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Speaker 1: Forever. Look man, oh, I see you my own look

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Speaker 1: over there? How is that ult? Yes? Goodness, Dan last

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Speaker 1: culture Resta is calling rooko coo, rookucko ruo. Excuse me?

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Speaker 1: What are those in the air? Those are rucal coop

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Speaker 1: birds in the air. Shut them down, kill them for

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Speaker 1: the pube slumes and yeah, yeah, that's a good scene.

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Speaker 1: I felt good. I feel like I felt like I

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Speaker 1: felt my character. I wanted to kill the birds for

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Speaker 1: their pubs and make a little pube house. I felt like, um,

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Speaker 1: I felt like I was supposed to just communicate the

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Speaker 1: information and like that was my role and that was

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Speaker 1: my That was like where I fit in straight man. Yes,

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Speaker 1: you with a straight man was in every improv scene. Guys,

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Speaker 1: there's a straight man and there's the people that want

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Speaker 1: to kill the birds for their pubs. Yes. And if

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Speaker 1: you think that's not a seeing, that's actually happening right

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Speaker 1: now on the you see the stage, you'd be wrong.

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Speaker 1: Bird pubes the new the new one go to topic.

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Speaker 1: Yeah it's the new pineapple. Oh yeah, um, guys, we

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Speaker 1: have a very special guest with us today. Um our

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Speaker 1: friends over at story Pirates are employers, as you might

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Speaker 1: even say thousands. We have nines with them, is what

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Speaker 1: we're saying. UM or W is a W nine W nimes.

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Speaker 1: I'm so sorry, but we have but story parents just

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Speaker 1: did their change makers benefit recently and um, they asked

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Speaker 1: us to offer up an auction item which is to

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Speaker 1: be able to sit in on one of our recordings

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Speaker 1: and then be um attend one of our live shows

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Speaker 1: for free, and we have a winner. You guys. Yes, everyone,

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Speaker 1: please welcome. I hope I'm saying it right. Moser Travis

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Speaker 1: Moser House. Hello, now listen. I was very gooped when

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Speaker 1: I heard that someone bid on the item because did

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Speaker 1: you hear how much he did? Can you? I actually

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Speaker 1: don't know. I don't want to. I don't want to

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Speaker 1: because imagine if it's like five dollars, I'd be fine

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Speaker 1: with that, like it goes towards a good cause. I

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Speaker 1: believe I'm more than that. I will find out find out.

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Speaker 1: I don't want to know. You tell them that I

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Speaker 1: don't want to know. What if it's also a thousand

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Speaker 1: dollars and I'd be like, no, I don't think people

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Speaker 1: would be bidding that much. Will never know, but I'm

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Speaker 1: we're very happy that you're here. You've been surprised. I'm

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Speaker 1: so sorry, but you're you're surprised. This was a surprise. Yeah.

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Speaker 1: So basically I saw it on I think it was

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Speaker 1: Matt or maybe you're. Someone tweeted it as I care

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Speaker 1: about you care about people, specifically benefiting children and their education.

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Speaker 1: Everything's my support story parts where I tweeted it. Um

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Speaker 1: but um, so I saw that, I think, and then

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Speaker 1: I mentioned it because I was first a fan of

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Speaker 1: your podcast and I got Mike to be my boyfriend

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Speaker 1: of this in a couple of weeks, we'll be fifteen years.

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Speaker 1: What so, because it's been so long, it's like he

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Speaker 1: ignores ninety eight percent of the things I say. So

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Speaker 1: I thought this would kind of go into the ether.

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Speaker 1: And then, um, your relationship is older than a lot

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Speaker 1: of kids. Yeah, yeah, yeah, there's a lot of children

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Speaker 1: running around. But so then I I mentioned it to

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Speaker 1: him and then he kind of I thought he forget

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Speaker 1: about it. And then someone he works with is somehow

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Speaker 1: involved with or does you know, stop with story exactly,

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Speaker 1: So like um and um so he um bid on

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Speaker 1: it without telling me? And were you at the benefit?

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Speaker 1: I was not at the benefits, So you didn't see

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Speaker 1: my performance I did not. I'm sorry, that's okay. Oh

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Speaker 1: that's so sweet of mine. So then he surprised me

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Speaker 1: on a couple of days ago, like the day. I

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Speaker 1: guess it was Sunday, so I was thrilled. This is

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Speaker 1: like a bizarre but I I do want to if

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Speaker 1: I could just say, like, I really appreciate this podcast.

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Speaker 1: An amazing guests like Pad and everybody you bring us,

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Speaker 1: and I love hearing you guys your relationship and um

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Speaker 1: being part of it and hilarious. You love it. You're

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Speaker 1: the best. And also you've got us some you brought

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Speaker 1: a very nice gift for us, some HELLI Hello Dolly

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Speaker 1: themed thank gifts and thank you for that. You're a

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Speaker 1: sweet And also I've been listening to your music and

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Speaker 1: I think, yes, Travis is very accomplished cabaret singer, tell

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Speaker 1: us about about you, So it's very like cabaret Broadway

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Speaker 1: standards type stuff. So it's not you know whatever, but

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Speaker 1: um so um. I just did a show Joe's Pub

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Speaker 1: a couple of weeks ago, and then I'm doing a

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Speaker 1: couple of shows out of town with Pittsburgh Cello, and

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Speaker 1: then in August I'm doing Madonnathon so yeah, so that

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Speaker 1: and that's a great Tickets like are on sale for

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Speaker 1: you know, a couple of months or whatever. But it's

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Speaker 1: an amazing fun party. Um it's we get amazing people

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Speaker 1: like um, Molly Pope and a whole bunch of people

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Speaker 1: and it's a really great time. So that that's coming

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Speaker 1: up at the end of the summer. And they can

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Speaker 1: find your music on Spotify, Spotify, Alblem Music, iTunes, anywhere

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Speaker 1: you can find music. There you go, oh my god, wait,

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Speaker 1: those are some solid plugs. I might look into the Madonna.

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Speaker 1: You might have to go. You might, We'll go, We'll go.

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Speaker 1: I'm actually putting an auction up pirates so hopefully you

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Speaker 1: can get on it fly away with joy. Um Travis,

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Speaker 1: So you're going to hang out with us, Yes, that's cool,

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Speaker 1: but at this time we have to ask you to

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Speaker 1: switch chairs for the day. Switch chairs of the days.

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Speaker 1: Thank you, Travis, Travis. Oh my god, but these these

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Speaker 1: gifts are so so wonderful, are beautiful. There's a coffee

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Speaker 1: table book of Broadway of spot Co. Is it Spoco?

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Speaker 1: Is it Spocco? Spots? Is the thing is you, guys,

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Speaker 1: he went all the way over. If you want to

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Speaker 1: sit in those chess because they're comfier you can, but

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Speaker 1: also you're allowed to be right here and hanging out

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Speaker 1: with But this is this is truly wild, truly amazing.

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Speaker 1: Well it's there's there's a David Sadarius word, and there's

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Speaker 1: there's stuff by chip Kid, chip Kid, I can't wait,

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Speaker 1: pro Lithic poster designer, and Percy's go to Broadway care

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Speaker 1: is equity. Oh my god, so so great, Thank you, Travis,

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Speaker 1: and now we um move on to really the reason

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Speaker 1: for the season season. Oh my god, she's I mean,

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Speaker 1: she's one of the return guests. She's a return guest.

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Speaker 1: She's not sort of pantheon and that sort of pantheon

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Speaker 1: like an I have the credits right here. Listen, writing

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Speaker 1: for High Maintenance. Currently very excited to see you can

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Speaker 1: see this individual performing alongside my co host Bow and

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Speaker 1: Yang at the Up Next showcase at Clusterfest. It's going

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Speaker 1: to be on Sunday, June three, and that is actually

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Speaker 1: going to be the night after our Cluster Freest performance

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Speaker 1: on Saturday June two, because these guys are going to

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Speaker 1: be um Up Next character performers. Yes, this is amazing,

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Speaker 1: It's gonna be amazing. Showcase other incredible performance in there.

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Speaker 1: And also she's hosting It's a Guy Thing on May

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Speaker 1: if UCB Sunset with Miss Catherine Colin. Check that out

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Speaker 1: in just a few short weeks. Our favorite and I

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Speaker 1: hold on, I have to let's my favorite credit hold

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Speaker 1: on um, which is she looks ordinary right now? It's

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Speaker 1: her star turn in that video that we all know

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Speaker 1: and love titled No Stupid naive Slot tries to do

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Speaker 1: the splits epic fail. It's I think it's I think

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Speaker 1: it's I think it will be studied in school. Has

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Speaker 1: the Instagram of the year, that's for sure. Okay, and

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Speaker 1: please Slot, let's stay together. Here we go. Stupid naive

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Speaker 1: Slot tries to do the splits epic fail. I was

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Speaker 1: going to introduce our guest here. Please everyone welcome stupid

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Speaker 1: naive Slot. Patti Harrison, thank you so much. How are

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Speaker 1: your naive? Well I'm not naive anymore. Yes, now I

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Speaker 1: am a cultured, altered middle aged woman who is a

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Speaker 1: slut learned from my epic fail. Oh boy, what did

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Speaker 1: you used to Guy's spoiler alert it's um. She tries

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Speaker 1: to do the splits and then she finds out that

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Speaker 1: she shut out blood or she's started out blood. Um,

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Speaker 1: what was the what was the material for the blood? Exactly?

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Speaker 1: I do want to know this. It was go job

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Speaker 1: ko yeah, um it was yeah, just smeared and you know,

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Speaker 1: far away, it just looks like really thick, thick blood. Yeah,

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Speaker 1: blood and tissue. To see that blasted out of my

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Speaker 1: ass connected. You can't use nowadays catchup for blood the

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Speaker 1: film because now we have color, so you can see

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Speaker 1: very much that it's not the color now now we

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Speaker 1: have color. Now we have color nowadays televisions and color.

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Speaker 1: Back in the day, we used to just use you know,

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Speaker 1: catchup and when we have black and white film. I miss,

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Speaker 1: I really miss back in the day when things weren't

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Speaker 1: so complicated. Then you go off, born in the wrong era.

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Speaker 1: I was born in the wrong era. I miss back

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Speaker 1: then when we the conversation, the public conversation, you know

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Speaker 1: what it was about. It wasn't so dark. It's so

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Speaker 1: dark now everyone wants to talk about these things. And

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Speaker 1: a lot of times it's like it's inappropriate, appropriate in

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Speaker 1: front of my children, and they're rubbing it in my

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Speaker 1: children's face. Back in the day, you when you opened

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Speaker 1: up your phone, you can see abbreviation. No. Let me

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Speaker 1: tell you something. I don't care if you're different or what.

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Speaker 1: Just don't bring it into my kids school. I don't

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Speaker 1: care if your purple, if you're gray, if you're a B, C, D, E,

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Speaker 1: F G if. I don't care if you're a cup

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Speaker 1: of piss. I don't care if you're a couple of pis.

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Speaker 1: Don't bring that into my familyhood. Don't bring that into

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Speaker 1: my family. I have to say something that's really scary

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Speaker 1: that has shocked me off. My phone used to be

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Speaker 1: in black and white, and then it updated and now

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Speaker 1: and now it's color. Wait, I'm actually teared up because

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Speaker 1: you guess you have a color phone? Exactly right? Can

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Speaker 1: we talk about this. We have a friend who remember this.

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Speaker 1: He showed us his phone. It was all unplack and

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Speaker 1: white and apparently it's supposed to make you less addicted.

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Speaker 1: This is true. This is something that we did here.

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Speaker 1: It's like he black and whited his phone out so

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Speaker 1: that he feels less like addicted to the screen. Because

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Speaker 1: we are addicted to our screens, each and every one

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Speaker 1: of us. Is it? Because you're your bang bus videos

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Speaker 1: and black and white now and you can't see all

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Speaker 1: the hues of the of the of the seat belt. Yeah,

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Speaker 1: of the seat belt. That's what I'm guess I'm getting

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Speaker 1: off on. Let me see the color of these seat

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Speaker 1: belts on my beat bus? Is it? Bang bus is

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Speaker 1: the straight when bait bus is the game. I believe

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Speaker 1: bab bus is the straight one because they bait the Yes,

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Speaker 1: Travis is confirming. Okay, but I have to say and

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Speaker 1: we can talk about this. Um, I'm allowing ourselves to

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Speaker 1: have I'm giving ourselves permission to talk about Oh and

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Speaker 1: the first thing you have to do is just give

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Speaker 1: yourself the permission. It's actually rule of culture number forty four.

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Speaker 1: Give yourself permission to talk about bait bas talk about

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Speaker 1: the acting is very good. I love it so convincing.

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Speaker 1: They seem shocks and then so willing to fucking ask. Yeah,

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Speaker 1: it's really it is really like get it's just frustrating

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Speaker 1: when you're watching other porn and then you're like, oh,

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Speaker 1: your mindsner showing h Yeah. I hate when it seems

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Speaker 1: like they're acting. It's like okay, still, okay, Stoslavski. You know, imagine,

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Speaker 1: imagine a dick in my ass. I can feel the

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Speaker 1: lemon in my but and sometimes kabuki or no theater

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Speaker 1: training is sometimes sometimes actually truly did now now here?

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Speaker 1: Let's go around the table. Who has formal acting training? Oh?

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Speaker 1: Not me? Not me, Travis, you have formal acting training? Guests?

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Speaker 1: Who has formal acting training? H In fact, I've actually

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Speaker 1: seen HPJ act and it's a powerful experience. And actually,

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Speaker 1: like we used to do um Volcano Town, we did,

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Speaker 1: yes were you would well here? No, no, no. I

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Speaker 1: was never Joe and I were. Joe directed and was

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Speaker 1: also in it. But Joe was as a very good

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Speaker 1: actor and a fantastic director. He and Alex actually are

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Speaker 1: really really good theatrical director. Wow. Little known fact about HPJ.

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Speaker 1: What kind of what kind of productions? What kind of

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Speaker 1: Well that was like a heightened sort of like comedic

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Speaker 1: sci fi soap opera actually episodic. Lie loved it, Thank you.

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Speaker 1: Comedic sci fi soap opera. That sounds bad. It sounds

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Speaker 1: like like, remember, okay, so I'm gonna mention this, she's kidding,

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Speaker 1: She's kidding. Also, but you know what's cool about it?

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Speaker 1: It was it ran for a year and every month

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Speaker 1: was a different episode of the show, so it ended

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Speaker 1: up being a twelve part installment. Yeah, it was actually

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Speaker 1: really cool. Three full my character. I think I was

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Speaker 1: in three episodes, Like what was that in my character?

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Speaker 1: Pop TV? It was lux offer. I was the lord

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Speaker 1: of the mountain. Yeah, because I'm very powerful, um performer.

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Speaker 1: I clocked that. I Well, I clocked something about you

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Speaker 1: like evokes mountains. Yeah, I think so. I feel like, well,

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Speaker 1: can I tell you something in Emokemo mountains? God so

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Speaker 1: stupid When you go up the mountain, it's harder to breathe. Yeah,

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Speaker 1: you need someone with very big lungs to play a

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Speaker 1: part of someone who's going to be on top of

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Speaker 1: a mountain. Okay, well without formal acting actors training, show

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Speaker 1: us what that looks like. Would you like to see?

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Speaker 1: Look how open I am when I make this sound

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Speaker 1: is for those who can't see what's going on. Loosening

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Speaker 1: up his shoulders, he's just his head's tossed back, big grin,

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Speaker 1: his asses out, his asses out. Oh my god, Oh

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Speaker 1: my god, oh my god, there's there's and now in

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Speaker 1: his jeans they pulled themselves back up. His ass is

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Speaker 1: no longer as he sung his pants. He sung his

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Speaker 1: ass out of his pants and then back on back

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Speaker 1: into his pants. Wait, there's blood dripping out of your

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Speaker 1: pant Oh no, oh no, out of out of your

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Speaker 1: are dungarees. He's a blood pool of blood, black blood, blood,

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Speaker 1: dark blood. It means it's from your liver, right your kidney.

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Speaker 1: Can I taste this? It grows? It is? Oh it?

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Speaker 1: Can I tell you guys something? It's already filthy secret.

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Speaker 1: But I would never tell anyone else but you guys.

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Speaker 1: That what I just saying was the note from Sex

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Speaker 1: on Fire, That Sex on Fire, right, that video? I

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Speaker 1: have a vo x of a god. Oh my god?

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Speaker 1: What is what do we thinkings of Leon is doing

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Speaker 1: right now? Probably five different things because five different people,

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Speaker 1: you idiots? Okay, I don't know. I just mean even collectively,

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Speaker 1: just like, what's the best descriptor for what they are

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Speaker 1: each doing, Patty? They are each separately networking with hives

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Speaker 1: of teen models at at a pop up event for like,

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Speaker 1: I don't know, a denim phone case. It's like this

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Speaker 1: pop up event for this new Denom phone case. And

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Speaker 1: then there's just like all these team models there with

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Speaker 1: like cocktails and then the band. But have you've been

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Speaker 1: spending time in l a? Can you smell the tea?

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Speaker 1: Do you enjoy it or do you want to come

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Speaker 1: back very bad? Okay, here's the thing. I love it.

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Speaker 1: I love it. I really like it. It's very you

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Speaker 1: know people. Okay, So the most born conversation you can

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Speaker 1: have about l A is that the weather is nice.

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Speaker 1: And so that's what I'm about to talk to you

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Speaker 1: guys about for the next It is really really nice.

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Speaker 1: It's really nice. I know, I know. I just feel

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Speaker 1: like such a New Yorker that I don't know if

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Speaker 1: I could ever go. But it changes everything everything when

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Speaker 1: you wake up, when you like how you feel. I

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Speaker 1: don't know. Someone told me, uh, someone told me that

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Speaker 1: New York, the hustle of New York is what makes

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Speaker 1: your art good. The stress and depression is what makes

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Speaker 1: your art good. So if you go to l A

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Speaker 1: too soon, you'll be happy, but your creativity will die.

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Speaker 1: But so you feel like you already at the peak.

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Speaker 1: You could not get any better. You feel like you

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Speaker 1: are the most cultivated version of yourself, articipating communically, and

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Speaker 1: therefore you there's just so much better than us. So

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Speaker 1: you can just go out to l A and sell yourself.

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Speaker 1: That's what you're thinking, man, I don't believe that at all.

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Speaker 1: I actually think I'm doing a bad job. And the

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Speaker 1: thing is is, I don't know if I want to

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Speaker 1: get better. I don't know if I want to get better.

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Speaker 1: I think I want to stay bad. I want to

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Speaker 1: get worse, stay bad. I want to stay bad, stay bad.

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Speaker 1: You're doing great. I feel like, uh, it's I do.

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Speaker 1: I am sure that there's truth to that, Like, you know,

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Speaker 1: being around so many people who are like, you know, yeah,

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Speaker 1: really like everyone like clawing in that l a is

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Speaker 1: very like breezy, and you become more relaxed and maybe

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Speaker 1: you lose perspective a little bit. Sure, but uh, you know,

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Speaker 1: it's it's warm. There's little lizards running everywhere. That's a

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Speaker 1: huge they have those in Florida. What kind of lizards?

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Speaker 1: But I think, did you size? I started to say

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Speaker 1: small ones and then I said tiny ones? I ended

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Speaker 1: up things. When something is small and signy, what about

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Speaker 1: something is small and tiny? What about what what if

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Speaker 1: something is huge and big? The booge? Oh they are

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Speaker 1: she had them booge and that's so yes. She had

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Speaker 1: a yes say it, patty. She has titties and its

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Speaker 1: sign thank you Gosh. That tea's a disgusting coming out

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Speaker 1: of my mouth signing ass front runner for you guessed it?

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Speaker 1: Title of that. Okay, So then what what if you

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Speaker 1: untrained actors? What's the script or for her siss pussy

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00:19:31,320 --> 00:19:34,359
Speaker 1: for her for her ciss pussy? If you untrained actors? Okay,

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Speaker 1: you're an untrained actor, but I thought you are an actor.

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Speaker 1: So my assignment to you right now, at this moment

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Speaker 1: is to describe this person who has bush titties and

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Speaker 1: signy as what their siss pussy looks like. But the

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Speaker 1: subtext is is that your boyfriend just fell down a

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Speaker 1: mountain and he's in the hospital, but there's no more

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Speaker 1: news from that because you're not allowed to be in

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Speaker 1: the room because you're not family. So you're I'm describing

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Speaker 1: someone else's her his person with the booge titties and

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Speaker 1: the signy as. No, it's not anybody connection to you.

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Speaker 1: It's just this person. And separately outside of that, your

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Speaker 1: emotional state right now is your boyfriend just my boyfriend? Yes,

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Speaker 1: and you don't know, you don't know if he's okay

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Speaker 1: or not. You can't have more information at the time. Now,

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00:20:23,000 --> 00:20:26,159
Speaker 1: describe the cis pussy, Okay, Well, I just want to

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Speaker 1: set this up so I'm just gonna provide context. Um, okay,

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00:20:29,160 --> 00:20:33,639
Speaker 1: so here we go. Oh, she's got that booge than

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00:20:33,680 --> 00:20:42,400
Speaker 1: booge titties, that signy ass and that pistis says pussy pistol.

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00:20:42,480 --> 00:20:50,399
Speaker 1: Seisus pussy pussy pussy. It sounds like a human took me.

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Speaker 1: What is that? That? That is a mudhah Hagen. That's

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Speaker 1: Udagan sussy sis pussy susy sis pussy. I love your

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00:21:15,359 --> 00:21:24,440
Speaker 1: excuse me, it's bully. He's my favorite song, stand up

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00:21:24,600 --> 00:21:32,560
Speaker 1: fights back. I don't know what to talking about. We

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Speaker 1: have to talk about Patty Harrison's run gay as on

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00:21:38,560 --> 00:21:45,919
Speaker 1: her ancestory months ago. She has a bunch of if

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Speaker 1: you don't follow party Harderson, you should do that, because

339
00:21:48,920 --> 00:21:52,120
Speaker 1: you should just do that. Familiarize yourself. Pause this come back.

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00:21:52,200 --> 00:21:55,119
Speaker 1: Oh my god, I am crying. I am crying about

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Speaker 1: Patty hat. Patty had a song that was called the

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Speaker 1: Queer is Beautiful and I wait, can I just can

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Speaker 1: I cover it right now? Cover it? That's so much

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Speaker 1: honor as an artist to have your song. Yes, absolutely,

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00:22:09,520 --> 00:22:16,359
Speaker 1: here we go. Who you always beautiful? Being queer? Queer

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00:22:16,760 --> 00:22:23,120
Speaker 1: is beautiful? Yes queer. I don't think that's roughly, that's queer.

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00:22:24,840 --> 00:22:27,679
Speaker 1: You also did like her face good, you were you

348
00:22:27,720 --> 00:22:33,320
Speaker 1: were in character fully really you embodied Patty. That that's mysner.

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00:22:33,400 --> 00:22:35,680
Speaker 1: I think you have to because my face contorts around

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Speaker 1: the nose to do that, and you did it, and

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Speaker 1: you sing it in a better key. No, but I don't.

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00:22:43,800 --> 00:22:46,240
Speaker 1: I don't bring it to that same register. Um with

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Speaker 1: that usual, that's that's straight. Yes, it's queer. I think

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Speaker 1: I think it's the same. It's clear. I don't think

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00:22:53,359 --> 00:22:55,840
Speaker 1: there's a different Patty my assignment to you. And this

356
00:22:55,880 --> 00:22:58,280
Speaker 1: is just offline. This is just on your own time.

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Speaker 1: We need a pisto seesis pussy song. I don't know.

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00:23:01,520 --> 00:23:03,520
Speaker 1: I think I'm not. I'm not. Like. My favorite song

359
00:23:03,560 --> 00:23:05,240
Speaker 1: that you ever did was you perform this live and

360
00:23:05,240 --> 00:23:07,320
Speaker 1: that I never saw you do it again? Was do

361
00:23:07,359 --> 00:23:11,199
Speaker 1: you want to see my ass? Do you want to

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00:23:11,240 --> 00:23:17,639
Speaker 1: see a pick of my asshole? Well? I so many.

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Speaker 1: And the thing is is I'm not allowed to make

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Speaker 1: music legally because of a sex crime that I did

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00:23:23,040 --> 00:23:29,600
Speaker 1: to Jimmy Iveen. But you, Jimmy I the president of

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Speaker 1: the under scope. Um, okay, but you own up to

367
00:23:33,760 --> 00:23:40,920
Speaker 1: the sexual crime. Yes, what it was? It it was Okay,

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00:23:41,000 --> 00:23:44,920
Speaker 1: so I actually, how did you attack this vulnerable white

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Speaker 1: man contractually? It's so if anything that I say technically

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00:23:50,440 --> 00:23:56,240
Speaker 1: legally about it is retaliation, consider retaliation. But I will

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Speaker 1: say is that, um I I bottomed his entire torso consensually,

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00:24:07,800 --> 00:24:13,040
Speaker 1: and I made him come too good and then and

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Speaker 1: he got mad because he's like, you know, I hate

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Speaker 1: when the coming is good. And then he dropped me

375
00:24:19,119 --> 00:24:26,440
Speaker 1: from the label and just like just like fucking burned

376
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Speaker 1: my career, potterized it even Yeah, oh my god, just

377
00:24:33,800 --> 00:24:36,680
Speaker 1: like just just bled you dry. Yeah, truly, I'm not

378
00:24:36,680 --> 00:24:40,080
Speaker 1: allowed to make music anymore. Okay, Well it sucks your respect,

379
00:24:40,080 --> 00:24:43,080
Speaker 1: It sucks. It sucks mostly for us, the listeners. I

380
00:24:43,160 --> 00:24:45,159
Speaker 1: was I wanted to ask, and if you're not at

381
00:24:45,200 --> 00:24:48,280
Speaker 1: liberty to talk about this, that's fine. Um And I'm sorry,

382
00:24:48,960 --> 00:24:52,719
Speaker 1: Uh what what? What? What is the songwriting process for Patty?

383
00:24:52,760 --> 00:24:56,520
Speaker 1: And I I'm even half genuinely asking this, um So,

384
00:24:57,560 --> 00:25:01,920
Speaker 1: I think a lot of times it's I hear a song,

385
00:25:03,119 --> 00:25:06,800
Speaker 1: and I hear a song like that's playing, you know,

386
00:25:06,880 --> 00:25:11,199
Speaker 1: over the radio at the store, in a car, and

387
00:25:11,240 --> 00:25:15,160
Speaker 1: then I just steal whatever its bit about that song,

388
00:25:15,440 --> 00:25:21,240
Speaker 1: and then you don't have to talk down to us. Um,

389
00:25:22,280 --> 00:25:25,640
Speaker 1: I have a lot of I I really think it's funny.

390
00:25:25,760 --> 00:25:28,920
Speaker 1: Uh when a song has a bad point of view.

391
00:25:30,040 --> 00:25:32,000
Speaker 1: So whoever sings in a song, if they have like

392
00:25:32,000 --> 00:25:36,960
Speaker 1: a really bad point of view and they really um

393
00:25:37,000 --> 00:25:40,320
Speaker 1: if if if there's just a song that was like

394
00:25:40,720 --> 00:25:45,440
Speaker 1: the the the the the the, the, let me hit

395
00:25:45,680 --> 00:25:48,399
Speaker 1: my kids please, It's like someone asks me for a

396
00:25:48,440 --> 00:25:50,160
Speaker 1: permission to hit their kids. They haven't done it yet,

397
00:25:50,160 --> 00:25:52,119
Speaker 1: They're going to do it, they want to do it,

398
00:25:52,160 --> 00:25:54,840
Speaker 1: and they're they're they're just asking the general problem. I

399
00:25:54,960 --> 00:25:59,040
Speaker 1: realized now that that was that was I just lifted

400
00:25:59,040 --> 00:26:03,080
Speaker 1: the melody of that what's that song? And that makes

401
00:26:03,200 --> 00:26:12,560
Speaker 1: me hiving? And that's what takes me. Oh my god,

402
00:26:12,720 --> 00:26:16,920
Speaker 1: what is this? I feel the beat in the group next, Yes,

403
00:26:18,160 --> 00:26:22,240
Speaker 1: I love the song. Just my kid please? And then

404
00:26:22,240 --> 00:26:25,200
Speaker 1: the police as well, is what sort of keeps it driving?

405
00:26:25,680 --> 00:26:32,440
Speaker 1: I love it. I love that. Oh my godet this year,

406
00:26:35,040 --> 00:26:40,879
Speaker 1: better vote this year. There's nobody good who's running. There's

407
00:26:40,920 --> 00:26:45,359
Speaker 1: nobody good who's run. It would take a lot of

408
00:26:45,480 --> 00:26:49,200
Speaker 1: time to get to the ballot. Who cares? Who could

409
00:26:49,240 --> 00:26:54,440
Speaker 1: benefit from your vote? We just a brainstorm. We deserve

410
00:26:54,840 --> 00:27:01,680
Speaker 1: an idea logical match in Canada and idea logical mats.

411
00:27:02,960 --> 00:27:04,440
Speaker 1: Thank you, hey, this is this is why, this is

412
00:27:04,440 --> 00:27:06,960
Speaker 1: what I need. I need some some workshop environment I

413
00:27:07,000 --> 00:27:11,120
Speaker 1: don't have. Here's one. Can you just um slide into

414
00:27:11,160 --> 00:27:26,600
Speaker 1: like is a beautiful man with the trump? Is a

415
00:27:26,760 --> 00:27:44,240
Speaker 1: beautiful man with the football? Troup Brian, God what I said?

416
00:27:48,160 --> 00:27:55,000
Speaker 1: And it's grand and bigg All of the blood and

417
00:27:55,040 --> 00:27:57,840
Speaker 1: Math's body is in his face right now, all of

418
00:27:57,880 --> 00:27:59,879
Speaker 1: it's in his head. But here's the thing, and I

419
00:28:00,000 --> 00:28:02,800
Speaker 1: want to consult Travis on this as well, so everyone

420
00:28:02,840 --> 00:28:07,960
Speaker 1: hears a recording artist, Yes, when you can make the sound,

421
00:28:08,320 --> 00:28:10,919
Speaker 1: you do it no matter what it hurts your body.

422
00:28:13,240 --> 00:28:16,840
Speaker 1: Travis agrees, Yeah, And sometimes I hurt myself trying to

423
00:28:16,840 --> 00:28:20,800
Speaker 1: make noises. I know I can't make like what Marita

424
00:28:20,840 --> 00:28:26,760
Speaker 1: Karry whistle tone. Patty is dead in the eyes when

425
00:28:26,760 --> 00:28:33,359
Speaker 1: she that's my no wait you hear you hear this

426
00:28:33,480 --> 00:28:36,760
Speaker 1: really cool noise I can make that. It's it's basically,

427
00:28:36,880 --> 00:28:39,520
Speaker 1: I just vibrate my throat so hard that the tissue

428
00:28:39,560 --> 00:28:41,480
Speaker 1: in the back comes loose, and it like it comes

429
00:28:41,560 --> 00:28:43,360
Speaker 1: it like I can. I can spit it out later,

430
00:28:43,440 --> 00:28:55,200
Speaker 1: just like tissue now that's that's a whistle. Though, when

431
00:28:55,200 --> 00:29:00,280
Speaker 1: do we become a shock jock today, bitch? Since today

432
00:29:00,600 --> 00:29:04,280
Speaker 1: your fault, Travis Travis brought this energy into here with

433
00:29:04,360 --> 00:29:09,760
Speaker 1: his gifts. Travis. Travis famously did not get me a gift. Travis,

434
00:29:09,840 --> 00:29:12,960
Speaker 1: we will rectify this in some way. And I'm saying we,

435
00:29:13,120 --> 00:29:16,200
Speaker 1: the three of us, Me, Matt, and Travis, tell me out.

436
00:29:16,600 --> 00:29:19,040
Speaker 1: So I really do I have a complex about gifts

437
00:29:19,120 --> 00:29:23,760
Speaker 1: because when I was little, gifts, gifts, gifts. Now with

438
00:29:23,840 --> 00:29:25,720
Speaker 1: the tea, you always have to make that distinction. Now,

439
00:29:25,800 --> 00:29:29,440
Speaker 1: I want to listen to this getting gifts because I

440
00:29:30,040 --> 00:29:33,920
Speaker 1: when I was little, my sister and my older sisters

441
00:29:34,200 --> 00:29:39,080
Speaker 1: or my mom. Uh if I had older sisters and

442
00:29:39,080 --> 00:29:41,320
Speaker 1: then I had one sister, there was an age gap.

443
00:29:41,440 --> 00:29:44,080
Speaker 1: So like all of my sisters were teens except for

444
00:29:44,120 --> 00:29:45,960
Speaker 1: one who was like two years older than me, so

445
00:29:46,000 --> 00:29:47,240
Speaker 1: she was a kid when I was a kid. Everyone

446
00:29:47,280 --> 00:29:50,760
Speaker 1: else for teenagers and they would get us gifts together,

447
00:29:51,360 --> 00:29:54,080
Speaker 1: Like on my birthday, my sister would get gifts, and

448
00:29:54,120 --> 00:29:57,480
Speaker 1: then on my on my sister's birthday, I would get

449
00:29:57,480 --> 00:30:01,320
Speaker 1: gifts every year because if I saw her getting gifts

450
00:30:01,320 --> 00:30:05,600
Speaker 1: and I didn't get gifts, I would have a meltdown understood,

451
00:30:05,680 --> 00:30:10,200
Speaker 1: and see I never learned that, Travis, I never learned that.

452
00:30:10,520 --> 00:30:17,200
Speaker 1: And what happened today is that Bowen got an amazing gift.

453
00:30:18,000 --> 00:30:27,000
Speaker 1: Matt got an incredible gift. I did not. I didn't

454
00:30:27,600 --> 00:30:33,760
Speaker 1: see the gifts. What happened today was one of the

455
00:30:33,840 --> 00:30:44,640
Speaker 1: most disgusting displays of nepotism, Yes, nepotism and favor currying,

456
00:30:45,080 --> 00:30:50,440
Speaker 1: and we were all dancing around it. What happened today

457
00:30:50,800 --> 00:30:59,880
Speaker 1: was clearly I'm invisible in this room, so I have

458
00:31:00,040 --> 00:31:04,240
Speaker 1: to talk twice as loud to get half the attention.

459
00:31:04,520 --> 00:31:09,560
Speaker 1: I think three times as fast, and I think very fast. Wait,

460
00:31:09,640 --> 00:31:11,640
Speaker 1: is this thing true about growing up? Oh? The gift

461
00:31:11,640 --> 00:31:14,600
Speaker 1: things true? But I I know it's like I mean,

462
00:31:14,680 --> 00:31:17,680
Speaker 1: I understand why I didn't get a gift. I will

463
00:31:17,720 --> 00:31:21,080
Speaker 1: do self harm later because of it. But like, stop

464
00:31:21,120 --> 00:31:24,200
Speaker 1: doing self harm. No, no, no, stop stop announcing that

465
00:31:24,240 --> 00:31:27,239
Speaker 1: you will do self harm. Do self harm, stop announcing it.

466
00:31:27,440 --> 00:31:33,080
Speaker 1: Thank you for the permission, Thank you for the permission.

467
00:31:33,080 --> 00:31:34,880
Speaker 1: Oh no, we already said this. Yes, I know, I'm

468
00:31:34,880 --> 00:31:39,000
Speaker 1: just I'm referencing it. Of course. Of course, speaking of

469
00:31:39,040 --> 00:31:43,240
Speaker 1: self harm, did you see the trailer for the new

470
00:31:44,040 --> 00:31:50,640
Speaker 1: HBO limited series Sharp Objects. Oh, it's a another Gillian

471
00:31:50,720 --> 00:31:54,360
Speaker 1: Flynn novel Amy. It's directed by Jean marc Veli, who

472
00:31:54,400 --> 00:31:58,040
Speaker 1: directed Big Little. So this is a prestige HBO limited

473
00:31:58,040 --> 00:32:00,120
Speaker 1: series event that's happened to have. It produced from a

474
00:32:00,160 --> 00:32:05,880
Speaker 1: producer from Get Out Yes, starring Amy Adams and Patricia Clarkson. Oh, Patricia,

475
00:32:06,040 --> 00:32:10,360
Speaker 1: Miss Patricia the original Clarkson. We love Patricia, We love Patricia.

476
00:32:11,720 --> 00:32:14,120
Speaker 1: And it's it's about like Amy Adams is like a

477
00:32:14,200 --> 00:32:15,760
Speaker 1: very dark past and she has like a history of

478
00:32:15,800 --> 00:32:18,160
Speaker 1: cell pharm but she's also like very very obsessed with

479
00:32:18,200 --> 00:32:21,800
Speaker 1: like solving the murders of like young kids. So that

480
00:32:21,880 --> 00:32:25,080
Speaker 1: sounds like really fun. Okay, okay, it sounds like a

481
00:32:25,160 --> 00:32:28,080
Speaker 1: light watch. Well you um, you you did read Gone Girl.

482
00:32:28,080 --> 00:32:31,600
Speaker 1: It's one of the few books you've read. And are

483
00:32:31,640 --> 00:32:33,760
Speaker 1: you excited? Can you believe what he just said to me?

484
00:32:34,200 --> 00:32:38,760
Speaker 1: Can anyone believe the audacity? Are you excited to embark

485
00:32:38,800 --> 00:32:44,120
Speaker 1: again on? Gillian Flynn? Do you believe that I could

486
00:32:44,200 --> 00:32:47,720
Speaker 1: read a book? I've bought you many books as you

487
00:32:47,880 --> 00:32:50,960
Speaker 1: bought me a book? I did you bought me a

488
00:32:50,960 --> 00:32:59,480
Speaker 1: book recently? Wait? What are you guys hear that? What Okay, sorry,

489
00:32:59,480 --> 00:33:04,080
Speaker 1: this is really is that another bird? Okay? I have

490
00:33:04,160 --> 00:33:07,160
Speaker 1: no idea what's going on? And it's good. Are they

491
00:33:07,160 --> 00:33:08,440
Speaker 1: going to be able to hear that on the pod?

492
00:33:08,640 --> 00:33:11,760
Speaker 1: I hope. So it was like this good double double,

493
00:33:14,640 --> 00:33:26,240
Speaker 1: this busy susy suzy. It's like a Bavarian dance. I

494
00:33:26,320 --> 00:33:29,400
Speaker 1: love it. It's fun. There's so many See this is

495
00:33:29,480 --> 00:33:31,080
Speaker 1: when I'm trying to the point I'm trying to make

496
00:33:31,480 --> 00:33:34,880
Speaker 1: music is all around. Well, that's the thing is when

497
00:33:34,920 --> 00:33:39,080
Speaker 1: you brought up sharp objects, I didn't. I thought what

498
00:33:39,200 --> 00:33:43,280
Speaker 1: came in to mind to me was box, a box

499
00:33:43,280 --> 00:33:48,080
Speaker 1: of sharp objects by the used. How does that one go?

500
00:33:48,840 --> 00:33:52,680
Speaker 1: You take a pill to feel better? Oh my god,

501
00:33:53,000 --> 00:34:00,840
Speaker 1: nothing else matters. John's feels stronger. Eat sharper box. Oh

502
00:34:01,080 --> 00:34:16,880
Speaker 1: sharp bump jacks. What a beautiful whistle tone. I actually

503
00:34:16,880 --> 00:34:23,719
Speaker 1: consume Mariah whistle tone. Guys, we're redefining whistle tones. That

504
00:34:23,880 --> 00:34:28,920
Speaker 1: is reclaim. But this is all about this is this

505
00:34:29,000 --> 00:34:33,960
Speaker 1: is music positivity. This is vocal positivity. Anybody any voices valid.

506
00:34:34,080 --> 00:34:37,840
Speaker 1: I love vocal positivity. Any voice is valid. No I

507
00:34:37,920 --> 00:34:42,080
Speaker 1: like a skinny voice. No I like a thin voice.

508
00:34:42,760 --> 00:34:45,280
Speaker 1: I like a thin, thin smell. Waist on the voice,

509
00:34:45,520 --> 00:34:51,600
Speaker 1: A little tiny but beautiful hips wide hips tiny waist perfect.

510
00:34:52,000 --> 00:34:59,160
Speaker 1: It's perfect natural tips o wine hips, natural wists perfect,

511
00:34:59,239 --> 00:35:05,239
Speaker 1: little perfect. That's my voice. This is this is a

512
00:35:05,320 --> 00:35:10,959
Speaker 1: musical episode. The earth is fertile with music, Impregnate it

513
00:35:11,000 --> 00:35:15,200
Speaker 1: with at your will? Do you believe that Travis believes

514
00:35:15,239 --> 00:35:19,480
Speaker 1: that Patty he makes legit music? Though it's true we're

515
00:35:19,480 --> 00:35:21,279
Speaker 1: all doing not to say that we're not all making

516
00:35:21,360 --> 00:35:25,280
Speaker 1: legit music, but it's just something a little bit different, right, Um,

517
00:35:25,320 --> 00:35:27,279
Speaker 1: I mean, I mean we're I was saying, we're all dilatans.

518
00:35:27,320 --> 00:35:31,480
Speaker 1: We're all I mean, we're all dabbling. We're not what

519
00:35:31,640 --> 00:35:34,799
Speaker 1: is what is like? You're you're an amateur. You're just

520
00:35:35,239 --> 00:35:38,160
Speaker 1: you're just sort of like posturing as someone who's doing

521
00:35:38,200 --> 00:35:40,920
Speaker 1: something instead of being the actual thing. But I do

522
00:35:41,000 --> 00:35:43,799
Speaker 1: believe that of us all sitting here, Patty is the

523
00:35:43,840 --> 00:35:46,799
Speaker 1: closest to being a pop star. And therefore I do

524
00:35:46,880 --> 00:35:49,640
Speaker 1: want to ask you a certain question, which is, if

525
00:35:49,760 --> 00:35:51,560
Speaker 1: you had all the money in the world as the

526
00:35:51,560 --> 00:35:55,560
Speaker 1: pop star that is Patty, what does your concert look like?

527
00:35:55,600 --> 00:35:57,719
Speaker 1: How does this start? Like? Who comes out? Like? What

528
00:35:58,000 --> 00:36:00,760
Speaker 1: is there a story? Like? What kind of fantastic esthetic

529
00:36:00,800 --> 00:36:02,680
Speaker 1: elements are we happening? Like if you could do a

530
00:36:02,760 --> 00:36:06,560
Speaker 1: world toar like the Night Tour or like formation, like

531
00:36:06,640 --> 00:36:14,320
Speaker 1: what is the Patty Tour? So my tour would um

532
00:36:14,480 --> 00:36:19,800
Speaker 1: be called Well, let's not start there, Okay, let's actually

533
00:36:19,880 --> 00:36:25,200
Speaker 1: say that it would be an audio visual experience. There

534
00:36:25,200 --> 00:36:27,880
Speaker 1: would be you know, there would be pre filmed things

535
00:36:28,040 --> 00:36:30,919
Speaker 1: that and there will be huge screens and there would

536
00:36:30,960 --> 00:36:33,799
Speaker 1: be lights, lights that would come up. So the so

537
00:36:33,880 --> 00:36:36,439
Speaker 1: the concert is about to start. Imagine concerts about to start.

538
00:36:36,880 --> 00:36:40,880
Speaker 1: Everyone's just like, there's what a stadium, it's like fifty people,

539
00:36:41,360 --> 00:36:43,720
Speaker 1: and then and then the lights go out and everyone's

540
00:36:43,719 --> 00:36:47,879
Speaker 1: like and then yeah, and then some lights come on,

541
00:36:48,400 --> 00:36:51,920
Speaker 1: and then the screen comes on too, and then I

542
00:36:52,040 --> 00:36:55,880
Speaker 1: come out and then music is playing. Oh my god,

543
00:36:56,120 --> 00:37:00,400
Speaker 1: there's so much music playing. Everyone's dancing and screaming. I

544
00:37:00,480 --> 00:37:03,640
Speaker 1: come out. Dancers come out. They're dancing too. They're like

545
00:37:03,920 --> 00:37:10,440
Speaker 1: they're all they're doing the routine we we painstakingly, painstakingly practice.

546
00:37:11,000 --> 00:37:14,040
Speaker 1: I come out. I start singing a medley of my

547
00:37:14,400 --> 00:37:17,320
Speaker 1: original my hits from my first album, and it's like

548
00:37:17,400 --> 00:37:21,640
Speaker 1: a medley, yes, that, but it's like in the key

549
00:37:21,719 --> 00:37:23,480
Speaker 1: of another one of my hits and the all in

550
00:37:23,520 --> 00:37:25,440
Speaker 1: the same key because it sets you up for the

551
00:37:25,560 --> 00:37:28,600
Speaker 1: next song that you're going into in the medley. Yeah,

552
00:37:29,040 --> 00:37:32,719
Speaker 1: it's and this is like an amazing medley. Then my

553
00:37:32,880 --> 00:37:36,759
Speaker 1: outfit also, by the way, looks beautiful to describe it.

554
00:37:37,239 --> 00:37:41,839
Speaker 1: Everyone is like people are taking pictures of it. People

555
00:37:41,840 --> 00:37:45,440
Speaker 1: are taking people of thousands of people have their are

556
00:37:45,480 --> 00:37:50,440
Speaker 1: people describing your outfit as like, yes, gag, say a gag.

557
00:37:50,680 --> 00:37:56,000
Speaker 1: People are saying gags. Well, one person actually is screaming

558
00:37:56,040 --> 00:37:59,920
Speaker 1: a slur. Just's like one person out there over all

559
00:38:00,120 --> 00:38:02,239
Speaker 1: the screams of adoration. I can kind of hear one

560
00:38:02,440 --> 00:38:05,080
Speaker 1: slur and I'm like, I think i know what they're

561
00:38:05,080 --> 00:38:07,400
Speaker 1: saying it. I think it's a slur and that I'm like,

562
00:38:07,440 --> 00:38:09,040
Speaker 1: I'm not trying to focus too much on it. So

563
00:38:09,080 --> 00:38:12,120
Speaker 1: I'm like, I'm like focusing on and again, my choreography

564
00:38:12,280 --> 00:38:14,640
Speaker 1: is slightly less intense than the dancers. I can fully

565
00:38:14,640 --> 00:38:16,480
Speaker 1: focus on dancing and I need time to kind of

566
00:38:16,560 --> 00:38:18,759
Speaker 1: vamp and like can stop the points here and there

567
00:38:18,800 --> 00:38:21,840
Speaker 1: and be like and then I point, and I'm like

568
00:38:22,320 --> 00:38:24,800
Speaker 1: and I stopped and there. There's also I'm not lip sinking,

569
00:38:24,840 --> 00:38:27,440
Speaker 1: but there is a vocal bag that has the chorus

570
00:38:27,520 --> 00:38:30,120
Speaker 1: on it and the really yeah and people are like ah,

571
00:38:30,280 --> 00:38:32,480
Speaker 1: and then I hear I hear like in the distance,

572
00:38:32,520 --> 00:38:36,600
Speaker 1: I hear like you're like and I'm like, wait, not

573
00:38:36,760 --> 00:38:39,360
Speaker 1: only did I hear a slur, but I think I

574
00:38:39,480 --> 00:38:42,279
Speaker 1: recognized the voice of it, and I'm so I'm like,

575
00:38:42,680 --> 00:38:44,800
Speaker 1: we're going into my first My first song is actually

576
00:38:44,840 --> 00:38:47,799
Speaker 1: one off the new album, and it's like it's it's

577
00:38:47,840 --> 00:38:51,319
Speaker 1: a song that's got fast and then so it's like yeah,

578
00:38:55,280 --> 00:38:58,080
Speaker 1: and then it's like images, there's images that correspond with

579
00:38:58,160 --> 00:39:01,280
Speaker 1: the song. So the song is actually at about moving

580
00:39:01,360 --> 00:39:05,080
Speaker 1: on and then so that's going on and then a

581
00:39:05,200 --> 00:39:08,640
Speaker 1: spotlight h not planned a spotlight. I'm like, what is

582
00:39:08,680 --> 00:39:11,560
Speaker 1: going on? A spotlight goes the crowd. Guess who is

583
00:39:11,800 --> 00:39:17,879
Speaker 1: in the crowd? De general? That was it. That really

584
00:39:18,000 --> 00:39:21,400
Speaker 1: was because we talked about her last time and she's

585
00:39:21,560 --> 00:39:26,839
Speaker 1: erect she's how big is her? It's seventeen this time?

586
00:39:27,400 --> 00:39:32,640
Speaker 1: This time? Yeah, she did something. She got like sheen implant,

587
00:39:32,719 --> 00:39:37,279
Speaker 1: she connect pnect. Pennect was to remove the penis, but

588
00:39:37,360 --> 00:39:40,600
Speaker 1: she got a peno implant. She got a penectomy and

589
00:39:40,840 --> 00:39:45,279
Speaker 1: then got her penis removed and then got a peno

590
00:39:45,360 --> 00:39:51,640
Speaker 1: plasty and African rhino horn in the place. So actually

591
00:39:51,680 --> 00:39:54,200
Speaker 1: when I sit at with seventeen inches, it's actually closer

592
00:39:54,280 --> 00:39:57,799
Speaker 1: to four and a half feet long. And she's landing

593
00:39:57,920 --> 00:40:01,120
Speaker 1: my fans just like an sing my fans in the

594
00:40:01,200 --> 00:40:03,600
Speaker 1: crowd like oh, there's like a stack of my fans.

595
00:40:05,239 --> 00:40:08,759
Speaker 1: I'm so sad, I'm crying on stage. I'm like, stop

596
00:40:09,000 --> 00:40:11,680
Speaker 1: the music. But they turned my mic off because she

597
00:40:12,000 --> 00:40:16,719
Speaker 1: did so. She talked to the tech people, she talked

598
00:40:16,840 --> 00:40:20,959
Speaker 1: to the powerful. That's when I realized that she talked

599
00:40:21,040 --> 00:40:23,360
Speaker 1: to the tech people ahead of time, and that is

600
00:40:23,440 --> 00:40:26,279
Speaker 1: not That was like, oh my god, it's still the music.

601
00:40:26,800 --> 00:40:30,000
Speaker 1: This is bigger than And then there's a part in

602
00:40:30,040 --> 00:40:32,440
Speaker 1: the music where all the percussion drops and it's just

603
00:40:32,520 --> 00:40:35,520
Speaker 1: like it's like it's like this arpeggio of like harp.

604
00:40:35,600 --> 00:40:38,880
Speaker 1: It's a beautiful part of the song. And I'm like, Ellen,

605
00:40:39,480 --> 00:40:41,920
Speaker 1: get out of here. And she comes up on stage

606
00:40:42,400 --> 00:40:45,600
Speaker 1: does a flip with still about six of my fans

607
00:40:45,680 --> 00:40:50,080
Speaker 1: stacked on her horn, does a flip. The centrifugal force

608
00:40:50,280 --> 00:40:54,719
Speaker 1: of the flip flings the fans at me off of like,

609
00:40:54,840 --> 00:40:57,560
Speaker 1: and she's about she's flipping probably like twenty ft up

610
00:40:57,560 --> 00:41:01,120
Speaker 1: in the air, so it's like she can get that high. Yeah, yeah,

611
00:41:01,560 --> 00:41:04,200
Speaker 1: I know. It's like a fool and it's like it's

612
00:41:04,239 --> 00:41:09,279
Speaker 1: a really fast rotation, right, but all the fans, the

613
00:41:09,360 --> 00:41:12,600
Speaker 1: fans have come towards you. They smack into me, knocked

614
00:41:12,640 --> 00:41:21,399
Speaker 1: me down in my big platform. She's breaking embarrassing embarrassing concert. Yeah.

615
00:41:21,480 --> 00:41:25,440
Speaker 1: Jennifer Bowman, who's our costumer, she's like made those shoes herself,

616
00:41:25,560 --> 00:41:29,640
Speaker 1: like special and so, huh did she get out of

617
00:41:29,640 --> 00:41:31,799
Speaker 1: the arena? Jenna for Bowman doesn't come to my shows

618
00:41:31,800 --> 00:41:36,160
Speaker 1: because we have a bad relationshow so then so that's

619
00:41:36,160 --> 00:41:38,840
Speaker 1: the whole thing. And then um so then by that

620
00:41:39,000 --> 00:41:41,480
Speaker 1: time you're knocked out and the fans, I guess are

621
00:41:41,560 --> 00:41:45,120
Speaker 1: long dead by now, yeah, at least like six and

622
00:41:45,239 --> 00:41:49,640
Speaker 1: maybe something that got injured. And they're like they're all mad.

623
00:41:49,840 --> 00:41:51,960
Speaker 1: They're like, this is not what we came here to see.

624
00:41:52,120 --> 00:41:57,839
Speaker 1: So now I'm here to see petty Man. But at

625
00:41:57,880 --> 00:42:01,160
Speaker 1: this point they've all turned because they're mad, and they're

626
00:42:01,280 --> 00:42:06,719
Speaker 1: all saying, Tranny, oh, Nonny, you tranny, and I said

627
00:42:07,000 --> 00:42:12,440
Speaker 1: stop it, stop it. And then that's when Ellen turns

628
00:42:12,520 --> 00:42:16,680
Speaker 1: to me and guess what she fucking says what guess

629
00:42:16,719 --> 00:42:22,800
Speaker 1: what she says? She says, you are a bit and

630
00:42:23,000 --> 00:42:28,640
Speaker 1: my heartbreaks because I believe it. And it's Ellen. It's Ellen,

631
00:42:28,800 --> 00:42:32,879
Speaker 1: and hero of mine in that moment, like she's gotten

632
00:42:32,920 --> 00:42:35,040
Speaker 1: every wants to turn on you. They obviously have taken

633
00:42:35,080 --> 00:42:38,320
Speaker 1: sides to her, even though they've killed probably some of

634
00:42:38,360 --> 00:42:40,880
Speaker 1: the people that they know. Yeah, they start killing. I mean,

635
00:42:40,960 --> 00:42:43,640
Speaker 1: the fans are so mad, screaming tranny. They start killing

636
00:42:43,680 --> 00:42:46,680
Speaker 1: each other, killing each other. But just so you know,

637
00:42:47,000 --> 00:42:48,799
Speaker 1: just so you know, at the at my tours, all

638
00:42:48,880 --> 00:42:50,919
Speaker 1: my fans are siss because I won't let trans people.

639
00:42:52,120 --> 00:42:56,239
Speaker 1: I don't like trans people. I'm a tur and it's

640
00:42:56,280 --> 00:43:03,040
Speaker 1: a it's turf's only, Yeah, turfs only for them who

641
00:43:03,080 --> 00:43:09,439
Speaker 1: aren't with it all. And they're all straight, beautiful, straight beautiful, Yeah,

642
00:43:10,280 --> 00:43:14,680
Speaker 1: straight beautiful. They're saying tranny. But also Ellen, I remember

643
00:43:14,719 --> 00:43:18,759
Speaker 1: originated the pronunciation trawny tronni yes with with an H

644
00:43:19,040 --> 00:43:27,400
Speaker 1: and two ends the r O N N E. And

645
00:43:27,520 --> 00:43:30,359
Speaker 1: she's like, hey, you know why I say it that way?

646
00:43:30,760 --> 00:43:33,200
Speaker 1: And then I was like, oh why Ellen, This night

647
00:43:33,239 --> 00:43:35,640
Speaker 1: couldn't get any worse, And she's like, because it's a

648
00:43:35,719 --> 00:43:38,800
Speaker 1: play on pronunciation, of the Vietnamese language, because I know

649
00:43:38,840 --> 00:43:44,600
Speaker 1: you're Vietnamese. To you, Tranni just just cuts deeper, twist

650
00:43:44,680 --> 00:43:48,480
Speaker 1: the knife. She fucking she fucking puts that knife. She

651
00:43:48,560 --> 00:43:54,600
Speaker 1: screw drive, electric screwdriver. She's more than just twisting the knife.

652
00:43:54,800 --> 00:43:59,680
Speaker 1: I am. Yeah, Yeah, she really went there. That's a

653
00:44:00,120 --> 00:44:02,600
Speaker 1: went there, and that's a gorgeous tour. And that is

654
00:44:02,760 --> 00:44:06,759
Speaker 1: literally just Stockholm where the tour starts. That's literally just

655
00:44:07,000 --> 00:44:10,000
Speaker 1: the first leg of the tour. And talk about why Stockholm?

656
00:44:11,480 --> 00:44:14,799
Speaker 1: Why is that meaningful? Rich culture, a lot of amazing art.

657
00:44:14,880 --> 00:44:17,520
Speaker 1: Their government, like the government in Sweden, it's just like

658
00:44:17,680 --> 00:44:20,440
Speaker 1: really progressive socially, you know, the access to healthcare, the

659
00:44:20,480 --> 00:44:26,640
Speaker 1: way people like treat each other, even um predominantly white blonde. Yes, yes,

660
00:44:26,960 --> 00:44:30,200
Speaker 1: it's it's a sort of easier when and a lot

661
00:44:30,280 --> 00:44:33,560
Speaker 1: of amazing pop comes out of Scandinavia. But see the

662
00:44:33,600 --> 00:44:35,360
Speaker 1: thing about Sweden and the thing that it's it's just

663
00:44:35,480 --> 00:44:39,600
Speaker 1: it's a great case study in a homogenizing people to

664
00:44:40,160 --> 00:44:44,600
Speaker 1: more easily governed and more easily socialized and provide access.

665
00:44:45,280 --> 00:44:48,799
Speaker 1: If the people look at the same, it's easier. Yeah. Absolutely,

666
00:44:48,960 --> 00:44:52,840
Speaker 1: Once you all look the same, then you all act

667
00:44:53,000 --> 00:44:58,360
Speaker 1: the same, then you all buy tickets to the same concert.

668
00:44:58,680 --> 00:45:04,080
Speaker 1: It's beautiful. That's a really good economy model. I disagree, Okay,

669
00:45:04,120 --> 00:45:06,600
Speaker 1: but you're you're still like everything I set up until

670
00:45:06,600 --> 00:45:09,359
Speaker 1: this point would I was setting up that you would

671
00:45:09,360 --> 00:45:10,879
Speaker 1: say that, so I would agree, and then I changed

672
00:45:10,920 --> 00:45:14,279
Speaker 1: my mind in real time. Okay. And that's what people

673
00:45:14,320 --> 00:45:16,359
Speaker 1: come to expect from my shows. Yeah, that they're going

674
00:45:16,400 --> 00:45:18,160
Speaker 1: to expect to like, except, for example, get through it

675
00:45:18,239 --> 00:45:20,839
Speaker 1: and live. Yeah, yeah, that might not be the case. Well,

676
00:45:20,880 --> 00:45:24,200
Speaker 1: that's why they turned on each other and the tours

677
00:45:24,320 --> 00:45:30,440
Speaker 1: called sis Heats Only Radical Beautiful. Yeah, it's called Beautiful

678
00:45:30,520 --> 00:45:37,800
Speaker 1: Turfs Colon sis heads only, uh, Colon uh. Dharma and

679
00:45:37,880 --> 00:45:41,200
Speaker 1: Greg live for One Night Over Me and they're they're

680
00:45:41,600 --> 00:45:44,799
Speaker 1: they're the actors who played Jarman and Gregg are there? God?

681
00:45:45,000 --> 00:45:51,000
Speaker 1: And yeah? Scientologists famous scientologists and I'm and I'm giving

682
00:45:51,040 --> 00:45:53,239
Speaker 1: I give her like a twenty minute platform in the

683
00:45:53,239 --> 00:45:55,600
Speaker 1: middle of show just to talk about scientology. And she's

684
00:45:55,640 --> 00:45:58,320
Speaker 1: like really charismatic about it because she's like, I know,

685
00:45:58,520 --> 00:46:01,399
Speaker 1: it's so crazy, you guys, I think I'm crazy. Yeah,

686
00:46:01,520 --> 00:46:03,680
Speaker 1: it really is, a lot of it's so stupid, right,

687
00:46:03,800 --> 00:46:07,160
Speaker 1: like really learning people in with that disarming disarming. Yeah,

688
00:46:07,200 --> 00:46:09,000
Speaker 1: she's like, you know what what might be fun? What

689
00:46:09,080 --> 00:46:10,719
Speaker 1: if you just like took some friends and you went

690
00:46:10,840 --> 00:46:12,680
Speaker 1: to like the Church of Scientology as a joke, because

691
00:46:12,680 --> 00:46:14,400
Speaker 1: the doors are always open. You should see how like

692
00:46:14,600 --> 00:46:17,320
Speaker 1: crazy stupid some of the decoration is. It's so gaudy

693
00:46:17,320 --> 00:46:19,719
Speaker 1: and everyone's like, ha ha, that's so funny. But it's

694
00:46:19,719 --> 00:46:21,920
Speaker 1: like under the guys of like, oh yeah, I come

695
00:46:22,000 --> 00:46:24,080
Speaker 1: see how stupid this thing is. And then but it's

696
00:46:24,120 --> 00:46:26,960
Speaker 1: fifty people and like they're gonna go, and they all go,

697
00:46:28,480 --> 00:46:32,399
Speaker 1: and how many of them fall for it? How many

698
00:46:32,480 --> 00:46:35,560
Speaker 1: of them? Did you? Did you not hear me? Are you?

699
00:46:35,840 --> 00:46:38,480
Speaker 1: I said, they all all of them? But I know

700
00:46:38,560 --> 00:46:41,919
Speaker 1: all of them go? But how many stay? How many

701
00:46:42,040 --> 00:46:44,560
Speaker 1: signs on the dotted line when it comes to push

702
00:46:44,640 --> 00:46:47,920
Speaker 1: comes to shove, Well, when push comes to shove, jokes

703
00:46:47,960 --> 00:46:50,279
Speaker 1: on you, bitch, They were all already scientilog just because

704
00:46:50,280 --> 00:46:56,960
Speaker 1: it's also a scientilogists only only beautiful turenceologists who are

705
00:46:57,000 --> 00:47:02,120
Speaker 1: also turfs ciss head. It's called beauty turfs colin Um.

706
00:47:03,840 --> 00:47:06,040
Speaker 1: Only calling Darmer and Greg live when I only call

707
00:47:06,120 --> 00:47:12,799
Speaker 1: in seems can I say something? It seems like if

708
00:47:12,840 --> 00:47:14,640
Speaker 1: you wanted to touch more people with your music, you

709
00:47:14,640 --> 00:47:16,880
Speaker 1: would open it up to more people. Yeah, you have

710
00:47:16,920 --> 00:47:18,960
Speaker 1: a very niche fan base right now, and almost no

711
00:47:19,080 --> 00:47:22,640
Speaker 1: one knows that you even are a pop star. Yeah,

712
00:47:22,960 --> 00:47:25,839
Speaker 1: you know, and it would seem that way. It really

713
00:47:25,880 --> 00:47:27,520
Speaker 1: seems that way. I know. It also seems that I'm

714
00:47:27,600 --> 00:47:37,399
Speaker 1: making this up and I am actually Do you hear that? Yeah,

715
00:47:38,000 --> 00:47:41,200
Speaker 1: it's like a truck backing up. Yeah, that's the sound

716
00:47:41,239 --> 00:47:44,959
Speaker 1: of my brain back pedaling. Oh wait, you're you're gonna,

717
00:47:45,239 --> 00:47:50,560
Speaker 1: You're gonna. I'm gonna change the name of the show, Patty,

718
00:47:50,760 --> 00:47:57,080
Speaker 1: you can't do this. It's gonna be called on the

719
00:47:57,160 --> 00:48:06,160
Speaker 1: c W. I'm and Barberagene comes out. I love Barbage really,

720
00:48:06,400 --> 00:48:12,240
Speaker 1: so beautiful, funny, talented, so funny, so talented, comedic timing.

721
00:48:13,640 --> 00:48:16,520
Speaker 1: Here's what I'll here's what I'm gonna say. I bet

722
00:48:16,760 --> 00:48:20,920
Speaker 1: your ass actually really watched Reba. I bet you love it.

723
00:48:21,320 --> 00:48:24,000
Speaker 1: I bet right before dinner you watch Reba and then

724
00:48:24,040 --> 00:48:26,680
Speaker 1: what I like about starring Amanda Bin I guarantee you

725
00:48:26,760 --> 00:48:29,520
Speaker 1: watch shut up, shut up, you fucking bitch, fuck you

726
00:48:29,800 --> 00:48:35,080
Speaker 1: shut up, shut up? Now you fuck you you shut up. No,

727
00:48:35,320 --> 00:48:38,839
Speaker 1: I did not, Yeah, I did watch Rebo. Okay, so yeah,

728
00:48:38,880 --> 00:48:45,439
Speaker 1: I didn't watch it. Okay, it was on the TV

729
00:48:45,719 --> 00:48:50,239
Speaker 1: when I came home from school. Sometimes what was that?

730
00:48:50,640 --> 00:48:52,640
Speaker 1: What else it was on that block? It was Reba?

731
00:48:52,800 --> 00:48:55,120
Speaker 1: It was Reba? What I like about you? And then

732
00:48:55,160 --> 00:49:00,279
Speaker 1: I believe the hope in faith is ABC yethen no

733
00:49:01,640 --> 00:49:06,440
Speaker 1: on the you know what? Maybe then they sorted over

734
00:49:06,480 --> 00:49:09,760
Speaker 1: their dramas and it was like ever one time? Oh sure,

735
00:49:10,160 --> 00:49:12,759
Speaker 1: did you ever watch un Touched by an Angel? Yes?

736
00:49:13,239 --> 00:49:15,840
Speaker 1: I love me some Roma. Do you ever get that

737
00:49:16,160 --> 00:49:21,160
Speaker 1: you look like Roma Downey? Do I ever? Never in

738
00:49:21,360 --> 00:49:26,600
Speaker 1: my life? Do you think that's true? Because I would

739
00:49:26,600 --> 00:49:29,759
Speaker 1: ask you the same thing. I've heard it every day

740
00:49:29,880 --> 00:49:34,600
Speaker 1: each day. I can see the way your eyes are glossed,

741
00:49:34,760 --> 00:49:38,480
Speaker 1: you sucking ling. Who did they say you look like?

742
00:49:38,480 --> 00:49:40,080
Speaker 1: Because I know who I think you look like? Um?

743
00:49:40,640 --> 00:49:43,879
Speaker 1: This is I have. I've been told that I look

744
00:49:44,000 --> 00:49:49,520
Speaker 1: like Um. I get the actor who plays Winnie Cooper

745
00:49:50,200 --> 00:49:54,719
Speaker 1: as a child mckeller. Yeah, I feel like I look

746
00:49:54,800 --> 00:49:58,560
Speaker 1: like her. If someone put like Buffy the Vampire Slayer

747
00:49:58,680 --> 00:50:02,440
Speaker 1: prosthetics makeup on my face where like when they transformed

748
00:50:02,440 --> 00:50:05,280
Speaker 1: they have those like big brow ridges and like all bony.

749
00:50:06,040 --> 00:50:08,600
Speaker 1: It's like yeah, maybe if her face exploded from the

750
00:50:08,640 --> 00:50:11,799
Speaker 1: inside and her bones exploded, but her skin caught all

751
00:50:11,840 --> 00:50:16,319
Speaker 1: of it so it didn't exit the skin, then I'll

752
00:50:16,360 --> 00:50:18,400
Speaker 1: take that is what I need from Patty. That's what

753
00:50:18,520 --> 00:50:22,760
Speaker 1: I need from Patty. It's actually not a debate, per se. Okay,

754
00:50:24,239 --> 00:50:28,040
Speaker 1: we need Patty to do an impression of Nicole Scherzinger

755
00:50:28,400 --> 00:50:33,040
Speaker 1: taking herself seriously singing. Oh that's I feel like we're

756
00:50:33,040 --> 00:50:36,279
Speaker 1: putting around the spot. Not right now, I'm staying down

757
00:50:36,320 --> 00:50:38,839
Speaker 1: the road in your career. Do you mean like when

758
00:50:38,880 --> 00:50:42,120
Speaker 1: she sings Andrew Lloyd Weber standards from like Cats or Avida.

759
00:50:42,480 --> 00:50:44,600
Speaker 1: But we'll get a Froe stage in a beautiful gown?

760
00:50:44,840 --> 00:50:47,080
Speaker 1: What was the song where the all the men are

761
00:50:47,120 --> 00:50:56,080
Speaker 1: singing around here like she's beautiful. She's doing the notes

762
00:50:56,120 --> 00:50:58,480
Speaker 1: from Phantom of the Opera and they're like sing to me.

763
00:50:59,080 --> 00:51:04,920
Speaker 1: She's like, you know the video we're talking about, and

764
00:51:05,000 --> 00:51:11,560
Speaker 1: there's all the smoke. Yeah, wait, where was it you

765
00:51:11,680 --> 00:51:13,640
Speaker 1: and Joel that was watching that in l A and

766
00:51:13,760 --> 00:51:17,479
Speaker 1: you posted you posted it? Yeah, I was on my Instagram. Sorry,

767
00:51:17,480 --> 00:51:21,360
Speaker 1: but I wasn't with Joel. Yes, I remember, and I

768
00:51:21,480 --> 00:51:23,520
Speaker 1: was just like I wanted to I wanted to be like,

769
00:51:23,719 --> 00:51:33,360
Speaker 1: that's you. Oh my god, whistle Town. Hey watch this

770
00:51:34,239 --> 00:51:43,680
Speaker 1: pushing on my buttons? Baby, pushing funds. I thought it

771
00:51:43,719 --> 00:51:47,359
Speaker 1: was pushing up my button. I want you. I'm telling

772
00:51:47,400 --> 00:51:56,080
Speaker 1: you to loosen pushing pusends, bab, push push, It's like

773
00:51:56,480 --> 00:52:04,000
Speaker 1: pus buttoned, babe? Why do you keep for running me? Wow?

774
00:52:04,800 --> 00:52:07,360
Speaker 1: Say what you're gonna do to me? Wait? We have

775
00:52:07,440 --> 00:52:09,200
Speaker 1: to talk about something with Patty that it's been like

776
00:52:09,760 --> 00:52:12,120
Speaker 1: for some reason of recurring theme in recent episodes. You

777
00:52:12,200 --> 00:52:14,960
Speaker 1: saw Cats with Sudi that one time in Metro? Right, yeah,

778
00:52:15,440 --> 00:52:17,040
Speaker 1: what are your thoughts on Cats? Why? Why do you

779
00:52:17,080 --> 00:52:20,920
Speaker 1: guys even? Okay, So here's the thing. Uh we got

780
00:52:21,520 --> 00:52:23,960
Speaker 1: we were at dinner. I've never seen it or not.

781
00:52:24,040 --> 00:52:26,320
Speaker 1: We were at dinner. We were at lunch and Metro

782
00:52:26,560 --> 00:52:30,920
Speaker 1: was like, my mom got me and my sister tickets

783
00:52:31,000 --> 00:52:34,200
Speaker 1: to see catsut was like, it's really funny, it's really dumb.

784
00:52:34,320 --> 00:52:36,759
Speaker 1: You should see it in SUITI with like, I'll get

785
00:52:36,800 --> 00:52:40,200
Speaker 1: tickets right now. We should like eat edibles and go,

786
00:52:41,480 --> 00:52:45,480
Speaker 1: and I was like, okay, I will. Seems dumb enough. Um,

787
00:52:46,080 --> 00:52:52,920
Speaker 1: I think Cats is the only only musical I've seen

788
00:52:52,960 --> 00:52:56,960
Speaker 1: on Broadway. Okay, it's the only thing I've seen on Broadway.

789
00:52:57,080 --> 00:53:01,560
Speaker 1: I guess, Um, it is the anniest thing I've ever

790
00:53:01,680 --> 00:53:04,880
Speaker 1: seen in my life. It really was one of the

791
00:53:04,960 --> 00:53:10,239
Speaker 1: best nights of my life. I laughed so deeply in

792
00:53:10,360 --> 00:53:14,279
Speaker 1: the moment. Yeah it was, and I was high, but

793
00:53:14,440 --> 00:53:18,440
Speaker 1: it was. It was nearly you know, it's nearly seventeen

794
00:53:18,480 --> 00:53:21,560
Speaker 1: hours long. Uh. There are over three and a half

795
00:53:21,640 --> 00:53:26,120
Speaker 1: million characters. Each one gets their own song. They either

796
00:53:26,200 --> 00:53:29,920
Speaker 1: sing about themselves or another cat they adore in their community. Um,

797
00:53:30,160 --> 00:53:32,960
Speaker 1: there is a villain. There is a villain. They a

798
00:53:33,120 --> 00:53:36,840
Speaker 1: cat that they sing about for about seven and a

799
00:53:36,880 --> 00:53:40,439
Speaker 1: half hours. You never see him that he's this villain,

800
00:53:40,520 --> 00:53:43,800
Speaker 1: he's evil. They sing about him. He comes out, he

801
00:53:43,960 --> 00:53:48,960
Speaker 1: does this really gay damn He chokes one cat who lives,

802
00:53:49,239 --> 00:53:51,920
Speaker 1: and then he runs away and you never see him again.

803
00:53:52,440 --> 00:53:55,200
Speaker 1: And then they vote an old cat in the heaven

804
00:53:55,480 --> 00:54:00,799
Speaker 1: and she floats through the ceiling of the theater. And uh,

805
00:54:01,080 --> 00:54:04,720
Speaker 1: it's just like at one point the cats come together

806
00:54:04,800 --> 00:54:08,960
Speaker 1: and make a train. They make up and not like

807
00:54:09,160 --> 00:54:12,120
Speaker 1: they make a train, like they're lined up. Their bodies

808
00:54:12,200 --> 00:54:14,840
Speaker 1: come together and they form the shape of a train.

809
00:54:15,840 --> 00:54:19,280
Speaker 1: Talk about the scene memory the song beautiful song Memory.

810
00:54:19,600 --> 00:54:23,160
Speaker 1: So I thought I was laughing so hard, just because

811
00:54:23,280 --> 00:54:30,160
Speaker 1: this musical is, you know, the most insane, like brilliant

812
00:54:31,280 --> 00:54:34,960
Speaker 1: over use of resources, Like it's the most brilliant waste

813
00:54:35,000 --> 00:54:39,040
Speaker 1: of resources. Every dancer is. They're all tense, they have

814
00:54:39,160 --> 00:54:42,520
Speaker 1: perfect bodies, they're all like like doing all these front

815
00:54:42,600 --> 00:54:44,840
Speaker 1: walkovers and the splits. Every single one of them can

816
00:54:44,960 --> 00:54:49,680
Speaker 1: drop into the splits immediately. And I was laughing so hard.

817
00:54:49,920 --> 00:54:54,520
Speaker 1: And then Memory, when Memory came on, I did get

818
00:54:54,640 --> 00:54:57,400
Speaker 1: quiet and I teared up. Oh my god, it's a

819
00:54:57,800 --> 00:55:01,520
Speaker 1: beautiful song. Any So any song, I have to say,

820
00:55:02,040 --> 00:55:04,719
Speaker 1: if any song where the first chorus is in a

821
00:55:04,800 --> 00:55:08,600
Speaker 1: lower octave and then the second chorus they like bump

822
00:55:08,640 --> 00:55:11,560
Speaker 1: it up, it's always very powerful to me. So that

823
00:55:11,680 --> 00:55:13,959
Speaker 1: happens in that song, very cheap in a cheap way,

824
00:55:14,480 --> 00:55:19,200
Speaker 1: and made me cry cheap but still earned um. Because

825
00:55:19,239 --> 00:55:22,680
Speaker 1: you had a sustained obsession with the Jelical cats. You

826
00:55:22,800 --> 00:55:25,160
Speaker 1: might still you might still have this. But I remember

827
00:55:25,239 --> 00:55:27,279
Speaker 1: there was a period of time when I would get

828
00:55:27,320 --> 00:55:30,120
Speaker 1: text from you, or you would post photos on Instagram

829
00:55:30,400 --> 00:55:34,280
Speaker 1: of like a Jelical cat jumping, or you you posted

830
00:55:34,840 --> 00:55:37,480
Speaker 1: tweeting a picture of a jelical cat and like capturing

831
00:55:37,520 --> 00:55:40,040
Speaker 1: it with like me catching other people's come like you

832
00:55:40,320 --> 00:55:44,239
Speaker 1: you are you have like you? This affected you? It

833
00:55:44,400 --> 00:55:48,560
Speaker 1: really did. I think. I think the meter of jelical

834
00:55:48,640 --> 00:55:52,600
Speaker 1: songs for jelical cats is the like best comedy. It's

835
00:55:52,640 --> 00:56:00,440
Speaker 1: like jellical, jellica, jelical, jelical, jelica can and jelical. We

836
00:56:00,560 --> 00:56:02,640
Speaker 1: got just sing that for a sketch on Mad when

837
00:56:02,680 --> 00:56:04,759
Speaker 1: I was on Mad like a two years ago and

838
00:56:04,840 --> 00:56:07,160
Speaker 1: they were trying to explain like the pattern of the song.

839
00:56:07,719 --> 00:56:11,600
Speaker 1: I'm like, this is fucking unsingable. How do people know it?

840
00:56:11,880 --> 00:56:15,439
Speaker 1: And it's like there's nine key changes, it just keeps

841
00:56:15,480 --> 00:56:18,960
Speaker 1: going up and up. It's it's like the what if

842
00:56:19,040 --> 00:56:26,319
Speaker 1: the baby ants? Are you of our generation? I want

843
00:56:26,360 --> 00:56:31,200
Speaker 1: to turn? Have you ever performed Cats musical theater? That

844
00:56:31,480 --> 00:56:36,759
Speaker 1: production of Cats? Wow? Okay, so yes, but this is nothing.

845
00:56:36,760 --> 00:56:39,000
Speaker 1: But there's nothing but a ringing endorsement. This is a

846
00:56:39,040 --> 00:56:42,120
Speaker 1: beautiful endorsement. Yes, you get an amazing time, But I

847
00:56:42,280 --> 00:56:46,560
Speaker 1: will physically attack each and every person who was cast

848
00:56:47,160 --> 00:56:52,440
Speaker 1: in that musical because you want to because their tens.

849
00:56:52,480 --> 00:56:53,839
Speaker 1: I know why why do you want to attack them?

850
00:56:53,960 --> 00:56:56,600
Speaker 1: Because I'm a ten? And when I see other tens,

851
00:56:57,000 --> 00:56:59,800
Speaker 1: you got to get rid of them. There's no So,

852
00:57:00,000 --> 00:57:01,239
Speaker 1: how do you feel about us? You don't think that

853
00:57:01,280 --> 00:57:03,279
Speaker 1: we're times? You don't feel there an by us? No,

854
00:57:03,360 --> 00:57:06,000
Speaker 1: we're not times, we're not ts. You both combined are

855
00:57:06,120 --> 00:57:12,040
Speaker 1: like a hard one together. Combined you are a one,

856
00:57:12,080 --> 00:57:18,440
Speaker 1: and we're both integers. You're in you on the ten scale.

857
00:57:19,280 --> 00:57:24,640
Speaker 1: I'm an integer. That doesn't feel good? Fine, now I

858
00:57:24,720 --> 00:57:30,439
Speaker 1: can I agree we're we combined our one? Fine? Fine, Hey,

859
00:57:30,720 --> 00:57:35,160
Speaker 1: but you know one's get fucked. You know what you know?

860
00:57:35,240 --> 00:57:38,360
Speaker 1: How you know? Because pigeons are ones on the ten scale,

861
00:57:38,440 --> 00:57:42,320
Speaker 1: and there's pigeons everywhere. Fine? Fine, Do you feel that

862
00:57:42,480 --> 00:57:49,480
Speaker 1: living in l A hasn't made you a selfish, self induligent, naive, naive,

863
00:57:50,440 --> 00:57:59,240
Speaker 1: Hollywood hungry, power hungry, social climbing motherfuck Ris, motherfuck Ris?

864
00:58:03,200 --> 00:58:07,640
Speaker 1: Or are you still the innocent lamb that we knew? So?

865
00:58:08,040 --> 00:58:10,800
Speaker 1: I want to let you in on a little secret.

866
00:58:13,400 --> 00:58:18,920
Speaker 1: When I was born. When I was born, my mom

867
00:58:19,040 --> 00:58:22,800
Speaker 1: was in labor. I was birthed vaginally. My mom is

868
00:58:22,880 --> 00:58:31,880
Speaker 1: sis and pieces sis pussy. Uh my mom was giving

869
00:58:31,920 --> 00:58:37,280
Speaker 1: birth to me and um the it I had breached

870
00:58:37,320 --> 00:58:39,040
Speaker 1: at one point so that was scary for a little bit.

871
00:58:39,040 --> 00:58:41,320
Speaker 1: It was a longer birth than they planned anyways. Um,

872
00:58:41,480 --> 00:58:45,120
Speaker 1: so they were delivering me and at like as the

873
00:58:45,240 --> 00:58:49,840
Speaker 1: doctor they got me unbreached, which was incredible, like it's

874
00:58:50,040 --> 00:58:52,880
Speaker 1: like a great thing. And as they're pulling as they're

875
00:58:52,920 --> 00:58:57,680
Speaker 1: delivering me, um, they might they said that my eyes

876
00:58:57,760 --> 00:59:00,800
Speaker 1: were open as I came out, which is like insane

877
00:59:00,880 --> 00:59:03,320
Speaker 1: because usually it takes time for your eyes open, but

878
00:59:03,440 --> 00:59:06,000
Speaker 1: my eyes were open. And as they were delivering me,

879
00:59:06,160 --> 00:59:08,840
Speaker 1: I said, I haven't seen you in so long. We

880
00:59:08,880 --> 00:59:12,680
Speaker 1: should get coffee. Are you around? What's your schedule like

881
00:59:12,720 --> 00:59:17,280
Speaker 1: next week? We should get coffee and and uh, yeah,

882
00:59:17,320 --> 00:59:19,840
Speaker 1: I really mean it. I know. I know, let's just

883
00:59:19,920 --> 00:59:22,600
Speaker 1: like not make it like a big thing, but like

884
00:59:22,840 --> 00:59:26,400
Speaker 1: if you're around, you can just text me and uh

885
00:59:27,280 --> 00:59:32,200
Speaker 1: And the doctor was like you feel climby especially, so no,

886
00:59:32,480 --> 00:59:34,640
Speaker 1: I really mean it. Let's get let's Oh my gosh,

887
00:59:34,720 --> 00:59:38,040
Speaker 1: there's where What are your like spots? What are you

888
00:59:38,160 --> 00:59:40,600
Speaker 1: like spots? I don't have spots yet because I'm new

889
00:59:40,680 --> 00:59:44,760
Speaker 1: to town, but if you have some spots that you love.

890
00:59:46,720 --> 00:59:53,560
Speaker 1: I love tapas. I came out. I love tapas. Um.

891
00:59:54,240 --> 00:59:58,160
Speaker 1: But I do think I think if anything, l A

892
00:59:58,280 --> 01:00:03,480
Speaker 1: has made me more earnest really and this is this is,

893
01:00:03,640 --> 01:00:06,880
Speaker 1: this is real, and you know this podcast would denote

894
01:00:06,960 --> 01:00:11,040
Speaker 1: that because you two are evil slime and draw that

895
01:00:11,240 --> 01:00:15,480
Speaker 1: out of me, make me evil slime. I'm kidding. I

896
01:00:15,600 --> 01:00:18,480
Speaker 1: love you, I'm earnest. I love you, We love you,

897
01:00:18,720 --> 01:00:20,880
Speaker 1: We love you, love you. Do you know? Do you know?

898
01:00:21,160 --> 01:00:23,440
Speaker 1: We just had to like earnestly interview some people we

899
01:00:23,480 --> 01:00:26,640
Speaker 1: didn't trybeca film festival. Yeah, okay, how do you feel

900
01:00:26,640 --> 01:00:31,120
Speaker 1: about this? We interviewed Paras Hilton. Oh what wait? Okay?

901
01:00:31,600 --> 01:00:33,680
Speaker 1: I was I think, Patty, I want to know your

902
01:00:33,720 --> 01:00:35,400
Speaker 1: Paras Hilton insights. What are the things that you think

903
01:00:35,440 --> 01:00:37,080
Speaker 1: about her? Because according to her, there are a lot

904
01:00:37,120 --> 01:00:43,000
Speaker 1: of misconceptions about her. I think that the I don't

905
01:00:43,080 --> 01:00:46,440
Speaker 1: remember the second season a lot. I thought The Simple

906
01:00:46,520 --> 01:00:50,760
Speaker 1: Life was very funny, very funny that maybe you know

907
01:00:51,680 --> 01:00:54,640
Speaker 1: that is I'm saying that as someone who saw it

908
01:00:55,000 --> 01:00:57,640
Speaker 1: when it came out, and I haven't revisited anything other

909
01:00:57,680 --> 01:00:59,160
Speaker 1: than a couple of clips, and so I'm sure there's

910
01:00:59,160 --> 01:01:03,600
Speaker 1: stuff in it now it's like, but that being said,

911
01:01:04,240 --> 01:01:06,200
Speaker 1: which and I also think it maybe that show was

912
01:01:06,520 --> 01:01:11,680
Speaker 1: really funny because of Nicole Ritchie maybe more. But um,

913
01:01:11,920 --> 01:01:14,880
Speaker 1: I mean I think stars are blind. Is you know great?

914
01:01:15,120 --> 01:01:21,360
Speaker 1: I think, uh, she she is. Probably it seems like

915
01:01:21,600 --> 01:01:27,120
Speaker 1: in her career she has she was born evil and

916
01:01:27,480 --> 01:01:33,000
Speaker 1: then became self aware that she was evil, and now

917
01:01:33,200 --> 01:01:36,760
Speaker 1: she's like kind of self deprecating in the way that

918
01:01:36,880 --> 01:01:40,440
Speaker 1: an evil person can. I know exactly what you mean,

919
01:01:41,280 --> 01:01:43,920
Speaker 1: I would say that, Well, all I know is I

920
01:01:44,040 --> 01:01:46,160
Speaker 1: really hadn't thought of that her in so many years,

921
01:01:46,240 --> 01:01:48,840
Speaker 1: to be honestly that I know. She's extremely famous with

922
01:01:49,040 --> 01:01:51,600
Speaker 1: the people that she's famous with. She's got like ten

923
01:01:51,640 --> 01:01:54,920
Speaker 1: million followers on Instagram, She's got like this whole billion

924
01:01:54,960 --> 01:01:58,840
Speaker 1: dollar empire. She's internationally like booking DJ spots, Like she's

925
01:01:58,880 --> 01:02:02,880
Speaker 1: like extreme, really famous with the people that care. Yeah,

926
01:02:02,920 --> 01:02:04,600
Speaker 1: but I hadn't thought about her in years, and so

927
01:02:04,720 --> 01:02:06,520
Speaker 1: I kind of didn't know what to expect when she

928
01:02:06,640 --> 01:02:09,600
Speaker 1: came in. But she came in, and she was Paris Paris,

929
01:02:09,680 --> 01:02:11,439
Speaker 1: and the first thing she did was how I guess,

930
01:02:11,480 --> 01:02:13,280
Speaker 1: which I thought when she was the only one that

931
01:02:13,480 --> 01:02:15,400
Speaker 1: we interviewed the whole weekend, that the first thing she

932
01:02:15,480 --> 01:02:17,560
Speaker 1: did was come over and give us. I think that

933
01:02:17,720 --> 01:02:21,080
Speaker 1: is so ingrained after years of like having to meet

934
01:02:21,120 --> 01:02:23,720
Speaker 1: a million different strangers, and it's like, in a way,

935
01:02:23,760 --> 01:02:26,160
Speaker 1: I think in terms of press like it is a

936
01:02:26,920 --> 01:02:29,800
Speaker 1: I'm convinced it's like a disarming tactic. Like it's like

937
01:02:30,680 --> 01:02:34,040
Speaker 1: I'm it's like, look how nice I am. Like I've

938
01:02:34,040 --> 01:02:37,840
Speaker 1: got this horde of pr people behind me, Like, well,

939
01:02:38,840 --> 01:02:41,960
Speaker 1: what would you what would be an authentic I don't

940
01:02:42,000 --> 01:02:44,280
Speaker 1: know reaction that she could have to you that I

941
01:02:44,680 --> 01:02:46,720
Speaker 1: kind of thought it was authentic because the thing is,

942
01:02:46,760 --> 01:02:48,440
Speaker 1: it seemed like she came in it was being ourselves.

943
01:02:48,560 --> 01:02:49,960
Speaker 1: I mean. The thing is when I say she came

944
01:02:50,000 --> 01:02:51,920
Speaker 1: in and she was Paras Hilton, I don't mean she

945
01:02:52,040 --> 01:02:54,000
Speaker 1: came in and she was a nightmare. What I mean

946
01:02:54,160 --> 01:02:55,840
Speaker 1: is she was not a nightmare at all. Came in

947
01:02:55,920 --> 01:02:58,800
Speaker 1: and was like really kind of a nice version of

948
01:02:58,880 --> 01:03:00,840
Speaker 1: what you think Paris it would. She came in, she

949
01:03:00,920 --> 01:03:04,160
Speaker 1: said matching Blazers loves it, and she said like all

950
01:03:04,240 --> 01:03:06,240
Speaker 1: the Paras Hilton lines. And then she and it was

951
01:03:06,280 --> 01:03:07,760
Speaker 1: like it was warm in the room because of the lamps,

952
01:03:07,800 --> 01:03:09,640
Speaker 1: and she was like she's like, it's so hot in here.

953
01:03:09,680 --> 01:03:11,040
Speaker 1: We were like, yeah, we know, which we had been

954
01:03:11,080 --> 01:03:14,600
Speaker 1: talking about all day. It was hot and that's hot,

955
01:03:14,840 --> 01:03:16,400
Speaker 1: and then like kind of get going. Yeah yeah yeah,

956
01:03:16,440 --> 01:03:17,920
Speaker 1: but like and like then she went in the bathroom,

957
01:03:17,960 --> 01:03:19,440
Speaker 1: got ready, came back out and we had like a

958
01:03:19,560 --> 01:03:21,720
Speaker 1: good interview with her. She was no, she was she

959
01:03:21,880 --> 01:03:24,000
Speaker 1: was great. She was great. It's just it's like, you know,

960
01:03:25,240 --> 01:03:28,600
Speaker 1: so many little contours around her fame and around how

961
01:03:28,680 --> 01:03:32,000
Speaker 1: she moves like navigates any space. Yeah, I don't know.

962
01:03:32,120 --> 01:03:33,680
Speaker 1: She was the last interview. We did it the whole weegn.

963
01:03:33,720 --> 01:03:35,240
Speaker 1: I think it was good. She was last, but she

964
01:03:35,320 --> 01:03:37,840
Speaker 1: obviously was like the most famous person we talked to.

965
01:03:38,320 --> 01:03:40,600
Speaker 1: But then after having done it, like it was a

966
01:03:40,640 --> 01:03:43,560
Speaker 1: good experience. We also sang her song with her, sang

967
01:03:43,600 --> 01:03:48,880
Speaker 1: nothing remember nothing in this world, nothing can stop us

968
01:03:48,960 --> 01:03:54,040
Speaker 1: tonight I can do what she can do so much better. Yeah,

969
01:03:54,400 --> 01:03:57,520
Speaker 1: it's good. Yeah, I remember it because of what she

970
01:03:57,640 --> 01:04:00,520
Speaker 1: just did. Thank you. UM know, this is what this

971
01:04:00,640 --> 01:04:02,640
Speaker 1: is what I think? What what were you going to say?

972
01:04:02,800 --> 01:04:05,640
Speaker 1: This is who I think Patty would be excited about,

973
01:04:05,640 --> 01:04:08,960
Speaker 1: because we quoted bringing On in her last episode. We talked,

974
01:04:10,800 --> 01:04:17,600
Speaker 1: oh my god, round up that spring step out, had

975
01:04:17,880 --> 01:04:23,160
Speaker 1: step out? What is it backtuck half springing layout or

976
01:04:23,280 --> 01:04:26,320
Speaker 1: something like that. I don't remember the whole thing that

977
01:04:26,440 --> 01:04:29,240
Speaker 1: I just remember, your school has no gymnastics team. That

978
01:04:29,480 --> 01:04:33,200
Speaker 1: was the last reader I transferred from Los Angeles. Your

979
01:04:33,240 --> 01:04:35,960
Speaker 1: school has such gymnastics team. This is the last resort.

980
01:04:36,320 --> 01:04:41,400
Speaker 1: Oh my god, fucking roasted that dumb little cunt, roasted

981
01:04:41,480 --> 01:04:47,320
Speaker 1: her cunt, her little assist um. And she has not

982
01:04:47,480 --> 01:04:52,040
Speaker 1: aged a day, not a day. Anyway. She's smoking, She's

983
01:04:52,320 --> 01:04:56,480
Speaker 1: absolutely smoking. What what did you guys? What was a

984
01:04:56,600 --> 01:05:00,080
Speaker 1: surprising about that? Didn't she like surprise she was she

985
01:05:00,480 --> 01:05:04,680
Speaker 1: she was producing a movie about Robert. Robert Mapplethorpe. He's

986
01:05:04,680 --> 01:05:07,960
Speaker 1: a party's like like an eighties photographer in New York

987
01:05:08,200 --> 01:05:11,920
Speaker 1: lower side photographer in the late eighties. He actually passed

988
01:05:11,960 --> 01:05:14,880
Speaker 1: away and maybe seventies, but he took a lot of

989
01:05:15,320 --> 01:05:18,280
Speaker 1: he took photos of the New York underground. D S. M.

990
01:05:18,640 --> 01:05:22,120
Speaker 1: Very famous photographer. And I think her brother, Nate is

991
01:05:22,360 --> 01:05:24,280
Speaker 1: um in the gay community, and I think that like

992
01:05:24,600 --> 01:05:26,440
Speaker 1: it was obviously important to him. Maybe he brought it

993
01:05:26,520 --> 01:05:28,800
Speaker 1: to her and like she's helped like it and become

994
01:05:28,840 --> 01:05:31,000
Speaker 1: a thing that was like kind of I think the idea.

995
01:05:31,240 --> 01:05:32,680
Speaker 1: But it seemed like they were super close to the

996
01:05:32,720 --> 01:05:36,040
Speaker 1: project and they were having the after party for the

997
01:05:36,120 --> 01:05:39,560
Speaker 1: Tribeca premier at the Eagle was in New York at like,

998
01:05:39,880 --> 01:05:43,680
Speaker 1: what is that the big gay leather bar franchise around

999
01:05:43,680 --> 01:05:45,840
Speaker 1: the world, but like every big city has an Eagle.

1000
01:05:46,520 --> 01:05:48,360
Speaker 1: It's like the Javis is nodding that he knows of

1001
01:05:48,440 --> 01:05:50,480
Speaker 1: the Eagle go to leather bar. But it was cute,

1002
01:05:50,520 --> 01:05:53,160
Speaker 1: like they were just they were very like. They were

1003
01:05:53,200 --> 01:05:55,200
Speaker 1: just very like they were there to talk about a

1004
01:05:55,280 --> 01:05:58,040
Speaker 1: queer project, and it was just you felt that openness

1005
01:05:58,080 --> 01:06:01,040
Speaker 1: and that difference and all and Allies asked for a

1006
01:06:01,080 --> 01:06:04,160
Speaker 1: picture after, which which was just like a truly starstruck thing,

1007
01:06:04,320 --> 01:06:06,160
Speaker 1: not because not because she wanted a picture with us,

1008
01:06:06,200 --> 01:06:07,680
Speaker 1: because she was like, oh, let's take a picture. It

1009
01:06:07,760 --> 01:06:09,520
Speaker 1: was like fun. It wasn't like I need a picture

1010
01:06:09,600 --> 01:06:12,560
Speaker 1: with know. She was like, like we cut we like

1011
01:06:12,760 --> 01:06:14,480
Speaker 1: it was a great interview. We caut they haven't posted

1012
01:06:14,520 --> 01:06:16,320
Speaker 1: it but wet. And then she was like, um, oh

1013
01:06:16,400 --> 01:06:17,880
Speaker 1: my god, that was so fun. Can we take a picture?

1014
01:06:17,920 --> 01:06:20,800
Speaker 1: And I was like, oh yeah, she was. She was great,

1015
01:06:20,840 --> 01:06:24,840
Speaker 1: like I've never had a picture with Integers before. We

1016
01:06:25,520 --> 01:06:27,760
Speaker 1: did one person, well two people that give us son

1017
01:06:27,800 --> 01:06:29,760
Speaker 1: of a salty vibe. Do you want to say I

1018
01:06:29,840 --> 01:06:31,520
Speaker 1: won't say who. I don't I will not say I

1019
01:06:31,640 --> 01:06:33,760
Speaker 1: don't want you to. I will not say who the

1020
01:06:33,960 --> 01:06:36,440
Speaker 1: guess what. I know who it was, And I'm going

1021
01:06:36,520 --> 01:06:40,000
Speaker 1: to put them on less right now. It was um

1022
01:06:40,680 --> 01:06:47,560
Speaker 1: It was not telling you it was it was it was.

1023
01:06:50,360 --> 01:06:54,520
Speaker 1: It was what it was Nina from tech in and

1024
01:06:56,200 --> 01:07:01,800
Speaker 1: Yo she Mitsu second and Maria's Marie Osmond. It was

1025
01:07:01,920 --> 01:07:05,400
Speaker 1: Nina from Teken, Marie, Marie Osmond, and Yoshi Mets from

1026
01:07:05,560 --> 01:07:09,480
Speaker 1: tech Stole Calibra slash Shule Caliber Important and they were

1027
01:07:09,520 --> 01:07:11,360
Speaker 1: all they were all really nasty. They came in all

1028
01:07:11,400 --> 01:07:15,400
Speaker 1: together for a project they're doing called Umu Who's Talking?

1029
01:07:15,480 --> 01:07:21,120
Speaker 1: Three Look, He's talking talking? Remember Luk Who's Talking? Actually

1030
01:07:21,160 --> 01:07:23,000
Speaker 1: has nothing to do with Teken and they're really trying

1031
01:07:23,000 --> 01:07:25,400
Speaker 1: to break away from the town, and Marie Osmond is

1032
01:07:25,400 --> 01:07:27,320
Speaker 1: trying to break away from you know, singing and dancing

1033
01:07:27,400 --> 01:07:29,560
Speaker 1: and dancing with the stars and put home with her

1034
01:07:29,560 --> 01:07:31,240
Speaker 1: brother and stuff like that. So they're actually doing a

1035
01:07:31,360 --> 01:07:35,000
Speaker 1: third movie of Luke Who's Talking, um yeah, with you

1036
01:07:35,040 --> 01:07:37,720
Speaker 1: know the movie with Kirstiality and John Travolta and the Baby.

1037
01:07:37,800 --> 01:07:40,320
Speaker 1: But the thing about John Travolta and Kirsty Alley is there,

1038
01:07:41,040 --> 01:07:43,200
Speaker 1: you know, kind of both going through hard times. So

1039
01:07:43,280 --> 01:07:45,360
Speaker 1: they're not going to do it, and so Marie osmond

1040
01:07:45,440 --> 01:07:51,960
Speaker 1: Yoshi from tech In and they meet. Did you ever

1041
01:07:52,000 --> 01:07:55,240
Speaker 1: play Debt or Alive? I loved it. All of the

1042
01:07:55,280 --> 01:07:59,600
Speaker 1: women were fucking like just looked crazy. You could my

1043
01:07:59,720 --> 01:08:02,120
Speaker 1: dick all off. O, my diick fell off. Oh, this

1044
01:08:02,240 --> 01:08:05,640
Speaker 1: conversation made my dick fall off. Stop. The chips are

1045
01:08:05,720 --> 01:08:09,600
Speaker 1: big there. You could go into the settings and make

1046
01:08:09,680 --> 01:08:12,600
Speaker 1: the boobs jiggling. You could not. There was boob jiggle

1047
01:08:12,680 --> 01:08:15,840
Speaker 1: settings in this video game. And like the later like

1048
01:08:15,920 --> 01:08:17,439
Speaker 1: Dead or Life Too Deader Life three. What do you

1049
01:08:17,479 --> 01:08:21,800
Speaker 1: think about that patriarchy? Huh patriarchy? What is that where

1050
01:08:22,160 --> 01:08:26,280
Speaker 1: it's so it's um just like the sort of trying

1051
01:08:26,280 --> 01:08:28,599
Speaker 1: of balloon pops when it gets too high in the air.

1052
01:08:29,200 --> 01:08:32,040
Speaker 1: It's when it's when what's when tis jiggle and my

1053
01:08:32,479 --> 01:08:36,240
Speaker 1: dick doesn't get hard enough? You know, I actually don't.

1054
01:08:36,600 --> 01:08:39,960
Speaker 1: I actually don't think it is the patriarch. I think

1055
01:08:40,000 --> 01:08:44,880
Speaker 1: it is. I think it's a woman's choice if she

1056
01:08:45,520 --> 01:08:52,639
Speaker 1: wants to be a six ft tall, fourteen year old

1057
01:08:53,000 --> 01:09:00,280
Speaker 1: one hundred pounds ninja with seven pound TETs. Yeah, like

1058
01:09:00,760 --> 01:09:05,880
Speaker 1: like no discernible scale to measure them, yet they're so big.

1059
01:09:06,840 --> 01:09:11,479
Speaker 1: Uh yeah, why not? We don't know. We don't know

1060
01:09:11,840 --> 01:09:14,400
Speaker 1: real in real ninja. We don't. We don't. We don't

1061
01:09:14,439 --> 01:09:16,000
Speaker 1: know real and we don't know what they look like.

1062
01:09:16,080 --> 01:09:17,360
Speaker 1: We don't know who they are, we don't know what

1063
01:09:17,439 --> 01:09:20,040
Speaker 1: they're all about. That's true. Um, is it time to

1064
01:09:20,320 --> 01:09:22,280
Speaker 1: get into our new segment. It's time. It's time to

1065
01:09:22,320 --> 01:09:24,000
Speaker 1: get into And by the way, someone left a review

1066
01:09:24,080 --> 01:09:26,120
Speaker 1: saying that they hated this segment. Well, guess what, we're

1067
01:09:26,120 --> 01:09:31,439
Speaker 1: gonna keep doing it. Someone we can't blast a drag cock.

1068
01:09:31,520 --> 01:09:34,040
Speaker 1: They left it. They left a nice, a nice review,

1069
01:09:34,120 --> 01:09:37,560
Speaker 1: but they said caveat. Um. I love last culture is

1070
01:09:37,600 --> 01:09:39,639
Speaker 1: just but I do not like this voice memo segment.

1071
01:09:39,720 --> 01:09:41,560
Speaker 1: But hey, but we're gonna keep doing it because I

1072
01:09:41,640 --> 01:09:44,560
Speaker 1: feel that this last week's was really good, and the

1073
01:09:44,600 --> 01:09:46,400
Speaker 1: week prior to that was really good, and the week

1074
01:09:46,439 --> 01:09:48,120
Speaker 1: prior to that was really good. And oh wait, I

1075
01:09:48,200 --> 01:09:50,720
Speaker 1: think all of them have been good, so you can just,

1076
01:09:50,920 --> 01:09:53,320
Speaker 1: you know, give it a chance. We're trying something new.

1077
01:09:54,560 --> 01:09:58,679
Speaker 1: And today's voicemam oh you bitch comes to us actually

1078
01:09:58,800 --> 01:10:01,439
Speaker 1: from Friends of the Show, guy Brandam, So let's see

1079
01:10:01,439 --> 01:10:03,400
Speaker 1: what Guy has to say. I have not heard that.

1080
01:10:03,560 --> 01:10:05,720
Speaker 1: I have not heard it either. Here we go, Oh hey,

1081
01:10:05,880 --> 01:10:10,840
Speaker 1: Bowen and that it's Guy Branda. I'm your old friend. UM,

1082
01:10:11,040 --> 01:10:14,280
Speaker 1: just calling to say hey, and how uncomfortable I am

1083
01:10:14,360 --> 01:10:17,960
Speaker 1: made by the sheer number of times since Nathan Lee

1084
01:10:18,000 --> 01:10:20,040
Speaker 1: Graham I think that's his name that you guys have

1085
01:10:20,160 --> 01:10:23,719
Speaker 1: said this is the best show ever. Um that really,

1086
01:10:24,400 --> 01:10:28,040
Speaker 1: you know, I think steps on the legacy of those

1087
01:10:28,120 --> 01:10:33,480
Speaker 1: of us who really you know, UM built lost culturestus

1088
01:10:34,200 --> 01:10:41,760
Speaker 1: the best newels of the world. Ums like with her them?

1089
01:10:42,120 --> 01:10:47,360
Speaker 1: What about the Marshall Bell's case? What about the guy's brand? Um? Also,

1090
01:10:47,520 --> 01:10:51,840
Speaker 1: hello to Patty. Patty, unlike your voicemail from a couple

1091
01:10:51,840 --> 01:10:53,320
Speaker 1: of weeks ago, I'm not going to be doing a

1092
01:10:53,360 --> 01:10:59,479
Speaker 1: fun little skit where I prevaricate, um to sort of

1093
01:10:59,600 --> 01:11:04,360
Speaker 1: like emphasize the ridiculousness of of of what I'm saying.

1094
01:11:04,439 --> 01:11:07,840
Speaker 1: My my aren't and comedy is rooted in truth. Uh,

1095
01:11:08,000 --> 01:11:13,280
Speaker 1: And so I don't play little games like that. Hey,

1096
01:11:14,320 --> 01:11:18,920
Speaker 1: And why aren't we talking about blockers more? You know,

1097
01:11:19,479 --> 01:11:22,120
Speaker 1: like we'll go, we'll go as a people and we'll

1098
01:11:22,120 --> 01:11:25,360
Speaker 1: all watch love Simon and will be gently disappointed by

1099
01:11:25,400 --> 01:11:28,000
Speaker 1: love Simon. But it never crosses our mind that Kay Cannon,

1100
01:11:28,439 --> 01:11:31,320
Speaker 1: in making Blockers, has given us a much better gay

1101
01:11:31,439 --> 01:11:33,920
Speaker 1: teen comedy. Is it because it centers on a woman?

1102
01:11:34,080 --> 01:11:35,479
Speaker 1: I don't know. You would think the fact that it

1103
01:11:35,560 --> 01:11:38,200
Speaker 1: was mainstream would make like gave people more into it,

1104
01:11:38,520 --> 01:11:40,960
Speaker 1: because all we fucking want is for the mainstream to

1105
01:11:41,000 --> 01:11:45,479
Speaker 1: pay attention to us. Um. But I don't understand why

1106
01:11:46,040 --> 01:11:50,080
Speaker 1: only only Riley Jeff Silverman, she is the only queer

1107
01:11:50,200 --> 01:11:53,559
Speaker 1: voice who has been calling out to America and saying, hey,

1108
01:11:54,080 --> 01:11:57,720
Speaker 1: Blockers is a good movie that you should be excited about. Um.

1109
01:11:58,200 --> 01:12:01,120
Speaker 1: And it's really funny, and I co parent Holts is

1110
01:12:01,160 --> 01:12:03,120
Speaker 1: my friend and my friend Dave Stasin worked on it.

1111
01:12:03,200 --> 01:12:06,880
Speaker 1: But I'm not just being enthusiastic about it because m

1112
01:12:07,520 --> 01:12:09,680
Speaker 1: my friends worked on it. I'm being enthusiastic about it

1113
01:12:09,720 --> 01:12:11,760
Speaker 1: because Blockers is a very funny movie. And I like

1114
01:12:12,520 --> 01:12:15,280
Speaker 1: I like a nice mainstream comedy. I like getting Stone

1115
01:12:15,320 --> 01:12:18,439
Speaker 1: and going to a mainstream comedy Brooklyn children, do you

1116
01:12:18,520 --> 01:12:21,080
Speaker 1: feel that needs to be better than mainstream culture? You

1117
01:12:21,200 --> 01:12:24,160
Speaker 1: only want to approach things ironically or at a distance,

1118
01:12:24,320 --> 01:12:28,280
Speaker 1: or in your stupid boxy sweatshirts. Um, let me tell

1119
01:12:28,360 --> 01:12:33,440
Speaker 1: you like this whole Oh look at how dramatically oversized

1120
01:12:33,520 --> 01:12:37,160
Speaker 1: my shirt is thing that is sizest. It is fundamentally sizes.

1121
01:12:37,280 --> 01:12:40,120
Speaker 1: It is just one of many ways that you say, oh,

1122
01:12:40,280 --> 01:12:42,800
Speaker 1: look at how thin I am, funk all of you.

1123
01:12:44,880 --> 01:12:47,240
Speaker 1: I probably shouldn't get into rag threats of how I

1124
01:12:47,320 --> 01:12:51,360
Speaker 1: will start crushing your bones between my gigantic media fists.

1125
01:12:52,080 --> 01:12:55,280
Speaker 1: That's probably not what lost cultures this is about. But

1126
01:12:55,640 --> 01:12:58,439
Speaker 1: when I went and saw Blockers, I wasn't stoned. So

1127
01:12:58,479 --> 01:13:00,720
Speaker 1: then I went and I feel pretty stone owned. It

1128
01:13:00,840 --> 01:13:03,760
Speaker 1: was really good. It was really good. She's a good action.

1129
01:13:05,960 --> 01:13:12,120
Speaker 1: In conclusion, Patti's comedy is rooted in lines, as is

1130
01:13:12,200 --> 01:13:15,240
Speaker 1: my gender. My life is a God has come such

1131
01:13:15,320 --> 01:13:19,400
Speaker 1: a life, And I will be doing a show heard

1132
01:13:19,439 --> 01:13:22,439
Speaker 1: it here first, I'll be doing a launch show at

1133
01:13:22,560 --> 01:13:25,320
Speaker 1: Union Hall. But I don't know what the day is

1134
01:13:28,200 --> 01:13:30,479
Speaker 1: saying that. But you guys should all come to my

1135
01:13:30,600 --> 01:13:34,320
Speaker 1: launch show and buy my book, especially Patty, so she

1136
01:13:34,439 --> 01:13:37,160
Speaker 1: can learn how to make a comedy that is rooted

1137
01:13:37,280 --> 01:13:42,400
Speaker 1: in true Oh my god, by guys. But I make

1138
01:13:42,439 --> 01:13:44,639
Speaker 1: clear that I'm in Palm Springs and have been drinking

1139
01:13:44,680 --> 01:13:47,200
Speaker 1: since ten this morning. I don't know if I made

1140
01:13:47,240 --> 01:13:50,080
Speaker 1: that clear. I went to Palm Springs in the middle

1141
01:13:50,120 --> 01:13:58,200
Speaker 1: of the week for no good reason. Luxurious and also

1142
01:13:58,280 --> 01:14:02,599
Speaker 1: gets stoned, but not watch I feel pretty okay, okay,

1143
01:14:02,680 --> 01:14:05,800
Speaker 1: And that's our voice from that he's having fun. I

1144
01:14:06,000 --> 01:14:09,880
Speaker 1: agree that that we're not talking about Blockers enough because

1145
01:14:09,880 --> 01:14:11,439
Speaker 1: I don't think enough people have seen it. I haven't

1146
01:14:11,439 --> 01:14:12,880
Speaker 1: seen it. I heard it's good. I heard it's good.

1147
01:14:12,880 --> 01:14:15,200
Speaker 1: Our friend Emily Schmidt wrote for it as well. Um,

1148
01:14:15,439 --> 01:14:19,040
Speaker 1: a friend of Kake Cannon, Um, Patty. Let's talk about well,

1149
01:14:19,080 --> 01:14:20,720
Speaker 1: let's talk well, first of all, let's there's a lot

1150
01:14:20,760 --> 01:14:23,200
Speaker 1: to unpack. Yeah, I will say that it does make

1151
01:14:23,360 --> 01:14:28,800
Speaker 1: sense learning that he was drunk recording that, and you know,

1152
01:14:29,800 --> 01:14:32,120
Speaker 1: m hm, because I was wondering, I was like, why

1153
01:14:32,120 --> 01:14:35,840
Speaker 1: would he think I would buy a book? Must have

1154
01:14:35,880 --> 01:14:39,040
Speaker 1: been drinking heavily. I would buy a book. As for

1155
01:14:39,160 --> 01:14:43,160
Speaker 1: a comedy, my comedy being based in lies. Yes, as

1156
01:14:43,439 --> 01:14:47,240
Speaker 1: is your gender identity, as is my gender identity. As

1157
01:14:47,400 --> 01:14:50,920
Speaker 1: is I mean everything that I'm saying, everything that I'm doing,

1158
01:14:51,000 --> 01:14:53,559
Speaker 1: the way I wear my hair, the way I'm talking

1159
01:14:53,600 --> 01:14:55,800
Speaker 1: to you right now, the way I'm looking at you,

1160
01:14:55,920 --> 01:14:57,560
Speaker 1: even though people are just going to be able to

1161
01:14:57,640 --> 01:15:00,720
Speaker 1: hear this. The way that I'm looking at you, all

1162
01:15:00,800 --> 01:15:05,160
Speaker 1: of it is acting. This goes into some like J. D.

1163
01:15:05,320 --> 01:15:09,559
Speaker 1: Salander territory. We have an unreliable narrator, you know, in Patty,

1164
01:15:09,720 --> 01:15:13,560
Speaker 1: but she's narrating her own life. I don't know J D. Sundress,

1165
01:15:13,600 --> 01:15:15,479
Speaker 1: And I don't know what prevarica he wrote Catcher in

1166
01:15:15,520 --> 01:15:18,719
Speaker 1: the Rock and the Right, Well, I know that book.

1167
01:15:19,160 --> 01:15:22,040
Speaker 1: That book should we look at prevaricate just to like humor,

1168
01:15:22,400 --> 01:15:27,479
Speaker 1: look that prevaricate, prevaricate And what is Catcher in the

1169
01:15:27,560 --> 01:15:30,960
Speaker 1: rye about? Catching the rise? About a boy who's mad, annoying,

1170
01:15:31,600 --> 01:15:35,439
Speaker 1: very annoying. Here we go prevaricated, and I'm going to

1171
01:15:35,520 --> 01:15:38,840
Speaker 1: read that verbs speak or act in an evasive way.

1172
01:15:39,760 --> 01:15:44,639
Speaker 1: He seemed to prevaricate when journalists asked pointed questions. Okay,

1173
01:15:44,920 --> 01:15:47,400
Speaker 1: I do do that. It's a word. It's a word

1174
01:15:47,479 --> 01:15:52,320
Speaker 1: for dodging. There you go, deflecting. Provaricator. That's all you

1175
01:15:52,439 --> 01:15:59,559
Speaker 1: want to me when I come to with my questions. Prevaricated,

1176
01:16:00,600 --> 01:16:04,760
Speaker 1: that's all you lose me. Well, I come to you

1177
01:16:05,320 --> 01:16:15,120
Speaker 1: when I'm big true? Who who? Who? The truth? Who? Who?

1178
01:16:16,600 --> 01:16:26,120
Speaker 1: Prevaricatea prevaricated my first single. Now I thought that who

1179
01:16:26,439 --> 01:16:35,280
Speaker 1: who Who was the good hook. Yes, we're time, it's

1180
01:16:35,320 --> 01:16:38,639
Speaker 1: time to move on to I don't think so honey.

1181
01:16:39,200 --> 01:16:41,040
Speaker 1: This is the segment where we take one minute to

1182
01:16:41,160 --> 01:16:44,040
Speaker 1: rail against something in pop culture that is bothering us,

1183
01:16:44,439 --> 01:16:47,120
Speaker 1: that we're not really loving. And this is our safe space,

1184
01:16:47,240 --> 01:16:49,679
Speaker 1: one minute to really go for it. And I ready

1185
01:16:49,720 --> 01:16:53,200
Speaker 1: to go, um, yes, okay, great, you have one. So

1186
01:16:53,240 --> 01:16:55,000
Speaker 1: a woman that's going on the clock, Matt Rodgers is

1187
01:16:55,040 --> 01:16:57,000
Speaker 1: I don't think so, honey. As time starts now, I

1188
01:16:57,080 --> 01:16:59,600
Speaker 1: don't think so honey. People who can't give Melanni a

1189
01:16:59,640 --> 01:17:03,320
Speaker 1: Trump credit for at least looking really good, Like, listen,

1190
01:17:03,880 --> 01:17:06,439
Speaker 1: you can say what you want, but you cannot say.

1191
01:17:06,640 --> 01:17:09,960
Speaker 1: You can't factually say that she doesn't look good. All

1192
01:17:10,000 --> 01:17:14,200
Speaker 1: of a sudden, the conversation has turned to Milannia Trump's wardrobe.

1193
01:17:14,240 --> 01:17:16,320
Speaker 1: And we always discussed the first ladies in the way

1194
01:17:16,360 --> 01:17:18,760
Speaker 1: they present themselves. And you know what, you can't say

1195
01:17:18,960 --> 01:17:22,320
Speaker 1: that she doesn't look good. She does look good. Whether

1196
01:17:22,520 --> 01:17:25,920
Speaker 1: or not the outfits mean more than just looking good,

1197
01:17:26,320 --> 01:17:28,640
Speaker 1: that's up for debate. If it's more interesting for you

1198
01:17:29,040 --> 01:17:31,759
Speaker 1: to say she's wearing white, and that's like a statement.

1199
01:17:31,960 --> 01:17:34,920
Speaker 1: The strong hats are a statement. The retrofuturism is a statement.

1200
01:17:35,160 --> 01:17:37,840
Speaker 1: That's fine, but just like, don't make it more than

1201
01:17:37,920 --> 01:17:40,720
Speaker 1: it is. She looks good. You can't say she looks bad.

1202
01:17:40,880 --> 01:17:43,080
Speaker 1: You can have your opinion on Milannia Trump, but you

1203
01:17:43,160 --> 01:17:45,120
Speaker 1: don't need to say that she looks bad. The woman

1204
01:17:45,240 --> 01:17:47,519
Speaker 1: is dealing with enough. You don't like Donald Trump. Guess what,

1205
01:17:47,600 --> 01:17:50,000
Speaker 1: she is married to Donald Trump, y'all. She hasn't much

1206
01:17:50,040 --> 01:17:52,680
Speaker 1: worse than us. Just give her a fucking break. She

1207
01:17:52,880 --> 01:17:55,840
Speaker 1: could be an evil person. We don't know, but like,

1208
01:17:56,120 --> 01:18:00,360
Speaker 1: let's assume that you heard it here first. Milannia Trump

1209
01:18:01,360 --> 01:18:04,920
Speaker 1: has it worse than most American people. I'm just saying

1210
01:18:05,160 --> 01:18:08,280
Speaker 1: that she has to be married to Donald Trump, and

1211
01:18:08,360 --> 01:18:10,680
Speaker 1: that's got to be hard. And I'm here right now.

1212
01:18:10,760 --> 01:18:15,200
Speaker 1: I made a surprise. Want to thank you so much,

1213
01:18:15,400 --> 01:18:19,360
Speaker 1: Matt Bouts for standing up for me. I love you

1214
01:18:19,920 --> 01:18:22,400
Speaker 1: and I will be by your side as you have

1215
01:18:22,520 --> 01:18:27,320
Speaker 1: been by my side. I love you. I want to

1216
01:18:27,479 --> 01:18:30,479
Speaker 1: be here with you. Please look at my outfit. What

1217
01:18:30,560 --> 01:18:32,360
Speaker 1: do you think of it now? I think it looks amazing.

1218
01:18:32,439 --> 01:18:37,639
Speaker 1: It's a red, really strong shouldered um ensemble that looks

1219
01:18:37,640 --> 01:18:42,760
Speaker 1: like it was made. Yes, oh, it was made. Come

1220
01:18:42,800 --> 01:18:48,840
Speaker 1: to Sam. Wait, let me clarify. And I think I

1221
01:18:48,920 --> 01:18:50,559
Speaker 1: know what you're trying to say. We'll go. I don't

1222
01:18:50,600 --> 01:18:54,200
Speaker 1: think that Melannia Trump is like an innocent but all

1223
01:18:54,240 --> 01:18:56,439
Speaker 1: of a sudden, every news channel I go to the

1224
01:18:56,520 --> 01:19:00,160
Speaker 1: road like Milannia Trump's wardrobe, what do we think? I don't. No,

1225
01:19:00,400 --> 01:19:03,240
Speaker 1: It's like, no, you can't argue that she is presenting

1226
01:19:03,280 --> 01:19:05,800
Speaker 1: herself well you know what I mean, she looks a

1227
01:19:05,880 --> 01:19:08,760
Speaker 1: lot more expensive like like and she looks like a

1228
01:19:08,880 --> 01:19:11,360
Speaker 1: lot better like, more presented and more proud of the

1229
01:19:11,360 --> 01:19:14,160
Speaker 1: way she put yourself together. Then fucking garbage that she's

1230
01:19:14,439 --> 01:19:17,120
Speaker 1: like next to all the time. And also today will

1231
01:19:17,120 --> 01:19:20,240
Speaker 1: be Goldberg compared to Jacqueline Kennedy. Okay, here's the thing, though,

1232
01:19:20,400 --> 01:19:25,640
Speaker 1: you're Matt's media diet, and you know news diet is

1233
01:19:25,800 --> 01:19:30,559
Speaker 1: still the view. Um, he's not really evolved since eight

1234
01:19:30,640 --> 01:19:35,200
Speaker 1: years ago. Um, you can't. You can't have that set

1235
01:19:35,280 --> 01:19:37,400
Speaker 1: the bar for what the conversation is. And with the

1236
01:19:37,439 --> 01:19:39,840
Speaker 1: tenor of I don't want to do this show, stop,

1237
01:19:40,000 --> 01:19:44,920
Speaker 1: I mean, Matt, you can't like stop wait are you mad? Okay,

1238
01:19:45,000 --> 01:19:50,680
Speaker 1: Matt's leaving and this is real Matt. Matt, come on, okay,

1239
01:19:52,400 --> 01:19:57,800
Speaker 1: this is wow. What Matt got up and left? I

1240
01:19:57,920 --> 01:20:00,840
Speaker 1: think he probably has to take a shut I think

1241
01:20:00,920 --> 01:20:05,479
Speaker 1: he's I think he just actually needs to expel fecal

1242
01:20:05,600 --> 01:20:08,320
Speaker 1: matter from his body. I had to fucking ship since

1243
01:20:08,360 --> 01:20:10,880
Speaker 1: I texted you and told you I was here in

1244
01:20:11,000 --> 01:20:16,480
Speaker 1: front of ability? Is this true? My comedy? My personality

1245
01:20:16,760 --> 01:20:20,720
Speaker 1: is lies? It is lies? Um? Fine, fine, okay, Well

1246
01:20:20,760 --> 01:20:23,600
Speaker 1: it looks like I've really heard Matt's feelings. Um. You know,

1247
01:20:23,680 --> 01:20:25,599
Speaker 1: I thought I thought this was just part of our

1248
01:20:26,680 --> 01:20:31,800
Speaker 1: you know, our our banter is just is Oh my god,

1249
01:20:31,840 --> 01:20:38,080
Speaker 1: what is this? I'm a ghost of who? Oh my god?

1250
01:20:38,439 --> 01:20:43,040
Speaker 1: That died? No, Matt, Now you never got to tell

1251
01:20:43,120 --> 01:20:44,960
Speaker 1: me in life what you really wanted to tell me.

1252
01:20:45,040 --> 01:20:47,040
Speaker 1: And I was your transfer for I crossed over? Oh

1253
01:20:47,160 --> 01:20:52,160
Speaker 1: my god, man, what do you want? How did you die? Um?

1254
01:20:52,400 --> 01:20:56,240
Speaker 1: A broken heart? My friends didn't support me? Oh my god?

1255
01:20:56,920 --> 01:21:01,240
Speaker 1: Who are your friends? Patty and Boy? Oh my god?

1256
01:21:01,680 --> 01:21:04,479
Speaker 1: What about Travis? What about Travis Moser? Oh? Hey, well

1257
01:21:04,520 --> 01:21:06,280
Speaker 1: we just met earlier this yevening. Hey, I would just

1258
01:21:06,320 --> 01:21:08,240
Speaker 1: want to clarify to you a ghost, that I wasn't

1259
01:21:08,240 --> 01:21:11,960
Speaker 1: actually your friend. Well, this is your moment to tell

1260
01:21:12,000 --> 01:21:14,200
Speaker 1: me what you really want to say before I cross

1261
01:21:14,240 --> 01:21:18,000
Speaker 1: over to the other side. Matt Waite, the view is news.

1262
01:21:18,160 --> 01:21:21,040
Speaker 1: The view is news. I didn't mean what I said.

1263
01:21:21,320 --> 01:21:25,800
Speaker 1: Thank you. Now I can go wa what were you

1264
01:21:25,800 --> 01:21:29,080
Speaker 1: going to say? I wanted to tell him I'm back

1265
01:21:29,120 --> 01:21:32,720
Speaker 1: to listen. Oh now he's listening. I just wanted to say, like,

1266
01:21:33,080 --> 01:21:36,400
Speaker 1: I think that I don't know. Sometimes he does this

1267
01:21:36,479 --> 01:21:39,479
Speaker 1: thing when he talks where he like rotates his shoulders

1268
01:21:39,600 --> 01:21:41,639
Speaker 1: and it's like, I don't think he realizes he's doing

1269
01:21:41,920 --> 01:21:45,600
Speaker 1: but it is so jarring and it like makes me

1270
01:21:45,640 --> 01:21:47,880
Speaker 1: mistrack of what I'm talking about. He just like rolls

1271
01:21:47,960 --> 01:21:50,200
Speaker 1: his head around sea and now that he's dead, he's

1272
01:21:50,200 --> 01:21:51,800
Speaker 1: not going to be doing that anymore, which is like,

1273
01:21:52,439 --> 01:21:54,760
Speaker 1: I don't know that you're norther. How I can cross on?

1274
01:21:56,560 --> 01:22:05,080
Speaker 1: Oh I he heard Afterlife. I don't think Oh my god,

1275
01:22:05,520 --> 01:22:11,240
Speaker 1: wait wait hold on okay, alright, uh yeah, okay, hold on,

1276
01:22:11,360 --> 01:22:14,160
Speaker 1: hold on? What the fund was that? All right? Hold on?

1277
01:22:16,000 --> 01:22:18,240
Speaker 1: My phone is being crazy? Do you want to take mine?

1278
01:22:19,400 --> 01:22:21,960
Speaker 1: Can this? We're keeping all of this? I don't think

1279
01:22:22,040 --> 01:22:24,400
Speaker 1: any time starts now. I don't think so, Honey. Book

1280
01:22:24,520 --> 01:22:30,880
Speaker 1: Club is Okay. I was foisted with this, you know,

1281
01:22:31,120 --> 01:22:34,400
Speaker 1: invitation to join this Asian book club, which I thought

1282
01:22:34,520 --> 01:22:36,160
Speaker 1: was a great I would be a great idea, But

1283
01:22:36,280 --> 01:22:39,759
Speaker 1: guess what the meaning is. The first meeting is May twelve,

1284
01:22:40,120 --> 01:22:43,240
Speaker 1: which is to two and a half weeks from now,

1285
01:22:43,479 --> 01:22:46,919
Speaker 1: and I'm expected to read the eight hundred page monster

1286
01:22:47,160 --> 01:22:50,720
Speaker 1: brick that is Pachinko within that time period. Bitch, I

1287
01:22:50,840 --> 01:22:53,439
Speaker 1: have so much reading material to sift through. I have

1288
01:22:53,680 --> 01:22:55,559
Speaker 1: Jumper that New Yorker article that came out a few

1289
01:22:55,640 --> 01:22:57,960
Speaker 1: years ago about about how the Golden Gate Bridge on

1290
01:22:58,040 --> 01:23:01,200
Speaker 1: having railings to prevent suicide and how uh that is uh,

1291
01:23:01,320 --> 01:23:05,040
Speaker 1: you know, a sociological issue about aesthetics and about mental health.

1292
01:23:05,400 --> 01:23:08,400
Speaker 1: I have. I have some some great new stuff for

1293
01:23:08,439 --> 01:23:10,120
Speaker 1: authors that we're going to interview for this podcast that

1294
01:23:10,160 --> 01:23:12,360
Speaker 1: I'm so excited about. I do not have time to

1295
01:23:12,720 --> 01:23:15,800
Speaker 1: sit and digest an eight page book about a multigenerational

1296
01:23:15,880 --> 01:23:19,920
Speaker 1: story about Asians to talk about, because I dee prioritize

1297
01:23:19,960 --> 01:23:22,040
Speaker 1: my own race, and that is a choice I'm making.

1298
01:23:22,840 --> 01:23:25,880
Speaker 1: That's one minute. Wow, He's making the choice in two

1299
01:23:25,960 --> 01:23:30,040
Speaker 1: d prioritize his own race, Patty, And that's okay, But

1300
01:23:30,320 --> 01:23:36,519
Speaker 1: your race is like my race. Race. He's just like

1301
01:23:36,960 --> 01:23:39,400
Speaker 1: my race. That's cute. I like that you added an

1302
01:23:39,479 --> 01:23:42,040
Speaker 1: extra like few words. Um uh no, you know what.

1303
01:23:43,160 --> 01:23:44,960
Speaker 1: I just I don't have time. It's about time, and

1304
01:23:45,040 --> 01:23:49,680
Speaker 1: it's about deep prioritizing race. I don't know what is

1305
01:23:49,760 --> 01:23:53,760
Speaker 1: prioritizing race, you know, leading with it. I don't know.

1306
01:23:54,000 --> 01:23:56,160
Speaker 1: But here's the thing. People of color can't turn it

1307
01:23:56,240 --> 01:23:59,040
Speaker 1: on or off. It's it's part of it's part of

1308
01:23:59,120 --> 01:24:03,040
Speaker 1: him there. It's external identity. Patty, are you ready for

1309
01:24:03,120 --> 01:24:09,639
Speaker 1: your I don't think so. Funny, yeah, okay, then your

1310
01:24:09,720 --> 01:24:14,439
Speaker 1: time starts now. I don't think so, honey. What Ellen

1311
01:24:14,520 --> 01:24:18,760
Speaker 1: Degenerous did to me in that hypothetical concert situation that

1312
01:24:19,000 --> 01:24:21,639
Speaker 1: was wrong. The way she went she got a pnnect

1313
01:24:21,720 --> 01:24:24,120
Speaker 1: to me. She went and she got a pennect to me.

1314
01:24:24,240 --> 01:24:29,240
Speaker 1: She got her penis rum moved Ellen Degenerous, and then

1315
01:24:29,320 --> 01:24:33,800
Speaker 1: she replaced it with a Rhinos horn and proceeded during

1316
01:24:33,880 --> 01:24:37,280
Speaker 1: my opening during my new song. It wasn't my because

1317
01:24:37,280 --> 01:24:39,960
Speaker 1: the meddling was over, the medley was over. She I

1318
01:24:40,080 --> 01:24:46,240
Speaker 1: was from my and then no one was talking about it.

1319
01:24:46,280 --> 01:24:48,280
Speaker 1: And then she impaled my fans and then did three

1320
01:24:48,360 --> 01:24:51,680
Speaker 1: front flips. So fast rotating, so fast flung my weaponize

1321
01:24:51,720 --> 01:24:55,960
Speaker 1: my fans dead bodies at me. Then proceeded to get

1322
01:24:56,000 --> 01:24:59,960
Speaker 1: the whole crowd chanting training before they attacked. And then

1323
01:25:00,000 --> 01:25:03,280
Speaker 1: and I think she said something about my race too, right,

1324
01:25:03,479 --> 01:25:08,080
Speaker 1: she said, because she's poking fun of my Vietnamese origin.

1325
01:25:08,800 --> 01:25:14,840
Speaker 1: And that is something I don't think so and that

1326
01:25:15,120 --> 01:25:21,200
Speaker 1: is something I don't think so honey, it's wrong. It's wrong.

1327
01:25:22,680 --> 01:25:25,160
Speaker 1: Now I have a surprise, Travis. Would you like to

1328
01:25:25,160 --> 01:25:26,280
Speaker 1: do and I don't think so, honey. Do you have

1329
01:25:26,280 --> 01:25:27,880
Speaker 1: anything that I don't think so honey about? You can

1330
01:25:27,920 --> 01:25:31,640
Speaker 1: also say now or we'd love to hear it. Can

1331
01:25:31,680 --> 01:25:36,200
Speaker 1: I do it? Yes? But like it has to be

1332
01:25:36,360 --> 01:25:38,120
Speaker 1: something I don't want a thing like where it's like

1333
01:25:38,240 --> 01:25:42,840
Speaker 1: I hate. It has to be something where it's like okay, okay, fine, fine,

1334
01:25:44,600 --> 01:25:48,519
Speaker 1: And can we cut this if it's horrible? No, we're

1335
01:25:48,600 --> 01:25:51,280
Speaker 1: keeping it because it's gonna be great. It's gonna be great. Okay.

1336
01:25:51,400 --> 01:25:54,559
Speaker 1: Um oh, here we go, here we go? Um uh.

1337
01:25:55,439 --> 01:25:59,559
Speaker 1: Can I select from a few Yes, let's give you options. Okay, Um,

1338
01:26:00,400 --> 01:26:06,559
Speaker 1: I don't think so honey. Expensive tableware, Um, okay, that's

1339
01:26:06,600 --> 01:26:12,240
Speaker 1: that's that's that's niche that's niche on what come on? Okay,

1340
01:26:12,880 --> 01:26:17,839
Speaker 1: I don't think so, honey. People who walk and lines

1341
01:26:17,920 --> 01:26:21,639
Speaker 1: on the sidewalk side by side, I don't think so, honey,

1342
01:26:22,040 --> 01:26:24,479
Speaker 1: people who walk in lines on the side. It's like

1343
01:26:24,800 --> 01:26:28,160
Speaker 1: we are native New Yorkers, Honey. We need you to

1344
01:26:28,360 --> 01:26:32,120
Speaker 1: move to either the right or the last, and we

1345
01:26:32,240 --> 01:26:34,880
Speaker 1: need you to stay not mom and dad on the right,

1346
01:26:35,000 --> 01:26:37,240
Speaker 1: and sister and brother and that we need you all

1347
01:26:37,439 --> 01:26:39,800
Speaker 1: to go on the right or so that we can

1348
01:26:40,080 --> 01:26:43,559
Speaker 1: we New Yorkers who are getting places can then trudge

1349
01:26:43,680 --> 01:26:47,120
Speaker 1: forward to our destinations. We're going to our ripley greers,

1350
01:26:47,400 --> 01:26:51,760
Speaker 1: going to our dearest darling forever dogs, going to our

1351
01:26:52,320 --> 01:26:58,600
Speaker 1: our patties, beautiful concerts with impaling and different different activities

1352
01:26:58,640 --> 01:27:03,240
Speaker 1: with Ellen degenerous. Were where we need you to move

1353
01:27:03,360 --> 01:27:06,200
Speaker 1: to the left. No lines, No, this isn't you know

1354
01:27:06,439 --> 01:27:10,800
Speaker 1: a daisy chain of people just moving along. It's like,

1355
01:27:11,160 --> 01:27:13,280
Speaker 1: please get out of my way. The world's ending. I

1356
01:27:13,360 --> 01:27:17,680
Speaker 1: need to get to my destination as a motherfucking p

1357
01:27:18,160 --> 01:27:28,040
Speaker 1: I don't think so, honey. Yes, amazing daisy chain of people. No, no, no, no,

1358
01:27:28,360 --> 01:27:32,280
Speaker 1: no no. What was the Joe the Joe Wrigley? What

1359
01:27:34,000 --> 01:27:37,719
Speaker 1: have you been there rehearsal space slash sometimes audition space

1360
01:27:37,840 --> 01:27:41,280
Speaker 1: for many, a musical theater rehearsal, many, a play rehearsal

1361
01:27:41,400 --> 01:27:44,280
Speaker 1: many even a comedy rehearsal actually in the same building.

1362
01:27:44,520 --> 01:27:49,679
Speaker 1: And oh, I heard about this fire. I heard about

1363
01:27:49,720 --> 01:27:52,880
Speaker 1: the the there's always like a fuffle over there. Ripley

1364
01:27:52,920 --> 01:27:56,479
Speaker 1: Greer is like kind of insane, Like being there is

1365
01:27:56,560 --> 01:28:00,000
Speaker 1: like an insane heightened experience. It's like a multi sensory experience.

1366
01:28:00,000 --> 01:28:01,760
Speaker 1: It's in the way that that movie about the pill

1367
01:28:01,880 --> 01:28:04,400
Speaker 1: that makes you access all of your brain. With Bradley Cooper,

1368
01:28:04,560 --> 01:28:09,960
Speaker 1: it's exactly like exactly is now a show? Is it? Really?

1369
01:28:10,240 --> 01:28:14,840
Speaker 1: Is he in it? He's very famous? Does anybody I've

1370
01:28:14,920 --> 01:28:16,880
Speaker 1: never watched it, but you know Bradley Cooper is going

1371
01:28:16,920 --> 01:28:18,320
Speaker 1: to be in that A Star is Born movie with

1372
01:28:18,439 --> 01:28:21,200
Speaker 1: Lady and I hear it's really good. The trailer brought

1373
01:28:21,200 --> 01:28:25,040
Speaker 1: everyone to tears, as can you believe that was it?

1374
01:28:25,080 --> 01:28:27,680
Speaker 1: That was? That was that? No, it was a cinema coon.

1375
01:28:28,200 --> 01:28:31,360
Speaker 1: The trailer and the reactions were over the top. And

1376
01:28:31,400 --> 01:28:33,240
Speaker 1: also people that have seen the movie have said that

1377
01:28:33,360 --> 01:28:35,800
Speaker 1: it's amazing and that Bradley Cooper is incredible in it.

1378
01:28:35,880 --> 01:28:37,879
Speaker 1: And doesn't make a great job directing on that. Stephanie

1379
01:28:37,960 --> 01:28:42,120
Speaker 1: germanata a Lady Gaga is a breakout performance. Was an actress?

1380
01:28:42,439 --> 01:28:45,720
Speaker 1: Would you support that and celebrate that. I think that

1381
01:28:46,000 --> 01:28:50,960
Speaker 1: she is an incredible performer singer. I think she has

1382
01:28:51,200 --> 01:28:54,240
Speaker 1: paid her dues. I think she deserves to have a place.

1383
01:28:54,920 --> 01:28:59,280
Speaker 1: I want to see Bradley Cooper nut. I want to

1384
01:29:00,200 --> 01:29:02,000
Speaker 1: see him nut at the end where I do want.

1385
01:29:02,000 --> 01:29:03,840
Speaker 1: I am curious. I've always wanted to ask Patty this

1386
01:29:03,960 --> 01:29:07,040
Speaker 1: because I think she's a very interesting complex relationship with

1387
01:29:07,560 --> 01:29:09,840
Speaker 1: the song I'm Born this Way and with Lady Gaga

1388
01:29:09,880 --> 01:29:12,519
Speaker 1: in general, because I talk about that because she is

1389
01:29:12,600 --> 01:29:16,880
Speaker 1: able to constantly just like mine it for some comedic

1390
01:29:17,040 --> 01:29:19,960
Speaker 1: value and just with how fucking stupid the lyrics are

1391
01:29:20,680 --> 01:29:27,560
Speaker 1: hot to follow in My Way nor orient like Oriay,

1392
01:29:27,600 --> 01:29:29,200
Speaker 1: so talk about like what like what is it about

1393
01:29:29,240 --> 01:29:31,559
Speaker 1: Born this Way that you keep coming back to you? Okay?

1394
01:29:31,800 --> 01:29:36,519
Speaker 1: So the so Lady Gaga, you know that song was

1395
01:29:36,640 --> 01:29:39,360
Speaker 1: on Born this Way, the album you know, coming hot

1396
01:29:39,479 --> 01:29:44,439
Speaker 1: out of the fame monster and game changing album. This

1397
01:29:44,640 --> 01:29:49,080
Speaker 1: is like her her big com her big her big comig,

1398
01:29:49,760 --> 01:29:52,800
Speaker 1: big second Nuts. She was jacking off on the first album,

1399
01:29:52,840 --> 01:29:56,360
Speaker 1: and then she finally and she would probably say that too,

1400
01:29:56,600 --> 01:29:59,880
Speaker 1: that a Lady Gaga who was always saying really you did.

1401
01:30:03,360 --> 01:30:05,799
Speaker 1: And then she also had like a weird accent interview.

1402
01:30:07,439 --> 01:30:10,000
Speaker 1: Did she like say something like that. I think Born

1403
01:30:10,120 --> 01:30:14,320
Speaker 1: this Way, you know, and the it's the first pop song,

1404
01:30:14,479 --> 01:30:17,160
Speaker 1: top forty pop song that used the word transgender in

1405
01:30:17,280 --> 01:30:22,920
Speaker 1: it maybe also the you know, first top forty pop

1406
01:30:23,000 --> 01:30:29,320
Speaker 1: song that referred to your your orient Also, I just

1407
01:30:29,479 --> 01:30:34,080
Speaker 1: think Born this Way is uh, it's just the song.

1408
01:30:34,640 --> 01:30:38,800
Speaker 1: The idea of the song is is really fun, like

1409
01:30:38,960 --> 01:30:44,040
Speaker 1: i'd great, and then everything else about it is you know,

1410
01:30:44,320 --> 01:30:47,760
Speaker 1: there's a there's a wrap break where she's talking like

1411
01:30:47,960 --> 01:30:51,040
Speaker 1: she's recording a voice memo in her phone. It's like

1412
01:30:51,160 --> 01:30:58,120
Speaker 1: weather Leve's disabilities Live you podcast yourself today because and

1413
01:30:58,160 --> 01:31:04,320
Speaker 1: then she likes comes in like guys Transcendaga and there's

1414
01:31:04,400 --> 01:31:06,120
Speaker 1: a live version of it. I think she did at

1415
01:31:06,160 --> 01:31:08,360
Speaker 1: like the American Music Words or something, or the Grammys

1416
01:31:08,360 --> 01:31:10,519
Speaker 1: where she's in that like foole textus and there's an

1417
01:31:10,640 --> 01:31:17,360
Speaker 1: organ on stage and and she's just playing star. Yeah.

1418
01:31:20,280 --> 01:31:24,880
Speaker 1: I love I really really really loved late Born This

1419
01:31:25,000 --> 01:31:29,000
Speaker 1: Way era Lady Gagaa I one I think Shy Say

1420
01:31:29,080 --> 01:31:34,280
Speaker 1: is a great song. I think Bloody marries an incredible government. Government. Yes,

1421
01:31:37,439 --> 01:31:48,920
Speaker 1: I was a baby and I let room okay, but

1422
01:31:49,000 --> 01:31:51,040
Speaker 1: do you balance that out with like, oh, Lady Gaga's

1423
01:31:51,160 --> 01:31:55,640
Speaker 1: sucking ridiculous. So that era of her was also you know,

1424
01:31:55,720 --> 01:32:01,560
Speaker 1: shys really like nice feministic, yeah, really like thoughtful. It

1425
01:32:01,640 --> 01:32:05,120
Speaker 1: seems she was trying to be subversive and like. But

1426
01:32:05,680 --> 01:32:09,080
Speaker 1: after that she started dating the gap tooth model guy

1427
01:32:09,840 --> 01:32:13,240
Speaker 1: and she engaged. Then she started doing all those interviews

1428
01:32:13,240 --> 01:32:16,000
Speaker 1: where she was like, I'm not a feminist. Yes, I

1429
01:32:16,200 --> 01:32:18,759
Speaker 1: love to cook for my man. I don't like folding

1430
01:32:18,840 --> 01:32:23,280
Speaker 1: on everything. I like being sexually submissive. And it was

1431
01:32:23,439 --> 01:32:27,439
Speaker 1: just like she defaulted all of it. It's not the

1432
01:32:27,479 --> 01:32:30,280
Speaker 1: weird art pop phase. This was like between Our Pop

1433
01:32:30,320 --> 01:32:32,280
Speaker 1: and Born this way. She she was dating Taylor Kenney

1434
01:32:32,320 --> 01:32:34,240
Speaker 1: and she was like, because she met him on the

1435
01:32:37,120 --> 01:32:39,519
Speaker 1: You're Okay, So that that's interesting that she was mentally

1436
01:32:39,560 --> 01:32:42,920
Speaker 1: all funked up like while she was creating art pop. Sure, sure,

1437
01:32:43,120 --> 01:32:45,919
Speaker 1: I think yeah, I think she folded to the pressure

1438
01:32:46,200 --> 01:32:50,800
Speaker 1: of her celebrity, the celebrity that she was commenting on

1439
01:32:51,000 --> 01:32:54,360
Speaker 1: in the Fame Monster. It's like the all the nut

1440
01:32:54,720 --> 01:32:58,400
Speaker 1: was being put back in. Well, once you to clean

1441
01:32:58,479 --> 01:33:00,280
Speaker 1: up the mess, and it sounds like she a really

1442
01:33:00,280 --> 01:33:02,600
Speaker 1: hard time once you once you're not Yeah, once you

1443
01:33:02,720 --> 01:33:05,040
Speaker 1: know you have to just suck it all back in. Yeah.

1444
01:33:05,280 --> 01:33:07,559
Speaker 1: Once you not, you of course have to gather all

1445
01:33:07,600 --> 01:33:10,000
Speaker 1: the nuts into your hands and slurp it up. No

1446
01:33:10,120 --> 01:33:13,760
Speaker 1: I was I was saying, like you you don't do that,

1447
01:33:14,000 --> 01:33:16,679
Speaker 1: your asshole, to just inhale it. Yeah right, you don't

1448
01:33:16,680 --> 01:33:18,720
Speaker 1: eat your calm. Yeah, you don't do that right well,

1449
01:33:19,040 --> 01:33:23,040
Speaker 1: for you know whether or not you your come ye,

1450
01:33:23,600 --> 01:33:28,720
Speaker 1: whether life's disability leave you outcast, or eat your come

1451
01:33:28,800 --> 01:33:37,040
Speaker 1: tonight baby baby, you are born this way. No TRANSGENDERO

1452
01:33:38,760 --> 01:33:50,400
Speaker 1: the right come come you sing for me as h

1453
01:33:50,680 --> 01:33:55,240
Speaker 1: J lurches for the controls. We have to be wrapping up. Um. Travis,

1454
01:33:56,600 --> 01:33:59,519
Speaker 1: thank you so much for coming today. It was an

1455
01:33:59,520 --> 01:34:01,000
Speaker 1: honor to have you. Thank you for being here, and

1456
01:34:01,040 --> 01:34:03,080
Speaker 1: thank you for bringing this this great stuff for us.

1457
01:34:03,120 --> 01:34:06,479
Speaker 1: And also please check out Travis's music. Is the song

1458
01:34:06,680 --> 01:34:08,760
Speaker 1: that you just feels like Home? Is that what it's called?

1459
01:34:09,200 --> 01:34:12,040
Speaker 1: It feels like Home. It's very beautiful and as is

1460
01:34:12,080 --> 01:34:13,600
Speaker 1: the rest of his little catalog that he has on

1461
01:34:13,720 --> 01:34:15,680
Speaker 1: Spotify and go check out his shows and everything. It

1462
01:34:15,720 --> 01:34:17,720
Speaker 1: sounds like Madonnathan is gonna be very Madonna thought. I

1463
01:34:17,720 --> 01:34:21,960
Speaker 1: can't wait. I'll be there. And as for you, traitor

1464
01:34:22,040 --> 01:34:26,599
Speaker 1: risk ho, how dare you come in here? I'm gonna come.

1465
01:34:26,920 --> 01:34:31,200
Speaker 1: I'm not saying nasty things about Ellen. And it's introvertive.

1466
01:34:31,360 --> 01:34:33,200
Speaker 1: That's what she said. She said that to us before

1467
01:34:33,240 --> 01:34:36,200
Speaker 1: she came. Yeah, and that's her real voice. Did you

1468
01:34:36,280 --> 01:34:41,600
Speaker 1: know that I'm dating Ellen? Fuck Patty? Yeah? Yeah, and

1469
01:34:41,800 --> 01:34:46,639
Speaker 1: she she refuses she's a condom. Well, because what condom

1470
01:34:46,720 --> 01:34:51,120
Speaker 1: is going to and I did too. Yeah, I'm like yeah,

1471
01:34:51,200 --> 01:34:54,760
Speaker 1: and she just spits on it. That's not safe. It's

1472
01:34:54,800 --> 01:34:57,400
Speaker 1: not out on this for the end of the episode

1473
01:34:57,960 --> 01:35:03,080
Speaker 1: every time, okay everyone, and then I love it. Sometimes

1474
01:35:03,120 --> 01:35:04,800
Speaker 1: she'll like put her finger in and then she'll pull

1475
01:35:04,840 --> 01:35:12,600
Speaker 1: it out. Also, I also go see guys show, go

1476
01:35:12,760 --> 01:35:15,960
Speaker 1: see guy random show. And by his book, by his book,

1477
01:35:16,160 --> 01:35:18,360
Speaker 1: and by his book for me, oh yes, by his

1478
01:35:18,400 --> 01:35:21,559
Speaker 1: book for the audiobook for Patty. Because she does a read.

1479
01:35:22,520 --> 01:35:26,680
Speaker 1: She does a read. If you're going to read, well,

1480
01:35:26,800 --> 01:35:32,600
Speaker 1: she doesn't read. She didn't read in the morning, she

1481
01:35:32,680 --> 01:35:45,040
Speaker 1: didn't read, dog not read never where. Yes, this has

1482
01:35:45,120 --> 01:35:48,799
Speaker 1: been a Forever Dog production executive produced by Brett Boham,

1483
01:35:49,160 --> 01:35:53,920
Speaker 1: Joe Cilio, and Alex Ramsey. For more original podcasts, please

1484
01:35:54,040 --> 01:35:57,720
Speaker 1: visit Forever Dog Podcasts dot com and subscribe to our

1485
01:35:57,800 --> 01:36:02,360
Speaker 1: shows on Apple Podcasts, Modify, or wherever you get your podcasts.

1486
01:36:02,680 --> 01:36:05,479
Speaker 1: Keep up with the latest Forever Dog news by following

1487
01:36:05,560 --> 01:36:09,720
Speaker 1: us on Twitter and Instagram at Forever Dog Team, and

1488
01:36:09,920 --> 01:36:12,479
Speaker 1: liking our page on Facebook. M