WEBVTT - Season 08 Episode 17: Stone in the Blood

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<v Speaker 1>Hello, it's Richard McLean Smith here, not the impostor you've

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<v Speaker 1>been listening to on the podcasts, the real one. Join

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<v Speaker 1>me for Unexplained TV at YouTube dot com Forward Slash

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<v Speaker 1>Unexplained pod. In August twenty twenty three, workers were in

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<v Speaker 1>the middle of a restoration project on the eight hundred

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<v Speaker 1>year old Johnstown Castle in County Wexford Island. A carpenter

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<v Speaker 1>was repairing a window frame in the east wing when

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<v Speaker 1>he inadvertently knocked a hole in the wall. After the

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<v Speaker 1>team made further excavations, they discovered a secret room under

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<v Speaker 1>the tower. Though the empty space is assumed to be

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<v Speaker 1>nothing more alarming than a small bedroom, news of the

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<v Speaker 1>discovery made head lines around the world. Adding fuel to

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<v Speaker 1>the speculative fire was the estate manager's enigmatic suggestion that

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<v Speaker 1>the room could have been sealed off due to an

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<v Speaker 1>unspecified tragedy in the castle's past. Castles, tragedies secrets three

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<v Speaker 1>ingredients that have come together darkly and deliciously over the centuries.

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<v Speaker 1>Back in Unexplained Season six, episode one, The Chasm Below,

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<v Speaker 1>we detailed the legend surrounding the Czech Republic's Hauska Castle.

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<v Speaker 1>In episode thirteen of the same season a place of forgetting,

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<v Speaker 1>we plumber the secrets of Lepp Castle, supposedly Ireland's most haunted. Clearly,

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<v Speaker 1>there is something about the idea of a castle and

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<v Speaker 1>its mysteries that just ignites the imagination. Maybe we are

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<v Speaker 1>conditioned by their prominence in our darker stories, from Shakespeare's

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<v Speaker 1>to the great Gothic novels. Maybe it's the irony of

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<v Speaker 1>buildings designed to withstand battle, bombardment and siege being ultimately

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<v Speaker 1>impotent to withstand the human capacity for manufacturing terror, that

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<v Speaker 1>no matter how impregnable we make our defenses, we cannot

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<v Speaker 1>ever escape ourselves. Or maybe it's just that castles have

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<v Speaker 1>been the stage for so much horror and violence that

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<v Speaker 1>they now impose themselves and our psychogeographical landscape just as

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<v Speaker 1>heavily as they sit on their hilltops, as vast monuments

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<v Speaker 1>to the worst that humans can do. There is one

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<v Speaker 1>castle where legend and history is woven so tightly that

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<v Speaker 1>the twin strands are now impossible to unpick. A castle

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<v Speaker 1>where devils are said to have visited, monsters are said

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<v Speaker 1>to rome, and secrets are kept at any cost, and

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<v Speaker 1>where it appears there may be more than a little

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<v Speaker 1>truth to the rumours you're listening to unexplained, and I'm

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<v Speaker 1>Richard mc lean smith. For a thousand years, Glam's Castle,

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<v Speaker 1>located just north of Dundee in the East of Scotland,

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<v Speaker 1>has been bound up with secrets and stories. They are

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<v Speaker 1>as integral to the structure as the mortar between its stones.

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<v Speaker 1>In ten thirty four, when GLAMs was still the site

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<v Speaker 1>of a royal hunting lodge, it played host to the

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<v Speaker 1>death of King Malcolm the Second of Scotland. The details

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<v Speaker 1>of Malcolm's demise are lost to history, but documents from

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<v Speaker 1>the period suggest he was likely murdered. In the late

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<v Speaker 1>fourteenth century, an early rudimentary tower was built on the

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<v Speaker 1>site and established as the family seat of the Lyon

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<v Speaker 1>family as reward for Sir John Lyon's services to the crown.

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<v Speaker 1>Ten years later, Sir John would also be murdered by

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<v Speaker 1>his rival, James Lindsay of Crawford. The castle and its

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<v Speaker 1>estate was surrendered back to the Crown in fifteen thirty seven,

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<v Speaker 1>after Jane Douglas, the Lady of GLAMs, was found guilty

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<v Speaker 1>of witchcraft and intent to poison the king. In punishment,

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<v Speaker 1>she was burned at the stake, and for the next

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<v Speaker 1>two centuries, GLAMs bounced in and out of the Lyon

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<v Speaker 1>family's possession, eventually settling with them when the family was

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<v Speaker 1>awarded the earldom, though they would later change the family

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<v Speaker 1>name to Bow's Lion. They remained the Earls and Ladies

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<v Speaker 1>of Strathmore and Kinghorn to this day. But even with

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<v Speaker 1>its ownership secure, GLAMs regularly sat empty, as few of

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<v Speaker 1>the earls chose to inhabit its coal drafty halls. It

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<v Speaker 1>is a place of thick walls and heavy atmosphere, consistently

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<v Speaker 1>associated with the Macarbre. When Shakespeare adapted the real historical

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<v Speaker 1>Macbeth into one of the most cursed figures in all

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<v Speaker 1>of literature, where else did he appoint his home but GLAMs.

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<v Speaker 1>And just as Shakespeare promoted the castle's notoriety in the

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<v Speaker 1>sixteenth century, it was another writer who plucked it from

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<v Speaker 1>obscurity in the eighteenth Walter Scott, the famed author of

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<v Speaker 1>historical epics such as Ivanhoe and Rob Roy, visited in

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<v Speaker 1>the summer of seventeen ninety three, requesting the opportunity to

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<v Speaker 1>stay overnight in one of the rooms. Forty years later,

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<v Speaker 1>Scott wrote an account of his stay in his letters

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<v Speaker 1>on Demonology and Witchcraft, I must own he reminisced, as

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<v Speaker 1>I heard door after door shut, I began to consider

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<v Speaker 1>myself as too far from the living and somewhat too

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<v Speaker 1>near to the dead. Scott was a lifelong scholar of

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<v Speaker 1>folklore and the supernatural, so it's likely his perception of

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<v Speaker 1>the half empty Castle was colored by an awareness of

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<v Speaker 1>its many ghost stories. Several are of a notably cruel

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<v Speaker 1>and violent strain. One of the more benign supposed specters

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<v Speaker 1>is that of Jane Douglas. After she was burned at

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<v Speaker 1>the stake on trumped up charges of treason, her spirit

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<v Speaker 1>was said to remain at GLAMs. Known as either the

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<v Speaker 1>White or Gray Lady, she is said to appear most

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<v Speaker 1>frequently in the castle's small chapel, often kneeling at the altar,

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<v Speaker 1>where she has apparently been seen by some of the

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<v Speaker 1>most prominent members of the family, including the mother of

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<v Speaker 1>Queen Elizabeth, the second Elizabeth Bow's Lion, who grew up GLAMs.

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<v Speaker 1>It has long been traditioned to leave one of the

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<v Speaker 1>forty six chapel seats vacant for Lady Jane. Even today,

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<v Speaker 1>when large family gatherings can quickly fill the space to capacity.

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<v Speaker 1>No one is allowed to sit in her place. Other

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<v Speaker 1>tales paint GLAMs in a less wholesome light. It was

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<v Speaker 1>late one Saturday night in the fifteenth century when a

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<v Speaker 1>group of drunken noblemen were playing cards in the Old

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<v Speaker 1>Square Tower, the original core of Glam's Castle. As midnight

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<v Speaker 1>drew near, the group began to slip away, feeling a

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<v Speaker 1>little guilty, perhaps at gambling on the Sabbath. One man, however,

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<v Speaker 1>had no such reservations, declaring that he would happily play

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<v Speaker 1>on the Sabbath or until doomsday Hell. He insisted he

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<v Speaker 1>would play with the devil himself if needs be. In

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<v Speaker 1>some versions of the legend, this man is Alexander Lindsey,

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<v Speaker 1>the fourth Earl of Crawford. Other tellings have it that

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<v Speaker 1>it was the then Lord of Glance himself, Alexander Lyon.

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<v Speaker 1>Either way, the outcome is always the same. A heavy

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<v Speaker 1>knock is heard at the door, and a black cloaked

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<v Speaker 1>figure passes into the room. Like the drunken Earl, the

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<v Speaker 1>stranger has no fear of the Sabbath and asks to

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<v Speaker 1>be dealt in The two play into the early hours

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<v Speaker 1>of the night, and after some time the Earl's luck

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<v Speaker 1>begins to falter. First he loses his money, then his land,

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<v Speaker 1>and then his title. At one point, it said, he

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<v Speaker 1>had cause to look beneath the table and saw that

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<v Speaker 1>a long leg which extended out of his opponent's cloak,

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<v Speaker 1>ended in a cloven hoof. Realizing he was faced with

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<v Speaker 1>the devil himself, and with nothing left to up the ante,

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<v Speaker 1>the earl gambled his soul and lost. Thus the devil

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<v Speaker 1>cursed him to continue his game, just as the earl

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<v Speaker 1>bragged he would all the way until doomsday. Some say

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<v Speaker 1>that the pair are playing still somewhere in the dark

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<v Speaker 1>depths of GLAMs. The castle's most grotesque ghost is also

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<v Speaker 1>perhaps its most telling in several meanings of the word.

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<v Speaker 1>The so called tongueless woman has apparently been seen many times,

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<v Speaker 1>most often in the courtyard, with blood gushing from her mouth.

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<v Speaker 1>Some claim to have seen her appear suddenly in one

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<v Speaker 1>of the castle's many barred windows, her face fixed in

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<v Speaker 1>a silent scream. There is an unverified, yet intriguing specificity

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<v Speaker 1>to one sighting of the tongueless woman in the mid

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<v Speaker 1>nineteenth century, An unnamed visitor to Glance was touring the

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<v Speaker 1>grounds one evening when he looked up to see a

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<v Speaker 1>woman at one of the castle's first four windows. As

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<v Speaker 1>he approached, the apparent apparition is said to have disappeared.

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<v Speaker 1>Moments later, the visitor heard a shriek, followed by the

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<v Speaker 1>pounding of feet on stone, loud enough that a noticeable

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<v Speaker 1>limp could be discerned in the steps. Just then, a

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<v Speaker 1>wooden door onto the courtyard burst open, revealing the woman,

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<v Speaker 1>fresh blood caked around her mouth and a stuffed sack

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<v Speaker 1>on her back. She is then said to have rapidly

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<v Speaker 1>fled the courtyard and disappeared out of sight. It was

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<v Speaker 1>some years later when the same visitor who'd apparently seen

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<v Speaker 1>the bloody woman flee the courtyard at Glance was abroad

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<v Speaker 1>in Italy. Some bad weather forced him to seek shelter

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<v Speaker 1>in a local monastery. In the throes of conversation with

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<v Speaker 1>the hospitable monks, the man mentioned his experience at GLAMs,

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<v Speaker 1>only for the monks to become suddenly excited. The monks

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<v Speaker 1>apparently told the man of an englishwoman living in the

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<v Speaker 1>local nunnery. She'd been a member of staff at Glam's castle,

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<v Speaker 1>where she'd unintentionally stumbled across the details of some hideous secret.

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<v Speaker 1>When she relayed what she knew, the Lyon family had

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<v Speaker 1>her tongue removed, after which she fled the castle and

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<v Speaker 1>the country. When he was taken to meet the still

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<v Speaker 1>living woman, the Englishman was horrified to find it was

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<v Speaker 1>the exact same woman he'd seen in the castle courtyard.

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<v Speaker 1>The story doesn't clarify whether the man had seen the

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<v Speaker 1>tongueless woman in the flesh on the night of her escape,

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<v Speaker 1>or whether he was supposed have witness some kind of

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<v Speaker 1>crisis apparition, an apparent phenomena that is said to occur

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<v Speaker 1>during moments of intense stress, in which one person witnesses

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<v Speaker 1>an event like a holographic film being played out from

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<v Speaker 1>a distance. Certainly it's a good story, but like the

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<v Speaker 1>Wicked Earl's card game, it has the neat yet in

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<v Speaker 1>substantial logic of folklore, no dates or names to substantiate

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<v Speaker 1>what is a very tall tale. However, there is one

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<v Speaker 1>element of the Tongueless Woman's story that bears scrutiny, the

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<v Speaker 1>hint of a terrible secret within Glans, because it has

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<v Speaker 1>long been thought that the castle does indeed contain a secret,

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<v Speaker 1>one that has been glimpsed over the years, with names,

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<v Speaker 1>dates and facts attached. And though the violence apparently committed

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<v Speaker 1>upon the tongueless woman may be a gross exaggeration, there

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<v Speaker 1>is some evidence that the Lyon family have gone to

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<v Speaker 1>great lengths to hold their real secret close. If you

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<v Speaker 1>could even guess at the nature of this castle secret,

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<v Speaker 1>you would get down on your knees and thank God

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<v Speaker 1>it is not yours. Those are apparently the words of

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<v Speaker 1>Claude Bow's Lion, the thirteenth Earl of Strathmore and King Horn.

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<v Speaker 1>He took up the lordship of GLAMs on the death

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<v Speaker 1>of his brother in September eighteen sixty five, and held

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<v Speaker 1>it until his own death in nineteen oh four. The

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<v Speaker 1>span of his and his brother's lordship roughly parallels a

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<v Speaker 1>period in which the so called mystery of Glance was

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<v Speaker 1>a common topic of conversation in the salons and dinner

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<v Speaker 1>parties of high society Europe. It centers on rumors of

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<v Speaker 1>a secret room hidden within Glams's thick walls. The room

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<v Speaker 1>was said to be both home and prison for a

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<v Speaker 1>supposedly monstrous occupant who'd spent his entire life within its confines.

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<v Speaker 1>One nineteenth century description of the so called monster referred

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<v Speaker 1>to a human toad. A fuller picture was given by

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<v Speaker 1>a twentieth century earl who talked about the legend of

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<v Speaker 1>a figure with an enormous barrel chest, as harry as

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<v Speaker 1>a doormat, and whose head ran straight into his shoulders,

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<v Speaker 1>with toy like arms and legs. Regardless of how unusual

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<v Speaker 1>its body may have been, the so called Monster of

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<v Speaker 1>GLAMs had to be cared for, kept safe, and even exercised.

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<v Speaker 1>That job, it said, was a war or did to

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<v Speaker 1>the Factor, the man responsible for the overarching administration of

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<v Speaker 1>the estate. What made this story more scandalous and appetizing

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<v Speaker 1>for high society gossip was the widely held belief that

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<v Speaker 1>the so called monster was actually a member of the

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<v Speaker 1>Bow's Lyon dynasty. He was thought to be a male

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<v Speaker 1>heir to the castle, the firstborn son of Thomas George

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<v Speaker 1>Bow's Lyon and his wife Charlotte. The two married in

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<v Speaker 1>December of eighteen twenty, and the peerage records note that

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<v Speaker 1>on October twenty first of the following year, Charlotte gave

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<v Speaker 1>birth to a boy, Thomas Junior, who it was claimed

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<v Speaker 1>died that same day. Whispers immediately began to swirl in

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<v Speaker 1>the local villages when the midwife spread word that the

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<v Speaker 1>child had in fact been born deformed as she described it,

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<v Speaker 1>but was in good health when she left him and

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<v Speaker 1>his mother, And so when Thomas's death was announced two

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<v Speaker 1>days later, on the twenty third, it was met with suspicion.

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<v Speaker 1>Villagers were particularly perturbed by a lack of gravestone to

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<v Speaker 1>mark the boy's resting place. Word of the alleged cover

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<v Speaker 1>up spread rapidly, but only hints ever found their way

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<v Speaker 1>into print. During the nineteenth century, the author Walter Scott,

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<v Speaker 1>for one, had mentioned the legend of the secret chamber

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<v Speaker 1>in his report of his visit to GLAMs, but he

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<v Speaker 1>made no mention of any occupant. In nineteen o eight,

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<v Speaker 1>an article in the journal Notes and Queries relates the

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<v Speaker 1>mystery of GLAMs as if it was common knowledge. The

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<v Speaker 1>uncredited author begins by assuming that the reader is aware

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<v Speaker 1>of the story, which he says was told to him

0:16:54.440 --> 0:16:58.400
<v Speaker 1>sixty years earlier, when he was just a boy. And

0:16:58.480 --> 0:17:02.000
<v Speaker 1>though the article repeats the oft quoted theory that the

0:17:02.040 --> 0:17:06.480
<v Speaker 1>secret is only ever revealed to three living people, the

0:17:06.600 --> 0:17:11.520
<v Speaker 1>current Earl, his heir and the factor. Word had clearly

0:17:11.560 --> 0:17:23.159
<v Speaker 1>gotten out some time ago. In eighteen sixty five, a

0:17:23.280 --> 0:17:26.879
<v Speaker 1>laborer employed by the twelfth Earl to make repairs to

0:17:26.920 --> 0:17:30.720
<v Speaker 1>the older parts of the tower struck a seemingly solid wall,

0:17:31.160 --> 0:17:34.240
<v Speaker 1>only to see it crumble away to reveal a long

0:17:34.359 --> 0:17:39.480
<v Speaker 1>corridor beyond. The man ventured inside, but was soon stopped

0:17:39.720 --> 0:17:44.080
<v Speaker 1>by a heavy iron door. Other tellings of the story

0:17:44.480 --> 0:17:47.280
<v Speaker 1>say that he ran from the sight of a slumped,

0:17:47.560 --> 0:17:52.439
<v Speaker 1>distorted figure in the shadows. Either way, the man fled

0:17:52.440 --> 0:17:56.399
<v Speaker 1>the passage and reported it to his foreman. When word

0:17:56.480 --> 0:18:00.320
<v Speaker 1>reached mister Ralston, the long serving and loyal factor of

0:18:00.359 --> 0:18:04.440
<v Speaker 1>the day, he quickly summoned the Earl back from London.

0:18:05.320 --> 0:18:10.240
<v Speaker 1>According to the conspiracy, Ralston and the Earl interrogated the laborer,

0:18:10.680 --> 0:18:14.200
<v Speaker 1>then paid him off handsomely on the one condition did

0:18:14.280 --> 0:18:17.159
<v Speaker 1>he and his family leave on a one way trip

0:18:17.280 --> 0:18:21.920
<v Speaker 1>to Australia. Other anecdotes suggest there is at least some

0:18:22.040 --> 0:18:29.119
<v Speaker 1>truth to Glams' supposedly anomalous architecture. Lord Ernest Hamilton spent

0:18:29.280 --> 0:18:33.080
<v Speaker 1>many summers of his boyhood at the castle, and returned

0:18:33.119 --> 0:18:37.119
<v Speaker 1>often as an adult. He wrote how once he was

0:18:37.160 --> 0:18:40.040
<v Speaker 1>playing in a dressing room known as the Blue Room

0:18:40.440 --> 0:18:43.040
<v Speaker 1>when he lifted a rug on the floor, only to

0:18:43.119 --> 0:18:47.360
<v Speaker 1>find a trapdoor underneath it. When he opened it up,

0:18:47.840 --> 0:18:52.560
<v Speaker 1>he too found a hidden passage. A few years later,

0:18:52.960 --> 0:18:56.720
<v Speaker 1>a doctor paid a professional visit to GLAMs that required

0:18:56.800 --> 0:18:59.919
<v Speaker 1>him to stay for a couple of days. Speaking of

0:19:00.040 --> 0:19:02.840
<v Speaker 1>the trip later, he explained that when he retired to

0:19:02.880 --> 0:19:05.760
<v Speaker 1>his bedroom in the evening, he saw that a mark

0:19:06.000 --> 0:19:09.359
<v Speaker 1>he'd previously noticed on the carpet was now at the

0:19:09.400 --> 0:19:13.280
<v Speaker 1>opposite end of the room. For some reason, the carpet

0:19:13.359 --> 0:19:17.760
<v Speaker 1>had been taken up and relaid. Curious to know why,

0:19:18.240 --> 0:19:21.040
<v Speaker 1>the doctor quickly moved the furniture out of the way

0:19:21.400 --> 0:19:25.359
<v Speaker 1>and lifted the carpet up, under which he also found

0:19:25.359 --> 0:19:31.879
<v Speaker 1>a trapdoor, and beyond that the hidden passage. Moments later,

0:19:32.320 --> 0:19:36.240
<v Speaker 1>the doctor found himself in a narrow stone walled corridor

0:19:36.560 --> 0:19:41.240
<v Speaker 1>that ended abruptly at a blank cement wall. When he

0:19:41.280 --> 0:19:44.680
<v Speaker 1>pressed his hand against it, he apparently found the cement

0:19:45.119 --> 0:19:49.720
<v Speaker 1>still soft enough to leave an impression. The doctor returned

0:19:49.760 --> 0:19:53.600
<v Speaker 1>to his room and resettled the carpet and told nobody

0:19:53.840 --> 0:19:59.000
<v Speaker 1>of his unnerving excursion. Nonetheless, he was met early the

0:19:59.040 --> 0:20:03.679
<v Speaker 1>following morning by mister Ralston, who, after presenting him with

0:20:03.760 --> 0:20:07.359
<v Speaker 1>the check, informed him that a carriage was waiting outside

0:20:07.640 --> 0:20:11.880
<v Speaker 1>to escort him immediately to the train station. Though all

0:20:11.920 --> 0:20:15.800
<v Speaker 1>this may sound like a Gothic tinged gossip or an

0:20:15.800 --> 0:20:21.719
<v Speaker 1>early tabloid scandal, there is compelling testimony to support the rumors.

0:20:21.720 --> 0:20:26.240
<v Speaker 1>Several prominent members of late Victorian society were willing to

0:20:26.280 --> 0:20:31.520
<v Speaker 1>put their name to their experiences. One such individual was

0:20:31.640 --> 0:20:47.360
<v Speaker 1>Virginia Gabriel, the romantic singer and composer. Virginia Gabriel had

0:20:47.400 --> 0:20:50.640
<v Speaker 1>a lengthy stay at GLAMs in the winter of eighteen

0:20:50.720 --> 0:20:55.439
<v Speaker 1>sixty nine and eighteen seventy, after which she was inspired

0:20:55.480 --> 0:21:00.520
<v Speaker 1>to write the piano composition The GLAMs Castle Waltz. She

0:21:00.640 --> 0:21:04.439
<v Speaker 1>also returned from her trip convinced that the family and

0:21:04.520 --> 0:21:09.240
<v Speaker 1>their castle did indeed ours a horrible secret. Over the

0:21:09.280 --> 0:21:12.719
<v Speaker 1>course of that winter, Virginia was witnessed to a number

0:21:12.760 --> 0:21:16.879
<v Speaker 1>of strange incidents, which she relayed to former Chancellor of

0:21:16.880 --> 0:21:21.040
<v Speaker 1>the Exchequer and First Lord of the Admiralty, Sir Charles Wood,

0:21:21.440 --> 0:21:26.080
<v Speaker 1>an ardent collector of ghost stories. In November of eighteen

0:21:26.160 --> 0:21:29.879
<v Speaker 1>sixty nine, Virginia was at a dance to celebrate the

0:21:29.920 --> 0:21:33.800
<v Speaker 1>completion of a brand new dining room. The party went

0:21:33.840 --> 0:21:37.880
<v Speaker 1>on until the early hours, until everyone eventually made their

0:21:37.920 --> 0:21:42.640
<v Speaker 1>way to their rooms. One couple, a Missus and mister Monroe,

0:21:43.200 --> 0:21:46.080
<v Speaker 1>were staying in the red room while their young son

0:21:46.480 --> 0:21:51.520
<v Speaker 1>slept near by in an adjoining dressing room. The following morning,

0:21:51.800 --> 0:21:56.880
<v Speaker 1>over breakfast, Missus Munroe regaled Virginia and the other guests

0:21:57.160 --> 0:22:01.840
<v Speaker 1>with a tale. Deep in the night, Missus Munroe had

0:22:01.880 --> 0:22:05.080
<v Speaker 1>woken with the feeling that some one was looming over

0:22:05.160 --> 0:22:08.440
<v Speaker 1>her in the dark. She even felt what she took

0:22:08.480 --> 0:22:12.480
<v Speaker 1>to be strands of a beard tickling her face. She

0:22:12.560 --> 0:22:15.320
<v Speaker 1>called out for her husband to find a match to

0:22:15.400 --> 0:22:19.679
<v Speaker 1>light the lamp. Seconds later, she saw a shadowy figure

0:22:20.000 --> 0:22:24.360
<v Speaker 1>moving towards the dressing room door. When she found matches

0:22:24.400 --> 0:22:27.760
<v Speaker 1>of her own, she lit one, only to be shocked

0:22:27.920 --> 0:22:31.360
<v Speaker 1>by the sleeping figure of her husband lying beside her

0:22:31.400 --> 0:22:35.040
<v Speaker 1>in the bed. It was then that she heard her

0:22:35.080 --> 0:22:40.040
<v Speaker 1>son screaming. When they rushed into his bedroom, the Munrose

0:22:40.200 --> 0:22:44.240
<v Speaker 1>found the boy in extreme distress, crying about a giant

0:22:44.480 --> 0:22:48.840
<v Speaker 1>that had come into his room. Shortly after, all three

0:22:49.000 --> 0:22:52.120
<v Speaker 1>heard a loud crash come from elsewhere in the castle,

0:22:52.560 --> 0:22:56.919
<v Speaker 1>as if a great door had just slammed. Another guest

0:22:56.960 --> 0:23:00.920
<v Speaker 1>at the breakfast table, Lady Trevannion, said that she had

0:23:00.960 --> 0:23:04.800
<v Speaker 1>been woken at four a m by the same crashing noise.

0:23:06.200 --> 0:23:09.760
<v Speaker 1>Virginia Gabriel would also go on to give the fullest

0:23:09.760 --> 0:23:14.400
<v Speaker 1>impression of the castle factor, mister Ralston, a man who

0:23:14.440 --> 0:23:18.520
<v Speaker 1>seems to always haunt the background of the castle's most

0:23:18.600 --> 0:23:24.520
<v Speaker 1>intriguing stories. Virginia describes him as a shrewd, hard headed

0:23:24.600 --> 0:23:29.480
<v Speaker 1>Scotsman who never, under any circumstances, spent the night in

0:23:29.560 --> 0:23:33.840
<v Speaker 1>the castle. She mentions one night in early eighteen seventy

0:23:34.119 --> 0:23:38.840
<v Speaker 1>when a sudden snowstorm blanketed the area, rendering Rolston's route

0:23:38.840 --> 0:23:43.359
<v Speaker 1>home impassable, but rather than accept the invitation of a

0:23:43.400 --> 0:23:46.760
<v Speaker 1>bed for the night, the Factor ordered a whole team

0:23:46.800 --> 0:23:50.280
<v Speaker 1>of gardeners and stablemen to dig out a mile long

0:23:50.400 --> 0:23:55.520
<v Speaker 1>path through the snow to his home. Virginia also shared

0:23:55.560 --> 0:23:58.440
<v Speaker 1>a conversation she had with the lady of the manor,

0:23:58.880 --> 0:24:04.679
<v Speaker 1>Francis bow'slon or Lady Strathmore, in which Bow's Lion confessed

0:24:04.880 --> 0:24:07.800
<v Speaker 1>how she had once asked mister Ralston what all the

0:24:07.880 --> 0:24:13.080
<v Speaker 1>fuss was over the supposed mystery. The factor responded gravely,

0:24:13.440 --> 0:24:16.520
<v Speaker 1>that it is fortunate you do not know it and

0:24:16.680 --> 0:24:19.760
<v Speaker 1>can never know it, for if you did, you would

0:24:19.760 --> 0:24:24.399
<v Speaker 1>not be a happy woman. According to Virginia Gabriel, this

0:24:24.600 --> 0:24:36.240
<v Speaker 1>speech from such a man was certainly uncanny. It appears

0:24:36.280 --> 0:24:40.680
<v Speaker 1>that mister Rolston's warning did not defeat Lady Strathmore's interest

0:24:40.760 --> 0:24:44.720
<v Speaker 1>in the family secret. Her attempts to resolve the enigma

0:24:44.760 --> 0:24:47.280
<v Speaker 1>of the hidden room has become one of the most

0:24:47.359 --> 0:24:52.120
<v Speaker 1>often repeated stories about the castle. It was first mentioned

0:24:52.160 --> 0:24:57.040
<v Speaker 1>by Horace Rumboldt, Briton's then ambassador to Berlin. In his

0:24:57.160 --> 0:25:01.960
<v Speaker 1>memoir Recollections of a Diplomatist. Rumbold describes a visit to

0:25:02.040 --> 0:25:06.359
<v Speaker 1>Glance during the summer of eighteen seventy seven. The Earl

0:25:06.480 --> 0:25:10.239
<v Speaker 1>was away on business, leaving Lady Strathmore to host a

0:25:10.280 --> 0:25:15.639
<v Speaker 1>small gathering of family and friends. Conversation soon turned to

0:25:15.760 --> 0:25:20.000
<v Speaker 1>the mystery. In all of the stories, the secret chamber

0:25:20.280 --> 0:25:22.679
<v Speaker 1>was said to have a window, so someone in the

0:25:22.760 --> 0:25:27.159
<v Speaker 1>party suggested that cloth be hung from every available window.

0:25:27.880 --> 0:25:32.119
<v Speaker 1>Once this was complete, logic dictated that the secret room

0:25:32.400 --> 0:25:37.960
<v Speaker 1>would be literally uncovered. Sheets and towels, and even handkerchiefs

0:25:38.000 --> 0:25:42.159
<v Speaker 1>were gathered, and visitors and staff joined forces in hanging

0:25:42.200 --> 0:25:46.200
<v Speaker 1>them from every window they could find. Once they were done,

0:25:46.640 --> 0:25:52.120
<v Speaker 1>the group gathered outside the castle. Some accounts claim that

0:25:52.240 --> 0:25:56.120
<v Speaker 1>one window remained clear, others that there were as many

0:25:56.240 --> 0:26:01.120
<v Speaker 1>as four. Rumboldt doesn't confirm the result, but he does

0:26:01.200 --> 0:26:06.760
<v Speaker 1>describe the Earl's unexpectedly early return and the painful scene

0:26:07.080 --> 0:26:10.800
<v Speaker 1>in which he bitterly remonstrated with his wife for treating

0:26:10.920 --> 0:26:14.880
<v Speaker 1>so lightly what she well knew was a solemn secret

0:26:15.480 --> 0:26:20.720
<v Speaker 1>deeply affecting the family fortunes. Considering that the twelfth and

0:26:20.920 --> 0:26:24.560
<v Speaker 1>thirteenth Earls would be younger brothers of the so called

0:26:24.720 --> 0:26:28.760
<v Speaker 1>Monster of Glance, its understandable that they felt a particular

0:26:28.840 --> 0:26:35.080
<v Speaker 1>discomfort with anyone prying into the mystery. Rumbold writes how Claude,

0:26:35.280 --> 0:26:38.840
<v Speaker 1>the thirteenth Earl, had seen both his father and brother

0:26:39.000 --> 0:26:42.920
<v Speaker 1>traumatized by the knowledge that was imparted to them, and

0:26:42.960 --> 0:26:46.120
<v Speaker 1>that he had asked if he could be spared the burden,

0:26:46.720 --> 0:26:50.960
<v Speaker 1>but he was not. On his death bed, Claude's brother,

0:26:51.359 --> 0:26:54.359
<v Speaker 1>the twelfth Earl, is said to have passed on the

0:26:54.400 --> 0:26:58.040
<v Speaker 1>secret and implored Claude to do all that he could

0:26:58.359 --> 0:27:02.520
<v Speaker 1>to thwart the sinister in fluenceants that had supposedly been

0:27:02.640 --> 0:27:06.760
<v Speaker 1>such a burden to him. Claude's first act as Earl

0:27:07.400 --> 0:27:11.400
<v Speaker 1>was to refurbish the castle Chapel, where not hours after

0:27:11.480 --> 0:27:14.680
<v Speaker 1>its completion, he was said to have been found deep

0:27:14.800 --> 0:27:18.600
<v Speaker 1>in prayer, still wearing his clothes from the night before.

0:27:19.600 --> 0:27:22.960
<v Speaker 1>He was praying for salvation. It seemed that the first

0:27:23.080 --> 0:27:34.800
<v Speaker 1>chance he got Claude Bo's lion. The thirteenth Earl of Strathmore,

0:27:35.240 --> 0:27:38.960
<v Speaker 1>died in nineteen oh four. Most of the anecdotes and

0:27:39.080 --> 0:27:43.040
<v Speaker 1>rumors that constitute the mystery of Glance came to light

0:27:43.160 --> 0:27:46.840
<v Speaker 1>after his death, but they all relate to incidents that

0:27:46.960 --> 0:27:51.200
<v Speaker 1>took place during his life. Interestingly, there are no new

0:27:51.280 --> 0:27:56.080
<v Speaker 1>reports after the late eighteen hundreds. Later generations of the

0:27:56.119 --> 0:28:00.000
<v Speaker 1>beau's Lyon family were relatively happy to discuss the legend

0:28:00.040 --> 0:28:05.480
<v Speaker 1>and confident that it was just that a legend. In

0:28:05.560 --> 0:28:10.840
<v Speaker 1>nineteen sixty, the writer James Wentworth Day interviewed the sixteenth

0:28:10.880 --> 0:28:15.280
<v Speaker 1>Earl for a biography of the Queen Mother. The new

0:28:15.320 --> 0:28:18.800
<v Speaker 1>Earl mentioned that he'd heard the legend, and it is

0:28:18.840 --> 0:28:21.760
<v Speaker 1>he who gave the description of a monster with a

0:28:21.760 --> 0:28:26.320
<v Speaker 1>hairy barrel chest However, he claimed to have never been

0:28:26.359 --> 0:28:30.760
<v Speaker 1>told of the reality and responsibility of the secret, as

0:28:30.800 --> 0:28:34.600
<v Speaker 1>his forebears were said to have been. The Earl reasoned

0:28:34.960 --> 0:28:38.240
<v Speaker 1>that the story may have died with his father or

0:28:38.320 --> 0:28:41.680
<v Speaker 1>with his brother, who was killed in the First World War.

0:28:42.720 --> 0:28:45.720
<v Speaker 1>But there are some who think it isn't word of

0:28:45.720 --> 0:28:50.520
<v Speaker 1>the secret that died, but the secret himself. If the

0:28:50.560 --> 0:28:54.720
<v Speaker 1>so called Monster of GLAMs really was a disabled heir

0:28:55.400 --> 0:28:59.080
<v Speaker 1>born in eighteen twenty one and sequestered away in the

0:28:59.120 --> 0:29:03.920
<v Speaker 1>castle's recess, then that man would have been approaching eighty

0:29:04.280 --> 0:29:07.880
<v Speaker 1>at the turn of the century. It's likely that he

0:29:07.920 --> 0:29:12.000
<v Speaker 1>would not have long outlived his brother Claude, the thirteenth Earl,

0:29:12.640 --> 0:29:15.040
<v Speaker 1>and there would not have been any cause for the

0:29:15.120 --> 0:29:24.080
<v Speaker 1>fourteenth Eirl to pass the story down any longer. Today,

0:29:24.440 --> 0:29:28.360
<v Speaker 1>the legacy of the story lives on in the architecture

0:29:28.560 --> 0:29:32.400
<v Speaker 1>of Glam's Castle. There is a section of parapet that

0:29:32.640 --> 0:29:36.600
<v Speaker 1>runs along the roofline, and it's there that the newest

0:29:36.640 --> 0:29:41.080
<v Speaker 1>addition to Glance its roster of apparent ghosts is said

0:29:41.160 --> 0:29:45.640
<v Speaker 1>to have been seen. Reports describe it as a strange

0:29:45.880 --> 0:29:50.640
<v Speaker 1>shuffling shadow walking to and fro, as if taking the

0:29:50.680 --> 0:29:56.560
<v Speaker 1>opportunity to stretch. Rarely used legs. That section of parapet

0:29:56.800 --> 0:30:00.400
<v Speaker 1>as a name to the precise origins of w which

0:30:00.680 --> 0:30:05.719
<v Speaker 1>can't be pinned down in history, it's known as the

0:30:05.800 --> 0:30:17.240
<v Speaker 1>mad Earl's Walk. This episode was written by Neil McRobert

0:30:17.680 --> 0:30:22.400
<v Speaker 1>and produced by me Richard McLain Smith. Neil is the

0:30:22.440 --> 0:30:26.840
<v Speaker 1>creator and host of his own brilliant podcast called Talking Scared,

0:30:27.520 --> 0:30:30.600
<v Speaker 1>in which he discusses the craft of horror, writing with

0:30:30.720 --> 0:30:34.680
<v Speaker 1>everyone from Ta Nanerieve Do to the God of Horror himself,

0:30:35.000 --> 0:30:40.120
<v Speaker 1>Stephen King. I can't recommend it highly enough. Unexplained as

0:30:40.120 --> 0:30:44.480
<v Speaker 1>an Avy Club Productions podcast created by Richard McLain Smith.

0:30:45.160 --> 0:30:48.440
<v Speaker 1>All other elements of the podcast, including the music, are

0:30:48.480 --> 0:30:53.120
<v Speaker 1>also produced by me Richard McLain Smith. Unexplained. The book

0:30:53.160 --> 0:30:57.120
<v Speaker 1>and audiobook is now available to buy worldwide. You can

0:30:57.160 --> 0:31:01.680
<v Speaker 1>purchase from Amazon, Barnes and Noble Stones and other bookstores.

0:31:02.440 --> 0:31:05.480
<v Speaker 1>Please subscribe to and rate the show wherever you get

0:31:05.520 --> 0:31:08.280
<v Speaker 1>your podcasts, and feel free to get in touch with

0:31:08.320 --> 0:31:11.720
<v Speaker 1>any thoughts or ideas regarding the stories you've heard on

0:31:11.760 --> 0:31:14.480
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0:31:14.560 --> 0:31:17.239
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0:31:17.320 --> 0:31:21.400
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