1
00:00:18,000 --> 00:00:19,360
Speaker 1: Hello, Jodah Sweeten.

2
00:00:19,840 --> 00:00:25,280
Speaker 2: Hello, Andrea Barber. Now we're doing our Seinfeld and presson.

3
00:00:25,560 --> 00:00:30,080
Speaker 3: Hello. Hello. Oh so good to be back.

4
00:00:30,200 --> 00:00:32,520
Speaker 1: I know, I know, I'm very excited. I'm getting ready

5
00:00:32,600 --> 00:00:34,400
Speaker 1: to go on the New Kids on the Block cruise

6
00:00:34,800 --> 00:00:38,800
Speaker 1: very soon. Oh so I'm packing. I'm getting theme outfits

7
00:00:39,320 --> 00:00:40,720
Speaker 1: for people that don't know. The New Kids on the

8
00:00:40,760 --> 00:00:43,480
Speaker 1: Block have been chartering cruises for over ten years now,

9
00:00:43,479 --> 00:00:45,559
Speaker 1: and I've been on I want to say, this is

10
00:00:45,560 --> 00:00:49,159
Speaker 1: my sixth cruise maybe, and it's just we're stuck at

11
00:00:49,240 --> 00:00:51,120
Speaker 1: sea for four days with the New Kids on the

12
00:00:51,120 --> 00:00:53,960
Speaker 1: Block and like two thousand fans. I bet it's right

13
00:00:54,080 --> 00:00:54,560
Speaker 1: up my owl.

14
00:00:54,640 --> 00:00:56,920
Speaker 3: You have the best time.

15
00:00:57,960 --> 00:01:00,480
Speaker 2: I love it so fun, you know what, because you've

16
00:01:00,520 --> 00:01:02,959
Speaker 2: probably met people that you're now like friends with year

17
00:01:03,000 --> 00:01:06,120
Speaker 2: after year, and it's it's like any like fan con

18
00:01:06,280 --> 00:01:08,640
Speaker 2: or comic con or whatever, Like you go to those

19
00:01:08,640 --> 00:01:10,479
Speaker 2: things and you see the same people and it becomes like.

20
00:01:10,480 --> 00:01:12,160
Speaker 3: This weird little reunion.

21
00:01:12,400 --> 00:01:14,800
Speaker 1: Yes, that's exactly what it is. It's so fun. They

22
00:01:14,840 --> 00:01:17,840
Speaker 1: do like they do a concert, there's beach games, they

23
00:01:17,840 --> 00:01:20,600
Speaker 1: have theme night parties on Alito deck. I mean, where

24
00:01:20,640 --> 00:01:25,440
Speaker 1: do you where do you cruise? Too. When we sail

25
00:01:25,440 --> 00:01:27,759
Speaker 1: out of Miami, I mean it goes Okay, it's gone

26
00:01:27,760 --> 00:01:30,560
Speaker 1: different places, but usually we sail out of Miami got

27
00:01:30,640 --> 00:01:34,039
Speaker 1: and we go to a little island called Half Moon Key. Oh,

28
00:01:34,120 --> 00:01:37,200
Speaker 1: half half Moon Key, and that's where they do the

29
00:01:37,200 --> 00:01:39,840
Speaker 1: beach games and everything. Right, we're just doing one day

30
00:01:39,959 --> 00:01:42,720
Speaker 1: at half Moon Key and then two days at sea.

31
00:01:42,959 --> 00:01:45,120
Speaker 2: Right, because it's like it's like you leave, there's like

32
00:01:45,160 --> 00:01:46,920
Speaker 2: a day at sea. You get there, you have the day,

33
00:01:46,959 --> 00:01:48,320
Speaker 2: and then you get the day at sea back and

34
00:01:48,320 --> 00:01:52,440
Speaker 2: then you're done for day. Okay, Well, have the best time.

35
00:01:52,640 --> 00:01:54,560
Speaker 2: I cannot wait to see pictures.

36
00:01:54,800 --> 00:01:57,800
Speaker 1: I can't wait. I cannot wait. Although I've been in

37
00:01:57,880 --> 00:02:00,720
Speaker 1: my preparation, I've been I'm in these like Facebook groups,

38
00:02:00,760 --> 00:02:02,960
Speaker 1: these like new kids on the Block Facebook groups, and

39
00:02:03,000 --> 00:02:06,000
Speaker 1: I got kicked out and blocked out of one of

40
00:02:06,000 --> 00:02:08,880
Speaker 1: them because they didn't believe it was me. They thought

41
00:02:08,880 --> 00:02:11,639
Speaker 1: I was an impersonator of Andrea Barber and they're like,

42
00:02:11,720 --> 00:02:14,040
Speaker 1: Andrea Barber wouldn't have time to be in this group,

43
00:02:14,120 --> 00:02:15,680
Speaker 1: so they kicked me out and blocked me. And I

44
00:02:15,720 --> 00:02:18,680
Speaker 1: was like what wow. And so I'm like messaging my

45
00:02:18,760 --> 00:02:20,560
Speaker 1: friends and stuff, and I'm like can you tell them.

46
00:02:20,400 --> 00:02:23,600
Speaker 3: It's really mean, Oh my god.

47
00:02:23,840 --> 00:02:25,560
Speaker 1: And then yeah, they were just like, no, you're why

48
00:02:25,560 --> 00:02:27,320
Speaker 1: don't you come? Why don't you should? You should be

49
00:02:27,360 --> 00:02:29,680
Speaker 1: in you should have a verified check next to your name.

50
00:02:29,680 --> 00:02:32,519
Speaker 1: And I'm like, no, this is just my private Facebook.

51
00:02:32,520 --> 00:02:34,160
Speaker 1: I'm just here as a fan. I'm not here as

52
00:02:34,200 --> 00:02:36,600
Speaker 1: Andrea Barber, you know, actress from Full House.

53
00:02:36,639 --> 00:02:39,639
Speaker 2: No, I'm Andrew. Everywhere you go, you are Andrea Barber.

54
00:02:41,120 --> 00:02:42,840
Speaker 2: Are people excited to see you on the cruise? I

55
00:02:42,880 --> 00:02:45,360
Speaker 2: bet they, Well, at least it's a lot of repeat people.

56
00:02:45,480 --> 00:02:47,440
Speaker 2: I would say probably they're used to it. But I

57
00:02:47,960 --> 00:02:49,640
Speaker 2: would bet that.

58
00:02:49,080 --> 00:02:51,880
Speaker 3: That Kinny Gibbler is like a fun bonus.

59
00:02:51,480 --> 00:02:54,160
Speaker 1: Totally, totally. Yeah. The repeaters like there's they kind of

60
00:02:54,320 --> 00:02:56,480
Speaker 1: just wave now or we'll share a drink or something.

61
00:02:56,480 --> 00:02:58,520
Speaker 1: But the newbies, they get very excited. They're like, oh

62
00:02:58,520 --> 00:03:00,520
Speaker 1: my god, this is so this is so nine to

63
00:03:00,560 --> 00:03:02,040
Speaker 1: be on a boat with the new kids on the

64
00:03:02,040 --> 00:03:03,000
Speaker 1: block and Kimmy.

65
00:03:02,880 --> 00:03:06,160
Speaker 2: You so you bring your own merch. You should bring

66
00:03:06,160 --> 00:03:08,000
Speaker 2: your own merch and just set up a table. I

67
00:03:08,000 --> 00:03:09,519
Speaker 2: should just saying you should.

68
00:03:09,639 --> 00:03:11,840
Speaker 1: I have done like a photo op because it's hard

69
00:03:11,880 --> 00:03:14,440
Speaker 1: kind of moving around the boat. People ask me for selfies,

70
00:03:14,480 --> 00:03:16,480
Speaker 1: and then suddenly there's like a line of fifty people

71
00:03:16,520 --> 00:03:18,760
Speaker 1: and so I'm like, so I'm like, hey, on Sunday

72
00:03:18,840 --> 00:03:21,400
Speaker 1: at the in the atrium or whenever whatever, whenever its

73
00:03:21,440 --> 00:03:23,280
Speaker 1: and I'm just like, I'll just be there, sign and sign.

74
00:03:23,600 --> 00:03:25,600
Speaker 1: People don't want autographs, they want selfies. It's all about

75
00:03:25,560 --> 00:03:29,040
Speaker 1: self true. That's oh, Michael, how much you're charging for selfie? No,

76
00:03:29,200 --> 00:03:32,320
Speaker 1: it's free. It's free. You know, we're all we're all blockheads.

77
00:03:32,320 --> 00:03:34,560
Speaker 2: Tell the nineties com people this or they're gonna yeah,

78
00:03:34,600 --> 00:03:35,000
Speaker 2: that's right.

79
00:03:35,640 --> 00:03:37,600
Speaker 1: Well, hey, if if they want to join the new

80
00:03:37,640 --> 00:03:39,880
Speaker 1: kids on the block cruise, you know, that's only a

81
00:03:39,880 --> 00:03:41,320
Speaker 1: couple grand and then you can get.

82
00:03:41,240 --> 00:03:42,320
Speaker 3: Right with me.

83
00:03:42,480 --> 00:03:45,160
Speaker 2: So yeah, exactly, there you go. It's a three thousand

84
00:03:45,200 --> 00:03:47,840
Speaker 2: dollars selfie. I am so happy for you, though, because

85
00:03:47,840 --> 00:03:49,120
Speaker 2: I know how much you look forward to this every

86
00:03:49,160 --> 00:03:51,720
Speaker 2: year and thank you. And I know it's always in

87
00:03:51,760 --> 00:03:57,960
Speaker 2: October because whenever I try and plan Halloween Horror Night's universal.

88
00:03:58,360 --> 00:04:00,640
Speaker 1: It always I'm conveniently unavailable.

89
00:04:00,760 --> 00:04:03,040
Speaker 3: You're like, oh, I can't go, and I have planned

90
00:04:03,040 --> 00:04:05,400
Speaker 3: it around you before. I'm like, I don't care.

91
00:04:05,960 --> 00:04:09,640
Speaker 2: Have we have we talked about our annual Halloween tradition,

92
00:04:09,680 --> 00:04:11,480
Speaker 2: which I don't again, don't know if it's gonna happen

93
00:04:11,480 --> 00:04:12,920
Speaker 2: this year, because you're gonna be gone next week.

94
00:04:14,160 --> 00:04:16,279
Speaker 3: I'm going to be out of town. Most of it's

95
00:04:16,360 --> 00:04:17,080
Speaker 3: just a whole mess.

96
00:04:17,200 --> 00:04:19,360
Speaker 1: So I think it's gonna happen. And I'm so relieved

97
00:04:19,360 --> 00:04:20,720
Speaker 1: because I hate those I hate those.

98
00:04:20,839 --> 00:04:23,280
Speaker 3: Rich Rich and Beth text me and they're like, are

99
00:04:23,320 --> 00:04:24,200
Speaker 3: you gonna put it together?

100
00:04:25,440 --> 00:04:29,800
Speaker 1: You can't disappoint Rich Correll, who diriched the last episode. Yeah.

101
00:04:29,839 --> 00:04:33,679
Speaker 1: He He is a Halloween monster aficionado.

102
00:04:33,880 --> 00:04:37,359
Speaker 2: Yes, yes, has the largest collection and has a place

103
00:04:37,440 --> 00:04:40,280
Speaker 2: down on Hollywood Boulevard actually right off of like the

104
00:04:40,320 --> 00:04:43,119
Speaker 2: Walk of Fame right there at Hollywood and Highland called

105
00:04:43,360 --> 00:04:46,159
Speaker 2: Icons of Darkness. And it's all his personal collection that's

106
00:04:46,200 --> 00:04:50,239
Speaker 2: like these amazing monsters and horror memorabilia and all this stuff.

107
00:04:50,279 --> 00:04:52,040
Speaker 2: And he's got like a warehouse that he ships it

108
00:04:52,040 --> 00:04:54,960
Speaker 2: out from in like Ohio somewhere and decorates his house.

109
00:04:55,000 --> 00:04:57,080
Speaker 2: It's like a month long process of decorating the house.

110
00:04:57,240 --> 00:04:59,080
Speaker 2: It's unreal and how.

111
00:04:59,120 --> 00:05:02,359
Speaker 1: But every year for he'll he'll hire actors to dress

112
00:05:02,440 --> 00:05:05,120
Speaker 1: up as these monsters and run around his yard, yeah, or.

113
00:05:05,160 --> 00:05:06,040
Speaker 3: Usually just his friend.

114
00:05:06,240 --> 00:05:09,440
Speaker 2: It's like Terry and no for real, Terry gets so

115
00:05:09,480 --> 00:05:11,680
Speaker 2: except my my makeup artist, Terryho's very good friends with

116
00:05:11,800 --> 00:05:14,000
Speaker 2: Rich and who's worked on the show. She will go

117
00:05:14,040 --> 00:05:16,080
Speaker 2: and dress up as something and do like crazy monster

118
00:05:16,120 --> 00:05:19,640
Speaker 2: makeup for people and it's awesome. But every every year.

119
00:05:19,680 --> 00:05:24,640
Speaker 2: We started doing it during a Fuller House where I

120
00:05:24,680 --> 00:05:27,520
Speaker 2: also love Halloween. As you can see with my little

121
00:05:27,520 --> 00:05:29,599
Speaker 2: sparkly lights up there, and look there's even I don't know.

122
00:05:29,600 --> 00:05:31,400
Speaker 3: If you can see, there's a little there's a little

123
00:05:31,400 --> 00:05:34,320
Speaker 3: pumpkin and like a little witchy candelabra thing.

124
00:05:34,440 --> 00:05:37,360
Speaker 1: Look at you. You're crafty, your craft your craftiness is

125
00:05:37,360 --> 00:05:37,680
Speaker 1: coming out.

126
00:05:37,880 --> 00:05:40,640
Speaker 3: I'm leaving for October, and I decorated my house much too.

127
00:05:40,920 --> 00:05:43,800
Speaker 2: Mescal's disappointment. He's like, really, I was like, I'm just

128
00:05:43,839 --> 00:05:45,160
Speaker 2: a couple of things. And he came home and the

129
00:05:45,200 --> 00:05:47,520
Speaker 2: whole house was like Halloween, and he's like, I was like,

130
00:05:47,560 --> 00:05:49,840
Speaker 2: I did put it all out, it's not all of it.

131
00:05:49,960 --> 00:05:54,960
Speaker 1: So oh so that's you being restrained. Okay, wow, right.

132
00:05:54,520 --> 00:05:57,800
Speaker 3: But yeah he uh uh. We all put together a

133
00:05:58,240 --> 00:06:01,520
Speaker 3: group starting with Fuller House, where we would go and

134
00:06:01,720 --> 00:06:07,880
Speaker 3: it would be you and me and John John Brotherton

135
00:06:08,000 --> 00:06:09,960
Speaker 3: and his wife would go. I think Candice went with

136
00:06:10,360 --> 00:06:11,400
Speaker 3: Natasha one year.

137
00:06:13,240 --> 00:06:15,880
Speaker 1: Gosh who was.

138
00:06:15,920 --> 00:06:19,840
Speaker 3: Gone, Ted Bocelli who was a producer on our show,

139
00:06:19,839 --> 00:06:24,000
Speaker 3: and his husband Larry Terry Groves that I said worked

140
00:06:24,000 --> 00:06:26,000
Speaker 3: on works on our on our other show and does

141
00:06:26,000 --> 00:06:29,400
Speaker 3: my makeup my friend Emma. Yeah, we have.

142
00:06:29,560 --> 00:06:31,800
Speaker 2: We have like a little sort of rotating cast of

143
00:06:31,880 --> 00:06:34,279
Speaker 2: characters that goes. But we always go and do dinner

144
00:06:34,360 --> 00:06:38,760
Speaker 2: at the Smokehouse in Burbank. Beforehand to have our dinner there,

145
00:06:38,800 --> 00:06:40,640
Speaker 2: we get an annual picture.

146
00:06:40,240 --> 00:06:42,360
Speaker 1: Hot pie that's the size of my head. Yep, you

147
00:06:42,400 --> 00:06:44,720
Speaker 1: get the giant my pie dollar bottle of wine.

148
00:06:44,760 --> 00:06:46,960
Speaker 3: The seven dollars bottle of wine. I will have you

149
00:06:47,000 --> 00:06:51,520
Speaker 3: all know is key in getting Andrea to actually go

150
00:06:52,040 --> 00:06:54,080
Speaker 3: to Halloween horn Nights because she hates.

151
00:06:54,400 --> 00:06:57,080
Speaker 1: I hate his terrify. I have so much anxiety about it.

152
00:06:57,600 --> 00:07:00,599
Speaker 2: Yes, and every year I drag her to it and

153
00:07:00,600 --> 00:07:02,000
Speaker 2: I'm like, okay, fine, just come to dinner.

154
00:07:02,080 --> 00:07:04,520
Speaker 3: Just come to dinner. Just it's just to dinner. And

155
00:07:04,560 --> 00:07:05,080
Speaker 3: then I.

156
00:07:05,640 --> 00:07:10,480
Speaker 2: Apply you with with several cheap bottles of seven dollars

157
00:07:10,520 --> 00:07:13,119
Speaker 2: and then I'm like, come on, and you have fine

158
00:07:13,160 --> 00:07:15,320
Speaker 2: I'll do it and then it's great and it's awesome,

159
00:07:15,440 --> 00:07:18,120
Speaker 2: and then Tipsy a b comes and it's hilarious.

160
00:07:18,280 --> 00:07:23,320
Speaker 1: Yes, well, you know, but my terror is not your entertainment.

161
00:07:23,320 --> 00:07:26,200
Speaker 1: And I swear you guys love to watch me scream.

162
00:07:26,560 --> 00:07:28,680
Speaker 1: And these monsters have radar for me. They know that

163
00:07:28,680 --> 00:07:31,760
Speaker 1: I'm terrified of them. Well because I'm hiding. I'm like hiding.

164
00:07:32,360 --> 00:07:34,040
Speaker 2: And then the more you do that, the more they're

165
00:07:34,080 --> 00:07:37,840
Speaker 2: like that one, right, I know. But it's every year

166
00:07:37,880 --> 00:07:41,000
Speaker 2: you're like, that was fun. It Okay, I'm not going

167
00:07:41,040 --> 00:07:41,400
Speaker 2: next year.

168
00:07:41,400 --> 00:07:42,920
Speaker 1: It's always what you say, I'm not going.

169
00:07:43,080 --> 00:07:45,080
Speaker 3: It was actually, but I'm not coming next year.

170
00:07:45,560 --> 00:07:47,360
Speaker 1: I did every year I do this, this part of

171
00:07:47,360 --> 00:07:47,800
Speaker 1: the routine.

172
00:07:47,880 --> 00:07:50,400
Speaker 3: You know what may looks Maybe even if.

173
00:07:50,240 --> 00:07:52,680
Speaker 2: We can't make it to Hornites, maybe I'll we'll try

174
00:07:52,800 --> 00:07:55,360
Speaker 2: and do a smoke house dinner.

175
00:07:55,480 --> 00:07:58,440
Speaker 3: Oh I'm down, We'll try and yeah, I'm down. Hot

176
00:07:58,480 --> 00:07:59,480
Speaker 3: pie the size of your head.

177
00:07:59,520 --> 00:08:02,800
Speaker 2: Literally it's like a full size pie pot pie, which

178
00:08:02,800 --> 00:08:03,720
Speaker 2: you ordered the first.

179
00:08:03,520 --> 00:08:05,920
Speaker 1: Time and you were like, oh my, yeah, they don't

180
00:08:05,960 --> 00:08:07,360
Speaker 1: warn you of that in the middle.

181
00:08:08,480 --> 00:08:10,679
Speaker 3: Pie and they were like, here's a nine inch pie.

182
00:08:10,560 --> 00:08:13,600
Speaker 1: Cross like yeah, yeah, but.

183
00:08:13,560 --> 00:08:15,400
Speaker 2: It's very fun and I love it and I love

184
00:08:15,440 --> 00:08:17,840
Speaker 2: that we do it with you know, it's become our

185
00:08:17,880 --> 00:08:21,880
Speaker 2: little like full fuller tradition with people. So I'll see

186
00:08:21,880 --> 00:08:23,360
Speaker 2: what I can, what I can pull together, because I

187
00:08:23,400 --> 00:08:25,160
Speaker 2: do love I do love a good tradition, and I

188
00:08:25,160 --> 00:08:27,680
Speaker 2: do love Halloween, and I do I do love you.

189
00:08:28,080 --> 00:08:29,880
Speaker 3: So, but you're gonna be on.

190
00:08:29,840 --> 00:08:33,439
Speaker 1: Your You're on the cruise, yep, yep, So we'll take

191
00:08:33,480 --> 00:08:35,959
Speaker 1: a rain check. We'll have to do like a I

192
00:08:36,000 --> 00:08:39,280
Speaker 1: don't know the Thanksgiving equivalent of horror nights, what if

193
00:08:39,480 --> 00:08:41,320
Speaker 1: that's odd thing, but let's find it. We'll make it.

194
00:08:41,480 --> 00:08:43,800
Speaker 2: Well, if you're a Turkey, I mean I feel like, yes,

195
00:08:44,000 --> 00:08:46,120
Speaker 2: you know, it's pretty terrifying, pretty terrifying.

196
00:08:46,440 --> 00:08:48,000
Speaker 3: November is pretty scary for you.

197
00:08:48,080 --> 00:08:52,120
Speaker 1: So yes, yes, well we should probably talk about the episode.

198
00:08:52,160 --> 00:08:53,880
Speaker 1: I mean, let's do that. I guess you ever hear

199
00:08:54,600 --> 00:08:58,920
Speaker 1: well whatever partly so Fan Aurito's welcome back to How

200
00:08:59,000 --> 00:09:02,840
Speaker 1: Rude Tanerito. I'm Andrew Barber and I am Jody Sweeten,

201
00:09:03,280 --> 00:09:09,160
Speaker 1: and today we're discussing season one, episode thirteen, titled Sisterly Love.

202
00:09:10,360 --> 00:09:14,720
Speaker 1: It first aired on January seventh, nineteen eighty eight. We're

203
00:09:14,720 --> 00:09:17,120
Speaker 1: out of nineteen eighty seven. Finally we're out.

204
00:09:17,000 --> 00:09:21,320
Speaker 2: Of eighty seven into eighty eight, just like a week.

205
00:09:21,120 --> 00:09:23,559
Speaker 3: And two days before my birthday, well like two weeks.

206
00:09:23,360 --> 00:09:25,680
Speaker 1: Before my birthday. Yeah, that's right, So you would be

207
00:09:25,720 --> 00:09:29,880
Speaker 1: turning six, six years old. My goodness, the ripe age

208
00:09:29,880 --> 00:09:33,520
Speaker 1: of six. Wow. And so the episode goes a little

209
00:09:33,559 --> 00:09:37,160
Speaker 1: something like this. Jesse suggests that DJ auditions for a

210
00:09:37,200 --> 00:09:41,160
Speaker 1: commercial after she does well in a school performance. DJ

211
00:09:41,320 --> 00:09:43,720
Speaker 1: does well in her audition, but when she leaves the room,

212
00:09:43,920 --> 00:09:47,000
Speaker 1: the part is given to Stephanie.

213
00:09:48,760 --> 00:09:50,959
Speaker 3: M Oh sibling rivalry.

214
00:09:51,080 --> 00:09:53,800
Speaker 1: Oh, this is such a good episode. It was directed

215
00:09:53,840 --> 00:09:57,600
Speaker 1: by Lee Shallatt Chamelle. I don't know if I'm saying

216
00:09:57,600 --> 00:09:59,920
Speaker 1: that right, but that's who was directed.

217
00:10:00,480 --> 00:10:00,720
Speaker 3: Yep.

218
00:10:00,880 --> 00:10:02,080
Speaker 1: It was written by Jeffrey.

219
00:10:01,800 --> 00:10:04,360
Speaker 3: I don't remember. I don't even remember LEEH. Shallatt.

220
00:10:04,480 --> 00:10:05,920
Speaker 1: The name does not ring it, but he wasn't one

221
00:10:05,920 --> 00:10:06,960
Speaker 1: of our normal directors.

222
00:10:07,040 --> 00:10:10,040
Speaker 3: I don't think we know it was a Hew.

223
00:10:09,080 --> 00:10:11,360
Speaker 1: So maybe it was a she. Yeah, it was the eighties,

224
00:10:11,679 --> 00:10:15,000
Speaker 1: the eighties probably. It was written by Jeff Franklin and

225
00:10:15,080 --> 00:10:17,920
Speaker 1: Lenny Rips. And we have a few guest stars. We

226
00:10:18,000 --> 00:10:23,320
Speaker 1: have Wendy shall as Vivian. Who's the casting agent. Yes,

227
00:10:23,440 --> 00:10:28,280
Speaker 1: she's known for American Dad, the Burbs, Interspace, and batteries

228
00:10:28,320 --> 00:10:28,920
Speaker 1: not included.

229
00:10:29,280 --> 00:10:32,120
Speaker 3: I loved batteries not included. Did you never seen such

230
00:10:32,160 --> 00:10:34,520
Speaker 3: a great movie. It's a very cute little Disney movie

231
00:10:34,520 --> 00:10:35,839
Speaker 3: with a like robot thing.

232
00:10:35,920 --> 00:10:38,240
Speaker 1: Oh, I've never seen it. I'll have to check it out.

233
00:10:39,280 --> 00:10:42,840
Speaker 1: We also have guest starring Greg Callahan as mister Benton,

234
00:10:43,559 --> 00:10:47,520
Speaker 1: and we have Jandy Swanson as Karen, the child actor

235
00:10:48,679 --> 00:10:50,200
Speaker 1: appropriately named Karen.

236
00:10:50,280 --> 00:10:50,480
Speaker 3: Yes.

237
00:10:51,280 --> 00:10:53,520
Speaker 1: Yes, And we open in the living room where the

238
00:10:53,679 --> 00:10:56,400
Speaker 1: entire family walks through the front door and Danny introduces

239
00:10:56,559 --> 00:11:01,560
Speaker 1: America's newest superstar, our very own Maryland Streep, Miss Donna

240
00:11:01,640 --> 00:11:05,080
Speaker 1: Joe Tanner. Everyone applause, and dj walks through the door

241
00:11:05,080 --> 00:11:08,160
Speaker 1: wearing a beautiful off the shoulder red gown with a

242
00:11:08,280 --> 00:11:11,079
Speaker 1: tiara on top of her head and carrying a bouquet

243
00:11:11,120 --> 00:11:12,800
Speaker 1: of long stem roses.

244
00:11:13,240 --> 00:11:17,200
Speaker 3: I was so wow jealous of that dress. I wanted

245
00:11:17,240 --> 00:11:18,720
Speaker 3: that dress, gorgeous, wanted.

246
00:11:18,840 --> 00:11:21,000
Speaker 2: I was like, and if you see me in the scene,

247
00:11:21,080 --> 00:11:23,440
Speaker 2: I constant I'm like constantly pulling the ribbons down and

248
00:11:23,440 --> 00:11:25,720
Speaker 2: making it like I was like always fusing with it

249
00:11:25,720 --> 00:11:27,000
Speaker 2: because I just was like, I want.

250
00:11:26,840 --> 00:11:28,440
Speaker 3: I love this dress. I love this dress. Was dress.

251
00:11:28,440 --> 00:11:29,440
Speaker 3: I want to wear the dress. I want to wear

252
00:11:29,440 --> 00:11:29,760
Speaker 3: the dress.

253
00:11:29,840 --> 00:11:32,800
Speaker 1: Right. Yeah, it's very fancy, it's very grown up. Like

254
00:11:32,920 --> 00:11:36,040
Speaker 1: I can just imagine DJ is loving right this moment.

255
00:11:36,360 --> 00:11:36,920
Speaker 3: Gorgeous.

256
00:11:37,000 --> 00:11:41,120
Speaker 1: Yeah, so gorgeous. I love this. So they have just

257
00:11:41,160 --> 00:11:44,520
Speaker 1: returned home after watching DJ perform as the Princess in

258
00:11:45,000 --> 00:11:49,040
Speaker 1: the play The Frog Princess. Joey says he misses.

259
00:11:49,040 --> 00:11:50,640
Speaker 3: Prince the Frog Frog Princess.

260
00:11:50,760 --> 00:11:52,600
Speaker 1: Oh, I wrote Prince turn it.

261
00:11:52,800 --> 00:11:54,000
Speaker 3: No, I think it's the Frog Prince.

262
00:11:54,080 --> 00:11:56,800
Speaker 1: It's the Frog Prince. She plays the Princess. The play

263
00:11:56,880 --> 00:11:59,120
Speaker 1: is called The Frog Prince. Yes, here we go, I added,

264
00:11:59,320 --> 00:12:04,240
Speaker 1: I added a few extrasses there. Joey missed DJ's performance

265
00:12:04,240 --> 00:12:07,680
Speaker 1: because Michelle was needy, so Stephanie convinces DJ to perform

266
00:12:07,720 --> 00:12:08,120
Speaker 1: it again.

267
00:12:08,280 --> 00:12:11,400
Speaker 2: For Joey, was she needy or was she just a toddler?

268
00:12:11,440 --> 00:12:13,320
Speaker 2: I feel like taking an eighteen month old or so

269
00:12:13,480 --> 00:12:14,160
Speaker 2: baby to a.

270
00:12:14,640 --> 00:12:15,520
Speaker 3: To a kid's place.

271
00:12:15,760 --> 00:12:19,520
Speaker 1: Probably, ye say, she's either gonna cry or poop in

272
00:12:19,600 --> 00:12:21,719
Speaker 1: or diaper or You're right. That was ambitious for them

273
00:12:21,760 --> 00:12:22,120
Speaker 1: to bring.

274
00:12:22,400 --> 00:12:23,959
Speaker 3: That's what I do when I go to a performance.

275
00:12:23,960 --> 00:12:27,439
Speaker 2: I don't like just poop your pants, right, I don't

276
00:12:27,480 --> 00:12:28,640
Speaker 2: have to sit there anymore, that's for sure.

277
00:12:30,640 --> 00:12:33,800
Speaker 1: So DJ agrees she'll perform it again, and she says,

278
00:12:33,800 --> 00:12:36,600
Speaker 1: but I need a frog, and they all simultaneously look

279
00:12:36,640 --> 00:12:39,560
Speaker 1: at Jesse. Jesse agrees and gets on the floor like

280
00:12:39,600 --> 00:12:40,040
Speaker 1: a frog.

281
00:12:40,200 --> 00:12:42,000
Speaker 3: Per He does love that amphibian.

282
00:12:42,240 --> 00:12:45,640
Speaker 2: I'm just saying, oh, oh, yes, why didn't I think

283
00:12:45,679 --> 00:12:49,760
Speaker 2: of that. He does a lot of amphibian amphibians.

284
00:12:48,360 --> 00:12:53,280
Speaker 1: He is very attracted to amphibians or reptiles or whatever

285
00:12:53,320 --> 00:12:54,440
Speaker 1: whatever we're calling them.

286
00:12:54,679 --> 00:12:55,800
Speaker 3: This is definitely an amphibian.

287
00:12:55,800 --> 00:12:57,960
Speaker 1: It's a frog. This is definitely an amphibian. Yes, not

288
00:12:58,040 --> 00:13:02,360
Speaker 1: a weasel, not a poodle. This is an amphibian. So

289
00:13:02,440 --> 00:13:06,480
Speaker 1: DJ gives a stunning performance as the princess while Jesse ribbits.

290
00:13:07,520 --> 00:13:10,600
Speaker 1: DJ kisses him on the forehead as he transforms into

291
00:13:10,640 --> 00:13:14,800
Speaker 1: a prince. They hug and the family claps. Stephanie touches

292
00:13:14,880 --> 00:13:18,440
Speaker 1: DJ and sizzles, ooh, the girl is hot.

293
00:13:19,120 --> 00:13:20,480
Speaker 3: It came back. It came back.

294
00:13:20,960 --> 00:13:24,920
Speaker 1: We saw DJ say this previously, yes, in the Joey's

295
00:13:24,920 --> 00:13:28,720
Speaker 1: Place episode where she was sizzling Joey and say, oh,

296
00:13:28,760 --> 00:13:30,559
Speaker 1: the man is hot. So now it's becoming a thing.

297
00:13:30,920 --> 00:13:34,599
Speaker 2: Well, I is it almost like a little moment. This

298
00:13:34,679 --> 00:13:36,760
Speaker 2: is how I took it because I was like, oh,

299
00:13:36,880 --> 00:13:38,679
Speaker 2: DJ said that. I was like, oh, is this like

300
00:13:38,760 --> 00:13:41,000
Speaker 2: Steph trying to be like DJ? Like is this sort

301
00:13:41,000 --> 00:13:43,480
Speaker 2: of in the you know what I mean, like copying her?

302
00:13:43,559 --> 00:13:46,120
Speaker 1: And yeah, like that's such a little sister thing to do.

303
00:13:46,400 --> 00:13:48,120
Speaker 1: So yeah, you're just you just want to be like DJ.

304
00:13:48,280 --> 00:13:50,360
Speaker 1: You want her dress, you want her catchphrase, like, you

305
00:13:50,400 --> 00:13:52,360
Speaker 1: want all of it. I don't blame you, don't blame you.

306
00:13:52,920 --> 00:13:56,320
Speaker 1: Uh So, DJ says this acting thing is so cool,

307
00:13:56,760 --> 00:13:59,320
Speaker 1: and this prompts Jesse to ask Danny if he has

308
00:13:59,360 --> 00:14:02,600
Speaker 1: any connections and show business to get DJ a commercial.

309
00:14:03,160 --> 00:14:07,480
Speaker 1: DJ is elated. Great idea, Uncle, Jesse. She says, Danny

310
00:14:07,600 --> 00:14:10,640
Speaker 1: is not as thrilled, and he tells DJ not to

311
00:14:10,679 --> 00:14:14,880
Speaker 1: get her hopes up. DJ responds, whatever happens happens, but

312
00:14:14,960 --> 00:14:17,880
Speaker 1: I hope it happens this week and the girl's exit.

313
00:14:18,720 --> 00:14:20,720
Speaker 1: In the next scene, we're in the kitchen where Jesse

314
00:14:20,880 --> 00:14:23,880
Speaker 1: is making lunch and talking to Michelle, saying that she's

315
00:14:23,920 --> 00:14:27,840
Speaker 1: probably tired of all that strained baby grub. Instead, he

316
00:14:27,880 --> 00:14:30,560
Speaker 1: serves her a corn beef sandwich on rye with a big, fat,

317
00:14:30,640 --> 00:14:35,200
Speaker 1: kosher pickle. Both Jesse and Michelle are wearing red baseball

318
00:14:35,240 --> 00:14:39,480
Speaker 1: caps backwards. It's so so cute, so cute. I love it.

319
00:14:40,080 --> 00:14:42,640
Speaker 1: Danny walks in and sees Michelle eating the pickle and

320
00:14:42,720 --> 00:14:46,440
Speaker 1: adorably sharing it with Uncle Jesse, like so cute. I

321
00:14:46,440 --> 00:14:48,400
Speaker 1: don't think this was scripted either. I think that she

322
00:14:48,520 --> 00:14:48,720
Speaker 1: was just.

323
00:14:49,960 --> 00:14:52,480
Speaker 2: Like baby, start learning, like, okay, I feed you, you

324
00:14:52,560 --> 00:14:55,000
Speaker 2: feed like. It's like a very cute little thing that

325
00:14:55,040 --> 00:14:56,320
Speaker 2: they start doing with popos.

326
00:14:56,400 --> 00:14:56,920
Speaker 3: Adorable.

327
00:14:57,000 --> 00:14:58,960
Speaker 1: It's just it's just it melts my heart.

328
00:14:59,000 --> 00:15:03,240
Speaker 3: It's so not a hint of sour face at the pickle.

329
00:15:03,640 --> 00:15:04,240
Speaker 3: Love the pickle.

330
00:15:04,400 --> 00:15:06,560
Speaker 1: No, she's just she's just eating away. She loves it.

331
00:15:06,560 --> 00:15:06,920
Speaker 1: It's good.

332
00:15:06,960 --> 00:15:07,920
Speaker 3: Yeah.

333
00:15:08,080 --> 00:15:11,480
Speaker 1: Joey enters carrying grocery bags and Jesse tempts him with

334
00:15:11,520 --> 00:15:14,760
Speaker 1: a corn beef sandwich, but Joey declines, stating that he

335
00:15:14,800 --> 00:15:18,880
Speaker 1: would rather have his healthy options like tofu.

336
00:15:18,040 --> 00:15:23,320
Speaker 3: Squares and rice crackers and obviously a plethora of carrots,

337
00:15:23,400 --> 00:15:27,520
Speaker 3: which we are which are evidenced by the giant fluffy

338
00:15:27,640 --> 00:15:29,800
Speaker 3: things that are freaking out of the bag that this

339
00:15:29,920 --> 00:15:32,800
Speaker 3: family seems to be obsessed with pulling fresh carrots out

340
00:15:32,840 --> 00:15:33,240
Speaker 3: of the ground.

341
00:15:33,360 --> 00:15:36,200
Speaker 1: Why why you're right? Why do these full on carrots

342
00:15:36,240 --> 00:15:38,720
Speaker 1: out of the ground keep coming back? They'reright?

343
00:15:39,000 --> 00:15:41,360
Speaker 3: Have you ever seen I've just never seen. I rarely.

344
00:15:41,400 --> 00:15:42,560
Speaker 3: I don't think I ever see.

345
00:15:42,480 --> 00:15:46,040
Speaker 1: Like that level of carrot fluf now, you know, No,

346
00:15:46,840 --> 00:15:48,800
Speaker 1: I just get them pre cut at the market, like

347
00:15:48,840 --> 00:15:50,800
Speaker 1: I'm not pulling them out of the ground or you know,

348
00:15:50,840 --> 00:15:53,200
Speaker 1: I don't want the green stuff on there. But all right,

349
00:15:53,280 --> 00:15:54,600
Speaker 1: he's got He's great.

350
00:15:54,840 --> 00:15:56,320
Speaker 3: It looks good, you know.

351
00:15:56,720 --> 00:16:01,120
Speaker 1: And Joey, Joey's he's dedicated to this, to this process.

352
00:16:01,160 --> 00:16:03,160
Speaker 1: He says, his test results came back from the doctor

353
00:16:03,200 --> 00:16:05,840
Speaker 1: and he needs to work on lowering his cholesterol, so

354
00:16:05,880 --> 00:16:09,880
Speaker 1: he's decided to completely give up junk food. Jesse and

355
00:16:09,960 --> 00:16:14,520
Speaker 1: Danny deadpan and stare at Joey wordlessly. Joey says, what

356
00:16:14,800 --> 00:16:17,000
Speaker 1: you don't think I can do it? Jesse and Danny

357
00:16:17,000 --> 00:16:19,240
Speaker 1: avoid this question and go back to eating their sandwiches.

358
00:16:19,680 --> 00:16:24,600
Speaker 1: Joey responds, you're talking to mister will Power, dudes, and

359
00:16:24,600 --> 00:16:26,600
Speaker 1: then he tells this story about this is how he

360
00:16:27,520 --> 00:16:29,800
Speaker 1: gave up smoking, just like that, and Danny's like, when

361
00:16:29,800 --> 00:16:32,520
Speaker 1: did you smoke? Like I've known you since we were kids.

362
00:16:32,640 --> 00:16:35,200
Speaker 1: And Joey replies, when I was twelve, I smoked four

363
00:16:35,200 --> 00:16:39,600
Speaker 1: cigarettes and my dad caught me and I stopped cold turkey. Okay, well,

364
00:16:39,840 --> 00:16:42,200
Speaker 1: good good time to quit, Good time to quit, start

365
00:16:42,240 --> 00:16:44,520
Speaker 1: and quit all on the same day. Danny turns this

366
00:16:44,560 --> 00:16:47,440
Speaker 1: conversation back to himself and mentions that he called a

367
00:16:47,520 --> 00:16:51,280
Speaker 1: casting director. There's an audition next week for a serial commercial,

368
00:16:52,240 --> 00:16:55,240
Speaker 1: but Danny questions if he should even tell DJ about it.

369
00:16:55,720 --> 00:16:58,000
Speaker 1: Jesse tells him to go for it, but Joey says, no,

370
00:16:58,160 --> 00:17:00,640
Speaker 1: don't put her through that because she's gonna lose to

371
00:17:00,640 --> 00:17:03,440
Speaker 1: some kid actor and feel like a loser. Danny says,

372
00:17:03,480 --> 00:17:06,000
Speaker 1: this is the hard part of parenting. Every decision you

373
00:17:06,040 --> 00:17:10,200
Speaker 1: make could drastically alter your child's life. So Jessey Joey

374
00:17:10,200 --> 00:17:12,440
Speaker 1: flip flop and switch switch sides and then argue about

375
00:17:12,480 --> 00:17:14,760
Speaker 1: it some more. Danny decides to talk it over with

376
00:17:14,840 --> 00:17:19,239
Speaker 1: DJ instead of Gohmer and Goober. So what would you do?

377
00:17:19,320 --> 00:17:20,040
Speaker 3: Like what there were?

378
00:17:20,080 --> 00:17:23,760
Speaker 2: Gomer and Goober were the Gomer Pile from uh? Do

379
00:17:23,760 --> 00:17:25,760
Speaker 2: you know that reference? From uh?

380
00:17:25,760 --> 00:17:26,040
Speaker 3: Okay?

381
00:17:26,160 --> 00:17:28,240
Speaker 1: Got it? I don't know, but I know Gomer.

382
00:17:28,000 --> 00:17:31,000
Speaker 3: Goober was Gohmer's cousin. I think or something.

383
00:17:31,160 --> 00:17:33,440
Speaker 2: Wasn't it that it was one of those like played

384
00:17:33,480 --> 00:17:35,800
Speaker 2: by this I think or maybe I'm crazy, but I

385
00:17:35,840 --> 00:17:38,240
Speaker 2: think it was like they had he was like the

386
00:17:38,280 --> 00:17:40,119
Speaker 2: same character or it was the same guy that played it,

387
00:17:40,160 --> 00:17:41,800
Speaker 2: and it was like you know, Guber and Gomer, or

388
00:17:41,800 --> 00:17:44,400
Speaker 2: maybe there was an actual second character, but anyway.

389
00:17:44,200 --> 00:17:46,040
Speaker 1: It's all sorts of names for Jesse and Joey like

390
00:17:46,040 --> 00:17:51,359
Speaker 1: they're yo yo's, like they're just you know, dumb and dummer.

391
00:17:51,400 --> 00:17:51,920
Speaker 1: Like there's no.

392
00:17:52,080 --> 00:17:54,200
Speaker 3: Guomer and Gober is what I just said. That's no

393
00:17:55,760 --> 00:17:58,320
Speaker 3: Gozeran from Ghostbusters.

394
00:17:58,359 --> 00:18:01,680
Speaker 1: Okay, oh okay, But this leads me to a question

395
00:18:01,720 --> 00:18:03,240
Speaker 1: because I get this question all the time. So now

396
00:18:03,280 --> 00:18:05,040
Speaker 1: I'm just gonna ask you, like, would you put your

397
00:18:05,160 --> 00:18:08,439
Speaker 1: kids into show business? That's what people always ask me,

398
00:18:08,440 --> 00:18:10,320
Speaker 1: would you let your kids be in show business? And

399
00:18:10,359 --> 00:18:12,080
Speaker 1: I'm always like no, heck no.

400
00:18:12,240 --> 00:18:14,560
Speaker 2: Well, you know, we sort of talked about it on

401
00:18:14,600 --> 00:18:15,720
Speaker 2: the episode with my mom.

402
00:18:16,200 --> 00:18:18,159
Speaker 1: Oh okay, okay, where we were.

403
00:18:18,119 --> 00:18:22,040
Speaker 3: Talking about how putting your kids in the business today.

404
00:18:23,240 --> 00:18:25,639
Speaker 1: Is very different, very different than I.

405
00:18:27,200 --> 00:18:27,720
Speaker 3: Then then.

406
00:18:27,800 --> 00:18:31,240
Speaker 2: But also like then, I mean, you know then they

407
00:18:31,240 --> 00:18:34,320
Speaker 2: were you know, suspending children from curtains. So there was

408
00:18:34,359 --> 00:18:36,879
Speaker 2: also things that were happening then that maybe were like

409
00:18:36,960 --> 00:18:39,440
Speaker 2: a little bit scary as a parenting or as a parent.

410
00:18:39,840 --> 00:18:42,800
Speaker 3: So I don't know. I I guess.

411
00:18:43,119 --> 00:18:45,600
Speaker 2: It's hard for me too, because I had such a

412
00:18:45,640 --> 00:18:48,920
Speaker 2: great experience in the business, despite the challenges and things

413
00:18:49,000 --> 00:18:52,359
Speaker 2: that came with it. Like I always have sort of

414
00:18:52,400 --> 00:18:54,639
Speaker 2: a I don't know, a little bit of a biased

415
00:18:54,640 --> 00:18:57,080
Speaker 2: opinion because I'm like, yeah, I had a great time,

416
00:18:57,560 --> 00:19:00,640
Speaker 2: but I also know, like that's not necessary the case

417
00:19:00,840 --> 00:19:05,480
Speaker 2: all the time, and so I don't know. I have

418
00:19:05,560 --> 00:19:08,119
Speaker 2: been happy to let my kids just kind of be kids,

419
00:19:08,280 --> 00:19:10,800
Speaker 2: and you know, be has wanted to perform and do stuff,

420
00:19:10,840 --> 00:19:14,400
Speaker 2: but I've tried to give her outlets like through school

421
00:19:14,640 --> 00:19:17,359
Speaker 2: or where she goes to school, or performances and things

422
00:19:17,400 --> 00:19:19,760
Speaker 2: like that. I don't know that i'd I don't know.

423
00:19:20,359 --> 00:19:23,240
Speaker 1: I feel I feel very similarly, And I think it's

424
00:19:23,240 --> 00:19:26,280
Speaker 1: because we have experience that we're like, yeah, no, you

425
00:19:26,280 --> 00:19:28,960
Speaker 1: don't want to do this, because you know, we're not jaded,

426
00:19:29,000 --> 00:19:31,000
Speaker 1: we're not like or we're not like we don't have

427
00:19:31,080 --> 00:19:33,560
Speaker 1: rose colored glasses like oh, it's going to be all fame,

428
00:19:33,880 --> 00:19:36,600
Speaker 1: fortune and glamor. It's like, no, it's a lot of hard.

429
00:19:36,640 --> 00:19:38,600
Speaker 1: It's a lot of hard work, especially as a kid,

430
00:19:39,040 --> 00:19:41,879
Speaker 1: and it affects the whole family too. I'm trying to remember, like,

431
00:19:41,880 --> 00:19:44,159
Speaker 1: because my mom had to drive me to work every day.

432
00:19:44,480 --> 00:19:46,399
Speaker 1: But then my brothers, you know, they were still in

433
00:19:46,440 --> 00:19:48,600
Speaker 1: school and they were still doing their activities. So I'm

434
00:19:48,640 --> 00:19:50,399
Speaker 1: just like, how did she balance all this my dad's

435
00:19:50,400 --> 00:19:52,520
Speaker 1: work in full time as I Yeah, so it affects

436
00:19:52,600 --> 00:19:54,280
Speaker 1: the whole family, and that's why I tell my kids.

437
00:19:54,480 --> 00:19:56,440
Speaker 1: Then they don't really have an interest in it anyways,

438
00:19:56,440 --> 00:19:58,720
Speaker 1: but if they did, I'd be like, look, you have

439
00:19:58,760 --> 00:20:00,720
Speaker 1: to really think about this because it change the whole

440
00:20:00,720 --> 00:20:02,080
Speaker 1: family dynamic, right.

441
00:20:02,040 --> 00:20:04,200
Speaker 2: And I think it also it's like knowing your kid too,

442
00:20:04,240 --> 00:20:07,199
Speaker 2: like you got to know if they're responsible and like

443
00:20:07,400 --> 00:20:11,440
Speaker 2: able to and not that my kids aren't aren't necessarily responsible,

444
00:20:11,440 --> 00:20:14,119
Speaker 2: but they just they don't have the like focus and like,

445
00:20:14,160 --> 00:20:16,639
Speaker 2: this is what I want to do, despite if I

446
00:20:16,680 --> 00:20:18,840
Speaker 2: don't feel well or you know it, Like I just

447
00:20:18,920 --> 00:20:20,159
Speaker 2: this is my focus.

448
00:20:20,200 --> 00:20:22,240
Speaker 3: Like they're more like, no, I'm.

449
00:20:22,119 --> 00:20:25,080
Speaker 2: Done now, and that's kind of not you kind of

450
00:20:25,160 --> 00:20:27,080
Speaker 2: can't do that as a kid. Actor You're gonna be like,

451
00:20:27,119 --> 00:20:29,199
Speaker 2: I gotta work, this is what I do so you.

452
00:20:29,240 --> 00:20:31,359
Speaker 1: Gotta work, you know. It was so eye opening for

453
00:20:31,400 --> 00:20:36,760
Speaker 1: Felicity was when Felicity and Zoe were both background background

454
00:20:36,760 --> 00:20:39,440
Speaker 1: actors in an episode of Fuller House and they had

455
00:20:39,440 --> 00:20:42,040
Speaker 1: to get there at like seven am and like, wait,

456
00:20:42,119 --> 00:20:44,399
Speaker 1: you just wait around all day and sit there on

457
00:20:44,480 --> 00:20:46,720
Speaker 1: the set. And they were even like in our dressing rooms,

458
00:20:46,720 --> 00:20:47,640
Speaker 1: like they had a good.

459
00:20:47,520 --> 00:20:50,680
Speaker 2: Form, Like you don't even know, you don't even never

460
00:20:50,760 --> 00:20:51,679
Speaker 2: know how good you have it.

461
00:20:51,720 --> 00:20:53,760
Speaker 3: Everyone's everyone's being nice to you.

462
00:20:53,960 --> 00:20:56,280
Speaker 1: Yes, like like yeah, our hair and makeup people were

463
00:20:56,280 --> 00:21:00,919
Speaker 1: doing yeah, make hair, makeup fans and they were totally treated.

464
00:21:00,359 --> 00:21:02,679
Speaker 3: Like yeah, exactly, and they were like this is so boring.

465
00:21:02,720 --> 00:21:03,440
Speaker 3: You're like, you have no.

466
00:21:03,440 --> 00:21:05,240
Speaker 1: Idea, kid, they have no idea. But even at the

467
00:21:05,280 --> 00:21:07,320
Speaker 1: end of the day, Felicity's like, yeah, I'm done, Like

468
00:21:07,359 --> 00:21:09,159
Speaker 1: that was too early, that was too many hours.

469
00:21:09,200 --> 00:21:09,880
Speaker 3: I'm done early.

470
00:21:09,960 --> 00:21:11,600
Speaker 2: And you got to sit there and be quiet and

471
00:21:11,640 --> 00:21:13,560
Speaker 2: do the same thing over and over again. And they

472
00:21:13,560 --> 00:21:14,960
Speaker 2: were like, I don't want to make that face anymore.

473
00:21:14,960 --> 00:21:16,320
Speaker 2: And I was like, it doesn't matter. We're getting the

474
00:21:16,320 --> 00:21:18,520
Speaker 2: shot now, Like it what yeah.

475
00:21:18,359 --> 00:21:20,440
Speaker 1: Right right, And they had no awareness, or at least

476
00:21:20,440 --> 00:21:23,000
Speaker 1: Felicity didn't that it's like, no, you're on camera, even

477
00:21:23,000 --> 00:21:24,800
Speaker 1: when you don't think you're on camera. Like r I

478
00:21:25,000 --> 00:21:27,879
Speaker 1: wanted to be like, get your energy up, girls, smile.

479
00:21:27,720 --> 00:21:32,280
Speaker 2: Don't look you're you and I backstage being crazy step stage,

480
00:21:32,320 --> 00:21:34,760
Speaker 2: crazy stage moms. And it was we were like, oh

481
00:21:34,760 --> 00:21:36,280
Speaker 2: my god, how did our moms not lose their mind?

482
00:21:36,800 --> 00:21:38,160
Speaker 2: Because we were both you and I.

483
00:21:38,160 --> 00:21:40,879
Speaker 3: I think we were like in your room watching the

484
00:21:40,920 --> 00:21:43,520
Speaker 3: monitor feed right, watching the feed and like you see

485
00:21:43,520 --> 00:21:45,280
Speaker 3: them like ones in the background, just kind of like

486
00:21:45,440 --> 00:21:48,119
Speaker 3: yawning and yawning, and we were like, what do you know?

487
00:21:48,320 --> 00:21:50,879
Speaker 3: You and then paying attention down there. We can't go

488
00:21:50,960 --> 00:21:53,439
Speaker 3: down there, but we were like they, what what are

489
00:21:53,440 --> 00:21:53,800
Speaker 3: you doing?

490
00:21:53,880 --> 00:21:56,600
Speaker 1: No? This is like this This was just like Sherry

491
00:21:56,640 --> 00:21:59,560
Speaker 1: and Janis together, you know, probably doing the same thing.

492
00:21:59,640 --> 00:22:01,880
Speaker 1: Why I don't think they paying attention? Why is Jody

493
00:22:01,960 --> 00:22:07,480
Speaker 1: looking in every direction and touching people's s? Yeah, exactly difficult, but.

494
00:22:07,480 --> 00:22:10,240
Speaker 2: Yeah, I don't this is it was again this this

495
00:22:10,400 --> 00:22:14,600
Speaker 2: whole episode felt very meta, if you you know about

496
00:22:14,640 --> 00:22:18,320
Speaker 2: like sort of referencing kid actors and that whole thing.

497
00:22:18,400 --> 00:22:20,399
Speaker 1: Yeah, yes, I agree.

498
00:22:20,480 --> 00:22:23,480
Speaker 2: And the terrifying statement that Danny makes about that every

499
00:22:23,560 --> 00:22:26,080
Speaker 2: decision you make has an impact on your kid, And

500
00:22:26,080 --> 00:22:26,400
Speaker 2: I was.

501
00:22:26,359 --> 00:22:30,280
Speaker 1: Like, oh, he's right, he's right, he's right. It's terrifying.

502
00:22:30,320 --> 00:22:33,600
Speaker 1: It's sobering, it's very sobering. Yeah. So the next scene,

503
00:22:33,600 --> 00:22:36,120
Speaker 1: we're in the girl's bedroom and Danny enters the room

504
00:22:36,160 --> 00:22:38,280
Speaker 1: where she DJ is working on her homework at the

505
00:22:38,320 --> 00:22:40,919
Speaker 1: tiny table. Danny attempts to sit in one of the

506
00:22:40,960 --> 00:22:43,720
Speaker 1: tiny chairs, but he can't quite fit, so instead he

507
00:22:43,760 --> 00:22:45,760
Speaker 1: sits on the table. Like why is this? Get these

508
00:22:45,800 --> 00:22:48,240
Speaker 1: girls a proper desk? Like why? I mean she has

509
00:22:48,280 --> 00:22:48,880
Speaker 1: a desk.

510
00:22:48,720 --> 00:22:50,679
Speaker 2: If you look in the background of her, DJ has

511
00:22:50,680 --> 00:22:51,880
Speaker 2: a desk, but it's facing the wall.

512
00:22:51,960 --> 00:22:53,960
Speaker 3: So it's terrible for a shot.

513
00:22:54,400 --> 00:22:56,639
Speaker 2: Right, you have to have a weird little mini table,

514
00:22:56,680 --> 00:22:58,440
Speaker 2: and it's got to be small enough that you can

515
00:22:58,520 --> 00:23:02,399
Speaker 2: shoot kids in bed over it, which is why it's

516
00:23:02,440 --> 00:23:03,800
Speaker 2: small'stic this.

517
00:23:03,880 --> 00:23:05,159
Speaker 1: Is a practical reason.

518
00:23:05,240 --> 00:23:05,560
Speaker 3: Okay.

519
00:23:06,880 --> 00:23:09,040
Speaker 1: I've been wondering. I'm like, why are they that such

520
00:23:09,040 --> 00:23:10,719
Speaker 1: a tight This is like a toddler table? Why are

521
00:23:10,720 --> 00:23:11,280
Speaker 1: they sitting right?

522
00:23:11,480 --> 00:23:14,560
Speaker 3: Well, it's probably from Steph. It's probably Steph's table.

523
00:23:14,880 --> 00:23:17,080
Speaker 1: Okay, so she was probably very happy with it.

524
00:23:17,119 --> 00:23:19,400
Speaker 3: But DJ is now stuck at this at the little.

525
00:23:19,400 --> 00:23:22,000
Speaker 1: Tiny table, right, Bob Bob and his long legs that

526
00:23:22,040 --> 00:23:26,439
Speaker 1: don't fit anywhere. So Danny tells DJ about the audition

527
00:23:26,600 --> 00:23:29,520
Speaker 1: next week, and DJ squeals that she wants to do it.

528
00:23:29,680 --> 00:23:32,000
Speaker 1: Danny reminds her that her chances of getting this job

529
00:23:32,000 --> 00:23:36,000
Speaker 1: are very very tiny, microscopic, and if you do this,

530
00:23:36,160 --> 00:23:39,520
Speaker 1: it should be for fun. DJ grabs Danny by the

531
00:23:39,560 --> 00:23:41,880
Speaker 1: cheeks and tells him, listen to me, Dad, I want

532
00:23:41,880 --> 00:23:44,000
Speaker 1: to do it. Danny tells her to think about it

533
00:23:44,000 --> 00:23:46,639
Speaker 1: before she makes her decision, and he walks out. He

534
00:23:46,720 --> 00:23:48,920
Speaker 1: waits in the hallway for half a beat when DJ

535
00:23:49,040 --> 00:23:51,800
Speaker 1: comes running out, declaring, I want to do it. So

536
00:23:51,800 --> 00:23:54,720
Speaker 1: she's in, y, she is in. She's doing this. And

537
00:23:54,760 --> 00:23:56,600
Speaker 1: you know, my parents had the exact same attitude. I

538
00:23:56,640 --> 00:23:58,760
Speaker 1: know Janis did as well, about do it for fun,

539
00:23:58,840 --> 00:24:01,720
Speaker 1: Like as soon as it doesn't become fun anymore, we're stopping,

540
00:24:01,760 --> 00:24:04,960
Speaker 1: Like this is it's a job, but you're also a child.

541
00:24:05,000 --> 00:24:07,000
Speaker 1: So if it becomes not fun anymore.

542
00:24:06,640 --> 00:24:09,680
Speaker 3: If you absolutely hate performing, like then yeah.

543
00:24:09,760 --> 00:24:12,520
Speaker 1: Yeah, it's not worth it if you're not loving it.

544
00:24:12,880 --> 00:24:16,080
Speaker 3: I'm still waiting for that day.

545
00:24:16,240 --> 00:24:18,639
Speaker 1: So next we're in the casting office where plenty of

546
00:24:18,720 --> 00:24:21,879
Speaker 1: child actors and their guardians are waiting. This brought back

547
00:24:21,920 --> 00:24:22,560
Speaker 1: a lot of memory.

548
00:24:22,760 --> 00:24:25,040
Speaker 2: I was gonna say that I literally wrote down, like,

549
00:24:25,080 --> 00:24:29,200
Speaker 2: do you remember these rooms are terrify you remember.

550
00:24:29,359 --> 00:24:32,960
Speaker 1: It's intimidating walk in. You walk in, everyone's looking at

551
00:24:33,000 --> 00:24:33,480
Speaker 1: you as you.

552
00:24:33,359 --> 00:24:34,800
Speaker 3: Wanted, like a commercial audition.

553
00:24:34,960 --> 00:24:37,119
Speaker 2: Write you and your mom or your guardian, whoever's with

554
00:24:37,160 --> 00:24:38,840
Speaker 2: you taking to the audition. And you walk in and

555
00:24:38,880 --> 00:24:41,680
Speaker 2: there was a sign in sheet. And remember we used

556
00:24:41,680 --> 00:24:44,160
Speaker 2: to you would sign in your name and your social

557
00:24:44,200 --> 00:24:47,119
Speaker 2: Security number. Yeah, oh yeah, you just write it on

558
00:24:47,160 --> 00:24:47,879
Speaker 2: a piece of paper.

559
00:24:47,920 --> 00:24:50,760
Speaker 1: I remember everyone to see like to steal my ID.

560
00:24:50,920 --> 00:24:53,639
Speaker 2: I knew I knew my social Security number when I

561
00:24:53,680 --> 00:24:55,120
Speaker 2: was like five or six years old, so I could

562
00:24:55,119 --> 00:24:56,960
Speaker 2: go in and write my name and write my social

563
00:24:57,040 --> 00:24:58,639
Speaker 2: Security number on the sign and sheet.

564
00:24:59,160 --> 00:25:01,520
Speaker 3: Because if you were oh there for like over two

565
00:25:01,560 --> 00:25:02,080
Speaker 3: hours or.

566
00:25:02,040 --> 00:25:04,359
Speaker 2: Something, technically you get paid I think by the union

567
00:25:04,400 --> 00:25:07,600
Speaker 2: if you're waiting longer than whatever, which is why they

568
00:25:07,600 --> 00:25:10,520
Speaker 2: had all that information your time in and time out

569
00:25:10,560 --> 00:25:14,959
Speaker 2: and all that. But I remember, yeah, sitting there and

570
00:25:15,000 --> 00:25:16,000
Speaker 2: you'd walk in and.

571
00:25:15,920 --> 00:25:18,080
Speaker 1: You'd always see the same piece.

572
00:25:18,119 --> 00:25:20,760
Speaker 2: There was always be like the same kids because you

573
00:25:20,760 --> 00:25:23,080
Speaker 2: were always in the same like you'd know your type,

574
00:25:23,160 --> 00:25:24,879
Speaker 2: and it was like there was the type that you

575
00:25:24,920 --> 00:25:25,679
Speaker 2: always were.

576
00:25:25,600 --> 00:25:27,080
Speaker 3: On an audition with You're like hey.

577
00:25:27,400 --> 00:25:30,520
Speaker 1: For me, it was like Kelly Martin and right jenovon Oi,

578
00:25:30,680 --> 00:25:32,280
Speaker 1: like there were all the same age and so like

579
00:25:32,359 --> 00:25:33,920
Speaker 1: we were all competing for the same time.

580
00:25:33,960 --> 00:25:36,560
Speaker 3: I just did a zoom with jenovon Oi a couple

581
00:25:36,600 --> 00:25:39,320
Speaker 3: of weeks ago. I did I did. For those of

582
00:25:39,320 --> 00:25:42,199
Speaker 3: you wondering why that name sounds familiar, jenevon Oi was

583
00:25:42,320 --> 00:25:46,239
Speaker 3: on Blossom. She was six what was her six? That's right,

584
00:25:46,600 --> 00:25:47,120
Speaker 3: six on.

585
00:25:47,080 --> 00:25:50,680
Speaker 1: With the fast talking six. I also auditioned for that role.

586
00:25:50,840 --> 00:25:54,760
Speaker 1: Didn't get really yeah, I have failed at a lot

587
00:25:54,800 --> 00:25:57,040
Speaker 1: of auditions in my life. Let me tell you. Well.

588
00:25:57,080 --> 00:26:00,000
Speaker 2: You know when he says there, there's a line later

589
00:26:00,119 --> 00:26:01,280
Speaker 2: that he says about that, I was like, that's a

590
00:26:01,280 --> 00:26:04,520
Speaker 2: perfect description of entertainment. But yeah, this was a really

591
00:26:04,560 --> 00:26:08,480
Speaker 2: great moment, and especially when the the other kid comes

592
00:26:08,480 --> 00:26:11,359
Speaker 2: walking out and is like thanks so much. But I

593
00:26:11,400 --> 00:26:13,160
Speaker 2: remember the feelings of like.

594
00:26:13,800 --> 00:26:17,520
Speaker 3: Oh no, they feel write You'd be like, oh I suck.

595
00:26:17,440 --> 00:26:19,119
Speaker 2: Or you know, or you just want to go and

596
00:26:19,119 --> 00:26:21,439
Speaker 2: play with your friends at the audition, and it was like,

597
00:26:21,880 --> 00:26:23,040
Speaker 2: don't get sweaty.

598
00:26:22,720 --> 00:26:24,480
Speaker 1: Right, your mom wants to run lines with you.

599
00:26:24,480 --> 00:26:26,159
Speaker 2: Don't go No, you can't go outside. You need to

600
00:26:26,160 --> 00:26:27,240
Speaker 2: go right, you need to run lines.

601
00:26:27,440 --> 00:26:28,760
Speaker 1: And you're like, I just want to write a Sherry

602
00:26:28,840 --> 00:26:30,240
Speaker 1: was like, let's go out and we're going to go

603
00:26:30,280 --> 00:26:32,040
Speaker 1: outside and practice lines. And I'm like, no, I'm not

604
00:26:32,040 --> 00:26:33,480
Speaker 1: going to write. I'm not going to run my lines

605
00:26:33,520 --> 00:26:35,080
Speaker 1: with you. No, I got it, I got it right.

606
00:26:35,119 --> 00:26:35,840
Speaker 3: I know what I'm doing.

607
00:26:35,960 --> 00:26:39,239
Speaker 1: Yeah, yes, And unlike this, unlike this episode, like they

608
00:26:39,240 --> 00:26:42,040
Speaker 1: don't let parents in the in the audition room, Like

609
00:26:42,080 --> 00:26:43,760
Speaker 1: that's not I know Jesse was in there, but that's

610
00:26:43,800 --> 00:26:44,119
Speaker 1: not a thing.

611
00:26:44,119 --> 00:26:45,919
Speaker 2: They definitely don't. I wrote that down. I was like,

612
00:26:46,160 --> 00:26:48,800
Speaker 2: parents are never allowed in the room. That would be

613
00:26:48,840 --> 00:26:51,119
Speaker 2: a nightmare. Can you imagine some of the like obnoxious

614
00:26:51,160 --> 00:26:53,520
Speaker 2: stage parents that would go in there and be like

615
00:26:53,600 --> 00:26:55,679
Speaker 2: behind the camera doing the whole That.

616
00:26:55,640 --> 00:26:58,280
Speaker 1: Would affect the child's performance. They would not get a

617
00:26:58,280 --> 00:27:01,160
Speaker 1: good performance out of a kid. And I remember after

618
00:27:01,200 --> 00:27:02,800
Speaker 1: every audition, my mom would get in the car and

619
00:27:02,800 --> 00:27:04,720
Speaker 1: my mom would be like, so, how was it? Tell

620
00:27:04,760 --> 00:27:06,720
Speaker 1: me everything? And I'm like fuck, you know, as a teenager,

621
00:27:06,720 --> 00:27:09,359
Speaker 1: I'm like I don't want to talk about like, you know,

622
00:27:09,600 --> 00:27:10,960
Speaker 1: Mom would always ask me that how.

623
00:27:10,880 --> 00:27:11,800
Speaker 3: To go fine?

624
00:27:12,119 --> 00:27:12,960
Speaker 1: Fine? One word?

625
00:27:13,240 --> 00:27:15,840
Speaker 3: That was it? Fine? Yep, it was fine. I mean

626
00:27:15,920 --> 00:27:18,440
Speaker 3: it's fine. And now so when my kids did when

627
00:27:18,440 --> 00:27:20,520
Speaker 3: I asked that, and then it's fine fine.

628
00:27:20,960 --> 00:27:25,520
Speaker 1: Yep, payback man, yep, payback. Oh so this is great.

629
00:27:25,520 --> 00:27:28,280
Speaker 1: So DJ and Stephanie and Jesse, they all walk in.

630
00:27:29,280 --> 00:27:32,000
Speaker 1: Everybody looks so cute. Oh, Jody, you're wearing this dress

631
00:27:32,040 --> 00:27:33,359
Speaker 1: that you've worn before.

632
00:27:33,560 --> 00:27:34,560
Speaker 3: That was what I was gonna say.

633
00:27:35,040 --> 00:27:39,560
Speaker 2: Again, this was a repeat wardrobe moment, which we don't

634
00:27:39,560 --> 00:27:40,399
Speaker 2: see very often.

635
00:27:40,480 --> 00:27:44,560
Speaker 3: That doesn't happen anymore, doesn't happen anymore. But when the first.

636
00:27:44,400 --> 00:27:47,120
Speaker 2: Twelve episodes, we probably had three outfits and we were

637
00:27:47,160 --> 00:27:50,040
Speaker 2: just mixing and matching. And yeah, I remember that little

638
00:27:50,119 --> 00:27:52,080
Speaker 2: yellow I think I worked to like first day of school.

639
00:27:52,200 --> 00:27:53,520
Speaker 1: Yeah, I think it was first day school.

640
00:27:53,600 --> 00:27:54,600
Speaker 3: Yeah, yep it was.

641
00:27:54,680 --> 00:27:58,159
Speaker 1: It's very cute, very colorful. Yes, but yeah, I can

642
00:27:58,200 --> 00:28:00,360
Speaker 1: just see Jeff like telling the wardrobe department, look, you're

643
00:28:00,359 --> 00:28:03,680
Speaker 1: on a budget, so like strike just make it work. Yeah,

644
00:28:03,720 --> 00:28:06,840
Speaker 1: the joke has to work. Yes, So DJ remarks that

645
00:28:06,880 --> 00:28:10,200
Speaker 1: all of the kids look so professional. They witness a

646
00:28:10,200 --> 00:28:12,800
Speaker 1: little girl who is very professional. Her name is Karen.

647
00:28:13,200 --> 00:28:15,760
Speaker 1: She exits the audition room and says to the casting agent,

648
00:28:15,840 --> 00:28:18,680
Speaker 1: thank you so much, Vivian, it felt good for me too.

649
00:28:19,480 --> 00:28:23,119
Speaker 1: The girl hands over her picture and resume. Stephanie watches

650
00:28:23,160 --> 00:28:25,600
Speaker 1: her walk away and says, was that a little kid

651
00:28:25,680 --> 00:28:27,720
Speaker 1: or a tiny grown up? I?

652
00:28:27,840 --> 00:28:29,840
Speaker 2: You know what, though, I have to laugh because I'm like,

653
00:28:29,880 --> 00:28:32,240
Speaker 2: I've never seen a child Karen.

654
00:28:33,240 --> 00:28:35,400
Speaker 3: Oh, yeah, you know what I mean.

655
00:28:35,440 --> 00:28:36,880
Speaker 2: I was trying to think. I was like, I don't,

656
00:28:37,359 --> 00:28:39,960
Speaker 2: I don't I know adult Karen's as a kid. I'm like,

657
00:28:40,040 --> 00:28:41,760
Speaker 2: I don't, I've never met a kid Karen. But then

658
00:28:42,440 --> 00:28:44,160
Speaker 2: I meet adult Karen's, so there's got to be kid

659
00:28:44,200 --> 00:28:44,920
Speaker 2: Karen's out there.

660
00:28:45,040 --> 00:28:46,640
Speaker 1: They were kids at one Parently.

661
00:28:46,400 --> 00:28:49,800
Speaker 3: They are uh like from the movie Big.

662
00:28:49,840 --> 00:28:53,080
Speaker 2: They are adults in small bodies that eventually grow into

663
00:28:53,080 --> 00:28:53,800
Speaker 2: the name Karen.

664
00:28:54,280 --> 00:28:56,880
Speaker 1: And that's how it works. Yeah, yeah, because yes, because

665
00:28:56,880 --> 00:29:00,440
Speaker 1: this is full house where time doesn't matter, everything shaped shifts.

666
00:29:00,520 --> 00:29:02,840
Speaker 2: Yeah, it's it's yeah, but they eventually, yeah, they turned

667
00:29:02,840 --> 00:29:05,680
Speaker 2: into full grown Karens. But this is the rare spotting

668
00:29:05,720 --> 00:29:06,520
Speaker 2: of a child Karen.

669
00:29:07,000 --> 00:29:07,600
Speaker 1: Yeah.

670
00:29:07,760 --> 00:29:10,880
Speaker 3: Before Karen's amazing. Before Karen's were Karen before Karens were

671
00:29:11,120 --> 00:29:13,680
Speaker 3: this is this is karen origin story.

672
00:29:14,000 --> 00:29:16,280
Speaker 1: Ooh, right here, this is where it started.

673
00:29:16,360 --> 00:29:16,560
Speaker 3: Yep.

674
00:29:16,600 --> 00:29:19,080
Speaker 2: And you can say she's dismissive. She's like rude to

675
00:29:19,280 --> 00:29:22,240
Speaker 2: her mom or whatever. She's like, can I speak with

676
00:29:22,280 --> 00:29:25,719
Speaker 2: your manager? Yeah, I'm just it's this is where this

677
00:29:25,760 --> 00:29:26,840
Speaker 2: is where Karen's.

678
00:29:26,960 --> 00:29:29,680
Speaker 1: Is the Karen origin story. It all started in nineteen

679
00:29:29,720 --> 00:29:30,480
Speaker 1: eighty eight. Right here.

680
00:29:31,160 --> 00:29:34,240
Speaker 3: Everything basically has an origin story on full House. That's

681
00:29:34,280 --> 00:29:34,760
Speaker 3: what I'm going to.

682
00:29:34,800 --> 00:29:37,520
Speaker 1: Think can be explained by an episode of Full House. Yep,

683
00:29:37,880 --> 00:29:41,960
Speaker 1: I'm here for that theory. So Jeff Jeff Jesse sends

684
00:29:41,960 --> 00:29:45,720
Speaker 1: Steph away to color as he consoles an intimidated DJ

685
00:29:46,440 --> 00:29:48,840
Speaker 1: GJ claims that this was a mistake because she doesn't

686
00:29:48,840 --> 00:29:50,400
Speaker 1: have a picture or a resume.

687
00:29:51,120 --> 00:29:53,320
Speaker 3: Remember your picture. You would have a picture and it

688
00:29:53,440 --> 00:29:54,720
Speaker 3: was like it had a quadrant.

689
00:29:54,800 --> 00:29:57,200
Speaker 1: The quadr were different pictures, yes, and it's like that

690
00:29:57,320 --> 00:30:00,160
Speaker 1: was your commercial smiling one of you, like sad at,

691
00:30:00,240 --> 00:30:01,200
Speaker 1: one of you like doing.

692
00:30:01,000 --> 00:30:04,800
Speaker 2: A sport, like one of you with glasses because that

693
00:30:04,920 --> 00:30:06,160
Speaker 2: was always the nerdy look.

694
00:30:06,240 --> 00:30:06,360
Speaker 1: Right.

695
00:30:06,360 --> 00:30:09,920
Speaker 3: They're like, wait, do one with glasses be crazy?

696
00:30:10,160 --> 00:30:10,400
Speaker 1: Yeah?

697
00:30:11,320 --> 00:30:15,320
Speaker 2: Glasses autumn you know, and like yeah, like doing some.

698
00:30:15,200 --> 00:30:18,080
Speaker 3: Little pose with the glasses halfway off your nose or

699
00:30:18,160 --> 00:30:22,680
Speaker 3: some something name. But yeah, you do that, and then.

700
00:30:22,160 --> 00:30:24,200
Speaker 1: Would there be a series there's a serious pose.

701
00:30:24,040 --> 00:30:26,400
Speaker 3: And then like the smile and then yeah.

702
00:30:26,200 --> 00:30:27,480
Speaker 1: Look how multi talented?

703
00:30:28,720 --> 00:30:31,240
Speaker 3: Right right? Look at me with a baseball bat?

704
00:30:31,480 --> 00:30:33,840
Speaker 1: Do they do hedge like I don't? It's not all

705
00:30:34,080 --> 00:30:34,880
Speaker 1: because it's all easy.

706
00:30:36,240 --> 00:30:38,120
Speaker 3: Well, there's self things, but everything is submitted.

707
00:30:38,120 --> 00:30:40,280
Speaker 1: All every thing's digital, right, Okay, so you don't have

708
00:30:40,320 --> 00:30:43,760
Speaker 1: to print out those five hundred head shots anyway, No printing.

709
00:30:43,440 --> 00:30:46,240
Speaker 3: Out of headshots, no stapling of resumes to.

710
00:30:46,200 --> 00:30:49,400
Speaker 1: The backing, the resume on the back and your agent's

711
00:30:49,480 --> 00:30:51,720
Speaker 1: name and phone number right there.

712
00:30:52,440 --> 00:30:56,880
Speaker 3: Yeah, and under commercials you'd always put ask for ask

713
00:30:56,960 --> 00:30:57,720
Speaker 3: for full list or.

714
00:30:57,680 --> 00:31:00,520
Speaker 1: Whatever, right, because we did a million commercials back you.

715
00:31:00,480 --> 00:31:01,840
Speaker 3: Can get a ton of commercials back then.

716
00:31:02,000 --> 00:31:04,320
Speaker 1: But yeah, so I'm going to go, look, I know

717
00:31:04,360 --> 00:31:06,320
Speaker 1: I have it somewhere, some of these head shots with

718
00:31:06,400 --> 00:31:08,600
Speaker 1: the glasses, Like, I've got these headshots, So I'm going

719
00:31:08,640 --> 00:31:11,600
Speaker 1: to dig some out for our Instagram because people have

720
00:31:11,640 --> 00:31:12,640
Speaker 1: got to see how we look.

721
00:31:12,880 --> 00:31:14,280
Speaker 2: Yes, Oh god, I wish I could find some of

722
00:31:14,280 --> 00:31:16,360
Speaker 2: my old head shots and I can like picture them

723
00:31:16,360 --> 00:31:19,400
Speaker 2: in my head, m the black and white sort of thing.

724
00:31:19,440 --> 00:31:21,800
Speaker 3: And then then when we moved into color, then it was.

725
00:31:21,800 --> 00:31:24,280
Speaker 1: Just revolutionary, revolutionary, yes.

726
00:31:24,120 --> 00:31:26,480
Speaker 2: And then everyone had color. And now now it was

727
00:31:26,480 --> 00:31:28,280
Speaker 2: like nobody has color, nobody.

728
00:31:28,080 --> 00:31:31,000
Speaker 1: Has truer pictures. True, yeah, color color is now out.

729
00:31:31,080 --> 00:31:34,960
Speaker 1: But anyway, Yeah, so DJ is panicked. She's panicked that

730
00:31:35,000 --> 00:31:38,040
Speaker 1: she doesn't have a picture or resume. Jesse says, let

731
00:31:38,040 --> 00:31:40,000
Speaker 1: me take care of this, and he saunters over to

732
00:31:40,040 --> 00:31:43,000
Speaker 1: the casting agent. He wants to introduce the casting agent

733
00:31:43,040 --> 00:31:46,520
Speaker 1: to a very talented young actress, miss Donna Joe Tanner.

734
00:31:47,080 --> 00:31:49,560
Speaker 2: I'm surprised he didn't offer up like a free exterminator,

735
00:31:49,880 --> 00:31:50,760
Speaker 2: you know what I mean?

736
00:31:51,440 --> 00:31:53,360
Speaker 1: Is he gonna hit on this? The casting agent like,

737
00:31:53,400 --> 00:31:54,240
Speaker 1: come on, I'm just waiting.

738
00:31:54,360 --> 00:31:56,080
Speaker 3: That's the angle I thought Jesse was going with.

739
00:31:56,120 --> 00:31:58,560
Speaker 1: For sure, I thought so too. He's trying to woo

740
00:31:58,600 --> 00:32:02,120
Speaker 1: her or something. But the casting agent tells DJ to

741
00:32:02,160 --> 00:32:05,040
Speaker 1: sign in, and DJ admits that she doesn't have a picture.

742
00:32:05,360 --> 00:32:07,720
Speaker 1: Stephanie pipes up and says, yes you do, and she

743
00:32:07,840 --> 00:32:10,920
Speaker 1: brings over a picture that she drew of DJ. I

744
00:32:10,960 --> 00:32:13,040
Speaker 1: didn't have time to make hair, she says, as she

745
00:32:13,080 --> 00:32:15,400
Speaker 1: holds up this picture of a bald stick figure.

746
00:32:15,880 --> 00:32:19,000
Speaker 3: It's just like two little dot eyes in her mouth. Yeah.

747
00:32:19,040 --> 00:32:20,440
Speaker 1: Well, you didn't have a lot of time, you know,

748
00:32:20,520 --> 00:32:21,520
Speaker 1: you just had to make it quick.

749
00:32:21,560 --> 00:32:24,400
Speaker 3: So the it was, you know, a very avant guard.

750
00:32:24,840 --> 00:32:27,640
Speaker 1: It was great, you know you. Stephanie just loves DJ

751
00:32:27,760 --> 00:32:30,080
Speaker 1: so much and wants to help out, right, So we

752
00:32:30,120 --> 00:32:33,480
Speaker 1: suddenly cut to the audition room where DJ is practicing

753
00:32:33,600 --> 00:32:36,360
Speaker 1: reading the Q cards. She is poised next to a

754
00:32:36,400 --> 00:32:40,360
Speaker 1: cereal bowl and a big box of oat boats. People,

755
00:32:40,520 --> 00:32:44,760
Speaker 1: oat boats, both boats. Long live the oat boats. Okay,

756
00:32:45,720 --> 00:32:47,920
Speaker 1: rewind in the time Vortex.

757
00:32:47,640 --> 00:32:52,200
Speaker 3: That boats boats which were which were what was it

758
00:32:52,200 --> 00:32:53,680
Speaker 3: Oatsi's or ODI's or something?

759
00:32:54,000 --> 00:32:56,240
Speaker 1: These a few episodes ago, episodes.

760
00:32:55,840 --> 00:32:57,000
Speaker 3: Ago in the Orange Box.

761
00:32:57,120 --> 00:32:59,000
Speaker 2: But they've done a rebrand, which is why they're doing

762
00:32:59,040 --> 00:33:01,320
Speaker 2: this new commercial to rebrand his od boats.

763
00:33:01,440 --> 00:33:03,920
Speaker 1: Oh yeah, and we can't have like brand names on

764
00:33:04,000 --> 00:33:06,080
Speaker 1: TV because then that's a whole thing. You can't have

765
00:33:06,120 --> 00:33:08,560
Speaker 1: Wii's or anything, or you can't can they.

766
00:33:08,400 --> 00:33:10,560
Speaker 2: Have to pay you pay for it or if they

767
00:33:10,600 --> 00:33:13,520
Speaker 2: are a product sponsor, like sometimes you'll see like products

768
00:33:13,640 --> 00:33:16,360
Speaker 2: in a show or things like that and you're like, oh, wow,

769
00:33:16,400 --> 00:33:19,480
Speaker 2: that's actually you know, Coca Cola or whatever, and it's.

770
00:33:19,400 --> 00:33:21,880
Speaker 3: Usually because they've paid for product placement in it.

771
00:33:21,880 --> 00:33:25,000
Speaker 1: Exactly exactly, So this is just nope, Less's college boats.

772
00:33:25,240 --> 00:33:27,400
Speaker 1: This was There will be no money exchange. It's just

773
00:33:27,440 --> 00:33:27,960
Speaker 1: o boats.

774
00:33:28,160 --> 00:33:29,680
Speaker 3: Nope, Cheerio's got nothing.

775
00:33:29,840 --> 00:33:33,320
Speaker 1: They got nothing. Uh. So DJ is totally selling this

776
00:33:33,400 --> 00:33:36,680
Speaker 1: product and Jesse is even mouthing the words along with DJ,

777
00:33:37,240 --> 00:33:38,000
Speaker 1: which is why they.

778
00:33:37,880 --> 00:33:39,080
Speaker 3: Don't let parents in the room.

779
00:33:39,120 --> 00:33:44,280
Speaker 1: Exactly exactly. DJ finishes her practice round and Jesse pops up,

780
00:33:44,360 --> 00:33:48,880
Speaker 1: clapping enthusiastically. The casting agent agrees that DJ was fantastic.

781
00:33:49,480 --> 00:33:51,280
Speaker 1: She wants DJ to stay and do it one more

782
00:33:51,280 --> 00:33:54,400
Speaker 1: time for mister Benton because he makes the final decision.

783
00:33:54,480 --> 00:33:58,880
Speaker 1: I'm assuming mister Benton's like the director. DJ squeals with excitement.

784
00:33:59,400 --> 00:34:01,480
Speaker 1: DJ says, and I go and fix my hair, and

785
00:34:01,480 --> 00:34:04,040
Speaker 1: the casting agent says sure, So DJ leaves to go

786
00:34:04,080 --> 00:34:05,959
Speaker 1: fix her hair, and Jesse says he has to go

787
00:34:06,000 --> 00:34:08,759
Speaker 1: put money in the parking meter, so they both walk out,

788
00:34:08,840 --> 00:34:13,239
Speaker 1: leaving Stephanie alone in the audition room. Stephanie asks the

789
00:34:13,239 --> 00:34:14,920
Speaker 1: casting agent if she can have a little bit of

790
00:34:14,920 --> 00:34:17,759
Speaker 1: cereal because DJ was so good she made me want

791
00:34:17,800 --> 00:34:21,160
Speaker 1: to eat some. Yeah, steph You're just the biggest cheerleader

792
00:34:21,200 --> 00:34:21,760
Speaker 1: for DJ.

793
00:34:22,160 --> 00:34:25,040
Speaker 3: I was just hungry. I wanted a snack. You need

794
00:34:25,040 --> 00:34:26,919
Speaker 3: a snack now? Yeah, DJ was so great.

795
00:34:27,000 --> 00:34:28,960
Speaker 1: That was She really sold it.

796
00:34:29,080 --> 00:34:34,840
Speaker 3: She really sold that. The locallesterol, oat cereal, just.

797
00:34:34,840 --> 00:34:37,920
Speaker 1: Playing oat boats, yep, just plate yep, yep. The casting

798
00:34:37,960 --> 00:34:40,719
Speaker 1: agent says, knock yourself out, and Stephanie sits down at

799
00:34:40,760 --> 00:34:44,040
Speaker 1: the table to eat the oat boats. She adorably creates

800
00:34:44,080 --> 00:34:47,160
Speaker 1: this race in the bowl of milk between the strawberry

801
00:34:47,239 --> 00:34:50,000
Speaker 1: and the banana. And it is at this moment that

802
00:34:50,080 --> 00:34:53,640
Speaker 1: mister Benton walks in and observes her. He is thrilled

803
00:34:53,719 --> 00:34:57,400
Speaker 1: with Stephanie's adorableness and mistakenly thinks that she is the

804
00:34:57,440 --> 00:35:02,280
Speaker 1: one auditioning. He walks over to Stephanie announces, congratulations, young lady,

805
00:35:02,680 --> 00:35:06,680
Speaker 1: you are the new oat boat girl. And of course

806
00:35:06,719 --> 00:35:08,960
Speaker 1: it's at this moment the DJ and Jesse walk in

807
00:35:09,000 --> 00:35:12,359
Speaker 1: and hear this announcement. All three of them say what

808
00:35:12,760 --> 00:35:16,200
Speaker 1: in succession, and we end the scene with DJ glaring

809
00:35:16,520 --> 00:35:17,279
Speaker 1: at Stephanie.

810
00:35:17,960 --> 00:35:19,360
Speaker 3: Yeah, boy, did.

811
00:35:19,200 --> 00:35:22,000
Speaker 1: You mess up? Did mister Benton mess up?

812
00:35:22,200 --> 00:35:28,200
Speaker 3: Wow? Mister oat Boat? Yeah, mister Benton really uh yeah.

813
00:35:28,040 --> 00:35:29,920
Speaker 1: I mean, I mean, am you're so cute. You were

814
00:35:30,000 --> 00:35:30,920
Speaker 1: selling the product.

815
00:35:30,960 --> 00:35:33,400
Speaker 2: It was a door that was I was really I

816
00:35:33,520 --> 00:35:36,880
Speaker 2: was selling the banana race. I was doing my best.

817
00:35:37,160 --> 00:35:41,800
Speaker 2: But I do feel like going up to a child

818
00:35:41,920 --> 00:35:45,600
Speaker 2: and saying, you've got the part that doesn't is that

819
00:35:45,640 --> 00:35:46,240
Speaker 2: doesn't happen?

820
00:35:46,320 --> 00:35:48,160
Speaker 1: That does that doesn't happen home for.

821
00:35:48,000 --> 00:35:51,680
Speaker 2: This very exact reason, Yeah, because uh yeah, Stephanie doesn't

822
00:35:51,680 --> 00:35:52,120
Speaker 2: have an agent.

823
00:35:52,200 --> 00:35:53,960
Speaker 3: She's not you know, how do we even know? I

824
00:35:53,960 --> 00:35:55,640
Speaker 3: don't know what if that's not even their kid?

825
00:35:55,760 --> 00:35:56,520
Speaker 1: Who is this child?

826
00:35:56,680 --> 00:35:56,839
Speaker 3: Right?

827
00:35:56,880 --> 00:35:59,360
Speaker 1: No? No, no, no. Normally you go home as the actor.

828
00:35:59,360 --> 00:36:01,080
Speaker 1: You go home, You wait, but you wait for the

829
00:36:01,080 --> 00:36:04,040
Speaker 1: phone call which never happened, which never comes or rarely comes, right,

830
00:36:04,120 --> 00:36:05,880
Speaker 1: or I'll call you unless you get it. Like if

831
00:36:05,920 --> 00:36:07,360
Speaker 1: you don't get it, they don't call. They don't care.

832
00:36:07,440 --> 00:36:10,840
Speaker 1: There's no time. There's no time. So yes, not very believable,

833
00:36:10,840 --> 00:36:12,000
Speaker 1: but it works.

834
00:36:12,120 --> 00:36:14,120
Speaker 3: This it works for the it works for the scene.

835
00:36:14,239 --> 00:36:19,560
Speaker 2: It works to set up the absolute rage that DJ

836
00:36:19,880 --> 00:36:20,200
Speaker 2: is in.

837
00:36:20,880 --> 00:36:23,920
Speaker 1: I love this, This is this is such satisfying rage

838
00:36:24,120 --> 00:36:24,600
Speaker 1: to watch.

839
00:36:24,680 --> 00:36:29,200
Speaker 2: It was yet well, yeah, it was trying to I

840
00:36:29,239 --> 00:36:31,680
Speaker 2: feel like too. I think Candice and I were like

841
00:36:31,760 --> 00:36:34,719
Speaker 2: arguing that week as kids. Oh really, I think, yeah,

842
00:36:34,800 --> 00:36:37,120
Speaker 2: oh yeah, because we were actually like sisters, you know

843
00:36:37,120 --> 00:36:39,239
Speaker 2: what I mean, we would This was for sure, like

844
00:36:39,560 --> 00:36:41,520
Speaker 2: I would laugh because I know the lines that we

845
00:36:41,520 --> 00:36:43,640
Speaker 2: were saying about like just being you know whatever. I

846
00:36:43,719 --> 00:36:47,160
Speaker 2: was like, we were really ten and five, and I'm

847
00:36:47,239 --> 00:36:49,800
Speaker 2: sure I was annoying. I know I was annoying the

848
00:36:49,840 --> 00:36:51,479
Speaker 2: hell out of her and she was like, go away,

849
00:36:51,480 --> 00:36:53,480
Speaker 2: little kid. And then we got to do an entire

850
00:36:53,600 --> 00:36:56,760
Speaker 2: episode about it. So it was like this amazing Catharsis

851
00:36:58,160 --> 00:37:00,279
Speaker 2: like if you see us like really yelling.

852
00:37:00,080 --> 00:37:03,120
Speaker 3: Stuff and you're just jealousy, You're like, we were so believable.

853
00:37:03,360 --> 00:37:04,200
Speaker 3: It's so believable.

854
00:37:04,520 --> 00:37:09,400
Speaker 2: I think we were like, I'm just gonna actually say this, Yeah, yeah,

855
00:37:09,719 --> 00:37:10,720
Speaker 2: this is It's great.

856
00:37:10,880 --> 00:37:11,840
Speaker 1: It's so it was.

857
00:37:11,880 --> 00:37:15,640
Speaker 2: Yeah, it was fun to a real sibling rivalry and

858
00:37:15,680 --> 00:37:17,200
Speaker 2: it was fun. I mean, I laugh about it now,

859
00:37:17,239 --> 00:37:19,239
Speaker 2: but like, yeah, at the time, I'm pretty sure it

860
00:37:19,320 --> 00:37:23,400
Speaker 2: was a it was just or imitates, like just a

861
00:37:23,480 --> 00:37:25,720
Speaker 2: little too close to actually being real.

862
00:37:28,000 --> 00:37:30,640
Speaker 1: It's awesome. So we have a very tense commercial break,

863
00:37:30,680 --> 00:37:32,319
Speaker 1: and when we come back, we're in the kitchen where

864
00:37:32,360 --> 00:37:37,120
Speaker 1: Joey has blended a special seaweed protein, wheat wheat germ tonic,

865
00:37:38,000 --> 00:37:39,760
Speaker 1: and he's getting ready to chug it in front of Danny,

866
00:37:39,760 --> 00:37:43,320
Speaker 1: and he forces it down while also forking, forking, forcing

867
00:37:43,560 --> 00:37:46,640
Speaker 1: a fake smile. Nobody wants, Nobody wants that.

868
00:37:47,080 --> 00:37:48,320
Speaker 3: Nobody wants seweed protein.

869
00:37:48,600 --> 00:37:52,240
Speaker 1: No, So DJ storms into the kitchen and starts opening

870
00:37:52,280 --> 00:37:57,239
Speaker 1: and slamming drawers. Clearly upset, Danny says, something tells me

871
00:37:57,400 --> 00:38:00,120
Speaker 1: things didn't go so great at the audition, did they?

872
00:38:00,320 --> 00:38:03,399
Speaker 1: DJ confirms this, and Danny replies, well, we talked about

873
00:38:03,400 --> 00:38:05,719
Speaker 1: how this might happen. They probably just gave the part

874
00:38:05,760 --> 00:38:11,480
Speaker 1: to someone's relative, and DJ replies, oh yeah, little do

875
00:38:11,560 --> 00:38:14,600
Speaker 1: you know. Danny. Jesse and Stephanie walk in at this

876
00:38:14,680 --> 00:38:18,080
Speaker 1: moment and admit to Danny that Stephanie is the one

877
00:38:18,080 --> 00:38:22,759
Speaker 1: who actually got the part. Danny's torn between celebrating Stephanie's

878
00:38:22,800 --> 00:38:26,320
Speaker 1: good news and comforting DJ with her bad news.

879
00:38:27,200 --> 00:38:29,000
Speaker 2: Have you ever been in that position as a parent

880
00:38:29,040 --> 00:38:31,319
Speaker 2: where you're like, something really great happened for you and

881
00:38:31,360 --> 00:38:33,120
Speaker 2: something really awful happened for you.

882
00:38:33,120 --> 00:38:35,320
Speaker 1: And it's a terrible feeling. Yeah, it is, because.

883
00:38:35,080 --> 00:38:36,520
Speaker 2: You're like, I want to be really happy for you,

884
00:38:36,560 --> 00:38:38,600
Speaker 2: but I know if I'm happy for you, you're gonna

885
00:38:38,600 --> 00:38:40,719
Speaker 2: be pissed and think that I'm intentionally doing it to

886
00:38:40,760 --> 00:38:43,240
Speaker 2: make you more miserable. And if I don't act happy

887
00:38:43,239 --> 00:38:44,799
Speaker 2: for you, you're gonna be like, oh, you care more

888
00:38:44,800 --> 00:38:46,640
Speaker 2: about her being unhappy than me being happy.

889
00:38:46,640 --> 00:38:49,920
Speaker 3: And it's just there's no winning, there's no inning.

890
00:38:50,000 --> 00:38:52,680
Speaker 1: Someone is always upset, That's what I say, Like someone

891
00:38:52,760 --> 00:38:54,040
Speaker 1: in the house is always upset.

892
00:38:54,200 --> 00:38:56,480
Speaker 2: But I love watching this episode now because I relate

893
00:38:56,520 --> 00:38:59,040
Speaker 2: to Danny, I relate to the parent in it and

894
00:38:59,080 --> 00:39:01,560
Speaker 2: being like, oh, yeah, you can't win this. This is

895
00:39:01,760 --> 00:39:05,120
Speaker 2: just yep, you can't win DJ and Stepford. This is

896
00:39:05,160 --> 00:39:06,279
Speaker 2: just what's gonna happens.

897
00:39:06,760 --> 00:39:09,800
Speaker 1: He's in a tough spot, that's for sure. So Stephanie

898
00:39:09,840 --> 00:39:13,280
Speaker 1: asks DJ if she's mad at her, and DJ replies

899
00:39:13,640 --> 00:39:17,520
Speaker 1: super sarcastically, I'm not mad. I'm happy for you, and

900
00:39:17,560 --> 00:39:21,640
Speaker 1: pinches her cheek and stomps upstairs. Stephanie asks her dad

901
00:39:21,840 --> 00:39:25,120
Speaker 1: is it okay to be happy? And Danny replies of course,

902
00:39:25,680 --> 00:39:29,120
Speaker 1: and Stephanie starts doing this adorable victory dance while yelling

903
00:39:29,200 --> 00:39:30,799
Speaker 1: I got it, I got it.

904
00:39:30,800 --> 00:39:31,720
Speaker 3: It's so cute.

905
00:39:32,200 --> 00:39:34,799
Speaker 1: It was yeah, Oh, I can feel your joy in

906
00:39:34,840 --> 00:39:38,640
Speaker 1: this little this moment. Yeah's so cute. Danny tells her

907
00:39:38,719 --> 00:39:41,480
Speaker 1: to be a little quieter just for DJ's sake. So

908
00:39:41,520 --> 00:39:44,200
Speaker 1: Steph does the same moves, but then whispers, I got it,

909
00:39:44,320 --> 00:39:47,080
Speaker 1: I got it, I got it. So cute. So next

910
00:39:47,120 --> 00:39:49,920
Speaker 1: we are in the nursery where Joey is trying to

911
00:39:50,160 --> 00:39:54,480
Speaker 1: entice Michelle with his hamburger and fries. Joey ends up

912
00:39:54,520 --> 00:39:57,080
Speaker 1: just enticing himself and takes a huge bite out of

913
00:39:57,120 --> 00:39:58,200
Speaker 1: this juicy burger.

914
00:39:58,440 --> 00:40:02,319
Speaker 3: He entices me too. I it's burger and fries, my

915
00:40:02,360 --> 00:40:02,879
Speaker 3: favorite thing.

916
00:40:03,560 --> 00:40:07,240
Speaker 1: Really hungry. Better then that, there's that food truck that's sorry,

917
00:40:07,280 --> 00:40:09,200
Speaker 1: this is such a non sequitor, but there's that food

918
00:40:09,239 --> 00:40:11,319
Speaker 1: truck with it's called like burgers and pies or something.

919
00:40:11,400 --> 00:40:13,160
Speaker 1: They just give you a burger pie.

920
00:40:12,920 --> 00:40:14,800
Speaker 3: We always used to get at rat parties.

921
00:40:14,880 --> 00:40:17,200
Speaker 1: There's nothing better burgers and pies.

922
00:40:16,960 --> 00:40:18,240
Speaker 3: Burgers, fries, pies.

923
00:40:18,800 --> 00:40:21,719
Speaker 1: Man, sign me up. So Joey hears Danny approaching and

924
00:40:21,760 --> 00:40:25,560
Speaker 1: he hides the burger quickly. In Michelle's crib, Michelle grabs

925
00:40:25,560 --> 00:40:29,600
Speaker 1: a fry, and Danny and Jesse enter the room. Jesse questions,

926
00:40:30,000 --> 00:40:32,840
Speaker 1: why is why is Michelle holding a French fry?

927
00:40:33,320 --> 00:40:35,680
Speaker 3: Well, and Joey also has a mouthful of food.

928
00:40:35,760 --> 00:40:39,440
Speaker 1: Oh. Yes, he's trying to like disguise, Yeah, disguise his

929
00:40:39,600 --> 00:40:41,200
Speaker 1: chipmunk cheeks full of food.

930
00:40:42,960 --> 00:40:43,319
Speaker 3: Uh so.

931
00:40:43,480 --> 00:40:46,000
Speaker 1: Jesse then discovers the rest of the food hidden under

932
00:40:46,040 --> 00:40:49,239
Speaker 1: a blanket, and Joey finally admits, all right, I'm weak.

933
00:40:49,440 --> 00:40:53,000
Speaker 1: I'm weak. I'm not mister will Power, I'm mister cholesterol.

934
00:40:54,560 --> 00:40:59,879
Speaker 1: Oh Joey. Danny suggests that Joey try moderation, and Jesse says,

935
00:41:00,040 --> 00:41:02,040
Speaker 1: you will help out by eating the burger and fries

936
00:41:02,120 --> 00:41:03,440
Speaker 1: for Joey.

937
00:41:03,600 --> 00:41:06,040
Speaker 3: Danny says, hey, there's a friend, so that's helpful.

938
00:41:06,200 --> 00:41:08,240
Speaker 1: I will eat this burger, fie will.

939
00:41:08,480 --> 00:41:09,960
Speaker 3: I will save you from that and eat all the

940
00:41:09,960 --> 00:41:10,759
Speaker 3: French fries.

941
00:41:10,719 --> 00:41:12,920
Speaker 1: Jody Sweeten, anytime you need me to eat a burger

942
00:41:13,040 --> 00:41:14,920
Speaker 1: or a pot pie the size of my head, I

943
00:41:14,960 --> 00:41:15,640
Speaker 1: will do that for you.

944
00:41:16,120 --> 00:41:18,279
Speaker 2: Oh and those are two of my favorite things, so

945
00:41:18,320 --> 00:41:19,960
Speaker 2: that might be hard to give up, but I will.

946
00:41:20,280 --> 00:41:21,160
Speaker 3: I will share it with you.

947
00:41:21,400 --> 00:41:22,720
Speaker 1: Oh thank you, if.

948
00:41:22,560 --> 00:41:24,919
Speaker 3: Only because the pot pie weighs seventeen pounds.

949
00:41:25,120 --> 00:41:27,800
Speaker 1: You could feed an army with that, right, So Danny

950
00:41:27,800 --> 00:41:29,600
Speaker 1: says he has to get back to the station, and

951
00:41:29,680 --> 00:41:31,480
Speaker 1: he asks the guys to keep an eye on DJ

952
00:41:31,560 --> 00:41:34,800
Speaker 1: and Stephanie, who are currently avoiding each other. The guys

953
00:41:34,800 --> 00:41:38,000
Speaker 1: agree to help. Danny hands Michelle over to Joey, who

954
00:41:38,040 --> 00:41:41,040
Speaker 1: then adorably feeds Joey her fries. It's so cute. She

955
00:41:41,080 --> 00:41:43,400
Speaker 1: just keeps putting them in there, and Dave just keeps

956
00:41:43,400 --> 00:41:46,759
Speaker 1: eating them, and it's just she's loving feeding people in

957
00:41:46,800 --> 00:41:48,880
Speaker 1: this episode. I remember who's skilled.

958
00:41:49,360 --> 00:41:51,600
Speaker 2: Remember when your kids did that, like the little ones,

959
00:41:51,640 --> 00:41:53,480
Speaker 2: and they would start like giving you things.

960
00:41:53,480 --> 00:41:55,520
Speaker 3: It was almost like a little show of like, oh,

961
00:41:55,680 --> 00:41:56,759
Speaker 3: I'll be nice to you too.

962
00:41:57,040 --> 00:42:00,120
Speaker 1: Yeah. Sharing, sharing has an important skill to learn, and

963
00:42:00,120 --> 00:42:01,439
Speaker 1: she's learning it at age one.

964
00:42:01,640 --> 00:42:02,080
Speaker 3: So yeah.

965
00:42:03,120 --> 00:42:05,520
Speaker 1: So later that night, we are in the kitchen. DJ

966
00:42:05,680 --> 00:42:08,680
Speaker 1: walks in to find Stephanie rehearsing with her oat boats.

967
00:42:09,080 --> 00:42:11,680
Speaker 1: She reads her lines, but she also reads the stage

968
00:42:11,680 --> 00:42:15,840
Speaker 1: directions like I love oat boats. Because Stephanie takes a

969
00:42:15,840 --> 00:42:19,960
Speaker 1: heap being spoonful of cereal right, DJ laughs at this,

970
00:42:20,560 --> 00:42:23,239
Speaker 1: and Stephanie asks again, are you sure you're not mad

971
00:42:23,280 --> 00:42:26,759
Speaker 1: at me? DJ again denies being mad at her, and

972
00:42:26,800 --> 00:42:31,399
Speaker 1: Stephanie accuses her of being jealous. The girls, this is it.

973
00:42:31,480 --> 00:42:34,760
Speaker 3: The sparks fly, Oh, they are flying yep.

974
00:42:34,960 --> 00:42:37,680
Speaker 1: The girls fight over the box of oat boats as

975
00:42:37,800 --> 00:42:40,280
Speaker 1: DJ chases Stephanie around the kitchen.

976
00:42:41,200 --> 00:42:43,719
Speaker 3: I love this scene. I was so thrilled I got

977
00:42:43,719 --> 00:42:46,000
Speaker 3: to yell and run and be Yeah.

978
00:42:46,160 --> 00:42:47,640
Speaker 1: I was just waiting for you to fall down, because

979
00:42:47,680 --> 00:42:49,720
Speaker 1: that's normally.

980
00:42:48,239 --> 00:42:52,840
Speaker 2: I'm sure that they're on some gag reel.

981
00:42:53,040 --> 00:42:55,080
Speaker 3: Are is at least two or three takes.

982
00:42:54,800 --> 00:42:57,920
Speaker 2: Of me doing that and falling down, falling down, tripping

983
00:42:57,920 --> 00:42:58,400
Speaker 2: on something.

984
00:42:58,440 --> 00:43:01,080
Speaker 1: But the blocking is so good, Like you're crawling under

985
00:43:01,120 --> 00:43:04,040
Speaker 1: the table while DJ is on the top of the table.

986
00:43:04,120 --> 00:43:05,759
Speaker 1: I'm like, this is great blocking, and.

987
00:43:05,840 --> 00:43:06,800
Speaker 3: Yeah, so funny.

988
00:43:06,840 --> 00:43:08,799
Speaker 2: They both go under and she then she grabs her

989
00:43:08,800 --> 00:43:10,120
Speaker 2: because she's like why am I crawling and that?

990
00:43:10,239 --> 00:43:13,919
Speaker 3: Yeah, and then the great oat boat moment. Oh we're

991
00:43:13,960 --> 00:43:14,400
Speaker 3: the box.

992
00:43:14,960 --> 00:43:17,200
Speaker 1: Yes, they're playing Tuga War with the box of oat

993
00:43:17,239 --> 00:43:19,279
Speaker 1: boats and they rip it in half and all of

994
00:43:19,280 --> 00:43:21,800
Speaker 1: these little pieces of oat boats spilled all over the

995
00:43:21,920 --> 00:43:22,520
Speaker 1: kitchen floor.

996
00:43:22,600 --> 00:43:26,480
Speaker 2: And you see my face trying desperately not to laugh.

997
00:43:26,600 --> 00:43:29,799
Speaker 1: Oh really, oh my, I'm like I was.

998
00:43:30,239 --> 00:43:33,759
Speaker 3: It was so funny to me, Like it was when

999
00:43:33,760 --> 00:43:35,160
Speaker 3: did I get to do that? You know what I mean?

1000
00:43:35,280 --> 00:43:37,160
Speaker 2: Like just rip open a box of cereal and have

1001
00:43:37,239 --> 00:43:38,759
Speaker 2: it fly everywhere and pretend fight.

1002
00:43:39,080 --> 00:43:40,040
Speaker 1: Oh it's great.

1003
00:43:40,120 --> 00:43:42,400
Speaker 3: So like I realized love. It was so hot. I

1004
00:43:42,440 --> 00:43:43,799
Speaker 3: was loving it so much, and I was like, oh,

1005
00:43:43,840 --> 00:43:45,040
Speaker 3: you've got to keep it together.

1006
00:43:45,280 --> 00:43:47,080
Speaker 1: Yeah, but yeah, laugh you're supposed to be mad.

1007
00:43:47,120 --> 00:43:49,359
Speaker 3: You're supposed to be mad. Yeah, you can't, you can't laugh.

1008
00:43:49,400 --> 00:43:52,160
Speaker 2: And I actually wound up recently recreating the oat boat

1009
00:43:52,160 --> 00:43:53,279
Speaker 2: box moment.

1010
00:43:53,280 --> 00:43:54,960
Speaker 3: Wait on a on a h.

1011
00:43:55,080 --> 00:43:59,960
Speaker 2: I did a react video thing with this on YouTube.

1012
00:44:00,080 --> 00:44:01,920
Speaker 3: It's very funny, but we did a whole thing and I.

1013
00:44:02,600 --> 00:44:04,520
Speaker 2: Stupidly was like, oh my god, the oap boat and

1014
00:44:04,560 --> 00:44:08,319
Speaker 2: I open I ripped it open and just said like unexpected.

1015
00:44:08,360 --> 00:44:10,880
Speaker 3: I was like, what have I just done? Like I

1016
00:44:11,000 --> 00:44:13,440
Speaker 3: meant to do the joke, and then there were cheerios

1017
00:44:13,480 --> 00:44:15,600
Speaker 3: all over me. It's like you're everywhere.

1018
00:44:15,680 --> 00:44:18,879
Speaker 2: And I was like, oh, I don't know what got

1019
00:44:18,880 --> 00:44:20,359
Speaker 2: a hold of me. I just got really into the joke.

1020
00:44:20,400 --> 00:44:21,319
Speaker 2: I'm really sorry guy.

1021
00:44:21,480 --> 00:44:23,440
Speaker 3: Yeah, yeah, you're like it's not cereal.

1022
00:44:23,520 --> 00:44:25,480
Speaker 1: Yeah you're not laughing as much as you were when

1023
00:44:25,480 --> 00:44:26,680
Speaker 1: you were five years old.

1024
00:44:26,719 --> 00:44:29,239
Speaker 3: Well no, I was villa time. I was like, I

1025
00:44:29,360 --> 00:44:30,560
Speaker 3: don't know what's wrong with me.

1026
00:44:30,800 --> 00:44:33,920
Speaker 1: Yeah, Oh, it's just it's part of your DNA to

1027
00:44:34,000 --> 00:44:34,840
Speaker 1: spill oat boats.

1028
00:44:35,360 --> 00:44:37,680
Speaker 2: It is whenever I see whenever I see a box

1029
00:44:37,719 --> 00:44:39,799
Speaker 2: of cereal, I just have to destroy it.

1030
00:44:39,800 --> 00:44:40,279
Speaker 3: In the middle of the.

1031
00:44:40,320 --> 00:44:45,480
Speaker 1: Kitchen, I understand that urge. So Joey's holding DJ back

1032
00:44:45,560 --> 00:44:49,120
Speaker 1: and Jesse's holding Stephanie back as the girls continue to

1033
00:44:49,239 --> 00:44:52,160
Speaker 1: hurl insults at each other. And I love how I

1034
00:44:52,200 --> 00:44:54,319
Speaker 1: love your insults. How you're just like using each other's

1035
00:44:54,320 --> 00:44:58,720
Speaker 1: middle names. It's like Donna, Joe, Margaret and Stephanie Judith.

1036
00:44:58,880 --> 00:45:01,120
Speaker 2: Like that's where we and this was I believe the

1037
00:45:01,560 --> 00:45:05,000
Speaker 2: Is this the first where we hear our middle middle names,

1038
00:45:05,080 --> 00:45:08,360
Speaker 2: not just Dona Joe, but like, what DJ Sjoe middle names?

1039
00:45:08,440 --> 00:45:10,920
Speaker 3: Yeah, Donna, Joe, Margaret and Stephanie.

1040
00:45:10,480 --> 00:45:12,799
Speaker 1: Jus, this is the first time we learn your middle

1041
00:45:12,880 --> 00:45:16,960
Speaker 1: names and that they're being used as an insult. Yes,

1042
00:45:17,320 --> 00:45:20,680
Speaker 1: so great? Wait, wait, what what's.

1043
00:45:20,520 --> 00:45:21,200
Speaker 3: Your middle name?

1044
00:45:21,640 --> 00:45:25,120
Speaker 1: Mine? Yeah? You don't know my middle name? You don't.

1045
00:45:25,400 --> 00:45:27,880
Speaker 1: It's Andrea Laura Barber that.

1046
00:45:28,080 --> 00:45:30,800
Speaker 3: I was like, it's an l, isn't it because mine's Leanne?

1047
00:45:30,960 --> 00:45:31,120
Speaker 1: Yeah?

1048
00:45:31,360 --> 00:45:33,480
Speaker 3: I didn't I remember that we had Yeah it was

1049
00:45:33,600 --> 00:45:34,160
Speaker 3: an elm.

1050
00:45:34,480 --> 00:45:38,839
Speaker 1: Yeah, Jody, Leanne Sweden, Andrea Andrea Laura Barbara when I'm

1051
00:45:38,880 --> 00:45:41,600
Speaker 1: when I'm Maddie, I'm just gonna be like Jody Leanne.

1052
00:45:42,080 --> 00:45:44,080
Speaker 3: Yeah, there you got Andrea Laura.

1053
00:45:44,320 --> 00:45:45,919
Speaker 1: That's a that's an insult right there.

1054
00:45:46,200 --> 00:45:47,319
Speaker 3: I'll call you a LB.

1055
00:45:47,760 --> 00:45:49,440
Speaker 1: Oh don't you dare.

1056
00:45:50,680 --> 00:45:52,160
Speaker 3: Alb alb.

1057
00:45:53,160 --> 00:45:55,560
Speaker 1: So the guys send Stephanie into the living room and

1058
00:45:55,600 --> 00:45:58,720
Speaker 1: they send DJ down to Joey's room and DJ stomps

1059
00:45:58,719 --> 00:46:00,959
Speaker 1: off on top of this cereal that's on the ground,

1060
00:46:01,000 --> 00:46:01,760
Speaker 1: but you don't see.

1061
00:46:01,600 --> 00:46:03,840
Speaker 2: Joey's room is back again. Was I was like, yes, what,

1062
00:46:04,080 --> 00:46:04,919
Speaker 2: huh We're back.

1063
00:46:05,120 --> 00:46:07,920
Speaker 1: It's it's like whip having whiplash, Like, yes, Joey's room

1064
00:46:08,000 --> 00:46:10,960
Speaker 1: is back, the garage is gone, Okay, everything is now

1065
00:46:11,120 --> 00:46:14,520
Speaker 1: once again right in the Tanner House sort of for

1066
00:46:14,640 --> 00:46:18,680
Speaker 1: this moment anyways. Right, so now we find DJ in

1067
00:46:18,760 --> 00:46:22,520
Speaker 1: Joey's room. She is vigorously riding a very eighties looking

1068
00:46:22,640 --> 00:46:26,120
Speaker 1: exercise bike. Yeah, and it's giving shades of that episode

1069
00:46:26,239 --> 00:46:29,439
Speaker 1: where she passed out, oh exercising because she was trying

1070
00:46:29,440 --> 00:46:30,719
Speaker 1: to fit into a big Yeah.

1071
00:46:30,760 --> 00:46:32,960
Speaker 2: They just like, yeah, yeah, well, it makes sense that

1072
00:46:33,000 --> 00:46:35,120
Speaker 2: the exercise bike is in Joey's room because he's trying.

1073
00:46:35,000 --> 00:46:37,200
Speaker 3: To eat healthy. Oh yeah, that's why the.

1074
00:46:37,200 --> 00:46:39,120
Speaker 2: Exercise bike is there, because he's been trying to eat

1075
00:46:39,120 --> 00:46:40,799
Speaker 2: healthy and lose cholesterol.

1076
00:46:40,840 --> 00:46:43,000
Speaker 3: And so that's yeah.

1077
00:46:42,840 --> 00:46:45,680
Speaker 1: It all makes sense. So Jesse and Joey come in

1078
00:46:45,719 --> 00:46:47,840
Speaker 1: the room and they see that DJ has just taking

1079
00:46:47,960 --> 00:46:50,840
Speaker 1: out all of her aggression on this bike. Jesse turns

1080
00:46:50,880 --> 00:46:53,279
Speaker 1: up the resistance on the bike, which forces DJ to

1081
00:46:53,320 --> 00:46:55,680
Speaker 1: slow down and get off the bike. She sits on

1082
00:46:55,719 --> 00:46:56,319
Speaker 1: the bed and.

1083
00:46:56,320 --> 00:46:57,720
Speaker 3: Pouts, no, peloton.

1084
00:46:57,760 --> 00:46:59,719
Speaker 1: I'll tell you that it's not. No, it's not not

1085
00:46:59,760 --> 00:47:01,040
Speaker 1: as fancy is the peloton?

1086
00:47:01,880 --> 00:47:02,640
Speaker 3: How far we've come?

1087
00:47:02,880 --> 00:47:05,600
Speaker 1: Joey attempts to console her by telling her that he

1088
00:47:05,640 --> 00:47:08,960
Speaker 1: and Jesse strike out on auditions all the time. He says,

1089
00:47:09,440 --> 00:47:13,880
Speaker 1: being a performer is basically a series of rejections, occasionally

1090
00:47:14,040 --> 00:47:15,200
Speaker 1: interrupted by work.

1091
00:47:15,840 --> 00:47:18,600
Speaker 3: I wrote that down and I was like, perfect, no notes, right,

1092
00:47:18,680 --> 00:47:19,080
Speaker 3: that's it.

1093
00:47:19,360 --> 00:47:23,680
Speaker 1: No truer words have been spoken than these words, right, yep,

1094
00:47:24,040 --> 00:47:26,919
Speaker 1: A series of rejections occasionally interrupted by work.

1095
00:47:27,080 --> 00:47:27,560
Speaker 3: Very true.

1096
00:47:27,719 --> 00:47:28,680
Speaker 1: That is being an actor.

1097
00:47:29,400 --> 00:47:31,920
Speaker 2: When he says performer, I it threw me for a

1098
00:47:31,920 --> 00:47:33,840
Speaker 2: second because I was like, wait, performer, and then I

1099
00:47:33,840 --> 00:47:35,040
Speaker 2: was like, oh, I guess stand up.

1100
00:47:35,120 --> 00:47:37,920
Speaker 3: And then Jesse is the musician.

1101
00:47:38,120 --> 00:47:40,600
Speaker 1: So he's audit Yeah, because I'm auditioning to kill budition

1102
00:47:40,719 --> 00:47:42,239
Speaker 1: auditioning with the journey.

1103
00:47:42,360 --> 00:47:46,080
Speaker 3: Jesse's auditioning. He's auditioning for something with these folks.

1104
00:47:46,120 --> 00:47:49,520
Speaker 1: But but no, you're right. I think it's it's the

1105
00:47:49,600 --> 00:47:53,239
Speaker 1: musician and comedian. Okay, got, that's what they're auditioning for.

1106
00:47:53,480 --> 00:47:56,959
Speaker 1: So it makes sense. So DJ counters with the fact

1107
00:47:57,000 --> 00:47:59,920
Speaker 1: that neither of them have ever had a part stolen

1108
00:48:00,120 --> 00:48:03,440
Speaker 1: their little sister, which she's got a point here, it's true.

1109
00:48:03,600 --> 00:48:06,399
Speaker 1: So now Jesse tries using a different approach. He's using

1110
00:48:06,480 --> 00:48:11,040
Speaker 1: reverse psychology. He's over blaming Stephanie, stating that she planned

1111
00:48:11,080 --> 00:48:13,560
Speaker 1: the whole thing and tricked them when she doesn't really

1112
00:48:13,640 --> 00:48:16,280
Speaker 1: care about DJ, and he calls her a she devil

1113
00:48:16,360 --> 00:48:19,000
Speaker 1: and a conniving little sneak.

1114
00:48:19,400 --> 00:48:21,880
Speaker 3: Very well, could be we don't know. We don't know,

1115
00:48:22,040 --> 00:48:24,120
Speaker 3: we don't know the inner workings of STEP's mind.

1116
00:48:24,200 --> 00:48:26,920
Speaker 1: She might be. Yeah, yeah, she might be a serial

1117
00:48:27,000 --> 00:48:29,640
Speaker 1: killer dressed as a five year old girl with a

1118
00:48:29,680 --> 00:48:33,279
Speaker 1: skunk on her sweat. I mean say handle with care,

1119
00:48:33,400 --> 00:48:36,920
Speaker 1: Yeah it does. So this gets DJ out of her funk,

1120
00:48:37,120 --> 00:48:39,520
Speaker 1: and she admits that the guys are right. Okay, so

1121
00:48:39,520 --> 00:48:42,440
Speaker 1: Stephanie didn't do it on purpose, but DJ is still

1122
00:48:42,480 --> 00:48:45,520
Speaker 1: mad at her. The guys ask DJ what is really

1123
00:48:45,560 --> 00:48:48,840
Speaker 1: going on, and DJ admits that she's sick of sisters.

1124
00:48:49,200 --> 00:48:51,799
Speaker 1: Everything was fine when it was just her, but then

1125
00:48:51,880 --> 00:48:55,320
Speaker 1: Stephanie and Michelle came along, and then they were the cute.

1126
00:48:55,080 --> 00:48:57,080
Speaker 3: Ones, and then Mom's gone.

1127
00:48:58,480 --> 00:49:00,719
Speaker 1: She has a right to be upset, even if it's

1128
00:49:00,800 --> 00:49:01,800
Speaker 1: misdirected anger.

1129
00:49:01,960 --> 00:49:05,440
Speaker 2: She's gonna right, She's like, these sisters suck my mom's.

1130
00:49:05,719 --> 00:49:08,200
Speaker 1: Mom's gone now these crazy guys have moved in.

1131
00:49:08,560 --> 00:49:11,440
Speaker 3: Yeah, I understand I lost the oat boat I am

1132
00:49:11,800 --> 00:49:13,600
Speaker 3: not the oat boat.

1133
00:49:13,400 --> 00:49:18,120
Speaker 1: Girl, right, She's she's devastated to mine, I totally well,

1134
00:49:18,160 --> 00:49:18,800
Speaker 1: because it's.

1135
00:49:18,640 --> 00:49:22,680
Speaker 2: You know, it's oat boat Girl, Oscar Meyer hot Dog Queen,

1136
00:49:23,080 --> 00:49:25,160
Speaker 2: and then like that's but those are the top two

1137
00:49:25,200 --> 00:49:26,640
Speaker 2: rankings for sure, so I get it.

1138
00:49:26,680 --> 00:49:27,600
Speaker 3: She was very disappointed.

1139
00:49:28,239 --> 00:49:32,120
Speaker 1: There's nothing, there's nothing left for her now. So Joey

1140
00:49:32,120 --> 00:49:34,840
Speaker 1: reminds her that when she did the Frog Prince play,

1141
00:49:34,960 --> 00:49:39,440
Speaker 1: everyone thought that she was the cute one. Jesse tells her, Hey,

1142
00:49:39,440 --> 00:49:42,160
Speaker 1: there's benefits to being the oldest. You get everything new,

1143
00:49:42,400 --> 00:49:45,240
Speaker 1: there's no hand me downs, you get to do everything first.

1144
00:49:45,360 --> 00:49:47,960
Speaker 1: Like driving or dating or going to see an R

1145
00:49:48,040 --> 00:49:51,560
Speaker 1: rated movie without a guardian. Okay, right, But the best

1146
00:49:51,560 --> 00:49:53,800
Speaker 1: part he says is that you have two little sisters

1147
00:49:53,800 --> 00:49:56,399
Speaker 1: who need you and look up to you and love

1148
00:49:56,440 --> 00:50:00,640
Speaker 1: you very very much. Then Jesse gives her new and

1149
00:50:00,680 --> 00:50:04,000
Speaker 1: we cut to the living room. The living room where

1150
00:50:04,040 --> 00:50:07,480
Speaker 1: Stephanie is calling information on a red phone.

1151
00:50:07,719 --> 00:50:10,560
Speaker 2: Which, for those of you that don't know, way back

1152
00:50:10,560 --> 00:50:14,160
Speaker 2: in the day, you had a phone that was connected

1153
00:50:14,440 --> 00:50:18,080
Speaker 2: in your house and it was called the landline. Yeah, yeah,

1154
00:50:18,160 --> 00:50:21,400
Speaker 2: and and you would call it and there were things

1155
00:50:21,480 --> 00:50:23,920
Speaker 2: like information on there, and you would call it because

1156
00:50:23,920 --> 00:50:26,719
Speaker 2: there was no Google, and you would be like, hey,

1157
00:50:27,360 --> 00:50:30,680
Speaker 2: I need the name of this flower shop on whatever street,

1158
00:50:30,840 --> 00:50:33,400
Speaker 2: or would give an operator.

1159
00:50:32,960 --> 00:50:35,680
Speaker 3: An actual human yeah yeah, on.

1160
00:50:35,640 --> 00:50:39,440
Speaker 2: The other end, some random information and they would figure

1161
00:50:39,480 --> 00:50:42,240
Speaker 2: it out for you and give you the phone number

1162
00:50:42,360 --> 00:50:44,560
Speaker 2: or the address or the name or whatever it was

1163
00:50:44,560 --> 00:50:46,160
Speaker 2: you were looking for, or the time of day or

1164
00:50:46,200 --> 00:50:50,080
Speaker 2: all that stuff. But yeah, that that's why Stephanie is

1165
00:50:50,120 --> 00:50:53,200
Speaker 2: asking for mister boat, mister oate boat.

1166
00:50:53,320 --> 00:50:55,040
Speaker 1: I'm a little sad that we had to explain this,

1167
00:50:55,160 --> 00:50:56,440
Speaker 1: Like is that really.

1168
00:50:57,120 --> 00:50:57,840
Speaker 3: Are you a kidding?

1169
00:50:58,040 --> 00:51:00,680
Speaker 1: Yes, Because there's there's a whole generation that doesn't know

1170
00:51:00,760 --> 00:51:01,720
Speaker 1: that lanth What I'm.

1171
00:51:01,600 --> 00:51:03,960
Speaker 2: Saying, are you there's no sadness in this this is

1172
00:51:04,000 --> 00:51:05,120
Speaker 2: the world we live in.

1173
00:51:05,360 --> 00:51:08,360
Speaker 3: Is that It's like it would be like like someone

1174
00:51:08,400 --> 00:51:10,440
Speaker 3: mentioning a roller skating key when we were kids, and

1175
00:51:10,440 --> 00:51:12,640
Speaker 3: we're like, what is that? And our mom was like, wow,

1176
00:51:12,680 --> 00:51:15,680
Speaker 3: when I was a kid, lock your thing with a

1177
00:51:15,800 --> 00:51:18,480
Speaker 3: roller skate key and carry it with you know. That's

1178
00:51:18,520 --> 00:51:20,759
Speaker 3: basically well, yeah, you had to call a number to

1179
00:51:20,840 --> 00:51:22,840
Speaker 3: find out another number?

1180
00:51:23,280 --> 00:51:25,080
Speaker 1: Is this an awkward time to admit that I still

1181
00:51:25,080 --> 00:51:27,360
Speaker 1: have a landline? And are you surprised?

1182
00:51:27,760 --> 00:51:28,000
Speaker 3: No?

1183
00:51:28,600 --> 00:51:31,600
Speaker 2: Okay, a I'm not surprised me. I actually was just

1184
00:51:31,640 --> 00:51:35,000
Speaker 2: reading an article this morning about that landlines. It was

1185
00:51:35,040 --> 00:51:37,480
Speaker 2: a whole opinion piece, but talking about landlines and that

1186
00:51:37,560 --> 00:51:39,520
Speaker 2: we uh we maybe got rid of them a little

1187
00:51:39,560 --> 00:51:41,800
Speaker 2: too soon, that they actually could still be beneficial to something.

1188
00:51:41,840 --> 00:51:44,520
Speaker 3: So I'm not actually going to come back well, I

1189
00:51:44,520 --> 00:51:47,160
Speaker 3: don't not known about that. I don't don't get too excited, okay,

1190
00:51:47,200 --> 00:51:49,840
Speaker 3: but uh but I do I see.

1191
00:51:49,640 --> 00:51:53,359
Speaker 2: The points of having a landline. I mean emergencies, Yeah,

1192
00:51:53,400 --> 00:51:53,920
Speaker 2: someone's in that.

1193
00:51:54,000 --> 00:51:54,879
Speaker 3: You know, I don't know if.

1194
00:51:54,840 --> 00:51:57,000
Speaker 1: Your phone, if your cell phone dies or if you

1195
00:51:57,040 --> 00:51:59,000
Speaker 1: get bad reception at my house, which I do.

1196
00:51:59,000 --> 00:51:59,640
Speaker 3: Yeah, which I do.

1197
00:51:59,760 --> 00:52:02,160
Speaker 1: Yeah, line exactly, It's very useful.

1198
00:52:02,280 --> 00:52:06,080
Speaker 2: Now it's okay, Andrew, we're in your retirement home. You

1199
00:52:06,160 --> 00:52:07,040
Speaker 2: can have a landline.

1200
00:52:07,080 --> 00:52:09,360
Speaker 1: Oh yay. Yes, when we move into our Golden Girls

1201
00:52:09,400 --> 00:52:11,880
Speaker 1: style con Yes, yes, we're all gonna move in together,

1202
00:52:11,920 --> 00:52:13,600
Speaker 1: and I'm gonna have my landline.

1203
00:52:13,920 --> 00:52:15,759
Speaker 3: Yes, landline on the linie and.

1204
00:52:15,719 --> 00:52:18,480
Speaker 1: It's gonna be a red Lips phone. Yes, let's make

1205
00:52:18,520 --> 00:52:22,040
Speaker 1: it happen. So Stephanie on the phone is she wants

1206
00:52:22,040 --> 00:52:24,160
Speaker 1: to talk to mister Boat, mister Oat Boat, and she

1207
00:52:24,200 --> 00:52:26,680
Speaker 1: wants to tell him. She says, I can't do his

1208
00:52:26,719 --> 00:52:32,040
Speaker 1: commercial anymore. His cereal is tearing my family apart. DJ

1209
00:52:32,160 --> 00:52:35,480
Speaker 1: walks in and overhears this and asks to speak to Stephanie.

1210
00:52:36,080 --> 00:52:38,640
Speaker 1: Stephanie asks to put the operator on hold, but she

1211
00:52:38,760 --> 00:52:41,759
Speaker 1: realizes that the operator has hung up on her, and

1212
00:52:41,840 --> 00:52:46,120
Speaker 1: we get ladies and gentlemen, drum roll, We get our

1213
00:52:46,320 --> 00:52:49,520
Speaker 1: very first how rude from.

1214
00:52:49,400 --> 00:52:52,799
Speaker 3: Stephanie was that the first? Yes, this is the I

1215
00:52:52,920 --> 00:52:54,719
Speaker 3: saw it on the trivia and I was like, I

1216
00:52:54,760 --> 00:52:57,480
Speaker 3: feel like I've said it before this, I don't think so.

1217
00:52:57,880 --> 00:52:59,920
Speaker 1: I think I guess I think, Well, you didn't deliver

1218
00:53:00,080 --> 00:53:02,879
Speaker 1: it like your normal catchphrase delivery. It was very true.

1219
00:53:02,880 --> 00:53:04,960
Speaker 3: It was just a it was a it was a

1220
00:53:05,000 --> 00:53:05,920
Speaker 3: subtle how rude.

1221
00:53:06,040 --> 00:53:11,440
Speaker 2: Yeah, before the the creation the yeah yeah, but this

1222
00:53:11,719 --> 00:53:15,399
Speaker 2: was the beginning of how rude. The origin of how

1223
00:53:15,480 --> 00:53:19,880
Speaker 2: rude is mister oat boat. Well technically it's the operator,

1224
00:53:19,880 --> 00:53:21,640
Speaker 2: but yes, it's the operator.

1225
00:53:21,640 --> 00:53:23,719
Speaker 1: But did you, like, did you know this was going

1226
00:53:23,760 --> 00:53:26,520
Speaker 1: to become a catch phrase or did it just evolved into.

1227
00:53:26,360 --> 00:53:27,440
Speaker 3: It sort of evolved.

1228
00:53:27,520 --> 00:53:30,440
Speaker 2: It was kind of like the what was the other

1229
00:53:30,480 --> 00:53:33,160
Speaker 2: one that I kept trying to Oh, just hanging around.

1230
00:53:32,880 --> 00:53:36,080
Speaker 3: Oh, just hanging around. That was when we tried out

1231
00:53:36,120 --> 00:53:39,759
Speaker 3: a few times and the sizzle. You know, we were

1232
00:53:40,400 --> 00:53:44,160
Speaker 3: we were looking for the one to fit and apparently

1233
00:53:44,400 --> 00:53:45,800
Speaker 3: how rude was it.

1234
00:53:45,040 --> 00:53:46,600
Speaker 1: It all started.

1235
00:53:46,960 --> 00:53:48,279
Speaker 3: It all started with a phone call.

1236
00:53:48,440 --> 00:53:51,239
Speaker 1: All started with mister mister oatboat and the operator.

1237
00:53:51,320 --> 00:53:53,520
Speaker 2: Yeah, but I don't I don't think it was like

1238
00:53:53,560 --> 00:53:55,839
Speaker 2: a thing that we were we were going for. And

1239
00:53:55,880 --> 00:53:58,480
Speaker 2: then I don't remember if it appeared in the next

1240
00:53:58,760 --> 00:54:01,360
Speaker 2: I guess we'll find out next week, but I'm not

1241
00:54:01,360 --> 00:54:03,680
Speaker 2: sure when the next how rude was and when it

1242
00:54:03,760 --> 00:54:06,480
Speaker 2: became like a thing that steph said all the time.

1243
00:54:06,320 --> 00:54:11,040
Speaker 1: But I'm eager to watch this evolution of how rude

1244
00:54:11,080 --> 00:54:14,560
Speaker 1: and she was that delivery that I love so much.

1245
00:54:14,800 --> 00:54:16,759
Speaker 3: Rude was the first one, and then it was how

1246
00:54:16,880 --> 00:54:18,879
Speaker 3: rude became Yeah.

1247
00:54:18,560 --> 00:54:21,480
Speaker 1: You gotta get that right like that that falsetto.

1248
00:54:21,239 --> 00:54:24,480
Speaker 3: Right, which has become harder and harder over the years.

1249
00:54:26,280 --> 00:54:28,200
Speaker 1: But yeah, people will never stop asking you to say

1250
00:54:28,200 --> 00:54:28,600
Speaker 1: that line.

1251
00:54:28,920 --> 00:54:31,120
Speaker 2: Unfortunately, Well, like I said, it's going to be on

1252
00:54:31,160 --> 00:54:32,439
Speaker 2: my urn at this point.

1253
00:54:32,480 --> 00:54:38,200
Speaker 1: Yes, So Stephanie apologizes for stealing DJ's part. DJ tells

1254
00:54:38,239 --> 00:54:40,759
Speaker 1: her that she knows that Stephanie didn't do it on

1255
00:54:40,800 --> 00:54:45,640
Speaker 1: purpose and that she was right. DJ was jealous. Stephanie replies,

1256
00:54:45,680 --> 00:54:49,280
Speaker 1: that's okay, I'm always jealous of you, and DJ seems

1257
00:54:49,280 --> 00:54:53,880
Speaker 1: flattered by this. Stephanie says, I think you're the smartest, prettiest,

1258
00:54:54,200 --> 00:54:58,000
Speaker 1: funnest girl I know, except when you hate me, and

1259
00:54:58,080 --> 00:55:00,319
Speaker 1: DJ says, well, I don't hate you, I was just

1260
00:55:00,480 --> 00:55:03,399
Speaker 1: mad at you. Then DJ sits down for the rest

1261
00:55:03,440 --> 00:55:08,080
Speaker 1: of this wonderfully sweet sister talk and says, I know

1262
00:55:08,120 --> 00:55:10,680
Speaker 1: the rule is that you're supposed to love your little sister,

1263
00:55:10,960 --> 00:55:13,120
Speaker 1: but even if you were some strange little kid who

1264
00:55:13,160 --> 00:55:16,000
Speaker 1: lived in my room. I'd love you anyways, you're my

1265
00:55:16,120 --> 00:55:20,800
Speaker 1: best friend. And Jody, You're like you're like rubbing her

1266
00:55:21,239 --> 00:55:23,840
Speaker 1: her arms, her sleeves here, and then you hold her

1267
00:55:23,880 --> 00:55:26,160
Speaker 1: hands and it, yeah, well you can say, I'm.

1268
00:55:26,000 --> 00:55:27,760
Speaker 3: Like trying to hold her hand. It was very cute.

1269
00:55:27,920 --> 00:55:29,799
Speaker 3: It was I'm telling you, like, this was like a

1270
00:55:29,920 --> 00:55:31,200
Speaker 3: kind of a real moment.

1271
00:55:31,000 --> 00:55:34,480
Speaker 2: Like we it was we had been probably arguing and bickering,

1272
00:55:34,520 --> 00:55:36,880
Speaker 2: and this was like us getting to say something to

1273
00:55:36,960 --> 00:55:40,800
Speaker 2: each other in the form of lines that would.

1274
00:55:40,600 --> 00:55:43,080
Speaker 3: That we actually could really like feel and kind of

1275
00:55:43,120 --> 00:55:45,719
Speaker 3: relate to. Was like we were you know, we were like.

1276
00:55:45,640 --> 00:55:50,800
Speaker 2: Siblings and it was such a real sweet moment.

1277
00:55:50,880 --> 00:55:53,160
Speaker 3: I really, I I always loved this episode.

1278
00:55:53,200 --> 00:55:56,560
Speaker 2: It was funny and whatever, but I forgot this moment

1279
00:55:56,640 --> 00:55:59,960
Speaker 2: at the end, and I remember being a little key

1280
00:56:00,200 --> 00:56:05,879
Speaker 2: and it was, yeah, I it definitely was like.

1281
00:56:07,360 --> 00:56:10,680
Speaker 3: A real moment that I knew, you know. I was like, look,

1282
00:56:10,680 --> 00:56:13,560
Speaker 3: I know sometimes I'm annoying, but like because I think

1283
00:56:13,560 --> 00:56:16,120
Speaker 3: you're cool, you know, and it was she was like, yeah,

1284
00:56:16,160 --> 00:56:18,879
Speaker 3: you can be annoying, but I you know, like it

1285
00:56:18,920 --> 00:56:23,000
Speaker 3: was just it had such real feeling to it, and I, yeah.

1286
00:56:22,680 --> 00:56:25,680
Speaker 1: You're not just reading lines, you're actually feeling that among.

1287
00:56:25,560 --> 00:56:27,040
Speaker 2: Yeah, I think I think the moment even when I

1288
00:56:27,080 --> 00:56:29,160
Speaker 2: like went to like touch her arms and grab her hand,

1289
00:56:29,160 --> 00:56:31,160
Speaker 2: I don't know if that was even I don't know

1290
00:56:31,200 --> 00:56:33,160
Speaker 2: if that was necessarily like scripted or planned, but I

1291
00:56:33,160 --> 00:56:34,239
Speaker 2: think it was just, you know.

1292
00:56:34,200 --> 00:56:37,359
Speaker 1: I felt genuine. Yeah, it felt organic, and I loved it.

1293
00:56:37,400 --> 00:56:39,640
Speaker 1: I melted. I was just like, this is the sweetest,

1294
00:56:40,080 --> 00:56:43,040
Speaker 1: sweetest moment. I can just tell the like you loved her,

1295
00:56:43,080 --> 00:56:44,600
Speaker 1: like you loved her and looked up to her, and

1296
00:56:44,600 --> 00:56:45,880
Speaker 1: I could see that in all of your.

1297
00:56:45,840 --> 00:56:46,759
Speaker 3: Yeah, it was. It was.

1298
00:56:47,239 --> 00:56:51,480
Speaker 2: It was definitely a I think, a very true to

1299
00:56:51,520 --> 00:56:55,120
Speaker 2: life episode. So it was it was funny to watch.

1300
00:56:55,960 --> 00:56:58,280
Speaker 1: Well. Stephanie is so honored by this, and she tells

1301
00:56:58,360 --> 00:57:02,120
Speaker 1: DJ that DJ is her best friend too. They hug,

1302
00:57:02,360 --> 00:57:06,239
Speaker 1: the audience aws and DJ offers to help Stephanie learn

1303
00:57:06,280 --> 00:57:09,000
Speaker 1: her script while Jesse and Joey look on quietly from

1304
00:57:09,000 --> 00:57:11,239
Speaker 1: the back of the room. DJ puts her arm around

1305
00:57:11,280 --> 00:57:14,760
Speaker 1: Stephanie and that is our show, lady.

1306
00:57:14,840 --> 00:57:18,440
Speaker 3: Yeah, and she finally tells steph not to read the

1307
00:57:18,880 --> 00:57:19,360
Speaker 3: stage show.

1308
00:57:19,480 --> 00:57:21,440
Speaker 1: Yes, that's right and important and important.

1309
00:57:21,600 --> 00:57:23,680
Speaker 2: It's very funny, but she's finally like Steph's like and

1310
00:57:23,720 --> 00:57:25,520
Speaker 2: then state Steph takes a big bite and she's.

1311
00:57:25,440 --> 00:57:27,120
Speaker 3: Like no, no, no, no. But I think it's cute

1312
00:57:27,120 --> 00:57:29,000
Speaker 3: because she's finally like, Okay, I'm not gonna let you, like,

1313
00:57:29,160 --> 00:57:30,360
Speaker 3: you know, do a terrible job.

1314
00:57:30,640 --> 00:57:35,400
Speaker 1: Yes, that's DJ is very supportive considering what's happened, right.

1315
00:57:35,600 --> 00:57:36,200
Speaker 3: That's what I mean.

1316
00:57:36,280 --> 00:57:38,520
Speaker 2: Like, if these were my kids, I don't know that

1317
00:57:38,560 --> 00:57:40,720
Speaker 2: it would be it definitely would have taken way more

1318
00:57:40,760 --> 00:57:43,360
Speaker 2: than that. Yes, yeah, for sure we would have gone

1319
00:57:43,360 --> 00:57:45,520
Speaker 2: through at least ten boxes of cereal being ripped apart

1320
00:57:45,520 --> 00:57:46,360
Speaker 2: in the kitchen.

1321
00:57:47,520 --> 00:57:50,240
Speaker 1: What a mess. Danny must have gone crazy with that

1322
00:57:50,280 --> 00:57:51,480
Speaker 1: little dustbruisture of his.

1323
00:57:51,640 --> 00:57:57,840
Speaker 3: Oh yeah, this is where the Dustbuster comes to life. Yep,

1324
00:57:58,160 --> 00:57:59,959
Speaker 3: we just don't see it. It's off camp City, but it's.

1325
00:58:00,160 --> 00:58:02,120
Speaker 1: He's dust busting in between scenes.

1326
00:58:03,600 --> 00:58:05,160
Speaker 3: Oh, sister Lee Love.

1327
00:58:05,080 --> 00:58:06,880
Speaker 1: Well, I know we already kind of talked about we

1328
00:58:06,920 --> 00:58:09,640
Speaker 1: talked about our everywhere. We sort of talked about our everywhere.

1329
00:58:09,680 --> 00:58:12,160
Speaker 3: We sort of but well maybe they maybe, maybe the

1330
00:58:12,200 --> 00:58:13,720
Speaker 3: wonders of editing took it out so that we can

1331
00:58:13,760 --> 00:58:15,000
Speaker 3: have our special little moment now.

1332
00:58:15,120 --> 00:58:17,680
Speaker 1: Okay, okay, so let's and we have the same We

1333
00:58:17,960 --> 00:58:20,360
Speaker 1: have the same one, which makes sense when you hear

1334
00:58:20,360 --> 00:58:23,800
Speaker 1: what it is. But on the oat boat box in

1335
00:58:23,880 --> 00:58:30,440
Speaker 1: the upper left hand corner, m hm, it says Olsen's yep,

1336
00:58:30,680 --> 00:58:34,560
Speaker 1: as in Olsen's oat Boats.

1337
00:58:34,960 --> 00:58:38,600
Speaker 3: Mary Kate, I'm sure, yeah, it has to be oat.

1338
00:58:38,400 --> 00:58:41,960
Speaker 1: Boats because the prop department usually like designs the like

1339
00:58:42,040 --> 00:58:44,000
Speaker 1: they paste and cut and so it's not it doesn't

1340
00:58:44,000 --> 00:58:46,160
Speaker 1: look like a Whaedy's box or Cheerios boxes. It's like

1341
00:58:46,520 --> 00:58:48,600
Speaker 1: oat boats looks like soh yeah, they're probably just cutting

1342
00:58:48,600 --> 00:58:52,040
Speaker 1: out something that says Olsen's Olsen's oat Boats. That was

1343
00:58:52,680 --> 00:58:54,960
Speaker 1: It's so subtle. It's so subtle, and you'd miss it

1344
00:58:55,000 --> 00:58:57,120
Speaker 1: if you if you're not paying attention. So I was

1345
00:58:57,200 --> 00:58:58,080
Speaker 1: very excited to see that.

1346
00:58:58,680 --> 00:59:01,880
Speaker 3: Speaking of there everywhere you look moment, Oh you have

1347
00:59:01,920 --> 00:59:02,320
Speaker 3: another one.

1348
00:59:02,320 --> 00:59:04,040
Speaker 1: Okay, great Steph's ears.

1349
00:59:04,920 --> 00:59:08,480
Speaker 3: If you look at Steph's ears, she's wearing pierced ear rings.

1350
00:59:09,680 --> 00:59:10,360
Speaker 1: You got your ears?

1351
00:59:10,600 --> 00:59:13,800
Speaker 3: Is this news? My ears were always pierced.

1352
00:59:14,200 --> 00:59:17,640
Speaker 2: And then in a later season we do the episode

1353
00:59:17,680 --> 00:59:20,760
Speaker 2: where you pierce my ears, and I remember.

1354
00:59:20,600 --> 00:59:22,960
Speaker 3: We were like, we've already seen stuff with ear.

1355
00:59:22,840 --> 00:59:25,320
Speaker 2: Rings in like she But there's a couple of scenes

1356
00:59:25,360 --> 00:59:27,120
Speaker 2: that's where my hairs pull back, and I have little

1357
00:59:27,200 --> 00:59:30,080
Speaker 2: like studs in and you can totally see stuff already

1358
00:59:30,120 --> 00:59:32,360
Speaker 2: has pierced earrings, but maybe they were the stick on

1359
00:59:32,400 --> 00:59:33,160
Speaker 2: ones or something.

1360
00:59:33,920 --> 00:59:37,720
Speaker 1: Continuity, well, continuity isn't our strong strong point, but we

1361
00:59:37,720 --> 00:59:40,240
Speaker 1: did our best. Yeah, yeah, And I've told you I

1362
00:59:40,520 --> 00:59:42,840
Speaker 1: do want to. I want to pierce your ears live

1363
00:59:43,360 --> 00:59:45,320
Speaker 1: on a lot at a live show sometime. That's another

1364
00:59:45,400 --> 00:59:48,000
Speaker 1: on my bucket list. I've already told you this, and

1365
00:59:48,000 --> 00:59:49,520
Speaker 1: do you know you've already blocked it out of your mind,

1366
00:59:49,520 --> 00:59:50,160
Speaker 1: I said, Jody.

1367
00:59:49,960 --> 00:59:52,360
Speaker 3: Sweetenas now, I remember that pierce your ears. I remember

1368
00:59:52,400 --> 00:59:54,320
Speaker 3: the stage and then you said it.

1369
00:59:54,560 --> 00:59:56,120
Speaker 1: But then the agreement was that I have to get

1370
00:59:56,120 --> 00:59:59,200
Speaker 1: a tattoo if I let if you let me pierce your.

1371
00:59:59,080 --> 01:00:01,040
Speaker 3: Ears, I have to give you a to I get

1372
01:00:01,040 --> 01:00:02,320
Speaker 3: to get you to give me a tattoo.

1373
01:00:02,480 --> 01:00:03,520
Speaker 1: I don't know if I like this deal.

1374
01:00:03,600 --> 01:00:05,320
Speaker 3: We want to do a big one, just so little.

1375
01:00:05,480 --> 01:00:08,960
Speaker 1: I don't are you No, I don't want a tattoo

1376
01:00:09,000 --> 01:00:12,640
Speaker 1: from a license tattoo artist. I'm not gonna let you

1377
01:00:12,760 --> 01:00:14,920
Speaker 1: tattoo my body with a license.

1378
01:00:15,040 --> 01:00:18,280
Speaker 3: It's a driver's license, but I have a license for something.

1379
01:00:18,720 --> 01:00:19,040
Speaker 3: You know.

1380
01:00:20,480 --> 01:00:23,920
Speaker 2: Well, all I'm saying is, if you guys want me

1381
01:00:23,960 --> 01:00:26,800
Speaker 2: to give ab a tattoo and have her pierce my

1382
01:00:26,880 --> 01:00:29,360
Speaker 2: ears in a live show, we'd love to hear it.

1383
01:00:29,480 --> 01:00:32,440
Speaker 2: Let us know, send us a message, Send us a message,

1384
01:00:32,480 --> 01:00:35,720
Speaker 2: follow us on Instagram at how Rude Podcast, or you

1385
01:00:35,720 --> 01:00:39,480
Speaker 2: can send us an email at how Rudepodcast at gmail

1386
01:00:39,520 --> 01:00:41,600
Speaker 2: dot com. We would love to hear from you. Make

1387
01:00:41,600 --> 01:00:43,880
Speaker 2: sure you are subscribing to the podcast so you get

1388
01:00:43,920 --> 01:00:45,120
Speaker 2: all the new episodes when they come out.

1389
01:00:45,120 --> 01:00:49,000
Speaker 3: We started doing some fun little minisodes every couple weeks with.

1390
01:00:48,960 --> 01:00:51,640
Speaker 2: Some behind the scenes stuff and uh yeah, so make

1391
01:00:51,680 --> 01:00:54,160
Speaker 2: sure you tune in next week for more how Rude

1392
01:00:54,160 --> 01:00:56,680
Speaker 2: Tanner Rito's And remember.

1393
01:00:58,000 --> 01:00:58,800
Speaker 3: The house is full.

1394
01:00:59,360 --> 01:01:01,680
Speaker 1: Nope, no almost, you almost had it. You almost had it.

1395
01:01:01,680 --> 01:01:02,080
Speaker 1: Try again.

1396
01:01:02,200 --> 01:01:06,840
Speaker 2: Remember remember the house is big. No no, don't know.

1397
01:01:07,040 --> 01:01:10,920
Speaker 3: Remember the world the world, the world is small and

1398
01:01:10,960 --> 01:01:11,800
Speaker 3: the house is full.

1399
01:01:12,360 --> 01:01:13,960
Speaker 1: I knew you could do it. I knew you could

1400
01:01:13,960 --> 01:01:14,120
Speaker 1: do it.

1401
01:01:14,200 --> 01:01:16,840
Speaker 3: Joe three times, three times, my own line.

1402
01:01:16,680 --> 01:01:20,720
Speaker 2: You're a three take wonder Well it was all the

1403
01:01:20,720 --> 01:01:23,440
Speaker 2: oat boats. Really, I learned my craft on the on

1404
01:01:23,480 --> 01:01:23,920
Speaker 2: the set of the.

1405
01:01:23,920 --> 01:01:24,800
Speaker 3: Oat boats commercials.

1406
01:01:24,840 --> 01:01:27,360
Speaker 1: So so great.

1407
01:01:27,680 --> 01:01:30,320
Speaker 2: Alr right, Well until next week. You guys, thanks for

1408
01:01:30,400 --> 01:01:32,040
Speaker 2: listening and uh I will see you

1409
01:01:32,040 --> 01:01:37,040
Speaker 1: Next week in Barber Joe audio, Spannertos audio