1 00:00:00,040 --> 00:00:03,320 Speaker 1: Hey, listeners, it's James Parker. Can you keep a secret? 2 00:00:03,520 --> 00:00:06,080 Speaker 1: The next episode of Daughters of d C is up next, 3 00:00:06,480 --> 00:00:12,920 Speaker 1: But first a quick word from our sponsor. Iine Horn's 4 00:00:12,920 --> 00:00:20,680 Speaker 1: Epic Productions, and I heard Radio present Daughters of DC. 5 00:00:22,360 --> 00:00:26,920 Speaker 1: You know, to share information from a private meeting with 6 00:00:26,960 --> 00:00:31,319 Speaker 1: the president. However, I will say this, the President is 7 00:00:31,360 --> 00:00:33,880 Speaker 1: a good man who is able to see the right 8 00:00:33,960 --> 00:00:37,280 Speaker 1: thing to do even through the thick, obscuring clouds of 9 00:00:37,320 --> 00:00:40,840 Speaker 1: tabloid He is saying another thing, I'll say, the court 10 00:00:41,000 --> 00:00:45,160 Speaker 1: of public opinion is no place for trial. In that court, 11 00:00:45,479 --> 00:00:50,800 Speaker 1: a person's guilty until proven innocent, and even then he's guilty. 12 00:00:51,000 --> 00:00:54,120 Speaker 1: We must remind ourselves that we are a nation built 13 00:00:54,160 --> 00:00:59,120 Speaker 1: on law and order and due process. My boys a 14 00:00:59,240 --> 00:01:05,240 Speaker 1: good boy, and I'm a good judge. The people accusing 15 00:01:05,319 --> 00:01:09,360 Speaker 1: us of otherwise need to be vetted themselves. I have 16 00:01:09,440 --> 00:01:13,200 Speaker 1: the fullest confidence in our chief executive, and he has 17 00:01:13,240 --> 00:01:16,839 Speaker 1: demonstrated to me today that he has the fullest confidence 18 00:01:17,200 --> 00:01:30,080 Speaker 1: in me. That's all I'll say. It's no secret that 19 00:01:30,120 --> 00:01:34,360 Speaker 1: in Washington, d C. Corruption is everywhere. You could say 20 00:01:34,360 --> 00:01:37,400 Speaker 1: it's gone viral. That's why my friends and I decided 21 00:01:37,440 --> 00:01:41,920 Speaker 1: to take on the system from the inside. I'm James, 22 00:01:42,080 --> 00:01:45,520 Speaker 1: I'm Peyton, I'm Celia, I'm Natalie, and we're the daughters 23 00:01:45,520 --> 00:01:54,080 Speaker 1: of DC. Peyton did one of the bravest things I've 24 00:01:54,120 --> 00:01:57,800 Speaker 1: ever seen, and if this were a movie, she'd be 25 00:01:57,840 --> 00:02:01,919 Speaker 1: the hero who changed everything. But this isn't a movie. 26 00:02:04,200 --> 00:02:08,160 Speaker 1: After making herself as vulnerable as she'd ever been, our 27 00:02:08,240 --> 00:02:12,919 Speaker 1: friend was the target of an awful humiliation campaign, hundreds 28 00:02:12,919 --> 00:02:16,920 Speaker 1: of bots endlessly shaming her. I tried to help by 29 00:02:16,919 --> 00:02:21,720 Speaker 1: dismantling them, but something was weird for everyone. I took 30 00:02:21,760 --> 00:02:25,920 Speaker 1: down two more would pop up. Locksmith had shown me 31 00:02:25,919 --> 00:02:29,400 Speaker 1: how to disrupt Twitter before, but this was something different. 32 00:02:31,000 --> 00:02:36,720 Speaker 1: And then there were the trolls in real life. There 33 00:02:36,760 --> 00:02:43,400 Speaker 1: wasn't much I could do about them. Hey, Dalk, you 34 00:02:43,480 --> 00:02:47,920 Speaker 1: holding up? It's been better. Another hundred flyers stuffed in 35 00:02:47,960 --> 00:02:51,120 Speaker 1: my locker rooms. I've been trying not to look at them. 36 00:02:51,240 --> 00:02:53,840 Speaker 1: They just say, like, I get that you wanted to 37 00:02:53,919 --> 00:02:56,680 Speaker 1: hurt Tanner, but you're actually hurting the whole school by 38 00:02:56,680 --> 00:03:00,480 Speaker 1: not letting him play lacrosse. It's selfish to not look 39 00:03:00,520 --> 00:03:03,440 Speaker 1: at the other point of view. Wait, we wanted to 40 00:03:03,520 --> 00:03:07,160 Speaker 1: hurt Tanner. They all want us to retract our statement 41 00:03:07,720 --> 00:03:10,520 Speaker 1: just so Tanner can play in the playoffs. They care 42 00:03:10,560 --> 00:03:15,120 Speaker 1: more about sports than our lives. It's bad, pay. I 43 00:03:15,120 --> 00:03:18,440 Speaker 1: feel like I'm being stared at wherever I go. Even now. 44 00:03:19,240 --> 00:03:24,840 Speaker 1: Look around, everyone's whispering around us. It's I don't know 45 00:03:24,880 --> 00:03:33,080 Speaker 1: when it's gonna stop. I do. There's no need to whisper. 46 00:03:33,639 --> 00:03:36,360 Speaker 1: You can speak your mind out loud right here in 47 00:03:36,400 --> 00:03:42,120 Speaker 1: the open. Go on, now is your chance say whatever 48 00:03:42,200 --> 00:03:49,720 Speaker 1: you want to say to my face. No, that's all right, 49 00:03:50,160 --> 00:03:52,360 Speaker 1: I already know what y'all are saying behind my back. 50 00:03:52,400 --> 00:03:58,480 Speaker 1: Anyway you think I'm afraid of your opinions, none of 51 00:03:58,640 --> 00:04:01,040 Speaker 1: y'all have the right to go join me for doing 52 00:04:01,080 --> 00:04:06,880 Speaker 1: what I know is right. Frankly, I'm disgusted by the 53 00:04:06,960 --> 00:04:27,000 Speaker 1: law to you. To hell with all of you. Oh yes, hi, 54 00:04:27,200 --> 00:04:32,040 Speaker 1: Mrs Blackburn, this is um James Parker calling. Yes, how 55 00:04:32,080 --> 00:04:34,360 Speaker 1: can I help you? I'm just calling to check up 56 00:04:34,360 --> 00:04:36,680 Speaker 1: on Peyton. She hasn't been in school for the past 57 00:04:36,680 --> 00:04:42,040 Speaker 1: few days. Peyton is taking a break from school. Oh 58 00:04:42,680 --> 00:04:46,120 Speaker 1: that's right. This week has been cruel on her. She 59 00:04:46,240 --> 00:04:49,240 Speaker 1: decided she needed to recharge and take a little time 60 00:04:49,279 --> 00:04:53,160 Speaker 1: for herself. Oh, she didn't say anything to us about that. 61 00:04:54,240 --> 00:04:57,400 Speaker 1: Us Um, we have a group project to an ap 62 00:04:57,520 --> 00:05:00,760 Speaker 1: U S history four of us. I think you'll have 63 00:05:00,800 --> 00:05:03,200 Speaker 1: to find a new member. Peyton just wants to be 64 00:05:03,279 --> 00:05:07,320 Speaker 1: left alone right now. I'm sure you understand. Would it 65 00:05:07,320 --> 00:05:09,840 Speaker 1: be possible to talk to her for a minute. Oh, 66 00:05:09,960 --> 00:05:12,960 Speaker 1: I'm afraid not. Peyton is not here. You see, as 67 00:05:13,000 --> 00:05:15,520 Speaker 1: I said, she needs a little break from other people, 68 00:05:15,880 --> 00:05:18,800 Speaker 1: so please respect that. Can I ask where she is? Well? 69 00:05:18,880 --> 00:05:22,400 Speaker 1: I don't see. Project is really important for our grade 70 00:05:22,440 --> 00:05:27,280 Speaker 1: this semester if Peyton doesn't participate. She's volunteering down at 71 00:05:27,279 --> 00:05:30,480 Speaker 1: the Mackenzie Horse Ranch in West Virginia, and she doesn't 72 00:05:30,520 --> 00:05:33,320 Speaker 1: have her phone, so no need to bother her. No 73 00:05:33,520 --> 00:05:37,679 Speaker 1: phone but no phone, no computer, just a much needed 74 00:05:37,680 --> 00:05:40,640 Speaker 1: peace and quiet. I'm sure she'll be back in time 75 00:05:40,680 --> 00:05:47,280 Speaker 1: for your project though. Good day, James. That explains why 76 00:05:47,320 --> 00:05:51,440 Speaker 1: she's been ignoring our messages. Poor Peyton, she must feel awful. 77 00:05:52,320 --> 00:05:54,360 Speaker 1: I wish there was something we could do to cheer up. 78 00:05:55,000 --> 00:05:59,240 Speaker 1: How about a surprise visit to West Virginia. Why not 79 00:06:00,000 --> 00:06:02,680 Speaker 1: have my Volkswagen. We could bring lunch and make big 80 00:06:02,680 --> 00:06:04,960 Speaker 1: signs saying pay and we love you. We'll make a 81 00:06:05,000 --> 00:06:08,360 Speaker 1: big deal out of it. What do you love that? Not? Really? 82 00:06:09,240 --> 00:06:11,760 Speaker 1: Come on? I think like an extrovert for once in 83 00:06:11,760 --> 00:06:15,080 Speaker 1: your life. I'd like to get in on that too, 84 00:06:15,279 --> 00:06:23,960 Speaker 1: if I can. Celia, Hi, guys, Hi, James, Hi, I am. 85 00:06:24,000 --> 00:06:27,880 Speaker 1: I have some apologizing to do. Do you do? Yeah? 86 00:06:28,839 --> 00:06:32,240 Speaker 1: I said some mean things to you. Oh I did too? 87 00:06:32,839 --> 00:06:35,960 Speaker 1: No don't, I mean you did. But just let me 88 00:06:36,000 --> 00:06:40,600 Speaker 1: say this. I made a mistake. Something is going on 89 00:06:40,640 --> 00:06:45,479 Speaker 1: with my parents and Judge Reid, and it's big. I 90 00:06:45,520 --> 00:06:48,120 Speaker 1: wanted to tell you earlier, but they only let me 91 00:06:48,160 --> 00:06:50,240 Speaker 1: leave the house once they found out the President wasn't 92 00:06:50,279 --> 00:06:55,440 Speaker 1: pulling the nomination. Now they're more confident than ever. I'm 93 00:06:55,440 --> 00:06:58,480 Speaker 1: actually kind of scared for them, but that doesn't matter 94 00:06:58,560 --> 00:07:04,760 Speaker 1: right now. What there is, I'm sorry, the wonders never cease. 95 00:07:07,200 --> 00:07:16,760 Speaker 1: So friends, hold on, I'm not getting any bars. Service 96 00:07:16,840 --> 00:07:18,800 Speaker 1: sucks out here. Do I stay on the highway or 97 00:07:18,800 --> 00:07:20,960 Speaker 1: do I get off? One second? On or off? It's 98 00:07:20,960 --> 00:07:30,520 Speaker 1: coming out on? Stay on? No? Wait? Sorry, seriously, dang 99 00:07:31,800 --> 00:07:34,760 Speaker 1: um is this thing safe for interstate travel? Why wouldn't 100 00:07:34,800 --> 00:07:37,520 Speaker 1: it be? This car is a classic, and did you 101 00:07:37,560 --> 00:07:40,560 Speaker 1: know it's actually more environmentally friendly to drive? Some of 102 00:07:40,600 --> 00:07:44,640 Speaker 1: these old cars than a new hybrid. Listen to that prayer. 103 00:07:48,560 --> 00:07:51,280 Speaker 1: Where are we anyway? I feel like we're regressing to 104 00:07:51,320 --> 00:07:55,880 Speaker 1: an earlier stage of civilization. I could absolutely see myself 105 00:07:55,920 --> 00:07:59,680 Speaker 1: living here, not permanently, but like a summer artist's retreat, 106 00:08:00,200 --> 00:08:03,120 Speaker 1: a collective. I don't think I could do it. No, 107 00:08:03,920 --> 00:08:05,840 Speaker 1: I couldn't be away from a major city for more 108 00:08:05,840 --> 00:08:08,200 Speaker 1: than a few minutes at a time. Even d C 109 00:08:08,400 --> 00:08:10,840 Speaker 1: s too royal from my taste. You mean to say 110 00:08:10,840 --> 00:08:14,520 Speaker 1: you couldn't throw them anywhere. I could thrive anywhere, but 111 00:08:14,680 --> 00:08:18,040 Speaker 1: I have money, so I don't have to. What did 112 00:08:18,080 --> 00:08:21,200 Speaker 1: you guys tell your parents about this weekend? I told 113 00:08:21,200 --> 00:08:24,200 Speaker 1: my dad I was participating in a lock into Brainstorm 114 00:08:24,200 --> 00:08:28,240 Speaker 1: alternative locations to stage an awareness month jubilee awareness of what. 115 00:08:28,520 --> 00:08:31,720 Speaker 1: I didn't have to get that far. Things were getting 116 00:08:31,760 --> 00:08:35,360 Speaker 1: a little claustrophobic earlier this week, so we all agreed 117 00:08:35,400 --> 00:08:37,920 Speaker 1: I could use a little air. But he did have 118 00:08:37,960 --> 00:08:40,560 Speaker 1: to share my location with William. Is that a problem? 119 00:08:40,920 --> 00:08:43,720 Speaker 1: Are you kidding? If we're going to the middle of nowhere? 120 00:08:43,920 --> 00:08:47,880 Speaker 1: I want a paper trail, how about you? James? And 121 00:08:48,000 --> 00:08:50,080 Speaker 1: I told my mama was going to a coding challenge 122 00:08:50,360 --> 00:08:53,040 Speaker 1: an all night one. They go all night sometimes, So 123 00:08:53,160 --> 00:08:56,880 Speaker 1: you're like, really good at that stuff? Hum coding? I 124 00:08:56,920 --> 00:08:59,760 Speaker 1: guess there are lots of people way better at it 125 00:08:59,760 --> 00:09:04,280 Speaker 1: than Come on, don't be humble. Yeah, I'm pretty good. 126 00:09:04,480 --> 00:09:09,559 Speaker 1: There she is. I hope Peyton's happy to see us, 127 00:09:09,600 --> 00:09:11,640 Speaker 1: like I hope we're not bothering her while she's trying 128 00:09:11,679 --> 00:09:14,079 Speaker 1: to relax. Are you kidding? She's going to be thrilled? 129 00:09:17,640 --> 00:09:21,840 Speaker 1: Are you expected? No, it's a surprise visit and your 130 00:09:21,880 --> 00:09:26,280 Speaker 1: relationship for friends one moment while I consult with the 131 00:09:26,320 --> 00:09:31,200 Speaker 1: head doctor. You guys getting a weird feeling from this 132 00:09:31,280 --> 00:09:34,320 Speaker 1: place to it's weird? What kind of a horse ranch 133 00:09:34,440 --> 00:09:38,360 Speaker 1: has a head doctor? You'll be allowed to see her, 134 00:09:38,559 --> 00:09:43,880 Speaker 1: but only under supervision. Why, well, it's for her own good. Yeah, 135 00:09:43,920 --> 00:09:48,360 Speaker 1: but why we try to avoid stress. We're here to 136 00:09:48,400 --> 00:09:55,920 Speaker 1: help her relax and heal. They say, my outburst in 137 00:09:56,000 --> 00:10:00,040 Speaker 1: school was a pre symptom, a pre symptom of a 138 00:10:00,040 --> 00:10:03,640 Speaker 1: nervous breakdown. They're giving me the tools here to stabilize 139 00:10:03,679 --> 00:10:09,880 Speaker 1: my personality. Good girl, you don't really believe that, do you. 140 00:10:11,240 --> 00:10:14,040 Speaker 1: They say a person starts behaving out of character when 141 00:10:14,040 --> 00:10:17,240 Speaker 1: they don't like who they are, and after a lot 142 00:10:17,280 --> 00:10:22,640 Speaker 1: of reflection, I realized I probably don't like who I am. 143 00:10:22,679 --> 00:10:25,360 Speaker 1: So they're working with me on cognitive therapy to teach 144 00:10:25,400 --> 00:10:31,640 Speaker 1: me the tools to love myself again. Yes, that sounds insane. 145 00:10:32,280 --> 00:10:35,400 Speaker 1: We don't use that word here. Are you being a 146 00:10:36,320 --> 00:10:41,560 Speaker 1: real with us? Is something up? I have to go now. 147 00:10:41,880 --> 00:10:45,120 Speaker 1: We just got here. It's afternoon prayer group and then supper. 148 00:10:45,960 --> 00:10:48,200 Speaker 1: That's all the time we get with you, I'm afraid. 149 00:10:48,240 --> 00:10:52,680 Speaker 1: So okay, Well we'll come back after dinner. We'll play 150 00:10:52,679 --> 00:10:55,760 Speaker 1: a board game or something. I can't It's group therapy 151 00:10:55,800 --> 00:10:59,800 Speaker 1: after dinner, then prayer group again in bedtime, so skip it. 152 00:11:00,440 --> 00:11:06,280 Speaker 1: It's mandatory, mandatory. Seriously, Peyton, are you okay? I really 153 00:11:06,320 --> 00:11:09,840 Speaker 1: do have to go. Thanks for visiting. Y'all are the 154 00:11:10,000 --> 00:11:15,679 Speaker 1: very best. Come here, give me a hug, help me. 155 00:11:16,040 --> 00:11:18,680 Speaker 1: They lock us in at night. I did not choose 156 00:11:18,720 --> 00:11:27,000 Speaker 1: to be here. Hey, coming, goodbye y'all. Hey, d O 157 00:11:27,080 --> 00:11:30,400 Speaker 1: DC fans stay tuned more. Daughters of d C is 158 00:11:30,520 --> 00:11:33,280 Speaker 1: up next, But first a quick word from our sponsor. 159 00:11:37,559 --> 00:11:40,240 Speaker 1: Head to Daughters of DC dot com to get exclusive 160 00:11:40,320 --> 00:11:43,839 Speaker 1: d O DC news updates and content before everybody else. 161 00:11:47,160 --> 00:11:50,160 Speaker 1: James Celia are you there? You've got James, I'm here. 162 00:11:50,440 --> 00:11:53,920 Speaker 1: I really hope this works. Natalie. All you have to 163 00:11:53,960 --> 00:11:56,679 Speaker 1: do is fight the power. It's literally what you were 164 00:11:56,720 --> 00:12:04,120 Speaker 1: born to do. Do it for Peyton, here goes. I 165 00:12:04,240 --> 00:12:07,960 Speaker 1: demand my friend to be released from this place. She 166 00:12:08,080 --> 00:12:12,280 Speaker 1: isn't being held against her will. She voluntarily checked herself in. No, 167 00:12:12,440 --> 00:12:15,840 Speaker 1: she didn't. Her parents checked her in. They're her legal guardians, 168 00:12:16,200 --> 00:12:19,920 Speaker 1: which legally is the exact same thing as checking herself in. 169 00:12:20,280 --> 00:12:24,120 Speaker 1: That's absurd. You'll have to leave now, please. I'll leave 170 00:12:24,160 --> 00:12:28,040 Speaker 1: when I'm ready to leave. Unlike Peyton, see the contradiction. 171 00:12:28,920 --> 00:12:31,160 Speaker 1: I just need her attention off the security system for 172 00:12:31,280 --> 00:12:34,440 Speaker 1: one more minute, Natalie, got it. I should warn you 173 00:12:34,520 --> 00:12:37,600 Speaker 1: I'm a very litigious person. This is a violation of 174 00:12:37,679 --> 00:12:41,599 Speaker 1: human rights. If you don't leave immediately, I'm calling security. No, 175 00:12:42,000 --> 00:12:48,480 Speaker 1: this is a sitting on behalf of human dignity. Attica, Attica, adica, Security. 176 00:12:48,520 --> 00:12:53,280 Speaker 1: Can you come to front please? What happened to the lights? 177 00:12:53,800 --> 00:12:59,360 Speaker 1: How might not be those dang raccoons again? Yes, James, alright, Celia, 178 00:12:59,400 --> 00:13:02,520 Speaker 1: the systems to armed Europe. Go get our girl on it. 179 00:13:03,040 --> 00:13:04,920 Speaker 1: I knew I wore my writing news for a reason. 180 00:13:15,800 --> 00:13:19,920 Speaker 1: Peyton here, Yeah, what are you doing? Rescue mission? Come on, 181 00:13:20,520 --> 00:13:23,720 Speaker 1: open the window. The old arm jeems disabled it let's go. 182 00:13:26,360 --> 00:13:32,360 Speaker 1: It worked. Come on, come on, Attica, attica, attica, you 183 00:13:32,559 --> 00:13:39,199 Speaker 1: stop saying that. Finally, let there be light. Got her 184 00:13:39,480 --> 00:13:41,079 Speaker 1: all right? You know what I can see this is 185 00:13:41,120 --> 00:13:43,480 Speaker 1: going nowhere, So I'll be back with my lawyer in 186 00:13:43,559 --> 00:13:48,760 Speaker 1: tow that wait a minute, security security, get her down 187 00:13:48,800 --> 00:14:03,240 Speaker 1: with light stage capital on my head. Thanks for letting 188 00:14:03,280 --> 00:14:05,560 Speaker 1: us all crash out your place, James, and thank you 189 00:14:05,600 --> 00:14:10,000 Speaker 1: for allowing me to set the playlist. Sure, Celia, So 190 00:14:10,920 --> 00:14:14,920 Speaker 1: what happened? Peyton? My daddy has a doctor friend who 191 00:14:14,960 --> 00:14:18,120 Speaker 1: said my incident at school was the beginning of an 192 00:14:18,160 --> 00:14:22,520 Speaker 1: acute attack of borderline personality disorder. I've never even heard 193 00:14:22,520 --> 00:14:24,320 Speaker 1: of that. He said. I needed to be brought to 194 00:14:24,360 --> 00:14:30,080 Speaker 1: the country immediately before I had a full blown psychotic episode. Honestly, 195 00:14:30,680 --> 00:14:32,720 Speaker 1: it was kind of nice to be away from everything 196 00:14:32,760 --> 00:14:35,200 Speaker 1: for the first couple of days, but then I started 197 00:14:35,200 --> 00:14:40,000 Speaker 1: to realize something was weird. I couldn't go out, I 198 00:14:40,040 --> 00:14:43,560 Speaker 1: couldn't call anyone. I think they were trying to brainwash me. 199 00:14:44,520 --> 00:14:48,600 Speaker 1: Who who are they? I don't know friends, my parents, 200 00:14:50,520 --> 00:14:53,760 Speaker 1: You're safe with us. We won't let anything happen to you. 201 00:14:55,160 --> 00:14:57,960 Speaker 1: Where do I go now? I can't be near my family, 202 00:14:58,680 --> 00:15:00,840 Speaker 1: not as long as they treat me like some crazy person. 203 00:15:01,960 --> 00:15:04,520 Speaker 1: They're free to you. How do you mean they're hearing 204 00:15:04,520 --> 00:15:07,240 Speaker 1: your real voice for the first time and then threatening them. 205 00:15:07,280 --> 00:15:09,720 Speaker 1: You're forcing them to see you instead of their image 206 00:15:09,720 --> 00:15:13,560 Speaker 1: of you. You can stay here, you know if you 207 00:15:13,600 --> 00:15:16,080 Speaker 1: want to. Would your mom be okay with that? She'll 208 00:15:16,080 --> 00:15:19,000 Speaker 1: have to be what are you? What is this person? 209 00:15:19,160 --> 00:15:21,880 Speaker 1: And what did you do with our friend James? Cut 210 00:15:21,880 --> 00:15:30,520 Speaker 1: it out, guys, I would really appreciate that change. Thank you, Celia. 211 00:15:30,600 --> 00:15:37,560 Speaker 1: Is that Mackenzie blowing up your phone? Maybe I'm very popular? Okay, 212 00:15:37,920 --> 00:15:40,680 Speaker 1: she may have been a little worried about me. What 213 00:15:40,760 --> 00:15:43,720 Speaker 1: would the whole bunker says yesterday and then the horse 214 00:15:43,760 --> 00:15:48,320 Speaker 1: franch breaking today? Doesn't sound like she's just a hook 215 00:15:48,440 --> 00:15:51,240 Speaker 1: up to me. She is, but I can't help it 216 00:15:51,320 --> 00:15:57,080 Speaker 1: if my life is incredibly thrilling. I hate to break 217 00:15:57,120 --> 00:16:00,560 Speaker 1: up the phone, but I have to go tinkle. Why 218 00:16:00,560 --> 00:16:02,640 Speaker 1: do you have to say like that, like what I 219 00:16:02,720 --> 00:16:05,080 Speaker 1: have to go tinkle? You make it sound like you're 220 00:16:05,080 --> 00:16:06,920 Speaker 1: going to go spray fairy dust in the toilet or 221 00:16:06,960 --> 00:16:10,920 Speaker 1: something charming? Gross? What do you say? I'm going to 222 00:16:11,000 --> 00:16:18,600 Speaker 1: go expel a recyclable waste product. Be right back. I 223 00:16:18,640 --> 00:16:20,840 Speaker 1: don't remember the last time we had to sleep over 224 00:16:20,920 --> 00:16:24,160 Speaker 1: like this, I do. It was in sixth grade, right 225 00:16:24,160 --> 00:16:26,800 Speaker 1: after Bill Barnett's pool party. I haven't thought about him 226 00:16:26,800 --> 00:16:31,360 Speaker 1: and forever. God, why did we ever stop hanging um 227 00:16:31,480 --> 00:16:35,960 Speaker 1: like this? Bad for our parents? Images? And there was Colorama, right, 228 00:16:37,840 --> 00:16:40,920 Speaker 1: I guess, no matter how unfair it is, will always 229 00:16:40,920 --> 00:16:45,160 Speaker 1: be second to their careers and their aspirations, whatever they are. 230 00:16:47,360 --> 00:16:50,080 Speaker 1: No more. Let's make a pact right now that we 231 00:16:50,160 --> 00:16:52,480 Speaker 1: won't let them tell us who we can and can't be. 232 00:16:52,720 --> 00:16:56,640 Speaker 1: I love it. Yeah, I love you, guys, love you too. 233 00:16:57,320 --> 00:16:59,400 Speaker 1: We have to wait for Peyton. We can't make a 234 00:16:59,440 --> 00:17:02,600 Speaker 1: pact without. Hey, what's taking her so long? She's missing 235 00:17:02,600 --> 00:17:07,840 Speaker 1: all the bonding. Wait? Where is your brother? Exactly? Cool? 236 00:17:08,920 --> 00:17:11,359 Speaker 1: Oh no, no, no, no, no, no no, not in 237 00:17:11,400 --> 00:17:14,680 Speaker 1: this house. You back to James room. You your door 238 00:17:14,760 --> 00:17:21,440 Speaker 1: remains over. Yes, I knew it. Gross. Hey, guys, heyton 239 00:17:21,520 --> 00:17:25,160 Speaker 1: ankle sitting in a tree? Gross? Gross gross GROLs cut 240 00:17:25,160 --> 00:17:27,240 Speaker 1: it out. I was just thinking him for being such 241 00:17:27,280 --> 00:17:37,960 Speaker 1: a good friend. You're in love girl. Maybe too weird, James. 242 00:17:38,240 --> 00:17:40,200 Speaker 1: Your friends can't stay here if they're going to make 243 00:17:40,240 --> 00:17:44,560 Speaker 1: bad decisions and disrespect the rules of my house. Please, Mom, 244 00:17:44,680 --> 00:17:48,720 Speaker 1: Peyton can't go home. There's a problem there. Please just 245 00:17:49,359 --> 00:17:53,560 Speaker 1: trust me, all right? But if I catch you in 246 00:17:53,600 --> 00:17:56,719 Speaker 1: my son's room again, you're out of here. Yes, ma'am. Now, 247 00:17:56,760 --> 00:18:00,280 Speaker 1: I want you all to go to sleep. It's late, yes, mom, Yes, 248 00:18:00,359 --> 00:18:09,040 Speaker 1: Mrs Parker, Sorry, Mrs Parker. It's really nice to be 249 00:18:09,119 --> 00:18:16,000 Speaker 1: back together. Daughters of DC Now and Always. Daughters DC. 250 00:18:17,880 --> 00:18:22,680 Speaker 1: My daddy has a doctor friend who full blown psychotic episode. 251 00:18:23,200 --> 00:18:26,119 Speaker 1: I think they were trying to bringwashing Ceulia. Is that 252 00:18:26,240 --> 00:18:29,639 Speaker 1: Mackenzie blowing up your phone? Doesn't sound like she's just 253 00:18:29,840 --> 00:18:34,480 Speaker 1: to hook up to me. Daughters of DC Now and Always. 254 00:18:35,800 --> 00:18:46,520 Speaker 1: I wouldn't help on that, baby Hacker. Iron Horn's Epic 255 00:18:46,560 --> 00:18:51,560 Speaker 1: Productions and I Heard Radio Present Daughters of DC Created 256 00:18:51,600 --> 00:18:55,760 Speaker 1: and executive produced by Heather Ironhorn and Adam Staffaroni. Head 257 00:18:55,800 --> 00:19:02,200 Speaker 1: writer Sasha Stewart, Senior writer Louis Corn For writers Tyler 258 00:19:02,240 --> 00:19:08,639 Speaker 1: english beckwith Cha Roos, Senna and Adam Staffaroni. Directed by J. V. Bloch. 259 00:19:09,600 --> 00:19:14,080 Speaker 1: Executive produced by I Heart Radio, produced by A Rupe Senna, 260 00:19:14,119 --> 00:19:19,160 Speaker 1: Kayla Kimberly Woods as James Parker, Melissa Vanders Gay as 261 00:19:19,200 --> 00:19:24,840 Speaker 1: Peyton Blackburn, Talia Romana as Natalie Rosenberg, Susie Young as 262 00:19:24,880 --> 00:19:29,600 Speaker 1: Celia Lou with performances by O. G. Banks, k Bess, 263 00:19:30,359 --> 00:19:36,480 Speaker 1: Vic chow phyadre Chen, Darren De Paul Dave Panoi, Paul Gayette, 264 00:19:36,800 --> 00:19:43,320 Speaker 1: Juri Lowenthal, Brandon Middleton, Stephanie she Shelley Shenoy, Richard Tatum, 265 00:19:43,440 --> 00:19:49,480 Speaker 1: Genie Toronto, Andia Winslow Marshall York with Francesca Ramsey and J. B. Blanc. 266 00:19:50,200 --> 00:19:56,520 Speaker 1: Development executive Greg Locker, production manager Gail Artino, Production coordinator 267 00:19:56,600 --> 00:20:01,200 Speaker 1: and script supervisor Laura Martin. Creative direction and design by 268 00:20:01,280 --> 00:20:06,720 Speaker 1: Ryan McCann. He Aren't Illustrated by Heather Danforth. Casting by 269 00:20:06,920 --> 00:20:11,320 Speaker 1: don Ne Owen, record a Edit, Home and sound recording 270 00:20:11,400 --> 00:20:18,880 Speaker 1: Engineer Diana David. Additional recordings Claudio Santos additional recordings Michael Schneider, 271 00:20:20,240 --> 00:20:25,800 Speaker 1: Sound supervision, Christians Wiggins, Sound designers R. D. White and 272 00:20:25,880 --> 00:20:31,160 Speaker 1: Josh Melody. Original music Josh Melody, additional music from Jingle 273 00:20:31,240 --> 00:20:37,960 Speaker 1: Punks Consultant Kelsey Frasier, M. S. W. Culture consultants Logan Davis, 274 00:20:38,240 --> 00:20:41,960 Speaker 1: Casey Davis and Davis Family. Special thank you to The 275 00:20:41,960 --> 00:20:46,000 Speaker 1: Shadow Unicorn, Iron Horn's Epic Productions, and I Heart Radio 276 00:20:46,080 --> 00:20:53,600 Speaker 1: present Daughters of d City. Hey, fabulous listeners, it's Celia Lu, 277 00:20:53,840 --> 00:20:56,120 Speaker 1: but you knew that already. Want to be a real 278 00:20:56,280 --> 00:20:59,679 Speaker 1: d d C insider Follow us on Instagram at Daughters 279 00:20:59,680 --> 00:21:03,600 Speaker 1: of d C Official to get exclusive DODC news, updates 280 00:21:03,640 --> 00:21:05,399 Speaker 1: and content before everybody else