WEBVTT - Frankly

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<v Speaker 1>Welcome to Aaron Manke's Cabinet of Curiosities, a production of

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<v Speaker 1>iHeartRadio and Grimm and Mild. Our world is full of

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<v Speaker 1>the unexplainable, and if history is an open book, all

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<v Speaker 1>of these amazing tales are right there on display, just

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<v Speaker 1>waiting for us to explore. Welcome to the Cabinet of Curiosities.

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<v Speaker 1>Frank Sinatra was one of the most iconic musical artists

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<v Speaker 1>of all time. His voice was synonymous with the idea

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<v Speaker 1>of a crooner or a dreamy singer who sings love songs.

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<v Speaker 1>You may know that he was also a successful dramatic actor,

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<v Speaker 1>but what most people don't realize is that he was

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<v Speaker 1>one role away from becoming an action star. Sinatra's acting

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<v Speaker 1>career began all the way back in the nineteen forties,

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<v Speaker 1>but in nineteen sixty eight he was looking to challenge

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<v Speaker 1>himself to see if he could get outside of his wheelhouse.

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<v Speaker 1>Up to this point, Sinatra tended to play characters that

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<v Speaker 1>were kind of already in his DNA. He was a singer,

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<v Speaker 1>so he played singers. He had a lot of friends

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<v Speaker 1>in the mob, so he played mobsters. He played a

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<v Speaker 1>lot of criminals, But could he play a character on

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<v Speaker 1>the other side of the law. His new film, The

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<v Speaker 1>Detective would give him that chance. The Detective was based

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<v Speaker 1>on a novel by author Roderick Thorpe. It follows Detective

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<v Speaker 1>Joe Leland, a tired working class man exposed to heinous

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<v Speaker 1>crime after heinous crime. He doesn't like to listen to

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<v Speaker 1>orders from his incompetent superiors, and his marriage is disintegrating

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<v Speaker 1>as he gets pulled in deeper and deeper by his work.

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<v Speaker 1>It was the perfect role for Sinatra. It allowed him

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<v Speaker 1>to showcase his signature grumpy persona while in a mature,

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<v Speaker 1>nuanced package. The film portrayed police work in a much

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<v Speaker 1>more realistic way than most films, and even discussed some

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<v Speaker 1>at the time taboo subjects homosexuality and sexual violence. The

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<v Speaker 1>Detective was a critical and commercial hit. Seeing the wild

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<v Speaker 1>success of his novel being adapted for film, Thorpe was

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<v Speaker 1>eager to write a sequel so that it, too could

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<v Speaker 1>be turned into a movie. His second Joe Leland's story,

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<v Speaker 1>Nothing Last Forever, turned the drama up to eleven. It

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<v Speaker 1>took Joe across the country from New York to visit

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<v Speaker 1>his estranged daughter at her office in downtown La While there,

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<v Speaker 1>criminals attacked the office and Joe is forced to use

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<v Speaker 1>his skills as a detective to stop them. He manages

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<v Speaker 1>to succeed, but not before his daughter is killed. It

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<v Speaker 1>was a well received sequel and producers were excited to

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<v Speaker 1>turn it into a film. The only problem was that

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<v Speaker 1>by the time they were ready to make the movie

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<v Speaker 1>in nineteen eighty seven, Sinatra was seventy two years old.

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<v Speaker 1>No way could he reprise the role in such an

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<v Speaker 1>action heavy sequel. And the part that really stunk for

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<v Speaker 1>the producers was that Sinatra's contract from the Detective stipulated

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<v Speaker 1>that they had to offer him the role for any sequels.

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<v Speaker 1>So they approached him, hands likely shaking as they gave

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<v Speaker 1>him the script, secretly hoping that he would turn it down.

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<v Speaker 1>And Sinatra read the script with his usual grim expression,

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<v Speaker 1>not giving any indication if he liked it or not,

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<v Speaker 1>And then once he was finished, he looked back over

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<v Speaker 1>to the waiting producers and told them that this was

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<v Speaker 1>probably a little more than he could handle at this

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<v Speaker 1>point in his life, so he declined the role. I

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<v Speaker 1>can imagine the producers jumping for joy as soon as

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<v Speaker 1>Sinatra left their office, and what followed was an intense

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<v Speaker 1>casting call to find just the right successor to Sinatra.

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<v Speaker 1>All the great action stars of the time were called

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<v Speaker 1>up too, Schwarzenegger, Stallone, Gibson, Burt Reynolds, but in the

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<v Speaker 1>end all of them turned down the role as well. Ultimately,

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<v Speaker 1>the producers had to go with a newer, younger actor

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<v Speaker 1>who was more popular on television than film. They rewrote

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<v Speaker 1>the script to be a little less dark and a

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<v Speaker 1>little more funny too. For example, the detective was now

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<v Speaker 1>trying to save his wife instead of his daughter, and

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<v Speaker 1>he was successful in the end. Also, the criminals weren't

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<v Speaker 1>out for revenge, they just wanted money. And finally, the

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<v Speaker 1>character of Joe Leland had his name changed to reflect

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<v Speaker 1>that this was not really the same guy from the

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<v Speaker 1>movie from twenty years before. And I'm happy to say

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<v Speaker 1>that it worked. When it was released in nineteen eighty eight,

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<v Speaker 1>the film became an instant hit and is considered today

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<v Speaker 1>to be one of the greatest action movies of all time,

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<v Speaker 1>a film that should have starred Frank Sinatra but instead

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<v Speaker 1>starred Bruce Willis die Hard. As Winter rolls in, I've

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<v Speaker 1>found myself thinking of the emotions and feelings we associate

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<v Speaker 1>with the season. The winter months are a time of joy,

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<v Speaker 1>of celebration, Christmas, New Year's, winter revels, yule Tide carols,

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<v Speaker 1>and warm fires. You get the idea, breaks from the

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<v Speaker 1>drudgery of work to spend time with family, friends, and

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<v Speaker 1>our communities. These things are universally beloved, even if you

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<v Speaker 1>don't describe to any particular holiday. But that's not all

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<v Speaker 1>the winter is made of. After all, we only light

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<v Speaker 1>a cozy fire in order to stave off the biting,

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<v Speaker 1>bitter cold, and many cultural traditions associate the cold with

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<v Speaker 1>ghost stories just as much as jolly El's. And you've

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<v Speaker 1>probably heard of Crampus, the goat like creature that follows

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<v Speaker 1>Saint Nicholas around in German Christmas stories. But he's merely

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<v Speaker 1>the tip of the iceberg when it comes to Christmas Boogeyman.

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<v Speaker 1>You see. German folklore is full of so called childhood

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<v Speaker 1>nightmare figures. These are the monsters that you tell your

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<v Speaker 1>children about in order to scare them into doing their

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<v Speaker 1>chores or going to bed on time, but some of

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<v Speaker 1>them come for adults too. In Central Europe, one of

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<v Speaker 1>the most well known of these beans is Frauperkta an

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<v Speaker 1>old crone who cares very much about the cleanliness of

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<v Speaker 1>your house and whether you've done all your weaving for

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<v Speaker 1>the season. It's said that if your house isn't clean,

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<v Speaker 1>she will come in with a pair of scissors, slit

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<v Speaker 1>your belly open and fill it with rocks. She also

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<v Speaker 1>disembowls lazy children upon occasion as well. Those who observe

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<v Speaker 1>her traditions make sure to leave out an offering dumplings

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<v Speaker 1>in some regions, or porridge and herring. Other regions say

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<v Speaker 1>that you must leave an egg on your roof as

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<v Speaker 1>a tribute. Why on the roof, while some say that

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<v Speaker 1>frau Perkta flies through the air on the darkest night

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<v Speaker 1>of the year, the winter solstice, and behind her is

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<v Speaker 1>a caravan of spirits. In some traditions these are the

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<v Speaker 1>spirits of unbaptized children, and others they are a parade

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<v Speaker 1>of monstrous crompus like creatures called perktin. And she flies

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<v Speaker 1>by writing on a distaff, a wool spinning tool that

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<v Speaker 1>looks very much like a broom enough so that her

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<v Speaker 1>image might call to mind that classical image of a

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<v Speaker 1>witch on a broomstick. But Frau. Perkta is not a witch.

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<v Speaker 1>She's a result of something that we would call syncretism

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<v Speaker 1>and assimilation. Perkta was originally something more resembling a goddess

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<v Speaker 1>or a folk deity. Her tradition can actually be traced

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<v Speaker 1>all the way back to the Norse goddess Friga, and

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<v Speaker 1>she was the goddess of in between spaces who guided

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<v Speaker 1>the spirits of the dead to the afterlife. In these

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<v Speaker 1>older stories, it said that she taught people how to

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<v Speaker 1>weave flax into linen. But when Christianity started taking over

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<v Speaker 1>the region, it went to work relegating the creatures of

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<v Speaker 1>folklore to secondary roles that fit into Christian worship. Crampus,

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<v Speaker 1>for instance, became Santa's helper, and Perkta became a figure

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<v Speaker 1>who haunted people not on the Winter solstice, but on

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<v Speaker 1>January sixth, the twelfth day of Christmas. But that day

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<v Speaker 1>still holds its own special name for those who prefer

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<v Speaker 1>to celebrate it the old way. Perkdinag. Like many classic

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<v Speaker 1>pre Christian gods or goddesses, Perkta has a sort of

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<v Speaker 1>duality to her. She is a creepy old woman who

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<v Speaker 1>may punish you for disobedience, but she is also wise

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<v Speaker 1>and elderly. She leads a train of ghosts through the

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<v Speaker 1>sky in the dark of night, but she also guides

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<v Speaker 1>those spirits that are lost to a final resting place.

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<v Speaker 1>And as the nights grow longer and the days grow shorter,

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<v Speaker 1>she makes you focus on the hearth and home, ensuring

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<v Speaker 1>all is ready not just for her, but for your

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<v Speaker 1>family as well. This duality makes her perfectly suited for

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<v Speaker 1>the winter months. It also makes her resistant to the

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<v Speaker 1>ways that Christian influence tried to demonize her, and to

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<v Speaker 1>this day, many Alpine communities still dress as Frauperkta in

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<v Speaker 1>holiday festivals and pay tribute to her just as enthusiastically

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<v Speaker 1>as they do to Saint Nicholas. Some figures from folklore

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<v Speaker 1>stand the test of time, and some survive by adapting

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<v Speaker 1>to a strange new world. So as the nights get

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<v Speaker 1>colder this month, keep an eye on the dark sky above,

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<v Speaker 1>and maybe keep an egg on your roof. I hope

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<v Speaker 1>you've enjoyed today's guided tour of the Cabinet of Curiosities.

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<v Speaker 1>Subscribe for free on Apple Podcasts, or learn more about

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<v Speaker 1>the show by visiting Curiosities podcast dot com. The show

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<v Speaker 1>was created by me, Aaron Mankey in partnership with Houstuff Works.

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<v Speaker 1>I make another award winning show called Lore, which is

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<v Speaker 1>a podcast, book series, and television show and you can

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<v Speaker 1>learn all about it over at Theworldoflore dot com. And

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<v Speaker 1>until next time, stay curious.