WEBVTT - #55 - Slim 400

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<v Speaker 1>Yo, it's the Bootleg cap podcast. Look, we got a

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<v Speaker 1>shout out to Slim four hundred. This interview took place

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<v Speaker 1>after I was extremely toxicated, intoxicated doing a doobie interview,

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<v Speaker 1>so I'm not gonna lie. You know. We get into

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<v Speaker 1>some shit, but uh definitely had better interviews. But if

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<v Speaker 1>you definitely want to kind of tap in with with

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<v Speaker 1>with some of the history with YG and some of

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<v Speaker 1>the stuff that's been going on with Slim four hundred,

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<v Speaker 1>he gives a real wild description of like how it

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<v Speaker 1>feels to actually get shot. Check it out. He's got

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<v Speaker 1>a new project out, He's got his label going crazy,

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<v Speaker 1>Ice Water Records. Slim four hundred is on the podcast,

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<v Speaker 1>which is presented by odds Socks. Go to odd socksofficial

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<v Speaker 1>bootleg cap at checkout odd socksofficial dot com. Let's get

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<v Speaker 1>into the podcast Boutlet Cab Podcast. We got the homie

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<v Speaker 1>in here man Slim found Welcome sir, Listen, bro, you

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<v Speaker 1>got your new albums officially out Bombting talk about First

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<v Speaker 1>of all, I feel like this album because I went

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<v Speaker 1>through the whole joint last night. Yeah, and I feel

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<v Speaker 1>like you might have had a chip on your shoulder

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<v Speaker 1>recording this shit. Oh yeah, Man, I'm for a bombing bro,

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<v Speaker 1>Like is hectic now. I just feel like, you know,

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<v Speaker 1>I feel like this album to me, for you is

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<v Speaker 1>like a statement. Yeah was it that? Yeah? Bro? I

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<v Speaker 1>feel like, man, you gotta make your point. You know

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<v Speaker 1>what I'm saying. And a nigga real bombed the Native

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<v Speaker 1>you know what I'm saying. I already do this shit

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<v Speaker 1>for my city, you know what I'm saying, and my culture,

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<v Speaker 1>So I have to just let people know. Man, like

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<v Speaker 1>a nigga really come from Spruce Street, you know what

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<v Speaker 1>I'm saying. The block. You know what I'm saying. And

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<v Speaker 1>along with a couple other people, you feel me. But

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<v Speaker 1>it's different from me because I really was running my

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<v Speaker 1>fucker running around doing some shit. That's sort of thing

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<v Speaker 1>right right right, So I just have to just tell

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<v Speaker 1>my story of what I was doing and me going

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<v Speaker 1>through the shootings and all types of different shit. You feel.

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<v Speaker 1>I do feel like one thing I've always appreciated about you, Slim,

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<v Speaker 1>is wherever I be at I see you. I might

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<v Speaker 1>be in San Diego F six DJ's hood ass ship,

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<v Speaker 1>and you be there probably four five niggas right in

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<v Speaker 1>and out like you. You're fucking out outside, bro, Like

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<v Speaker 1>you know what I'm saying, Like that be the thing?

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<v Speaker 1>Nothing cut you up? And people be like, man, like

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<v Speaker 1>what he be? What he be? Man, y'all don't be

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<v Speaker 1>nowhere because because you be everywhere that part man, So

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<v Speaker 1>people want to talk. Man, say that bulletit about a nigga. Man.

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<v Speaker 1>But after I even after I got shot, you feel me.

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<v Speaker 1>That's about fifteen what fifteen days after I shot, I'm

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<v Speaker 1>back outside. You feels about two years ago, a year

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<v Speaker 1>and a half, year and a half now it was

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<v Speaker 1>about a year and a half. Yeah, straight to the

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<v Speaker 1>studio became a walk proper. But I'm outside, you feel me.

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<v Speaker 1>It's crazy because when you go through a situation like

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<v Speaker 1>what you went through, it has to kind of put

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<v Speaker 1>things in perspective, does it kind of give you like

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<v Speaker 1>a does it check you to kind of re re

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<v Speaker 1>check what your priorities are in life? Now how you

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<v Speaker 1>live in I used to be living reckless. You feel

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<v Speaker 1>me this straight up. I'm gonna keep one hundred. But

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<v Speaker 1>now it's like a having some couple of people with

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<v Speaker 1>me in my extra eyes in and out. You feel me.

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<v Speaker 1>Ain't no lollygagging as far as drinking liquor drinking around

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<v Speaker 1>my homies, not being beligion in public because with people

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<v Speaker 1>you don't know that, that's when you get caught slipping

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<v Speaker 1>a lot of things. Bro. Yeah, I feel like when

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<v Speaker 1>you got shot, I was like, fuck, I feel like

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<v Speaker 1>I just saw you in San Diego, like not too

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<v Speaker 1>far before. I was like, damn, I hope the homie

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<v Speaker 1>pulls through you getting shot. I feel did you? Did you?

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<v Speaker 1>Cause when something like that happens to you in life,

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<v Speaker 1>you're gonna get a lot of people hitting you up

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<v Speaker 1>who might not have been talking to you prior. Did

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<v Speaker 1>you notice some some some fake energy shit coming around

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<v Speaker 1>like during that time, Because whenever some shit like that happens,

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<v Speaker 1>I feel like everybody's gonna come after Woodworks make sure

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<v Speaker 1>they check in, but it's like where were you at,

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<v Speaker 1>like a month ago type shit. You know what I'm saying,

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<v Speaker 1>I feel like, you know that come with this rap shit.

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<v Speaker 1>You feel me. That should a rap game. Half of

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<v Speaker 1>the shit fake, but for the most part, you feel me.

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<v Speaker 1>My real ones that I already had songs with, or

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<v Speaker 1>really no personal without even have a song. They take me.

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<v Speaker 1>You know what I'm saying. My phones is off at

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<v Speaker 1>that moment when I got back home, I turned it

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<v Speaker 1>on and shit study ringing. It's like, all right, I

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<v Speaker 1>like that from the people that I really mess with thoroughly,

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<v Speaker 1>but you know all the rap shit now you feel me.

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<v Speaker 1>They pulled through, pulled through, I let you blood, and

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<v Speaker 1>that's the fake shit. So it's fifty to fifty man.

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<v Speaker 1>I try to weak it off. You know what I

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<v Speaker 1>mean by this, being respectful but knowing that they're gonna

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<v Speaker 1>fuck with me like that or like you weren't even

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<v Speaker 1>caring about my situation even when I was doing prior

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<v Speaker 1>to this. You feel me, So I take it run

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<v Speaker 1>with it, man, you feel yeah, Man, I feel like

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<v Speaker 1>the rap game is so finicky. Man. It's a lot

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<v Speaker 1>of associates, but not a lot of friends. You know

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<v Speaker 1>what I'm saying. In this game, bro, not like that.

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<v Speaker 1>But you don't got no friends in this game. You

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<v Speaker 1>already know what it is you see. You might see

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<v Speaker 1>someone at the club be like, Yo, let's do something,

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<v Speaker 1>and you never hear from them, my nigga, until you

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<v Speaker 1>run into them again, until you run into them again

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<v Speaker 1>in the same shit. Yeah, let's say you know what

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<v Speaker 1>it is. That shuit happened a lot that shit. Man. Look,

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<v Speaker 1>I don't do that ship. That's why. That's what's the

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<v Speaker 1>difference between me and other people is like I hold

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<v Speaker 1>it down and make it, make it my word of

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<v Speaker 1>like what I'm gonna say, I'm gonna do. I'm gonna

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<v Speaker 1>do it. You feel me like like a lot of

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<v Speaker 1>people just you know, they just just talk a good one.

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<v Speaker 1>So get take me back to the moment you got shot, man,

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<v Speaker 1>because I feel like that's gotta be a pillow a

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<v Speaker 1>moment and anyone's life when someone tries to take your

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<v Speaker 1>life and you survive, Like, you know, what do you

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<v Speaker 1>recollect from that day? Like that moment that all the

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<v Speaker 1>crazy shit I was doing, like I said, loaded riding

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<v Speaker 1>around the city just for nothing. You feel me, I

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<v Speaker 1>was just coming from my folks house. But I could

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<v Speaker 1>have left got the freetway and got to got Ye.

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<v Speaker 1>Study wanted to just ride around and I don't know,

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<v Speaker 1>like what's something meant to happen is gonna happen? So

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<v Speaker 1>I was over there and you know what I mean,

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<v Speaker 1>And that's what it happened like that, And my life

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<v Speaker 1>is just flashy for my bro I've seen people that

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<v Speaker 1>I really be cool with, really hang away family members.

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<v Speaker 1>It's just like I blacked out. You feel me, like

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<v Speaker 1>from the gun shells and I'm just seeing my life

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<v Speaker 1>like this crazy shit. But it's like it's like that's

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<v Speaker 1>when you see the lot you feel. That's what's crazy

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<v Speaker 1>is they always say right before there's a some shit

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<v Speaker 1>called uh dimensionally what is d MT. I don't know

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<v Speaker 1>what DMT stands for, but there's a chemical called d MT.

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<v Speaker 1>You have it when you're born and right before you die,

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<v Speaker 1>and it's supposed to like when people say they see

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<v Speaker 1>the light, that's supposed to be what they see. Yeah,

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<v Speaker 1>and it's there's a way you could smoke. There's like

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<v Speaker 1>you could smoke d MT to feel that. Now if

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<v Speaker 1>you wanted to try to like go through some ship

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<v Speaker 1>did you feel like when you come out on the

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<v Speaker 1>other side of it, you're in the hospital, Ben, did

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<v Speaker 1>you feel like you went through some shit that kind

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<v Speaker 1>of maybe changed your life. Yeah, Like at the moment,

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<v Speaker 1>I think about my daughter, you know what I'm saying,

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<v Speaker 1>my mama, my close friends, peers. It's like, damn, it

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<v Speaker 1>can be over, you know what I'm saying. So it's

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<v Speaker 1>a mind thing. You feel me going through that. I

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<v Speaker 1>bounced out of it and I just told myself, like

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<v Speaker 1>the ignorance I was doing, I'm gonna stop. I gotta

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<v Speaker 1>be more like like hands on about my life, you

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<v Speaker 1>know what I'm saying, and not like fun and games,

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<v Speaker 1>and I mean, like shit is real and that sh

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<v Speaker 1>would have been over. It's like it was over all

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<v Speaker 1>this shit. I worked for all this, you know what

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<v Speaker 1>I mean. My daughter's like of course, of course, So

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<v Speaker 1>I know now you know what I mean, Like, do

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<v Speaker 1>the right thing. Stop sucking off. You feel me, And

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<v Speaker 1>I think you'd be doing a good job on your campaign. Shit,

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<v Speaker 1>So listen, you got ice water records. I want to

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<v Speaker 1>shout out to I'm from Phoenix. Someone I've been paying

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<v Speaker 1>attention to from Arizona's a desert baby. Who you've been

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<v Speaker 1>working with. Yeah, that's my boy right there. Man, we

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<v Speaker 1>got a couple of songs he worked on his tape.

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<v Speaker 1>I just got a squad. I got a squad I'm

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<v Speaker 1>putting together man. You know what I mean, Ice Water Rock,

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<v Speaker 1>Desert Baby, you're putting together the label. Yeah, the movement. Yeah,

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<v Speaker 1>it's like it's like a new day time of like

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<v Speaker 1>a no limited summer cast money. But everybody got their

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<v Speaker 1>own little ways about you know what I mean, their life,

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<v Speaker 1>So it's about to be told. Yeah. I think I

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<v Speaker 1>think what's crazy is like your background in music. I

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<v Speaker 1>think a lot of people associate you with YG, right yeah,

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<v Speaker 1>so and shout out to YG's doing this thing. Yeah,

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<v Speaker 1>but I feel like you've done a very good job

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<v Speaker 1>of creating your own ship. Yeah. It was like it

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<v Speaker 1>was a time in my life, Like it was just

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<v Speaker 1>like an everywhere I go, it's like, oh, that's why

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<v Speaker 1>g homy, that's why g on me. So not to

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<v Speaker 1>be offensive or nothing. So I took them by myself

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<v Speaker 1>to separate it to where they know slim FOULX hunting,

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<v Speaker 1>you know what I mean, Like that's my boy, that's

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<v Speaker 1>my boy, Like that's life from the hood. Yeah, it's

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<v Speaker 1>crazy because like I remember me and you originally YG

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<v Speaker 1>over and over over the years, and you know him

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<v Speaker 1>and b Moore and and just the whole crew, like,

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<v Speaker 1>and you've done a very good job of just kind

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<v Speaker 1>of like I don't even when I think of Slim

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<v Speaker 1>four hundred, I used to always be like, oh that's why,

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<v Speaker 1>you know why? I just I think of you as

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<v Speaker 1>your own entity. Now ye'll have to just put in

0:09:37.160 --> 0:09:39.080
<v Speaker 1>that work. You feel me from the so and songs

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<v Speaker 1>I'm getting with people, you know what I mean, Like

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<v Speaker 1>Gez looking out for me. You know what I mean,

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<v Speaker 1>Like school Boy Q doing certain shit for a nigga.

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<v Speaker 1>It's just some shit on them levels. It automatically showed

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<v Speaker 1>the fans like, Okay, he is a stand up god

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<v Speaker 1>by himself. You feel me? What you was putting it

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<v Speaker 1>in a box? Is your relationship? Why? G you solid? Yeah?

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<v Speaker 1>We're good. Yeah, that's my bro. You know what I'm saying.

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<v Speaker 1>He's been through a live sh and he's been through

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<v Speaker 1>so many eras of his career ups and downs and

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<v Speaker 1>ship ups and downs, new management, all kinds of shit

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<v Speaker 1>going on. Yeah, I think I think you know, being

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<v Speaker 1>as I always looked at YG, Mustard and Tie as

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<v Speaker 1>like our our generation Snoop and Dragon r Bro. Yeah,

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<v Speaker 1>and it was crazy because I mean I remember meeting

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<v Speaker 1>YG in two thousand and nine or ten when Tutor

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<v Speaker 1>and Buddha came out Him, Tie and Bobby Brackens. You

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<v Speaker 1>remember that tour. It was the Young and X Rated

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<v Speaker 1>or young, I don't know. They was on tour and

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<v Speaker 1>Bobby Brackens was the biggest hardest on the tour. How

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<v Speaker 1>crazy is that? That's wow? I was like that was

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<v Speaker 1>that was really the homie like no, no, no no, and

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<v Speaker 1>sho Bobby. He's a great dude. Just fucking I love

0:10:49.160 --> 0:10:52.680
<v Speaker 1>that dude. But like, it's crazy that was fucking eleven

0:10:52.960 --> 0:10:55.199
<v Speaker 1>years ago and he was the biggest artist on the tour.

0:10:55.280 --> 0:10:58.200
<v Speaker 1>Tye was a nobody. Yeah, I didn't even realize he

0:10:58.280 --> 0:11:00.680
<v Speaker 1>was the dude on the Tutor and Buddha fucking record.

0:11:00.840 --> 0:11:04.960
<v Speaker 1>And why she's a kid? You know what I'm saying? What, like,

0:11:05.000 --> 0:11:07.280
<v Speaker 1>what did you learn from being around? Just because I

0:11:07.320 --> 0:11:10.360
<v Speaker 1>do feel like we've literally witnessed an entire generation of

0:11:10.360 --> 0:11:12.760
<v Speaker 1>West Coast music progressed through our eyes that you've been

0:11:12.800 --> 0:11:14.880
<v Speaker 1>a part of. Yeah, what you what did you learn

0:11:14.920 --> 0:11:18.160
<v Speaker 1>from being a being a witness to that because that's history. Bro. Yeah,

0:11:18.440 --> 0:11:21.040
<v Speaker 1>I feel like they taught me how to perfect my

0:11:21.120 --> 0:11:23.880
<v Speaker 1>crad bro. Just watching them in a sense of you know,

0:11:23.960 --> 0:11:25.920
<v Speaker 1>making bees. You know what I'm saying. Tome make bees,

0:11:26.640 --> 0:11:28.679
<v Speaker 1>mustle made bees. So I'm just sitting there watching them.

0:11:28.720 --> 0:11:32.200
<v Speaker 1>How they put together some shit and a real song,

0:11:32.280 --> 0:11:33.920
<v Speaker 1>making a real song, you know what I'm saying. Or

0:11:34.679 --> 0:11:36.480
<v Speaker 1>they changed up the whole verse, you know what I'm saying,

0:11:36.559 --> 0:11:39.160
<v Speaker 1>Or that's just sound tight, but we got to change

0:11:39.160 --> 0:11:41.920
<v Speaker 1>this line. It's just they perfect their ship to the

0:11:41.920 --> 0:11:44.760
<v Speaker 1>point where it ain't just know all I'm done with it.

0:11:45.200 --> 0:11:47.760
<v Speaker 1>Nigga might come back tomorrow and do some other shit. Yeah,

0:11:47.920 --> 0:11:50.480
<v Speaker 1>looking at them work, the way they work is just

0:11:50.559 --> 0:11:53.560
<v Speaker 1>like tiding me up, Like all right, I worked a

0:11:53.600 --> 0:11:56.320
<v Speaker 1>different way, bro, but it made me a better worker

0:11:56.400 --> 0:11:59.440
<v Speaker 1>when I looked at them. Make you like more tentative

0:11:59.520 --> 0:12:01.920
<v Speaker 1>and details and ship real ship. I feel like a

0:12:01.920 --> 0:12:03.760
<v Speaker 1>lot of people that will do a record and they'll

0:12:03.760 --> 0:12:05.520
<v Speaker 1>be like, all right, cool, we on it. The next one.

0:12:05.880 --> 0:12:07.959
<v Speaker 1>They might go back in and make a sound on

0:12:08.000 --> 0:12:10.320
<v Speaker 1>the beat. You can add some string. That type of ship.

0:12:10.880 --> 0:12:13.320
<v Speaker 1>They go farther than what a normal rapper would go

0:12:13.400 --> 0:12:16.600
<v Speaker 1>you feel me, so I tend to go hard. You

0:12:16.600 --> 0:12:19.240
<v Speaker 1>know what I'm saying. This album bomb Thing's officially out

0:12:19.320 --> 0:12:22.160
<v Speaker 1>right now. Talk about what this album means to you,

0:12:22.400 --> 0:12:24.520
<v Speaker 1>what it means your career, man, Like this is my life, bro,

0:12:24.559 --> 0:12:25.880
<v Speaker 1>I feel like this is kind of my best type

0:12:25.920 --> 0:12:29.640
<v Speaker 1>as so far. And so we're considered in this a mixtape. No,

0:12:29.800 --> 0:12:32.480
<v Speaker 1>it's like an EP, Bro, it's like an album. I

0:12:32.480 --> 0:12:35.400
<v Speaker 1>don't know, because you we never know anymore. Yeah, yeah, No,

0:12:35.840 --> 0:12:37.640
<v Speaker 1>when it's a mixtape, you're gonna know the mixtape. I'm

0:12:37.640 --> 0:12:40.839
<v Speaker 1>going back to the old the old GP beats right now.

0:12:40.880 --> 0:12:42.280
<v Speaker 1>This is a real tape, you know what I'm saying.

0:12:42.320 --> 0:12:44.880
<v Speaker 1>And I would just tell my story on like I said,

0:12:44.880 --> 0:12:47.320
<v Speaker 1>growing up on Spruce, being in comping rund around the

0:12:47.320 --> 0:12:49.880
<v Speaker 1>city like all types of ship you feel. Yo interrupting

0:12:49.920 --> 0:12:53.760
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<v Speaker 1>Go to odd soxsofficial dot com and spend some fucking

0:13:45.880 --> 0:13:48.920
<v Speaker 1>money and support the podcast. They're good people. When you

0:13:49.000 --> 0:13:52.840
<v Speaker 1>think of people who come to LA to visit and

0:13:52.920 --> 0:13:59.240
<v Speaker 1>how Compton has become like a thing worldwide, you know

0:13:59.320 --> 0:14:03.000
<v Speaker 1>what I'm saying, feel like in LA like South Central content,

0:14:03.000 --> 0:14:07.400
<v Speaker 1>but Compton is like it's like an iconic hood in

0:14:07.440 --> 0:14:11.360
<v Speaker 1>the entire world. Everybody gotta count you gotta just you

0:14:11.400 --> 0:14:13.200
<v Speaker 1>can go buy a content visit or you can buy

0:14:13.240 --> 0:14:16.880
<v Speaker 1>a Compton hat in Australia. Yeah, you know what I'm saying, Like,

0:14:18.240 --> 0:14:20.800
<v Speaker 1>is that something that do you consider that to be

0:14:20.920 --> 0:14:23.400
<v Speaker 1>a gift or a curse because you know people might

0:14:23.440 --> 0:14:25.800
<v Speaker 1>not understand what that means, what all comes with that.

0:14:26.120 --> 0:14:27.960
<v Speaker 1>It's it's a curse, you know what I mean, a

0:14:28.000 --> 0:14:30.720
<v Speaker 1>gift at the same time because comptent is so wild

0:14:30.800 --> 0:14:33.440
<v Speaker 1>you feel me in haters, you know what I mean.

0:14:33.480 --> 0:14:37.160
<v Speaker 1>And the politics, the gang violence, shit like that. So

0:14:38.280 --> 0:14:39.960
<v Speaker 1>you can get caught up in that, you feel I'm saying,

0:14:40.000 --> 0:14:41.520
<v Speaker 1>and you can go to jail. You can be dead,

0:14:41.560 --> 0:14:43.800
<v Speaker 1>you see, and it got shot. There's a lot of

0:14:43.800 --> 0:14:46.600
<v Speaker 1>shit come with it. But the name is itself comped

0:14:46.640 --> 0:14:49.920
<v Speaker 1>in the city from Easy and Them and all that time. Man,

0:14:49.920 --> 0:14:52.400
<v Speaker 1>it's fucking straight out of content. I love it. I

0:14:52.400 --> 0:14:54.840
<v Speaker 1>gotta see it. So it's a good thing. It's a

0:14:54.840 --> 0:14:57.320
<v Speaker 1>bad thing. Bro Let me ask you something. When you

0:14:57.320 --> 0:14:59.960
<v Speaker 1>watch something like uh, like the like the NW a movie, right,

0:15:00.360 --> 0:15:02.760
<v Speaker 1>and that's like a movie that's like really based around

0:15:02.760 --> 0:15:08.400
<v Speaker 1>your area. And uh again, it's being consumed on a

0:15:08.520 --> 0:15:14.120
<v Speaker 1>very large scale. There's white kids in England watching straight

0:15:14.160 --> 0:15:17.080
<v Speaker 1>out of com like you feel good and like you

0:15:17.120 --> 0:15:19.720
<v Speaker 1>know what, Like, look, let's be honest. Compton's the most

0:15:19.720 --> 0:15:23.560
<v Speaker 1>famous area in LA outside of Hollywood. It's people come

0:15:23.600 --> 0:15:25.920
<v Speaker 1>to LA and if they're like, yo, I want to

0:15:25.960 --> 0:15:28.960
<v Speaker 1>go to Compton, you know what that means. Right? But

0:15:29.040 --> 0:15:32.520
<v Speaker 1>you have some people that come to Los Angeles and

0:15:32.640 --> 0:15:35.080
<v Speaker 1>this depending on who they are, they feel like they

0:15:35.200 --> 0:15:37.720
<v Speaker 1>just encomped because they I don't know, you be in Hollywood,

0:15:38.320 --> 0:15:39.960
<v Speaker 1>so I want to go to the hood. That's what

0:15:40.000 --> 0:15:41.760
<v Speaker 1>I wanted to get you right there. You know, everybody

0:15:41.760 --> 0:15:44.240
<v Speaker 1>comes to LA, they go to Hollywood, they come to

0:15:44.280 --> 0:15:47.200
<v Speaker 1>the Valley. That's all they do. They go to Lax,

0:15:47.200 --> 0:15:50.160
<v Speaker 1>to Hollywood, they do the little West Hollywood Ship, they

0:15:50.160 --> 0:15:53.040
<v Speaker 1>do Melrose, all that. They get back on the freeway,

0:15:53.080 --> 0:15:54.480
<v Speaker 1>they get back on that four or five. They go

0:15:54.480 --> 0:15:57.200
<v Speaker 1>back to Lax to go home. The split something. I

0:15:57.240 --> 0:15:59.640
<v Speaker 1>ain't saying nothing, but it ain't seen nothing. So let's

0:15:59.640 --> 0:16:04.600
<v Speaker 1>talk about like what like Okay, obviously for anybody watching

0:16:04.600 --> 0:16:09.080
<v Speaker 1>this way from LA, the valley is not La. Hell No,

0:16:09.880 --> 0:16:12.640
<v Speaker 1>if you from San Fernando, if you're from it's in

0:16:12.800 --> 0:16:17.440
<v Speaker 1>Sino North Hollywood. God bless you. That's not La. Hollywood

0:16:17.480 --> 0:16:21.960
<v Speaker 1>is not LA. What is real LA? What you gotta

0:16:21.960 --> 0:16:25.080
<v Speaker 1>say like like south Central? You know what I'm saying,

0:16:25.320 --> 0:16:32.080
<v Speaker 1>Like like all of the down shit Main and Broadway,

0:16:32.160 --> 0:16:34.000
<v Speaker 1>you know. Yeah. I feel like there's just this big

0:16:34.040 --> 0:16:36.400
<v Speaker 1>disconnect from people who come and visit and be like, yeah,

0:16:36.440 --> 0:16:38.720
<v Speaker 1>I was in LA, but like but were you were

0:16:38.760 --> 0:16:42.440
<v Speaker 1>you at like Tokyo Madera in West Hollywood, Like it's

0:16:42.480 --> 0:16:44.120
<v Speaker 1>not the same thing. I'd say. They just say that

0:16:44.160 --> 0:16:46.320
<v Speaker 1>shit this to be saying. The most LA you were

0:16:46.320 --> 0:16:49.880
<v Speaker 1>at was when you landed at La X, the suburb

0:16:49.960 --> 0:16:53.120
<v Speaker 1>part of it. It's crazy, right, But Nah, nigga's in

0:16:53.160 --> 0:16:56.320
<v Speaker 1>a straight hood, Bro, they know what's happening. Who do

0:16:56.360 --> 0:16:58.520
<v Speaker 1>you consider real friends in this rap game? Because there's

0:16:58.520 --> 0:16:59.840
<v Speaker 1>a lot of people we talked to earlier, there's a

0:16:59.840 --> 0:17:01.320
<v Speaker 1>lot of associates, a lot of people you see at

0:17:01.320 --> 0:17:03.400
<v Speaker 1>the club, you might see a playhouse whatever, But who's

0:17:03.400 --> 0:17:04.960
<v Speaker 1>like some real homies in the rap game? For some

0:17:05.160 --> 0:17:12.199
<v Speaker 1>four hundred and mom and Mom, I feel like like

0:17:14.040 --> 0:17:16.000
<v Speaker 1>I can't really say, bro, I don't want to, Like,

0:17:16.160 --> 0:17:18.359
<v Speaker 1>I don't want to just say some bullshit, bro or

0:17:18.400 --> 0:17:21.600
<v Speaker 1>speak on some people names and shit and it's like, oh,

0:17:21.600 --> 0:17:23.640
<v Speaker 1>why he mentioned my name? You feel me? So that's fair.

0:17:25.200 --> 0:17:26.879
<v Speaker 1>Listen right now, you ain't got to mention everybody, but

0:17:26.920 --> 0:17:28.639
<v Speaker 1>just mention a couple it comes your mind. I feel like,

0:17:28.760 --> 0:17:30.960
<v Speaker 1>once again I said Gez, he a good dude. You

0:17:31.000 --> 0:17:32.920
<v Speaker 1>know what I'm saying, My nigga Yellow Beezy good dude.

0:17:32.960 --> 0:17:34.840
<v Speaker 1>You feel me like niggas that be texting me, talking

0:17:34.880 --> 0:17:37.359
<v Speaker 1>to me back and forth, shit like that. So I

0:17:37.760 --> 0:17:39.640
<v Speaker 1>leave it like that, you feel me. It's crazy because

0:17:39.640 --> 0:17:42.880
<v Speaker 1>you said g Ez, Yeah and g Ez. A lot

0:17:42.920 --> 0:17:45.280
<v Speaker 1>of people might not think that of him to be

0:17:45.600 --> 0:17:48.040
<v Speaker 1>just on some humble shit. Hey first watch my dog.

0:17:48.119 --> 0:17:51.000
<v Speaker 1>I love that guy and I know that about him,

0:17:51.000 --> 0:17:52.719
<v Speaker 1>but I don't think a lot of people understand that

0:17:52.760 --> 0:17:57.040
<v Speaker 1>he's really tapped in and he'd be showing love. Yeah,

0:17:57.440 --> 0:17:59.600
<v Speaker 1>how'd you originally link up with him? Because a lot

0:17:59.640 --> 0:18:02.439
<v Speaker 1>of peoples been been on touring ship with YG and

0:18:02.840 --> 0:18:05.800
<v Speaker 1>you know this the tour with Yogttiyeh and DJ Drama,

0:18:05.840 --> 0:18:08.720
<v Speaker 1>so we you know, just be back behind stage your

0:18:08.720 --> 0:18:10.879
<v Speaker 1>little passes on the ship. So we running around before

0:18:11.160 --> 0:18:13.320
<v Speaker 1>the show doing what we're doing, eating, going out of

0:18:13.359 --> 0:18:14.680
<v Speaker 1>the you know what I mean, just doing different ship

0:18:14.760 --> 0:18:17.280
<v Speaker 1>And every time he'd come across me, he'll, you know

0:18:17.320 --> 0:18:19.280
<v Speaker 1>what I mean, chop it up with me. See what

0:18:19.320 --> 0:18:21.520
<v Speaker 1>I'm doing this asking different questions about a nigga? You

0:18:21.520 --> 0:18:23.520
<v Speaker 1>feel me? It's like, Bro, he like doing this for what?

0:18:23.600 --> 0:18:26.359
<v Speaker 1>But Jess a good dude. He was just like trying

0:18:26.359 --> 0:18:28.640
<v Speaker 1>to see what my mind was. And I know it's

0:18:28.640 --> 0:18:30.240
<v Speaker 1>like I'm about to reach out to him for this song.

0:18:30.560 --> 0:18:33.879
<v Speaker 1>But this like years after our relationship, so we already

0:18:33.920 --> 0:18:35.560
<v Speaker 1>kind of built it, so he didn't have no prom

0:18:35.640 --> 0:18:37.359
<v Speaker 1>of doing this shit for me. You feel me? That's dope?

0:18:38.440 --> 0:18:40.080
<v Speaker 1>All right? Let me know were you at this show?

0:18:40.480 --> 0:18:46.800
<v Speaker 1>Celebrity Theater, Phoenix, Arizona, Bustard d Jane. I'm hosting the concert.

0:18:47.000 --> 0:18:51.160
<v Speaker 1>It's about fifty local acts. YG is headlining. It ends

0:18:51.240 --> 0:18:54.240
<v Speaker 1>up on World Star. People in the in the fucking

0:18:54.520 --> 0:18:58.240
<v Speaker 1>in the in the crowd are banging their ship. Why

0:18:58.280 --> 0:19:01.200
<v Speaker 1>did you start throwing ship at them? Mustard throw shit

0:19:01.240 --> 0:19:04.600
<v Speaker 1>at them? Shit became a viral ass moment. Were you

0:19:04.680 --> 0:19:06.840
<v Speaker 1>there for that shit? I want to say it was bro.

0:19:07.480 --> 0:19:11.000
<v Speaker 1>I want to say it was like I was. I

0:19:11.160 --> 0:19:15.040
<v Speaker 1>was with a side bitch, at the time, I'm not

0:19:15.119 --> 0:19:17.600
<v Speaker 1>with the girl I was with. I can say that now.

0:19:18.119 --> 0:19:21.120
<v Speaker 1>That was with a little side bitch at the Celebrity theater.

0:19:21.920 --> 0:19:24.760
<v Speaker 1>And then like the promoter. You know how these promoters be.

0:19:24.840 --> 0:19:27.040
<v Speaker 1>They put fifty local acts on charge, each of them

0:19:27.040 --> 0:19:28.760
<v Speaker 1>having much amount of money to get their money back.

0:19:29.640 --> 0:19:31.280
<v Speaker 1>So the fucking why g go is going to one

0:19:31.320 --> 0:19:34.000
<v Speaker 1>thirty in the morning, I'm fucking getting my dick suck

0:19:34.080 --> 0:19:38.040
<v Speaker 1>backstage and I just hear shit going crazy, And then

0:19:38.119 --> 0:19:42.280
<v Speaker 1>like two weeks later it's on YouTube, Ygi Mustard and like,

0:19:42.359 --> 0:19:44.280
<v Speaker 1>and then there was another issue. I think, I just

0:19:44.359 --> 0:19:46.600
<v Speaker 1>I know why she had a long he had a

0:19:46.640 --> 0:19:50.040
<v Speaker 1>hard time getting the tour money because off the rip

0:19:50.119 --> 0:19:52.879
<v Speaker 1>he had kind of like been involved a lot of bushit.

0:19:53.560 --> 0:19:57.560
<v Speaker 1>Not to say it like that, but we had words

0:19:57.560 --> 0:19:59.440
<v Speaker 1>with some with some crip guys out there, you saying,

0:19:59.480 --> 0:20:01.720
<v Speaker 1>behind some sh sh it, And that's when all that

0:20:01.720 --> 0:20:03.639
<v Speaker 1>ship took place. You know what I'm saying. He's there

0:20:03.680 --> 0:20:07.240
<v Speaker 1>was some dudes in the clouds just banging their ship chairs. Yes,

0:20:07.320 --> 0:20:09.840
<v Speaker 1>a type of you know what I'm talking about, the

0:20:10.359 --> 0:20:14.800
<v Speaker 1>circular stage. Yeah, sh like this keeps rotating around, ye

0:20:15.000 --> 0:20:16.600
<v Speaker 1>thinking you're gonna stay in one spot, but the ship

0:20:16.720 --> 0:20:19.439
<v Speaker 1>keep really yup. But you walking and ready paying attention

0:20:19.560 --> 0:20:21.720
<v Speaker 1>doing your thing rappings, so you ain't really notice that

0:20:21.800 --> 0:20:24.640
<v Speaker 1>this ship moving. We just keep seeing nigas running around,

0:20:24.920 --> 0:20:29.160
<v Speaker 1>keep shro It's crazy. That was one of the craziest

0:20:29.160 --> 0:20:31.600
<v Speaker 1>shows because I remember it'd be so crazy, that's it tight.

0:20:32.560 --> 0:20:35.280
<v Speaker 1>I remember seeing MUNSTERD take the laptop standing and chuck

0:20:35.320 --> 0:20:37.639
<v Speaker 1>it at these fools, and I know that laptop staying

0:20:37.600 --> 0:20:39.800
<v Speaker 1>the way about thirty pounds. Oh yeah, that little solid

0:20:39.800 --> 0:20:43.359
<v Speaker 1>and I was like, oh shit, what the fuck just

0:20:43.440 --> 0:20:48.159
<v Speaker 1>happened over here? It's crazy because I feel like you

0:20:48.200 --> 0:20:50.560
<v Speaker 1>were fully a part of the I remember I always

0:20:50.600 --> 0:20:52.280
<v Speaker 1>used to tell YG. I used to tell b more

0:20:52.280 --> 0:20:54.159
<v Speaker 1>at this all the time, like, you know, shout out

0:20:54.200 --> 0:20:58.040
<v Speaker 1>to YG. But man, early on in his career, the

0:20:58.080 --> 0:21:00.880
<v Speaker 1>first four or five years, he had a real bad

0:21:00.960 --> 0:21:04.520
<v Speaker 1>stigma attached to him because of shit like that at shows.

0:21:04.800 --> 0:21:08.080
<v Speaker 1>What was like the craziest situation out of town. Y'all

0:21:08.119 --> 0:21:10.600
<v Speaker 1>ever been a part of wherever some crazy shit, some

0:21:10.680 --> 0:21:14.440
<v Speaker 1>fights and whatever the fuck. Yeah, Like you're sitting shit

0:21:14.520 --> 0:21:15.760
<v Speaker 1>all the time, bro, And I feel like we was

0:21:15.760 --> 0:21:18.920
<v Speaker 1>an once said we was in Miami doing some doing

0:21:18.960 --> 0:21:21.919
<v Speaker 1>show and shit, and some other people got in the

0:21:21.920 --> 0:21:23.520
<v Speaker 1>fight and we kind of in the mix of them.

0:21:23.680 --> 0:21:25.680
<v Speaker 1>But niggas get to shoot and shit too, so it

0:21:25.760 --> 0:21:28.040
<v Speaker 1>was like niggas fighting throwing chair. Then now you hitting

0:21:28.040 --> 0:21:29.600
<v Speaker 1>bullet shields and shit. So I'm trying to look for

0:21:29.600 --> 0:21:32.520
<v Speaker 1>the team. Makes it we all straight. But it's like

0:21:32.560 --> 0:21:34.199
<v Speaker 1>you gotta like, you gotta pay attention on him. Man.

0:21:34.200 --> 0:21:35.560
<v Speaker 1>You see what I'm saying. Shit will pop off any

0:21:35.600 --> 0:21:37.320
<v Speaker 1>given moment where you ain't even involved in the shit

0:21:37.400 --> 0:21:40.520
<v Speaker 1>but kind of in the mix. Yeah, you know, I

0:21:40.520 --> 0:21:44.840
<v Speaker 1>thought what Zovia happened recently was on clubhouse. Bad Luck

0:21:46.320 --> 0:21:50.119
<v Speaker 1>squashed his shit with Mustard on Clubhouse. And I remember

0:21:50.680 --> 0:21:55.480
<v Speaker 1>being at south By Southwest in two thousand and it

0:21:55.560 --> 0:21:59.320
<v Speaker 1>was either thirteen or fourteen, and I don't know what happened,

0:21:59.320 --> 0:22:02.320
<v Speaker 1>but I know some shit happened, but it felt like

0:22:02.400 --> 0:22:05.240
<v Speaker 1>why g had a lot of tension with it was

0:22:05.280 --> 0:22:12.560
<v Speaker 1>with problem. Do you remember being around that era? Yeah,

0:22:13.560 --> 0:22:15.280
<v Speaker 1>you know, like Nigga was, you know, it was a

0:22:15.800 --> 0:22:17.280
<v Speaker 1>it was a bompa thing, compter thing, you know what

0:22:17.320 --> 0:22:19.560
<v Speaker 1>I'm saying. And niggas had words, you know what I'm saying,

0:22:19.560 --> 0:22:22.080
<v Speaker 1>And it took it went far than with the post

0:22:22.119 --> 0:22:24.320
<v Speaker 1>has been. But you know, people be slick talking, you

0:22:24.359 --> 0:22:26.560
<v Speaker 1>know what I mean. But niggas over that shit now.

0:22:26.600 --> 0:22:28.479
<v Speaker 1>But I feel like that that was like a perfect

0:22:28.520 --> 0:22:33.320
<v Speaker 1>example of how LA street politics led into the music shit.

0:22:33.920 --> 0:22:36.840
<v Speaker 1>And it's like, Yo, if we really think about back then,

0:22:36.960 --> 0:22:39.200
<v Speaker 1>how fire would have been to see Problem and WYG

0:22:39.359 --> 0:22:42.320
<v Speaker 1>work together, But do a whole fucking album together, like

0:22:42.400 --> 0:22:46.520
<v Speaker 1>Problem had it, like both of them had some like

0:22:46.560 --> 0:22:49.840
<v Speaker 1>they had it. You know what I'm saying. That era

0:22:50.200 --> 0:22:53.520
<v Speaker 1>was so legendary in LA history, like Problem had Welcome

0:22:53.560 --> 0:22:56.080
<v Speaker 1>to molly Wood. YG had just read up like it

0:22:56.119 --> 0:22:58.439
<v Speaker 1>was a whole movement, and both of them from the

0:22:58.440 --> 0:23:02.280
<v Speaker 1>same city, and it was some LA politics shit sometimes

0:23:02.359 --> 0:23:05.040
<v Speaker 1>gets in the way of some historical ship. Do you

0:23:05.080 --> 0:23:09.199
<v Speaker 1>feel like with LA the politics sometimes, because you know,

0:23:09.760 --> 0:23:13.480
<v Speaker 1>I just had this conversation with with Big U and Whack.

0:23:14.400 --> 0:23:17.639
<v Speaker 1>We're talking about how sometimes the LA politics have gotten

0:23:17.640 --> 0:23:19.520
<v Speaker 1>in the way of some real historical shit happened in

0:23:19.640 --> 0:23:22.800
<v Speaker 1>hip hop, Yeah, money and all that type of yeah,

0:23:22.880 --> 0:23:26.359
<v Speaker 1>because it might not be rapper A and rapper B

0:23:26.480 --> 0:23:28.479
<v Speaker 1>having a real problem with each other. It's not about that.

0:23:28.520 --> 0:23:31.080
<v Speaker 1>It's about the politics and flow to run around them

0:23:31.080 --> 0:23:35.479
<v Speaker 1>and above that, you know what I'm saying. Me being

0:23:35.480 --> 0:23:37.880
<v Speaker 1>an artists, I hang with a certain crew. This artist

0:23:37.920 --> 0:23:39.320
<v Speaker 1>hang with a certain crew, you know what I'm saying.

0:23:39.320 --> 0:23:41.639
<v Speaker 1>So it's like they be having inter b so it's

0:23:41.680 --> 0:23:44.879
<v Speaker 1>looking like it's an artist thing, but we need the friends.

0:23:44.920 --> 0:23:47.480
<v Speaker 1>And yeah, it ain't even about like you might not

0:23:47.560 --> 0:23:49.920
<v Speaker 1>even have a problem with the guy, but it's like, hey,

0:23:49.960 --> 0:23:51.480
<v Speaker 1>I might be from here and you might be from here.

0:23:51.880 --> 0:24:01.840
<v Speaker 1>So because of that, like this and this don't mesh. Yeah,

0:24:01.920 --> 0:24:03.280
<v Speaker 1>oh you had a record with bad Luck. Yeah, we

0:24:03.359 --> 0:24:04.920
<v Speaker 1>fall love. I mean that's what I'm saying. We got

0:24:04.920 --> 0:24:08.520
<v Speaker 1>we cool, it's just it's falling out behind other ships.

0:24:08.600 --> 0:24:11.439
<v Speaker 1>So yeah, well I thought it was dope, but I

0:24:11.480 --> 0:24:13.040
<v Speaker 1>just thought it was real dope to see bad Luck

0:24:13.080 --> 0:24:17.240
<v Speaker 1>and Uh and Mustard get on clubhouse and out. Yeah,

0:24:17.240 --> 0:24:19.960
<v Speaker 1>because it's like we're talking about some serious eras of

0:24:20.080 --> 0:24:23.000
<v Speaker 1>l A hip hop, Like you know, Problem might not

0:24:23.040 --> 0:24:26.000
<v Speaker 1>have had had and I know Problem could have signed

0:24:26.040 --> 0:24:29.600
<v Speaker 1>with anyone at that when when Problem was was fucking

0:24:29.840 --> 0:24:33.280
<v Speaker 1>lit out here, everyone offered him a deal. But like

0:24:33.359 --> 0:24:36.000
<v Speaker 1>to think he had that whole like side of LA

0:24:36.119 --> 0:24:38.600
<v Speaker 1>hip hop. And then YG I mean YG we're talking

0:24:38.600 --> 0:24:40.800
<v Speaker 1>about now, he's one of them. I look at YG

0:24:41.000 --> 0:24:44.080
<v Speaker 1>like our our modern day Snoop. You know what I'm saying.

0:24:44.400 --> 0:24:49.680
<v Speaker 1>If Kendrick is Dre, YG is Snoop, you know what

0:24:49.720 --> 0:24:53.320
<v Speaker 1>I'm saying. So I just think that, uh yeah, I

0:24:53.320 --> 0:24:55.200
<v Speaker 1>always thought that was like an and and what's cool

0:24:55.240 --> 0:24:56.760
<v Speaker 1>about that though, too is I dont feel like it

0:24:56.760 --> 0:24:58.840
<v Speaker 1>ever really kind of bled through the music too much,

0:24:59.680 --> 0:25:02.160
<v Speaker 1>kind of minus it was minus ship that was said

0:25:02.200 --> 0:25:04.120
<v Speaker 1>and spoke on here and there and certain little disc

0:25:04.200 --> 0:25:06.200
<v Speaker 1>songs and you know what I mean, mindus shit. But yeah,

0:25:06.200 --> 0:25:07.920
<v Speaker 1>for the most part, it didn't get too out of

0:25:08.000 --> 0:25:10.800
<v Speaker 1>out of hand. So any out bomping is out. This

0:25:10.920 --> 0:25:17.000
<v Speaker 1>is you've been staying independent shout out to Empire. Yeah,

0:25:18.640 --> 0:25:21.480
<v Speaker 1>why stay independent? Why I mean and and and and

0:25:21.560 --> 0:25:23.520
<v Speaker 1>mind you you got Ice Water Records, so kind of

0:25:23.520 --> 0:25:26.280
<v Speaker 1>give me the rundown of what's going on moving forward.

0:25:26.320 --> 0:25:28.399
<v Speaker 1>The album is out. Yeah, I feel like I'm just

0:25:28.480 --> 0:25:30.359
<v Speaker 1>you know what I mean, like lining myself up to

0:25:30.400 --> 0:25:33.000
<v Speaker 1>be a real c excuse me, a real CEO bro

0:25:33.080 --> 0:25:35.840
<v Speaker 1>and a line other people up. So as far as

0:25:36.160 --> 0:25:38.960
<v Speaker 1>the label deal, I feel Nigga can signed with the

0:25:39.000 --> 0:25:42.320
<v Speaker 1>major Nu'm getta twisted. But it be ship that you

0:25:42.680 --> 0:25:44.840
<v Speaker 1>can't do when you used to do it, can't do

0:25:44.920 --> 0:25:46.760
<v Speaker 1>what you want to do when you want to do.

0:25:46.800 --> 0:25:48.240
<v Speaker 1>I want you to drop. And it's like, Bro, I

0:25:48.320 --> 0:25:49.800
<v Speaker 1>know what's going on in the streets, So why would

0:25:49.840 --> 0:25:51.720
<v Speaker 1>I drop that when I'm just doing it? Because you're

0:25:51.760 --> 0:25:53.720
<v Speaker 1>doing it. But when I drop it on my name,

0:25:53.880 --> 0:25:56.359
<v Speaker 1>the people black slim, what you're doing like, it'd be

0:25:57.240 --> 0:25:59.159
<v Speaker 1>different shit when it's come another label. So being in

0:25:59.200 --> 0:26:01.879
<v Speaker 1>dependent it's better because you got your layout. You can

0:26:02.000 --> 0:26:04.919
<v Speaker 1>drop whatever you want whenever you won't for me. So

0:26:06.040 --> 0:26:07.240
<v Speaker 1>and then you building, you know what I'm saying, you

0:26:07.280 --> 0:26:10.200
<v Speaker 1>building on your own ship now looking back heres. You

0:26:10.240 --> 0:26:11.520
<v Speaker 1>know what I'm saying, it's like, damn, like I went

0:26:11.560 --> 0:26:13.200
<v Speaker 1>from here to nothing. I mean I went from nothing

0:26:13.240 --> 0:26:15.359
<v Speaker 1>or something. You know what I'm saying. Like, that's what

0:26:15.440 --> 0:26:16.679
<v Speaker 1>I was telling you, Bro, I feel like I went

0:26:16.680 --> 0:26:19.359
<v Speaker 1>from back always thinking of you and YG together to

0:26:19.480 --> 0:26:22.040
<v Speaker 1>just thinking if you guys are two separate entities. Yeah,

0:26:22.080 --> 0:26:24.959
<v Speaker 1>you did a great job of carving your own ship. Brow.

0:26:25.040 --> 0:26:27.240
<v Speaker 1>It's hard to do. So man, tell me about it. Well,

0:26:27.400 --> 0:26:30.919
<v Speaker 1>you know, just stay state, stay truly to yourself, your

0:26:31.000 --> 0:26:32.840
<v Speaker 1>yell craft, you fit me. You're gonna get there for show.

0:26:32.920 --> 0:26:36.920
<v Speaker 1>For sure, we'll go support the new album bombting Icewater Records.

0:26:37.520 --> 0:26:39.119
<v Speaker 1>Is it gonna be anything coming out from the label soon?

0:26:39.200 --> 0:26:42.080
<v Speaker 1>Any artists, anybody who's dropping. I got my peoples coming in,

0:26:42.600 --> 0:26:44.480
<v Speaker 1>but like probably another like another month and a half

0:26:44.520 --> 0:26:46.800
<v Speaker 1>or something, probably dropped the Icewater orbitape. So it's gonna

0:26:46.840 --> 0:26:48.840
<v Speaker 1>be like a compilation of Las with all of us.

0:26:48.880 --> 0:26:51.680
<v Speaker 1>You know what I'm saying. So Desert Baby, so Desert

0:26:51.680 --> 0:26:56.800
<v Speaker 1>Babies officially Icewater Records, Arizona. Let's go listen. He's from Azy.

0:26:56.880 --> 0:26:59.119
<v Speaker 1>Got my support that far. I got the Cardinals hat on.

0:26:59.160 --> 0:27:01.840
<v Speaker 1>You know what I'm saying. You know what I'm saying.

0:27:01.840 --> 0:27:04.640
<v Speaker 1>That's my city, man. So let's go. Yo. Slim four

0:27:04.720 --> 0:27:07.639
<v Speaker 1>hundred bumped in the album's output kept podcast Let's Go