WEBVTT - Diners, Drama and Dreams • EP 810

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<v Speaker 1>First of all, you don't know me.

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<v Speaker 2>We all about that high school drama girl, drauma girl,

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<v Speaker 2>all about.

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<v Speaker 1>Them high school queens.

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<v Speaker 3>We'll take you for a ride, and our comic.

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<v Speaker 1>Girl sharing for the right trauma, Queens of girl fashion.

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<v Speaker 3>But your tough girl, you could sit with us.

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<v Speaker 2>Girl drama, queens drama, Queens drama, queens drama, drama, queens drama, queens.

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<v Speaker 1>Kind of gorgeous faces, gorgeous friends and people we love.

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<v Speaker 1>I shouldn't start, go someone else do it?

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<v Speaker 4>No, No, that stays in the episode.

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<v Speaker 3>Keep going.

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<v Speaker 1>Why does my brain work faster than my mouth? I'm

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<v Speaker 1>always like stumbling over my words because my brain is

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<v Speaker 1>like further down into the sentence then my mouth can

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<v Speaker 1>catch up to And then I start saying syllables that

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<v Speaker 1>don't make sense, and then I get self conscious about it.

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<v Speaker 1>Does that happen to anybody else?

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<v Speaker 5>Well, it's like when a little kid is like running

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<v Speaker 5>slightly downhill too fast, and you see their legs start

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<v Speaker 5>to spin out of control and you're like, oh boy,

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<v Speaker 5>oh boy, out about to go to the er.

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<v Speaker 4>It's part of your charm. Joy, It's part of your

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<v Speaker 4>magic that occasionally, you know, the words get jumbled up.

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<v Speaker 1>It's just the occasional fumble, you know, are for the course. Well,

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<v Speaker 1>you know what didn't fumble? Was this episode?

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<v Speaker 4>No?

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<v Speaker 1>Oh no, you guys.

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<v Speaker 4>Like safety Space says, maybe it did.

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<v Speaker 1>No, I really liked this episode.

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<v Speaker 4>Okay, first, let's just tell the people we watched. Season eight,

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<v Speaker 4>Episode ten lists plans airdate of November twentieth, twenty ten.

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<v Speaker 4>Synopsis reads in order to get an agent's license, Nathan

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<v Speaker 4>returns to college boy does he ever? Haley sets up

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<v Speaker 4>a concert at Trick featuring Kid Cuddy appearing as himself.

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<v Speaker 4>Julian helps Brook complete her bucket list she had made

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<v Speaker 4>before losing her company. Alex and Mia start a friendly

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<v Speaker 4>competition as they take over the bar at Trick. Meanwhile,

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<v Speaker 4>Quinn sneaks out of town to visit a fun familiar

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<v Speaker 4>face that was directed and written. No, it was. It

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<v Speaker 4>was written by Johnny Richardson and it was directed. Okay,

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<v Speaker 4>so you boked when Joy said this episode was great,

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<v Speaker 4>So lay on us.

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<v Speaker 5>I did, because I felt like this episode kept giving

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<v Speaker 5>me whiplash. There were things about it that were so great.

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<v Speaker 5>I loved the teaser and the wedding nightmare I loved.

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<v Speaker 5>I thought, I actually thought all of Brooke and Julian's

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<v Speaker 5>stuff was so freaking sweet.

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<v Speaker 1>Yes, Gangbusters just so good.

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<v Speaker 5>And I loved all of your stuff, joy in the

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<v Speaker 5>way that everybody's sort of taking charge at Trick a

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<v Speaker 5>bit and at the record label, and Alex and me

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<v Speaker 5>are becoming friends, and that I felt like I was

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<v Speaker 5>in a completely different universe every time we cut to

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<v Speaker 5>the Quinn and Dan's stuff. Yeah, and I was like, Yeah,

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<v Speaker 5>what is happening? And also kudos to Paul and Chantelle

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<v Speaker 5>for being such good sports with the most absurd dialogue

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<v Speaker 5>I've ever heard two.

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<v Speaker 3>People have to give each other.

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<v Speaker 5>And I was like, how in one episode can our

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<v Speaker 5>show be nailing it and then also be embarrassing?

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<v Speaker 3>And I couldn't. I couldn't make sense of it.

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<v Speaker 4>Yes, I agree, we watched two talented actors do their

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<v Speaker 4>very best do the Lord's work with some highly questionable

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<v Speaker 4>dialogue and material. In general, First of all, it just

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<v Speaker 4>didn't make any sense. Okay, it didn't make sense for

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<v Speaker 4>a lot of reasons. One is Dan the only person

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<v Speaker 4>who works at this diner that has never had a

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<v Speaker 4>customer ever.

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<v Speaker 3>Right, no other customers, no other people.

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<v Speaker 1>As the lighting is like it's nighttime always in this dinastic.

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<v Speaker 4>The reason that you have no customers is because it's lit,

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<v Speaker 4>like people go there to kill other people.

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<v Speaker 5>Yes, hard spotlights on them. I don't know why they're

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<v Speaker 5>constantly moving around the diner. I got to a scene finally, However,

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<v Speaker 5>many scenes in, I was like.

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<v Speaker 3>Is it night three?

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<v Speaker 5>Have they spent three days in the diner together? Like

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<v Speaker 5>it's been daytime, it's been nighttime, it's been daytime, now

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<v Speaker 5>it's nighttime.

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<v Speaker 3>It was so it pulled me.

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<v Speaker 5>Out of the episode so much, and I'm so glad

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<v Speaker 5>we're seeing Dan and I get the device, and I

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<v Speaker 5>totally get the You're the only person I know that's

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<v Speaker 5>ever murdered anyone. But we're gonna believe that this woman

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<v Speaker 5>who's been shot and traumatized feels safe alone in the

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<v Speaker 5>dark with a murderer. Like none of it makes any

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<v Speaker 5>sense to me. And they did great with what they had. Yeah,

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<v Speaker 5>and I didn't get it also, Dan go.

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<v Speaker 4>At one point, Dan says, you know, is this is

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<v Speaker 4>this the life you want? Having to live away from

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<v Speaker 4>everyone being isolated. It's like, sir, you had a nationally

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<v Speaker 4>broadcast a TV show, Yeah that was wildly successful that

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<v Speaker 4>you chose to walk away from like, you are not

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<v Speaker 4>an outcast, you just chose to be a hermit for

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<v Speaker 4>some reason. Also, the last time we saw him, he

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<v Speaker 4>was on some altruistic, you know, philanthropic stuff. He was like,

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<v Speaker 4>I'm giving it all away and I'm gonna help the world.

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<v Speaker 4>It's like, what happened on your journey that you decided.

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<v Speaker 4>I think I'd rather be bitter at a greasy spoon

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<v Speaker 4>diner that no one ever goes to.

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<v Speaker 1>Okay, hold on, agreed. I can see all of that.

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<v Speaker 1>I feel all of that. Okay. As far as Quinn

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<v Speaker 1>feeling safe for the murder, I totally get that. However,

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<v Speaker 1>I think for me, I was like, Okay, she's trying

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<v Speaker 1>to prove to herself that she's tough and strong and

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<v Speaker 1>she can handle anything, which I can relate too. I

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<v Speaker 1>think a lot of women can relate to that. After

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<v Speaker 1>you've been through something traumatic, you want to put yourself

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<v Speaker 1>in another situation that feels difficult to prove in some

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<v Speaker 1>way to yourself that you can handle it. If you

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<v Speaker 1>felt like you were taken advantage of before, so that

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<v Speaker 1>the lighting in the diner was ridiculous, of course, and

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<v Speaker 1>it always felt like we were watching a different scene,

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<v Speaker 1>but for me, Quinn's dialogue felt honest. To her, Dan's

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<v Speaker 1>dialogue felt completely correct in the sense that he's trying

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<v Speaker 1>to convince her not to go kill someone. That's all

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<v Speaker 1>he's doing from the second she walks in and tells

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<v Speaker 1>him she wants to murder someone. All of the things

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<v Speaker 1>that he's doing is he's just trying to make it worse,

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<v Speaker 1>sound worse and worse and worse. Sure, you're not going

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<v Speaker 1>to end up killing anybody. So I don't know that

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<v Speaker 1>he's like bitter and angry and working at the diner.

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<v Speaker 1>I think he's playing the part of the guy that

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<v Speaker 1>she wants him to play. When so it was much

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<v Speaker 1>more interesting to me than that because I was watching

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<v Speaker 1>Dan do his manipulative Dan thing but having fun with it.

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<v Speaker 3>I wish they'd showed us that, but didn't. He didn't

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<v Speaker 3>Paul show it to.

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<v Speaker 1>You, like as an actor.

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<v Speaker 5>Sure, Well, here's what I'm gonna say, Paul, I absolutely

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<v Speaker 5>understood that he was trying to push her till she

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<v Speaker 5>broke and decided she didn't want to do what he

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<v Speaker 5>had done. Yeah, but the way they directed it and

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<v Speaker 5>the way they wrote it and the way they did

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<v Speaker 5>his hair and the way everything about it didn't feel sure.

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<v Speaker 5>He looked he looked like a hot convict. But like again,

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<v Speaker 5>he was the star of a television. He was Doctor

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<v Speaker 5>Phil and now he's this guy, Like what it They

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<v Speaker 5>They put it in a scenario where it felt so

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<v Speaker 5>ridiculous that I didn't get to see Dan look around

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<v Speaker 5>at his life and then make some choices. It felt

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<v Speaker 5>like a hat on a hat, and I think they

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<v Speaker 5>had to act their way out of it, but I

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<v Speaker 5>don't think the choices made around it made any sense.

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<v Speaker 5>And I think you, as we do. You love Paul

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<v Speaker 5>and you love Dan Scott, and so it's like, well,

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<v Speaker 5>I see what they were, but I just I don't know.

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<v Speaker 5>I thought the episode was very well directed except for

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<v Speaker 5>this stuff, and so I didn't understand it.

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<v Speaker 4>I also feel like, yeah, well it's he. He kind

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<v Speaker 4>of Dan was getting the guest star treatment where they

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<v Speaker 4>can just go away and we don't have to explain

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<v Speaker 4>anything about what they've been up to. We just bring

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<v Speaker 4>him back doing something else. And he's too big of

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<v Speaker 4>a character for that. So that I agree with, right,

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<v Speaker 4>But I gotta say, as we're talking about this, I'm

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<v Speaker 4>realizing because I'm with you, joy I, I don't. I

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<v Speaker 4>didn't really bump on the dialogue because I knew what

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<v Speaker 4>Dan was up to. I didn't bump on Quinn being

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<v Speaker 4>there because this is these are like extraordinary circumstances. Yeah,

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<v Speaker 4>so she she is not acting in her she's not

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<v Speaker 4>in her comfort zone, she's not in her right mind.

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<v Speaker 4>I honestly think it's it was an issue of aesthetic.

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<v Speaker 4>It was that this it was an empty diner, and

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<v Speaker 4>then it was like one swinging bulb.

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<v Speaker 3>Yeah, it's like a Dick Tracy movie.

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<v Speaker 5>And I'm like, why you have two great actors and

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<v Speaker 5>a great storyline.

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<v Speaker 1>Why I'd done it in a populated diner or a

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<v Speaker 1>diner where people are coming in and out. It's regular daylight.

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<v Speaker 1>It doesn't look like an episode of children. And it's

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<v Speaker 1>like it feels much more like they're having a private,

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<v Speaker 1>quiet conversation. The waitress keeps coming and interrupting them. He's

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<v Speaker 1>taking the time off off a break, off the stove

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<v Speaker 1>or whatever, flipp and burgers. He's on his break. They're

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<v Speaker 1>talking in the corner. That feels much more dangerous. Actually,

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<v Speaker 1>to have a conversation like that in an open environment,

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<v Speaker 1>that would feel much more appropriate much and I think

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<v Speaker 1>everything else could have stayed the same in terms of

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<v Speaker 1>what was on the page. The choice was a bit

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<v Speaker 1>a bit of a juvenile choice, I think from a

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<v Speaker 1>director standpoint, to make that, yeah, lighting and the setup

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<v Speaker 1>look like that, And in that regard, it did really

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<v Speaker 1>make you feel like two completely separate episodes, particularly because

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<v Speaker 1>we start with this hoot Nanny wedding backyard wedding, so

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<v Speaker 1>it's like, Okay, we already got the kitch of something.

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<v Speaker 1>We don't need more kitch, we need more authenticity.

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<v Speaker 4>Yeah, or he could have just gone to her hotel room,

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<v Speaker 4>you know, like met her at to have a private commerce.

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<v Speaker 4>It was just it felt like, well, we've got this set,

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<v Speaker 4>how do we mood it up? And it's it's weird.

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<v Speaker 4>By the way, this episode of this podcast should be

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<v Speaker 4>hot convict in a Dick Tracy movie saying it's good

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<v Speaker 4>jot down producers. Well, then let's go back to the

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<v Speaker 4>start and talk about the hoot Nanny.

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<v Speaker 1>Oh, I had so much fun filming this. I did.

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<v Speaker 4>I don't know if you I need to know about

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<v Speaker 4>it because I wasn't there for this, and to be honest,

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<v Speaker 4>I had zero collection that this even happened in the show,

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<v Speaker 4>so I was wildly entertained.

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<v Speaker 3>It's great.

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<v Speaker 1>Yeah, it was really fun. I had a ball, I mean,

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<v Speaker 1>especially being pregnant in that whole scenario with the like

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<v Speaker 1>the lawn chair and the rifle and the tweakie cake

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<v Speaker 1>and the flannel and all of it was just.

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<v Speaker 3>And the kid drinking beer and the.

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<v Speaker 4>Whole ridiculous monster truck.

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<v Speaker 5>Yeah, the monster truck hitting the twinkie cake.

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<v Speaker 4>Yes, listen, there was so many hilarious, outrageous elements to

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<v Speaker 4>that sequence. And you know, my favorite one was the

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<v Speaker 4>hanging meats in the background above the altar. Yeah, was

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<v Speaker 4>such a good touch by either set deck or art

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<v Speaker 4>department to remember and to put that in there in

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<v Speaker 4>Brooks Nightmare is the hanging meat at the web, yeah,

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<v Speaker 4>at the altar exactly just so fun.

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<v Speaker 5>And I remember, you know, even Carol Cutshawl doing such

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<v Speaker 5>a great job because it's obviously supposed to be a reveal.

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<v Speaker 5>So we took the top of an actual wedding dress

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<v Speaker 5>that had like a white sequin bodice and cut off

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<v Speaker 5>the bottom and then she stitched these layers of denim

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<v Speaker 5>skirt with the you know, short front and the long

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<v Speaker 5>back so we could show the cowboy boots and it

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<v Speaker 5>would cut away from the veil and cut back and

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<v Speaker 5>there'd be a cowboy hat over.

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<v Speaker 3>It and a whole thing.

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<v Speaker 5>It was so much fun to build that world, and

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<v Speaker 5>they really leaned in.

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<v Speaker 1>She was so I mean, she is so creative. Obviously,

0:12:25.160 --> 0:12:29.040
<v Speaker 1>she's having a wonderful career right now. We really should

0:12:29.080 --> 0:12:31.840
<v Speaker 1>do an episode about costumes and we just go through

0:12:31.840 --> 0:12:34.760
<v Speaker 1>the sort of iconic costume moments in our show, and

0:12:34.800 --> 0:12:38.720
<v Speaker 1>we need to bring in Carol and I mean, whoever

0:12:38.800 --> 0:12:41.520
<v Speaker 1>was there at the beginning. I think maybe Alfonso. I

0:12:41.559 --> 0:12:44.160
<v Speaker 1>can't remember that Carol was with us for the longest,

0:12:44.160 --> 0:12:47.040
<v Speaker 1>but that would be really fun to bring them in

0:12:47.080 --> 0:12:47.440
<v Speaker 1>and do it.

0:12:47.520 --> 0:12:49.880
<v Speaker 4>We should also do a music one with Lindsay Wolfington

0:12:50.040 --> 0:12:52.800
<v Speaker 4>because at least a dozen times we've said that, and

0:12:52.840 --> 0:12:54.079
<v Speaker 4>it would just be fun to have her on for

0:12:54.160 --> 0:12:57.160
<v Speaker 4>an app and just pick her brain and hear stories. Yeah,

0:12:57.400 --> 0:12:59.079
<v Speaker 4>because she's going to get a nod in this episode

0:12:59.120 --> 0:12:59.640
<v Speaker 4>as well with.

0:12:59.600 --> 0:13:04.199
<v Speaker 1>The kid Yeah, cutty, Yeah, this was This was great.

0:13:04.240 --> 0:13:09.000
<v Speaker 1>So the backyard wedding super fun. Took us a day

0:13:09.040 --> 0:13:12.600
<v Speaker 1>to shoot. Nathan and Elmer fudd hat just so funny.

0:13:12.760 --> 0:13:37.200
<v Speaker 1>Took the cake part in the pun. I guess.

0:13:27.520 --> 0:13:30.680
<v Speaker 4>Let's talk about the cake, because I gotta say I'm

0:13:30.760 --> 0:13:33.560
<v Speaker 4>not mad at the idea of a Twinkie cake. I'm

0:13:33.600 --> 0:13:37.160
<v Speaker 4>interested to learn more. Yeah, doesn't it sound good?

0:13:37.760 --> 0:13:38.320
<v Speaker 1>Kind of does?

0:13:38.840 --> 0:13:39.440
<v Speaker 4>Is it a thing?

0:13:40.080 --> 0:13:42.120
<v Speaker 3>I don't know if it's a thing, but it should be.

0:13:42.440 --> 0:13:46.480
<v Speaker 1>It feels like it could be the like the brunch,

0:13:46.720 --> 0:13:48.440
<v Speaker 1>like a cake at the brunch the morning after, like

0:13:48.480 --> 0:13:51.200
<v Speaker 1>a fun little if you had a little barbecue brunch

0:13:51.280 --> 0:13:52.840
<v Speaker 1>the next day or something.

0:13:53.160 --> 0:13:54.920
<v Speaker 4>Or like a cake you make for yourself when you're

0:13:54.960 --> 0:13:59.600
<v Speaker 4>going through a really bad breakout. Just sad. Cake soaks

0:13:59.679 --> 0:14:01.240
<v Speaker 4>up your years. It's easy to eat.

0:14:02.520 --> 0:14:04.400
<v Speaker 1>Somebody on Etsy's making Twinkie cakes.

0:14:05.040 --> 0:14:06.800
<v Speaker 3>Probably it's also a good thing.

0:14:06.840 --> 0:14:09.480
<v Speaker 5>I mean, and they and they do it in the sequence,

0:14:09.520 --> 0:14:11.240
<v Speaker 5>but it's it's so pluckable.

0:14:11.520 --> 0:14:13.199
<v Speaker 3>Yes, kind of a perk.

0:14:13.320 --> 0:14:16.080
<v Speaker 4>Maybe we're onto something, guys, from the people that brought

0:14:16.080 --> 0:14:18.440
<v Speaker 4>you corn dogs comes the Twinkie cake.

0:14:20.560 --> 0:14:24.320
<v Speaker 5>Not No, it was also nice to do something I

0:14:24.360 --> 0:14:28.400
<v Speaker 5>think so out of the ordinary, because everyone got to

0:14:28.400 --> 0:14:29.960
<v Speaker 5>be ridiculous.

0:14:30.360 --> 0:14:32.760
<v Speaker 1>Jamie coming out of the no, out.

0:14:32.640 --> 0:14:35.360
<v Speaker 3>Of the Oh my god, and.

0:14:37.360 --> 0:14:43.080
<v Speaker 5>Especially Haley and Nathan are in such a good adult

0:14:43.280 --> 0:14:46.680
<v Speaker 5>place and it was fun to watch you and James

0:14:46.960 --> 0:14:52.200
<v Speaker 5>go nuts. Yeah, like the hooting and hollering and being ridiculous.

0:14:52.960 --> 0:14:56.360
<v Speaker 5>It gave you space to be so silly and you know,

0:14:56.600 --> 0:15:00.480
<v Speaker 5>you're in these big professional sort of moments where everyone's

0:15:00.520 --> 0:15:04.400
<v Speaker 5>grown up and fun but more serious, more mature, and

0:15:04.480 --> 0:15:08.000
<v Speaker 5>to see you both be you know, wild and crazy.

0:15:08.040 --> 0:15:09.160
<v Speaker 3>It was really a good time.

0:15:10.240 --> 0:15:10.400
<v Speaker 1>Rob.

0:15:10.440 --> 0:15:11.720
<v Speaker 3>Why weren't you at the wedding?

0:15:11.760 --> 0:15:15.200
<v Speaker 1>I don't understand why you weren't in this Like Chantelle.

0:15:14.760 --> 0:15:18.120
<v Speaker 4>Was there, Apparently I am. You know, Clay was not

0:15:19.080 --> 0:15:21.600
<v Speaker 4>worthy of being in Brooks nightmare. Maybe she just thinks

0:15:21.600 --> 0:15:23.680
<v Speaker 4>he's such a great guy that he wouldn't participate in.

0:15:23.720 --> 0:15:28.960
<v Speaker 4>There's also the choice to have sweet, sweet Stephen Coletti

0:15:29.280 --> 0:15:31.920
<v Speaker 4>just in a dinghy in the middle of that pond

0:15:32.200 --> 0:15:35.600
<v Speaker 4>on his own. Was so funny and perfect. I had

0:15:35.600 --> 0:15:36.360
<v Speaker 4>to rewind it to go.

0:15:36.480 --> 0:15:40.840
<v Speaker 1>Was that Stephen was so random? That was a fun day.

0:15:40.960 --> 0:15:43.440
<v Speaker 4>She was great this episode. His stuff was fun. I'm

0:15:43.440 --> 0:15:44.960
<v Speaker 4>glad he's more involved the season.

0:15:45.400 --> 0:15:49.000
<v Speaker 1>Me too. I loved Yes, I'm I'm really I continue

0:15:49.040 --> 0:15:51.680
<v Speaker 1>to show up more and more for Chase. Whatever he's

0:15:51.720 --> 0:15:53.080
<v Speaker 1>involved in. I'm like I want to I want to

0:15:53.080 --> 0:15:54.280
<v Speaker 1>see what's happening? Yeah, what is it?

0:15:54.480 --> 0:15:57.880
<v Speaker 5>I also love his little side with you when the

0:15:57.920 --> 0:16:00.680
<v Speaker 5>girls are really vibing and he's just what He's like.

0:16:00.680 --> 0:16:01.520
<v Speaker 1>You did this to me?

0:16:01.880 --> 0:16:03.920
<v Speaker 3>Yeah, it's so great.

0:16:05.720 --> 0:16:11.120
<v Speaker 1>Okay, So Brooke and Julian, this was my favorite part

0:16:11.120 --> 0:16:13.400
<v Speaker 1>of the whole episode. This was there was a lot

0:16:13.440 --> 0:16:15.200
<v Speaker 1>of you had a lot of like a Sara Disco

0:16:15.280 --> 0:16:18.000
<v Speaker 1>Parker energy, like it was very sex and the city

0:16:18.120 --> 0:16:24.360
<v Speaker 1>sort of vibe with this storyline. That's what struck me anyway.

0:16:24.400 --> 0:16:30.640
<v Speaker 1>But I just had so much fun watching watching Austin,

0:16:30.880 --> 0:16:33.920
<v Speaker 1>watching Austin play Julian. So he was having a ball,

0:16:34.040 --> 0:16:36.240
<v Speaker 1>like he was lit up all the time at every

0:16:36.240 --> 0:16:38.680
<v Speaker 1>little thing he was doing for you. And to see

0:16:38.720 --> 0:16:42.680
<v Speaker 1>Brooke just receiving it all and enjoying it all and

0:16:43.280 --> 0:16:46.440
<v Speaker 1>being loved on. You should wear red lipstick more often.

0:16:46.480 --> 0:16:48.280
<v Speaker 1>Your mouth looks like a pretty heart when you wear

0:16:48.320 --> 0:16:53.880
<v Speaker 1>red lipstick. It was so pretty. Learning French the sky diving,

0:16:53.960 --> 0:16:55.720
<v Speaker 1>I mean, you have so much to tell us about

0:16:55.720 --> 0:16:57.720
<v Speaker 1>all the adventures that you guys went on in this episode.

0:16:57.720 --> 0:17:00.360
<v Speaker 1>But I just really really loved this storyline, the whole

0:17:00.360 --> 0:17:03.240
<v Speaker 1>realm coram of it. I needed, I needed in my life.

0:17:03.480 --> 0:17:10.240
<v Speaker 5>It was really fun just to do something adorable. And

0:17:10.240 --> 0:17:12.200
<v Speaker 5>and you know we've talked about this. All of our

0:17:12.320 --> 0:17:15.840
<v Speaker 5>characters go through these sort of trials and tribulations. It's

0:17:15.840 --> 0:17:19.040
<v Speaker 5>a drama, and there's these seasons of sort of sadness

0:17:19.080 --> 0:17:23.040
<v Speaker 5>or struggle whatever, and it's just so nice to see

0:17:23.080 --> 0:17:26.439
<v Speaker 5>these two have a good time. Yeah, And I love that,

0:17:27.600 --> 0:17:32.320
<v Speaker 5>you know, he figures out a way to bring some

0:17:32.440 --> 0:17:37.520
<v Speaker 5>levity and some joy and some romance into her life

0:17:37.600 --> 0:17:41.240
<v Speaker 5>when she is grieving this loss and also trying to

0:17:42.400 --> 0:17:44.960
<v Speaker 5>really trying to be in that place of I'm I'm

0:17:45.000 --> 0:17:48.240
<v Speaker 5>sad about this and I can't do the things I

0:17:48.240 --> 0:17:50.320
<v Speaker 5>thought I would and my life isn't going to be

0:17:50.320 --> 0:17:51.199
<v Speaker 5>what I thought it was.

0:17:51.760 --> 0:17:52.480
<v Speaker 3>And he's like.

0:17:52.520 --> 0:17:56.040
<v Speaker 5>Says, who, yeah, we can do things. We can have

0:17:56.080 --> 0:18:00.720
<v Speaker 5>a nice time, and it's just so's it's so sweet

0:18:00.800 --> 0:18:06.280
<v Speaker 5>and it's so refreshing, and I love seeing her, you know,

0:18:06.400 --> 0:18:08.640
<v Speaker 5>try to figure something out for the wedding and it's

0:18:08.680 --> 0:18:11.160
<v Speaker 5>not going to work and she's trying to stay positive

0:18:11.160 --> 0:18:13.119
<v Speaker 5>and gets in the car and then it starts, you know,

0:18:13.119 --> 0:18:16.359
<v Speaker 5>the French lesson starts. It's like everything is just so

0:18:19.240 --> 0:18:21.480
<v Speaker 5>the gestures aren't even that big. I mean, obviously the

0:18:21.480 --> 0:18:24.800
<v Speaker 5>sky diving is, but it's it's all these little things

0:18:24.840 --> 0:18:27.920
<v Speaker 5>that are just so genuinely kind and life.

0:18:28.080 --> 0:18:31.440
<v Speaker 4>She shows he cares. It's also so funny that there

0:18:31.480 --> 0:18:34.600
<v Speaker 4>are these attempts that we've talked about so often to

0:18:34.840 --> 0:18:38.240
<v Speaker 4>emasculate Julian or make him look silly, and then he's

0:18:38.359 --> 0:18:42.520
<v Speaker 4>given material like this, and it's it's just it really

0:18:42.600 --> 0:18:46.520
<v Speaker 4>shows it kind of shines light on just how immature

0:18:46.720 --> 0:18:50.479
<v Speaker 4>the attempt at emasculation is, because it's things that like

0:18:50.640 --> 0:18:52.960
<v Speaker 4>women don't care if a guy is good at high

0:18:53.000 --> 0:18:56.199
<v Speaker 4>fiving or if he knows how to camp. It's like

0:18:56.960 --> 0:18:59.880
<v Speaker 4>what they are giving him is like he's a great partner,

0:19:00.640 --> 0:19:04.480
<v Speaker 4>he listens, he shows up, he's there, he's a teammate.

0:19:04.520 --> 0:19:06.600
<v Speaker 4>And so it's it's so funny that, like the attempts

0:19:06.640 --> 0:19:10.879
<v Speaker 4>to make him look silly are so overshadowed by episodes

0:19:10.920 --> 0:19:14.200
<v Speaker 4>like this where it's like this dude is so grounded

0:19:14.240 --> 0:19:17.880
<v Speaker 4>in himself and just so present and loving and awesome,

0:19:17.960 --> 0:19:22.200
<v Speaker 4>Like this is the ideal teammate. Yeah, so to do anything. Look,

0:19:22.240 --> 0:19:25.399
<v Speaker 4>he doesn't know how to high five. It's like, bfd,

0:19:25.600 --> 0:19:28.760
<v Speaker 4>what who cares? Dude? Who what Yet.

0:19:29.080 --> 0:19:32.000
<v Speaker 1>This is the Julian that we hoped for. It feels

0:19:32.040 --> 0:19:34.200
<v Speaker 1>like such a great payoff after the journey that they've

0:19:34.200 --> 0:19:36.920
<v Speaker 1>been through after breaking up and all of the drama

0:19:37.000 --> 0:19:41.320
<v Speaker 1>with Alex, to see him growing and coming into fruition

0:19:41.440 --> 0:19:43.080
<v Speaker 1>of the man that he wants to be in, the

0:19:43.080 --> 0:19:44.600
<v Speaker 1>partner that he wants to be in, the partner that

0:19:44.680 --> 0:19:48.240
<v Speaker 1>Brooke needs and wants. It feels like a great payoff.

0:19:48.680 --> 0:19:53.040
<v Speaker 1>And the other great payoff is having watched Brooke hustle

0:19:53.160 --> 0:19:59.200
<v Speaker 1>for so so so long and gaining so much. I mean,

0:19:59.280 --> 0:20:03.040
<v Speaker 1>she she ran a multimillion dollar company. She's on top

0:20:03.080 --> 0:20:06.280
<v Speaker 1>of the world. She has everything that people think they want.

0:20:06.840 --> 0:20:09.879
<v Speaker 1>And to see her through all that time, there was

0:20:09.920 --> 0:20:11.879
<v Speaker 1>so much drama and struggle, and.

0:20:13.640 --> 0:20:14.280
<v Speaker 3>It's so.

0:20:15.800 --> 0:20:19.159
<v Speaker 1>Perfect that now that all the money's gone and she

0:20:19.240 --> 0:20:22.000
<v Speaker 1>really has no other choice but to discover the magic

0:20:22.000 --> 0:20:24.960
<v Speaker 1>of ordinary days and to discover the little things in life.

0:20:26.080 --> 0:20:30.800
<v Speaker 1>To see her so light and happy and enjoying the

0:20:31.040 --> 0:20:35.760
<v Speaker 1>sucking the marrow out of just daily life. It's it's

0:20:35.840 --> 0:20:39.600
<v Speaker 1>such a great over, like a huge long Seasons by

0:20:39.640 --> 0:20:43.159
<v Speaker 1>Seasons arc. That feels like a great payoff that that

0:20:43.200 --> 0:20:45.560
<v Speaker 1>we're getting to walk into with her. I'm really happy

0:20:45.560 --> 0:20:46.080
<v Speaker 1>they did this.

0:20:46.920 --> 0:20:49.680
<v Speaker 4>There's also a great kind of blink and you miss

0:20:49.720 --> 0:20:52.639
<v Speaker 4>it line in that first scene I think with Brooke

0:20:52.680 --> 0:20:56.359
<v Speaker 4>and Julian, where Julian's just says something to the effect

0:20:56.640 --> 0:20:58.719
<v Speaker 4>I think Brook says like, aren't you worried about our

0:20:58.760 --> 0:21:00.840
<v Speaker 4>moms becoming friends? And he's like, I'm just glad I

0:21:00.920 --> 0:21:03.280
<v Speaker 4>got her out of the house, and one of you

0:21:03.359 --> 0:21:06.159
<v Speaker 4>says like, yeah, they're having like a girl's trip to

0:21:06.280 --> 0:21:08.720
<v Speaker 4>New York, And I just thought, dude, that is this

0:21:08.840 --> 0:21:14.560
<v Speaker 4>spinoff episode we desperately needed Sylvia. Could you imagine Sylvia

0:21:14.560 --> 0:21:17.520
<v Speaker 4>and Victoria do Manhattan? Just an episode of the two

0:21:17.600 --> 0:21:18.240
<v Speaker 4>of them.

0:21:18.440 --> 0:21:19.080
<v Speaker 3>I want that.

0:21:19.200 --> 0:21:21.119
<v Speaker 1>I really would want Barbara to show up at some

0:21:21.200 --> 0:21:21.960
<v Speaker 1>point as well.

0:21:22.040 --> 0:21:22.240
<v Speaker 4>Yeah.

0:21:22.280 --> 0:21:26.200
<v Speaker 1>I don't know how, but the three of them, that's

0:21:26.280 --> 0:21:27.120
<v Speaker 1>the trifecta.

0:21:27.640 --> 0:21:32.000
<v Speaker 4>Yeah, someone's getting arrested, that's a shirt. If Barbara's there,

0:21:32.440 --> 0:21:33.600
<v Speaker 4>if ant Deb's in the mix.

0:21:33.480 --> 0:21:36.320
<v Speaker 3>Yeah, that feels right. And to your point, Rob, the

0:21:37.440 --> 0:21:38.120
<v Speaker 3>way that.

0:21:38.480 --> 0:21:44.440
<v Speaker 5>Austin leans into this stuff is so sweet, Like these

0:21:44.520 --> 0:21:47.600
<v Speaker 5>lines wind up being so funny, him being like, motorcycle

0:21:47.680 --> 0:21:49.720
<v Speaker 5>is a state of mind. And then you know in

0:21:49.760 --> 0:21:53.240
<v Speaker 5>the in the plane they do it again, and it's

0:21:53.280 --> 0:21:57.720
<v Speaker 5>actually just so funny. She's freaking out about skydiving. They

0:21:57.720 --> 0:22:00.320
<v Speaker 5>make that, you know, second best forty five second your

0:22:00.359 --> 0:22:04.480
<v Speaker 5>life joke, but like it works because he's in on

0:22:04.560 --> 0:22:06.960
<v Speaker 5>the joke and then he's quoting Hitch and it's like

0:22:07.000 --> 0:22:10.960
<v Speaker 5>it's all so silly and so much fun and it

0:22:11.080 --> 0:22:13.719
<v Speaker 5>is sweet to just see them have a good time together.

0:22:14.400 --> 0:22:17.960
<v Speaker 4>And he owns his uncool that's the thing. Yeah, Because

0:22:17.960 --> 0:22:21.760
<v Speaker 4>Austin leans in and commits so hard earnestly. The payoff

0:22:21.800 --> 0:22:24.000
<v Speaker 4>on that joke is that he's not like, oh no,

0:22:24.080 --> 0:22:26.719
<v Speaker 4>it's I thought. He just like it's a great movie.

0:22:27.000 --> 0:22:29.840
<v Speaker 4>When you're like, are you really quoting Hitch? You brook

0:22:29.880 --> 0:22:32.359
<v Speaker 4>has that great language. She's like, we're fifteen thousand feet

0:22:32.359 --> 0:22:34.440
<v Speaker 4>in the air and a quarter of the plane is missing. Yeah,

0:22:34.480 --> 0:22:36.760
<v Speaker 4>did you just quote Hitch? You know? And he doesn't

0:22:36.840 --> 0:22:39.440
<v Speaker 4>like bach He goes, yeah, yeah, it's a great Yes,

0:22:39.480 --> 0:22:42.480
<v Speaker 4>it's a great movie. It's like that's Julian man, he

0:22:42.600 --> 0:22:43.439
<v Speaker 4>just owns it.

0:22:44.400 --> 0:22:46.080
<v Speaker 1>Had you guys been skydiving before?

0:22:47.280 --> 0:22:50.439
<v Speaker 5>Yeah, I had been a bunch, So I think I

0:22:50.440 --> 0:22:52.000
<v Speaker 5>don't know if that's why it wound up.

0:22:51.880 --> 0:22:52.439
<v Speaker 3>On the list.

0:22:52.640 --> 0:22:53.800
<v Speaker 1>Had Austin been before.

0:22:55.800 --> 0:22:59.280
<v Speaker 5>I feel like probably I don't remember, but I feel

0:22:59.280 --> 0:23:01.280
<v Speaker 5>like he would have been. What was weird to me,

0:23:02.000 --> 0:23:05.600
<v Speaker 5>the whole thing was so spot on. And then what

0:23:05.680 --> 0:23:08.600
<v Speaker 5>was weird to me is that, you know, the the

0:23:08.640 --> 0:23:12.600
<v Speaker 5>stunt folks who did this jumped out of the plane

0:23:12.600 --> 0:23:14.480
<v Speaker 5>because obviously they weren't going to really let us jump

0:23:14.520 --> 0:23:16.440
<v Speaker 5>out of a plane. That's an insurance nightmare.

0:23:16.840 --> 0:23:18.800
<v Speaker 1>But you've gone so many times in your life, so

0:23:18.880 --> 0:23:20.800
<v Speaker 1>it seemed like, okay, maybe they'll just.

0:23:21.560 --> 0:23:25.240
<v Speaker 5>Yeah, no, they they would not have just insurance to

0:23:25.359 --> 0:23:28.240
<v Speaker 5>the show would never have allowed that. But what was

0:23:28.280 --> 0:23:32.000
<v Speaker 5>so weird to me is that, you know, whoever did

0:23:32.080 --> 0:23:39.119
<v Speaker 5>those shots on Second Unit the skydivers jumped solo. I'm like, you,

0:23:39.160 --> 0:23:41.920
<v Speaker 5>nobody's allowed to jump solo their first time skydive.

0:23:42.040 --> 0:23:44.360
<v Speaker 1>Yeah, the two of them in tandem, Like you two.

0:23:44.840 --> 0:23:47.520
<v Speaker 5>We know we both would have to be tandem jumping

0:23:47.520 --> 0:23:52.040
<v Speaker 5>with an instructor. It's like we would be strapped to instructors, right.

0:23:52.280 --> 0:23:54.359
<v Speaker 5>We would never have been allowed to jump out of

0:23:54.400 --> 0:23:55.920
<v Speaker 5>the plane on our own.

0:23:56.240 --> 0:23:56.840
<v Speaker 3>Yeah.

0:23:56.880 --> 0:23:59.320
<v Speaker 5>The first time, I was like, well, that sort of took.

0:23:59.119 --> 0:24:01.640
<v Speaker 4>Me out of it. I went though they gave us

0:24:01.640 --> 0:24:03.439
<v Speaker 4>the option, They were like, what can you do a

0:24:03.520 --> 0:24:08.240
<v Speaker 4>twenty minute class and jump with an instructor tandem, or

0:24:08.280 --> 0:24:11.400
<v Speaker 4>you can do a four hour class and jump by yourself,

0:24:12.200 --> 0:24:14.320
<v Speaker 4>to which, of course, I'm like, are you going, Hi? No,

0:24:14.480 --> 0:24:17.160
<v Speaker 4>I want the person strapped to my back. I do. No,

0:24:17.200 --> 0:24:19.520
<v Speaker 4>I'm not that good of a student. But but here's

0:24:19.520 --> 0:24:23.399
<v Speaker 4>the deal. Brooke wouldn't have done that. No, YEA like, no,

0:24:23.560 --> 0:24:25.639
<v Speaker 4>strap the person to my back. I'm not going to

0:24:25.680 --> 0:24:30.520
<v Speaker 4>be responsible for that. I might black out. Yeah, so crazy.

0:24:30.680 --> 0:24:32.720
<v Speaker 5>I thought the whole thing was so sweet. I was like, whatever,

0:24:32.720 --> 0:24:35.479
<v Speaker 5>give it, give it the license. But it was a

0:24:35.480 --> 0:24:38.840
<v Speaker 5>moment where I was thinking, yeah, fucking right, she's screaming

0:24:38.840 --> 0:24:40.800
<v Speaker 5>about how she's terrified, and then it's like, all right,

0:24:40.880 --> 0:24:43.359
<v Speaker 5>psych and dives out come on.

0:24:44.520 --> 0:24:45.960
<v Speaker 1>At least your jumpsuits were cute.

0:24:46.680 --> 0:24:50.199
<v Speaker 5>Yeah, it was very, very cute. The whole thing was

0:24:50.240 --> 0:24:53.679
<v Speaker 5>super sweet. I do remember, and I can't remember what

0:24:53.760 --> 0:24:56.840
<v Speaker 5>it was that we had to go and do once

0:24:56.880 --> 0:24:59.240
<v Speaker 5>we finished that. You know, we did the whole skydiving

0:24:59.240 --> 0:25:01.520
<v Speaker 5>sequence and then we had to move on to more

0:25:01.560 --> 0:25:04.600
<v Speaker 5>of their adventure day. And I remember when we took

0:25:04.640 --> 0:25:08.479
<v Speaker 5>the goggles off, the indents in our faces.

0:25:08.400 --> 0:25:12.440
<v Speaker 3>Were so bad. I had to like ice roll my face.

0:25:13.880 --> 0:25:16.439
<v Speaker 5>On the way to the next set, and we just

0:25:16.480 --> 0:25:18.040
<v Speaker 5>had it was like something we hadn't thought about.

0:25:18.119 --> 0:25:19.760
<v Speaker 1>Did they send you up in a plane for this

0:25:20.040 --> 0:25:23.360
<v Speaker 1>or was any of this done like on us on stage?

0:25:23.440 --> 0:25:25.159
<v Speaker 4>It looked like it was all done on the ground.

0:25:24.960 --> 0:25:27.160
<v Speaker 3>Right, Yeah, all on the ground. Yeah.

0:25:27.200 --> 0:25:30.560
<v Speaker 1>Wow. I bought it, I know, right, totally bought it.

0:25:30.960 --> 0:25:32.800
<v Speaker 3>Yeah, it really worked. It was really sweet.

0:25:33.080 --> 0:25:35.080
<v Speaker 4>So yeah, all of the Julian and Brooks stuff I

0:25:35.119 --> 0:25:37.400
<v Speaker 4>thought was just it was perfect.

0:25:37.720 --> 0:25:40.960
<v Speaker 5>The one thing though, and again, so much of it

0:25:41.000 --> 0:25:43.040
<v Speaker 5>is so good, and then there are these choices in

0:25:43.080 --> 0:25:44.840
<v Speaker 5>this episode that go sideways.

0:25:45.040 --> 0:25:46.280
<v Speaker 3>Why was the moon so big?

0:25:46.359 --> 0:25:49.560
<v Speaker 4>It's come on in the moon, dude, it looked like

0:25:49.560 --> 0:25:51.400
<v Speaker 4>the Truman Show. I thought the same thing. I thought,

0:25:51.400 --> 0:25:52.840
<v Speaker 4>for sure they're going to be on like a sound

0:25:52.840 --> 0:25:54.280
<v Speaker 4>stage or something.

0:25:54.359 --> 0:25:56.159
<v Speaker 1>I thought it was a gimmick. He had found some

0:25:56.280 --> 0:26:00.360
<v Speaker 1>way of, yes, making a scene for them. The moon.

0:26:01.000 --> 0:26:05.359
<v Speaker 4>Yeah, that moon was out of control. It was distractingly big.

0:26:05.720 --> 0:26:06.080
<v Speaker 3>Yeah.

0:26:06.320 --> 0:26:10.000
<v Speaker 4>Also, what's odd is that they chose to shoot the

0:26:10.000 --> 0:26:13.520
<v Speaker 4>scene of Quinn throwing the gun off the same It

0:26:13.600 --> 0:26:15.440
<v Speaker 4>looks let's be honest, it was the same pier, but

0:26:15.480 --> 0:26:17.800
<v Speaker 4>even on the show. It looks identical. And one of

0:26:17.840 --> 0:26:20.320
<v Speaker 4>the shots up at her from the water, you can

0:26:20.440 --> 0:26:23.600
<v Speaker 4>actually see the moon, the moon in the sky behind her,

0:26:23.680 --> 0:26:29.320
<v Speaker 4>and it is a totally normal sized moon. Yes, we

0:26:29.359 --> 0:26:31.840
<v Speaker 4>paid extra for that big moon. That was CGI.

0:26:32.400 --> 0:26:38.120
<v Speaker 3>Why I don't know, and I don't know. Why take

0:26:38.200 --> 0:26:40.040
<v Speaker 3>the moon and just make it ten.

0:26:39.920 --> 0:26:45.520
<v Speaker 5>Percent bigger in CGI, don't make it a thousand percent bigger.

0:26:46.119 --> 0:26:50.480
<v Speaker 5>They're like, enhance, enhance, enhance, enhance, in hands like.

0:26:51.000 --> 0:26:53.359
<v Speaker 3>Stop, please, please stop.

0:26:53.480 --> 0:26:54.840
<v Speaker 1>No, we're in a Disney movie now.

0:26:55.320 --> 0:26:56.960
<v Speaker 3>It was so silly.

0:26:57.440 --> 0:26:59.240
<v Speaker 1>Yeah, I still grabbed all of it.

0:26:59.440 --> 0:27:01.840
<v Speaker 3>I loved I did tighten, I did do.

0:27:02.359 --> 0:27:04.440
<v Speaker 1>I think what worked. Yes, there was a moment you

0:27:04.520 --> 0:27:06.320
<v Speaker 1>roll your eyes, you're like, oh my gosh, okay, But

0:27:06.640 --> 0:27:08.440
<v Speaker 1>I think it was because there were so many other

0:27:08.480 --> 0:27:11.760
<v Speaker 1>things in the episode that felt heightened, that there was

0:27:11.800 --> 0:27:14.520
<v Speaker 1>a bit of a fairy tale element about the whole

0:27:14.560 --> 0:27:17.639
<v Speaker 1>episode that kind of worked for me. The all of

0:27:17.680 --> 0:27:21.960
<v Speaker 1>the slight absurdities. I just I just bought into it.

0:27:23.200 --> 0:27:25.080
<v Speaker 1>Maybe I'm just in a good, good mood this morning

0:27:25.080 --> 0:27:26.840
<v Speaker 1>and wanted to I don't know who.

0:27:27.920 --> 0:27:30.119
<v Speaker 4>Yeah, listen, it's not a deal breaker, but I'm with you,

0:27:30.240 --> 0:27:33.280
<v Speaker 4>so the moment we opened on that shot, I was

0:27:33.480 --> 0:27:36.200
<v Speaker 4>like immediately pulled out of it, going, what is okay?

0:27:36.200 --> 0:27:38.680
<v Speaker 4>They've got to be on a stage, Like you guys

0:27:38.680 --> 0:27:40.600
<v Speaker 4>were so good that you didn't even need a moon

0:27:40.640 --> 0:27:43.680
<v Speaker 4>in the shot, Like we didn't need any extra romance

0:27:43.720 --> 0:27:46.119
<v Speaker 4>to like jiz it up. But it was, yeah, it

0:27:46.160 --> 0:27:50.520
<v Speaker 4>was just like it was so it was so aggressive aggressive.

0:27:50.880 --> 0:27:53.200
<v Speaker 1>That's exactly right, the aggressive moon.

0:27:53.840 --> 0:27:55.800
<v Speaker 5>I was just gonna say, maybe to your point joint,

0:27:55.840 --> 0:27:59.080
<v Speaker 5>maybe they were like, well, we've gone really extreme with

0:27:59.160 --> 0:28:02.520
<v Speaker 5>the murder plot, so maybe we should just drama.

0:28:02.240 --> 0:28:05.280
<v Speaker 3>Up a few of the other ones. Like I don't

0:28:05.280 --> 0:28:07.680
<v Speaker 3>know if the idea was let's.

0:28:07.600 --> 0:28:10.600
<v Speaker 1>Heighten because you don't remember that on the day, it

0:28:10.640 --> 0:28:12.480
<v Speaker 1>wasn't like you guys were standing there and there was

0:28:12.520 --> 0:28:14.240
<v Speaker 1>this giant moon projected or something.

0:28:14.640 --> 0:28:15.080
<v Speaker 3>No.

0:28:15.080 --> 0:28:17.960
<v Speaker 5>No, we were really out on the pier at night.

0:28:18.320 --> 0:28:20.400
<v Speaker 3>And the moon. Here's the thing. The moon was.

0:28:20.440 --> 0:28:24.240
<v Speaker 5>Out because there was reflection on the water, and it

0:28:24.760 --> 0:28:27.959
<v Speaker 5>just felt like somebody was like, let's take that normal

0:28:28.000 --> 0:28:31.400
<v Speaker 5>little dot and put it was like they replaced this

0:28:31.600 --> 0:28:35.639
<v Speaker 5>behind me with this like this was real, and then

0:28:35.680 --> 0:28:36.920
<v Speaker 5>they put this in the.

0:28:36.840 --> 0:28:39.600
<v Speaker 1>Shop for reference. Friends. She's pointing to what is that

0:28:39.600 --> 0:28:42.280
<v Speaker 1>little a microphone like sticker. I don't know what that is.

0:28:42.320 --> 0:28:45.160
<v Speaker 5>This is like a little glass evil eye that I

0:28:45.280 --> 0:28:46.840
<v Speaker 5>got traveling years ago, and.

0:28:47.040 --> 0:28:49.200
<v Speaker 3>This is a globe of the world.

0:28:50.800 --> 0:28:53.120
<v Speaker 1>They're next to each other, so you can imagine the

0:28:53.160 --> 0:28:53.800
<v Speaker 1>sized difference.

0:28:54.240 --> 0:28:57.560
<v Speaker 4>But you know, maybe they got like indie film with

0:28:57.640 --> 0:28:59.840
<v Speaker 4>it and they were like, it's but it's just Brook

0:29:00.240 --> 0:29:04.000
<v Speaker 4>is in such like a romantic fantasy bubble right now

0:29:04.040 --> 0:29:07.240
<v Speaker 4>that maybe it was just she was feeling this moment

0:29:07.280 --> 0:29:08.880
<v Speaker 4>and the moon felt that big too.

0:29:09.480 --> 0:29:11.959
<v Speaker 1>Yeah, maybe the same thing for Quinn. The diner just

0:29:12.320 --> 0:29:14.200
<v Speaker 1>felt really creepy and all.

0:29:14.160 --> 0:29:16.920
<v Speaker 3>That Oh my gosh, she felt like she was in

0:29:16.960 --> 0:29:17.600
<v Speaker 3>a film noir.

0:29:18.200 --> 0:29:20.080
<v Speaker 4>This episode should have won an Emmy.

0:29:20.400 --> 0:29:23.000
<v Speaker 1>Okay, it's so.

0:29:25.160 --> 0:29:26.200
<v Speaker 3>I like that.

0:29:27.000 --> 0:29:30.040
<v Speaker 5>Yeah, the Brook and Julian on the periods, their et moment.

0:29:30.520 --> 0:29:32.320
<v Speaker 3>The moon just takes up the whole thing.

0:29:32.760 --> 0:29:36.240
<v Speaker 4>I loved a line that had nothing to do with

0:29:36.320 --> 0:29:39.920
<v Speaker 4>the episode that made me laugh out loud was the

0:29:39.960 --> 0:29:44.680
<v Speaker 4>whole Jamie and Nathan Runner being study buddies. His whole

0:29:44.680 --> 0:29:47.720
<v Speaker 4>thing this season of just like coming into himself.

0:29:48.000 --> 0:29:50.480
<v Speaker 1>I'm thrilled with this storyline for him, and yes, like.

0:29:50.920 --> 0:29:53.600
<v Speaker 4>Being a dad and loving being a dad has been

0:29:53.640 --> 0:29:55.600
<v Speaker 4>so great and so this whole the whole study buddy

0:29:55.640 --> 0:29:58.200
<v Speaker 4>thing with the two of them was awesome. But when

0:29:58.600 --> 0:30:00.640
<v Speaker 4>at the very start of it, he's like, let's let's

0:30:00.640 --> 0:30:04.000
<v Speaker 4>play some Madden, and Nathan goes, I can't. I gotta

0:30:04.000 --> 0:30:08.320
<v Speaker 4>study Wor's Chuck and he says, Chuck got grounded for

0:30:08.480 --> 0:30:12.200
<v Speaker 4>using his name in the Banana rama pro Fantasy, and

0:30:12.240 --> 0:30:14.480
<v Speaker 4>you see Nathan take a beat to sing the song

0:30:14.520 --> 0:30:15.360
<v Speaker 4>to himself and then.

0:30:15.280 --> 0:30:18.720
<v Speaker 3>Go it yeah, and didn't you do it too?

0:30:19.000 --> 0:30:20.120
<v Speaker 4>I absolutely did it.

0:30:20.360 --> 0:30:20.960
<v Speaker 3>We all did it.

0:30:21.000 --> 0:30:24.480
<v Speaker 1>Oh yeah. Immediately my brain was like, I'm in the

0:30:24.480 --> 0:30:26.680
<v Speaker 1>writer's room and I'm imagining they're trying to come up

0:30:26.680 --> 0:30:28.880
<v Speaker 1>with a reason for Chuck to be grounded and somebody,

0:30:29.320 --> 0:30:31.560
<v Speaker 1>somebody's kid had just done that at home and said

0:30:31.600 --> 0:30:34.160
<v Speaker 1>it out loud. It's it's it's great. That was really fun.

0:30:34.200 --> 0:30:46.840
<v Speaker 6>Yeah.

0:30:47.000 --> 0:30:50.760
<v Speaker 5>I like that In the edit they exactly timed the

0:30:51.000 --> 0:30:54.480
<v Speaker 5>reaction for Nathan correctly so that all of us got.

0:30:54.320 --> 0:30:55.040
<v Speaker 3>To go Chuck.

0:30:57.000 --> 0:30:59.840
<v Speaker 5>Like everybody did it together and it was great.

0:31:00.320 --> 0:31:00.960
<v Speaker 1>That was fun.

0:31:01.480 --> 0:31:01.680
<v Speaker 6>Yeah.

0:31:01.680 --> 0:31:04.520
<v Speaker 1>I love the storyline for Nathan. I mean wow, like

0:31:05.480 --> 0:31:10.120
<v Speaker 1>just finding his own way, figuring out taking these risks

0:31:10.480 --> 0:31:13.560
<v Speaker 1>and to see that Nathan choose to take the hard class.

0:31:13.880 --> 0:31:15.280
<v Speaker 1>You know, there was a time when there was a

0:31:15.360 --> 0:31:17.240
<v Speaker 1>version of Nathan when he would have been like where

0:31:17.240 --> 0:31:20.120
<v Speaker 1>do I coast? And yeah, that's so great.

0:31:20.640 --> 0:31:25.160
<v Speaker 4>Also it's the appearance of Kellerman Peter Reigert. He's great,

0:31:25.600 --> 0:31:30.200
<v Speaker 4>He's awesome, And yeah, I believe he played a college

0:31:30.240 --> 0:31:33.920
<v Speaker 4>professor in Animal House, so I know that there was

0:31:34.000 --> 0:31:37.040
<v Speaker 4>excitement because they were like, like, he was so known

0:31:37.080 --> 0:31:39.280
<v Speaker 4>for that role that like, we got him as our

0:31:39.320 --> 0:31:43.080
<v Speaker 4>college professor. But he's great. Yeah, he's really good.

0:31:43.120 --> 0:31:43.320
<v Speaker 6>Man.

0:31:43.720 --> 0:31:46.960
<v Speaker 4>That first scene with him in Nathan in the Office

0:31:47.080 --> 0:31:47.560
<v Speaker 4>is awesome.

0:31:48.040 --> 0:31:50.959
<v Speaker 5>Yeah, and the fact that you can tell he's going

0:31:51.000 --> 0:31:54.719
<v Speaker 5>to be a curmudgeon, but Nathan feels up to it

0:31:54.760 --> 0:31:57.120
<v Speaker 5>and they're kind of sizing each other up. It doesn't

0:31:57.240 --> 0:32:01.880
<v Speaker 5>lean into conflict too fast, but it gives you a

0:32:01.880 --> 0:32:03.320
<v Speaker 5>little taste.

0:32:03.520 --> 0:32:05.400
<v Speaker 3>And the whole.

0:32:05.080 --> 0:32:09.040
<v Speaker 5>Storyline for Nathan, you know, like you were saying, joy

0:32:09.120 --> 0:32:13.760
<v Speaker 5>is so good because we get to see him maturing

0:32:13.800 --> 0:32:17.680
<v Speaker 5>and trying to make all of these choices. And what's

0:32:17.800 --> 0:32:21.360
<v Speaker 5>cool about it is we get to watch it, but

0:32:21.440 --> 0:32:24.200
<v Speaker 5>we also get to see him talk about it in

0:32:24.240 --> 0:32:27.320
<v Speaker 5>ways that don't feel so much like exposition because they're

0:32:27.440 --> 0:32:31.640
<v Speaker 5>lessons for Jamie, the story about how they lost to

0:32:31.720 --> 0:32:33.959
<v Speaker 5>Kansas by three but they were supposed to lose by

0:32:34.000 --> 0:32:37.640
<v Speaker 5>twenty seven, but they worked so hard and they practiced

0:32:37.640 --> 0:32:41.840
<v Speaker 5>so hard, and it taught him something about being determined.

0:32:42.840 --> 0:32:46.320
<v Speaker 5>It's such a good way to show growth in a

0:32:46.440 --> 0:32:50.040
<v Speaker 5>character without being like, and you know what I've learned

0:32:50.040 --> 0:32:51.200
<v Speaker 5>about my life?

0:32:51.360 --> 0:32:55.360
<v Speaker 1>You know, yes, which we fall into that trap a lot,

0:32:55.440 --> 0:32:58.080
<v Speaker 1>which I think is inevitable, especially on a show with

0:32:58.120 --> 0:33:00.880
<v Speaker 1>this many seasons. It's easy to fall into the trap

0:33:00.880 --> 0:33:03.120
<v Speaker 1>of like, just explain it in dialogue and have people

0:33:03.280 --> 0:33:05.600
<v Speaker 1>just say say the thing so everybody can catch up

0:33:05.640 --> 0:33:07.840
<v Speaker 1>if they missed it. And I love it when they

0:33:07.880 --> 0:33:09.920
<v Speaker 1>just take the little extra time to do things like

0:33:09.960 --> 0:33:12.080
<v Speaker 1>that and make it feel natural. That's good.

0:33:12.360 --> 0:33:16.360
<v Speaker 4>It's effective. It's like Hayley writing to Lucas, you know.

0:33:16.440 --> 0:33:19.200
<v Speaker 4>It's a it's a great device for getting inside her

0:33:19.240 --> 0:33:22.560
<v Speaker 4>head without actually having her. Yeah, sit there and do

0:33:22.680 --> 0:33:25.680
<v Speaker 4>the talking head exposition that everyone dreads doing.

0:33:25.920 --> 0:33:32.640
<v Speaker 5>Totally, and the whole, the whole little container of this

0:33:33.120 --> 0:33:36.120
<v Speaker 5>evening of studying with a dad and his son is

0:33:36.400 --> 0:33:41.040
<v Speaker 5>just so sweet because you get to see how serious

0:33:41.080 --> 0:33:43.600
<v Speaker 5>it is. But the kid helps to make it lighthearted

0:33:43.680 --> 0:33:46.560
<v Speaker 5>in the games and the you know, the spelling drills

0:33:46.600 --> 0:33:49.840
<v Speaker 5>and the whole thing. It's just it's a really nice

0:33:49.920 --> 0:33:51.520
<v Speaker 5>peak into their world.

0:33:51.680 --> 0:33:55.040
<v Speaker 1>It's just so relatable, like this, this family dynamic, the

0:33:55.040 --> 0:33:58.280
<v Speaker 1>three of them. Even at the end Jamie with the

0:33:58.360 --> 0:34:06.560
<v Speaker 1>Tuto R and O and tutor you know, yes, yes,

0:34:06.680 --> 0:34:08.280
<v Speaker 1>so good. Did you learn nothing?

0:34:08.600 --> 0:34:10.960
<v Speaker 4>He has that line where he says to Nathan, Wow,

0:34:11.040 --> 0:34:15.320
<v Speaker 4>first tudor girl, now tutor son. Yeah, that's nice. And

0:34:15.480 --> 0:34:17.680
<v Speaker 4>there's a great exchange where I think it's like after

0:34:17.719 --> 0:34:20.480
<v Speaker 4>like the first time that they talk about the studying,

0:34:21.160 --> 0:34:24.400
<v Speaker 4>Nathan looks at him and goes, how'd you get so smart?

0:34:24.800 --> 0:34:26.880
<v Speaker 4>And he turns around and says, I have my mom's

0:34:26.920 --> 0:34:31.200
<v Speaker 4>jeans too, And with that's skipping up beat, Nathan goes,

0:34:31.400 --> 0:34:37.040
<v Speaker 4>you also got her height. Yes, it's like okay, dad,

0:34:37.080 --> 0:34:38.320
<v Speaker 4>apparently we touched.

0:34:38.040 --> 0:34:42.560
<v Speaker 1>A nerve and just so show the thing that our

0:34:42.640 --> 0:34:44.880
<v Speaker 1>show became famous for in the first place, which was

0:34:45.480 --> 0:34:49.400
<v Speaker 1>the small town the again, this sort of magic of

0:34:49.520 --> 0:34:52.520
<v Speaker 1>ordinary days. How valuable that really is. Like we can

0:34:52.560 --> 0:34:56.440
<v Speaker 1>have a lot of drama, we can have big, exciting, bizarre, strange,

0:34:57.360 --> 0:35:01.040
<v Speaker 1>very dramatic things happen. But the core in the heart

0:35:01.160 --> 0:35:04.279
<v Speaker 1>of the show is just the ordinary and the things

0:35:04.320 --> 0:35:06.240
<v Speaker 1>that you can relate to as a as a family,

0:35:06.280 --> 0:35:08.360
<v Speaker 1>as a member of a family in your real life,

0:35:08.440 --> 0:35:12.400
<v Speaker 1>and just watching the little nuances here. I loved it.

0:35:12.680 --> 0:35:13.560
<v Speaker 1>It warmed my heart.

0:35:14.440 --> 0:35:19.239
<v Speaker 4>The whole Red Bedroom trick stuff was great, and I

0:35:19.280 --> 0:35:21.399
<v Speaker 4>loved how it all started. I mean, it was great

0:35:21.400 --> 0:35:24.040
<v Speaker 4>that Mia was the one who got kid Cuddy. Yeah,

0:35:24.080 --> 0:35:28.120
<v Speaker 4>and then I loved Haley tricking Mia into wanting to

0:35:28.200 --> 0:35:31.719
<v Speaker 4>bartend by getting Alex to bartend. So good. It was

0:35:31.760 --> 0:35:34.640
<v Speaker 4>fun watching you play kind of the mastermind behind the

0:35:34.680 --> 0:35:35.759
<v Speaker 4>scenes for this whole night.

0:35:36.400 --> 0:35:40.320
<v Speaker 1>Yeah, it was fun. I loved this. I like Haley

0:35:40.360 --> 0:35:42.480
<v Speaker 1>being in this spot. I mean, Haley's always done a

0:35:42.520 --> 0:35:47.320
<v Speaker 1>lot of mother henning, like moving around between different characters

0:35:47.320 --> 0:35:49.640
<v Speaker 1>and different storylines and just like putting in little bits

0:35:49.680 --> 0:35:52.400
<v Speaker 1>and pieces of information here and there and helping everybody,

0:35:52.480 --> 0:35:55.840
<v Speaker 1>you know, like maintain the status quo. I feel like

0:35:55.880 --> 0:35:59.920
<v Speaker 1>she took her role as mom, becoming a mother early

0:36:00.200 --> 0:36:02.040
<v Speaker 1>just became a part of her identity, and so she

0:36:01.880 --> 0:36:04.440
<v Speaker 1>was She's always been this, so it's really fun to

0:36:04.440 --> 0:36:06.839
<v Speaker 1>see her do it at Red Bedroom too. That it's

0:36:06.880 --> 0:36:09.880
<v Speaker 1>not just for the people that are the closest in

0:36:09.920 --> 0:36:12.440
<v Speaker 1>her life, but also the people that she's that she's

0:36:12.480 --> 0:36:14.440
<v Speaker 1>working with in her job, and she wants to see

0:36:14.760 --> 0:36:17.600
<v Speaker 1>young women in their careers taking off and really mentoring

0:36:17.640 --> 0:36:21.759
<v Speaker 1>them and like just managing Everything's she's stepping into this.

0:36:22.680 --> 0:36:25.440
<v Speaker 1>She's stepping into the Karen Row role really in a

0:36:25.440 --> 0:36:28.360
<v Speaker 1>lot of ways, and that's been that's been fun to see.

0:36:28.880 --> 0:36:33.759
<v Speaker 4>I also loved how she didn't tell Aarin that she

0:36:33.880 --> 0:36:35.759
<v Speaker 4>was going to be opening for Kid Cuddy, which was

0:36:35.880 --> 0:36:39.600
<v Speaker 4>real risky, right. That kind of surprised me because I imagine

0:36:39.480 --> 0:36:41.880
<v Speaker 4>as a musician, like, you know, you want to prepare yourself.

0:36:41.920 --> 0:36:44.360
<v Speaker 4>But I love the choice that they made that she

0:36:44.480 --> 0:36:46.799
<v Speaker 4>didn't do the thing you thought she was going to do,

0:36:46.920 --> 0:36:50.319
<v Speaker 4>which is, oh, I'm so nervous, I can't do this, yea.

0:36:50.360 --> 0:36:52.719
<v Speaker 4>So she immediately went to a place of I'm going

0:36:52.760 --> 0:36:56.720
<v Speaker 4>to kill it. I was like, oh, and she did.

0:36:57.040 --> 0:37:00.359
<v Speaker 1>I mean, Laura is a bore so good out of

0:37:00.360 --> 0:37:03.839
<v Speaker 1>the park. I mean, we had heard a little bit

0:37:03.840 --> 0:37:06.719
<v Speaker 1>from her before, but she really let loose and showed

0:37:06.719 --> 0:37:09.640
<v Speaker 1>everybody what she's made of in this episode. It was great.

0:37:10.800 --> 0:37:12.719
<v Speaker 1>I was hoping when Kid Cutie came up at the

0:37:12.880 --> 0:37:15.759
<v Speaker 1>end that he was going to be like, come on

0:37:15.800 --> 0:37:18.759
<v Speaker 1>tour with us, because again, there were so many things

0:37:18.800 --> 0:37:21.279
<v Speaker 1>that were a bit outrageous in the episode that I

0:37:21.719 --> 0:37:23.239
<v Speaker 1>just would have bought it. I mean, I know it's

0:37:23.280 --> 0:37:26.600
<v Speaker 1>a little it's a little hokey and expected, but I

0:37:26.600 --> 0:37:28.440
<v Speaker 1>don't know. I was kind of I was hoping he

0:37:28.480 --> 0:37:29.680
<v Speaker 1>was going to be like, you were so great, you

0:37:29.719 --> 0:37:31.359
<v Speaker 1>should come open for us on the road, and when

0:37:31.360 --> 0:37:33.560
<v Speaker 1>he didn't, he was just like, keep going, you're doing great.

0:37:33.600 --> 0:37:37.000
<v Speaker 4>I was like, oh, I thought he was going to

0:37:37.080 --> 0:37:40.160
<v Speaker 4>try to poach her. I thought he was going to say,

0:37:40.560 --> 0:37:42.840
<v Speaker 4>you're talented, you should join our label.

0:37:43.239 --> 0:37:46.920
<v Speaker 1>Ooh, that would have been juicy, but.

0:37:47.080 --> 0:37:49.560
<v Speaker 4>Said he was just a nice guy. Want wah.

0:37:49.640 --> 0:37:51.400
<v Speaker 1>Yeah.

0:37:51.440 --> 0:37:54.560
<v Speaker 5>One of the things that was weird to me again

0:37:55.040 --> 0:37:57.040
<v Speaker 5>just some of the choices, but maybe the whole point

0:37:57.080 --> 0:38:00.160
<v Speaker 5>was they needed to heighten everything in the episode.

0:38:00.400 --> 0:38:04.560
<v Speaker 3>They crush that show. Laura is so good. He is

0:38:04.600 --> 0:38:05.120
<v Speaker 3>so good.

0:38:05.239 --> 0:38:08.759
<v Speaker 5>Also, baby kid Cuttie, I die like just the cutest

0:38:08.920 --> 0:38:13.279
<v Speaker 5>human being. But I was like, why at that end

0:38:13.960 --> 0:38:16.960
<v Speaker 5>when he comes to talk to her, does she have

0:38:17.200 --> 0:38:20.000
<v Speaker 5>full backing in an empty bar? It's just her at

0:38:20.040 --> 0:38:24.200
<v Speaker 5>the piano and it's a fully produced song playing.

0:38:24.640 --> 0:38:27.160
<v Speaker 1>Oh that's right. Wait, I guess I thought she was

0:38:27.200 --> 0:38:30.440
<v Speaker 1>just playing to a crowd and I was not, No.

0:38:30.560 --> 0:38:33.160
<v Speaker 5>She's just playing in the back of the bar, but

0:38:33.440 --> 0:38:35.440
<v Speaker 5>over a full backing track.

0:38:36.000 --> 0:38:38.600
<v Speaker 3>And I was like, we know how good Laura is.

0:38:38.680 --> 0:38:40.480
<v Speaker 3>Let her just sing with the piano.

0:38:41.000 --> 0:38:42.879
<v Speaker 1>I was getting set up for the podcast at this point.

0:38:42.880 --> 0:38:46.080
<v Speaker 1>It was like, you know, forty in the episode.

0:38:46.680 --> 0:38:48.600
<v Speaker 3>We were like, oh, I gotta plug in my computer.

0:38:48.800 --> 0:38:51.319
<v Speaker 5>Yeah. Yeah, but it was a really weird. It took

0:38:51.400 --> 0:38:54.600
<v Speaker 5>me out of it because I was like, it's just

0:38:54.719 --> 0:38:57.520
<v Speaker 5>her by herself. Why never, never mind? And then I

0:38:57.560 --> 0:38:58.400
<v Speaker 5>was like, I gotta stop.

0:38:58.760 --> 0:39:00.440
<v Speaker 3>I was just I was then by then I was

0:39:00.520 --> 0:39:01.840
<v Speaker 3>noticing all the weird things.

0:39:02.239 --> 0:39:03.479
<v Speaker 1>Yeah.

0:39:04.360 --> 0:39:06.719
<v Speaker 5>It felt like another enhance hands and Hands.

0:39:08.040 --> 0:39:08.879
<v Speaker 3>We didn't need it.

0:39:09.000 --> 0:39:13.240
<v Speaker 1>I think the attempt was to make everything feel yeah,

0:39:13.280 --> 0:39:16.440
<v Speaker 1>like that fairy tale ish, kind of a little bit exaggerated.

0:39:17.040 --> 0:39:20.359
<v Speaker 1>And it doesn't always work when you try and do

0:39:20.400 --> 0:39:23.600
<v Speaker 1>something like that with episodic because you still have to

0:39:23.600 --> 0:39:25.879
<v Speaker 1>stick to the rules of the world, because the show

0:39:25.920 --> 0:39:27.919
<v Speaker 1>still has to a little familiar for the audience, because

0:39:27.960 --> 0:39:29.640
<v Speaker 1>they can't show up and turn on the TV and

0:39:29.760 --> 0:39:32.120
<v Speaker 1>see all their favorite actors in the same setting, but

0:39:32.200 --> 0:39:36.680
<v Speaker 1>the show looks completely different. So I think this was

0:39:36.719 --> 0:39:40.000
<v Speaker 1>an attempt to stay within the rules and the boundaries

0:39:40.040 --> 0:39:42.560
<v Speaker 1>but make it feel more like a fairy tale. But

0:39:43.000 --> 0:39:45.480
<v Speaker 1>just wasn't I just don't I understand why it felt

0:39:45.480 --> 0:39:49.520
<v Speaker 1>like it wasn't executed as efficiently as it could have been.

0:39:50.160 --> 0:39:54.280
<v Speaker 4>Did either of you perk up? When there's the exchange

0:39:54.280 --> 0:39:56.880
<v Speaker 4>at the bar between me and Alex where Alex walks

0:39:56.880 --> 0:39:59.160
<v Speaker 4>over to me and goes, I'm up to four hundred

0:39:59.160 --> 0:40:02.400
<v Speaker 4>and fifty reply an over her shoulder at Mia says,

0:40:02.680 --> 0:40:04.440
<v Speaker 4>I'm right on your heels, drama queen.

0:40:04.719 --> 0:40:08.680
<v Speaker 3>Yes, I was like, what I did the same thing.

0:40:10.719 --> 0:40:10.959
<v Speaker 4>Yeah?

0:40:11.000 --> 0:40:14.239
<v Speaker 1>What about Alex and Chase and this thing at the

0:40:14.400 --> 0:40:16.000
<v Speaker 1>in the stock room?

0:40:16.440 --> 0:40:16.879
<v Speaker 3>What do we say?

0:40:16.880 --> 0:40:18.880
<v Speaker 4>They could only let them be friends for all of

0:40:19.239 --> 0:40:23.320
<v Speaker 4>twelve minutes before Alex had to undermine it all, before

0:40:23.320 --> 0:40:24.720
<v Speaker 4>she had to be duplicitous.

0:40:25.040 --> 0:40:28.600
<v Speaker 1>Yeah, I mean, as she continues to prove that this

0:40:28.719 --> 0:40:33.000
<v Speaker 1>is like, this feels like the baseline of her When

0:40:33.000 --> 0:40:36.600
<v Speaker 1>I say character, I mean like a what's another word

0:40:36.640 --> 0:40:39.840
<v Speaker 1>for like your characters as a human, like your integrity.

0:40:39.400 --> 0:40:41.000
<v Speaker 3>Baseline, Yeah, her core.

0:40:41.840 --> 0:40:43.920
<v Speaker 1>Yeah, it just feels like, no matter how many times

0:40:44.000 --> 0:40:47.880
<v Speaker 1>she seems like she's really sweet and just trying to

0:40:47.920 --> 0:40:52.879
<v Speaker 1>be nice, I don't know. I just don't. I don't

0:40:52.880 --> 0:40:54.600
<v Speaker 1>trust her at this point. She's done it too many

0:40:54.640 --> 0:40:56.919
<v Speaker 1>times completely.

0:40:57.160 --> 0:41:01.759
<v Speaker 4>She is wildly untrustworthy. That's it. Jana is so good

0:41:01.800 --> 0:41:05.719
<v Speaker 4>in that scene. Yes that I did find myself going, oh,

0:41:05.760 --> 0:41:09.680
<v Speaker 4>she might actually just really like him. Oh no, like,

0:41:09.920 --> 0:41:13.080
<v Speaker 4>because it does look like she's playing a game. It

0:41:13.120 --> 0:41:14.920
<v Speaker 4>looks like all of us is a game tour at

0:41:14.920 --> 0:41:17.000
<v Speaker 4>this point because we have seen so much of this

0:41:17.120 --> 0:41:20.640
<v Speaker 4>back and forth stuff. But she's so good and the

0:41:20.680 --> 0:41:24.399
<v Speaker 4>look she gives him is so sincere that it's it's

0:41:24.400 --> 0:41:26.759
<v Speaker 4>so strong because then it makes it actually challenging for

0:41:26.880 --> 0:41:29.960
<v Speaker 4>Chase as opposed to being it's being very easy to

0:41:30.000 --> 0:41:31.440
<v Speaker 4>go get off, what go away?

0:41:31.719 --> 0:41:32.239
<v Speaker 1>Yeah?

0:41:32.280 --> 0:41:35.000
<v Speaker 4>You know, so she did great with it, but same,

0:41:35.080 --> 0:41:39.280
<v Speaker 4>I was like, come on, yeah, she's all over the place.

0:41:40.719 --> 0:41:44.719
<v Speaker 5>But they're so fun together and the crowd trick is

0:41:45.120 --> 0:41:48.680
<v Speaker 5>the whole thing is just fun to watch and so

0:41:48.960 --> 0:41:51.799
<v Speaker 5>as a choice, as dramatic as it is, it's great

0:41:51.840 --> 0:41:53.759
<v Speaker 5>because it kind of stops you in your tracks in

0:41:53.800 --> 0:41:56.719
<v Speaker 5>the audience and you're like, uh, and we know it's

0:41:56.760 --> 0:41:59.440
<v Speaker 5>coming because when she throws that bottle of tequila in

0:41:59.480 --> 0:42:01.120
<v Speaker 5>the trash, You're like.

0:42:01.239 --> 0:42:06.600
<v Speaker 3>Oh no, yeah, oh no. And I loved it. I

0:42:06.640 --> 0:42:08.520
<v Speaker 3>was like, this is the kind of drama that I want.

0:42:10.160 --> 0:42:13.160
<v Speaker 4>Speaking of breaking off from the norm of our show,

0:42:13.800 --> 0:42:18.520
<v Speaker 4>let's talk about that final scene. Katie is driving back

0:42:18.520 --> 0:42:21.520
<v Speaker 4>to Tree Hill listening to a perfect song, You're going

0:42:21.560 --> 0:42:23.680
<v Speaker 4>to get You Away, right. All of it is working

0:42:23.719 --> 0:42:28.560
<v Speaker 4>for me until the last moment where she turns and

0:42:28.640 --> 0:42:31.840
<v Speaker 4>stops looking at the road and just looks down the camera,

0:42:32.400 --> 0:42:36.200
<v Speaker 4>looks straight into the lens. What is that Why it's

0:42:36.239 --> 0:42:40.560
<v Speaker 4>already so ominous, nothing needs to happen, and then she

0:42:40.719 --> 0:42:43.920
<v Speaker 4>breaks the fourth wall, like well in the office. It

0:42:44.040 --> 0:42:46.799
<v Speaker 4>was just it was so strange. I didn't get it.

0:42:47.160 --> 0:42:49.120
<v Speaker 5>And by the way, she's not the only one who

0:42:49.120 --> 0:42:53.880
<v Speaker 5>does it. They also directed Kid Cuddy in the concert

0:42:54.000 --> 0:42:57.000
<v Speaker 5>to take his sunglasses off and look straight into.

0:42:56.920 --> 0:43:00.600
<v Speaker 3>Lens, and I'm like, it's not amusing a video.

0:43:02.000 --> 0:43:05.120
<v Speaker 5>Yes, he's playing himself, but he's also acting on our show.

0:43:05.560 --> 0:43:09.440
<v Speaker 5>He's not supposed to break the fourth wall. It's not

0:43:09.520 --> 0:43:13.040
<v Speaker 5>a music video shoot. So it's a choice that was

0:43:13.080 --> 0:43:17.319
<v Speaker 5>made by the director. Twice in the episode and it

0:43:17.440 --> 0:43:19.520
<v Speaker 5>was so weird.

0:43:21.440 --> 0:43:25.560
<v Speaker 4>Yeah, he's playing himself, but in the One Tree Hill universe, yes,

0:43:25.600 --> 0:43:30.600
<v Speaker 4>there aren't cameras recording the other people. And it's not

0:43:30.680 --> 0:43:33.319
<v Speaker 4>like Julian had a camera behind the scenes or there

0:43:33.360 --> 0:43:34.960
<v Speaker 4>was justification for you.

0:43:34.960 --> 0:43:37.320
<v Speaker 5>Right, If Julian was shooting it and then he looked

0:43:37.320 --> 0:43:40.520
<v Speaker 5>into camera and it cut to a great close up,

0:43:40.560 --> 0:43:43.319
<v Speaker 5>it would have worked, but it pulled me out of

0:43:43.360 --> 0:43:47.360
<v Speaker 5>it then. And then the ominousness of Katie and the

0:43:47.440 --> 0:43:49.959
<v Speaker 5>storm and you know there's a giant storm brewing.

0:43:50.000 --> 0:43:53.560
<v Speaker 1>Things are going to get crazy. The audience already knows. Yeah,

0:43:53.600 --> 0:43:56.839
<v Speaker 1>we already know this is gonna's gonna get real very soon.

0:43:57.000 --> 0:44:00.239
<v Speaker 1>The second you see Katie and see her singing, which

0:44:00.239 --> 0:44:02.960
<v Speaker 1>also I think went on a little long, Like yep,

0:44:03.120 --> 0:44:05.719
<v Speaker 1>it was just a little too long. I didn't need

0:44:05.760 --> 0:44:08.000
<v Speaker 1>that much of her singing along with the song because

0:44:08.040 --> 0:44:10.719
<v Speaker 1>it gave me time then to start listening to her

0:44:10.800 --> 0:44:15.720
<v Speaker 1>singing rather than listening to like just catching the moment

0:44:15.960 --> 0:44:17.160
<v Speaker 1>of like this is creepy.

0:44:17.520 --> 0:44:19.200
<v Speaker 3>I was like, oh, it's creepy, and then I was like, oh,

0:44:19.200 --> 0:44:20.480
<v Speaker 3>she has a great voice. And then I was like,

0:44:20.520 --> 0:44:22.960
<v Speaker 3>wait a second, what's the her on the radio, saying

0:44:22.960 --> 0:44:24.480
<v Speaker 3>like it just it was it was too long.

0:44:24.560 --> 0:44:26.160
<v Speaker 1>Yeah, it's too much. You can't give the audience that

0:44:26.280 --> 0:44:28.560
<v Speaker 1>much time to start thinking about what's happening. Otherwise they

0:44:28.640 --> 0:44:30.960
<v Speaker 1>start doing exactly what we're doing and picking it apart.

0:44:31.960 --> 0:44:35.600
<v Speaker 4>And Amanda's great, like you didn't need the rain and

0:44:35.640 --> 0:44:38.520
<v Speaker 4>you didn't need the song. But it's fine to have them,

0:44:38.640 --> 0:44:40.799
<v Speaker 4>but it's sort of like you have her giving a

0:44:40.800 --> 0:44:43.759
<v Speaker 4>great performance. I'm already concerned. And then we see driving

0:44:43.760 --> 0:44:46.520
<v Speaker 4>past the Tree Hill sign that's really all you need? Yeah,

0:44:46.560 --> 0:44:51.760
<v Speaker 4>the rain, cool mood, the song heavy handed but still works. Yeah,

0:44:51.840 --> 0:44:55.200
<v Speaker 4>extra fifteen seconds, followed by her looking down the camera

0:44:55.640 --> 0:44:56.160
<v Speaker 4>too much.

0:44:56.800 --> 0:44:59.520
<v Speaker 1>Didn't need it, We didn't need it. You just didn't

0:44:59.560 --> 0:45:02.640
<v Speaker 1>need it. But I think that what I'm really excited

0:45:02.640 --> 0:45:07.440
<v Speaker 1>about is the fact that she's back and that, in fact,

0:45:07.920 --> 0:45:10.799
<v Speaker 1>it justified so much of what we just watched with

0:45:12.120 --> 0:45:16.799
<v Speaker 1>Paul and Chantelle, because all of Quinn's fears that it

0:45:16.840 --> 0:45:19.719
<v Speaker 1>feels so ridiculous, and it's like Katie's gone, Okay, you

0:45:19.760 --> 0:45:22.200
<v Speaker 1>found her, but she's not pursuing you. There's just you know,

0:45:22.280 --> 0:45:24.120
<v Speaker 1>can you try and let it go and live your life.

0:45:25.239 --> 0:45:29.040
<v Speaker 1>It really gave justification to this whole thing that we

0:45:29.160 --> 0:45:35.960
<v Speaker 1>have been maybe questioning Quinn's motive or sanity is not

0:45:35.960 --> 0:45:38.040
<v Speaker 1>the right word, but we've been we've been questioning what

0:45:38.120 --> 0:45:40.799
<v Speaker 1>she's choosing to do. And now I'm like, yeah, there's

0:45:40.840 --> 0:45:42.320
<v Speaker 1>no question you need to be prepared.

0:45:42.520 --> 0:45:43.680
<v Speaker 3>Except she threw away the gun.

0:45:43.840 --> 0:45:44.040
<v Speaker 1>Oho.

0:45:44.040 --> 0:45:48.400
<v Speaker 5>Nos, Yeah, you know, yeah, but that's just it, right.

0:45:48.520 --> 0:45:53.440
<v Speaker 5>The worry and the fear and the sort of trauma

0:45:53.520 --> 0:45:57.719
<v Speaker 5>she's experiencing is so spot on.

0:45:58.160 --> 0:45:58.399
<v Speaker 1>Yeah.

0:45:58.440 --> 0:46:01.960
<v Speaker 5>I wish they'd just let it be that and didn't

0:46:02.000 --> 0:46:05.000
<v Speaker 5>try to make it feel like a film noir. Yeah,

0:46:05.040 --> 0:46:10.040
<v Speaker 5>so that when you see Katie you're like, oh my god. Yeah,

0:46:10.120 --> 0:46:14.360
<v Speaker 5>based on how dramatically they shot all of that stuff

0:46:14.400 --> 0:46:18.319
<v Speaker 5>for her and Dan's storyline, I'm not surprised at all

0:46:18.800 --> 0:46:21.920
<v Speaker 5>that Katie's back, not even a little like surprise me.

0:46:23.440 --> 0:46:26.799
<v Speaker 4>The throwing away of the gun, that sequence, the way

0:46:26.800 --> 0:46:29.239
<v Speaker 4>they wrapped up was was great though, because I know,

0:46:29.320 --> 0:46:31.480
<v Speaker 4>as an audience member, I was rooting for her to

0:46:31.520 --> 0:46:33.520
<v Speaker 4>get rid of the gun. I was like, this has

0:46:33.560 --> 0:46:35.799
<v Speaker 4>never been the answer. And when you finally see her

0:46:35.840 --> 0:46:39.439
<v Speaker 4>getting rid of the gun, you're like, oh, thank god, okay, good. Yeah,

0:46:39.440 --> 0:46:42.680
<v Speaker 4>And then they immediately follow it with danger driving into

0:46:42.719 --> 0:46:46.520
<v Speaker 4>town and you're like, yeah, Okay, we shouldn't have done that.

0:46:46.640 --> 0:46:47.919
<v Speaker 4>I was rooting for the wrong thing.

0:46:48.680 --> 0:46:53.160
<v Speaker 1>Yeah, lots lots in this episode. I'm looking for gonna

0:46:53.200 --> 0:46:56.920
<v Speaker 1>get crazy now we know, Yeah, it's gonna get right. Yeah, weird?

0:46:58.120 --> 0:47:00.520
<v Speaker 1>Anything else about this episode before we do questions?

0:47:00.560 --> 0:47:04.840
<v Speaker 4>Fan questions outside animals can't fart inside?

0:47:05.200 --> 0:47:07.959
<v Speaker 3>Yes, honorable mention for sure.

0:47:20.600 --> 0:47:22.279
<v Speaker 4>Listener question, what do we got?

0:47:22.560 --> 0:47:24.759
<v Speaker 1>Katie says, I wish we could have seen Haley reading

0:47:24.760 --> 0:47:26.839
<v Speaker 1>a letter from Lucas, just to hear what was going

0:47:26.840 --> 0:47:29.160
<v Speaker 1>on in their lives. We don't hear from Lucas until

0:47:29.160 --> 0:47:32.120
<v Speaker 1>the last season. What would y'all imagine Lucas, Peyton, and

0:47:32.160 --> 0:47:35.560
<v Speaker 1>Sawyer are up to. I don't even remember where they moved.

0:47:35.560 --> 0:47:36.200
<v Speaker 1>Where did they go?

0:47:37.080 --> 0:47:39.400
<v Speaker 3>I don't know they left Tree Hill.

0:47:39.280 --> 0:47:41.280
<v Speaker 1>And you know, writing off in the sunset in the comet,

0:47:41.280 --> 0:47:43.080
<v Speaker 1>but I don't know why they left or where they moved.

0:47:43.080 --> 0:47:45.360
<v Speaker 1>Did Lucas get a because he can write from anywhere?

0:47:46.000 --> 0:47:48.600
<v Speaker 4>Yeah, they left in a convertible, So I'm going to

0:47:48.680 --> 0:47:51.240
<v Speaker 4>guess maybe the West coast where it's a bit warmer

0:47:51.239 --> 0:47:51.960
<v Speaker 4>and less rainy.

0:47:52.280 --> 0:47:54.880
<v Speaker 1>Yeah, feels like that's Yeah, true.

0:47:55.160 --> 0:47:59.279
<v Speaker 5>Yeah, I feel like I remember a West Coast thing

0:47:59.640 --> 0:48:02.560
<v Speaker 5>or that, you know, they wanted to travel, and while

0:48:02.600 --> 0:48:05.799
<v Speaker 5>he wrote his next novel, this is the problem. They

0:48:05.840 --> 0:48:10.040
<v Speaker 5>didn't give us enough to make where.

0:48:09.880 --> 0:48:11.600
<v Speaker 3>Our friends went make sense.

0:48:11.960 --> 0:48:15.239
<v Speaker 1>Yeah, yeah, I have no idea. Who knows, Like did

0:48:15.239 --> 0:48:18.520
<v Speaker 1>they start a new life in Maine or in Napa

0:48:18.800 --> 0:48:23.280
<v Speaker 1>or are they renting a trailer just driving around the country?

0:48:23.320 --> 0:48:25.319
<v Speaker 1>Did they move? Yeah's through? Where are they?

0:48:25.320 --> 0:48:29.239
<v Speaker 5>It's like, you know, and I know we brought this

0:48:29.400 --> 0:48:32.520
<v Speaker 5>up obviously with the powers that be at the time,

0:48:33.160 --> 0:48:36.440
<v Speaker 5>and I feel like it was more a personal beef

0:48:36.800 --> 0:48:39.360
<v Speaker 5>than anything that made sense.

0:48:39.200 --> 0:48:40.759
<v Speaker 3>For our characters, which is unfortunate.

0:48:40.800 --> 0:48:42.799
<v Speaker 5>But I used to ask and be like, why can't

0:48:42.800 --> 0:48:45.520
<v Speaker 5>Brook be getting text messages from Peyton? Why can't you

0:48:45.520 --> 0:48:48.800
<v Speaker 5>see them texting? Like why am I not getting photo

0:48:48.880 --> 0:48:50.279
<v Speaker 5>updates of this baby?

0:48:50.480 --> 0:48:51.720
<v Speaker 3>It feels really weird.

0:48:51.840 --> 0:48:54.320
<v Speaker 5>And there was always a you know, well, it's not important,

0:48:54.400 --> 0:48:56.200
<v Speaker 5>it's not in the world, and it's like, well, it

0:48:56.239 --> 0:48:57.600
<v Speaker 5>feels pretty freaking important.

0:48:57.719 --> 0:49:00.200
<v Speaker 1>I mean to Brook and Haley built around it, so

0:49:00.400 --> 0:49:01.680
<v Speaker 1>it's important.

0:49:02.840 --> 0:49:05.680
<v Speaker 5>Yeah, It's like for us, you know, those are our

0:49:06.680 --> 0:49:09.960
<v Speaker 5>those are our people, Like Peyton's my person Lucas is

0:49:10.000 --> 0:49:10.720
<v Speaker 5>Haley's person.

0:49:10.800 --> 0:49:11.680
<v Speaker 3>It's like so weird.

0:49:12.360 --> 0:49:15.160
<v Speaker 1>Yeah, Karen and Karen, like everybody, they just they just

0:49:15.600 --> 0:49:17.120
<v Speaker 1>faded off into the distance.

0:49:17.760 --> 0:49:18.160
<v Speaker 3>Yeah.

0:49:18.239 --> 0:49:19.919
<v Speaker 1>I do wish they had kept that up in some

0:49:20.880 --> 0:49:24.680
<v Speaker 1>more clear way. I don't think I've been hard. No,

0:49:24.800 --> 0:49:27.239
<v Speaker 1>I don't either. I think it was some sort of

0:49:27.280 --> 0:49:30.080
<v Speaker 1>personal I think it was the personal beef behind the

0:49:30.080 --> 0:49:35.680
<v Speaker 1>scenes that they just like not they but he, our creator,

0:49:35.800 --> 0:49:38.480
<v Speaker 1>just didn't want to have He was hoping the audience

0:49:38.480 --> 0:49:39.800
<v Speaker 1>would just forget about them.

0:49:40.080 --> 0:49:44.840
<v Speaker 5>Which seems so stupid because it's a choice rooted in

0:49:45.560 --> 0:49:51.880
<v Speaker 5>ego and it's like, dude, you wrote those characters. Yeah,

0:49:51.960 --> 0:49:55.319
<v Speaker 5>so you knew they were great, So why are we

0:49:55.360 --> 0:49:57.560
<v Speaker 5>suddenly pretending they're not.

0:49:58.120 --> 0:50:00.319
<v Speaker 1>Yeah, it's like trying to prove, like the you can

0:50:00.360 --> 0:50:03.719
<v Speaker 1>go on without them, and it did, but like, it

0:50:03.760 --> 0:50:05.239
<v Speaker 1>could have made so much more sense. It would have

0:50:05.280 --> 0:50:08.400
<v Speaker 1>been so much more nice to just have their presence

0:50:08.440 --> 0:50:09.640
<v Speaker 1>still around in some way.

0:50:10.000 --> 0:50:15.000
<v Speaker 5>Yeah, it would have been a better continuation of that world,

0:50:15.520 --> 0:50:20.239
<v Speaker 5>particularly because we were I mean, what a crazy thing

0:50:20.280 --> 0:50:22.880
<v Speaker 5>to say, but in the middle of our show is

0:50:22.920 --> 0:50:26.360
<v Speaker 5>when people got iPhones. Yeah, it became really easy to

0:50:26.440 --> 0:50:30.440
<v Speaker 5>text photos and videos and to have these long updates

0:50:30.480 --> 0:50:33.000
<v Speaker 5>with your friends that you couldn't have before when you

0:50:33.040 --> 0:50:35.840
<v Speaker 5>were texting in T nine on a razor being like

0:50:36.040 --> 0:50:36.760
<v Speaker 5>one two.

0:50:36.840 --> 0:50:40.880
<v Speaker 3>Three, there's a t you know, and like it.

0:50:41.160 --> 0:50:44.360
<v Speaker 5>It would have it would have fit the time, and

0:50:44.400 --> 0:50:47.640
<v Speaker 5>it would have fit our world and our people and anyway,

0:50:47.880 --> 0:50:49.759
<v Speaker 5>you're right, Katie, we agree it would have been nice.

0:50:49.800 --> 0:50:54.200
<v Speaker 1>We wish to we wish. Should we just been a wheel?

0:50:55.239 --> 0:50:59.200
<v Speaker 1>Honorable mention, honorable mention. Yes, only animals can't part outside

0:50:59.239 --> 0:51:00.120
<v Speaker 1>or something like that.

0:51:00.080 --> 0:51:03.759
<v Speaker 5>Outside, animals camp fart inside there it is, oh.

0:51:03.600 --> 0:51:06.160
<v Speaker 4>Joy immediately most likely to get.

0:51:07.280 --> 0:51:13.440
<v Speaker 1>House yep, yeah, yeah, yeah, that's definitely happened to me.

0:51:14.640 --> 0:51:14.719
<v Speaker 4>Ye.

0:51:14.840 --> 0:51:15.120
<v Speaker 3>Sure.

0:51:18.239 --> 0:51:20.040
<v Speaker 1>Have you guys never gotten locked out of your house?

0:51:20.080 --> 0:51:21.120
<v Speaker 1>I had to call a locksmith.

0:51:21.680 --> 0:51:21.960
<v Speaker 4>I have.

0:51:22.520 --> 0:51:29.240
<v Speaker 5>I got locked out of my house on location once filming, uh,

0:51:29.280 --> 0:51:32.000
<v Speaker 5>and it was it was. It was not great, and

0:51:32.040 --> 0:51:33.960
<v Speaker 5>it was also really stressful because it was in the

0:51:33.960 --> 0:51:37.920
<v Speaker 5>middle of winter in Toronto and the place I was

0:51:37.960 --> 0:51:43.320
<v Speaker 5>renting had like a smart lock, and I'd never had one,

0:51:43.360 --> 0:51:47.359
<v Speaker 5>and ever since I'd moved into the house, like when

0:51:47.400 --> 0:51:50.160
<v Speaker 5>I would undo the lock, it would flash yellow at me,

0:51:50.239 --> 0:51:52.680
<v Speaker 5>and I just thought that was the way they I

0:51:52.680 --> 0:51:55.080
<v Speaker 5>don't know, that's how it unlocks, and it meant the

0:51:55.160 --> 0:51:59.959
<v Speaker 5>battery was dying. And so for I don't know, six weeks,

0:52:00.280 --> 0:52:02.600
<v Speaker 5>I just would like walk into this rental house.

0:52:03.160 --> 0:52:06.719
<v Speaker 3>And one night at like twelve.

0:52:06.520 --> 0:52:08.880
<v Speaker 5>Thirty I guess technically twelve thirty in the morning, I

0:52:08.920 --> 0:52:11.640
<v Speaker 5>got home and it was February and it was.

0:52:11.640 --> 0:52:14.680
<v Speaker 3>Like negative twenty degrees and.

0:52:14.640 --> 0:52:17.359
<v Speaker 5>I clicked the thing and it starts flashing red and

0:52:17.400 --> 0:52:18.360
<v Speaker 5>I everything.

0:52:18.440 --> 0:52:20.280
<v Speaker 3>It's like all the energy left my body.

0:52:20.280 --> 0:52:22.719
<v Speaker 4>And I was like, oh, no, tell me, transpo van

0:52:22.800 --> 0:52:23.759
<v Speaker 4>hadn't left you yet.

0:52:24.719 --> 0:52:26.799
<v Speaker 5>I sure had. I was like, get out of here.

0:52:26.840 --> 0:52:30.080
<v Speaker 5>I got a like, you know, I was unloading shit

0:52:30.200 --> 0:52:32.960
<v Speaker 5>and dealing with the snow on the porch. So I

0:52:33.000 --> 0:52:35.879
<v Speaker 5>had to call the sweet driver and be like, could

0:52:36.440 --> 0:52:37.160
<v Speaker 5>could you come.

0:52:37.040 --> 0:52:37.800
<v Speaker 3>Around the block?

0:52:38.400 --> 0:52:40.000
<v Speaker 5>I think I have a little, a wee bit of

0:52:40.000 --> 0:52:43.480
<v Speaker 5>an emergency. And I literally had to. I had to

0:52:43.480 --> 0:52:45.600
<v Speaker 5>figure out how to break into my own house with

0:52:45.800 --> 0:52:48.680
<v Speaker 5>my awesome transpo driver because there was not we couldn't

0:52:48.680 --> 0:52:50.759
<v Speaker 5>get a single locksmith company to answer the phone because

0:52:50.760 --> 0:52:51.760
<v Speaker 5>it was almost one in the morning.

0:52:52.680 --> 0:52:53.280
<v Speaker 3>Is it cheaper?

0:52:53.640 --> 0:52:55.880
<v Speaker 1>Locksmiths are not cheap. Is it cheaper to bay in

0:52:55.960 --> 0:52:58.600
<v Speaker 1>her place? A window or call locksmith.

0:52:59.320 --> 0:53:04.279
<v Speaker 4>It's easy to call locksmith. I don't know the relative pricing. Well, yes,

0:53:04.320 --> 0:53:06.239
<v Speaker 4>because think about it, to replace a window, you have

0:53:06.280 --> 0:53:08.880
<v Speaker 4>to call someone, they have to come out and do it,

0:53:08.960 --> 0:53:09.600
<v Speaker 4>or at least.

0:53:09.480 --> 0:53:11.600
<v Speaker 3>A lot to measure the glass, and your entire.

0:53:11.440 --> 0:53:14.400
<v Speaker 4>Thing is contained within you know, yeah, thirty minutes of

0:53:14.440 --> 0:53:15.080
<v Speaker 4>them being there.

0:53:15.480 --> 0:53:17.800
<v Speaker 3>Yeah, yeah, yeah.

0:53:17.840 --> 0:53:21.280
<v Speaker 5>It turned into like quite a comedic evening and involved

0:53:21.360 --> 0:53:24.080
<v Speaker 5>scaling a balcony and we had a great time at

0:53:24.080 --> 0:53:25.040
<v Speaker 5>the end of it, and I was like, this is

0:53:25.040 --> 0:53:25.640
<v Speaker 5>going to be a story.

0:53:25.640 --> 0:53:26.760
<v Speaker 3>I'm always going to remember.

0:53:27.080 --> 0:53:28.680
<v Speaker 1>Why didn't we ever do that on the show? That

0:53:28.680 --> 0:53:31.319
<v Speaker 1>would have been a fun episode, like just something that

0:53:31.440 --> 0:53:33.880
<v Speaker 1>was in the house that somebody had to get for

0:53:34.080 --> 0:53:36.080
<v Speaker 1>other things in the episode to rely on. And the

0:53:36.160 --> 0:53:39.719
<v Speaker 1>whole episode for that character storyline is just break trying

0:53:39.760 --> 0:53:41.439
<v Speaker 1>to figure out different ways to break into the house.

0:53:42.040 --> 0:53:44.680
<v Speaker 4>Right. You know how janitors have those little devices that

0:53:44.680 --> 0:53:47.279
<v Speaker 4>they clip onto their belt or anyone with lots of

0:53:47.360 --> 0:53:49.279
<v Speaker 4>keys where it's like like a tether in it, like

0:53:49.360 --> 0:53:51.319
<v Speaker 4>your ass back and all the keys. I feel like, joy,

0:53:51.400 --> 0:53:53.239
<v Speaker 4>we should get you like three of those, like one

0:53:53.239 --> 0:53:56.279
<v Speaker 4>for your iPhone one for your air pods. One for

0:53:56.320 --> 0:53:59.279
<v Speaker 4>your keys. You just have this like utility belt as

0:53:59.320 --> 0:54:01.560
<v Speaker 4>you walk around in public, so that you can never

0:54:01.600 --> 0:54:02.240
<v Speaker 4>lose anything.

0:54:02.480 --> 0:54:06.239
<v Speaker 1>I think that's that's something that I should invest in. Yeah,

0:54:06.280 --> 0:54:07.040
<v Speaker 1>it's not a biology.

0:54:07.200 --> 0:54:08.759
<v Speaker 4>Guys. We're taking this to shark Tank.

0:54:09.160 --> 0:54:09.799
<v Speaker 3>We're doing it.

0:54:10.239 --> 0:54:13.280
<v Speaker 1>We're doing it knowing me so well. Rob, that's really sweet.

0:54:13.760 --> 0:54:14.640
<v Speaker 4>You're perfect. Joy.

0:54:14.680 --> 0:54:19.480
<v Speaker 5>Don't change, don't ever change, never, never ever forget to

0:54:19.600 --> 0:54:20.320
<v Speaker 5>lose your Keith.

0:54:20.760 --> 0:54:22.200
<v Speaker 1>Okay, what are we doing next week?

0:54:22.280 --> 0:54:24.440
<v Speaker 3>All right, friends, I can't believe it.

0:54:24.520 --> 0:54:28.880
<v Speaker 5>Next week is season eight, episode eleven, Darkness on the

0:54:29.000 --> 0:54:29.800
<v Speaker 5>Edge of Town.

0:54:30.040 --> 0:54:32.000
<v Speaker 4>Oh boy, I wonder if that has anything to do

0:54:32.040 --> 0:54:32.680
<v Speaker 4>with Katie.

0:54:32.800 --> 0:54:37.600
<v Speaker 1>I wonder, I wonder direct Thanks for joining us everyone,

0:54:37.719 --> 0:54:42.279
<v Speaker 1>This was a thanks friends, fun one. Good to see you. Bye. Hey,

0:54:42.320 --> 0:54:43.200
<v Speaker 1>thanks for listening.

0:54:43.280 --> 0:54:45.520
<v Speaker 5>Don't forget to leave us a review. You can also

0:54:45.600 --> 0:54:48.680
<v Speaker 5>follow us on Instagram at drama Queen's ot.

0:54:49.239 --> 0:54:53.320
<v Speaker 1>Or email us at Drama Queens at iHeartRadio dot com.

0:54:53.640 --> 0:54:54.680
<v Speaker 3>See you next time.

0:54:55.880 --> 0:54:57.279
<v Speaker 4>We all about that.

0:54:57.320 --> 0:54:59.880
<v Speaker 2>High school drama girl, drama girl, all about that.

0:55:00.080 --> 0:55:03.120
<v Speaker 3>High school queens. We'll take you for a ride, and

0:55:03.239 --> 0:55:07.480
<v Speaker 3>our comic girl Cheering for the right teens. Drama queensise

0:55:07.560 --> 0:55:10.160
<v Speaker 3>my girl, rough girl fashion with your tough.

0:55:09.920 --> 0:55:11.160
<v Speaker 1>Girl, you could sit with us.

0:55:11.200 --> 0:55:15.320
<v Speaker 2>Girl drama, Queens, Drama, Quease, Drama, queens Drama, Drama, Queens

0:55:15.360 --> 0:55:17.000
<v Speaker 2>Drama Queens