WEBVTT - The Audubon Guy Was A Monster

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<v Speaker 1>Oh boy, I'm the podcast man here to deliver pods

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<v Speaker 1>to your ear cast. Beautiful, beautiful, Thanks David. You know

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<v Speaker 1>what they say about being a professional is you should

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<v Speaker 1>never learn how to do even the basic parts of

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<v Speaker 1>your job at any point and just kind of muddle through.

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<v Speaker 1>And that is the key to success, right because when

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<v Speaker 1>you do like a fraction of it, then everybody is like,

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<v Speaker 1>oh my god, they did it. That's amazing. You keep

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<v Speaker 1>everybody's expectations, you keep everybody's look exactly. It's like when

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<v Speaker 1>I'm when I'm um, you know, driving, you know, I'm

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<v Speaker 1>not gonna use turn signals. I'm not going to turn

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<v Speaker 1>my headlights on, you know, because that way, when I

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<v Speaker 1>eventually slam on my brakes and narrowly miss running through

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<v Speaker 1>a crosswalk, people are like, wow, pretty good guy, he

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<v Speaker 1>didn't he didn't hit that crosswalk. Didn't hit that crosswalk.

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<v Speaker 1>Yeah people, Yeah, they're all ready for death there. Yeah. Yeah,

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<v Speaker 1>they were like, wow he was he was pretty drunk,

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<v Speaker 1>but he wasn't so drunk that he blew through that crosswalk.

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<v Speaker 1>That's that's the way in which I approached my career. Um, David,

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<v Speaker 1>you have podcasts, You're David Bell this is behind the

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<v Speaker 1>bastards by the way. Um, but you have a podcast

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<v Speaker 1>network called game Fully Unemployed where you you talk about

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<v Speaker 1>movies and in media and stuff. I got a bunch

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<v Speaker 1>of shows on there, that's true. But I mean I

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<v Speaker 1>feel like the plug. I think we did it. I

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<v Speaker 1>think we're all set ready to go. Yeah, I'll plug.

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<v Speaker 1>I'll plug our patreon, Patreon, dot com, slash gamefully Unemployed.

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<v Speaker 1>But really just like search for gamefully Unemployed whatever wherever

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<v Speaker 1>you game podcast, uh and check us out. We have

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<v Speaker 1>we have a bunch of exclusive ones on our patreon. Uh. Yeah,

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<v Speaker 1>pop it, yeah it, pull it twisted, tug it is

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<v Speaker 1>tug one tuget. Absolutely treat it like a nipple. General

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<v Speaker 1>rule of advice, Burnett, It's like a nipple, Dave. How

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<v Speaker 1>do you like birds? Um? Lukewarm? Lukewarm on birds? Depends

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<v Speaker 1>on the bird, to be honest. Um, I like the

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<v Speaker 1>I like them in theory against them, you know, but

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<v Speaker 1>again it's really is going to depend on the bird. Yeah.

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<v Speaker 1>I don't have anything against birds. Categorically, I will say

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<v Speaker 1>the animals I have most often had negative relationships with

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<v Speaker 1>have been birds, particularly chickens. Yeah. Monstrous creatures, Oh, Yeah.

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<v Speaker 1>When I was a child, I apparently brought a chicken

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<v Speaker 1>into my house like holding it, and I still think

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<v Speaker 1>back at that, like, how did I not get attacked

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<v Speaker 1>by that chicken? Well, they're bad at that if you

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<v Speaker 1>if you pick them upright, so would you must have done? Yeah,

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<v Speaker 1>you may be a savant a chicken Savanah. You know

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<v Speaker 1>much about the Audubon Society. No, okay, Well, today's episode

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<v Speaker 1>is called John James Audubon Bird Monster, um. And we're

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<v Speaker 1>gonna talk about the namesake, not the founder, it was

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<v Speaker 1>founded years and years after his death, um, but the

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<v Speaker 1>namesake of the Audubon Society. And this guy sucks a

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<v Speaker 1>lot more than than you would expect, dave a lot

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<v Speaker 1>more than you would expect. Okay, I mean I don't

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<v Speaker 1>know who this is. Yeah, you know. The Audbon Society

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<v Speaker 1>is like people who like birds a bunch, you know,

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<v Speaker 1>bird watchers. That's their group, is the Audubon Society, Like

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<v Speaker 1>the n r A is for guns, and the Audubon

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<v Speaker 1>Societies for people who like going into the woods and

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<v Speaker 1>being like, look I saw a bird and then telling

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<v Speaker 1>other people like I found this bird here. That's their

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<v Speaker 1>whole thing. I think it's just no matter what my

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<v Speaker 1>view of birds are, I do find bird watchers highly sinister.

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<v Speaker 1>It is it is. It is unsettling right, like they

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<v Speaker 1>could be doing anything with those binoculars. You know. It

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<v Speaker 1>feels like when someone says what are you doing and

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<v Speaker 1>they say bird watching, that sounds like an you're the FBI,

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<v Speaker 1>Like we I already know right away you're you're doing

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<v Speaker 1>some skullduggery, right, because the one thing I do know

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<v Speaker 1>about birds who they're not fun to watch like that's

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<v Speaker 1>but there's like a lot of people like to watch birds.

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<v Speaker 1>I mean, I don't get it. But also I will

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<v Speaker 1>spend like hours just watching my cats live their lives.

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<v Speaker 1>So everybody's got animals they like to they like to

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<v Speaker 1>stare at like a creep. Yeah, and that Autubon society

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<v Speaker 1>likes to do that with birds, which is fine broadly speaking,

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<v Speaker 1>not not a bad but the guy they're named after

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<v Speaker 1>real shitty. So John James Audubon was born gen I

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<v Speaker 1>Bean like you know French John, like spelled like Jeans

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<v Speaker 1>but without the S, but not like Sean Luke Jean No,

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<v Speaker 1>no that one yeah j e a n gene Yeah.

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<v Speaker 1>In san domain, which is modern Haiti right, Like he's

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<v Speaker 1>born in what is today Haiti was then the slave colony.

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<v Speaker 1>That right, Yeah, yeah, I did, I did. I did

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<v Speaker 1>a video for some it was it's bleak. So he's

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<v Speaker 1>born seventy five, which is not all that long before

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<v Speaker 1>well before the cool thing happens, which is like the

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<v Speaker 1>Haitians Haitian slaves are like, yeah, let's kill everybody who's

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<v Speaker 1>want slaves to exist. Um, but that's not a great

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<v Speaker 1>time to be the illegitimate son of a French sea captain. Um,

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<v Speaker 1>you know, a mixed time and like slave trader. His

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<v Speaker 1>dad is, who is also named John is a is

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<v Speaker 1>a slave trader and a sea captain and owns a plantation. Now,

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<v Speaker 1>depending on who you believe, Jen Rabine's mother is either

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<v Speaker 1>a sugar plantation owner who died in the slave uprising

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<v Speaker 1>that led to the creation of Haiti, or a mixed

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<v Speaker 1>race chambermaid named Katherine Bouffard or a French chambermaid named

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<v Speaker 1>gen iban Um, which is basically the same as his name.

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<v Speaker 1>So there's a couple of different theories and and one

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<v Speaker 1>of them is that he's a mixed he's kid, that

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<v Speaker 1>he that he has black ancestry um and that's going

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<v Speaker 1>to become very relevant later because of some of the

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<v Speaker 1>things this guy chooses to do with his life. Um,

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<v Speaker 1>whoever his mother was and whether or not he was

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<v Speaker 1>mixed race, he was born able to pass as white,

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<v Speaker 1>so if he is, if he is mixed race, he

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<v Speaker 1>like white people in like the U. S And Europe

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<v Speaker 1>don't notice that when they look at him, right, which

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<v Speaker 1>is handy in this period of time. Right, Why why

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<v Speaker 1>are we not sure who his mother is? Well, because

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<v Speaker 1>he's he's a legitimate like his dad is a pretty

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<v Speaker 1>well off guy, and he has a wife back in France,

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<v Speaker 1>and he's just whoever he has his son with. It's

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<v Speaker 1>not his wife, you know. Um. It's also the seventeen eighties,

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<v Speaker 1>so it's not like it's not like if he'd wanted

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<v Speaker 1>to know who his mom was, he could have gotte

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<v Speaker 1>and done a DNA test at some point, but there's

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<v Speaker 1>really not many options. Um, So the most likely cases

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<v Speaker 1>that his mom was was J. E. A. N N. E.

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<v Speaker 1>Rabine as opposed to gen Rabine. I'm sorry, they're French,

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<v Speaker 1>so this this part is going to be kind of confusing. Um.

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<v Speaker 1>And she died of an infection basically as soon as

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<v Speaker 1>her baby came into the world, probably as a result

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<v Speaker 1>of having a baby, not an uncommon story in se

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<v Speaker 1>um So, James's dad, Geen Audubon, decided to leave the

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<v Speaker 1>island shortly thereafter. He was not a dumb man, and

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<v Speaker 1>he saw that tensions in Haiti, and by tensions I

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<v Speaker 1>mean all of the angry people freeing themselves from plantations

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<v Speaker 1>and getting weapons were on the rise. Right, So, as

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<v Speaker 1>a rich white guy looking at Haiti in the late

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<v Speaker 1>seventeen eighties and like, probably how to get out of here,

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<v Speaker 1>but probably ain't gonna be. This ain't gonna be good

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<v Speaker 1>for me anymore. Yeah, they're not gonna be. They're gonna

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<v Speaker 1>not gonna be nice to him. Yeah, I probably don't

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<v Speaker 1>want to be hanging around Haiti too much longer. Um So,

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<v Speaker 1>the rumors that Jean may have been mixed race are

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<v Speaker 1>mainly significant again for things that come up later. It's

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<v Speaker 1>worth noting that his father, if he was mixed race,

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<v Speaker 1>his father may not necessarily have seen this as a

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<v Speaker 1>big deal. Well, this would have been like a thing

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<v Speaker 1>in the United States as a time. Again, if you

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<v Speaker 1>have like one drop of blood that isn't white, and

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<v Speaker 1>kind of the parlance of the time in the US

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<v Speaker 1>in this period, it can be a huge issue for you,

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<v Speaker 1>right if if I remember correctly, Not not to say

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<v Speaker 1>Haiti is progressive during this time, but like the revolution

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<v Speaker 1>that happens oh sorry France, yeah, but like also the

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<v Speaker 1>revolution that happens in Haiti, like they pretend it doesn't happen,

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<v Speaker 1>right in a lot of places, France does and for

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<v Speaker 1>a long time that's basically their policy. But within kind

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<v Speaker 1>of the France itself and and France outside of the

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<v Speaker 1>islands where they own a lot of slaves. The late

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<v Speaker 1>seventeen hundreds are a period in which, again you've had

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<v Speaker 1>this revolution, there's all of these kind of radical ideas

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<v Speaker 1>about equality. Um it is starting to become normalized for

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<v Speaker 1>people who are not white to get the rights of

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<v Speaker 1>citizens in the French Empire. Okay, so there, and there's

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<v Speaker 1>this period where like there's still slavery, but also people

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<v Speaker 1>who are mixed race are getting their citizenship. Um. I

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<v Speaker 1>am thinking of the US because the US it was

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<v Speaker 1>like they didn't want to talk about what was going

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<v Speaker 1>on in Haiti because well the French did either, Like

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<v Speaker 1>again they don't once Haiti rebels, France doesn't really want

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<v Speaker 1>to acknowledge it. Right, they invaded a couple of times,

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<v Speaker 1>and the US doesn't want. No one wants to acknowledge

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<v Speaker 1>it because the idea of a slave rebellion is very

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<v Speaker 1>frightening to everybody. But you have in the same period,

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<v Speaker 1>because it's post revolutionary France, all these discussions about well,

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<v Speaker 1>mixed race people in black people should be citizens to like,

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<v Speaker 1>if we're gonna say everybody's equal, then these people have

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<v Speaker 1>to be equal as well. And it's like this process

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<v Speaker 1>going on. And this not to like whitewash the horrible

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<v Speaker 1>colonial crimes of the French government, but this process does

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<v Speaker 1>happen in France, and there are rights for people who

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<v Speaker 1>are not white but are French citizens in France. That

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<v Speaker 1>does not happen in the United States for like another

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<v Speaker 1>seventy years, you know, um, and arguably a lot longer

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<v Speaker 1>than that, right obviously, um. Whereas in France they do

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<v Speaker 1>actually start to get functional citizenship. All mixed race Frenchmen

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<v Speaker 1>received citizenship in sevent ninety too. UM. So the fact

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<v Speaker 1>that like jeen uh Rabine may have been kind of

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<v Speaker 1>mixed race would not have been a huge issue growing

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<v Speaker 1>up in France, as it would have been in the

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<v Speaker 1>United States. Now his dad does buy a farm in

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<v Speaker 1>the United States, two four acres outside of Philadelphia. Um.

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<v Speaker 1>And at this point, again I I normally we would

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<v Speaker 1>call it something else. It's not Philly yet, you know

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<v Speaker 1>it's Philadelphia. It's not it's not the gritty city that

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<v Speaker 1>we we know and love. At this point, UM, I

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<v Speaker 1>wanted to make a joke about the first sports related

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<v Speaker 1>riot in US history here, like and that being the

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<v Speaker 1>thing that made it Philly, because I was gonna be

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<v Speaker 1>I was pretty sure the four first U s sports

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<v Speaker 1>riot would have happened in Philadelphia, but I was I

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<v Speaker 1>was wrong about that. Um yeah there was. Yeah, it

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<v Speaker 1>was the Johnson Jeffreys riots of nineteen ten. Um. And

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<v Speaker 1>those happened in a bunch of cities, but not Philadelphia.

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<v Speaker 1>There's like a shipload of US cities that have riots

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<v Speaker 1>in nineteen ten over this it's a boxing match. None

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<v Speaker 1>of them are Philly. Um. And yeah, it's what you'd expect.

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<v Speaker 1>Jack Johnson becomes the first black world heavyweight champion, and

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<v Speaker 1>then they so he becomes heavyweight champion, and all the

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<v Speaker 1>white people in America are really pissed, and so they

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<v Speaker 1>like find this white boxer to come out of retirement

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<v Speaker 1>to fight him in nineteen ten. That's um, that's Jeffreys,

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<v Speaker 1>who they call the Great White Hope. And then he

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<v Speaker 1>gets his ass kicked. Yes, so there's I mean, it's

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<v Speaker 1>not I mean there's horrible, horrible race riots where after

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<v Speaker 1>it's a nightmare. But yes, the basic story is kind

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<v Speaker 1>of funny. Um. Anyway, this was all because I wanted

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<v Speaker 1>to make a joke about Philadelphia and sports riots, which

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<v Speaker 1>wound up not being at all relevant. Uh So, sorry

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<v Speaker 1>for the digression. But back to Jean. So in his

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<v Speaker 1>dad takes him away from Haiti, they go to France. Um,

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<v Speaker 1>and you know, they buy this farm in Philadelphia. It's

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<v Speaker 1>mainly an investment farm, you know, so that they can

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<v Speaker 1>make money. So that's kind of where the family money

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<v Speaker 1>is coming from. While while Jean and his dad and

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<v Speaker 1>his dad's wife who's not his mom raise him in

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<v Speaker 1>Nantes in France. Um. And I should say that like

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<v Speaker 1>his dad's wife, Anne Moynette Audubon, isn't like biologically his mom.

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<v Speaker 1>I do think she like agrees, she is basically his mom,

0:12:20.720 --> 0:12:22.640
<v Speaker 1>like she raises him and stuff, So credit to her

0:12:22.679 --> 0:12:25.920
<v Speaker 1>for that. She seems to not as far as I know,

0:12:26.080 --> 0:12:27.880
<v Speaker 1>doesn't take out on him the fact that his dad

0:12:27.960 --> 0:12:30.600
<v Speaker 1>was just sleeping around with whoever the fuck, you know, Haiti,

0:12:30.920 --> 0:12:34.040
<v Speaker 1>So that maybe maybe they had had a thing, you know,

0:12:34.040 --> 0:12:36.920
<v Speaker 1>maybe they had a thing. Maybe she's who knows, Um

0:12:37.120 --> 0:12:40.880
<v Speaker 1>they were French, you know, anything's possible. Uh. Yeah, So

0:12:41.120 --> 0:12:43.880
<v Speaker 1>Anne was a pretty attentive mother as far as we knew.

0:12:44.160 --> 0:12:47.320
<v Speaker 1>Jean Jacques, which is what he starts to become known as.

0:12:47.360 --> 0:12:50.199
<v Speaker 1>So he's born gen Ibane, he starts to be known

0:12:50.240 --> 0:12:52.800
<v Speaker 1>when they moved to France. They just treat him as

0:12:52.840 --> 0:12:56.960
<v Speaker 1>their normal son and call him Jean Jacques audubon Um.

0:12:57.040 --> 0:12:59.120
<v Speaker 1>So that's his name. Now he goes through a couple

0:12:59.120 --> 0:13:01.280
<v Speaker 1>of names at this point. I know, it's kind of confusing.

0:13:01.679 --> 0:13:04.480
<v Speaker 1>He is a pretty pampered upbringing. He's able to explore

0:13:04.480 --> 0:13:07.440
<v Speaker 1>a wide variety of interests. He becomes fascinated by nature

0:13:07.480 --> 0:13:11.199
<v Speaker 1>and spends long hours hiking through the countryside, drawing increasingly

0:13:11.240 --> 0:13:14.600
<v Speaker 1>detailed depictions of landscapes and wildlife. And he had a

0:13:14.640 --> 0:13:17.760
<v Speaker 1>particular fascination with birds. So he just loves hiking and

0:13:17.840 --> 0:13:21.920
<v Speaker 1>drawing birds. So yeah, Vine, so far fine, Yeah, I mean,

0:13:22.000 --> 0:13:26.440
<v Speaker 1>hiking is great. Hiking is wonderful being in nature. It's

0:13:26.960 --> 0:13:30.720
<v Speaker 1>one of those things not enough people get to do anymore.

0:13:30.800 --> 0:13:34.839
<v Speaker 1>And it really does like it, uh, it like resets you,

0:13:34.840 --> 0:13:36.920
<v Speaker 1>you know, it balances you. I don't know why you

0:13:36.960 --> 0:13:38.719
<v Speaker 1>look at a bunch of stupid birds and not, I

0:13:38.760 --> 0:13:41.680
<v Speaker 1>don't know, get high or something. But like, good for him, Yeah,

0:13:41.720 --> 0:13:44.360
<v Speaker 1>good for him. He's he's he's he's doing fine. So

0:13:44.400 --> 0:13:47.360
<v Speaker 1>in eighteen o three, some dude named Napoleon gets all

0:13:47.440 --> 0:13:50.720
<v Speaker 1>like Empiry and kind of gets into all these fights

0:13:50.720 --> 0:13:53.800
<v Speaker 1>with basically everybody. You know, he's one of these one

0:13:53.800 --> 0:13:55.640
<v Speaker 1>of these guys you get every now and then in

0:13:55.679 --> 0:13:58.360
<v Speaker 1>Europe every eighty years or so. Who's like, you know what,

0:13:58.400 --> 0:14:02.439
<v Speaker 1>I want to start a fight with everyone, every everybody

0:14:02.440 --> 0:14:07.760
<v Speaker 1>in Europe? You know what? Yeah, I wanna try. I'm gonna,

0:14:07.800 --> 0:14:10.520
<v Speaker 1>I'm gonna, I'm gonna go for it. I'm just gonna

0:14:10.559 --> 0:14:14.160
<v Speaker 1>go for it for a little. For a while, he

0:14:14.280 --> 0:14:18.360
<v Speaker 1>got closer than most. Yeah, it does usually work out

0:14:18.440 --> 0:14:22.720
<v Speaker 1>for a while. Um So during the period while it's

0:14:22.760 --> 0:14:24.960
<v Speaker 1>working out, in order to make it keep working out,

0:14:25.080 --> 0:14:28.000
<v Speaker 1>Napoleon's like, well, I got a conscript people, right, I

0:14:28.040 --> 0:14:30.560
<v Speaker 1>need more young men to throw a Prussian guns and

0:14:30.600 --> 0:14:33.200
<v Speaker 1>to eventually leave starving in the snow outside of Moscow. Right,

0:14:33.440 --> 0:14:35.680
<v Speaker 1>it's as standard as we've all been there, you know

0:14:35.680 --> 0:14:38.360
<v Speaker 1>where Napoleon is. I can't blame him for it, um.

0:14:38.400 --> 0:14:41.160
<v Speaker 1>But John's father is like, well, I don't really want

0:14:41.160 --> 0:14:42.960
<v Speaker 1>my son to die a pointless death in the snow

0:14:42.960 --> 0:14:46.560
<v Speaker 1>outside of Moscow fighting for a dictator. So I'm gonna

0:14:46.800 --> 0:14:48.960
<v Speaker 1>just send him to the US. It seems like a

0:14:48.960 --> 0:14:54.040
<v Speaker 1>better place for him right now. It's a little bit yeah, yeah,

0:14:54.040 --> 0:14:56.920
<v Speaker 1>it's fine. Like I support draft dodging as a general rule,

0:14:56.960 --> 0:14:59.680
<v Speaker 1>and that's yeah. I can see him looking at his

0:14:59.760 --> 0:15:05.040
<v Speaker 1>son outside drawn birds. Yeah, he's gonna he's gonna die immediately.

0:15:05.720 --> 0:15:09.360
<v Speaker 1>He's not gonna do well in this war thing. I've

0:15:09.360 --> 0:15:12.880
<v Speaker 1>got a sensitive boy here. I'm not really I'm not

0:15:12.920 --> 0:15:16.000
<v Speaker 1>feeling like the steps of Russia are a good spot

0:15:16.040 --> 0:15:20.120
<v Speaker 1>for him. So Jean Jack lives on the family farm

0:15:20.400 --> 0:15:22.480
<v Speaker 1>that you know. He moves to Pennsylvania and he lives

0:15:22.520 --> 0:15:25.760
<v Speaker 1>on the family farm in mill Grove, Um And he's

0:15:25.880 --> 0:15:28.720
<v Speaker 1>essentially a child of the aristocracy. Right. His family is

0:15:28.760 --> 0:15:30.800
<v Speaker 1>not crazy rich, but they're well off, and he does

0:15:30.840 --> 0:15:32.640
<v Speaker 1>not need to work for a living as a young man,

0:15:32.680 --> 0:15:35.200
<v Speaker 1>he's like eighteen at this point, and so he takes

0:15:35.280 --> 0:15:38.600
<v Speaker 1>up hiking and hunting with Gusto. He gets real into

0:15:38.680 --> 0:15:40.760
<v Speaker 1>hunting when he moves to the US, and he becomes

0:15:40.760 --> 0:15:43.440
<v Speaker 1>an excellent shot, which is not easy. The guns at

0:15:43.440 --> 0:15:45.920
<v Speaker 1>the time are not rifled, which is like rifling are

0:15:45.960 --> 0:15:48.320
<v Speaker 1>these little lines that they have going down the inside

0:15:48.320 --> 0:15:51.120
<v Speaker 1>of a barrel that makes the bullet spin and it's

0:15:51.160 --> 0:15:54.600
<v Speaker 1>like with a a football. The spin makes it so straight.

0:15:54.960 --> 0:15:57.440
<v Speaker 1>They don't know how to do that yet, So shooting

0:15:57.440 --> 0:16:00.920
<v Speaker 1>stuff is not easy. Um right, It's just like a

0:16:01.080 --> 0:16:04.400
<v Speaker 1>stupid musket with a ball in it that you have

0:16:04.480 --> 0:16:08.280
<v Speaker 1>to like take fifteen minutes to load and fires like

0:16:09.120 --> 0:16:12.640
<v Speaker 1>feet maybe explodes in your face. Suck at this point.

0:16:12.760 --> 0:16:14.680
<v Speaker 1>And yeah, but he's good with them. So he's he's

0:16:14.680 --> 0:16:16.800
<v Speaker 1>good with them. I mean, they have enough money for

0:16:16.880 --> 0:16:19.440
<v Speaker 1>the better guns at the time, so that's probably a factor.

0:16:19.800 --> 0:16:22.200
<v Speaker 1>So he starts drawing the birds. He starts both shooting

0:16:22.240 --> 0:16:24.520
<v Speaker 1>and then drawing birds, and he's using a shotgun for this,

0:16:24.600 --> 0:16:27.280
<v Speaker 1>so it's it's easier to hit. Um. But yeah, so

0:16:27.320 --> 0:16:30.200
<v Speaker 1>he'll he'll shoot birds and then he'll sketch them, and

0:16:30.720 --> 0:16:33.600
<v Speaker 1>this becomes like his hobby, which is I don't know

0:16:33.600 --> 0:16:36.480
<v Speaker 1>that a little creepy, right, I was about to say,

0:16:36.560 --> 0:16:41.680
<v Speaker 1>that's a bird serial killer Jude Lan road to perdition

0:16:41.760 --> 0:16:44.920
<v Speaker 1>taking photographs of his kills. It is one of those

0:16:44.960 --> 0:16:47.200
<v Speaker 1>things because he gets very scientific about it and he

0:16:47.240 --> 0:16:50.080
<v Speaker 1>has a huge impact on like the development of biology

0:16:50.160 --> 0:16:52.320
<v Speaker 1>is a science because of what he does here, and

0:16:52.360 --> 0:16:55.320
<v Speaker 1>it's worth acknowledging that, and it's also worth being like,

0:16:55.880 --> 0:16:58.400
<v Speaker 1>but this is also like pretty close to stuff we

0:16:58.440 --> 0:17:02.280
<v Speaker 1>get like serial killers do. He's not torturing them to

0:17:02.360 --> 0:17:05.639
<v Speaker 1>his credit, like he's not extending their suffering, but having

0:17:05.680 --> 0:17:10.159
<v Speaker 1>known people with interest in medical stuff. Um, there is

0:17:10.200 --> 0:17:13.040
<v Speaker 1>a very fine line between a serial killer and a

0:17:13.240 --> 0:17:17.680
<v Speaker 1>doctor or something who's interested in anatomy or like nature

0:17:17.880 --> 0:17:21.320
<v Speaker 1>or a biologist, where it's like they're they're kind of

0:17:21.359 --> 0:17:26.040
<v Speaker 1>doing it's the ven diagram. Yeah, Like there's some similar things.

0:17:26.080 --> 0:17:28.119
<v Speaker 1>If if his parents had hit him a couple of

0:17:28.160 --> 0:17:30.320
<v Speaker 1>times more, he probably would have been a lot worse

0:17:30.359 --> 0:17:32.159
<v Speaker 1>to those birds, and then we might have gotten a

0:17:32.160 --> 0:17:36.520
<v Speaker 1>real different story. Got a bond, you know, Yeah, Yeah,

0:17:36.520 --> 0:17:39.959
<v Speaker 1>Like I feel like if Jeffrey Dahmer was doing what

0:17:40.040 --> 0:17:42.760
<v Speaker 1>he was doing to like monkeys in a labe. We

0:17:42.760 --> 0:17:45.960
<v Speaker 1>wouldn't have even thought twice about it, well, some of it,

0:17:46.040 --> 0:17:49.879
<v Speaker 1>because he was off probably probably wouldn't have been okay,

0:17:50.880 --> 0:17:52.800
<v Speaker 1>although it depends like look, it depends on what kind

0:17:52.800 --> 0:17:55.360
<v Speaker 1>of lab. If it's like a lab that likes to party, right,

0:17:55.400 --> 0:17:58.840
<v Speaker 1>if if it's if it's one of those like fucking uh,

0:17:59.000 --> 0:18:00.679
<v Speaker 1>I don't know enough about colog is to make a

0:18:00.680 --> 0:18:07.040
<v Speaker 1>good joke here, actually, Arizona State. Oh that's solid. Yeah, yeah,

0:18:07.520 --> 0:18:09.560
<v Speaker 1>I mean we don't know what goes on in those labs.

0:18:09.600 --> 0:18:13.760
<v Speaker 1>Nobody does. Nobody does break into a lab film them secretly,

0:18:13.840 --> 0:18:17.719
<v Speaker 1>you know, to see what happens. So white people in

0:18:17.720 --> 0:18:21.280
<v Speaker 1>this period of time no very little about North American wildlife. Right, Obviously,

0:18:21.280 --> 0:18:24.520
<v Speaker 1>Indigenous people knew quite a bit about North American wildlife,

0:18:24.520 --> 0:18:27.640
<v Speaker 1>but white people it's all this gigantic mystery too. So

0:18:28.040 --> 0:18:31.399
<v Speaker 1>Jean ja Jean Jack decides that he's gonna he's gonna

0:18:31.480 --> 0:18:36.480
<v Speaker 1>study wildlife a lot more than anyone has before. And

0:18:36.480 --> 0:18:38.120
<v Speaker 1>one of the things he's curious about he keeps seeing

0:18:38.160 --> 0:18:41.280
<v Speaker 1>these birds and he notices that, like, oh, these eastern phoebees,

0:18:41.320 --> 0:18:45.160
<v Speaker 1>which is a type of bird, Like, there's birds here

0:18:45.320 --> 0:18:48.679
<v Speaker 1>of that type every year at this time, I wonder

0:18:48.800 --> 0:18:51.280
<v Speaker 1>if they're the same birds, right, because people don't know

0:18:52.000 --> 0:18:53.960
<v Speaker 1>these white people don't know that, like migration is a

0:18:54.040 --> 0:18:58.720
<v Speaker 1>thing in detail, right. I think there's people theorizing Yeah, yeah,

0:18:58.720 --> 0:19:00.600
<v Speaker 1>why because you just see, like who knows if it's

0:19:00.600 --> 0:19:02.119
<v Speaker 1>the same birds, maybe they all die and then I

0:19:02.160 --> 0:19:03.959
<v Speaker 1>don't know. There's a bunch of things that are possible.

0:19:04.280 --> 0:19:07.479
<v Speaker 1>So he's certain marking the Well, that's exactly what he decides.

0:19:07.520 --> 0:19:09.960
<v Speaker 1>He's like, well, I'm gonna I'm gonna tie strings to

0:19:10.080 --> 0:19:12.800
<v Speaker 1>the legs of a couple of different examples of this bird.

0:19:13.080 --> 0:19:15.200
<v Speaker 1>And then if next year any birds with strings on

0:19:15.240 --> 0:19:17.359
<v Speaker 1>their legs come back, Oh no, it's the same birds,

0:19:17.359 --> 0:19:20.920
<v Speaker 1>and they're migrating in a set pattern. UM. And this

0:19:20.920 --> 0:19:22.480
<v Speaker 1>this is what he does, and it works out great,

0:19:22.520 --> 0:19:24.480
<v Speaker 1>Like they come back the next year and he's like, oh, ship,

0:19:24.520 --> 0:19:26.400
<v Speaker 1>these are the same birds. You know, I have done

0:19:26.400 --> 0:19:29.280
<v Speaker 1>a science UM and this is a huge step forward.

0:19:29.320 --> 0:19:31.120
<v Speaker 1>He's the first person to ever do this, at least

0:19:31.160 --> 0:19:33.719
<v Speaker 1>that we have any kind of documentation of. UM. And

0:19:33.760 --> 0:19:37.040
<v Speaker 1>this is a massive like basically all modern like Avian

0:19:37.119 --> 0:19:40.760
<v Speaker 1>science is pretty much descended from this experiment. UM. It's

0:19:40.760 --> 0:19:44.560
<v Speaker 1>a big deal. You know, like establishing just like how

0:19:44.840 --> 0:19:47.200
<v Speaker 1>birds work, kind of for the first time in a

0:19:47.240 --> 0:19:50.000
<v Speaker 1>systemic way. Let me tell you right now, this guy,

0:19:50.080 --> 0:19:53.520
<v Speaker 1>he seems to be fine right now, this is so

0:19:53.560 --> 0:19:56.959
<v Speaker 1>far yeah, learning about birds. He's very curious to know

0:19:56.960 --> 0:20:01.399
<v Speaker 1>how this goes horribly wrong. Well, it it does. It

0:20:01.440 --> 0:20:04.400
<v Speaker 1>does because he's a terrible person, but not he's also

0:20:04.440 --> 0:20:08.560
<v Speaker 1>a terrible person that does a bunch of Broadly speaking,

0:20:08.600 --> 0:20:13.639
<v Speaker 1>his impact is more positive than negative, although that's quite debatable.

0:20:13.640 --> 0:20:15.280
<v Speaker 1>We'll see where you how we feel about you know what,

0:20:15.280 --> 0:20:17.040
<v Speaker 1>we'll have that conversation at how much you give a

0:20:17.240 --> 0:20:19.600
<v Speaker 1>about birds. But you know who's you know whose impact

0:20:19.600 --> 0:20:22.080
<v Speaker 1>on the world is definitely more positive than negative, Dave,

0:20:22.240 --> 0:20:25.560
<v Speaker 1>it's me. Oh well yeah, for sure. Absolutely well, so

0:20:25.600 --> 0:20:31.879
<v Speaker 1>far no one's and and you, Dave, are the primary

0:20:32.000 --> 0:20:35.320
<v Speaker 1>sponsor of behind the Bastards. So we're gonna we're gonna

0:20:36.119 --> 0:20:40.080
<v Speaker 1>cut to these ads from companies you own, companies like

0:20:40.560 --> 0:20:44.320
<v Speaker 1>Hello Fresh and the Washington State Highway patrol um all

0:20:44.359 --> 0:20:58.000
<v Speaker 1>all the personal property of David Bell. Uh uh, we're back.

0:20:58.640 --> 0:21:00.840
<v Speaker 1>We're back, and we're having a great time time. Everything's fine,

0:21:01.119 --> 0:21:06.040
<v Speaker 1>I'm performing perfectly. So he certainly agrees with that, all right,

0:21:06.840 --> 0:21:09.879
<v Speaker 1>So you know he's doing good. He bands these birds,

0:21:09.960 --> 0:21:13.000
<v Speaker 1>he figures out that migration is a thing. Um. But

0:21:13.119 --> 0:21:16.080
<v Speaker 1>he's also you know, he keeps shooting and drawing birds,

0:21:16.119 --> 0:21:19.360
<v Speaker 1>painting birds, and this time and he's frustrated by something, um,

0:21:19.400 --> 0:21:23.200
<v Speaker 1>which is that he would love to like. So there's

0:21:23.200 --> 0:21:26.560
<v Speaker 1>other naturalists who are like drawing and sketching birds, but

0:21:26.600 --> 0:21:28.400
<v Speaker 1>like the thing that they have to do is they

0:21:28.400 --> 0:21:29.960
<v Speaker 1>have to kill them because you can't you don't have

0:21:29.960 --> 0:21:33.560
<v Speaker 1>a great goggles are like glasses, and it's not easy

0:21:33.600 --> 0:21:35.320
<v Speaker 1>to get a good look at a bird to draw

0:21:35.359 --> 0:21:38.720
<v Speaker 1>it while it's alive. Yeah, I get it. So you

0:21:38.800 --> 0:21:42.159
<v Speaker 1>shoot it. And then what bird nerds are doing at

0:21:42.160 --> 0:21:43.960
<v Speaker 1>this period of time is they shoot the birds and

0:21:43.960 --> 0:21:47.000
<v Speaker 1>then they're like preserving their corpses with arsenic and stuffing

0:21:47.040 --> 0:21:49.840
<v Speaker 1>them with frayed rope and then trying to sketch them.

0:21:49.880 --> 0:21:52.639
<v Speaker 1>And they don't look great when you do that to him.

0:21:53.200 --> 0:21:55.919
<v Speaker 1>I don't know if you've ever stuff to corpse with ropes,

0:21:55.960 --> 0:21:58.080
<v Speaker 1>but it doesn't quite look like it does what it's alive.

0:21:58.760 --> 0:22:04.840
<v Speaker 1>Probably not know what bird nerds are called, right, birds? Yeah, yeah, yeah,

0:22:04.840 --> 0:22:07.560
<v Speaker 1>I'm man, Okay, sorry, I'm waiting for you to get

0:22:07.600 --> 0:22:09.040
<v Speaker 1>to the part where he's like, you know what, I

0:22:09.119 --> 0:22:14.200
<v Speaker 1>could also shooting stuff like that's not as far from

0:22:14.240 --> 0:22:17.320
<v Speaker 1>what winds up happening as but he's not shooting them,

0:22:17.440 --> 0:22:20.560
<v Speaker 1>so I don't know. Um, but yeah, so he's he's

0:22:20.600 --> 0:22:24.479
<v Speaker 1>he's like, the dead birds here look like shit that

0:22:24.560 --> 0:22:27.000
<v Speaker 1>I have to sketch from. And that's that's why kind

0:22:27.000 --> 0:22:30.000
<v Speaker 1>of all anatomical sketches of birds look like ship like

0:22:30.040 --> 0:22:32.720
<v Speaker 1>they all look gross and like fucked up and not

0:22:32.800 --> 0:22:36.920
<v Speaker 1>like actual birds. Um. So he decides, well, the best thing,

0:22:37.200 --> 0:22:39.280
<v Speaker 1>like what you gotta do is you've got to sketch

0:22:39.359 --> 0:22:41.119
<v Speaker 1>them right away as soon as you shoot them. You

0:22:41.160 --> 0:22:44.800
<v Speaker 1>can't like waste the time to preserve to like preserve them.

0:22:44.840 --> 0:22:46.560
<v Speaker 1>But if you do that, they're just kind of like

0:22:46.680 --> 0:22:51.159
<v Speaker 1>limp and flopping around because they're dead. So he builds this,

0:22:51.440 --> 0:22:55.800
<v Speaker 1>oh yeah, he builds what he calls a wire armature

0:22:55.920 --> 0:22:59.120
<v Speaker 1>in order to pose the corpses of birds so that

0:22:59.160 --> 0:23:01.919
<v Speaker 1>he can draw the looking like they did before he

0:23:02.000 --> 0:23:05.160
<v Speaker 1>shot them. Amazing, and he does this at age twenty,

0:23:05.240 --> 0:23:10.000
<v Speaker 1>which again very important for biology, leads to the people

0:23:10.000 --> 0:23:12.400
<v Speaker 1>who are like into birds will say to this day

0:23:12.440 --> 0:23:17.080
<v Speaker 1>he's still maybe the best at at drawing avian wildlife

0:23:17.080 --> 0:23:19.639
<v Speaker 1>there's ever been. And again, if you're if you're into

0:23:19.680 --> 0:23:23.960
<v Speaker 1>medical stuff, this isn't that unusual. It's not unusual. And

0:23:24.000 --> 0:23:28.359
<v Speaker 1>he's like, I had a friend who's into survivalism and

0:23:28.440 --> 0:23:32.919
<v Speaker 1>he would do stuff like tan hides. Tanning hides in

0:23:32.960 --> 0:23:34.800
<v Speaker 1>my garage right now, I have a bunch of like

0:23:34.880 --> 0:23:39.359
<v Speaker 1>pieces of animals that i've Yeah, it's still it's what

0:23:39.400 --> 0:23:43.359
<v Speaker 1>you gotta do. But the building an armature to pose

0:23:43.440 --> 0:23:45.960
<v Speaker 1>their corpses to pay it is a little like, Okay,

0:23:46.040 --> 0:23:47.760
<v Speaker 1>so that's where your head goes. Huh, and I guess

0:23:47.840 --> 0:23:50.000
<v Speaker 1>good in this case, it's good. He draws some really

0:23:50.000 --> 0:23:53.960
<v Speaker 1>pretty birds. Um he does this when he's twenty So again,

0:23:54.680 --> 0:23:57.600
<v Speaker 1>you know, that's just where this guy's head is. Um. So,

0:23:57.960 --> 0:24:00.720
<v Speaker 1>he falls in love around the same time a woman

0:24:00.840 --> 0:24:05.160
<v Speaker 1>named Lucy Bakewell, which is like the most fifties wife

0:24:05.240 --> 0:24:09.360
<v Speaker 1>name you could possibly have. It's it's it's incredible. Um

0:24:09.400 --> 0:24:11.800
<v Speaker 1>she's the daughter of an English dude who owned a

0:24:11.840 --> 0:24:17.639
<v Speaker 1>nearby estate called fat land Ford. It's pretty funny. It

0:24:17.720 --> 0:24:20.960
<v Speaker 1>sounds like a dealership. Yeah, it does, sounds like a dealership.

0:24:22.119 --> 0:24:25.560
<v Speaker 1>Um So, before her family moved to North America. She'd

0:24:25.600 --> 0:24:27.840
<v Speaker 1>spent some of her childhood in England, cared for by

0:24:27.840 --> 0:24:30.960
<v Speaker 1>a friend of the family who happened to be Erasimus Darwin,

0:24:31.160 --> 0:24:33.919
<v Speaker 1>the grandfather of Charles Darwin, which does not really have

0:24:34.000 --> 0:24:36.000
<v Speaker 1>much impact on the story. It's just kind of weird

0:24:36.040 --> 0:24:40.720
<v Speaker 1>that there's this connection between Audubon. It's like a cinematic universe. Yeah. Yeah,

0:24:40.760 --> 0:24:42.919
<v Speaker 1>it's the the guys who figured out how to do

0:24:43.040 --> 0:24:47.360
<v Speaker 1>science on animals. Cinematic universe, and Darwin and Audubon will

0:24:47.400 --> 0:24:49.960
<v Speaker 1>have one very specific thing in common, but we're building

0:24:50.000 --> 0:24:53.120
<v Speaker 1>to that. Um So, the Bakewells are a lot wealthier

0:24:53.119 --> 0:24:55.359
<v Speaker 1>than the Audubons, and their family farm featured one of

0:24:55.359 --> 0:24:58.680
<v Speaker 1>the first experiments and steam powered agricultural machines, so they're rich,

0:24:58.760 --> 0:25:03.360
<v Speaker 1>they're into science. Obviously, she falls for for Jehan Jack Audubon,

0:25:03.760 --> 0:25:06.760
<v Speaker 1>who is now going by John James Audubon because he

0:25:06.760 --> 0:25:09.760
<v Speaker 1>he americanizes his name right. I don't want to be

0:25:09.800 --> 0:25:12.960
<v Speaker 1>too French in the United Jean Jack, I think Autoban.

0:25:13.720 --> 0:25:16.119
<v Speaker 1>If your last name is Autobon, I don't think it

0:25:16.200 --> 0:25:18.920
<v Speaker 1>matters what you do with the first part. It's always

0:25:18.960 --> 0:25:23.399
<v Speaker 1>gonna sound like, you know, for European Yeah. Yeah, so

0:25:23.480 --> 0:25:25.639
<v Speaker 1>both families seem to have been pretty happy. When when

0:25:25.840 --> 0:25:29.600
<v Speaker 1>Lucy and and John get hitched, her brother Will writes

0:25:29.720 --> 0:25:32.080
<v Speaker 1>this about his future in law at the time. So

0:25:32.119 --> 0:25:34.000
<v Speaker 1>this is like one of the earliest writings we have

0:25:34.080 --> 0:25:37.240
<v Speaker 1>about John James Audubon. Upon entering his room, I was

0:25:37.280 --> 0:25:39.600
<v Speaker 1>astonished and delighted to find that it was turned into

0:25:39.640 --> 0:25:42.720
<v Speaker 1>a museum. The walls were fistooned with all kinds of birds,

0:25:42.760 --> 0:25:45.520
<v Speaker 1>eggs carefully blown out and strung on a thread. The

0:25:45.600 --> 0:25:48.640
<v Speaker 1>chimney piece was covered with stuffed squirrels, raccoons, and a possums,

0:25:48.800 --> 0:25:51.440
<v Speaker 1>and the shelves around were likewise crowded with specimens, among

0:25:51.440 --> 0:25:54.719
<v Speaker 1>which were fishes, frogs, snakes, lizards, and other reptiles. Besides

0:25:54.760 --> 0:25:57.240
<v Speaker 1>these stuffed varieties, many paintings were raid on the walls,

0:25:57.320 --> 0:26:00.639
<v Speaker 1>chiefly of birds. He was an admirable marksman and spirit swimmer,

0:26:00.640 --> 0:26:03.679
<v Speaker 1>a clever writer, possessed of great activity in prodigious strength,

0:26:03.880 --> 0:26:05.840
<v Speaker 1>and was notable for the elegance of his figure and

0:26:05.880 --> 0:26:08.119
<v Speaker 1>the beauty of his features. And he hated nature by

0:26:08.119 --> 0:26:12.040
<v Speaker 1>a careful attendance to his dress behind. Besides other accomplishments,

0:26:12.040 --> 0:26:14.240
<v Speaker 1>he was musical, a good fencer, danced well and had

0:26:14.240 --> 0:26:16.840
<v Speaker 1>some acquaintance with Ledger Main tricks, worked in hair and

0:26:16.880 --> 0:26:22.640
<v Speaker 1>complete willow baskets. So he's a he's doing fine. Yeah, yeah,

0:26:22.880 --> 0:26:26.960
<v Speaker 1>I mean, so he's complimenting his like collection of stuffed animals, Yes,

0:26:28.200 --> 0:26:30.880
<v Speaker 1>bacon baskets and stuff and corpses. I feel like these

0:26:30.920 --> 0:26:33.600
<v Speaker 1>days that's the equivalent of like a DVD collection, right,

0:26:33.920 --> 0:26:35.960
<v Speaker 1>Like that's what these guys would be doing these days.

0:26:35.960 --> 0:26:38.080
<v Speaker 1>You go over to John James's house to like watch

0:26:38.119 --> 0:26:43.399
<v Speaker 1>his dead animals. Yeah, yeah, which we put on tonight

0:26:44.040 --> 0:26:45.720
<v Speaker 1>just you know, man, I've had a rough week. Just

0:26:45.720 --> 0:26:47.639
<v Speaker 1>put on I know, we watched Fox last week, but

0:26:47.640 --> 0:26:51.800
<v Speaker 1>just put Fox up again. Yeah why not? I mean,

0:26:51.840 --> 0:26:54.000
<v Speaker 1>I know, I know every part part of Fox, but

0:26:54.080 --> 0:27:00.520
<v Speaker 1>like yeah, yeah, it's just nice to fall asleep too. Yeah.

0:27:01.520 --> 0:27:04.960
<v Speaker 1>So after marrying in eight the couple decide to leave

0:27:05.000 --> 0:27:07.840
<v Speaker 1>the family farm and strike out for a mysterious and

0:27:08.080 --> 0:27:13.960
<v Speaker 1>untrod land, Kentucky. M Yeah, it's good. Yeah, this is

0:27:13.960 --> 0:27:17.440
<v Speaker 1>where the problems start, Dave, as they always do in Kentucky.

0:27:17.600 --> 0:27:20.520
<v Speaker 1>In Kentucky, So they set up a house together and

0:27:20.520 --> 0:27:22.280
<v Speaker 1>for a time, they get up every morning and they

0:27:22.320 --> 0:27:25.199
<v Speaker 1>swim together across the Ohio River. A right up by

0:27:25.200 --> 0:27:28.359
<v Speaker 1>the Audubon Society notes Lucy Bakewell was a tower of

0:27:28.400 --> 0:27:31.280
<v Speaker 1>strength to her husband while he struggled to find his calling.

0:27:32.040 --> 0:27:34.080
<v Speaker 1>Now this means that she stays home and raises the

0:27:34.080 --> 0:27:36.639
<v Speaker 1>two sons that they have together. Well he well, he

0:27:36.680 --> 0:27:39.359
<v Speaker 1>tries to make money. Now, despite his clear skill with

0:27:39.400 --> 0:27:43.040
<v Speaker 1>all things birds, John James Um first tries his hand

0:27:43.080 --> 0:27:46.280
<v Speaker 1>as a businessman. He starts a general store in Louisville,

0:27:46.320 --> 0:27:48.000
<v Speaker 1>where they live, and this does well enough that he

0:27:48.040 --> 0:27:51.080
<v Speaker 1>expands to a second location on the frontier, which is

0:27:51.119 --> 0:27:54.320
<v Speaker 1>just a slightly further west part of Kentucky at this point, right,

0:27:54.359 --> 0:27:56.960
<v Speaker 1>that's as far as white people have really gotten on

0:27:56.960 --> 0:28:01.359
<v Speaker 1>the East coast. So keeping this bisness stocked keeps him

0:28:01.400 --> 0:28:04.640
<v Speaker 1>heavily engaged, and his agreement with his business partner necessitates

0:28:04.680 --> 0:28:07.080
<v Speaker 1>that he keeps the cooking pot filled with wild game.

0:28:07.760 --> 0:28:10.879
<v Speaker 1>Right up in Smithsonian Magazine explains quote. As he hunted

0:28:10.920 --> 0:28:13.359
<v Speaker 1>and traveled, he improved his art on American birds and

0:28:13.440 --> 0:28:16.119
<v Speaker 1>kept careful field notes as well. His narrative of an

0:28:16.160 --> 0:28:18.600
<v Speaker 1>encounter with a flood of passenger pigeons in Kentucky in

0:28:18.640 --> 0:28:21.639
<v Speaker 1>autom eighteen thirteen is legendary. He gave up trying to

0:28:21.720 --> 0:28:24.480
<v Speaker 1>count the passing multitudes of the grayish blue, pink breasted

0:28:24.520 --> 0:28:26.520
<v Speaker 1>birds that numbered in the billions at the time of

0:28:26.520 --> 0:28:29.960
<v Speaker 1>the European discovery of America and are now extinct. The

0:28:30.000 --> 0:28:32.600
<v Speaker 1>air was literally filled with pigeons, he wrote of that encounter.

0:28:32.880 --> 0:28:35.360
<v Speaker 1>The light of noonday was obscured as buy an eclipse.

0:28:35.520 --> 0:28:38.280
<v Speaker 1>The dung fell in spots, not unlike melting flakes of snow,

0:28:38.360 --> 0:28:40.400
<v Speaker 1>and the continued buzz of wings had a tendency to

0:28:40.480 --> 0:28:44.000
<v Speaker 1>lull my senses to repose my goodness. Yeah, there were

0:28:44.080 --> 0:28:47.200
<v Speaker 1>so many of these birds, we killed all of them. Yeah,

0:28:47.200 --> 0:28:50.840
<v Speaker 1>that described it's like the classic film burdemic. It is

0:28:50.880 --> 0:28:54.920
<v Speaker 1>like the classic film burdemic film about bird attacks I

0:28:54.960 --> 0:28:58.040
<v Speaker 1>can think of. And like with bird dimmic, the only

0:28:58.160 --> 0:29:02.760
<v Speaker 1>solution to passenger pigeons was it a side Yeah of course. Yeah. Yeah.

0:29:03.080 --> 0:29:06.720
<v Speaker 1>So paper pins and like colors and stuff are not

0:29:06.800 --> 0:29:09.280
<v Speaker 1>cheap at this time, and and and this is his hobby,

0:29:09.360 --> 0:29:11.160
<v Speaker 1>Like he doesn't he's not making enough money to both

0:29:11.200 --> 0:29:13.120
<v Speaker 1>take care of his family and take care of his hobby.

0:29:13.360 --> 0:29:16.120
<v Speaker 1>So in order to make extra cash, he gets involved

0:29:16.120 --> 0:29:17.960
<v Speaker 1>in a vision in the kind of business that's gonna

0:29:18.040 --> 0:29:19.920
<v Speaker 1>gonna make him his extra art money. Dave. You know,

0:29:20.120 --> 0:29:22.280
<v Speaker 1>we we've all been there, right, Like, you know, you

0:29:22.280 --> 0:29:24.280
<v Speaker 1>want to make a small short films or something, but

0:29:24.320 --> 0:29:26.280
<v Speaker 1>you need extra cash, so you get a side gig.

0:29:27.480 --> 0:29:29.240
<v Speaker 1>Yeah you did that, right, What did what did? What

0:29:29.280 --> 0:29:31.160
<v Speaker 1>did you get into? Dave? Did you did you buy

0:29:31.240 --> 0:29:34.080
<v Speaker 1>enslaved people and travel with them in order to sell

0:29:34.120 --> 0:29:38.160
<v Speaker 1>them elsewhere in the state and market? Did you become

0:29:38.160 --> 0:29:49.520
<v Speaker 1>a slave deal Do that? That's interesting? Yeah? Uh, you

0:29:49.600 --> 0:29:53.480
<v Speaker 1>were just stuffing birds, You're just drawing and stuff in birds.

0:29:54.320 --> 0:29:58.680
<v Speaker 1>Now he's selling human beings. You like surprisingly stayed out

0:29:58.720 --> 0:30:03.959
<v Speaker 1>of history because it's like, you know, these aren't great times. Uh.

0:30:04.320 --> 0:30:09.760
<v Speaker 1>He delves right into the not great part. It's fun

0:30:09.800 --> 0:30:12.120
<v Speaker 1>because like the early biographies of him by like the

0:30:12.120 --> 0:30:14.400
<v Speaker 1>Autumn Society will just say that like he did not

0:30:14.520 --> 0:30:17.520
<v Speaker 1>have a problem with slavery. It's a little bit more

0:30:17.560 --> 0:30:24.760
<v Speaker 1>direct than that. He was neutral slavery um And he's

0:30:24.800 --> 0:30:27.640
<v Speaker 1>like he's not just a slave dealer, he's specifically like

0:30:28.400 --> 0:30:33.880
<v Speaker 1>an exploiter of uh trends in the slave market, where

0:30:33.880 --> 0:30:36.400
<v Speaker 1>he's like traveling to places where the slaves are dying

0:30:36.400 --> 0:30:38.440
<v Speaker 1>because it's the frontier, and it's like, look, I brought

0:30:38.520 --> 0:30:41.120
<v Speaker 1>some fresh slaves, but because it's far away, you gotta

0:30:41.120 --> 0:30:43.360
<v Speaker 1>pay me more. You know. He's he's like, fuck, you

0:30:43.400 --> 0:30:47.479
<v Speaker 1>know that's not there's good. There's no situation where this

0:30:47.520 --> 0:30:50.520
<v Speaker 1>is good. But the fact that it's too fund a

0:30:50.720 --> 0:30:59.280
<v Speaker 1>bird watching, yeah, well it's ship dude. Nice pencils aren't

0:30:59.320 --> 0:31:03.280
<v Speaker 1>cheap today, Robert. That's true, they're not. Look, you gotta

0:31:03.840 --> 0:31:07.120
<v Speaker 1>we've all done horrible things for good watercolor pencils, you know.

0:31:07.160 --> 0:31:10.000
<v Speaker 1>I mean I've at least shoplift at that for sure.

0:31:10.080 --> 0:31:16.160
<v Speaker 1>I'll still nice. Um. Have I ever trafficked, you know,

0:31:17.080 --> 0:31:22.080
<v Speaker 1>a shipping container filled with human beings um from Canada? Uh,

0:31:22.120 --> 0:31:26.920
<v Speaker 1>in order to pay for for for nice pastel markers? No,

0:31:27.800 --> 0:31:30.240
<v Speaker 1>but you know I'm glad you got that on record. Yeah,

0:31:30.440 --> 0:31:36.720
<v Speaker 1>I'm glad glad you got that. No, I have not. So.

0:31:37.120 --> 0:31:39.640
<v Speaker 1>The Audubon Is also kept slaves at home, um, which

0:31:39.680 --> 0:31:41.960
<v Speaker 1>allowed Lucy to work part time as a teacher. So

0:31:42.000 --> 0:31:46.239
<v Speaker 1>at least, yeah, it's pretty bad. Um. Another right up

0:31:46.280 --> 0:31:48.640
<v Speaker 1>by audubon dot Org notes they took a stand for

0:31:48.680 --> 0:31:51.600
<v Speaker 1>slavery by choosing to own slaves in the eighteen teens,

0:31:51.600 --> 0:31:55.080
<v Speaker 1>when the Audubons lived in Henderson, Kentucky, they had nine

0:31:55.160 --> 0:31:57.479
<v Speaker 1>enslaved people working for them in their household, but by

0:31:57.480 --> 0:32:00.000
<v Speaker 1>the end of the decade, when faced with financial difficulties,

0:32:00.040 --> 0:32:02.800
<v Speaker 1>they had sold them. In early nineteen nineteen, for instance,

0:32:02.800 --> 0:32:05.360
<v Speaker 1>Audubon took two enslaved men with him down the Mississippi

0:32:05.360 --> 0:32:07.520
<v Speaker 1>to New Orleans on a skiff, and when he got there,

0:32:07.520 --> 0:32:09.320
<v Speaker 1>he put the boat and the men up for sale.

0:32:09.520 --> 0:32:12.280
<v Speaker 1>So this is like, you know, he he's he's maximizing

0:32:12.360 --> 0:32:16.400
<v Speaker 1>his profits. Uh yeah, he's They're just any other commodity

0:32:16.440 --> 0:32:18.600
<v Speaker 1>to him. Really, that's the way he treats this. So

0:32:18.600 --> 0:32:22.320
<v Speaker 1>that's that's what's so like, I mean, it's insidious about

0:32:22.320 --> 0:32:24.960
<v Speaker 1>the entire time and the whole time, right, It's just

0:32:25.040 --> 0:32:30.719
<v Speaker 1>like this is a really good like example, like like

0:32:30.800 --> 0:32:33.280
<v Speaker 1>this is something I would want kids to learn about,

0:32:33.400 --> 0:32:38.400
<v Speaker 1>to show how mundane this horrifying thing was that this

0:32:38.440 --> 0:32:41.200
<v Speaker 1>guy is like I'm trying to just make a living

0:32:41.600 --> 0:32:44.840
<v Speaker 1>work my do my bird watching hobby, and it's just

0:32:45.360 --> 0:32:47.160
<v Speaker 1>like you said, like I'm going to sell the boat

0:32:47.240 --> 0:32:51.280
<v Speaker 1>and the slaves like no difference there, and that is yeah,

0:32:51.320 --> 0:32:54.280
<v Speaker 1>that's about that's all he thinks about it, um which

0:32:54.320 --> 0:32:57.280
<v Speaker 1>again I don't want to separate him from like the

0:32:57.480 --> 0:32:59.920
<v Speaker 1>main stream. But there's also like a lot of them

0:33:00.000 --> 0:33:02.800
<v Speaker 1>Americans who are saying this is horrible in the time, um,

0:33:02.840 --> 0:33:06.320
<v Speaker 1>including like prominent dudes like Ben Franklin. Uh So, it's

0:33:06.360 --> 0:33:08.840
<v Speaker 1>it's not like everyone is in agreement that this is

0:33:08.880 --> 0:33:13.719
<v Speaker 1>fine either, Like he's picking a side, you know. Um So,

0:33:13.800 --> 0:33:16.360
<v Speaker 1>in eighteen nineteen the bottom falls out of the economy

0:33:16.400 --> 0:33:20.400
<v Speaker 1>and James businesses business collapses. This is not really his fault.

0:33:20.520 --> 0:33:23.160
<v Speaker 1>The Panic of eighteen nineteen, as it was called, was

0:33:23.200 --> 0:33:25.160
<v Speaker 1>caused by the end of a century long period of

0:33:25.160 --> 0:33:28.160
<v Speaker 1>warfare between France and Great Britain. Like we don't talk

0:33:28.160 --> 0:33:29.760
<v Speaker 1>about this that much, but they were at war for

0:33:29.840 --> 0:33:32.640
<v Speaker 1>like a hundred years in this period. Like the US

0:33:32.720 --> 0:33:35.240
<v Speaker 1>Revolution is kind of a side show in the century

0:33:35.280 --> 0:33:37.520
<v Speaker 1>long war between France and Great Britain. And Great Britain

0:33:37.600 --> 0:33:39.800
<v Speaker 1>kind of part of why they don't do more to

0:33:39.880 --> 0:33:42.080
<v Speaker 1>stop the U S revolutions, Like they got a lot

0:33:42.120 --> 0:33:44.520
<v Speaker 1>on their plate, you know, there's a bunch of ship

0:33:44.640 --> 0:33:49.200
<v Speaker 1>going on. Um. So, this series of wars had caused

0:33:49.200 --> 0:33:54.000
<v Speaker 1>a huge demand for US agricultural products because like they're needed.

0:33:54.080 --> 0:33:56.680
<v Speaker 1>Right when you're fighting all these wars, you're getting all

0:33:56.680 --> 0:33:58.960
<v Speaker 1>your men can scripted to go fight these wars. You

0:33:59.000 --> 0:34:01.840
<v Speaker 1>don't have as many much you can't spend as much

0:34:01.880 --> 0:34:04.000
<v Speaker 1>time farming. So the fact that the US is producing

0:34:04.000 --> 0:34:06.040
<v Speaker 1>a lot of food, they're able to sell a shipload

0:34:06.080 --> 0:34:09.520
<v Speaker 1>of it in Europe um and when these wars end,

0:34:09.640 --> 0:34:12.840
<v Speaker 1>it's terrible for the U S. Economy. Right up in Ohio,

0:34:13.000 --> 0:34:16.680
<v Speaker 1>History Central explains during the various various British French conflicts,

0:34:16.800 --> 0:34:19.720
<v Speaker 1>United States goods, especially agricultural products, were in high demand

0:34:19.719 --> 0:34:22.239
<v Speaker 1>in Europe. The U S public had purchased western land

0:34:22.239 --> 0:34:24.880
<v Speaker 1>at an extravagant rate. In eighteen fifteen, people in the

0:34:24.960 --> 0:34:27.359
<v Speaker 1>U S. Purchased roughly one million acres of land from

0:34:27.360 --> 0:34:30.160
<v Speaker 1>the federal government. In eighteen nineteen, the amount of landed

0:34:30.200 --> 0:34:33.120
<v Speaker 1>skyrocket into three and a half million acres. Many people

0:34:33.120 --> 0:34:35.320
<v Speaker 1>in the United States could not afford to purchase the

0:34:35.400 --> 0:34:38.440
<v Speaker 1>land out right. The federal government did allow buying land

0:34:38.520 --> 0:34:40.719
<v Speaker 1>on credit. As the economy ground to a halt in

0:34:40.800 --> 0:34:43.000
<v Speaker 1>eighteen nineteen, many people in the US did not have

0:34:43.080 --> 0:34:45.040
<v Speaker 1>the money to pay off their loans. The Bank of

0:34:45.080 --> 0:34:47.240
<v Speaker 1>the United States, as well as state and private banks

0:34:47.280 --> 0:34:51.320
<v Speaker 1>began recalling loans demanding immediate payment. The bank's accident actions

0:34:51.360 --> 0:34:54.160
<v Speaker 1>resulted in the banking crisis of eighteen nineteen and helped

0:34:54.239 --> 0:34:57.000
<v Speaker 1>lead to the panic. So you know, it's like it's

0:34:57.040 --> 0:35:00.160
<v Speaker 1>it's a mortgage crisis basically. Yeah, it's this the that

0:35:00.239 --> 0:35:05.920
<v Speaker 1>keeps happening. Um. The resulting clusterfuck is particularly devastating in Kentucky,

0:35:05.960 --> 0:35:08.120
<v Speaker 1>where the frontier is active and people have been buying

0:35:08.120 --> 0:35:11.320
<v Speaker 1>a lot of land. Um. It was also like devastating

0:35:11.320 --> 0:35:13.920
<v Speaker 1>in Ohio for the same reasons, and it it destroys

0:35:14.000 --> 0:35:18.440
<v Speaker 1>basically anyone with a business, right Like the bottom falls

0:35:18.480 --> 0:35:21.640
<v Speaker 1>out of the currency and the audubonds lose everything. James

0:35:21.640 --> 0:35:24.479
<v Speaker 1>even goes to jail for his debts and is forced

0:35:24.520 --> 0:35:27.200
<v Speaker 1>to declare bankruptcy in order to get out of being

0:35:27.239 --> 0:35:31.200
<v Speaker 1>locked up. Um. Yeah, it's rough, rough times. The only

0:35:31.239 --> 0:35:33.520
<v Speaker 1>meaningful possessions he has left at the end of this

0:35:33.600 --> 0:35:36.680
<v Speaker 1>period are his art supplies and the portfolio of bird

0:35:36.760 --> 0:35:41.720
<v Speaker 1>drawings he'd accumulated over the years. So the first stage

0:35:41.719 --> 0:35:44.319
<v Speaker 1>of life business doesn't work out, but thanks to all

0:35:44.320 --> 0:35:48.439
<v Speaker 1>the slave selling, he has art supplies. UM. I don't

0:35:48.440 --> 0:35:51.719
<v Speaker 1>feel bad for him, but like rock bottom does look

0:35:51.719 --> 0:35:54.080
<v Speaker 1>a lot like walking around with a bunch of pictures

0:35:54.080 --> 0:35:57.440
<v Speaker 1>of birds and nothing else, and that that's rock bottom

0:35:57.480 --> 0:36:00.560
<v Speaker 1>for this guy. Yeah, that makes sense. All he's got

0:36:00.680 --> 0:36:03.759
<v Speaker 1>is his birds and his pencils. Um. So that's how

0:36:03.760 --> 0:36:05.720
<v Speaker 1>he decides to get his family back on his feet.

0:36:05.719 --> 0:36:09.240
<v Speaker 1>He starts by drawing portraits for five bucks ahead. Um

0:36:09.280 --> 0:36:12.160
<v Speaker 1>of just like, whoever's got five dollars, I'll draw your portraits.

0:36:12.480 --> 0:36:14.439
<v Speaker 1>And he's good enough that his friends help him find

0:36:14.480 --> 0:36:17.920
<v Speaker 1>work painting museum exhibits and doing taxidermy for a museum

0:36:17.920 --> 0:36:20.840
<v Speaker 1>in Cincinnati. Um. He gets a gig at the Peel

0:36:20.960 --> 0:36:24.080
<v Speaker 1>Museum in Philadelphia, where he's hired to mountain stuffed birds

0:36:24.080 --> 0:36:28.120
<v Speaker 1>on natural backgrounds. And again, he's better at this than

0:36:28.160 --> 0:36:31.800
<v Speaker 1>anybody else alive is so he gets connections very quickly

0:36:31.800 --> 0:36:34.840
<v Speaker 1>to wealthy and influential naturalists. Everyone notices like, oh wow,

0:36:35.880 --> 0:36:38.839
<v Speaker 1>these are the only stuffed birds that don't look like shit.

0:36:39.760 --> 0:36:42.600
<v Speaker 1>Um So, a well off young artist related to the

0:36:42.600 --> 0:36:46.040
<v Speaker 1>Philly museum keeper tells Audubon that there's a job opportunity

0:36:46.120 --> 0:36:49.399
<v Speaker 1>exploring the uncharted by white people lands beyond the Mississippi.

0:36:49.719 --> 0:36:53.239
<v Speaker 1>The Cincinnati museum needed more birds specimen samples of the

0:36:53.239 --> 0:36:55.920
<v Speaker 1>new species that we're waiting out in the wild. Um.

0:36:55.960 --> 0:36:58.480
<v Speaker 1>People have been like, I documenting these animals, but like

0:36:58.520 --> 0:37:01.040
<v Speaker 1>all you have his crew drawings really and so he's like, well,

0:37:01.160 --> 0:37:04.480
<v Speaker 1>I want some shot and stuffed and and documented and

0:37:04.520 --> 0:37:07.400
<v Speaker 1>brought back to the museum. So James goes out into

0:37:07.440 --> 0:37:10.200
<v Speaker 1>the frontier and he just starts shooting and documenting a

0:37:10.239 --> 0:37:13.439
<v Speaker 1>funckload of birds. He's been sent so many specimens back

0:37:13.440 --> 0:37:15.640
<v Speaker 1>to the museum that they owe him twelve hundred dollars,

0:37:15.640 --> 0:37:18.560
<v Speaker 1>which is like thirty grand and modern money, um, which

0:37:18.560 --> 0:37:20.520
<v Speaker 1>would have been enough to get his family in good

0:37:20.520 --> 0:37:23.520
<v Speaker 1>financial health. But Cincinnati is a town full of liars

0:37:23.520 --> 0:37:26.280
<v Speaker 1>and cheats, and the museum refuses to pay him. Wow,

0:37:26.560 --> 0:37:32.399
<v Speaker 1>scumbag museum. Fucking museums. That's why I don't go in them.

0:37:33.320 --> 0:37:35.120
<v Speaker 1>This is why the motto of this show is burn

0:37:35.320 --> 0:37:43.560
<v Speaker 1>every museum. That's it's right, it's behind the bastards, every

0:37:43.600 --> 0:37:46.800
<v Speaker 1>one of them. I mean, honestly, depending on the museum,

0:37:46.920 --> 0:37:50.200
<v Speaker 1>it's like, I mean, it's still have stolen ship. Anyway.

0:37:50.640 --> 0:37:54.800
<v Speaker 1>The last the last museum I was in was in

0:37:54.800 --> 0:37:58.120
<v Speaker 1>in Brussels, and they had an exhibit of those terra

0:37:58.160 --> 0:38:00.200
<v Speaker 1>Cotta soldiers, and I almost got into a fist fight

0:38:00.239 --> 0:38:03.200
<v Speaker 1>with those terras. What do you fucking doing in this museum?

0:38:03.680 --> 0:38:06.840
<v Speaker 1>Fucking museum, asked, piece of shit? What I said to

0:38:06.840 --> 0:38:09.560
<v Speaker 1>the terra Cotta soldier. I got ship faced in the

0:38:09.560 --> 0:38:12.799
<v Speaker 1>gunner outside the London Museum and went in drunk. And

0:38:12.840 --> 0:38:16.759
<v Speaker 1>that was a blast. Oh, because there's no like, there's

0:38:16.760 --> 0:38:19.319
<v Speaker 1>a rule against being You could be as drunk as

0:38:19.360 --> 0:38:23.200
<v Speaker 1>you want. No, no, I I They'll serve you alcohol

0:38:23.239 --> 0:38:26.160
<v Speaker 1>in the lubra. And well, at least I brought alcohol

0:38:26.200 --> 0:38:28.160
<v Speaker 1>into the lubra. In any case, I was drunk in

0:38:28.200 --> 0:38:34.000
<v Speaker 1>the in the um, it's liberating. So he gets sucked

0:38:34.040 --> 0:38:36.879
<v Speaker 1>over by this ship museum and he has to send

0:38:36.920 --> 0:38:39.319
<v Speaker 1>his family to live with relatives while he sets off

0:38:39.320 --> 0:38:42.719
<v Speaker 1>into the wild again to try and find make even

0:38:42.760 --> 0:38:44.600
<v Speaker 1>more money. And he takes an eighteen year old boy

0:38:44.640 --> 0:38:48.080
<v Speaker 1>with him. Um, it's fine, it's fine, it's fine. Um,

0:38:48.239 --> 0:38:51.760
<v Speaker 1>they gather a bunch of specimens. It wasn't fine until

0:38:51.800 --> 0:38:54.560
<v Speaker 1>you said it like that. I mean, it's one of

0:38:54.600 --> 0:38:57.359
<v Speaker 1>those things. I've never heard any allegations it wasn't. It's just,

0:38:57.560 --> 0:39:01.080
<v Speaker 1>you know, it's when you say, what's happened. Yeah, these

0:39:01.080 --> 0:39:03.480
<v Speaker 1>were the were like if we existed back in the day,

0:39:03.520 --> 0:39:06.200
<v Speaker 1>we'd have like an eighteen year old boy. You have

0:39:06.200 --> 0:39:09.839
<v Speaker 1>a boy who doesn't have a podcasting boy. We do

0:39:09.920 --> 0:39:15.560
<v Speaker 1>have a podcasting boy here. So with an eighteen year

0:39:15.600 --> 0:39:18.240
<v Speaker 1>old he goes into the woods and things are fine.

0:39:18.600 --> 0:39:20.560
<v Speaker 1>He gets a lot of specimens to see if he

0:39:20.600 --> 0:39:22.800
<v Speaker 1>can sell them to museum that's not run by crooks.

0:39:22.800 --> 0:39:25.719
<v Speaker 1>And he shoots and he poses, and he sketches just

0:39:26.120 --> 0:39:30.440
<v Speaker 1>thousands of animals. Smithsonian Magazine notes quote After drawing, he

0:39:30.480 --> 0:39:33.680
<v Speaker 1>often performed an anatomical dissection. Then, because he usually worked

0:39:33.719 --> 0:39:36.040
<v Speaker 1>deep in the wilderness, far from home, he cooked and

0:39:36.200 --> 0:39:39.240
<v Speaker 1>ate his specimens. Many of the descriptions in his Ornithological

0:39:39.280 --> 0:39:42.800
<v Speaker 1>Biography mentioned how a species tastes, testimony to how quickly

0:39:42.880 --> 0:39:46.160
<v Speaker 1>the largely self taught artist drew. The flesh of this

0:39:46.239 --> 0:39:48.279
<v Speaker 1>bird is tough and unfit for food, he writes of

0:39:48.280 --> 0:39:50.759
<v Speaker 1>the raven. The green winged teal, on the other hand,

0:39:50.760 --> 0:39:53.800
<v Speaker 1>has delicious flesh, probably the best of any of its tribe.

0:39:53.840 --> 0:39:56.080
<v Speaker 1>And I would readily agree with any epicure in saying

0:39:56.080 --> 0:39:58.000
<v Speaker 1>that when it has fed on wild oats at Green

0:39:58.040 --> 0:40:00.480
<v Speaker 1>Bay or unsoaked rice in the fields of Georgia and

0:40:00.520 --> 0:40:02.600
<v Speaker 1>the Carolinas for a few weeks after its arrival in

0:40:02.640 --> 0:40:05.239
<v Speaker 1>those countries. It is much superior to the canvas back

0:40:05.280 --> 0:40:08.680
<v Speaker 1>in tenderness, juiciness, and flavor. There's a lot of extinct

0:40:08.719 --> 0:40:11.320
<v Speaker 1>birds that we know how they taste because he shot

0:40:11.360 --> 0:40:14.440
<v Speaker 1>them and ate them. I love how this episode is

0:40:14.480 --> 0:40:18.200
<v Speaker 1>behind the bastards for humans and for birds. Yeah, like,

0:40:18.320 --> 0:40:22.680
<v Speaker 1>birds can listen to this episode if they want to. Yeah, yeah,

0:40:22.760 --> 0:40:25.080
<v Speaker 1>this is this is all of my content is meant

0:40:25.120 --> 0:40:28.359
<v Speaker 1>for human beings and for crows. But I do get.

0:40:28.560 --> 0:40:32.720
<v Speaker 1>I do get the use of also noting how tasty

0:40:32.760 --> 0:40:37.120
<v Speaker 1>they are because they're like you shouldn't want to know. Yeah, yeah, yeah,

0:40:37.120 --> 0:40:39.080
<v Speaker 1>if you're gonna shoot him, you should also eat their meat.

0:40:39.120 --> 0:40:41.800
<v Speaker 1>Like he's not. It's just again more, this guy is

0:40:41.840 --> 0:40:46.279
<v Speaker 1>like a hair's breadth away from going serial killer. Yeah no,

0:40:46.360 --> 0:40:49.160
<v Speaker 1>no again. It feels like at any second he'll be

0:40:49.239 --> 0:40:51.960
<v Speaker 1>like next. This story could turn, and it does turn,

0:40:52.080 --> 0:40:55.120
<v Speaker 1>but in a I mean it does turn um even

0:40:55.120 --> 0:40:57.560
<v Speaker 1>more than it has so. The mid late night eighteen

0:40:57.600 --> 0:41:00.160
<v Speaker 1>twenties is a time in which natural sciences in America

0:41:00.200 --> 0:41:04.560
<v Speaker 1>in Europe are undergoing the period of what's called institutionalization. Previously,

0:41:04.600 --> 0:41:07.080
<v Speaker 1>the work of documenting and studying animals had been done

0:41:07.080 --> 0:41:10.759
<v Speaker 1>by volunteers who are like gentleman scientists. Right, They're they're

0:41:10.840 --> 0:41:12.960
<v Speaker 1>rich dilettants with hobbies. Right. And that's what a lout

0:41:12.960 --> 0:41:14.920
<v Speaker 1>of on is. He's a rich kid who, because he

0:41:14.960 --> 0:41:17.319
<v Speaker 1>doesn't have to like struggle as a as a child

0:41:17.440 --> 0:41:19.440
<v Speaker 1>and a young man, is able to just kind of

0:41:19.480 --> 0:41:24.040
<v Speaker 1>like spend a lot of his time focusing on naturalism. Right.

0:41:24.080 --> 0:41:26.919
<v Speaker 1>And and it feels like during this time it's less

0:41:26.920 --> 0:41:30.200
<v Speaker 1>about like academic knowledge and more like who'll go out

0:41:30.280 --> 0:41:34.640
<v Speaker 1>and stuff a bunch of birds? Yeah? Yeah, the work.

0:41:35.880 --> 0:41:38.400
<v Speaker 1>Who has the time and the relative freedom to be

0:41:38.480 --> 0:41:41.520
<v Speaker 1>able to do that? Kind of rich guy? Yeah, stick

0:41:41.560 --> 0:41:43.960
<v Speaker 1>your head in all these holes, yeah, and just see

0:41:44.000 --> 0:41:45.920
<v Speaker 1>what's in there. Well yeah, and then like write it

0:41:45.960 --> 0:41:48.239
<v Speaker 1>down in this notebook, bring it back to us, and

0:41:48.280 --> 0:41:51.280
<v Speaker 1>we'll figure out what to do with that information. Yeah.

0:41:51.560 --> 0:41:54.680
<v Speaker 1>So that's that's starting to change in the eighteen twenties. Um,

0:41:54.840 --> 0:41:57.960
<v Speaker 1>And there's kind of a solidifying body of scientific elites

0:41:58.080 --> 0:42:01.239
<v Speaker 1>in this period that increasingly rests contempt for what they

0:42:01.239 --> 0:42:06.680
<v Speaker 1>call amateurs um, which is silly because also at this time,

0:42:07.600 --> 0:42:10.000
<v Speaker 1>none of the scientists are really that much better than

0:42:10.040 --> 0:42:13.520
<v Speaker 1>the amateurs. But in eighteen twenty four, Audubon is rejected

0:42:13.520 --> 0:42:16.799
<v Speaker 1>for membership in the Academy of Natural Sciences because they're like, well,

0:42:16.800 --> 0:42:21.879
<v Speaker 1>you're an amateur and we um aren't because we've spent

0:42:21.960 --> 0:42:24.920
<v Speaker 1>less time in the woods shooting birds. It doesn't make

0:42:24.960 --> 0:42:27.839
<v Speaker 1>a lot of sense in this period. So and if

0:42:27.880 --> 0:42:31.320
<v Speaker 1>only they knew that, like birds feels like it's keeping

0:42:31.400 --> 0:42:35.520
<v Speaker 1>him from you know, yeah, yeah, you really want to

0:42:35.640 --> 0:42:38.560
<v Speaker 1>encourage this guy to spend time with birds. Yeah, this

0:42:38.640 --> 0:42:40.960
<v Speaker 1>is this feels like his art school, you know. And

0:42:41.080 --> 0:42:44.120
<v Speaker 1>it's like, you know, uh, he knows what he has

0:42:44.200 --> 0:42:48.680
<v Speaker 1>done if he'd been stopped. But you know who won't

0:42:49.520 --> 0:42:54.520
<v Speaker 1>be stopped day, That's right, That's right, you never will

0:42:54.560 --> 0:43:00.000
<v Speaker 1>be Um often though we try, Uh, nothing stops David

0:43:00.080 --> 0:43:03.280
<v Speaker 1>Bell like a mist. I'm like a fine mist coming

0:43:03.280 --> 0:43:08.919
<v Speaker 1>out right doors, like a fog sweeping in through. Yeah,

0:43:08.920 --> 0:43:16.399
<v Speaker 1>your doors, mainly mainly the doors. So here's a pot

0:43:16.800 --> 0:43:27.680
<v Speaker 1>episode adds We're back and Sophie is complaining about things

0:43:27.680 --> 0:43:31.880
<v Speaker 1>that I've done. UM's fine, which is fine. Just just

0:43:32.040 --> 0:43:38.600
<v Speaker 1>know that I'm right. You usually are. But it doesn't matter, Sophie. No,

0:43:38.840 --> 0:43:41.000
<v Speaker 1>it's like it's like all those people who protested the

0:43:41.040 --> 0:43:44.320
<v Speaker 1>invasion of Iraq, but it still happened, just like this podcast.

0:43:44.600 --> 0:43:49.760
<v Speaker 1>This is the Iraq of podcasts about the founder of ornithology. Yeah,

0:43:50.200 --> 0:43:53.400
<v Speaker 1>that's exactly what it is. She's gonna throw a shoe

0:43:53.400 --> 0:43:56.879
<v Speaker 1>at you at some point. Yeah, yeah, that's right, that's right.

0:43:57.040 --> 0:44:02.560
<v Speaker 1>And Dave, you will form a terrorist group after I

0:44:02.680 --> 0:44:06.920
<v Speaker 1>incarceraate you in a prison and take over large chunks

0:44:06.920 --> 0:44:10.360
<v Speaker 1>of Syria and Iracta. That's me. You're going to be

0:44:10.400 --> 0:44:15.000
<v Speaker 1>the Isis of this story. Yeah, this has gotten away

0:44:15.000 --> 0:44:16.879
<v Speaker 1>from me. I'm gonna be honest with you. I mean

0:44:16.960 --> 0:44:20.240
<v Speaker 1>I was. I was going to accept like Rumsfeld or something.

0:44:21.760 --> 0:44:25.200
<v Speaker 1>I'm perfectly happy with Isis over here. That's better to

0:44:25.280 --> 0:44:28.280
<v Speaker 1>be Isis than Donald Rumsfeld. That is the general streuth

0:44:28.320 --> 0:44:33.920
<v Speaker 1>about history. So his drawings, he gets rejected kind of

0:44:33.960 --> 0:44:36.480
<v Speaker 1>initially by the scientific community, but his drawings are just

0:44:36.600 --> 0:44:40.000
<v Speaker 1>so good that he's able to build a solid career.

0:44:40.080 --> 0:44:43.080
<v Speaker 1>Like they can't like, they don't like that he's this

0:44:43.160 --> 0:44:47.320
<v Speaker 1>kind of dilettante scientist, but nobody's better at at drawing birds.

0:44:47.520 --> 0:44:50.800
<v Speaker 1>So he continually builds a name for himself, and eventually

0:44:50.800 --> 0:44:53.840
<v Speaker 1>he's able to Yeah, I'm sorry, that's the thing. I realized.

0:44:53.880 --> 0:44:56.360
<v Speaker 1>My dad, who's an artist in like the seventies, he

0:44:56.440 --> 0:44:59.200
<v Speaker 1>used to like drew schematics and stuff, and you realize

0:44:59.280 --> 0:45:01.120
<v Speaker 1>during that time, it's like, yeah, I mean, how else

0:45:01.120 --> 0:45:04.200
<v Speaker 1>are they going to get them? Yeah, Like, there's no computers.

0:45:04.239 --> 0:45:07.160
<v Speaker 1>You just need to hire someone who can draw ship

0:45:07.239 --> 0:45:10.560
<v Speaker 1>and that was important. That was important. And he does

0:45:10.600 --> 0:45:13.960
<v Speaker 1>well enough at this that finally, Dave, he's able to

0:45:14.000 --> 0:45:16.440
<v Speaker 1>buy more human beings for his wife and children to

0:45:17.239 --> 0:45:19.040
<v Speaker 1>he's able to do it. He gets bad, he's able

0:45:19.040 --> 0:45:21.960
<v Speaker 1>to finally after you know, it's like pawning, you know,

0:45:22.160 --> 0:45:24.960
<v Speaker 1>your car or your TV. He's a that's that's human

0:45:24.960 --> 0:45:31.239
<v Speaker 1>beings for him. Finally, Kevin his comic book collection after yeah,

0:45:31.320 --> 0:45:37.280
<v Speaker 1>good good not no no no, So this is bad bad.

0:45:37.680 --> 0:45:39.759
<v Speaker 1>The fact that he has slaves again allows him to

0:45:39.800 --> 0:45:43.279
<v Speaker 1>continue spending the vast majority of his time nowhere near

0:45:43.320 --> 0:45:46.120
<v Speaker 1>his family, gunning down and drawing birds in the wilderness,

0:45:46.440 --> 0:45:49.080
<v Speaker 1>you know, right up for Audubon dot Org, Gregor Gregory

0:45:49.200 --> 0:45:53.040
<v Speaker 1>Nobles notes quote, although never fully acknowledged, people of color,

0:45:53.200 --> 0:45:55.920
<v Speaker 1>African Americans, and Native Americans had a part in making

0:45:55.920 --> 0:45:59.600
<v Speaker 1>that massive project possible. Audubon occasionally relied on these local

0:45:59.600 --> 0:46:02.720
<v Speaker 1>observer for assistance in collecting specimens, and he sometimes accepted

0:46:02.760 --> 0:46:05.840
<v Speaker 1>their information about birds and incorporated it into his writings.

0:46:06.160 --> 0:46:09.640
<v Speaker 1>But even though Audubon found black and indigenous people scientifically useful,

0:46:09.840 --> 0:46:12.799
<v Speaker 1>he never accepted them as socially or racially equal. He

0:46:12.840 --> 0:46:15.759
<v Speaker 1>took pains to distinguish himself from them, and writing about

0:46:15.760 --> 0:46:18.920
<v Speaker 1>an expedition in Florida in December eighteen thirty one, Audubon

0:46:19.000 --> 0:46:21.000
<v Speaker 1>noted that he set out in a boat with sixtens,

0:46:21.120 --> 0:46:24.000
<v Speaker 1>with six enslaved black men hands as he called them,

0:46:24.080 --> 0:46:28.640
<v Speaker 1>and three white men, his emphasis clearly underscoring the racial

0:46:28.680 --> 0:46:30.520
<v Speaker 1>divide in the boat and his place on the white

0:46:30.520 --> 0:46:33.120
<v Speaker 1>side of it. So he's he writes in this that

0:46:33.200 --> 0:46:35.279
<v Speaker 1>like we we set out with six hands and three

0:46:35.280 --> 0:46:37.680
<v Speaker 1>white men. Right. Like, he's very consciously not referring to

0:46:37.760 --> 0:46:43.040
<v Speaker 1>the black people as humans. Um, because he's a racist. Um.

0:46:43.040 --> 0:46:46.240
<v Speaker 1>He sucks. Yeah. So by eighteen twenty six, John James

0:46:46.239 --> 0:46:48.560
<v Speaker 1>had realized that he had a purpose on this earth.

0:46:48.880 --> 0:46:51.439
<v Speaker 1>His great work, which is what he calls it, would

0:46:51.440 --> 0:46:54.600
<v Speaker 1>be to decisively identify name and sketch every single bird

0:46:54.680 --> 0:46:56.880
<v Speaker 1>species and the parts of North America controlled by the

0:46:57.000 --> 0:47:00.000
<v Speaker 1>US government. He called this book the Birds of America,

0:47:00.360 --> 0:47:02.680
<v Speaker 1>and it was to be a four volume massive work

0:47:02.719 --> 0:47:05.600
<v Speaker 1>of art and science. There would be engraved images of

0:47:05.640 --> 0:47:09.360
<v Speaker 1>four nineties species, each drawing the actual size of life

0:47:09.440 --> 0:47:12.480
<v Speaker 1>of the bird itself. This is like a massive massively.

0:47:12.480 --> 0:47:14.799
<v Speaker 1>You can see some of them in like museums like

0:47:14.840 --> 0:47:18.360
<v Speaker 1>it's it's the size like a person sized book um.

0:47:18.560 --> 0:47:21.520
<v Speaker 1>Most experts agree that even today he has not been

0:47:21.560 --> 0:47:25.160
<v Speaker 1>surpassed in depicting birds in this manner. He's like the

0:47:25.200 --> 0:47:28.759
<v Speaker 1>best there's ever been at drawn birds. So no one

0:47:28.800 --> 0:47:32.040
<v Speaker 1>in the US cares to fund his ridiculous giant bird book.

0:47:32.280 --> 0:47:34.319
<v Speaker 1>So he leaves his family behind and he sails to

0:47:34.360 --> 0:47:36.640
<v Speaker 1>Europe for several years, and he brings with him a plan.

0:47:37.320 --> 0:47:40.239
<v Speaker 1>He knew Europeans were obsessed with big new animals no

0:47:40.280 --> 0:47:42.880
<v Speaker 1>one had seen before, so Audubon brought with him a

0:47:43.000 --> 0:47:45.800
<v Speaker 1>drawing of a brand new species of North American eagle

0:47:45.920 --> 0:47:48.680
<v Speaker 1>he called the bird of Washington, which he claimed to

0:47:48.680 --> 0:47:52.520
<v Speaker 1>have sketched in the Pacific Northwest. Now this bird didn't exist,

0:47:52.800 --> 0:47:56.680
<v Speaker 1>it never has. He made it up, So yes, I

0:47:56.719 --> 0:48:00.759
<v Speaker 1>can get behind behind. He have been doing this from

0:48:00.880 --> 0:48:03.720
<v Speaker 1>day one. He should have been lying way more about birds.

0:48:04.120 --> 0:48:06.440
<v Speaker 1>You didn't even nego shoot anything, Just make draw some

0:48:06.480 --> 0:48:10.640
<v Speaker 1>fake birds, man, fake no human suffering. Just draw fake birds,

0:48:10.680 --> 0:48:13.120
<v Speaker 1>claim you saw them. We would have believed, We would

0:48:13.160 --> 0:48:15.759
<v Speaker 1>be believing him. Now. There would be people if he

0:48:15.800 --> 0:48:17.719
<v Speaker 1>had just like been like, oh, yeah, there's like a

0:48:17.760 --> 0:48:20.680
<v Speaker 1>four winged bird in uh in a in Michigan. Yeah,

0:48:20.800 --> 0:48:23.240
<v Speaker 1>a ton of them. There would be people whose whole

0:48:23.280 --> 0:48:26.240
<v Speaker 1>life would revolve around finding hiding in the like waiting

0:48:26.239 --> 0:48:29.400
<v Speaker 1>in the woods for that bird. There card stone statues

0:48:29.480 --> 0:48:31.480
<v Speaker 1>of them out in front of like rest stops in

0:48:31.520 --> 0:48:34.120
<v Speaker 1>the middle of nowhere. We just assumed that we like

0:48:34.239 --> 0:48:36.440
<v Speaker 1>killed them all, you know, we just assumed, like, oh,

0:48:36.520 --> 0:48:39.719
<v Speaker 1>I guess our pollution or whatever like you could have

0:48:39.760 --> 0:48:42.239
<v Speaker 1>this is the time. He doesn't Maybe he doesn't know it,

0:48:42.480 --> 0:48:45.000
<v Speaker 1>but this is the time to invent birds. It's a

0:48:45.000 --> 0:48:47.840
<v Speaker 1>shame bird invent We could have so many more cryptids

0:48:47.880 --> 0:48:50.759
<v Speaker 1>if he had really, if he'd gone really gone for it.

0:48:51.960 --> 0:48:54.400
<v Speaker 1>So you know, there is some debate over whether or

0:48:54.400 --> 0:48:56.800
<v Speaker 1>not he made a mistake or lied, but most experts

0:48:56.800 --> 0:48:58.760
<v Speaker 1>seemed to agree that he was just kind of forging

0:48:58.800 --> 0:49:01.360
<v Speaker 1>a bird in order to m up more excitement about

0:49:01.400 --> 0:49:04.399
<v Speaker 1>his book. Um. For one thing, by this point, it

0:49:04.480 --> 0:49:07.560
<v Speaker 1>was the standard scientifically that when you proposed the existence

0:49:07.600 --> 0:49:10.160
<v Speaker 1>of a new species, you provided physical evidence. You would

0:49:10.200 --> 0:49:12.239
<v Speaker 1>like shoot it and and preserve it and be like,

0:49:12.280 --> 0:49:14.200
<v Speaker 1>look here's this, Like there's a new bird, and here's

0:49:14.280 --> 0:49:16.640
<v Speaker 1>the pieces of it. Um. And he did this for

0:49:16.719 --> 0:49:19.680
<v Speaker 1>a lot of other birds, like he was doing this

0:49:19.719 --> 0:49:22.000
<v Speaker 1>for hundreds of animals. He doesn't do this for the

0:49:22.040 --> 0:49:24.319
<v Speaker 1>bird of Washington. Um. And so a lot of people

0:49:24.360 --> 0:49:26.600
<v Speaker 1>will note that, like, well, maybe that's evidence that he

0:49:26.680 --> 0:49:30.720
<v Speaker 1>was just this was just a con from the beginning. Um.

0:49:30.840 --> 0:49:33.239
<v Speaker 1>So yeah, And this, the bird of Washington is the

0:49:33.280 --> 0:49:35.759
<v Speaker 1>first bird that Audubon would display when he would like

0:49:35.800 --> 0:49:38.040
<v Speaker 1>sit in front of gatherings of wealthy people to try

0:49:38.040 --> 0:49:40.600
<v Speaker 1>to get him to pay money. Um. And he succeeds.

0:49:40.760 --> 0:49:43.000
<v Speaker 1>He drums up a lot of huge amounts of money,

0:49:43.120 --> 0:49:47.040
<v Speaker 1>enough to fund the Birds of America. That's good God,

0:49:47.600 --> 0:49:52.359
<v Speaker 1>it's just this. Everything everything sucks about this time, like

0:49:52.680 --> 0:49:56.759
<v Speaker 1>mostly the slavery mostly, but also the fact that like

0:49:57.560 --> 0:50:01.160
<v Speaker 1>you could commit bird forgery to get funding from wealthy

0:50:01.239 --> 0:50:04.440
<v Speaker 1>people who are like, yes, I will fund your bird

0:50:04.520 --> 0:50:07.640
<v Speaker 1>exposition to like, like, we're still at that point in

0:50:07.680 --> 0:50:09.880
<v Speaker 1>the world where it's just like I would like to

0:50:09.880 --> 0:50:14.520
<v Speaker 1>know about all the birds that's around my god damn motherfucker.

0:50:14.840 --> 0:50:17.600
<v Speaker 1>Again to your point earlier, if it's that easy to

0:50:17.680 --> 0:50:19.960
<v Speaker 1>con rich people out of money by making up birds,

0:50:20.200 --> 0:50:23.359
<v Speaker 1>why didn't you make up more birds? Come on, come on,

0:50:23.480 --> 0:50:26.600
<v Speaker 1>man it from the start. As a lover of think

0:50:26.600 --> 0:50:28.799
<v Speaker 1>of the X Files episodes we could have gotten if

0:50:28.800 --> 0:50:33.279
<v Speaker 1>he'd made up like a bird with with claw went

0:50:33.360 --> 0:50:36.160
<v Speaker 1>after the Jersey Devil episode was pretty damn good. We

0:50:36.160 --> 0:50:38.200
<v Speaker 1>could have had like two or three more. They would

0:50:38.239 --> 0:50:40.200
<v Speaker 1>have been amazing. We could have got the whole more

0:50:40.400 --> 0:50:43.160
<v Speaker 1>other season out of just birds. Yeah, they could have

0:50:43.160 --> 0:50:46.360
<v Speaker 1>been a spinoff called Agent Mulder bird Hunter. Yeah. And

0:50:46.440 --> 0:50:50.760
<v Speaker 1>he just he just fights man size birds all the time.

0:50:50.840 --> 0:50:56.440
<v Speaker 1>What a tragedy inc he makes. He gets people give

0:50:56.520 --> 0:50:58.440
<v Speaker 1>him a bunch of money. Uh, and he returns to

0:50:58.480 --> 0:51:01.239
<v Speaker 1>North America and he finishes his great work. And while

0:51:01.280 --> 0:51:03.960
<v Speaker 1>he's doing this, he's able to mix his two passions

0:51:03.960 --> 0:51:06.520
<v Speaker 1>at this point, which you should know are lying in racism.

0:51:06.719 --> 0:51:10.319
<v Speaker 1>And I'm gonna quote from Gregory Nobles again. Audubon also

0:51:10.400 --> 0:51:13.920
<v Speaker 1>through his writing manipulated racial tensions to enhance his notoriety.

0:51:14.160 --> 0:51:17.160
<v Speaker 1>The Tale of the Runaway, one of the episodes about

0:51:17.160 --> 0:51:20.399
<v Speaker 1>American life he inserted into his three thousand page five

0:51:20.480 --> 0:51:24.960
<v Speaker 1>volume Ornithological Biography, A companion to Birds of America, spins

0:51:25.000 --> 0:51:27.360
<v Speaker 1>the tale of an encounter with a black man in

0:51:27.400 --> 0:51:30.840
<v Speaker 1>a Louisiana swamp. Audubon, who had been hunting wood storks

0:51:30.880 --> 0:51:33.440
<v Speaker 1>with his dog Plato, had a gun, but so did

0:51:33.440 --> 0:51:35.879
<v Speaker 1>the black man. After a brief face off, both men

0:51:35.920 --> 0:51:38.840
<v Speaker 1>put down their weapons. Even as he described the tension easing,

0:51:38.840 --> 0:51:41.400
<v Speaker 1>Audubon had already hooked into the fears of his readers.

0:51:41.680 --> 0:51:44.680
<v Speaker 1>Published three years after Nat Turner's Slave Rebellion in eighteen

0:51:44.719 --> 0:51:47.719
<v Speaker 1>thirty one, The Runaway presented the most menacing image of

0:51:47.800 --> 0:51:50.799
<v Speaker 1>imaginable for many white people, the sudden specter of an

0:51:50.880 --> 0:51:53.920
<v Speaker 1>armed black man. Audubon knew how to get people's attention.

0:51:54.280 --> 0:51:56.080
<v Speaker 1>He also knew how to put himself in the most

0:51:56.080 --> 0:51:59.120
<v Speaker 1>favorable light. The man and his family had escaped slavery,

0:51:59.120 --> 0:52:01.000
<v Speaker 1>and we're living in the s As the and as

0:52:01.040 --> 0:52:04.160
<v Speaker 1>the tail unfolds, Audubon spent the night at the family's encampment.

0:52:04.480 --> 0:52:07.879
<v Speaker 1>Companion of believe it also quite at their mercy. It

0:52:07.960 --> 0:52:10.520
<v Speaker 1>was the fugitives, however, who were really the most vulnerable.

0:52:10.800 --> 0:52:13.560
<v Speaker 1>The next morning, Audubon took them back to the plantation

0:52:13.640 --> 0:52:16.319
<v Speaker 1>of their first master and convinced the planter to buy

0:52:16.360 --> 0:52:18.880
<v Speaker 1>the enslaved people back from the masters, to which the

0:52:18.880 --> 0:52:21.480
<v Speaker 1>family had been divided and sold. And that was that.

0:52:21.840 --> 0:52:24.839
<v Speaker 1>Reunited but still enslaved, the black family was rendered as

0:52:24.880 --> 0:52:28.880
<v Speaker 1>happy as slaves generally are in that country. That's Audubon's words,

0:52:28.920 --> 0:52:32.120
<v Speaker 1>exactly what happiness. Audubon did not say in the span

0:52:32.200 --> 0:52:34.360
<v Speaker 1>of a single story, true or not, and many of

0:52:34.400 --> 0:52:37.600
<v Speaker 1>Audubon's episodes were not. Audubon portrayed himself as both the

0:52:37.640 --> 0:52:40.640
<v Speaker 1>savior of a fugitive family and a defender of slaveholders

0:52:40.640 --> 0:52:45.440
<v Speaker 1>claims to human property rights. Because bleak, that's a really

0:52:45.480 --> 0:52:48.399
<v Speaker 1>bleak story. It's bleak if he made it all up.

0:52:48.440 --> 0:52:51.759
<v Speaker 1>It's also bleak if he took this family who had

0:52:51.800 --> 0:52:55.160
<v Speaker 1>like freed themselves after getting split up back to a

0:52:55.200 --> 0:52:57.799
<v Speaker 1>slave owner where they were surely split up again, right

0:52:57.960 --> 0:53:03.160
<v Speaker 1>to quote unquote like save them. Ah, it's pretty bad.

0:53:03.560 --> 0:53:07.200
<v Speaker 1>That's a that's that's that's a blique story. Um. The

0:53:07.239 --> 0:53:09.800
<v Speaker 1>Birds of America and the works that followed made Audubon

0:53:09.840 --> 0:53:13.000
<v Speaker 1>a household name among people who liked birds. He traveled

0:53:13.000 --> 0:53:15.040
<v Speaker 1>back and forth to Europe, where he was a celebrity,

0:53:15.239 --> 0:53:17.880
<v Speaker 1>and he doubled and trebled down on his racism. In

0:53:17.920 --> 0:53:20.200
<v Speaker 1>eighteen thirty four, he wrote his wife to complain when

0:53:20.239 --> 0:53:23.640
<v Speaker 1>the British government made slavery illegal, arguing they had quote

0:53:23.680 --> 0:53:28.040
<v Speaker 1>acted imprudently and to precipitously. Now, in his later life,

0:53:28.120 --> 0:53:30.720
<v Speaker 1>Audubon seems to have taken personal umbrage at the idea

0:53:30.760 --> 0:53:33.000
<v Speaker 1>of enslaved people, some of whom may well have been

0:53:33.040 --> 0:53:37.000
<v Speaker 1>his ancestors, freeing themselves. In a letter written for his sons,

0:53:37.000 --> 0:53:39.520
<v Speaker 1>he described his birth mother, who he had never known,

0:53:39.600 --> 0:53:43.120
<v Speaker 1>as a lady of Spanish extraction from Louisiana, which is

0:53:43.200 --> 0:53:45.879
<v Speaker 1>not true. He claimed she had gone back to San

0:53:45.960 --> 0:53:48.400
<v Speaker 1>Domain with his father and become quote one of the

0:53:48.480 --> 0:53:51.320
<v Speaker 1>victims during the ever to be limited period of Negro

0:53:51.480 --> 0:53:55.200
<v Speaker 1>insurrection on that island. So he lies and claims that

0:53:55.280 --> 0:53:57.960
<v Speaker 1>his mom had been murdered during a slave uprising, when

0:53:57.960 --> 0:54:00.920
<v Speaker 1>the reality is that his mom may have been in uh,

0:54:00.960 --> 0:54:05.400
<v Speaker 1>if not just mixed race, that possibly even an enslaved person. Yeah,

0:54:05.680 --> 0:54:09.280
<v Speaker 1>involved in something. Yea, it is unclear what the truth

0:54:09.360 --> 0:54:11.040
<v Speaker 1>is of his parentage, but we know that he is

0:54:11.120 --> 0:54:15.480
<v Speaker 1>lying about this. Um and Gregory Nobles, who is He's

0:54:15.520 --> 0:54:18.000
<v Speaker 1>writing for the Audubon Society. Nobles is a is a

0:54:18.000 --> 0:54:21.120
<v Speaker 1>a black member of the Audubon Society, and suspects that

0:54:21.600 --> 0:54:24.719
<v Speaker 1>Audubon may have made this claim because quote having a

0:54:24.760 --> 0:54:28.520
<v Speaker 1>European mother killed by black rebels reinforced a white identity

0:54:28.719 --> 0:54:31.520
<v Speaker 1>and in an American society where whiteness proved and still

0:54:31.560 --> 0:54:34.440
<v Speaker 1>proves the safest form of social identity, which you know,

0:54:35.040 --> 0:54:38.920
<v Speaker 1>it makes sense. Yeah, no, it makes perfect sense overall.

0:54:39.000 --> 0:54:42.120
<v Speaker 1>The story. It just shows like, yeah, I just think

0:54:42.120 --> 0:54:45.239
<v Speaker 1>it's a it's an amazing example of how slavery and

0:54:45.360 --> 0:54:49.520
<v Speaker 1>racism is just was fucking like you can put an

0:54:49.520 --> 0:54:53.759
<v Speaker 1>asterisk like under basically any invention that started during this

0:54:53.880 --> 0:54:56.919
<v Speaker 1>time and saying like yeah, and it was built upon

0:54:57.000 --> 0:55:01.000
<v Speaker 1>the suffering of a bunch of people, like fucking bird watching.

0:55:01.680 --> 0:55:05.759
<v Speaker 1>I gotta pay for those pencils somehow, Dave, it's ridiculous.

0:55:05.960 --> 0:55:09.640
<v Speaker 1>It's like, yeah, it seems like you could have avoided this.

0:55:10.640 --> 0:55:15.720
<v Speaker 1>A person could have avoided inventing bird watching without brutalizing.

0:55:15.800 --> 0:55:18.239
<v Speaker 1>A bunch of people would have figured out how to

0:55:18.360 --> 0:55:21.560
<v Speaker 1>draw birds right like we would have gotten that down

0:55:21.920 --> 0:55:26.319
<v Speaker 1>without the slavery. In eighteen forty three, John James set

0:55:26.320 --> 0:55:28.680
<v Speaker 1>out on what was to be his last adventure into

0:55:28.680 --> 0:55:30.920
<v Speaker 1>the wilds. He went up the Missus. He went up

0:55:30.920 --> 0:55:34.040
<v Speaker 1>the Missouri River and out the yellow Stone. At fifty

0:55:34.040 --> 0:55:35.719
<v Speaker 1>eight years old, he was just on the verge of

0:55:35.719 --> 0:55:37.840
<v Speaker 1>being too old to handle the rigors of the journey.

0:55:38.160 --> 0:55:40.759
<v Speaker 1>His project this trip was a catalog of specimens and

0:55:40.800 --> 0:55:44.239
<v Speaker 1>engravings to be called Quadrupeds of North America. This was

0:55:44.280 --> 0:55:47.640
<v Speaker 1>a worthy scientific undertaking, Yet John James embarked on another,

0:55:47.760 --> 0:55:51.320
<v Speaker 1>much less worthy endeavor. The eighteen forties was a period

0:55:51.360 --> 0:55:54.279
<v Speaker 1>in which Dr Samuel George Morton was beginning to lay

0:55:54.280 --> 0:55:57.719
<v Speaker 1>out the underpinnings of what would become scientific racism. He

0:55:57.760 --> 0:56:01.080
<v Speaker 1>believed that cranial capacity and thus, in his belief, intelligence

0:56:01.360 --> 0:56:06.359
<v Speaker 1>must mirror his preconceptions about the intelligence of races. Thus, black, indigenous,

0:56:06.360 --> 0:56:09.719
<v Speaker 1>Hispanic people, et cetera must have less cranial capacity than

0:56:09.760 --> 0:56:12.920
<v Speaker 1>white people. Now this is the branch of science that

0:56:12.960 --> 0:56:16.400
<v Speaker 1>becomes phrenology and eventually a punch of even worship. Besides

0:56:16.960 --> 0:56:20.560
<v Speaker 1>John James Audubon was super into it, and he was

0:56:20.600 --> 0:56:24.239
<v Speaker 1>also way into Morton, who had become his patron right

0:56:24.360 --> 0:56:28.160
<v Speaker 1>up and Commonplace Online notes Morton was a generation younger

0:56:28.200 --> 0:56:30.560
<v Speaker 1>than Audubon, but the friendship between the two men ran

0:56:30.640 --> 0:56:34.160
<v Speaker 1>back through the eighteen thirties. Morton, with his institutional connections,

0:56:34.200 --> 0:56:37.440
<v Speaker 1>helped to share Audubon a place in the country's scientific establishment.

0:56:37.719 --> 0:56:40.080
<v Speaker 1>He settled some of Audubon's debts when the artist was

0:56:40.120 --> 0:56:43.400
<v Speaker 1>in England and soothed his worries about upstart rivals. In return,

0:56:43.440 --> 0:56:47.279
<v Speaker 1>Audubon looked for skulls for Morton. European craniologists weren't ready

0:56:47.360 --> 0:56:49.879
<v Speaker 1>to share their skulls with the Americans, although Audubon did

0:56:49.880 --> 0:56:54.200
<v Speaker 1>find Morton a portfolio of sketches. So while he's shooting

0:56:54.200 --> 0:56:57.759
<v Speaker 1>a drawing squirrels, he visits indigenous villages, villages of the

0:56:57.960 --> 0:57:02.200
<v Speaker 1>Mandan and sen Boyne, indigenous people's um and these villages

0:57:02.239 --> 0:57:04.759
<v Speaker 1>have been like smallpox is like killed most of the

0:57:04.800 --> 0:57:07.920
<v Speaker 1>people there, right, So he's he's he's stumbling into these

0:57:08.000 --> 0:57:11.080
<v Speaker 1>villages after watching them get wiped out. And I'm gonna

0:57:11.400 --> 0:57:14.120
<v Speaker 1>quote from Commonplace Online again about what he does next.

0:57:14.920 --> 0:57:17.880
<v Speaker 1>The epidemic had been devastating. Audubon new during the week

0:57:17.920 --> 0:57:19.840
<v Speaker 1>spent at Fort Union, he penned an account of the

0:57:19.960 --> 0:57:22.760
<v Speaker 1>fearful ravages of smallpox. He must have known that a

0:57:22.840 --> 0:57:26.160
<v Speaker 1>people nearly exterminated left few to help bury the dead.

0:57:26.520 --> 0:57:30.120
<v Speaker 1>The skulls Audubon collected for Morton that summer earned casual

0:57:30.160 --> 0:57:32.480
<v Speaker 1>mentions in his journal. On June eighteenth, he and his

0:57:32.520 --> 0:57:35.160
<v Speaker 1>companions puzzled over when it might be best to take

0:57:35.200 --> 0:57:37.640
<v Speaker 1>away the schools, some six or seven in number, all

0:57:37.680 --> 0:57:41.160
<v Speaker 1>a sinaboy in Indians. On June twenty two, walking over

0:57:41.160 --> 0:57:43.840
<v Speaker 1>the prairie, I found an Indian skull and put it

0:57:43.840 --> 0:57:46.200
<v Speaker 1>in my game pouch. And on July two he and

0:57:46.240 --> 0:57:48.600
<v Speaker 1>a companion walked off with a bag of instruments to

0:57:48.640 --> 0:57:50.640
<v Speaker 1>take off the head of a three year old dead

0:57:50.680 --> 0:57:54.240
<v Speaker 1>Indian chief called the White Cow. They tumbled the coffin

0:57:54.280 --> 0:57:56.440
<v Speaker 1>out of a tree burial and found a body wrapped

0:57:56.440 --> 0:57:59.920
<v Speaker 1>into buffalo ropes and enveloped in an American flag. They

0:58:00.040 --> 0:58:02.480
<v Speaker 1>took the head, Audubon wrote, and left the rest on

0:58:02.520 --> 0:58:06.840
<v Speaker 1>the ground. Morton's catalog also credited Audubon with contributing the

0:58:06.880 --> 0:58:09.560
<v Speaker 1>skull of a fifty year old blackfoot man named Bloody Hand,

0:58:09.600 --> 0:58:12.800
<v Speaker 1>along with the heads of two Upsaroka men, both about

0:58:12.840 --> 0:58:16.160
<v Speaker 1>forty years old, and two schools twelve thirty a centaboy

0:58:16.160 --> 0:58:20.640
<v Speaker 1>in Indian of Missouri, woman estimated twenty years old, centa

0:58:20.640 --> 0:58:23.800
<v Speaker 1>boy and woman estimated like, yeah, they're eighty five years old.

0:58:23.920 --> 0:58:26.480
<v Speaker 1>He gives all these like different that's all they've become,

0:58:26.520 --> 0:58:29.000
<v Speaker 1>like numbers twelve thirty and twelve thirty one from J. J.

0:58:29.160 --> 0:58:33.320
<v Speaker 1>Audubon Esquire, you know, like a d eighteen forty five,

0:58:33.440 --> 0:58:35.560
<v Speaker 1>like the year it's found, the number of the skull,

0:58:35.600 --> 0:58:37.680
<v Speaker 1>and the guy who found it no attempts to find

0:58:37.680 --> 0:58:42.240
<v Speaker 1>the numbers of the human beings. These these belong to um. Yeah,

0:58:42.320 --> 0:58:44.320
<v Speaker 1>and it's it's one of those things. It's also just

0:58:44.360 --> 0:58:46.959
<v Speaker 1>like bad anthropology because it's not about anthropology, it's about

0:58:46.960 --> 0:58:50.919
<v Speaker 1>proving racism. Because they're there for it's for shitty science. Yeah,

0:58:51.560 --> 0:58:54.720
<v Speaker 1>it's grave robbing for bad science. Yeah, because they like

0:58:54.800 --> 0:58:56.560
<v Speaker 1>find this cheap. Not that it would have been good

0:58:56.600 --> 0:58:58.840
<v Speaker 1>if they had like done what you know Egyptologists do,

0:58:58.920 --> 0:59:00.680
<v Speaker 1>and like you find this chief who has been buried

0:59:00.680 --> 0:59:03.000
<v Speaker 1>in the specific way with with artifacts, and you like

0:59:03.080 --> 0:59:04.840
<v Speaker 1>take the whole thing to a museum like that would

0:59:04.840 --> 0:59:07.960
<v Speaker 1>have been bad too, But they're not even doing that.

0:59:08.000 --> 0:59:09.840
<v Speaker 1>They're just like ripping the skull out and leaving the

0:59:09.880 --> 0:59:13.360
<v Speaker 1>rest on the ground, right, they just need skulls. It's

0:59:13.360 --> 0:59:17.160
<v Speaker 1>like even worse than normal gray robbing. Yeah, yeah, yeah,

0:59:17.200 --> 0:59:19.400
<v Speaker 1>it's it's none of it's great. Like like you said,

0:59:19.440 --> 0:59:24.520
<v Speaker 1>even if it was for a science that like made sense, Yeah,

0:59:25.000 --> 0:59:27.640
<v Speaker 1>even if it was getting useful scientific data, it would

0:59:27.680 --> 0:59:32.720
<v Speaker 1>be bad. And it's absolutely not. Um So, Audubon was

0:59:32.880 --> 0:59:35.840
<v Speaker 1>not quite as prolific at skull stealing as he wasn't

0:59:35.840 --> 0:59:38.720
<v Speaker 1>shooting random animals and sketching them, but he was still

0:59:38.800 --> 0:59:43.240
<v Speaker 1>pretty prolific. Skull collection is listed in one of his books,

0:59:43.240 --> 0:59:46.120
<v Speaker 1>and in eighteen forty it contained a lot of Audubon

0:59:46.320 --> 0:59:49.280
<v Speaker 1>stolen skulls um and not all of them him belonged

0:59:49.320 --> 0:59:52.200
<v Speaker 1>to indigenous people. I'm gonna quote now from Morton's like

0:59:52.400 --> 0:59:56.080
<v Speaker 1>Skull Diary number five five five Mexican soldier with three

0:59:56.080 --> 0:59:58.600
<v Speaker 1>sick a tricks gunshot wounds in the right prietal bone,

0:59:58.960 --> 1:00:02.040
<v Speaker 1>slain at sand just said to eight thirty six J. J.

1:00:02.200 --> 1:00:06.120
<v Speaker 1>Audibon esquire five five six Mexican soldier with Cicatrix Depression

1:00:06.120 --> 1:00:08.760
<v Speaker 1>of frontal and nasal bones Lane at San Jacinto, eighteen

1:00:08.760 --> 1:00:11.680
<v Speaker 1>thirty six. J. J. Audubon est like he goes to

1:00:11.800 --> 1:00:15.240
<v Speaker 1>battlefields and he just digs up corpses of Mexican soldiers

1:00:15.320 --> 1:00:20.160
<v Speaker 1>and takes their skulls. Look, there are worse ways to

1:00:20.200 --> 1:00:23.840
<v Speaker 1>get skulls, but not many, but not like not a lot.

1:00:24.080 --> 1:00:28.040
<v Speaker 1>I'm I'm mostly thinking of the one other way. But like, yeah,

1:00:28.120 --> 1:00:32.479
<v Speaker 1>this is this is pretty scummy. Yeah, it's it's pretty bad.

1:00:32.520 --> 1:00:34.720
<v Speaker 1>It's pretty bad, like just go into a battlefield and

1:00:34.800 --> 1:00:38.280
<v Speaker 1>digging up dead men and taking their sucking bones to

1:00:38.360 --> 1:00:40.680
<v Speaker 1>give to your friend in New York or where Philly.

1:00:40.720 --> 1:00:43.800
<v Speaker 1>I think so. Obviously, John Audubon is not the only

1:00:43.920 --> 1:00:46.840
<v Speaker 1>racist naturalist who would play a foundational role in White

1:00:46.840 --> 1:00:49.520
<v Speaker 1>America's concept of the great outdoors. We will one day

1:00:49.520 --> 1:00:52.000
<v Speaker 1>to talk about John Muir, who is it plays a

1:00:52.080 --> 1:00:56.040
<v Speaker 1>huge positive role in a lot of aspects of the

1:00:56.160 --> 1:00:58.640
<v Speaker 1>national park system and stuff. He's got a great park

1:00:58.720 --> 1:01:02.320
<v Speaker 1>near San Francisco named after him. Also just the most

1:01:02.480 --> 1:01:07.320
<v Speaker 1>racist dude you can like, so, and there's a yeah,

1:01:07.360 --> 1:01:09.560
<v Speaker 1>it'd be hard to think that the person who like

1:01:09.640 --> 1:01:13.800
<v Speaker 1>established parks wasn't like a massive racist right, right, because

1:01:13.800 --> 1:01:15.840
<v Speaker 1>there's a lot of that in the idea of like

1:01:15.880 --> 1:01:18.160
<v Speaker 1>the idea that develops of the great outdoors, which is

1:01:18.200 --> 1:01:20.920
<v Speaker 1>nearly always a place in which like, well it's just

1:01:21.000 --> 1:01:23.200
<v Speaker 1>white people who are supposed to be partaking in at

1:01:23.360 --> 1:01:27.760
<v Speaker 1>like yeah, um, and obviously it's It's also worth noting

1:01:27.880 --> 1:01:31.200
<v Speaker 1>John James Audubon is not even like the only famous

1:01:31.240 --> 1:01:34.480
<v Speaker 1>bird watcher in this period to steal indigenous people's skulls.

1:01:35.320 --> 1:01:38.000
<v Speaker 1>It's it's a it's a way to make extra money.

1:01:38.120 --> 1:01:40.120
<v Speaker 1>If if you're a naturalist, is like, well, you can

1:01:40.160 --> 1:01:43.200
<v Speaker 1>also steal some skulls, you know. Yeah, it makes sense

1:01:43.200 --> 1:01:45.240
<v Speaker 1>in the sense of like, so when you're playing a

1:01:45.320 --> 1:01:48.120
<v Speaker 1>video game, they often have the like go collect these

1:01:48.160 --> 1:01:51.080
<v Speaker 1>items and this items, and you can do both at once.

1:01:51.160 --> 1:01:53.360
<v Speaker 1>So it's like, yeah, I'm out in the woods collecting

1:01:54.440 --> 1:01:57.040
<v Speaker 1>some extra XP and I can grab grab some skulls

1:01:57.040 --> 1:02:01.600
<v Speaker 1>while I'm atic. Right, If they were saying, like, pick

1:02:01.680 --> 1:02:05.160
<v Speaker 1>some berries, they would do that, but no, they want skulls,

1:02:05.280 --> 1:02:09.720
<v Speaker 1>so there picking picking skulls. John Kirk Townsend was a

1:02:09.800 --> 1:02:13.360
<v Speaker 1>pioneering ornithologist. In eighteen thirty four, he won a grant

1:02:13.360 --> 1:02:16.400
<v Speaker 1>from the Academy of Natural Sciences of Philadelphia, and he

1:02:16.440 --> 1:02:20.080
<v Speaker 1>crossed over the Pacific coast to gather specimens, many of

1:02:20.080 --> 1:02:22.480
<v Speaker 1>which were then sketched by Audubon, so he and Audubon

1:02:22.520 --> 1:02:26.880
<v Speaker 1>would work together. Researcher Matthew Holly recently discovered a letter

1:02:26.920 --> 1:02:29.720
<v Speaker 1>from Townsend to Morton which gives good insight and how

1:02:29.760 --> 1:02:33.280
<v Speaker 1>he and Audubon went about their grim work. Quote. I

1:02:33.360 --> 1:02:36.120
<v Speaker 1>was enjoying the society of civilized beings again. And believe me,

1:02:36.240 --> 1:02:38.320
<v Speaker 1>my dear doctor, that this was no small treat to me,

1:02:38.400 --> 1:02:40.840
<v Speaker 1>after having been compelled to sojourn for such a length

1:02:40.880 --> 1:02:44.000
<v Speaker 1>of time amongst savages little better than brutal beasts. I

1:02:44.080 --> 1:02:46.920
<v Speaker 1>send you a few skulls, one of a clickitat Indian.

1:02:47.040 --> 1:02:49.640
<v Speaker 1>You will observe the characteristic flat also put and some

1:02:49.760 --> 1:02:52.680
<v Speaker 1>quadrupeds and birds. It is rather a perilous business to

1:02:52.680 --> 1:02:55.400
<v Speaker 1>procure Indian skulls in this country. The natives are so

1:02:55.520 --> 1:02:57.640
<v Speaker 1>jealous of you that they watch you very closely while

1:02:57.640 --> 1:03:00.600
<v Speaker 1>you are wandering near their mausoleums. An instant to sanguineous

1:03:00.680 --> 1:03:03.800
<v Speaker 1>vngeance would fall upon the luckless white who should presume

1:03:03.880 --> 1:03:06.520
<v Speaker 1>to interfere with the sacred relics. I have succeeded in

1:03:06.560 --> 1:03:08.640
<v Speaker 1>hooking one, however, such as it is, and no doubt

1:03:08.640 --> 1:03:10.240
<v Speaker 1>in the course of the winter I shall get more.

1:03:10.440 --> 1:03:12.720
<v Speaker 1>There's an epidemic raging among them, which carries them off

1:03:12.760 --> 1:03:15.480
<v Speaker 1>so fast that the cemeteries will soon lack watchers. I

1:03:15.520 --> 1:03:17.320
<v Speaker 1>don't rejoice in the prospect of the death of the

1:03:17.360 --> 1:03:19.600
<v Speaker 1>poor creatures, certainly, but then you know, it will be

1:03:19.720 --> 1:03:24.640
<v Speaker 1>very convenient for my purposes. Yeah, that's pretty bad. They're

1:03:24.720 --> 1:03:29.760
<v Speaker 1>poor creatures. Yeah, yeah, he's he's treating them just like animals.

1:03:29.800 --> 1:03:31.959
<v Speaker 1>He's like, oh, well, they're all dying, but that's gonna

1:03:31.960 --> 1:03:34.440
<v Speaker 1>be good for me. He's treating them like birds. He

1:03:34.520 --> 1:03:37.600
<v Speaker 1>also he calls himself a white which is like a ghoule,

1:03:37.880 --> 1:03:40.480
<v Speaker 1>like stealing from a graveyard. So he knows kind of

1:03:40.520 --> 1:03:45.000
<v Speaker 1>what he's doing, right, Yeah, but it makes sense because

1:03:45.040 --> 1:03:47.840
<v Speaker 1>he doesn't think of them as people. So it's kind

1:03:47.840 --> 1:03:51.280
<v Speaker 1>of like we we talk about animals where we're like, yeah,

1:03:51.320 --> 1:03:54.760
<v Speaker 1>we're kind of we're kind of like they're boogeymen, you know, like,

1:03:55.160 --> 1:03:58.920
<v Speaker 1>and so he's because he's humanized him them, he could

1:03:59.000 --> 1:04:00.760
<v Speaker 1>kind of be like, yeah, I'm kind of an I'm

1:04:00.840 --> 1:04:03.680
<v Speaker 1>kind of a little bit of a boogeyman. Yeah, but

1:04:03.760 --> 1:04:07.000
<v Speaker 1>they're not people, so it's it doesn't matter. Yeah, that's

1:04:07.160 --> 1:04:11.560
<v Speaker 1>that's exactly his attitude. Now, obviously, Dave, it was not

1:04:11.760 --> 1:04:14.920
<v Speaker 1>terribly long before large numbers of people began to consider

1:04:14.920 --> 1:04:17.880
<v Speaker 1>the mass theft of indigenous human beings remains to be

1:04:18.520 --> 1:04:23.160
<v Speaker 1>evil um and in the article he writes on this process,

1:04:23.280 --> 1:04:26.440
<v Speaker 1>Hallie does a good job of summarizing how modern institutions

1:04:26.440 --> 1:04:29.600
<v Speaker 1>have protected the collection of these stolen skulls, which both

1:04:29.680 --> 1:04:33.200
<v Speaker 1>Audubon and towns and contributed towards. The skulls mentioned in

1:04:33.200 --> 1:04:35.600
<v Speaker 1>this letter and others stolen by towns in an Audubond

1:04:35.920 --> 1:04:38.080
<v Speaker 1>were in the collection of the A n SP until

1:04:38.080 --> 1:04:40.280
<v Speaker 1>the mid twentieth century, when they were transferred to the

1:04:40.320 --> 1:04:44.120
<v Speaker 1>University of Pennsylvania's Penn Museum. The institutions that were culpable

1:04:44.240 --> 1:04:47.800
<v Speaker 1>in the assembly of the Morton collection have not publicly apologized,

1:04:47.840 --> 1:04:49.840
<v Speaker 1>to my knowledge, to the tribes that the materials were

1:04:49.840 --> 1:04:52.920
<v Speaker 1>stolen from. Rather, they have passed the buck of responsibility.

1:04:53.160 --> 1:04:57.520
<v Speaker 1>Pin unsurprisingly considers the collection an exceptional historic resource and

1:04:57.560 --> 1:05:00.720
<v Speaker 1>has delayed the repatriation of the materials. According to the

1:05:00.800 --> 1:05:04.760
<v Speaker 1>Native American Graves Project and Repatriation Act. Institutions that take

1:05:04.800 --> 1:05:07.560
<v Speaker 1>federal funding, as pinned it in two thousand five for

1:05:07.600 --> 1:05:11.479
<v Speaker 1>the expansion and improvement of the Pin Cranials Database, must

1:05:11.480 --> 1:05:14.720
<v Speaker 1>repatriot materials with providence at the tribe's request. It is

1:05:14.760 --> 1:05:17.520
<v Speaker 1>true that some remains from the Morton Correct collection have

1:05:17.640 --> 1:05:20.960
<v Speaker 1>been repatriated, but nearly thirty years have passed since Nagara

1:05:21.040 --> 1:05:23.160
<v Speaker 1>was signed into law. PIN is moving at a glacial

1:05:23.400 --> 1:05:26.600
<v Speaker 1>pace considering the magnitude of the of the infraction, and

1:05:26.600 --> 1:05:29.240
<v Speaker 1>the institutions that helped to assemble the Racist skull collection

1:05:29.280 --> 1:05:32.320
<v Speaker 1>are tight lipped. And I have read there's a book

1:05:32.360 --> 1:05:36.280
<v Speaker 1>I found about the bone trade in in Stolen Bones

1:05:36.960 --> 1:05:41.200
<v Speaker 1>UM called Plundered Skulls and Stolen Spirits by Chip cole Well,

1:05:41.560 --> 1:05:44.840
<v Speaker 1>who's like doing part of his job is to like

1:05:45.120 --> 1:05:50.040
<v Speaker 1>sit in a museum and put together groups of bones

1:05:50.080 --> 1:05:53.440
<v Speaker 1>to send back to the tribes they were stolen from UM.

1:05:53.480 --> 1:05:56.200
<v Speaker 1>And there's always like he describes in like kind of

1:05:56.240 --> 1:05:59.560
<v Speaker 1>in very stirring detail, like what what this process is

1:05:59.600 --> 1:06:01.280
<v Speaker 1>like because the kind of a ritual element to it,

1:06:01.320 --> 1:06:04.520
<v Speaker 1>because it's essentially kind of a funereal, Right, it's this

1:06:04.560 --> 1:06:09.440
<v Speaker 1>whole is this whole thing. It is proceeding slowly now, um,

1:06:09.480 --> 1:06:12.680
<v Speaker 1>but it's kind of worth noting how much work different

1:06:12.720 --> 1:06:15.560
<v Speaker 1>college is put into like not doing this. Yeah, they're

1:06:15.560 --> 1:06:19.640
<v Speaker 1>really dragging ass something because they were bones. Yeah, like

1:06:19.680 --> 1:06:22.520
<v Speaker 1>what what is? Why do they need the goddamn bones?

1:06:23.400 --> 1:06:26.919
<v Speaker 1>How what use could they possibly have now if not

1:06:27.040 --> 1:06:30.240
<v Speaker 1>just shame where they're like, we don't want to admit

1:06:30.320 --> 1:06:32.320
<v Speaker 1>that we have all these bones. We don't want to

1:06:32.360 --> 1:06:36.000
<v Speaker 1>give them up, you know, just give back the bones.

1:06:35.440 --> 1:06:39.600
<v Speaker 1>There's only one acceptable way to get a skull, and

1:06:39.640 --> 1:06:43.200
<v Speaker 1>it is to ask the person, can I have your skull?

1:06:43.360 --> 1:06:46.520
<v Speaker 1>If you die before me, and then you put it,

1:06:46.560 --> 1:06:49.040
<v Speaker 1>you write it down, you have it written down, and

1:06:49.080 --> 1:06:51.600
<v Speaker 1>then you get a skull. And I'm sorry that if

1:06:51.640 --> 1:06:55.800
<v Speaker 1>that sounds inconvenient to all you skull collectors, I don't

1:06:55.840 --> 1:06:57.560
<v Speaker 1>know what to tell you. That's how. That's the only

1:06:57.560 --> 1:06:59.440
<v Speaker 1>way to get a skull. I don't. I feel like

1:06:59.480 --> 1:07:03.280
<v Speaker 1>winning them in battle is okay? Yeah, yeah, women in battle.

1:07:03.320 --> 1:07:05.440
<v Speaker 1>If you take a skull in battle, you get to

1:07:05.560 --> 1:07:10.560
<v Speaker 1>keep it. Um. Those are the two ways. Um. But

1:07:10.560 --> 1:07:12.439
<v Speaker 1>but it's gotta be like it's gotta be like hand

1:07:12.440 --> 1:07:14.680
<v Speaker 1>to hand, you know, you can't be like shooting people

1:07:14.960 --> 1:07:17.440
<v Speaker 1>for the skulls. You've gotta be like fist fighting. If

1:07:17.440 --> 1:07:19.560
<v Speaker 1>you fist fight a dude and take his skull, you

1:07:19.560 --> 1:07:21.880
<v Speaker 1>get to keep it. Yeah, and you better. You got

1:07:21.880 --> 1:07:23.480
<v Speaker 1>to take the skull. You're so you gotta take that

1:07:23.520 --> 1:07:26.720
<v Speaker 1>skull yourself. That's on you. That's you. Yeah, that is

1:07:26.760 --> 1:07:30.200
<v Speaker 1>a way to earn a skull. But pretty two ways,

1:07:30.920 --> 1:07:34.200
<v Speaker 1>two ways, yeah, although I do feel like you'd want

1:07:34.240 --> 1:07:39.440
<v Speaker 1>to because it's two it's two very different skulls, right, Like, uh,

1:07:39.480 --> 1:07:41.920
<v Speaker 1>if I have a skull that I just politely asked for,

1:07:42.320 --> 1:07:45.600
<v Speaker 1>I don't want to misrepresent how I got that skull

1:07:47.480 --> 1:07:50.439
<v Speaker 1>because then I feel like a fraud. But yeah, that's

1:07:50.520 --> 1:07:54.800
<v Speaker 1>that's it. Yeah. So these give give the bone back,

1:07:55.120 --> 1:07:58.439
<v Speaker 1>Give the bones back, that's it, get back, get back. Yeah,

1:07:58.480 --> 1:08:01.480
<v Speaker 1>it's not hard. Yeah. So Audubon Society gets formed in

1:08:01.560 --> 1:08:05.760
<v Speaker 1>eighteen fifty one, or yeah, sorry, the Audubon Society gets

1:08:05.840 --> 1:08:09.520
<v Speaker 1>formed years after John James Audubon dies in eighteen fifty one.

1:08:10.160 --> 1:08:13.520
<v Speaker 1>M And from a purely scientific standpoint, like obviously he

1:08:13.960 --> 1:08:18.080
<v Speaker 1>did a lot for bird watching. Um, and you know,

1:08:18.439 --> 1:08:21.040
<v Speaker 1>for a while they try to ignore this. There's biographies

1:08:21.040 --> 1:08:23.639
<v Speaker 1>published that really whitewash all the racism and skull stealing.

1:08:24.760 --> 1:08:28.080
<v Speaker 1>The Audubon society really didn't start to grapple with it

1:08:28.200 --> 1:08:34.400
<v Speaker 1>in a major open way until May. Uh can you

1:08:34.479 --> 1:08:37.400
<v Speaker 1>guys why? Yeah? And actually a big part is remember

1:08:37.400 --> 1:08:40.280
<v Speaker 1>when that that black birdwatcher in New York got like

1:08:40.360 --> 1:08:42.559
<v Speaker 1>accosted by a white woman who like called the police

1:08:42.600 --> 1:08:45.320
<v Speaker 1>on him. After that was like a big inciting incident

1:08:45.400 --> 1:08:48.200
<v Speaker 1>in the Audubon society being like, we should probably deal,

1:08:48.360 --> 1:08:53.880
<v Speaker 1>we'd probably acknowledge some of this. Man, Just I don't

1:08:53.880 --> 1:08:56.080
<v Speaker 1>think it's another thing. It's like returning the bones. It's like,

1:08:56.560 --> 1:09:01.880
<v Speaker 1>just acknowledge it. Like it's yeah, if your ancestors or

1:09:02.000 --> 1:09:06.439
<v Speaker 1>you're like everything was built upon fucking slavery and racism

1:09:06.520 --> 1:09:09.840
<v Speaker 1>in this country, it's not gonna shock anybody. It's like

1:09:09.920 --> 1:09:12.679
<v Speaker 1>when Ben Affleck like paid to have that PBS show

1:09:13.760 --> 1:09:17.080
<v Speaker 1>ignore that he was like the descendant of slave owners,

1:09:17.479 --> 1:09:20.880
<v Speaker 1>and it's like, did you think, like you're the only one,

1:09:21.280 --> 1:09:24.160
<v Speaker 1>But it's we're built upon shame and we have to

1:09:24.200 --> 1:09:29.000
<v Speaker 1>own it because that's the only thing you can do, right. Yeah, Yeah,

1:09:29.320 --> 1:09:31.880
<v Speaker 1>it would have ridiculous, it would have been like and

1:09:31.960 --> 1:09:34.439
<v Speaker 1>it's like, especially with the Autumn Society. It's a good

1:09:34.479 --> 1:09:37.599
<v Speaker 1>comparison because like they were founded after his death. It's

1:09:37.640 --> 1:09:41.200
<v Speaker 1>not like the Audubon Society is like personally responsible for

1:09:41.280 --> 1:09:43.600
<v Speaker 1>John James Audubon, since they just like thought he was

1:09:43.640 --> 1:09:46.719
<v Speaker 1>a good dude to name themselves at. You could change

1:09:46.800 --> 1:09:49.920
<v Speaker 1>the name and we'd be like, Okay, well, yeah, I

1:09:49.960 --> 1:09:54.640
<v Speaker 1>guess bird watching probably isn't complicit in racism much beyond that, right,

1:09:54.760 --> 1:09:57.160
<v Speaker 1>it'd be wild if you looked into and you're like, oh,

1:09:57.280 --> 1:10:00.799
<v Speaker 1>I guess they're also all racists, Like the the Audubon

1:10:01.000 --> 1:10:04.679
<v Speaker 1>Society is also like a white supremacy society. That would

1:10:04.720 --> 1:10:07.040
<v Speaker 1>be one thing, But no, they're just fucking bird watchers

1:10:07.320 --> 1:10:11.200
<v Speaker 1>who named their thing after some racist guy, and it's there.

1:10:11.560 --> 1:10:14.000
<v Speaker 1>I recommend the article and Audubon dot org that I've

1:10:14.040 --> 1:10:16.599
<v Speaker 1>quoted from by Gregory Noble, which is like he writes

1:10:16.680 --> 1:10:19.639
<v Speaker 1>this right after that altercation, where like the woman tries

1:10:19.680 --> 1:10:23.080
<v Speaker 1>to have cops kill a blackbird watcher. Like it's probably

1:10:23.120 --> 1:10:25.400
<v Speaker 1>the best thing they've done in terms of like pivoting

1:10:25.479 --> 1:10:28.760
<v Speaker 1>to acknowledging the problematic past. I assume there's a lot

1:10:28.800 --> 1:10:30.640
<v Speaker 1>more that could be done. Again, if you want to

1:10:30.680 --> 1:10:32.800
<v Speaker 1>read the articles will list of sources you can get

1:10:32.840 --> 1:10:35.599
<v Speaker 1>a better idea of like some of the things people

1:10:35.640 --> 1:10:39.400
<v Speaker 1>are asking and pushing. Um. But yeah, that's the story.

1:10:39.760 --> 1:10:43.960
<v Speaker 1>That's a hell of a story. Yep. Thanks thanks for

1:10:44.200 --> 1:10:50.599
<v Speaker 1>telling me about it. I'm glad I heard about it. Yeah,

1:10:51.040 --> 1:10:56.920
<v Speaker 1>I mean it's yeah, it's it's you know again what

1:10:57.040 --> 1:10:59.800
<v Speaker 1>I said it was. It's shocking, but not because it's like,

1:11:00.040 --> 1:11:05.000
<v Speaker 1>of course every everything is fucking built upon this ship. Uh,

1:11:05.479 --> 1:11:08.240
<v Speaker 1>it's more it's like almost more surprising when it's not

1:11:10.040 --> 1:11:14.920
<v Speaker 1>it's fucked up. This guy sucks, yea, I will. I'm

1:11:14.960 --> 1:11:18.200
<v Speaker 1>gonna go steal his skull. Yeah, look, I do feel

1:11:18.280 --> 1:11:21.360
<v Speaker 1>that's something we can do. Dave find where he's buried

1:11:21.479 --> 1:11:24.880
<v Speaker 1>and take his bones. Yeah I think I think there's

1:11:25.439 --> 1:11:28.360
<v Speaker 1>no shame in that, right, and stealing this guy's bones

1:11:28.840 --> 1:11:31.559
<v Speaker 1>and then like putting in a contraption and drawing pictures

1:11:31.640 --> 1:11:34.479
<v Speaker 1>of it. Yeah, put it in a contraption, but also

1:11:34.520 --> 1:11:36.439
<v Speaker 1>like making like a flat Stanley where we just like

1:11:36.560 --> 1:11:39.599
<v Speaker 1>mail it around, like you never know when you're gonna

1:11:39.640 --> 1:11:41.519
<v Speaker 1>get this guy's fucking bones, but when you get him,

1:11:41.520 --> 1:11:43.479
<v Speaker 1>you can do whatever with them, you know, right, It's

1:11:43.560 --> 1:11:47.040
<v Speaker 1>like everybody in America has a chance of getting This

1:11:47.160 --> 1:11:50.880
<v Speaker 1>guy's getting bones. It's like cherry duty or something where

1:11:50.880 --> 1:11:54.439
<v Speaker 1>you getta go out this weekend. Now I got the

1:11:54.479 --> 1:11:57.920
<v Speaker 1>bones this week right, I gotta I gotta take pictures

1:11:58.000 --> 1:12:00.720
<v Speaker 1>of it and figure out who to send it to. Yeah,

1:12:01.240 --> 1:12:04.519
<v Speaker 1>oh god, what that's man. We should do that with

1:12:04.600 --> 1:12:08.400
<v Speaker 1>all the problematic people. Yes, just just pass their bones

1:12:08.520 --> 1:12:12.960
<v Speaker 1>around for whatever, for whatever, for whatever you feel like

1:12:13.080 --> 1:12:17.559
<v Speaker 1>doing with those bones. My friend got George Washington's bones,

1:12:17.560 --> 1:12:19.360
<v Speaker 1>We're gonna do blow off his skull. You want to

1:12:19.400 --> 1:12:23.000
<v Speaker 1>come over for a party, like absolutely, Yeah, it sounds dope.

1:12:23.479 --> 1:12:27.559
<v Speaker 1>I would do so much. I would die doing cocaine

1:12:27.600 --> 1:12:31.640
<v Speaker 1>off with George Washington bones. You've never done coke? If

1:12:31.640 --> 1:12:34.640
<v Speaker 1>you haven't done coke off of the stolen skull of

1:12:34.720 --> 1:12:39.160
<v Speaker 1>George Washington. Yeah, oh yeah, let's do that right now.

1:12:39.479 --> 1:12:44.320
<v Speaker 1>You're right, Dave, let's go Grave Robin Yeah yeah, yeah, yeah,

1:12:44.360 --> 1:12:48.000
<v Speaker 1>any bones, yeah, any bones? Suck it? Wait no, no, no, no, Dave,

1:12:48.040 --> 1:12:55.320
<v Speaker 1>that's what got everyone into day, damn it. Alright, bones,

1:12:55.520 --> 1:12:58.639
<v Speaker 1>you gotta plug anything day. I don't know, man, um,

1:12:59.240 --> 1:13:03.200
<v Speaker 1>I never plug my Twitter at movie hool again, as

1:13:03.280 --> 1:13:06.519
<v Speaker 1>mentioned I have with Tom Or I'm in a podcast network,

1:13:06.920 --> 1:13:09.920
<v Speaker 1>and I'm the head writer over at the what's it called,

1:13:10.040 --> 1:13:13.640
<v Speaker 1>someone who's so check all those things out, which I

1:13:13.720 --> 1:13:16.280
<v Speaker 1>feel like most people know about most of that stuff.

1:13:16.360 --> 1:13:21.920
<v Speaker 1>So yeah, and grave Rob, but only bad people, Only

1:13:22.000 --> 1:13:29.120
<v Speaker 1>bad people steal the corpses of racists, all right,