are not complaints. Like what

0:45:55.960 --> 0:45:58.000
<v Speaker 1>I am like saying I'm noticing this time around is

0:45:58.000 --> 0:46:00.400
<v Speaker 1>not a complaint. Like I feel like I appreciate movie

0:46:00.520 --> 0:46:03.800
<v Speaker 1>more because I think, like the times the most interesting

0:46:03.880 --> 0:46:06.399
<v Speaker 1>moments in the movie to me now, like and one

0:46:06.440 --> 0:46:08.439
<v Speaker 1>of them was my original favorite part of the movie,

0:46:08.440 --> 0:46:10.759
<v Speaker 1>which is when they make James Franco fullate the gun.

0:46:11.160 --> 0:46:17.640
<v Speaker 1>Definitely part it still is because you're like, yeah, but

0:46:17.680 --> 0:46:20.240
<v Speaker 1>like even before then, there are all these moments where

0:46:20.800 --> 0:46:23.160
<v Speaker 1>they just like turn on a dime and kind of

0:46:23.200 --> 0:46:28.480
<v Speaker 1>become these like appetite driven monsters, and it's really scary.

0:46:28.719 --> 0:46:33.240
<v Speaker 1>It's like it's like very um. I think it feels

0:46:33.320 --> 0:46:38.359
<v Speaker 1>like a really evocative encapsulation, maybe not of like how

0:46:38.400 --> 0:46:41.239
<v Speaker 1>a real person would be, but kind of like what

0:46:41.440 --> 0:46:44.560
<v Speaker 1>young people are subjected to and like how they are

0:46:44.640 --> 0:46:47.239
<v Speaker 1>like driven to have these like violent appetites for like

0:46:47.360 --> 0:46:50.640
<v Speaker 1>money and escape and like very fleeting you know, pleasures

0:46:50.680 --> 0:46:53.759
<v Speaker 1>and stuff like that, which I think, like, I think

0:46:53.920 --> 0:46:55.640
<v Speaker 1>we can all identify with some of that. But I

0:46:55.719 --> 0:46:59.280
<v Speaker 1>think seeing in this like hyper neon very extreme version

0:46:59.400 --> 0:47:02.040
<v Speaker 1>is like it's very striking, like and I think that's

0:47:02.080 --> 0:47:04.359
<v Speaker 1>really well done. That's it's well directed and it's well

0:47:04.400 --> 0:47:06.359
<v Speaker 1>acted by them. Yeah, I mean, I think a lot

0:47:06.440 --> 0:47:09.400
<v Speaker 1>of beach towns have like a seedy underside. There's something

0:47:09.440 --> 0:47:12.960
<v Speaker 1>that goes along with being a tourist place that does

0:47:13.480 --> 0:47:18.640
<v Speaker 1>breathe this sort of weird uh economy. Oh it's so true.

0:47:18.800 --> 0:47:22.319
<v Speaker 1>I mean, I I that's something that I in retrospect

0:47:22.400 --> 0:47:26.160
<v Speaker 1>feel almost guilty about, just in terms of participating. Like

0:47:26.200 --> 0:47:28.920
<v Speaker 1>I know, but you know, I love Sweet Break just

0:47:29.040 --> 0:47:32.479
<v Speaker 1>the way that you treat a town that, in your

0:47:32.600 --> 0:47:35.680
<v Speaker 1>mind is intended to be a playground, you know what

0:47:35.719 --> 0:47:37.719
<v Speaker 1>I mean. It's you there's a point in your life

0:47:37.719 --> 0:47:40.920
<v Speaker 1>when you really have no concept. It's not that you're

0:47:40.960 --> 0:47:43.200
<v Speaker 1>going in and being an asshole to everybody. It's just

0:47:43.280 --> 0:47:47.000
<v Speaker 1>that by kind of like descending upon a place, acting

0:47:47.040 --> 0:47:49.719
<v Speaker 1>as if you know, it's that this is how life

0:47:49.760 --> 0:47:52.759
<v Speaker 1>always is here, and you displace people. I mean in

0:47:52.800 --> 0:47:54.920
<v Speaker 1>a way like when you talk about the Olympics, like

0:47:55.200 --> 0:47:58.520
<v Speaker 1>on a much smaller and different scale, it plays out

0:47:58.560 --> 0:48:02.040
<v Speaker 1>in a similar way, like the onomy is just completely

0:48:02.080 --> 0:48:06.000
<v Speaker 1>shifted for a season and then abandoned, you know what

0:48:06.040 --> 0:48:08.440
<v Speaker 1>I mean. And and it's I think that there are

0:48:08.440 --> 0:48:10.920
<v Speaker 1>probably some realities to that that you would only know

0:48:10.960 --> 0:48:13.000
<v Speaker 1>if you lived in a place like Panama City Beach

0:48:13.080 --> 0:48:16.720
<v Speaker 1>or St. Petersburg Um. And it's and it also seems

0:48:17.080 --> 0:48:19.600
<v Speaker 1>in a way to be like, I don't know, not

0:48:19.760 --> 0:48:23.319
<v Speaker 1>unique to Florida. Obviously, this this is you know, any

0:48:23.400 --> 0:48:27.680
<v Speaker 1>kind of place with like a large tourism draw, but Florida.

0:48:27.760 --> 0:48:30.680
<v Speaker 1>It's interesting, like how kind of emblematic of the spring

0:48:30.760 --> 0:48:33.920
<v Speaker 1>right culture and just of of tourism and vacation culture.

0:48:33.920 --> 0:48:36.239
<v Speaker 1>And also when we were talking about sort of pandemic

0:48:36.360 --> 0:48:39.120
<v Speaker 1>fears earlier, to tie it back in, you think about

0:48:39.120 --> 0:48:41.719
<v Speaker 1>like when a place is so dependent on tourism for

0:48:41.800 --> 0:48:44.960
<v Speaker 1>the economy, it's like then if something like a like

0:48:45.000 --> 0:48:48.400
<v Speaker 1>a illness, like you know, stops the normal cycle of

0:48:48.440 --> 0:48:51.960
<v Speaker 1>things from happening, like those people don't get paid and

0:48:52.000 --> 0:48:55.280
<v Speaker 1>it's not their fault, I wonder how it will affect

0:48:55.280 --> 0:48:57.560
<v Speaker 1>like Las Vegas as well. I mean that's when you

0:48:57.600 --> 0:49:01.279
<v Speaker 1>start thinking about how this could play out. That's when

0:49:01.320 --> 0:49:04.040
<v Speaker 1>it starts to get terrified, because you're like, well, you

0:49:04.080 --> 0:49:07.240
<v Speaker 1>have to shut down public transport people like avoid crowds.

0:49:07.280 --> 0:49:12.000
<v Speaker 1>I was like, how can you avoid crowds and crowds?

0:49:12.200 --> 0:49:15.400
<v Speaker 1>Crowds it's and it also and then when you start

0:49:15.840 --> 0:49:19.080
<v Speaker 1>seeing the adjustments that could be made if this became

0:49:19.120 --> 0:49:22.440
<v Speaker 1>like a real like a real threat, you just have

0:49:22.600 --> 0:49:24.839
<v Speaker 1>no sense of when it would end. And and then

0:49:25.000 --> 0:49:27.880
<v Speaker 1>if you have very little faith in our administration, as

0:49:27.920 --> 0:49:30.719
<v Speaker 1>I think a lot of people do, Uh, there's the

0:49:30.760 --> 0:49:33.600
<v Speaker 1>sense that that can be used to manipulate you. I

0:49:33.640 --> 0:49:36.799
<v Speaker 1>went on a thing about you, guys. I'm sorry, I

0:49:36.800 --> 0:49:39.239
<v Speaker 1>went in the darkest place I just read. I just

0:49:39.280 --> 0:49:42.000
<v Speaker 1>wrote a thing about tiki culture where I learned everything

0:49:42.040 --> 0:49:44.680
<v Speaker 1>about tiki bar culture. And one of the things I

0:49:44.719 --> 0:49:46.920
<v Speaker 1>learned was that it came up during the Great Depression

0:49:47.280 --> 0:49:51.560
<v Speaker 1>because it was people's like idealized fantasy of visiting the

0:49:51.600 --> 0:49:54.719
<v Speaker 1>South Seas and the Polynesian islands. Um. But it wasn't

0:49:54.760 --> 0:49:57.400
<v Speaker 1>actually about going. It was just like this fantasy of

0:49:57.480 --> 0:49:59.480
<v Speaker 1>going to the tropical place. And then they're like, we're

0:49:59.480 --> 0:50:02.439
<v Speaker 1>going to work sure it with this drink. They're also

0:50:02.520 --> 0:50:04.400
<v Speaker 1>such good drinks, and it's so much fun to have

0:50:04.480 --> 0:50:06.560
<v Speaker 1>a tiny toy. And it was also at the end

0:50:06.600 --> 0:50:09.160
<v Speaker 1>of prohibition, so it was like a double barrel of

0:50:09.239 --> 0:50:12.920
<v Speaker 1>like you can drink again. And also everyone's broke. It's healthy,

0:50:12.960 --> 0:50:15.680
<v Speaker 1>it has juice in it. I can put corn flakes

0:50:15.680 --> 0:50:17.480
<v Speaker 1>in it. But I feel like that's also how spring

0:50:17.480 --> 0:50:20.920
<v Speaker 1>break and just like the concept of vacation operates in

0:50:21.080 --> 0:50:25.560
<v Speaker 1>like the imagination of the average person. Yeah yeah, there's

0:50:25.560 --> 0:50:28.239
<v Speaker 1>like a Baudriyard essay that's all about just how like

0:50:28.360 --> 0:50:31.680
<v Speaker 1>the idea of vacation just like is what people use

0:50:31.800 --> 0:50:34.600
<v Speaker 1>to mark how good of a time they think they're having.

0:50:35.239 --> 0:50:38.560
<v Speaker 1>I mean, that's why I like the Selena Gomez voiceover stuff,

0:50:38.600 --> 0:50:41.160
<v Speaker 1>because it's not though, who who spring break, let's go

0:50:41.320 --> 0:50:44.000
<v Speaker 1>get fucked up thing that she's expressing. It's like a

0:50:44.120 --> 0:50:47.000
<v Speaker 1>much deeper kind of sentiment that I think anybody, even

0:50:47.000 --> 0:50:49.239
<v Speaker 1>people who have just been on a normal vacation, can

0:50:49.280 --> 0:50:51.440
<v Speaker 1>identify with, which is just like I don't want to

0:50:51.440 --> 0:50:53.960
<v Speaker 1>see the same things every single day. I want to

0:50:54.000 --> 0:50:57.120
<v Speaker 1>go someplace and like really understand myself there. And it's

0:50:57.200 --> 0:50:59.359
<v Speaker 1>very like it's sort of like Winky doing it over

0:50:59.400 --> 0:51:03.439
<v Speaker 1>these shots of you know, people just like wiggling their

0:51:03.560 --> 0:51:06.680
<v Speaker 1>bare breasts around and like jacking off beers into each

0:51:06.719 --> 0:51:10.000
<v Speaker 1>other's mouth. Um, but I think like, but it also

0:51:10.120 --> 0:51:11.960
<v Speaker 1>is like kind of very touching because it's like, yeah,

0:51:12.040 --> 0:51:15.320
<v Speaker 1>I mean, there is a kind of humanity to even

0:51:15.360 --> 0:51:17.479
<v Speaker 1>this ship at a certain point, and people are only

0:51:17.560 --> 0:51:21.279
<v Speaker 1>doing this people need to release well yeah, well yeah,

0:51:21.280 --> 0:51:23.759
<v Speaker 1>and people are only doing this like because of a

0:51:23.840 --> 0:51:26.359
<v Speaker 1>series of like cultural cues that tells them they should

0:51:26.400 --> 0:51:27.839
<v Speaker 1>do this and that they are going to find those

0:51:27.880 --> 0:51:30.080
<v Speaker 1>things if they do that. And like, I think that

0:51:30.200 --> 0:51:33.200
<v Speaker 1>some people obviously have great transcendent experiences. I'm sure we'll

0:51:33.200 --> 0:51:35.600
<v Speaker 1>hear about tests at some point this time, and some

0:51:35.640 --> 0:51:38.520
<v Speaker 1>people don't. Some people are Selena Gomez is. But it's

0:51:38.520 --> 0:51:40.960
<v Speaker 1>like you still go out with the optimism that you

0:51:41.040 --> 0:51:43.360
<v Speaker 1>are going to like connect with other people and like

0:51:43.480 --> 0:51:50.160
<v Speaker 1>have some sort of new transformative experience. I think experienced

0:51:50.320 --> 0:51:53.000
<v Speaker 1>one really great one and two not so good ones

0:51:53.120 --> 0:51:56.840
<v Speaker 1>to be but I'll spill the beans in our Patreon

0:51:57.280 --> 0:52:02.200
<v Speaker 1>com I mean, I think that's the other thing obviously

0:52:02.200 --> 0:52:06.000
<v Speaker 1>about vacation, but in spring break in particular, I think, um,

0:52:06.040 --> 0:52:11.239
<v Speaker 1>when you have a plan to drink as much as possible,

0:52:11.880 --> 0:52:14.600
<v Speaker 1>like it's hard because you can go into it with

0:52:14.640 --> 0:52:17.759
<v Speaker 1>the intentions of having it like the voice over, where

0:52:17.800 --> 0:52:20.120
<v Speaker 1>it's like it doesn't have to be the way that

0:52:20.200 --> 0:52:22.600
<v Speaker 1>it always ends up being. I mean, and that also

0:52:22.800 --> 0:52:26.400
<v Speaker 1>like kind of speaks to like an alcoholic mindset of

0:52:26.560 --> 0:52:28.919
<v Speaker 1>just like you, in your mind, it's going to be this,

0:52:29.040 --> 0:52:32.480
<v Speaker 1>and then like the reality is so not that you're

0:52:32.520 --> 0:52:36.320
<v Speaker 1>chasing this like ideal five hours of like perfect abriation

0:52:36.480 --> 0:52:39.920
<v Speaker 1>where nothing bad happening. And I think there's like the

0:52:39.920 --> 0:52:43.200
<v Speaker 1>gap between people's expectations of their vacation and like what

0:52:43.280 --> 0:52:47.040
<v Speaker 1>it's actually like. It's such an interesting thing because it's

0:52:47.080 --> 0:52:49.760
<v Speaker 1>like people, that is how people sort of motivate themselves

0:52:49.840 --> 0:52:52.040
<v Speaker 1>to keep going. It's like and that I get to

0:52:52.080 --> 0:52:55.600
<v Speaker 1>my vacation, afford to go on a vacation and better

0:52:55.640 --> 0:52:58.680
<v Speaker 1>be the best. Yeah, And a spring break particularly, like

0:52:58.680 --> 0:53:01.160
<v Speaker 1>what's specific about springbreak. It's like a lot of people's

0:53:01.160 --> 0:53:04.239
<v Speaker 1>first time going on vacation without their family exactly, and

0:53:04.320 --> 0:53:07.800
<v Speaker 1>so it is like a very you know, big first

0:53:07.920 --> 0:53:10.280
<v Speaker 1>experience to go out in the world and do something

0:53:10.520 --> 0:53:13.480
<v Speaker 1>just with friends as an adult, being treated like an adult,

0:53:13.520 --> 0:53:17.240
<v Speaker 1>like buying your own tickets to go do something. And um, yeah,

0:53:17.320 --> 0:53:19.399
<v Speaker 1>I think, I mean I haven't. I have never done

0:53:19.440 --> 0:53:24.080
<v Speaker 1>a spring breaks still time a break, yeah, And I

0:53:24.080 --> 0:53:27.319
<v Speaker 1>think people have various versions of it. The Florida going

0:53:27.320 --> 0:53:30.080
<v Speaker 1>to Florida is the classic, but you know, I'm sure

0:53:30.120 --> 0:53:32.920
<v Speaker 1>there's other people who are like, you went to Montreal, Mollie.

0:53:33.000 --> 0:53:35.080
<v Speaker 1>I did go to Montreal for my spring breaks. That

0:53:35.280 --> 0:53:39.560
<v Speaker 1>story yeah at some point to is it like a

0:53:39.640 --> 0:53:45.560
<v Speaker 1>Vice themed spring No, but it's silly so it'll fit

0:53:45.680 --> 0:53:48.879
<v Speaker 1>on our podcast. Well, before we wrap up today, should

0:53:48.920 --> 0:53:52.279
<v Speaker 1>we take one last night call a spring break? Night call?

0:53:52.520 --> 0:53:56.200
<v Speaker 1>Do it? Okay? II night call? This is Leah. I'm

0:53:56.239 --> 0:54:00.920
<v Speaker 1>calling him with my spooky spring break story. So. When

0:54:00.960 --> 0:54:03.000
<v Speaker 1>I was in high school, I was friends with someone.

0:54:04.000 --> 0:54:06.719
<v Speaker 1>His name was Ryan, and he was a year younger

0:54:06.719 --> 0:54:08.920
<v Speaker 1>than me, and he was like the total goof class

0:54:08.960 --> 0:54:14.080
<v Speaker 1>clown um, sort of like punk kid everybody loved and Um.

0:54:14.120 --> 0:54:16.960
<v Speaker 1>When I was a senior and he was a junior,

0:54:17.000 --> 0:54:20.840
<v Speaker 1>towards the end of the year, he got into a

0:54:20.880 --> 0:54:25.239
<v Speaker 1>horrific skateboarding accident. Um. I promised, this is not this,

0:54:25.560 --> 0:54:29.040
<v Speaker 1>this has to do a spring break. Um. He was

0:54:29.400 --> 0:54:32.839
<v Speaker 1>in a coma for a really long time and then

0:54:32.840 --> 0:54:34.560
<v Speaker 1>he came out of in you know, sort of okay.

0:54:34.560 --> 0:54:37.279
<v Speaker 1>But by that time I went off to college. So

0:54:37.400 --> 0:54:41.319
<v Speaker 1>my freshman year of college, I drove with my best

0:54:41.320 --> 0:54:45.759
<v Speaker 1>friend Alex down to Rocky Point, Mexico, which is um.

0:54:46.080 --> 0:54:49.279
<v Speaker 1>I grew up in Tucson, Arizona, and Rocky Point is

0:54:49.320 --> 0:54:53.080
<v Speaker 1>like this sort of sleepy beach town that is, UM

0:54:53.480 --> 0:54:57.160
<v Speaker 1>has like disgustings for a grade full of people from

0:54:57.560 --> 0:55:00.440
<v Speaker 1>high school. Um, it's like a four hour dry the

0:55:00.520 --> 0:55:02.920
<v Speaker 1>two sons. So um, I get there. We get there.

0:55:02.920 --> 0:55:04.840
<v Speaker 1>Where at the spot, I was like, you know, just

0:55:04.920 --> 0:55:08.640
<v Speaker 1>the grossest version of spring break. And I see my

0:55:08.680 --> 0:55:11.200
<v Speaker 1>friend Ryan, who I haven't seen since he came out

0:55:11.239 --> 0:55:16.640
<v Speaker 1>of the coma, and he just really has this days

0:55:16.840 --> 0:55:20.839
<v Speaker 1>completely the little look on his days. And you know,

0:55:20.880 --> 0:55:24.920
<v Speaker 1>I was like, oh my god, Ryan, how are you do?

0:55:24.960 --> 0:55:27.760
<v Speaker 1>You do? You want to shot um like an apple

0:55:27.920 --> 0:55:30.520
<v Speaker 1>that I am? And he was just like, I, UM,

0:55:30.640 --> 0:55:34.600
<v Speaker 1>could we go outside for a minute. So we went

0:55:34.800 --> 0:55:40.480
<v Speaker 1>outside and he just basically looked at me and was like,

0:55:40.640 --> 0:55:44.040
<v Speaker 1>I don't know who I am anymore. I don't know

0:55:44.120 --> 0:55:48.680
<v Speaker 1>who I'm supposed to be and was essentially having a

0:55:49.640 --> 0:55:54.360
<v Speaker 1>very intense identity crisis because of the coma and was

0:55:54.440 --> 0:55:57.239
<v Speaker 1>saying to me that he kept saying, I knew, I

0:55:57.280 --> 0:55:59.920
<v Speaker 1>know the part I'm supposed to play, um, but I

0:56:00.000 --> 0:56:02.920
<v Speaker 1>don't know how to do it anymore. And meanwhile, like people,

0:56:02.920 --> 0:56:05.879
<v Speaker 1>if I are screaming, I am also hammered of course

0:56:07.000 --> 0:56:11.880
<v Speaker 1>really UM not equipped to provide the emotional support that

0:56:12.120 --> 0:56:16.040
<v Speaker 1>this person really needed. I think a couple came out

0:56:16.080 --> 0:56:18.920
<v Speaker 1>and we're like making out really close to us, UM

0:56:19.880 --> 0:56:23.680
<v Speaker 1>and uh, it was very intense, and I think it's

0:56:23.680 --> 0:56:25.480
<v Speaker 1>just sort of ended with like I gave him a

0:56:25.520 --> 0:56:30.400
<v Speaker 1>hug and was like, you'll get there like that, and

0:56:30.440 --> 0:56:36.959
<v Speaker 1>then UM, I went back inside and um finished spring break.

0:56:37.080 --> 0:56:40.239
<v Speaker 1>And also I remember taking a car home that a

0:56:40.320 --> 0:56:43.919
<v Speaker 1>friend of ours drove very irresponsibly, and my other friend

0:56:43.960 --> 0:56:48.880
<v Speaker 1>Alex thought we had stolen a taxi. That's it. Um,

0:56:48.920 --> 0:56:51.279
<v Speaker 1>I love you, I love night column and I call

0:56:51.400 --> 0:57:01.000
<v Speaker 1>head happy, Thank you, le, thank you so much. Yeah.

0:57:01.080 --> 0:57:02.960
<v Speaker 1>I think that really gets at the heart of the

0:57:03.040 --> 0:57:07.120
<v Speaker 1>existential reckoning within the very idea of spring break itself. Yeah,

0:57:07.160 --> 0:57:10.080
<v Speaker 1>because you can't escape like being a human. You think

0:57:10.160 --> 0:57:13.040
<v Speaker 1>you can and just go for the fun, but then

0:57:13.080 --> 0:57:17.640
<v Speaker 1>there's the inconvenience of being a human in a human society. Also,

0:57:17.760 --> 0:57:22.040
<v Speaker 1>there's tons of ways to dissociate and feel like another

0:57:22.200 --> 0:57:26.360
<v Speaker 1>person other than drinking copious amounts of alcohol. Turns out

0:57:26.400 --> 0:57:29.080
<v Speaker 1>you can just get a coma. In a coma, I

0:57:29.120 --> 0:57:31.200
<v Speaker 1>forget how long did she say he'd been in a coma.

0:57:31.360 --> 0:57:35.840
<v Speaker 1>Did she say, I don't know. She said, can you imagine? No,

0:57:36.000 --> 0:57:38.120
<v Speaker 1>I cannot imagine. I don't know what I would say

0:57:38.160 --> 0:57:40.200
<v Speaker 1>to that person either, especially if you know them and

0:57:40.240 --> 0:57:43.520
<v Speaker 1>you're like, I don't know what that must be. I mean,

0:57:43.560 --> 0:57:48.480
<v Speaker 1>it's it's hard to interesting more alienated and yeah, you

0:57:48.520 --> 0:57:51.280
<v Speaker 1>don't know what to say that person. Yeah, I hope

0:57:51.320 --> 0:57:55.680
<v Speaker 1>they have found peace. Yeah they figured it out. Um horrible.

0:57:56.680 --> 0:58:00.280
<v Speaker 1>Definitely don't go to a spring like a trashy's drink

0:58:00.400 --> 0:58:03.360
<v Speaker 1>break hang out if that's where you are. But maybe

0:58:03.480 --> 0:58:07.600
<v Speaker 1>he thought he could escape from It's probably so hard

0:58:07.600 --> 0:58:09.680
<v Speaker 1>to even leave the house. It's like you eventually you

0:58:09.720 --> 0:58:12.240
<v Speaker 1>just have to try and throw yourself into it. And

0:58:12.640 --> 0:58:15.080
<v Speaker 1>especially I mean if you isolate yourself, and I'm imagining

0:58:15.120 --> 0:58:17.520
<v Speaker 1>this is probably back. I mean when we were in

0:58:17.600 --> 0:58:20.400
<v Speaker 1>high school there wasn't like that much internet, so you're

0:58:20.480 --> 0:58:23.040
<v Speaker 1>so isolated unless you go to where your friends are

0:58:23.320 --> 0:58:25.440
<v Speaker 1>and they're the people who have like the missing pieces

0:58:25.480 --> 0:58:27.480
<v Speaker 1>of who you are that your family would. I'm now

0:58:27.520 --> 0:58:31.520
<v Speaker 1>I'm obsessed with this because it's fascinating. It's like you

0:58:31.520 --> 0:58:33.480
<v Speaker 1>would need your friends to tell you. But if you

0:58:33.520 --> 0:58:35.040
<v Speaker 1>don't know how you are You wouldn't know how to

0:58:35.040 --> 0:58:37.960
<v Speaker 1>act for them at all. Yeah, if your friends are like, hey,

0:58:38.280 --> 0:58:40.439
<v Speaker 1>here's what you used to be like, that would also

0:58:40.480 --> 0:58:45.960
<v Speaker 1>be so now pretend to be that way. Oh weird? Well, Brian, Um,

0:58:46.480 --> 0:58:50.720
<v Speaker 1>it's okay. Now, please give us your spring break stories

0:58:50.920 --> 0:58:53.720
<v Speaker 1>at two four oh four six night They can be

0:58:53.840 --> 0:58:57.680
<v Speaker 1>horror stories or not, that's right, good stories, bad stories,

0:58:57.880 --> 0:59:04.880
<v Speaker 1>scary stories, haunted susion theories. Yeah, we're gonna be doing

0:59:04.920 --> 0:59:08.280
<v Speaker 1>Springbreak Month all March here on Nightcall, so we've got

0:59:08.400 --> 0:59:10.480
<v Speaker 1>time for all of them. And you can also give

0:59:10.520 --> 0:59:13.280
<v Speaker 1>us an email and Night Called Podcasts at gmail dot com.

0:59:14.040 --> 0:59:16.440
<v Speaker 1>And that does it for this week. We'll be back

0:59:16.560 --> 0:59:19.680
<v Speaker 1>next week more spring break stories and the meantime. You

0:59:19.720 --> 0:59:21.880
<v Speaker 1>can follow us on social media. We are on Twitter

0:59:21.960 --> 0:59:24.320
<v Speaker 1>and I called Pod Instagram, and Night Called Podcast on

0:59:24.400 --> 0:59:27.080
<v Speaker 1>Facebook and I called Podcast. You can also follow our

0:59:27.160 --> 0:59:31.120
<v Speaker 1>Patreon where at patreon dot com slash Nightcall and please,

0:59:31.320 --> 0:59:34.200
<v Speaker 1>as always great review and subscribe for a show on

0:59:34.320 --> 0:59:38.200
<v Speaker 1>iTunes or whatever wherever you listen to the podcasts. We'll

0:59:38.240 --> 0:59:47.360
<v Speaker 1>see you next week. Nightcall is a production of I

0:59:47.520 --> 0:59:50.800
<v Speaker 1>Heart Radio. For more podcasts from my heart Radio, visit

0:59:50.840 --> 0:59:53.920
<v Speaker 1>the I Heart Radio app, Apple podcasts, or wherever you

0:59:54.000 --> 0:59:55.080
<v Speaker 1>listen to your favorite shows.