WEBVTT - From the Vault: Mystery Cults, Part 3

0:00:06.200 --> 0:00:08.639
<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

0:00:08.680 --> 0:00:11.520
<v Speaker 1>is Robert Lamb. Today is a Saturday, so we have

0:00:11.600 --> 0:00:13.399
<v Speaker 1>a vault episode for you. This is part three of

0:00:13.480 --> 0:00:16.840
<v Speaker 1>four in our Mystery cult series that originally published three six,

0:00:16.960 --> 0:00:19.400
<v Speaker 1>twenty twenty five. Let's dive in.

0:00:23.040 --> 0:00:26.760
<v Speaker 2>Welcome to Stuff to Blow Your Mind production of iHeartRadio.

0:00:33.000 --> 0:00:35.080
<v Speaker 1>Hey, welcome to Stuff to Blow your Mind. My name

0:00:35.120 --> 0:00:35.720
<v Speaker 1>is Robert.

0:00:35.560 --> 0:00:38.360
<v Speaker 3>Lamb and I am Joe McCormick, and we're back with

0:00:38.479 --> 0:00:42.440
<v Speaker 3>part three in our discussion of the mystery cults of

0:00:42.479 --> 0:00:47.800
<v Speaker 3>the ancient Mediterranean. Mystery cults are religions that are differentiated

0:00:47.880 --> 0:00:52.599
<v Speaker 3>from the mainstream public cults of the Greco Roman world because,

0:00:52.720 --> 0:00:56.880
<v Speaker 3>instead of focusing on the regular transactional tending to the

0:00:56.880 --> 0:01:00.760
<v Speaker 3>needs of the gods through ritual and sacrifice, mystery cults

0:01:00.800 --> 0:01:06.319
<v Speaker 3>were centered around the performance of secret mystic rites, which

0:01:06.319 --> 0:01:09.760
<v Speaker 3>were usually revealed only to the cult's initiates, and which

0:01:09.800 --> 0:01:16.240
<v Speaker 3>were often described as intense sensory experiences involving direct contact

0:01:16.280 --> 0:01:19.640
<v Speaker 3>with the power of the gods. In Part one of

0:01:19.640 --> 0:01:23.319
<v Speaker 3>this series, we talked mainly about the historical context of

0:01:23.360 --> 0:01:26.479
<v Speaker 3>the mysteries and how they differed from the most common

0:01:26.520 --> 0:01:30.880
<v Speaker 3>religious practices of Greek and Roman polytheism. And then in

0:01:30.959 --> 0:01:34.000
<v Speaker 3>part two we looked at a couple of specific examples.

0:01:34.080 --> 0:01:38.200
<v Speaker 3>We looked at Mithraism, a mystery cult that flourished in

0:01:38.280 --> 0:01:41.240
<v Speaker 3>the Roman Empire, especially among members of the Roman army,

0:01:41.319 --> 0:01:45.440
<v Speaker 3>from roughly the first through the fourth century CE. And

0:01:45.480 --> 0:01:49.760
<v Speaker 3>then also we started talking about what was the most

0:01:49.800 --> 0:01:53.680
<v Speaker 3>famous and probably the most revered mystery cult for hundreds

0:01:53.680 --> 0:01:56.240
<v Speaker 3>of years among the Greeks and Romans, which was the

0:01:56.280 --> 0:02:00.400
<v Speaker 3>festival of the Eleusinian Mysteries, the Secret Rites, which took

0:02:00.440 --> 0:02:04.400
<v Speaker 3>place in Eleusis, which was about twenty three kilometers west

0:02:04.520 --> 0:02:07.920
<v Speaker 3>of the center of ancient Athens. And we are back

0:02:08.000 --> 0:02:09.200
<v Speaker 3>today to talk about.

0:02:08.960 --> 0:02:10.040
<v Speaker 1>More, all right.

0:02:10.600 --> 0:02:12.720
<v Speaker 3>So in the last episode we had to leave off

0:02:12.760 --> 0:02:15.560
<v Speaker 3>in the middle of our discussion of the Elusinian Mysteries

0:02:15.600 --> 0:02:17.359
<v Speaker 3>because we ran out of time. So I think that's

0:02:17.360 --> 0:02:19.680
<v Speaker 3>where we should jump back in today. We can start

0:02:19.720 --> 0:02:24.120
<v Speaker 3>off with that subject. We already talked last time about

0:02:24.160 --> 0:02:28.400
<v Speaker 3>the story of Demeter and Persephone, which is the primary

0:02:28.440 --> 0:02:32.640
<v Speaker 3>myth associated with the cult. Particularly we're focused on the

0:02:32.720 --> 0:02:36.680
<v Speaker 3>version told in the sixth or seventh century BCE Dactylic

0:02:36.720 --> 0:02:40.680
<v Speaker 3>Hexameter or poem known as the Homeric Hymn to Demeter,

0:02:41.880 --> 0:02:44.960
<v Speaker 3>and I'll do a brief summary to refresh. In this story,

0:02:45.160 --> 0:02:48.560
<v Speaker 3>Demeter's daughter Demeter is the goddess of course, of grain

0:02:48.600 --> 0:02:54.679
<v Speaker 3>and agriculture. Demeter's daughter Persephone called Cory meaning maiden in

0:02:54.680 --> 0:02:59.720
<v Speaker 3>inscriptions associated with Eleusis, is kidnapped to the underworld by Hades,

0:02:59.800 --> 0:03:02.639
<v Speaker 3>the out of the dead, and the grief stricken Demeter

0:03:02.840 --> 0:03:06.240
<v Speaker 3>searches for her around the world in vain. Along the way,

0:03:06.320 --> 0:03:10.399
<v Speaker 3>she has interactions with the royal family of Eleusis, including

0:03:10.440 --> 0:03:14.880
<v Speaker 3>a thwarted attempt to transform a baby prince named Demophoon

0:03:15.120 --> 0:03:19.000
<v Speaker 3>into an immortal, after which Demeter demands that the people

0:03:19.040 --> 0:03:22.720
<v Speaker 3>of that place build her a temple and performs special

0:03:22.960 --> 0:03:25.880
<v Speaker 3>rites for her which they are not allowed to depart from,

0:03:26.400 --> 0:03:30.960
<v Speaker 3>ask questions about, or broadcast to the uninitiated. Eventually, in

0:03:30.960 --> 0:03:34.000
<v Speaker 3>the story the daughter Corey or again that's the same

0:03:34.080 --> 0:03:37.120
<v Speaker 3>character as Persephone and other tellings, Corey is permitted to

0:03:37.200 --> 0:03:40.720
<v Speaker 3>leave the underworld, but because she has eaten of the

0:03:40.760 --> 0:03:45.120
<v Speaker 3>fruit of Hades, she cannot leave forever and must spend

0:03:45.200 --> 0:03:47.640
<v Speaker 3>part of every year back in the realm of the dead.

0:03:47.800 --> 0:03:50.680
<v Speaker 3>And this myth is often tied to seasonal cycles of

0:03:50.760 --> 0:03:51.680
<v Speaker 3>growth and harvest.

0:03:52.160 --> 0:03:54.680
<v Speaker 1>Yeah, we can't stress in enough everyone. If you venture

0:03:54.800 --> 0:03:58.880
<v Speaker 1>into a spirit realm, don't eat anything. Yeah, exactly comes

0:03:58.960 --> 0:03:59.960
<v Speaker 1>up time and time again.

0:04:00.760 --> 0:04:03.200
<v Speaker 3>You gotta know the rules of the underworld. This came

0:04:03.280 --> 0:04:06.560
<v Speaker 3>up in another ancient poem we were talking about. Oh,

0:04:06.720 --> 0:04:10.480
<v Speaker 3>I think it's the poem of Gilgamesh and key Do

0:04:10.640 --> 0:04:13.720
<v Speaker 3>in the nether World, where in key Do loses some

0:04:13.880 --> 0:04:16.520
<v Speaker 3>stuff down like it falls into the nether world and

0:04:16.560 --> 0:04:19.440
<v Speaker 3>he has to go down to get it, and Gilgamesh

0:04:19.520 --> 0:04:21.440
<v Speaker 3>is like, look, you gotta do all these things right.

0:04:21.480 --> 0:04:24.200
<v Speaker 3>You don't wear certain kinds of clothes, you don't clap

0:04:24.279 --> 0:04:27.480
<v Speaker 3>too loud or shout too loud. All this stuff will

0:04:27.480 --> 0:04:30.120
<v Speaker 3>attract negative attention down there. And then in Kedo just

0:04:30.160 --> 0:04:33.000
<v Speaker 3>does it all wrong and he gets stuck. I don't

0:04:33.040 --> 0:04:35.440
<v Speaker 3>know what the other rules for Persephone would have been,

0:04:35.640 --> 0:04:39.680
<v Speaker 3>apart from donate to pomegranate seed, but presumably there are

0:04:39.720 --> 0:04:43.480
<v Speaker 3>other rules as well. But anyway, we also talked last time,

0:04:44.000 --> 0:04:46.880
<v Speaker 3>not just about the myth itself, but about some things

0:04:46.920 --> 0:04:50.919
<v Speaker 3>ancient writers said about the effect of taking part in

0:04:51.000 --> 0:04:56.000
<v Speaker 3>the rights of ilusis. Many writers are, of course reluctant

0:04:56.000 --> 0:05:00.680
<v Speaker 3>to share anything about the secret rituals themselves lest they

0:05:00.720 --> 0:05:03.200
<v Speaker 3>profane them. You don't talk about the mysteries. That's part

0:05:03.240 --> 0:05:06.760
<v Speaker 3>of what Demeter said, no talking about this, But they

0:05:06.800 --> 0:05:10.560
<v Speaker 3>do mention that the effect on the person who takes

0:05:10.640 --> 0:05:15.240
<v Speaker 3>part is a profound one and a positive one. To

0:05:15.279 --> 0:05:19.480
<v Speaker 3>illustrate that, I found the following passage from a dialogue

0:05:19.480 --> 0:05:23.440
<v Speaker 3>of Cicero called on the Laws, where a character in

0:05:23.480 --> 0:05:28.480
<v Speaker 3>this dialogue is talking about the mysteries and says, as follows,

0:05:29.200 --> 0:05:32.440
<v Speaker 3>much that is excellent and divine does Athens seem to

0:05:32.480 --> 0:05:34.919
<v Speaker 3>me to have produced and added to our life, But

0:05:35.240 --> 0:05:39.200
<v Speaker 3>nothing better than those mysteries by which we are formed

0:05:39.240 --> 0:05:42.560
<v Speaker 3>and molded from a rude and savage state of humanity.

0:05:43.080 --> 0:05:47.720
<v Speaker 3>And indeed, in the mysteries we perceive the real principles

0:05:47.760 --> 0:05:51.040
<v Speaker 3>of life and learn not only to live happily, but

0:05:51.120 --> 0:05:54.240
<v Speaker 3>to die with a fairer hope. So what does taking

0:05:54.279 --> 0:05:56.719
<v Speaker 3>part in the mysteries do for us? It seems that

0:05:56.800 --> 0:06:00.880
<v Speaker 3>it causes us to ascend from a rough, crude state

0:06:00.920 --> 0:06:04.640
<v Speaker 3>of existence, maybe an animalistic state of existence, into a

0:06:04.720 --> 0:06:08.760
<v Speaker 3>more refined type of being. Maybe it civilizes us in

0:06:08.839 --> 0:06:11.000
<v Speaker 3>some way. And this connects to something I've seen in

0:06:11.080 --> 0:06:14.880
<v Speaker 3>a few other sources having to do with the grain

0:06:14.960 --> 0:06:19.000
<v Speaker 3>and agriculture significance of the myth, that there's something about

0:06:19.040 --> 0:06:23.599
<v Speaker 3>the mysteries which is tied to the gift of agriculture,

0:06:23.640 --> 0:06:26.440
<v Speaker 3>of growing grain and the fruits of the harvest to

0:06:26.720 --> 0:06:31.159
<v Speaker 3>humans from the gods. And thus it's sort of like

0:06:31.279 --> 0:06:34.400
<v Speaker 3>perceived that that is the thing which separates us from

0:06:34.440 --> 0:06:38.880
<v Speaker 3>the animals. But beyond that, the mysteries also show us

0:06:38.920 --> 0:06:41.760
<v Speaker 3>what life is really about, or sort of the originating

0:06:41.839 --> 0:06:45.480
<v Speaker 3>principles of life. It makes us happier in this life,

0:06:45.520 --> 0:06:48.240
<v Speaker 3>and it makes us hope for better things after death.

0:06:48.920 --> 0:06:51.360
<v Speaker 3>And the last point has an interesting resonance. I don't

0:06:51.400 --> 0:06:53.039
<v Speaker 3>know if we alluded to this when we were talking

0:06:53.080 --> 0:06:57.000
<v Speaker 3>about the myth in full, but of course, Persephone known

0:06:57.040 --> 0:07:01.080
<v Speaker 3>as Corey in the inscriptions at Ilus, she is the

0:07:01.160 --> 0:07:04.279
<v Speaker 3>queen of the underworld, you know, so she's going to

0:07:04.279 --> 0:07:06.000
<v Speaker 3>be down there at least part of the year in

0:07:06.040 --> 0:07:08.479
<v Speaker 3>the nether world. I wonder if that has something to

0:07:08.520 --> 0:07:12.120
<v Speaker 3>do with the relationship between the mysteries and the fate

0:07:12.160 --> 0:07:12.679
<v Speaker 3>of the dead.

0:07:13.400 --> 0:07:16.040
<v Speaker 1>Yeah. Yeah, she ends up with like a foot in

0:07:16.040 --> 0:07:20.600
<v Speaker 1>both worlds. In the agricultural world, and then also in

0:07:20.840 --> 0:07:23.520
<v Speaker 1>the world of death in the afterlife, that's who you

0:07:23.520 --> 0:07:25.920
<v Speaker 1>want to get in good with a transitional being that

0:07:27.120 --> 0:07:30.040
<v Speaker 1>understands your world as well as the next world.

0:07:30.440 --> 0:07:32.840
<v Speaker 3>Though to be fair that that connection might just be

0:07:32.880 --> 0:07:36.160
<v Speaker 3>a coincidence. I mean, it is possible also that those

0:07:36.200 --> 0:07:38.760
<v Speaker 3>who have experienced the mysteries might expect a better fate

0:07:38.800 --> 0:07:41.840
<v Speaker 3>in the afterlife simply because they have some kind of

0:07:41.880 --> 0:07:44.640
<v Speaker 3>deeper connection with the power of the gods. They have

0:07:44.760 --> 0:07:48.320
<v Speaker 3>more God intimacy in general than people who have not

0:07:48.480 --> 0:07:50.360
<v Speaker 3>had who have not gone through the mysteries.

0:07:51.000 --> 0:07:53.080
<v Speaker 1>Yeah, yeah, or I mean, you know, to sort of

0:07:53.200 --> 0:07:57.320
<v Speaker 1>couch it in some sort of modern language, we could

0:07:57.440 --> 0:08:01.040
<v Speaker 1>say that at least while you're going through these, you're

0:08:01.120 --> 0:08:03.080
<v Speaker 1>very much living in the now. So that's got to

0:08:03.320 --> 0:08:07.080
<v Speaker 1>at least have a temporary effect on any anxieties you

0:08:07.160 --> 0:08:08.600
<v Speaker 1>have about the future.

0:08:09.120 --> 0:08:11.520
<v Speaker 3>Well certainly, yeah, while you're doing the rights themselves. But

0:08:11.560 --> 0:08:13.600
<v Speaker 3>I mean, to be clear, these authors do talk about

0:08:13.640 --> 0:08:16.440
<v Speaker 3>it as having a lasting effect, one that follows you home.

0:08:16.880 --> 0:08:18.760
<v Speaker 1>Yeah yeah, And I think, you know, there's probably a

0:08:18.840 --> 0:08:22.480
<v Speaker 1>case to be maybe if you couple a sensational experience

0:08:23.280 --> 0:08:29.480
<v Speaker 1>with those elements of at least temporarily exiting your anxieties.

0:08:30.760 --> 0:08:33.920
<v Speaker 1>This could be the essentially the cocktail recipe for some

0:08:33.960 --> 0:08:35.200
<v Speaker 1>sort of lasting change.

0:08:35.440 --> 0:08:37.080
<v Speaker 3>Now, before I move on, I want to mention a

0:08:37.080 --> 0:08:40.360
<v Speaker 3>couple of my major sources. One is a book we've

0:08:40.400 --> 0:08:43.640
<v Speaker 3>already talked about in this series by a scholar named

0:08:43.679 --> 0:08:46.920
<v Speaker 3>Hugh Bowden called Mystery Cults in the Ancient World the

0:08:46.920 --> 0:08:49.880
<v Speaker 3>Times and Hudson twenty twenty three edition, a Bowden being

0:08:49.880 --> 0:08:53.400
<v Speaker 3>an ancient historian affiliated with King's College, London. But I

0:08:53.400 --> 0:08:56.960
<v Speaker 3>also wanted to point to a chapter in The Wily

0:08:57.040 --> 0:09:01.200
<v Speaker 3>Companion to Greek Religion edited by Daniel Ogden. The chapter

0:09:01.320 --> 0:09:04.400
<v Speaker 3>is called the Mysteries of Demeter and Corey, and it

0:09:04.480 --> 0:09:07.520
<v Speaker 3>is by Kevin Clinton, who is a professor emeritus of

0:09:07.559 --> 0:09:11.760
<v Speaker 3>Classics at Cornell. Both very good resources on the Eleusinian mysteries,

0:09:11.760 --> 0:09:15.760
<v Speaker 3>and I'll refer back to both authors several more times. Now,

0:09:15.800 --> 0:09:18.040
<v Speaker 3>moving beyond what we've already talked about the myth and

0:09:18.080 --> 0:09:21.640
<v Speaker 3>the effect on people, what do we actually know and

0:09:21.679 --> 0:09:25.959
<v Speaker 3>what can we reasonably guess about the form the mysteries took?

0:09:26.320 --> 0:09:30.120
<v Speaker 3>What were these powerful rights? Well, there are some things

0:09:30.200 --> 0:09:33.559
<v Speaker 3>the sort of public elements of the festival, the associated

0:09:33.600 --> 0:09:36.640
<v Speaker 3>festival that we do know with a good bit of certainty,

0:09:36.679 --> 0:09:39.080
<v Speaker 3>and we'll move from what we know more about what

0:09:39.120 --> 0:09:43.000
<v Speaker 3>we know less about. The Eleusinian Mysteries were celebrated in

0:09:43.160 --> 0:09:46.880
<v Speaker 3>stages that took place at different times of the year.

0:09:47.840 --> 0:09:51.839
<v Speaker 3>So scholars think there was a primary stage of celebration,

0:09:52.040 --> 0:09:55.240
<v Speaker 3>known as the Lesser Mysteries, which were held at a

0:09:55.280 --> 0:09:59.080
<v Speaker 3>place called Agrai within the city of Athens around the

0:09:59.240 --> 0:10:02.080
<v Speaker 3>end of the winter beginning of spring, so our February

0:10:02.080 --> 0:10:06.960
<v Speaker 3>March season, and that was a different, separate thing, but

0:10:07.040 --> 0:10:10.360
<v Speaker 3>people usually did this before the main thing, which was

0:10:10.520 --> 0:10:14.679
<v Speaker 3>the Greater Mysteries, which took place between Athens and Eleusis

0:10:15.040 --> 0:10:18.960
<v Speaker 3>during the autumn around our months of September October. Clues

0:10:19.040 --> 0:10:21.720
<v Speaker 3>from the literature of the time indicate that people generally

0:10:21.760 --> 0:10:26.280
<v Speaker 3>participated in the lesser mysteries before doing the greater mysteries,

0:10:27.240 --> 0:10:30.560
<v Speaker 3>and the total festival of the Greater Mysteries lasted eight

0:10:30.720 --> 0:10:34.120
<v Speaker 3>days and began with public events. So when we talk

0:10:34.160 --> 0:10:36.680
<v Speaker 3>about the secret rights, it's not like the whole thing

0:10:36.760 --> 0:10:39.640
<v Speaker 3>of the Elusinian Mysteries were secret rights. It was just

0:10:39.760 --> 0:10:43.800
<v Speaker 3>like one sort of climactic part of the festival was

0:10:44.640 --> 0:10:47.440
<v Speaker 3>made up of the secret rights. You had lots of

0:10:47.440 --> 0:10:51.719
<v Speaker 3>public events that included sacrifices to various gods. There was

0:10:51.760 --> 0:10:56.400
<v Speaker 3>a process of preparation and purification of the initiates, the

0:10:56.400 --> 0:10:59.640
<v Speaker 3>people who wanted to be initiated into the cult. There

0:10:59.720 --> 0:11:03.160
<v Speaker 3>was a solemn march from the center of Athens to Eleusis,

0:11:03.800 --> 0:11:06.720
<v Speaker 3>and then finally you would get to the secret rights

0:11:06.760 --> 0:11:11.199
<v Speaker 3>inside a closed hall of initiation called the Telesterion, which

0:11:11.280 --> 0:11:14.520
<v Speaker 3>was the sort of big central building inside the sanctuary

0:11:14.600 --> 0:11:19.040
<v Speaker 3>of Demeter and Corey in Ilusis. It's hard to say

0:11:19.080 --> 0:11:24.160
<v Speaker 3>exactly when these festivals began and when they ended in history,

0:11:24.280 --> 0:11:26.160
<v Speaker 3>but we know a couple of things to sort of

0:11:26.200 --> 0:11:31.040
<v Speaker 3>set the maximal boundaries in time. While the archaeological record

0:11:31.080 --> 0:11:33.679
<v Speaker 3>in the area directly around the sanctuary goes all the

0:11:33.720 --> 0:11:36.040
<v Speaker 3>way back to the Bronze Age, it appears to have

0:11:36.080 --> 0:11:40.160
<v Speaker 3>been abandoned for some time around twelve hundred BCE, and

0:11:40.240 --> 0:11:44.000
<v Speaker 3>then the site was continuously occupied beginning sometime in the

0:11:44.160 --> 0:11:48.400
<v Speaker 3>eighth century BCE for hundreds of years after that, and

0:11:48.880 --> 0:11:51.920
<v Speaker 3>then we know that the rights probably continued no later

0:11:52.000 --> 0:11:55.920
<v Speaker 3>than the end of the fourth century CE, when Eleusis

0:11:56.080 --> 0:11:59.080
<v Speaker 3>was destroyed by the Goths, and after this there appears

0:11:59.160 --> 0:12:03.720
<v Speaker 3>to have been known attempt to rebuild the sanctuary. By

0:12:03.760 --> 0:12:07.960
<v Speaker 3>this time, the Roman Empire would have been largely Christian anyway,

0:12:08.400 --> 0:12:11.880
<v Speaker 3>and you know that would have produced some severe friction

0:12:12.120 --> 0:12:13.719
<v Speaker 3>for the cult of Ilusus.

0:12:14.400 --> 0:12:16.160
<v Speaker 1>And we'll come back to the twilight of the mystery

0:12:16.160 --> 0:12:17.439
<v Speaker 1>cults here in a bit.

0:12:18.120 --> 0:12:20.440
<v Speaker 3>Now. An interesting thing is that during the time the

0:12:20.480 --> 0:12:24.200
<v Speaker 3>cult was in operation, lots of famous people in the

0:12:24.240 --> 0:12:28.560
<v Speaker 3>ancient world, including authors that we would read, including multiple

0:12:28.679 --> 0:12:33.440
<v Speaker 3>Roman emperors like Augustus Hadrian and Marcus Aurelius, made the

0:12:33.440 --> 0:12:37.920
<v Speaker 3>trip to Eleusis to be initiated into the mysteries, and

0:12:37.960 --> 0:12:42.040
<v Speaker 3>that in itself kind of highlights a curious fact. While

0:12:42.280 --> 0:12:46.680
<v Speaker 3>the core rights themselves, the mysteries were secret and you

0:12:46.679 --> 0:12:50.800
<v Speaker 3>couldn't share them with outsiders, people would come from all

0:12:50.880 --> 0:12:55.640
<v Speaker 3>over to be initiated, So it seems that the secret

0:12:55.760 --> 0:12:58.840
<v Speaker 3>rituals were in a way more kind of open, more

0:12:58.920 --> 0:13:03.360
<v Speaker 3>kind of globally open to participation then many of the public,

0:13:03.440 --> 0:13:06.319
<v Speaker 3>the so called public cults of the Greco Roman world

0:13:06.360 --> 0:13:09.359
<v Speaker 3>would be, which many of which were quite locally focused.

0:13:10.000 --> 0:13:13.240
<v Speaker 3>So for most of the time the mysteries existed. It

0:13:13.320 --> 0:13:16.880
<v Speaker 3>seems that anywhere, anyone from anywhere was allowed to come

0:13:16.920 --> 0:13:18.960
<v Speaker 3>and be initiated as long as they met a couple

0:13:19.000 --> 0:13:22.080
<v Speaker 3>of criteria. They had to speak Greek or be a

0:13:22.240 --> 0:13:25.160
<v Speaker 3>Roman later on under the Roman Empire, and they had

0:13:25.200 --> 0:13:28.600
<v Speaker 3>to have not committed murder. And if you met those criteria,

0:13:28.760 --> 0:13:31.040
<v Speaker 3>you could you could be initiated, you could learn the

0:13:31.240 --> 0:13:32.880
<v Speaker 3>you could learn the secrets, you could take part in

0:13:32.920 --> 0:13:33.520
<v Speaker 3>the mysteries.

0:13:34.800 --> 0:13:37.839
<v Speaker 1>And I assume you could lie about the second one,

0:13:38.320 --> 0:13:40.720
<v Speaker 1>or it could be left up to your interpretation what

0:13:40.880 --> 0:13:44.080
<v Speaker 1>murder was. It's not like you had like a designated

0:13:44.120 --> 0:13:45.880
<v Speaker 1>punch card that you would have to show.

0:13:46.200 --> 0:13:48.760
<v Speaker 3>Yeah, I guess. I guess. The question is like, do

0:13:48.760 --> 0:13:52.200
<v Speaker 3>do local people know that you committed murder? Right? Did

0:13:52.200 --> 0:13:54.119
<v Speaker 3>you commit murder anywhere around Athens?

0:13:54.360 --> 0:13:55.040
<v Speaker 1>Yeah?

0:13:55.080 --> 0:13:56.920
<v Speaker 3>Okay, So what else do we know about what took

0:13:56.960 --> 0:14:00.760
<v Speaker 3>place around the mysteries? Here again, I'm drawing large from Bowden,

0:14:01.360 --> 0:14:04.400
<v Speaker 3>trying to pull together all these facts. One thing is that,

0:14:05.559 --> 0:14:07.240
<v Speaker 3>going back to what I was just saying about people

0:14:07.240 --> 0:14:10.440
<v Speaker 3>coming from all over before the festivities began in the autumn,

0:14:10.880 --> 0:14:14.360
<v Speaker 3>a truce went out through the Greek cities ensuring that

0:14:14.400 --> 0:14:18.120
<v Speaker 3>anyone who wanted to be able to come to the mysteries,

0:14:18.120 --> 0:14:21.160
<v Speaker 3>could travel safely to Athens to take part, so a

0:14:21.240 --> 0:14:24.200
<v Speaker 3>kind of period of sanctuary on travel around the area.

0:14:24.760 --> 0:14:28.840
<v Speaker 3>We also know something about the rights involving specific sacred

0:14:29.000 --> 0:14:33.000
<v Speaker 3>objects called heira or hyra. I'm sorry I did not

0:14:33.040 --> 0:14:34.840
<v Speaker 3>look up which way to say that. It's h i

0:14:35.040 --> 0:14:37.720
<v Speaker 3>e r A. I'm going to say hira for now.

0:14:39.120 --> 0:14:44.160
<v Speaker 3>These were carried in enclosed vessels tied with a red ribbon,

0:14:44.800 --> 0:14:48.720
<v Speaker 3>and they were carried in a ceremonial procession by the

0:14:48.720 --> 0:14:52.120
<v Speaker 3>priests of Ilusus, first two Athens at the beginning of

0:14:52.120 --> 0:14:55.680
<v Speaker 3>the festival, and then back to Illuses for the end.

0:14:56.240 --> 0:15:00.400
<v Speaker 3>So what were these sacred hidden objects? That was one

0:15:00.440 --> 0:15:04.200
<v Speaker 3>of the secrets you don't get to know. Inside the Telesterion.

0:15:04.360 --> 0:15:08.520
<v Speaker 3>The objects would probably be shown and interacted with in

0:15:08.560 --> 0:15:12.080
<v Speaker 3>some way by the initiates, but writer sympathetic to the

0:15:12.120 --> 0:15:15.320
<v Speaker 3>mysteries do not tell us what these sacred objects were.

0:15:16.200 --> 0:15:20.480
<v Speaker 3>Bowden argues that the hiro were probably not statues of

0:15:20.520 --> 0:15:22.920
<v Speaker 3>Demeter and Corey like you might get with other cults.

0:15:22.920 --> 0:15:25.600
<v Speaker 3>I mean, it would be very common for other public

0:15:25.600 --> 0:15:28.240
<v Speaker 3>cults in the Greco Roman world to have a cult

0:15:28.360 --> 0:15:31.440
<v Speaker 3>statue that you might even in some cases if it

0:15:31.520 --> 0:15:34.800
<v Speaker 3>was small enough take out and carry in a parade.

0:15:35.400 --> 0:15:38.120
<v Speaker 3>That doesn't seem to be the case here. Instead, the

0:15:38.160 --> 0:15:42.880
<v Speaker 3>priests were probably bearing some collection of small sacred objects

0:15:42.920 --> 0:15:47.680
<v Speaker 3>which represented the goddesses in some way. One Christian writer

0:15:47.760 --> 0:15:51.880
<v Speaker 3>from the ancient world, writing against so called heresies, claims

0:15:51.960 --> 0:15:55.400
<v Speaker 3>that the main secret object was an ear of grain.

0:15:55.960 --> 0:15:57.760
<v Speaker 3>So we don't know if this is correct or not,

0:15:57.880 --> 0:16:00.840
<v Speaker 3>but that would not be weird for grain imagery to

0:16:00.840 --> 0:16:02.880
<v Speaker 3>be used in these rituals, given the role of demeter.

0:16:03.040 --> 0:16:04.000
<v Speaker 3>It seems plausible.

0:16:04.440 --> 0:16:06.920
<v Speaker 1>Yeah, it feels like the ritual and the storytelling would

0:16:06.960 --> 0:16:09.320
<v Speaker 1>really have to do the heavy lifting if the sacred

0:16:09.320 --> 0:16:11.840
<v Speaker 1>object was just the grain, though there had to be

0:16:11.880 --> 0:16:15.040
<v Speaker 1>other objects as well. Right, here's a piece of wheat.

0:16:15.240 --> 0:16:18.080
<v Speaker 3>Yeah, I mean, but something we'll get into in a

0:16:18.080 --> 0:16:22.000
<v Speaker 3>minute here is you can present a sheaf of wheat

0:16:22.400 --> 0:16:24.960
<v Speaker 3>in a much more or much less dramatic fashion.

0:16:25.320 --> 0:16:28.280
<v Speaker 1>That's right. The presentation is everything.

0:16:28.640 --> 0:16:32.280
<v Speaker 3>Yes. Another thing we know is that the procession of

0:16:32.320 --> 0:16:36.040
<v Speaker 3>the sacred objects between the cities got an armed escort

0:16:36.200 --> 0:16:38.920
<v Speaker 3>made of young men from Athens, so they were well guarded,

0:16:40.200 --> 0:16:43.800
<v Speaker 3>and the initiates were generally understood to have to do

0:16:43.880 --> 0:16:47.320
<v Speaker 3>some stuff beforehand before you go into the greater mysteries.

0:16:48.280 --> 0:16:51.600
<v Speaker 3>I don't know if it was actually required, but it

0:16:51.680 --> 0:16:55.480
<v Speaker 3>seems at least customary that people would usually go through

0:16:55.560 --> 0:16:59.480
<v Speaker 3>the lesser mysteries at Agri first. Agra is another place nearby,

0:16:59.520 --> 0:17:02.320
<v Speaker 3>sort of within in the city of Athens uh And

0:17:02.600 --> 0:17:06.200
<v Speaker 3>people seemingly did these other things before they went to

0:17:06.240 --> 0:17:08.879
<v Speaker 3>the greater mysteries. But it is hard to say for sure.

0:17:09.520 --> 0:17:12.040
<v Speaker 3>There's a lot we don't know about the lesser mysteries.

0:17:12.359 --> 0:17:14.720
<v Speaker 3>They're kind of passing references to them. This is one

0:17:14.720 --> 0:17:16.560
<v Speaker 3>thing I brought up in the last episode, where like

0:17:16.600 --> 0:17:22.000
<v Speaker 3>in a dialogue of Plato, Socrates just says to somebody

0:17:22.040 --> 0:17:25.359
<v Speaker 3>by point of comparison that like they figured out something

0:17:25.440 --> 0:17:29.040
<v Speaker 3>big before they figured out something small. They say, oh,

0:17:29.119 --> 0:17:31.640
<v Speaker 3>you know, you've been initiated to the greater mysteries before

0:17:31.680 --> 0:17:33.560
<v Speaker 3>the lesser mysteries. I didn't know you could do that.

0:17:35.640 --> 0:17:37.639
<v Speaker 1>You know, this is not the first time I was

0:17:37.680 --> 0:17:40.320
<v Speaker 1>reminded of this. I've thought about this a little bit

0:17:40.320 --> 0:17:43.600
<v Speaker 1>in the last episode, but I was thinking about side shows.

0:17:44.600 --> 0:17:47.120
<v Speaker 1>You know, you would have your main circus and then

0:17:47.119 --> 0:17:49.760
<v Speaker 1>you would have the side show, which might have things

0:17:49.760 --> 0:17:55.679
<v Speaker 1>that were a little more specialized in maybe less public interest.

0:17:55.760 --> 0:17:58.040
<v Speaker 1>They might be, you know, have more to do with

0:17:59.000 --> 0:18:03.720
<v Speaker 1>you know, human a normaladies or other curios or you know,

0:18:03.800 --> 0:18:09.879
<v Speaker 1>fake specimens of imaginary creatures. And it seems like you

0:18:09.880 --> 0:18:11.560
<v Speaker 1>could at least compare this a little bit to the

0:18:11.600 --> 0:18:15.320
<v Speaker 1>idea of lesser and greater mysteries. You go through one,

0:18:15.400 --> 0:18:18.240
<v Speaker 1>then you go through the other, and there are variations

0:18:18.280 --> 0:18:22.880
<v Speaker 1>of this and other elements of entertainment. We kept talking

0:18:22.920 --> 0:18:26.720
<v Speaker 1>about haunted attractions or haunted houses, and one of the

0:18:26.760 --> 0:18:30.480
<v Speaker 1>big ones we have in the Atlanta area has almost

0:18:30.520 --> 0:18:33.320
<v Speaker 1>always two houses. There's the one larger house and then

0:18:33.359 --> 0:18:36.199
<v Speaker 1>there's a smaller secondary house, which is generally like a

0:18:36.200 --> 0:18:38.679
<v Speaker 1>little harder in its horror, a lot more chainsaws and

0:18:38.680 --> 0:18:43.920
<v Speaker 1>blood and stuff. So you know, you have one set

0:18:44.480 --> 0:18:47.560
<v Speaker 1>of sensational experiences you might have, and then there's like

0:18:47.680 --> 0:18:50.680
<v Speaker 1>another the next level you go to if you dare

0:18:51.200 --> 0:18:51.680
<v Speaker 1>that's right.

0:18:51.720 --> 0:18:54.480
<v Speaker 3>And again I do not have direct evidence, and none

0:18:54.520 --> 0:18:57.680
<v Speaker 3>of the authors I read seem to indicate that we

0:18:57.920 --> 0:19:01.679
<v Speaker 3>know you had to do the lesser mysteries first. Instead,

0:19:01.720 --> 0:19:04.080
<v Speaker 3>it seems more like it was just understood that if

0:19:04.119 --> 0:19:05.760
<v Speaker 3>you were going to do them both, you would do

0:19:05.840 --> 0:19:07.879
<v Speaker 3>the lesser first. There was no reason to do the

0:19:07.920 --> 0:19:09.560
<v Speaker 3>greater and then do the lesser.

0:19:09.960 --> 0:19:14.000
<v Speaker 1>Yeah, lacking full context and understanding again of the mysteries,

0:19:14.320 --> 0:19:16.359
<v Speaker 1>it seems like I feel like a jerk if I

0:19:16.400 --> 0:19:18.440
<v Speaker 1>just did the greater mysteries and not the lesser mysteries,

0:19:19.240 --> 0:19:21.120
<v Speaker 1>or if I'd done the lesser mysteries before, I might

0:19:21.160 --> 0:19:23.720
<v Speaker 1>want to like refresh. It's like watching season one before

0:19:24.000 --> 0:19:27.320
<v Speaker 1>before season two comes out, right, you want to rewatch it.

0:19:27.600 --> 0:19:31.320
<v Speaker 3>Yeah. According to Plutarch, there is this it seemed to

0:19:31.320 --> 0:19:35.240
<v Speaker 3>me at least hilarious incident where a Hellenistic king named Demetrius,

0:19:35.280 --> 0:19:38.040
<v Speaker 3>who was ruling in the fourth to the third centuries BCE,

0:19:39.400 --> 0:19:43.560
<v Speaker 3>had the Athenians officially alter their calendar, the calendar of

0:19:43.600 --> 0:19:45.840
<v Speaker 3>the year, so that he could do the lesser and

0:19:45.880 --> 0:19:48.679
<v Speaker 3>then the greater mysteries back to back within a few days.

0:19:48.840 --> 0:19:51.000
<v Speaker 3>So it's kind of like I'm going to make the

0:19:51.040 --> 0:19:54.600
<v Speaker 3>Americans change their calendars so i can do Halloween, Christmas,

0:19:54.680 --> 0:19:59.479
<v Speaker 3>and then Valentine's Day all on a weekend. Demetrius, by

0:19:59.480 --> 0:20:01.640
<v Speaker 3>the way, he went the way he did another thing

0:20:01.720 --> 0:20:06.480
<v Speaker 3>called the apoptica, which meant seeing the Greater Mysteries for

0:20:06.560 --> 0:20:10.760
<v Speaker 3>a second time. And this is another thing referenced commonly

0:20:10.840 --> 0:20:12.439
<v Speaker 3>in the ancient world. It seems that you were not

0:20:12.680 --> 0:20:15.760
<v Speaker 3>fully initiated until you had taken part in the Greater

0:20:15.880 --> 0:20:19.479
<v Speaker 3>Mysteries twice, and you had a different role, it seems

0:20:19.600 --> 0:20:22.040
<v Speaker 3>the second time you were there. I'll talk more about

0:20:22.040 --> 0:20:33.639
<v Speaker 3>that in a minute. So at the beginning of the

0:20:33.640 --> 0:20:36.960
<v Speaker 3>festival you get a big announcement in the Agora of Athens.

0:20:37.720 --> 0:20:40.560
<v Speaker 3>Then people wishing to be initiated would go down to

0:20:40.600 --> 0:20:44.200
<v Speaker 3>the sea with a young pig, wash it in the water,

0:20:44.480 --> 0:20:48.679
<v Speaker 3>and then they would sacrifice it. And this was in

0:20:48.720 --> 0:20:51.600
<v Speaker 3>some cases done by like thousands of initiates at a time,

0:20:51.680 --> 0:20:56.200
<v Speaker 3>so you can imagine the scene as pretty bananas. At

0:20:56.200 --> 0:20:59.720
<v Speaker 3>some point, new initiates would be paired with a sort

0:20:59.760 --> 0:21:04.480
<v Speaker 3>of figure called a mystigogos, essentially like a sponsor. This

0:21:04.520 --> 0:21:07.000
<v Speaker 3>would be somebody who already knew what was going on

0:21:07.200 --> 0:21:10.240
<v Speaker 3>or was initiated, whould guide the newbie in the coming rights.

0:21:10.920 --> 0:21:14.080
<v Speaker 3>On the following days, there would be more sacrifices in

0:21:14.160 --> 0:21:17.720
<v Speaker 3>Athens to the Elusinian goddesses, and then, beginning later in

0:21:17.760 --> 0:21:20.680
<v Speaker 3>the history of the festival, also to Asclepius, the god

0:21:20.680 --> 0:21:23.240
<v Speaker 3>of healing and medicine. There was like a tradition here

0:21:23.280 --> 0:21:26.560
<v Speaker 3>involving a sacred snake, and then after several days of

0:21:26.600 --> 0:21:30.480
<v Speaker 3>preparation and sacrifices, you'd get the procession going back from

0:21:30.600 --> 0:21:34.640
<v Speaker 3>Athens to Eleusis to the cult center. And this would

0:21:34.640 --> 0:21:38.080
<v Speaker 3>have one group made of priests transporting the concealed sacred

0:21:38.119 --> 0:21:41.240
<v Speaker 3>objects the Hira underguard, and then there would be another

0:21:41.280 --> 0:21:45.280
<v Speaker 3>group that was made up of the initiates to the cult.

0:21:45.480 --> 0:21:48.080
<v Speaker 3>And the walk between the cities was pretty long. It

0:21:48.119 --> 0:21:51.080
<v Speaker 3>was like twenty two or twenty three kilometers, and at

0:21:51.119 --> 0:21:53.680
<v Speaker 3>one special place near the end of the journey, Bowden

0:21:53.760 --> 0:21:58.040
<v Speaker 3>mentions that the initiates endured a form of ritual mockery

0:21:58.200 --> 0:22:03.560
<v Speaker 3>by onlookers called the gepherismos, which I don't know that

0:22:03.640 --> 0:22:05.520
<v Speaker 3>stuck with me. I want to come back to that

0:22:05.560 --> 0:22:07.760
<v Speaker 3>in a minute. It's interesting. So it's like it's just

0:22:07.840 --> 0:22:10.440
<v Speaker 3>understood as part of it. You're taking part. People are

0:22:10.480 --> 0:22:13.479
<v Speaker 3>going to mock you, insult you, her whole things at

0:22:13.520 --> 0:22:14.280
<v Speaker 3>you as you go by.

0:22:14.600 --> 0:22:16.520
<v Speaker 1>It's like a roast, a mini roast.

0:22:17.119 --> 0:22:21.040
<v Speaker 3>Then finally you reach the sanctuary complex of Demeter and corey,

0:22:21.280 --> 0:22:23.800
<v Speaker 3>and here there's like dancing that takes place outside, and

0:22:23.800 --> 0:22:28.120
<v Speaker 3>then you would go inside for what lies beyond. Now,

0:22:28.160 --> 0:22:32.320
<v Speaker 3>how did this sanctuary compare to other religious sanctuaries in

0:22:32.359 --> 0:22:35.920
<v Speaker 3>the Greek world? Seem to be a few differences. Bowden

0:22:35.960 --> 0:22:39.640
<v Speaker 3>mentions that there was probably no cult statue of the goddesses,

0:22:39.680 --> 0:22:41.520
<v Speaker 3>at least that we know of, not like we had

0:22:41.760 --> 0:22:45.480
<v Speaker 3>in other famous temples. And it also does not seem

0:22:45.560 --> 0:22:50.520
<v Speaker 3>that animal sacrifices were made on the altar here. The

0:22:50.560 --> 0:22:54.680
<v Speaker 3>central building was again the one I mentioned earlier, the Telesterion,

0:22:54.840 --> 0:22:59.119
<v Speaker 3>the Hall of Mysteries, and this was the big square

0:22:59.160 --> 0:23:02.840
<v Speaker 3>building that clearly rebuilt and expanded a couple of times

0:23:02.840 --> 0:23:05.920
<v Speaker 3>in its history. In its largest form, it could hold

0:23:06.000 --> 0:23:08.440
<v Speaker 3>thousands of people at a time, maybe like three thousand

0:23:08.440 --> 0:23:12.240
<v Speaker 3>people inside and had a sort of tiered stadium standing

0:23:12.320 --> 0:23:15.199
<v Speaker 3>room area so that people further in the back could see,

0:23:15.520 --> 0:23:16.919
<v Speaker 3>so you can think of it as a kind of

0:23:17.040 --> 0:23:21.719
<v Speaker 3>big square theater. And then inside the Telesterion was a

0:23:21.760 --> 0:23:26.720
<v Speaker 3>smaller building called the Enacteraron, which means palace. So the

0:23:26.760 --> 0:23:29.439
<v Speaker 3>initiates got a day of rest after they arrived at

0:23:29.480 --> 0:23:33.679
<v Speaker 3>the sanctuary complex and during the stay. It's not certain

0:23:33.720 --> 0:23:36.919
<v Speaker 3>what they did, but they may have facted and possibly

0:23:37.119 --> 0:23:41.720
<v Speaker 3>also consumed a prepared liquid that we talked about in

0:23:41.720 --> 0:23:47.480
<v Speaker 3>the last episode called Kookion spelled kyk e n. Now

0:23:47.600 --> 0:23:50.160
<v Speaker 3>that came up in the last episode because it featured

0:23:50.200 --> 0:23:53.560
<v Speaker 3>in the Homeric Hymn to Demeter. That poem we talked about.

0:23:54.200 --> 0:23:58.679
<v Speaker 3>The context was Demeter arrives at King Celius's home in disguise,

0:23:59.200 --> 0:24:02.320
<v Speaker 3>and she has offered wine by the Queen Medonaira, but

0:24:02.480 --> 0:24:06.080
<v Speaker 3>she refuses it and instead she drinks cookon And that's

0:24:06.080 --> 0:24:09.160
<v Speaker 3>supposed to be a beverage or maybe a gruel made

0:24:09.240 --> 0:24:15.040
<v Speaker 3>from grain, water and herbs. Last time I mentioned mint,

0:24:15.119 --> 0:24:18.800
<v Speaker 3>but I've also seen penny royal indicated here. And there

0:24:18.840 --> 0:24:22.880
<v Speaker 3>appear to be different versions of Kukon described in ancient literature.

0:24:23.040 --> 0:24:26.720
<v Speaker 3>Sometimes it's just this grain gruel. Sometimes it was mixed

0:24:26.720 --> 0:24:30.640
<v Speaker 3>with wine and perhaps cheese. Sometimes it is described as

0:24:30.760 --> 0:24:34.600
<v Speaker 3>intoxicating in nature. Sometimes it is not described that way.

0:24:35.040 --> 0:24:38.880
<v Speaker 3>Sometimes it appears to have been a mundane drink consumed

0:24:38.920 --> 0:24:42.000
<v Speaker 3>by peasants, and other times, mainly here, it seems to

0:24:42.040 --> 0:24:47.679
<v Speaker 3>have deep ritual significance. And so Kukion has attracted a

0:24:47.720 --> 0:24:52.040
<v Speaker 3>lot of attention even from people who are not primarily

0:24:52.080 --> 0:24:54.920
<v Speaker 3>interested in ancient history, but from people who are interested

0:24:54.960 --> 0:24:58.320
<v Speaker 3>in questions of speculative religious pharmacology.

0:24:59.000 --> 0:24:59.520
<v Speaker 1>That's right.

0:24:59.680 --> 0:24:59.960
<v Speaker 3>Yeah.

0:25:00.200 --> 0:25:03.520
<v Speaker 1>Over the past several decades, there's been a recurring question,

0:25:03.600 --> 0:25:05.679
<v Speaker 1>and that question is still out there, still battered around

0:25:05.760 --> 0:25:11.199
<v Speaker 1>in contemporary literature. The question being was cookie on a

0:25:11.240 --> 0:25:15.400
<v Speaker 1>psychedelic substance of some sort, and this idea has been

0:25:15.440 --> 0:25:19.600
<v Speaker 1>explored by various commentators over the years, including Robert Graves,

0:25:19.680 --> 0:25:25.359
<v Speaker 1>the historian and author, Albert Hoffman the chemist, and also

0:25:25.640 --> 0:25:31.160
<v Speaker 1>ethnobotanist and mystic Terrence mckinna. Specifically, I had to bust

0:25:31.160 --> 0:25:33.760
<v Speaker 1>out my copy of Terence McKinnon's Food of the Gods

0:25:34.400 --> 0:25:37.840
<v Speaker 1>because McKennon gets into this. He points out that the Graves,

0:25:38.160 --> 0:25:43.480
<v Speaker 1>Robert Graves suggested the possibility of the psychedelic mushroom psilocybin being.

0:25:43.320 --> 0:25:44.960
<v Speaker 3>Involved and.

0:25:47.000 --> 0:25:51.000
<v Speaker 1>Kind of initially championed this idea, while Albert Hoffman and R.

0:25:51.080 --> 0:25:56.240
<v Speaker 1>Gordon Wasawson presented the theory of ergotized beer brewed from

0:25:56.280 --> 0:25:59.639
<v Speaker 1>a strain of the ergot fungus, those being two of

0:25:59.680 --> 0:26:03.800
<v Speaker 1>the main sort of theories regarding what this could have

0:26:03.840 --> 0:26:06.560
<v Speaker 1>been if it was a psychedelic substance, and there are

0:26:06.560 --> 0:26:11.800
<v Speaker 1>some problems, especially with the ergatized beer examples we'll get into,

0:26:12.280 --> 0:26:14.639
<v Speaker 1>and Balden discusses some of this in the book as well.

0:26:15.119 --> 0:26:17.520
<v Speaker 1>He points out that, okay, this is an idea that's

0:26:17.680 --> 0:26:21.879
<v Speaker 1>never been particularly well received by experts in historians, though

0:26:21.920 --> 0:26:24.480
<v Speaker 1>it continues to generate a lot of interest in scholarship,

0:26:25.000 --> 0:26:30.399
<v Speaker 1>and he outlines two primary objections, the first practical in

0:26:30.440 --> 0:26:34.160
<v Speaker 1>the second theoretical. So, first of all, the practical objection

0:26:34.480 --> 0:26:37.800
<v Speaker 1>concerning specific theories that the mysteries in question depended on

0:26:37.960 --> 0:26:42.520
<v Speaker 1>an ergot derived psychedelic which would have been similar to LSD.

0:26:42.960 --> 0:26:47.720
<v Speaker 1>So as a reminder, ergot doesn't contain LSD, but contains

0:26:47.880 --> 0:26:52.400
<v Speaker 1>lysergic acid as well as the precursor to LSD ergotymine.

0:26:52.760 --> 0:26:55.760
<v Speaker 1>But the main problem here, the practical objection is that

0:26:56.280 --> 0:26:59.959
<v Speaker 1>psychedelic doses of ergot itself would result in just terrible

0:27:00.040 --> 0:27:05.199
<v Speaker 1>illness and death rather than a temporary experience something that

0:27:05.240 --> 0:27:07.919
<v Speaker 1>you would then you know that would be this like

0:27:07.920 --> 0:27:10.760
<v Speaker 1>defining moment of your life. Perhaps we did episodes and

0:27:10.920 --> 0:27:13.920
<v Speaker 1>ergotism for stuff to boil your mind. Back in twenty fifteen,

0:27:14.520 --> 0:27:18.440
<v Speaker 1>and yeah, generally it does not sound like an afternoon

0:27:18.440 --> 0:27:19.160
<v Speaker 1>of enlightenment.

0:27:19.800 --> 0:27:23.080
<v Speaker 3>No, so I certainly don't have expertise in this area,

0:27:23.080 --> 0:27:25.240
<v Speaker 3>but from what I can tell, this seems like a

0:27:25.280 --> 0:27:26.720
<v Speaker 3>pretty reasonable objection.

0:27:27.520 --> 0:27:30.440
<v Speaker 1>Yeah, yeah, I mean, we're, if memory serves getting into

0:27:30.440 --> 0:27:33.240
<v Speaker 1>the details of ergotism, we're talking in times like flesh

0:27:33.240 --> 0:27:37.360
<v Speaker 1>peeling madness. So nothing that's again seems like it would

0:27:37.359 --> 0:27:42.959
<v Speaker 1>be part of an overall positive spiritual experience. And in

0:27:43.200 --> 0:27:45.840
<v Speaker 1>Food of the Gods, Terence McKinnon also addressed this, joking

0:27:45.840 --> 0:27:49.200
<v Speaker 1>that quote clearly unpleasant experiences may lie ahead for those

0:27:49.240 --> 0:27:52.000
<v Speaker 1>who set out to prove by self experiment the Wasason

0:27:52.080 --> 0:27:57.359
<v Speaker 1>Hoffman theory concerning Elusius. But then he also presents a

0:27:57.400 --> 0:28:01.600
<v Speaker 1>couple of ideas that were out there regards, on one hand,

0:28:01.600 --> 0:28:05.120
<v Speaker 1>a particular species or erga that might yield less toxicity

0:28:05.200 --> 0:28:09.280
<v Speaker 1>and higher psychoactive results, as well as the notion presented

0:28:09.280 --> 0:28:13.359
<v Speaker 1>by Watson and Hoffmann that if you were to properly

0:28:13.680 --> 0:28:17.199
<v Speaker 1>macerate the argotized grain in water, you might have been

0:28:17.200 --> 0:28:21.520
<v Speaker 1>able to separate the water soluble psychoactive alkaloids. But again

0:28:21.920 --> 0:28:24.320
<v Speaker 1>mckinna stressed that the burden of proof is on those

0:28:24.320 --> 0:28:27.639
<v Speaker 1>who assert and no one at that point and sense

0:28:27.680 --> 0:28:29.199
<v Speaker 1>has sufficiently proven any of this.

0:28:29.680 --> 0:28:32.400
<v Speaker 3>But you can see why the example of the Elusinian

0:28:32.480 --> 0:28:35.720
<v Speaker 3>mysteries would be incredibly appealing to people who have a

0:28:35.840 --> 0:28:39.760
<v Speaker 3>general theory that psychedelics play a major role in the

0:28:39.880 --> 0:28:42.280
<v Speaker 3>establishment of religious practices.

0:28:42.160 --> 0:28:46.200
<v Speaker 1>Right right, And certainly that is the case with McKenna's

0:28:46.240 --> 0:28:51.800
<v Speaker 1>overall thesis the role that psychedelics may have played and

0:28:51.960 --> 0:28:56.600
<v Speaker 1>the evolution of humans into their current state, as well

0:28:56.640 --> 0:29:02.960
<v Speaker 1>as the advancement of human civilization. He but his discussion

0:29:02.960 --> 0:29:04.960
<v Speaker 1>of this is interesting and I think ultimately a lot

0:29:05.000 --> 0:29:10.400
<v Speaker 1>more balanced than some might expect. Overall, I think Food

0:29:10.440 --> 0:29:12.760
<v Speaker 1>of the Gods is The scholarship is a lot better

0:29:13.720 --> 0:29:16.520
<v Speaker 1>than some might think, because I don't want to overstress things,

0:29:16.560 --> 0:29:19.480
<v Speaker 1>because I think with McKenna you're dealing with someone who

0:29:19.800 --> 0:29:23.760
<v Speaker 1>was a visionary and a mystic and definitely has some

0:29:24.000 --> 0:29:28.600
<v Speaker 1>key arguments for the about the trajectory of human civilization,

0:29:28.840 --> 0:29:30.720
<v Speaker 1>what has gone wrong and what needs to be corrected.

0:29:31.840 --> 0:29:35.040
<v Speaker 1>A number of opinions that I don't think are really

0:29:35.040 --> 0:29:38.160
<v Speaker 1>all that off track. But we also shouldn't like overstate

0:29:38.240 --> 0:29:40.719
<v Speaker 1>what Food of the Gods is compared to other works

0:29:40.720 --> 0:29:44.840
<v Speaker 1>of dedicated scholarship, and I mean he does stress that

0:29:44.920 --> 0:29:47.480
<v Speaker 1>again there are a number of mysteries in play here,

0:29:47.600 --> 0:29:50.600
<v Speaker 1>including just you know, what are we talking about here?

0:29:50.720 --> 0:29:55.800
<v Speaker 1>Was it even something tangible? He references an example that

0:29:55.880 --> 0:29:59.000
<v Speaker 1>was presented by Wilson and Hoffman in their thesis and

0:29:59.080 --> 0:30:02.720
<v Speaker 1>all of this, that there's this four to fifteen BCE

0:30:03.040 --> 0:30:07.520
<v Speaker 1>example in which an Athenian noble, a noble that we're

0:30:07.520 --> 0:30:09.720
<v Speaker 1>going to come back to that is sometimes described as

0:30:10.120 --> 0:30:15.560
<v Speaker 1>quote a flamboyant Athenian playboy. His name is Alcibiades, and

0:30:15.800 --> 0:30:21.080
<v Speaker 1>he's recorded as having been fine for bringing the Elusinian

0:30:21.160 --> 0:30:26.240
<v Speaker 1>sacrament home for entertainment purposes with friends. And the argument

0:30:26.240 --> 0:30:28.320
<v Speaker 1>here is, well, this would seem to suggest that it

0:30:28.400 --> 0:30:32.000
<v Speaker 1>was not only tangible, but perhaps something entertaining in and

0:30:32.000 --> 0:30:37.760
<v Speaker 1>of itself. Now, the theoretical objection to psychedelic theories concerning

0:30:38.440 --> 0:30:42.680
<v Speaker 1>the kokion is referenced by Bowden. The theoretical objection basically

0:30:42.680 --> 0:30:45.560
<v Speaker 1>blows down to the fact that drugs are not strictly

0:30:45.640 --> 0:30:51.000
<v Speaker 1>necessary for these rights as we understand them. The ancient

0:30:51.040 --> 0:30:54.719
<v Speaker 1>Greeks had plenty other tricks up their sleeves to create

0:30:54.760 --> 0:30:59.960
<v Speaker 1>the experience. Many based in performance and even mechanical theatrical effects.

0:31:00.400 --> 0:31:03.600
<v Speaker 1>And so he stresses that you know, even say the

0:31:03.640 --> 0:31:08.280
<v Speaker 1>nocturnal bachic revels of the Dionysus mystery cults might not

0:31:08.440 --> 0:31:12.440
<v Speaker 1>have depended on wine. So if wine wasn't needed for

0:31:12.520 --> 0:31:16.400
<v Speaker 1>the revels of Bacchus, then do we really need psychedelic

0:31:16.480 --> 0:31:22.320
<v Speaker 1>substances for these to work. That being said, they might

0:31:22.320 --> 0:31:25.480
<v Speaker 1>have had wine. And it's also very possible that the

0:31:25.560 --> 0:31:28.920
<v Speaker 1>rights were discussing here involved substances of one form or another,

0:31:29.280 --> 0:31:31.920
<v Speaker 1>either as a whole or at different points that they

0:31:31.920 --> 0:31:36.600
<v Speaker 1>were laid out. But I think this is an excellent

0:31:36.640 --> 0:31:38.920
<v Speaker 1>point about a raisis, and I think one way to

0:31:38.960 --> 0:31:42.240
<v Speaker 1>think about it is to think about another like the

0:31:42.280 --> 0:31:45.959
<v Speaker 1>modern version of the spectacle that we indulge in with

0:31:46.040 --> 0:31:48.800
<v Speaker 1>other people, that being going to a concert, Like think

0:31:48.840 --> 0:31:51.160
<v Speaker 1>of a big concert you went, or even a small concert,

0:31:51.240 --> 0:31:54.720
<v Speaker 1>just a noteworthy concert you went to. If you've been

0:31:54.760 --> 0:31:58.360
<v Speaker 1>to a concert at all over the past I don't know,

0:31:58.440 --> 0:32:03.080
<v Speaker 1>several decades, no doubt you've encountered folks that have imbibed

0:32:03.120 --> 0:32:06.200
<v Speaker 1>in say alcohol that is generally sold freely at most

0:32:06.200 --> 0:32:10.520
<v Speaker 1>of these events, or perhaps individuals who've imbibed in some

0:32:10.840 --> 0:32:13.479
<v Speaker 1>level of illicit drug use, be it you know, simple

0:32:13.680 --> 0:32:19.040
<v Speaker 1>marijuana or some psychedelic or stimulant. And you know, the

0:32:19.120 --> 0:32:21.800
<v Speaker 1>question that this raises is okay, Well, is the resulting

0:32:21.840 --> 0:32:24.360
<v Speaker 1>mental state from taking any of these substances going to

0:32:24.880 --> 0:32:29.560
<v Speaker 1>enhance the experience of the show? Well? Certainly a strong

0:32:29.760 --> 0:32:31.480
<v Speaker 1>a case or a strong case can be made, like

0:32:31.480 --> 0:32:32.960
<v Speaker 1>even if you're just talking about, Hey, I had a

0:32:33.040 --> 0:32:35.360
<v Speaker 1>cup of coffee to help keep me awake until the

0:32:35.360 --> 0:32:38.600
<v Speaker 1>headliner came on. Fair enough, But is any of this

0:32:38.880 --> 0:32:43.120
<v Speaker 1>strictly necessary for a great time? And I realized that

0:32:43.200 --> 0:32:47.200
<v Speaker 1>this sounds like a question posed in a dare program

0:32:46.960 --> 0:32:50.200
<v Speaker 1>from high school for many people. But if we think

0:32:50.200 --> 0:32:52.000
<v Speaker 1>about it logically, I think it works out. You know,

0:32:52.040 --> 0:32:56.720
<v Speaker 1>all the technical, theatrical, social aspects of a concert are

0:32:56.760 --> 0:33:01.480
<v Speaker 1>in place. They're generally very potent. You've probably bought that

0:33:01.560 --> 0:33:04.560
<v Speaker 1>ticket and gone out to the show because you already

0:33:04.600 --> 0:33:08.720
<v Speaker 1>have some invested interest in the spectacle. And as such,

0:33:08.760 --> 0:33:12.640
<v Speaker 1>substances they might be helpful in one regard or another,

0:33:13.200 --> 0:33:16.480
<v Speaker 1>they might enhance things, but the spectacle is already the spectacle,

0:33:16.760 --> 0:33:19.680
<v Speaker 1>the lights, the music, the communal energy, and so forth.

0:33:19.960 --> 0:33:22.640
<v Speaker 3>Yeah, and imagine if you were approaching the concert with

0:33:22.720 --> 0:33:25.440
<v Speaker 3>the knowledge that what happened there was was secret and

0:33:25.440 --> 0:33:26.360
<v Speaker 3>couldn't be revealed.

0:33:26.840 --> 0:33:30.240
<v Speaker 1>Yeah, yeah, which is just going to enhance everything. And

0:33:30.600 --> 0:33:32.720
<v Speaker 1>certainly that's I mean, anytime you have any kind of

0:33:32.760 --> 0:33:38.160
<v Speaker 1>a theatrical presentation, you know, either mildly theatrical or overtly theatrical,

0:33:38.520 --> 0:33:40.600
<v Speaker 1>if there's a secrecy to it, oh well, that just

0:33:40.640 --> 0:33:43.080
<v Speaker 1>makes it all the more special. Think about a speakeasy.

0:33:43.120 --> 0:33:45.600
<v Speaker 1>Any of you have ever been to one of the

0:33:45.640 --> 0:33:49.200
<v Speaker 1>modern speakeasies, not like a Prohibition era speakeasy, but if

0:33:49.200 --> 0:33:51.680
<v Speaker 1>you if you did go to a Prohibition era speakeasy,

0:33:51.720 --> 0:33:54.800
<v Speaker 1>you know, kudos to you for being up on podcasts

0:33:54.840 --> 0:33:57.479
<v Speaker 1>and so forth. But you know, it's like there's generally

0:33:57.480 --> 0:33:59.360
<v Speaker 1>this level of like, oh I had to go through

0:33:59.360 --> 0:34:02.320
<v Speaker 1>a secret door or to get into this bar. You know,

0:34:02.480 --> 0:34:04.320
<v Speaker 1>it just makes everything all the more exciting.

0:34:04.400 --> 0:34:06.040
<v Speaker 3>Right, I want to come back to that in a

0:34:06.080 --> 0:34:06.720
<v Speaker 3>minute here.

0:34:06.960 --> 0:34:09.200
<v Speaker 1>So Abouden writes, quote, if we are to look for

0:34:09.239 --> 0:34:13.640
<v Speaker 1>an external explanation for the Eleusinian experience, the theater seems

0:34:13.640 --> 0:34:16.560
<v Speaker 1>a better place to look than the kitchen or brewery.

0:34:16.960 --> 0:34:20.200
<v Speaker 3>Again, that seems quite reasonable to me, you can't totally

0:34:20.520 --> 0:34:24.319
<v Speaker 3>rule out a pharmacological influence, but I don't think we

0:34:24.520 --> 0:34:26.920
<v Speaker 3>need to go there to explain anything.

0:34:26.880 --> 0:34:29.520
<v Speaker 1>Right, And it does create, as McKenna pointed out, an

0:34:29.520 --> 0:34:32.840
<v Speaker 1>additional burden of proof, that is that is required.

0:34:34.440 --> 0:34:34.640
<v Speaker 3>Now.

0:34:34.680 --> 0:34:39.480
<v Speaker 1>I looked at some more recent articles exploring the various

0:34:39.480 --> 0:34:43.799
<v Speaker 1>psychedelic theories regarding the Elusinian mysteries, and you do see

0:34:43.840 --> 0:34:47.760
<v Speaker 1>proponents still arguing that some of these theories, at least

0:34:47.800 --> 0:34:51.480
<v Speaker 1>the psychotropic mushroom one, that the mushroom theory seems to

0:34:51.480 --> 0:34:56.040
<v Speaker 1>be more valid than and less less fraught with complications

0:34:56.040 --> 0:35:00.359
<v Speaker 1>compared to the aragot beer. You know that one may

0:35:00.480 --> 0:35:02.600
<v Speaker 1>be in the mix still, But at the end of

0:35:02.640 --> 0:35:04.719
<v Speaker 1>the day, all we could really do is speculate, And

0:35:04.800 --> 0:35:07.560
<v Speaker 1>again it just adds an additional level of evidence that

0:35:07.600 --> 0:35:11.000
<v Speaker 1>would be required, evidence that we do not have, but

0:35:11.320 --> 0:35:14.680
<v Speaker 1>certainly more possible, fewer complications than saying maybe it was

0:35:14.719 --> 0:35:25.360
<v Speaker 1>aliens by all means.

0:35:26.400 --> 0:35:29.040
<v Speaker 3>All right, So whether or not the people engaged in

0:35:29.080 --> 0:35:34.120
<v Speaker 3>this were consuming hallucinogenic barley mush again, no reason to

0:35:34.440 --> 0:35:37.080
<v Speaker 3>assume they needed to do that to explain anything we know,

0:35:37.239 --> 0:35:40.040
<v Speaker 3>but who knows. Maybe whether or not that was happening

0:35:40.680 --> 0:35:43.040
<v Speaker 3>after the public rituals at the end of the festival.

0:35:43.560 --> 0:35:45.200
<v Speaker 3>Not quite at the end, actually, there was a little

0:35:45.200 --> 0:35:47.760
<v Speaker 3>bit after this, but basically the climax of the festival.

0:35:47.800 --> 0:35:51.320
<v Speaker 3>Once night had fallen, you would get to the big deal,

0:35:51.400 --> 0:35:55.480
<v Speaker 3>the secret rites inside the closed hall of mysteries, the Telesterion.

0:35:55.960 --> 0:35:58.719
<v Speaker 3>So what was going on there? Well, here's where we

0:35:58.800 --> 0:36:02.840
<v Speaker 3>know a lot less, because, as we've discussed, those who

0:36:03.000 --> 0:36:06.440
<v Speaker 3>had not been initiated were not supposed to know, and

0:36:06.520 --> 0:36:09.480
<v Speaker 3>those who had been initiated were not supposed to tell.

0:36:10.320 --> 0:36:14.960
<v Speaker 3>But we have some clues. So there are ancient references

0:36:15.000 --> 0:36:20.280
<v Speaker 3>to the mysteries inside the Telesterion as quote things done,

0:36:20.760 --> 0:36:25.920
<v Speaker 3>things shown, and things said, which is sort of vague,

0:36:25.920 --> 0:36:28.000
<v Speaker 3>but that still tells you a bit. It suggests there

0:36:28.040 --> 0:36:32.720
<v Speaker 3>is a visual display things shown, a physically enacted element

0:36:32.840 --> 0:36:37.960
<v Speaker 3>things done, and a recited element things said aloud. The

0:36:38.200 --> 0:36:42.120
<v Speaker 3>second to third century Christian Church father Clement of Alexandria

0:36:42.320 --> 0:36:46.440
<v Speaker 3>claims that initiates to the Eleusinian mysteries had to recite

0:36:46.480 --> 0:36:51.040
<v Speaker 3>a kind of pass phrase, which translates to I fasted,

0:36:51.520 --> 0:36:54.920
<v Speaker 3>I drank the kookion, I took from the chest, and

0:36:55.040 --> 0:36:58.319
<v Speaker 3>having worked with the sacred implements. I removed them into

0:36:58.360 --> 0:37:02.839
<v Speaker 3>the basket and from the back into the chest, which

0:37:02.920 --> 0:37:05.640
<v Speaker 3>that last part sounds like, Oh the kind of activity

0:37:05.640 --> 0:37:09.160
<v Speaker 3>that would just thrill my toddler right now. Is that

0:37:09.200 --> 0:37:11.480
<v Speaker 3>a common thing for kids at this age? I don't know.

0:37:11.760 --> 0:37:13.760
<v Speaker 1>I mean, does it ever go away? I love putting

0:37:13.760 --> 0:37:16.800
<v Speaker 1>things in little boxes and taking things out of boxes. Yeah,

0:37:16.880 --> 0:37:19.959
<v Speaker 1>I mean people watch whole videos online just to see unboxings.

0:37:20.120 --> 0:37:22.880
<v Speaker 3>Right, soah, out of this box, into that box and

0:37:22.920 --> 0:37:23.680
<v Speaker 3>then back again.

0:37:23.920 --> 0:37:24.920
<v Speaker 1>Yeah.

0:37:25.000 --> 0:37:28.120
<v Speaker 3>Anyway, as for the things shown in that phrase, a

0:37:28.200 --> 0:37:31.280
<v Speaker 3>lot of ancient sources, while not saying what was shown,

0:37:31.880 --> 0:37:36.200
<v Speaker 3>really emphasized the idea of the mysteries as a visual display.

0:37:36.320 --> 0:37:40.240
<v Speaker 3>In fact, the priest of Demeter is known as the hyrafant,

0:37:40.360 --> 0:37:44.080
<v Speaker 3>which means that name translates to a person who shows

0:37:44.280 --> 0:37:48.520
<v Speaker 3>or displays sacred things. Now, this might be a good

0:37:48.520 --> 0:37:50.759
<v Speaker 3>place to talk a bit about the idea of the

0:37:51.120 --> 0:37:54.280
<v Speaker 3>profanation of the mysteries. Bowden's book has a good little

0:37:54.280 --> 0:37:57.320
<v Speaker 3>subsection on this, and you were alluding to it earlier

0:37:57.760 --> 0:38:00.800
<v Speaker 3>with the idea of that guy I'll see is the

0:38:01.320 --> 0:38:06.560
<v Speaker 3>fifth century BCE Athens based general who he got in

0:38:06.640 --> 0:38:09.240
<v Speaker 3>trouble because the deal was he was like right about

0:38:09.239 --> 0:38:12.520
<v Speaker 3>to head off for a naval campaign to Sicily, So

0:38:12.560 --> 0:38:16.120
<v Speaker 3>they're getting ready to go to launch this expedition, and

0:38:16.239 --> 0:38:20.359
<v Speaker 3>suddenly he is accused by enemies of having revealed the

0:38:20.400 --> 0:38:24.400
<v Speaker 3>mysteries of Eleusis to non initiates. And in fact, the

0:38:24.480 --> 0:38:27.880
<v Speaker 3>idea was not just that he told secrets, but that

0:38:27.920 --> 0:38:31.680
<v Speaker 3>he sort of privatized the mysteries by recreating them in

0:38:31.719 --> 0:38:36.080
<v Speaker 3>his house with non initiated guests. I was trying to

0:38:36.120 --> 0:38:38.960
<v Speaker 3>figure out, like what exactly was the spirit of this

0:38:39.080 --> 0:38:42.920
<v Speaker 3>recreation of the mysteries, Like was he trying to get

0:38:42.920 --> 0:38:45.720
<v Speaker 3>his own mysteries going or was it in a spirit

0:38:45.760 --> 0:38:49.360
<v Speaker 3>of mockery or irony. I'm not quite sure there.

0:38:49.800 --> 0:38:51.560
<v Speaker 1>Or kind of like being it could have been a

0:38:51.600 --> 0:38:53.440
<v Speaker 1>sense of he was like just a super fan. He's

0:38:53.480 --> 0:38:56.080
<v Speaker 1>like I love this stuff so much. You know, he's

0:38:56.160 --> 0:38:58.120
<v Speaker 1>just s geaking out about it, wanting to share it

0:38:58.160 --> 0:39:01.239
<v Speaker 1>with his buddies. But then in doing so, you know,

0:39:01.360 --> 0:39:04.880
<v Speaker 1>commits at least minor heresy. You know, these things can

0:39:04.920 --> 0:39:06.880
<v Speaker 1>get out of control sometimes.

0:39:06.840 --> 0:39:10.480
<v Speaker 3>But this accusation is received as quite serious, like it

0:39:10.480 --> 0:39:14.360
<v Speaker 3>would be a grave offense which would lead to divine punishment.

0:39:14.400 --> 0:39:16.560
<v Speaker 3>The kind of implication is, if you know, you send

0:39:16.560 --> 0:39:20.239
<v Speaker 3>out a general out to war who has just profaned

0:39:20.360 --> 0:39:23.839
<v Speaker 3>the secret rights, the gods are going to work their

0:39:23.880 --> 0:39:27.800
<v Speaker 3>wrath on him with defeat in battle. And so maybe

0:39:27.800 --> 0:39:29.720
<v Speaker 3>this is a good place to come back and explore

0:39:29.760 --> 0:39:32.640
<v Speaker 3>the idea of the secrecy of the rights a little more.

0:39:32.840 --> 0:39:35.600
<v Speaker 3>We talked about this a minute ago, and I had

0:39:35.600 --> 0:39:38.319
<v Speaker 3>some more thoughts about this. Specifically, I was reading about

0:39:38.360 --> 0:39:42.279
<v Speaker 3>it in that book chapter by Kevin Clinton where he

0:39:42.400 --> 0:39:47.160
<v Speaker 3>cites a passage by Aristotle which makes reference to the mysteries,

0:39:47.719 --> 0:39:52.680
<v Speaker 3>and I thought this was interesting. Aristotle says, in translation quote,

0:39:52.760 --> 0:39:57.160
<v Speaker 3>the initiates are not supposed to learn anything, but rather

0:39:57.400 --> 0:40:01.400
<v Speaker 3>to experience and to be disposed in a certain way,

0:40:01.840 --> 0:40:07.680
<v Speaker 3>that is, becoming manifestly fit or deserving. So the cult

0:40:08.000 --> 0:40:12.480
<v Speaker 3>has secrets which are only revealed to initiates. But according

0:40:12.480 --> 0:40:15.200
<v Speaker 3>to Aristotle at least, and I trust he probably knew

0:40:15.200 --> 0:40:18.719
<v Speaker 3>what he was talking about, the initiates are not supposed

0:40:18.760 --> 0:40:22.600
<v Speaker 3>to learn anything. That's not the point. Coming back to

0:40:22.680 --> 0:40:24.680
<v Speaker 3>something we talked about in an earlier part, that the

0:40:24.719 --> 0:40:27.799
<v Speaker 3>point of the cult is not an information puzzle. It's

0:40:27.840 --> 0:40:32.320
<v Speaker 3>not to learn the secret password. Instead, you are supposed

0:40:32.360 --> 0:40:36.799
<v Speaker 3>to have an experience. And even more interestingly about what

0:40:37.440 --> 0:40:40.480
<v Speaker 3>Aristotle says here, you're supposed to have an experience and

0:40:40.719 --> 0:40:46.720
<v Speaker 3>by virtue of that experience to become worthy. Now, according

0:40:46.719 --> 0:40:50.600
<v Speaker 3>to Clinton, the Greek word Aristotle uses for experience here

0:40:50.920 --> 0:40:53.280
<v Speaker 3>does mean what we mean by experience, but it also

0:40:53.440 --> 0:40:58.360
<v Speaker 3>means to suffer. And Clinton argues that the secrecy of

0:40:58.400 --> 0:41:02.320
<v Speaker 3>the Mystery cults was not originally understood as the point

0:41:02.400 --> 0:41:05.839
<v Speaker 3>of them. Rather, it came to be perceived as a

0:41:05.920 --> 0:41:09.960
<v Speaker 3>defining aspect of them, sort of because of the drama

0:41:10.120 --> 0:41:14.080
<v Speaker 3>it implied, especially to non initiates, and because of the

0:41:14.160 --> 0:41:18.239
<v Speaker 3>severe penalties for violation of those secrets. It seems this

0:41:18.440 --> 0:41:21.960
<v Speaker 3>wasn't the case always, because you can find counterexamples, but

0:41:22.040 --> 0:41:24.520
<v Speaker 3>it looks like, at least in some cases, the punishment

0:41:24.600 --> 0:41:28.600
<v Speaker 3>was supposed to be death. So, given the assumption that

0:41:28.719 --> 0:41:33.360
<v Speaker 3>the mystery cult was not actually about secrecy, the secrecy

0:41:33.480 --> 0:41:38.600
<v Speaker 3>was not the point. Clinton asks an interesting question quote,

0:41:38.640 --> 0:41:42.960
<v Speaker 3>we may then legitimately ask what actually was the point

0:41:43.160 --> 0:41:47.440
<v Speaker 3>of the secrecy, But first one must consider what is

0:41:47.520 --> 0:41:50.800
<v Speaker 3>so special about a secret. A secret is a fact

0:41:50.960 --> 0:41:54.040
<v Speaker 3>or a representation of a human act that cannot be

0:41:54.160 --> 0:41:58.040
<v Speaker 3>disclosed beyond a certain group. What could be so exciting

0:41:58.080 --> 0:42:00.840
<v Speaker 3>about a fact or an act that could draw thousands

0:42:00.840 --> 0:42:03.439
<v Speaker 3>of people from all over the Greek world each year

0:42:03.560 --> 0:42:06.160
<v Speaker 3>to the mysteria. And of course we do get some

0:42:06.200 --> 0:42:08.279
<v Speaker 3>attempts in the ancient world to kind of frame the

0:42:08.320 --> 0:42:12.440
<v Speaker 3>secret of the Eleusinian mysteries as something that would be

0:42:12.960 --> 0:42:16.120
<v Speaker 3>concealed for a reason of it being i don't know,

0:42:16.200 --> 0:42:19.839
<v Speaker 3>scandalous or titillating. And some of these reports come from

0:42:20.280 --> 0:42:22.960
<v Speaker 3>early Christian writers, and that kind of makes sense, like

0:42:23.040 --> 0:42:26.440
<v Speaker 3>they would be maybe hostile to other religious practices and

0:42:26.480 --> 0:42:30.200
<v Speaker 3>not worried about profaning them. But it's also unclear how

0:42:30.239 --> 0:42:33.080
<v Speaker 3>accurate these these claims are and whether we should believe

0:42:33.120 --> 0:42:36.799
<v Speaker 3>their descriptions. But one example is that Clinton mentions that

0:42:36.920 --> 0:42:41.319
<v Speaker 3>some Christian authors claimed the big secret of the Elysinian

0:42:41.360 --> 0:42:43.640
<v Speaker 3>mysteries is you got to watch a priest and a

0:42:43.680 --> 0:42:44.760
<v Speaker 3>priestess have sex.

0:42:46.600 --> 0:42:48.920
<v Speaker 1>Again, I come back to the idea of some sort

0:42:48.960 --> 0:42:52.640
<v Speaker 1>of a sideshow tent. You go into the back and

0:42:52.680 --> 0:42:54.919
<v Speaker 1>you get to see like a little something extra that's

0:42:54.960 --> 0:42:57.280
<v Speaker 1>not for everyone who came to the main circus.

0:42:57.520 --> 0:43:00.520
<v Speaker 3>Yeah, so again we have no way of knowing that's

0:43:00.560 --> 0:43:03.640
<v Speaker 3>not true. But Clinton kind of argues against it. He says,

0:43:03.800 --> 0:43:06.400
<v Speaker 3>this would not be sufficient to attract the kind of

0:43:06.440 --> 0:43:09.680
<v Speaker 3>attention and like draw the kind of crowds from all

0:43:09.719 --> 0:43:12.520
<v Speaker 3>around like are described like for one thing. It's not

0:43:12.680 --> 0:43:16.360
<v Speaker 3>that unique. And to me it just sounds kind of

0:43:16.400 --> 0:43:19.080
<v Speaker 3>like a like a slander that one religion says about another.

0:43:19.120 --> 0:43:21.719
<v Speaker 3>And there were plenty of Slanders going the opposite way too,

0:43:21.920 --> 0:43:26.600
<v Speaker 3>Slanders Greek and Roman polytheists accused Christians of being immoral,

0:43:26.719 --> 0:43:30.040
<v Speaker 3>of engaging in cannibalism and incest and all kinds of stuff.

0:43:30.360 --> 0:43:32.959
<v Speaker 1>Yeah, if you just wanted to see a sexual act

0:43:33.040 --> 0:43:35.600
<v Speaker 1>or sexual act for performance, there are surely other shows

0:43:35.640 --> 0:43:38.799
<v Speaker 1>in town. So yeah, this does sort of ring of

0:43:38.880 --> 0:43:41.000
<v Speaker 1>some sort of a slander, doesn't it.

0:43:41.400 --> 0:43:44.759
<v Speaker 3>Right, So instead, Clinton argues that the purpose of the

0:43:44.800 --> 0:43:49.160
<v Speaker 3>secrecy was in order to make the experience of the

0:43:49.239 --> 0:43:54.839
<v Speaker 3>solemn rituals feel extraordinary. And I mean this rings true

0:43:54.880 --> 0:43:59.160
<v Speaker 3>to me. That which we that which we receive as

0:43:59.520 --> 0:44:05.080
<v Speaker 3>common knowledge, feels trivial. That which is hidden and is

0:44:05.280 --> 0:44:09.400
<v Speaker 3>specially revealed to us feels like it gets an automatic

0:44:09.600 --> 0:44:13.359
<v Speaker 3>leg up in profundity. You know, it's just so much

0:44:13.400 --> 0:44:17.440
<v Speaker 3>easier to interpret a secret revealed to you as something

0:44:17.480 --> 0:44:20.360
<v Speaker 3>that is meaningful in itself, when in fact it doesn't

0:44:20.400 --> 0:44:24.680
<v Speaker 3>need to be. And you know that got me thinking, like,

0:44:26.040 --> 0:44:28.920
<v Speaker 3>I don't mean to insult the mysteries by this or

0:44:29.120 --> 0:44:32.600
<v Speaker 3>profound religious experiences in general, but I kind of can't

0:44:32.640 --> 0:44:36.960
<v Speaker 3>help make the comparison to a common sort of influencer

0:44:37.120 --> 0:44:40.440
<v Speaker 3>who exists today that I would characterize as like the

0:44:40.600 --> 0:44:46.800
<v Speaker 3>influencer mystic, a person who ostensibly traffics in insights somebody

0:44:46.880 --> 0:44:50.240
<v Speaker 3>who is out there. Maybe they've got media channels or whatever,

0:44:50.280 --> 0:44:54.960
<v Speaker 3>and they do commentary and analysis or life advice. But

0:44:55.239 --> 0:44:58.440
<v Speaker 3>their insights, at least as I judge, might not be

0:44:58.600 --> 0:45:02.640
<v Speaker 3>especially interesting or seem especially valid if they were just

0:45:02.880 --> 0:45:07.480
<v Speaker 3>presented in written form or paraphrased into plain language. But

0:45:07.560 --> 0:45:11.000
<v Speaker 3>this kind of influencer mystic can achieve a fan base

0:45:11.520 --> 0:45:14.080
<v Speaker 3>because they're able to talk in a way that makes

0:45:14.120 --> 0:45:17.880
<v Speaker 3>whatever they're saying feel like a great occult secret is

0:45:17.920 --> 0:45:21.080
<v Speaker 3>being unearthed, and by listening to them you are the

0:45:21.120 --> 0:45:25.080
<v Speaker 3>first witness to an unveiling of truths, which is an

0:45:25.080 --> 0:45:28.680
<v Speaker 3>intoxicating feeling if somebody can pull it off. And so

0:45:28.800 --> 0:45:30.880
<v Speaker 3>of course I'm speaking with a little bit of derision

0:45:30.920 --> 0:45:34.040
<v Speaker 3>about these modern examples. But you could also, at the

0:45:34.040 --> 0:45:38.080
<v Speaker 3>same time use the theatrics of the unveiled secret to

0:45:38.200 --> 0:45:42.160
<v Speaker 3>increase the salience of genuine, profound insights and experiences. So

0:45:42.200 --> 0:45:46.799
<v Speaker 3>I'm not suggesting the Eleusinian mysteries were necessarily hollow at

0:45:46.840 --> 0:45:49.040
<v Speaker 3>their core or anything like that. Again, there's just a

0:45:49.080 --> 0:45:50.520
<v Speaker 3>lot we don't know about their core.

0:45:50.880 --> 0:45:54.120
<v Speaker 1>It's really interesting to think about this too in terms

0:45:54.200 --> 0:45:59.719
<v Speaker 1>of the secular modern world and even the religious modern

0:45:59.719 --> 0:46:04.160
<v Speaker 1>world in many respects, Like we are so accustomed to

0:46:04.239 --> 0:46:07.240
<v Speaker 1>the idea that you can skip to the end and read,

0:46:08.360 --> 0:46:11.880
<v Speaker 1>read the finish, read the conclusion, it would get a

0:46:11.880 --> 0:46:14.960
<v Speaker 1>bullet list of the main things that are important. And

0:46:15.000 --> 0:46:17.560
<v Speaker 1>so the idea that there would be levels to something

0:46:18.080 --> 0:46:21.040
<v Speaker 1>or some sort of a secret reveal that it is

0:46:21.120 --> 0:46:23.799
<v Speaker 1>not for everyone else to know it does kind of

0:46:23.840 --> 0:46:28.440
<v Speaker 1>run counter to sort of the informational DNA that a

0:46:28.480 --> 0:46:29.120
<v Speaker 1>lot of us have.

0:46:29.760 --> 0:46:32.240
<v Speaker 3>Yeah, and so while I think in the modern world

0:46:32.280 --> 0:46:35.840
<v Speaker 3>this is often used for ill, it wouldn't necessarily have

0:46:35.920 --> 0:46:37.480
<v Speaker 3>to be used for ill. But I think you can

0:46:37.520 --> 0:46:41.759
<v Speaker 3>get you can get a lot of persuasive and attentional

0:46:41.800 --> 0:46:45.320
<v Speaker 3>mileage just by framing your opinion or whatever you're about

0:46:45.320 --> 0:46:48.520
<v Speaker 3>to say as a secret that is being unveiled to someone,

0:46:48.760 --> 0:46:51.000
<v Speaker 3>you know, like I'm going to pull back the curtain now.

0:46:51.600 --> 0:46:54.160
<v Speaker 1>I think that the place, weirdly enough, where it is

0:46:54.440 --> 0:46:59.960
<v Speaker 1>often the most respected is in terms of narrative storyteller,

0:47:00.320 --> 0:47:03.120
<v Speaker 1>particularly with movies and the you know, the idea of

0:47:03.120 --> 0:47:06.600
<v Speaker 1>no spoilers, you know, not only don't spoil this for me,

0:47:06.680 --> 0:47:08.800
<v Speaker 1>but I think more profoundly, when you have an experience

0:47:08.800 --> 0:47:10.920
<v Speaker 1>where there's some sort of a film out there and

0:47:11.000 --> 0:47:13.120
<v Speaker 1>either is particularly well crafted or it does involve a

0:47:13.160 --> 0:47:17.240
<v Speaker 1>particularly innovative twist or effective twist or an emotional twist,

0:47:17.440 --> 0:47:20.439
<v Speaker 1>and people will stress, don't read the spoilers, go into

0:47:20.480 --> 0:47:22.959
<v Speaker 1>this without you know, don't watch the trailer, go into

0:47:23.000 --> 0:47:25.040
<v Speaker 1>it so that everything is a surprise. You know.

0:47:25.120 --> 0:47:26.200
<v Speaker 3>Yeah.

0:47:26.239 --> 0:47:28.640
<v Speaker 1>Outside of that, like, there's not much that we're we're

0:47:28.880 --> 0:47:31.919
<v Speaker 1>we generally engage in where we're open to that sort

0:47:31.960 --> 0:47:34.719
<v Speaker 1>of experience. I mean, I guess in some respects we

0:47:34.760 --> 0:47:36.560
<v Speaker 1>are like like, you know, some one might say, have

0:47:36.600 --> 0:47:38.200
<v Speaker 1>a child, you don't know how this is going to

0:47:38.280 --> 0:47:40.880
<v Speaker 1>turn out, but you're you're in the long run, it's

0:47:41.360 --> 0:47:43.120
<v Speaker 1>it's gonna be a surprise. There's gonna be some twists

0:47:43.160 --> 0:47:47.080
<v Speaker 1>you're not expecting it's true. But you know, the parenthood

0:47:47.080 --> 0:47:49.040
<v Speaker 1>and movies, those are the two examples that come to mind.

0:47:49.480 --> 0:47:52.040
<v Speaker 1>But when it comes to religion, we're more of the mind, well,

0:47:52.120 --> 0:47:54.480
<v Speaker 1>what are they believe in? Give me a list? Is

0:47:54.480 --> 0:47:56.280
<v Speaker 1>there a holy book? All right, I'm going to skip

0:47:56.280 --> 0:47:58.080
<v Speaker 1>to the end. Is maybe there's some cliff notes on

0:47:58.160 --> 0:47:58.920
<v Speaker 1>it and so forth.

0:47:59.440 --> 0:48:01.719
<v Speaker 3>Well, I mean, and that goes back to something we

0:48:01.760 --> 0:48:04.600
<v Speaker 3>talked about in the first episode of the series about

0:48:05.160 --> 0:48:09.440
<v Speaker 3>that anthropological framework of the doctrinal religious model versus the

0:48:09.440 --> 0:48:14.440
<v Speaker 3>imagistic or a religious model. Bowden makes reference to these ideas,

0:48:14.800 --> 0:48:19.000
<v Speaker 3>and the short version is that doctrinal modes of worship

0:48:19.120 --> 0:48:23.879
<v Speaker 3>worship tend to be frequent, regular, low intensity, but also

0:48:24.080 --> 0:48:27.920
<v Speaker 3>have clear meaning and function. You can kind of have

0:48:27.960 --> 0:48:32.480
<v Speaker 3>a systematic explanation of what the purpose and meaning of

0:48:32.520 --> 0:48:36.960
<v Speaker 3>the rituals are, versus what's known as the imagistic model

0:48:37.040 --> 0:48:42.480
<v Speaker 3>of religious practice, where you know, rituals tend to be rare, strange,

0:48:42.960 --> 0:48:46.479
<v Speaker 3>high intensity, and more ambiguous in terms of meaning. Maybe

0:48:46.480 --> 0:48:49.279
<v Speaker 3>nobody's even telling you what to make of the experience

0:48:49.320 --> 0:48:52.839
<v Speaker 3>you had. Now, I guess the implication is that mysteries

0:48:52.880 --> 0:48:56.040
<v Speaker 3>such as the mysteries of ill Usis would be much

0:48:56.080 --> 0:48:59.479
<v Speaker 3>more firmly in the imagistic mode of worship. That there's

0:49:00.360 --> 0:49:04.920
<v Speaker 3>something profound, high intensity going on, and it may well

0:49:04.960 --> 0:49:08.840
<v Speaker 3>be very ambiguous, very open to your own contemplation and interpretation.

0:49:08.920 --> 0:49:11.040
<v Speaker 3>Maybe nobody tells you what it means or even what

0:49:11.080 --> 0:49:14.319
<v Speaker 3>it's doing. But that does bring us back to the

0:49:14.360 --> 0:49:17.960
<v Speaker 3>Secret Rights themselves. So what else can we guess about

0:49:18.000 --> 0:49:21.040
<v Speaker 3>the content of the mysteries? And here I'm going to

0:49:21.320 --> 0:49:26.040
<v Speaker 3>synthesize from multiple accounts, including Clinton's and Bowden's and a

0:49:26.080 --> 0:49:29.480
<v Speaker 3>few other things I've read. But it seems that, for

0:49:29.600 --> 0:49:35.799
<v Speaker 3>one thing, the Secret Rights probably involved some reenactment of

0:49:35.880 --> 0:49:41.080
<v Speaker 3>the myth of Demeter and Corey. Now it's questionable to

0:49:41.200 --> 0:49:44.799
<v Speaker 3>what extent it followed the story completely, which parts of

0:49:44.800 --> 0:49:47.840
<v Speaker 3>the story were represented, and what version of the story

0:49:47.840 --> 0:49:51.120
<v Speaker 3>you got, but there are multiple clues pointing to the

0:49:51.200 --> 0:49:55.240
<v Speaker 3>idea that some version of this story is being re enacted,

0:49:55.360 --> 0:49:59.000
<v Speaker 3>at least in part in these rituals. This could include

0:49:59.080 --> 0:50:03.960
<v Speaker 3>wandering around in the darkness, like searching for the kidnapped

0:50:04.040 --> 0:50:08.520
<v Speaker 3>daughter after her disappearance, possibly witnessing or hearing the grief

0:50:08.560 --> 0:50:12.800
<v Speaker 3>stricken cries of Demeter. For at least part of the ritual,

0:50:13.320 --> 0:50:16.720
<v Speaker 3>initiates may have been blindfolded or shrouded with a hood.

0:50:16.800 --> 0:50:20.480
<v Speaker 3>Ancient authors make reference to something about this where they

0:50:20.520 --> 0:50:23.160
<v Speaker 3>would probably be guided by their mystagogue, you know, the

0:50:23.520 --> 0:50:27.040
<v Speaker 3>more experienced guide would show them the way to go

0:50:27.440 --> 0:50:30.399
<v Speaker 3>while they were baffled and you know, and they didn't

0:50:30.400 --> 0:50:33.640
<v Speaker 3>know where to go, stumbling around in the dark, and

0:50:33.800 --> 0:50:37.360
<v Speaker 3>all of this before the initiates were eventually made aware

0:50:37.440 --> 0:50:40.640
<v Speaker 3>somehow of the reunion of mother and daughter of Demeter

0:50:40.800 --> 0:50:43.480
<v Speaker 3>and Corey at the end of the myth, and then

0:50:43.600 --> 0:50:47.239
<v Speaker 3>finally brought into the hall, like coming out of the

0:50:47.320 --> 0:50:51.480
<v Speaker 3>darkness into a hall brightly illuminated by torches for a

0:50:51.560 --> 0:50:56.439
<v Speaker 3>celebration and revealing of things hidden. Now again, those last

0:50:56.480 --> 0:50:59.120
<v Speaker 3>parts are they seem reasonable based on what we know,

0:50:59.200 --> 0:51:01.359
<v Speaker 3>but we don't know for sure. That's the form it took.

0:51:01.640 --> 0:51:03.920
<v Speaker 3>Torches seem to play a role. There are a lot

0:51:04.120 --> 0:51:07.680
<v Speaker 3>There are a lot of mentions of darkness and blindfoldedness

0:51:07.719 --> 0:51:11.040
<v Speaker 3>and agony and struggles in the darkness and then coming

0:51:11.080 --> 0:51:11.680
<v Speaker 3>into the light.

0:51:12.239 --> 0:51:14.680
<v Speaker 1>You know, this brings me back. We talked again talking

0:51:14.680 --> 0:51:18.520
<v Speaker 1>about haunted attractions and how you do encounter some that

0:51:18.600 --> 0:51:22.040
<v Speaker 1>are church affiliated. I have distinct memories of going to

0:51:22.080 --> 0:51:25.360
<v Speaker 1>one as when I was a youth. There's a rural

0:51:26.760 --> 0:51:31.919
<v Speaker 1>Southern church affiliated haunted house. And at the end, as

0:51:31.960 --> 0:51:35.560
<v Speaker 1>you wandered or perhaps rushed out of the darkness pursued

0:51:35.600 --> 0:51:39.000
<v Speaker 1>by chainsaws and the like, where do you enter into

0:51:39.080 --> 0:51:42.080
<v Speaker 1>You enter into a tent where a preacher is then

0:51:42.160 --> 0:51:46.560
<v Speaker 1>going to speak to you and sell you on eternal

0:51:46.600 --> 0:51:50.520
<v Speaker 1>salvation and of course the the alternatives that you just

0:51:50.560 --> 0:51:51.800
<v Speaker 1>witnessed in the haunted house.

0:51:52.640 --> 0:51:56.200
<v Speaker 3>Yeah, so that that that high contrast creates an intensity,

0:51:56.480 --> 0:52:01.400
<v Speaker 3>like an emotional motivation and intensity of experience that really

0:52:02.000 --> 0:52:04.879
<v Speaker 3>I don't know. In this case, again, we've already noted

0:52:04.880 --> 0:52:08.280
<v Speaker 3>the difference between like the Christian hell House or whatever

0:52:08.360 --> 0:52:12.239
<v Speaker 3>variation there where the goal is to I don't want

0:52:12.239 --> 0:52:14.560
<v Speaker 3>to oversimplify, but I think it's fair to say usually

0:52:14.560 --> 0:52:16.239
<v Speaker 3>at least the goal there is going to be to

0:52:16.360 --> 0:52:19.880
<v Speaker 3>convert you into the doctrinal form of that religion, to say, like,

0:52:20.200 --> 0:52:23.440
<v Speaker 3>you belong to us. Now you've been convinced by witnessing

0:52:23.440 --> 0:52:26.319
<v Speaker 3>these horrors, you need to go to our church. That

0:52:26.440 --> 0:52:31.560
<v Speaker 3>does not necessarily seem to be the goal here. I

0:52:31.560 --> 0:52:35.080
<v Speaker 3>don't detect based on what I've read that the purpose

0:52:35.480 --> 0:52:38.799
<v Speaker 3>of the mysteries is a persuasive one that you need

0:52:38.840 --> 0:52:42.359
<v Speaker 3>to like join the cult of ill usis though, I mean,

0:52:42.400 --> 0:52:44.480
<v Speaker 3>I guess the people who are who go through as

0:52:44.560 --> 0:52:48.480
<v Speaker 3>misdays the first time, and this is a distinction. The

0:52:48.520 --> 0:52:51.080
<v Speaker 3>first time you are initiated the mysteries, you were known

0:52:51.080 --> 0:52:54.680
<v Speaker 3>as misty's or mistace, a term which seems to derive

0:52:54.719 --> 0:52:58.239
<v Speaker 3>from the concept of having one's eyes closed, and then

0:52:58.280 --> 0:53:01.800
<v Speaker 3>you would usually come back second time, and then you

0:53:01.840 --> 0:53:05.360
<v Speaker 3>would be known as epop dase, which means look or viewer,

0:53:06.560 --> 0:53:10.320
<v Speaker 3>So there is a kind of return and the difference

0:53:10.320 --> 0:53:12.800
<v Speaker 3>between those terms is interesting too, by the way, because

0:53:13.239 --> 0:53:16.319
<v Speaker 3>the difference between like mistase meaning eyes closed and a

0:53:16.360 --> 0:53:19.640
<v Speaker 3>pop dase meaning looking or viewing that could of course

0:53:19.680 --> 0:53:21.759
<v Speaker 3>be literal like maybe the first time you do it

0:53:21.760 --> 0:53:24.400
<v Speaker 3>you are blindfolded or hooded and the second time you

0:53:24.440 --> 0:53:28.919
<v Speaker 3>can look, or maybe there are particular elements that two

0:53:28.960 --> 0:53:32.239
<v Speaker 3>time initiates are particular permitted to look upon that first

0:53:32.239 --> 0:53:35.360
<v Speaker 3>time initiates or not. But this difference could also just

0:53:35.400 --> 0:53:38.760
<v Speaker 3>refer to a kind of metaphorical perspective on what is happening.

0:53:38.880 --> 0:53:42.280
<v Speaker 3>The same way that we say to have previous experience

0:53:42.360 --> 0:53:45.080
<v Speaker 3>with something is to go into it with open eyes.

0:53:47.560 --> 0:53:49.880
<v Speaker 1>For anyone out there who's listening with I don't know

0:53:49.920 --> 0:53:51.720
<v Speaker 1>if this is really a listen with the whole family

0:53:51.760 --> 0:53:54.160
<v Speaker 1>sort of episode, but in the case event that you are,

0:53:54.360 --> 0:53:58.239
<v Speaker 1>I'm about to throw out some Christmas spoilers, so feel

0:53:58.239 --> 0:54:01.160
<v Speaker 1>free to skip a bit if you if you wish.

0:54:01.719 --> 0:54:05.520
<v Speaker 1>But this also reminds me of the way that some

0:54:05.640 --> 0:54:10.680
<v Speaker 1>parents approach Santa Claus and Christmas traditions, the idea of

0:54:10.719 --> 0:54:14.920
<v Speaker 1>being that instead of just not doing them or trying

0:54:14.960 --> 0:54:18.560
<v Speaker 1>to keep the myth and the or the fiction of

0:54:18.640 --> 0:54:24.560
<v Speaker 1>Santa Claus going like well beyond it's a healthy phase. Instead,

0:54:24.600 --> 0:54:26.680
<v Speaker 1>you kind of break it down like this, where it

0:54:26.760 --> 0:54:29.040
<v Speaker 1>is kind of treated like a mystery when the child

0:54:29.160 --> 0:54:31.400
<v Speaker 1>is young, and then when the child reaches a certain age,

0:54:31.480 --> 0:54:33.960
<v Speaker 1>it's like, now you were part of the mystery, and

0:54:34.000 --> 0:54:37.799
<v Speaker 1>now you can help create this mystery for perhaps younger siblings,

0:54:37.920 --> 0:54:40.680
<v Speaker 1>other young people you know in the family or in

0:54:40.680 --> 0:54:43.360
<v Speaker 1>the community, and so forth. And perhaps this is like

0:54:43.400 --> 0:54:48.000
<v Speaker 1>a less doctrinal example compared to the Haunted House thing,

0:54:48.640 --> 0:54:52.520
<v Speaker 1>because I guess there's not really a doctrine regarding Santa

0:54:52.560 --> 0:54:55.120
<v Speaker 1>that is being pursued in the long run, though it

0:54:55.160 --> 0:54:57.839
<v Speaker 1>is of course more certainly like narrative and so forth.

0:54:58.520 --> 0:55:00.960
<v Speaker 1>And I guess perhaps the Santa Clause example is better

0:55:01.000 --> 0:55:03.480
<v Speaker 1>than the Haunted House example, because Santa Claus, there's not

0:55:03.560 --> 0:55:05.920
<v Speaker 1>really a doctrine there that we're trying to drive home

0:55:05.960 --> 0:55:08.279
<v Speaker 1>into children, aside from be good or else.

0:55:08.320 --> 0:55:11.360
<v Speaker 3>I guess, yeah, Oh, but I guess I got sidetracked

0:55:11.440 --> 0:55:16.320
<v Speaker 3>there talking about the mystas versus the apoptase from talking

0:55:16.320 --> 0:55:18.800
<v Speaker 3>about how generally it seems like there is a difference

0:55:18.840 --> 0:55:23.360
<v Speaker 3>between the hell house model and the mystery religion model because,

0:55:23.520 --> 0:55:26.359
<v Speaker 3>or at least this particular case, because in the all

0:55:26.440 --> 0:55:30.279
<v Speaker 3>Useenian mysteries, it's like the experience is the point. It's

0:55:30.280 --> 0:55:32.840
<v Speaker 3>not just like a persuasive act to get you to

0:55:32.880 --> 0:55:37.799
<v Speaker 3>do something else different. Right. Another interesting passage that is

0:55:37.840 --> 0:55:42.719
<v Speaker 3>often cited in historical writing about the mystery religions is

0:55:42.760 --> 0:55:48.200
<v Speaker 3>from Plutarch. Or Plutarch characterizes the mysteries generally by way

0:55:48.360 --> 0:55:52.280
<v Speaker 3>of metaphor. What he's actually talking about is what happens

0:55:52.320 --> 0:55:54.799
<v Speaker 3>to the soul at the end of life. But he's

0:55:54.800 --> 0:55:56.759
<v Speaker 3>sort of saying, you know, what happens to the soul

0:55:56.760 --> 0:55:58.440
<v Speaker 3>at the end of life is much like what you

0:55:58.520 --> 0:56:02.520
<v Speaker 3>all know happens after you're iniated into the mysteries. And

0:56:02.960 --> 0:56:05.239
<v Speaker 3>to be clear, he doesn't say specifically he's talking about

0:56:05.239 --> 0:56:07.960
<v Speaker 3>the Eleusinian mysteries, but he probably is. These were the

0:56:08.000 --> 0:56:13.400
<v Speaker 3>most famous. So what Plutarch says is quote, wandering astray

0:56:13.480 --> 0:56:17.760
<v Speaker 3>in the beginning, tiresome walkings in circles, some frightening paths

0:56:17.800 --> 0:56:21.480
<v Speaker 3>in darkness that lead nowhere. Then immediately before the end,

0:56:21.560 --> 0:56:25.920
<v Speaker 3>all the terrible things, panic and shivering and sweat and bewilderment,

0:56:26.320 --> 0:56:29.560
<v Speaker 3>and then some wonderful light comes to meet you. Purer

0:56:29.640 --> 0:56:32.720
<v Speaker 3>regions and meadows are there to greet you with sounds

0:56:32.760 --> 0:56:36.799
<v Speaker 3>and dances and solemn sacred words and holy views. And

0:56:37.040 --> 0:56:40.320
<v Speaker 3>there the initiate, perfect by, now set free and loose

0:56:40.320 --> 0:56:44.239
<v Speaker 3>from all bondage, walks about, crowned with a wreath, celebrating

0:56:44.239 --> 0:56:47.280
<v Speaker 3>the festival together with the other sacred and pure people.

0:56:47.520 --> 0:56:51.239
<v Speaker 3>And he looks down on the uninitiated, unpurified crowd in

0:56:51.280 --> 0:56:55.960
<v Speaker 3>this world in mud and fog beneath his feet. Oh wow,

0:56:56.800 --> 0:57:00.799
<v Speaker 3>So that square somewhat with what we've already talked about,

0:57:00.800 --> 0:57:04.279
<v Speaker 3>like this feeling of lightness and sort of ascension that

0:57:04.440 --> 0:57:06.920
<v Speaker 3>comes with having gone through the mysteries. There is some

0:57:07.320 --> 0:57:10.200
<v Speaker 3>lasting effect on people that they cite that they say

0:57:10.280 --> 0:57:13.400
<v Speaker 3>is very powerful and makes them feel better, makes them

0:57:13.480 --> 0:57:18.160
<v Speaker 3>feel unafraid, set loose in some way, perfected in some way.

0:57:19.200 --> 0:57:21.440
<v Speaker 3>But I also like the first half of this passage,

0:57:21.800 --> 0:57:25.720
<v Speaker 3>where it seems to be more describing, just in general

0:57:25.760 --> 0:57:28.560
<v Speaker 3>and emotional terms, what the experience of going through the

0:57:28.600 --> 0:57:34.680
<v Speaker 3>mysteries is like. And it's one that begins with confusion, bafflement, exhaustion,

0:57:34.880 --> 0:57:49.560
<v Speaker 3>and suffering and ends with hope and cathartic relief. And

0:57:49.600 --> 0:57:51.480
<v Speaker 3>so I guess this brings us to the question of

0:57:51.680 --> 0:57:55.480
<v Speaker 3>what did the mysteries mean to the people who practiced

0:57:55.520 --> 0:58:00.200
<v Speaker 3>them Abouten explores this at length in his book Discuss

0:58:00.280 --> 0:58:03.560
<v Speaker 3>As we've already alluded to the possibility that the meaning

0:58:03.800 --> 0:58:07.680
<v Speaker 3>of the mysteries was not made explicit. Instead, like the

0:58:08.000 --> 0:58:12.560
<v Speaker 3>standard model of the imagistic mode of religion, it's sort

0:58:12.600 --> 0:58:17.320
<v Speaker 3>of left ambiguous. It invites participants to reflect later and

0:58:17.400 --> 0:58:21.040
<v Speaker 3>contemplate to figure out for themselves what it means. And

0:58:21.240 --> 0:58:23.560
<v Speaker 3>that's very interesting to me too, because I mean a

0:58:23.720 --> 0:58:28.760
<v Speaker 3>huge part actually of what religion is, at least in

0:58:28.800 --> 0:58:32.680
<v Speaker 3>my experience, is exegesis on what things mean. It's like,

0:58:32.760 --> 0:58:37.640
<v Speaker 3>you know, religions have, or many religions have. You know,

0:58:37.680 --> 0:58:40.960
<v Speaker 3>they have contents, they may have texts and stories, they

0:58:40.960 --> 0:58:45.200
<v Speaker 3>may have physical objects or places, they have rituals, and

0:58:45.240 --> 0:58:50.360
<v Speaker 3>there's just so much effort devoted to clarifying what everything means.

0:58:50.440 --> 0:58:52.880
<v Speaker 3>And that that's what a lot of people want out

0:58:52.880 --> 0:58:55.480
<v Speaker 3>of religion today. You know, they want to understand how, what,

0:58:55.720 --> 0:58:58.280
<v Speaker 3>why we do it? What how to make sense of it?

0:58:58.880 --> 0:59:01.480
<v Speaker 3>But this version of religion may have been a kind

0:59:01.480 --> 0:59:05.520
<v Speaker 3>of different one where it's like, instead, you witness something

0:59:05.840 --> 0:59:11.080
<v Speaker 3>and you go through something is strange and overwhelming and powerful,

0:59:11.080 --> 0:59:13.200
<v Speaker 3>and then you're kind of just sent home to make

0:59:13.240 --> 0:59:14.160
<v Speaker 3>your own sense of it.

0:59:14.480 --> 0:59:18.160
<v Speaker 1>Yeah. I mean it's kind of like abstract art and

0:59:18.200 --> 0:59:22.200
<v Speaker 1>abstract cinema at its best, right where there's you go

0:59:22.280 --> 0:59:25.520
<v Speaker 1>into it without any kind of expectations, you leave it

0:59:25.600 --> 0:59:31.440
<v Speaker 1>without any i would say, prescribed interpretations. You know, you're

0:59:31.520 --> 0:59:34.160
<v Speaker 1>left to try and figure out what it possibly meant

0:59:34.160 --> 0:59:36.600
<v Speaker 1>all on your own, and maybe it meant nothing, but

0:59:36.680 --> 0:59:37.520
<v Speaker 1>you won't forget it.

0:59:38.840 --> 0:59:41.920
<v Speaker 3>Kevin Clinton in his chapter writes, relying in part on

0:59:41.960 --> 0:59:45.760
<v Speaker 3>his own hypothetical reconstruction of the rituals. So the following

0:59:45.800 --> 0:59:50.680
<v Speaker 3>passage does include some assumptions based on guesses, but reasonable guesses,

0:59:51.640 --> 0:59:56.040
<v Speaker 3>so Clinton writes, quote, the mysteria revealed simple things like

0:59:56.080 --> 0:59:58.840
<v Speaker 3>the return of a lost daughter to her mother, a

0:59:58.920 --> 1:00:04.000
<v Speaker 3>goddess insight, differing parentheses, an extraordinary state for a Greek

1:00:04.000 --> 1:00:07.960
<v Speaker 3>god or goddess, joy that accompanies the appearance of grain,

1:00:08.640 --> 1:00:13.800
<v Speaker 3>the grain that is plutos, meaning wealth, the agrarian prosperity

1:00:13.880 --> 1:00:18.000
<v Speaker 3>that sustains family and clan, all simple things that at

1:00:18.000 --> 1:00:22.040
<v Speaker 3>the same time had profound significance. The impact lay in

1:00:22.120 --> 1:00:26.200
<v Speaker 3>part in the dramatic presentation, which was an essential aspect

1:00:26.360 --> 1:00:31.000
<v Speaker 3>of the experience. And that kind of takes me to

1:00:31.040 --> 1:00:33.840
<v Speaker 3>another place, which is it makes me think I've been

1:00:33.880 --> 1:00:36.560
<v Speaker 3>thinking about this primarily from the point of view of

1:00:36.680 --> 1:00:39.760
<v Speaker 3>the new initiate, the mistas or the apoptes, you know,

1:00:39.840 --> 1:00:42.240
<v Speaker 3>who's for the first or second time going through the

1:00:42.240 --> 1:00:44.960
<v Speaker 3>greater mysteries and experiencing it and seeing what it means.

1:00:46.200 --> 1:00:48.280
<v Speaker 3>But this kind of makes me think about it from

1:00:48.280 --> 1:00:50.640
<v Speaker 3>the point of view of the priesthood. Say you are

1:00:50.960 --> 1:00:53.520
<v Speaker 3>a hierophant or you're one of the people whose job

1:00:53.520 --> 1:00:57.680
<v Speaker 3>it is to put on the show of the Eleusinian mysteries.

1:00:58.120 --> 1:01:00.960
<v Speaker 3>It seems actually there's quite a bur there's quite a

1:01:00.960 --> 1:01:05.040
<v Speaker 3>burden to put on a good show, because are people

1:01:05.080 --> 1:01:07.919
<v Speaker 3>are sort of relying on the fact that you put

1:01:07.960 --> 1:01:11.480
<v Speaker 3>on a good show in order to find meaning in

1:01:11.520 --> 1:01:14.600
<v Speaker 3>their life, to escape their fear of death, to feel

1:01:14.640 --> 1:01:17.760
<v Speaker 3>like their life will have blessings yet to come, and

1:01:17.840 --> 1:01:21.840
<v Speaker 3>they fit in a divine order, which is fascinating. And

1:01:21.880 --> 1:01:24.920
<v Speaker 3>I guess something that people I don't know religious performers

1:01:24.960 --> 1:01:28.280
<v Speaker 3>and in other situations probably do feel a similar kind

1:01:28.280 --> 1:01:34.280
<v Speaker 3>of obligation. But it again made all the more alluring

1:01:34.320 --> 1:01:36.640
<v Speaker 3>in this case because of the power of the secrecy,

1:01:36.800 --> 1:01:39.240
<v Speaker 3>because there thing we still don't know. There's some things

1:01:39.240 --> 1:01:41.480
<v Speaker 3>we don't know. We don't know exactly what they were doing,

1:01:41.520 --> 1:01:43.920
<v Speaker 3>and it's like it's agonizing. You want to know, but

1:01:44.320 --> 1:01:44.760
<v Speaker 3>we can't.

1:01:45.080 --> 1:01:47.040
<v Speaker 1>Yeah, we want it all laid out, like from a

1:01:47.120 --> 1:01:51.640
<v Speaker 1>historical standpoint, from an anthropology of religion standpoint, we want

1:01:51.680 --> 1:01:53.480
<v Speaker 1>to know, like what were the things that were believe,

1:01:53.560 --> 1:01:56.400
<v Speaker 1>what were the things that were enacted, and what was

1:01:56.440 --> 1:02:00.320
<v Speaker 1>the import of those things? And for varying reasons. We

1:02:00.400 --> 1:02:03.520
<v Speaker 1>have a lot of holes, all right. Well, on that note,

1:02:03.560 --> 1:02:05.280
<v Speaker 1>we're going to go ahead and close out this episode,

1:02:05.320 --> 1:02:08.040
<v Speaker 1>but we have decided we will come back with at

1:02:08.160 --> 1:02:11.400
<v Speaker 1>least a fourth episode on the mystery cults, and it

1:02:11.440 --> 1:02:13.520
<v Speaker 1>may not be the next episode of Stuff to Blow

1:02:13.560 --> 1:02:17.720
<v Speaker 1>Your Mind. It may occur after that. So in the

1:02:17.760 --> 1:02:21.280
<v Speaker 1>not too distant future you will encounter a fourth episode

1:02:21.280 --> 1:02:24.720
<v Speaker 1>and we'll continue this fascinating discussion. There are so many

1:02:24.800 --> 1:02:26.680
<v Speaker 1>different mystery cults and we're not going to be able

1:02:26.680 --> 1:02:28.640
<v Speaker 1>to discuss all of them, and we're of course not

1:02:28.680 --> 1:02:32.720
<v Speaker 1>going to get into everything that Balden discusses in his book. Again,

1:02:33.280 --> 1:02:35.240
<v Speaker 1>we do highly recommend you check that out if you

1:02:35.280 --> 1:02:37.560
<v Speaker 1>are interested in the topic. The title of that book

1:02:37.600 --> 1:02:41.400
<v Speaker 1>again is Mystery Cults in the Ancient World by Hugh Bowden.

1:02:42.480 --> 1:02:45.080
<v Speaker 1>In the meantime, we'd like to remind everyone that's Stuff

1:02:45.080 --> 1:02:47.800
<v Speaker 1>to Blow Your Mind is primarily a science and culture podcast,

1:02:47.840 --> 1:02:50.640
<v Speaker 1>with core episodes on Tuesdays and Thursdays. We have a

1:02:50.680 --> 1:02:53.240
<v Speaker 1>short form episode on Wednesdays, and on Fridays, we set

1:02:53.280 --> 1:02:55.920
<v Speaker 1>aside most serious concerns to just talk about a weird

1:02:56.040 --> 1:02:58.680
<v Speaker 1>film on Weird House Cinema.

1:02:58.600 --> 1:03:02.160
<v Speaker 3>Huge things, As always to our excellent audio producer JJ Posway.

1:03:02.480 --> 1:03:03.960
<v Speaker 3>If you would like to get in touch with us

1:03:03.960 --> 1:03:06.440
<v Speaker 3>with feedback on this episode or any other, to suggest

1:03:06.440 --> 1:03:08.479
<v Speaker 3>a topic for the future, or just to say hello,

1:03:08.800 --> 1:03:11.560
<v Speaker 3>you can email us at contact Stuff to Blow your

1:03:11.560 --> 1:03:20.280
<v Speaker 3>Mind dot com.

1:03:20.400 --> 1:03:23.320
<v Speaker 2>Stuff to Blow Your Mind is production of iHeartRadio. For

1:03:23.440 --> 1:03:26.200
<v Speaker 2>more podcasts from my Heart Radio, visit the iHeartRadio app,

1:03:26.360 --> 1:03:42.920
<v Speaker 2>Apple Podcasts, or wherever you're listening to your favorite shows.