WEBVTT - Mo Rocca Disobeys Bridger

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<v Speaker 1>But I invited you here, thought I made myself perfectly clear.

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<v Speaker 1>But you're a guest to my home.

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<v Speaker 2>You gotta come to me empty, And I said, no, guests,

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<v Speaker 2>your presences presence enough, and I already had too much stuff,

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<v Speaker 2>So how do you.

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<v Speaker 3>Dare to surbey me? Welcome to, I said, no Gifts.

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<v Speaker 3>I'm Pritchard Wine girl. We're in the backyard. I hope

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<v Speaker 3>you're enjoying yourself. I hope you're having a nice time

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<v Speaker 3>and whatever casino you're currently in, just sitting there with

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<v Speaker 3>a cigarette dangling out of your mouth or whatever you're doing.

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<v Speaker 3>My lunch tasted weird. Let's get into the podcast. I

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<v Speaker 3>adore today's guest. He's just so funny. It's Moroka Mo.

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<v Speaker 3>Welcome to, I said, Okaifts.

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<v Speaker 4>I'm so happy to be here. I never saw Eat, Pray, Love,

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<v Speaker 4>but I feel like she probably went to a place

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<v Speaker 4>like this at some point.

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<v Speaker 3>This backyard.

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<v Speaker 4>Yes, yeah, it's like, what is this a palazzo? It's something.

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<v Speaker 4>It's if I had been brought here blindfolded, and I

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<v Speaker 4>won't say that I wasn't and I would. I'm not

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<v Speaker 4>sure I know where I was that.

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<v Speaker 3>We want to just disorient the guests. That's the entire

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<v Speaker 3>purpose of this backyard. Just leave them feeling very confused

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<v Speaker 3>and dizzy.

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<v Speaker 4>And I am, is this the Shangri Law neighborhood of

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<v Speaker 4>Los Angeles.

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<v Speaker 3>You're in town for just a few days. What have

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<v Speaker 3>you been up to?

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<v Speaker 4>You know, I've just been driving into I was on

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<v Speaker 4>KTLA this morning fall.

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<v Speaker 3>That's exciting.

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<v Speaker 4>It was exciting. They have so much fun on that

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<v Speaker 4>morning show. The amount of time they devoted to the

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<v Speaker 4>masked singer. I just I thought, this is where I

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<v Speaker 4>want to be right now. The world's on fire, and

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<v Speaker 4>I mean this, I mean, they were just having a

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<v Speaker 4>great time and they brought me on set, and I

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<v Speaker 4>just thought, my teeth are just not white enough to

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<v Speaker 4>be here. I mean, they're not and I'm embarrassed. I'm

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<v Speaker 4>okay with my teeth being a little askew, right, but

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<v Speaker 4>they are not right enough. Yeah.

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<v Speaker 3>I feel like morning shows. I'm surprised they don't check

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<v Speaker 3>teeth at the door, right. That feels I mean, everybody

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<v Speaker 3>on the glowing.

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<v Speaker 4>Teeth gleaming like it comes like with a sound.

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<v Speaker 3>Effect, right. I don't know that teeth bleaching is in

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<v Speaker 3>my life.

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<v Speaker 4>Teeth white bleaching.

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<v Speaker 3>White, Yeah, whitening.

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<v Speaker 4>Well, I don't think you need it. I can tell

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<v Speaker 4>right now.

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<v Speaker 3>Well, you know my teeth, but they're like a natural

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<v Speaker 3>tooth color, I would assume, or I know, but you

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<v Speaker 3>see people with white teeth and you're like, am I

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<v Speaker 3>doing this wrong?

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<v Speaker 5>Or right?

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<v Speaker 3>Maybe it's all right?

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<v Speaker 4>Well, I wonder if you if do you happen to

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<v Speaker 4>have one of those Sherman Williams kind of what are the.

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<v Speaker 3>Wheel of paint sample thing? Yeah?

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<v Speaker 4>The sample things? What a crew? Is that the color

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<v Speaker 4>the teeth should be?

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<v Speaker 3>Oh? A crew? I've never heard of a crew? Is

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<v Speaker 3>it kind of an eggshell? Yes?

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<v Speaker 4>Oh, okay shell.

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<v Speaker 3>I feel like there should be a whole line of

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<v Speaker 3>paints just after different types.

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<v Speaker 4>Of teeth, different types of teeth. But it is crazy

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<v Speaker 4>how out here everybody has I mean, so many people

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<v Speaker 4>have the same teeth.

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<v Speaker 3>Oh yeah, the teeth that have come from factory.

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<v Speaker 4>I mean, how are these people going to be identified later?

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<v Speaker 3>That's a great question. I've never thought about that. How

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<v Speaker 3>does a veneer work as far as the uniqueness of

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<v Speaker 3>a tooth? Interesting?

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<v Speaker 4>Right?

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<v Speaker 3>Yes, well I guess do you maybe? I guess your

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<v Speaker 3>molars are like the last hope because you probably don't

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<v Speaker 3>get a veneer on your molar.

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<v Speaker 4>Probably not. Did I have those taken out? I can't remember.

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<v Speaker 4>I had my wisdom teeth taking down to different than

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<v Speaker 4>my molars.

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<v Speaker 3>Do you remember when you had your wisdom teeth?

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<v Speaker 4>Yes, I do remember, because you had to. I don't

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<v Speaker 4>know if they still do it the same way, but

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<v Speaker 4>I was living in Dallas. Dallas is of course where

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<v Speaker 4>you get your wisdom teeth taken out. That's why I

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<v Speaker 4>moved there. I mean, I was anticipating it's a must.

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<v Speaker 4>The New York Times thirty six hours in Dallas, have

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<v Speaker 4>your wisdom teeth taken out. And you know, back then,

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<v Speaker 4>back then in the nineties, you had to have someone

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<v Speaker 4>that would It's like someone picking you up from your colonoscopy.

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<v Speaker 4>You had to have somebody that was going to pick

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<v Speaker 4>you up after your wisdom teeth were taken out and

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<v Speaker 4>be with you if you were single. And at the

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<v Speaker 4>time I was single and my friend Stephanie was like

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<v Speaker 4>watching over me. And I don't know how long I

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<v Speaker 4>was in a Hayes four, but I do remember. Sorry,

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<v Speaker 4>this is really graphic. I remember. Actually I never haven't

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<v Speaker 4>thought about this since the nineties. I had to go

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<v Speaker 4>to the bathroom in the middle of the night, and

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<v Speaker 4>and I went and I sat down, and I was

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<v Speaker 4>so tired from the antesesia. I guess that when I

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<v Speaker 4>was sitting down, Oh my god, what's happening.

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<v Speaker 3>The helicopters here. They're here too early. We were going

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<v Speaker 3>to send you out on the copter, but they'll just wait.

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<v Speaker 3>So you're waking up in the middle of the night.

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<v Speaker 4>Yeah, And I had to relieve myself. I was just

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<v Speaker 4>going to pee, and but I was sitting down because

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<v Speaker 4>I was just sort of be in a haze. Actually

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<v Speaker 4>I do that all the time anyway. But and I

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<v Speaker 4>rested my elbows like on my knees and and my

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<v Speaker 4>head like in one hand, basically, just as I was

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<v Speaker 4>sort of tired. And there are little stitches that they

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<v Speaker 4>put in there, and they kind of came on. I

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<v Speaker 4>think they came undone, yeah, because I applied so much

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<v Speaker 4>pressure on them.

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<v Speaker 3>And then I mean it was like gushing blood. What happened.

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<v Speaker 4>It wasn't really, it was just a little taste.

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<v Speaker 3>Well then it was a little midnight snack.

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<v Speaker 4>Yeah. And then I went and had some sorbet just

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<v Speaker 4>as a palate lenser.

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<v Speaker 3>Yeah, wisdom teeth removal is the one time I've ever

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<v Speaker 3>been put out completely and it's a that part of

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<v Speaker 3>it is a very exciting experience.

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<v Speaker 4>I love that part of it. Now when you have

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<v Speaker 4>and when you have an upper giendoscopy, also they put

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<v Speaker 4>you do they put you out for the colon? They

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<v Speaker 4>put you out. They put you out for the one

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<v Speaker 4>that goes in your throat.

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<v Speaker 3>Oh okay, right, and not for a colonauster They don't.

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<v Speaker 4>But if you have them at the same time, if

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<v Speaker 4>it's a two camera shoot, they do, which I have.

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<v Speaker 4>And I always wonder about the coverage of it, like

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<v Speaker 4>are the cameras going to see each other on editing?

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<v Speaker 3>Yeah, solve all of those problems.

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<v Speaker 4>Well, but you get to make sure not to cross

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<v Speaker 4>the line. I think that's what the DP will tell

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<v Speaker 4>you if you if you if you have a really

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<v Speaker 4>good insurance, Planet comes with the DP.

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<v Speaker 3>It's covered by the guild. This is a union approved shoot, right, Okay.

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<v Speaker 3>So you were saying that they were talking about the

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<v Speaker 3>mask singer this morning. Were you able to contribute to

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<v Speaker 3>that conversation at all.

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<v Speaker 4>I wasn't. I acknowledged it because I think it was

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<v Speaker 4>important to acknowledge that they've been talking about it, and

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<v Speaker 4>then we started talking about famous people who died in

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<v Speaker 4>the same day, because that's why they had be come

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<v Speaker 4>on to talk to us.

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<v Speaker 3>Died in the same day, well.

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<v Speaker 4>June twenty fifth, twenty nine, when Pharaoh Faucet and Michael

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<v Speaker 4>Jackson died. Right, Yeah, I felt so bad for you know,

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<v Speaker 4>she had the first half of the day depending on

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<v Speaker 4>where you lived, like on the East Coast, she had

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<v Speaker 4>most of the waking hours in La. She really got

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<v Speaker 4>screwed over. I mean, she did die that day, so

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<v Speaker 4>she was technically already it was a lousy day for her,

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<v Speaker 4>but it got worse when Michael Jackson overshadowed her.

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<v Speaker 3>Right, my wife came on the record.

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<v Speaker 4>Yeah, kind of like really pushed off the front page.

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<v Speaker 3>Yeah.

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<v Speaker 4>The next day on CBS's Early Show More Morning Show,

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<v Speaker 4>Michael Jackson was mentioned over one hundred times. Fair foss

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<v Speaker 4>I got six mentions, Oh my god. And Ed McMahon

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<v Speaker 4>had died two days before and people.

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<v Speaker 3>Had already forgot forget what he's a shadow at that point. Wow,

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<v Speaker 3>one hundred versus six.

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<v Speaker 4>Well, you know, it was a shock with him, right, Like,

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<v Speaker 4>she had been sick, she had been ill. We knew

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<v Speaker 4>she was ill and she really also, I mean, she

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<v Speaker 4>did a reality show at the end about the cancer

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<v Speaker 4>she was living with, which is anal cancer, which at

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<v Speaker 4>the time no one wanted to mention, and to her

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<v Speaker 4>great credit, she mentioned it her She talked about it

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<v Speaker 4>explicitly and that was good.

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<v Speaker 3>And then here comes Michael just forget all about.

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<v Speaker 4>It, yes, like moon offing right into her shot, like, yeah,

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<v Speaker 4>but it's happened. It's happened a lot. I mean, you know,

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<v Speaker 4>Margaret Thatcher and a net Fuinicello died in the same day.

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<v Speaker 3>Oh yeah, I imagine Margaret was the big big ticket

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<v Speaker 3>there for print.

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<v Speaker 4>It was because she was an important death and it

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<v Speaker 4>was obviously, but a net Funicello I think she was

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<v Speaker 4>like she was such a big deal in the fifties

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<v Speaker 4>and sixties, Like it's like you teach Selena Gomez and

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<v Speaker 4>who's what the high school musical the Vanessa Hudgens, Oh right,

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<v Speaker 4>and multiply that by like orders of magnitude bigger. I mean,

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<v Speaker 4>she was so big. So for baby boomers, I think

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<v Speaker 4>it was kind of like, we should be talking about

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<v Speaker 4>Margaret Thatcher, but we want to be talking about a

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<v Speaker 4>net Finicello, Right, what year was that? Uh, oh gosh,

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<v Speaker 4>when did they die? It was before Meryl Street made

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<v Speaker 4>the movie. Oh, okay, I don't have the I don't

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<v Speaker 4>have the year for you thirteen us it was twenty thirteen.

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<v Speaker 3>Wow. For whatever reason, neither of these crossed my desk.

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<v Speaker 3>I don't remember either of them dying, and that's crazy.

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<v Speaker 3>Those are both big deaths.

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<v Speaker 4>Were you having your wisdom teeth taken out that day?

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<v Speaker 3>There was an hour that I don't remember from that day,

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<v Speaker 3>and it's the hour I'm usually online, so maybe that's

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<v Speaker 3>what happened. Yeah, that's really fascinating.

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<v Speaker 4>Oh, it is interesting who gets well sometimes? You know,

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<v Speaker 4>some of these the coverage really holds up. Like Jim

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<v Speaker 4>Henson and Sammy Davis Junior died on the same day, right,

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<v Speaker 4>I mean, just two brilliant creative talents, and the newspapers,

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<v Speaker 4>if you look back at them, they were side by

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<v Speaker 4>side for the most part. The television coverage it was

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<v Speaker 4>usually like two great Hollywood or you know, the the

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<v Speaker 4>legends of television Hollywood died left us today and it

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<v Speaker 4>was appropriate. And I think, even looking back now, it's like, yes,

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<v Speaker 4>that makes sense. I don't know who I would have

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<v Speaker 4>given lead coverage to.

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<v Speaker 3>Right and remind me of what Jim I remember him dying.

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<v Speaker 3>What did he die of?

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<v Speaker 4>He died? It was it was a kind of pneumonia.

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<v Speaker 4>I think a lot of the time at the time,

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<v Speaker 4>people thought, oh, it was this HIV is an a

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<v Speaker 4>It's like, it's this euphemistic and it was not. He

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<v Speaker 4>had an infection and was it a bacterial infection?

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<v Speaker 3>But yeah, yeah, I have like a weird, foggy memory

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<v Speaker 3>of it being strep throat, which can't possibly be true.

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<v Speaker 5>Wait it is, yeah, streptocockle toxic shock syndrome caused by

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<v Speaker 5>a strap.

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<v Speaker 4>Yeah god, and I really yeah, thank you for that boy,

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<v Speaker 4>for that fact check. I'm embarrassed. And I called it pneumonia.

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<v Speaker 4>I think we thought it was pneumonia at first.

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<v Speaker 3>Sorry anyway, Wow, that I've held onto that information that

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<v Speaker 3>long and almost no other.

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<v Speaker 4>Information amazing that you knew that that is.

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<v Speaker 3>Yeah, it felt like a like a weird childhood logic,

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<v Speaker 3>where like I had had strep throat, so that would

0:10:37.720 --> 0:10:39.600
<v Speaker 3>I imagine that would kill someone. But I guess I

0:10:39.640 --> 0:10:42.360
<v Speaker 3>just had a personal attachment to strep throat and it

0:10:42.400 --> 0:10:42.880
<v Speaker 3>stuck with me.

0:10:43.000 --> 0:10:44.480
<v Speaker 4>Well, I could have also had something to do with

0:10:44.480 --> 0:10:47.560
<v Speaker 4>your attachment to the Muppets. Well, certain, I mean, I

0:10:47.559 --> 0:10:49.320
<v Speaker 4>mean it was I mean, it was a really it

0:10:49.360 --> 0:10:50.280
<v Speaker 4>was a real shocker.

0:10:50.480 --> 0:10:52.320
<v Speaker 3>Yeah right, it was a shock, right because he was

0:10:52.360 --> 0:10:52.960
<v Speaker 3>fairly young.

0:10:53.120 --> 0:10:55.880
<v Speaker 4>Oh yeah, and he like apparently walked into an emergency

0:10:55.960 --> 0:10:57.880
<v Speaker 4>rooms that I'm not feeling. Wow, oh my god. Yeah,

0:10:58.600 --> 0:11:00.800
<v Speaker 4>I mean it's really terrible. I mean, his junior had

0:11:00.840 --> 0:11:03.520
<v Speaker 4>been ill for a long time, he'd throat cancer and

0:11:03.559 --> 0:11:06.520
<v Speaker 4>they had a huge send off on ABC with you know,

0:11:06.679 --> 0:11:09.320
<v Speaker 4>Gregor Hines danced with him when he could barely stand up,

0:11:09.360 --> 0:11:10.679
<v Speaker 4>and it was pretty amazing.

0:11:11.000 --> 0:11:13.520
<v Speaker 3>Right, Wow, what a day, what a memory?

0:11:13.760 --> 0:11:14.520
<v Speaker 4>Yeah?

0:11:14.200 --> 0:11:16.160
<v Speaker 3>Yeah, what have you been doing to fill your days?

0:11:16.360 --> 0:11:17.839
<v Speaker 3>Has the strike affected you at all?

0:11:18.760 --> 0:11:22.600
<v Speaker 4>No, I'm fortunate because I work in news and it's

0:11:22.640 --> 0:11:25.800
<v Speaker 4>covered under a different contract, right yeah, So yeah.

0:11:25.640 --> 0:11:28.360
<v Speaker 3>It's only affected you as far as you're watching it all.

0:11:28.200 --> 0:11:29.680
<v Speaker 4>Unfold, yes, exactly.

0:11:29.760 --> 0:11:30.000
<v Speaker 2>Yeah.

0:11:30.040 --> 0:11:32.640
<v Speaker 3>And hopefully by the time this releases, the sex strike

0:11:32.679 --> 0:11:35.079
<v Speaker 3>will be over. But as of today, it's just all

0:11:35.080 --> 0:11:37.000
<v Speaker 3>blown up again, which is.

0:11:37.240 --> 0:11:39.840
<v Speaker 4>I read that, and it's terrible, and I mean I'm

0:11:39.840 --> 0:11:42.920
<v Speaker 4>not saying anything new here, but boy, the amounts of

0:11:42.960 --> 0:11:46.400
<v Speaker 4>money that the heads of these company make oh, I mean,

0:11:46.440 --> 0:11:51.000
<v Speaker 4>I think we'll look back and it's I think, well,

0:11:51.640 --> 0:11:53.960
<v Speaker 4>we don't even need to look back. It's appalling now,

0:11:54.080 --> 0:11:56.440
<v Speaker 4>but but it's interesting to see how this will be

0:11:56.520 --> 0:11:59.720
<v Speaker 4>viewed even just a few years from now, Like, really,

0:12:00.000 --> 0:12:01.160
<v Speaker 4>it's kind of nuts.

0:12:01.480 --> 0:12:05.400
<v Speaker 3>I think about these like five extremely wealthy people. I'm

0:12:05.400 --> 0:12:07.400
<v Speaker 3>always like, isn't there one child in one of those

0:12:07.400 --> 0:12:10.960
<v Speaker 3>families that's like Dad, this doesn't seem like the right

0:12:11.000 --> 0:12:15.520
<v Speaker 3>thing to do. Or they're all just greed driven psychos.

0:12:15.960 --> 0:12:17.960
<v Speaker 4>You know, it's so interesting you say that, I don't

0:12:18.400 --> 0:12:20.800
<v Speaker 4>is this. I don't think there's anything wrong with revealing this.

0:12:21.240 --> 0:12:26.480
<v Speaker 4>I had Lloyd Blankfine, who was running Goldman Sachs I

0:12:26.520 --> 0:12:30.520
<v Speaker 4>think I had that right, came by CBS where I work,

0:12:31.080 --> 0:12:34.280
<v Speaker 4>and there was talk about doing a piece on him,

0:12:34.760 --> 0:12:39.320
<v Speaker 4>and he mentioned that his kids say to him it's

0:12:39.400 --> 0:12:41.800
<v Speaker 4>hard to have a job in the service industry and

0:12:41.840 --> 0:12:47.240
<v Speaker 4>to support yourself. And he was candid and he said

0:12:47.240 --> 0:12:50.920
<v Speaker 4>what he told his kids, which is, well, you just

0:12:51.040 --> 0:12:54.880
<v Speaker 4>have to work harder. Like he didn't feel that the

0:12:54.960 --> 0:13:01.880
<v Speaker 4>system was fundamentally flawed. He also thought, I think what

0:13:01.960 --> 0:13:05.679
<v Speaker 4>a lot of that. There are obviously people who think

0:13:05.760 --> 0:13:12.480
<v Speaker 4>this that taxes are largely wasted. I think the example,

0:13:12.880 --> 0:13:15.600
<v Speaker 4>and I want to be fair here the example he said,

0:13:15.600 --> 0:13:18.160
<v Speaker 4>when you would just go through like the Midtown Tunnel,

0:13:18.440 --> 0:13:22.040
<v Speaker 4>that the money that you're spending is allocated, you know,

0:13:22.120 --> 0:13:24.720
<v Speaker 4>both to municipal and state government, it doesn't make sense.

0:13:24.760 --> 0:13:27.400
<v Speaker 4>A lot of it is just wasted. So I don't

0:13:27.440 --> 0:13:31.840
<v Speaker 4>know anyway, but he seemed pretty comfortable with how things stand.

0:13:31.920 --> 0:13:33.320
<v Speaker 3>Yeah, I think you just get to that spot and

0:13:33.320 --> 0:13:34.160
<v Speaker 3>completely forget.

0:13:34.320 --> 0:13:34.520
<v Speaker 4>Yeah.

0:13:34.600 --> 0:13:38.199
<v Speaker 3>Yeah, did you have prior to your career becoming your career,

0:13:38.200 --> 0:13:40.560
<v Speaker 3>did you have any day jobs or service jops.

0:13:40.920 --> 0:13:44.800
<v Speaker 4>Yeah, I delivered pizza for a while. I was, you know,

0:13:44.800 --> 0:13:49.080
<v Speaker 4>a movie theater usher. When I first got out of college,

0:13:49.600 --> 0:13:53.800
<v Speaker 4>I had two jobs waiting tables. I worked at pizzeria

0:13:53.920 --> 0:13:57.560
<v Speaker 4>UNO's during the day in Georgetown, and at night I

0:13:57.600 --> 0:14:01.200
<v Speaker 4>was a roller skating waiter at a place called Lenny Swass,

0:14:01.320 --> 0:14:04.080
<v Speaker 4>which was you know, I grew up in DC, and

0:14:04.080 --> 0:14:07.640
<v Speaker 4>that's where I went right after I finished school, just

0:14:07.640 --> 0:14:09.520
<v Speaker 4>for a while to earn money to move to New York.

0:14:09.960 --> 0:14:13.040
<v Speaker 4>And this restaurant where the waiters roller skated and sang

0:14:13.160 --> 0:14:17.400
<v Speaker 4>was sort of Washington's version of Wacky and Inzany, which

0:14:17.440 --> 0:14:21.320
<v Speaker 4>of course was Sostogian, not that Zany and roller blades

0:14:21.360 --> 0:14:23.920
<v Speaker 4>had just come in and one waiter, I think it

0:14:23.960 --> 0:14:25.880
<v Speaker 4>was the head waiter, was on roller blade, which was

0:14:25.920 --> 0:14:29.000
<v Speaker 4>really great. Yeah, but it was actually a lot safer

0:14:29.200 --> 0:14:32.120
<v Speaker 4>to just be on the four wheeled roller skates because

0:14:32.360 --> 0:14:34.800
<v Speaker 4>if you got nervous, if you were carings of say

0:14:34.920 --> 0:14:38.600
<v Speaker 4>a bowl of hot French onion soup, and you thought,

0:14:38.680 --> 0:14:41.000
<v Speaker 4>oh my god, you could just sort of step like

0:14:41.080 --> 0:14:44.160
<v Speaker 4>kind of walk around because they were the four wheeled

0:14:44.160 --> 0:14:45.200
<v Speaker 4>ones clumpy.

0:14:45.680 --> 0:14:48.200
<v Speaker 3>Yeah. Were you a natural roller skater before you got

0:14:48.240 --> 0:14:48.640
<v Speaker 3>the job?

0:14:49.040 --> 0:14:51.400
<v Speaker 4>I had been, because I liked to roller skate in

0:14:51.440 --> 0:14:53.960
<v Speaker 4>the basement, or as my father would called a seller

0:14:54.080 --> 0:14:57.440
<v Speaker 4>of our house. And my father played the trumpet, and

0:14:57.520 --> 0:15:02.000
<v Speaker 4>so he would play the trumpet Dixie Land jazz while

0:15:02.160 --> 0:15:07.080
<v Speaker 4>I would roller skate in the cellar, pretending I was

0:15:08.000 --> 0:15:11.760
<v Speaker 4>Dorothy Hamill at Innsbruck, Austria in nineteen seventy six, because

0:15:11.760 --> 0:15:14.080
<v Speaker 4>there was a pole in the middle, and so I

0:15:14.120 --> 0:15:18.480
<v Speaker 4>could grab the pole and just spin in a way

0:15:18.520 --> 0:15:20.280
<v Speaker 4>like I could pretend I was doing a seal cow

0:15:20.680 --> 0:15:23.040
<v Speaker 4>or a toe loop, or what's the other one. There's

0:15:23.040 --> 0:15:26.240
<v Speaker 4>a triple sell cow, the toe loop and there's one.

0:15:26.280 --> 0:15:28.800
<v Speaker 4>There's a third one I'm forgetting. Yeah, there's like three

0:15:28.880 --> 0:15:32.120
<v Speaker 4>of them. But anyway, and our dryer didn't work for

0:15:32.160 --> 0:15:33.800
<v Speaker 4>a long time. I don't know why. We just didn't

0:15:33.800 --> 0:15:36.960
<v Speaker 4>get a new one anyway, But so we would hang

0:15:37.400 --> 0:15:40.840
<v Speaker 4>sheets and clothes and clotheslines in the cellar. But what

0:15:40.920 --> 0:15:42.680
<v Speaker 4>you could do then if you were roller skating through

0:15:42.720 --> 0:15:47.000
<v Speaker 4>the cellar is it felt like Xanadu basically like Olivia John. Yeah,

0:15:47.040 --> 0:15:50.320
<v Speaker 4>going through like you know, just going through sheets and

0:15:50.360 --> 0:15:52.080
<v Speaker 4>towels that were hanging there like.

0:15:52.280 --> 0:15:53.240
<v Speaker 3>Like a haunted house.

0:15:53.920 --> 0:15:59.840
<v Speaker 4>Well, I guess so many ways, yes, but yeah, it

0:15:59.880 --> 0:16:02.080
<v Speaker 4>was to be able to skate through that. There were

0:16:02.120 --> 0:16:04.240
<v Speaker 4>constant reveals by doing that, uh huh?

0:16:04.320 --> 0:16:07.080
<v Speaker 3>And are exciting really training you for the obstacles of

0:16:07.120 --> 0:16:07.760
<v Speaker 3>a restaurant?

0:16:08.520 --> 0:16:08.800
<v Speaker 1>Yeah?

0:16:08.840 --> 0:16:11.120
<v Speaker 4>I guess. So I never listened. I never dropped a play.

0:16:11.400 --> 0:16:13.120
<v Speaker 3>Did when you applied for the job, did they just

0:16:13.240 --> 0:16:14.720
<v Speaker 3>ask you can you roller skate? Or did you have

0:16:14.760 --> 0:16:16.200
<v Speaker 3>to demonstrate? You know?

0:16:16.440 --> 0:16:19.000
<v Speaker 4>I think I had sort of an old showbized streak,

0:16:19.080 --> 0:16:21.000
<v Speaker 4>which was sort of like just say you can do it.

0:16:21.360 --> 0:16:23.360
<v Speaker 4>You also had to sing, and so I sang a song,

0:16:23.800 --> 0:16:27.560
<v Speaker 4>a Tom Lair song called the Masochism tango. So the

0:16:27.600 --> 0:16:30.400
<v Speaker 4>idea was that you'd serve, you know, the diners, and

0:16:30.400 --> 0:16:33.520
<v Speaker 4>then you'd get up and you'd sing. The waiters would

0:16:33.520 --> 0:16:37.120
<v Speaker 4>all sing different things, and the restaurant was on its

0:16:37.200 --> 0:16:39.920
<v Speaker 4>last legs at that point. It was holding on to

0:16:40.040 --> 0:16:45.880
<v Speaker 4>this that that Elizabeth Taylor during her penultimate marriage I

0:16:45.880 --> 0:16:48.440
<v Speaker 4>think that's right, was to Senator John Warner. So she

0:16:48.480 --> 0:16:51.240
<v Speaker 4>had had a DC phase and she liked going to

0:16:51.280 --> 0:16:53.360
<v Speaker 4>this restaurant. So they really held onto it.

0:16:53.400 --> 0:16:55.360
<v Speaker 3>But this was like that over lasts so long.

0:16:55.480 --> 0:16:59.080
<v Speaker 4>Yeah, you can't stop after that exactly. It's like she'd

0:16:59.120 --> 0:17:01.760
<v Speaker 4>moved on to the to the construction worker, to Larry

0:17:01.760 --> 0:17:04.880
<v Speaker 4>Fourtenski by this point. So it was, oh, Liz Taylor

0:17:05.080 --> 0:17:07.240
<v Speaker 4>likes Lenny Swass and it's like, yeah, but that was

0:17:07.359 --> 0:17:08.200
<v Speaker 4>over ten years ago.

0:17:08.560 --> 0:17:10.840
<v Speaker 3>Forget it. Yeah, I mean it was the quality of

0:17:10.840 --> 0:17:11.560
<v Speaker 3>food horrible.

0:17:12.119 --> 0:17:14.639
<v Speaker 4>I think it was fine, Yeah, it was okay.

0:17:15.480 --> 0:17:17.280
<v Speaker 3>And while you've were I mean, I feel like when

0:17:17.280 --> 0:17:19.440
<v Speaker 3>I'm on roller skates or rollerblades, I have a very

0:17:19.440 --> 0:17:22.560
<v Speaker 3>hard time not being happy. But I feel like when

0:17:22.600 --> 0:17:24.960
<v Speaker 3>you're at work, that's got to be such a confusing

0:17:25.560 --> 0:17:28.639
<v Speaker 3>journey emotionally. Were you mad to be at work or

0:17:28.680 --> 0:17:29.440
<v Speaker 3>was it a fun time?

0:17:29.600 --> 0:17:32.320
<v Speaker 4>No? No, I was twenty two, so I wasn't mad

0:17:32.480 --> 0:17:35.600
<v Speaker 4>to be at work. I was a little nervous because

0:17:35.600 --> 0:17:43.320
<v Speaker 4>the carpet would sometimes wrinkle and that's really dangerous.

0:17:42.160 --> 0:17:44.879
<v Speaker 3>A really flat car. Oh what are they doing?

0:17:45.040 --> 0:17:47.720
<v Speaker 4>Yeah, So I mean this was really hazardous. And it

0:17:47.760 --> 0:17:49.439
<v Speaker 4>was a very stressful timecause during the day I was

0:17:49.440 --> 0:17:52.439
<v Speaker 4>working at pizzer Rihounos where they had the five it

0:17:52.480 --> 0:17:54.920
<v Speaker 4>was something like the five minute lunch, and so you'd

0:17:54.960 --> 0:17:57.919
<v Speaker 4>have to get the And I experienced this with and

0:17:57.960 --> 0:18:00.280
<v Speaker 4>I think it's illegal now with delivering pizza where if

0:18:00.280 --> 0:18:02.800
<v Speaker 4>you didn't get the pizza to the person in thirty minutes,

0:18:02.840 --> 0:18:06.080
<v Speaker 4>the delivery, you know, and they'd be standing at the door.

0:18:06.200 --> 0:18:08.399
<v Speaker 4>It was called pisa movers. It was a poor man's

0:18:08.720 --> 0:18:12.760
<v Speaker 4>like dominoes. And I think that's illegal now because people

0:18:12.760 --> 0:18:15.560
<v Speaker 4>were crashing into each other, you know, and of course,

0:18:16.000 --> 0:18:18.879
<v Speaker 4>like you know, running over people so that you wouldn't

0:18:18.920 --> 0:18:23.280
<v Speaker 4>get docked. But Pizza r UNO's had a five minute lunch.

0:18:23.560 --> 0:18:26.520
<v Speaker 4>Five minutes, yeah, so from the time you ordered the

0:18:26.560 --> 0:18:29.639
<v Speaker 4>express lunch. From the time you ordered it, you were

0:18:29.640 --> 0:18:32.000
<v Speaker 4>supposed to get your lunch. I can't remember the exact time.

0:18:32.000 --> 0:18:34.679
<v Speaker 4>I think it was five or ten minutes. But that

0:18:34.840 --> 0:18:38.280
<v Speaker 4>was very stressful during the day, and I think they

0:18:38.359 --> 0:18:41.840
<v Speaker 4>would dock your pay if you were late a certain

0:18:41.920 --> 0:18:45.320
<v Speaker 4>number of times, so stressful. So yeah, during the day

0:18:45.359 --> 0:18:47.600
<v Speaker 4>I was racing against the clock and at night I

0:18:47.720 --> 0:18:50.560
<v Speaker 4>was just hoping not to burn someone to death.

0:18:53.080 --> 0:18:56.560
<v Speaker 3>Yeah, ten minute pizza delivery feels like a physical impossibility

0:18:56.920 --> 0:18:59.360
<v Speaker 3>unless you live next year.

0:18:59.400 --> 0:19:02.120
<v Speaker 4>This was sorry, this is pizza huas in the restaurant.

0:19:02.160 --> 0:19:05.679
<v Speaker 3>Oh this is I'm imagining you driving around town in

0:19:05.680 --> 0:19:06.720
<v Speaker 3>an absolute panic.

0:19:07.240 --> 0:19:09.320
<v Speaker 4>Oh okay, so no, we'd had to live in someplace

0:19:09.320 --> 0:19:12.720
<v Speaker 4>with like pneumatic tubes. We we're just pizza.

0:19:12.520 --> 0:19:16.720
<v Speaker 3>Shot lamming against walls, tomato sauce everywhere. But you were

0:19:16.760 --> 0:19:18.600
<v Speaker 3>a delivery driver prior to this.

0:19:18.680 --> 0:19:21.399
<v Speaker 4>Yes, I was a delivery driver for pizza Movers, and

0:19:21.480 --> 0:19:24.720
<v Speaker 4>I was a waiter in house for Pizza Rica Uno.

0:19:24.960 --> 0:19:28.119
<v Speaker 3>Wow, I really did it all. Yeah, as a pizza

0:19:28.160 --> 0:19:30.560
<v Speaker 3>delivery driver, were there any scary moments?

0:19:31.359 --> 0:19:33.600
<v Speaker 4>Yeah, because I think because in that case it was

0:19:33.600 --> 0:19:36.119
<v Speaker 4>a it was a thirty minute time limit, and it

0:19:36.200 --> 0:19:39.080
<v Speaker 4>was scary. I mean, it was also kind of thrilling,

0:19:39.920 --> 0:19:42.200
<v Speaker 4>and I think I was driving stick shift, so that

0:19:42.280 --> 0:19:47.960
<v Speaker 4>felt exciting, like you know, doing that kind of a thing.

0:19:48.280 --> 0:19:50.800
<v Speaker 4>And it was a Mazda I think it was a

0:19:50.840 --> 0:19:52.200
<v Speaker 4>car used car that I bought.

0:19:52.320 --> 0:19:54.320
<v Speaker 3>Yeah, and you just get to listen to music and

0:19:54.480 --> 0:19:55.280
<v Speaker 3>deliver pizza.

0:19:55.720 --> 0:19:56.879
<v Speaker 4>I guess it had a radio.

0:19:57.440 --> 0:19:59.000
<v Speaker 3>But there was never like a moment where you pulled

0:19:59.040 --> 0:20:01.960
<v Speaker 3>up to an empty lot, like physically scary.

0:20:02.560 --> 0:20:05.640
<v Speaker 4>I don't remember feeling threatened, if that's a tad, right. Yeah,

0:20:05.760 --> 0:20:09.879
<v Speaker 4>I wasn't lured to an address that didn't exist, that

0:20:09.960 --> 0:20:12.600
<v Speaker 4>was just an empty lot. No, I don't think nothing

0:20:12.680 --> 0:20:13.640
<v Speaker 4>like that ever happened.

0:20:13.800 --> 0:20:15.600
<v Speaker 3>Okay, now that would be my big fear there was.

0:20:15.760 --> 0:20:18.119
<v Speaker 3>I believe there was an unsolved mysteries about you know,

0:20:18.640 --> 0:20:21.000
<v Speaker 3>delivery driver pulls up, it's an empty field. That's the

0:20:21.040 --> 0:20:21.960
<v Speaker 3>last we see of them.

0:20:22.280 --> 0:20:25.479
<v Speaker 4>Yeah, No, that did not. Thankfully, that did not happen

0:20:25.920 --> 0:20:28.480
<v Speaker 4>to me. But I did you know when I worked

0:20:28.520 --> 0:20:30.560
<v Speaker 4>at Pizzeria Uno. It's a place where I was in

0:20:30.600 --> 0:20:34.960
<v Speaker 4>Georgetown where I actually was a waiter. To remember that

0:20:35.040 --> 0:20:40.600
<v Speaker 4>I served a really really big party and at the

0:20:40.720 --> 0:20:43.800
<v Speaker 4>end they didn't jump the check, but they left no tip,

0:20:44.000 --> 0:20:46.840
<v Speaker 4>and it was a minimum if it was six people

0:20:46.960 --> 0:20:50.760
<v Speaker 4>or more, there was an automatic you were not by law,

0:20:50.880 --> 0:20:54.240
<v Speaker 4>but they would add in oppatuity. And this was a

0:20:54.840 --> 0:20:58.560
<v Speaker 4>probably a party of twelve, and they left nothing, and

0:20:58.600 --> 0:21:01.800
<v Speaker 4>so I went and I told the manager, and I

0:21:01.840 --> 0:21:05.240
<v Speaker 4>remember he ran out with me to the people down

0:21:05.280 --> 0:21:07.879
<v Speaker 4>the street and he got to the head of the

0:21:07.920 --> 0:21:10.919
<v Speaker 4>party and he said, you didn't leave a tap and

0:21:10.960 --> 0:21:12.640
<v Speaker 4>you really are supposed to have it six or more.

0:21:13.280 --> 0:21:16.959
<v Speaker 4>And the guy looked at him and then turned to

0:21:17.000 --> 0:21:22.240
<v Speaker 4>me and said, with just pity. He just said, I'm sorry,

0:21:22.560 --> 0:21:28.120
<v Speaker 4>but he wasn't very good. And I remember then looking

0:21:28.160 --> 0:21:31.360
<v Speaker 4>at the manager and I spread to you, going, he's right.

0:21:32.560 --> 0:21:35.719
<v Speaker 4>It was just like it was such a pathetic moment,

0:21:36.160 --> 0:21:38.680
<v Speaker 4>but no defense. I had no defense, and I wasn't

0:21:38.720 --> 0:21:40.800
<v Speaker 4>angry at the guy, but he's right. It took me

0:21:40.840 --> 0:21:44.399
<v Speaker 4>forever to get them what they needed. But I just

0:21:44.440 --> 0:21:47.199
<v Speaker 4>remember that he said, I'm just so sorry. He just

0:21:47.320 --> 0:21:48.160
<v Speaker 4>wasn't very good.

0:21:48.600 --> 0:21:51.080
<v Speaker 3>I'm still on your side here, though, even if the services,

0:21:51.320 --> 0:21:55.240
<v Speaker 3>unless the service is like actively, you know, you're attacking

0:21:55.280 --> 0:21:59.200
<v Speaker 3>the customer. Right, everybody realizes how hard all of this is.

0:21:59.280 --> 0:22:00.200
<v Speaker 3>Leave a little.

0:22:00.119 --> 0:22:03.280
<v Speaker 4>Something, yeah, yeah, yeah, no, it was pretty rough. It

0:22:03.320 --> 0:22:07.840
<v Speaker 4>was I hopefully have built something character I don't know.

0:22:09.480 --> 0:22:12.159
<v Speaker 3>Well, I mean speaking of people just being kind of

0:22:12.240 --> 0:22:15.960
<v Speaker 3>cruel and mindless. Something I'd like to talk to you about.

0:22:16.160 --> 0:22:17.920
<v Speaker 4>Is it about Charles Manson who died on the same

0:22:17.960 --> 0:22:21.880
<v Speaker 4>day as Dela Reese. Yes, which is terrible. Is del

0:22:22.000 --> 0:22:25.720
<v Speaker 4>Reice was great. She was really talented. Delirius is great.

0:22:25.760 --> 0:22:27.960
<v Speaker 4>And even if you're not a touch fine angel person,

0:22:27.960 --> 0:22:30.320
<v Speaker 4>if you are more a doctor Quinn medicine woman person,

0:22:31.040 --> 0:22:32.320
<v Speaker 4>you have to acknowledge her talent.

0:22:32.400 --> 0:22:33.160
<v Speaker 3>She was a presence.

0:22:33.440 --> 0:22:36.600
<v Speaker 4>Her presence, Yes, her presence alone.

0:22:37.480 --> 0:22:40.399
<v Speaker 3>I mean not to say that Charles didn't have a presence. Now.

0:22:40.520 --> 0:22:44.320
<v Speaker 4>I understand Charles Manson haunted people's nightmares. I understand the

0:22:44.359 --> 0:22:47.320
<v Speaker 4>decision to give him more coverage the day that they died.

0:22:47.960 --> 0:22:50.240
<v Speaker 4>But this is when we all need to take a

0:22:50.280 --> 0:22:53.960
<v Speaker 4>step back and say, del Reice chic going the man,

0:22:54.440 --> 0:22:57.640
<v Speaker 4>her greatest hits. She grew up singing with Mehelia Jackson

0:22:57.880 --> 0:22:59.639
<v Speaker 4>Touched by an Angel. You may not have liked it,

0:22:59.680 --> 0:23:03.080
<v Speaker 4>but like forty fucking billion people watched it every Sunday night.

0:23:04.040 --> 0:23:06.880
<v Speaker 3>She wasn't involved in that many murders, right.

0:23:06.760 --> 0:23:07.639
<v Speaker 4>Yes, exactly.

0:23:08.560 --> 0:23:11.560
<v Speaker 3>I feel like we know of it. Yeah, it could

0:23:11.600 --> 0:23:13.600
<v Speaker 3>come out at some point. Maybe she was part of

0:23:13.600 --> 0:23:18.040
<v Speaker 3>the Manson family. Wouldn't that be a reveal? Dela re's

0:23:18.119 --> 0:23:19.720
<v Speaker 3>the lost Manson family member.

0:23:19.840 --> 0:23:21.399
<v Speaker 4>I'd like to think though, if she had been, she

0:23:21.400 --> 0:23:22.439
<v Speaker 4>would have set them straight.

0:23:25.240 --> 0:23:30.440
<v Speaker 3>Stop that murdering, Well happened to Charles jailhouse bride? Didn't

0:23:30.480 --> 0:23:31.639
<v Speaker 3>he have a bride? Oh?

0:23:31.680 --> 0:23:32.440
<v Speaker 4>I think he did.

0:23:32.920 --> 0:23:34.080
<v Speaker 3>Yeah, he's up to now.

0:23:34.160 --> 0:23:35.840
<v Speaker 4>I don't know if she married to one of the

0:23:35.920 --> 0:23:38.800
<v Speaker 4>Menandez brothers, so I don't know. I don't know.

0:23:38.920 --> 0:23:42.040
<v Speaker 3>She is crossing names off a list. I feel like

0:23:42.080 --> 0:23:44.000
<v Speaker 3>I need to get on one of those jail dating

0:23:44.040 --> 0:23:45.880
<v Speaker 3>websites and strike up a romance.

0:23:46.040 --> 0:23:50.000
<v Speaker 4>It's so interesting. It can't be called jay dating. Oh right,

0:23:50.240 --> 0:23:51.040
<v Speaker 4>it's already taken.

0:23:51.160 --> 0:23:53.920
<v Speaker 3>That's taken. Yeah, p dating, prison dating.

0:23:53.640 --> 0:23:57.120
<v Speaker 4>Pee dating. Oh no, that sounds like something else. Yeah, well,

0:23:57.280 --> 0:23:59.080
<v Speaker 4>you know there must be a play on something like

0:23:59.200 --> 0:24:03.560
<v Speaker 4>sing sing or like sing saying now, like Levenworth what

0:24:03.600 --> 0:24:04.160
<v Speaker 4>can we do with.

0:24:04.160 --> 0:24:08.480
<v Speaker 3>Levenworth single bars? Yeah, something like that. There's some sort

0:24:08.520 --> 0:24:09.480
<v Speaker 3>of jail.

0:24:09.560 --> 0:24:15.439
<v Speaker 4>Yeah block Yeah, alcatractive, they're alcatrackt a you are you

0:24:15.480 --> 0:24:16.480
<v Speaker 4>alcatracted to me?

0:24:17.480 --> 0:24:19.920
<v Speaker 5>I mean I found one that's called meat and inmate.

0:24:20.640 --> 0:24:22.320
<v Speaker 3>That feels I don't know.

0:24:22.520 --> 0:24:25.640
<v Speaker 5>That's nineteens, nineteen ninety eight. So this sounds like it,

0:24:25.760 --> 0:24:28.680
<v Speaker 5>you know, is a little bit more analog. Love a prisoner,

0:24:28.880 --> 0:24:34.800
<v Speaker 5>write a prisoner, classified inmate mingle dating prisoners. They're not

0:24:34.880 --> 0:24:37.480
<v Speaker 5>very creative with their names. Friends beyond the wall.

0:24:37.560 --> 0:24:38.679
<v Speaker 3>That sounds a little.

0:24:38.560 --> 0:24:42.479
<v Speaker 5>Want to be inmates inmate passions.

0:24:42.960 --> 0:24:44.560
<v Speaker 4>Inmate passion, Well, that's okay.

0:24:44.960 --> 0:24:46.320
<v Speaker 5>Can median inmates connect?

0:24:46.840 --> 0:24:50.359
<v Speaker 3>Wow? The options are there's a bounty of options if

0:24:50.400 --> 0:24:54.159
<v Speaker 3>you want to get with a prisoner, good, wonderful, adopt,

0:24:54.160 --> 0:24:58.040
<v Speaker 3>don't shop this sort of thing. Um, well, it feels

0:24:58.080 --> 0:25:00.320
<v Speaker 3>like you're really trying to throw the podcast. If you're

0:25:00.320 --> 0:25:03.000
<v Speaker 3>trying to the podcast is called I said no gifts.

0:25:03.359 --> 0:25:05.240
<v Speaker 3>I was very excited to have you here today.

0:25:05.440 --> 0:25:08.040
<v Speaker 4>Well, but I like it's the way I was raised.

0:25:08.040 --> 0:25:09.719
<v Speaker 4>I couldn't come here without a gift. It's just not

0:25:09.760 --> 0:25:10.280
<v Speaker 4>who I am.

0:25:10.600 --> 0:25:12.960
<v Speaker 3>I looks down the driveway and you're holding Yes, it's

0:25:13.000 --> 0:25:13.840
<v Speaker 3>clearly a gift.

0:25:14.200 --> 0:25:17.359
<v Speaker 4>Yes, I wanted to Well, I'm just going to give.

0:25:17.280 --> 0:25:21.359
<v Speaker 3>It to you. Okay, it's a it's in a white bag.

0:25:21.520 --> 0:25:22.680
<v Speaker 4>It's in a white, very.

0:25:22.520 --> 0:25:25.280
<v Speaker 3>Classy looking bag. Should I open it? Here? On the podcast.

0:25:26.280 --> 0:25:28.920
<v Speaker 4>I really, I really wish you would. I really wish

0:25:29.000 --> 0:25:53.400
<v Speaker 4>you would. As you can see, I brought it in.

0:25:53.359 --> 0:25:55.520
<v Speaker 3>A bag from from the four seasons.

0:25:55.160 --> 0:25:57.280
<v Speaker 4>From the Beverly Wilshire four season.

0:25:57.040 --> 0:25:59.840
<v Speaker 3>Incredible is the gift inside from the four seasons.

0:26:00.440 --> 0:26:02.600
<v Speaker 4>It is from the four seasons.

0:26:02.600 --> 0:26:07.240
<v Speaker 3>Okay, I'm gonna reach in here and okay, there's some tissue.

0:26:07.280 --> 0:26:09.880
<v Speaker 3>Oh okay, here we go. So there's some tissue. We're

0:26:09.880 --> 0:26:15.400
<v Speaker 3>getting that on the mic, I'm unwrapping, unwrapping. Oh, it's

0:26:15.480 --> 0:26:16.600
<v Speaker 3>a towel.

0:26:17.160 --> 0:26:19.639
<v Speaker 4>It is a hand hotel towel. It is a hand

0:26:19.680 --> 0:26:23.120
<v Speaker 4>towel from the Beverly Willshare and you know the Beverly

0:26:23.160 --> 0:26:26.960
<v Speaker 4>Will Share. It just has such an amazing history. And

0:26:27.480 --> 0:26:30.160
<v Speaker 4>you know, I thought, and I actually have a brochure

0:26:30.280 --> 0:26:34.840
<v Speaker 4>here and I want to include it the Beverly Will Share.

0:26:35.200 --> 0:26:37.760
<v Speaker 4>You know, that's a map of LA Subway. Sorry. The

0:26:37.800 --> 0:26:42.960
<v Speaker 4>Beverly Willshare was built in January nineteen twenty eight, and

0:26:43.240 --> 0:26:48.720
<v Speaker 4>it is it's no stranger to fame as celebrities, royalty

0:26:48.880 --> 0:26:52.159
<v Speaker 4>and the international elite have all stayed here. And you know,

0:26:52.200 --> 0:26:54.879
<v Speaker 4>I started thinking of all the amazing people who have

0:26:55.040 --> 0:26:58.359
<v Speaker 4>used that hand towel you know, I thought, you know,

0:26:58.440 --> 0:27:02.639
<v Speaker 4>Herbert Hoover would be elected soon after it open, and

0:27:03.119 --> 0:27:05.280
<v Speaker 4>I suspect that he might have used that hand hole.

0:27:05.480 --> 0:27:06.840
<v Speaker 4>He sweated a lot.

0:27:07.040 --> 0:27:10.040
<v Speaker 3>Yeah, I mean, before you go any further, I should

0:27:10.080 --> 0:27:12.879
<v Speaker 3>say the podcast is sponsored by Travel Lodge. But we

0:27:12.920 --> 0:27:17.400
<v Speaker 3>can continue, we can keep talking. So this is actually

0:27:17.440 --> 0:27:18.600
<v Speaker 3>like a room towel.

0:27:18.920 --> 0:27:20.280
<v Speaker 4>It is a room hand towel.

0:27:20.560 --> 0:27:22.679
<v Speaker 3>And did you tell the hotel staff I need a

0:27:22.680 --> 0:27:24.480
<v Speaker 3>gift bag. I need to wrap this up because it's

0:27:24.480 --> 0:27:26.440
<v Speaker 3>clearly been wrapped by somebody.

0:27:26.440 --> 0:27:29.679
<v Speaker 4>I told them that I needed a bag and some

0:27:29.760 --> 0:27:34.840
<v Speaker 4>tissue paper, and I just assumed they would surmise he

0:27:34.880 --> 0:27:37.199
<v Speaker 4>didn't fur the rest that I was going to be

0:27:37.240 --> 0:27:40.800
<v Speaker 4>gifting one of their historic hand towels. You know, nineteen

0:27:40.840 --> 0:27:43.440
<v Speaker 4>twenty eight was the end of the silent era, so

0:27:43.680 --> 0:27:47.160
<v Speaker 4>I think that Greta Garbo may have used that hand

0:27:47.200 --> 0:27:51.480
<v Speaker 4>howel as a silent film actress. And when she went

0:27:51.600 --> 0:27:55.480
<v Speaker 4>and did a Christie and you know, and Camille and

0:27:55.560 --> 0:27:57.720
<v Speaker 4>all of her great early sound work.

0:27:57.560 --> 0:27:59.719
<v Speaker 3>And all the sweatings she did when she realized I've

0:27:59.760 --> 0:28:02.879
<v Speaker 3>got it to make the transition. How will this affect

0:28:02.880 --> 0:28:03.560
<v Speaker 3>my career?

0:28:03.800 --> 0:28:07.200
<v Speaker 4>Yes, yes, I can just see it right now that

0:28:07.560 --> 0:28:10.960
<v Speaker 4>she was so nervous about how she would sound in

0:28:11.000 --> 0:28:12.359
<v Speaker 4>her first sound test.

0:28:12.400 --> 0:28:13.720
<v Speaker 3>Still audiences accepted.

0:28:14.040 --> 0:28:16.840
<v Speaker 4>Yes. And she wiped her face with that towel, and

0:28:16.840 --> 0:28:20.680
<v Speaker 4>as she it dropped down, she looked in the mirror

0:28:20.680 --> 0:28:24.080
<v Speaker 4>and annalis, what's the first thing? She said? It was

0:28:24.080 --> 0:28:26.800
<v Speaker 4>an anti Christie Gretigorpa's first words were I want another

0:28:26.960 --> 0:28:29.719
<v Speaker 4>Scotch or I give me a Vodkas stinger. Now that's

0:28:29.720 --> 0:28:31.680
<v Speaker 4>onlein stretch. What did she say? She wanted to drink,

0:28:32.400 --> 0:28:34.680
<v Speaker 4>Give me another one and make it whatever one coke zero.

0:28:34.760 --> 0:28:37.600
<v Speaker 5>Please give me a whiskey ginger ale on the side,

0:28:37.640 --> 0:28:39.160
<v Speaker 5>and don't be stingy baby.

0:28:39.400 --> 0:28:44.080
<v Speaker 4>Yes, and she practiced that as she finished wiping the

0:28:44.120 --> 0:28:45.000
<v Speaker 4>sweat from her brows.

0:28:45.080 --> 0:28:46.680
<v Speaker 3>Elle was sopping wet at this point.

0:28:46.880 --> 0:28:50.800
<v Speaker 4>Yes. In nineteen seventy they added a Mediterranean style pool

0:28:50.960 --> 0:28:56.160
<v Speaker 4>modeled on Sophia Loren's pool at her villa in Italy.

0:28:56.600 --> 0:29:00.000
<v Speaker 4>And I like to think of Sophia Lorenz coming and using.

0:28:59.720 --> 0:29:04.240
<v Speaker 3>That towel, this single towel. I mean, it's been used

0:29:04.240 --> 0:29:05.800
<v Speaker 3>by stars galore.

0:29:05.960 --> 0:29:10.000
<v Speaker 4>It has been used by stars, It's been involved in scandals.

0:29:10.120 --> 0:29:14.160
<v Speaker 4>I think Daddy Arbuckle, I think used it to soak

0:29:14.240 --> 0:29:17.200
<v Speaker 4>up the blood. No, I'm sorry, he actually was wrongly acute.

0:29:17.320 --> 0:29:19.920
<v Speaker 4>Sorry scratch out from the record, but I'm sure that

0:29:19.920 --> 0:29:23.200
<v Speaker 4>it's been Yeah, well, Pretty Woman was filmed at the

0:29:23.200 --> 0:29:25.000
<v Speaker 4>Beverly will Share a lot of it was filmed there.

0:29:25.080 --> 0:29:29.000
<v Speaker 3>So Richard and Julia, have you they have touched that towel.

0:29:29.000 --> 0:29:30.320
<v Speaker 3>They've probably shared the towel.

0:29:30.400 --> 0:29:32.080
<v Speaker 4>Yeah, they probably shared the towel, both.

0:29:31.960 --> 0:29:35.440
<v Speaker 3>Washing their hands, going headed to craft services. Yes, I

0:29:35.520 --> 0:29:40.240
<v Speaker 3>need to dry off. Seems like I really do believe

0:29:40.280 --> 0:29:42.480
<v Speaker 3>it's probably been found in at least the hands of

0:29:42.520 --> 0:29:45.400
<v Speaker 3>one corpse. When you're a towel at a hotel.

0:29:45.720 --> 0:29:47.640
<v Speaker 4>When you're a towel at a hotel, you're part of

0:29:47.640 --> 0:29:48.240
<v Speaker 4>a crime.

0:29:48.000 --> 0:29:50.480
<v Speaker 3>Scene, you will be I mean, the chances have been

0:29:50.560 --> 0:29:52.200
<v Speaker 3>part of a crime scene are through the roof.

0:29:53.040 --> 0:29:55.960
<v Speaker 4>Absolutely. I mean, let's I think of all the things

0:29:55.960 --> 0:29:57.719
<v Speaker 4>that might have happened. I mean, I wonder if that

0:29:57.880 --> 0:30:01.040
<v Speaker 4>towel had any was touched by any member of the

0:30:01.040 --> 0:30:03.640
<v Speaker 4>Manson family. I hope not. I don't think they were

0:30:03.640 --> 0:30:04.800
<v Speaker 4>saying will Share.

0:30:05.360 --> 0:30:10.120
<v Speaker 3>They probably passed through the past through Yeah, so certainly

0:30:10.120 --> 0:30:12.120
<v Speaker 3>they were also at the fourth season.

0:30:12.000 --> 0:30:15.200
<v Speaker 4>Right, Yes, No, it's amazing what happened. You know, Shirley

0:30:15.200 --> 0:30:19.480
<v Speaker 4>Temple saved twentieth century Fox during the thirties, and I

0:30:19.520 --> 0:30:23.320
<v Speaker 4>hope that they at least offered her a towel. I mean,

0:30:23.360 --> 0:30:24.680
<v Speaker 4>after all she did for them.

0:30:26.240 --> 0:30:27.880
<v Speaker 3>She had her hair wrapped up in this.

0:30:29.400 --> 0:30:32.200
<v Speaker 4>That you make such a great point, for sure, because

0:30:32.320 --> 0:30:34.280
<v Speaker 4>usually you need a whole bath sheet to do the

0:30:34.320 --> 0:30:38.480
<v Speaker 4>whole thing where you're wrapping the turban thing that you do. Right,

0:30:38.920 --> 0:30:40.280
<v Speaker 4>But she was so little.

0:30:40.400 --> 0:30:42.800
<v Speaker 3>Now, when you're a child, when you're a child.

0:30:42.680 --> 0:30:45.520
<v Speaker 4>Yeah, yes, yes, as little Nellie Kelly or when she

0:30:45.640 --> 0:30:47.720
<v Speaker 4>sang on the good Ship Lollipop, you know. And she

0:30:47.760 --> 0:30:50.200
<v Speaker 4>probably showered between takes or something. And it was over

0:30:50.240 --> 0:30:51.600
<v Speaker 4>several days probably, It's.

0:30:51.440 --> 0:30:54.440
<v Speaker 3>Like it's famous for showering between takes. She would take.

0:30:54.960 --> 0:30:57.600
<v Speaker 4>It was crazy, well, she was, Yes, she really sweated

0:30:57.640 --> 0:30:59.959
<v Speaker 4>a lot. She would shine a lot, so she'd very

0:31:00.120 --> 0:31:03.760
<v Speaker 4>active swack Lands early in life. And I'd like to

0:31:03.800 --> 0:31:05.880
<v Speaker 4>think that she could have used that towel as a

0:31:05.920 --> 0:31:07.480
<v Speaker 4>hand towel to do that turbin thing.

0:31:08.720 --> 0:31:10.240
<v Speaker 3>I haven't done that in a long time. I should

0:31:10.280 --> 0:31:11.080
<v Speaker 3>do that around the house.

0:31:11.200 --> 0:31:13.360
<v Speaker 4>It's so great, it's so great. Well, then you can

0:31:13.360 --> 0:31:15.640
<v Speaker 4>pretend that you're in an ad from the nineteen seventies.

0:31:15.680 --> 0:31:22.400
<v Speaker 4>It can say I'm rule a Lenska.

0:31:19.640 --> 0:31:22.600
<v Speaker 3>Eating my grapefruit in the morning light. Something like that.

0:31:22.680 --> 0:31:25.080
<v Speaker 3>I feel like, I mean, I have cottage cheese in

0:31:25.120 --> 0:31:28.160
<v Speaker 3>my fridge right now. That's a real food to be

0:31:28.200 --> 0:31:31.760
<v Speaker 3>eating in the towel turbine, certainly. Oh yeah.

0:31:31.800 --> 0:31:33.720
<v Speaker 4>And I also think like, I'm wondering, do you have

0:31:33.760 --> 0:31:34.360
<v Speaker 4>any pets.

0:31:34.560 --> 0:31:35.240
<v Speaker 3>I have a dog.

0:31:35.640 --> 0:31:38.440
<v Speaker 4>A dog's head is small enough to do a turban

0:31:38.520 --> 0:31:39.840
<v Speaker 4>wrap with a hand towel.

0:31:41.800 --> 0:31:44.760
<v Speaker 3>It's ideal. Absolutely, I'm sure my dog will be perfect

0:31:44.760 --> 0:31:47.080
<v Speaker 3>with that. She'll be perfectly fine. She loves things on

0:31:47.080 --> 0:31:49.720
<v Speaker 3>her head. And then we wrap a towel up. I

0:31:49.760 --> 0:31:51.680
<v Speaker 3>put that on my head, put a towel around my waist.

0:31:51.720 --> 0:31:54.080
<v Speaker 3>I've got the landline, the cords stretching all over the house.

0:31:54.120 --> 0:31:55.720
<v Speaker 3>I can imagine myself doing that right now.

0:31:55.840 --> 0:31:57.520
<v Speaker 4>It would be great, you know. And I didn't want

0:31:57.560 --> 0:31:59.200
<v Speaker 4>to get you a facecloth because I think it's kind

0:31:59.200 --> 0:32:00.600
<v Speaker 4>of gross cloth.

0:32:00.680 --> 0:32:05.040
<v Speaker 3>I mean the makeup. You've got people's pores, black heads

0:32:05.040 --> 0:32:08.120
<v Speaker 3>all over that thing. People have been wiping their teeth

0:32:08.120 --> 0:32:08.440
<v Speaker 3>on it.

0:32:08.680 --> 0:32:12.520
<v Speaker 4>Oh no, absolutely no, No, this is a handheld the

0:32:12.680 --> 0:32:16.280
<v Speaker 4>hands of only the most glamorous people that have passed

0:32:16.320 --> 0:32:19.560
<v Speaker 4>through the Beverly wheel Share for almost one hundred years.

0:32:19.680 --> 0:32:21.040
<v Speaker 3>Do you enjoy staying in a hotel?

0:32:21.680 --> 0:32:24.920
<v Speaker 4>If I can get the pillows right, Oh, if I

0:32:24.960 --> 0:32:28.480
<v Speaker 4>can get the pillows right. I'm having some neck issues

0:32:29.080 --> 0:32:32.360
<v Speaker 4>and I need the pillows to support my cervical curve

0:32:32.440 --> 0:32:34.840
<v Speaker 4>in just the right way. And at home, I have

0:32:34.920 --> 0:32:38.880
<v Speaker 4>three pillows that I know how to arrange perfectly to

0:32:38.960 --> 0:32:41.200
<v Speaker 4>make that happen to create the ridge that I need

0:32:41.200 --> 0:32:44.480
<v Speaker 4>for my cervical curve. And even at a glamorous place

0:32:44.520 --> 0:32:47.959
<v Speaker 4>like the Four Seasons and Beverly willl Share, I can't

0:32:48.040 --> 0:32:51.520
<v Speaker 4>quite get it right. But I do like saying, yeah,

0:32:51.560 --> 0:32:52.640
<v Speaker 4>I like staying in hotels.

0:32:52.720 --> 0:32:55.080
<v Speaker 3>Yeah, it's a good feeling. I love being in a hotel.

0:32:55.200 --> 0:32:57.400
<v Speaker 3>I mean the towels are such a huge part of it. Yeah,

0:32:57.800 --> 0:33:00.840
<v Speaker 3>being able to use towel after towel, I mean it's

0:33:00.920 --> 0:33:01.600
<v Speaker 3>very wasteful.

0:33:02.680 --> 0:33:06.440
<v Speaker 4>Well, no, and to know that, you know you're drying

0:33:06.480 --> 0:33:09.840
<v Speaker 4>off with a towel that Adelaie Stevenson used, you know,

0:33:09.880 --> 0:33:13.560
<v Speaker 4>when he accepted the nomination for president in nineteen fifty six.

0:33:13.680 --> 0:33:15.240
<v Speaker 3>You can't help but feel glamorous.

0:33:15.400 --> 0:33:18.719
<v Speaker 4>Yes, I mean he lost, so you might. You know,

0:33:19.080 --> 0:33:21.520
<v Speaker 4>you have mixed feelings drying off of that towel.

0:33:21.400 --> 0:33:25.320
<v Speaker 3>But it's still an honor to have the towel on. No,

0:33:25.400 --> 0:33:27.920
<v Speaker 3>I like the towel. The pillow thing. I feel like

0:33:28.000 --> 0:33:30.560
<v Speaker 3>some hotels are finally catching on. They're like, people want

0:33:30.560 --> 0:33:34.760
<v Speaker 3>a sturdier pillow. You can tell hotels a little more

0:33:34.760 --> 0:33:36.320
<v Speaker 3>modern that they're a little with the times. If the

0:33:36.360 --> 0:33:38.480
<v Speaker 3>pillow doesn't immediately flatten under your head.

0:33:38.720 --> 0:33:40.600
<v Speaker 4>Well, I think that's right. I think that's right. I

0:33:40.680 --> 0:33:44.280
<v Speaker 4>also find that a little odd well that some of

0:33:44.040 --> 0:33:46.000
<v Speaker 4>the the I don't know what you call the pillows

0:33:46.000 --> 0:33:49.160
<v Speaker 4>that are used over the pillows, sort of the ones

0:33:49.160 --> 0:33:54.920
<v Speaker 4>that are wordless. Well, so in the bed that I'm

0:33:54.920 --> 0:33:58.200
<v Speaker 4>currently in right now at the Beverly Wilshire, there are

0:33:59.360 --> 0:34:04.320
<v Speaker 4>I think, like two sort of pillow proper pillows, proper

0:34:04.320 --> 0:34:07.040
<v Speaker 4>I should call them, right, It's like attorney's general pillows

0:34:07.080 --> 0:34:12.600
<v Speaker 4>proper okay. But then over them are two big square

0:34:12.719 --> 0:34:15.960
<v Speaker 4>pillows with kind of a ridge, and those are sort

0:34:15.960 --> 0:34:18.120
<v Speaker 4>of like almost the equivalent of a bed spread, like

0:34:18.160 --> 0:34:21.480
<v Speaker 4>the decorative pillows. But I need to deploy I need

0:34:21.480 --> 0:34:23.279
<v Speaker 4>to include those pillows in the mix.

0:34:23.360 --> 0:34:24.040
<v Speaker 3>You use them.

0:34:24.280 --> 0:34:28.240
<v Speaker 4>I use them, and those are generally a little denser.

0:34:28.360 --> 0:34:33.400
<v Speaker 4>They're also they're big square shaped pillows. Kind of suddenly

0:34:33.400 --> 0:34:35.080
<v Speaker 4>having a flash to them. When I took home EC

0:34:35.160 --> 0:34:38.640
<v Speaker 4>in eighth grade and we had to sew a nine

0:34:38.800 --> 0:34:44.800
<v Speaker 4>paneled front right three by three on two our pillows.

0:34:44.880 --> 0:34:48.399
<v Speaker 4>We were making pillows quilts over the pillow. Yeah, and

0:34:48.800 --> 0:34:51.400
<v Speaker 4>you could chat during that. You can just you were

0:34:51.400 --> 0:34:54.200
<v Speaker 4>allowed to sort of just chat. And the teacher, I

0:34:54.239 --> 0:34:57.600
<v Speaker 4>wish I could remember her name. She was older, and

0:34:57.640 --> 0:35:00.000
<v Speaker 4>she just didn't like me. And I think it made

0:35:00.120 --> 0:35:03.400
<v Speaker 4>have been that the corners of my panels weren't quite,

0:35:03.400 --> 0:35:06.759
<v Speaker 4>weren't perfect. My friend Mario could do it perfectly, I

0:35:06.760 --> 0:35:07.919
<v Speaker 4>mean perfectly.

0:35:08.239 --> 0:35:09.279
<v Speaker 3>Some people have it, some.

0:35:09.160 --> 0:35:11.600
<v Speaker 4>People out and I didn't have it. And then I

0:35:11.640 --> 0:35:15.080
<v Speaker 4>remember I once said, my father said that Hetty Lamar

0:35:15.239 --> 0:35:18.960
<v Speaker 4>was the most beautiful actress in Hollywood. And then the

0:35:19.040 --> 0:35:22.279
<v Speaker 4>teacher homeback she said Hetty Lamar was beautiful, but she

0:35:22.400 --> 0:35:25.719
<v Speaker 4>was not the most beautiful actress in Hollywood. Ingrid Bergman was.

0:35:26.280 --> 0:35:30.000
<v Speaker 4>And I just and even at the time, I thought,

0:35:30.880 --> 0:35:33.880
<v Speaker 4>all right, you can sort of you can refute what

0:35:33.920 --> 0:35:37.919
<v Speaker 4>I'm saying, because by saying this is subjective, but you're

0:35:37.960 --> 0:35:41.840
<v Speaker 4>saying no, this is actually incorrect. Here is the truth.

0:35:42.560 --> 0:35:45.640
<v Speaker 3>So she wasn't just sharing an opinion yes and saying, well,

0:35:45.880 --> 0:35:49.120
<v Speaker 3>I think she's beautiful, but my personal choice the fact

0:35:49.120 --> 0:35:52.120
<v Speaker 3>that she's attacking a child over this. Yes, there's a

0:35:52.239 --> 0:35:53.280
<v Speaker 3>universal truth.

0:35:53.880 --> 0:35:57.120
<v Speaker 4>And the thing is, I don't know if she was wrong.

0:35:57.680 --> 0:35:58.239
<v Speaker 4>I don't know.

0:35:58.360 --> 0:35:59.480
<v Speaker 3>No one ever will.

0:36:00.239 --> 0:36:02.560
<v Speaker 4>We can roll the tape, and I mean, can we

0:36:02.600 --> 0:36:05.440
<v Speaker 4>can examine it. Petty Lamar was beautiful. I'm thinking of

0:36:05.440 --> 0:36:08.560
<v Speaker 4>Tortilla Flat, that movie where she she was miscast as

0:36:08.600 --> 0:36:12.000
<v Speaker 4>a Mexican, but willso was Spencer Tracy. I mean that's

0:36:12.000 --> 0:36:16.200
<v Speaker 4>pretty bad, but she was. She was beautiful in the

0:36:16.239 --> 0:36:18.360
<v Speaker 4>way the Jacqueline Smith. Sorry it's just getting weird, but

0:36:18.440 --> 0:36:21.120
<v Speaker 4>like jack Smith, Yeah, like in Charlie's Angels. Like I

0:36:21.120 --> 0:36:25.440
<v Speaker 4>remember when Jaqueline Smith played Jackie Bouvier Kennedy and my

0:36:25.440 --> 0:36:27.359
<v Speaker 4>father came into the room. I was watching that TV

0:36:27.480 --> 0:36:30.439
<v Speaker 4>movie and my father went, she's too beautiful to play

0:36:30.680 --> 0:36:32.040
<v Speaker 4>Jacqueline One assets.

0:36:31.680 --> 0:36:35.200
<v Speaker 3>You're surrounded by people who are just attacking the women's beauty.

0:36:35.600 --> 0:36:38.920
<v Speaker 4>Well, but I have to say I love people with

0:36:39.000 --> 0:36:41.680
<v Speaker 4>strong opinions about stuff like that. My father went, she's

0:36:41.719 --> 0:36:44.799
<v Speaker 4>too beautiful, she's perfect looking, and she's too beautiful. And

0:36:44.840 --> 0:36:47.760
<v Speaker 4>then my father then said, he said, I always thought

0:36:47.920 --> 0:36:51.759
<v Speaker 4>this isn't a separate conversation. Lady Bird Johnson was more

0:36:51.760 --> 0:36:55.960
<v Speaker 4>attractive than Jackie Kennedy, and my mother would get very upset.

0:36:56.160 --> 0:36:58.399
<v Speaker 4>And even as a child, I understood why my mother

0:36:58.480 --> 0:37:00.480
<v Speaker 4>was getting upset because my mother was frod the going, wait,

0:37:01.000 --> 0:37:03.640
<v Speaker 4>if that's what you think, what do you think about that? Like,

0:37:04.320 --> 0:37:06.600
<v Speaker 4>my father is sort of metric, not metric, but his

0:37:06.719 --> 0:37:11.080
<v Speaker 4>standard was so unconventional right that suddenly it made my mother.

0:37:10.960 --> 0:37:13.239
<v Speaker 3>Insecure as a place her in the scheme of things

0:37:13.239 --> 0:37:14.319
<v Speaker 3>well right, and she.

0:37:14.280 --> 0:37:17.280
<v Speaker 4>Was like, no, Jacqueline Kennedy is the most beautiful first lady.

0:37:17.680 --> 0:37:20.000
<v Speaker 4>But the thing is that I think that Lady Bird

0:37:20.080 --> 0:37:24.560
<v Speaker 4>Johnson was absolutely enchanting and beguiling. If you listen to

0:37:24.600 --> 0:37:27.760
<v Speaker 4>her audio tapes, and this is really gorulish and horrible,

0:37:27.880 --> 0:37:31.280
<v Speaker 4>but when she's talking about the assassination, it's just awful.

0:37:31.520 --> 0:37:34.280
<v Speaker 4>But her accent is so beautiful. I mean, this is terrible,

0:37:34.280 --> 0:37:36.880
<v Speaker 4>but her accent is so beautiful because she says at

0:37:36.920 --> 0:37:38.560
<v Speaker 4>one point you can find this on the internet and

0:37:38.600 --> 0:37:43.000
<v Speaker 4>she goes in the blood oh missus Kennedy's dress, and

0:37:43.160 --> 0:37:45.799
<v Speaker 4>it's horrible. This is horrible, and I'm not laughing about it.

0:37:45.840 --> 0:37:50.120
<v Speaker 4>But it's a beautiful it's a beautiful accent, and she

0:37:50.239 --> 0:37:52.439
<v Speaker 4>has this bump on her nose. And I really don't

0:37:52.440 --> 0:37:54.840
<v Speaker 4>want to dissect women like this, like, but she has this.

0:37:55.400 --> 0:37:59.200
<v Speaker 4>She is like really attractive lady bir Johnson.

0:37:58.880 --> 0:38:00.400
<v Speaker 3>And an unconventional beauty.

0:38:00.600 --> 0:38:02.360
<v Speaker 4>Well, I don't even know that I want to qualify

0:38:02.360 --> 0:38:04.319
<v Speaker 4>it that way. I'm sorry, Bridger. I think that she's

0:38:04.360 --> 0:38:09.600
<v Speaker 4>as obvious choice. Fine. I mean, I haven't checked the

0:38:09.680 --> 0:38:11.880
<v Speaker 4>latest gallop pole on this, although I'm sure that they

0:38:11.880 --> 0:38:12.320
<v Speaker 4>did poles.

0:38:12.360 --> 0:38:14.120
<v Speaker 3>I feel like Jackie is going to pull ahead in

0:38:14.160 --> 0:38:16.560
<v Speaker 3>all those poles, right of course she of course, she

0:38:17.040 --> 0:38:20.520
<v Speaker 3>just assumed. I feel like she's she's a little bit more.

0:38:21.360 --> 0:38:25.360
<v Speaker 3>She's got the name recognition immediately picturing her, the style,

0:38:25.480 --> 0:38:26.279
<v Speaker 3>the grace.

0:38:26.200 --> 0:38:28.120
<v Speaker 4>I think absolutely. And I think that it's just one

0:38:28.160 --> 0:38:30.160
<v Speaker 4>of those things that you just simply say, Okay, yes,

0:38:30.280 --> 0:38:31.840
<v Speaker 4>she was beautiful, and she was great, and she was

0:38:31.880 --> 0:38:34.000
<v Speaker 4>great in many ways, but Lady by Johnson had some

0:38:34.040 --> 0:38:35.880
<v Speaker 4>great things about her. Everyone goes, oh, she cared about

0:38:35.920 --> 0:38:39.600
<v Speaker 4>wild flowers. It was more the highway beautification, that thing

0:38:39.680 --> 0:38:41.880
<v Speaker 4>that was like a whole environmental thing. She had a

0:38:41.920 --> 0:38:44.960
<v Speaker 4>whole thing worked out, that this was only part of it.

0:38:45.040 --> 0:38:47.600
<v Speaker 4>And everyone said, oh, first, lady Lady by Johnson, all

0:38:47.640 --> 0:38:50.560
<v Speaker 4>she cares is highway beautification. That's sweet, that's nice. It

0:38:50.600 --> 0:38:53.800
<v Speaker 4>was really condescending. But she she was an important issue,

0:38:53.960 --> 0:38:55.880
<v Speaker 4>but it was part of also, like she had serious

0:38:55.960 --> 0:38:57.040
<v Speaker 4>environmental concerns.

0:38:57.280 --> 0:39:00.319
<v Speaker 3>And our highways I mean, they've really fallen apart since

0:39:00.360 --> 0:39:04.200
<v Speaker 3>she got behind and it feels like she died well

0:39:04.239 --> 0:39:07.440
<v Speaker 3>she could be, you know, inspiring people from beyond the grave.

0:39:08.120 --> 0:39:11.440
<v Speaker 3>I feel like we're not getting after litterbugs anymore. I

0:39:11.440 --> 0:39:14.520
<v Speaker 3>feel like, until I mean the early thousands, we were

0:39:14.520 --> 0:39:17.279
<v Speaker 3>all worried about littering, and now I don't hear about

0:39:17.320 --> 0:39:20.400
<v Speaker 3>a word about littering. It is, it's out of control.

0:39:20.719 --> 0:39:24.000
<v Speaker 4>I wonder if people are people are people littering as

0:39:24.080 --> 0:39:26.160
<v Speaker 4>much that I think it's Well, there was that great

0:39:26.160 --> 0:39:28.600
<v Speaker 4>little moment in mad Men, and I wasn't a religious

0:39:28.640 --> 0:39:32.399
<v Speaker 4>watcher of mad Men, but you remember Don Draper and

0:39:32.440 --> 0:39:36.040
<v Speaker 4>his wife and the kids go for a picnic and

0:39:36.239 --> 0:39:38.200
<v Speaker 4>at the end of it, they just sort of they

0:39:38.239 --> 0:39:40.920
<v Speaker 4>basically leave all the all the crap there. And I

0:39:40.960 --> 0:39:44.480
<v Speaker 4>thought it was such a great little great detail and

0:39:44.520 --> 0:39:46.920
<v Speaker 4>it was such and I think that's probably how people

0:39:47.000 --> 0:39:50.120
<v Speaker 4>used to be. We don't care enough about lady bugs.

0:39:50.800 --> 0:39:53.120
<v Speaker 4>We were going from lady for Johnson to litterbugs.

0:39:54.000 --> 0:39:57.320
<v Speaker 3>Bug. I love a ladybug. I in Chaa.

0:39:57.640 --> 0:40:00.000
<v Speaker 4>My mother loved lady bugs.

0:40:00.239 --> 0:40:03.839
<v Speaker 3>It's the only bug people are okay with landing on them. Oh.

0:40:04.120 --> 0:40:07.479
<v Speaker 4>Completely. You would have to have a hardest stone. If

0:40:07.520 --> 0:40:12.640
<v Speaker 4>you squash a ladybug, you are a serial killer state

0:40:12.680 --> 0:40:12.920
<v Speaker 4>of mind?

0:40:12.920 --> 0:40:15.440
<v Speaker 3>Could you possibly? I have to kill that, you know.

0:40:15.719 --> 0:40:18.640
<v Speaker 4>And my mother's Colombian and she would I a lady bug,

0:40:18.760 --> 0:40:21.280
<v Speaker 4>She would if a ladies. She would be so excited

0:40:21.320 --> 0:40:24.040
<v Speaker 4>to see a ladybug when we were kids. And they

0:40:24.160 --> 0:40:27.279
<v Speaker 4>are just adorable color and the color.

0:40:27.880 --> 0:40:29.759
<v Speaker 3>And you can buy them by the bag. Have you

0:40:29.760 --> 0:40:30.719
<v Speaker 3>ever seen them in the bag?

0:40:30.880 --> 0:40:33.280
<v Speaker 4>What are you serious?

0:40:33.320 --> 0:40:35.279
<v Speaker 3>This is true? I remember, I mean maybe it's not

0:40:35.280 --> 0:40:37.600
<v Speaker 3>true anymore, but I remember as a kid, we would

0:40:37.640 --> 0:40:40.160
<v Speaker 3>go to the hardware store wherever there would be a

0:40:40.200 --> 0:40:42.520
<v Speaker 3>gardening center and they would just have essentially what was

0:40:42.560 --> 0:40:45.520
<v Speaker 3>a mesh bag full. And this is probably the one

0:40:45.520 --> 0:40:47.680
<v Speaker 3>time where you're like, I don't. Ladybugs are not that

0:40:47.800 --> 0:40:49.879
<v Speaker 3>enchanting right now, because that's a swarm. But they would

0:40:49.920 --> 0:40:51.479
<v Speaker 3>just be full of the ladybugs, and then you would

0:40:51.480 --> 0:40:53.200
<v Speaker 3>take them to your garden, release them, and then they

0:40:53.200 --> 0:40:53.879
<v Speaker 3>would do their thing.

0:40:53.920 --> 0:40:54.960
<v Speaker 4>Because what was their thing?

0:40:55.480 --> 0:40:58.880
<v Speaker 3>I think that they kind of took care of bad bugs,

0:40:59.120 --> 0:41:02.560
<v Speaker 3>which feels interesting. Is there a violent element to a ladybug?

0:41:02.680 --> 0:41:04.560
<v Speaker 3>Am I imagining this? Well?

0:41:04.960 --> 0:41:07.640
<v Speaker 4>I always I like to imagine them sort of under

0:41:07.680 --> 0:41:10.640
<v Speaker 4>the spell of Busby Berkeley, like getting together and doing

0:41:10.640 --> 0:41:11.720
<v Speaker 4>a collaborate dance.

0:41:11.840 --> 0:41:13.560
<v Speaker 3>It's gorgeous dancing through the air.

0:41:13.920 --> 0:41:16.640
<v Speaker 4>Yes, But you know the thing about ladybugs is I

0:41:16.680 --> 0:41:19.759
<v Speaker 4>also love lightning bugs. And I wonder if a ladybug,

0:41:20.280 --> 0:41:24.080
<v Speaker 4>and they're all ladies, met a male lightning bug and

0:41:24.120 --> 0:41:27.400
<v Speaker 4>they had sex, would they produce a ladybug that lit up?

0:41:27.480 --> 0:41:30.040
<v Speaker 4>There were essentially a little gem Oh god go, but

0:41:30.600 --> 0:41:33.120
<v Speaker 4>I would lose my mind if there was a down

0:41:33.160 --> 0:41:35.120
<v Speaker 4>out of those Yes, if there was a ladybug that

0:41:35.200 --> 0:41:37.360
<v Speaker 4>lit up, I mean that would be crazy.

0:41:37.719 --> 0:41:39.520
<v Speaker 3>How have we not crossbred those creatures?

0:41:39.560 --> 0:41:42.320
<v Speaker 4>We have to cross breed them right now? It feels

0:41:42.440 --> 0:41:45.280
<v Speaker 4>very midsummer night's dream. It feels, it's I love it.

0:41:45.440 --> 0:41:48.920
<v Speaker 3>Just swarming trees. Yes, can you cross breed a bug?

0:41:49.280 --> 0:41:50.440
<v Speaker 3>Now that's my big question. You know.

0:41:50.600 --> 0:41:53.759
<v Speaker 4>I always thought, and this is so crazy, for the long,

0:41:53.800 --> 0:41:57.040
<v Speaker 4>for an embarrassingly long time in life, I thought that

0:41:57.280 --> 0:42:01.520
<v Speaker 4>all cats were female and all dogs are male. Oh sure,

0:42:01.600 --> 0:42:03.799
<v Speaker 4>that's a common now, why is it, And that they

0:42:03.840 --> 0:42:06.000
<v Speaker 4>would mate and then if they had like two daughters

0:42:06.040 --> 0:42:08.440
<v Speaker 4>and a son, it would be two cats and a

0:42:08.480 --> 0:42:09.239
<v Speaker 4>dog would come out.

0:42:09.280 --> 0:42:10.360
<v Speaker 3>I mean, that's how it should be.

0:42:10.560 --> 0:42:11.040
<v Speaker 4>It should be.

0:42:11.160 --> 0:42:15.200
<v Speaker 3>Certainly that makes more logical sense than whatever's happening right now.

0:42:15.880 --> 0:42:19.000
<v Speaker 3>But yeah, I think I guess we're conditioned as children,

0:42:19.040 --> 0:42:20.799
<v Speaker 3>and I have to imagine at this point in history

0:42:20.840 --> 0:42:24.280
<v Speaker 3>we're not. You know, we've moved beyond this with gender,

0:42:24.320 --> 0:42:27.959
<v Speaker 3>But as a child, I feel like dogs were such

0:42:27.960 --> 0:42:31.040
<v Speaker 3>a masculine thing. Cats were the feminine, so they were

0:42:31.080 --> 0:42:34.000
<v Speaker 3>the women, and we all just believed that they were

0:42:34.000 --> 0:42:34.760
<v Speaker 3>boys and girls.

0:42:35.440 --> 0:42:38.200
<v Speaker 4>Yeah, I think so, And I don't mind that. I mean, look,

0:42:38.239 --> 0:42:40.520
<v Speaker 4>I don't know that I want a non binary pet.

0:42:40.680 --> 0:42:42.080
<v Speaker 4>I'm sorry. I don't want to. I don't want to

0:42:42.320 --> 0:42:46.279
<v Speaker 4>get people upset about that. You know, the other thing

0:42:46.280 --> 0:42:48.520
<v Speaker 4>I used to think of it in weird terms of gender.

0:42:48.719 --> 0:42:51.880
<v Speaker 4>Is a table setting. I used to think of like

0:42:52.040 --> 0:42:55.880
<v Speaker 4>a knife as like a handsome man and a spoon,

0:42:56.080 --> 0:42:58.120
<v Speaker 4>which was, I guess is next to the knife usually,

0:42:58.480 --> 0:43:02.560
<v Speaker 4>and the spoon was like like like a lovely sort

0:43:02.560 --> 0:43:05.120
<v Speaker 4>of woman, and they were they were a husband and wife.

0:43:05.200 --> 0:43:06.920
<v Speaker 4>And the fork on the other side it was like

0:43:06.920 --> 0:43:09.719
<v Speaker 4>a vixen trying to take the knife away. And so

0:43:09.920 --> 0:43:12.360
<v Speaker 4>I would cut the meat sometimes before I even understood

0:43:12.360 --> 0:43:15.480
<v Speaker 4>how sex worked at all, and when I cut the meat,

0:43:15.520 --> 0:43:17.360
<v Speaker 4>I'd have the knife go through.

0:43:18.160 --> 0:43:20.880
<v Speaker 3>The fork is ruining sex for every listener right now.

0:43:21.200 --> 0:43:23.080
<v Speaker 4>But I would think of the of the fork as

0:43:23.080 --> 0:43:25.839
<v Speaker 4>being like Joan Commins, like this vixen who was trying

0:43:25.880 --> 0:43:29.000
<v Speaker 4>to take the knife away. But it's really like the

0:43:29.040 --> 0:43:32.200
<v Speaker 4>fork is Glenn Close, the knife is Michael Douglas, and

0:43:32.239 --> 0:43:34.960
<v Speaker 4>the spoon is an archer. It's very fatal attraction.

0:43:35.160 --> 0:43:37.800
<v Speaker 3>It is the fork has that hair that's the short

0:43:37.960 --> 0:43:40.360
<v Speaker 3>kind of it's sexy, dangerous.

0:43:40.400 --> 0:43:43.000
<v Speaker 4>She's wicked and she's sexy and you just can't get

0:43:43.120 --> 0:43:46.440
<v Speaker 4>enough of her. And then the spoon is curvy and

0:43:46.520 --> 0:43:49.359
<v Speaker 4>and yes, and everyone saying how could you do that

0:43:49.440 --> 0:43:52.680
<v Speaker 4>to the spoon? Are you are you nuts knife to

0:43:52.760 --> 0:43:55.399
<v Speaker 4>do that to you look at that beautiful spoon. But

0:43:55.440 --> 0:43:59.600
<v Speaker 4>the fact is that that fork is just so.

0:43:59.239 --> 0:44:02.600
<v Speaker 3>It's a freak. Yes, she's an absolute ferry.

0:44:02.680 --> 0:44:05.080
<v Speaker 4>She hasn't the way she's just like, oh were there

0:44:05.200 --> 0:44:07.479
<v Speaker 4>times just gets into that meat.

0:44:08.200 --> 0:44:11.600
<v Speaker 3>Now. I do believe there's a some sort of nursery

0:44:11.680 --> 0:44:14.040
<v Speaker 3>rhyme or something about the fork running away with the spoon.

0:44:15.000 --> 0:44:17.600
<v Speaker 4>Oh, now there are they. They were like set up

0:44:17.640 --> 0:44:22.200
<v Speaker 4>and they were high school. Yeah, they're high school sweethearts. Yes,

0:44:22.600 --> 0:44:28.279
<v Speaker 4>she's wearing like his letter sweater and like, yeah.

0:44:26.840 --> 0:44:28.719
<v Speaker 3>I think I mean the math of that all adds

0:44:28.760 --> 0:44:33.479
<v Speaker 3>up perfectly. That's absolutely knife man spoon the wife at home.

0:44:33.920 --> 0:44:35.400
<v Speaker 3>Fork is gonna wreck everything.

0:44:35.719 --> 0:44:38.200
<v Speaker 4>The fork is gonna wreck everything. But be careful because

0:44:38.239 --> 0:44:41.440
<v Speaker 4>the dessert fork is right behind you, honey. So you

0:44:41.480 --> 0:44:44.040
<v Speaker 4>take that knife away from that spoon. That dessert fork

0:44:44.160 --> 0:44:46.799
<v Speaker 4>is right like is pulling up the rear, and she

0:44:47.040 --> 0:44:49.600
<v Speaker 4>is kind of like she's gonna take that knife away next,

0:44:50.320 --> 0:44:50.640
<v Speaker 4>you know what.

0:44:50.880 --> 0:44:53.960
<v Speaker 3>Speaking of this, I always like in elementary middle school,

0:44:54.000 --> 0:44:56.800
<v Speaker 3>I always looked at my thumb as David Swimmer. I

0:44:56.840 --> 0:44:58.360
<v Speaker 3>always thought that looks like David Swimmer.

0:44:58.800 --> 0:44:59.799
<v Speaker 4>That's so interesting.

0:45:00.560 --> 0:45:01.960
<v Speaker 3>Kind of has that hair style.

0:45:02.440 --> 0:45:04.240
<v Speaker 4>I feel like your thumb.

0:45:04.040 --> 0:45:06.399
<v Speaker 3>My thumb and my big toe. I feel like it's

0:45:06.480 --> 0:45:08.640
<v Speaker 3>just like especially when it's cut, it has you know,

0:45:08.719 --> 0:45:10.680
<v Speaker 3>he would like push his hair up in the front.

0:45:10.920 --> 0:45:12.880
<v Speaker 4>Oh, that's so interesting because every.

0:45:12.680 --> 0:45:15.399
<v Speaker 3>Male member of Friends had the same hairstyle and then

0:45:15.440 --> 0:45:18.360
<v Speaker 3>they looked like a thumb. Yeah, or maybe every finger. Actually,

0:45:18.640 --> 0:45:20.080
<v Speaker 3>now that I think about it.

0:45:19.840 --> 0:45:21.440
<v Speaker 4>Well, I can see it's too bad we don't have

0:45:21.440 --> 0:45:23.080
<v Speaker 4>six fingers on a hand, because then you could do

0:45:23.120 --> 0:45:26.680
<v Speaker 4>the whole cast. But well, I guess some people anyway with.

0:45:26.680 --> 0:45:29.080
<v Speaker 3>Two characters that are probably similar enough that you could

0:45:29.320 --> 0:45:31.160
<v Speaker 3>label one finger them.

0:45:31.360 --> 0:45:33.480
<v Speaker 4>I can see a thumb as David Schwimmer. I think

0:45:33.520 --> 0:45:36.480
<v Speaker 4>of all the three guys on Friends, he's the thumb

0:45:36.520 --> 0:45:38.280
<v Speaker 4>is the most David Swimmery.

0:45:38.080 --> 0:45:40.480
<v Speaker 3>Right, And then I feel like the ring finger is

0:45:40.520 --> 0:45:46.359
<v Speaker 3>probably Jennifer Aiston. Pinky as Courtney Cox. Middle is uh

0:45:46.960 --> 0:45:50.640
<v Speaker 3>Lisa Kutro. I think she's probably maybe the tallest member

0:45:50.640 --> 0:45:51.040
<v Speaker 3>of the cast.

0:45:51.360 --> 0:45:53.960
<v Speaker 4>I think she probably is. God, she's so great that

0:45:54.040 --> 0:45:55.040
<v Speaker 4>come back with so.

0:45:55.239 --> 0:45:57.400
<v Speaker 3>Oh, I mean, what a phenomenal program.

0:45:57.480 --> 0:45:59.960
<v Speaker 4>It's just and and the fact that the two seas,

0:46:00.040 --> 0:46:01.960
<v Speaker 4>since we're like a decade apart, and.

0:46:01.880 --> 0:46:05.959
<v Speaker 3>It's still good. It's so it is so good.

0:46:06.280 --> 0:46:07.640
<v Speaker 4>It is so good.

0:46:08.040 --> 0:46:11.160
<v Speaker 3>I mean easily top five television shows for me. Enna

0:46:11.200 --> 0:46:13.839
<v Speaker 3>should be for everyone, anyone with any sense at all.

0:46:14.360 --> 0:46:17.280
<v Speaker 3>Oh my god, I can watch that over and over

0:46:17.360 --> 0:46:20.920
<v Speaker 3>and over. Is she in anything currently? We've got to

0:46:20.920 --> 0:46:21.719
<v Speaker 3>get her back on TV.

0:46:21.800 --> 0:46:23.000
<v Speaker 4>Yeah, we got to get her back on TV or

0:46:23.960 --> 0:46:25.960
<v Speaker 4>on stage or something just.

0:46:26.080 --> 0:46:28.399
<v Speaker 3>Makes me cackle. Yeah, I think it's time to play

0:46:28.400 --> 0:46:32.240
<v Speaker 3>a game. Oh my towel, Yeah, that'll obviously be hanging

0:46:32.280 --> 0:46:34.520
<v Speaker 3>somewhere in my house. And you know what, I have

0:46:34.600 --> 0:46:37.120
<v Speaker 3>a tip that I learned recently. I recently switched to

0:46:37.160 --> 0:46:40.000
<v Speaker 3>all white towels and all white sheets. I mean, because

0:46:40.440 --> 0:46:43.120
<v Speaker 3>this is what hotels do. You can bleach them. They

0:46:43.200 --> 0:46:45.520
<v Speaker 3>never get dirty.

0:46:45.719 --> 0:46:46.799
<v Speaker 4>That is absolutely true.

0:46:46.920 --> 0:46:50.400
<v Speaker 3>Yeah, that's why this is probably what ninety five years old,

0:46:50.880 --> 0:46:52.759
<v Speaker 3>and it looks like it was amazing.

0:46:52.800 --> 0:46:55.480
<v Speaker 4>And listen anytime I want, anytime you go to the

0:46:55.520 --> 0:46:58.560
<v Speaker 4>airport to think of this showel because it was once

0:46:58.680 --> 0:47:02.080
<v Speaker 4>used by Tom Bradley, former mayor.

0:47:04.719 --> 0:47:07.040
<v Speaker 3>I mean, I'm already thinking about him. But the towel,

0:47:07.280 --> 0:47:09.160
<v Speaker 3>I mean, it's I mean, my mind's going all over

0:47:09.200 --> 0:47:10.000
<v Speaker 3>the place.

0:47:10.040 --> 0:47:12.320
<v Speaker 4>You know, It is interesting. I have heard I cannot

0:47:12.400 --> 0:47:16.680
<v Speaker 4>verify this, but I have heard that after the nineteen

0:47:16.760 --> 0:47:19.360
<v Speaker 4>sixty nine oscars, and I really cannot verify this, and

0:47:19.400 --> 0:47:22.040
<v Speaker 4>I analyst may be able to verify it that this

0:47:22.160 --> 0:47:25.560
<v Speaker 4>towel was used by both Barbara Streisan and Katherine Hepburn,

0:47:25.600 --> 0:47:28.600
<v Speaker 4>who tied for the oscar that year for Funny Girl

0:47:28.600 --> 0:47:29.160
<v Speaker 4>in the line in.

0:47:29.120 --> 0:47:32.640
<v Speaker 3>Winter, Analise is nodding their head aggressively. This is probably

0:47:32.680 --> 0:47:35.160
<v Speaker 3>the one fact on this podcast. Yeah, so it's a

0:47:35.160 --> 0:47:37.719
<v Speaker 3>good that. I mean, you know, bring one fact late

0:47:37.719 --> 0:47:38.240
<v Speaker 3>in the game.

0:47:38.360 --> 0:47:40.879
<v Speaker 4>I think what happened was somebody had hosted Gregory Pack

0:47:40.960 --> 0:47:43.600
<v Speaker 4>had a party and this hand and they both showed

0:47:43.680 --> 0:47:48.439
<v Speaker 4>up with their oscars and they both had to you know.

0:47:48.400 --> 0:47:51.040
<v Speaker 3>We're both dripped in mud. They needed a shower, yes,

0:47:51.640 --> 0:47:53.920
<v Speaker 3>And then there was this one towel, right.

0:47:53.800 --> 0:47:56.839
<v Speaker 4>And Shirley Temple Black had brought her own towel. She

0:47:56.920 --> 0:47:59.160
<v Speaker 4>was Shirley Temple Black at that point, which, by the way,

0:47:59.360 --> 0:48:01.920
<v Speaker 4>I love Aley Temple but I want to drink the

0:48:01.960 --> 0:48:03.560
<v Speaker 4>adult version of Shirley Temple Black.

0:48:03.640 --> 0:48:06.680
<v Speaker 3>That is genius. How is that not a thing already?

0:48:06.800 --> 0:48:09.160
<v Speaker 4>Well? I think it's because if you were to put

0:48:09.239 --> 0:48:12.239
<v Speaker 4>koalua with ginger ale and grenadine. It would make you

0:48:12.280 --> 0:48:14.439
<v Speaker 4>throw up and then you need the towel for something else.

0:48:14.719 --> 0:48:16.600
<v Speaker 4>But like, but there's got to be a way to

0:48:16.640 --> 0:48:18.239
<v Speaker 4>do a Shirley Temple black. And you could do it

0:48:19.000 --> 0:48:21.200
<v Speaker 4>if you do grenadine with a coke that's already a

0:48:21.280 --> 0:48:23.600
<v Speaker 4>Roy Rogers. Talk about gender. When I was a kid,

0:48:23.640 --> 0:48:25.680
<v Speaker 4>I always wanted to order a Shirley Temple and I thought,

0:48:26.040 --> 0:48:27.920
<v Speaker 4>but I'm supposed to order a Roy Rogers. And I

0:48:27.960 --> 0:48:29.840
<v Speaker 4>was like, but I don't want coke with grenadine. I

0:48:29.840 --> 0:48:31.200
<v Speaker 4>want ginger al with grenadine.

0:48:32.640 --> 0:48:35.920
<v Speaker 3>I feel like a Shirley Temple black. There certainly is

0:48:35.960 --> 0:48:39.000
<v Speaker 3>a black cherry soda. Yes, that's I mean, it's the

0:48:39.239 --> 0:48:40.760
<v Speaker 3>it's very simple.

0:48:40.960 --> 0:48:44.399
<v Speaker 4>Black cherry soda with grenadine, which is a little bit

0:48:44.480 --> 0:48:46.480
<v Speaker 4>is that joke on choke or something because you're adding

0:48:46.560 --> 0:48:47.640
<v Speaker 4>like more cherry.

0:48:47.400 --> 0:48:49.160
<v Speaker 3>To it, right, But you're kind of asking for it

0:48:49.160 --> 0:48:50.960
<v Speaker 3>when you ask for Shirley Temple black.

0:48:51.040 --> 0:48:52.879
<v Speaker 4>A Shirley Temple Black, Yeah, I love.

0:48:53.000 --> 0:48:56.960
<v Speaker 3>Yes, that's the beginning of your bar. Yeah, I mean so.

0:48:57.000 --> 0:48:58.240
<v Speaker 4>Many different Shirley Temples.

0:48:58.239 --> 0:48:59.560
<v Speaker 3>Okay, we have to play a game. I need to

0:48:59.600 --> 0:49:02.040
<v Speaker 3>number but two, one and ten from you eight. Okay,

0:49:02.080 --> 0:49:04.279
<v Speaker 3>I have to do some light calculating right now, so

0:49:05.160 --> 0:49:07.800
<v Speaker 3>you can promote, recommend, do whatever you want with the microphone.

0:49:07.800 --> 0:49:08.680
<v Speaker 3>I'll be right back.

0:49:08.880 --> 0:49:15.960
<v Speaker 4>Okay. I have a podcast. It's called Obituaries. It's just

0:49:16.080 --> 0:49:19.919
<v Speaker 4>obituaries with an M in front, and it's I talk

0:49:20.000 --> 0:49:24.040
<v Speaker 4>about the people and things that have died that I

0:49:24.080 --> 0:49:27.160
<v Speaker 4>think are worth another look. And I don't want to

0:49:27.160 --> 0:49:29.239
<v Speaker 4>be too pushy about it, so I'm just gonna just

0:49:29.280 --> 0:49:32.560
<v Speaker 4>sort of leave it there if you want to listen

0:49:32.600 --> 0:49:34.200
<v Speaker 4>to it, but you don't have to. Seriously, you don't

0:49:34.200 --> 0:49:34.480
<v Speaker 4>have to.

0:49:36.160 --> 0:49:39.399
<v Speaker 3>Perfect if I go listen to most podcasts, it's a

0:49:39.440 --> 0:49:42.719
<v Speaker 3>wonderful idea. We're playing a game called gift Master. This

0:49:42.760 --> 0:49:44.760
<v Speaker 3>is how we play. I'm going to tell you three gifts,

0:49:44.800 --> 0:49:47.239
<v Speaker 3>the three things you can give away, and then three celebrities.

0:49:47.400 --> 0:49:49.279
<v Speaker 3>You're gonna tell me which celebrity you would give which

0:49:49.280 --> 0:49:51.560
<v Speaker 3>gift and why that makes perfect sense?

0:49:51.640 --> 0:49:52.279
<v Speaker 4>Yeah, I love that.

0:49:52.400 --> 0:49:54.640
<v Speaker 3>Okay. The three gifts you'll be giving today are number

0:49:54.640 --> 0:49:58.440
<v Speaker 3>one a serial dispenser, Number two a stylish handbag, and

0:49:58.520 --> 0:50:02.520
<v Speaker 3>number three a nonprofit under investigation. So you'll be giving

0:50:02.560 --> 0:50:07.880
<v Speaker 3>them to Adam Brody, Raven Simone and Errol Morris. How

0:50:07.880 --> 0:50:08.680
<v Speaker 3>do you feel about that?

0:50:09.600 --> 0:50:13.560
<v Speaker 4>Well, I mean, I think the obvious, the nonprofit under investigation,

0:50:13.719 --> 0:50:17.640
<v Speaker 4>I think you probably would give to Errol Morris. I

0:50:17.680 --> 0:50:19.520
<v Speaker 4>think it just makes sense because I know that he'll

0:50:19.840 --> 0:50:25.640
<v Speaker 4>be able. He'll do a terrific, compelling hour and a

0:50:25.640 --> 0:50:32.600
<v Speaker 4>half long interview, just single shot of someone probably explaining

0:50:33.120 --> 0:50:38.000
<v Speaker 4>why the nonprofit that they're running is under investigation. Yes,

0:50:38.040 --> 0:50:42.239
<v Speaker 4>so I think you could get the person responsible. Yeah, yes,

0:50:42.280 --> 0:50:43.479
<v Speaker 4>and it will look really great.

0:50:43.560 --> 0:50:46.120
<v Speaker 3>It'll look amazing. It'll look amazing, and I think has

0:50:46.160 --> 0:50:47.359
<v Speaker 3>never been more fascinating.

0:50:48.480 --> 0:50:52.080
<v Speaker 4>Yes, exactly, Yes, No, yeah, and I'll think I'm just

0:50:52.120 --> 0:50:54.040
<v Speaker 4>looking at this one person's face for an hour and

0:50:54.080 --> 0:50:54.440
<v Speaker 4>a half.

0:50:54.520 --> 0:50:56.399
<v Speaker 3>But this is really well done, and we needed these

0:50:56.400 --> 0:50:57.160
<v Speaker 3>answers anyway.

0:50:57.200 --> 0:51:00.399
<v Speaker 4>We need these answers anyway. So the cerial dispenser and

0:51:00.480 --> 0:51:04.319
<v Speaker 4>the stylish handbag I've got. Adam Brody. Now, was he

0:51:04.480 --> 0:51:07.840
<v Speaker 4>the one in the OC or the one in The Pianist?

0:51:08.320 --> 0:51:11.000
<v Speaker 3>He says, Oh, interesting, I wish he was in The Pianist.

0:51:11.160 --> 0:51:12.080
<v Speaker 3>He was in the OC.

0:51:12.719 --> 0:51:13.239
<v Speaker 4>He's in the OC.

0:51:13.400 --> 0:51:16.960
<v Speaker 3>He played you know, the the teen protagonist of the OC.

0:51:18.000 --> 0:51:23.000
<v Speaker 4>You know, he was the guy that is not aggressively

0:51:23.000 --> 0:51:24.760
<v Speaker 4>good looking. He's like normal good.

0:51:24.640 --> 0:51:28.560
<v Speaker 3>Looking, right, kind of a record store good looking.

0:51:29.000 --> 0:51:32.120
<v Speaker 4>Well, because I remember I once did it a gig

0:51:32.360 --> 0:51:38.200
<v Speaker 4>which was for Axe body Spray. It was a body

0:51:38.200 --> 0:51:42.080
<v Speaker 4>spray deodorant, and they kept saying, I swear to you

0:51:42.640 --> 0:51:46.000
<v Speaker 4>our prototype of the and the person they used as

0:51:46.040 --> 0:51:49.040
<v Speaker 4>a model I swear to you was Adam Brody because

0:51:49.040 --> 0:51:50.960
<v Speaker 4>they didn't want to use a guy in commercials that

0:51:51.080 --> 0:51:54.279
<v Speaker 4>was so perfect looking, right that it would make you

0:51:54.280 --> 0:51:57.879
<v Speaker 4>feel alienated as a potential consumer. They wanted somebody who

0:51:57.960 --> 0:52:01.799
<v Speaker 4>was like kind of tussoled and cute, but more in

0:52:01.840 --> 0:52:05.239
<v Speaker 4>the normal realm, right, as opposed to the la kind

0:52:05.280 --> 0:52:08.759
<v Speaker 4>of freak category of what lab were you created in?

0:52:09.600 --> 0:52:13.560
<v Speaker 4>And I feel like the cereal dispenser is the right

0:52:13.560 --> 0:52:16.680
<v Speaker 4>thing to give him because that would fit. I could

0:52:16.719 --> 0:52:19.600
<v Speaker 4>see him spraying on some acts and having a bowl

0:52:19.600 --> 0:52:22.640
<v Speaker 4>of cereal. I don't know what. Probably he's surrounding the

0:52:22.640 --> 0:52:24.239
<v Speaker 4>acts before he has a cereal and then goes off

0:52:24.280 --> 0:52:26.960
<v Speaker 4>to school. I want to keep Adam Brody as a

0:52:26.960 --> 0:52:29.160
<v Speaker 4>teenager because that's how we remember him. But is he

0:52:29.239 --> 0:52:29.960
<v Speaker 4>like fifty now?

0:52:31.040 --> 0:52:34.000
<v Speaker 3>He just celebrated his seventy fifth. He just had birthday

0:52:34.040 --> 0:52:38.520
<v Speaker 3>ad him. Yes, No, he's hanging in there. He's ready

0:52:38.520 --> 0:52:39.880
<v Speaker 3>for his fourth chapter.

0:52:40.680 --> 0:52:42.600
<v Speaker 4>He's ready for his fourth chapter.

0:52:43.000 --> 0:52:45.480
<v Speaker 3>I can really, for whatever reason, I can really easily

0:52:45.520 --> 0:52:50.480
<v Speaker 3>picture him eating cereal, like the mouthful of cereal standing.

0:52:50.920 --> 0:52:52.719
<v Speaker 3>Maybe he did that in the OC or something, but

0:52:52.760 --> 0:52:56.160
<v Speaker 3>I have a distinct visual image of Adam Brody eating cereal,

0:52:56.560 --> 0:52:56.839
<v Speaker 3>and I.

0:52:56.800 --> 0:52:58.960
<v Speaker 4>Bet he could do it without being gross. I have

0:52:58.960 --> 0:53:01.960
<v Speaker 4>a colleague's TBS Sunday Morning where I work who says

0:53:02.000 --> 0:53:05.640
<v Speaker 4>she doesn't like in interviews for the activity to be eating.

0:53:05.760 --> 0:53:08.280
<v Speaker 4>She just thinks it's gross to watch people eat on camera.

0:53:08.520 --> 0:53:11.720
<v Speaker 4>As an interviewer, I don't mind it because the person

0:53:12.480 --> 0:53:16.680
<v Speaker 4>is oftentimes is more easily disarmed because it's not you're

0:53:16.719 --> 0:53:20.319
<v Speaker 4>just not you know, it's there, there's an activity going on, right,

0:53:20.880 --> 0:53:24.200
<v Speaker 4>But I feel like Adam Brody could eat cereal in

0:53:24.239 --> 0:53:26.960
<v Speaker 4>a way that's he could do it in a charming way, right.

0:53:27.160 --> 0:53:30.399
<v Speaker 3>Yeah, he has the look the figure of someone who

0:53:30.640 --> 0:53:33.440
<v Speaker 3>has always got a bowl of cereal fun cereal in

0:53:33.480 --> 0:53:34.120
<v Speaker 3>his hands.

0:53:33.960 --> 0:53:35.440
<v Speaker 4>Right, not too crunchy, because I don't think he has

0:53:35.440 --> 0:53:36.320
<v Speaker 4>his original teeth.

0:53:38.880 --> 0:53:41.080
<v Speaker 3>He has a total of four fake teeth.

0:53:41.200 --> 0:53:42.280
<v Speaker 4>Yeah at that point.

0:53:42.440 --> 0:53:44.680
<v Speaker 3>Yeah, he's just try and trying his best.

0:53:44.719 --> 0:53:46.880
<v Speaker 4>But you know the Academy will be so happy to

0:53:46.920 --> 0:53:47.600
<v Speaker 4>welcome him.

0:53:47.440 --> 0:53:50.040
<v Speaker 3>Back for it that lifetime achievement, right.

0:53:50.000 --> 0:53:52.399
<v Speaker 4>Well maybe the Irving Thalberg if he's I hope he's

0:53:52.600 --> 0:53:55.640
<v Speaker 4>been actually doing something with all these years in retirement

0:53:55.920 --> 0:53:58.480
<v Speaker 4>for other people and not just you know, playing golf.

0:53:59.400 --> 0:54:01.680
<v Speaker 4>And I I'm going to give the handback to Raven

0:54:01.680 --> 0:54:05.600
<v Speaker 4>Simone for a very very personal reason. So I did

0:54:05.600 --> 0:54:09.320
<v Speaker 4>something called the twenty four hour Musicals, which is right,

0:54:09.440 --> 0:54:11.960
<v Speaker 4>and they may do it, and they may do it

0:54:12.000 --> 0:54:14.600
<v Speaker 4>in la now. In fact, I think they do where

0:54:14.880 --> 0:54:16.680
<v Speaker 4>this was in New York and I've found it a

0:54:16.719 --> 0:54:19.160
<v Speaker 4>few times, but this time was many years ago and

0:54:19.200 --> 0:54:22.040
<v Speaker 4>it was me And basically, you have twenty four hours

0:54:22.080 --> 0:54:26.200
<v Speaker 4>to put together a short musical. And our musical I

0:54:26.440 --> 0:54:30.200
<v Speaker 4>was randomly placed with Raven Simone, the great KT Huffman,

0:54:30.239 --> 0:54:33.200
<v Speaker 4>who won a Tony for the producers. I'm sorry that

0:54:33.239 --> 0:54:35.719
<v Speaker 4>I can't remember who the fourth person was. And our

0:54:35.840 --> 0:54:40.160
<v Speaker 4>director was Kathleen Turner. Oh wow, yeah, she's great. And

0:54:40.200 --> 0:54:42.440
<v Speaker 4>it was really crazy because I just come from a party.

0:54:43.160 --> 0:54:45.160
<v Speaker 4>I swear to you, one of the most insane parties

0:54:45.200 --> 0:54:47.240
<v Speaker 4>I'd ever been to, and I'm not like a party

0:54:47.280 --> 0:54:49.560
<v Speaker 4>go were really but I was invited to a Super

0:54:49.560 --> 0:54:52.880
<v Speaker 4>Bowl viewing party and I ended up sitting next to

0:54:52.880 --> 0:54:56.080
<v Speaker 4>Deborah Winger, and then Glenn Close was across from us.

0:54:56.520 --> 0:55:00.239
<v Speaker 4>And then later that night I suddenly was me eating

0:55:00.280 --> 0:55:02.799
<v Speaker 4>with Kathleen Turner. I thought, this is like my day

0:55:03.320 --> 0:55:07.400
<v Speaker 4>of nineteen eighties iconic actresses who never won an Oscar,

0:55:07.680 --> 0:55:10.480
<v Speaker 4>who all were of multiple nominees, but they and they

0:55:10.560 --> 0:55:12.919
<v Speaker 4>all are deserving other oscar as at one point, yeah,

0:55:12.920 --> 0:55:17.000
<v Speaker 4>but anyway, but so it was me, Katiehuffman, Raven Simone,

0:55:17.000 --> 0:55:19.480
<v Speaker 4>and another very talented person whose name I can't remember,

0:55:19.800 --> 0:55:22.239
<v Speaker 4>and Kathleen Turner was directing us, and we had twenty

0:55:22.280 --> 0:55:24.880
<v Speaker 4>four hours to picture together this short musical. But for

0:55:24.960 --> 0:55:28.160
<v Speaker 4>the first half of the day, Kathleen Turner would say

0:55:28.760 --> 0:55:32.440
<v Speaker 4>my darling Raven, my darling Raven. And at some point

0:55:32.520 --> 0:55:35.000
<v Speaker 4>in the middle of the day she just one points

0:55:35.000 --> 0:55:38.640
<v Speaker 4>something switching. She went, my sweet Simon, my sweet Simon.

0:55:38.920 --> 0:55:41.120
<v Speaker 4>So she went from my darling Raven to my sweet Simone.

0:55:41.160 --> 0:55:43.800
<v Speaker 3>Do you think she started thinking mentally, Oh, I've said

0:55:44.000 --> 0:55:45.560
<v Speaker 3>my darling Raven too many times.

0:55:45.680 --> 0:55:47.960
<v Speaker 4>Well, I think that she suddenly got confused and she went, wait,

0:55:48.080 --> 0:55:50.360
<v Speaker 4>is her first name Raven or her first name is Simone?

0:55:50.600 --> 0:55:52.879
<v Speaker 4>And she just switched in like it's like the train

0:55:52.960 --> 0:55:55.239
<v Speaker 4>jumped the tracks, and then she just stayed on that

0:55:55.360 --> 0:55:58.600
<v Speaker 4>track that whole time, and Raven Simon never corrected her.

0:55:58.840 --> 0:56:01.759
<v Speaker 4>But I also and I'm Raven Simone is so talented,

0:56:01.960 --> 0:56:04.200
<v Speaker 4>but I felt like Raven Simon didn't like me because

0:56:04.200 --> 0:56:07.360
<v Speaker 4>at one point, Raven Simone was bonding with Katy Huffman

0:56:07.480 --> 0:56:09.279
<v Speaker 4>and this other actress who I can't remember who I

0:56:09.320 --> 0:56:11.120
<v Speaker 4>really liked a lot, who looked like Tig Nataro, and

0:56:11.160 --> 0:56:13.319
<v Speaker 4>I wonder if it was Tisha Witt. Oh my god,

0:56:13.360 --> 0:56:14.879
<v Speaker 4>was that Alicia Whitt? Are you looking it up right now,

0:56:15.040 --> 0:56:17.439
<v Speaker 4>Alicia Witt? It was Alicia Witt. I really liked her,

0:56:18.200 --> 0:56:20.759
<v Speaker 4>but at one point, like I felt left out. The

0:56:20.800 --> 0:56:24.200
<v Speaker 4>other three were first bonding off a line, and I

0:56:24.239 --> 0:56:27.319
<v Speaker 4>suddenly started getting a complex And mind you, was only

0:56:27.320 --> 0:56:30.480
<v Speaker 4>twenty four hours, but it felt like a lifetime, and

0:56:30.680 --> 0:56:32.560
<v Speaker 4>they called twenty four hours, but for the actors it's

0:56:32.560 --> 0:56:34.560
<v Speaker 4>really only twelve hours. It was a gom Yeah, anyway,

0:56:34.600 --> 0:56:36.880
<v Speaker 4>we go to sleep, But twenty four hours from the

0:56:37.160 --> 0:56:41.000
<v Speaker 4>assignment to the actual performance, and so Raven was bonding

0:56:41.000 --> 0:56:45.040
<v Speaker 4>with Alisha Whitt and with Katie Huffman, and I wanted

0:56:45.080 --> 0:56:47.080
<v Speaker 4>to sort of get in on the action. So I

0:56:47.200 --> 0:56:50.240
<v Speaker 4>said to Raven Simone, Wow, you should do more theater.

0:56:51.239 --> 0:56:54.919
<v Speaker 4>And she turned around to me and she said, I'm

0:56:54.920 --> 0:57:00.799
<v Speaker 4>a TV girl, and I went, no, no, I think

0:57:00.840 --> 0:57:03.080
<v Speaker 4>you should continue doing TV. And but I think you

0:57:03.160 --> 0:57:06.200
<v Speaker 4>curdl suit the theater too, and I just I felt

0:57:06.200 --> 0:57:08.040
<v Speaker 4>so deflated. And she turned back around and it was

0:57:08.080 --> 0:57:11.680
<v Speaker 4>so big, a little talk, a little back, a little doctor.

0:57:11.680 --> 0:57:13.919
<v Speaker 4>I'll be beeping there anyway. They were having their own thing.

0:57:14.480 --> 0:57:16.600
<v Speaker 4>So this is all to say that I'm gonna give

0:57:16.680 --> 0:57:20.960
<v Speaker 4>the most the nicest gift, the prized handbag, to Raven Simone,

0:57:21.000 --> 0:57:23.160
<v Speaker 4>so that she'll like me, so that she will be

0:57:23.280 --> 0:57:25.960
<v Speaker 4>my darling Raven and sweet Simone.

0:57:26.280 --> 0:57:29.840
<v Speaker 3>One final desperate attempt for her friendship. Yes, yes, it's

0:57:29.920 --> 0:57:32.320
<v Speaker 3>not to it's you know, it's never too late. It's

0:57:32.800 --> 0:57:36.439
<v Speaker 3>never too late to send a stylish handbag to Raven Simone.

0:57:37.000 --> 0:57:39.000
<v Speaker 3>She's probably sitting at home waiting for the knock at

0:57:39.000 --> 0:57:40.800
<v Speaker 3>the door for that handbag.

0:57:41.040 --> 0:57:44.320
<v Speaker 4>Yes, because all these years I thought I was not

0:57:44.400 --> 0:57:48.120
<v Speaker 4>being passive aggressive. I wasn't going, you should probably stick

0:57:48.160 --> 0:57:50.720
<v Speaker 4>with theater. I wasn't saying that I was going, you

0:57:50.720 --> 0:57:53.240
<v Speaker 4>should do Theatre's a compliment because we've never seen her

0:57:53.280 --> 0:57:55.440
<v Speaker 4>on stage, and I think she was really good.

0:57:55.840 --> 0:57:58.400
<v Speaker 3>Yeah, I would never have been. She was probably in

0:57:58.440 --> 0:57:59.960
<v Speaker 3>a tender area of her career.

0:58:00.280 --> 0:58:02.120
<v Speaker 4>I think so. But I listen. I want to be

0:58:02.160 --> 0:58:03.880
<v Speaker 4>really clear, she's listening right now. I want her on

0:58:03.960 --> 0:58:04.840
<v Speaker 4>all platforms.

0:58:05.840 --> 0:58:09.800
<v Speaker 3>Raven reach out. You gotta get on the podcast the line,

0:58:09.480 --> 0:58:10.640
<v Speaker 3>but it's always open.

0:58:10.760 --> 0:58:14.439
<v Speaker 4>It's always open. I'm three hours ahead, and so don't

0:58:14.480 --> 0:58:17.040
<v Speaker 4>call like after nine pm soon.

0:58:18.120 --> 0:58:20.240
<v Speaker 3>Wow, Well, I can't wait for you to rekindle this

0:58:20.800 --> 0:58:23.840
<v Speaker 3>rocky relationship with Raven. Click her out to dinner. Yeah,

0:58:23.920 --> 0:58:25.840
<v Speaker 3>they bring out the dessert. She sticks her fork in

0:58:25.920 --> 0:58:29.240
<v Speaker 3>and then realizes it's a handbag. So sweet.

0:58:29.400 --> 0:58:31.960
<v Speaker 4>I hope so, And I hope she doesn't go handbag.

0:58:32.040 --> 0:58:33.640
<v Speaker 4>I've got pockets.

0:58:37.800 --> 0:58:41.880
<v Speaker 3>Beautifully played, I mean so gorgeously played. I couldn't say

0:58:42.360 --> 0:58:46.680
<v Speaker 3>more about it. And Raven again reach out. Okay, this

0:58:46.720 --> 0:58:48.480
<v Speaker 3>is the final segment of the podcast. It's called I

0:58:48.480 --> 0:58:50.960
<v Speaker 3>said no emails people write in to I said no

0:58:51.040 --> 0:58:53.760
<v Speaker 3>gifts at gmail dot com. People have got so many

0:58:53.840 --> 0:58:57.280
<v Speaker 3>questions they need answers. So I do my part. I

0:58:57.400 --> 0:59:01.000
<v Speaker 3>answer the questions. I try, and I succeed every time.

0:59:01.040 --> 0:59:04.480
<v Speaker 3>Would you help me? Of fourth mister Weineger and Guest.

0:59:05.200 --> 0:59:07.360
<v Speaker 3>Christmas is coming and every year my mother and my

0:59:07.440 --> 0:59:09.680
<v Speaker 3>siblings and I get into a tiff about a gift

0:59:09.720 --> 0:59:12.919
<v Speaker 3>for my mom's boyfriend. This is a man my mom

0:59:12.920 --> 0:59:15.200
<v Speaker 3>has been dating for nine years, but they have only

0:59:15.240 --> 0:59:18.479
<v Speaker 3>lived together the last two. We don't love spending time

0:59:18.520 --> 0:59:21.160
<v Speaker 3>with him. He's prone to complaining and doesn't seem to

0:59:21.200 --> 0:59:24.280
<v Speaker 3>take a large interest in us. My siblings and I either.

0:59:25.280 --> 0:59:27.800
<v Speaker 3>We all tolerate him, though, and feel like this should

0:59:27.840 --> 0:59:29.440
<v Speaker 3>be enough. My mom thinks we need to buy a

0:59:29.520 --> 0:59:32.000
<v Speaker 3>Christmas gift every year to show how much we like him,

0:59:32.320 --> 0:59:35.000
<v Speaker 3>and we just don't want to do We need to Bridger,

0:59:35.160 --> 0:59:37.560
<v Speaker 3>and if so, what should we get this man? The

0:59:37.640 --> 0:59:39.600
<v Speaker 3>last time we got him a gift, he complained that

0:59:39.640 --> 0:59:41.880
<v Speaker 3>it was the wrong one, even though we bought him

0:59:41.920 --> 0:59:45.440
<v Speaker 3>what he asked for parentheses a level, So I guess

0:59:45.480 --> 0:59:49.200
<v Speaker 3>they bought him a level. Thank you, Jenna. Okay, so, Jenna,

0:59:50.080 --> 0:59:53.040
<v Speaker 3>Mom's boyfriend has been in the picture for a long time.

0:59:53.640 --> 0:59:55.960
<v Speaker 3>The kids all hate him. Doesn't even seem like the

0:59:56.000 --> 1:00:00.240
<v Speaker 3>mom likes him that much. And now they've tried one

1:00:00.280 --> 1:00:02.240
<v Speaker 3>pathetic attempt to get him a gift, which is a

1:00:02.360 --> 1:00:04.640
<v Speaker 3>level that feels like if you opened a box and

1:00:04.680 --> 1:00:07.760
<v Speaker 3>found a level that would feel like a mistake. Something

1:00:07.800 --> 1:00:12.520
<v Speaker 3>went wrong. So what do Jenna and the kids get? Uh?

1:00:12.760 --> 1:00:15.840
<v Speaker 3>I don't know what his name is, Pete Pete, Yeah,

1:00:16.120 --> 1:00:18.280
<v Speaker 3>stepped into their lives, and God, I don't know.

1:00:18.320 --> 1:00:21.240
<v Speaker 4>I suddenly want to see pictures of him. No, I don't.

1:00:22.360 --> 1:00:25.520
<v Speaker 4>I'm just imagining, like, why is some mother keeping him around?

1:00:25.560 --> 1:00:26.440
<v Speaker 4>If he's so surly?

1:00:27.200 --> 1:00:29.280
<v Speaker 3>Right, all of the kids are against im, and I

1:00:29.360 --> 1:00:33.680
<v Speaker 3>assume there are probably ten to twelve children, A lot

1:00:33.680 --> 1:00:36.400
<v Speaker 3>of kids. Yeah, And for if you've got twelve kids

1:00:36.440 --> 1:00:38.800
<v Speaker 3>saying this guy's a jerk, you got to start thinking

1:00:38.840 --> 1:00:39.640
<v Speaker 3>about things.

1:00:39.960 --> 1:00:42.920
<v Speaker 4>What can they get him? He didn't like the level.

1:00:44.000 --> 1:00:46.120
<v Speaker 4>I love a level. That's one of those those tools.

1:00:46.160 --> 1:00:48.919
<v Speaker 4>As a kid, it's probably that was probably the one

1:00:48.960 --> 1:00:53.400
<v Speaker 4>tool I loved in my father's tool chest because it's fontal.

1:00:53.000 --> 1:00:56.520
<v Speaker 3>It's delightful, it's a toubble say it.

1:00:56.520 --> 1:00:59.240
<v Speaker 4>Is a toy, it's fantastic.

1:00:58.680 --> 1:01:01.880
<v Speaker 3>And when it's telling you level, it means you've you're.

1:01:01.760 --> 1:01:03.320
<v Speaker 4>A success exactly.

1:01:03.520 --> 1:01:06.120
<v Speaker 3>And he also said neon Green, which is so much fun.

1:01:06.440 --> 1:01:09.080
<v Speaker 4>I love a level. I love a level.

1:01:10.800 --> 1:01:12.400
<v Speaker 3>How had this man not just gone out and bought

1:01:12.440 --> 1:01:16.120
<v Speaker 3>himself a level. A level is between ten and thirty dollars.

1:01:16.240 --> 1:01:18.960
<v Speaker 3>That's certainly something Pete could have just bought.

1:01:19.240 --> 1:01:21.320
<v Speaker 4>I wonder if they you know what, I think that

1:01:21.520 --> 1:01:25.480
<v Speaker 4>probably they should have had the level engraved. I think

1:01:25.520 --> 1:01:28.880
<v Speaker 4>if you're just handed a level without an inscription, it

1:01:28.920 --> 1:01:30.880
<v Speaker 4>doesn't really mean anything. But I think they should have

1:01:30.960 --> 1:01:33.280
<v Speaker 4>said on the level, we love you.

1:01:35.320 --> 1:01:37.400
<v Speaker 3>Right and tears in his eyes.

1:01:37.440 --> 1:01:39.400
<v Speaker 4>Yeah, I think you look at it. It is sort

1:01:39.400 --> 1:01:42.000
<v Speaker 4>of like if someone gives me a book, and I

1:01:42.040 --> 1:01:44.520
<v Speaker 4>really do immediately go to the title pages. I want

1:01:44.560 --> 1:01:48.040
<v Speaker 4>to see what they wrote. So somebody gave me. If

1:01:48.120 --> 1:01:53.960
<v Speaker 4>my girlfriend's kids gave me a level without an inscription,

1:01:54.720 --> 1:01:56.960
<v Speaker 4>I think the first thing I'd say is how did

1:01:57.000 --> 1:01:59.680
<v Speaker 4>I end up with a girlfriend? And who were these

1:01:59.680 --> 1:02:01.000
<v Speaker 4>people giving me.

1:02:01.080 --> 1:02:02.880
<v Speaker 3>A very different path you've gone down.

1:02:03.080 --> 1:02:07.480
<v Speaker 4>Yes, there's been a huge misunderstanding here. I'm so sorry

1:02:07.640 --> 1:02:09.120
<v Speaker 4>if I misled anyone here.

1:02:09.240 --> 1:02:10.760
<v Speaker 3>This is why the kids don't while you around, because

1:02:10.760 --> 1:02:11.880
<v Speaker 3>you don't want to be with them, all.

1:02:12.080 --> 1:02:16.480
<v Speaker 4>Right, Yeah, But if I were in that situation, I

1:02:16.520 --> 1:02:19.280
<v Speaker 4>would the level. I would want something written on it.

1:02:19.320 --> 1:02:19.960
<v Speaker 4>I would want it.

1:02:19.880 --> 1:02:22.560
<v Speaker 3>Engraved, right, And I mean, let's say you forget it

1:02:22.600 --> 1:02:26.040
<v Speaker 3>at the gym, then the gym can call you MO.

1:02:26.360 --> 1:02:27.400
<v Speaker 3>You left your level here?

1:02:27.880 --> 1:02:29.520
<v Speaker 4>Oh wait, why would you bring a level to a.

1:02:29.800 --> 1:02:31.040
<v Speaker 3>Taking your level everywhere?

1:02:31.320 --> 1:02:33.120
<v Speaker 4>Oh I've got a half. Well, so it's probably a

1:02:33.120 --> 1:02:35.840
<v Speaker 4>good idea because if you're doing a bench press and

1:02:36.000 --> 1:02:38.920
<v Speaker 4>sure that always used to scare me. And trust me,

1:02:38.960 --> 1:02:40.439
<v Speaker 4>there were not a lot of plates on the bar,

1:02:40.840 --> 1:02:43.560
<v Speaker 4>but the idea of one sliding off and then the

1:02:43.560 --> 1:02:47.960
<v Speaker 4>whole thing comes. Yeah. The only thing worse was I

1:02:48.680 --> 1:02:51.680
<v Speaker 4>am having a memory. There was a place in New

1:02:51.800 --> 1:02:54.640
<v Speaker 4>York in the twenties, not in the nineteen twenties, but

1:02:54.680 --> 1:02:58.000
<v Speaker 4>in the streets in the twenties that was so cheap

1:02:58.040 --> 1:03:01.240
<v Speaker 4>for personal trainers, something outrageous. It was must have been

1:03:01.240 --> 1:03:04.000
<v Speaker 4>a scam going on. So I went as long as

1:03:04.000 --> 1:03:06.760
<v Speaker 4>I could before the whole thing shut down. And I

1:03:06.800 --> 1:03:09.280
<v Speaker 4>think that I'm pretty sure that the trainer they gave

1:03:09.320 --> 1:03:14.160
<v Speaker 4>me was an x con and this guy I had

1:03:14.240 --> 1:03:16.800
<v Speaker 4>the bench the bar bell, I was doing a bench press,

1:03:17.240 --> 1:03:19.640
<v Speaker 4>and it was as it was going down, my arms

1:03:19.640 --> 1:03:21.960
<v Speaker 4>started trembling, and there was that moment of fear of like,

1:03:22.000 --> 1:03:23.520
<v Speaker 4>oh my god, not.

1:03:23.440 --> 1:03:25.840
<v Speaker 3>My windpipe is about to be crushed exactly, You're.

1:03:25.720 --> 1:03:28.400
<v Speaker 4>Not gonna be decapitated, but like it's gonna I'm gonna die.

1:03:28.640 --> 1:03:30.960
<v Speaker 4>And I remember the guy from above. I can still

1:03:31.000 --> 1:03:33.920
<v Speaker 4>remember his face. He was like a Samuel L. Jackson character.

1:03:33.960 --> 1:03:39.520
<v Speaker 4>But he was like going calling me a pussy, like

1:03:39.680 --> 1:03:43.240
<v Speaker 4>over and over again, helping anything. And I remember I

1:03:43.360 --> 1:03:47.360
<v Speaker 4>kind of wanted to start laughing like he was. I mean,

1:03:47.400 --> 1:03:50.920
<v Speaker 4>it's like this is because it was so outrageous that

1:03:51.000 --> 1:03:53.280
<v Speaker 4>he was like you because you can't lift that, you

1:03:53.320 --> 1:03:56.240
<v Speaker 4>are a pussy. And he just kept calling me a pussy,

1:03:56.840 --> 1:04:01.840
<v Speaker 4>like and my arms, my arm's returning to spaghetti, you

1:04:01.840 --> 1:04:02.560
<v Speaker 4>know what I'm talking about.

1:04:02.560 --> 1:04:05.640
<v Speaker 3>They start wobbling or horrifying feeling.

1:04:05.720 --> 1:04:07.160
<v Speaker 4>It's a horrifying feeling.

1:04:07.200 --> 1:04:09.520
<v Speaker 3>Your body's about to give up on yes completely.

1:04:09.880 --> 1:04:12.040
<v Speaker 4>And the last thing I'm gonna hear on this earth

1:04:12.440 --> 1:04:15.680
<v Speaker 4>is this trainer with a single gold tooth calling me

1:04:15.680 --> 1:04:16.320
<v Speaker 4>a pussy.

1:04:17.840 --> 1:04:22.360
<v Speaker 3>Not a bad way to go, I mean, they are

1:04:22.360 --> 1:04:23.480
<v Speaker 3>worse ways to die.

1:04:23.720 --> 1:04:25.360
<v Speaker 4>But anyway, I'd say inscribe the level.

1:04:27.080 --> 1:04:30.720
<v Speaker 3>Perfect, absolutely perfect. Just get him another level. You can

1:04:30.760 --> 1:04:33.000
<v Speaker 3>always use two levels. Ones in the glove box, ones

1:04:33.040 --> 1:04:33.440
<v Speaker 3>at home.

1:04:33.760 --> 1:04:35.480
<v Speaker 4>Yeah. Oh yeah yeah yeah.

1:04:35.360 --> 1:04:38.280
<v Speaker 3>Ones in your carry on. Yeah, it's like phone chargers.

1:04:38.400 --> 1:04:40.960
<v Speaker 4>Oh I think it's yes, absolutely, you're at home level.

1:04:41.080 --> 1:04:44.640
<v Speaker 3>Yeah, you should have level everywhere, handbag, what have you.

1:04:45.120 --> 1:04:47.800
<v Speaker 3>That's a perfect gift. I mean, I don't see any

1:04:47.800 --> 1:04:50.600
<v Speaker 3>problem with that. And I'm sure Pete will this is

1:04:50.600 --> 1:04:53.720
<v Speaker 3>gonna mend things for the family. He's gonna probably end

1:04:53.800 --> 1:04:58.240
<v Speaker 3>up adopting all twelve kids, and what a lovely ending

1:04:58.280 --> 1:04:58.920
<v Speaker 3>to this group.

1:04:59.280 --> 1:05:01.120
<v Speaker 4>I think it will be a Yes, I think it

1:05:01.160 --> 1:05:03.160
<v Speaker 4>could be a successful blended family.

1:05:04.680 --> 1:05:07.480
<v Speaker 3>But only if the level is engraved.

1:05:07.720 --> 1:05:10.040
<v Speaker 4>Yeah, I think so. And look, I yes, I think

1:05:10.080 --> 1:05:13.000
<v Speaker 4>it's just you just get a little plate that you

1:05:13.040 --> 1:05:15.560
<v Speaker 4>screw on the top of the level, which of course

1:05:16.040 --> 1:05:16.960
<v Speaker 4>will script.

1:05:17.680 --> 1:05:20.520
<v Speaker 3>Now it doesn't work. It's simply not the tool it's

1:05:20.520 --> 1:05:21.120
<v Speaker 3>supposed to be.

1:05:21.280 --> 1:05:24.040
<v Speaker 4>We just have to find a place to put the

1:05:24.120 --> 1:05:27.320
<v Speaker 4>name plate, the inscription so that the level actually can

1:05:27.320 --> 1:05:29.720
<v Speaker 4>do its job. Then Pete is gonna go ape shit.

1:05:31.440 --> 1:05:35.560
<v Speaker 3>Okay, well we answered that perfectly. I mean Jenna can't

1:05:35.600 --> 1:05:38.480
<v Speaker 3>complain and if she does. She's gonna have to find

1:05:38.480 --> 1:05:40.800
<v Speaker 3>a new podcast to listen to. I mean, there are

1:05:40.800 --> 1:05:42.520
<v Speaker 3>at least four other ones out there.

1:05:42.360 --> 1:05:45.040
<v Speaker 4>Oh exactly, sure, Raven Simone has one.

1:05:45.440 --> 1:05:48.800
<v Speaker 3>Raven's probably starting a revenge podcast right now.

1:05:49.240 --> 1:05:51.840
<v Speaker 4>That is when are we going to start hearing about

1:05:51.920 --> 1:05:53.160
<v Speaker 4>revenge podcast?

1:05:54.600 --> 1:05:58.000
<v Speaker 3>Maybe that's our next adventure. I would love to have

1:05:58.040 --> 1:05:59.480
<v Speaker 3>a revenge podcast.

1:06:00.400 --> 1:06:02.960
<v Speaker 4>There's so many podcasts. There has to be room for

1:06:03.160 --> 1:06:06.360
<v Speaker 4>revenge podcast. Yes, and then I can do a morning

1:06:06.360 --> 1:06:09.560
<v Speaker 4>show segment. They're the hottest new thing and they have

1:06:09.640 --> 1:06:13.440
<v Speaker 4>people up in arms. Revenge podcasts.

1:06:14.800 --> 1:06:19.600
<v Speaker 3>Viewtiful. Oh mo. I mean, I've got this towel that

1:06:19.800 --> 1:06:25.280
<v Speaker 3>is just I mean, it's historic, it's an artifact and

1:06:25.320 --> 1:06:26.120
<v Speaker 3>now it's in my home.

1:06:26.480 --> 1:06:30.480
<v Speaker 4>It really is. And I just all I ask is

1:06:31.080 --> 1:06:35.920
<v Speaker 4>that if anyone associated with the Beverly Wilshare is listening

1:06:35.960 --> 1:06:37.320
<v Speaker 4>to this podcast.

1:06:36.840 --> 1:06:38.720
<v Speaker 3>Well they're probably taking inventory right now and.

1:06:38.640 --> 1:06:42.360
<v Speaker 4>The right right. Yeah. I wonder what the statute of

1:06:42.440 --> 1:06:46.200
<v Speaker 4>limitations on this is. Could you maybe wait to release

1:06:46.320 --> 1:06:48.520
<v Speaker 4>this podcast in three years.

1:06:49.920 --> 1:06:51.520
<v Speaker 3>A decade from now, this is going to hit the

1:06:51.560 --> 1:06:53.400
<v Speaker 3>airwaves and you'll be fine.

1:06:53.520 --> 1:06:55.640
<v Speaker 4>You'll be fine. I'll be in the clear. I'll be

1:06:55.680 --> 1:06:56.200
<v Speaker 4>in the clear.

1:06:57.720 --> 1:06:59.720
<v Speaker 3>Well, thank you for this, thank you for coming.

1:07:00.320 --> 1:07:01.880
<v Speaker 4>This was so much fun.

1:07:02.160 --> 1:07:03.840
<v Speaker 3>And again, Raven reach out.

1:07:04.120 --> 1:07:06.240
<v Speaker 4>Yeah, Raven reach out. Can I take the bag back

1:07:06.280 --> 1:07:06.520
<v Speaker 4>with me?

1:07:06.800 --> 1:07:10.120
<v Speaker 3>You can absolutely take the bag and take whatever you want.

1:07:10.200 --> 1:07:11.120
<v Speaker 4>Can I take the tissue?

1:07:11.160 --> 1:07:15.040
<v Speaker 3>Do? Listener, the podcast is screeching to a halt. You

1:07:15.040 --> 1:07:17.880
<v Speaker 3>didn't expect this, you aren't planning on it. Now you're

1:07:17.920 --> 1:07:24.320
<v Speaker 3>freaking out. But that's not my problem. I love you, goodbye,

1:07:26.800 --> 1:07:29.919
<v Speaker 3>I said no Gifts is an exactly right production. It's

1:07:29.960 --> 1:07:33.280
<v Speaker 3>produced by our dear friend Analise Neilson, and it's beautifully

1:07:33.280 --> 1:07:36.040
<v Speaker 3>mixed by Ben Holliday. And we couldn't do it without

1:07:36.040 --> 1:07:40.200
<v Speaker 3>our guest booker, Patrick Kottner. The theme song, of course,

1:07:40.400 --> 1:07:44.640
<v Speaker 3>could only come from miracle worker Amy Man. You must

1:07:44.680 --> 1:07:47.600
<v Speaker 3>follow the show on Instagram. At I said no gifts.

1:07:47.640 --> 1:07:49.840
<v Speaker 3>I don't want to hear any excuses. That's where you

1:07:49.880 --> 1:07:52.320
<v Speaker 3>get to see pictures of all these gorgeous gifts I'm getting.

1:07:52.440 --> 1:07:54.120
<v Speaker 3>And don't you want to see pictures of the gifts?

1:07:56.320 --> 1:08:03.080
<v Speaker 1>Lie? Did you hear thought? I made myself perfectly clear,

1:08:04.360 --> 1:08:06.160
<v Speaker 1>But you're I guess to my home.

1:08:08.520 --> 1:08:11.360
<v Speaker 2>You gotta come to me empty And.

1:08:12.880 --> 1:08:17.479
<v Speaker 1>I said no guess your own presence is presents enough.

1:08:18.680 --> 1:08:23.240
<v Speaker 1>I already had too much stuff, So how do you

1:08:23.560 --> 1:08:25.600
<v Speaker 1>dare to surbey me?