1 00:00:00,040 --> 00:00:03,080 Speaker 1: One or two point seven Kiss FM, gonna jump on 2 00:00:03,200 --> 00:00:05,960 Speaker 1: with Sam Rubin, who's also doing his daily work right 3 00:00:05,960 --> 00:00:08,320 Speaker 1: now at KTLA Channel five. Sam, I think the last 4 00:00:08,360 --> 00:00:11,440 Speaker 1: time we had someone on, I didn't get a chance 5 00:00:11,480 --> 00:00:13,040 Speaker 1: to thank you, So thank. 6 00:00:12,840 --> 00:00:17,520 Speaker 2: You, okay, just thank you. Welcome, Yes, okay, good, please, 7 00:00:17,600 --> 00:00:18,960 Speaker 2: i'd please. You've done whatever I've done. 8 00:00:19,200 --> 00:00:22,840 Speaker 3: Yeah, my big break. It's always a big break. Thank you. 9 00:00:22,960 --> 00:00:23,840 Speaker 3: I just yeah. 10 00:00:24,920 --> 00:00:27,000 Speaker 2: Well again in the whole Wheel of Fortune statement where 11 00:00:27,040 --> 00:00:27,560 Speaker 2: way I heard. 12 00:00:27,560 --> 00:00:29,760 Speaker 3: Mark Gribbin mentioned you didn't hear Sam Rubin? 13 00:00:30,560 --> 00:00:32,199 Speaker 2: Yeah, I might be. 14 00:00:32,479 --> 00:00:34,920 Speaker 1: I might be waiting to premiere week. Sam, Okay, just 15 00:00:35,080 --> 00:00:38,479 Speaker 1: hold on all right, listen. I do want to get 16 00:00:38,520 --> 00:00:40,440 Speaker 1: serious for a second, because we've got a double strike 17 00:00:40,479 --> 00:00:44,720 Speaker 1: here with one of the biggest industries obviously in our city, 18 00:00:45,200 --> 00:00:48,200 Speaker 1: and it affects so many The ripple effect is what's 19 00:00:48,760 --> 00:00:51,959 Speaker 1: interesting and what's major, Sam, Right, You've got restaurants, you've 20 00:00:51,960 --> 00:00:55,960 Speaker 1: got catering, hospitality, lighting, production, so there are so many 21 00:00:56,000 --> 00:01:00,680 Speaker 1: maybe seven hundred, eight hundred thousand jobs associated with production here. 22 00:01:01,440 --> 00:01:04,800 Speaker 1: What new news do you have and how long do 23 00:01:04,840 --> 00:01:05,800 Speaker 1: you think this could go on? 24 00:01:06,760 --> 00:01:09,679 Speaker 2: I think the keyword is duration and what makes me 25 00:01:10,880 --> 00:01:13,680 Speaker 2: uncomfortable is. I was on the picket line on a 26 00:01:13,800 --> 00:01:17,440 Speaker 2: Friday speaking with fran Dresser and I use that word 27 00:01:17,600 --> 00:01:21,920 Speaker 2: how long, And she essentially said, you know, they hope 28 00:01:21,920 --> 00:01:24,520 Speaker 2: this isn't the case. They're ready to talk at any time, 29 00:01:25,160 --> 00:01:28,240 Speaker 2: but that it could go on for months. And we 30 00:01:28,319 --> 00:01:30,800 Speaker 2: had an actress on last week prior to the strike. 31 00:01:31,160 --> 00:01:33,480 Speaker 2: She said, you know, and there's you know, pedtal butt 32 00:01:33,520 --> 00:01:35,560 Speaker 2: and rumor, and she's like, this could go on to 33 00:01:35,600 --> 00:01:37,640 Speaker 2: the end of the year. And I think a lot 34 00:01:37,680 --> 00:01:40,720 Speaker 2: of people think, all right, July has certainly written off, 35 00:01:41,080 --> 00:01:44,199 Speaker 2: August is likely written off, but they've got to figure 36 00:01:44,240 --> 00:01:48,080 Speaker 2: this out right at the top of September or you know, 37 00:01:48,320 --> 00:01:51,920 Speaker 2: disaster looms for all. So my hope is that it 38 00:01:51,960 --> 00:01:54,240 Speaker 2: does not go on that long. And again, by the way, 39 00:01:54,320 --> 00:01:57,400 Speaker 2: the writers have been out for eleven weeks now, and 40 00:01:57,680 --> 00:01:59,880 Speaker 2: I don't know about you, I don't know about Tanya 41 00:02:00,000 --> 00:02:02,520 Speaker 2: everybody else. If I didn't get paid for eleven weeks, 42 00:02:02,560 --> 00:02:04,960 Speaker 2: that would be very problematic for me. It's not that 43 00:02:05,000 --> 00:02:05,680 Speaker 2: wouldn't be good. 44 00:02:05,920 --> 00:02:08,440 Speaker 1: What was there any progress made with the writers in 45 00:02:08,480 --> 00:02:09,520 Speaker 1: that eleven weeks at all? 46 00:02:10,680 --> 00:02:14,359 Speaker 2: No, it didn't know they did, They did not. They 47 00:02:14,360 --> 00:02:17,720 Speaker 2: did not talk at all and so one, you know, 48 00:02:17,760 --> 00:02:20,160 Speaker 2: and there's an enormous amount of finger pointing going on. 49 00:02:20,320 --> 00:02:25,280 Speaker 2: But one possibility is are the producers using all of 50 00:02:25,320 --> 00:02:29,119 Speaker 2: this as effectively an excuse to, you know what, We've 51 00:02:29,120 --> 00:02:31,280 Speaker 2: got a lot of shows in the can. Let's burn 52 00:02:31,360 --> 00:02:33,680 Speaker 2: some of the stuff off, you know, be good to 53 00:02:33,720 --> 00:02:35,919 Speaker 2: report to all Our expenses have definitely followed, be these 54 00:02:35,919 --> 00:02:38,760 Speaker 2: We're not paying for anything that's interesting. And you know, 55 00:02:38,840 --> 00:02:41,240 Speaker 2: maybe maybe this looks good on a ledger or something, 56 00:02:41,560 --> 00:02:44,080 Speaker 2: but it certainly doesn't look good otherwise. I I. And 57 00:02:44,120 --> 00:02:50,200 Speaker 2: the thing that that really is is disappointing is somebody. 58 00:02:50,480 --> 00:02:53,440 Speaker 2: Is it a bigger Starvan fran dresser on that side, 59 00:02:53,520 --> 00:02:56,840 Speaker 2: or is it some big, big executive Bob Biker gave 60 00:02:56,880 --> 00:03:00,000 Speaker 2: an interview that was very divisib last week. Somebody says, hey, look, 61 00:03:00,280 --> 00:03:02,720 Speaker 2: you guys, come sit down here, come to my house 62 00:03:02,760 --> 00:03:05,200 Speaker 2: and we will we'll have a talk about this. And 63 00:03:05,680 --> 00:03:08,079 Speaker 2: is there some guru somewhere who can put everybody together? 64 00:03:08,360 --> 00:03:11,240 Speaker 2: And hey, there are very few people who probably have 65 00:03:11,360 --> 00:03:14,440 Speaker 2: that clout. A couple of big shot agents volunteered, but 66 00:03:14,480 --> 00:03:18,639 Speaker 2: who wants to hear from them? So that's the problems. 67 00:03:18,680 --> 00:03:20,600 Speaker 2: There's sort of no great peacemaker here. 68 00:03:21,400 --> 00:03:23,280 Speaker 3: Well, and duration, I mean, that's the thing. 69 00:03:23,320 --> 00:03:28,040 Speaker 1: How long can it go before there is maybe that 70 00:03:28,120 --> 00:03:30,359 Speaker 1: ambassador to be forced to get everybody to sit down? 71 00:03:30,400 --> 00:03:32,040 Speaker 3: And that's the crazy thing. 72 00:03:32,080 --> 00:03:34,360 Speaker 1: But you know, we've worked here and we talked to 73 00:03:34,360 --> 00:03:37,760 Speaker 1: everybody that do these jobs every morning as your viewers 74 00:03:37,800 --> 00:03:39,960 Speaker 1: as well, that are not the actors, that are not 75 00:03:40,000 --> 00:03:42,800 Speaker 1: the writers. There's also so many different I mean we 76 00:03:42,840 --> 00:03:44,640 Speaker 1: talked to them too, obviously, but there are so many 77 00:03:44,680 --> 00:03:49,240 Speaker 1: different jobs, associated industries, associated within the industry. 78 00:03:50,360 --> 00:03:52,600 Speaker 2: Well, then this whole idea that for every face you 79 00:03:52,680 --> 00:03:55,120 Speaker 2: see on camera, there's got to be at least a 80 00:03:55,200 --> 00:03:57,920 Speaker 2: dozen faces that you don't see. And is that the 81 00:03:58,000 --> 00:03:59,920 Speaker 2: dry clear is that the caterer, is that the tr 82 00:04:00,000 --> 00:04:02,880 Speaker 2: transportation people. You know when you see a production shoot, 83 00:04:02,880 --> 00:04:05,480 Speaker 2: you see those trailers, there's a company that rents out 84 00:04:05,560 --> 00:04:09,840 Speaker 2: those trailers. I mean there's an extraordinary number of those things. 85 00:04:10,040 --> 00:04:13,360 Speaker 2: So yeah, it really I tell you what, being on 86 00:04:13,400 --> 00:04:17,839 Speaker 2: that picket line just made me feel terrible. It really did, 87 00:04:17,960 --> 00:04:21,600 Speaker 2: because here's all these you know, talented people, some faces, 88 00:04:21,640 --> 00:04:23,680 Speaker 2: you know, many faces, like most people in said, you 89 00:04:23,720 --> 00:04:26,320 Speaker 2: don't know, And I just thought, wow, you know, this 90 00:04:26,440 --> 00:04:29,040 Speaker 2: is you're just walking in a circle for four hours, 91 00:04:29,120 --> 00:04:34,440 Speaker 2: and certainly that is depicting you're conveying an important message. 92 00:04:34,839 --> 00:04:37,080 Speaker 2: But at the same time, I just thought, oh, there's 93 00:04:37,120 --> 00:04:40,919 Speaker 2: so many other things everybody should be doing, like, you know, working, 94 00:04:42,720 --> 00:04:44,520 Speaker 2: The whole thing is upsetting. 95 00:04:44,920 --> 00:04:45,799 Speaker 3: Well, thanks for the updates. 96 00:04:45,800 --> 00:04:49,800 Speaker 1: Sam Ruben at KTLA Channel five say, look, Everybudy, thanks 97 00:04:49,839 --> 00:04:50,240 Speaker 1: for coming on. 98 00:04:50,279 --> 00:04:51,840 Speaker 2: Power you bet Ryan? 99 00:04:51,960 --> 00:04:56,200 Speaker 3: Okay, okay, well, by bye, Sam? Duration? 100 00:04:56,360 --> 00:04:58,679 Speaker 1: How long will it last? How long can it last? 101 00:04:59,360 --> 00:05:01,000 Speaker 1: That's what there's no I mean, we're not hearing an 102 00:05:01,040 --> 00:05:01,479 Speaker 1: answer to that. 103 00:05:01,560 --> 00:05:05,000 Speaker 3: Imagining going till the end of the year is I 104 00:05:05,040 --> 00:05:05,960 Speaker 3: can't even picture that. 105 00:05:08,200 --> 00:05:11,719 Speaker 1: All right, let's get into what's coming up next now. 106 00:05:12,560 --> 00:05:15,880 Speaker 1: I really would love to go see Drake the Good Time. 107 00:05:16,560 --> 00:05:17,840 Speaker 1: Would you like to go see Drake? 108 00:05:20,200 --> 00:05:22,240 Speaker 3: Yeah? Okay, good anybody I. 109 00:05:22,279 --> 00:05:32,080 Speaker 1: Feel like, yeah, let's see for them to respond, Hi. 110 00:05:31,960 --> 00:05:32,320 Speaker 3: Who's this? 111 00:05:34,480 --> 00:05:37,160 Speaker 2: Hi? My name is Caitlin, Hi Kitling. 112 00:05:37,160 --> 00:05:38,359 Speaker 3: Would you like to go see Drake? 113 00:05:40,560 --> 00:05:43,400 Speaker 2: Oh? My gosh, I would love to see right. 114 00:05:43,279 --> 00:05:47,560 Speaker 1: I got tickets coming up to win. How can I 115 00:05:47,560 --> 00:05:48,760 Speaker 1: help you? 116 00:05:49,680 --> 00:05:52,880 Speaker 2: Well? I was actually calling about the Disneyland tickets. 117 00:05:53,279 --> 00:05:56,679 Speaker 1: Yes, I have those coming up as well next hour, 118 00:05:56,800 --> 00:05:57,640 Speaker 1: But why not. 119 00:05:57,720 --> 00:05:59,640 Speaker 3: I'll give you a four pack. Since you're here, I 120 00:05:59,720 --> 00:06:00,600 Speaker 3: can atulations. 121 00:06:00,640 --> 00:06:03,360 Speaker 1: You'll get a four pack to Disneyland as well. 122 00:06:03,240 --> 00:06:06,120 Speaker 3: All right? Why not? Coming up more tickets? Hang on, 123 00:06:06,160 --> 00:06:07,680 Speaker 3: you're on kids Christmas in July